Renegade Rip, issue 4, March 16, 2022
Student publication of Bakersfield College
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BC celebrates Women’s<br />
History Month<br />
Campus Page #5<br />
“Shadow and Bone” is a<br />
good adaptation<br />
Opinion, Page #7<br />
Vol. 98 ∙ No. 4 Wednesday, <strong>March</strong> <strong>16</strong>, <strong>2022</strong> Bakersfield College<br />
The <strong>Renegade</strong> <strong>Rip</strong><br />
HUGO MALDONADO GARCIA/THE RIP<br />
BC COMMUNITY GATHERS TO CREATE MURAL FOR<br />
INTERNATIONAL WOMEN’S DAY<br />
The <strong>Renegade</strong> <strong>Rip</strong> @bc_rip @bc_rip Follow us online at www.therip.com
Page 2<br />
News<br />
The <strong>Renegade</strong> <strong>Rip</strong> www.therip.com<br />
Wednesday, <strong>March</strong> <strong>16</strong>, <strong>2022</strong><br />
Earth’s cultural significance in<br />
art and mythology explored<br />
By Raul Padilla<br />
Features Editor<br />
BC’s Levan Center hosted<br />
an event on the topic regarding<br />
the Earth and how<br />
it has impacted us culturally<br />
both in art as well as in the<br />
mythology that has been a<br />
creative spark in media for<br />
centuries. The event hosted<br />
several speakers that each<br />
gave a different perspective<br />
on the topic, via Zoom webinar<br />
on <strong>March</strong> 9.<br />
The first speaker was Rae<br />
Ann Kumelos began with<br />
talking about how people’s<br />
changing image of Earth has<br />
been one of the most culturally<br />
defining things across<br />
history.<br />
The most recent image was<br />
By Alyssia Flores<br />
Reporter<br />
Reggie Williams, professor<br />
of philosophy, Josh Ottum,<br />
professor of commercial<br />
music, and Kris Tiner, professor<br />
of jazz put on their<br />
second installment of “Deep<br />
Cuts and Conversations” on<br />
<strong>March</strong> 9 via Zoom.<br />
The professors initially got<br />
together three years ago with<br />
the idea of playing a few<br />
tunes and discussing them.<br />
The participants were able<br />
to pick the song or theme.<br />
The song that one participant<br />
picked during this<br />
installment was called “Amsterdam<br />
After Dark” by<br />
George Coleman. The song<br />
was released in 1979 and<br />
starts with a piano and then a<br />
tenor saxophone. The song’s<br />
tempo was fast, and the tone<br />
seemed relaxing.<br />
While the song was playing<br />
it felt like a good piece<br />
of background music to be<br />
played while working on<br />
homework from various<br />
classes since there were no<br />
lyrics to it. After the song was<br />
done, they talked about time<br />
signature changes.<br />
For those who do not know<br />
waht time signature changes<br />
are, it is specified as to<br />
how many beats (pulses) are<br />
contained in each measure<br />
(bar) and which note value is<br />
equivalent to a beat.<br />
After the song was done,<br />
the professors then talked<br />
about musicians. One musician<br />
they spoke about was<br />
when humanity first took a<br />
picture of Earth from space<br />
from the Apollo-8 mission,<br />
“This moment of a tranquil<br />
planet in space gave such a<br />
feeling of transcendence...<br />
it was an awareness of also<br />
what humankind was doing<br />
to the Earth,” Kumelos explained.<br />
Appreciation and understanding<br />
of the Earth has<br />
existed since ancient times,<br />
and mythologies around its<br />
meaning were important<br />
in many cultures, with one<br />
prevalent archetype being<br />
how we’re all connected<br />
through it.<br />
Krista Moreland spoke<br />
next, regarding the subject<br />
of how each part of the<br />
world sees the planet differently.<br />
The first example given<br />
was how each country in the<br />
world sees the globe, as she<br />
revealed that depending on<br />
what part of the world you<br />
are in, maps of the globe will<br />
always be centered on the<br />
country that made them.<br />
From there, she spoke of<br />
how different countries then<br />
associate Earth with different<br />
meanings, whether those are<br />
unity, life, peace, or death,<br />
“When we think about<br />
Earth, we assign human intentions<br />
and emotions to it,”<br />
she explained.<br />
The final speaker was<br />
Nan Gomez-Heitzberg, who<br />
spoke on the artistic influence<br />
that Earth has throughout<br />
history.<br />
Daniel Johnson. They discussed<br />
how he is one musician<br />
that does not sing on key.<br />
This was a particularly interesting<br />
factoid because most<br />
would assume musicians are<br />
supposed to sing in key. They<br />
also said that art comes from<br />
limitations and ideas.<br />
The professors’ second<br />
song was “Arpeggios From<br />
Hell” by Yngwie Malmsteen.<br />
The song was released in<br />
2010 and starts with drums<br />
and then a bass guitar. The<br />
song’s tempo was fast, and<br />
the tone was intense.<br />
While the song played<br />
there was no personal connection<br />
to be made, as heavy<br />
metal music is not everyone’s<br />
personal favorite type of music<br />
and is more so a acquired<br />
genre.<br />
She spoke of how artistically,<br />
it has been used as far back<br />
as ancient cave paintings and<br />
adobe buildings, how those<br />
have influence reaching as<br />
far as modern-day art, with<br />
the most prominent example<br />
being ceramic pottery.<br />
Described as the art of the<br />
Earth, it was originally linked<br />
with ideas of survival, shaping<br />
the earth itself to live and<br />
has since been adapted into<br />
an art form, speaking of various<br />
artists and how they’ve<br />
carried the artistic ideas<br />
from generations ago alive<br />
through their works.<br />
“Deep Cuts and Conversations”<br />
After the song was done,<br />
the professors then talked<br />
about how some music<br />
doesn’t move certain kinds<br />
of people. They also asked<br />
of those who attended the<br />
event, who didn’t feel moved<br />
by the song and if it was because<br />
of the speed or were<br />
there other musicians that<br />
are just as fast as “Arpeggios<br />
From Hell” but that move<br />
the attendants more.<br />
One student asked if there<br />
are certain songs that you<br />
should be listening to. The<br />
professors responded by saying<br />
that there are two kinds<br />
of music: the good kind,<br />
and the bad kind, but this is<br />
based on your preference of<br />
what the good and bad kind<br />
of music is.
