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FINAL\Page158_EALYear11_Vocabulary_for_writing_annotations

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Bonus<br />

<strong>Vocabulary</strong> <strong>for</strong> <strong>writing</strong> <strong>annotations</strong><br />

One of the requirements <strong>for</strong> Unit 1 Outcome 2 is that you show that you can ‘describe<br />

decisions made about selected vocabulary, text structures, language features and<br />

conventions used during <strong>writing</strong> processes’ (2023 English and EAL Study Design, p.15).<br />

As an EAL student, you will need to annotate the texts that you have created, commenting<br />

on specific language features.<br />

To do this, you will need to focus on two things:<br />

• developing metalanguage – you will need to be able to identity and name language<br />

features used in texts<br />

• explaining the intended effect – you will need to be able to say why particular features<br />

have been used.<br />

Look at the sample student texts on pages 135–6, 143–4 and 149 to see examples<br />

of <strong>annotations</strong>.<br />

Common language features<br />

Literary device<br />

Narrative voice<br />

Verb use<br />

Repetition<br />

Tense<br />

Types of device<br />

First person<br />

Third-person limited<br />

Third-person omniscient<br />

Active voice<br />

Passive voice<br />

Imperative/command <strong>for</strong>m<br />

The re-use of specific or connected words<br />

Past<br />

Present<br />

Future<br />

Tense variation<br />

© Insight Publications 1<br />

insight EAL YEAR 11


Bonus<br />

Literary device<br />

Imagery<br />

Types of device<br />

Note the difference between figurative and literal imagery. Figurative<br />

imagery tends to play with meaning, and does not describe something<br />

real. For example, ‘You are my rock’ doesn’t mean that the person is<br />

literally a rock, it means that they are reliable.<br />

Literal imagery describes exactly what is there. For example, ‘The wind<br />

whistled through the branches of the gnarled oak tree, as the leaves<br />

cascaded to the ground.’ This is a highly descriptive sentence, but<br />

everything described is actually in the image.<br />

Figurative language<br />

Metaphor<br />

Simile<br />

Onomatopoeia<br />

Personification<br />

Hyperbole<br />

Oxymoron<br />

Word choice<br />

Structuring<br />

strategies<br />

Literal language<br />

Visual imagery (sight)<br />

Auditory imagery (hearing)<br />

Olfactory imagery (smell)<br />

Gustatory imagery (taste)<br />

Tactile imagery (touch)<br />

Connotations<br />

Colloquialisms<br />

Slang<br />

Jargon<br />

Formal language<br />

Juxtaposition<br />

Foreshadowing<br />

Sentence length<br />

Punctuation<br />

2 insight EAL YEAR 11<br />

© Insight Publications


Bonus<br />

Verbs <strong>for</strong> explaining effects<br />

Extends<br />

Features<br />

Includes<br />

Verbs to refer to<br />

language<br />

Incorporates<br />

Repeats<br />

Uses<br />

Utilises<br />

Verbs to illustrate connection<br />

to the mentor text<br />

Adapts<br />

Anchors<br />

Borrows<br />

Builds on<br />

Connects to<br />

Draws on<br />

Links<br />

Mimics<br />

Reflects<br />

Reworks<br />

Conveys<br />

Depicts<br />

Verbs to introduce<br />

explanation<br />

Emphasises<br />

Evokes<br />

Explores<br />

Illustrates<br />

Implies<br />

Indicates<br />

Relays<br />

Shows<br />

Suggests<br />

Putting it all together<br />

When completing your <strong>annotations</strong>, refer to a specific language example or textual feature,<br />

and explain how it works and why you have included it. Remember:<br />

WHAT HOW WHY<br />

Consider the following example:<br />

I emerge from the water, unsteady<br />

but invigorated. My skin is purple and<br />

puckered, reminiscent of the turkey<br />

waiting in the kitchen. I stagger up the<br />

beach to a warm towel, a warm hug<br />

and a warm Thermos.<br />

Through the use of literal and figurative<br />

imagery, I have created a vivid picture of<br />

the character’s appearance by describing<br />

how they look and providing a connecting<br />

image (the turkey). This conveys the<br />

physical impact of the swim on the<br />

character, while also rein<strong>for</strong>cing the<br />

overall Christmas setting of the piece.<br />

© Insight Publications 3<br />

insight EAL YEAR 11

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