Choral titles for Lower voices sampler

March 2022
Choral titles for
TTBB choirs

Music for Lower Voices
A complete list of pieces for lower voices (tenors and basses) that are not in the lower
voice series IN THE deep.
To browse IN THE deep click here:
Contents
Bob Chilcott- Newton’s Amazing
Grace
TTBarBarBB unacc More info 4
Rebecca Clarke – Now fie on love TTBarB unacc More info 15
FRC Clarke – O magnum
mysterium
TTBB unacc More info 19
KJ Dinham – Kwmbayah TTBB unacc More info 25
Bradley Ellingboe – Innisfree Bar solo, TTBB unacc More info 27
John Gardner – Fight the good fight†
TTBB and piano More info 31
Nina Gilbert - Pandangguhan TTBB unacc More info 38
Norman Gilbert – Coventry Carol TTBB unacc More info 49
Robert A Harris – Oh, how can I
keep from singing?
Robert L Jefferson – I am on the
battlefield for my Lord
William Mathias – Lord is my
Shepherd, The
Puccini – Behold the royal banners
go
TTBB unacc More info 53
TTBB unacc More info 60
TTBB and piano More info 67
TB and organ or
harmonium
More info 75

Kevin Riehle - Shenandoah TTBB, flute, oboe, More info 81
bassoon and piano
John Rutter – For the beauty of the TTBB and piano* More info 92
earth
John Rutter – Lord, make me an TTBB and piano* More info 103
instrument of thy peace †
John Rutter – Two folk-songs TTBB and piano* More info 107
Howard Skempton – Song of Songs, TTBB unacc More info 115
The
Reginald Unterseher – Sweet Rivers TBB and piano More info 122
Vaughan Williams – Drinking Song TTBB and piano* More info 127
Mack Wilberg – All through the TTBB, melody inst and More info 134
night
piano*
Mack Wilberg – He’s got the whole TTBB and piano* More info 140
world in his hands
Mack Wilberg – Morning trumpet, TTBB unacc More info 150
The
Mack Wilberg – Praise to the Lord, TTBB and organ* More info 155
the Almighty
Mack Wilberg – Videntes stellam
Magi
TBarB solos, TBar B
and piano*
More info 166
† only available from OUP in US
* instrumental/orchestral accompaniment available

4
Commissioned jointly by Orphei Drängar, conductor Cecilia Rydinger Alin,
and Chor Leoni, conductor Diane Loomer, and dedicated to them with love
Newton’s Amazing Grace
John Agard
BOB CHILCOTT
TENOR 1
TENOR 2
BARITONE
BASS
Heavy, with a feel of the blues q = c.88
p
°
& b b b4
‹
œ- j ‰ j œ-
‰ ‰ j ‰ j ‰ Ó
œ> œ - œ-
huh huh huh huh huh huh huh huh huh huh
p
& b b b4
‹
œ- j ‰ j œ-
‰ ‰ œ>
j ‰ j ‰ Ó
œ - œ-
huh huh huh huh huh huh huh huh huh huh
? b b b 4 ∑ ∑ ∑
p
? ¢ b b b 4 œ
j ‰ -
œ j ‰ ‰ - œ>
huh
j ‰ j
œœ - œ- ‰ Ó
œ- j ‰ œ-
j ‰ ‰ œ >
œ -
j ‰ œ-
j ‰ Ó
œ- j ‰ œ-
j ‰ ‰ œ> œ -
j ‰ œ-
j ‰ Ó
œ
j ‰ -
œ j ‰ ‰ œ - >
huh huh huh huh huh huh huh huh huh
p (with menace)
Ó Œ œ œ œ œ
j
œ ‰ j
- œ- ‰ Ó
Grace is not a
for online perusal only
5
°
& b b b
‹
œ- j ‰ j œ-
‰ ‰
huh huh huh huh huh huh huh huh
& b b b
‹
œ- j ‰ j œ-
‰ ‰
>
œ œ - j ‰ j ‰ Ó
œ -
>
œ j ‰ j ‰ Ó
œ - œ-
œ- j ‰ œ-
j ‰ ‰ œ >
œ- j ‰ œ-
j ‰ ‰ œ>
huh huh huh huh huh huh huh huh
? b b œ-
b J œ œ œ œ œ œ j
œ œ - ‰ Œ ‰ œ œ œ œ œ œ - J œ œ œ œ œ œ
word for which I have much use. AndI skip pered
- ships that did more than
?
¢ b b b œ
j ‰ -
œ j ‰ ‰ - œ œœ j ‰ j > - œ ‰ Ó œ
j ‰ - -
œ j ‰ ‰ œ - >
huh huh huh huh huh huh huh huh
Music © Oxford University Press 2010; Text © John Agard 2006, from “We Brits”, published by Bloodaxe Books Ltd, reproduced by kind
permission of John Agard c/o Caroline Sheldon Literary Agency Ltd.
Printed in Great Britain
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL

8
&
‹
b b b
5
3
mf
p
°
& b b b
‹
œ- j ‰ j j
œ ‰ ‰ -
œ œ > - ‰
j
œ - ‰ ‰ œ
j
œ ‰ j
> -
œ ‰ ‰ -
œ >
huh huh huh huh huh huh huh huh huh
mf
p
œ- j ‰ œ -
j ‰ ‰ œ >
œ -
j ‰ œ -
j ‰ ‰ œ >
j œ œ -
j ‰
huh huh huh huh huh huh huh huh huh
mf
p
? b b b œ- j ‰ ‰ œ r œ œ œ œ œ - œ - J Œ ‰
bruise the face of the At lan
œ- j ‰ ‰ œ >
œ œ œ - œ œ - J ‰ ‰ œ r œ œ œ
- - tic,
At - lan tic.
?
¢ b b b œ
j ‰ - œœ j ‰ ‰
- œ
> œ ‰
-j
œ j ‰ ‰
- >
œ
huh huh huh huh
mf
- I carved my
p
œ j ‰
j
œ ‰ ‰
- - >
œœ
huh huh huh huh huh
11
°
& b b b
‹
œ- j ‰ j œ-
‰ ‰ j ‰ j ‰ Ó
œ> œ - œ-
&
‹
b b b
for online perusal only
œ- j ‰
huh huh huh huh huh huh huh huh huh huh But the
œ- j ‰ œ-
j ‰ ‰ œ> œ -
j ‰ œ-
j ‰ Ó
œ- j ‰
?
¢ b b b œ
j ‰ -
œ j ‰ ‰ - œ> j ‰ j
œœ - œ ‰ Ó œ
j ‰ œ
j ‰ ‰ - - -
œ j
œ ‰ j > - œ ‰ Ó
-
huh huh huh huh huh huh huh huh huh huh
f (fierce!)
œ- j ‰ ‰ œ >
œ -
j ‰ œ-
j ‰ Œ ‰ œ œ
f (fierce!)
œ- j ‰ ‰ œ> œ -
j ‰ œ-
j ‰ Œ ‰ œ œ
huh huh huh huh huh huh huh huh huh huh But the
f (fierce!)
? b b œ-
b J œ œ œ œ œ œ œ - J œ ‰ ‰ œ œ œ œ j œ œ
R
œ œ - ‰ Ó Ó Œ ‰
name in hu-man
car-go
with-out
a thought of shame. But
the
15
°
& b b œ œ œ œ œ œ œ œ œ
b
œ œ œ œ œ œ œ œ œ
‹
&
‹
b b b
sea’s big e-nough
for a man to lose his con- science, if not his pu - ny neck. In the
sea’s big e-nough
for a man to lose his con- science, if not his pu - ny neck. In the
œ œ œ œ œ œ œ œ œ œ
? b b œ œ œ œ œ œ
b
sea’s big e nough
œ œ
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ
nœ
œ œ
-
?
¢ b b œ b J ‰
huh
f (fierce!)
- for a man to lose his con- science, if not his pu - ny neck. In the
-
œ
J ‰ ‰
-
œ
œ
J
œ œ œ œ œ œ œ œ J ‰
huh huh his con- science, if not his pu - ny neck.

4
17
°
& b b b
‹
6
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ bœ
sea’s eye, who is this up - start speck that calls him-self
a ma - ker of his - to - ry?
&
‹
b b b
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
sea’s eye, who is this up - start speck that calls him-self
a ma - ker of his - to - ry?
œ œ œ œ œ œ œ œ œ
? b b œ œ œ œ œ nœ
œ
b
sea’s eye, who is this up - start speck that calls him - self a ma - ker of
- - -
?
¢ b b œ b J ‰ œ œ
J ‰ ‰ œ œ œ
J
œ œ œ œ œ
huh huh huh that calls him self
- a ma - ker of
â
ä
T. 1
19
°
& b b b
‹
ff (open and raw!)
Grace
is not a word for which Ihave much use. And I skip - pered
T. 2
&
‹
b b b
for online perusal only
˙ œ J ‰ œ œ œ œ œ-
J
œ œ œ œ œ œ œ œ-
J
‰ Œ ‰ œ œ œ œ œ
ff (open and raw!)
˙ œ J ‰ Œ œ œ œ
œ œ œ
œ
œ
∑
Bar. 1
œ
? b b b
his
œ œ J J
œ
‰ ff (open and raw!)
ay oh ay oh ay oh ay oh
œ œ œ ˙ œ œ œ œ œ œ œ-
J ‰ Œ ‰ œ œ œ œ
- to ry?
- Grace
is not a word for which Ihave much use. And I skip-pered
Bar. 2
nœ
? b b b
his
œ J
œ J ‰ Œ
ff (open and raw!)
bœ-
œ- œ-
J ‰ J ‰ ‰
œ - J ‰ œ- J ‰ ‰ œ -
- to- ry?
huh
huh huh huh huh huh
B.
¢
ff (open and raw!)
? b b œ œ œ j j
b J J ‰ Œ œ - ‰ œ - ‰ ‰ œ - - j - ‰ j ‰
œ œ œ ‰ -
œ œ œ œ œ œ
his
huh
huh
huh
- to- ry?
huh
huh
huh
ay oh
ay oh ay
oh ay oh

T. 1
T. 2
Bar.
1 & 2
B.
Ó
ff ff
? 2
¢ b b œ œ œ œ b
œ œ œ œ œ 4œ œ œ œ ˙> ˙ œ 4 J ‰ œ
-
carved
j
œœ ‰ j
- œ ‰
-
5
22
°
& b b œ-
b J œ œ œ œ œ œ
œ œ-
J
‰ ‰ œ œ bœ œ œ- œ - J Œ ‰ œ œ œ- œ œ - J ‰ Œ ‰ j
R œ
‹
ships that did more than bruise the face of the At - lan - tic, At - lan - tic. I
& b b b œ œ œ œ œ œ œ
‹
œ ∑ œ œ œ œ œ œ œ œœ œ - œ œ -
J ‰ Œ ‰ j œ
ay oh ay oh ay oh ay oh
ay oh ay oh ay oh ay At - lan - tic. I
? b b ˙ œ œ œ œ œ œ - b J ‰ ‰ œ œ œ nœ
œ œ - œ - R J Œ ‰ œ œ - nœ -
J J ‰ Œ ‰ œ J ä
ships that did more than bruise the face of the At - lan - tic, At - lan - tic. I
? œ-
b b b J ‰ œ - œ-
J ‰ ‰
œ-
J ‰ œ -
J ‰ ‰ œ - œ-
J ‰ œ -
J ‰ ‰ œ> J œ œ - J ‰ œ- J ‰ Œ ‰ œ J â
huh huh huh huh huh huh huh huh huh huh huh I
huh huh huh
?
¢ b b b
œ
- œ œ j ‰ œ
‰ -
œ œ œ j j
œ œ ‰ œ ‰ ‰ œ
-
- > œ
j‰
- œ-
j‰ Œ ‰ œ œ œ
J
huh huh huh
ay oh ay oh ay oh ay oh huh huh huh huh huh I
ff
26
°
2
& b b b œ œ œ œ œ œ œ œ œ œ œ œ œ ˙> œ
4 4 J ‰
‹
carved my name in hu-man
car-go
with - out a thought of shame.
ff
2
& b b b œ œ œ œ œ œ œ œ œ 4 œ œ œ œ ˙> œ
4 J ‰
‹
carved my name in hu-man
car-go
with - out a thought of shame.
∑
∑
∑
∑
ff ff
? 2
b b œ œ œ œœ
œ
>
œ œ œ œ œ œ œ n˙ œ
b 4 4 J ‰ œ-
J
‰ œ- j j
J
‰ ‰ œ œœ
>
-
‰ œœ - ‰ Ó
carved my name in hu-man
car-go
with - out a thought of shame. huh huh huh huh huh
for online perusal only
my name in hu-man
car-go
with - out a thought of shame.
7
huh
huh huh huh huh
f cresc.
f cresc.
f cresc.
f cresc.
f cresc.