Page 3<br />
News<br />
The <strong>Renegade</strong> <strong>Rip</strong> www.therip.com<br />
Wednesday, <strong>March</strong> <strong>16</strong>, <strong>2022</strong><br />
A spotlight on Olivia Garcia<br />
By Aubrianna Martinez<br />
Senior Digital Editor<br />
After being featured in local news for her work in the Kern<br />
County Hispanic Chamber of Commerce, Bakersfield College<br />
professor of history Olivia Garcia was approached to<br />
speak at a bit more length about her work not only there, but<br />
in the classroom.<br />
Garcia explained her work in the local chapter’s Hispanic<br />
Chamber of Commerce where she serves as a chairwoman<br />
for its board of directors. She also noted the logistical problems<br />
that she and her colleagues faced earlier during the pandemic,<br />
“we did our best during this time to advocate and<br />
support our business membership. We got heavily involved<br />
in the Latino COVID-19 Task Force.”<br />
Garcia continued to emphasize how they are continuing<br />
to move forward as things appear to be returning more to<br />
what was known as normal, “this year, we are finally moving<br />
toward launching our events back up again—of course following<br />
[…] social distancing rules, but we are excited about<br />
it. Two of our big events are the Dia de Los Muertos cultural<br />
event and the Latino Food Festival and Menudo Cook-Off<br />
event,” she said.<br />
The COVID-19 pandemic was an ordeal for everyone, and<br />
students and staff alike at BC generally know the struggles<br />
that their peers and colleagues faced. Yet even at its height<br />
and now, Garcia maintained insistence on committing to her<br />
work in the classroom, even when everyone was forced to<br />
attend classes from home.<br />
“I was determined to find ways to connect with my students<br />
even in a virtual environment.” Garcia explained,<br />
“thankfully, BC offers many online educational training<br />
classes for faculty that proved helpful and I’m already such a<br />
techie nerd that I just looked for<br />
new ways to improve in a virtual<br />
environment”<br />
Garcia continued emphasizing<br />
the impact BC has had on her<br />
life. “I truly love my job and am<br />
fortunate that I get to talk about<br />
history with students every day.<br />
It’s almost like a full circle for me<br />
because I started my journey at<br />
BC as a freshman many moons ago<br />
PHOTO COURTESY OF<br />
OLIVIA GARCIA<br />
and met some amazing teachers and counselors, some who I<br />
have kept in touch with today,” she said.<br />
Garcia also expanded upon her earlier work, stating that<br />
she formerly worked as a journalist. She stated that despite<br />
deeply enjoying her work in journalism, that “being a history<br />
professor is a greater gift because it allows me to educate and<br />
inspire young minds who are creating their amazing journeys,”<br />
she said.<br />
When asked about what she hopes students—specifically<br />
those who were enrolled in her class during the pandemic—take<br />
from her classroom, Garcia answered, “I hope my<br />
students take away a few things from my classes—for one,<br />
an appreciation or love of history; two, critical thinking and<br />
writing skills that they learn in my class; and three, that I truly<br />
care about them and how they succeed in my class and beyond.<br />
I have had a few inspiring teachers in my life, and my<br />
goal has always been to be like them.”<br />
Talk about benefits of college<br />
By Anthony Vasquez<br />
Reporter<br />
Whether some claim that the point of<br />
college is employment or an extension<br />
of education, there are many factors to<br />
consider when the point of going to college<br />
is brought into question. The <strong>Renegade</strong><br />
Round Table, hosted by Reggie<br />
Williams, along with other faculty, discussed<br />
the subject through their webinar<br />
event on <strong>March</strong> 2.<br />
Through Zoom, Williams hosted<br />
the event and brought in four other<br />
faculty members, David Moton, Joe<br />
Saldivar, Llamas F. Javier, and Savanna<br />
Andreas-Jones. Williams mentioned<br />
that his focus on bringing other faculty<br />
members into the conversation is so<br />
that there are different perspectives and<br />
diverse opinions toward sociopolitical<br />
<strong>issue</strong>s that would be mentioned in the<br />
conversation.<br />
Moton began the conversation by<br />
stating “I think the number one reason<br />
everyone goes to college anymore is just<br />
for employment.” He mentioned that<br />
aside from employment, the other option<br />
would be just for the idea of general<br />
education, but he states that most<br />
people generally dismiss that detail.<br />
Jones pointed out that although<br />
many believe that college is the path<br />
