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Helen_Booth_and_Jane_Cairns

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HELEN BOOTH<br />

& JANE CAIRNS<br />

1 st – 23 rd September 2022


Flurry oil on canvas 150 x 150cm £5940


Continuum oil on canvas 170 x 170cm £6300


Falling Snow oil on canvas 130 x 130cm £5400


Formation oil on canvas 50 x 50cm £1500


Disc (Pale Chrome)<br />

h<strong>and</strong> built ceramic<br />

20 x 20 x 7cm £200<br />

Disc (Large Pale Chrome Stone)<br />

h<strong>and</strong> built ceramic<br />

35 x 35 x 9cm £400


Black on Grey oil on canvas 30 x 40cm £800


Ghosts in the Garden oil on canvas 92 x 122cm £4500


Fractured Surface I oil on canvas 50 x 50cm £1500


Fractured Surface II oil on canvas 50 x 50cm £1500


Disc (Pale Copper)<br />

h<strong>and</strong> built ceramic<br />

24 x 24 x 5cm £250<br />

Single Hole (Large)<br />

h<strong>and</strong> built ceramic<br />

26 x 26 x 8 cm £350


Single Grid<br />

h<strong>and</strong> built ceramic<br />

41 x 24 x 4cm £250<br />

Disc (Dark Titanium Ring)<br />

h<strong>and</strong> built ceramic<br />

33 x 33 x 4cm £300


Ice Pack oil on canvas 100 x 100cm £4000


Sequence oil on canvas 120 x 120cm £5040


Ice Pink oil on canvas 50 x 50cm £1500


Vik Pink oil on canvas 50 x 50cm £1500


Cover (Pale Chrome) h<strong>and</strong> built ceramic 26 x 26 x 6 cm £380


Angled (with holes) h<strong>and</strong> built ceramic 29 x 28 x 24 cm £450


Suspension Series I oil on canvas 120 x 120cm £5040


Suspension Series II oil on canvas 120 x 120cm £5040


Suspension Series III oil on canvas 120 x 120cm £5040


Suspension Series IV oil on canvas 120 x 120cm £5040


Lamp base (Single Hole) h<strong>and</strong> built ceramic 21 x 19 x 11cm £400


Ring (Pale Orange Peel)<br />

h<strong>and</strong> built ceramic<br />

21 x 21 x 4cm £200<br />

Cover (Strong Rutile)<br />

h<strong>and</strong> built ceramic<br />

14 x 8 x 4 cm £180


Lamp base (Single Grid) h<strong>and</strong> built ceramic 42 x 38 x 7cm £500


Cover (6 x 3 holes)<br />

h<strong>and</strong> built ceramic<br />

18 x 10 x 4cm £200<br />

Cover (13x13 holes)<br />

h<strong>and</strong> built ceramic<br />

40 x 40 x 6 cm £650


An Appearance<br />

oil on mounted paper<br />

27cm x 17cm £300<br />

Hidden Horizon Series IV<br />

oil on mounted paper<br />

27cm x 17cm* £240


Hidden Rhythm Series II<br />

oil on mounted paper<br />

27cm x 17cm* £240<br />

Rhythm Series III<br />

oil on mounted paper<br />

27cm x 17cm* £240


Rhythm Series V<br />

oil on mounted paper<br />

27cm x 17cm* £240<br />

Hidden Rhythm Series VI<br />

oil on mounted paper<br />

27cm x 17cm* £240


Hidden Rhythm Series VII<br />

oil on mounted paper<br />

27cm x 17cm * £240<br />

Rhythm Series IV<br />

oil on mounted paper<br />

27cm x 17cm* £240


Stacked Series II<br />

oil on mounted paper<br />

27cm x 17cm £300<br />

Thaw Series II<br />

oil on mounted paper<br />

27cm x 17cm* £240


White Bank Series II<br />

oil on mounted paper<br />

27cm x 17cm £300<br />

White Bank Series V<br />

oil on mounted paper<br />

27cm x 17cm £300


Disc (Pale Copper Stone) h<strong>and</strong> built ceramic 24 x 24 x 6cm £300


Single Hole (Pale Rutile)<br />

h<strong>and</strong> built ceramic<br />

18 x 18 x 5 cm £220<br />

Single Grid (Pale Copper)<br />

h<strong>and</strong> built ceramic<br />

32 x 13 x 6 cm £250


<strong>Helen</strong> <strong>Booth</strong><br />

My recent paintings concentrate on the limitless variations of the<br />

single dot. Often, the dots follow disjointed lines or crowd together<br />

in amorphous blocks. Sometimes they are destroyed by gravity with<br />

