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Renegade Rip, issue 4, March 16, 2022

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BC celebrates Women’s<br />

History Month<br />

Campus Page #5<br />

“Shadow and Bone” is a<br />

good adaptation<br />

Opinion, Page #7<br />

Vol. 98 ∙ No. 4 Wednesday, <strong>March</strong> <strong>16</strong>, <strong>2022</strong> Bakersfield College<br />

The <strong>Renegade</strong> <strong>Rip</strong><br />

HUGO MALDONADO GARCIA/THE RIP<br />

BC COMMUNITY GATHERS TO CREATE MURAL FOR<br />

INTERNATIONAL WOMEN’S DAY<br />

The <strong>Renegade</strong> <strong>Rip</strong> @bc_rip @bc_rip Follow us online at www.therip.com


Page 2<br />

News<br />

The <strong>Renegade</strong> <strong>Rip</strong> www.therip.com<br />

Wednesday, <strong>March</strong> <strong>16</strong>, <strong>2022</strong><br />

Earth’s cultural significance in<br />

art and mythology explored<br />

By Raul Padilla<br />

Features Editor<br />

BC’s Levan Center hosted<br />

an event on the topic regarding<br />

the Earth and how<br />

it has impacted us culturally<br />

both in art as well as in the<br />

mythology that has been a<br />

creative spark in media for<br />

centuries. The event hosted<br />

several speakers that each<br />

gave a different perspective<br />

on the topic, via Zoom webinar<br />

on <strong>March</strong> 9.<br />

The first speaker was Rae<br />

Ann Kumelos began with<br />

talking about how people’s<br />

changing image of Earth has<br />

been one of the most culturally<br />

defining things across<br />

history.<br />

The most recent image was<br />

By Alyssia Flores<br />

Reporter<br />

Reggie Williams, professor<br />

of philosophy, Josh Ottum,<br />

professor of commercial<br />

music, and Kris Tiner, professor<br />

of jazz put on their<br />

second installment of “Deep<br />

Cuts and Conversations” on<br />

<strong>March</strong> 9 via Zoom.<br />

The professors initially got<br />

together three years ago with<br />

the idea of playing a few<br />

tunes and discussing them.<br />

The participants were able<br />

to pick the song or theme.<br />

The song that one participant<br />

picked during this<br />

installment was called “Amsterdam<br />

After Dark” by<br />

George Coleman. The song<br />

was released in 1979 and<br />

starts with a piano and then a<br />

tenor saxophone. The song’s<br />

tempo was fast, and the tone<br />

seemed relaxing.<br />

While the song was playing<br />

it felt like a good piece<br />

of background music to be<br />

played while working on<br />

homework from various<br />

classes since there were no<br />

lyrics to it. After the song was<br />

done, they talked about time<br />

signature changes.<br />

For those who do not know<br />

waht time signature changes<br />

are, it is specified as to<br />

how many beats (pulses) are<br />

contained in each measure<br />

(bar) and which note value is<br />

equivalent to a beat.<br />

After the song was done,<br />

the professors then talked<br />

about musicians. One musician<br />

they spoke about was<br />

when humanity first took a<br />

picture of Earth from space<br />

from the Apollo-8 mission,<br />

“This moment of a tranquil<br />

planet in space gave such a<br />

feeling of transcendence...<br />

it was an awareness of also<br />

what humankind was doing<br />

to the Earth,” Kumelos explained.<br />

Appreciation and understanding<br />

of the Earth has<br />

existed since ancient times,<br />

and mythologies around its<br />

meaning were important<br />

in many cultures, with one<br />

prevalent archetype being<br />

how we’re all connected<br />

through it.<br />

Krista Moreland spoke<br />

next, regarding the subject<br />

of how each part of the<br />

world sees the planet differently.<br />

The first example given<br />

was how each country in the<br />

world sees the globe, as she<br />

revealed that depending on<br />

what part of the world you<br />

are in, maps of the globe will<br />

always be centered on the<br />

country that made them.<br />

From there, she spoke of<br />

how different countries then<br />

associate Earth with different<br />

meanings, whether those are<br />

unity, life, peace, or death,<br />

“When we think about<br />

Earth, we assign human intentions<br />

and emotions to it,”<br />

she explained.<br />

The final speaker was<br />

Nan Gomez-Heitzberg, who<br />

spoke on the artistic influence<br />

that Earth has throughout<br />

history.<br />

Daniel Johnson. They discussed<br />

how he is one musician<br />

that does not sing on key.<br />

This was a particularly interesting<br />

factoid because most<br />

would assume musicians are<br />

supposed to sing in key. They<br />

also said that art comes from<br />

limitations and ideas.<br />

The professors’ second<br />

song was “Arpeggios From<br />

Hell” by Yngwie Malmsteen.<br />

The song was released in<br />

2010 and starts with drums<br />

and then a bass guitar. The<br />

song’s tempo was fast, and<br />

the tone was intense.<br />

While the song played<br />

there was no personal connection<br />

to be made, as heavy<br />

metal music is not everyone’s<br />

personal favorite type of music<br />

and is more so a acquired<br />

genre.<br />

She spoke of how artistically,<br />

it has been used as far back<br />

as ancient cave paintings and<br />

adobe buildings, how those<br />

have influence reaching as<br />

far as modern-day art, with<br />

the most prominent example<br />

being ceramic pottery.<br />

Described as the art of the<br />

Earth, it was originally linked<br />

with ideas of survival, shaping<br />

the earth itself to live and<br />

has since been adapted into<br />

an art form, speaking of various<br />

artists and how they’ve<br />

carried the artistic ideas<br />

from generations ago alive<br />

through their works.<br />

“Deep Cuts and Conversations”<br />

After the song was done,<br />

the professors then talked<br />

about how some music<br />

doesn’t move certain kinds<br />

of people. They also asked<br />

of those who attended the<br />

event, who didn’t feel moved<br />

by the song and if it was because<br />

of the speed or were<br />

there other musicians that<br />

are just as fast as “Arpeggios<br />

From Hell” but that move<br />

the attendants more.<br />

One student asked if there<br />

are certain songs that you<br />

should be listening to. The<br />

professors responded by saying<br />

that there are two kinds<br />

of music: the good kind,<br />

and the bad kind, but this is<br />

based on your preference of<br />

what the good and bad kind<br />

of music is.


Page 3<br />

News<br />

The <strong>Renegade</strong> <strong>Rip</strong> www.therip.com<br />

Wednesday, <strong>March</strong> <strong>16</strong>, <strong>2022</strong><br />

