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wcw FEB 2022

Gotta love West Coast Woman's February issue! Love cats and dogs? Then you’ll love our profile on Anna Gonce, the ED of the Humane Society of Sarasota County. You’ll also love our Valentine’s day recipes for some sweet treats for you and your sweetie. We have events taking place indoors but also events taking place outdoors. Check out our calendars and our features this month - we have a lot!

Gotta love West Coast Woman's February issue! Love cats and dogs? Then you’ll love our profile on Anna Gonce, the ED of the Humane Society of Sarasota County. You’ll also love our Valentine’s day recipes for some sweet treats for you and your sweetie. We have events taking place indoors but also events taking place outdoors. Check out our calendars and our features this month - we have a lot!

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out and about continued<br />

grave, the second crisis, the extinctions<br />

crisis—which threatens the<br />

lives of a million species of plants and<br />

animals—has remained more hidden<br />

and out of the headlines. Fortunately,<br />

there is some hopeful news: the extinctions<br />

crisis has a solution, and in<br />

<strong>2022</strong> the whole world will assemble<br />

to face this growing calamity.<br />

“Half Earth” is the shorthand<br />

name for what needs to be done. The<br />

science is clear: most species can<br />

survive if at least half their original<br />

habitat is protected over the next<br />

30 years, and so the goal is 50 x<br />

50—protect half the earth by 2050. In<br />

May <strong>2022</strong>, 196 countries will meet in<br />

China to take the first big step: 30 x<br />

30, 30% by 2030.<br />

Hiss’s illustrated talk, based on<br />

his book, Rescuing the Planet: Protecting<br />

Half the Land to Heal the<br />

Earth, published to excellent reviews<br />

in 2021, presents the problem, the<br />

solution, and his own further reasons<br />

for optimism. Traveling around<br />

North America from Canada to<br />

Mexico, from the Rockies to Florida,<br />

he met with extraordinary people<br />

and groups that, years before the<br />

China meeting, were already working<br />

tirelessly and inventively to save<br />

our continent’s beloved landscapes<br />

and iconic species. Hiss also shares<br />

information about the many ways<br />

anyone can join this movement.<br />

Hiss is the author of 15 books,<br />

including the award-winning “The<br />

Experience of Place.” He was a staff<br />

writer for “The New Yorker” magazine<br />

for 30 years, and a visiting scholar<br />

at New York University for 25 years.<br />

Osher Lifelong Learning Institute<br />

at Ringling College (OLLI at Ringling<br />

College) presents its third annual<br />

“Listening to Women,” a seven-session<br />

series featuring women whose<br />

innovations and accomplishments are<br />

having an impact and influencing lives<br />

locally and globally.<br />

The series takes place on Thursdays<br />

at 1 p.m., through March 3 at the<br />

Ringling College Museum Campus,<br />

1001 S. Tamiami Trail, Sarasota. Registration<br />

for the seven-session series<br />

is $81 for OLLI Gold Members; $90<br />

for general admission. To register,<br />

call 941-309-5111, or visit www.OL-<br />

LIatRinglingCollege.org. Listening to<br />

Women is made possible, in part, with<br />

support from West Coast Woman.<br />

t<br />

Art Around<br />

the State<br />

t<br />

The Stebbins Collection: A Gift<br />

for the Morse Museum introduces<br />

to the public for the first time a<br />

previously held private collection<br />

of seventy works of art by 53 artists.<br />

From paintings and sculpture to<br />

works on paper, the Stebbins Collection<br />

includes American masters from<br />

Thomas Moran (1837-1926) and Albert<br />

Bierstadt (1830-1902) to Thomas<br />

Eakins (1844-1916) and Fidelia Bridges<br />

(1834-1923).<br />

