Volume 27 Issue 5 | March 4 - April 15, 2022
"Hard to watch and impossible to ignore"--on the Russian invasion of Ukraine; Tafelmusik goes live again in a tribute to Jeanne Lamon; TSO MD reunion as Centennial Countdown kicks off; PASS=Performing Arts Sunday Series at the Hamilton Conservatory of the Arts ...; crosstown to the TRANZAC, Matthew Fava on the move; all this and more ....
"Hard to watch and impossible to ignore"--on the Russian invasion of Ukraine; Tafelmusik goes live again in a tribute to Jeanne Lamon; TSO MD reunion as Centennial Countdown kicks off; PASS=Performing Arts Sunday Series at the Hamilton Conservatory of the Arts ...; crosstown to the TRANZAC, Matthew Fava on the move; all this and more ....
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captures Henze’s brilliant characterizations,<br />
shapely phrases and delightfully clear<br />
textures, making this a disc well worth<br />
seeking out.<br />
Pamela Margles<br />
how do I find you<br />
Sasha Cooke; Kirill Kuzmin<br />
Pentatone PTC 5186961 (pentatonemusic.<br />
com/product/how-do-i-find-you)<br />
! American<br />
mezzo-soprano<br />
Sasha Cooke is a<br />
two-time Grammy<br />
Award winner.<br />
Her most recent<br />
album, how do I<br />
find you, features<br />
songs composed by<br />
numerous living American composers (Missy<br />
Mazzoli, Rene Orth, Frances Pollock, Hilary<br />
Purrington, Kamala Sankaram and Caroline<br />
Shaw) and written by many living American<br />
and Canadian poets and lyricists (Liza Balkan,<br />
Mark Campbell, David Henry Hwang and<br />
Colleen Murphy).<br />
howdDo I find you is a digital only release<br />
in which Cooke partners up with collaborative<br />
pianist and Houston Grand Opera principal<br />
coach Kirill Kuzmin. Together, they<br />
perform 17 newly composed songs commissioned<br />
and curated by Cooke during the<br />
COVID-19 pandemic. Composers were given<br />
the opportunity to write about topics that<br />
spoke to them most during the pandemic<br />
and this resulted in a wide variety of<br />
themes related to the use of social media,<br />
social injustice, immigration and environmental<br />
concerns, as well as the familiar<br />
pandemic themes of working from home,<br />
work insecurity, pandemic parenting, general<br />
struggles and personal sacrifices.<br />
Although Cooke’s voice would gain from<br />
light text setting revisions and her interpretation<br />
of raw and unhinged feelings is, at times,<br />
too measured (Dear Colleagues), how do I<br />
find you is a compelling album. With music<br />
firmly situated in the contemporary American<br />
art-song style and up to date lyrics, Cooke and<br />
Kuzmin’s interpretations successfully portray<br />
the intricacies of pandemic life with relatable<br />
depth, seriousness, sarcasm and humour.<br />
Sophie Bisson<br />
EDEN<br />
Joyce DiDonato; Il Pomo D’Oro; Maxim<br />
Emelyanychev<br />
Erato<br />
(joycedidonato.com/2021/12/07/eden)<br />
! Joyce DiDonato’s<br />
Eden invites us to<br />
examine our relationships<br />
and<br />
connections to the<br />
natural world by<br />
exploring themes<br />
of identity and<br />
belonging as well<br />
as our role and purpose in the healing of our<br />
planet, ourselves and one another.<br />
The repertoire offered crosses musical<br />
genres and eras, from classical Baroque songs<br />
from the 17th century to the modern contemporary<br />
and jazzy sounds of the 21st. The songs<br />
showcase themes of nature that have fascinated<br />
numerous composers, from Handel,<br />
Gluck and Mysliveček to Mahler, Ives and<br />
Copland. Eden also includes a world premiere<br />
recording of The First Morning of the<br />
World by Rachel Portman and Gene Scheer,<br />
commissioned for the album.<br />
DiDonato is a well-established versatile<br />
singer and little can be added to praise the<br />
quality of her voice, her technique, her creativity<br />
and her artistry, all equally displayed<br />
on Eden. Perhaps most notable is the care in<br />
curation which results in a cohesive product<br />
offering both vocal and instrumental works<br />
that efficiently cross the boundaries of<br />
musical genres and eras.<br />
DiDonato’s partners, Ensemble Il<br />
Pomo d’Oro and the conductor Maxim<br />
Emelyanychev, are historical performance<br />
practice specialists and this is reflected<br />
throughout the album. Gluck’s instrumental<br />
piece Danza degli spettri e delle furie is especially<br />
delightful.<br />
Sophie Bisson<br />
Concert note: The release of Eden will be<br />
followed by a 45-city global tour that includes<br />
a Toronto stop at Koerner Hall on <strong>April</strong> 19.<br />
From Rags to Riches – 100 Years of<br />
American Song<br />
Stephanie Blythe; William Burden; Steven<br />
Blier<br />
NYFOS Records n/a (nyfos.org)<br />
! This debut album<br />
from the New York<br />
Festival of Song’s<br />
new in-house label<br />
NYFOS Records<br />
features mezzosoprano<br />
Stephanie<br />
Blythe and tenor<br />
William Burden<br />
accompanied on piano by NYFOS artistic<br />
director/co-founder Steven Blier, who also<br />
arranged some of the songs. It is taken from<br />
a <strong>March</strong> 2000 live concert recording at Kaye<br />
Playhouse at Hunter College in New York<br />
celebrating 20th-century American songs<br />
including art song, musical theatre, jazz<br />
and opera.<br />
The opening track has happy, energetic<br />
Blythe solo vocals in a dance-along rendition<br />
of Joplin’s Pineapple Rag, arranged by<br />
Blier. Blier’s arrangement of Cook’s vaudeville<br />
My Lady Frog is amazing, with opening<br />
piano leaping frog line, Burden’s musical<br />
singing to higher tenor closing pitches<br />
and closing ragtime piano riff. Bernstein’s<br />
Broadway song Wrong Note Rag provides a<br />
fun change of pace with piano “wrong note<br />
chords” hilarious under the vocalists. Nice to<br />
hear a more classical piece in the mix here<br />
with Samuel Barber’s Nocturne for tenor<br />
and piano. Other songs include works by<br />
Gershwin, Monk, Weill, Rodgers, Sondheim<br />
and Bolcom<br />
What we're listening to this month:<br />
thewholenote.com/listening<br />
Marimba Collage: Open Score<br />
Works by Jordan Nobles<br />
Nicholas Papador and the University<br />
of Windsor Percussion Ensemble<br />
Gorgeously immersive sonic<br />
marimba landscapes. Available<br />
on CD and digitally from Redshift<br />
Records.<br />
… AND NOTHING REMAINS THE<br />
SAME…<br />
Eight Strings & a Whistle<br />
Explore evocative transformation<br />
cycles through rife sound, stark<br />
dissonance, and rich harmony in<br />
these works for cello, viola, and flute.<br />
Gail Kubik:<br />
Symphony Concertante<br />
Boston Modern Orchestra Project<br />
Grammy Award-Winning BMOP/<br />
sound Releases a New Orchestral<br />
Recording of Gail Kubik's Film-<br />
Inspired Music<br />
Sandburg Songs<br />
Matthew Schreibeis<br />
The premiere release of<br />
Schreibeis' vivid, captivating song<br />
cycle on Carl Sandburg's Chicago<br />
Poems, featuring superstar<br />
soprano Tony Arnold.<br />
thewholenote.com <strong>March</strong> 4 – <strong>April</strong> <strong>15</strong>, <strong>2022</strong> | 43