6
31
°
& b b b
‹
&
‹
b b b
ff
8
fff
p espress.
œ-
J ‰ œ- J ‰ ‰ œ> > œ
J ‰ œ> J ‰ Ó ∑ ∑ Ó ‰ œ œ œ J
huh huh huh huh huh
It took a
ff
fff
p
œ-
J ‰ œ- J ‰ ‰ > œ > œ
J ‰ œ> J ‰ Ó ∑ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
huh huh huh huh huh
ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh
fff
-
? b b œ b J ‰ œ- J ‰ ‰ œ>
> œ
J ‰ œ> J ‰ Ó
huh huh huh huh huh
∑
p
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
ay oh ay oh ay oh ay oh
ay oh ay oh ay oh ay oh
for online perusal only
fff
?
¢ b b b œ ‰
j
œ ‰ ‰ œ
-j
- >
œ j ‰ œ
j
>
‰ Ó Ó Œ
> ∑
huh huh huh huh huh
oo
p
œ ˙ nœ
œ
∑ n˙
∑
œ
36
°
& b b œ œ œ œ
b J
œ œ œ ˙ ˙ œ J J
‰ œ œ œ œ J
‹
œ œ
storm to save the dumb wretch in me. On a night the winds weighed
&
‹
b b b
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh
œ œ œ œ œ œ
? b b œ b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh
œ œ œ œ œ œ œ œ
oo
¢
? b b b ˙
w œ ˙w œ j ‰ œ ˙ nœ
∑
p
ah
œ n˙
∑
œ œ

9
40
hea-vy
as my sins,
poco cresc.
°
& b b b œ- œ œ œ ˙ ˙ ‰ œ n˙ œ œ œ œ J J
œ
‹
mp
I spared
a thought for those poor
7
&
‹
b b b
poco cresc. mp
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ w w
ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh ah
œ œ œ œ œ œ œ œ œ œ
poco cresc.
ay oh
œ œ œ œ œ œ œ œ n
œ
mp
ay oh ay oh ay oh ay
oh ay oh ay oh ay oh ay oh
˙ œ œ œ œ œ œ œ
n
œ œ œ œ œ œ œ œ œ
˙ œ
? b b b
ay oh ay oh ay oh ay oh ay oh ay oh ay
for online perusal only
oh
ah
?
¢ b b w b w
ah
poco cresc.
ay oh
mp
ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh
˙ œ j ‰ œ œ w œ œ œ œ œ œ œ œ n
w
w
œ œ œ œ œ œ œ œ
ah
44
°
& b b b œ
‹
souls
œ j œ
œ œ ˙ ˙ œ ‰ œ œ j œ
be-low
deck. Ter
p
œ
- ror made rough
&
‹
b b b
˙ ˙ ˙ ˙ ˙ œ ‰ œ œ j œ œ
p
Ter
- ror made rough
ah
? b b b
nẇ
œ œ b
w ˙ œœ
J ‰ œ ‰
ah
p
Ter
- ror made rough
œ ˙ œ j œ nœ œ
oh ay oh ay oh ay oh
ay oh ay oh ay oh ay oh
ay
?
¢ b b b
nœ w œ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ
w ˙
J ‰
ah
ay oh ay oh ay oh ay oh
p
ay
rough
n
j ‰ Œ
œ œ œ œ Œ œ œ œ œ
ay oh ay oh ay oh ay oh

8
f dim.
48
°
& b b ˙ ˙ ˙
b
œ ˙ ˙ w
‹
wa - ters my Da - mas - cus
road.
f dim.
p
& b b n
b œ œ œ œ œ œ œ œ ˙ œ ˙ ˙ w
‹
ay
wa
? b b n b
˙
oh ay oh ay oh ay oh my Da - mas - cus
road.
f dim.
p
- ters ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay
˙
œ
10
œw
œ œ œ œ œ œ œ
œw
œ œ œ œ œ œ œ
p
oh ay oh ay oh ay oh
œw
œ œ œ œ œ œ œ
wa
?
¢ b b ˙ b w
f dim.
- ters my
˙
p
Da - mas - cus
road.
˙ œ
˙
˙˙ ˙˙ w ( )
ah
my
Da - mas - cus
road.
52
°
& b b b ˙
‹
& b b b ˙ Œ
‹
?
¢ b b b ˙ Œ
( ˙)
57
ay oh ay
?
¢ b b b œ œ
-
J ‰ œ œ
-
J ‰ ‰
œ œ > œ œ
p
huh huh huh huh huh huh huh huh huh huh
p
huh
huh huh huh huh huh huh huh huh huh
ay oh ay oh ay oh ay oh ay
p
? b b b œ œ ∑ ∑
Œ
œ œ Ó
œ œ œ œ œ j ‰ Œ Ó Ó ‰ œ r œ œœ
°
& b b b
‹
œ- j ‰
p
huh
huh huh huh huh huh huh huh huh huh
huh huh huh huh huh huh huh huh
& b b b ∑
‹ œ œ œ œ œ œ œ œ œ j ‰ Œ ‰
? b b œ-
b J
œ œ œ œ œ œ j
œ œ - ‰ Œ Ó
grace be gan
huh
huh
Œ
œ- j ‰ ‰
for online perusal only
oh ay oh
œ- j ‰ œ-
j‰ ‰ j ‰ j ‰ Ó œ> œ - œ- œ- j ‰ œ-
j‰ ‰ œ >
œ
j‰ j
- œ- ‰ Ó
œ- j ‰ œ-
j‰ ‰ œ> œ -
j ‰ œ-
j ‰ Ó
œ
j ‰ -
œ j ‰ ‰ - œ>
- to lead me home.
huh
ay
oh
ay oh ay oh ay oh ay oh ay huh
huh
huh
j ‰ j
œœ - œ- ‰ Ó
>
œ œ - j ‰ j ‰ Ó
œ -
huh
- j
œ ‰ -
J
œ - j ‰ Ó
-
J
huh
œ- j ‰ œ-
j‰ ‰ œ> œ -
j‰ œ-
j ‰ Ó
œ
j ‰ -
œ j ‰ ‰ œ - >
ay oh ay
huh
j
œ ‰ j
- œ- ‰ Ó
œ- j ‰
œ- j ‰ ‰ œ >
huh
∑
oh ay oh
A-maz-ing
>
œ
huh
ay
oh
œ œ
-
J ‰ œ œ
-
J ‰ ‰
œ œ > œ œ

9
60
°
& b b b
‹
œ- j ‰ j œ- ‰ Ó ˙ œ j œ w w
huh huh oo
& b b b
j
‹ œ œ œ œ œ œ œ œ œ
‰ j
- œ-
‰ ‰ j ‰ j ‰ ‰ œ> œ - œ- œ> œ œ œ œ œ œ œ œ
ay oh ay oh ay oh ay oh huh huh huh huh huh huh ay oh ay oh ay oh ay oh
? b b b Ó ‰ œ j œ œ œ œ - œ > œ œ œ œ œ - J œ œ œ œ w
Lord,let my soul’s scum be mea-sured
by a hymn.
huh - huh
ay oh ay oh ay oh ay oh ay oh ay oh ay oh ay oh huh huh huh
?
¢ b b j
b œ ‰ -
J
œ - j ‰ Ó
œ
-
J
-
J ‰ œ œ -
J ‰ œ
‰ œ œ
œ œ œ > -
J ‰ œ œ
- J ‰ œ
‰ œ œ > œ œ œ- J œ - j ‰ œ- J œ - j ‰ ‰ >
œ
>
huh huh
huh huh huh huh huh huh huh huh huh
64 poco rit. Broader q = c.72
°
3
& b b pp
b œ
j ‰ ∑ n n n 4 ∑ ∑ ∑ ∑
‹
-
œ j ‰ Ó j - œ ‰ j
-
œ ‰ Ó -
huh huh huh huh
3
& b b pp
b
∑ n n n 4 ∑ ∑ ∑ ∑
‹
œ- j‰ j‰ Ó j
œ œ ‰ j
- - œ- ‰ Ó
huh huh huh huh
? 3
b b b ∑ ∑ ∑ n n ppp
n 4 ∑ ∑ ∑ Œ Œ
œ
That
- pp
ppp (almost inaudible!)
? 3
¢ b b j‰
b œ
n n n 4
-
J œ-
J œ - j‰ Ó œ - j ‰ -
J
œ - j ‰ Ó Ó Œ
œ-
J
œ ˙ œ œ ˙ œ ˙ œ ˙ œ
huh huh huh huh
A - maz - ing Grace! how sweet the sound That
71
°
& ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
‹
& ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
‹
pp
? ˙ œ œ ˙ œ œ ˙ ˙ œ œ ˙ œ œ ˙ œ œ ˙ œ œ ˙ œ ˙ œ œ
saved a wretch like me! I once was lost, but now am found, Was blind but
pp
?
¢ ˙ œ œ ˙ œ œ ˙ ˙ œ œ ˙ œ œ ˙ œ œ ˙ œ œ ˙ œ ˙ œ œ
for online perusal only
11
saved a wretch like me! I once was lost, but now am found, Was blind but

12
10
80
°
& ∑ ∑
‹
Œ Œ œ
p sempre cresc.
b
˙œ œ œ œ œ œ ˙ œ œ œ œ
œ œ
œ ˙ œ œ œ
œ œ
œ œ ˙œ œ œ œ œ œ
&
‹
∑ ∑
’Twas grace that taught my heart to fear, And
p sempre cresc.
Œ Œ œ b ˙ œ œ œ œ
˙ œ ˙ œ
’Twas grace that taught my heart to fear, And
?
?
¢
,
˙ œ ˙ ˙ œ
p sempre cresc.
b
now I see. ’Twas grace that taught my heart to fear, And
p sempre cresc.
,
˙ œ ˙ ˙ œ b ˙œ œ œœ
now I see. ’Twas
˙
œ ˙˙ œ
˙œ œ œ ˙œ œ œ
œ œ œ˙
œ˙ œ œ ˙˙ œ
grace that taught my heart to fear, And
87
°
& b
‹
re
-
ff
lieved;
mf dim.
grace my fears
re
for online perusal only
˙
œ œ œ œ œ œ ˙œ
œ œ œ ˙
œ œ œ œ œ œ
˙
œ œ œ œ œ œ œ œ ˙ œ œ
œ œ ˙ œ œ œ œ œ œ œ œ œ
- lieved, re - lieved; How
pre
- cious did that
&
‹
b
grace my fears re - lieved, re - lieved; How
ff
mf dim.
œ œ œ ˙ œ œ œ œ ˙ œ œ œ bœ
˙ œ
pre
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ff
mf dim.
? ˙ œ b
b ˙ œ ˙ œ ˙ œœ ˙œ œ œœ ˙œ œ œ œ
grace my fears re lieved,
- re - lieved; How
pre
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? œ ˙
¢ b
œ˙ œ œ œ œœ ˙ œœ ˙œ œ œ
grace my fears re lieved,
ff
mf dim.
- re - lieved; How
œ
˙
pre
œ œœ ˙˙ œ œ
- cious did that

13
93
°
& b
‹
p dolce
˙
œ œ œ œ ˙
˙
˙
˙
11
grace ap - pear
mm
&
‹
b
p dolce
˙ œ b˙
œ ˙ ˙
˙
grace ap - pear
mm
œ œ
œ œ
p dolce
? b
grace ap pear
mm
b b
œ œ ˙ bœ ˙˙
œ ˙˙
œ œ ˙˙ œ
for online perusal only
-
The
hour I first be -
p dolce
?
¢ b ˙ œ bœ bœ
˙
grace ap pear
-
œ œ œ œ
mm
œ bœ
œ œ œ ˙ œ œ œ œ œ œ œ œ œ œ œ œ
∑
∑
98
°
& b
‹
˙
˙ ˙ ˙
mm
poco rit. Tempo I q = c.88
p
∑ ∑ b b b
4 œ- j ‰ j œ-
‰ ‰ œ>
huh huh huh
&
‹
b
˙
˙
b˙
˙
∑ ∑ b b b
4
p
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j ‰ ‰ œ>
mm
huh
huh
huh
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œ˙
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˙
-lieved. mm
b
˙
∑ ∑ b b b 4 ∑
?
¢ b ∑
Œ
Œ
, p
œ ˙ œ œ ˙ œ b b j
˙ ˙ b 4 œ ‰
j
œ ‰ ‰
- - œ>
The hour I first be - lieved.
huh
huh
huh

14
12
105
°
& b b b
‹
œ- j ‰ j ‰ Ó
œ -
huh huh huh huh huh huh huh huh huh huh
& b b b
‹ œ- j ‰ j ‰ Ó œ- œ- j ‰ j œ-
‰ ‰ œ> j ‰ j ‰ Ó
œ - œ- œ- j ‰ j œ-
‰ ‰
huh huh huh huh huh huh huh huh huh huh
p
? b b b ∑ ∑
œ- j ‰ œ-
j ‰ ‰ œ >
œ -
j ‰ œ-
j ‰ Ó
œ -
j ‰ œ-
j ‰ ‰
A-maz-ing
grace be-gan
to lead me
?
¢ b b b œœ
j ‰ - œ j ‰ Ó
j
œ ‰
j
œ ‰ ‰
j
œ œ ‰ j
- - - > - œ ‰ Ó
j
œ ‰
j
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huh huh huh huh huh huh huh huh huh huh
>
œ
>
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Ó ‰ œ r œ œ œ œ - J œ œ œ œ œ œ œ
BC171 Newton’s Amazing Grace Chilcott
for online perusal only
109
°
& b b b
‹
œ- j ‰ j ‰ Ó
œ -
œ- j ‰ j œ-
‰ ‰ œ j
>
œ ‰ j
- œ- ‰ Ó
œ- j ‰ j œ-
‰ ‰
huh huh huh huh huh huh huh huh huh huh
& b b b
‹ œ- j ‰ j ‰ Ó œ- œ- j ‰ j œ-
‰ ‰ œ> j ‰ j ‰ Ó
œ - œ- œ- j ‰ j œ-
‰ ‰
huh huh huh huh huh huh huh huh huh huh
? b b b œ- j ‰ Œ Ó ∑ Ó ‰ œ r œ œ œ œ - J œ œ œ œ œ œ œ
home.
>
œ
>
œ
A-maz-ing
grace be-gan
to lead me
?
¢ b b b œœ
j -
‰ œ j ‰ Ó œ
j ‰ - -
œ j ‰ ‰ œ j
œ ‰ j - > - œ ‰ Ó œ
j ‰ - -
œ j ‰ ‰
- œ >
huh huh huh huh huh huh huh huh huh huh
113
°
& b b b
‹
œ- j ‰ j ‰ Ó
œ -
&
‹
b b b
œ- j ‰ œ-
j‰ ‰ œ >
œ -
j‰ œ-
j ‰ Ó
œ- j ‰ œ-
j‰ Ó
huh huh huh huh huh huh huh huh huh huh huh huh
pp
œ- j ‰ œ-
j ‰ Ó
œ- j ‰ œ-
j‰ ‰ œ> œ -
j‰ œ-
j ‰ Ó
œ- j ‰ œ-
j‰ Ó
huh huh huh huh huh huh huh huh huh huh huh huh
? b b œ-
b J œ œ J ‰ Œ ∑ ∑ œ - œ œ J
‰ Ó œ - œ œ J
‰ Ó
home,
grace,
?
¢ b b b œœ
j ‰ - œ j ‰ Ó
j
œ ‰
j
œ ‰ ‰
j
œ œ ‰ j
- - - > - œ ‰ Ó
-
( œ j‰
-)
( œ
j‰ Ó
-)
huh huh huh huh huh huh huh huh huh
œ- j ‰ œ-
j‰ Ó
œ- j ‰ œ-
j‰ Ó
grace.
œ
j‰
- ( œ
j‰ Ó
-)
( )
huh
huh
pp
œ- j ‰ Œ Ó
œ- j ‰ Œ Ó
pp
( )
huh
∑
œ
j‰ Œ Ó
-