A spotlight on Olivia Garcia<br />

By Aubrianna Martinez<br />

Senior Digital Editor<br />

After being featured in local news for her work in the Kern<br />

County Hispanic Chamber of Commerce, Bakersfield College<br />

professor of history Olivia Garcia was approached to<br />

speak at a bit more length about her work not only there, but<br />

in the classroom.<br />

Garcia explained her work in the local chapter’s Hispanic<br />

Chamber of Commerce where she serves as a chairwoman<br />

for its board of directors. She also noted the logistical problems<br />

that she and her colleagues faced earlier during the pandemic,<br />

“we did our best during this time to advocate and<br />

support our business membership. We got heavily involved<br />

in the Latino COVID-19 Task Force.”<br />

Garcia continued to emphasize how they are continuing<br />

to move forward as things appear to be returning more to<br />

what was known as normal, “this year, we are finally moving<br />

toward launching our events back up again—of course following<br />

[…] social distancing rules, but we are excited about<br />

it. Two of our big events are the Dia de Los Muertos cultural<br />

event and the Latino Food Festival and Menudo Cook-Off<br />

event,” she said.<br />

The COVID-19 pandemic was an ordeal for everyone, and<br />

students and staff alike at BC generally know the struggles<br />

that their peers and colleagues faced. Yet even at its height<br />

and now, Garcia maintained insistence on committing to her<br />

work in the classroom, even when everyone was forced to<br />

attend classes from home.<br />

“I was determined to find ways to connect with my students<br />

even in a virtual environment.” Garcia explained,<br />

“thankfully, BC offers many online educational training<br />

classes for faculty that proved helpful and I’m already such a<br />

techie nerd that I just looked for<br />

new ways to improve in a virtual<br />

environment”<br />

Garcia continued emphasizing<br />

the impact BC has had on her<br />

life. “I truly love my job and am<br />

fortunate that I get to talk about<br />

history with students every day.<br />

It’s almost like a full circle for me<br />

because I started my journey at<br />

BC as a freshman many moons ago<br />

PHOTO COURTESY OF<br />

OLIVIA GARCIA<br />

and met some amazing teachers and counselors, some who I<br />

have kept in touch with today,” she said.<br />

Garcia also expanded upon her earlier work, stating that<br />

she formerly worked as a journalist. She stated that despite<br />

deeply enjoying her work in journalism, that “being a history<br />

professor is a greater gift because it allows me to educate and<br />

inspire young minds who are creating their amazing journeys,”<br />

she said.<br />

When asked about what she hopes students—specifically<br />

those who were enrolled in her class during the pandemic—take<br />

from her classroom, Garcia answered, “I hope my<br />

students take away a few things from my classes—for one,<br />

an appreciation or love of history; two, critical thinking and<br />

writing skills that they learn in my class; and three, that I truly<br />

care about them and how they succeed in my class and beyond.<br />

I have had a few inspiring teachers in my life, and my<br />

goal has always been to be like them.”<br />

Talk about benefits of college<br />

By Anthony Vasquez<br />

Reporter<br />

Whether some claim that the point of<br />

college is employment or an extension<br />

of education, there are many factors to<br />

consider when the point of going to college<br />

is brought into question. The <strong>Renegade</strong><br />

Round Table, hosted by Reggie<br />

Williams, along with other faculty, discussed<br />

the subject through their webinar<br />

event on <strong>March</strong> 2.<br />

Through Zoom, Williams hosted<br />

the event and brought in four other<br />

faculty members, David Moton, Joe<br />

Saldivar, Llamas F. Javier, and Savanna<br />

Andreas-Jones. Williams mentioned<br />

that his focus on bringing other faculty<br />

members into the conversation is so<br />

that there are different perspectives and<br />

diverse opinions toward sociopolitical<br />

<strong>issue</strong>s that would be mentioned in the<br />

conversation.<br />

Moton began the conversation by<br />

stating “I think the number one reason<br />

everyone goes to college anymore is just<br />

for employment.” He mentioned that<br />

aside from employment, the other option<br />

would be just for the idea of general<br />

education, but he states that most<br />

people generally dismiss that detail.<br />

Jones pointed out that although<br />

many believe that college is the path<br />

to finding employment, she states that<br />

not everyone has the opportunity to attend<br />

college and because of that, “[he<br />

thinks] that it creates a stigma towards<br />

blue-collar jobs when they’re sometimes<br />

more important in some cases<br />

than white-collar jobs that colleges usually<br />

cater to.”<br />

Moton brought up that he had<br />

found that there is a myth towards the<br />

belief of people being able to end up<br />

with a high paying job after graduating<br />

college. He added into what Jones<br />

claimed about people who do not go to<br />

college, and stated that there are always<br />

going to be opportunities for employment<br />

and by 18 and 19 years old, you’re<br />

“set up.”<br />

Through the end of the conversation,<br />

everyone mentioned that college<br />

is a great way to obtain education and<br />

find employment. There are several<br />

complications to consider with how<br />

people are able to attend college such<br />

as financial <strong>issue</strong>s.<br />

The <strong>Renegade</strong> Round Table is set<br />

to have another conversation online<br />

around the month of April, just before<br />

students go on Spring Break. It will include<br />

the same panelists, but the topic<br />

of the conversation will be different.


