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GA036 | The Winter Auction Series

The Winter Auction Series To be held over two consecutive days, The Winter Auction Series features a fabulous selection of international decorative arts, fine silver, jewellery, timepieces, Chinese and Asian works of art, furniture and fine art. Included in this sale is an important collection of Royal Worcester porcelain from The Estate of June Harris, that will be of great interest to collectors. Part I will be conducted as a Live Auction on Sunday 17 July at 11am and Part II as a Timed Online Auction on Monday 18 July, closing from 10am. Both Parts I & II will be available to view in person.

The Winter Auction Series



To be held over two consecutive days, The Winter Auction Series features a fabulous selection of international decorative arts, fine silver, jewellery, timepieces, Chinese and Asian works of art, furniture and fine art.

Included in this sale is an important collection of Royal Worcester porcelain from The Estate of June Harris, that will be of great interest to collectors.

Part I will be conducted as a Live Auction on Sunday 17 July at 11am and Part II as a Timed Online Auction on Monday 18 July, closing from 10am. Both Parts I & II will be available to view in person.

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<strong>The</strong> <strong>Winter</strong><br />

<strong>Auction</strong> <strong>Series</strong><br />

Melbourne, 17 & 18 July 2022


Specialists & Management for this sale<br />

Jennifer Gibson<br />

CEO & Head of<br />

Valuations<br />

Deanna Baxter<br />

Business<br />

Manager<br />

Samuel Fricker<br />

Operations<br />

& Marketing<br />

Manager<br />

Ann Roberts<br />

Consultant<br />

Specialist<br />

Asian Art<br />

Jon Dwyer<br />

Consultant<br />

Specialist<br />

Australian &<br />

International Art<br />

Dennice Collett<br />

Consultant<br />

Specialist<br />

Decorative Arts<br />

Jennifer Gibson<br />

jennifer.gibson@gibsonsauctions.com.au<br />

Deanna Baxter<br />

deanna.baxter@gibsonsauctions.com.au<br />

Samuel Fricker<br />

samuel.fricker@gibsonsauctions.com.au<br />

Ann Roberts<br />

ann.roberts@gibsonsauctions.com.au<br />

Jon Dwyer<br />

jon.dwyer@gibsonsauctions.com.au<br />

Dennice Collett<br />

dennice.collett@gibsonsauctions.com.au<br />

Marilla O’Sullivan<br />

marilla.osullivan@gibsonsauctions.com.au<br />

AUCTION ADMINISTRATION<br />

Kristine Cseke<br />

Office Administrator<br />

Megan Mac Sweeney<br />

Accounts Administrator<br />

Max Sumner<br />

Operations & Logistics<br />

Marilla O’Sullivan<br />

<strong>Auction</strong> Administrator<br />

Ella Gibson<br />

<strong>Auction</strong> Administrator<br />

AUCTION ENQUIRIES<br />

ABSENTEE & TELEPHONE BIDS<br />

Deanna Baxter<br />

bids@gibsonsauctions.com.au<br />

+61 3 9500 2607<br />

CONDITION REPORTS<br />

condition.reports@gibsonsauctions.com.au<br />

+61 3 9500 2607<br />

SHIPPING<br />

www.gibsonsauctions.com.au/shipping<br />

ACCOUNTS<br />

Megan Mac Sweeney<br />

accounts@gibsonsauctions.com.au<br />

+61 3 9500 2607<br />

Simon Gibson<br />

CFO<br />

simon.gibson@gibsonsauctions.com.au<br />

GENERAL ENQUIRIES<br />

mail@gibsonsauctions.com.au<br />

+61 3 9500 2607<br />

www.gibsonsauctions.com.au<br />

+61 3 9500 2607<br />

gibsonsauctions.com.au<br />

ORRONG RD<br />

ASHLEIGH RD<br />

NEW ST<br />

HIGH ST<br />

ARMADALE<br />

OSMENT ST<br />

NORTHCOTE RD<br />

KOOYONG RD<br />

<strong>Auction</strong>, Viewing and<br />

Payment & Collections<br />

Level 1, 885-889 High St<br />

Armadale, Victoria 3143<br />

AUBURN GROVE<br />

DENBIGH RD<br />

SUTHERLAND RD<br />

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII<br />

CHEEL ST


FRONT COVER:<br />

Lot 157 (Detail)<br />

BACK COVER:<br />

Lot 329<br />

<strong>The</strong> <strong>Winter</strong><br />

<strong>Auction</strong> <strong>Series</strong><br />

Part I: Live <strong>Auction</strong><br />

Sunday 17 July 2022, 11am (Lots 1–520)<br />

Level 1, 885-889 High Street, Armadale, Victoria 3143<br />

Part II: Timed Online <strong>Auction</strong><br />

Monday 18 July 2022, closing from 10am (Lots 521–780)<br />

Viewing<br />

Thursday 14 July<br />

Friday 15 July<br />

Saturday 16 July<br />

10.00am – 5.00pm<br />

10.00am – 5.00pm<br />

10.00am – 5.00pm<br />

<strong>Auction</strong> Code: Part I: <strong>GA036</strong> | Part II: GO036OL<br />

GST<br />

† Lots with this symbol are subject<br />

to GST on the hammer price and the<br />

buyer’s premium.<br />

Buyer’s Premium<br />

Buyer’s Premium is charged at<br />

22% of the hammer price plus GST.<br />

GST is applicable to the buyer’s<br />

premium only, unless otherwise<br />

indicated by the † symbol.<br />

Registration<br />

To register to bid at Gibson's<br />

<strong>Auction</strong>eers & Valuers an accredited<br />

form of photo identification is required.<br />

This applies to bidding in person at<br />

the auction, Telephone, Absentee and<br />

Online bidding.<br />

Resale Royalty Scheme<br />

Lots subject to payment of the Artist's<br />

Resale Royalty Scheme will be denoted<br />

by the symbol §. <strong>The</strong> Australian Resale<br />

Royalty is a flat rate of 5% on the<br />

hammer price (including GST) and is<br />

payable by the seller.<br />

Restricted or Organic Material<br />

♦ Lots with this symbol have been<br />

identified at the time of cataloguing<br />

as containing organic material which<br />

may be subject to export or import<br />

restrictions. <strong>The</strong> absence of this<br />

symbol is not a guarantee that export<br />

or import restrictions will not apply. See<br />

www.cites.org for further information.<br />

Payments & Collections<br />

(By Appointment)<br />

gibsonsauctions.com.au/bookings<br />

or phone 03 9500 2607<br />

Payments & Collections can be made<br />

from: Level 1, 885-889 High Street,<br />

Armadale, Vic 3143<br />

Monday 19 July<br />

Tuesday 20 July<br />

Wednesday 21 July<br />

10am–5pm<br />

10am–5pm<br />

10am–5pm<br />

All goods must be collected and paid<br />

in full strictly by 5pm on Wednesday<br />

21 July (unless by prior arrangement) to<br />

avoid removal and storage charges.<br />

All payments are to be made in<br />

Australian Dollars (AU$). Please refer to<br />

the methods of payment in the ‘How to<br />

Buy’ section on the following pages.<br />

Credit card surcharges apply – 1.2%<br />

(incl GST) for Visa and Mastercard and<br />

2% (incl GST) for American Express.


2<br />

How to Buy<br />

All you need to know about the bidding process at auction<br />

Viewing<br />

Catalogues<br />

Online catalogues can be viewed at<br />

www.gibsonsauctions.com.au approximately three weeks<br />

prior to the auction date.<br />

Complimentary printed catalogues are available at Gibson’s<br />

<strong>Auction</strong>eers & Valuers.<br />

Symbols<br />

Occasionally, a symbol is printed next to a lot number,<br />

indicating a special clause associated with the sale of the<br />

item/s. Further information on symbols within our catalogues<br />

can be found on Page 1.<br />

Viewing<br />

<strong>Auction</strong> viewings are open to the public and usually take place<br />

three or four days prior to the auction date, at the location/s<br />

listed in the auction catalogue and on the website.<br />

Lot Descriptions<br />

Lot Descriptions provide basic catalogue information such<br />

as dimensions, date or age, medium, attribution, provenance<br />

and quantity.<br />

All lots are guaranteed for fourteen (14) days from the<br />

auction date.<br />

Estimates<br />

Estimates are printed in the catalogue beside every lot and<br />

take into account rarity, condition, quality and provenance.<br />

<strong>The</strong> reserve is the amount at which the item is available for<br />

purchase. <strong>The</strong> reserve is an undisclosed confidential amount<br />

which is set at, or below the low estimate.<br />

<strong>The</strong> reserve will never exceed the low estimate at Gibson’s<br />

<strong>Auction</strong>eers & Valuers. Many lots are sold without reserve.<br />

Talk to our Specialists<br />

Gibson’s <strong>Auction</strong>eers & Valuers are an experienced team of<br />

specialists who are available to discuss items in further detail,<br />

and to offer advice and assistance.<br />

Contact details for relevant specialists can be found on the<br />

inside front cover our auction catalogues and on our website.<br />

Condition Reports<br />

Condition Reports are available on request. Condition Reports<br />

supplement the lot description and provide information on the<br />

condition of an item.<br />

We strongly advise obtaining a condition report if you are<br />

unable to view an item in person prior to the auction.<br />

To request a condition report please email<br />

condition.reports@gibsonsauctions.com.au with the auction<br />

title and lot number/s.<br />

Bidding<br />

Gibson’s <strong>Auction</strong>eers & Valuers offer four bidding options:<br />

1. <strong>Auction</strong> Room Bidding<br />

To bid in person we suggest you arrive early so that you<br />

have sufficient time to register for a bidding number prior<br />

to the auction. If this is your first time bidding with Gibson’s<br />

<strong>Auction</strong>eers & Valuers please bring photo identification, such<br />

as a driver’s licence or passport with you.<br />

2. Telephone Bidding<br />

Gibson’s <strong>Auction</strong>eers & Valuers offer telephone bidding on all<br />

lots, at all auctions.<br />

Telephone Bidding is a convenient solution if you are unable to<br />

attend an auction in person. A Gibson’s <strong>Auction</strong>eers & Valuers<br />

staff member will call you approximately 5 lots in advance and<br />

with your instruction, bid on your behalf at the auction.<br />

Please note: Telephone Bids must be organised at least 24<br />

hours prior to the auction and that occasionally, the number<br />

of telephone bidders available may be restricted when the<br />

auction is offsite.<br />

To organise a Telephone Bid please follow the link<br />

to the Telephone Bidding form on our website:<br />

www.gibsonsauctions.com.au.<br />

Please fill in & return via email to mail@gibsonsauctions.com.au<br />

If this is your first time bidding with Gibson’s <strong>Auction</strong>eers &<br />

Valuers, an email address is to be supplied when you submit<br />

your Telephone Bid, along with clear Photo ID verifying<br />

your address.


3<br />

3. Absentee Bids<br />

Absentee Bidding is another convenient solution if you<br />

are unable to attend an auction in person, to speak on the<br />

telephone or if you simply have a strict budget.<br />

An Absentee Bid should be set at the maximum amount<br />

you wish to bid on the lot/s you are interested in purchasing.<br />

Should the lot/s be knocked down at an amount lower than<br />

the bid recorded on your form, the lot will be sold to you for<br />

the lesser hammer price.<br />

Please note Absentee Bids must be received at least 24 hours<br />

prior to the auction to allow time for processing.<br />

To organise an Absentee Bid please follow the link to<br />

the Absentee Bidding form available on our website:<br />

www.gibsonsauctions.com.au.<br />

Please fill in & return via email to mail@gibsonsauctions.com.au<br />

If this is your first time bidding with Gibson’s <strong>Auction</strong>eers<br />

& Valuers, an email address is to be supplied when you<br />

submit your Absentee Bid, along with clear Photo ID verifying<br />

your address.<br />

4. Online Bidding<br />

Online bidding allows you to bid via the internet in real<br />

time with a live broadcast of the auction. To bid online visit<br />

our website and follow the ‘Live Bidding’ link under the<br />

‘<strong>Auction</strong>s’ tab.<br />

Please register for this service at least 24 hours prior to the<br />

auction to ensure you do not miss your lot.<br />

Please note online bidding is powered by Invaluable.com and<br />

so will incur a 5% fee on successful lots.<br />

If you have not bid with Gibson’s <strong>Auction</strong>eers & Valuers<br />

previously, a photo ID verifying your address will be<br />

required before you can be approved to bid. Please email to<br />

mail@gibsonsauctions.com.au as soon as practical.<br />

International Bidding<br />

If you are bidding from overseas for the first time, you will be<br />

asked to provide a clear Photo ID verifying your address and<br />

a deposit (set at Gibson’s <strong>Auction</strong>eers & Valuers’ discretion)<br />

prior to the auction. <strong>The</strong> deposit is refundable within 48<br />

hours should you not be successful. If you are successful<br />

the deposit will be deducted from your invoice total. <strong>The</strong><br />

remaining balance must be paid preferably by direct deposit.<br />

Bank details are provided in the Payment & Collection section<br />

of this guide.<br />

Payment & Collection<br />

Payments<br />

If you are successful an invoice (AU$) will be emailed or<br />

posted to you immediately after the auction.<br />

You will pay the hammer price, plus the buyer’s premium<br />

(22% plus GST) on each Lot, together with any additional<br />

applicable charges such as GST on hammer.<br />

Payments must be made in full by the final day of Collections<br />

as printed in the catalogue.<br />

Bank Transfer/Direct Deposit is our preferred method<br />

of payment:<br />

Account Name: Gibsons <strong>Auction</strong>s<br />

Bank:<br />

Bank of Melbourne (A division of St George)<br />

BSB: 193879<br />

Account No: 441701443<br />

Swift Code: SGBLAU2S<br />

Routing Code: 021000021<br />

Bank Address: 197-201 Glenferrie Road, Malvern, Vic, 3144<br />

• Personal, Company and Bank Cheques are not accepted<br />

without prior approval.<br />

• Eftpos (no charge).<br />

• Credit cards: Visa and Mastercard (1.2% inc GST merchant<br />

fee) and American Express (2% inc GST merchant fee).<br />

• Please note that credit card transactions over $5,000<br />

will not be accepted over the telephone unless by prior<br />

arrangement.<br />

• Cash payments up to AU$10,000 can be accepted. For any<br />

amount over this, cash is to be deposited directly into our<br />

account at a Bank of Melbourne/St George branch.<br />

Collections<br />

Gibson’s <strong>Auction</strong>eers & Valuers are happy to assist and<br />

provide you with recommended transport companies whether<br />

it be a local, interstate or international delivery.<br />

Storage<br />

All items must be paid for and collected within the collection<br />

times advertised for each individual auction. If items are not<br />

collected within this time-frame, Gibson’s <strong>Auction</strong>eers &<br />

Valuers reserve the right to charge removal and storage fees.


