Helen_Booth_and_Jane_Cairns
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HELEN BOOTH<br />
& JANE CAIRNS<br />
1 st – 23 rd September 2022
Flurry oil on canvas 150 x 150cm £5940
Continuum oil on canvas 170 x 170cm £6300
Falling Snow oil on canvas 130 x 130cm £5400
Formation oil on canvas 50 x 50cm £1500
Disc (Pale Chrome)<br />
h<strong>and</strong> built ceramic<br />
20 x 20 x 7cm £200<br />
Disc (Large Pale Chrome Stone)<br />
h<strong>and</strong> built ceramic<br />
35 x 35 x 9cm £400
Black on Grey oil on canvas 30 x 40cm £800
Ghosts in the Garden oil on canvas 92 x 122cm £4500
Fractured Surface I oil on canvas 50 x 50cm £1500
Fractured Surface II oil on canvas 50 x 50cm £1500
Disc (Pale Copper)<br />
h<strong>and</strong> built ceramic<br />
24 x 24 x 5cm £250<br />
Single Hole (Large)<br />
h<strong>and</strong> built ceramic<br />
26 x 26 x 8 cm £350
Single Grid<br />
h<strong>and</strong> built ceramic<br />
41 x 24 x 4cm £250<br />
Disc (Dark Titanium Ring)<br />
h<strong>and</strong> built ceramic<br />
33 x 33 x 4cm £300
Ice Pack oil on canvas 100 x 100cm £4000
Sequence oil on canvas 120 x 120cm £5040
Ice Pink oil on canvas 50 x 50cm £1500
Vik Pink oil on canvas 50 x 50cm £1500
Cover (Pale Chrome) h<strong>and</strong> built ceramic 26 x 26 x 6 cm £380
Angled (with holes) h<strong>and</strong> built ceramic 29 x 28 x 24 cm £450
Suspension Series I oil on canvas 120 x 120cm £5040
Suspension Series II oil on canvas 120 x 120cm £5040
Suspension Series III oil on canvas 120 x 120cm £5040
Suspension Series IV oil on canvas 120 x 120cm £5040
Lamp base (Single Hole) h<strong>and</strong> built ceramic 21 x 19 x 11cm £400
Ring (Pale Orange Peel)<br />
h<strong>and</strong> built ceramic<br />
21 x 21 x 4cm £200<br />
Cover (Strong Rutile)<br />
h<strong>and</strong> built ceramic<br />
14 x 8 x 4 cm £180
Lamp base (Single Grid) h<strong>and</strong> built ceramic 42 x 38 x 7cm £500
Cover (6 x 3 holes)<br />
h<strong>and</strong> built ceramic<br />
18 x 10 x 4cm £200<br />
Cover (13x13 holes)<br />
h<strong>and</strong> built ceramic<br />
40 x 40 x 6 cm £650
An Appearance<br />
oil on mounted paper<br />
27cm x 17cm £300<br />
Hidden Horizon Series IV<br />
oil on mounted paper<br />
27cm x 17cm* £240
Hidden Rhythm Series II<br />
oil on mounted paper<br />
27cm x 17cm* £240<br />
Rhythm Series III<br />
oil on mounted paper<br />
27cm x 17cm* £240
Rhythm Series V<br />
oil on mounted paper<br />
27cm x 17cm* £240<br />
Hidden Rhythm Series VI<br />
oil on mounted paper<br />
27cm x 17cm* £240
Hidden Rhythm Series VII<br />
oil on mounted paper<br />
27cm x 17cm * £240<br />
Rhythm Series IV<br />
oil on mounted paper<br />
27cm x 17cm* £240
Stacked Series II<br />
oil on mounted paper<br />
27cm x 17cm £300<br />
Thaw Series II<br />
oil on mounted paper<br />
27cm x 17cm* £240
White Bank Series II<br />
oil on mounted paper<br />
27cm x 17cm £300<br />
White Bank Series V<br />
oil on mounted paper<br />
27cm x 17cm £300
Disc (Pale Copper Stone) h<strong>and</strong> built ceramic 24 x 24 x 6cm £300
Single Hole (Pale Rutile)<br />
h<strong>and</strong> built ceramic<br />
18 x 18 x 5 cm £220<br />
Single Grid (Pale Copper)<br />
h<strong>and</strong> built ceramic<br />
32 x 13 x 6 cm £250
<strong>Helen</strong> <strong>Booth</strong><br />
My recent paintings concentrate on the limitless variations of the<br />
single dot. Often, the dots follow disjointed lines or crowd together<br />
in amorphous blocks. Sometimes they are destroyed by gravity with<br />
dripped paints. The works explore both an impulsive <strong>and</strong> repetitive<br />