Page 4<br />

Sportss<br />

The <strong>Renegade</strong> <strong>Rip</strong> www.therip.com<br />

BC loses intense game<br />

Pitcher Tim Ruiz came in relief of LHP<br />

Brock Barron during loss to LA Mission<br />

by Justin White<br />

Sports Editor<br />

The <strong>Renegade</strong>s lost their<br />

<strong>March</strong> 12 game against LA Mission<br />

20-14, as tensions were high<br />

in a game that saw the umpires<br />

<strong>issue</strong> a warning to both dugouts.<br />

The Gades were teed off on<br />

early in this one, giving up 6<br />

runs in just the first inning. The<br />

injury was met with equal insult<br />

as the LA Mission bench made<br />

some noise with every hit given<br />

up, with jeers and taunts towards<br />

BC pitcher Daniel Felix and the<br />

Gades bench.<br />

In the bottom of the first, when<br />

BC second baseman Andrew<br />

Townson sent an easily-catchable<br />

ball over the centerfielder’s<br />

head to score BC’s first run, the<br />

BC bench exploded back with<br />

an expletive-filled jeer of their<br />

own directed towards the LA<br />

Mission bench. With every run<br />

they scored in the first, BC would<br />

match LA Mission’s earlier verbal<br />

assault with their own, and<br />

made the score 6-4 heading into<br />

the second inning.<br />

The top of the 4th was disastrous<br />

for BC in more ways than<br />

one. After pitcher Brock Barron<br />

allowed the bases to be loaded,<br />

BC brought in right-handed<br />

pitcher Tim Ruiz to try to prevent<br />

some serious damage from<br />

being done. He would give up a<br />

sacrifice fly to make it 8-5, and<br />

JUSTIN WHITE/THE RIP<br />

then allowed a single which led<br />

to a throwing error to make the<br />

score 10-5.<br />

A deep fly ball to centerfield<br />

banged off the face of centerfielder<br />

Jacob Baker, allowing a<br />

runner to score and prompting<br />

first base umpire Kevin Farr to<br />

go out and check on Baker. An<br />

LA Mission player on the bench<br />

yelled “sniper!”, presumably in<br />

jest of Baker, prompting home<br />

plate umpire Dan Handy to have<br />

a talk with the LA Mission head<br />

coach.<br />

After numerous errors and 11<br />

runs allowed, BC was finally put<br />

out of their misery with a popout<br />

to shortstop, heading into the<br />

bottom of the 4th down 18-5.<br />

In the final three innings, BC<br />

scored 7 runs in a valiant final<br />

effort to comeback, but it came<br />

up short, and the <strong>Renegade</strong>s lost<br />

the game with a football score of<br />

20-14.<br />

This was the last time that BC<br />

had the chance to face LA Mission<br />

this season. They were swept<br />

in their 3-game series against<br />

them. At home on <strong>March</strong> 15<br />

the <strong>Renegade</strong>s will begin a new<br />

3-game series against Glendale,<br />

which ends at Gerry Collis Field<br />

on <strong>March</strong> 19.<br />

For the full story, inlcuding<br />

comments from head coach<br />

Tim Painton, please visit<br />

The<strong>Rip</strong>.com<br />

National Sports<br />

by Jacub Bill<br />

Reporter<br />

UPDATE: MLB and<br />

MLBPA agreed to terms<br />

on a new collective bargaining<br />

agreement on<br />

<strong>March</strong> 10. The following<br />

article was written<br />

before the deal was<br />

reached. Details of the<br />

new CBA include:<br />

• Minimum salaries<br />

beginning at<br />

$700,000 in <strong>2022</strong>.<br />

• Luxury tax set at<br />

$230M for <strong>2022</strong>.<br />

• $50M player pool<br />

to award excelling<br />

pre-arbitration<br />

players.<br />

• 12-team postseason.<br />

• Universal desginated<br />

hitter.<br />

• Six team draft lottery<br />

with hopes of<br />

preventing “tanking”.<br />

• Advertising with<br />

patches on jerseys<br />

and decals on helmets.<br />

• International draft<br />

could be implemented<br />

as early as<br />

2024.<br />

The month of <strong>March</strong><br />

means one thing to<br />

baseball fans all over the<br />

country. It means that<br />

spring training is here,<br />

the month-long session<br />

where today’s stars and<br />

tomorrow’s greats practice<br />

together, and gear<br />

up for a grueling <strong>16</strong>2<br />

game season.<br />

The Lockout was<br />

placed upon the league<br />

due to the MLB Players<br />

Association, and Team<br />

Owners disagreeing on<br />

multiple ideas like the<br />

way the game is played<br />

and financial <strong>issue</strong>s. The<br />

lockout has lasted well<br />

Wednesday, <strong>March</strong> <strong>16</strong>, <strong>2022</strong><br />

MLB Lockout<br />

Jacub Bill<br />

over 100 days now. Two<br />

weeks ago MLB commissioner<br />

Rob Manfred<br />

decided to cancel the<br />

first week of the MLB<br />

season which was scheduled<br />

to start at the beginning<br />

of April, and with<br />

negotiations not being<br />

very productive according<br />

to multiple MLB<br />

insiders the potential for<br />

more games being canceled<br />

grows more and<br />

more every day.<br />

MLB has already lost<br />

the traditional opening<br />

day, and the 75th anniversary<br />

of Jackie Robinson<br />

breaking baseball’s<br />

color barrier celebration<br />

could be next. The<br />

Lockout began on Dec.<br />

2 of last year, and the<br />

week before saw a flurry<br />

of free agents sign contracts<br />

knowing that they<br />

may not have the chance<br />

anytime soon to sign a<br />

major deal.<br />

If the lockout ends<br />

there are still major key<br />

players on the market<br />

like Clayton Kershaw,<br />

Freddie Freeman, and<br />

Carlos Correa who still<br />

need to find a home<br />

but have not been able<br />

to just yet. Many other<br />

questions still need to be<br />

answered.


Page 5<br />

Campus<br />

The <strong>Renegade</strong> <strong>Rip</strong> www.therip.com<br />

Wednesday, <strong>March</strong> <strong>16</strong>, <strong>2022</strong><br />

