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Carl Arroyo & Barry Stedman

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<strong>Carl</strong> <strong>Arroyo</strong><br />

‘Suddenly everything feels intensely strange as the past and present slip into a<br />

space where memory and consciousness, certainty and uncertainty, isolation and<br />

connection shift to form something new without signifiable meaning but emotion,<br />

emotion impelling gesture.’<br />

Despite my painting’s disorderly scattering of marks, doodles, motifs, half<br />

legible cryptic references, and asemic text, (writing without alphabet) they<br />

are a coherent collection of exuberantly executed work that explores the<br />

interaction of texture, composition, form and palette. When painting I<br />

embrace a form of 'optimistic uncertainty' which helps to generate work that<br />

is emotionally expressive, playful, bold and energetic.<br />

The paintings are paradoxical in nature, uncompromising yet approachable,<br />

vibrant yet dark, and sincere yet flippant. The work incorporates heavily<br />

patinated, mixed-media imagery created through a process involving the<br />

application of layers of overpainting, collage and expressively scrawled and<br />

scratched marks.<br />

Being the son of a Spanish Civil War refugee my evolution as an artist draws<br />

on my radical Spanish heritage and the influence of post Spanish Civil<br />

War artists, including Antoni Tapies and the lesser known, but influential,<br />

‘El Paso’ (The Step) group. I also draw inspiration from the ‘Situationists’<br />

provoked punk and post punk ethic of the late 1970’s and early 1980’s, whose<br />

counter cultural movement inspired a broader grassroots creativity opposed<br />

to the nightmare of consumerist excess and passivity.

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