to finding employment, she states that<br />
not everyone has the opportunity to attend<br />
college and because of that, “[he<br />
thinks] that it creates a stigma towards<br />
blue-collar jobs when they’re sometimes<br />
more important in some cases<br />
than white-collar jobs that colleges usually<br />
cater to.”<br />
Moton brought up that he had<br />
found that there is a myth towards the<br />
belief of people being able to end up<br />
with a high paying job after graduating<br />
college. He added into what Jones<br />
claimed about people who do not go to<br />
college, and stated that there are always<br />
going to be opportunities for employment<br />
and by 18 and 19 years old, you’re<br />
“set up.”<br />
Through the end of the conversation,<br />
everyone mentioned that college<br />
is a great way to obtain education and<br />
find employment. There are several<br />
complications to consider with how<br />
people are able to attend college such<br />
as financial <strong>issue</strong>s.<br />
The <strong>Renegade</strong> Round Table is set<br />
to have another conversation online<br />
around the month of April, just before<br />
students go on Spring Break. It will include<br />
the same panelists, but the topic<br />
of the conversation will be different.
Page 4<br />
Sportss<br />
The <strong>Renegade</strong> <strong>Rip</strong> www.therip.com<br />
BC loses intense game<br />
Pitcher Tim Ruiz came in relief of LHP<br />
Brock Barron during loss to LA Mission<br />
by Justin White<br />
Sports Editor<br />
The <strong>Renegade</strong>s lost their<br />
<strong>March</strong> 12 game against LA Mission<br />
20-14, as tensions were high<br />
in a game that saw the umpires<br />
<strong>issue</strong> a warning to both dugouts.<br />
The Gades were teed off on<br />
early in this one, giving up 6<br />
runs in just the first inning. The<br />
injury was met with equal insult<br />
as the LA Mission bench made<br />
some noise with every hit given<br />
up, with jeers and taunts towards<br />
BC pitcher Daniel Felix and the<br />
Gades bench.<br />
In the bottom of the first, when<br />
BC second baseman Andrew<br />
Townson sent an easily-catchable<br />
ball over the centerfielder’s<br />
head to score BC’s first run, the<br />
BC bench exploded back with<br />
an expletive-filled jeer of their<br />
own directed towards the LA<br />
Mission bench. With every run<br />
they scored in the first, BC would<br />
match LA Mission’s earlier verbal<br />
assault with their own, and<br />
made the score 6-4 heading into<br />
the second inning.<br />
The top of the 4th was disastrous<br />
for BC in more ways than<br />
one. After pitcher Brock Barron<br />
allowed the bases to be loaded,<br />
BC brought in right-handed<br />
pitcher Tim Ruiz to try to prevent<br />
some serious damage from<br />
being done. He would give up a<br />
sacrifice fly to make it 8-5, and<br />
JUSTIN WHITE/THE RIP<br />
then allowed a single which led<br />
to a throwing error to make the<br />
score 10-5.<br />
A deep fly ball to centerfield<br />
banged off the face of centerfielder<br />
Jacob Baker, allowing a<br />
runner to score and prompting<br />
first base umpire Kevin Farr to<br />
go out and check on Baker. An<br />
LA Mission player on the bench<br />
yelled “sniper!”, presumably in<br />
jest of Baker, prompting home<br />
plate umpire Dan Handy to have<br />
a talk with the LA Mission head<br />
coach.<br />
After numerous errors and 11<br />
runs allowed, BC was finally put<br />
out of their misery with a popout<br />
to shortstop, heading into the<br />
bottom of the 4th down 18-5.<br />
In the final three innings, BC<br />
scored 7 runs in a valiant final<br />
effort to comeback, but it came<br />
up short, and the <strong>Renegade</strong>s lost<br />
the game with a football score of<br />
20-14.<br />
This was the last time that BC<br />
had the chance to face LA Mission<br />
this season. They were swept<br />
in their 3-game series against<br />
them. At home on <strong>March</strong> 15<br />
the <strong>Renegade</strong>s will begin a new<br />
3-game series against Glendale,<br />
which ends at Gerry Collis Field<br />
on <strong>March</strong> 19.<br />
For the full story, inlcuding<br />
comments from head coach<br />
Tim Painton, please visit<br />
The<strong>Rip</strong>.com<br />
National Sports<br />
by Jacub Bill<br />
Reporter<br />
UPDATE: MLB and<br />
MLBPA agreed to terms<br />
on a new collective bargaining<br />
agreement on<br />
<strong>March</strong> 10. The following<br />
article was written<br />
before the deal was<br />
reached. Details of the<br />
new CBA include:<br />
• Minimum salaries<br />
beginning at<br />
$700,000 in <strong>2022</strong>.<br />
• Luxury tax set at<br />
$230M for <strong>2022</strong>.<br />
• $50M player pool<br />
to award excelling<br />