4<br />

Property from the Collection of June Harris<br />

1<br />

A Royal Worcester twin handled<br />

covered vase by Charles Baldwyn,<br />

1901<br />

featuring swans in flight against a pale<br />

blue ground, with a moulded collar<br />

in salmon and gold colours and lug<br />

style handles with lion mounts, green<br />

backstamp underside, shape 1684<br />

26cm high<br />

$3,000–5,000<br />

1


5<br />

2<br />

A rare large Royal Worcester ewer<br />

by Charles Baldwyn, 1901<br />

featuring white doves in flight<br />

against a pale blue ground, with<br />

an extravagantly moulded high set<br />

scrolling handle in shot colours, and<br />

conforming moulded decorations<br />

to the neck and pedestal, black<br />

backstamp underside, shape 1309<br />

42cm high<br />

$8,000–12,000<br />

2


6<br />

3<br />

A large Royal Worcester pedestal<br />

vase by John Stinton, 1914<br />

an ovoid vase decorated with highland<br />

cattle in a misty landscape setting, with<br />

a gilded trumpet neck, flying handles<br />

and an enamel jewelled pedestal, puce<br />

backstamps underside, shape 1969<br />

41cm high<br />

PROVENANCE:<br />

Lot 283, Sotheby's May 2008<br />

$5,000–8,000<br />

3


7<br />

4<br />

A pair of large Royal Worcester<br />

vases by John Stinton, 1911<br />

ovoid vases decorated with cattle in<br />

sublime highland landscape settings,<br />

with moulded details to the neck,<br />

pedestals, and ornate dragon mask<br />

handles with scale embellishments, puce<br />

backstamps underside, shape 2330<br />

32cm high<br />

$5,000–8,000<br />

4


8<br />

5<br />

A pair of twin handled Royal Worcester<br />

vases by James Stinton, 1912<br />

pear shaped vases decorated<br />

with colourful pheasants in misty<br />

landscape settings, signed J.Stinton<br />

to lower images, green backstamps<br />

underside, shape G995<br />

15cm high<br />

$1,000–1,500<br />

6<br />

A William IV rosewood library table,<br />

circa 1830<br />

with two drawers to the skirt with<br />

carved embellishment above twin<br />

pedestals with centurion skirt and<br />

carved lobed details to spreading<br />

floriform bases with lion's paw feet<br />

73cm high, 133cm wide, 63cm deep<br />

$1,500–2,500<br />

7<br />

A Regency mahogany toilet mirror,<br />

early 19th century<br />

with an ornate scrolled crest, turned<br />

supports and a conforming stretcher<br />

base with trestle ends<br />

73cm high, 67cm wide, 30cm deep<br />

$500–800<br />

8<br />

A large Victorian walnut and burr<br />

walnut cheval mirror, 19th century<br />

with an arch framed mirror between<br />

carved and pierced supports to a<br />

shaped platform with trestle ends,<br />

extended whorl feet to the front<br />

166cm high, 93.5cm wide, 76cm deep<br />

$800–1,200<br />

5


9<br />

9<br />

An impressive Victorian polychrome decorated tilt top<br />

centre table, by London cabinetmakers S&H Jewell, Holborn,<br />

mid 19th century<br />

the satinwood surface decorated with an allegorical roundel<br />

enclosed by delicate swags and arabesques and a broad floral<br />

border to a gadrooned edge, an ornate pedestal and profusely<br />

carved legs terminating in bold ball and claw feet, brass<br />

maker's plaque to tilt top mechanism<br />

74cm high, 115cm wide, 95cm deep<br />

$5,000–8,000<br />

9


10<br />

10<br />

A Royal Worcester lidded urn vase<br />

by Harry Davis, 1912<br />

featuring Scottish blackface sheep in a<br />

highland landscape, with a gilded neck<br />

and cover, high looping handles with<br />

leaf terminals and moulded borders to<br />

the foot, puce backstamp underside,<br />

shape 2160<br />

26cm high<br />

$2,500–3,500<br />

10<br />

11<br />

A Royal Worcester lidded pot pourri by<br />

Harry Davis, 1920<br />

of bulbous profile featuring Scottish<br />

blackface sheep in a highland valley,<br />

with an ornate moulded and pierced<br />

neck and collar in white and gold<br />

colours and high set scrolling handles<br />

in shot colours, puce backstamp<br />

underside, shape 1515<br />

23cm high<br />

$4,000–6,000<br />

11


11<br />

12<br />

A Royal Worcester lidded urn vase by<br />

Harry Davis, 1903<br />

featuring Scottish blackface sheep in a<br />

misty landscape, with cream and blush<br />

scrolling handles with ornate moulded<br />

ram's head and wreath mounts, puce<br />

backstamp underside, shape 2311<br />

35cm high<br />

$4,000–6,000<br />

13<br />

A tall Royal Worcester lidded urn vase<br />

by John Stinton, 1925<br />

featuring highland cattle by a mountain<br />

stream, with high set looping Grecian<br />

handles, and a moulded cover and<br />

pedestal base in gold and white<br />

colours, puce backstamp underside<br />

37cm high<br />

$4,000–6,000<br />

12<br />

13


12<br />

14<br />

A miniature Royal Worcester vase<br />

by Charles Baldwyn, circa 1900<br />

featuring swans in flight against a pale<br />

blue ground, with moulded designs in<br />

salmon, cream and shot colours to the<br />

neck and pedestal, green registration<br />

and shape 1482 marks only underside<br />

16cm high<br />

$1,500–2,500<br />

14<br />

15<br />

A lidded Royal Worcester pot pourri<br />

by Charles Baldwyn, 1901<br />

<strong>The</strong> ovoid pot pourri featuring swans<br />

in flight against a sky blue ground,<br />

with moulded details to the domed<br />

cover and collar and high set scrolling<br />

handles, black backstamp underside,<br />

shape 1515<br />

24cm high<br />

PROVENANCE:<br />

Sotheby's October 2011<br />

$4,000–6,000<br />

15


13<br />

16<br />

A large Royal Worcester covered urn<br />

vase by Charles Baldwyn, circa 1900<br />

featuring swans in flight against a<br />

pale blue ground, with a moulded<br />

decorative collar and base in white and<br />

salmon colours, and ornate acanthus<br />

scroll handles, green backstamp<br />

underside, with partial date cipher to<br />

foot rim, shape 2010<br />

43cm high<br />

PROVENANCE<br />

Sotheby's May 2012<br />

$8,000–12,000<br />

16


14<br />

17<br />

A fold over mahogany games table in<br />

the French taste, 19th century<br />

rectangular with red baize interior,<br />

having a dentil skirt with paterae<br />

embellishments, fluted legs and<br />

curved brass strung stretchers to<br />

a black marble urn finial, decorated<br />

throughout with cast neoclassical<br />

floral and pendant forms<br />

77cm high, 91cm wide, 47.5cm deep<br />

18<br />

PROVENANCE<br />

Maker's stamp of 'W. Walker & Sons,<br />

Bunhill Row, E.C' (London), purchased<br />

from L.J Cook October 1999<br />

$3,000–5,000<br />

17


15<br />

18<br />

A miniature Royal Worcester cup and<br />

saucer attributed to George Owen,<br />

1882<br />

a delicately jewelled and reticulated<br />

double walled cup and saucer in<br />

powder blue and lilac colours with red<br />

and gold medallions; green backstamp<br />

underside<br />

5cm high, 10.5cm diameter<br />

$400–600<br />

19<br />

A pair of Victorian rosewood fold over<br />

games tables, mid 19th century<br />

each with a serpentine top and<br />

lobed corners raised on a rococo<br />

style birdcage base with scroll<br />

carved outswept legs, cherry<br />

red baize playing surfaces<br />

74cm high, 93cm wide, 46cm deep<br />

$3,000–5,000<br />

20<br />

A Regency mahogany cheval mirror,<br />

early 19th century<br />

the ring turned frame with<br />

tiered annular finials, raised<br />

on outswept reeded legs with<br />

paw feet and brass casters<br />

164cm high, 74.5cm wide, 65cm deep<br />

$1,000–1,500<br />

19


16<br />

21<br />

An unusual twin handled Royal<br />

Worcester vase by Harry Davis,<br />

circa 1910<br />

the globular vase featuring Scottish<br />

blackface sheep grazing, with a gilded<br />

trumpet neck with stiff leaf decoration<br />

and distinctive high set vegetal<br />

bracket handles in cream and green<br />

shot colours, enamel gadroons to the<br />

foot, puce backstamps underside<br />

23.5cm high<br />

PROVENANCE<br />

Sotheby's May 2008, sold for $10, 800<br />

$2,000–3,000<br />

21<br />

22<br />

A small Royal Worcester lidded pot<br />

pourri by John Stinton, 1924<br />

the lobed vessel with a pierced gilded<br />

cover and pointed finial, moulded<br />

pendant shapes in shot colours to the<br />

collar and continuously decorated to the<br />

body with highland cattle scenes, puce<br />

backstamp underside, shape 291/H<br />

16cm high<br />

$1,500–2,500<br />

22


17<br />

23<br />

A large Royal Worcester twin handled<br />

urn vase by William Hawkins, 1903<br />

elaborately moulded and enamelled<br />

with trailing grapevines encircling the<br />

neck and high set grape moulded<br />

handles, the rouge ground decorated<br />

with a painted reserve of peaches and<br />

figs amidst gilt enrichments, signed<br />

Hawkins below fruit, black backstamps<br />

underside, shape 2099<br />

22.5cm high<br />

PROVENANCE:<br />

Elder Fine Art, September 2009<br />

$3,000–5,000<br />

23


18<br />

24


19<br />

24<br />

A pair of Georgian mahogany<br />

and silk upholstered footstools,<br />

early 19th century<br />

with reeded and turned legs, well<br />

upholstered in muted green, gold and<br />

cream silk with pendant trims<br />

45cm high, 58cm wide, 50cm deep<br />

$500–800<br />

25<br />

A set of seven Regency mahogany<br />

chairs, early 19th century<br />

with gadrooned brass strung rails,<br />

carved mid rails and drop in seats,<br />

above turned and reeded legs with<br />

slightly splayed feet<br />

PROVENANCE:<br />

L J Cook October 1999<br />

$3,000–5,000<br />

26<br />

A pair of Louis XVI style mahogany<br />

armchairs, French, 19th century<br />

having square backs with scroll<br />

supports, fluted arm supports capped<br />

with paterae and conforming tapering<br />

legs, upholstered in russet velvet<br />

$1,200–1,500<br />

25


20<br />

27<br />

A large pair of Dresden style floral<br />

figural lidded urns, 19th century<br />

carinate shaped pedestal urns<br />

profusely encrusted with polychrome<br />

flora and festoon draped cupids to the<br />

spiral moulded bodies, with Meissen<br />

style crossed baton and star marks<br />

underside, impressed numerals 243<br />

42cm high<br />

$600–800<br />

27<br />

28<br />

A small Royal Worcester scenic<br />

pedestal vase by Harry Davis, 1903<br />

the egg shaped vase decorated with<br />

a sublime lake and mountain scene,<br />

between an applied stiff leaf collar<br />

and matching base, signed H. Davis<br />

to lower body, green backstamp<br />

underside, shape 2235<br />

17cm high<br />

$500–800<br />

28


21<br />

29<br />

A pair of French ormolu mounted<br />

lidded urns, 19th century<br />

decorated throughout with floral<br />

festoons entwined in trellis, upon finely<br />

cast and fitted Neoclassical gilt bronze<br />

bases, with similar removable collars<br />

44cm high<br />

PROVENANCE<br />

Harlequin Antiques Melbourne<br />

$3,000–5,000<br />

30<br />

Two Victorian walnut gent's chairs, mid<br />

19th century<br />

spoon back chairs, one with an<br />

ornately carved and pierced crest,<br />

both with serpentine seats, carved<br />

cabriole legs with floral ornaments,<br />

whorl ends and brass casters,<br />

upholstered in gold, cream and russet<br />

striped silk<br />

$500–800<br />

31<br />

An early Victorian metamorphic<br />

mahogany dumb waiter, circa 1840<br />

the stretcher-based table with plank<br />

style supports containing a 'rise and<br />

fall' mechanism, a centurion and tulip<br />

carved stretcher and cabriole trestle<br />

ends with whorl feet and brass casters<br />

78cm high, 119cm wide, 55cm deep<br />

$800–1,200<br />

29


22<br />

32<br />

A large Royal Worcester footed rose<br />

bowl by Jack Southall, 1911<br />

with a moulded neck, collar and base<br />

in gilt and shot colours, the body<br />

decorated with full blown roses, signed<br />

J. Southall below collar, puce marks<br />

underside, shape 191/H1554<br />

12cm high, 24cm diameter<br />

$600–800<br />

32<br />

33


23<br />

33<br />

An impressive ormolu mounted<br />

rosewood bijouterie table,<br />

19th century<br />

in the Neoclassical taste with bevelled<br />

glass enclosed by refined cast<br />

trims, the tapering ornamented legs<br />

united by a bead edged knot shaped<br />

stretcher<br />

80cm high, 75.5cm wide, 48cm deep<br />

PROVENANCE:<br />

L.J Cook, June 2006<br />

$2,000–3,000<br />

34<br />

A Victorian walnut stretcher-based<br />

table, mid 19th century<br />

in the Rococo revival manner, the<br />

serpentine top with quarter veneer<br />

panels raised on lyre form supports<br />

united by a conforming stretcher with<br />

outswept leaf capped legs<br />

71cm high, 132cm wide, 85cm deep<br />

$1,000–1,200<br />

35<br />

A pair brass inlaid beech chairs<br />

in the Regency style<br />

the rail backs with inlaid brass<br />

decorations and gadroon details, inlaid<br />

details to the midrail, with cane seats<br />

and sabre legs<br />

$500–800<br />

34


24<br />

36<br />

36<br />

A Royal Worcester scenic plate by<br />

Harry Davis, 1909<br />

featuring Scottish blackface sheep<br />

in a misty landscape within a cobalt<br />

border decorated with jewelled swags<br />

and a tooled gilt rim, puce backstamp<br />

underside, signed Harry Davis lower<br />

right of image, design W7434<br />

22.5cm diameter<br />

$500–800<br />

37<br />

A Royal Worcester plate by John<br />

Stinton, circa 1921<br />

a pastoral scene featuring cattle<br />

drinking at a river, enclosed by a raised<br />

gilt grapevine border, puce backstamp<br />

underside<br />

23cm diameter<br />

$500–800<br />

37


25<br />

38<br />

A small pair of cobalt Royal Worcester<br />

scenic vases by Harry Davis, 1903<br />

with white enamel and gold details<br />

to the neck, collar and pedestals, the<br />

bodies decorated with misty vistas<br />

within gilded Rococo cartouches,<br />

signed H Davis to lower images, black<br />

backstamps underside, shape 2269<br />

22cm high<br />

$1,500–2,500<br />

39<br />

A small Royal Worcester reticulated<br />

jardinière by Kitty Blake, 1908<br />

of compressed form with a moulded<br />

collar and base in gold and shot<br />

colours, the body decorated with<br />

autumnal fruits and foliage, signed K.<br />

Blake below rim, green backstamp<br />

underside<br />

13.5cm high, 16cm diameter<br />

$400–600<br />

40<br />

A Bohemian glass portrait vase,<br />

19th century<br />

the baluster vase with high set handles<br />

and gilt foliage embellishments<br />

featuring an enamel portrait medallion<br />

of a fashionable lady<br />

43cm high<br />

$400–600<br />

38


26<br />

41<br />

A rare Royal Worcester kingfisher vase,<br />

1923<br />

the slender baluster vase with high<br />

set loop handles, decorated with a<br />

kingfisher perched on a branch, puce<br />

backstamp underside, shape 2776<br />

23.5cm high<br />

$1,000-1,500<br />

42<br />

A Royal Worcester floral lidded urn by<br />

Albert Shuck, 1903<br />

featuring pink and white orchids<br />

against a suffused landscape, with a<br />

relief decorated collar and foot border<br />

in sage and cream colours, signed 'A<br />

Shuck' lower right, green backstamp<br />

underside, additional painted marks<br />

F100/124.74<br />

22cm high<br />

$1,000–1,500<br />

41<br />

42


27<br />

43<br />

A slender Royal Worcester lidded urn<br />

vase by Harry Stinton, 1956<br />

the tapering amphora vase featuring<br />

highland cattle at a mountain stream,<br />

with high set scroll handles and a<br />

gilded pedestal base, black backstamp<br />

underside, shape 2710<br />

28cm high<br />

$1,500–2,500<br />

44<br />

A Royal Worcester vase by Harry<br />

Davis, 1922<br />

featuring Scottish blackface sheep<br />

in a highland setting, with a moulded<br />

enamel decorated collar and high set<br />

vegetal handles, puce backstamp<br />

underside, shape H313<br />

33cm high<br />

$3,000–5,000<br />

43<br />

44


28<br />

45<br />

A Royal Worcester pastoral scene<br />

plate by John Stinton, 1913<br />

the lobed plate with a profusely gilded<br />

ink blue and lilac border enclosing a<br />

star shaped reserve featuring cows<br />

in a meadow, signed J. Stinton below<br />

image, puce backstamp underside,<br />

design W9531<br />

22.5cm diameter<br />

$500–800<br />

45<br />

46<br />

A Victorian rosewood bow front<br />

display cabinet, mid 19th century<br />

with a thumbnail and bullnose<br />

extended top above a single door to a<br />

plinth base, with a velvet lined interior<br />

130cm high, 49cm deep<br />

$1,200–1,500<br />

47<br />

A Royal Worcester named view dish by<br />

Harry Davis, 1909<br />

the lobed oval dish with a profusely<br />

gilded ink blue and lilac border<br />

enclosing a shaped reserve featuring<br />

the ruins of Launceston Castle, signed<br />

H. Davis below image, puce backstamp<br />

underside, Launceston Castle in gold<br />

lettering, design W8546<br />

27cm wide<br />

$500–800<br />

46


29<br />

169<br />

48<br />

A Regency brass strung rosewood<br />

sofa table, early 19th century<br />

raised on a turned pedestal and<br />

outswept sabre legs with brass shell<br />

and leaf capped feet with casters, two<br />

frieze drawers, faux to the reverse<br />

72cm high, 88cm wide (146cm<br />

extended width), 69cm deep<br />

$2,000–3,000<br />

48


30<br />

49<br />

A William IV stretcher-based rosewood<br />

silk upholstered stool, circa 1830<br />

with a bowed 'X' form frame with simple<br />

carved tulip details, upholstered in<br />

crewel work embroidered cream silk<br />

45cm high, 71cm wide, 41cm deep<br />

$500–800<br />

49


31<br />

50<br />

A Victorian burr walnut<br />

stretcher-based Sunderland table,<br />

mid 19th century<br />

the oval table with boxwood stringing<br />

and inlay above turned side supports<br />

and outswept cabriole legs with<br />

leaf carved knees, scroll ends and<br />

porcelain casters<br />

70cm high, 110cm wide, 87cm wide<br />

$500–800<br />

50


32<br />

51<br />

A Victorian burr walnut fold over<br />

games table, mid 19th century<br />

with a book end veneer surface<br />

above a lobed fluted standard<br />

with four outswept leaf capped<br />

legs, green baize interior<br />

76cm high, 90cm wide, 40cm deep<br />

$800–1,200<br />

51


33<br />

OTHER PROPERTIES<br />

Chinese and Asian Ceramics<br />

and Works of Art<br />

Lots 52–173<br />

Lot 122 (Detail)