dripped paints. The works explore both an impulsive <strong>and</strong> repetitive<br />

way of mark-making that is both gestural <strong>and</strong> meditative. Straight <strong>and</strong><br />

dynamic lines often appear alongside the more gossamer transient<br />

dots in the paintings.<br />

The dot itself can be many things to me, a puncture wound, a<br />

beginning, an end, an existence, or a loss. It can be the end of a<br />

sentence or punctuation in a l<strong>and</strong>scape. It can symbolise both life<br />

<strong>and</strong> death – a complete stop.<br />

When I paint, I try to balance action <strong>and</strong> inaction. Oil allows me to<br />

do this, each layer forcing a pause in the work’s construction. I pour<br />

<strong>and</strong> drag the paint across the surface - this juxtaposition of imposed<br />

structure <strong>and</strong> the loosely applied paint is an emotional response<br />

to the painting process. My restrained palette creates work that<br />

focuses on the mark without the distraction of colour. This way of<br />

working, the h<strong>and</strong>s-off exchanges of the paint, the force of gravity,<br />

<strong>and</strong> the element of chance are fundamental to my ideas. The internal<br />

alchemy, meditations of being <strong>and</strong> not being, of life <strong>and</strong> death, is what<br />

I strive to capture within my work.<br />

My residency in Icel<strong>and</strong> has honed my practice. St<strong>and</strong>ing in what<br />

can only be described as a Divine l<strong>and</strong>scape has reinforced my<br />

personal belief that Nature is the most potent force <strong>and</strong> that<br />

trying to capture the experience of Nature in its purest form is<br />

essential to me as an artist.<br />

In life <strong>and</strong> in Nature, the cycle of birth <strong>and</strong> rebirth is key.


<strong>Jane</strong> <strong>Cairns</strong><br />

My work is about finding beauty in the ordinary. It’s about the small things <strong>and</strong> recognising the accidental poetry<br />

in the unnoticed <strong>and</strong> overlooked. Living in the city this is often found in apparently insignificant details of the<br />

built environment - the way a surface has weathered, the juxtaposition of materials, the sculptural qualities of<br />

found forms.<br />

Taking an experimental approach to ceramic processes <strong>and</strong> materials to reflect the forms, colours <strong>and</strong> textures I<br />

find in these places my work captures the unexpected, quiet beauty of neglected environments <strong>and</strong> found objects.<br />

Coming to ceramics as a second career I graduated from University of Westminster (Harrow) in 2011. In 2013 I was<br />

selected for the Crafts Council Hothouse programme, I am a selected member of the Craft Potter’s Association <strong>and</strong><br />

a founder member of artist collective haptic/tacit. My studio is in London. on the river by the Thames Barrier.


Single Grid (Dark Copper) h<strong>and</strong> built ceramic 27 x 11 x 4cm £230<br />

To purchase work please contact Val Harris at art@thetablehay.com or 07956 452195<br />

The gallery offers Collectorplan, an initiative administered by the Welsh Assembly,<br />

enabling you to purchase work up to the value of £5,000 with an interest free loan repayable over a year.<br />

All measurements are for framed sizes unless marked * where the paintings are unframed.<br />

The gallery is open Thursday - Saturday 10am - 3pm or by appointment during exhibitions.<br />

All paintings are for sale upon receipt of this catalogue.

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