pre-arbitration<br />
players.<br />
• 12-team postseason.<br />
• Universal desginated<br />
hitter.<br />
• Six team draft lottery<br />
with hopes of<br />
preventing “tanking”.<br />
• Advertising with<br />
patches on jerseys<br />
and decals on helmets.<br />
• International draft<br />
could be implemented<br />
as early as<br />
2024.<br />
The month of <strong>March</strong><br />
means one thing to<br />
baseball fans all over the<br />
country. It means that<br />
spring training is here,<br />
the month-long session<br />
where today’s stars and<br />
tomorrow’s greats practice<br />
together, and gear<br />
up for a grueling <strong>16</strong>2<br />
game season.<br />
The Lockout was<br />
placed upon the league<br />
due to the MLB Players<br />
Association, and Team<br />
Owners disagreeing on<br />
multiple ideas like the<br />
way the game is played<br />
and financial <strong>issue</strong>s. The<br />
lockout has lasted well<br />
Wednesday, <strong>March</strong> <strong>16</strong>, <strong>2022</strong><br />
MLB Lockout<br />
Jacub Bill<br />
over 100 days now. Two<br />
weeks ago MLB commissioner<br />
Rob Manfred<br />
decided to cancel the<br />
first week of the MLB<br />
season which was scheduled<br />
to start at the beginning<br />
of April, and with<br />
negotiations not being<br />
very productive according<br />
to multiple MLB<br />
insiders the potential for<br />
more games being canceled<br />
grows more and<br />
more every day.<br />
MLB has already lost<br />
the traditional opening<br />
day, and the 75th anniversary<br />
of Jackie Robinson<br />
breaking baseball’s<br />
color barrier celebration<br />
could be next. The<br />
Lockout began on Dec.<br />
2 of last year, and the<br />
week before saw a flurry<br />
of free agents sign contracts<br />
knowing that they<br />
may not have the chance<br />
anytime soon to sign a<br />
major deal.<br />
If the lockout ends<br />
there are still major key<br />
players on the market<br />
like Clayton Kershaw,<br />
Freddie Freeman, and<br />
Carlos Correa who still<br />
need to find a home<br />
but have not been able<br />
to just yet. Many other<br />
questions still need to be<br />
answered.
Page 5<br />
Campus<br />
The <strong>Renegade</strong> <strong>Rip</strong> www.therip.com<br />
Wednesday, <strong>March</strong> <strong>16</strong>, <strong>2022</strong><br />
BCSGA creates mural to celebrate<br />
International Women’s Day<br />
By Nathaniel Simpson<br />
Reporter<br />
To commemorate International Women’s Day, the Bakersfield<br />
College Student Government Association (BCS-<br />
GA) has created a mural to be displayed on campus. The<br />
mural, which depicts a silhouette of a woman with colorful<br />
flowers on her head and the words “Let Equality Bloom”<br />
written towards the bottom, will be portable so it can be displayed<br />
on campus for many events, as well as the opportunity<br />
for any BC department to borrow it for their own events.<br />
When speaking to the BCSGA, the mural’s creation involved<br />
the talents of local BC artist Shanara Cruz Wilson,<br />
art professor Joseph Tipay, BC student Cameron Garcia,<br />
and anyone else who came to support. The mural took five<br />
days to complete, from start to finish.<br />
On <strong>March</strong> 8, there was an event to celebrate International<br />
Women’s Day, as well as the unveiling of this new mural.<br />
Everyone who had a helping hand in creating the mural will<br />
get the chance to sign the back of the piece, showing their<br />
contribution. If you were unable to attend this event, the<br />
mural will also be on display and incorporated into the 4th<br />
annual Jess Nieto Conference on <strong>March</strong> 29, from 3 – 4 pm.<br />
When asked what their favorite thing about the mural is,<br />
the BCSGA president, Edith Mata, responded, saying that<br />
her “favorite part (of) this mural will be produced with the<br />
help and support of our bakersfield college community. It’s<br />
very rewarding to organize and put up an event that everyone<br />
feels welcome and called to participate, engage and feel<br />
proud of.”<br />
The BCSGA also said that “The mural is meant to<br />
unite,uplift, inspire, engage, heal, unwind, and educate our<br />
community. Through the pandemic, and the hard circumstances<br />
we have been forced to face there has been much division,<br />
separation and distance among our BC community.<br />
However painting this mural as a community will be a step<br />
in overcoming the aftermath of the pandemic. As we create<br />
this mural we will ensure to follow the<br />
Covid protocols set forth by KCCD.” For those who are<br />
interested in seeing this mural, keep an eye out for it on<br />
campus, as well as thinking about attending the event on<br />
Mar. 29 to show support for our local BC artists.<br />