BCSGA creates mural to celebrate<br />

International Women’s Day<br />

By Nathaniel Simpson<br />

Reporter<br />

To commemorate International Women’s Day, the Bakersfield<br />

College Student Government Association (BCS-<br />

GA) has created a mural to be displayed on campus. The<br />

mural, which depicts a silhouette of a woman with colorful<br />

flowers on her head and the words “Let Equality Bloom”<br />

written towards the bottom, will be portable so it can be displayed<br />

on campus for many events, as well as the opportunity<br />

for any BC department to borrow it for their own events.<br />

When speaking to the BCSGA, the mural’s creation involved<br />

the talents of local BC artist Shanara Cruz Wilson,<br />

art professor Joseph Tipay, BC student Cameron Garcia,<br />

and anyone else who came to support. The mural took five<br />

days to complete, from start to finish.<br />

On <strong>March</strong> 8, there was an event to celebrate International<br />

Women’s Day, as well as the unveiling of this new mural.<br />

Everyone who had a helping hand in creating the mural will<br />

get the chance to sign the back of the piece, showing their<br />

contribution. If you were unable to attend this event, the<br />

mural will also be on display and incorporated into the 4th<br />

annual Jess Nieto Conference on <strong>March</strong> 29, from 3 – 4 pm.<br />

When asked what their favorite thing about the mural is,<br />

the BCSGA president, Edith Mata, responded, saying that<br />

her “favorite part (of) this mural will be produced with the<br />

help and support of our bakersfield college community. It’s<br />

very rewarding to organize and put up an event that everyone<br />

feels welcome and called to participate, engage and feel<br />

proud of.”<br />

The BCSGA also said that “The mural is meant to<br />

unite,uplift, inspire, engage, heal, unwind, and educate our<br />

community. Through the pandemic, and the hard circumstances<br />

we have been forced to face there has been much division,<br />

separation and distance among our BC community.<br />

However painting this mural as a community will be a step<br />

in overcoming the aftermath of the pandemic. As we create<br />

this mural we will ensure to follow the<br />

Covid protocols set forth by KCCD.” For those who are<br />

interested in seeing this mural, keep an eye out for it on<br />

campus, as well as thinking about attending the event on<br />

Mar. 29 to show support for our local BC artists.<br />

“Linda & the Mockingbirds”<br />

By Alyssia Flores<br />

Reporter<br />

Women’s History and More (W.H.A.M) put on a documentary<br />

called “Linda & the Mockingbirds” on Thursday,<br />

<strong>March</strong> 3 via Zoom. The documentary discussed the impact<br />

of Mexican music and culture on Mexican-American culture.<br />

The purpose of this event is to explore the different<br />

ways women have overcome and ally themselves across intersectional<br />

identities to achieve power for change. According<br />

to dictionary.com, intersectional identities means “the<br />

theory that the overlap of various social identities, as race,<br />

gender, sexuality, and class, contributes to the specific type<br />

of systemic oppression and discrimination experienced by<br />

an individual.”<br />

The documentary was 40 minutes long and talked about<br />

Linda Ronstadt and learning about her family’s heritage<br />

through music and dance. Ronstadt is a Mexican-American<br />

singer who was very popular in the ’70s and ’80s and<br />

also popular in the United States as well as in the Mexican-American<br />

community. Ronstadt was born and raised<br />

in Tucson, Arizona. In the documentary she talked about<br />

what a special connection she had always felt with Mexico.<br />

She continued about how she watched a group of kids<br />

called Los Cenzontles dancing in San Francisco in 1993<br />

down in the palace of Fine Arts.<br />

Ronstadt went up to Eugene Rodriguez, who was in<br />

charge of Los Cenzontles, and said they were good. Rodriguez<br />

said that they were trying to raise money to take a<br />

trip to Mexico so that the kids could learn what it is to be<br />

Mexican. It was interesting to learn that the cowboys in the<br />

old films were based on Mexican tradition.<br />

The way this documentary tied into Women’s History<br />

month is that they said that every Mexican-American girl<br />

wanted to sing just like her and that her songs brought them<br />

a lot of hope. Young Mexican-American girls had a role<br />

model like her. Something that was interesting was the music.<br />

The music that was in the documentary was upbeat and<br />

meaningful. The music played throughout the documentary<br />

was called “The Dreamer.” This one song touched upon<br />

how a girl was in America for the first time and how she had<br />

dreams, and she tried the best she could in a foreign place.<br />

This can resonate with a lot of people because many people<br />

immigrate to new places to get a better life.<br />

A lot of people could get something out of the film as<br />

they could see another perspective of what life is like for an<br />

immigrant.


Page 6<br />

Campus<br />

The <strong>Renegade</strong> <strong>Rip</strong> www.therip.com<br />

Wednesday, <strong>March</strong> <strong>16</strong>, <strong>2022</strong><br />