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OXFORD UNIVERSITY PRESS, GREAT CLARENDON STREET, OXFORD OX2 6DP

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19
Tenor 1
Tenor 2
Bass 1
Bass 2
for
rehearsal
only
[
Í! 4 ]
Í! 4 4
Mistico ($ = 80)
Y p
C
Y A C Y B C
2
3 X CO
Y h C B S X C
O mag - - - num my - ste - ri-um, my -
p
C
O Magnum Mysterium
A Motet for Unaccompanied Lower Voices (TTBB)
A C B C 2
3 W CO
O mag - - - num my - ste - ri-um, my -
# 44 S R S Y p C Y B C C
2
3 X CO
Y h C B S X C 4 O mag - num my - ste - ri-um, my -
# 44 S R S Y p
C Y B C C 3 X CO
Y 4 2 h C B S X C
Mistico ($ = 80)
g
X C
B
F.R.C. Clarke
S
W C
O mag - num my - ste - ri-um, my -
# Y C Y A C Y B
4 3 XX CO
YY C B S XX C 4 S R S
Y C Y B C C
2 h
p
# 4 C A Y BC B C C 3 XW CO
YX C B S XW S R S Y C
C 4 2 h
4
4
for online perusal only
4
[
Í! 4 W C WC
CO
5 3 4 h C W C C W B C W A R
4 2 ste - - - - - - ri - um,
Í! 4 5 W A
3 4 4 BO
WB
2 X A R
ste - - - - - ri - um,
mf
# 44 W A
4
5 BO
W B
2
3 V C W C B S C 4 ]
ste - - - - - ri - um et
mf
# 44 A
4
5 BO
B 2
3 W C W C B S C 4 ste - - - - - ri - um et
g
W C
#
W C CO
C W C
W A
W 44 4
5
B
C W B
O W B C
2
3 X A R 4 mf
# 44 W A
4
5 BOB
O W B 2
3 W V C WW C B S C 4 Copyright © 2005, Oxford University Press, Inc. Assigned to Oxford University Press, 2010

7
[
Í! 4 ]
Í! 4 4
# 44 W CO
# 44 CO
W
h C
Q R S Y f C C C Y C
mf
C B S C
sa - cra - men - tum, ut
Q R S Y f C C C Y C C B R
W C
W C
X B
f C
sa - cra - men - tum,
C
W BO
C B R
ad - mi - ra - bi - le sa - cra - men - - tum,
g
C
W C
W C
X C
( )
Y B
f
C
C
BO
C B R
ad - mi - ra - bi - le sa - cra - men - - tum,
# 4 T Q R S
# 4 W C
O
W g
C W C
W C
20
Y Y C C C
Y Y C C B S C
f
YX B C C W B O C B R
mf
3
for online perusal only
11
[ X C
Í! Y C CO
3
h C A C C C C Y CO
2 h C A
a - ni - ma - li - a vi - de - runt Do - mi-num
mf
Í! Q S C Y C C O
g
X C C B 3 2 C B Y C
]
vi - de - runt Do - mi-num na - tum,
# Q
mf
S C Y C C W CO
h C B 2
3 C X B
# Q
mf
S C C C CO
h C B 2
3 C Y B
Y C
vi - de - runt Do - mi-num na - tum,
Y C
vi - de - runt Do - mi-num na - tum,
X C
# Y C CO
h C A C C C C Y CO
2
3 h C A
# Q S C Y Y C C WX CO
C B 2
3 C YX B Y Y
C
h
B
B
B
B

21
4
[
15
rall.
a tempo
pp
p
Í! S B B S Q 4 R S C
C C C C
na - tum, ja - cen-tem in prae -
pp
p
Í! S
S Q
Y B B
4 R S
C C C C C
pp
# S Y B X B S R R S X p C 4 C C C C C C C C
na - tum, ja - cen-tem in prae -
]
na - tum, ja - cen-tem in, ja - cen-tem in prae -
# pp
p
S Y B B S S
C C C C C 4 C C C C C C C C
na - tum, ja - cen-tem in, ja - cen-tem in, ja - cen-tem in prae -
rall.
a tempo
# S Y B B S Q 4 R S C C C C C
pp
p
# S Y
B X B S S
X C C C C 4 C C C C C C C C C for online perusal only
[
19
]
incalzando
Í! W CO
3 4 3
h C B S f
B C C C B B C C C C
2 2
se - pi - o. O be - a - ta Vir - go, cu - - jus
g f
Í! CO
C B 3 S 4 3 2 B C C C B B C C C C 2
se - pi - o. O be - a - ta Vir - go, cu - - jus
# CO
2
3 4 2
3
h C B S W f B C C C W B B C C C C
se - pi - o. O be - a - ta Vir - go, cu - - jus
# g f
CO
C B 2
3 S B C C C 4 B B Y BO
C 2
3
se - pi - o. O be - a - ta Vir - go, cu - - jus
incalzando
#
W CO
C B
h 2
3 S B C C C C B B C C C C
4 2
3
f
# C
g
O C
B 2
3 S W B C C C 4 W B B C C C Y BO
C 2
3

[
23
]
Í! 3 2
Í! 3 2
C C BO
C C C Y C
4
Y C C Y C
Y C C CO
vis - ce - ra me - ru - e - runt por - ta - re Do - mi-num
C C BO
C C C
4
Y C
Y C C Y C
Y C C CO
vis - ce - ra me - ru - e - runt por - ta - re Do - mi-num
# 32 C C BO
Y C
4
C C Y B C Y C
Y C
Y C
X COC
O
h C B
h C B
C B
h
g
C B
vis - ce - ra me - ru - e - runt por - ta - re Do - mi-num
# 32 Y BO
C C C 4 O
C
h C
Y B C C Y C
Y C
YX C
O
vis - - ce - ra me - ru - e - runt por - ta - re Do - mi-num
# C
3 C B O
C
4 2 22
C C Y Y C
Y Y C
C
Y Y C
Y Y C
C
C O
C B
h
5
for online perusal only
# 3 C C BO
Y 4 C Y C
2 Y BO
C C C C
O
h C Y B C
Y C
Y C C
X CO
Y CO
C
h
B
largamente
a tempo
27
[ C B C
ff B
Í! 3 BO
? p
S S 4 2 C A C B C
ff
Í! C B C 3 B BO
? p
S S
4 2 C A C B C
Je - sum Chris - tum. O mag - - - num my -
Je - sum Chris - tum. O mag - - - num my -
ff
# C B C 2
3 B
B ? p
O S R R S Y C 4 Y B C C
]
Je - sum Chris - tum. O mag - mum my -
ff
#
?
p
C Y B C 2
3
B BO
S R R S Y C 4 Y B C C
Je - sum Chris - tum. O mag - mum my -
largamente
a tempo
C B C
# X B
BO
2
3 ? S
S C A 4 C B R R S
Y C Y B C C
ff
p
#
C Y B C 2
3 B ? BO
S
S
B O R C RA S Y C 4 Y CB
B C C

6
[
31
Í! Y CO
Í! Y CO
g
C C
Y C
Y CO
Y h C C f
Y C
più mosso
C
Y C
Y C
G C Y C
ste - ri-um, my - ste - ri-um. Al - - - le - lu - - ia,
g
C C C Y CO
g
C C
f
S R S Y C
ste - ri-um, my - ste - ri-um. Al - - - le -
# Y CO
Y Q
h C C Y C Z CO
Y h C C f
S R S Y C
ste - ri-um, my - ste - ri-um. Al
# g
Y CO
Q Q
]
Y C C Y C Z CO
Y h C C S
ste - ri-um, my - ste - ri-um.
più mosso
G
# YY CO
Y C C YY C ZY C
O YY Y C C
C C
Y C Y C C Y C C Y C BO
Y C
S Y C Y C C C
h
h
G
f
# YY CO
g
Y C C Y C ZY CO
Y C C S Q R S Y C
h
23
Y BO
C
Y C
Y C
Y C
G
C
C
-
for online perusal only
[
35
]
Í!
O B
Í! Y BO
Y C
Y B
Y B
Y CO
X h C C Y C
Y C
Y C C G C
al - le - lu - ia, al - le - lu - - ia,
YC
Y
A
Y BO
Y C
Y C
Y C C X G
C
lu - - - ia, al - le - lu - - ia,
# C Y C
Y C
G C Y C
Y B B Y CO
Y h C C Y C
Y C
Y C C Y G C
- - - le - lu - ia, al - le - lu - - ia,
f
# R S Y C
#
Y
BO
C
Y C
Y C
G C Y C
Y CO
Y h C C Y C
g
X C C
Y C C
Y C
G
Y C C Y C
Al - - - - - - le - lu - - ia,
Y
Y C
Y Y B A
Y
B
YY
CB
O
Y Y C
Y Y C C X G
C
Y C
Y C
X C
Y C
Y C
# C Y C Y C C G S Y C C Y B C Y C
Y B C
C
G
Y C
Y
C
O
Y C C YY C C
h
Y
C
Y C
C
G
Y C Y
X C

[
39
]
Í! Y C
poco rit. Tempo I ($ = 80)
dim.
Y C
O C
Y
h C
Y B
al - - le - lu - ia. O
dim. g g
Í! C
Q
Y C CO
Y C B C CO
B R
h C
CO
B R Y p A A A A
al - - le - lu - ia. O
dim.
# Y BO
C Y B
Q Q
h C CO
B R p
Y A
al - le - lu - ia. O
dim.
# g
Y BO
C Y B C CO
B R Q Q Q Y p
A
al - le - lu - ia. O
poco rit. Tempo I ($ = 80)
# Y C Y Y C
COC
O Y C Y B C COC O B R
Y A A A A
h h
dim.
p
# YY
B B
O C C Y Y B
g
C COC O B R Q Q Y A Y A
24
p
A
A
A
A
7
for online perusal only
[
46
rall.
Y BO
Í! Y C B 3
( W C)
W B 2
p
2 soli
R R S
?
W C W B X B C C B A
O C B
my - ste - ri - um.
mag - num my - ste - ri - - um.
n
?
Í! Y BO
C B X B
3 2
W B C C B W A O
mag - num my - ste - ri - - um.
# Y BO
Y C B
( W C)
W B 2
3
X B C C B A ? O
?
n
n
]
mag - num my - ste - ri - - um.
?
# Y BO
Y C B X B 2
3
( W C)
B C C B A O
mag - num my - ste - ri - - um.
rall.
W # Y BO
C
Y C B X W B 2
3 R R S
W BO
C ? B n
# YY BO
Y C B X W B 2
3
X W X X
B
C
C
B
W A? A O
n

25
for online perusal only

26
for online perusal only

27
BARITONE
SOLO
4
B##
to Jameson Marvin and the Harvard Glee Club
Innisfree
W. B. Yeats (1865 –1939) BRADLEY ELLINGBOE
Freely
B## C t mf
Š Š Š Š-
Š =Š. Š f f Š Š ‰ Š Š
Š Š ‰ Š Š Š Š Š Š Š Š Š =Š Š Š Š Š Š ˆ
I will a- rise and go now, and go to
In-nis-free, And a small ca-bin build there, of clay and wat - tles made:
TENOR
1 & 2
BASS
1 & 2
for online perusal only
V [
# Andante rubato i = 92
8
# mf
unis.
Š ŠŠŠ Š Š Š ‰ Š Š ‰ Š Š Š Š ‰ Š Š
I will a-rise and go now, and go to In-nis-free, And a
B## p p ‰. Š Š ŠŠ‰ Š ‰ Š Š
V [
# mf
12
# Š Š Š Š Š Š Š =Š. Š f Š Š ˆ t Š e Š Š Š Š Š
small ca-bin build there, of clay and wat - tles made: Nine bean-rows will I
B## Š ŠŠŠŠ Š Š ŠŠ Š Š. ŠeŠ f Š Š ‰ ‰ ‰ ‰
Nine rows
V [
#
16
div.
# Š Š ‰ Š Š =ŠŠ Š Š Š Š Š ‰. Š Š. Še Š f ‰
have there, a hive for the ho - ney - bee, And live a-lone,
B## ‰ Š Š Š‰ Š Š Š Š ‰‰. ‰ Š Š. Še Š f ‰
have there, a hive for the bee, And live a-lone,
The words of The Lake Isle of Innisfree are set to music and reproduced by permission of Michael B. Yeats.
Music: Copyright G 2006, Oxford University Press, Inc.
Printed in the USA
OXFORD UNIVERSITY PRESS, 198 MADISON AVENUE, NEW YORK, NY 10016
Photocopying this copyright material is ILLEGAL

28
4
And I shall have some
V [
# rit.
20
# Š Š Š Š ˆ r t
Š ‰ Š Š ˆ Še ŠŠ p ŠŠb
live a - lone in the bee - loud glade.
B## Š Š Š Š Š ‰ ‰ ˆˆ
p b
Poco Andante i = 68
p
peace there, for peace comes drop-ping slow,
24
Vb [
Š ‰ Š ‰ Š Š Š Š Š ‰ Š. ŠeŠ Š f Š ˆ
Peace comes slow - ly, peace comes drop-ping slow,
Bb ‰ ‰ ‰ ‰ Š.
Š.
Še
Š Š Š ˆ‰ ‰ f
p
for online perusal only
[
mp
Š. Š f Š Š Š Š Š Š Š Š. Š f
Š Š Š ‰ Š r
28
veils
to
Vb Š. Še Š Š ‰. Š Š Š Š Š Š Š ‰. Š ###
Drop - ping from the veils of the morn-ing where the cric - ket sings; There
veils
to
Bb ˆ Š. Še Š Š ‰. Š Š.
ŠeŠ
Š Š Š Š ‰. r ###
f
mp
ah to where the cric - ket sings;
mf
V [
#
32
## Š Š Š Š ‰ Š Š ŠŠ Š Š Š Š ‰. Š Š Š Š Š
mf
mid-night’s all a glim - mer, and noon a pur - ple glow, And
B### Š Š Š Š Š Š ‰ Š Š Š Š Š Š Š Š Š‰. Š Š Š ŠŠ
Faster i = 102 rit. a tempo
mf
mp
mp