“Linda & the Mockingbirds”<br />
By Alyssia Flores<br />
Reporter<br />
Women’s History and More (W.H.A.M) put on a documentary<br />
called “Linda & the Mockingbirds” on Thursday,<br />
<strong>March</strong> 3 via Zoom. The documentary discussed the impact<br />
of Mexican music and culture on Mexican-American culture.<br />
The purpose of this event is to explore the different<br />
ways women have overcome and ally themselves across intersectional<br />
identities to achieve power for change. According<br />
to dictionary.com, intersectional identities means “the<br />
theory that the overlap of various social identities, as race,<br />
gender, sexuality, and class, contributes to the specific type<br />
of systemic oppression and discrimination experienced by<br />
an individual.”<br />
The documentary was 40 minutes long and talked about<br />
Linda Ronstadt and learning about her family’s heritage<br />
through music and dance. Ronstadt is a Mexican-American<br />
singer who was very popular in the ’70s and ’80s and<br />
also popular in the United States as well as in the Mexican-American<br />
community. Ronstadt was born and raised<br />
in Tucson, Arizona. In the documentary she talked about<br />
what a special connection she had always felt with Mexico.<br />
She continued about how she watched a group of kids<br />
called Los Cenzontles dancing in San Francisco in 1993<br />
down in the palace of Fine Arts.<br />
Ronstadt went up to Eugene Rodriguez, who was in<br />
charge of Los Cenzontles, and said they were good. Rodriguez<br />
said that they were trying to raise money to take a<br />
trip to Mexico so that the kids could learn what it is to be<br />
Mexican. It was interesting to learn that the cowboys in the<br />
old films were based on Mexican tradition.<br />
The way this documentary tied into Women’s History<br />
month is that they said that every Mexican-American girl<br />
wanted to sing just like her and that her songs brought them<br />
a lot of hope. Young Mexican-American girls had a role<br />
model like her. Something that was interesting was the music.<br />
The music that was in the documentary was upbeat and<br />
meaningful. The music played throughout the documentary<br />
was called “The Dreamer.” This one song touched upon<br />
how a girl was in America for the first time and how she had<br />
dreams, and she tried the best she could in a foreign place.<br />
This can resonate with a lot of people because many people<br />
immigrate to new places to get a better life.<br />
A lot of people could get something out of the film as<br />
they could see another perspective of what life is like for an<br />
immigrant.
Page 6<br />
Campus<br />
The <strong>Renegade</strong> <strong>Rip</strong> www.therip.com<br />
Wednesday, <strong>March</strong> <strong>16</strong>, <strong>2022</strong><br />
“Loss and Longing” essays<br />
By Aubrianna Martinez<br />
Senior Digital Editor<br />
Author and professor Angela<br />
Morales, writer of the<br />
book made up of creative<br />
nonfiction essays “The Girls<br />
in my Town” spoke at the<br />
webinar “Loss & Longing:<br />
The Truth & Beauty of Latina<br />
Lives” hosted by Bakersfield<br />
College on <strong>March</strong> 10.<br />
Morales read excerpts<br />
from various chapters<br />
of her book which she<br />
refers to as “a collection<br />
of personal essays,” as<br />
well as touched on various<br />
types of advice that<br />
she gives to aspiring writers,<br />
specifically for writing<br />
personal nonfiction<br />
essays that is the format<br />
she uses for the writing<br />
for her books.<br />
Morales stated at the<br />
start of the webinar that<br />
she wrote on personal<br />
topics such as exploring<br />
the relationships she has<br />
with individual members<br />
of her family, re-evaluating<br />
and working through<br />
memories of her childhood,<br />
and stories from<br />
her home in San Gabriel.<br />
One particularly haunting<br />
and true story that Morales<br />
referenced as having become<br />
part of the local mythology<br />
of the San Joaquin Valley<br />
that she read excerpts from<br />
was her essay recounting<br />
the story of a teenage girl by<br />
the name of Benita Ramos<br />
who faked the kidnapping of<br />
her young child and was revealed<br />
to have committed infanticide.<br />
Morales described<br />
the initial reaction to the ruse<br />
of the child’s kidnapping as<br />
such, “the girl’s story sounds<br />
plausible because terrible<br />
things happen to children in<br />
our town. Imagine a place of<br />
planetary misalignment, a<br />
celestial criss-cross of weird<br />
energy. Imagine the Bermuda<br />
Triangle on dry land. Our<br />
town—home to the Pitchfork<br />
Killer and the Yosemite<br />
Killer—makes us believe<br />
that anything is possible.”<br />
