Volume 27 Issue 5 | March 4 - April 15, 2022
"Hard to watch and impossible to ignore"--on the Russian invasion of Ukraine; Tafelmusik goes live again in a tribute to Jeanne Lamon; TSO MD reunion as Centennial Countdown kicks off; PASS=Performing Arts Sunday Series at the Hamilton Conservatory of the Arts ...; crosstown to the TRANZAC, Matthew Fava on the move; all this and more ....
"Hard to watch and impossible to ignore"--on the Russian invasion of Ukraine; Tafelmusik goes live again in a tribute to Jeanne Lamon; TSO MD reunion as Centennial Countdown kicks off; PASS=Performing Arts Sunday Series at the Hamilton Conservatory of the Arts ...; crosstown to the TRANZAC, Matthew Fava on the move; all this and more ....
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<strong>27</strong>05_<strong>March</strong>_cover.indd 1<br />
The Galileo Project<br />
La Jolla,California, 2010<br />
<strong>2022</strong>-03-03 9:49 PM<br />
The WholeNote<br />
VOLUME <strong>27</strong> NO 5 |<br />
MARCH 4 - APRIL <strong>15</strong>, <strong>2022</strong><br />
EDITORIAL<br />
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ON OUR COVER<br />
VOLUME <strong>27</strong> No 5<br />
MARCH 4 - APRIL <strong>15</strong>, <strong>2022</strong><br />
The sky’s<br />
the limit as<br />
the music<br />
goes live<br />
Music events by date, live and livestreamed<br />
Stories & interviews<br />
Record reviews, listening room<br />
PHOTO: GLENN DAVIDSON<br />
7 FOR OPENERS | Hard to watch<br />
and impossible to ignore |<br />
DAVID PERLMAN<br />
STORIES & INTERVIEWS<br />
8 COVER STORY | Tribute to<br />
Jeanne Lamon - Tafelmusik<br />
Returns to Live Performance<br />
| DAVID PERLMAN<br />
10 CLASSICAL AND BEYOND |<br />
A spring in the seasonal step!<br />
| PAUL ENNIS<br />
22<br />
<strong>Volume</strong> <strong>27</strong> No 5 | <strong>March</strong> 4 - <strong>April</strong> <strong>15</strong> <strong>2022</strong><br />
“I wanted to begin with The Galileo Project, which is the<br />
one I mostly closely identify with Jeanne. And Galileo begins<br />
with Vivaldi.”<br />
The Galileo Project: Music of the Spheres is a Tafelmusik<br />
multimedia performance piece featuring the music of Vivaldi,<br />
Lully, Monteverdi and others. Conceived and scripted by Alison<br />
Mackay, the ensemble’s bassist, and unveiled in Calgary in 2009,<br />
which the United Nations had declared the International Year<br />
of Astronomy, it includes projections of astronomical and other<br />
scenes, a narrator and an “unfettered” orchestra: the players<br />
memorized their parts so that while playing they could move<br />
around the performance space, including into the audience. The<br />
production was designed by Glenn Davidson, who has designed<br />
several of Tafelmusik’s multimedia programs.The cover photo is<br />
from 2010, when the show played in La Jolla, California.<br />
Alison Mackay explains … page 8.<br />
14 IN WITH THE NEW |<br />
Johnston’s Voice and<br />
Devaux’s Imagined Sounds |<br />
WENDE BARTLEY<br />
18 EARLY MUSIC | Period<br />
performance on a sliding<br />
historical scale |<br />
MATTHEW WHITFIELD<br />
20 MUSIC THEATRE | A new “new<br />
start” … again. Hope springs<br />
eternal | JENNIFER PARR<br />
WholeNote Media Inc.<br />
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Phone 416-323-2232 | Fax 416-603-4791<br />
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