29
5
V [
#
36
## Š Š Š Š Š Š Š Š ‰ ˆ Š Š Š Š Š Š‰ Š Š‰
Š
eve - ning full of lin - net’s wings, hm I’ll have
B### Š Š Š Š Š Š ‰ =ˆ ˆ ‰ ‰
rit.
p
Andante rubato
hm And I shall have some
p
peace there, for peace comes drop-ping slow,
V [
#
40
##
Š Š Š Še
‰ Š ‰ Š Š ˆ Š. Š f
Š Š
B### Š Š ˆ Še
‰. Š ‰ ‰ ‰
‰ Š. Š Š Š f
Š Š
peace, for peace comes slow, I shall have some
f
f
for online perusal only
V [
#
44
##Š Š ‰‰ Š Š. ŠeŠ ˆ mp ##
f Š Š ‰ =‰ ˆ
peace there, for peace comes drop - ping slow.
B### ‰ Š ‰
‰
Š Š. ‰ Še Š‰ Š ˆˆ ˆ ˆ ##
peace, for peace comes slow.
mp
V [
#
48
#
B##
p
mf
Š ŠŠŠ Š Š Š ‰ Š Š ‰ Š Š
mf
p
ˆ ‰. Š ŠŠŠ Š Š ‰ Š Š ‰ Š
r q r
Š ‰. Š
I will a- rise and go now, for al - ways
f
f

6
V [
#
52
# ŠŠ‰ Š ‰ Š Š Š ŠŠŠ Š ŠŠ Š Š. ŠeŠ f Š Š ˆ
night and day I hear lake wa-ter lap - ping with low sounds by the shore,
B## Š Š ‰ Š =Š Š Š ŠŠ‰ ŠŠ =Š ŠŠŠ Š Š Š Š.
Še
Š f
Š Š ˆ
mf
V [
#
56 mp
# Še p mf
Š. Š =Š f Š Š ˆ Š Š ‰ Š Š ‰ Š Š Š
low sounds by the shore; While I stand on the road - way, or
B## Š.
Še
Š Š Š ‰ Š Š Š Š =Š #Š
f
Š Š ˆ ŠŠ‰ ŠŠ ‰ Š Š
for online perusal only
mp p mf
f
V [
#
60
# Š ‰ Š Š Š Š ‰ Š Š Š Š Š ‰ Š‰
Š
on the pave-ments grey, I hear it in the deep heart’s
div.
B## ‰‰. Š Š Š Š ‰ Š Š
Š Š Š Š ‰ Š Š‰
Š
f
V [
#
64
dim. al fine
# ‰ Š Š ‰ Š Š Š ‰ Š Š ‰ Š
unis.
B##‰ Š
‰ Š Š ‰ Š Š Š
Š ‰ Š =Š Š ‰ Š
dim. al fine
V [
#
68
pp
# ‰‰ ŠŠ ŠŠ ˆ ˆ ˆF
ˆ
there I shall find peace.
B## ‰ Š Š ˆˆˆ ˆ Ê
ˆ
pp
30
core, night and day I hear lake wa - ter lap - ping, and
ff
ff
mf

31
Oxford Music for Men's Voices
Fight the good fight with all thy might
Five Hymns in Popular Style, No. 5
For TTBB Chorus and Piano
J.S.B. Monsen (1811-1875) John Gardner, Op. 54, No. 5
Arranged by the composer
Tenors l, 2
Alla marcia ( J = 120)
for online perusal only
Basses 1, 2
1. Fight the good fight with
Piano
\====fl=
,
Christ is thy strength.-
and
Christ is thy strength,-
and
This arrangement was made by the composer at the request of The Palmetto Mastersingers of Columbia, S.C.,
Donald Gray, conductor, and was first performed by them on 8 May 1993.
© Oxford University Press, Inc. 1964. 1994. Assigned to Oxford Cniversiry Press 2010. Printed in C.S.A.

32
for online perusal only

33
for online perusal only

34
for online perusal only

35
for online perusal only

36
for online perusal only

37
for online perusal only

MUSIC FOR LOWER VOICES
TTBB unaccompanied
38
2
Pandangguhan
for online perusal only
(Dancing the Pandanggo)
Nina Gilbert
A

39
Pronunciation Guide
Tagalog is the major language of the Philippines and is the basis of the national
language, Filipino (also called Pilipino). It is in the Malayo-Polynesian family
of languages, related to Indonesian. It is easy to pronounce since its spellings
are phonetic, with pronunciation similar to Italian and Spanish. Apostrophes
do not affect pronunciation.
Vowels
a as in “father”
e as in “weigh,” but without a diphthong
i as in “police”
o as in “for”
u as in “rude”
aw similar to the ow in “now”
ay similar to the y in “my”
Consonants
g always hard, as in “go”
k, p, and t unaspirated; k is between the sounds of k and g, p is between
the sounds of p and b, and t is between the sounds of t and d
ng as in “singer”; when ng appears as a whole word (m. 9, bass 1;
m. 59, all voices) it is pronounced as if it were spelled nang*
r slightly rolled
for online perusal only
*Mga is another exception. As it is pronounced manga, it is spelled out with
two syllables in the score (m. 4, tenor 1; m. 5, bass 2, and elsewhere). When
the text to Pandangguhan is typed as poetry, however—that is, without
music—manga should appear as mga.
Levi Celerio (1910–2002) was named a Filipino National Artist in both
music and literature. He was best known as a prolific lyricist with 4,000
songs, including many lyrics added to folk tunes, and as a composer of music
for films. He was a co-founder of FILSCAP, the Filipino Society of
Composers, Authors, and Publishers.
Nina Gilbert, arranger, is Director of Choral Activities at Lafayette College
in Easton, Pennsylvania. Her musical background ranges from Kenya, East
Africa, where she translated Schubert’s Mass in G into Swahili while serving
as a Peace Corps volunteer (1978–80); to New York, where she served as
associate conductor of the New York Choral Society, working in Carnegie
Hall and Lincoln Center (1995–96). She has about twenty-five choral
arrangements and editions in print, and is active as a writer, editor, speaker,
guest conductor, and clinician.

Levi Celerio*
Tenor
1
2
1
for the Washington Men’s Camerata, 40 Frank Albinder, Music Director
With a slight swing ($ = c. 104, $_¡ = §¥)
[
Í! W 4
3 Q Q S
Í! W mf
4
3 S C
Pandangguhan
(Dancing the Pandanggo)
A Tagalog Folk Song for
Unaccompanied Lower Voices (TTBB)
**The musicians are beginning to play and the ladies are dancing
C C C C C C C C C BO
Ma - nu - nug - tog ay na-ngag-pa - si - mu - la,
#W3 4
Q Q Q
Filipino Traditional,
Nina Gilbert, arr.
mf
C
C C C
At na-ngag - sa -
for online perusal only
Bass
2
for
rehearsal
only
]
#W3 4
Q Q Q
With a slight swing ($ = c. 104, $_¡ = §¥)
#W3 4
S
C
C C C C C C C C C C C C C C
mf
#W3 Q Q Q
4
4
[
]
Í! W C C C C C C BO
Í! W O B
ya-wan ang ma-nga mut - ya,
and with every stamp of their wooden shoes it feels as if the floor would give in.
BO
ah,
mf
#W Q Q Q S C
#W
mf
Q S C C C C W C C C C C C BO
Sa ma-nga pad - yak pa-rang ma -gi - gi - ba
#W C C C C C C B S Q S C W C
BO
BO
BO
BO
W C
C C
Ang ba-wat ta -
#W Q S C C C C W C C C C C C C S S
C C
*Every effort has been made to locate the copyright holder of the text. In the event of error or omission, upon notification,
proper acknowledgment will be made in future editions.
**English translation and language advice by Encarnacion Mendiola, Wilma Consul, and Elvira Melegrito.
Copyright © 2004, Oxford University Press, Inc.
Printed in U.S.A.

4
8
[
41
Because you are a jewel of a woman
Í! W # passionately
BO
C C C C C B C C C C B C
Da-hil sa i - kaw mut - yang pa - ra - lu - man,
Í! W # passionately
BO
C C C C C B C C C C B C
Da-hil sa i - kaw mut - yang pa - ra - lu - man,
#W W C C C
# passionately
C X C C C C C C C B C C C C B C
]
pa-kan ng ma-nga bak - ya. Da-hil sa i - kaw mut - yang pa - ra - lu - man,
# passionately
#W
BO
C C C C C B C C C C
#W W C C C C X C C C C
Da-hil sa i - kaw mut - yang pa - ra - lu - man,
C C C B C C C C B C
B
C
for online perusal only
#W Q Q
# passionately
B C C C C B B
C C
[
13
there is nothing as beautiful as you in the Eastern Sea.
Í! W C C C C C C B C C C C B C
Wa-lang ka-sing-gan - da sa Da - gat Si - la - ngan,
Í! W C C C C C C B C C C C B C
Wa-lang ka-sing-gan - da sa Da - gat Si - la - ngan,
#W C C C C C C W B C W C C C B C
]
#W
#W
Wa-lang ka-sing-gan - da sa Da - gat Si - la - ngan,
C C C C C C W B C C C C B C
Wa-lang ka-sing-gan - da sa Da - gat Si - la - ngan,
C C C C C C B C C C C B C
#W C C C C C C W B C W C C C B C

[
17
Your heart is a precious gem, your love is so difficult to attain.
più # meno #
Í! W C C
C C C B C C - C - C - B - C- C C C
42
Ma-hal na hi - yas ang pu - so mo Hi - rang Ang pag- i - big mo’y kay
Í! W più #
C C C C C B C - C C- - C - meno #
B C- C C C C C B C
C C
B
C
5
Ma-hal na hi - yas ang pu - so mo Hi - rang Ang pag- i - big mo’y kay
#W C C C C C B C C- C-
più # meno #
C- B- C- C C C C C W B
C
]
Ma-hal na hi - yas ang pu - so mo Hi - rang Ang pag- i - big mo’y kay
#W C C C C C B C C- C-
più # meno #
C-
Ḇ C- C C C C C W B
Ma-hal na hi - yas ang pu - so mo Hi - rang Ang pag- i - big mo’y kay
#W C C C C C B C C- C- C C- C B- B C- C C C
C C C
B
C
C
for online perusal only
più # meno #
#W C S S
B C C- C-
C- B Ḇ
C C -
C
C
C C C
W B
C
[
23
If my intentions are not sincere I know I will never be successful.
@ delicately
Í! W C C C C C C C C C C C C C
C C C C C C C CW
C
hi - rap kam - tan: Kung hin-di ta - os ay ma-bi-bi - go Sa ma-nga pag - su-yong i - ni-a - a -
@ delicately
Í! W C C C C C C C C C C C C C
C C C C C C C CW
C
hi - rap kam - tan: Kung hin-di ta - os ay ma-bi-bi - go Sa ma-nga pag - su-yong i - ni-a - a -
C C
C C
]
@ delicately
#W W C C C C S S C S S C S
#W
C C S C
hi - rap kam - tan, hi - rap, hi - rap kam -
@ delicately
C C C C S S C S S C S
C C S C
hi - rap kam - tan, hi - rap, hi - rap kam -
#W C C C C C C C C C C C C C
C C C C C C C CW
C
C C
@ delicately
#W W C C C C S S C S S C S
C C S S

6
[
28
Í! W C
Í! W C
S S W BO
B C
C C C
lay, Ah, i - ni - a - a -
S S W BO
B C C C C
lay, Ah, i - ni - a - a -
mp
#W C C C C C C C C C C
43
C C C C C C C C W C C C
]
tan: Kung hin - di ta - os ay ma - bi - bi - go Sa ma-nga pag - su-yong i - ni - a - a -
mp
#W C C C C C C C C C C
C C C C C C C C W C C C
tan: Kung hin - di ta - os ay ma - bi - bi - go Sa ma-nga pag - su-yong i - ni - a - a -
#W C S
S
W BO
B C
mp
#W S C C C C C C C C C
C C C C C C C C W C C C
C
C
C
for online perusal only
[
32
]
O my Beloved.
Í! W C C W C B T
Please come, my love, look my way, you are my happiness,
mf
h C
C C C CO
C CO
h C
W C C C
lay, O Hi - rang. Ha - li - na a - king ma-hal, Li - ga - ya ko
Í! W C C C B T
mf
h C
C C C CO
C CO
h C
W C C C
lay, O Hi - rang. Ha - li - na a - king ma-hal, Li - ga - ya ko
#W C C C B T
mfg
C
C
C C CO
C CO
g
C C W C
lay, O Hi - rang. Ha - li - na a - king ma-hal, Li - ga - ya ko
#W C C
#W
C B T
mfg
C
C
C C C CO
C CO
g
C C W C
lay, O Hi - rang. Ha - li - na a - king ma-hal, Li - ga - ya ko
C
C
W C
B T h C
#W C C C C B T
C C C CO
C CO
mf
g
C C
C C C CO
C CO
h C
W C
W C
W C C C
g
C C W C
W C

[
37
]
Í! W CO
C CO
Without you my life is so lonely.
C C C- C- W - C C C C C C
ay i-kaw, Ka - pag di ka na - ta - ta-naw, Ang bu - hay ko ay a-nong pang -
Í! W CO
C CO
h C C C C C
f
CO
h C C C C C
f
CO
C C C- C- C - C C C C C
ay i-kaw, Ka - pag di ka na - ta - ta-naw, Ang bu - hay ko ay a-nong pang -
#W CO
C CO
C C C- C- C- C C C C C
ay i-kaw, Ka - pag di ka na - ta - ta-naw, Ang bu - hay ko ay a-nong pang -
#W CO
C CO
h C C C W C C
f
CO
h C C C W C C
f
CO
C
C C- C- C C W C C W C
ay i-kaw, Ka - pag di ka na - ta - ta-naw, Ang bu - hay ko ay a-nong pang -
#W CO
C CO
#W CO
C C
COC
O
44
h C C C C C CO
C C C- C C- C W - C C C C C C
f
h C C C W C C CO
C C C- C- C-
C C C C C W C C W C C
C
7
for online perusal only
[
41
without swing
Í! W During our town's fiesta everyone
mp
Q
C C C B
h C
celebrates:
T
law, O Hi - rang.
Í! W mp
Q
C C C B
h C T
mp
#W B
law, O Hi - rang.
@ intense
S C C C C C C C C WC
C C C C C C C
]
mp
#W B
law. Kung may pis-ta sa a-ming ba - yan Ang la-hat ay nag-di - ri -
@ intense
S C C C C C C C C WC
C C C C C C C
law. Kung may pis-ta sa a-ming ba - yan Ang la-hat ay nag-di - ri -
without swing
#W C C C B
h C
T
Q
mp
@ intense
#W B S C C C C C C C C WC
C C C C C C C