The story of Ramos attempting<br />
to kill her child in<br />
the water fountain of Applegate<br />
Park before leaving him<br />
in the nearby creek where he<br />
was later found dead referenced<br />
Morales’ other topics<br />
of interest, such as the frequency<br />
of teenage pregnancy<br />
and “culture of teenage<br />
motherhood” that she noticed<br />
in her hometown.<br />
On the topic of teenage<br />
motherhood in another essay<br />
she read from, she continued,<br />
“perhaps for some<br />
humans, the young mother-model<br />
works just fine. But<br />
without the tribe, without the<br />
rules, who will watch over<br />
the girls in my town? The<br />
girls who often need mothering<br />
themselves? These girls<br />
with their babies in their lowrent<br />
apartments and their<br />
boyfriends who sometimes<br />
marry them—most do not.”<br />
HUGO MALDONADO<br />
GARCIA/THE RIP<br />
After reading excerpts<br />
from her creative nonfiction<br />
essays, professor<br />
and author Angela<br />
Morales reviewed photos<br />
from her childhood<br />
that helped shed light<br />
on the topics and relationships<br />
she explored<br />
throughout her writing.<br />
This photograph<br />
is from her parents’<br />
appliance store in San<br />
Gabriel which she<br />
expanded upon during<br />
her recolleciton of<br />
various memories and<br />
their appearance in<br />
her essays.<br />
First place nationally for two year college Websites at<br />
the Associated Collegiate Press 2020 midwinter conference.<br />
Fifth place newspapers. First place for newspaper<br />
in 2011, third place in 2013, 2014, 2015 for CNPA General<br />
Excellence<br />
Fourth place nationally in 2019 for website publication<br />
by Associated Collegiate Press<br />
The <strong>Renegade</strong> <strong>Rip</strong> is produced by Bakersfield College<br />
journalism classes and is circulated on Thursdays<br />
during the fall and spring semesters. The newspaper is<br />
published under the auspices of the Kern Community<br />
College District Board of Trustees, but sole responsibility<br />
for its content rests with student editors. The <strong>Rip</strong> is<br />
a member of the California Newspaper Publishers Association,<br />
Associated Collegiate Press, and California<br />
Colleges Media Association.<br />
The <strong>Renegade</strong> <strong>Rip</strong><br />
EDITORIAL BOARD<br />
Editor-in-Chief....Hugo Maldonado Garcia<br />
Senior Digital Editor....Aubrianna Martinez<br />
News Editor...........................Collin Acevedo<br />
Features Editor.........................Raul Padilla<br />
Sports Editor............................Justin White<br />
Adviser.........................................Erin Auerbach<br />
STAFF<br />
Reporters/photographers:<br />
Jacub Bill<br />
Alyssia Flores<br />
Nathaniel Simpson<br />
Anthony Vasquez<br />
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Page 7<br />
By Justin White<br />
Sports Editor<br />
The newest intellectual property<br />
by Japanese developer<br />
FromSoftware, “Elden Ring” is<br />
a brand new open-world fantasy<br />
epic from the creators of the<br />
ultra-challenging “Dark Souls”<br />
trilogy.<br />
I’d like to make something<br />
clear; I have yet to complete the<br />
game, and have played about<br />
25 hours. This is a first impression,<br />
not a complete review, and<br />
these early opinions are subject<br />
to change. The game was played<br />
on a PlayStation 5 console.<br />
“Elden Ring” shares many<br />
characteristics with FromSoftware’s<br />
previous creations, with<br />
the biggest shared characteristic<br />
being its difficulty. Like From-<br />
Soft’s previous games, “Elden<br />
Ring” is made for stubborn players<br />
like myself who have a bad<br />
habit of turning “just one more<br />
try” into 100 more tries. And it is<br />
incredibly addicting.<br />
It’s hard but fair, with enemy<br />
attacks being well designed, being<br />
fast with hard-to-read telegraphs<br />
that require the player’s<br />
full attention, forcing the player<br />
to study the way the enemy<br />
moves to find the best opportunities<br />
to punish mistakes, and this<br />
makes every encounter incredibly<br />
engaging and rewarding.<br />
Boss encounters, like in previous<br />
FromSoft games, are the<br />
highlight, with incredible orchestral<br />
music playing in the<br />
background as the player fights a<br />
foe that poses a great challenge,<br />
with attacks that deal massive<br />
damage, are difficult to avoid,<br />
and look just as incredible and<br />
cinematic as they are devastating,<br />
truly making the boss fights<br />
a spectacle to behold.<br />
Straying away from the typical<br />
pattern of previous games,<br />
Opinion<br />
The <strong>Renegade</strong> <strong>Rip</strong> www.therip.com<br />