“Loss and Longing” essays<br />

By Aubrianna Martinez<br />

Senior Digital Editor<br />

Author and professor Angela<br />

Morales, writer of the<br />

book made up of creative<br />

nonfiction essays “The Girls<br />

in my Town” spoke at the<br />

webinar “Loss & Longing:<br />

The Truth & Beauty of Latina<br />

Lives” hosted by Bakersfield<br />

College on <strong>March</strong> 10.<br />

Morales read excerpts<br />

from various chapters<br />

of her book which she<br />

refers to as “a collection<br />

of personal essays,” as<br />

well as touched on various<br />

types of advice that<br />

she gives to aspiring writers,<br />

specifically for writing<br />

personal nonfiction<br />

essays that is the format<br />

she uses for the writing<br />

for her books.<br />

Morales stated at the<br />

start of the webinar that<br />

she wrote on personal<br />

topics such as exploring<br />

the relationships she has<br />

with individual members<br />

of her family, re-evaluating<br />

and working through<br />

memories of her childhood,<br />

and stories from<br />

her home in San Gabriel.<br />

One particularly haunting<br />

and true story that Morales<br />

referenced as having become<br />

part of the local mythology<br />

of the San Joaquin Valley<br />

that she read excerpts from<br />

was her essay recounting<br />

the story of a teenage girl by<br />

the name of Benita Ramos<br />

who faked the kidnapping of<br />

her young child and was revealed<br />

to have committed infanticide.<br />

Morales described<br />

the initial reaction to the ruse<br />

of the child’s kidnapping as<br />

such, “the girl’s story sounds<br />

plausible because terrible<br />

things happen to children in<br />

our town. Imagine a place of<br />

planetary misalignment, a<br />

celestial criss-cross of weird<br />

energy. Imagine the Bermuda<br />

Triangle on dry land. Our<br />

town—home to the Pitchfork<br />

Killer and the Yosemite<br />

Killer—makes us believe<br />

that anything is possible.”<br />

The story of Ramos attempting<br />

to kill her child in<br />

the water fountain of Applegate<br />

Park before leaving him<br />

in the nearby creek where he<br />

was later found dead referenced<br />

Morales’ other topics<br />

of interest, such as the frequency<br />

of teenage pregnancy<br />

and “culture of teenage<br />

motherhood” that she noticed<br />

in her hometown.<br />

On the topic of teenage<br />

motherhood in another essay<br />

she read from, she continued,<br />

“perhaps for some<br />

humans, the young mother-model<br />

works just fine. But<br />

without the tribe, without the<br />

rules, who will watch over<br />

the girls in my town? The<br />

girls who often need mothering<br />

themselves? These girls<br />

with their babies in their lowrent<br />

apartments and their<br />

boyfriends who sometimes<br />

marry them—most do not.”<br />

HUGO MALDONADO<br />

GARCIA/THE RIP<br />

After reading excerpts<br />

from her creative nonfiction<br />

essays, professor<br />

and author Angela<br />

Morales reviewed photos<br />

from her childhood<br />

that helped shed light<br />

on the topics and relationships<br />

she explored<br />

throughout her writing.<br />

This photograph<br />

is from her parents’<br />

appliance store in San<br />

Gabriel which she<br />

expanded upon during<br />

her recolleciton of<br />

various memories and<br />

their appearance in<br />

her essays.<br />

First place nationally for two year college Websites at<br />

the Associated Collegiate Press 2020 midwinter conference.<br />

Fifth place newspapers. First place for newspaper<br />

in 2011, third place in 2013, 2014, 2015 for CNPA General<br />

Excellence<br />

Fourth place nationally in 2019 for website publication<br />

by Associated Collegiate Press<br />

The <strong>Renegade</strong> <strong>Rip</strong> is produced by Bakersfield College<br />

journalism classes and is circulated on Thursdays<br />

during the fall and spring semesters. The newspaper is<br />

published under the auspices of the Kern Community<br />

College District Board of Trustees, but sole responsibility<br />

for its content rests with student editors. The <strong>Rip</strong> is<br />

a member of the California Newspaper Publishers Association,<br />

Associated Collegiate Press, and California<br />

Colleges Media Association.<br />

The <strong>Renegade</strong> <strong>Rip</strong><br />

EDITORIAL BOARD<br />

Editor-in-Chief....Hugo Maldonado Garcia<br />

Senior Digital Editor....Aubrianna Martinez<br />

News Editor...........................Collin Acevedo<br />

Features Editor.........................Raul Padilla<br />

Sports Editor............................Justin White<br />

Adviser.........................................Erin Auerbach<br />

STAFF<br />

Reporters/photographers:<br />

Jacub Bill<br />

Alyssia Flores<br />

Nathaniel Simpson<br />

Anthony Vasquez<br />

Write The <strong>Rip</strong><br />

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must be accompanied by a signature<br />