8
[
44
There's roast pig in every house, every house is decorated, even the church.
@ intense
Í! W T C C C C C C C C C C C C C C C
May lit - son ba - wat ta - ha - nan, May ga - yak pa - ti sim - ba -
Í! W @ intense
T C C C C C C C C C C C C C C C
May lit - son ba - wat ta - ha - nan, May ga - yak pa - ti sim - ba -
#W C C C C C C C C WC
C C C C C C C
45
wang, May lit - son ba - wat ta - ha - nan, May ga - yak pa - ti sim - ba -
]
#W C C C C C C C C WC
C C C C C C C
wang, May lit - son ba - wat ta - ha - nan, May ga - yak pa - ti sim - ba -
#W T C C C C C C C C C C C C C C C
for online perusal only
#W C C C C C C C C WC
C C C C C C C
[
46
To the precious Holy Mary devoutly we pray during the procession.
Í! W !@ poco a poco cresc.
C C C C C C C C C C C C C C C C C C C C
han. Pag - la - bas ni San - ta Ma-riang ma - hal Ka - mi ay ta - os na nag- da - ra -
Í! W !@ poco a poco cresc.
C C C C C C C C C C C C C C C C C C C C
han. Pag - la - bas ni San - ta Ma-riang ma - hal Ka - mi ay ta - os na nag- da - ra -
!@ poco a poco cresc.
#W C C C C C C C C C C WC
C C C C C C C C C
]
han. Pag - la - bas ni San - ta Ma-riang ma - hal Ka - mi ay ta - os na nag- da - ra -
!@ poco a poco cresc.
#W C C C C C C C C C C WC
C C C C C C C C C
han. Pag - la - bas ni San - ta Ma-riang ma - hal Ka - mi ay ta - os na nag- da - ra -
#W C C C C C C C C C C C C C C C C C C
C C C
!@ poco a poco cresc.
#W C C C C C C C C C C WC
C C C C C C C C C

[
48
Í! W mf
C C
Every family awaits the procession in their porches with candles and flowers,
C C C C C C C C C C C C C C C C C C
sal, Pru -sis-yon di - to ay nag- da - ra - an, Kung ka-ya’t ka - mi ay nag- na - a -
Í! W mf
C C
C C C C C C C C C C C C C C C C C C
sal, Pru -sis-yon di - to ay nag- da - ra - an, Kung ka-ya’t ka - mi ay nag- na - a -
mf
#W C C
46
C C C C C C W C C WC
C C C C C C C C C
9
]
sal, Pru -sis-yon di - to ay nag- da - ra - an, Kung ka-ya’t ka - mi ay nag- na - a -
mf
#W C C
C C C C C C W C C WC
C C C C C C
sal, Pru -sis-yon di - to ay nag- da - ra - an, Kung ka-ya’t ka - mi ay nag- na - a -
#W C C
C C C C C C C C C C C C C C C C C C C C C C C
mf
#W C C C C C C C C W C C WC
C C C C C C C W C
C
W C
C
C
for online perusal only
[
50
Í! W f
C C
There's music and dancing and shouts of joy.
C C C C C C C C WC
C C C C C C C C C
bang, May tu - mu - tug-tog at su - ma - sa - yaw May-r’ong sa ga -lak, na - pa - pa - si -
Í! W f
C C
C C C C C C C C C C C C C C C C C C
bang, May tu - mu - tug-tog at su - ma - sa - yaw May-r’ong sa ga -lak, na - pa - pa - si -
f
#W C C
C C C C C C C C C C C C C C C C C C
]
bang, May tu - mu - tug-tog at su - ma - sa - yaw May-r’ong sa ga -lak, na - pa - pa - si -
f
#W C C
#W C
C C C C C C C C C C C C C C C C C C
bang, May tu - mu - tug-tog at su - ma - sa - yaw May-r’ong sa ga -lak, na - pa - pa - si -
C
C
C C C C C C C W C C C C C C C C C C C
f
#W C C C C C C C C C C C C C C C C C C C C C C C

10
[
52
Í! W C
ff
C
Our town’s fiesta is like that: happiness never seems to end.
molto
C C C C C C C C WC
C C C C C C C- - rit.
C C- C-
gaw. Pis - ta sa ba-yan na-min ay gan - yan, Ang sa-ya’y ti - la wa-lang ka - ta - pu -
Í! W ff
C C
C C C C C C C C C C C C C C C C - - C W C-
gaw. Pis - ta sa ba-yan na-min ay gan - yan, Ang sa-ya’y ti - la wa-lang ka - ta - pu -
#W C
ff
C
47
C C C C C C C C C C C C C C C C- C- C- C-
W C -
]
gaw. Pis - ta sa ba-yan na-min ay gan - yan, Ang sa-ya’y ti - la wa-lang ka - ta - pu -
ff
#W C C
#W
C C C C C C C C C C W C C C C C C- C- C- C -
gaw. Pis - ta sa ba-yan na-min ay gan - yan, Ang sa-ya’y ti - la wa-lang ka - ta - pu -
molto rit.
C
C C C C C C C C C W C C C C C C C C- C- W C- C
ff
#W C C C C C C C C C C C C C W C C C C C C- C C- C- C C- C
C- C
for online perusal only
[
54
Í! W BO
Í! W BO
Funny, because even with all this merriment
a tempo (with a slight swing)
BO
C
the lady's elegance,
mf
C
C C - C-
san. Ang hin - hin ni -
BO
C
mf
C
C C -
C-
san. Ang hin - hin ni -
#W C C C C C C C C C C mf
C C C
C C - C -
]
#W C
#W
san. Kung pag - ma - mas - dan ay na - ka - ka - tu - wa, Ang hin - hin ni -
C C C C C C C C C mf
C C C
C C - C -
san. Kung pag - ma - mas - dan ay na - ka - ka - tu - wa, Ang hin - hin ni -
O BO B
a tempo (with a slight swing)
BOB
O
mf
#W C C C C C C C C C C C C C
C
S
T
C-
C
h
C C - C -

[
57
refinement and grace tower over everything.
48
Í! W W BO
C C C C C W C C C C C- C-
la’y, Tu - nay na hi - na - ha - nga - an ng mad -
Í! W C C C C C C C C C C C W C C C C C- C-
la’y hin - di na - wa - wa - la, Tu - nay na hi - na - ha - nga - an ng mad -
#W C C C C C C C C C C C W C C C C - C C-
11
]
#W O B
la’y hin - di na - wa - wa - la, Tu - nay na hi - na - ha - nga - an ng mad -
C
C C C C W C C C C - C C-
la’y, Tu - nay na hi - na - ha - nga - an ng mad -
W B
#W CO
C C C C C C S S S S C- C-
for online perusal only
#W O B
C
C C C C W C C C C - C C- C
[
60
]
The dance, the pride of our Mother Country.
# cresc. al fine rit. al fine
Í! W C- C C C C 2
3 W C O
g
C
CO
g
C W ? CO
h C? A ? O
la Ang sa-yaw ni - tong a - ting I - nang Ban - sa.
# cresc. al fine
Í! W 3 C- C W C C C 2 W CO
g
C
la Ang sa-yaw ni - tong a - ting I - nang Ban - sa.
# cresc. al fine
#W W - C C C C C 3 CO
2
h C
CO
W CO
la Ang sa-yaw ni - tong a - ting I - nang Ban - sa.
#W 3 C- C C C T 2 C C C T
g
C
h C
?
CO
?
CO
g
C C T U C C C C
# cresc. al fine quasi drum slower
la Ang sa-yaw, ang sa-yaw ni-tong a-ting I-nang Ban - sa.
#W C-
C C C
C W
C 3 2
# cresc. al fine
rit. al fine
W CO
quasi drum
#W W C 2
3 - C C C T C C C T
C
h
CO
h C W C ? O
C
g
(slower)
C C T U C C C C
h C?
h C?
?
C
C C ? h
?
C
A ? O
X A ? O
?
A A O
? X
A
O
?
A A O

49
for online perusal only

50
for online perusal only

51
for online perusal only

52
for online perusal only

53
for online perusal only
Copyright © 1988, 1992, Oxford University Press, Inc. Assigned to Oxford University Press, 2010
OXFORD UNIVERSITY PRESS, GREAT CLARENDON STREET, OXFORD OX2 6DP

54
for online perusal only

55
for online perusal only

56
for online perusal only

57
for online perusal only

58
for online perusal only

59
for online perusal only

K
60
I am on the battlefield for my Lord
TENOR 1
TENOR 2
BASS 1
BASS 2
Relaxed feel (swing, iq = q e) q = 110
unis. mf
oo
oo
Sylvana Bell and Estelle V. McKinley Banks
arr. ROBERT L. JEFFERSON
oo oo oo oo
unis. mf
oo oo oo
for online perusal only
4
oo oo
I am on the bat - tle - field
oo oo oo oo oo
7
for my Lord, for my Lord. I am
oo oo oo oo oo oo oo oo oo
10
on the bat - tle - field
for my Lord.
oo oo oo oo oo oo oo
© Oxford University Press 2013
Printed in the USA
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP
The Moral Rights of the Arranger have been asserted. Photocopying this copyright material is ILLEGAL.

61
3
13
And I prom ised
- Him that I would
oo And I prom - ised Him that I, that I would
16
serve Him till I die; I am on the bat - tle - field
serve Him till I die; I am on the bat - tle - field
19
for my Lord.
for my Lord. oo oo oo
I
am
22
on the bat tle
for online perusal only
- - field
for my Lord, for my Lord.
25
Yes, I’m on the bat - tle field
- for my Lord.
for my Lord,

62
4
28
And I prom ised
- Him that I
would
for my Lord. prom- ised Him that I, that I would
f
32
serve
f
Him till I die; I
am on the bat - tle - field
for online perusal only
35
SOLO
T. 1
T. 2
B. 1
B. 2
for my
Lord.
for my Lord. oo oo oo
SOLOIST 1*
f
I
was
mf
oo
mf
oo
a- lone and i -
- wop bop
- wop ch-
bop
39
oo
- dle;
I was a sin - ner too. But I
oo
- wop bop oo - wop bop oo - wop bop
- wop ch - bop oo
- wop ch - bop oo
- wop ch - bop
*The soloist may sing the part as written or ad lib.

63
5
42
heard a voice from heav - en
say there is work to do.
oo
oo
- wop bop oo - wop bop oo
- wop ch - bop oo
wop
bop
- wop ch - bop oo wop ch - bop
45
So I took my Sav - ior’s hand, and I
oo
oo
for online perusal only
- wop bop oo - wop bop oo - wop
- wop ch - bop oo
- wop ch - bop oo
- wop ch - bop
48
joined
the Gos- pel band. Now I’m on the bat - tle - field
joined
the Gos - pel band. Now
I’m on the bat - tle - field

64
6
51
for my Lord.
for my Lord. I
f with
determination
am
for
my Lord, for my Lord. f with
determination
T. 1
T. 2
54
on
for online perusal only
B. 1
B. 2
the bat - tle - field
for my Lord, for my Lord.
57
On
On
the
bat
- tle - field
the bat - tle - field
for my
for my
Lord.
Lord.
I
On
am on
the
bat
the bat
-
tle,
-
tle
-
on
field
the
bat
for
- tle -
my

65
SOLO
T. 1
T. 2
60
SOLOIST 2*
f
Oh,
3
3
Lord, I prom - ised Him that I
7
B. 1
B. 2
- field.
Lord,
ah - un
for
my
Lord.
I
I
prom- ised Him that I,
prom - ised Him that I,
for online perusal only
63
would serve Him till I die; I am
I would serve Him till I die; I am
that I would serve Him till I die, till I die;
I
am
66
3
on the bat
3
- tle - field
for my Lord.
3
3
on the bat - tle - field
for my Lord.
3
on,
on the field for
my
Lord.
*Optionally sing
. Throughout this solo small notes may be sung as an alternative.

66
8
69
72
slightly slower
f
And
f
And
f
And
I prom - ised Him that I would
I prom - ised Him that I, I would
I prom - ised Him that I, that I would
I am on the battlefield for my Lord JEFFERSON
for online perusal only
serve Him till I die; I am on the bat tle
serve Him till
3
- - field
I die; I am on the bat - tle - field
serve Him till I die, till I die;
3
3
I am on, on the
3
75
poco rit.
3
for my Lord.
broader tempo
for
my
field for my
mf
3
3
oo oo oo oo
3
3
mf
Processed in England by Enigma Music Production Services, Amersham, Bucks.
Printed in England by Halstan & Co. Ltd, Amersham, Bucks.

67
for online perusal only

68
for online perusal only

69
for online perusal only

70
for online perusal only

71
for online perusal only

72
for online perusal only

73
for online perusal only

74
for online perusal only

75
for online perusal only

76
for online perusal only

77
for online perusal only

78
for online perusal only

79
for online perusal only

80
for online perusal only

81
Shenandoah
For TTBB Chorus, Flute, Oboe,
Bassoon, and Piano
American Folk Song,
Kevin Riehle, arr.
Flute
Oboe
[
Freely, expressively ($ = c. 66)
! W W W W c Q C
p
C C C C C C C C C C C C C C
J
C C C C C C
J
! W W W W c R
Q
B
B O
p
h C T
C Ċ
U T
C C
Bassoon
]
for online perusal only
#W W
W W c A B
Q
p
h C T S
4
[
! W W W W
]
h C C h C C C C C C> . U T C
mf
! W W W W Q S
>
Ċ
C -
B O
B C
B O
p
#W W
W W Q S T C
C C C C C C C
@ expressively
B
h Ċ
C O
p
C
C
C C C C
B
C C
7
[
]
! W W W W Ċ TU
C C C C Ċ Ċ Ċ C > C C C C C C C C C C C
J
! W W W W Ċ TU
C C C C C C C C C C C C C
J
#W W W W R S C B O
C C
C C C
C Ċ TU
C B O
C C C TU
X C
O B
h C T C T g
C- B
Copyright © 2003, Oxford University Press, Inc.
Printed in U.S.A.