“Elden Ring” is a<br />
masterpiece... so far<br />
“Elden Ring” takes the openworld<br />
route. The entire world is<br />
open right at the beginning of<br />
the game, free for the player to<br />
explore at their own discretion.<br />
This world is fierce however. It is<br />
possible for the player to travel to<br />
areas of the game that they will<br />
be severely underprepared for.<br />
However, the game makes this<br />
obvious by somewhat guiding<br />
the player in a direction they<br />
“should” be going, with checkpoints<br />
known as “Lost Graces”<br />
serving as this game’s version of<br />
the bonfire from “Dark Souls”.<br />
Some of these Lost Graces emit<br />
a trail of light which serve to lead<br />
the player in the proper direction,<br />
aiming to help them avoid<br />
areas that they would otherwise<br />
be unready for, though without<br />
also halting the curious mind<br />
from wandering off the path if<br />
they so wish to do so.<br />
This freedom also gives the<br />
player a great sense of discovery,<br />
as wandering about can allow<br />
the player to discover ruins of<br />
buildings, cities, and caves, some<br />
of which also house more challenging<br />
bosses.<br />
The world of “Elden Ring” is<br />
massive, and also beautiful, with<br />
incredibly detailed landscapes<br />
and nature overtaking what were<br />
once great kingdoms and powerful<br />
cities. Massive vines and trees<br />
grow over destroyed infrastructure<br />
and animals roam freely,<br />
making a world with dying civilizations<br />
still seem alive and vibrant.<br />
“Elden Ring’s” world is<br />
one that will certainly hold the<br />
player’s attention for months to<br />
come.<br />
With addicting and challenging<br />
gameplay and a gorgeous<br />
world to explore, “Elden Ring”<br />
is looking to be an early favorite<br />
for Game of the Year, as well as<br />
perhaps the PlayStation 5’s best<br />
game.<br />
Adaptations<br />
By Aubriana Martinez<br />
Senior Digital Editor<br />
Wednesday, <strong>March</strong> <strong>16</strong>, <strong>2022</strong><br />
“Shadow and Bone”<br />
Netflix’s adaptation of<br />
Leigh Bardugo’s young<br />
adult series “Shadow<br />
and Bone” proved to be<br />
another successful adaptation<br />
for the streaming<br />
service pioneer, and the<br />
announcement of the<br />
second season should<br />
surprise no one after the<br />
series landed on Netflix’s<br />
top ten streams and maintained<br />
its popularity for its<br />
first 12 days of being on<br />
the platform, according to<br />
Forbes.<br />
The content and themes<br />
of the Netflix adaptation<br />
of “Shadow and Bone”<br />
proved to be a fairly accurate<br />
portrayal of the<br />
events of the book, which<br />
was surprising since the<br />
first season was an amalgamation<br />
of two different<br />
novels, as mentioned<br />
before. Besides the fairly<br />
in-line adaptation, there is<br />
one specific element that<br />
was not included in the finale<br />
of the first season of<br />
“Shadow and Bone,” that<br />
being the main character<br />
Alina Starkov’s ruthlessness.<br />
The end of the first<br />
book ends with Alina using<br />
the abilities she has<br />
spent the second act of the<br />
novel learning and honing,<br />
demonstrating that<br />
she is quite powerful in<br />
her own way and will be a<br />
formidable enemy for the<br />
antagonist for the second<br />
novel in the series. This<br />
ruthlessness made for an<br />
interesting character trait<br />
as it was an aspect of her<br />
character’s foil and antagonist<br />
that drew many fans<br />
to the books and show<br />
alike.<br />
Aubriana Martinez<br />
While the show’s season<br />
one finale does go to<br />
great lengths to demonstrate<br />
what she is capable<br />
of, it pulls its punch by<br />
changing the ending–even<br />
as slightly as it did. It will<br />
naturally alter the Alina<br />
that appears in the show’s<br />
second season, as well as<br />
likely her character arc–<br />
though this could be for<br />
the better, as many fans<br />
of the books still debate<br />
whether her ending is a<br />
fitting one for her character<br />
Ṫhe phenomena of Alina’s<br />
arc could be likened<br />
to what Marvel fans speculate<br />
is also taking place<br />
in the Marvel Cinematic<br />
Universe with Wanda<br />
Maximoff, as these women<br />
struggle with their relationship<br />
to the unique<br />
power that only they can<br />
wield. While more media<br />
projects are choosing to<br />
write complex, morally<br />
gray women characters,<br />
while their adaptations<br />
are not willing to commit<br />
to showing these truly<br />
complicated characters,<br />
audiences are prompted<br />
to question the point of<br />
shying away from choosing<br />
to show these intriguing<br />
stories.