34<br />

52<br />

A blue and white group of Pu Tai,<br />

20th century<br />

the jovial figure seated wearing a loose<br />

robe, holding a rosary in one hand and<br />

the neck of his sack in the other, four<br />

small boys seated around him and<br />

one climbing over his right shoulder,<br />

the details picked out in underglaze<br />

blue, the base with an impressed<br />

four-character mark<br />

26cm high<br />

$1,000–1,500<br />

53<br />

A blue and white baluster vase,<br />

20th century<br />

painted with a scene of Shou Lao<br />

seated on a terrace receiving gifts<br />

from attendants and legendary<br />

characters in a landscape of rocks<br />

and trees<br />

16.7cm high<br />

$800–1,200<br />

52


35<br />

54<br />

A large blue and white vase<br />

mark of Kangxi<br />

of square section, painted with<br />

alternate panels of figures in lakeside<br />

scenes, and calligraphy, the trumpet<br />

mouth with bamboo shoots, the base<br />

inscribed with a six-character mark<br />

54.8cm high<br />

$1,200–1,800<br />

54


36<br />

55<br />

A blue and white bowl mark of Jiajing<br />

painted on the exterior with a frieze of<br />

Buddhist lions and ribboned emblems,<br />

brown-edged rim, the base inscribed<br />

with a six-character mark<br />

15.8cm diameter<br />

$500–700<br />

56<br />

A Ming-style blue and white bowl<br />

mark of Jiajing<br />

the exterior painted with dignitaries<br />

and attendants in a continuous garden<br />

setting, the interior with a medallion of<br />

the Three Friends, the base inscribed<br />

with a six-character mark, wood stand<br />

24cm diameter<br />

$500–700<br />

57<br />

A blue and white dish<br />

Qing dynasty<br />

decorated with a band of shou<br />

characters encircling a central<br />

medallion, the base with an apocryphal<br />

six-character mark of Chenghua<br />

21cm diameter<br />

$200–400<br />

58<br />

A small blue and white bowl<br />

mark of Yongzheng<br />

the exterior delicately painted with<br />

bamboo canes extending to the rim,<br />

the base inscribed in underglaze blue<br />

with a six-character mark<br />

9.3cm diameter<br />

$800–1,200<br />

59<br />

A blue and white 'phoenix' dish<br />

mark of Guangxu<br />

the interior with a central medallion<br />

of two phoenix among cloud scrolls,<br />

repeated around the exterior, the base<br />

inscribed in underglaze blue with a<br />

six-character mark<br />

18.3cm diameter<br />

$600–800


37<br />

60<br />

A Longquan celadon glazed ewer<br />

Yuan dynasty or later<br />

the pear-shaped body set with<br />

an upright spout opposite the<br />

loop handle, carved with sprays<br />

of lotus beneath the overall<br />

olive-green glaze apart from the<br />

footrim burnt orange in the firing<br />

15cm high<br />

$600–800<br />

60


38<br />

61<br />

A grisaille and sepia decorated<br />

porcelain plaque,<br />

20th century<br />

painted with a scene of lakeside<br />

pavilions set among craggy cliffs<br />

with distant mountains, within<br />

a faux bois border, framed<br />

36 x 28cm overall<br />

$1,200–1,600<br />

61


39<br />

62<br />

A grisaille and sepia decorated<br />

brush pot,<br />

20th century<br />

the cylindrical sides finely<br />

decorated with sages and an<br />

attendant relaxing among precious<br />

objects in a continuous garden<br />

setting of pine and bamboo<br />

19.3cm diameter<br />

$2,000–2,500<br />

63<br />

A grisaille and sepia decorated bowl<br />

mark of Yongzheng<br />

the exterior with arched bamboo<br />

canes growing from rock<br />

work, an inscription and three<br />

seals, the base inscribed with<br />

a four-character mark, box<br />

11cm diameter<br />

$300–500<br />

62


40<br />

64<br />

An iron-red decorated 'bats' dish<br />

mark of Tongzhi<br />

the interior with five bats encircling a<br />

shou medallion, the exterior with floral<br />

sprays in famille rose enamels, the<br />

base inscribed in underglaze blue with<br />

a six-character mark, fitted box<br />

20cm diameter<br />

$800–1,000<br />

65<br />

A pair of iron-red decorated dishes<br />

marks of Jiaqing<br />

the interior with five bats in flight,<br />

the underside with shou character<br />

roundels reserved on an iron-red<br />

ground gilt with floral scrolls, the<br />

base inscribed in iron-red with a<br />

six-character seal mark<br />

16.2cm diameter<br />

$3,000–4,000<br />

66<br />

A pair of iron-red decorated<br />

'chilong' dishes<br />

marks of Yongzheng<br />

each painted with archaistic chilong<br />

and lingzhi fungus stems within<br />

underglaze blue line borders, the base<br />

inscribed in underglaze blue with a<br />

six-character mark<br />

11.5cm diameter<br />

$800–1,000<br />

64


41<br />

65<br />

66


42<br />

67<br />

An unusual trellis ground vase<br />

mark of Kangxi<br />

the tall neck set with two<br />

elephant-head handles, the sides with<br />

landscape panels and inscriptions<br />

reserved on the green and yellow<br />

wan-diaper ground, the base inscribed<br />

in iron-red on a gilt cartouche with a<br />

four-character mark, box<br />

34.5cm high<br />

$600–800<br />

68<br />

A large pink and green<br />

enamelled serving dish<br />

late Qing dynasty<br />

on bracket feet, the interior decorated<br />

with pink dragons chasing a flaming<br />

pearl among green clouds<br />

41cm long<br />

$600–800<br />

69<br />

A sancai decorated saucer dish<br />

mark of Kangxi<br />

the interior incised with dragons<br />

beneath the white glaze and<br />

enamelled in green, yellow and<br />

aubergine with fruiting branches,<br />

the base inscribed in underglaze<br />

blue with a six-character mark<br />

24.5cm diameter<br />

$600–800<br />

70<br />

An enamelled 'lotus bud' waterpot<br />

mark of Qianlong<br />

decorated with fruiting branches<br />

and butterflies, the base inscribed in<br />

underglaze blue with a six-character<br />

seal mark<br />

10.3cm high<br />

$600–800


43<br />

71<br />

A green enamelled vase<br />

mark of Daoguang<br />

the sides decorated with stylised floral<br />

scrolls and formal borders, the narrow<br />

neck set with double iron-red scroll<br />

handles, the base inscribed in iron-red<br />

with a six-character seal mark<br />

28.5cm high<br />

$1,500–1,800<br />

71


44<br />

72<br />

A famille verte beaker<br />

Qing dynasty, 19th century<br />

the steep sides painted with Shou Lao<br />

seated beside his recumbent deer<br />

11cm high<br />

$800–1,000<br />

73<br />

A doucai enamelled 'chicken' cup<br />

mark of Chenghua<br />

the exterior with chickens and chicks<br />

beside rocks and flowering plants, the<br />

base inscribed in underglaze blue with<br />

a six-character mark<br />

7.8cm diameter<br />

$300–500<br />

72


45<br />

74<br />

A pair of doucai 'honeysuckle' bowls<br />

marks of Daoguang<br />

each decorated with stylised scroll<br />

motifs around the exterior and<br />

repeated in a medallion on the interior,<br />

the base inscribed with a six-character<br />

seal mark<br />

10.3cm diameter<br />

$1,000–1,500<br />

74


46<br />

75<br />

A white jade carving of a scholar's rock,<br />

19th/20th century<br />

of irregular upright form with<br />

naturalistic hollows and protrusions,<br />

fitted wood stand<br />

12.5cm high<br />

$1,500–2,500<br />

76<br />

A pair of pale celadon jade pendants<br />

Qing dynasty<br />

each of elongated pebble form, one<br />

carved with fish and lotus, the other<br />

with a branch of gourds, fitted box<br />

each 6cm long<br />

$300–500<br />

77<br />

A jadeite pendant and a beaded rosary<br />

the pendant carved with a mythical<br />

beast climbing over a gourd with<br />

lingzhi and cash, the rosary of sixteen<br />

beads separated with a dzi bead<br />

6.5cm long and 12cm diameter<br />

$500–700<br />

75


47<br />

78<br />

A small soapstone seal<br />

late Qing dynasty<br />

the rectangular base surmounted<br />

by a seated Buddhist lion, one side<br />

with an inscription, the face with seal<br />

characters, fitted box<br />

5.2cm high<br />

$4,500–5,500<br />

78


48<br />

79<br />

A pale celadon and russet jade carving<br />

Qing dynasty<br />

of a small boy holding a basket in<br />

one hand and clasping the leg of<br />

a deer skin draped over his back,<br />

carved from an area of russet<br />

suffusions in the pale stone<br />

7.5cm high<br />

$800–1,200<br />

80<br />

A celadon and russet jade<br />

'boy and lotus' carving<br />

Qing dynasty<br />

kneeling with legs and elbows<br />

bent and holding the stem of a<br />

large lotus leaf rising above his<br />

head, wood stand, fitted box<br />

4.5cm long<br />

$800–1,000<br />

81<br />

A jade pendant<br />

one side carved in relief with<br />

a cockerel perched on a rock<br />

gazing at the sun, the reverse<br />

with an archaistic inscription<br />

6cm long<br />

$400–600<br />

79


49<br />

82<br />

A jade mounted silver-backed<br />

hand mirror<br />

18th/19th century<br />

the silver frame embossed and<br />

chased with precious objects<br />

and set with cabochons around<br />

the jade plaque carved with iris,<br />

the handle formed from a jade<br />

belthook joined by two silver bats,<br />

stamped 'silver', box<br />

26cm long<br />

$2,000–4,000<br />

82


50<br />

83<br />

83<br />

A boxed set of five archaistic<br />

jade ornaments<br />

comprising two arched pendants,<br />

huang, with incised decoration,<br />

a pair of waisted tubular beads,<br />

and a small rope-twist ring, fitted<br />

brass mounted wood box<br />

the box 28.5cm by 12.5cm,<br />

the largest jade 10.5cm<br />

$1,200–1,600<br />

84<br />

A pale celadon jade 'peach and<br />

monkey' carving<br />

19th/20th century<br />

depicting three monkeys clambering<br />

over a fruiting peach branch<br />

11cm long<br />

$500–800<br />

85<br />

A celadon jade 'boy and gourd' carving<br />

the small boy climbing up a large<br />

double gourd growing from a<br />

branch in pierced relief bearing<br />

further gourds and foliage<br />

10.5cm high<br />

$500–700<br />

86<br />

A white and russet jade<br />

'bat and lychee' carving<br />

Qing dynasty<br />

the two fruit with a bat on leaves<br />

carved from a bright russet area<br />

in the otherwise white stone<br />

5.2cm long<br />

$500–700


51<br />

87<br />

Two white jade snuff bottles<br />

each carved on either side in low<br />

relief with figures fishing in a lakeside<br />

setting, stoppers, boxes<br />

each 5cm wide<br />

$500–700<br />

88<br />

A pale celadon jade reticulated plaque<br />

carved in high relief with a dragon<br />

above waves, reserved on an<br />

openwork diaper ground, wood mount<br />

the plaque 11cm long,<br />

16cm long overall<br />

$2,000–3,000<br />

88


52<br />

89<br />

A carved bamboo 'landscape'<br />

brushrest<br />

Qing dynasty, 19th century<br />

depicting sages standing beside<br />

rocky cliffs and pine trees, fitted<br />

wood stand with incised mark<br />

13cm long<br />

$3,000–4,000<br />

90<br />

A lapis-lazuli rosary bracelet<br />

comprising eighteen beads divided by<br />

rose-quartz beads suspending a coral<br />

and enamel pendant with rock crystal<br />

tear-drop pendants, fitted box<br />

the bracelet 13cm diameter<br />

$300–500<br />

91<br />

A wood bead bracelet<br />

probably chenxiangmu, comprised of<br />

fourteen circular wood beads<br />

11cm diameter<br />

$300–400<br />

89


53<br />

92<br />

A gilt decorated chenxiangmu bead<br />

rosary bracelet<br />

comprising eighteen square-shaped<br />

wood beads suspending a<br />

pierced jade plaque and amethyst<br />

coloured tear drop pendants,<br />

inscribed pewter box<br />

the rosary 26cm overall<br />

Compare with a bracelet in Jewellery<br />

of the Empress and Imperial<br />

Concubines in the Collection of the<br />

Palace Museum, p. 208. A similar<br />

bracelet sold Sotheby's Australia,<br />

Melbourne, 18 July 2018, lot 316<br />

$4,000–5,000<br />

92


54<br />

93<br />

A bronze censer<br />

Qing dynasty<br />

of oval section, the horizontally<br />

ribbed sides set with double square<br />

section loop handles, the base with a<br />

two-character mark Shu Yuan<br />

14.5cm wide<br />

$800–1,200<br />

94<br />

A collection of ivory and wood<br />

netsuke and carvings,<br />

20th century<br />

comprising four pieces including an<br />

intricate ivory carving of a crab<br />

the largest piece 10cm long<br />

$200–300<br />

95<br />

A pair of lacquered wood figures<br />

of attendants<br />

together with a gilt metal model<br />

of a hand, each standing figure<br />

holding an offering in both hands<br />

the figures 36.5cm high,<br />

the hand 28cm long<br />

$200–300<br />

93


55<br />

96<br />

A cloisonné enamel vase<br />

the squat globular body on a high foot,<br />

surmounted by a tall cylindrical neck set<br />

with double tubular handles, decorated<br />

in colours with fruiting peach branches<br />

and lotus scrolls reserved on the<br />

turquoise ground, the base incised with<br />

an eight-character mark reading<br />

Da Ming Wanli Jia Yin Nian Zao<br />

18.2cm high<br />

$2,000–3,000<br />

96


56<br />

97<br />

A bronze censer<br />

Qing dynasty<br />

the rounded sides waisted below the<br />

lipped rim and set with two tabbed<br />

handles, the base with a six-character<br />

mark of Xuande in a rectangular<br />

recess, wood cover<br />

12cm diameter<br />

$1,200–1,600<br />

98<br />

A bone handled picnic set<br />

comprising a knife and pair<br />

of chopsticks, simulated<br />

tortoiseshell case<br />

35cm long<br />

$150–250<br />

97


57<br />

99<br />

A bronze censer<br />

Qing dynasty<br />

of squat bombé form, set below<br />

the flared mouth with double<br />

tapering loop handles,<br />

the base with an apocryphal four<br />

character mark of Xuande, wood cover<br />

21cm diameter<br />

$1,200–1,500<br />

100<br />

A carved gilt wood rectangular panel<br />

intricately carved in high and pierced<br />

relief with dignitaries on horseback and<br />

attendants on foot, variously occupied<br />

on pavilion terraces and rocky paths<br />

among maple and pine trees<br />

43.5 x 30cm<br />

$500–700<br />

99


58<br />

101<br />

ATTRIBUTED TO QI GONG<br />

Calligraphy<br />

ink on paper, hanging scroll<br />

inscribed and with three seals,<br />

wood box<br />

102 x 40cm<br />

$2,000–3,000<br />

101


59<br />

102<br />

ATTRIBUTED TO QI GONG<br />

Rocks and Bamboo<br />

ink and colour on paper,<br />

hanging scroll<br />

inscribed and with two seals<br />

127 x 66cm<br />

$2,000–3,000<br />

103<br />

CHINESE SCHOOL<br />

Lake and Mountains<br />

ink and colour on paper, framed<br />

inscribed and with one seal<br />

98 x 53cm, 130 x 76cm overall<br />

$400–600<br />

104<br />

CHEN KUAN (1959 - )<br />

Three Cranes<br />

Thatched Huts<br />

Ink and colour on paper,<br />

two paintings, framed<br />

each inscribed and with one seal<br />

64 x 46cm, 88 x 63cm overall<br />

$300–500<br />

102


60<br />

105<br />

Three reverse glass paintings,<br />

19th/20th century<br />

each depicting a maiden practising<br />

refined pursuits in an interior studio<br />

setting, one practising calligraphy,<br />

another painting and the third playing<br />

a musical instrument, framed<br />

each 59 x 43cm overall<br />

$1,500–2,500<br />

106<br />

A pair of hardstone applied<br />

ancestral portrait panels<br />

each 83 x 52.5cm<br />

$400–600<br />

105


61<br />

107<br />

108<br />

107<br />

A silk kesi 'shou character' panel<br />

woven in bright colours with Shou Lao<br />

and other legendary figures, some<br />

supported on clouds and others in a<br />

landscape of rocks, pine and peach<br />

trees, with bats and cranes, within the<br />

gold ground shou character, reserved<br />

on a red ground<br />

110 x 68cm<br />

$1,000–1,500<br />

108<br />

A silk kesi blue-ground panel<br />

woven in polychrome silk depicting<br />

Shou Lao standing beneath an<br />

overhanging peach tree growing<br />

beside rocks and flowering plants,<br />

holding a staff and a large peach, his<br />

deer to one side and a bat in flight<br />

above, a six-character seal mark in red<br />

above, all reserved on the deep blue<br />

ground<br />

120 x 73cm<br />

$1,000–1,500


62<br />

109<br />

109<br />

Two unusual embroidered<br />

textile sutra panels<br />

probably forming the front and back<br />

panels of an original set of folios, each<br />

panel of rectangular form embroidered<br />

with the Eight Buddhist Emblems,<br />

Bajixiang, supported on a lotus flower<br />

and encircled with foliate scrolls,<br />

worked in satin and outline stitches<br />

and framed by double line borders,<br />

encircled with a frieze of ten striding<br />

dragons pursuing flaming pearls, all<br />

reserved on the yellow ground of<br />

embroidered squares<br />

each 11.5 x 43.5cm<br />

Compare with two embroidered<br />

panels from a complete set of 20<br />

embroidered textile sutra, dated<br />

to the Qing dynasty, 18th century,<br />

sold Christie's, Hong Kong,<br />

30 May 2005, lot 1246.<br />

In this set the remaining 18 loose<br />

folios were embroidered with Sanskrit<br />

text of the Sanyun sutra. <strong>The</strong> Sanyun<br />

Jing is a sutra of atonement based on<br />

the three principles: to regret one's<br />

sin, to do good deeds and to voice<br />

Buddha's teachings.<br />

$2,000–3,000<br />

110<br />

Three thangkas, Tibet,<br />

late 19th/20th century<br />

mounted and framed<br />

87.7 x 67.5cm, 93.5 x 73cm<br />

and 76.5 x 58cm<br />

$800–1,000<br />

111<br />

A silk embroidered 'Vajrapani' thangka<br />

the wrathful protector standing in<br />

fierce alidhasana backed by a flaming<br />

mandorla, a tiger skin and garland of<br />

severed heads around his waist and<br />

wearing serpent jewellery, holding a<br />

vajra in his raised right hand, standing<br />

above a smaller figure of six-armed<br />

Mahakala, and with two Geluk-pa<br />

lamas seated on clouds above,<br />

brocade mounts<br />

94 x 62cm, 140 x 90cm overall<br />

$1,500–2,500


63<br />

111


64<br />

112<br />

A Chinese elm horseshoe chair<br />

of typical bowed form with stretcher<br />

base and a relief carved medallion with<br />

archaistic motif to the central splat<br />

106cm high, 68cm wide, 54cm deep<br />

$400–600<br />

112


65<br />

113<br />

A Chinese red lacquer altar style<br />

console table,<br />

early 20th century<br />

the table top with everted ends<br />

above five frieze drawers, with<br />

carved spandrels and having<br />

shaped trestle ends<br />

90cm high, 250cm wide, 46cm deep<br />

$600–800<br />

114<br />

A Chinese red lacquered elm sideboard,<br />

early 20th century<br />

in deep russet tones with three drawers<br />

and twin cupboards with traditional<br />

brass hardware, the face with extended<br />

shaped edges and raised on short<br />

cabriole legs<br />

100cm high, 158cm wide, 62cm deep<br />

$600–800<br />

113


66<br />

115<br />

A polychrome and gilt decorated<br />

coromandel black lacquer<br />

eight-panel screen,<br />

first half 20th century<br />

one side with a continuous courtly<br />

scene of figures variously occupied<br />

in leisurely pursuits on terraced<br />

pavilions and in gardens, below a<br />

frieze of fan-shaped landscapes<br />

and an outer border of precious<br />

objects and 'antiques', the reverse<br />

with panels of birds among different<br />

flowering plants and trees<br />

each panel 244cm high, 45.5cm wide<br />

$2,500–3,500


67<br />

115


68<br />

116<br />

Two Chinese red lacquer side cabinets<br />

with everted ends, the cabinets with<br />

two drawers above twin cupboards,<br />

having shaped spandrels, a scroll<br />

decorated skirt, and traditional brass<br />

hardware and faceplate<br />

85.5cm high, 104cm wide, 45cm deep<br />

$500–800<br />

117<br />

A pair of black and gold lacquer<br />

coromandel-style cabinets<br />

with rockwork, auspicious flora and<br />

birds upon a gilded ground, with<br />

traditional brass plate hardware<br />

64cm high, 58.5cm wide, 55cm deep<br />

$400–600<br />

118<br />

A contemporary oriental style<br />

black lacquer cabinet<br />

with four drawers and twin cupboards<br />

with traditional brass hardware and<br />

raised on stile feet, the surface<br />

with a woven rattan finish<br />

85cm high, 145cm wide, 45cm deep<br />

$400–600<br />

119<br />

An antique oriental brass strapped<br />

elm box<br />

with hinged lid set with metal<br />

bosses and straps, lock<br />

plate and fish-form lock<br />

27cm high, 62cm wide, 30cm deep<br />

$300–400<br />

120<br />

A carved and lacquered<br />

hard wood cabinet<br />

of rectangular form, the front with a<br />

pair of central doors and two side<br />

doors, decorated with black lacquer<br />

panels carved with plants and trees<br />

and a central frieze of carved figural<br />

panels, the doors opening to reveal<br />

four drawers below an upper shelf,<br />

all above three further drawers at the<br />

base, set with metal lock plates and<br />

basket-shaped pull handles<br />

188cm high, 140cm wide,<br />

65.5cm deep<br />

$1,500–2,500<br />

117


69<br />

120


70<br />

121<br />

A red lacquered hard wood cabinet<br />

of rectangular form, the front<br />

decorated with relief carved friezes<br />

highlighted in gilding above the<br />

two doors set with a large circular<br />

chased metal lock plate above two<br />

shaped metal plates with basket-form<br />

pull handles<br />

165cm high, 105cm wide, 65cm deep<br />

$1,000–1,500<br />

122<br />

An elaborately carved hardwood<br />

cabinet<br />

of rectangular form, the front with two<br />

central doors and two side doors,<br />

each carved with openwork panels<br />

centred with a maiden and small boy<br />

above cranes beneath pine trees, the<br />

sides with panels of phoenix within<br />

openwork floral scrolls, the interior<br />

with four drawers above a single<br />

shelf, baitong lock plates and florette<br />

handles with twin-fish pull handles<br />

193.5cm high, 132.5cm wide,<br />

58cm deep<br />

$1,500–2,500<br />

121


71<br />

122


72<br />

123<br />

A 'guan'-type mallow-shaped washer,<br />

19th/20th century<br />

covered overall with a pale bluish<br />

crackled glaze, the footrim applied<br />

with a brown wash, inscribed fitted<br />

wood box<br />

21cm diameter<br />

$800–1,000<br />

124<br />

A 'ge'-type quatrefoil jardinière<br />

with fluted sides and barbed everted<br />

rim supported on four bracket feet,<br />

covered overall with a faintly crackled<br />

grey-blue glaze, thinning to brown<br />

around the rim edge<br />

24.5cm long<br />

$1,000–1,500<br />

125<br />

A 'guan'-style celadon-glazed vase<br />

mark of Yongzheng<br />

of mallet shape, covered overall with<br />

a faintly crackled pale green glaze<br />

apart from the brown footrim, the<br />

base inscribed with a six-character<br />

seal mark<br />

17.5cm high<br />

$300–500<br />

126<br />

A small yellow-glazed vase, zhadou,<br />

Shende Tang Zhi mark<br />

the squat globular body surmounted<br />

by a wide flared mouth, covered on<br />

the exterior with a lemon yellow glaze,<br />

the base inscribed in iron-red with a<br />

four-character mark<br />

8.5cm high<br />

$500–700<br />

127<br />

A white-glazed vase<br />

mark of Kangxi<br />

the sides with relief decoration<br />

beneath the overall white glaze, the<br />

base inscribed in underglaze blue with<br />

a six-character mark<br />

15.5cm high<br />

$600–800<br />

128<br />

An incised white-glazed stemcup<br />

mark of Qianlong<br />

carved with lotus scrolls beneath the<br />

white glaze of bluish tint, incised on the<br />

interior with a six-character mark<br />

14.5cm diameter<br />

$600–800<br />

124


73<br />

129<br />

A crackle-glazed vase, fanghu,<br />

mark of Daoguang<br />

subtly moulded with a raised panel<br />

on each side and set on the neck<br />

with a pair of rectangular handles,<br />

applied overall with a brown crackled<br />

pale glaze falling evenly around<br />

the brown washed footrim, the<br />

base inscribed in underglaze blue<br />

with a six character seal mark<br />

32.5cm high<br />

$1,000–1,500<br />

129


74<br />

130<br />

A large underglaze blue and<br />

copper-red hu form vase<br />

late Qing dynasty, 19th century<br />

painted with figures besides pavilions<br />

and stilted dwellings set among trees<br />

and rocks in a continuous lakeside<br />

scene with distant mountains<br />

35.5cm high<br />

$2,000–3,000<br />

131<br />

A copper-red vase<br />

mark of Qianlong<br />

set on the shoulders with three<br />

animal head handles, covered with a<br />

rich crimson glaze thinning over the<br />

handles and below the pale buff rim,<br />

the base inscribed in underglaze blue<br />

with a six-character seal mark<br />

28cm high<br />

$800–1,000<br />

132<br />

A copper-red glazed tazza<br />

mark of Qianlong<br />

covered on the exterior with a rich red<br />

glaze, the rim and interior in white, the<br />

base inscribed in underglaze blue with<br />

a six-character seal mark<br />

20.7cm diameter<br />

$500–700<br />

130


75<br />

133<br />

A copper-red meiping,<br />

20th century<br />

covered with a rich red glaze of<br />

even tone, the glaze thinning<br />

at the rim and falling unevenly<br />

over the interior, wood stand<br />

18.5cm high<br />

$600–800<br />

134<br />

A large blue-glazed bottle vase<br />

late Qing dynasty, 19th century<br />

the globular body surmounted<br />

by a tall cylindrical neck, covered<br />

on the exterior with a rich violet<br />

blue glaze of even tone, the rim<br />

and interior glazed in white<br />

40cm high<br />

$3,000–5,000<br />

134


76<br />

135<br />

A blue-ground gilt decorated vase<br />

mark of Tongzhi<br />

the pear-shaped body and waisted<br />

neck gilt with shou roundels, bats<br />

and wan symbols scattered overall<br />

between formal borders, the base with<br />

a six character mark in underglaze blue<br />

29cm high<br />

$1,500–2,000<br />

136<br />

A green-glazed bottle vase<br />

mark of Kangxi<br />

covered on the exterior with a<br />

finely streaked rich green glaze, the<br />

rim and interior in white, the base<br />

inscribed in underglaze blue with a<br />

six-character mark<br />

37cm high<br />

$800–1,000<br />

137<br />

A crackled green-glazed jar,<br />

19th/20th century<br />

of ovoid form, covered with a glaze<br />

of bright tone, brown-edged rim, the<br />

base incised with a four-character<br />

mark of Chenghua<br />

18cm high<br />

$300–500<br />

135


77<br />

138<br />

A ruby-ground famille rose Tibetan form<br />

altar vase, Benbaping,<br />

mark of Qianlong<br />

the globular body enamelled with the<br />

Eight Buddhist Emblems alternating<br />

with stylised lotus in reserve on the rich<br />

ruby ground, the neck enamelled to<br />

imitate a Tibetan banner below florettes<br />

and flower scrolls, the base inscribed in<br />

iron-red with a six-character seal mark<br />

26cm high<br />

$600–800<br />

138


78<br />

139<br />

A turquoise-ground famille rose vase<br />

mark of Daoguang<br />

the sides enamelled with stylised<br />

lotus sprays and bats with pendant<br />

ribboned wan emblems, between<br />

formal borders, the base inscribed in<br />

iron-red with a six-character seal mark<br />

17.8cm high<br />

$600–800<br />

140<br />

A small yellow-ground vase<br />

mark of Yongzheng<br />

decorated in underglaze blue with<br />

floral scrolls and formal borders<br />

reserved on the bright yellow ground,<br />

the base inscribed in underglaze blue<br />

with a six-character mark<br />

11cm high<br />

$800–1,000<br />

141<br />

A celadon ground vase<br />

Qing dynasty, 19th century<br />

decorated in underglaze blue with<br />

figures in a garden setting<br />

43cm high<br />

$300–500<br />

139


79<br />

142<br />

A famille rose ceremonial subject vase<br />

Shende Tang Zhi mark<br />

painted with figures on the banks<br />

of a lake watching a procession of<br />

ornate dragon and phoenix boats,<br />

the continuous scene with huts and<br />

pavilions set along the mountainous<br />

shore, below stylised lotus sprays on<br />

the yellow-ground neck with double<br />

scroll handles, the base inscribed in<br />

iron-red with a four-character mark<br />

28.8cm high<br />

$800–1,000<br />

142


80<br />

143<br />

A famille rose 'balsam pear' bowl<br />

mark of Daoguang<br />

painted with fruiting and flowering<br />

branches beside bamboo shoots,<br />

the decoration extending over<br />

the rim onto the interior, the base<br />

inscribed in underglaze blue with<br />

a six-character seal mark<br />

11cm diameter<br />

$2,000–3,000<br />

144<br />

A famille rose vase, zhadou,<br />

mark of Daoguang<br />

the exterior enamelled with a frieze<br />

of stylised lotus sprays linked by<br />

pink bats, below a turquoise cloud<br />

collar border, the base inscribed in<br />

underglaze blue with a six-character<br />

seal mark<br />

9cm high<br />

$400–600<br />

143


81<br />

145<br />

A famille rose vase<br />

mark of Guangxu<br />

the pear-shaped body brightly<br />

enamelled with a pair of birds on<br />

rocks among flowering peonies and<br />

other plants between formal borders,<br />

the base inscribed in iron-red with a<br />

six-character mark<br />

30cm high<br />

$600–800<br />

145


82<br />

146<br />

A famille rose vase<br />

mark of Qianlong, 20th century<br />

brightly enamelled with Liu Hai and<br />

his three-legged toad, watched by<br />

an attendant with bats overhead, the<br />

reverse with an inscription in black,<br />

the base with a blue enamel fourcharacter<br />

mark<br />

20.6cm high<br />

$700–900<br />

147<br />

A famille rose porcelain table screen,<br />

20th century<br />

the rectangular plaque painted<br />

with three sages offering gifts,<br />

standing beneath a pine tree, a kylin<br />

supported on clouds nearby below<br />

an inscription in black with two red<br />

seals, wood frame and stand<br />

the plaque 45 x 64cm,<br />

overall 78 x 79cm<br />

$600–800<br />

146


83<br />

148<br />

A famille rose 'eighteen immortals'<br />

rouleau vase<br />

Qing dynasty, 19th century<br />

the sides brightly enamelled with a<br />

gathering of the immortals and the<br />

neck with a scene of boys in a garden,<br />

between formal borders<br />

45.5cm high<br />

$1,500–2,000<br />

148


84<br />

149<br />

149<br />

Japanese wood block prints<br />

oban triptych, mounted and framed<br />

each sheet approx 35.5 x 24cm<br />

overall 66.5 x 101cm<br />

$800–1,200<br />

150<br />

A Japanese bamboo basket,<br />

20th century<br />

with tall loop handle, signed,<br />

inscribed wood box<br />

63cm high<br />

$400–600<br />

151<br />

A Fushikizo Noh mask<br />

21cm high, 13cm wide<br />

$300–500<br />

152<br />

A large collection of Japanese<br />

silver dishes<br />

comprising seventeen pieces in<br />

various sizes, each of shallow form<br />

supported on a high foot, the base<br />

stamped with Japanese silver marks<br />

12cm to 6cm diameter<br />

$300–500<br />

153<br />

A group of three Japanese wooden<br />

training swords<br />

117cm long and smaller<br />

$200–300<br />

154<br />

A carved wood netsuke<br />

Meiji period<br />

in the form of a recumbent ox,<br />

the details finely delineated<br />

in the dark wood<br />

4.5cm long<br />

$150–250<br />

155<br />

An octagonal Imari charger<br />

decorated with a ho ho bird flying over<br />

a fenced garden with a plantain tree,<br />

flowers and rockwork, alternating red<br />

and blue reserved panels to the border<br />

featuring garden and cottage scenes<br />

43 x 43cm<br />

$200–300


85<br />

156<br />

A pair of Japanese gilt lacquered<br />

temple candle sticks,<br />

late Meiji Period<br />

each with lobed base and finial,<br />

metal mounts and candle holder,<br />

including three pairs of white<br />

candles, fitted wood box<br />

each 75cm high<br />

$600–800<br />

156


86<br />

157<br />

A Japanese six-panel folding screen,<br />

inscribed Seigyu ga,<br />

20th century<br />

painted in colours on the gold silk<br />

ground with a single bird perched on<br />

a branch of a flowering prunus tree<br />

beneath overhanging willow and maple<br />

and beside brightly coloured flowering<br />

plants and bamboo, bearing the<br />

signature and with a red seal<br />

each panel 170cm high,<br />

62cm and 64cm wide<br />

$3,000–5,000<br />

158<br />

Two Japanese double gourd vases,<br />

Meiji period, 19th/20th century<br />

decorated with cranes in flight among<br />

bamboo, impressed marks<br />

20 and 23cm high<br />

$300–400


87<br />

157<br />

159<br />

A carved ivory box and cover<br />

Meiji period<br />

the cylindrical sides decorated in relief<br />

with a gathering of legendary figures<br />

in a continuous landscape, a two<br />

character mark in red to one side<br />

11.5cm high<br />

$400–600<br />

160<br />

Two Korean celadon dishes,<br />

Choson dynasty<br />

each with inlaid decoration<br />

