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Choral titles for Lower voices sampler

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39<br />

Pronunciation Guide<br />

Tagalog is the major language of the Philippines and is the basis of the national<br />

language, Filipino (also called Pilipino). It is in the Malayo-Polynesian family<br />

of languages, related to Indonesian. It is easy to pronounce since its spellings<br />

are phonetic, with pronunciation similar to Italian and Spanish. Apostrophes<br />

do not affect pronunciation.<br />

Vowels<br />

a as in “father”<br />

e as in “weigh,” but without a diphthong<br />

i as in “police”<br />

o as in “<strong>for</strong>”<br />

u as in “rude”<br />

aw similar to the ow in “now”<br />

ay similar to the y in “my”<br />

Consonants<br />

g always hard, as in “go”<br />

k, p, and t unaspirated; k is between the sounds of k and g, p is between<br />

the sounds of p and b, and t is between the sounds of t and d<br />

ng as in “singer”; when ng appears as a whole word (m. 9, bass 1;<br />

m. 59, all <strong>voices</strong>) it is pronounced as if it were spelled nang*<br />

r slightly rolled<br />

<strong>for</strong> online perusal only<br />

*Mga is another exception. As it is pronounced manga, it is spelled out with<br />

two syllables in the score (m. 4, tenor 1; m. 5, bass 2, and elsewhere). When<br />

the text to Pandangguhan is typed as poetry, however—that is, without<br />

music—manga should appear as mga.<br />

Levi Celerio (1910–2002) was named a Filipino National Artist in both<br />

music and literature. He was best known as a prolific lyricist with 4,000<br />

songs, including many lyrics added to folk tunes, and as a composer of music<br />

<strong>for</strong> films. He was a co-founder of FILSCAP, the Filipino Society of<br />

Composers, Authors, and Publishers.<br />

Nina Gilbert, arranger, is Director of <strong>Choral</strong> Activities at Lafayette College<br />

in Easton, Pennsylvania. Her musical background ranges from Kenya, East<br />

Africa, where she translated Schubert’s Mass in G into Swahili while serving<br />

as a Peace Corps volunteer (1978–80); to New York, where she served as<br />

associate conductor of the New York <strong>Choral</strong> Society, working in Carnegie<br />

Hall and Lincoln Center (1995–96). She has about twenty-five choral<br />

arrangements and editions in print, and is active as a writer, editor, speaker,<br />

guest conductor, and clinician.

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