Page 8<br />
Opinions<br />
The <strong>Renegade</strong> <strong>Rip</strong> www.therip.com<br />
Wednesday, <strong>March</strong> <strong>16</strong>, <strong>2022</strong><br />
“The Batman” is<br />
beautifully dark<br />
and mysterious<br />
By Collin Acevedo<br />
New Editor<br />
<strong>2022</strong>’s “The Batman” gives a<br />
new representation of Batman;<br />
with its multi-star cast and astonishing<br />
camera work, it presents the<br />
world’s greatest detective in immaculate<br />
form. Co-written and directed<br />
by Matt Reeves, he offers a<br />
new interpretation of Batman in a<br />
slick, dark noir reboot of the character<br />
released <strong>March</strong> 4.<br />
With Robert Pattinson standing<br />
as the new caped crusader, he takes<br />
the position in stride, being a more<br />
distinct character instead of the<br />
usual playboy that Bruce Wayne<br />
is. In Reeves’ film, he holds a quiet<br />
and strange persona, committed to<br />
Batman’s life, as his alter ego Bruce<br />
Wayne isn’t seen in public; as he<br />
lurks in the shadows under Alfred’s<br />
(Andy Serkis) guidance, playing a<br />
father-son duo.<br />
The all-star cast, which helps illuminate<br />
the movie throughout,<br />
brings subtle ripples into the film,<br />
with Catwoman (Zoë Kravitz)<br />
playing a great supporting character<br />
and love interest. At the same<br />
time, Penguin (Colin Farell) is a foul<br />
enough opponent to go toe to toe<br />
with Batman, but Farell still doesn’t<br />
stand close to the main villain Paul<br />
Dano’s the Riddler. Taking inspiration<br />
from the zodiac killings while<br />
also presenting haunting psychological<br />
themes, he is horrifying,<br />
sadistic, and intricate. Giving each<br />
scene just the right amount of care<br />
shows how this ensemble’s cultivation<br />
has created one of the best<br />
films of <strong>2022</strong>.<br />
Taking a year two Batman and<br />
diving into the heart of Gotham,<br />
“The Batman” is beautifully dark<br />
and mysterious, bringing the<br />
world’s greatest detective theme to<br />
the heart. Reeves’ direction and the<br />
cinematography of Greig Fraser<br />
give a beautiful and damning Batman<br />
with its dark palette and connections<br />
with the characters setting<br />
up more to come but leaves you<br />
equally satisfied with what you got.<br />
Going by too quick and not fast<br />
enough, with subtle hints which tie<br />
the story along as it goes, “The Batman”<br />
gives the viewer what they<br />
want.<br />
It’s all layered out to be enjoyable<br />
from fighting gangs, car chases, detective<br />
work, and the long moments<br />
of silence as Batman works to solve<br />
the Riddler has put into action.<br />
With action and energy that cultivates<br />
you from the beginning with<br />
Pattinson giving an overdubbed<br />
monologue, showing how he’s<br />
the fear surrounding Gotham. It’s<br />
beautifully crafted and presented as<br />
a stand-alone film not interacting<br />
with the DC Extended Universe<br />
(DCEU).<br />
PHOTOCREDIT: GOOGLE IMAGES<br />
<strong>Renegade</strong> Events<br />
Campus Events<br />
<strong>March</strong> 17: Alliance & Power in a Time of<br />
Adversity, a Panel Discussion via Zoom from<br />
6:30 pm to 8:00 pm<br />
<strong>March</strong> 22: Latinas in Business Leadership,<br />
a panel discussion via Zoom from 6:00 pm to<br />
7:30 pm<br />
<strong>March</strong> 24: Opening Reception for the BC<br />
Art Student Show (Runs through May 5)<br />
<strong>March</strong> 24: Distinguished speaker Etika<br />
Sanchez via Zoom from 10:00 am to 11:00 am<br />
<strong>March</strong> 27: Bakersfield Youth Symphony<br />
Orchestra at the Edward Simonsen Outdoor<br />
theatre at 4 p.m.<br />
<strong>March</strong> 29-31: 4th annual Jes Nieto Memorial<br />
Conference (see BC website for event times)<br />
April 7: KMCEA Jazz Day at the Edwards<br />
Simonsen Performing Arts Center from 8 a.m.<br />
to 4 p.m.<br />
April 7: Should we educate for liberty or liberation?<br />
<strong>Renegade</strong> Institute of Liberty at BC<br />
(Zoom Webinar) 6 p.m.<br />
April 22: Spring Choral Concert at the Edwards<br />
Simonsen Indorr Theatre at 7:30 pm.<br />
April 25: Jazz Ensemble Spring Concert at<br />
the Edward Simonsen Indoor Theatre at 7:30<br />
p.m.<br />
April 28: Concert Band Spring Concert at<br />
the Edward Simonsen Indoor Theatre at 6:30<br />
p.m.<br />
April 28- May 1: Spring Play #2 (Title<br />
TBA).<br />
May 4: Performing Arts Combined Concert<br />
at Edward Simonsen Outdoor Theatre at 7:00<br />
p.m.<br />
May 11: BC/CSUB Orchestra Concert at<br />
CSUB Dore Thatre at 7:30 p.m.