11.5cm and 12.5cm<br />

PROVENANCE<br />

Christie's, Melbourne,<br />

8 & 9 March, 2006, lot 174<br />

$100–200<br />

161<br />

A Korean celadon moon jar,<br />

20th century<br />

inscribed wood box<br />

33cm diameter<br />

$500–800


88<br />

162<br />

A collection of twelve Sotheby's<br />

international auction catalogues<br />

of Chinese ceramics, works of art,<br />

paintings, furniture and S.E Asian arts<br />

$100–150<br />

163<br />

A collection of eleven Sotheby's<br />

international auction catalogues<br />

of Chinese ceramics, works of art and<br />

snuff bottles<br />

$100–150<br />

164<br />

A collection of twelve Sotheby's<br />

international auction catalogues<br />

of Chinese ceramics, works of art and<br />

furniture<br />

$100–150<br />

165<br />

A collection of eleven Sotheby's<br />

international auction catalogues<br />

of Chinese ceramics, works of art,<br />

furniture, lacquer and snuff bottles<br />

$100–150<br />

166<br />

Two Sotheby's Hong Kong catalogues<br />

of the Sakamoto Goro Collection<br />

comprising Sakamoto Goro, Sculpture,<br />

8 October 2013, and Sakamoto Goro,<br />

Porcelain, 8 October 2014<br />

$80–120<br />

167<br />

Five Sotheby's Hong Kong<br />

hard back catalogues<br />

comprising Water, Pine and Stone<br />

Retreat Collection, 8 April 2013;<br />

Qing Imperial Porcelain, 8 October<br />

2013; <strong>The</strong> Cunliffe Musk-Mallow<br />

Palace Bowl, 8 October 2013; A<br />

Magnificent Falangcai Bowl, 8 April<br />

2013; and Exceptional Qing Porcelain,<br />

9 October 2012<br />

$80–120<br />

168<br />

Six Sotheby's international<br />

hard back catalogues<br />

comprising <strong>The</strong> Fonthill Dragon Jar,<br />

Hong Kong, 8 October 2014;<br />

A magnificent Imperial Yangcai Crane<br />

and Deer Ruyi Vase, Paris, 12 June<br />

2018; Water Pine and Stone Retreat<br />

Collection, Hong Kong, 4 April 2012<br />

and 8 April 2014; Gods and Beasts<br />

from the Speelman Collection,<br />

Hong Kong, 8 April 2014; and Qing<br />

Imperial Monochromes, Hong Kong,<br />

9 October 2012<br />

$80–120<br />

169<br />

Two Sotheby's Hong Kong<br />

hard back catalogues<br />

comprising Splendours of the Qing<br />

Court, 11 April 2008; and Important<br />

Chinese Art from the Sir Quo-Wei Lee<br />

Collection, 3 October 2018<br />

$80–100<br />

170<br />

A collection of seventeen Sotheby's<br />

international auction catalogues<br />

of Chinese and Japanese ceramics<br />

and works of art<br />

$100–200<br />

171<br />

A collection of forty-four editions of<br />

Orientations<br />

$60–80<br />

172<br />

A collection of fourteen Sotheby's<br />

international auction catalogues<br />

comprising Chinese ceramics,<br />

works of art and furniture<br />

$100–150<br />

173<br />

A collection of fifteen Sotheby's<br />

international auction catalogues<br />

comprising Chinese and Japanese<br />

ceramics and works of art<br />

$100–150


89<br />

OTHER PROPERTIES<br />

Jewellery & Watches<br />

International Decorative Arts<br />

Furniture<br />

Rugs & Carpets<br />

Lots 174–520


90<br />

174<br />

174<br />

Two Diamond Studs<br />

One round brilliant cut diamond<br />

weighing 0.55cts and the other<br />

weighing 0.60cts, claw set and finished<br />

with post and butterfly back fittings.<br />

18ct white and yellow gold, total<br />

weight 2.1gms.<br />

$2,000–3,000<br />

175<br />

A Black Crystal Opal and Diamond<br />

Ring<br />

Comprising an oval shaped cabochon<br />

cut Lightening Ridge black opal,<br />

set within an abstract mount with<br />

round brilliant cut diamonds totalling<br />

approximately 0.30cts; 18ct gold.<br />

Weight 10.5g. Ring size P.<br />

$1,800–2,200<br />

176<br />

An Opal and Diamond Ring<br />

Featuring an oval shaped light opal<br />

flanked by eight round brilliant cut<br />

diamonds; 18ct gold (with a 9ct<br />

gold internal sizer). Weight 7.3gms.<br />

Ring size S.<br />

$200–300<br />

177<br />

GLANVILLE-ANSON, Vanessa,<br />

Australia, b.1951<br />

Sterling silver, gold and enamel<br />

brooch.<br />

Handcrafted, modelled as surrealist<br />

clouds and an eye shedding tears.<br />

Total weight: 13.5gms.<br />

Signed.<br />

$200–400<br />

178<br />

GLANVILLE-ANSON, Vanessa,<br />

Australia, b.1951<br />

Sterling silver, gold, enamel and ivory<br />

pill box and stand.<br />

Handcrafted, circular form with a green<br />

and enamel lid overlaid with surrealist<br />

figural design in sterling silver and 18ct<br />

yellow gold. Supported on an ivory,<br />

sterling silver and gold base. Signed.<br />

Total weight: 40gms<br />

$200–400<br />

179<br />

GLANVILLE-ANSON, Vanessa,<br />

Australia, b.1951<br />

Sterling silver, enamel and wood<br />

sculpture<br />

Handcrafted, modelled as a Surrealist<br />

carved black wooden panel with<br />

applied sterling silver and enamelled in<br />

yellow and blue. Finished with a coiled<br />

spring and raised on two squat feet.<br />

Signed. Total weight: 138.5gms<br />

$200–400<br />

180<br />

GLANVILLE-ANSON, Vanessa,<br />

Australia, b.1951<br />

Sterling silver and hardwood brooch<br />

Handcrafted, modelled as a sculptural<br />

landscape in silver and highlighted<br />

with various hardwood panels. Signed.<br />

Total weight: 34.0gms<br />

$200–400<br />

181<br />

GLANVILLE-ANSON, Vanessa,<br />

Australia, b.1951<br />

Sterling silver and boulder opal<br />

pendant<br />

Handcrafted, featuring a sterling<br />

silver sculptural panel with a free<br />

form polished boulder opal pendant<br />

set below. Suspended from a woven<br />

cord necklace. Total weight 34.3gms.<br />

Total length: 59cm<br />

$200–400<br />

182<br />

GLANVILLE-ANSON, Vanessa,<br />

Australia, b.1951<br />

Sterling silver and ebony pill box<br />

Handcrafted, freeform elongated<br />

vessel, ovoid aperture revealing<br />

leather lined interior and finished<br />

with a carved ebony lid with applied<br />

silverwork. Total weight: 55.1gms.<br />

$150–250


91<br />

183<br />

183<br />

A Gold Necklace<br />

Flat figaro link design. Crafted in 18ct<br />

yellow gold. Total weight 25.9gms,<br />

total length 470mm.<br />

$1,400–1,800<br />

184<br />

An Antique Sapphire and Diamond<br />

Bangle<br />

Comprising five graduated old cut<br />

diamonds weighing 2.10cts total and<br />

interspaced with six round cut blue<br />

sapphires, crafted in 18ct yellow gold<br />

in a reed hinged frame, hallmarked<br />

GAUNT. Total weight 20.2gms.<br />

$4,000–6,000<br />

184


92<br />

185<br />

185<br />

A Large Gold Bracelet<br />

Flat curb link design, crafted in 18ct<br />

yellow gold. Total weight 62.1gms,<br />

total length 230mm.<br />

$4,800–5,800<br />

186<br />

A Solid Crystal Opal Pendant on Chain<br />

Featuring a tear-drop shaped light<br />

crystal opal measuring 20.7 x 10.7mm,<br />

mounted in 18ct gold, suspended from<br />

a 9ct gold chain. Total weight 5gms.<br />

$600–800<br />

187<br />

A Boulder Opal Enhancer Pendant<br />

Featuring a polished freeform boulder<br />

opal measuring 9.1 x 7mm, mounted<br />

within an 18ct gold rub-over set<br />

enhancer pendant. Weight 5.1gms.<br />

$600–800<br />

188<br />

A Vintage Royal Crown Derby<br />

Jewellery Suite<br />

Featuring a brooch with matching<br />

earrings, each styled as a porcelain<br />

flower with foliate detail to brooch,<br />

clip-on backings to earrings. Signed<br />

and with original fitted Royal Crown<br />

Derby box.<br />

$300–500<br />

189<br />

An Italian Gold and Pearl Necklace<br />

Featuring five cultured pearls<br />

measuring 5mm set between pairs<br />

of geometric gold panels and<br />

interspaced with fine chain, crafted in<br />

18ct yellow gold. Total weight 7.7gms,<br />

total length 610mm.<br />

$400–600<br />

190<br />

A Fancy Gold Gate Link Bracelet<br />

<strong>The</strong> wide bracelet with twist links<br />

throughout, tapered to each end,<br />

finished with a heart padlock<br />

and safety chain. Crafted in 9ct<br />

yellow gold, total weight 13.3gms,<br />

total length 180mm.<br />

$400–600


93<br />

191<br />

191<br />

An Antique Gold Bracelet<br />

Of curb link design, suspended with<br />

two gold charms. Having a concealed<br />

sliding tongue clasp and finished with<br />

a safety chain. Total weight 20.9gms.<br />

$1,000–1,500<br />

192<br />

A Gold Bracelet and Matching Ring<br />

Both of flat curb link design, the<br />

bracelet finished with sliding tongue<br />

clasp and two figure eight safety<br />

catches, total length 200mm, total<br />

weight 46.1gms, the ring size X,<br />

total weight 11.9gms.<br />

$2,000–3,000<br />

192


94<br />

193<br />

A Pair of Aquamarine and Diamond<br />

Earrings<br />

Each set with a princess cut vivid<br />

aquamarine weighing 2.40cts,<br />

surrounded by sixteen round brilliant<br />

cut diamonds, set in 18ct white<br />

gold, post and butterfly back fittings.<br />

Total weight: 7.9gms,<br />

$1,200–1,600<br />

194<br />

A Sapphire and Diamond Bombe Ring<br />

Featuring sixty square cut blue<br />

sapphires invisibly set . Having a<br />

border of channel set thirty four<br />

baguette cut diamonds to either side<br />

of the gallery. Crafted in 18ct white<br />

gold. Total weight: 17.1gms.<br />

$3,800–4,800<br />

195<br />

A Tahitian Pearl and Diamond Brooch<br />

Featuring a flower centrally set with<br />

a Tahitian pearl measuring 11.1mm,<br />

surrounded by pave set diamond<br />

petals and radiating petals set with a<br />

single round brilliant cut diamond. Set<br />

in 18ct white gold and finished with<br />

clip and brooch fitting. Weight: 20gms,<br />

diamond weight 0.96cts total.<br />

$1,800–2,200<br />

196<br />

A Five Stone Diamond Ring<br />

Comprising five round brilliant cut<br />

diamonds individually tension set<br />

totalling 0.93cts, finished with upswept<br />

shoulders and tapered band. Crafted in<br />

14ct white gold. Total weight 4.4gms.<br />

$600–800<br />

197<br />

A Zircon and Sapphire Bracelet<br />

Comprising round cut blue zircons,<br />

interspaced with round cut white<br />

sapphires, individual box settings,<br />

9ct rose gold, total weight 26gms,<br />

total length 200mm.<br />

$1,000–1,500<br />

198<br />

A Fancy Gate Link Bracelet<br />

<strong>The</strong> wide bracelet with twist links<br />

throughout, tapered to each end,<br />

finished with a heart padlock<br />

and safety chain. Crafted in 9ct<br />

yellow gold, total weight 13.0gms,<br />

total length 180mm.<br />

$400–600<br />

199<br />

A Pair of Diamond Half Hoop Earrings<br />

Each earring set with 0.78cts of<br />

round brilliant cut diamonds, split<br />

row with floral motif, mounted in 18ct<br />

white gold. Post and hinge fittings.<br />

Total weight 4.7gms.<br />

$600–800<br />

200<br />

A Pair of Cultured Pearl<br />

and Coral Drop Earrings<br />

Each earring featuring a carved<br />

coral bee, suspending a detachable<br />

freeform cultured pearl of silver<br />

grey hue; set in 18ct gold.<br />

Italian makers marks.<br />

$400–600<br />

201<br />

A Pair of Diamond Huggie Earrings<br />

Each featuring a central row of<br />

baguette and tapered baguette cut<br />

diamonds, edged in round brilliant<br />

cut diamonds. 9ct white gold.<br />

Post fittings. Total weight 4.3gms.<br />

Total diamond weight 0.56cts.<br />

$300–500<br />

202<br />

A Shell Cameo by R. Rajola, Sydney<br />

Featuring the finely carved profile of a<br />

lady, signed R.R to verso.<br />

Measures 6 x 4.5cms. Comes in<br />

original fitted box from R. Ragola,<br />

Sydney.<br />

$300–600<br />

203<br />

A Gilt Repousse, Enamel<br />

and Coral Chatelaine<br />

Featuring classical decoration of<br />

cupids and cherubs throughout,<br />

suspended with a pair of oval<br />

panels featuring blue and white<br />

enamel and a border of coral beads,<br />

and finished with a looking glass.<br />

Total length 190mm.<br />

$400–600<br />

204<br />

A Tanzanite Ring<br />

<strong>The</strong> oval cut tanzanite weighing<br />

1.86cts, raised in four white gold claws<br />

above an S shaped 18ct gold upswept<br />

band. Weight 6.3gms.<br />

$700–900


95<br />

193<br />

194<br />

195<br />

196<br />

197


96<br />

205<br />

A Strand of Tahitian Pearls<br />

and Earrings<br />

Featuring thirty-seven baroque<br />

shaped Tahitian pearls of green/pink<br />

hue, graduating in size from 10-11mm,<br />

fastening to an 18ct gold ball clasp,<br />

length 450mm, together with a pair of<br />

round Tahitian pearl stud earrings, of<br />

dark green hue, measuring 11.7mm;<br />

9ct gold backings.<br />

$1,000–1,500<br />

206<br />

Three Early Victorian Gold<br />

and Pearl Rings<br />

Comprising a black enamel and pearl<br />

ring, and a pearl and diamond ring both<br />

in 18ct yellow gold and a turquoise<br />

and pearl ring in 9ct gold, rubbed<br />

hallmarks, total weight 6.7gms.<br />

$500–700<br />

205


97<br />

208<br />

207<br />

209<br />

207<br />

A Solitaire Peach Tourmaline Ring<br />

<strong>The</strong> fancy cushion cut peach<br />

tourmaline weighing 14.50cts, raised<br />

in four claw to a half round band all in<br />

14ct white gold. Total weight 7.6gms<br />

$1,800–2,600<br />

208<br />

A Solitaire Parti-Sapphire Ring<br />

<strong>The</strong> cushion cut parti-sapphire<br />

weighing 2.55cts, raised in four claws<br />

to a half round band all set in platinum.<br />

Total weight 7.1gms.<br />

$2,000–3,000<br />

209<br />

A Solitaire Mint Green Tourmaline Ring<br />

<strong>The</strong> fancy cushion cut mint green<br />

tourmaline ring weighing 9.95cts,<br />

four claw set in 14ct white gold<br />

and finished with a half round band.<br />

Total weight 6.9gms.<br />

$2,000–2,500<br />

210<br />

A Solitaire Brown Tourmaline Ring<br />

Fancy cushion cut brown tourmaline<br />

showing pink and green flashes<br />

weighing 15.2cts, four claw set to a<br />

half round band in 14ct white gold.<br />

Total weight 7.7gms<br />

$1,200–1,500


98<br />

211<br />

211<br />

A Pair of Blue Topaz Cocktail Earrings<br />

Each earring featuring a rectangular<br />

step cut blue topaz totalling an<br />

estimated 4.70cts, mounted in an 18ct<br />

gold setting with four claws and ribbed<br />

gold detail, post and spring backing.<br />

Total weight 10.3gms.<br />

$1,200–1,500<br />

212<br />

A Pair of Mabe Pearl and Gold Earrings<br />

Each featuring a silver white<br />

mabe pearl measuring 13.8mm in<br />

diameter, 18ct yellow gold fluted<br />

base and finished with clip fittings,<br />

total weight 10.9gms.<br />

$300–500<br />

213<br />

A Pair of Georg Jensen Sterling Silver<br />

Earrings<br />

Fluted shell design crafted in sterling<br />

silver. Signed, reference 107.<br />

Clip fittings.<br />

$150–250<br />

214<br />

A Sapphire and Diamond Ring<br />

Centrally set with a round brilliant cut<br />

diamond of 0.47cts, shouldered by a<br />

pear and baguette cut sapphires and<br />

finished with a border of small brilliant<br />

cut diamonds. Crafted in 18ct white<br />

gold. Total weight 8.2gms.<br />

$700–900<br />

215<br />

A Gold Bracelet<br />

Flat curb link design, crafted in 18ct<br />

yellow gold. Total weight 7.1gms,<br />

total length 165mm.<br />

$400–600<br />

216<br />

Two Pairs of Gold Cufflinks<br />

Featuring a pair of rectangular cufflinks<br />

with engine turned decoration and a<br />

pair of ball cufflinks of fine wirework<br />

design. Both crafted in 14ct yellow<br />

gold. Total weight 23gms.<br />

$800–1,000<br />

217<br />

An Edwardian Gold and Pearl Pendant<br />

Necklace<br />

Featuring a seed pearl six ray star<br />

brooch suspended from pearl set<br />

floral panels and chain. All crafted in<br />

15ct gold, Australian makers mark,<br />

total weight 16.8gms.<br />

$800–1,000<br />

218<br />

A Diamond Dress Ring<br />

Featuring a princess cut diamond<br />

of 1.18cts, heavily bezel set in white<br />

gold above six small round brilliant cut<br />

diamonds set to the shoulders in 14ct<br />

yellow gold. Total weight 7gms.<br />

$3,000–4,000<br />

219<br />

A Gold Bangle<br />

Solid oval form, crafted in 9ct<br />

rose gold with polished finish.<br />

Total weight: 67.2gms.<br />

$1,500–2,000


99<br />

218<br />

217<br />

219


100<br />

220<br />

220<br />

An Antique Maltese Diamond Suite<br />

Comprising a ring, pendant, brooch<br />

and pair of earrings, all featuring<br />

a flower design set with rose cut<br />

diamonds, set in silver and finished in<br />

9ct rose gold. Earrings having hook<br />

fittings. Total weight 63gms.<br />

$2,000–3,000<br />

221<br />

A Lapis Lazuli and Gold Signet Ring<br />

and Pendant Necklace<br />

Oval panel of lapis lazuli set in a<br />

textured 18ct gold mount together<br />

with a rectangular panel of lapis<br />

lazuli framed in 18ct gold and<br />

suspended from an 18ct gold chain.<br />

Total weight 20.6gms.<br />

$800–1,000<br />

222<br />

A French gold and enamel with pearls<br />

pocket watch, with a coronet fob<br />

14carat gold ladies fob on brooch,<br />

swiss cylinder movement, crown wind<br />

cylinder set<br />

with a white enamel dial, circa 1900<br />

$1,000–1,500<br />

223<br />

A French Antique Cameo Ring<br />

Oval sardonyx panel intricately carved<br />

with the profile a young woman<br />

adorned with jewellery. Finely set in<br />

18ct gold. Mid nineteenth century.<br />

Total weight 5.1gms.<br />

$1,800–2,200<br />

224<br />

An Antique Rock Crystal and Gold Ring<br />

Featuring an intaglio reverse crystal<br />

portrait of a dog, framed with rose cut<br />

diamonds, set in 18ct rose gold. Total<br />

weight 3gms.<br />

$1,200–1,600<br />

225<br />

An Antique Cameo and Diamond Ring<br />

Elongated onyx panel finely carved<br />

with a nymph, set above a border of<br />

rose cut diamonds. Set in 18ct yellow<br />

gold. Circa 1870, Total weight 3.4gms.<br />

$1,200–1,800


101<br />

223<br />

222<br />

224<br />

225


102<br />

226<br />

A Strand of South Sea Pearls<br />

Comprising twenty nine near round<br />

pearls of white and cream hues<br />

and good lustre. Measuring 13.1-<br />

15.5mm and finished with a polished<br />

14ct white gold bean shaped clasp,<br />

Length 470mm.<br />

$1,200–1,500<br />

226<br />

227<br />

A Strand of Tahitian Pearls<br />

comprising thirty four near round<br />

graduated pearls of fine lustre and<br />

pink, mauve, grey and silver hues<br />

measuring 10.3mm - 14.1mm,<br />

individually knotted to a brush finish,<br />

14ct white gold oval shaped clasp.<br />

Length 480mm.<br />

$1,200–1,500


103<br />

228<br />

A Strand of Tahitian Pearls<br />

Comprising thirty five near round<br />

pearls of fine lustre, displaying hues of<br />

green, grey and aubergine, measuring<br />

11.0mm - 13.4mm and individually<br />

knotted to a 14ct gold oval polished<br />

clasp. Length 470mm.<br />

$1,200–1,500<br />

228<br />

227<br />

229<br />

A Strand of Baroque South Sea Pearls<br />

with Pearl and Diamond Enhancer<br />

Featuring 28 baroque pearls of<br />

silver and white hues and good<br />

lustre, measuring 9mm - 13.3mm.<br />

Interspaced with nine small white gold<br />

beads and a round 14ct white gold<br />

polished ball clasp. Finished with an<br />

18ct yellow gold enhancer centrally<br />

set with a mabe pearl of 13mm and<br />

a border of twenty six single cut<br />

diamonds. Total length 390mm.<br />

$600–800


104<br />

230<br />

230<br />

A Gold Necklace<br />

Of cube link design, crafted in<br />

22ct gold, total weight 26.9gms,<br />

total length 650mm.<br />

$1,200–1,600<br />

231<br />

A Gold Coin Pendant<br />

Great Britain Britannia 25 pound gold<br />

coin mounted in a 14ct gold frame,<br />

total weight 9.2gms.<br />

$600–800<br />

232<br />

A collection of gold pendants<br />

Comprising a South African 1/10<br />

Krugerrand coin set in a 9ct gold<br />

pendant frame, a Hawaiian 'Save<br />

<strong>The</strong> Dolphin' coin set in a 9ct gold<br />

pendant frame and an 18ct gold cross.<br />

Total weight 10.4gms.<br />

$500–700<br />

233<br />

A Victorian Sterling Silver<br />

and Gold Bangle<br />

Hinged oval form with applied buckle<br />

and strap motif in rose gold, with<br />

engraved floral decoration detail.<br />

Hallmarked Birmingham 1885,<br />

total weight 34.3gms.<br />

$200–400<br />

234<br />

A Sapphire and Diamond Spray<br />

Brooch<br />

Set throughout with flowers petals of<br />

oval and pear cut sapphires, offset<br />

by small round brilliant and single<br />

cut diamonds, set in white gold,<br />

total weight 13.5gms.<br />

$400–600<br />

235<br />

A Three Stone Emerald and Diamond<br />

Ring<br />

the central oval cut emerald weighing<br />

1.21cts, offset by two round brilliant<br />

cut diamonds totalling 0.28cts, set<br />

in 18ct white and yellow gold, total<br />

weight 3.6gms.<br />

$500–700<br />

236<br />

A Gold and Nephrite Charm Pendant<br />

Modelled as a junk boat with a nephrite<br />

base and crafted in 14ct gold, total<br />

weight 2.8gms.<br />

$250–350<br />

237<br />

An Antique Synthetic Sapphire Bangle<br />

Comprising nine graduated round<br />

cut blue sapphires set in individual<br />

box mounts, crafted in 15ct gold,<br />

hallmarked William Drummond, total<br />

weight 11.8gms.<br />

$500–700


105<br />

239<br />

238<br />

238<br />

A Gold and Ruby Necklace<br />

Rectangular box link design finished<br />

with a pierced heart panel set with<br />

a triangular cut ruby. Crafted in 18ct<br />

yellow gold, total weight 14.9gms,<br />

total length 425mm<br />

$800–1,000<br />

240<br />

A Georg Jensen Gold Bracelet<br />

Pierced sphere design, crafted in 18ct<br />

gold, signed, reference 1161A, total<br />

weight 27.1gms, total length 205mm.<br />

$1,200–1,600<br />

239<br />

A Gold, Diamond and Ruby<br />

Cocktail Ring<br />

Featuring an old cut diamond<br />

weighing 0.60cts, surrounded by a<br />

border of eight single cut diamonds<br />

and eight round rubies. Raised in a<br />

woven crossover frame of 18ct gold,<br />

total weight 6.8gms.<br />

$2,200–2,800<br />

240


106<br />

241<br />

241<br />

A Gold Curb Link Bracelet<br />

Classic hollow curb link design with<br />

heart shaped padlock, crafted in 9ct<br />

yellow gold. Total weight 32.8gms,<br />

Total length 200mm.<br />

$700–900<br />

242<br />

An Antique Gold Wax Filled Bangle<br />

Circular hinged form in 9ct rose<br />

gold with wax filling to the interior.<br />

Total weight 59gms.<br />

$300–500<br />

243<br />

An Antique Pearl Ring<br />

Comprising five graduated pearls of<br />

white and silver hue and fine lustre,<br />

measuring 3.5-4.5mm, set in 15ct<br />

gold, total weight 3.4gms.<br />

$300–500<br />

244<br />

A Mikimoto Cultured Pearl and Silver<br />

Bracelet<br />

Featuring six rectangular panels set<br />

with six cultured pearls measuring<br />

5mm and displaying fine lustre.<br />

Interspaced by sterling silver<br />

panels, finished with a safety chain.<br />

Total length 175mm.<br />

$300–500<br />

245<br />

A Mikimoto Cultured Pearl and<br />

Diamond Ring<br />

<strong>The</strong> round cultured pearl of silver,<br />

white hues displaying fine lustre and<br />

measuring 8mm, set above a small<br />

crescent of single cut diamonds to<br />

each shoulder. Set in 18ct white gold<br />

and signed. Total weight 3.7gms.<br />

$300–500<br />

246<br />

A Colombian Gold and Rock Crystal<br />

Necklace<br />

Featuring a gold deity pendant<br />

suspended from polished rock<br />

crystal beads of round and elongated<br />

forms, highlighted by two pierced<br />

18ct gold interspacers and clasp.<br />

Total length 430mm.<br />

$400–600<br />

247<br />

A Zircon Bracelet<br />

Comprising seven graduated round<br />

brilliant cut zircons set in 9ct white<br />

gold individual box mounts, total<br />

weight 11.9gms, total length 180mm.<br />

$600–900


107<br />

248<br />

An Antique Gold Fob Chain<br />

Curb link design having a t-bar<br />

and two swivel clips, crafted in 9ct<br />

rose gold, total weight 52.2gms,<br />

total length 385mm.<br />

$1,200–1,600<br />

248<br />

249<br />

A Boulder Opal and Diamond Earring<br />

and Pendant Suite<br />

Featuring freeform boulder opals,<br />

each earring measuring approximately<br />

18.5 x 7.5mm, surmounted by a<br />

round brilliant cut diamond of 0.17cts,<br />

matching pendant with boulder<br />

opal measuring 19.8 x 12.4mm,<br />

surmounted by a round brilliant cut<br />

diamond of 0.36cts; all mounted<br />

in 18ct gold. Threaded backing to<br />

earrings. Total weight 11.4gms.<br />

$1,800–2,600<br />

249


108<br />

250<br />

An Antique Gold Bangle<br />

Circular hinged form in 15ct rose gold<br />

with polished finish. Australian makers<br />

mark, total weight 41.8gms.<br />

$1,200–1,600<br />

251<br />

An Antique Gold Fob Chain<br />

Fancy twist link finished with jump<br />

rings and swivel clasp, crafted in<br />

9ct gold, total weight 26.3gms,<br />

total length 410mm.<br />

$500–700<br />

252<br />

An Antique Gold Fob Chain<br />

Curb link design with two swivel clips,<br />

stamped 9ct, total weight 30.9gms,<br />

total length 415mm.<br />

$800–1,200<br />

253<br />

A Diamond Eternity Band<br />

Comprising ten round brilliant cut<br />

diamonds set in a flat round band of<br />

18ct white gold, total diamond weight<br />

0.35cts, total weight 4.6gms.<br />

$300–500<br />

254<br />

A Zircon Solitaire Ring<br />

Round brilliant cut zircon set in 9ct<br />

white gold, total weight 3gms.<br />

$200–400<br />

255<br />

A Diamond and Gold Dress Ring<br />

Handcrafted, diagonally set with seven<br />

round brilliant cut diamonds in a wide<br />

textured band of 18ct yellow gold.<br />

Total weight 8.9gms.<br />

$400–600<br />

256<br />

Three Gold Gem Set Rings<br />

Comprising a ruby and diamond<br />

full circle eternity ring in 18ct white<br />

gold, and two half hoop diamond<br />

eternity rings set in platinum.<br />

Total weight 8.1gms.<br />

$500–700<br />

257<br />

An Edwardian Gold and Amethyst<br />

Bracelet<br />

Fine gate link bracelet interspaced with<br />

six round cut amethysts finely bezel<br />

set. Crafted in 15ct gold, total length<br />

190mm, total weight 12.5gms.<br />

$800–1,000<br />

258<br />

A Gold Bracelet<br />

Flat woven bracelet with polished<br />

finish, crafted in 14ct yellow gold, total<br />

length 190mm, total weight 50gms.<br />

$2,000–2,500<br />

250


109<br />

259<br />

259<br />

A Multi Strand of Turquoise Beads<br />

Comprising three graduated strands of<br />

turquoise beads, finished with a silver<br />

clasp, Total length 420mm.<br />

PROVENANCE<br />

Tony White<br />

$1,200–1,800<br />

260<br />

A Pair of Victorian Gold and Garnet<br />

Earrings<br />

Of scroll design with applied wirework<br />

set with oval and round garnets, hook<br />

fittings, 9ct gold, total weight 5.2gms.<br />

$400–600<br />

261<br />

A crystal and enamel embellished<br />

cross brooch by Christian Lacroix<br />

inspired by the opulence of Byzantine<br />

era with original box and dust bag<br />

$100–200


110<br />

262<br />

262<br />

A Gold Fob Chain<br />

Fetter link design, fitted with two swivel<br />

clips and a t-bar. Crafted in 9ct rose<br />

gold. Total weight 42.4gms,<br />

total length 460mm.<br />

$900–1,200


111<br />

263<br />

263<br />

An Exotic Gold Collar<br />

Featuring a pierced half collar attached<br />

to graduated engraved ball chains;<br />

22ct gold. Total weight 41.9gms.<br />

Length 460mm.<br />

$2,500–3,000<br />

264<br />

A Gold and Diamond Necklace<br />

Featuring rectangular yellow gold<br />

panels with brushed finish interspaced<br />

with fifteen round brilliant cut<br />

diamonds bezel and circular white<br />

gold panels, 18ct gold, total diamond<br />

weight 0.90cts, total weight 34.1gms,<br />

total length 450mm, retailed by IMP<br />

jewellery.<br />

$3,200–3,800<br />

264


112<br />

265<br />

An 18ct gold pump quarter repeater,<br />

French, 1820<br />

with ruby cylinder, key wind and key<br />

set, curvet signed Bregay, Paris,<br />

in a fitted rosewood box<br />

$5,000–8,000<br />

265<br />

266<br />

A Gold Pendant Watch<br />

Manual wind, circular white dial,<br />

black Roman numerals, 18ct gold<br />

oval engraved case and bale,<br />

total weight 15.3gms.<br />

$1,000–1,500<br />

266


113<br />

267<br />

A Louis XVI style gilt bronze cartel<br />

clock, late 19th century<br />

with a cast floral crest and draped with<br />

floral and fabric style swags, the dial<br />

with Arabic numerals, minute markings,<br />

and pierced gilded hands beneath a<br />

domed glass, with pendulum<br />

$700–900<br />

267<br />

268<br />

An Austro-Hungarian walnut cased<br />

bracket clock, circa 1730<br />

with a 30 hour striking verge<br />

movement, mock pendulum, silvered<br />

chapter ring with Roman numerals and<br />

filigree hands against an engraved<br />

break arch dial<br />

33cm high, 21cm wide, 13.5cm deep<br />

$1,500–2,000<br />

268


114<br />

269<br />

A Pair Cased English Pocket Watch,<br />

Circa 1840<br />

Fusee verge, movement signed<br />

Thomas Nurse, Saturday Market, Lynn<br />

the white enamel dial with Roman<br />

numerals and subsidiary seconds<br />

53mm case diameter<br />

$400–600<br />

270<br />

A Swiss Pocket Watch, Circa 1850<br />

Fusee verge, white enamel dial with<br />

Roman numerals and subsidiary<br />

seconds, dial and movement signed,<br />

Muret Genève<br />

50mm case diameter<br />

$300–400<br />

271<br />

A French Silver Pocket Watch,<br />

Circa 1810<br />

Fusee verge, white enamel dial with<br />

Arabic numerals, key wind, key set,<br />

55mm diameter case<br />

$400–600<br />

272<br />

An English Silver Pocket Watch,<br />

Circa 1830<br />

Fusee verge, movement signed<br />

Morton, Strand, the white enamel dial<br />

with Roman numerals, gold hands,<br />

key wind and key set<br />

51mm case diameter.<br />

$400–600<br />

269<br />

270


115<br />

274<br />

273<br />

273<br />

A pair cased verge watch by<br />

E Chapman, London, 1807<br />

an automata windmill to the<br />

polychrome dial<br />

5.5cm diameter<br />

$1,800–2,500<br />

274<br />

A French Silver Pocket Watch,<br />

Circa 1810<br />

Fusee verge with polychrome enamel<br />

dial featuring a hunting scene, key<br />

wind, key set<br />

43mm case diameter<br />

$400–600<br />

275<br />

An English Hunter Pocket Watch,<br />

Circa 1830<br />

Fusee verge movement, the white<br />

enamel dial with Roman numerals and<br />

a subsidiary seconds dial, movement<br />

signed Charles Lupton, London<br />

55mm case diameter<br />

$400–600


116<br />

276<br />

276<br />

An Italo Fontana U-boat Wristwatch<br />

boxed with all associated papers and<br />

manual, fully signed to movement and<br />

case<br />

$1,500–2,000<br />

277<br />

A large collection of watchmakers<br />

tools, equipment and movements<br />

contained in a stained wood two<br />

drawer chest<br />

the chest 20cm high, 44cm wide,<br />

22cm deep<br />

$500–800<br />

278<br />

A large collection of antique vellum<br />

and parchment documents and<br />

indentures, 17th century and later<br />

including a document in Latin with a<br />

wax bishop's seal<br />

$500–800


117<br />

279<br />

A bottle of Penfolds Grange<br />

Hermitage, vintage 1978<br />

Bin 95, bottled 1979, boxed<br />

$500–800<br />

280<br />

A bottle of Penfolds Grange<br />

Hermitage, vintage 1980<br />

Bin 95, bottled 1982, boxed<br />

$400–600<br />

281<br />

A collection of antique walking sticks<br />

and canes, together with a shoe horn,<br />

19th to 20th century<br />

ten items comprising a rattan<br />

walking stick and an army swagger<br />

stick with ivory handles, a cane<br />

with a purple cut crystal knob<br />

handle, rustic carved sticks, others<br />

with novelty carved handles<br />

Various lengths<br />

$400–600<br />

279<br />

280


118<br />

282<br />

An American sterling silver Colonial<br />

pattern flatware service, Tiffany & Co,<br />

New York, released in 1895<br />

a setting for twelve, each piece with<br />

thread edged handles and scroll finials<br />

with acanthus motifs, comprising<br />

main and entrée knives, main and<br />

entrée forks, soup, dessert and tea<br />

spoons, each item stamped sterling,<br />

with patent number, the knives with<br />

silver handles and steel blades,<br />

in a fitted canteen<br />

silver weight excluding knives 3780gm,<br />

including the knives 5280gm<br />

$4,000–6,000<br />

282


119<br />

283<br />

A set of eight George III sterling silver<br />

armorial dinner plates, Andrew Fogelberg<br />

& Stephen Gilbert, London 1782<br />

cusped, gadroon edged dishes each<br />

engraved with a crest bearing the motto '<br />

Sola Et Unica Virtus'<br />

25cm diameter, total weight 4910gm<br />

$6,000–8,000<br />

283


120<br />

284<br />

284<br />

An American three-piece sterling<br />

silver coffee set, <strong>The</strong> Hunt Silver<br />

Company of New York & Chicago,<br />

circa 1930s-40s<br />

the Neoclassical service with<br />

gadrooned borders, each element<br />

engraved Hunt Silver Sterling 175 to<br />

the underside<br />

