Carl Arroyo & Barry Stedman
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<strong>Carl</strong> <strong>Arroyo</strong><br />
‘Suddenly everything feels intensely strange as the past and present slip into a<br />
space where memory and consciousness, certainty and uncertainty, isolation and<br />
connection shift to form something new without signifiable meaning but emotion,<br />
emotion impelling gesture.’<br />
Despite my painting’s disorderly scattering of marks, doodles, motifs, half<br />
legible cryptic references, and asemic text, (writing without alphabet) they<br />
are a coherent collection of exuberantly executed work that explores the<br />
interaction of texture, composition, form and palette. When painting I<br />
embrace a form of 'optimistic uncertainty' which helps to generate work that<br />
is emotionally expressive, playful, bold and energetic.<br />
The paintings are paradoxical in nature, uncompromising yet approachable,<br />
vibrant yet dark, and sincere yet flippant. The work incorporates heavily<br />
patinated, mixed-media imagery created through a process involving the<br />
application of layers of overpainting, collage and expressively scrawled and<br />
scratched marks.<br />
Being the son of a Spanish Civil War refugee my evolution as an artist draws<br />
on my radical Spanish heritage and the influence of post Spanish Civil<br />
War artists, including Antoni Tapies and the lesser known, but influential,<br />
‘El Paso’ (The Step) group. I also draw inspiration from the ‘Situationists’<br />
provoked punk and post punk ethic of the late 1970’s and early 1980’s, whose<br />
counter cultural movement inspired a broader grassroots creativity opposed<br />
to the nightmare of consumerist excess and passivity.