Assembled over the course of fiftyfive<br />

years, the Stebbins Collection<br />

features artists of both great renown<br />

as well as many who have been<br />

largely forgotten. Each work of art,<br />

however, shares the common trait of<br />

presenting the artists at the height of<br />

their abilities.<br />

With particular strength in landscapes,<br />

as seen in<br />

the work of George<br />

Inness (1825–94)<br />

and Worthington<br />

Whittredge (1820–<br />

1910), and still<br />

lifes, exemplified<br />

through the paintings<br />

of George<br />

Cochran Lambdin<br />

(1830–96) and<br />

Martin Johnson<br />

Heade (1819–<br />

1904), the Stebbins<br />

Collection also<br />

offers superb watercolors<br />

by American<br />

Pre-Raphaelites<br />

such as Henry<br />

Roderick Newman<br />

(1843–1917) and<br />

Ellen Robbins<br />

(1828–1905). The<br />

Stebbins Collection<br />

complements<br />

the Morse’s wonderful<br />

collection<br />

of Tiffany’s work in<br />

all mediums, while At<br />

broadening the<br />

Museum’s holdings<br />

of American paintings.<br />

Morse Museum Info: https://<br />

www.morsemuseum.org/on-exhibit/<br />

the-stebbins-collection-a-gift-for-themorse-museum<br />

At The Museum of Fine Arts in St.<br />

Petersburg:<br />

t<br />

• Explore the Vaults: Black Portraits<br />

through February 27. Black<br />

Portraits spans two very different<br />

approaches to the portrait tradition:<br />

contemporary works on paper, and<br />

historical vernacular photographs.<br />

Taken together, this exhibition presents<br />

varied approaches to visualizing<br />

Black identity and experiences.<br />

• Pieced and Patterned American<br />

Quilts runs through January 23,<br />

<strong>2022</strong>. This exhibition features more<br />

than 30 quilts whose design, materials,<br />

and craft reflect the complexity<br />

and richness of American life<br />

from the brash first decades of the<br />

republic through the Great Depression.<br />

Pieced and Patterned includes<br />

examples of this quintessentially<br />

American art form, ranging from<br />

early appliqued textiles to boldly<br />

graphic bed coverings of the early<br />

modern era.<br />

More info at https://mfastpete.org/<br />

At Boca Raton Museum: Machu<br />

Picchu and the Golden Empires of<br />

Peru. This will be the inaugural stop<br />

of its global tour in South Florida this<br />

fall. This combination of rarely seen,<br />

world-class museum artifacts alongside<br />

technological breakthroughs in<br />

virtual reality is unparalleled (watch<br />

the video announcing tickets on sale).<br />

The early access online ticket portal is<br />

now open to the public at BocaMuseum.org/Golden.<br />

Audiences will discover an all-new,<br />

immersive museum experience that<br />

will transport visitors to the jewel of<br />

the Southern Hemisphere’s cradle of<br />

civilization, the Incan city of Machu<br />

Picchu ‒ voted one of the new seven<br />

wonders of the world. The exhibition<br />

will encompass the entire museum,<br />

including all galleries on both floors.<br />

The experience will also feature the<br />

first-ever virtual reality expedition<br />

t<br />

At The Van Wezel: The Simon and Garfunkel Story on<br />

of Machu Picchu, recorded in 2020<br />

during the unprecedented closure<br />

of the site during the pandemic. It<br />

was the first time in recent history<br />

this majestic City in the Sky was<br />

completely empty, filmed using state<br />

of the art drone-VR technology.<br />

Many of these 192 priceless<br />

artifacts are from royal tombs,<br />

including spectacular objects that<br />

belonged to noble Andean lords,<br />

and have never-been-seen before<br />

out of Peru. Guided throughout the<br />

exhibition by Ai Apaec, a mythical<br />

Andean hero, visitors will gain a<br />

window into transformation through<br />

the forces of nature that result in his<br />