way of mark-making that is both gestural <strong>and</strong> meditative. Straight <strong>and</strong><br />
dynamic lines often appear alongside the more gossamer transient<br />
dots in the paintings.<br />
The dot itself can be many things to me, a puncture wound, a<br />
beginning, an end, an existence, or a loss. It can be the end of a<br />
sentence or punctuation in a l<strong>and</strong>scape. It can symbolise both life<br />
<strong>and</strong> death – a complete stop.<br />
When I paint, I try to balance action <strong>and</strong> inaction. Oil allows me to<br />
do this, each layer forcing a pause in the work’s construction. I pour<br />
<strong>and</strong> drag the paint across the surface - this juxtaposition of imposed<br />
structure <strong>and</strong> the loosely applied paint is an emotional response<br />
to the painting process. My restrained palette creates work that<br />
focuses on the mark without the distraction of colour. This way of<br />
working, the h<strong>and</strong>s-off exchanges of the paint, the force of gravity,<br />
<strong>and</strong> the element of chance are fundamental to my ideas. The internal<br />
alchemy, meditations of being <strong>and</strong> not being, of life <strong>and</strong> death, is what<br />
I strive to capture within my work.<br />
My residency in Icel<strong>and</strong> has honed my practice. St<strong>and</strong>ing in what<br />
can only be described as a Divine l<strong>and</strong>scape has reinforced my<br />
personal belief that Nature is the most potent force <strong>and</strong> that<br />
trying to capture the experience of Nature in its purest form is<br />
essential to me as an artist.<br />
In life <strong>and</strong> in Nature, the cycle of birth <strong>and</strong> rebirth is key.
<strong>Jane</strong> <strong>Cairns</strong><br />
My work is about finding beauty in the ordinary. It’s about the small things <strong>and</strong> recognising the accidental poetry<br />
in the unnoticed <strong>and</strong> overlooked. Living in the city this is often found in apparently insignificant details of the<br />
built environment - the way a surface has weathered, the juxtaposition of materials, the sculptural qualities of<br />
found forms.<br />
Taking an experimental approach to ceramic processes <strong>and</strong> materials to reflect the forms, colours <strong>and</strong> textures I<br />
find in these places my work captures the unexpected, quiet beauty of neglected environments <strong>and</strong> found objects.<br />
Coming to ceramics as a second career I graduated from University of Westminster (Harrow) in 2011. In 2013 I was<br />
selected for the Crafts Council Hothouse programme, I am a selected member of the Craft Potter’s Association <strong>and</strong><br />
a founder member of artist collective haptic/tacit. My studio is in London. on the river by the Thames Barrier.
Single Grid (Dark Copper) h<strong>and</strong> built ceramic 27 x 11 x 4cm £230<br />
To purchase work please contact Val Harris at art@thetablehay.com or 07956 452195<br />
The gallery offers Collectorplan, an initiative administered by the Welsh Assembly,<br />
enabling you to purchase work up to the value of £5,000 with an interest free loan repayable over a year.<br />
All measurements are for framed sizes unless marked * where the paintings are unframed.<br />
The gallery is open Thursday - Saturday 10am - 3pm or by appointment during exhibitions.<br />
All paintings are for sale upon receipt of this catalogue.