and the letter writer’s identity must be<br />

verified.<br />

The <strong>Rip</strong> reserves the right to edit<br />

letters, however, writers will be given<br />

the opportunity to revise lengthy or<br />

unacceptable submissions.<br />

If an organization submits a letter as a<br />

group, it must be signed by only one person,<br />

either the leader of the organization<br />

or the letter writer. Anonymous letters<br />

will not be published.<br />

How to reach us<br />

-Address: Bakersfield College,<br />

1801 Panorama Drive, Bakersfield,<br />

CA 93305<br />

-Phone: (661) 395-4324<br />

-Email: ripmail@bakersfieldcollege.edu<br />

-Website: therip.com


Page 7<br />

By Justin White<br />

Sports Editor<br />

The newest intellectual property<br />

by Japanese developer<br />

FromSoftware, “Elden Ring” is<br />

a brand new open-world fantasy<br />

epic from the creators of the<br />

ultra-challenging “Dark Souls”<br />

trilogy.<br />

I’d like to make something<br />

clear; I have yet to complete the<br />

game, and have played about<br />

25 hours. This is a first impression,<br />

not a complete review, and<br />

these early opinions are subject<br />

to change. The game was played<br />

on a PlayStation 5 console.<br />

“Elden Ring” shares many<br />

characteristics with FromSoftware’s<br />

previous creations, with<br />

the biggest shared characteristic<br />

being its difficulty. Like From-<br />

Soft’s previous games, “Elden<br />

Ring” is made for stubborn players<br />

like myself who have a bad<br />

habit of turning “just one more<br />

try” into 100 more tries. And it is<br />

incredibly addicting.<br />

It’s hard but fair, with enemy<br />

attacks being well designed, being<br />

fast with hard-to-read telegraphs<br />

that require the player’s<br />

full attention, forcing the player<br />

to study the way the enemy<br />

moves to find the best opportunities<br />

to punish mistakes, and this<br />

makes every encounter incredibly<br />

engaging and rewarding.<br />

Boss encounters, like in previous<br />

FromSoft games, are the<br />

highlight, with incredible orchestral<br />

music playing in the<br />

background as the player fights a<br />

foe that poses a great challenge,<br />

with attacks that deal massive<br />

damage, are difficult to avoid,<br />

and look just as incredible and<br />

cinematic as they are devastating,<br />

truly making the boss fights<br />

a spectacle to behold.<br />

Straying away from the typical<br />

pattern of previous games,<br />

Opinion<br />

The <strong>Renegade</strong> <strong>Rip</strong> www.therip.com<br />

“Elden Ring” is a<br />

masterpiece... so far<br />

“Elden Ring” takes the openworld<br />

route. The entire world is<br />

open right at the beginning of<br />

the game, free for the player to<br />

explore at their own discretion.<br />

This world is fierce however. It is<br />

possible for the player to travel to<br />

areas of the game that they will<br />

be severely underprepared for.<br />

However, the game makes this<br />

obvious by somewhat guiding<br />

the player in a direction they<br />

“should” be going, with checkpoints<br />

known as “Lost Graces”<br />

serving as this game’s version of<br />

the bonfire from “Dark Souls”.<br />

Some of these Lost Graces emit<br />

a trail of light which serve to lead<br />

the player in the proper direction,<br />

aiming to help them avoid<br />

areas that they would otherwise<br />

be unready for, though without<br />

also halting the curious mind<br />

from wandering off the path if<br />

they so wish to do so.<br />

This freedom also gives the<br />

player a great sense of discovery,<br />

as wandering about can allow<br />

the player to discover ruins of<br />

buildings, cities, and caves, some<br />