the coffee pot 28cm high,<br />

total weight 1090gm<br />

$800–1,200<br />

285<br />

A seven piece American sterling silver<br />

tea and coffee service, M. Fred Hirsch<br />

& Co, NJ, 1920-1945<br />

comprising a kettle on stand, tea<br />

and coffee pots, covered sugar pot<br />

and other similar, and a milk jug, all<br />

embossed and chased in 'Violet'<br />

pattern, lids with applied floral finials,<br />

marks to each element<br />

kettle on stand 37cm high,<br />

total weight 4300gm<br />

$4,000–6,000


121<br />

286<br />

A pair of Biedermeier silver<br />

candlesticks, mark of Klosh, Breslau<br />

(Prussia), circa 1820s<br />

with removable unmarked sconces,<br />

fine engine turned borders and stiff<br />

leaf mushroom knops, marked Klosh,<br />

with Breslau stamp and letter Q to foot<br />

29cm high, total weight 705gm<br />

PROVENANCE<br />

<strong>The</strong> Grice Collection, Bonhams,<br />

New York<br />

$1,200–1,500<br />

286<br />

285


122<br />

287<br />

A set of four George III sterling silver<br />

Old English pattern dessert spoons,<br />

Peter and Ann Bateman, London 1792<br />

each with delicate bright cut designs,<br />

crisply hallmarked underside to all<br />

19cm long, total weight 245gm<br />

$500–800<br />

287<br />

288<br />

An American seven piece sterling<br />

silver tea and coffee service, Gorham,<br />

1914-1916<br />

comprising a hot water kettle on stand,<br />

tea and coffee pots, covered sugar<br />

basin, milk jug and a footed bowl of<br />

plain faceted design, gilt washed to the<br />

interiors; hallmarked to all elements<br />

33cm high (kettle on stand), total<br />

weight 3630gm<br />

$3,000–5,000<br />

289<br />

A mixed group of sterling silver,<br />

19th century and later<br />

together with assorted plated items,<br />

various dates and makers including<br />

two Georgian berry spoons, a Dutch<br />

style .930 silver sugar sifter with<br />

Sheffield and foreign manufacture<br />

marks, a two handled cup, five feather<br />

banded teaspoons plus two others;<br />

plated items include a beaker, Mr<br />

Punch vanity items, a novelty spoon<br />

total weight of silver 405gms<br />

$300–500


123<br />

290<br />

A George III Scottish sterling silver<br />

presentation coffee pot, Francis<br />

Howden, Edinburgh 1799<br />

the Neoclassical pedestal pot<br />

with finely chased and bright cut<br />

borders, with inscription to the body,<br />

hallmarked underside<br />

27cm high, 1040gms<br />

$1,000–1,500<br />

290<br />

288


124<br />

291<br />

291<br />

A William IV three piece sterling<br />

silver tea set by William Hunter,<br />

London 1831<br />

comprising a pedestal teapot and<br />

associated sugar basin and milk<br />

jug of compressed lobed form with<br />

embossed flora and ornate 'C' scroll<br />

handles, the teapot with a pheasant<br />

finial, hallmarked<br />

Silver weight: 1440gm<br />

$1,500–2,500<br />

292<br />

A French silver figural candlestick,<br />

mid 19th century<br />

export mark of Mercury in octagon,<br />

featuring a cupid figure holding a<br />

dish and urn form sconce aloft and<br />

standing on a waisted engine turned<br />

base with beaded decorations, raised<br />

on toupie feet, 950 silver mark to dish,<br />

sconce and foot rim<br />

27.5cm high, total weight 435gm<br />

$500–800<br />

292


125<br />

293<br />

A Victorian sterling silver three piece<br />

tea service, William Hutton & Sons,<br />

London 1897/8, and Walker & Hall,<br />

Sheffield, rubbed date mark<br />

A matching teapot, sugar basin and<br />

creamer of oval gadrooned design,<br />

reeded bracket handles to the basin<br />

and creamer, an ebonised handle and<br />

finial to the teapot<br />

teapot 17cm high, total weight 920gm<br />

$1,000–1,500<br />

294<br />

An Edwardian sterling silver tea and<br />

coffee set by Robert Pringle & Sons,<br />

London, 1909-1911<br />

comprising five pieces, each with<br />

gadrooned bodies, ebonised wood<br />

finials and handles<br />

the spirit kettle 34cm high,<br />

total weight 3450gms<br />

$2,000–3,000<br />

294


126<br />

295<br />

295<br />

A Victorian sterling silver salver,<br />

Martin Hall and Co, Sheffield 1861<br />

the lobed salver with an applied<br />

gadroon, shell and acanthus rim,<br />

bead and husk borders and engraved<br />

designs to the tray, raised on ball and<br />

claw feet, crisply hallmarked underside<br />

26cm diameter, silver weight 625gm<br />

$700–1,000<br />

296<br />

A Victorian sterling silver salver,<br />

Edward, Edward junior, John & William<br />

Barnard, London 1843<br />

with a pie crust border and an applied<br />

acanthus and pierced floral rim,<br />

chased design to the tray, raised on<br />

pierced floral scroll feet; hallmarked to<br />

border underside<br />

38cm diameter, total weight 885gm<br />

$800–1,000<br />

297<br />

A William IV and Victorian presentation<br />

three piece sterling silver tea service,<br />

various makers, London 1833/34,<br />

and 1838<br />

of footed lobed form, the teapot with<br />

an applied chased floral finial, with<br />

inscription to Mr and Mrs Nutter from<br />

the minister and congregation of St<br />

George Church, Altrincham<br />

teapot 15cm high, total weight 1400gm<br />

$1,500–2,000<br />

298<br />

A Victorian sterling silver salver, Henry<br />

Holland, London 1859<br />

with a pie crust border and an applied<br />

scroll and shell form rim, engraved to<br />

the tray and raised on pressed scroll<br />

feet, hallmarked underside<br />

26.5cm diameter, silver weight: 440gm<br />

$500–700


127<br />

296<br />

297


128<br />

299<br />

An Empire revival giltwood sofa and a<br />

pair of matching club chairs by Gianni<br />

Versace, together with five associated<br />

cushions<br />

with rollover arms and a husk carved<br />

giltwood frame upholstered in green<br />

and blue toned Napoleonic and bee<br />

themed velvet, the velvet cushions in<br />

assorted designs including bee motifs,<br />

one in silk<br />

the sofa length of back 220cm<br />

$5,000–8,000<br />

300<br />

A large carved gilt wood cushion front<br />

mirror<br />

with a bevelled plate and vegetal<br />

moulding to the frame<br />

110cm high, 80cm wide<br />

$600–800<br />

301<br />

A large French Empire style silver gilt<br />

mirror<br />

with a pierced wreath finial<br />

134cm high 83cm wide<br />

$400–600<br />

302<br />

A pair of impressive carved wood<br />

salon mirrors<br />

each mirror framed by Ionic columns<br />

265 x 147cm<br />

$800–1,200<br />

303<br />

A pair of impressive carved wood<br />

salon mirrors<br />

each mirror framed by Ionic columns<br />

265 x 147cm<br />

$800–1,200<br />

304<br />

AFTER REMBRANDT<br />

Portrait of Johannes Lutma,<br />

Goldsmith circa 1656<br />

etching<br />

20 x 15.5cm<br />

$400–600<br />

305<br />

AFTER REMBRANDT<br />

Rembrandt in a cap and feather<br />

A Village with a square tower<br />

two engravings in one frame<br />

6.5 x 5.5cm & 8.5 x 15.5cm<br />

$400–600<br />

306<br />

A pair of Regency style polished brass<br />

fire dogs<br />

57cm high, 37cm deep<br />

$300–400


129<br />

307<br />

A Pair of Napoleon III gilt bronze and<br />

marble candelabra, circa 1840s<br />

the ornately cast candelabra each<br />

supporting three candles, on vase<br />

form stems and squared bases with<br />

gilt bronze feet<br />

38cm high, 23cm wide<br />

$400–600<br />

308<br />

EUROPEAN SCHOOL<br />

Saint Jerome<br />

oil on canvas<br />

73.5 x 60cm<br />

$400–600<br />

307<br />

299


130<br />

309<br />

AFTER WILLIAM SHAYER<br />

<strong>The</strong> Meet, Returning from<br />

the Hunt and <strong>The</strong> Death<br />

three colour engravings<br />

engraved by C R Stock<br />

published London, February 2 1883<br />

G P McQueen, Oxford Street, London<br />

37.5 x 59cm (image size, each)<br />

$600–800<br />

310<br />

A Dutch brass chandelier<br />

with a knopped standard and<br />

large brass globe emanating<br />

eight scrolling arms terminating<br />

in broad dishes sconces<br />

49cm long<br />

$400–600<br />

311<br />

A Regency mahogany pedestal card<br />

table, early 19th century<br />

the gadroon edged table above a<br />

turned pedestal with four shaped<br />

outswept legs with stiff leaf relief<br />

carved details and terminating in brass<br />

capped feet with petite casters<br />

75.5cm high, 93cm wide, 45cm deep<br />

$600–800<br />

311<br />

312<br />

A Louis XV style marble top oak<br />

commode, 18th century<br />

of serpentine profile with three long<br />

panelled drawers above a carved<br />

shaped skirt and raised on short<br />

cabriole legs, with cast and pierced<br />

floral handles and escutcheons<br />

98cm high, 133cm wide, 72cm deep<br />

$1,800–2,500


131<br />

309<br />

312


132<br />

313<br />

A Victorian mahogany secretaire<br />

bookcase, 19th century<br />

with a pair of pointed arch astragal<br />

glazed doors, the lower register with<br />

a tooled leather writing surface and a<br />

fitted satinwood interior above a pair<br />

of arched cupboards to a plinth base,<br />

with keys<br />

247cm high, 119cm wide,<br />

50.5cm deep<br />

$2,000–3,000<br />

314<br />

A carved oak bed, French,<br />

19th century<br />

the crest with armorial shield feature<br />

flanked by carved columns, the<br />

head and footboard with finely relief<br />

carved oak, ivy and laurel panels, with<br />

conforming carved side rails<br />

128cm high, 137cm wide,<br />

200cm deep<br />

$500–800<br />

315<br />

A Louis XVI style carved, painted and<br />

gilded bed, 19th century<br />

the lightly distressed frame with bead,<br />

paterae and pendant husk motifs,<br />

upholstered in cream, pink and green<br />

stripe fabric, the end board conforming<br />

the headboard 128cm high,<br />

155cm wide, 195cm deep<br />

$400–600<br />

316<br />

An English oak side table, 18th century<br />

a single drawer with brass drop<br />

handles supported on bobbin turned<br />

legs with a box stretcher<br />

70cm high, 73.5cm wide, 50.5cm deep<br />

$800–1,200<br />

317<br />

An oak coffer, English, 18th century<br />

with a typical plank top and sides,<br />

a partial candle box to the interior<br />

and lined with later 19th century<br />

newspaper<br />

68cm high, 101cm high, 38.5cm deep<br />

$600–800<br />

313


133<br />

318<br />

An Australian specimen wood games<br />

table with chequer-board top<br />

on a pedestal base with splayed<br />

legs, includes a small game<br />

pieces drawer underneath<br />

68cm high, 60 x 60cm wide and deep<br />

$500–800<br />

319<br />

An English oak drop-side supper table,<br />

18th century<br />

the plank oval top above turned legs<br />

and bobbin stretchers<br />

73.5cm high, 112cm wide,<br />

56.5cm deep<br />

$500–800<br />

318<br />

320<br />

A Queen Anne rosewood and walnut<br />

games table, early 18th century<br />

with a bat form quarter veneered<br />

fold-over top with herringbone<br />

feather banding, opening to a baize<br />

surface with candle stands and<br />

guinea wells, raised on tapering<br />

cabriole legs and pad feet<br />

73cm high, 81cm wide, 40cm deep<br />

(not extended)<br />

$2,000–3,000<br />

320


134<br />

321<br />

An Empire ormolu figural mantel clock,<br />

French, early 19th century<br />

depicting a captive Roman soldier, his<br />

helmet and gladius removed, with an<br />

enamel Roman dial marked Dubois<br />

Fils, 22 Rue St Honore, Paris, above an<br />

extended base with an ornamented<br />

frieze; key and pendulum<br />

63cm high, 46cm wide, 18cm deep<br />

$4,000–6,000<br />

322<br />

A large Louis XV style marble topped<br />

walnut commode, 19th century<br />

with a rouge marble top above three<br />

long drawers with book end feather<br />

banding and stringing, quarter veneer<br />

panelling to the sides, a serpentine<br />

skirt and raised on splayed legs,<br />

with gilt bronze cast masks, pierced<br />

mounts and sabots<br />

91cm high, 139cm wide, 54cm deep<br />

$1,500–2,500<br />

321<br />

322


135<br />

323<br />

323<br />

ENGLISH SCHOOL<br />

Portrait of a Thomas Hearson,<br />

circa 1852<br />

oil on canvas<br />

59 x 74cm<br />

$800–1,200<br />

324<br />

AFTER WILLIAM HOGARTH<br />

Marriage a la Mode<br />

a collection of eleven engravings<br />

inscribed and titled with printed text<br />

on margin<br />

published London circa 1840<br />

35.5 x 45cm<br />

PROVENANCE<br />

<strong>The</strong> Royal Australian and New<br />

Zealand College of Obstetricians and<br />

Gynaecologists (RANZCOG)<br />

$1,000–1,500<br />

325<br />

A pair of Louis XV style rouge marble<br />

walnut bedside tables, circa 1900<br />

with inset marble tops to the<br />

serpentine tops and and quarter<br />

veneer panels to the facades and<br />

sides, both with a single drawer and<br />

cupboard and raised on slender<br />

cabriole legs with whorl ends<br />

82cm high, 40cm wide and deep<br />

$400–600


136<br />

326<br />

326<br />

An Art Nouveau marquetry table by<br />

Émile Gallé, French, circa 1900<br />

in mixed timbers, the shaped surface<br />

featuring a tiger and cub amidst<br />

foliage, inlaid mark of Gallé to lower<br />

right, raised on pierced tapering legs<br />

united by an undertier<br />

75cm high, 64cm long, 42cm wide<br />

$1,200–1,500<br />

327<br />

An Art Deco silvered bronze statue of<br />

leaping doe, French 1930s<br />

signed 'H Verdier - Paris' to pale green<br />

onyx platform, with a black marble foot<br />

27cm high<br />

$800–1,200<br />

326


137<br />

328<br />

328<br />

A pair of Colin Heaney studio glass<br />

goblets, together with a green glass<br />

pitcher<br />

iridescent and sand textured goblets<br />

above spiral twist foliate stems, signed<br />

C Heaney 1999 to both, and a crackle<br />

glazed pitcher<br />

28cm high, and smaller<br />

$500–600<br />

329<br />

EMILY VALENTINE<br />

(NEW ZEALAND)<br />

Pug Cock 2012<br />

mixed media and peacock feathers<br />

signed and dated to base:<br />

Emily Valentine 2012<br />

44cm high, 23cm wide, 32cm deep<br />

$2,000–3,000<br />

329


138<br />

330<br />

An opalescent 'Aras' vase<br />

by René Lalique, France, pre 1945<br />

design 919, issued circa 1924, with<br />

script etched signature of R. Lalique,<br />

France, and numbered to footrim,<br />

the globular vase relief decorated<br />

throughout with macaws in foliage<br />

22cm high, 24cm diameter<br />

$2,500–4,000<br />

330


139<br />

331<br />

An opalescent Ceylan vase<br />

by René Lalique, France, pre 1945<br />

design 905, issued circa 1924, with<br />

stencil mark of R. Lalique France to<br />

base, featuring a frieze of budgerigars<br />

in high relief<br />

24cm high, 13cm diameter<br />

$1,000–1,500<br />

332<br />

An Epicea stained glass vase<br />

by René Lalique, France, pre 1945<br />

design 921, issued circa 1923, with<br />

R. Lalique mark in relief to base,<br />

decorated throughout with spruce<br />

fronds and light tan staining<br />

23cm high, 15cm diameter<br />

$2,000–3,000<br />

331<br />

332


140<br />

333<br />

333<br />

A 'Pampas' glass vase by Kralik,<br />

Bohemia, circa 1900<br />

of garlic head form with an amethyst<br />

thread décor upon the textured<br />

iridescent ground, with typical cut rim<br />

25.5cm high<br />

$400–600<br />

334<br />

A set of three Murano glass Chinese<br />

figures by Archimede Seguso,<br />

mid 20th century<br />

retail label to the base<br />

the largest 29cm high<br />

$500–800<br />

335<br />

A cameo glass vase by Émile Gallé,<br />

French, circa 1900<br />

featuring wild orchids in chartreuse<br />

and russet colours against an ombre<br />

ground, cameo signature of Gallé to<br />

lower body<br />

13cm high<br />

$400–600<br />

336<br />

A cameo glass flask vase by Émile<br />

Gallé, French, circa 1900<br />

a forest and mountain scene in muted<br />

olive, brown and blue colours against a<br />

deep golden ground, cameo signature<br />

of Gallé to body<br />

19cm high<br />

$400–600<br />

337<br />

A Volutes dish by Rene Lalique, France,<br />

pre 1945<br />

design 10-396 introduced 1934,<br />

stencil mark of R. Lalique to centre<br />

26cm diameter<br />

$600–800<br />

338<br />

An Art Nouveau vase by Rstk<br />

Amphora, Austria (Turn-Teplitz<br />

Bohemia), circa 1900<br />

the ovoid body decorated in brown,<br />

teal and ink blue glazes featuring<br />

a portrait profile of a maiden with<br />

flowing hair, raised gilt and enamel<br />

enhancements, red backstamp and<br />

impressed numerals underside<br />

22cm high<br />

$500–700


141<br />

339<br />

An Oursins vase by René Lalique,<br />

France, pre 1945<br />

design 10-888, introduced 1935,<br />

stencil mark of R. Lalique underside<br />

with etched mark, France, and faint<br />

numerals<br />

19.5cm high<br />

$3,000–5,000<br />

339


142<br />

340<br />

A two-seater down-filled leather and<br />

rosewood sofa designed by Georg<br />

Thams, Danish, circa 1970s<br />

manufactured by Grant Mobelfabrik<br />

length of back 148cm<br />

$1,500–2,500<br />

341<br />

A ball chair, after the original<br />

by Eero Aarnio<br />

with a white fibreglass shell and lined in<br />

black fabric with removable cushions,<br />

upon a swivel spreading base,<br />

unmarked<br />

123cm high, 102cm diameter<br />

$500–800<br />

342<br />

An Edwardian mahogany envelope<br />

games table, early 20th century<br />

with a swivel top opening to a green<br />

baize interior, a single drawer, and<br />

carved details to the skirt and cabriole<br />

legs, label for R.P Over & Son's Ltd<br />

Depository, Surrey, underside<br />

77cm high, 77cm wide and deep<br />

$400–600<br />

343<br />

A pair of Louis XV style bergères<br />

with padded backs and arms, carved<br />

supports and raised on cabriole legs<br />

with whorl ends, upholstered in indigo<br />

linen weave fabric<br />

PROVENANCE<br />

Graham Geddes Antiques<br />

$800–1,200<br />

344<br />

A Louis XV style vernis martin<br />

tulipwood vitrine, 20th century<br />

with shaped glass panels above<br />

scenic panels, gilt finials, trims and<br />

sabots, the interior with moire taffeta<br />

cream lining, with key<br />

195cm high, 111cm wide, 52cm deep<br />

$500–800<br />

345<br />

A Louis XVI style painted and carved<br />

fauteuil<br />

in a lightly distressed finish, the black<br />

frame with hints of gilding, upholstered<br />

in ecru linen<br />

104cm high, 63cm wide, 53cm deep<br />

$400–600<br />

346<br />

A Louis XVI style painted and carved<br />

console<br />

in a distressed painted finish with a<br />

fluted skirt and slender conforming<br />

ring turned legs<br />

76.5cm high, 91.5cm wide, 36cm deep<br />

$500–800<br />

347<br />

A Victorian mahogany tallboy chest of<br />

drawers, 19th century<br />

with an extended cornice above an<br />

ogee frieze drawer, seven drawers with<br />

knob handles flanked by barley twist<br />

supports, upon bun feet<br />

141cm high, 117cm wide, 54cm deep<br />

$400–600<br />

348<br />

A B&B Italia cream upholstered two<br />

seat sofa<br />

the Zanotta sofa with squab cushions<br />

and raised on tubular steel legs<br />

64cm high, 183cm wide, 80cm deep<br />

$800–1,200<br />

340


143<br />

349<br />

349<br />

A Danish teak two tier coffee table<br />

by Edvard Valentinsen for Edv.<br />

Valentinsen Møbelfabrik, 1960s<br />

Manufacturer's stamp underside<br />

54cm high, 135cm wide, 52cm deep<br />

$500–800<br />

350<br />

A carved and gilded ebonised hall<br />

mirror<br />

the simple moulded frame enclosing<br />

an egg and dart gilded slip<br />

170cm high, 78cm wide<br />

$400–600<br />

351<br />

A set of six Queen Anne style dining<br />

chairs, late 19th century<br />

maple chairs with dipped crests,<br />

vasiform splats and cabriole legs with<br />

carved knees, deep cherry velvet drop<br />

in seats<br />

$600–800<br />

352<br />

A provincial fruitwood butchers block,<br />

19th century<br />

with much patina featuring a three<br />

quarter gallery, and plank form<br />

undertier<br />

70cm high, 71cm wide, 54.5cm deep<br />

$400–600<br />

353<br />

A 19th century brass folding<br />

fan form fire screen<br />

In the Neoclassical style with tied<br />

swags, paterae and a wreathed<br />

medallion portrait surmounted by<br />

an urn form finial, husk and scroll<br />

ornaments to the base<br />

67cm high<br />

$400–600<br />

354<br />

A mirror topped brass coffee table<br />

the surface with a mottled plate finish<br />

47cm high, 112cm wide, 71cm deep<br />

$500–700<br />

355<br />

A pink velvet upholstered two seater<br />

couch<br />

quilted upholstery in dusky pink<br />

featuring a wrap around back above<br />

twin deep seats<br />

length of back 173cm<br />

$400–600<br />

356<br />

A large honey oak sideboard,<br />

20th century<br />

with four framed drawers with brass<br />

swan neck handles above cupboards<br />

95cm high, 205cm wide, 48cm deep<br />

$500–800<br />

357<br />

A set of cobalt quilted velvet dining<br />

chairs<br />

comprising twelve chairs with rounded<br />

backs<br />

$500–800


144<br />

358<br />

An Art Deco rosewood cabinet,<br />

circa 1920s<br />

with strikingly set book end veneers<br />

with darker panels to the centre, the<br />

chamfered sides relief carved with<br />

stylised floral motifs, raised on a plinth<br />

style undertier, with key<br />

140cm high, 120cm wide, 31cm deep<br />

$1,000–1,500<br />

359<br />

A gilt metal inlaid walnut coffee table<br />

by John-Richard Fine Furniture,<br />

Mississippi<br />

of serpentine profile centred with a<br />

large inlaid shell and edged with a<br />

running shell border, raised on pairs<br />

of tubular legs united by stretchers,<br />

plaque underside<br />

57.5cm high, 122cm wide, 90cm deep<br />

$400–600<br />

358


145<br />

360<br />

PETER TERESZCUK<br />

(1875-1963)<br />

a bronze model of Pierrot with a carved<br />

ivory face, signed to the bronze base,<br />

P. Tereszcuk, with foundry mark,<br />

mounted on a tiered portoro marble<br />

stand<br />

16cm high<br />

$600–800<br />

361<br />

An Art Deco rosewood dining suite by<br />

Gaston Poisson, circa 1936<br />

comprising a table with drawer ends<br />

for extensions and inswept serpentine<br />

legs to a brass strapped platform<br />

base, with a set of six high back chairs<br />

upholstered in pale green French silk<br />

the table 78cm high, 161cm wide,<br />

100cm deep<br />

$3,500–4,500<br />

362<br />

A pair of silver gilded mirror panel side<br />

cabinets, 20th century<br />

75cm high, 75cm wide, 43cm deep<br />

$400–600<br />

363<br />

A honey oak pew style bench,<br />

20th century<br />

with quatrefoil cut outs to the splats<br />

and a single shallow drawer to the<br />

skirt, square section legs and side<br />

stretchers<br />

90cm high, 169cm wide, 47cm deep<br />

$400–600<br />

364<br />

A painted oak chest of drawers,<br />

by House of De Tonge, France<br />

of serpentine profile and painted in a<br />

cream finish with blue trims, with swan<br />

neck painted brass swing handles,<br />

impressed makers mark to the back<br />

87cm high, 107cm wide, 51cm deep<br />

$500–700<br />

365<br />

A pair of chinoiserie simulated black<br />

bamboo armchairs<br />

with cream and camel toned<br />

upholstery with rope twist trim<br />

$400–600<br />

360<br />

361


146<br />

366<br />

366<br />

A set of Art Deco ash chairs,<br />

circa 1940<br />

comprising four chairs and two high<br />

backed stretcher based carvers of<br />

slightly gondola profile raised on<br />

tapering square legs with ebonised<br />

feet, upholstered in a black and brown<br />

textured rose fabric,<br />

$600–800<br />

367<br />

A yellow glass Art Deco mirrored table<br />

with fan shaped mirror, circa 1930s<br />

the octagonal table with a detachable<br />

mirror raised on a faceted base and a<br />

conforming base<br />

73cm high (table height), 94cm wide,<br />

62cm deep<br />

$500–800<br />

367


147<br />

368<br />

DUTCH SCHOOL<br />

Interior and Figures<br />

oil on canvas panel<br />

34 x 26.5cm<br />

$400–600<br />

369<br />

AFTER PETER PAUL RUEBENS<br />

Descent from the Cross<br />

oil on canvas<br />

31 x 36cm<br />

$500–800<br />

374<br />

MAMIE VENNER (1882-1974)<br />

A large oriental style ginger jar<br />

and cover<br />

of octagonal form richly decorated<br />

with peacocks and bold stylised<br />

occeli motifs in gilt and lustre colours<br />

upon a sky blue and dark burgundy<br />

ground, the conforming cover<br />

surmounted by a gilt dog of fo finial,<br />

signed and dated 1933 to base<br />

46cm high<br />

PROVENANCE<br />

Lot 172, Bonhams, November 2012,<br />

<strong>The</strong> Collection of the late Graham &<br />

Elizabeth Cocks<br />

REFERENCE<br />

Illustrated Australian Art Pottery 1900-<br />

1950 Casuarina Press, Plate 456.<br />

$1,000–1,500<br />

370<br />

LEOPOLDINE MIMOVICH<br />

(BORN 1920)<br />

Christ and Children<br />

pen and watercolour<br />

signed lower right: L Mimovich<br />

39.5 x 22.5cm<br />

$500–600<br />

371<br />

AFTER BRUGHAL<br />

Figures at Pond<br />

engraving<br />

with printed text on margin<br />

7.5 x 16.5cm<br />

$200–400<br />

372<br />

EUROPEAN SCHOOL<br />

Classical Figurative Study<br />

wash and pencil<br />

15 x 21cm<br />

$200–400<br />

373<br />

A Provincial hardwood stretcher<br />

base table<br />

with a heavy plank top above<br />

an apple green base<br />

78.5cm high, 163cm wide,<br />

73.5cm deep<br />

$400–600<br />

374


148<br />

375<br />

A large Capodimonte covered vase,<br />

Italian, 20th century<br />

with a figural finial and twin swan neck<br />

and mask head handles, the body<br />

profusely embossed with allegorical<br />

and Bacchanalian scenes<br />

70cm high<br />

$600–800<br />

375<br />

376<br />

A large painted and gilded<br />

Royal Worcester vase, 1888<br />

with a moulded, pierced onion<br />

shaped rim, floral decorations in<br />

low relief to the neck and reserved<br />

collar, high set gilded handles, the<br />

body featuring a peacock perched<br />

on a trellis fence amidst raised gilt<br />

foliage upon a cream satin ground,<br />

puce mark underside, impressed<br />

numerals, '1200', registration number,<br />

partial shape number<br />

46cm high<br />

$1,200–1,500<br />

376


149<br />

377<br />

An Art Nouveau figural vase by Ernst<br />

Wahliss for Royal Vienna, circa 1900<br />

modelled with a maiden in flowing<br />

robes, the vase formed out of large<br />

leaves and petals, in muted shades<br />

of green and cream heightened<br />

with gilt, green lozenge impressed<br />

'Royal Vienna Wahliss'<br />

65cm high<br />

$3,000–5,000<br />

377


150<br />

378<br />

A large Moorcroft 'Pomegranate'<br />

pitcher, circa 1928-1945<br />

a tubelined frieze of fruits in plum,<br />

russet and olive tones upon a<br />

modulating cobalt ground on the body,<br />

blue painted signature, impressed<br />

W. Moorcroft and H.M. Potters to the<br />

Queen marks to base<br />

24cm high<br />

$500–700<br />

379<br />

A fine large Moorcroft 'Leaf and Berry'<br />

flambé vase, circa 1928-1945<br />

a tubelined leaf and berry frieze in<br />

purple, plum and autumnal shades<br />

against a modulating Prussian blue<br />

and russet ground, green painted<br />

signature, William Moorcroft and<br />

potters to H.M. the Queen impressed<br />

marks to base<br />

31.5cm high<br />

$700–900<br />

380<br />

A pair of Arita blue and white porcelain<br />

vases, Japanese, Meiji period<br />

baluster vases with waisted necks<br />

decorated with birds flying amidst<br />

flowering prunus, bamboo and other<br />

flora, with lappet bands to the foot,<br />

unmarked<br />

39.5cm high<br />

$500–800<br />

378<br />

379


151<br />

381<br />

An Art Nouveau dragon vase by<br />

Eduard Stellmacher for Amphora,<br />

circa 1900<br />

the conical stoneware vase with a<br />

moulded lingzhi fungus rim entwined<br />

with a winged dragon in high relief,<br />

in satin chocolate glaze with buff<br />

enhancements, impressed initials,<br />

'E St.' to lower body, impressed oval<br />

mark to base<br />

35cm high<br />

$1,200–2,000<br />

382<br />

A three piece Limoges style porcelain<br />

garniture, French, 20th century<br />

a pair of urn form vases and a oval<br />

comport, featuring transfer design<br />

romantic scenes within gilded reserves<br />

upon a ink blue ground, with ornate gilt<br />

metal cast bases and trims<br />

55cm high<br />

$500–800<br />

383<br />

A Clarice Cliff 'Celtic harvest' tea set<br />

and two large bowls, 1936-1938<br />

period<br />

the bowls, teapot and various preserve<br />

and sugar pots moulded with fruit<br />

handles, floral finials, and wheat<br />

sheaves in colours upon a deep cream<br />

basketweave ground, variously marked<br />

with Clarice Cliff and Newport Pottery<br />

stamps to bases; together with Clarice<br />

Cliff: <strong>The</strong> Inspiration Behind <strong>The</strong> Colour<br />

Room by Lynn Knight<br />

Bowl: 29cm wide<br />

$400–600<br />

381


152<br />

384<br />

A group of first period Worcester<br />

wares, circa 1760-70<br />

A moulded leaf dish with stem handle<br />

decorated in Gillyflower pattern with<br />

crescent mark and BADA label, two tea<br />

bowls and a strap handled cup, two<br />

saucer dishes, one dish in flower and<br />

moth pattern<br />

$500–600<br />

385<br />

Two Dr Wall Worcester blue and white<br />

teapots, circa 1760s<br />

globular teapots, one with cabbage<br />

leaf moulding, the lids with floral knops<br />

and open crescent marks to both<br />

underside<br />

14.5cm high<br />

$500–600<br />

386<br />

Two Meissen porcelain figure groups,<br />

19th century<br />

Boreas and Oreithyia, model 990, and<br />

an amorous couple, apparently model<br />

191, crossed sword marks and incised<br />

model numbers to each base<br />

the largest 23cm high<br />

$400–600<br />

387<br />

A Moorcroft flambé 'Orchid' pattern<br />

vase, 1930s<br />

decorated in colours on a maroon/<br />

black ground, impressed and blue<br />

signatures and factory marks, “Potters<br />

to HM the Queen” paper label<br />

23cm high<br />

$1,000–1,500<br />

388<br />

A studio pottery stoneware vase by<br />

Somluk Pantiboon, 20th century<br />

maker's mark to base<br />

40cm high, 30cm diameter<br />

$400–600<br />

385


153<br />

384<br />

389<br />

Two sauce boats, Longton Hall and<br />

Worcester, 1750-1760<br />

a Longton Hall purple veined leaf<br />

moulded sauce boat with scattered<br />

insects to the interior and a trailing<br />

stem handle, a footed and moulded<br />

Worcester sauceboat decorated<br />

with bird in landscape scenes and<br />

auspicious Chinese objects to the<br />

interior rim<br />

21cm long<br />

$500–700<br />

390<br />

A figural famille rose bowl, probably<br />

Worcester, and two blue and white<br />

bowls in the manner of Lowestoft,<br />

circa 1760<br />

a polychrome bowl with figural<br />

narratives and a fleur de lis border and<br />

two blue and white bowls including<br />

cannonball and rock in garden patterns<br />

6cm high 12.5cm diameter and<br />

smaller<br />

$500–600<br />

389<br />

389


154<br />

391<br />

Three blue and white wares including a<br />

Worcester tankard, and two canisters<br />

1770 and after<br />

the Worcester tankard in 'Parrot<br />

pecking Fruit' pattern, a barrel shaped<br />

jar without cover, probably Caughley,<br />

and an ovoid canister by Worcester<br />

15cm high and smaller<br />

$350–450<br />

392<br />

A Dr Wall Worcester polychrome floral<br />

dish, circa 1765<br />

the fluted dish with a cobalt border<br />

enclosing floral bouquets, open<br />

crescent mark to base<br />

23cm diameter<br />

$300–400<br />

393<br />

Two blue and white footed sauce<br />

boats, circa 1760-1780<br />

A Liverpool type moulded sauceboat<br />

with a biting snake handle and floral<br />

design, and a footed sauce boat with a<br />

feathered blue edge<br />

7cm high 19cm long<br />

$400–500<br />

394<br />

Three blue and white wares,<br />

circa 1760-1770<br />

A first period Worcester feather<br />

moulded plate, a leaf form pickle dish,<br />

and small dolphin moulded ewer boat,<br />

in the manner of Derby<br />

7cm high, 19cm diameter<br />

$350–450<br />

395<br />

Two blue and white jugs and a covered<br />

small pot, circa 1770s<br />

comprising a petite sparrow beak milk<br />

jug with a strap handle, a Worcester<br />

pot with cover and floral finial, with<br />

crescent mark, and a Liverpool barrel<br />

shaped jug<br />

13cm high and smaller<br />

$350–500<br />

396<br />

A group of four blue and white<br />

wares by Worcester and Caughley,<br />

circa 1770s<br />

all decorated in fisherman and<br />

cormorant pattern, comprising a<br />

bowl with a quasi Chinese mark, a<br />

Salopian marked small saucer dish,<br />

and a Caughley navette shaped stand<br />

or dish<br />

26cm wide, 18cm deep and smaller<br />

$300–400<br />

397<br />

Three blue and white sauceboats, in<br />

the manner of Bow and Lowestoft,<br />

circa 1760s<br />