82
3
[
10
! W W W W B ? R Q TO
! W W W W
?
R
Q
B
TO
hj C
pp
gi XppC
B O
B O C S R
C
S
R
]
#W W W W B ? R
Q Q Q
[
B. 1
#W W
W W R ? B
@ ten.
C C C C C C C C C B C C B C C C C
]
B. 2
#W W
W W R ? B
O Shen-an - do,’ I long to see you and hear your rol-ling
@ ten.
C C C C C C C C C B C C B C C C C
O Shen-an - do,’ I long to see you and hear your rol-ling
[
14
! W W W W T CX C C C C B C S R
Q
! W W W W T
X C C C C C B C
for online perusal only
S R T
X C
C C C C
C B
]
#W W
W W Q Q T C CX
C
C C C B
[
]
#W W
W W C C B pp
T h C C C C C C C C C C B T
h C
riv - er, O Shen-an - do,’ I long to see you, A-
#W W W W C C B pp
T h C C C C C C C C C C B T
h C
riv - er, O Shen-an - do,’ I long to see you, A-

4
[
17
]
[
]
! W W W W Q S C O
p
! W W W W R S
B
C O
p
#W W .-
W W B R S
h C
p
#W W W W B C C C O C B O
T
C C B
C C B
B
T
h C T S R
h C T S R
g
C T S R
h C C C B C C
way, we’re bound a - way a - cross the wide Mis -
#W W
W W B C C C O C B O
83
T
h C C C B C C
way, we’re bound a - way a - cross the wide Mis -
for online perusal only
20
[
! W W W W Q T
h C C C C C C C
!@ expressively
! W W W W Q T g
C C C C C
C C
!@ expressively
#W W
W W g
] C O C C C C C O
h C C C C
[
]
!@ expressively
#W W
W W C C B O
Q
+T. 1
B O
B O
B O
T
mp g
C
expressively
C C C C C C
sou - ri. I long to see your smi-ling
+T. 2
expressively
#W W
W
mp
W C C B O
R S T
g
C
C C C C C C C
sou - ri. I long to see your smi-ling
S
S
S
! W W W W R S
p G
#W W W W C C C C C C C
C G G
d
C
C C G C C S S
S
C C C C C C C C
C
d
C C C C S S
S
C C C C C
C
d sim.
C C C
C C C
S

23
[
! W W W building
W Q Q R C C C C
mp
! W W W building
W Q Q R C C C C
C C mp
#W W C C W W Q Q
C C C C
]
mp building
[
#W W C C B W W h C C C B C C C
T S
C C C C
val - ley and hear your roll-ing riv - er.
#W W
W C C B C C B C C C C W C C B
T
]
h C
val - ley and hear your roll-ing riv - er. I
! W W W W R S
#W W
W W
C
C C C C C C C C
C C C
S
C
C
84
C C C C C
C C C C C
mf
C C C C C C C C C
C
C
C
B
B S
C
C
C C C C C C C C
C C C
S
5
for online perusal only
[
26! W W W W C C C B
C C C C B B
mf
! W W W W B B B C CX C C B
]
[
#W W
W W B C
C C C C X B
#W W
W W T h C C C C C C C C C B O C C C C C C C O
S
C
mf
C
C
mf
W B
C
C
C
]
I long to see your smil-ing val-ley, A - way, a-way, we’re bound a -
#W W
W W
C C C C C C C C C B T
h C B C C C O
long to see your smil-ing val-ley, A - way, we’re bound a -
C
! W W W W B B B
B
B
C
#W W
W W C
C C C C C
C
C C C C C C C C C C C
X C
X C
C C
C C B
mp
C
C C
CW
C
B
S
C
C C
C
C CW
C
S

6
[
29
]
[
]
! W W W W B B Q T
h C p
! W W W W C C C Q
C B T g
C
p
#W W W W B
C C C B R B O
p
#W W B O W W
#W W
W B O W
S
T
h C C C C O
h C C C B O
way a - cross the wide Mis - sou - ri.
T
h C C C B C C C C B O
way a - cross the wide Mis - sou - ri.
85
C C C C C C
C C C C
C
C
C
! W W W W
B
S
#W W
W W
C
C
C
C C C B C C C C
S C
C C C C
C
B
C
C
C C C C
C
C
for online perusal only
C C B C C C
C C C C
C
C
C C C C C C C C C
[
32
]
[
! W W W W B O
S
Q Q
! W W W W C C C C C S
Q Q
#W W
W W A
Q Q
#W W
W W Q Q Q
]
#W W
W W Q Q R
B. 2
S
# richly
C
’Tis
! W W W W
B
#W W
W W
C
S
C C C
C C C C C C C C C
B
cresc.
C
C C CX
C
S
C C C B C C
C C C C C
C CW C C C C C
C

86
7
[
35
! W W W W B B B O
!# sustained, little vibrato
S
B
B
! W W W W
B
!# sustained, little vibrato
B
O B
S B B
]
#W W
W W B B B C S B C C
!# sustained, little vibrato
[
]
Í! W W W T. 1 !# richly
W R S C C O
T. 2 !# richly
h C C C C
h C T C C C C
O Shen - an - do - ah, hear your
Í! W W W W R S C C C C C C C C C
#W W
W W S T
B. 1 # richly
h C T C C C C
O Shen-an, Shen-an - do-ah, hear your
g
C C C C C C C C C C C C C C B
’Tis sev’n long years since I last see you, And hear
#W W
W W C C C C C C C C C B C C B C C C C
sev’n long years since I last see you, And hear your roll-ing
! W W W W g
C
g
#W W
W W C
C
# sustained
C C
g
C
g
C
C
C
C C
C
g
C
g
C
C
C
g
C
g
C
for online perusal only
C
C
C
C
C C
C C
C g
C
g
C C C
C C
g
C
g
C
C C C C
C
C

8
87
[
38
! W W W W
O B
S C C C C B B B
expressively
! W W W W
B O
S Q C C C C B
]
#W W B O W W
S
expressively
B B B B
[
Í! W W W W C C C C C C C S S T
mf
h C
C C B B
roll - ing ri - ver, ’Tis sev’n long years.
Í! W W W W C O
h C C mf
C C S S T
h C C C X B
roll - ing ri - ver, ’Tis sev’n long years.
#W W
W C C C C W C C C
S T h C C C C C C C C C C C
for online perusal only
]
your roll-ing ri-ver, ’Tis sev’n long years since I last see you,
#W W
W W C C B
T h C C C C C C C C C C B T
ri-ver, ’Tis sev’n long years since I last see you, A-
f
h C
! W W W W g
O
C C C C C
C
B
C C C C
C C C C C
C C C
h h C X C C
#W W
W W C C C C C
h h
C C
C C
C C
C C X C C
h h

88
9
[
41
]
! W W W W B O
f
! W W W W B O
f
C
#W W W W
f
C C
C
,
,
,
C C
C C
C C
B O
S C C C C
dim.
B O
S C C C C C C C
dim.
B O
S C C C B
dim.
[
]
Í! W W W f
W T h C C C B C C B C O
Í! W W W W T
A-way, a - way, bound a - way ’cross the wide Mis -
f
h C
#W W
W W C T
C C
W B
C
dim.
C B C O
dim.
h C
C
h C C C C
A-way, a - way, bound a - way ’cross the wide Mis -
f
h C
B C C C O C B C
dim.
T
h C C C C
A - way, we’re bound a-way a -cross the wide
#W W
W W B C C C O C B O
T
h C dim.
C C B C C
way, we’re bound a - way a - cross the wide Mis -
C
! W W W W g
C
C
f
#W W
W W C
h
C
C
for online perusal only
g
g
C W C
C
C C
g
C WC
C C
h C
C
C C
g
C
g
C
C
C
C
C
g
C
g
C
dim.
C
C C
g
C
g
C C
C
C
C
C

10
89
[
44
! W W W W C C C C C C C C B O
S
Q
! W W W W
C C C Q
C
S
C C C C B O
]
[
]
#W W W W B O
S C C C C C C B O
Í! W W W W B B B O
sou - ri. Shen - an-do,’
Í! W W W W B B B O
#W W
W W C O
S
S
p
C O
p
C O
sou - ri. Shen - an-do,’
#W W
W W C C B O
for online perusal only
h C C p
C C BO
S C O
Mis-sou - ri. Shen - an-do,’
p
BO
S C O
sou - ri. Shen - an - do,’
g
C
g
C
h C
h C
B
B
B
B
S
! W W W W
C C B C C G C B O
C C C B X B
#W W
W W
C
G
C C C C
G
C C C
G
C
S
C
C C C C C C C C
S
C
C C Ċ Ċ B

90
11
[
47
! W W W W CCC CĊ U T C B
!@ non legato
h C T S R C C C C Ċ
mp
U T
C
C
legato
C
]
! W W W W CCC CC .
U T C B
!@ non legato
#W W
W W C- U T C Ċ
!@ non legato
U T
C B
h C T S R C C C C . C
mp
h C T S R C
mp - .
X . C
U T C C
legato
TU
C C
legato
C
C
[
]
Í! W W W W
Í! W W W W
C
C
S S C C O
S
S
h C
pp
X B C S S X C
O Shen - an - do,’ O
C
C O
#W W
W W C S S C C O
#W W
W W C S S X C
g
pp
C B C S S C
O Shen - an - do’, O
h C pp
B C S S C
O Shen - an - do’, O
C O
h C B C S S pp
C
O Shen - an - do’, O
! W W W W
B
for online perusal only
X B
B
B
X B
B
X B
#W W
W W B B
C
C C Ċ Ċ B B B

12
91
[
50
]
! W W W ?
W C S R Q
R B
pp
! W W W W C
?
S R Q
R
B
pp
#W W
W W C S R Q
R ? B
pp
[
Í! W W W W BO
Í! W W W W B
O
C C
S
A
Solo
pp
C
Shen - an - do’.
Solo
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for online perusal only
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Shen - an - do’.
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25 April 2001
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Price $2.25

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Words by F. S. Pierpoint (1835–1917)
ORGAN
4
: - -
: - -
8
PIANO
or
q - -
: - -
: - -
q - -
12
: - -
: - -
Happily
: - - W W
( , =66)
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2 W W W W W W W W W W W W W W W W W W W W W
mp delicato
: - - 2
! ! ! ! ! ! ! ! !
W W W W W W W W W W W W W W W W W W W W W W W W W W W W W W W W
! ! ! ! ! ! ! ! ! ! !
TENOR
9 8 mp (SOLO or FULL)
W W W W W W "
legato
1. For the beau ty of the earth,
W W W W W W W W W W W W W W W W W W W W W W W W W W W W W W W W
"!!
! ! ! ! ! ! ! ! !
" 8 W W W W W W W 0 W W !
For the beau ty of the skies,
W W W W W W W W W W W W W W W W W W W W W W W W W W W W W W W W
! WW 00 W
for Rosemary Heffley and the Texas Choral Directors’ Association
For the beauty of the earth
for online perusal only
) 8
" W W " ! ! ! ! !
JOHN RUTTER
Also available for SA (978-0-19-341513-3) and for SATB (978-0-19-343132-4).
An accompaniment for small orchestra (2fl, ob, 2cl, bsn, 2hn, perc, hp, str) is available on rental from the publisher’s
Hire Library or appropriate agent.
© Oxford University Press 1980. This arrangement © 2013
Printed in Great Britain
OXFORD UNIVERSITY PRESS MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.

1
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W 7 W W " W W W W "
For the love which from our birth
W W W W W W W W W W W W W W W W W W W W W W W W W W W W W W W W
! ! ! !! ! ! ! ! ! !
!
W 7 W W W W W W W ! W 7 W W W W
O ver and a round us lies, o ver and a
W W W W W W W W W W W W W W W W W W W W W W W W
! !! ! ! ! ! ! !
TENORS (FULL)
mf
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lies:
Lord of all, to thee we
W W W W W W W W W W W W W W W W W W W W W W W W W -W
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! W
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W ! 9 W W W W W W ! 0 W
raise This our joy ful hymn of
W 3
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round us
-!!
0 ! W
for online perusal only
2 !
3
93
mp
" W W W " 6
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praise.
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mf
8 WW W W W W W " " " "
TENOR 1
TENOR 2
2. For the beau ty of each hour
BASS 1
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BASS 2
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mf
mf
for online perusal only
! ! ! ! ! ! ! ! ! ! WW 00 W
unis.
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Of the day and of the night,
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Hill and
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unis.
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Hill and vale and tree and flower, Sun and moon and
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unis.
vale and tree and
flower,
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q - -
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stars of light:
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Lord
Lord
3
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all,
to thee we
raise
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mf
q - - W W W W W W ! 0 W W 0 W W ! 9
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of praise.
mf
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of praise.
mf
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! 0 W W W W W W 0 W W ! 9
our joy ful hymn of praise.
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mp
espress.
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This
mf
for online perusal only
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joy
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praise.
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love,
Bro ther, sis ter, pa rent,
: .
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Bro ther, sis ter, pa rent, child, Friends on earth,
W 0 W W ! W 7 W W " W W W W
child,
for online perusal only
Friends
97
on
earth,
and friends a
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For all gen tle thoughts
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gen tle
thoughts
and mild:
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For all gen tle
thoughts
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Lord of all,
to thee
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mf
all,
and
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for online perusal only
to
thee
we
98
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and
mild,
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all

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cresc.
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)
mp
C
Our joy ful hymn of
ALL VOICES
unis. f
8 W W W W W W " "
4. For
of
praise.
praise.
for online perusal only
each per fect gift of thine
W W W W W W W W W W W W W W W W W W W W W W W W W W W W W W W W ! W W W W
f
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To our race so free ly giv en,
8 W mf
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To
our
race
so
free
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unis.
WW!! 7 8 7 W "
Ah
W 7 W W W W W W W ! W 7 W W W W
Flow’rs of earth and buds
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Lord of all,
f
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of heav’n,
6 W
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cresc.
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buds
100
of
vine,
for online perusal only
vine,
heav’n, Flow’rs of earth and
Lord
of
all,
WWW WWW WWW W W W W W W W
f
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0 0 W ) W ! !
to
to

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T.2
B.1
B.2
102
= q . . . . .
q . . . . .
< . . . . .
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: . . . . .
< . . . . .
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105
q . . . . .
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< . . . . .
: . . . . .
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thee
we
raise
3
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thee
we
raise
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thee
we
raise
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thee
we
raise
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D ( * = * )
mf
3
8
mf
3
8
W W + W W )
our joy
W W + W W )
This
W 0 W 0 4 W W W 0 W W !
2
4
hymn
of praise,
W 0 W 0 4 W W W 0 W W !
2
4
W 0 W 0 W W + W W + W W "
mf
3
8
2
4
4
This
our joy ful hymn of
mf
3
2
4
8
4
!!W W W
our joy ful hymn
of praise,
W 0 W 0 W W + W W + W W W 0 W W !
This
This
ful
our
joy
101
for online perusal only
ful
hymn
W W W W
D ( * = * )
3 W W 2
4
8 W W W W W W W W W
4
W W W W W W W W W W W WW
mf
W
3
2
8 W 0 W 0
W 0 W 0
4 W W ! W W 4 W W
of
praise,
praise,
11
3
8
3
8
3
8
3
8
3
8
3
8

102
M51 For the beauty of the earth RUTTER
for online perusal only
Printed by Halstan

103
for online perusal only
© Hinshaw Music, Inc. 1980. Assigned to Oxford University Press 2016 Printed in Great Britain
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL

104
for online perusal only

105
for online perusal only

106
for online perusal only
Printed by Halstan

107
2
for online perusal only

108
for online perusal only

109
for online perusal only

110
for online perusal only

111
for online perusal only

112
for online perusal only

113
for online perusal only

114
for online perusal only

115
Sacred
TTBB unaccompanied
for online perusal only
HOWARD SKEMPTON
The Song of Songs

116
for online perusal only

117
for online perusal only

118
for online perusal only

119
for online perusal only

120
for online perusal only

121
for online perusal only

122
for online perusal only
© Oxford University Press, Inc. 2005. Assigned to Oxford University Press 2010 Printed in U.S.A.