of which also house more challenging<br />

bosses.​<br />

The world of “Elden Ring” is<br />

massive, and also beautiful, with<br />

incredibly detailed landscapes<br />

and nature overtaking what were<br />

once great kingdoms and powerful<br />

cities. Massive vines and trees<br />

grow over destroyed infrastructure<br />

and animals roam freely,<br />

making a world with dying civilizations<br />

still seem alive and vibrant.<br />

“Elden Ring’s” world is<br />

one that will certainly hold the<br />

player’s attention for months to<br />

come.<br />

With addicting and challenging<br />

gameplay and a gorgeous<br />

world to explore, “Elden Ring”<br />

is looking to be an early favorite<br />

for Game of the Year, as well as<br />

perhaps the PlayStation 5’s best<br />

game.<br />

Adaptations<br />

By Aubriana Martinez<br />

Senior Digital Editor<br />

Wednesday, <strong>March</strong> <strong>16</strong>, <strong>2022</strong><br />

“Shadow and Bone”<br />

Netflix’s adaptation of<br />

Leigh Bardugo’s young<br />

adult series “Shadow<br />

and Bone” proved to be<br />

another successful adaptation<br />

for the streaming<br />

service pioneer, and the<br />

announcement of the<br />

second season should<br />

surprise no one after the<br />

series landed on Netflix’s<br />

top ten streams and maintained<br />

its popularity for its<br />

first 12 days of being on<br />

the platform, according to<br />

Forbes.<br />

The content and themes<br />

of the Netflix adaptation<br />

of “Shadow and Bone”<br />

proved to be a fairly accurate<br />

portrayal of the<br />

events of the book, which<br />

was surprising since the<br />

first season was an amalgamation<br />

of two different<br />

novels, as mentioned<br />

before. Besides the fairly<br />

in-line adaptation, there is<br />

one specific element that<br />

was not included in the finale<br />

of the first season of<br />

“Shadow and Bone,” that<br />

being the main character<br />

Alina Starkov’s ruthlessness.<br />

The end of the first<br />

book ends with Alina using<br />

the abilities she has<br />

spent the second act of the<br />

novel learning and honing,<br />

demonstrating that<br />

she is quite powerful in<br />

her own way and will be a<br />

formidable enemy for the<br />

antagonist for the second<br />

novel in the series. This<br />

ruthlessness made for an<br />

interesting character trait<br />

as it was an aspect of her<br />

character’s foil and antagonist<br />

that drew many fans<br />

to the books and show<br />

alike.<br />

Aubriana Martinez<br />

While the show’s season<br />

one finale does go to<br />

great lengths to demonstrate<br />

what she is capable<br />

of, it pulls its punch by<br />

changing the ending–even<br />

as slightly as it did. It will<br />

naturally alter the Alina<br />

that appears in the show’s<br />

second season, as well as<br />

likely her character arc–<br />

though this could be for<br />

the better, as many fans<br />

of the books still debate<br />

whether her ending is a<br />

fitting one for her character<br />

Ṫhe phenomena of Alina’s<br />

arc could be likened<br />

to what Marvel fans speculate<br />

is also taking place<br />

in the Marvel Cinematic<br />

Universe with Wanda<br />

Maximoff, as these women<br />

struggle with their relationship<br />

to the unique<br />

power that only they can<br />

wield. While more media<br />

projects are choosing to<br />

write complex, morally<br />

gray women characters,<br />

while their adaptations<br />

are not willing to commit<br />

to showing these truly<br />

complicated characters,<br />

audiences are prompted<br />

to question the point of<br />

shying away from choosing<br />

to show these intriguing<br />

stories.