Moulded bodies and decorated with<br />

flowers and borders, unmarked<br />

7cm high, 16.5cm long<br />

$300–400<br />

398<br />

A group of Leeds creamware pottery,<br />

circa 1780<br />

Comprising moulded and pierced<br />

plates, tubs on stands with rose<br />

finials, a vase, a pot pourri cover and a<br />

transferware tea canister<br />

plate: 24cm diameter, vase:<br />

16.5cm high<br />

$400–500<br />

399<br />

A Rockingham tea service, circa 1830<br />

the ornate moulded service for six<br />

including teapot, sugar basin, milk jug<br />

and extras, having grey borders, gilt<br />

enrichments and handpainted floral<br />

posies, unmarked but number 1220<br />

$350–450<br />

400<br />

A Royal Worcester dragon handled<br />

pitcher, 1887<br />

of compressed form with an<br />

elaborately moulded dragon, the<br />

body with exotic polychrome birds<br />

and raised gilt enrichments, puce<br />

backstamp, shape 1048, and raised<br />

registration cartouche underside<br />

19.5cm high, 19cm diameter<br />

$350–500<br />

401<br />

Three creamware plates, together with<br />

a later plate, 1760s and after<br />

including a Wedgwood plate<br />

decorated with Liverpool birds by<br />

Sadler & Green, two reticulated plates<br />

with puce Roman folly decorations,<br />

probably Leeds, and a plate with<br />

armorial<br />

24cm diameter and smaller<br />

$300–400<br />

402<br />

A monogrammed Chamberlain's<br />

Worcester jug, circa 1790<br />

with a spiral moulded body and<br />

decorated with gilt flora and patterns,<br />

a cobalt and gilt border to the rim, gilt<br />

script mark Chamberlain's Worcester<br />

No. 99 underside<br />

17.5cm high<br />

$300–400<br />

403<br />

An interesting mixed ceramic group,<br />

18th to 20th century<br />

a creamware coffee pot and pedestal<br />

cup, a creamware beaker with a mocha<br />

agate glaze and strap handle, a basket<br />

weave floral bowl possibly Derby, and<br />

two Royal Doulton 'Orchid' egg cups<br />

the coffee pot 18.5cm high<br />

$350–450<br />

404<br />

A Bow polychrome porcelain slop<br />

bowl, circa 1755<br />

enamel decorated in famille rose<br />

designs, unmarked<br />

7.5cm high, 17.5cm diameter<br />

$300–400<br />

405<br />

Two first period Worcester wares, a<br />

sauce boat and a jug, circa 1750-1770<br />

an early Worcester double lipped<br />

two handled sauce boat, with 'smoky<br />

primitives' swan and sailing ship<br />

transferware designs, and a scenic<br />

Worcester puce sparrow beak jug,<br />

unmarked<br />

19.5cm long and smaller<br />

$400–500


155<br />

406<br />

406<br />

A rare pair of Derby botanical tureen<br />

stands with decoration by William<br />

'Quaker' Pegg, 1782-1800 period<br />

yellow bordered stands decorated with<br />

individual botanical specimens, Latin<br />

descriptions underside and blue cross<br />

baton marks of period<br />

23cm long<br />

PROVENANCE<br />

John Wilson Antiques, circa 1995<br />

$1,000–1,200<br />

407<br />

A pair of Dr Wall Worcester blue and<br />

white bowls, circa 1770<br />

lobed bowls decorated in 'pine<br />

cone' pattern, open crescent marks<br />

underside<br />

23cm diameter<br />

$300–500<br />

408<br />

Two Dr Wall Worcester polychrome<br />

fluted dessert dishes, circa 1770<br />

on a blue scale ground and decorated<br />

in the manner of James Giles, one<br />

featuring fancy birds and insects to<br />

Rococo shaped gilt enriched reserves,<br />

the other with floral designs, fret marks<br />

underside<br />

20cm diameter<br />

$350–450<br />

409<br />

A Nantgarw square dessert dish,<br />

Wales, circa 1810-1820<br />

of lobed form with a gilt dentil border,<br />

decorated throughout with cornflower<br />

sprigs, faint impressed factory mark<br />

underside, label for Moorabool<br />

Antiques<br />

24 x 24cm<br />

$300–400<br />

410<br />

A Clingnancourt Paris bowl, French,<br />

circa 1780<br />

the hardpaste porcelain bowl with<br />

Deutsche blumen sprays and sprigs, a<br />

dentil border to the rim, red backstamp<br />

underside, Moorabool Antiques label<br />

24.5cm diameter<br />

$400–500<br />

411<br />

An Art Deco Clarice Cliff Bizarre<br />

'Damask Rose' tea set, circa 1930<br />

a service for six in the Daffodil shape,<br />

comprising a teapot, milk jug, sugar<br />

basin, six cups, associated saucers<br />

and side plates, and two cake or<br />

luncheon plates, Newport pottery<br />

marks to the base<br />

the tea pot 13cm high<br />

$600–800


156<br />

412<br />

A Hollywood Regency style brass<br />

shelving unit<br />

of oriental inspiration, the square<br />

profile 'key fret' frame with glass<br />

shelves<br />

197cm high, 105cm wide, 30cm deep<br />

$500–800<br />

413<br />

Two onyx topped coffee tables in the<br />

French manner<br />

A large oval table and a smaller shaped<br />

table raised on carved walnut toned<br />

frames and cabriole legs<br />

larger table: 46cm high, 130cm wide,<br />

65cm deep, smaller: 53cm high,<br />

68cm wide, 47cm deep<br />

$400–600<br />

414<br />

A contemporary table and eight<br />

upholstered chairs by Coco Republic<br />

the table in a near black finish with<br />

tapering legs, the matching high back<br />

chairs fully upholstered in taupe fabric<br />

76cm high, 201cm wide, 100cm wide<br />

$500–800<br />

415<br />

A Georgian mahogany elbow chair, late<br />

18th century<br />

in the Anglo Irish manner with a<br />

serpentine carved crest rail, knot form<br />

splat and outswept arms with carved<br />

bird's head terminals, with straight<br />

legs united by an 'H' form stretcher,<br />

the drop in seat with bargello style<br />

upholstery<br />

$400–600<br />

416<br />

A large ebonised salon mirror<br />

119cm high, 90cm wide<br />

$400–600<br />

412


157<br />

417<br />

A monumental Chinese Chippendale<br />

style cabinet by Kim Moir Bespoke for<br />

Stuart Rattle Design<br />

painted in Robin's egg blue with a<br />

pagoda top and breakfront lattice<br />

panelled doors flanked by astragal<br />

glazed cabinets and lower drawers,<br />

raised on shaped bracket feet, fabric<br />

lined to the interior<br />

324cm high, 250cm wide, 70cm deep<br />

$1,500–2,500<br />

417


158<br />

418


159<br />

418<br />

A French Provincial carved oak<br />

armoire, 18th century<br />

two carved cupboards with quatrefoil<br />

and fan designs within a reeded frame,<br />

raised on block legs<br />

$1,000–1,500<br />

419<br />

A pair of Burmese black lacquer<br />

temple jar table lamps<br />

with cream ivory linen shades and<br />

electrical fittings<br />

110cm high<br />

$600–800<br />

420<br />

A pair of brown leather wingback<br />

chairs<br />

of generous proportions with rollover<br />

arms, squab seats and finished with<br />

nail trims, raised on cabriole legs<br />

$1,000–1,500<br />

419<br />

420


160<br />

421<br />

421<br />

A Continental fruitwood coffer,<br />

18th century<br />

with plank top, antique hinges and<br />

lock, a decorative shaped skirt, legs<br />

probably later<br />

52cm high, 113cm wide, 42cm deep<br />

$600–800<br />

422<br />

An English elm wainscott chair,<br />

18th century<br />

with a rail and stile panelled back,<br />

shaped arms above turned supports<br />

and square section legs united by a<br />

stretcher base<br />

$500–800<br />

423<br />

A Victorian dual seat cast iron garden<br />

bench, 19th century<br />

with scrolling floral designs to the legs<br />

and arm rests, with weathered slats<br />

243cm wide<br />

$1,500–2,500<br />

422


161<br />

424<br />

An English elm hall settle, 18th century<br />

Of pegged construction, with a three<br />

panel back, shaped arms and a hinged<br />

plank seat<br />

123.5cm high, 119.5cm wide,<br />

50cm deep<br />

$600–800<br />

425<br />

An Italian made feather floor lamp<br />

the square shade studded with ostrich<br />

feathers and raised on a slender<br />

chrome tripod base<br />

155cm high, 43cm wide, 43cm deep<br />

PROVENANCE<br />

ECC Auckland<br />

$1,500–2,500<br />

426<br />

A vintage multi tiered cut crystal<br />

chandelier<br />

the serpentine supports with beaded<br />

festoons and hung with pear shaped<br />

drops<br />

83cm high, 55cm diameter approx<br />

$400–600<br />

427<br />

An antique Spanish style fruitwood<br />

side table, 19th century<br />

with a plank top above two drawers,<br />

with a scroll and barb skirt and<br />

raised on shaped supports with side<br />

stretchers<br />

78cm high, 120cm wide, 78.5cm deep<br />

$400–600<br />

428<br />

A French provincial oak cabinet,<br />

18th century<br />

with a single door decorated with knot<br />

designs in low relief and fan shapes,<br />

with long brass hinges<br />

117cm high, 79cm wide, 40cm deep<br />

PROVENANCE<br />

label for H. Huet Antiquaires, Lannion,<br />

Cotes du Nord, verso<br />

$500–800<br />

424


162<br />

429<br />

429<br />

A green velvet upholstered Knole sofa<br />

of typical form with high sides<br />

attached with decorative rope to the<br />

back, embellished with large scale<br />

double nail trim and a tassel skirt<br />

81cm high, 142cm wide, 73cm deep<br />

$500–600<br />

430<br />

An antique elm farmhouse table,<br />

19th century<br />

with much patina, featuring a plank top<br />

above tapering square section legs<br />

73cm high, 197cm wide, 86cm deep<br />

$1,000–1,500<br />

430


163<br />

431<br />

431<br />

A pair of painted leadlight steel framed<br />

doors, circa 1900<br />

grid framed doors painted with<br />

festooned medallions and urns issuing<br />

flowers, enclosed by a border of<br />

textured green glass<br />

each door: 178cm high, 59cm wide<br />

$800–1,200<br />

432<br />

A French walnut music cabinet,<br />

19th century<br />

with a recessed open compartment<br />

with two small drawers above<br />

tambour front cupboards opening<br />

to a partitioned interior, with turned<br />

supports and squashed bun feet<br />

157cm high, 70cm wide, 43cm deep<br />

$800–1,200


164<br />

433<br />

A Regency giltwood convex mirror,<br />

circa 1815<br />

surmounted with an eagle crest<br />

within applied foliage, the pulvinated<br />

moulded frame enclosing a floral<br />

border in relief and an ebonised<br />

reeded slip surrounding the original<br />

silvered plate<br />

101cm high<br />

$1,200–1,800<br />

434<br />

An impressive William IV flame<br />

mahogany break-front bookcase<br />

an extended pediment and arch<br />

pointed doors above a conforming<br />

extended base, with pilaster and<br />

corbel embellishments<br />

265.5cm high, 170cm wide,<br />

53cm deep<br />

$5,000–8,000<br />

433<br />

435<br />

A Regency rosewood fold over games<br />

table, early 19th century<br />

in well figured rosewood with<br />

contrasting borders of birds eye<br />

maple, raised on a turned pedestal<br />

with outswept legs terminating in brass<br />

lion paw feet with brass casters<br />

74.5cm high, 91cm wide, 45cm deep<br />

$800–1,200<br />

435


434<br />

165


166<br />

436<br />

An Irish Georgian style marble top<br />

occasional table, 19th century<br />

the flecked black marble surface<br />

above a richly pierced and carved<br />

cushion form skirt with acanthus and<br />

shell motifs below a Vitruvian scroll fret<br />

border, raised on substantial cabriole<br />

legs with lion's paw feet<br />

79cm high, 131cm wide, 81cm deep<br />

$1,200–1,800<br />

437<br />

EUROPEAN SCHOOL<br />

Sailing Vessels<br />

oil on board<br />

29.5 x 45.5cm<br />

$300–500<br />

438<br />

AFTER WATTEAU<br />

Le May, Feste Bacchique,<br />

Partie de Chasse<br />

three colour engravings<br />

engraved by Paneline, J Moyreau<br />

and G Scotin<br />

with printed text in image<br />

64 x 40.5cm (each)<br />

$700–1,000<br />

439<br />

A tubular bell grandfather clock<br />

movement and stand, early<br />

20th century<br />

with complete mechanism and having<br />

a decoratively engraved face and<br />

pierced hands, playing Westminster,<br />

Whittington and St Michael's chimes<br />

178cm high<br />

$500–600<br />

440<br />

A sarcophagus shaped inlaid<br />

ebonised Continental table clock,<br />

17th century or earlier<br />

previously with automata, with detent<br />

escapement<br />

9cm high 20.5cm long, 11.5cm wide<br />

$4,000–6,000<br />

441<br />

A Victorian marble mantel clock,<br />

late 19th century<br />

the architectural style clock in black<br />

marble with contrasting marble tile<br />

decorations, having an enamel dial<br />

with Roman numerals and minute<br />

markings, visible escapement and set<br />

within a decorative gilded bezel<br />

25cm high, 20cm wide, 12cm deep<br />

$400–600<br />

436


167<br />

442<br />

MARTIN RUSSELL<br />

Daphnis and Chloe<br />

Composite stone<br />

95cm high, 110cm wide, 60cm deep<br />

(approx.)<br />

$4,000–6,000<br />

443<br />

An Indian silver bowl, 19th century<br />

the serpentine sides repoussed<br />

with gadrooning and grape and leaf<br />

decoration<br />

17cm diameter<br />

$400–600<br />

444<br />

A carved giltwood salon mirror<br />

gilt on red bole, with acanthus<br />

decoration to the ogee profile frame<br />

and distressed plate<br />

135cm high, 97cm wide<br />

$600–800<br />

445<br />

Four hand painted portrait miniatures<br />

of women, early 20th century<br />

including versions of the Mona Lisa<br />

and Gainsborough's Sarah Siddons,<br />

all housed in ivory tiled frames<br />

the largest 6cm long, frames:<br />

12cm high, 11cm wide<br />

$400–600<br />

446<br />

A Martin Brothers squared stoneware<br />

vase, London, 1913<br />

the blue and green glazed body<br />

with incised grotesque dragon fish<br />

decoration and a crab<br />

incised marks '3-1913 Martin Bros.<br />

London Southall' to base<br />

25cm high<br />

$1,200–1,800<br />

442


168<br />

447<br />

A Kashan wool rug, south western Iran<br />

with a central lozenge and profusely<br />

decorated with flora in a blue, maroon<br />

and olive palette upon an ink blue field,<br />

with red and cream spandrels enclosed<br />

by a broad floral border<br />

221 x 149cm<br />

$1,800–2,500


169<br />

448<br />

A Lilihan wool rug, south western Iran,<br />

circa 1930s<br />

A garden of paradise rug with sweeping<br />

foliate patterns in pink, green and blue<br />

tones upon a brown field, enclosed by a<br />

main lotus border and narrow bands<br />

203 x 140cm<br />

$1,400–1,600


170<br />

449<br />

A large cream Aubusson style tapestry<br />

weave carpet<br />

with a central medallion and floral<br />

designs in light tan, pink and green<br />

colours upon a cream field<br />

431 x 304cm<br />

$600–800<br />

450<br />

A large contemporary floral wool<br />

carpet by <strong>The</strong> Rug Company<br />

with bold all-over weeping foliar<br />

designs in charcoal colours upon a<br />

deep cream field<br />

368 x 275cm<br />

$600–800<br />

451<br />

A Kashmir wool rug<br />

with an all-over floral design of lotus<br />

and herati in ochre, mushroom, red<br />

and tan colours on a pale teal field,<br />

enclosed by lotus borders<br />

255 x 170cm<br />

$600–800<br />

452<br />

A Kashan wool runner, south western<br />

Iran<br />

with three lozenge medallions in pale<br />

blue, navy and other colours upon a<br />

blood red field enclosed by an ornate<br />

border<br />

340 x 104cm<br />

$1,200–1,500<br />

453<br />

An Enjalas wool runner, western Iran<br />

with a close allover design in brown<br />

and cream colours upon a rose field<br />

enclosed by a stylised cream floral<br />

border<br />

278 x 87cm<br />

$1,000–1,500<br />

454<br />

A Bakhtiari wool rug, south western<br />

Iran, circa 1940s<br />

with a bold navy rosette upon a<br />

profusely floral decorated light red<br />

field, enclosed by floral borders<br />

200 x 161cm<br />

$1,800–2,500<br />

455<br />

A Tafresh wool rug, central west Iran,<br />

circa 1950s<br />

with a central medallion and scattered<br />

boteh in mushroom, cream and blue<br />

colours upon a red field, with well<br />

decorated spandrels and enclosed by<br />

a floral cream border<br />

202 x 136cm<br />

$1,500–1,800<br />

456<br />

An Afshar wool rug, south western Iran,<br />

circa 1950s<br />

in cream, tan, maroon and green<br />

colours with two cross designs<br />

surrounded by herati and striking<br />

geometric ribbons, enclosed by a<br />

trellis pattern border<br />

210 x 154cm<br />

$1,500–1,800<br />

457<br />

An Indian wool rug<br />

with palmettes, flowers and scrolling<br />

leaves united by tendrils in cream<br />

and buff tones upon a brown field,<br />

enclosed by a broad lotus and floral<br />

cream border<br />

308 x 245cm<br />

$2,400–2,600<br />

458<br />

A large Persian wool rug<br />

a tile pattern carpet featuring<br />

peacocks, urns issuing flora and<br />

framed garden of paradise scenes<br />

within stylised floral borders, in cream,<br />

beige, and bronze colours upon a mid<br />

blue field<br />

364 x 276cm<br />

$800–1,200<br />

459<br />

A Persian wool runner<br />

in mushroom, olive and tan colours<br />

upon a cream field, featuring lozenges<br />

on a profusely decorated floral field<br />

between a main floral border and<br />

narrow bands<br />

270 x 73cm<br />

$400–600<br />

460<br />

An Aubusson rug<br />

the tapestry weave rug in a muted<br />

dusky rose, maroon, and coffee palette<br />

upon a cream field, featuring a central<br />

floral medallion enclosed by a floral<br />

chain, with vegetal arabesques and<br />

decorative floral style spandrels<br />

260 x 175cm<br />

$1,200–1,800<br />

461<br />

A Persian wool hall runner<br />

the tribal runner in a thick pile and<br />

profusely decorated in stylised flora<br />

and boteh in pink, navy and sky blue<br />

colours upon a rose field, enclosed<br />

by a flower head border and chevron<br />

bands<br />

358 x 108cm<br />

$700–900


171<br />

462<br />

A Borujerd woollen rug, western Iran,<br />

circa 1930s<br />

with bold geometric star and floral<br />

designs in a red, tan and cream palette<br />

upon a navy field within a palmette and<br />

tree design main border<br />

201 x 130cm<br />

$1,200–1,500


172<br />

463<br />

463<br />

An original pair of Dario Gagliardini<br />

classic easy chairs manufactured by<br />

Joquer<br />

in leather, chrome and textured weave<br />

fabric, mark of Joquer to bases<br />

81cm high, 70cm wide, 75cm deep<br />

$1,000–1,500<br />

464<br />

A bronzed ceramic bust of Zeus<br />

72cm high<br />

PROVENANCE<br />

formerly installed at the top of<br />

the stairs in Fanny's Restaurant,<br />

Melbourne<br />

$400–600<br />

465<br />

Three Kudu tail cushion covers<br />

skins from Eastern/Southern Africa<br />

43 x 43cm<br />

$600–800<br />

466<br />

A carved wooden deer, Balinese,<br />

late 19th century<br />

the recumbent figure with horn antlers<br />

66cm high (with antlers), 90cm long<br />

$500–800<br />

467<br />

A patinated bronze casting of a mastiff<br />

with her pups, after W. Wolfe, German,<br />

20th century<br />

inscribed signature of W. Wolfe<br />

19cm high, 34cm wide, 26cm deep<br />

$500–800<br />

468<br />

A large spelter model of a seated<br />

Alsatian, by Louis-Albert Carvin,<br />

French, circa 1920s<br />

naturalistically modelled in deep<br />

green patinated tones, and raised on a<br />

multi-coloured stepped marble base,<br />

incised mark of Carvin to base<br />

42cm high, 35cm wide, 21cm deep<br />

$400–600<br />

469<br />

A French spelter figure of<br />

shepherdess, signed Moreau,<br />

late 19th century<br />

the bronze toned figure seated upon<br />

a rustic plinth and resting upon her<br />

crook, signature of Moreau to the foot,<br />

raise on a wooden base<br />

60cm high<br />

$500–800<br />

470<br />

A French patinated bronze figure,<br />

Mélodie, late 19th Century<br />

After a model by Albert Ernest<br />

Carrier-Belleuse (French, 1824-1887)<br />

Depicting a classically draped female<br />

figure holding a lyre and seated on<br />

a pedestal on stepped base with<br />

cut corners, inscribed CARRIER<br />

BELLEUSE, HORS CONCOURS<br />

58cm high, 46cm wide<br />

$1,200–1,500


173<br />

471<br />

An American four door 'Melange'<br />

credenza, made by Hooker, Virginia<br />

with stylised feature diamond point<br />

cupboard doors, raised on bracket feet<br />

93cm high, 198cm wide, 44.5cm deep<br />

$800–1,200<br />

472<br />

A giltwood mantel mirror, late<br />

19th century<br />

with ribbon and vegetal forms in low<br />

relief, the sides with demi-figures<br />

above acanthus leaves and pendants<br />

95cm high, 88cm wide<br />

$600–800<br />

473<br />

A Georgian pierced steel and brass fire<br />

fender, early 19th century<br />

of curved profile with a panel of<br />

contrasting black openwork<br />

18.5cm high, 90cm wide, 21cm deep<br />

$400–600<br />

474<br />

A pierced brass fire fender on shell<br />

form feet, early 19th century<br />

of curved profile with formal<br />

Neoclassical designs<br />

22.5cm high, 78cm wide, 28cm deep<br />

$500–700<br />

475<br />

A set of Queen Anne style black<br />

lacquer painted dining chairs,<br />

circa 1930<br />

with green upholstered cushions<br />

$400–600<br />

476<br />

A late Victorian cylinder bureau<br />

bookcase, 19th century<br />

with an extended pediment, arch<br />

framed doors enclosing three shelves,<br />

the fitted interior with pigeon holes,<br />

compartments and tooled leather<br />

slope, conforming lower cupboards on<br />

a plinth base<br />

226cm high, 126cm wide, 53cm deep<br />

$600–800<br />

471


174<br />

477<br />

A large carved Louis XVI style<br />

giltwood and gesso pier mirror, French,<br />

19th century<br />

a lavish trophy to the crest featuring<br />

doves amidst an abundance of flora,<br />

with crossed arrows and quiver, floral<br />

swags and pendants to the plate and<br />

upper frame, with running open knot<br />

and cabochon borders, with antique<br />

plate<br />

252cm high, 117cm wide<br />

$1,000–1,500<br />

478<br />

A late Georgian mahogany tilt-top wine<br />

table, early 19th century<br />

the baluster pedestal with spiral twist<br />

detail on a tripod base with out swept<br />

pad feet, locking mechanism complete<br />

68.5cm high, 86cm diameter<br />

$500–800<br />

479<br />

A Victorian rosewood fold over games<br />

table, mid 19th century<br />

the hinged serpentine top and<br />

conforming frieze raised on a lobed<br />

pedestal with four finely carved<br />

outswept leaf capped legs with brass<br />

casters<br />

73cm high, 94cm wide, 62cm deep<br />

$600–800<br />

480<br />

A Georgian mahogany three tier dumb<br />

waiter, circa 1800<br />

with baluster supports and raised on<br />

a tripod base with pad feet and brass<br />

casters<br />

106cm high<br />

$400–600<br />

481<br />

A near pair of Victorian oak hall chairs,<br />

English 19th century<br />

in the Renaissance Revival style and<br />

raised on baluster legs with toupie feet<br />

86cm high, (45cm seat height)<br />

PROVENANCE<br />

John Chambers, Adelaide<br />

<strong>The</strong>nce by descent<br />

$400–600<br />

477


175<br />

482<br />

A George III ebonised bracket clock,<br />

English, circa 1790<br />

single fusee, the arched case with<br />

brass trims and bracket feet, the white<br />

enamel dial with Roman numerals, key<br />

and pendulum<br />

22cm high, 20cm wide<br />

$1,000–1,500<br />

483<br />

A pair of Louis XV style carved<br />

and gilded rosewood consoles,<br />

19th century<br />

with serpentine skirts and acanthus<br />

embellished cabriole legs picked out in<br />

gilt, with a single drawer<br />

70cm high, 130cm wide, 42cm deep<br />

$1,200–1,800<br />

484<br />

A Hollywood Regency style glass and<br />

burnished brass coffee table<br />

40cm high, 120cm wide, 60.5cm deep<br />

$600–800<br />

482<br />

483


176<br />

485<br />

485<br />

A Napoleon III pressed metal<br />

octagonal mirror, French, 19th century<br />

with original silvered plate enclosed by<br />

a mirrored frame with mask heads at<br />

intervals and repousse borders<br />

102cm high, 83cm wide<br />

$600–800<br />

486<br />

A French transitional style walnut desk,<br />

19th century<br />

with a tooled leather surface above<br />

twin drawers, faux drawers to the<br />

reverse, raised on restrained cabriole<br />

legs, with cast brass trims and sabots<br />

74cm high, 124cm wide, 60cm deep<br />

$400–600<br />

487<br />

A rustic antique style three drawer<br />

oak table<br />

in the Italian provincial manner, having<br />

a plank top with much patina, square<br />

section legs with stretcher ends,<br />

the drawers and face with incised<br />

hammered trim<br />

88cm high, 159cm wide, 85cm deep<br />

$400–600


177<br />

488<br />

BRUNO ZACH<br />

(AUSTRIAN, 1891–1945)<br />

Erotic figure<br />

bronze with brown patina<br />

signed B. ZACH to the base<br />

16.5cm high<br />

$1,500–2,500<br />

489<br />

A French provincial style pine four<br />

door cabinet<br />

with ornamental arched doors<br />

with simple channel carving, floral<br />

decorations to the spandrels and<br />

roundels picked out in muted colours,<br />

starbursts to the base cupboards<br />

225.5cm high, 90cm wide, 42cm deep<br />

$700–900<br />

490<br />

An antique mahogany two door<br />

cabinet, 19th century<br />

with a removable top, two framed<br />

doors with a central diamond lozenge<br />

and raised on petite bun feet<br />

85cm high, 133.5cm wide, 60cm<br />

$400–600<br />

491<br />

A French two door oak buffet,<br />

early 19th century<br />

with canted corners, two short drawers<br />

and twin cupboards above a shaped<br />

skirt, with restrained target decoration<br />

and reeded feature<br />

115cm high, 169cm wide, 52cm deep<br />

$800–1,200<br />

492<br />

An oak dining table<br />

a framed plank top table with<br />

a narrow skirt and raised on<br />

tapering square section legs<br />

78 cm high, 240cm wide, 100cm deep<br />

$600–800<br />

488


178<br />

493<br />

494


179<br />

493<br />

A Louis Philippe ash buffet, French,<br />

mid 19th century<br />

the framed moulded top above two<br />

moulded drawers with conforming twin<br />

cupboards, with brass hardware, plain<br />

pilasters and short shaped splayed feet<br />

98cm high, 134.5cm wide, 63cm deep<br />

PROVENANCE<br />

Miles Bovill Antiques<br />

$800–1,200<br />

494<br />

A generous fruitwood parquetry top<br />

table and ten dining chairs<br />

a provincial style table with high back<br />

upholstered chairs in a striking flying<br />

mallard duck linen<br />

76cm high, 300cm wide, 110cm deep<br />

$1,800–2,500<br />

495<br />

A Louis XV style walnut fire screen,<br />

French 19th century<br />

ornately carved with scrolling acanthus<br />

motifs and raised on an outswept<br />

trestle base with whorl terminals and<br />

brass casters<br />

121cm high, 66cm wide, 42cm deep<br />

$400–600<br />

494<br />

496<br />

A contemporary oriental style<br />

sideboard chest<br />

having an extended slightly everted<br />

top above two short drawers with reed<br />

effect detail above two long drawers,<br />

reed details also to the sides<br />

75cm high, 125cm wide, 50cm deep<br />

$500–800<br />

497<br />

A two seater taupe upholstered sofa<br />

by Coco Republic<br />

with plush piped cushion backs and<br />

squabs<br />

70cm high, 152cm wide, 98cm deep<br />

$500–800<br />

498<br />

A Biedermeier style elm occasional<br />

table, mid 19th century<br />

with cross banded edges, a tapering<br />

faceted stem with an interesting<br />

patchwork arrangement of timbers to<br />

a triform platform base with squashed<br />

lobed feet<br />

73cm high, 46cm diameter<br />

$500–800


180<br />

499<br />

499<br />

A small Sheraton table with painted<br />

allegorical theme, circa 1800<br />

in harewood with rosewood veneers<br />

and boxwood stringing, the lift up top<br />

decorated with flora and a painted<br />

reserve of the Goddess of Love, raised<br />

on slender tapering legs united by<br />

stretchers<br />

71cm high, 51cm wide, 38cm deep<br />

PROVENANCE<br />

A. Cook, St Christopher's Place,<br />

Wigmore Street London, 1962 (original<br />

receipt); Windsor Antiques, 51 Bourke<br />

Street Melbourne, 1975<br />

$1,200–1,800<br />

500<br />

A walnut toned salon suite in the<br />

French manner<br />

Comprising a medallion back canape<br />

and four matching chairs in two sizes,<br />

with profusely carved floral crests,<br />

stuffover seats and raised on cabriole<br />

legs, upholstered in olive bronze<br />

striped velvet<br />

Canape: 113cm high, 192cm wide,<br />

70cm deep, Chair: 118cm high,<br />

65cm wide, 50cm deep<br />

$600–800<br />

499


181<br />

501<br />

A Napoleon III pressed metal cushion<br />

mirror, 19th century<br />

an elaborate arched and pierced crest<br />

featuring an urn issuing flowers and<br />

fruits, with repousse borders enclosing<br />

original silvered plate<br />

111cm high, 70cm wide<br />

$600–800<br />

501<br />

502<br />

A 'Beehive' pendant light by<br />

Hans-agne Jacobsson AB, Swedish,<br />

circa 1960<br />

constructed from five sprayed metal<br />

shades<br />

20cm high<br />

$800–1,200<br />

503<br />

SABATINO DE ANGELIS<br />

(1838–c1900)<br />

Narcissus<br />

figure in bronze on a metal stand,<br />

inscribed to the base: SABATINO DE<br />

ANGELIS & FILS NAPLES 1905<br />

55cm high<br />

$1,800–2,500<br />

503


182<br />

504<br />

A Chippendale plum pudding<br />

mahogany fold over games table,<br />

late 18th century<br />

centred with a marquetry star and<br />

crossbanded with satinwood, with<br />

original locking tray and hinges<br />

mechanism stamped H. Tibats<br />

73cm high, 91cm wide, 45cm deep<br />

(90cm extended)<br />

PROVENANCE<br />

Ronald A. Lee (Fine Arts) Ltd,<br />

1-9 Bruton Place, London, 1990,<br />

(with original receipt for £4900)<br />

$1,000–1,500<br />

505<br />

No lot<br />

504<br />

506<br />

A George III oak and mahogany<br />

bow front hanging corner cabinet,<br />

early 19th century<br />

a mahogany cornice above two<br />

panelled doors with star burst<br />

inlay, the whole with crossbanded<br />

mahogany borders<br />

106cm high, 73cm wide, 48cm deep<br />

$400–600<br />

507<br />

An ebonised over mantel mirror<br />

the channel grooved frame with a<br />

pierced foliate crest and similarly<br />

embellished to the lower frame<br />

149cm high, 136cm wide<br />

$400–600<br />

508<br />

An antique French oak armoire,<br />

19th century<br />

with an extended cornice and<br />

volute scrolls to the arching crest<br />

above two shaped doors and lower<br />

drawers flanked by canted edges with<br />

recessed panels, raised on squashed<br />

bun feet<br />

230cm high, 164cm wide, 52cm deep<br />

PROVENANCE<br />

Zacher Antiques<br />

$1,200–1,500<br />

506


183<br />

509<br />

A transitional style walnut breakfront<br />

vitrine, early 20th century<br />

the cabinet with two glass shelves<br />

above a cabinet base with decorative<br />

book end veneers, a shaped skirt and<br />

short cabriole legs, with cast bronze<br />

mask and husk mounts and lion paw<br />

sabots, with key<br />

171cm high, 139cm wide, 42cm deep<br />

$1,200–1,500<br />

510<br />

No lot<br />

511<br />

No lot<br />

512<br />

No lot<br />

513<br />

No lot<br />

509


184<br />

514<br />

Two antique elm spindle back chairs,<br />

19th century<br />

an elbow chair and smaller chair with<br />

dished crests, rush seats and legs with<br />

pad feet united by turned stretchers<br />

$400–600<br />

515<br />

An antique rosewood square piano,<br />

circa 1830s<br />

the table top piano numbered 2292<br />

manufactured by Scottish maker,<br />

William Townsend; with label for<br />

'W.M Townsend from Sebastien<br />

Erard London'<br />

91cm high, 182cm wide, 75cm deep<br />

$800–1,200<br />

514<br />

515


185<br />

516<br />

A large giraffe skin<br />

395cm (with tail) x 330cm<br />

$1,000–1,500<br />

516


186<br />

517<br />

A William IV rosewood teapoy,<br />

circa 1820s<br />

with internal hinged compartments<br />

and raised on a faceted stem above a<br />

shaped platform base<br />

72cm high, 42cm wide, 28cm deep<br />

$500–800<br />

518<br />

A French carved oak settle bench,<br />

19th century<br />

the relief carved panelled back and<br />

base with anthemion motifs, a hinged<br />

plank seat and scroll arms<br />

116cm high, 152cm wide, 47cm deep<br />

$1,000–1,500<br />

517<br />

518


187<br />

519<br />

A marble model of boy child<br />

crushing grapes<br />

58cm high<br />

$600–800<br />

520<br />

A large carved giltwood and gesso pier<br />

mirror, French, 19th century<br />

in the Neoclassical style with a ribbon<br />

tied laurel crest and conforming<br />

swags, the shaped rectangular frame<br />

with dart and bead moulded borders<br />

242cm high, 107cm wide<br />

$1,000–1,500<br />

519<br />

520


188<br />

Part II Online <strong>Auction</strong><br />

<strong>The</strong> <strong>Winter</strong> <strong>Auction</strong> <strong>Series</strong> Part II will occur as a timed online sale,<br />