death and subsequent rebirth. In<br />

this exotic land nothing is fixed and<br />

beings can change from one form to<br />

another. Throughout this dramatically<br />

staged expedition, the sounds of<br />

roaring jaguars, screaming macaws,<br />

and torrential rainfall surround<br />

visitors as they unravel the mysteries<br />

of Andean cosmology and marvel at<br />

the sophistication of Andean artists.<br />

Visitors will behold the marvels<br />

of engineering that sheltered a truly<br />

spiritual civilization and the ornate<br />

riches they once cherished. Rivaled<br />

only by Ancient Egypt in longevity<br />

and by the Roman Empire in<br />

engineering, Andean societies.<br />

On view now at the Boca Raton<br />

Museum of Art through March 6,<br />

<strong>2022</strong>. https://bocamuseum.org/<br />

t<br />

On display at Norton Museum<br />

of Art: Frida Kahlo, Diego Rivera<br />

and Mexican Modernism from the<br />

Jacques and Natasha Gelman Collection<br />

on view through February<br />

6, <strong>2022</strong>. Featuring over 150 works,<br />

including paintings and works on<br />

paper collected by Jacques and Natasha<br />

Gelman alongside photographs<br />

and period clothing, the exhibition<br />

includes the largest group of works by<br />

Frida Kahlo and Diego Rivera ever on<br />

view at the Norton. Presenting these<br />

artists’ creative pursuits in a broader<br />

context, the exhibition also includes<br />

work by Manuel and Lola Álvarez<br />

Bravo, Miguel Covarrubias, Gunther<br />

Gerzso, María Izquierdo, Carlos Mérida,<br />

David Alfaro<br />

Siqueiros, Juan<br />

Soriano, and Rufino<br />

Tamayo.<br />

The Gelmans’<br />

close relationship<br />

with this<br />

community is<br />

underscored by<br />

the number of<br />

portraits of them<br />

made by their<br />

artist friends in<br />

the exhibition.<br />

Photographs<br />

related to Kahlo,<br />

Rivera, and their<br />

enduring legacy<br />

by a global roster<br />

of artists including<br />

Lucienne<br />

Bloch, Imogen<br />

Cunningham,<br />

Juan Guzmán,<br />

Graciela Iturbide,<br />

Nickolas Muray,<br />

Edward Weston,<br />

and Guillermo<br />

on February 12.<br />

Kahlo—Frida’s father—help<br />

round<br />

out our understanding<br />

of these iconic painters.<br />

More info at https://www.norton.org/<br />

t<br />

At The Baker Museum:<br />

• Subject Matters; Selections from<br />

the Permanent Collection. Drawn<br />

from The Baker Museum’s permanent<br />

collection, this exhibition addresses<br />

subject matters commonly<br />

found in visual arts, while exploring<br />

a wide array of formal characteristics<br />

and styles in modern and contemporary<br />

art. It also demonstrates<br />

differing artistic approaches taken by<br />

different individuals, reflecting their<br />

personal experiences and concerns,<br />

as well as the time and places in<br />

which they lived and have lived. Subject<br />

Matters is organized into nine<br />

sections: the Human Figure, Plants<br />

and Animals, Landscapes, (Sub)<br />

Urban Life, Still-Life, the Home, Artist<br />

and Studio, Narratives and Nonfigurative<br />

Abstraction. Runs though<br />

March 2. Located on the second<br />

floor of The Baker Museum.<br />

• Baseball Heroes: Works from the<br />

Jay H. Baker Collection. Featuring<br />

more than 100 iconic artifacts from<br />

the unparalleled New York Yankees<br />

memorabilia collection of Jay H.<br />

Baker, this exhibition celebrates<br />

baseball as an integral part of American<br />

life for nearly 200 years. Baseball<br />

Heroes presents extraordinary<br />

objects and original documents<br />

from Babe Ruth, Lou Gehrig, Joe<br />

DiMaggio, Mickey Mantle and Derek<br />

Jeter. Highlights include Babe<br />

Ruth’s earliest known game-used<br />

bat, Mickey Mantle’s first signed<br />

professional contract and the jersey<br />

worn by Derek Jeter for his Yankees<br />