123
for online perusal only

124
for online perusal only

125
for online perusal only

126
for online perusal only

127
for online perusal only

128
for online perusal only

129
for online perusal only

130
for online perusal only

131
for online perusal only

132
for online perusal only

133
for online perusal only

134
for the Mormon Tabernacle Choir, Craig Jessop, conductor
All Through the Night
Sir Harold Boulton (1859–1935), alt.
SOLO INSTRUMENT
Tenderly, with expression q = 60
mf espress.
Ar hyd y nos, Welsh lullaby
arr. MACK WILBERG
TENOR 1
TENOR 2
BASS 1
BASS 2
Tenderly, with expression q = 60
for online perusal only
PIANO
Tenderly, with expression q = 60
mp
con Ped.
5
sim.
A full score and set of parts for a chamber orchestra accompaniment (cl.–hp.–str.) are available on rental from the
publisher.
The Mormon Tabernacle Choir with the Orchestra at Temple Square has recorded this piece on the CD Love is
Spoken Here (SKU 4940651).
Copyright © 2008, Oxford University Press, Inc.
Printed in the USA
OXFORD UNIVERSITY PRESS, 198 MADISON AVENUE, NEW YORK, NY 10016
Photocopying this copyright material is ILLEGAL.

4
135
9
T. 1
T. 2
unis. mp
Sleep
my child and
peace
at-tend
thee,
All
through
the night,
13
Guard - ian an- gels God
will send thee,
All
through the night;
for online perusal only
17
Soft anddrow-sy
hours
are creep- ing, Hill
and vale
in
slum - ber sleep -ing,
( )

136
5
21
SOLO INSTRUMENT
mf espress.
I
my lov-ing
vi - gil keep- ing, All
through
the night.
25
for online perusal only
29
poco rit.
poco rit.

6
137
32
a tempo
TENOR SOLO (or SEMI-CHORUS)
mf
While
the moon her watch
is keep- ing, All
through
the
night,
T. 1
T. 2
a tempo
p (stagger breathing)
B. 1
B. 2
oo
p (stagger breathing)
a tempo
36
While
for online perusal only
the wea - ry world
is sleep- ing, All
through
the night;
(oo)
p

40
mp poco cresc.
O’er thy
7
spi - rit gent - ly steal-ing,
Vi - sions of de - light re-veal-
ing,
SOLO INSTRUMENT
a tempo
mf espress.
poco rit.
a tempo
p
a pure and ho - ly feel- ing, All through the night.
p
poco rit.
a tempo
mp
mp poco cresc.
poco cresc.
44 poco rit.
Breathes
138
for online perusal only

8
139
48
poco a poco dim.
52 poco rit.
a tempo
p
unis. pp
All
unis.
pp
for online perusal only
poco rit.
through
poco rit.
the
a tempo
night.
a tempo
p
56 rit.
rit.
rit.

140
PNO.
for the Mormon Tabernacle Choir and Orchestra at Temple Square
He’s got the whole world in his hands
Moderato q = 88
African-American Spiritual
arr. MACK WILBERG
mp
TENORS
He’s got the whole world in his hands, he’s got the
3
whole wide world in his hands, he’s got the whole world
6
sim.*
T.
in his hands, he’s got the whole world in his hands.
He’s got
B.
mp
mp
9
whole world in his hands, he’s got the whole wide world
for online perusal only
the
*The melody should always be phrased as marked in the first verse, with a breath after ‘hands’.
An accompaniment for orchestra (3fl (+picc), 2ob, 2cl, 2bsn, 4hn, 3tpt, 3tbn, tba, timp, 3perc (tri, susp cym, BD, chimes), hp, org,
str) is available on hire/rental from the publisher or appropriate agent.
Also available in an arrangement for mixed voices (SATB) (ISBN 978-0-19-339476-6). The TTBB version has been recorded by
the Mormon Tabernacle Choir and Orchestra at Temple Square on the CD Men of the Mormon Tabernacle Choir (SKU 5053126).
© Oxford University Press 2013
Printed in the USA
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP
The Moral Rights of the Arranger have been asserted. Photocopying this copyright material is ILLEGAL.

141
3
12
in his hands, he’s got the whole world in his hands, he’s got the
15
whole world in his hands.
for online perusal only
mf
18

21
24
mp
He’s got the wind and the rain in his hands, he’s got the
mp
27
wind and the rain in his hands, he’s got the wind and the rain
T.
4
B. mp
142
for online perusal only

T. 1
T. 2
in
30
B. 1
33
sun and the moon in his hands, he’s got the sun and the moon
36
in
5
mf
his hands, he’s got the whole world in his hands. He’s got the
B. 2
mf
mf
his hands, he’s got the sun and the moon in his hands, he’s got the
143
for online perusal only

144
6
39
unis. ( mf )
whole world in his hands.
He’s got you and me, bro -ther,
unis.
( mf )
42
in his hands, he’s got you and me, bro -ther,
in his hands, he’s got
45
you and me, bro -ther,
in his hands, he’s got the whole world in his
for online perusal only

145
48
hands. He’s got you and me, sis- ter,
in his hands, he’s got
51
you and me, sis-ter,
in his hands, he’s got you and me, sis - ter,
54
in his hands, he’s got the whole world in his hands.
f
for online perusal only
7

146
8
57
61
cresc.
T.
B.
64
poco allargando
unis. f
poco allargando
a tempo
He’s got ev - ’ry - bo- dy in his hands, he’s got
unis.
f
for online perusal only
a tempo
ff
f
67
ev
- ’ry - bo - dy in his hands, he’s got ev - ’ry - bo - dy

147
9
70
in his hands, he’s got the whole world in his hands.
ff
73
He’s got the whole world in his hands, he’s got the whole world
ff
76
in his hands, he’s got the whole world in his hands,
for online perusal only

148
10
79
he’s got the whole world in his hands. He’s got ev - ’ry - bo-dy
ff
82
in his hands, he’s got ev - ’ry - bo- dy in his hands, he’s got the
for online perusal only
85
whole world in his hands, he’s got the whole world

149
11
88
in his hands,
92 allargando al fine
in his hands, in
his
allargando al fine
for online perusal only
95
hands.
Processed in England by Enigma Music Production Services, Amersham, Bucks.

150
for the Brigham Young University Men’s Chorus
The Morning Trumpet
For Unaccompanied Lower Voices (TTBB)
John Leland (1754-1841)
B.F. White (1800-1879)*;
Mack Wilberg, arr.
Tenor 1 2
Bass 1 2
[
Í! Y 2 4 C.
g
]
With marked rhythm and articulation ($ = c. 76)
mf
,
C > O C C . . C C > C C .
C . C O
> C . C . C - C C .
O when shall I see Je - sus and reign with him a - bove, And shall
# Y 2 T
Q Q Q Q
4
C.
5
[
Í!Y
]
[
10
]
C O >
C
C.
C. C > C C.
C. B > C-
T
g
C .
C > O C C. . C
hear** the trum - pet sound in that morn - ing; And from the flow - ing
B. 1
mf
# Y Q Q Q S T .
h C
Í!Y C > C C.
C.
,
C O
> C . C C. - C C.
C.
C O >
C
C.
C > O C Ċ Ċ
C. C > C C.
foun - tain drink ev - er-last - ing love, And shall hear the trum-pet sound in that
# > Y
C C Ċ Ċ C> O
for online perusal only
C Ċ Ċ - C
,
Ċ
Ċ
C> O C
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T. 1&2
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morn - ing. O shout with glo - ry! I shall mount a-bove the
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*From The Sacred Harp (1844).
**The h of “hear” should be given emphasis throughout.
© Oxford University Press, Inc. 2005. Assigned to Oxford University Press 2010.
Printed in U.S.A.

151
for online perusal only

152
for online perusal only

153
for online perusal only

154
for online perusal only

155
for online perusal only

156
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166
Videntes Stellam Magi
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168
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X X C
C
>
O
X
CO
B B B
C
C O
C
C CC
C C CO
X X C
C
>
O
X
CO
B B B
C
C O
C
C CC
C CO
C

169
[
Í! Y Y Y
X C
, h Ċ C- W . C
, C- Ċ , > C C > C > , X C- O B- CO
CO
S X C
, W C- C Ċ
, X - h C C , - C , C - h C- C
,
# Y Y X Y h C - C , C- C. , C- , > C C > C > , X C- O B- CO
CO
S
XC
, CO
, X -C
O
, C- , C- , CO
,
# Y Y X C
Y
Í!Y Y Y
, X .
h C , C- C. , C- C. , > C C > C > , X C- O B- CO
CO
S
XC
, CO
, X -C
O
, - C , C- , CO
,
mf
SO
R T T g
X C .
#
Y Y SO
R T T
Y
X C -
h Ċ X C - -C C g
- X C .
C -
.
h C X C- C-
C-
X .
h C C-
, g
X . C X - ,
C C - W C- C C. X C - , g , ,
X C C-
W . C
. - C C.
mf X h C .
X C-
#
] Y Y Y
Q Q Q Q
C>
C > C >
, X h C . X C-
C- W C - ,
C C. X -C
, X h C . C- W . C
, ,
C- C. > C C > > C
! YY Y
X X C
C
>
O
# Y Y Y X
CO
B B C
CO
O
C
C CC X
W X > CO
X X C>
C
O B B C COO
W X
C
X > CO
CC>
C CC> C > O
for online perusal only
X X C>
C
O B B C COO
W X
C
X C >
O CC>
C CC> C C> O
X X C>
C
O
W X
X CO
sim.
B
C
B
C
C COO
C O
[
Í! Y Y Y X - h C C , - C , C - h C- C
, X - h C C , - C , C - h C- C C - h Ċ B> CO
CO
S C , X C- CW C.
,
# X -C
O
Y Y , C- , C- , CO
X -C
O
, C- , C- , CO
X C-
Y h C . B > CO
CO
S
XC
, CO
,
# X -C
O
Y Y , - C , C- , CO
X -C
O
, - C , C- , CO
X C-
Y h C . B > CO
CO
S
XC
, CO
,
Í!Y Y Y
X C -
# X -C
Y Y Y
, g
X C C-
.
W . C
, , - C C>
C. C > > , C X C - , g
X C C-
.
W . C
, , - C C>
C. C > C > , X C - O B - CO
CO
S C , X C - CW C.
,
, X
h C . C- W . C
, C- C. , > C C > > C , X -C
, X h C . C- W . C
, C- C. , > C C > C > , X C- O B- CO
CO
XC
CO
S
, ,
mf
#
Y Y
] Y
Q SO
R T T
g
X C
W C -
h Ċ X C- C - C - g
X C.
C
, X
h C W C - - C W C- C C.
,
! Y Y Y
X X C>
C
# Y Y W Y X
X CO
O
B
C
B
C
C C O
C O
X X C>
C
W X
X CO
O
B
C
B
C
C C O
C O
X X C>
C
W X
X CO
O
B B C C O
C C CC C O
X X C>
C
W X
X CO
O
B B C C O
C C CC C O

170
Í! Y Y W
Y
W
W 78
h C- ,
X C - , ,
C C-
h C- ,
C
h C- ,
X C - , ,
C C-
h C- ,
C
h C- ,
X C - , ,
C C- C
h C C-
# Y Y
X C- O , B- , C- O , X -C
O , C- , C- , C- O , X C- O , C- , C- , C- O ,
W Y W
W 78 C-
# Y Y
X C- O , B- , C- O , X -C
O , C- , C- , C- O , X C- O , C- , C- , C- O ,
W Y W
W 78
[
Í!Y Y W
Y
W
W 78
h C- ,
X C - , ,
C C-
h C- ,
C
h C- ,
X C - , ,
C C-
h C- ,
C
h C- ,
X C - , ,
C C- - ,
C Ċ C C-
h C . - C C-
#
Y Y
X -C
O , C- , C- , C- O , X CO
, C- , C- , C- O , X -C
O , C- , C- C C C ,
W Y W
W 78 C - O - B
,
#
] Y Y W C
W Y X W
W 78
h C . X C- W C. ,
C - ,
C. C > > C C > , ,
W C X h C . X C- W C. ,
C - ,
C. C > > C > , ,
C W C X h C . X C- W C. ,
C - ,
C. > C C > C > ,
C - O - B
C-
h C . B >
h Ċ B>
h Ċ B>
for online perusal only
! Y Y W
Y
W
W 78
X X C
C
>
O
B B C
CO
O X X C
C
>
O
B B C
CO
O X X C
C
>
O
B B C
CO
O
# Y Y W Y W
W
X
W 78
X CO
C
C CC W C O X
X CO
C
C CC W C O X
X CO
C
C W
CC W
W > CO
O C> B
C CO
C CC>
C CC> C>
[
]
Í! W W W f
B CO
Q S S C C W C Y
#W W
W B O
f
C Q S S CO
Y
#W W
W B O
f
C Q S S CO
Y
Í! W W W g T C- C C C W C
Y
C.
- h Ċ C- C - C - g f
C T C C W C
.
#W W
W
#W W
W
X C- C- Y -C
Y C C C-
h C .
T
Y C-
X C- C- X C-
h C C-
h C .
T
X -C
O
X C - - C Y C- Y C C - C
h Ċ T Y -C
Y C
X C- C- Y -C
Y C C C-
C S C- O C-
h C . C- C- C-
h C . f
T CO
C S C- O C - h Ċ C- - C C - h Ċ f
T CO
Y
X C- C- X C-
h C C-
Y
h C .
h C .
T
T
Y C-
X -C
O
X C - - C Y C- Y C C - C
h Ċ T Y -C
Y C
C Y C
C
C Y C
C
! W W W Y
B O >
CO W C
C> C> O
W B B> B>
C C> O
#W W
W
C
C CC>
C CO
C > C> C CO
sim.
C
C
C CC
C CC
C C CO
Y
XX
B
f >
X
X X
C
C
X Y C C
> CO
B X Y
> > CO
Y C C CC Y C
CO
C CO