Monday 18 July, closing from 10am<br />

All bids are placed via the online catalogue on the Gibson’s website<br />

and are executed immediately against the lot’s reserve, or the current<br />

highest bid. In the case of multiple bids occurring within the last five<br />

minutes of the close of lot, the closing time is extended for a further<br />

five minutes. Please contact our office for further information.<br />

521<br />

A pair of European style Chinese<br />

lotus shoes, 19th century<br />

brown leather with heel<br />

14cm long<br />

$200–300<br />

522<br />

A porcelain figure group of flower<br />

sellers, French, 19th century<br />

raised on a circular gilded base,<br />

underglaze blue mark, remnant gold<br />

BADA seal<br />

24cm high<br />

$300–400<br />

523<br />

A Georgian mahogany dressing table<br />

mirror, circa 1800<br />

the square framed mirror upon a<br />

three drawer base with blondewood<br />

stringing, raised on petite shaped<br />

bracket feet, with associated key<br />

64cm high, 55cm wide, 22cm deep<br />

$250–350<br />

524<br />

A turned and carved oak wine table,<br />

English, early 20th century<br />

A turned and carved oak wine table,<br />

English, early 20th century<br />

the surface with faux bois medullary<br />

ray effect, raised on a turned stem<br />

above a triform base<br />

71cm high, 61cm diameter<br />

$300–500<br />

525<br />

A giltwood salon mirror<br />

housed in a rounded rectangular frame<br />

118 x 90cm<br />

$200–300<br />

526<br />

A mother of pearl handled sterling<br />

silver part dessert set, John Gilbert<br />

and Co, Birmingham, circa 1880<br />

comprising six forks and four knives,<br />

the forks and blades engraved with<br />

grapes and vines<br />

the knives 20.5cm long<br />

$150–250<br />

527<br />

A collection of fourteen catalogues<br />

including Sotheby's international<br />

sales of rugs and carpets, letters and<br />

manuscripts, British paintings, Picasso<br />

ceramics, paperweights, African<br />

arts, 20th century design, gouaches,<br />

and private collections; together<br />

with a book of HIroshige prints, and<br />

catalogue of Japanese lacquer<br />

$60–80<br />

528<br />

A collection of sterling silver, including<br />

a coffee pot, American, early<br />

20th century<br />

comprising a lobed bowl on a tripod<br />

base, a reticulated dish, a scallop shell<br />

dish by Gorham, and a Neoclassical<br />

revival pot with a beaded rim by<br />

Lebkuecher & Co<br />

the pot 23cm high, the largest dish<br />

23.5cm diameter, total weight of silver<br />

1040gms<br />

$200–300<br />

529<br />

Two vintage glazed display cabinets<br />

with hardwood frames, 20th century<br />

slat based cabinets with brass<br />

strapping and hardware to corners<br />

each 34cm high, 72cm wide,<br />

68cm deep<br />

$250–350<br />

530<br />

A collection of sterling silver, British,<br />

1895 and later<br />

comprising a pair of goblets by Atkin<br />

Bros, Sheffield, 1895; a gadrooned<br />

creamer and sucrier by Horace<br />

Woodward & Co Ltd, Birmingham,<br />

1905, an Armada dish by Searle & Co<br />

London,1992, a Coronation dish by<br />

William Comyns & Co. London, 1952<br />

and a sherry wine label by Susanna<br />

Barker<br />

total weight of silver 575gms<br />

$450–550<br />

531<br />

Three gilded Erté plates by Mikasa,<br />

1980s<br />

comprising ‘Le Soleil Ebony’, ‘Flames<br />

d’Amour’ and ‘Symphony in Ebony’<br />

bone china, title, edition and factory<br />

marks to base, in original packaging<br />

30.5cm diameter<br />

$300–500<br />

532<br />

Four Centuries of Violin Making:<br />

Fine Instruments from the Sotheby's<br />

Archive<br />

Authors: Tim Ingles, Jason Dilworth,<br />

Corio Publishing, 2006<br />

$200–300<br />

533<br />

CIRCLE OF L ELSHEIMER<br />

<strong>The</strong> New Born<br />

oil on canvas on board<br />

7 x 9cm (oval)<br />

$200–400<br />

534<br />

AFTER GIULIO CAMPAGNOLA<br />

John the Baptist<br />

engraving<br />

53.5 x 21.5cm<br />

$100–300<br />

535<br />

AFTER CARAVAGGIO<br />

Four Heads of Man<br />

ink and wash<br />

11 x 17cm<br />

$200–400


189<br />

536<br />

A collection of reference books on<br />

naive art, 1970s and later<br />

comprising seven volumes including<br />

Beryl Cook, <strong>The</strong> Works, published<br />

London, 1978<br />

Beryl Cook, On Man Show, published<br />

London, 1981<br />

World Encyclopedia of Naive Art,<br />

published Yugoslavia, 1984<br />

Tomasevic Tisnikar, Painter of Death,<br />

published Italy<br />

Susan Grimm, Authentische Naive,<br />

published Germany, 1991<br />

Naive Art, Paintings from Yugoslavia,<br />

published 1977<br />

Drago Zdunic, Primitive Painting,<br />

published New York, 1981<br />

$300–500<br />

537<br />

A Japanese Imari porcelain table lamp,<br />

19th century<br />

with cast brass mounts and an orange<br />

linen shade; with vintage electric<br />

fittings<br />

73cm high including shade<br />

$150–250<br />

538<br />

A pair of Continental portrait<br />

miniatures of noblewomen<br />

including Josephine, both housed in<br />

dished wooden frames<br />

images 7cm diameter,<br />

13 x 13cm frame<br />

$150–200<br />

539<br />

A Rosenthal Sarastro 'Magic Flute'<br />

porcelain vase, circa 1970<br />

decorated in relief to upper register,<br />

backstamps, title, libretto extract, and<br />

facsimile signature of designer Bjorn<br />

Wiinblad to base<br />

30cm high<br />

$200–300<br />

540<br />

A Japanese vase, 20th century<br />

gilt with peonies on the iron-red<br />

ground between underglaze blue<br />

borders, mark<br />

45cm high<br />

$150–250<br />

541<br />

HEIDI VICTORIA<br />

Cairo Kitty<br />

Where to Next? series<br />

photograph<br />

signed lower right on margin:<br />

Heidi Victoria<br />

58 x 39.5cm<br />

$200–400<br />

542<br />

HEIDI VICTORIA<br />

Sisi's Chapel, Austria<br />

Where to Next? series<br />

photograph<br />

signed lower right on margin:<br />

Heidi Victoria<br />

58 x 39.5cm<br />

$200–400<br />

543<br />

HEIDI VICTORIA<br />

Karlskirche, Vienna<br />

Where to Next? series<br />

photograph<br />

signed lower right on margin:<br />

Heidi Victoria<br />

58 x 39.5cm<br />

$200–400<br />

544<br />

HEIDI VICTORIA<br />

Aggstein, Austria<br />

Where to Next? series<br />

photograph<br />

signed lower right on margin:<br />

Heidi Victoria<br />

39.5 x 58cm<br />

$200–400<br />

545<br />

An Adam style Victorian silver plated<br />

tea urn, circa 1890 and a collection of<br />

silver plate table and drinking ware, late<br />

18th century and after<br />

the tea urn with leaf capped loop<br />

handles, the ivory tap sitting above<br />

a fluted spigot; a pair of octagonal<br />

covered entrée dishes, a Sheffield<br />

plate decanter coaster, circa 1790, a<br />

pierced bowl and an oval floral tray<br />

urn 52cm high, the dishes 29cm wide<br />

$250–350<br />

546<br />

A group of Chinese and Asian wares<br />

comprising a painted pottery standing<br />

figure of a guardian; a miniature<br />

bidriware vase; an agate snuffbottle<br />

and a soapstone seal<br />

the figure 39cm high<br />

$300–500<br />

547<br />

An Art Nouveau enamel and silver<br />

baluster bud vase, possibly American,<br />

circa 1900<br />

decorated with lilac, tulips and green<br />

leaves on a pale blue guilloché enamel<br />

ground<br />

11cm high<br />

$300–500<br />

548<br />

A Worcester 'Three Flowers' pattern<br />

baluster coffee pot, circa 1770<br />

with a 'C' scroll handle and an applied<br />

acorn finial, crescent moon mark<br />

underside<br />

24cm high<br />

$180–280<br />

549<br />

A miniature bronze bust of Marie<br />

Antoinette, after the Versailles original<br />

by Felix Lecomte, early 20th century<br />

raised on a sculptor’s tripod modelling<br />

table<br />

21cm high<br />

$300–500<br />

550<br />

A collection of lacquered<br />

papier-mâché spectacle cases,<br />

Russian, 19th century<br />

comprising six items, three painted<br />

with female portraits, the others with<br />

topographical and military scenes with<br />

portraits of ladies to the reverse<br />

the largest 14 x 7cm<br />

$250–350<br />

551<br />

A silver plate mounted rectangular<br />

bevelled edge strut mirror<br />

35.5 x 30cm<br />

$180–250


190<br />

552<br />

A collection of Russian folk decorated<br />

lacquer boxes, 20th century<br />

comprising five pieces each painted<br />

with folkloric scenes and characters<br />

the largest box 15 x 9cm<br />

$300–500<br />

553<br />

A pair of art glass clowns<br />

the hollow form bodies and heads with<br />

applied decorations, unmarked<br />

28cm high<br />

$300–400<br />

554<br />

A walnut dough box converted coffee<br />

table in the 18th century style, Italian<br />

50cm high, 142cm wide, 60cm deep<br />

$400–600<br />

555<br />

A framed portrait miniature, 'A Little<br />

Sea Waif', by Dora Webb, 1919<br />

painted with a small child seated<br />

on a mossy rock with the sea in the<br />

background, signed and dated lower<br />

right and verso<br />

8.5 x 6.7cm<br />

$300–500<br />

556<br />

A Regency cut glass candelabra,<br />

circa 1820<br />

in the Irish manner with a cast bronze<br />

stem and foliate handles supporting<br />

turned over bowls with strawberry cut<br />

panels decorated with lustres, raised<br />

on a tiered square base with a star<br />

burst to the rib edged base<br />

$300–500<br />

557<br />

A large collection of gardening books<br />

and references<br />

$300–500<br />

558<br />

A pine pedestal<br />

the square section pedestal in a raw<br />

wood finish<br />

117cm high<br />

$40–60<br />

559<br />

A set of three antique English<br />

graduated silver plate cloches<br />

with matching Neoclassical beaded<br />

scroll handles, two with 'beaver'<br />

trademark for Joshua Maxfield & Sons,<br />

Sheffield and London; other by William<br />

Hutton & Sons<br />

largest: 50.5m wide<br />

$120–150<br />

560<br />

A Victorian walnut embroidered<br />

pole-screen, 19th century<br />

a slender pedestal raised on a scrolling<br />

tripod base, the carved shield shape<br />

screen with a wool tapestry and<br />

beadwork design<br />

130cm high<br />

$150–250<br />

561<br />

A Victorian carved walnut five tier<br />

whatnot, 19th century<br />

shaped graduated tiers with fretwork<br />

gallery backs with barley twist<br />

supports and turned finials<br />

158cm high<br />

$200–300<br />

562<br />

A deep green moulded glass carbuoy,<br />

French, 20th century<br />

55cm high<br />

$300–500<br />

563<br />

A harlequin suite of glazed round<br />

ramekins by Martin Boyd, 1960s<br />

in shades of various hues with<br />

contrasting interiors, incised<br />

signatures to base<br />

10 cm diameter<br />

$200–300<br />

564<br />

LEOPOLDINE MIMOVICH<br />

(1920-2019)<br />

Virgin Mary<br />

Bronze, inscribed Mimovich to lower<br />

body, mounted on a timber plinth<br />

Total height: 23.5cm<br />

$300–500<br />

565<br />

A pair of contemporary mirrors with<br />

reeded metal plated silver frames<br />

120cm high, 70cm wide<br />

$200–300<br />

566<br />

A A BARRATT<br />

Portrait of a Young Girl 1891<br />

oil on board<br />

signed and dated lower right:<br />

A A BARRATT 1891<br />

39 x 25.5cm<br />

$300–500<br />

567<br />

ERNEST STUART<br />

Portrait of a Lady and a<br />

Gentleman<br />

two charcoal on paper<br />

one signed lower left: Ernest Stuart<br />

29 x 23.5cm (each)<br />

$200–400<br />

568<br />

A Foley China dinner service<br />

pattern 10501 decorated with a<br />

turquoise ribbon border and rose<br />

posies, back stamp to the base<br />

$200–300<br />

569<br />

An Austrian Art Nouveau majolica<br />

centrepiece vase, circa 1900<br />

by Frederick and Alexander Gerbing<br />

with flamboyant floral and scroll<br />

mouldings, decorated to both faces<br />

with thistle blooms and foliage on a<br />

deep cream ground, turquoise glaze to<br />

the interior, impressed F & A.G marks<br />

underside with numerals, 7/83<br />

20cm high, 40cm wide, 16cm deep<br />

$200–400<br />

570<br />

A cedar writing slope, 19th century<br />

with a simple inlaid blondewood<br />

border to the lid and a diamond<br />

escutcheon, the interior with slope and<br />

compartments<br />

10cm high, 33cm long, 25.5cm deep<br />

$100–150


191<br />

571<br />

A Victorian rosewood compendium<br />

vanity box, 19th century<br />

with an ox blood leather fitted interior<br />

with lift out tray, mother-of-pearl<br />

cartouche and escutcheon<br />

12cm high, 27cm long, 19cm deep<br />

$120–180<br />

572<br />

A cedar tea caddy, 19th century<br />

a dovetail joined caddy of<br />

sarcophagus profile raised on<br />

squashed bun feet, two lidded<br />

compartments with ivory knops to the<br />

interior<br />

18.5cm high, 32cm long, 14cm deep<br />

$100–180<br />

573<br />

A large Chinese export style bowl,<br />

late 20th century<br />

with floral, scroll and diaper<br />

borders, a hong and harbour<br />

to the central roundel<br />

35cm diameter<br />

$100–200<br />

574<br />

A French opalescent glass bowl by<br />

Pierre D'Avesn, circa 1930<br />

the clear bowl with a moulded stylised<br />

bird and grapevine border in low relief,<br />

raised mark P D'Avesn Made in France<br />

and numbered 156 to base<br />

8cm high, 30cm diameter<br />

$200–300<br />

575<br />

Two Austrian ceramic wall masks<br />

by Goldscheider and Gmundner,<br />

mid 20th century<br />

the terracotta Goldscheider mask,<br />

design 7231, the Gmundner mask,<br />

design 2276H, backstamps to both<br />

items<br />

22.5cm high and smaller<br />

$100–200<br />

576<br />

Two polychrome primitive style<br />

wooden figures on horseback<br />

solid wood distressed figures bearing<br />

shields and poles<br />

24cm high<br />

$100–150<br />

577<br />

A vintage accordion top beaded purse<br />

or 'beggar's bag', mid 20th century<br />

the maroon tapestry bag with taffeta<br />

lining, featuring oak leaf designs in<br />

olive and blue toned beadwork and<br />

two-toned twisted tassel fringing<br />

20cm long<br />

$100–200<br />

578<br />

A Sherwin & Cotton portrait tile of<br />

Maori female guide, 'Sophia', by<br />

George Cartlidge<br />

An early 20th century monochrome<br />

portrait in low relief of the notable<br />

figure wearing traditional attire,<br />

korowai, huia feather, tiki and pendant,<br />

underglaze title upper left, artist's<br />

monogram lower right,<br />

impressed maker's marks and<br />

Eastwood Tileworks marks underside<br />

23cm high, 15.5cm wide<br />

$300–400<br />

579<br />

An English Sèvres-style porcelain<br />

rouge box, circa 1840s<br />

the waisted pot with polychrome<br />

sprigs and rose adorned swags<br />

enriched with gilt on a salmon ground,<br />

unmarked<br />

7cm high<br />

$100–200<br />

580<br />

A high glazed Gouda candlestick,<br />

1920s, Holland<br />

the body of fluted tapering form<br />

decorated in a muted plum, olive and<br />

turquoise floral design with raised<br />

enhancements, pattern 0124/2 and<br />

other painted marks underside<br />

44.5cm high<br />

$200–400<br />

581<br />

Harriet Whitney Frishmuth<br />

(1880-1980), American (after)<br />

<strong>The</strong> Vine, in bronze, faintly inscribed<br />

with signature to rockwork base,<br />

mounted on a resin stand; Desha<br />

Delteil of the Fokine Ballet served as<br />

model for this figure<br />

41cm high<br />

$350–500<br />

582<br />

An Australian Lithgow Pottery brown<br />

glazed jelly mould, circa 1880<br />

a tiered oval mould with a warm tan<br />

glaze, impressed Lithgow mark to base<br />

12.5cm high, 22cm wide<br />

$80–120<br />

583<br />

A George V sterling silver sauce<br />

boat and a pair of Edwardian sterling<br />

pepperettes, early 20th century<br />

<strong>The</strong> sauce boat by J Sherwood &<br />

Sons, Birmingham, 1912, the Edward<br />

VII sterling silver pepperettes by<br />

Cornelius Desormeaux Saunders<br />

& Frank Shepherd, Birmingham,<br />

circa 1900<br />

the boat 8cm high, total weight<br />

195gms<br />

$200–300<br />

584<br />

An Art Nouveau Turn Teplitz Bohemia<br />

RStK (Amphora) vase, Austria,<br />

circa 1900<br />

the double gourd vase hand decorated<br />

with a portrait profile of maiden with<br />

flowing hair embellished with coloured<br />

enamel and raised gilt floral details,<br />

red backstamps to base, impressed<br />

numerals 665<br />

15cm high<br />

$400–500<br />

585<br />

A transferware harvest themed loving<br />

cup, late 19th to early 20th century<br />

'God Speed the Plough' themed cup<br />

with harvest emblems and verses, a<br />

floral border to the interior, unmarked<br />

13cm high, 12.5cm diameter<br />

$60–120<br />

586<br />

A Chinese Qianlong export ware<br />

famille rose teapot, circa 1770<br />

the hard paste globular teapot with a<br />

flush fitted lid, a fleur-de lis- border,<br />

moulded spout and handle, European<br />

style floral arrangements with sprigs<br />

and raised white enamel enrichments,<br />

bearing aged label to base attributing<br />

item to Plymouth manufactory of same<br />

period<br />

13cm high<br />

$300–400


192<br />

587<br />

A Limoges style painted plaque of a<br />

maiden playing a lyre, 19th century<br />

the semi nude maiden in diaphanous<br />

attire perched on a craggy rock, housed<br />

in an easel backed gilt metal frame with<br />

enamel enrichments, unmarked<br />

16.5cm high, 12.5cm wide<br />

$250–350<br />

588<br />

A Welsh factory teacup and saucer,<br />

probably Nantgarw, circa 1810-20<br />

the cup with a high set kidney shaped<br />

handle and saucer, both finely<br />

decorated with pink roses and other<br />

floral specimens in the manner of<br />

William Billingsley, unmarked<br />

$80–140<br />

589<br />

A Chamberlain's Worcester tea bowl<br />

and cup together with a similar saucer,<br />

1795-1800<br />

<strong>The</strong> shanked teabowl and cup in<br />

angoulême sprig patterns with gilt<br />

enrichments, the scalloped and fluted<br />

saucer of similar design, all unmarked<br />

cup: 6.5cm high, saucer:<br />

14cm diameter<br />

$80–120<br />

590<br />

A Chamberlain Worcester armorial trio,<br />

circa 1810<br />

the bute cup, saucer and plate,<br />

decorated in the 'Rich Kakiemon'<br />

manner in the 'Dejeuney' pattern,<br />

number 298, having gilt ornamented<br />

cobalt borders with trellised floral<br />

roundels at intervals and centred<br />

with a seated black dog bearing the<br />

motto, 'faithful, not fawning', painted<br />

Chamberlain Worcester mark to the<br />

plate, pattern numbers to cup and<br />

saucer<br />

$220–280<br />

591<br />

A hand decorated MZ Altrohlau CMR<br />

vase, Czechoslovakia, 1918-1939<br />

featuring a pair of stylised peacocks<br />

beneath a lappet border, printed<br />

backstamp and impressed numerals<br />

1168/3 underside<br />

25cm high<br />

$150–250<br />

592<br />

ARTIST UNKNOWN<br />

Motifs Historiques,<br />

Style Louis XIV (2) XV (2)<br />

Hotel Rue St en L'Ile, A Paris<br />

Porte Rue de Bac, A Paris<br />

Hotel Rue St Andre Des Arts, A Paris<br />

Porte No. 203 Rue St Martin, A Paris<br />

four engravings<br />

with printed text in image<br />

37 x 27cm (each, image size)<br />

74 x 62cm (each, frame size)<br />

$200–400<br />

593<br />

AFTER SAMUEL HOWETT<br />

Chasing a Tiger Across a River<br />

and <strong>The</strong> Dead Tiger<br />

two engravings<br />

engraved by H Merke<br />

published by T McLean, London<br />

Jan 1819<br />

with printed text on margin<br />

31 x 44.5cm (image size)<br />

55.5 x 69 (frame size)<br />

$200–300<br />

594<br />

CHINESE SCHOOL<br />

<strong>The</strong> Musician<br />

woven textile<br />

75.5 x 56.5cm<br />

$300–500<br />

595<br />

INDIAN SCHOOL<br />

<strong>The</strong> Rose<br />

<strong>The</strong> Princess<br />

<strong>The</strong> Lovers<br />

watercolour and gouache<br />

15 x 10cm (each) approx<br />

$200–300<br />

596<br />

TIBETAN SCHOOL<br />

Two Young Girls<br />

oil on canvas<br />

29.5 x 23.5cm (each)<br />

$100–200<br />

597<br />

EUROPEAN SCHOOL<br />

Arrival of the Coach<br />

oil on board<br />

10 x 16.5cm<br />

$300–500<br />

598<br />

INDIAN SCHOOL<br />

<strong>The</strong> Festival<br />

watercolour and gouache<br />

19 x 27cm<br />

$200–400<br />

599<br />

ARTIST UNKNOWN<br />

Roman Cherubs and Chariots<br />

two reproduction prints<br />

each numbered on margin:<br />

E39/1 E39/2<br />

19.5x 34.5cm (each, image)<br />

50 x 62.5 (frame size)<br />

$100–200<br />

600<br />

A famille rose covered jar<br />

mounted as a lamp<br />

the sides enamelled with precious<br />

objects, wood stand, silk shade<br />

52cm high overall<br />

$100–150<br />

601<br />

A pair of bonded porcelain, silver<br />

coated pheasants, 20th century<br />

from the British birds series by<br />

Comyns, the cock pheasant and<br />

cock hen pair with pure silver<br />

coating, labels to bases<br />

20cm long<br />

$200–300<br />

602<br />

Three faux marble lamps with<br />

parchment shades<br />

turned stems on square section bases,<br />

in cream and green colours<br />

total height: 87cm, lamp base:<br />

67cm high, shade diameter: 40cm<br />

$150–200


193<br />

603<br />

A comprehensive J&G Meakin 'Golden<br />

Dawn' dinner service, circa 1930<br />

for twelve place settings with<br />

additional plates and dishes and a<br />

range of accessory items; backstamps<br />

underside<br />

$250–350<br />

604<br />

A signed French bronze figure of a bull<br />

with copper lustre colours, the figure<br />

standing on an integral base signed<br />

Bonheur, probably Rosa Bonheur<br />

(1822-1899) but after<br />

12cm high, 15cm wide<br />

$200–300<br />

605<br />

An interesting group of antique<br />

corkscrews, 19th century and after<br />

nine items including novelty and<br />

advertising corkscrews, two<br />

champagne corkscrew taps including<br />

Holborn brand, a folding corkscrew,<br />

two horn shaped corkscrews, and an<br />

oval grip corkscrew<br />

18cm and smaller<br />

$300–400<br />

606<br />

An ebonised dressing table mirror<br />

with silver plated Renaissance revival<br />

motifs, circa 1900<br />

monogrammed to the crest and raised<br />

on an extended base with a shallow<br />

drawer<br />

64cm high, 53cm wide, 23cm deep<br />

$250–350<br />

607<br />

A pair of striped horn inlay table lamps<br />

with neutral shades<br />

50cm high<br />

$120–150<br />

608<br />

STANLEY WOOLLETT<br />

Figurative Studies<br />

a pair of colour engravings<br />

13.5 x 11.5cm (each)<br />

$200–400<br />

609<br />

A vintage style nine branch tole<br />

chandelier<br />

with scrolling tubular arms and applied<br />

leaf and floral sconces in a silver and<br />

bronze distressed finish<br />

60cm high (top of fitting)<br />

80cm diameter<br />

$250–350<br />

610<br />

A pair of metalware chandeliers<br />

in a painted finish<br />

with six scrolling arms decorated with<br />

rope twist swags, long leaf motifs<br />

and crimped sconces, in a silver grey<br />

painted finish, the stems silk wrapped<br />

50cm high (to top of fitting),<br />

50cm diameter<br />

$400–500<br />

611<br />

A lobed silver plate tea and coffee<br />

service, 20th century<br />

together with Sheffield plate tea tray,<br />

comprising a pumpkin shaped teapot<br />

and conforming coffee pot, creamer<br />

and covered sugar basin with horn<br />

type handles, marked 94% silver<br />

and possibly Zani to each item; a<br />

reticulated engraved tray<br />

the tray 41 x 26cm the coffee pot<br />

19cm high<br />

$100–200<br />

612<br />

A Florentine wine table, 1950s<br />

in a gold and green distressed<br />

finish with sgraffito scroll and foliar<br />

decoration to the surface<br />

56.5cm high, 39cm diameter<br />

$120–150<br />

613<br />

A set of six walnut and cane chairs<br />

directoire inspired with camel backs,<br />

carved splats and mid rails, with<br />

reeded arms and slender legs<br />

$350–450<br />

614<br />

A pair of famille rose figural bookends,<br />

20th century<br />

one with a boy, the other with a girl<br />

kneeling on and backed by books<br />

20cm high, 16cm deep<br />

$100–200<br />

615<br />

A pair of porcelain doves by Rosenthal,<br />

1969<br />

models 1590, incised mark of<br />

Heidenreich to foot<br />

$40–60<br />

616<br />

A Kosta Boda cased glass vase<br />

the thick walls with a swirling<br />

vaporous décor, with label<br />

and stencil mark to base<br />

19cm high, 15cm diameter<br />

$60–80<br />

617<br />

A sterling silver bon bon dish and a tea<br />

caddy spoon, 20th century<br />

the scallop and barb edged bowl<br />

with a reticulated feature, HC & S Ltd,<br />

Birmingham, 1919, and a scallop shell<br />

shaped spoon, A. Chick & Sons Ltd,<br />

London, 1975, hallmarked to bowl<br />

interior and spoon handle<br />

the dish 7cm high, 13.5cm diameter,<br />

total weight 145gms<br />

$100–140<br />

618<br />

Two sterling silver bon bon dishes,<br />

Edward Barnard & Sons, London,<br />

probably 1927<br />

with applied scroll rims and reeded<br />

girdles, rubbed hallmarks below girdles<br />

7cm high, total weight 185gms<br />

$140–180<br />

619<br />

An Edwardian sterling silver toast rack,<br />

S. Glass, Birmingham, 1903<br />

an inverted heart shaped rack raised<br />

on ball feet, hallmarked to short end<br />

11cm wide, total weight 175gms<br />

$100–150<br />

620<br />

A sterling silver mounted cut crystal<br />

bitters bottle, together with a<br />

collection of glass and silver plate<br />

the bottle made by J B Chatterley<br />

& Sons Ltd, Birmingham, 1976<br />

hallmarked to cover, with four glass<br />

decanter stoppers & eighteen<br />

electroplated fish knives<br />

$80–120


194<br />

621<br />

A group of seven vintage crystal and<br />

glass decanters<br />

in various shapes and sizes, all with<br />

associated stoppers, unmarked<br />

31.5cm and smaller<br />

$100–200<br />

622<br />

A semi antique Persian wool rug<br />

with an eighteen point rosette and<br />

profusely decorated with lotus,<br />

palmettes and other floral forms in<br />

blue and salmon colours upon a deep<br />

red field, with a palmette and floral<br />

spray border<br />

192cm x 142cm<br />

$200–300<br />

623<br />

A small sterling silver bowl, J B<br />

Chatterley & Sons Ltd, London, 1937,<br />

and a plated spoon<br />

a heavy gauge footed bowl with an<br />

applied rim, crisply hallmarked to base<br />

7cm diameter, silver bowl weight: 75gm<br />

$50–70<br />

624<br />

A Victorian Chinoiserie papier-mâché<br />

lady's compendium, 19th century<br />

the fluted box decorated throughout<br />

with inlaid mother of pearl and gilt floral<br />

motifs upon a black lacquered ground,<br />

the fitted interior with compartments<br />

for jewellery, toiletries, and writing<br />

accessories<br />

17cm high, 25cm wide, 19cm deep<br />

$300–500<br />

625<br />

A Louis XV style mirror<br />

an elaborate cream toned Rococo<br />

style frame enclosing a bevelled glass<br />

139cm high, 97cm wide<br />

$300–400<br />

626<br />

A pair of painted ladder back dining<br />

chairs, first half 19th century<br />

black painted chairs with gilt paint<br />

decorations, with rush seats and<br />

double box stretchers<br />

113cm high<br />

$300–500<br />

627<br />

A spelter figure of a knight,<br />

late 19th century<br />

carrying a pole axe and raised on a<br />

turned base<br />

50cm high<br />

$300–500<br />

628<br />

A pressed metal architectural fragment<br />

table lamp and shade<br />

51cm high<br />

$100–200<br />

629<br />

A metal bound coin chest, in the<br />