debut in 1995. Runs through May<br />

15. Located on the third floor of The<br />

Baker Museum.<br />

• Love in All Forms: Selections from<br />

the Art Collection of Patty and Jay<br />

Baker. As a complement to Baseball<br />

Heroes, this exhibition will paint a<br />

fuller portrait of noted collectors and<br />

philanthropists Patty and Jay Baker<br />

through the presentation of selections<br />

from their remarkable collection<br />

of fine art. From the Impressionist<br />

painting of Claude Monet to<br />

the art deco portraits of Tamara de<br />

Lempicka to the abstract sculpture<br />

of Henry Moore, the works in this exhibition<br />

represent some of the most<br />

significant art historical movements<br />

of the past 150 years. Runs through<br />

May 15. Located on the third floor of<br />

The Baker Museum.<br />

• Florida Contemporary, an annual<br />

exhibition organized by Artis—Naples,<br />

The Baker Museum, highlights<br />

work by notable visual artists<br />

active in Florida. Three artists are<br />

invited for its ninth iteration this<br />

season: Gonzalo Fuenmayor, Akiko<br />

Kotani and Noelle Mason. A wide<br />

array of compelling works by these<br />

artists with distinct backgrounds<br />

and artistic interests testify to the<br />

creative energies and intellectual<br />

vigor present in the state’s visual<br />

art world. Runs through July 17.<br />

Located in the Kohan, Newell and<br />

Friends of Artis—Naples Galleries<br />

of Hayes Hall.<br />

Museum of Fine Arts in St. Petersburg:<br />

has More Than Retro Art Photography<br />

Of The 1970s, through April<br />

3, <strong>2022</strong>.<br />

The 1970s witnessed a dramatic<br />

shift from photojournalism, the dominant<br />

occupation of photographers<br />

since the 1930s, to art photography in<br />

the United States. More Than Retro:<br />

Art Photography of the 1970s celebrates<br />

and explores that remarkable<br />

change, revealing 1970s artistic trends<br />

including the snapshot aesthetic,<br />

the rebellion against purism, image<br />

manipulation, and social landscapes.<br />

This exhibition features both famous<br />

and lesser-known artists, and includes<br />

works by Andy Warhol (1928–1987),<br />

Garry Winogrand (1928–1984), Dianora<br />

Niccolini (b. 1936), Stephen<br />

Shore (b. 1947), and Jerry Uelsmann<br />

(b. 1934).<br />

The shift from photojournalism to<br />

art photography was due to a variety<br />

of factors, including the rising cost of<br />

ink and paper, which effectively put<br />

an end to weekly picture magazines<br />

such as Life and Look. In addition,<br />

students were graduating with advanced<br />

degrees in photography, while<br />

simultaneously museums, galleries,<br />

and critics were giving greater attention<br />

to art photography. Likewise, the<br />

field was impacted by the growing<br />

influence of the Society for Photographic<br />

Education (1962) and the<br />

Visual Studies Workshop (1969), both<br />

founded by Nathan Lyons (1930–<br />

2016) at the George Eastman House—<br />

the world’s oldest museum devoted<br />

to photography. New approaches,<br />

such as the highly influential 1966<br />

book The Photographer’s Eye by John<br />

Szarkowski (1925–2007), explored<br />

issues related to seeing and making<br />

photographs. Indeed, art photographers<br />

from the 1970s were largely<br />

preoccupied with the self-referential<br />

image, one that acknowledged and<br />

was ironically aware of the history of<br />

photography.<br />

More Than Retro: Art Photography<br />

of the 1970s is drawn mainly from the<br />

museum’s collection. https://mfastpete.org/exh/retro/<br />

t<br />

Note:<br />

Be sure to send season schedules<br />

for <strong>2022</strong> to westcoastwoman@<br />

comcast.net<br />

t<br />

<strong>FEB</strong>RUARY <strong>2022</strong> WEST COAST WOMAN 13

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