171
[
Í! Y
C- C- Y -C
Y C C C-
h C .
T
Y C-
C Y C C- C- Y C- Y C . , .
h C C- C- Y C- Y C . , h C C Y . C
, C C. , C
h C . ,
#
C- C- X C-
Y
h C C-
h C .
T
X -C
O C- C- X C-
, .
h C C- C- X C-
, h C C X . C , C C. , C
h C . ,
# - Y
C - C Y C- Y C C - C
h Ċ T Y -C
Y C C - C C - Y C- Y C.
Í!Y
, .
h C - C C - Y C- Y C.
, .
h C C Y C. , C C. , C
h C . ,
C- C- Y -C
Y C C C-
# - Y
C - C Y C- Y C C - C
]
h Ċ T Y -C
Y C C - C C - Y C- Y . C
h C .
T
Y C-
C Y C C- C- Y C- Y C . , .
h C C- C- Y C- Y C . , h C C Y . C
, C C. , C
h C . ,
#
C- C- X C-
Y
h C C-
h C .
T
X -C
O C- C- X C-
, .
h C C- C- X C-
,
h C C X . C , C C. , C
h C . ,
, .
h C - C C - Y C- Y C.
, .
h C C Y C. , C C. , C
h C . ,
>
! Y C C
C Y C
. >
C C . >
C
C Y C
. >
C C .
B Y
C
C Y > X C . >
C C. C >
>
X C
> O B Y
>
X C
> O B Y
>
X C
> O B Y
>
X C
> O
# C Y Y C
C CC Y C
C CC Y C
C CC C Y C
CC
C CC
C CO
C
CO
C CO
C CO
C CO
C
C g
C.
for online perusal only
Í! Y
C Y . C
, C C. , C
4
h C . , C Y . C
, C C. , C C. , C C. , C Y . C
, C C. , C C. , C->
C-> > > ff
B B
#
C X . C , C C. , C
Y h C . , C X . C C C. C C. C C. C X . C C C. C C. C->
C->
4 , , , , , , , X > B > B ff
# Y
C Y C. , ,
C C. C
h C . ,
4 C Y C. , , , ,
C C. C C. C C. C Y C. , , ,
C C. C C. >
C - C-> B
R
>
[ C Y . ,
C C ,
C. C
Í!Y
h C . , C
4 Y . ,
C C ,
C. C ,
C. C ,
C. C Y . ,
C C ,
C. C ,
C. C->
C-> > > ff
B B
#
C X . C , C C. , C
Y h C . , C X . C C C. C C. C C. C X . C C C. C C. C->
C->
4 , , , , , , , X > B > B ff
# C Y C. ,
C C. ,
C
] Y 4
h C . ,
C Y C. ,
C C. ,
C C. ,
C C. ,
C Y C. ,
C C. ,
C C. , >
C - C->
ff
B B
> >
! Y 4
C Y > X C . >
C C. C C g
> C. C Y > X C . >
C C. >
C C. >
C C. C Y > X C . >
C C. >
C C. >
C C. > B B >
# Y 4
C
C
C CO
C
C CC
C CC
C CC
C CC
C CC
C CC
C CC
C CC B BB>
B BB>

172
Recitative (slower)
Í! Y Q ? Q ? Q ? Q ? Q Y Y 7 8
[
# Y Q ? Q ? Q ? Q ? Q Y Y 7 8
ff
?
C C
# Y S
C
Y Y
h C C ? ? ?
C B C C C C
Y CO
h C B? 7
h C Y C
? , ? ,
C C
g X B B
8
Í!Y Q ? Q ? Q ? Q ? Q Y Y 7 8
# Y Q ? Q ? Q ? Q ? Q Y Y 7 8
for online perusal only
#
] Y Q ? Q ? Q ? Q ? Q Y Y 7 8
Recitative (slower)
! Y Q ? Q ? Q ? Q ? #
>
A A Y Y 7 8
# Y Q ? Q ? Q ? Q ? p
A >
Y Y 7 8
[
Tempo I (but a little
Í! Y Y mp slower) - , , ,
7 Q C C. C 8 - C C . - . C C. B CO
- C C. ,
C- C. , , ,
C-
C. Ċ B CO
# Y Y 7 8
Q Q
mp -C
C. , C-
C. , C-
C. C. , B C- C. C. C- C. , C- C. , C- C. C. ,
# Y Y 7 B CO
B CO
B CO
Q Q
8
Í!Y Y 7 8
Q Q Q Q Q
# Y Y 7 8
Q Q Q Q Q
#
] Y Y 7 Q Q Q Q Q
8
Tempo I (but a little slower)
# Y Y 7 8 B B
C
CO
O
B
B
C
CO
O
B
B
C
CO
O
B
B>
B
C
CO
O
B
B
C
CO
O
# Y Y 7 8 B BB
C C CO
B BB
C C CO
B BB
C B
C
CO
BB>
C C CO
B BB
C C CO

173
poco accel.
Í! Y Y ,
C- C.
, ,
C- C.
C-
C. C. - , , ,
C C.
C- C.
C-
C. C. 4 - , ,
C C.
C-
C. - , ,
C C.
C-
C. - ,
C C. - ,
C C. - ,
C C. C - C. 3+2+2+3
8
,
# Y Y C- C. C- , , ,
C. C- C. C. C- C. C- , , , , , , , ,
C. C- C. C.
4
C- C. C- C. C- C. C- C. C- C. C- C. C- C. C- C.
3+2+2+3
8
#
Y Y Q Q 4 Q Q 3+2+2+3
[
8
Í!Y Y Q Q 4 Q Q 3+2+2+3
8
mf
#
Y Y Q Q 4 Q R S T
3+2+2+3
h C 8
mf
#
] Y Y Q Q 4 Q R S T
3+2+2+3
h C 8
poco accel.
# Y Y B>
B B
O B>
C CO B B
O 4 B
C CO
> B
B>
B B B>
B B B
B
> 3+2+2+3
8
# Y Y C 4 3+2+2+3
B CO
B C 8
B> C BB> CO
B B
C
BB> BB>
B BB>
C CC>
C CC>
for online perusal only
[
Í! Y Y 3+2+2+3
8
# Y Y 3+2+2+3
8
# Y Y 3+2+2+3
8
Í!Y Y 3+2+2+3
8
# Y Y 3+2+2+3
8
#
Y Y 3+2+2+3
] 8
# Y Y 3+2+2+3
8
# Y Y 3+2+2+3
8
Tempo I
mf
C
mf
C
h C B
CO
CO
S - ,
C X C- C
g , , , g , g , , , g ,
C. C C C-
- C- C C C C-
- C- C- C C
-
h C B
CO
CO
S C- , CO
C- O , C- , C- , C- O , C- O , C- , C- , C- O ,
C-
Q
h C . C- C-
mf
SO
S C -
, CO
C- O , C- , C- , C- O , C- O , C- , C- , C- O ,
Q Q Q Q
C - h Ċ - ,
C
h C . C-
C - X -C
C C. C- ,. h C C- X . C ,
C- ,
C. C > C > > C
,
C- ,
h C C- X . C ,
C- ,
C. C > C > > C
,
C-
h C . C- C-
C - h Ċ - ,
C
h C . C-
C - X -C
C C. C- ,. h C C- X . C ,
C- ,
C. C > C > > C
,
C- ,
h C C- X . C ,
C- ,
C. C > C > > C
,
C> O B CO
Tempo I
C> O B CO
C> O B CO
mf
X
C
C>
C O
CC>
C CC>
C C> CO
X
C>
C O
C CC>
C CC>
C C> CO
X
C>
C O
C CC>
C CC>
C C> CO
X
C
O
C> O B CO
C
C C
C C CO

174
[
Í! Y Y g
C -
C , g
C-
, C- , C -
C , C- .
h C B >
f
CO
CO
S X C-
, W C- C Ċ X CO
, C , C
, h C - C
,
# Y Y C- O , C- , C- , C- O , C- .
h C B > CO
CO
f C- , X C- C
S
C. X h C C , C- C. , C- C. , -
h C C
,
# Y Y
Í!Y Y
# Y Y C-
#
Y Y C-
]
# Y Y
C- O , C- , C- , C- O , C- .
h C B > CO
CO
f
S C- , C- O , CO
, C , C , CO
,
SO
R T T
g
C
X -C
h C . C - C-
C- g
C X .
C-
,
h Ċ X C-
C- X - ,
C C Ċ X C
h Ċ C- W . , ,
C C- Ċ C-
,
h C C- X . C ,
C- ,
C. > C C > C > ,
CO
B CO
CO
C mp S
X C - C C. , X h C C
,
C- C. ,
C- ,
C. -
h C C ,
,
h C C- X . C , C- C. , > C C > C > , CO
B CO
CO
C S
mp CO
, C
, X .
h C C- C. , C- , -
h C C
,
C> O B CO
X C C> O
B
B
C COO
X C
> C
O
B
B
C COO
X
C
C
> O
B B B
C COC
O
C C.
# Y Y X
C
CO
CC
C CC
C CO
C
X
for online perusal only
C
CO
CC
C CC
C CO
C
X
C
CO
CC
C CC
C CO
C
X
C
CO
CC
C CC
C CO
C
Í! Y Y , , ,
X CO
C C
7 Q
h C - ,
C X CO
, , ,
C C
h C - ,
C X -C
8 h C . B > C
h C T SO
# Y Y X h C C , C- C. , ,
C- C. C- C
, X h h C C , C- C. C- C. C- C
,
X -C
h 7 Q
8 h C . B > C
h C T SO
# Y Y CO
,
C
,
C
,
CO
,
CO
,
C
,
C
,
CO
, X -C
7 Q
8 h C . B > C
h C T SO
[
Í!Y Y X - ,
C
7 Q
h Ċ - CW C. , ,
C- Ċ - C C C. X - ,
C
h Ċ - CW C. , ,
C- -
Ċ > C C->
C - >
X CO
B C
8 h C T SO
#
Y Y X h C C , C- C. ,
C- ,
C. -
h C C , X h C C , C- C. ,
C- ,
C. -C > C->
C->
X CO
B C
7 8
h C T C CX
C W -C
h C . X -C
C-
,
#
] Y Y C X .
h C C- C. , ,
C- -
h C C
, ,
C X .
h C C- C. ,
C- C. ,
C.
T X C.
X C-
.
7 8 h C C- C-
C-
X h C . T CO
W - C
h Ċ C- C-
# Y Y
X C
C
> O B B C COC
O X C
C
> O B B C COC
O 7 8
X C C> O
B
B
X B
> B
C
C O
X C C> O
B
B
# Y Y X
C 7
C
CC
C CC
C CO
X
O C
C
CO
CC
C CC
C W C> CO
8 X
X CO
C
C C
X
W X C
C C
C O
W X
X CO
C
C C

175
[
Í! Y Y S S mf
C X C W C Y Y Y Y Y Y
mf
# Y Y S S CO
Y Y Y Y Y Y
mf
# Y Y S S C W C X C Y Y Y Y Y Y
Í!Y Y
S S mp
C X C
f- C C- C C C C-
h C .
T
C-
C C C- C- C C C C-
f - C C- X -C
h C C-
h C .
T
X C- O C- C- X C
h C C-
f
C - C- Y C C C C-
h C . T Y C - C C C- C- Y C C C C-
h C .
h C .
T
T
X C-
h C . T Y C
W
C
Y Y Y Y Y Y
f - C C- C C C C-
h C .
T
C-
C C C- C- C C C C-
#
Y Y C-
W . h C mp f
T CO
-
Y Y Y Y Y Y C C- X -C
h C C- .
h C T X C- O C- C- X C
h C C- .
h C T X C-
O
#
Y Y W C -
Y
] h Ċ mp
T C C X C Y Y Y Y Y
f
C - C- Y C C C C-
h C . T Y C - C C C- C- Y C C C C-
h C . T Y C C C
>
# Y Y
X BB
>
CCOCW
C
! Y Y Y Y Y Y >
>
>
>
B C
C
C
C
X C
f
O B X C O
B X C O B X
C O
> > > >
# Y Y X
W Y
X C
C
Y Y Y Y Y Y C CO
Y C CO
Y C CO
CO
C O C C Y C
C C C C C
O
C
C O
C
C O
C O
> >
>
>
Í! Y Y Y Y Y Y C- C- ,
C C. C C- C- , , ,
C C. C C Ċ C Ċ C
4
h Ċ C- , ,
Ċ C- Ċ C
h Ċ
# C- C-
Y Y Y Y
X C ,
Y Y h C C- C- X C ,
h C C X C. , C ,
C. C .
h C C- X C. , C- C. , C .
h C 4
#
Y Y Y Y Y Y C- C- Y C C. ,
C C- C- Y C C. ,
C C Y C . , ,
C Ċ C
4
h Ċ C- Y C . , ,
C- Ċ C
h Ċ
[
Í!Y Y Y Y Y Y C- C- ,
C C. C C- C- ,
C C. C C
,
Ċ C
,
Ċ C
4
h Ċ C- , ,
Ċ C- Ċ C
h Ċ
# C- C-
Y Y Y Y
X C ,
Y Y h C C- C- X C ,
h C C X C. , C C. , C .
h C C- X C. , C- C. , C .
h C 4
, ,
#
] Y Y Y Y Y Y C- C- Y C C. C C- C- Y C C. C C Y C . , ,
C Ċ C
4
h Ċ C- Y C . , ,
C- Ċ C
h Ċ
for online perusal only
h C .
T
C C C
O
C C
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