Page 8<br />

Opinions<br />

The <strong>Renegade</strong> <strong>Rip</strong> www.therip.com<br />

Wednesday, <strong>March</strong> <strong>16</strong>, <strong>2022</strong><br />

“The Batman” is<br />

beautifully dark<br />

and mysterious<br />

By Collin Acevedo<br />

New Editor<br />

<strong>2022</strong>’s “The Batman” gives a<br />

new representation of Batman;<br />

with its multi-star cast and astonishing<br />

camera work, it presents the<br />

world’s greatest detective in immaculate<br />

form. Co-written and directed<br />

by Matt Reeves, he offers a<br />

new interpretation of Batman in a<br />

slick, dark noir reboot of the character<br />

released <strong>March</strong> 4.<br />

With Robert Pattinson standing<br />

as the new caped crusader, he takes<br />

the position in stride, being a more<br />

distinct character instead of the<br />

usual playboy that Bruce Wayne<br />

is. In Reeves’ film, he holds a quiet<br />

and strange persona, committed to<br />

Batman’s life, as his alter ego Bruce<br />

Wayne isn’t seen in public; as he<br />

lurks in the shadows under Alfred’s<br />

(Andy Serkis) guidance, playing a<br />

father-son duo.<br />

The all-star cast, which helps illuminate<br />

the movie throughout,<br />

brings subtle ripples into the film,<br />

with Catwoman (Zoë Kravitz)<br />

playing a great supporting character<br />

and love interest. At the same<br />

time, Penguin (Colin Farell) is a foul<br />

enough opponent to go toe to toe<br />

with Batman, but Farell still doesn’t<br />

stand close to the main villain Paul<br />

Dano’s the Riddler. Taking inspiration<br />

from the zodiac killings while<br />

also presenting haunting psychological<br />

themes, he is horrifying,<br />

sadistic, and intricate. Giving each<br />

scene just the right amount of care<br />

shows how this ensemble’s cultivation<br />

has created one of the best<br />

films of <strong>2022</strong>.<br />

Taking a year two Batman and<br />

diving into the heart of Gotham,<br />

“The Batman” is beautifully dark<br />

and mysterious, bringing the<br />

world’s greatest detective theme to<br />

the heart. Reeves’ direction and the<br />

cinematography of Greig Fraser<br />

give a beautiful and damning Batman<br />

with its dark palette and connections<br />

with the characters setting<br />

up more to come but leaves you<br />

equally satisfied with what you got.<br />

Going by too quick and not fast<br />

enough, with subtle hints which tie<br />

the story along as it goes, “The Batman”<br />

gives the viewer what they<br />

want.<br />

It’s all layered out to be enjoyable<br />

from fighting gangs, car chases, detective<br />

work, and the long moments<br />

of silence as Batman works to solve<br />

the Riddler has put into action.<br />

With action and energy that cultivates<br />

you from the beginning with<br />

Pattinson giving an overdubbed<br />

monologue, showing how he’s<br />

the fear surrounding Gotham. It’s<br />

beautifully crafted and presented as<br />

a stand-alone film not interacting<br />

with the DC Extended Universe<br />

(DCEU).<br />

PHOTOCREDIT: GOOGLE IMAGES<br />

<strong>Renegade</strong> Events<br />

Campus Events<br />

<strong>March</strong> 17: Alliance & Power in a Time of<br />

Adversity, a Panel Discussion via Zoom from<br />

6:30 pm to 8:00 pm<br />

<strong>March</strong> 22: Latinas in Business Leadership,<br />

a panel discussion via Zoom from 6:00 pm to<br />

7:30 pm<br />

<strong>March</strong> 24: Opening Reception for the BC<br />

Art Student Show (Runs through May 5)<br />

<strong>March</strong> 24: Distinguished speaker Etika<br />

Sanchez via Zoom from 10:00 am to 11:00 am<br />

<strong>March</strong> 27: Bakersfield Youth Symphony<br />

Orchestra at the Edward Simonsen Outdoor<br />

theatre at 4 p.m.<br />

<strong>March</strong> 29-31: 4th annual Jes Nieto Memorial<br />

Conference (see BC website for event times)<br />

April 7: KMCEA Jazz Day at the Edwards<br />

Simonsen Performing Arts Center from 8 a.m.<br />

to 4 p.m.<br />

April 7: Should we educate for liberty or liberation?<br />

<strong>Renegade</strong> Institute of Liberty at BC<br />

(Zoom Webinar) 6 p.m.<br />

April 22: Spring Choral Concert at the Edwards<br />

Simonsen Indorr Theatre at 7:30 pm.<br />

April 25: Jazz Ensemble Spring Concert at<br />

the Edward Simonsen Indoor Theatre at 7:30<br />

p.m.<br />

April 28: Concert Band Spring Concert at<br />

the Edward Simonsen Indoor Theatre at 6:30<br />

p.m.<br />

April 28- May 1: Spring Play #2 (Title<br />

TBA).<br />

May 4: Performing Arts Combined Concert<br />

at Edward Simonsen Outdoor Theatre at 7:00<br />

p.m.<br />

May 11: BC/CSUB Orchestra Concert at<br />

CSUB Dore Thatre at 7:30 p.m.

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