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MUSIC FOR LOWER VOICES TTBB unaccompanied 38 2 Pandangguhan for online perusal only (Dancing the Pandanggo) Nina Gilbert A
39 Pronunciation Guide Tagalog is the major language of the Philippines and is the basis of the national language, Filipino (also called Pilipino). It is in the Malayo-Polynesian family of languages, related to Indonesian. It is easy to pronounce since its spellings are phonetic, with pronunciation similar to Italian and Spanish. Apostrophes do not affect pronunciation. Vowels a as in “father” e as in “weigh,” but without a diphthong i as in “police” o as in “for” u as in “rude” aw similar to the ow in “now” ay similar to the y in “my” Consonants g always hard, as in “go” k, p, and t unaspirated; k is between the sounds of k and g, p is between the sounds of p and b, and t is between the sounds of t and d ng as in “singer”; when ng appears as a whole word (m. 9, bass 1; m. 59, all voices) it is pronounced as if it were spelled nang* r slightly rolled for online perusal only *Mga is another exception. As it is pronounced manga, it is spelled out with two syllables in the score (m. 4, tenor 1; m. 5, bass 2, and elsewhere). When the text to Pandangguhan is typed as poetry, however—that is, without music—manga should appear as mga. Levi Celerio (1910–2002) was named a Filipino National Artist in both music and literature. He was best known as a prolific lyricist with 4,000 songs, including many lyrics added to folk tunes, and as a composer of music for films. He was a co-founder of FILSCAP, the Filipino Society of Composers, Authors, and Publishers. Nina Gilbert, arranger, is Director of Choral Activities at Lafayette College in Easton, Pennsylvania. Her musical background ranges from Kenya, East Africa, where she translated Schubert’s Mass in G into Swahili while serving as a Peace Corps volunteer (1978–80); to New York, where she served as associate conductor of the New York Choral Society, working in Carnegie Hall and Lincoln Center (1995–96). She has about twenty-five choral arrangements and editions in print, and is active as a writer, editor, speaker, guest conductor, and clinician.
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Page 3 and 4: Kevin Riehle - Shenandoah TTBB, flu
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Page 7 and 8: T. 1 T. 2 Bar. 1 & 2 B. Ó ff ff ?
Page 9 and 10: 9 40 hea-vy as my sins, poco cresc.
Page 11 and 12: 9 60 ° & b b b ‹ œ- j ‰ j œ-
Page 13 and 14: 13 93 ° & b ‹ p dolce ˙ œ œ
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Page 17 and 18: 134 56 78 9 17 56 7 9
Page 19 and 20: 19 Tenor 1 Tenor 2 Bass 1 Bass 2 fo
Page 21 and 22: 21 4 [ 15 rall. a tempo pp p Í! S
Page 23 and 24: 6 [ 31 Í! Y CO Í! Y CO g C C Y C
Page 25 and 26: 25 for online perusal only
Page 27 and 28: 27 BARITONE SOLO 4 B## to Jameson M
Page 29 and 30: 29 5 V [ # 36 ## Š Š Š Š Š Š
Page 31 and 32: 31 Oxford Music for Men's Voices Fi
Page 37: 37 for online perusal only
Page 41 and 42: 4 8 [ 41 Because you are a jewel of
Page 43 and 44: 6 [ 28 Í! W C Í! W C S S W BO B C
Page 45 and 46: 8 [ 44 There's roast pig in every h
Page 47 and 48: 10 [ 52 Í! W C ff C Our town’s f
Page 53 and 54: 53 for online perusal only Copyrigh
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Page 63 and 64: 63 5 42 heard a
Page 65 and 66: 65 SOLO T. 1 T. 2 60 SOLOI
Page 81 and 82: 81 Shenandoah For TTBB Chorus, Flut
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Page 85 and 86: 6 [ 29 ] [ ] ! W W W W B B Q T h C
Page 87 and 88: 8 87 [ 38 ! W W W W O B S C C C C B
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10 89 [ 44 ! W W W W C C C C C C C
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12 91 [ 50 ] ! W W W ? W C S R Q R
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1 1 : ! = > = > = > q - - 16 : - -
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103 for online perusal only © Hins
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105 for online perusal only
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107 2 for online perusal only
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115 Sacred TTBB unaccompanied for o
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4 135 9 T. 1 T. 2 unis. mp
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6 137 32 a tempo TENO
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8 139 48
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141 3 12
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T. 1 T. 2 in 30 B. 1
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145 48
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147 9 70
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149 11 88 in his hands,
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157 I -· - = v - - - - - ,_ - 33
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159 - = v - - ' - - - 53 ) ------
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161 - ,,_ v - -· . - - - v - -
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163 10 - - - - ,_ -· - -· - - -
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165 - - - - ... - - - - ll4 poco ri
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167 ! Y Y X C - g - Ċ C - Ċ C
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169 [ Í! Y Y Y X C , h Ċ
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171 [ Í! Y C- C- Y -C Y C
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173 poco accel. Í! Y Y , C-
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175 [ Í! Y Y S S mf C X C
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177 Í! Y Y Y Y Y Y 7 C Ċ , C
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