antique oriental manner<br />

a strapped and studded ebonised<br />

chest with a single door, the interior<br />

with a series of small drawers<br />

40cm high, 33cm wide, 41cm deep<br />

$300–400<br />

630<br />

A carved and painted armorial wooden<br />

wall shelf<br />

17cm high, 22cm wide<br />

$100–200<br />

631<br />

A cased set of sterling silver coffee<br />

spoons by William Suckling Ltd,<br />

Birmingham, 1927<br />

with coffee bean terminals, retailed<br />

through Thomas Webb & Sons,<br />

Melbourne<br />

$60–100<br />

632<br />

A Georgian mahogany carver,<br />

early 19th century<br />

with a drop in seat, caned back and<br />

raised on slender tapering turned legs<br />

with brass casters<br />

$300–500<br />

633<br />

An English mahogany side table,<br />

19th century<br />

with rounded corners, having a reeded<br />

edge above a shallow skirt and raised<br />

on turned legs and toupie feet<br />

72cm high, 125cm wide, 52cm deep<br />

$150–250<br />

634<br />

A Chinese red lacquer cabinet,<br />

late 19th to early 20th century<br />

the framed extended top above two<br />

cupboards with traditional hardware,<br />

rounded supports and legs<br />

64cm high, 88.5cm wide, 61cm deep<br />

$200–300<br />

635<br />

A Continental painted folk art style wall<br />

clock, early 20th century<br />

59cm diameter, 12cm deep<br />

$200–300<br />

636<br />

A vintage brass train rack<br />

75cm wide<br />

$100–200<br />

637<br />

A Georgian fruitwood farm house chair,<br />

18th century<br />

of pegged construction with<br />

decorative mid rail and raised on<br />

tapering square section legs with 'H'<br />

form stretcher<br />

$100–200<br />

638<br />

An English elm spindle back dining<br />

chair, late 18th century<br />

with an extended ear form cresting rail<br />

and rush seat<br />

101cm high<br />

$200–300<br />

639<br />

A carved composite mirror, in the<br />

18th century continental style<br />

profusely carved with Neoclassical<br />

medallions, swags and pendant husks<br />

115cm high, 79cm wide<br />

$300–500<br />

640<br />

A small Biedermeier style ebonised<br />

mahogany hall mirror<br />

of typical restrained form with temple<br />

pediment and feature lozenge<br />

81cm high, 46cm wide<br />

$200–300


195<br />

641<br />

A Louis XV style mahogany and<br />

tapestry upholstered foot stool<br />

the carved frame with shell forms and<br />

floral decorations to the channelled<br />

cabriole legs<br />

52.5cm high, 59 x 59cm<br />

$200–300<br />

642<br />

Three carved Papua New Guinea<br />

wooden shields<br />

a lozenge style shield with mirror<br />

image relief carved motifs, two with<br />

medial handles and painted face and<br />

geometric motifs in natural pigments<br />

90cm and smaller<br />

$150–250<br />

643<br />

Four vintage gramophone trumpets,<br />

late 19th century<br />

each of lobed form with pressed floral<br />

designs<br />

$300–500<br />

644<br />

A Provincial pine side table<br />

with an extended top above two<br />

drawers<br />

74.5cm high, 150.5cm wide,<br />

81cm deep<br />

$300–500<br />

645<br />

A 19th century wooden carnival horse<br />

the carved horse now stripped and<br />

lightly painted in a chalk wash finish<br />

94cm high, 118cm wide, 23cm deep<br />

$300–500<br />

646<br />

A Dutch brass chandelier, 19th century<br />

with brass globe and six curvaceous<br />

arms supporting large dishes and urn<br />

form sconces<br />

$300–500<br />

647<br />

A set of antique brass bound drums<br />

a rope tension field drum with sticks<br />

and one smaller<br />

$200–300<br />

648<br />

AFTER VINCENT VAN GOUGH<br />

Self Portraits<br />

three ink drawings<br />

each inscribed in image<br />

28 x 20.5cm (approx. each)<br />

$200–400<br />

649<br />

A large vintage wooden drum<br />

the rope tension drum with raffia<br />

binding and skin surface<br />

64cm high, 56cm wide<br />

$150–250<br />

650<br />

ENGLISH SCHOOL<br />

Glen Point, Blackport<br />

oil on board<br />

signed with initials lower right: B D<br />

43.5 x 27.5cm<br />

$200–400<br />

651<br />

A set of ornamental cast brass<br />

andirons, 19th century<br />

38cm high, 16cm wide, 28cm deep<br />

$100–200<br />

652<br />

V N WEB<br />

Landscape with Houses<br />

oil on board<br />

signed lower right: V N WEB<br />

14 x 31.5cm<br />

$100–300<br />

653<br />

EUROPEAN SCHOOL<br />

<strong>The</strong> Shaded Road<br />

oil on board<br />

signed but illegible lower left<br />

14.5 x 24.5cm<br />

$200–400<br />

654<br />

An inlaid brass tray or table top in the<br />

Islamic taste<br />

profusely decorated and engraved<br />

with floral forms throughout<br />

58.5cm diameter<br />

$150–250<br />

655<br />

A pair of mirrors<br />

in green frames with distressed plates<br />

54cm high, 36cm wide<br />

$100–140<br />

656<br />

A pair of Sheffield plate bottle<br />

coasters, a Sheffield salver and a<br />

novelty napkin ring with a British<br />

bulldog, 19th century<br />

29cm diameter<br />

$150–250<br />

657<br />

A collection of vintage Wunderkammer<br />

items including small bronzes, dolls<br />

and carvings<br />

$150–250<br />

658<br />

A large provincial oak document or<br />

writing box, 18th century<br />

dated 1770 and initialled in nail trim to<br />

the face, the interior with two drawers<br />

32cm high, 80cm wide, 47cm deep<br />

$300–500<br />

659<br />

An Empire rosewood wall mirror,<br />

circa 1810<br />

with the original silvered glass<br />

68cm high, 45.5cm wide<br />

PROVENANCE<br />

Adam Galleries, purchased 1986<br />

$300–500<br />

660<br />

DANIEL JAUGEY<br />

(FRENCH, BORN 1929)<br />

Le Mandouliuste &<br />

Et Le Gondoliers 1980<br />

oil on canvas<br />

signed lower left: Jaugey<br />

signed and titled verso: Jaugey Le<br />

Mandouliuste & Et Le Gondoliers<br />

32 x 23cm<br />

PROVENANCE<br />

Dominion Corinth Galleries Ltd,<br />

Ontario, Canada<br />

$200–400


196<br />

661<br />

ARTIST UNKNOWN<br />

Carraway and Asparagus<br />

two colour engravings<br />

housed in an Oriental carved frame<br />

26 x 38cm (frame size)<br />

$100–200<br />

662<br />

AFTER W. H. DAVIS<br />

& H STRAFFORD<br />

Leicester Ram and Primrose<br />

at 5 Years Old<br />

engraving and lithograph<br />

published circa 1840<br />

each with printed text on margin<br />

12 x 19cm (each)<br />

$100–200<br />

663<br />

S CURTIS<br />

a suite of four hand coloured botanical<br />

engravings<br />

published circa 1820<br />

each with printed text in image<br />

21 x 13cm (each)<br />

$100–200<br />

664<br />

AFTER C. HANCOCK<br />

& H.B. HALL<br />

Deception and Defence<br />

two colour engravings<br />

published circa 1839<br />

each with printed text on margin<br />

10.5 x 14.5cm<br />

$100–200<br />

665<br />

Two Victorian Gothic revival brass<br />

candlesticks, mid 19th century<br />

heavy gauge knopped octagonal<br />

sticks on domed bases<br />

26cm high<br />

$200–400<br />

666<br />

AFTER PAUL BERTHON<br />

Queen Wilhelmina<br />

colour lithograph<br />

inscribed upper left in printed text:<br />

PAUL BERTHON<br />

39 x 36cm<br />

$300–500<br />

667<br />

An English oak bible box, 18th century<br />

with carved date 1714 to the lid, and<br />

blind fret design to the face of box<br />

$300–400<br />

668<br />

A George III style rush seat elm<br />

side chair<br />

the arching back with a vasiform<br />

pierced splat, tapering square section<br />

legs united by stretchers<br />

$300–400<br />

669<br />

A George III elm side chair,<br />

18th century<br />

of pegged construction with an<br />

extended shaped cresting rail, a<br />

decorative pierced splat, square<br />

section legs united by stretchers<br />

$200–300<br />

670<br />

A George III elm side chair, late<br />

18th century<br />

having an arched back with pierced<br />

and fanned splat, drop in seat, and<br />

square section legs<br />

$150–250<br />

671<br />

A late Georgian mahogany book<br />

keeper's desk, early 19th century<br />

with a gallery back and concealed<br />

compartment, a leather tooled surface<br />

above a single drawer, and raised on<br />

ring turned legs<br />

93.5cm high, 61cm wide, 48cm deep<br />

$300–500<br />

672<br />

A George III mahogany wine table with<br />

later associated chamfered edge top,<br />

circa 1800 and after<br />

with a turned pedestal and tripod base<br />

71cm high, 57.5cm wide, 43.5cm deep<br />

$200–300<br />

673<br />

A Victorian mahogany davenport with<br />

lyre form supports, 19th century<br />

the interior with a series of little<br />

drawers and compartments with<br />

trompe l'oeil painted finish, ivory<br />

cartouche to inside, 'registered design<br />

403070'<br />

78cm high, 60.5cm wide, 50cm deep<br />

$300–500<br />

674<br />

A pair of walnut single beds,<br />

early 20th century<br />

the scroll top beds with quarter veneer<br />

panels enclosed by delicate boxwood<br />

inlay, with matching footers<br />

168cm high, 94cm wide<br />

$300–500<br />

675<br />

A late Victorian flame mahogany half<br />

tester bed, later 19th century<br />

with bold corkscrew style supports<br />

and toupie form finials, raised on bun<br />

feet; all structural components present<br />

145cm wide<br />

$300–500<br />

676<br />

A late Georgian mahogany dining chair,<br />

early 19th century<br />

the slightly fan shaped back with<br />

slender splats with stiff leaf motifs,<br />

side stretchers to the square section<br />

legs<br />

$100–200<br />

677<br />

A Regency brass inlaid mahogany side<br />

chair, early 19th century<br />

the crest with turned details and a<br />

petite back rest, with decorative mid<br />

rail with brass flower head, raised on<br />

sabre legs<br />

$120–150


197<br />

678<br />

A group of cups and a sparrow beak<br />

jug, circa 1770<br />

two Worcester kakiemon cups and<br />

two ribbed cups with cobalt and gold<br />

decorations, a petite Lowestoft type<br />

imari jug with a strap handle<br />

8cm high and smaller<br />

$150–200<br />

679<br />

A reticulated creamware dish, probably<br />

Waechtersbach, German, 19th century<br />

moulded in the Rococo manner<br />

with trelliswork and scroll motifs to<br />

the lobed border, centred with a<br />

basketweave design, unmarked<br />

27.5cm diameter<br />

$150–250<br />

680<br />

Two Dr Wall Worcester type powder<br />

blue fan pattern dishes, circa 1770s<br />

fluted dishes with fan and roundel<br />

reserves to the border and centred<br />

with an oriental lakeside scene, quasi<br />

oriental marks underside<br />

24cm diameter<br />

$250–350<br />

681<br />

Three Royal Worcester wares<br />

a moulded blush ivory vase with<br />

wildflowers, design 1661, dated 1905,<br />

and two matching high glazed jugs<br />

with floral designs, shape 1094, about<br />

1886, backstamps underside<br />

24cm high<br />

$140–200<br />

682<br />

A Regency Derby four piece part<br />

dessert service, circa 1820<br />

comprising two dishes, a covered<br />

sucrier or small tureen and a milk jug,<br />

pattern 52, lavishly decorated with<br />

purple and gold acanthus borders,<br />

red crown and crossed baton marks<br />

underside<br />

dishes: 20cm diameter, jug: 11cm high<br />

$250–350<br />

683<br />

A creamware masonic themed<br />

tankard, late 18th century<br />

the straight sided tankard with a<br />

transferware design and coloured<br />

with indigo, green and yellow colours,<br />

bearing masonic motifs and Latin<br />

inscriptions<br />

15.5cm high<br />

$200–300<br />

684<br />

A Derby garland shepherdess<br />

porcelain figure, circa 1765<br />

in soft paste porcelain with encrusted<br />

flowers and raised on a footed Rococo<br />

base, faint impressed and written<br />

marks underside, patch marks of<br />

period, probably design No. 56<br />

16.5cm high<br />

$250–350<br />

685<br />

A suite of eight cut and engraved<br />

wine glasses, and a decanter,<br />

late 19th century<br />

heavy stem glasses with slice cuts and<br />

engraved borders, and a bottle shaped<br />

hob nail decanter<br />

Decanter: 32 cm high,<br />

glasses:16cm high<br />

$120–200<br />

686<br />

An Astbury-Whieldon type<br />

Staffordshire creamware pottery<br />

teapot, circa 1750<br />

the footed globular body with twig<br />

form handle, spout and handle, with<br />

applied grape vine decorations, the<br />

mocha glaze with gilt highlights<br />

14cm high<br />

$250–350<br />

687<br />

A collection of teabowls and saucers,<br />

1760 and later<br />

comprising four teabowl sets by<br />

Worcester, Chamberlain's Worcester,<br />

Caughley and New Hall, the Worcester<br />

duo with open crescent mark<br />

the largest bowl 5.5cm high<br />

$200–300<br />

688<br />

A Derby cream boat, together with a<br />

New Hall jug, circa 1770,1782<br />

a petite puce Derby leaf moulded<br />

sauce boat with stem handle, the New<br />

Hall shanked pedestal jug with trellis<br />

and ribbon designs to the rim and<br />

polychrome sprigs to the body, pattern<br />

207, unmarked<br />

jug 12cm high<br />

$300–400<br />

689<br />

A collection of cut crystal,<br />

19th century<br />

comprising two cut crystal mallet<br />

shaped decanters, one with diamond<br />

cuts, the other with lens slicing, and,<br />

two rummers, one with engraved<br />

border and slice cut details<br />

the largest decanter 28cm high<br />

$120–220<br />

690<br />

A vintage oak bonnet top hanging<br />

cabinet<br />

replicating a Dutch style cabinet with<br />

a single nine pane glass door and<br />

angled sides, two shelves<br />

70cm high, 66cm wide, 16.5cm deep<br />

$300–400<br />

691<br />

A Louis XV style marble top tulipwood<br />

bedside table, circa 1930<br />

with a flecked ochre serpentine top<br />

above three inlaid drawers, shaped<br />

book end veneers to the sides, raised<br />

on tapering and hipped cabriole legs,<br />

with foliate bronze mounts and sabots<br />

74cm high, 35cm wide, 28cm deep<br />

$300–400<br />

692<br />

A Bow plate, circa 1760<br />

with a fluted border and decorated<br />

with loose floral posies and sprigs in<br />

emerald colours with black highlights,<br />

unmarked<br />

18.5cm diameter<br />

$240–300


198<br />

693<br />

A William IV mahogany invalid's reading<br />

table, circa 1830<br />

the rectangular flat top table with twin<br />

adjustable bookrests, with bolt, the<br />

centre column with lower carved collar<br />

upon a platform base<br />

74cm high, 86cm wide, 54cm deep<br />

$350–450<br />

694<br />

A carved hardwood head of an<br />

elephant<br />

52cm high<br />

$100–200<br />

695<br />

HENRY CRISP (1879-1951)<br />

<strong>The</strong> Grazing Paddocks 1907<br />

watercolour<br />

signed and dated lower right:<br />

Henry Crisp 07<br />

26.5 x 44cm<br />

54.5 x 71.5cm<br />

$250–450<br />

696<br />

AFTER REMBRANDT<br />

AND AFTER FRANS HALS<br />

Portrait of Aechje Claesdar and<br />

Portrait of a Man in His Thirties<br />

two colour reproduction prints<br />

19.5 x 13.5cm (each, image size)<br />

34 x 28cm (each, image size)<br />

$100–200<br />

697<br />

MAX MIDDLETON (1922-2013)<br />

Ferns and Rocks<br />

crayon<br />

signed lower right: Max Middleton<br />

34 x 32.5cm (image size)<br />

55 x 52.5cm (frame size)<br />

$80–120<br />

698<br />

EUROPEAN SCHOOL<br />

Landscape<br />

oil on canvas<br />

53 x 66cm (image size)<br />

75.5 x 88cm (frame size)<br />

$200–400<br />

699<br />

AFTER J F HERRING SENIOR<br />

<strong>The</strong> Race for the Emperors Cup<br />

1845<br />

Fores Racing Scenes<br />

engraved by J Harris<br />

published by Fores of London<br />

with printed text on margin<br />

45 x 71cm (image size)<br />

$200–400<br />

700<br />

AFTER J W SHAYER<br />

Up Hill, Spring'em and Down Hill,<br />

<strong>The</strong> Skid<br />

two colour engravings<br />

engraved by H Papprill<br />

published by Fores of London, 1867<br />

each with printed text on margin<br />

40 x 60.5cm (each, images size)<br />

$200–400<br />

701<br />

AFTER HENRY ALKEN<br />

<strong>The</strong> Winning Post<br />

colour engraving<br />

42.5 x 76.5cm<br />

$100–300<br />

702<br />

AFTER CHARLES HUNT & SON<br />

Musjid, Hermit, Formosa<br />

and <strong>The</strong> Marquis<br />

a collection of four colour engravings<br />

published London 1867<br />

each with printed text on margin<br />

46.5 x 66cm (image size, each)<br />

$300–500<br />

703<br />

A large Sheffield plate butler's tray<br />

decorated with fruiting grape vines<br />

75cm wide, 50cm deep<br />

$200–300<br />

704<br />

An Honfleur dish by René Lalique,<br />

France, 20th century<br />

petite engraved cursive Lalique France<br />

mark to base<br />

27cm diameter<br />

$300–500<br />

705<br />

An Art Nouveau pewter teapot by<br />

Liberty & Co, London, circa 1900<br />

with tendril and whiplash motifs and<br />

a wicker bound handle, manufacturer<br />

and retailer's stamp to based and<br />

numbered 025<br />

8.5cm high<br />

$100–200<br />

706<br />

A Moorcroft flambé Anemone vase,<br />

mid 20th century<br />

tubelined to the ovoid body with<br />

flowers and fruits in purplish russet<br />

tones upon a chocolate red ground,<br />

underglaze stamp of Moorcroft<br />

England to base<br />

13.5cm high<br />

$150–250<br />

707<br />

A cameo glass vase by Muller Frères,<br />

French, early 20th century<br />

featuring a shepherd with his flock in<br />

a landscape setting, in russet colours<br />

upon a red ground, cameo mark of<br />

Muller Frères Luneville to body<br />

21cm high<br />

$250–350<br />

708<br />

A carved gilt wood three fold dressing<br />

table mirror<br />

$200–300<br />

709<br />

An opalescent glass sea urchins bowl<br />

by Sabino, French, 20th century<br />

with mark of Sabino France in relief to<br />

centre<br />

26cm diameter<br />

$150–250<br />

710<br />

An enamel painted cameo vase<br />

by Val St. Lambert, Belgian,<br />

early 20th century<br />

featuring a ruin in a lakeside<br />

setting, in amethyst colours<br />

upon a frosted ground, cameo<br />

maker's mark to lower body<br />

13cm high<br />

$200–300


199<br />

711<br />

An Art Deco spelter figure group,<br />

girl with hound, by L Bruns, French,<br />

circa 1920s<br />

a silvered reclining figure in a<br />

diaphanous gown holding her dog,<br />

raised on a portoro marble and ochre<br />

marble base, inscribed signature lower<br />

right<br />

23cm high, 55cm long, 15cm wide<br />

$250–350<br />

712<br />

A pair of Chinese mahogany side<br />

tables<br />

waisted tables with quarter veneer<br />

surfaces, with undertiers and raised on<br />

Ming style hoof feet<br />

54cm high, 61cm wide and deep<br />

$300–400<br />

713<br />

A pair of ebonised lacquerware<br />

Chinese side tables<br />

waisted tables with crackle surfaces<br />

and raised on Ming style hoof feet<br />

51cm high, 50cm wide and deep<br />

$300–400<br />

714<br />

A cast bronze Louis XVI style lamp<br />

base, 19th century with later fittings<br />

converted from an engine turned<br />

candlestick<br />

58cm high<br />

$100–150<br />

715<br />

A modern tubular table lamp<br />

with an adjustable stem to a circular<br />

base<br />

68cm high (variable)<br />

$100–200<br />

716<br />

A pair of walnut Louis XV style<br />

upholstered fauteuils, late 19th century<br />

with carved details to the channelled<br />

frames, floral details to the skirts and<br />

knees above cabriole legs, in olive<br />

and raspberry flocked upholstery with<br />

nail trim<br />

$300–400<br />

717<br />

A pair of rustic carved wooden bowls<br />

each carved from a solid piece of<br />

wood with integral handles<br />

50cm diameter (approx)<br />

$100–200<br />

718<br />

Two ox blood coloured leather look<br />

trays<br />

8cm high, 57cm wide, 33cm wide<br />

$60–80<br />

719<br />

EUROPEAN SCHOOL<br />

<strong>The</strong> Battle<br />

oil on canvas on panel<br />

31 x 39cm<br />

$300–500<br />

720<br />

A pair of Royal Worcester musician<br />

figurines, 1929<br />

animated figures in white and gilt<br />

colours, she playing a tambourine and<br />

he playing a pipe, puce backstamps<br />

underside, shape 1803<br />

16cm high<br />

$300–500<br />

721<br />

A twin handled Royal Worcester floral<br />

vase by Walter Sedgley, 1923<br />

the slender baluster vase with full<br />

blown maroon and pink roses on a<br />

blush ground, with high set gilded<br />

loop handles, signed below rim, puce<br />

backstamp underside, shape 2776<br />

23.5cm high<br />

$200–400<br />

722<br />

A Royal Worcester plate by Harry<br />

Ayrton, 1949<br />

decorated to the ink blue ground in<br />

art nouveau style floral raised gilding,<br />

a central roundel of peaches and<br />

grapes, signed H.Ayrton below image,<br />

gold backstamp and rubbed painted<br />

numerals underside<br />

27cm diameter<br />

$300–500<br />

723<br />

A small lidded Royal Worcester fruit<br />

urn by P. Stanley, circa 1970<br />

with a softly gilded domed lid, high<br />

set handles and a conforming base,<br />

the body decorated throughout with<br />

peaches and berry fruits upon a<br />

suffused foliage embellished ground,<br />

signed P. Stanley to lower body,<br />

black backstamp underside, shape<br />

2701/S/S<br />

16.5cm cm high<br />

$300–500<br />

724<br />

A Royal Worcester lidded reticulated<br />

bowl or pot pourri, 1888<br />

with gothic style piercings in blush<br />

tones picked out in gilt, a moulded<br />

frieze to the lower body and raised on<br />

lion's paw feet; puce backstamp to<br />

foot, shape G846<br />

13cm high, 20cm diameter<br />

$300–500<br />

725<br />

A Val Saint Lambert flashed cut crystal<br />

vase<br />

the heavy gauge vase with a diamond<br />

point frieze between navette and spear<br />

head cuts, mark of Val St Lambert in<br />

script to base<br />

27cm high<br />

$200–400<br />

726<br />

A sterling silver and guilloche enamel<br />

strut clock, American, circa 1920<br />

an eight day clock with maker's mark<br />

for Waltham to dial<br />

9.5cm high, 8cm wide<br />

$200–400<br />

727<br />

A guilloche enamel strut clock, Swiss,<br />

circa 1920<br />

with sterling silver case and yellow<br />

'engine turned' guilloche border<br />

11cm high<br />

$200–400


200<br />

728<br />

A French fusee verge pocket watch<br />

mounted as a desk clock<br />

a hybrid item with antique<br />

components, the dial with Arabic<br />

numerals, paste stone hands against<br />

an enamel dial and set within a thick<br />

glass case upon a wooden and brass<br />

trimmed stand<br />

14cm high, 9.5cm wide<br />

$200–400<br />

729<br />

An Austrian miniature spring driven<br />

regulator clock, circa 1900<br />

having a white enamel dial with Roman<br />

numerals, key wind, housed in an<br />

ebonised wooden case<br />

70cm long<br />

$300–500<br />

730<br />

A West German hunting theme<br />

majolica punch or cider bowl set, mid<br />

20th century<br />

with covered bowl and four associated<br />

mugs all decorated in high relief<br />

West Germany impressed mark<br />

underside<br />

$120–200<br />

731<br />

A collection of five large shells<br />

21cm long and smaller<br />

$150–250<br />

732<br />

A collection of vintage oriental blades<br />

and swords<br />

seven items including a wavy edged<br />

kalis type blade, and a variety of<br />

South East Asian blades with wooden<br />

scabbards, some with shagreen to the<br />

handles<br />

75cm and smaller<br />

$350–500<br />

733<br />

A naturalistic spelter model of a fox<br />

with bronze patination and mounted<br />

on a wooden plinth<br />

22cm high, 51cm long, 16cm wide<br />

$300–500<br />

734<br />

A Regency style gilt metal mounted<br />

candelabra<br />

a four branch cast candelabrum with<br />

floriform sconces decorated with<br />

crystal pendants<br />

40cm high<br />

$300–500<br />

735<br />

A gilt metal and wooden crucifix<br />

80cm high, 56cm wide<br />

$120–200<br />

736<br />

A collection of sterling silver table<br />

wares, 19th century and later<br />

Various dates and makers, Birmingham<br />

and Sheffield made, comprising a<br />

fruit with sterling handles steel blades<br />

and tines, a set of teaspoons with<br />

tongs and strainer spoon, a pair of<br />

Neoclassical footed salts, and a cruet<br />

set all cased<br />

$200–300<br />

737<br />

A pair of antique Gothic style gilt brass<br />

candlesticks<br />

41cm high<br />

$300–500<br />

738<br />

A silver plated wine cooler<br />

with an applied grape vine rim and ring<br />

handles with lion's head mounts<br />

26cm high<br />

$120–150<br />

739<br />

A George III mahogany tray top<br />

commode, late 18th century<br />

with twin cupboards above two long<br />

cockbeaded drawers with swan neck<br />

brass handles, raised on square<br />

section legs<br />

71cm high, 54cm wide, 44.5cm deep<br />

PROVENANCE<br />

purchased from Alstins Antiques in<br />

Hamilton, Victoria in 1981<br />

$200–300<br />

740<br />

A mahogany corner chair in the<br />

Chippendale style, English, circa 1760<br />

with a fine patina, featuring a shaped<br />

back with turned supports to a frame<br />

with a drop in seat, the front leg with a<br />

cabriole profile<br />

PROVENANCE<br />

Purchased from Peter Dunn (son of<br />

John Dunn), Prinny’s Antiques, 1983.<br />

$300–500<br />

741<br />

A George III oak child's chair, late<br />

18th century<br />

with a rush seat and raised on tapering<br />

legs with a stretcher base<br />

66cm high<br />

$200–300<br />

742<br />

An antique style elm country armchair<br />

of generous proportions, with rush<br />

seat and 'H' form stretcher<br />

106cm high, 52cm wide, 60cm deep<br />

$100–200<br />

743<br />

A pair of Baronial style oak carver<br />

chairs, circa 1920s<br />

square framed chairs with embossed<br />

leather backs and seats with<br />

ornamental bosses<br />

104cm high<br />

$200–300<br />

744<br />

A stretcher based elm country stool,<br />

19th century<br />

with rush seat and turned supports<br />

and cresting rail to one short end<br />

66cm high, 83cm wide, 32cm deep<br />

$100–200<br />

745<br />

A pair of Chinese stretcher based side<br />

tables<br />

the waisted tables raised on square<br />

section legs, shaped skirt to one long<br />

side<br />

52cm high, 62cm wide, 48cm deep<br />

$300–400


201<br />

746<br />

A pair of blondewood Directoire style<br />

armchairs<br />

with carved details to the rails, pierced<br />

anthemion splats, and stuffover seat,<br />

with painted details in red and green<br />

89cm high<br />

$150–250<br />

747<br />

An elm ladder back armchair,<br />

19th century<br />

having a rush seat above turned legs<br />

with stretchers<br />

$150–200<br />

748<br />

A rustic Breton-style painted chair<br />

with a relief carved crest, rush seat and<br />

turned and ornamented stretchers, in a<br />

pale blue and dulled gold painted finish<br />

124cm high<br />

$100–200<br />

749<br />

A small octagonal oak occasional<br />

table, 19th century<br />

with a cushion form frame above four<br />

turned legs united by a conforming<br />

box stretcher<br />

70cm high, 65cm wide, 65cm deep<br />

$200–300<br />

750<br />

A 19th century French brass carriage<br />

clock, retailed by Fairfax & Roberts<br />

$150–250<br />

751<br />

An antique elm bakery paddle,<br />

19th century<br />

with a long pole and rustic metal<br />

strapping to throat and paddle edge,<br />

fire brand stamp, JS<br />

$200–400<br />

752<br />

A Gold Bracelet<br />

Flat woven bracelet with polished<br />

finish, crafted in 14ct yellow gold, total<br />

length 190mm, total weight 50gms.<br />

$2,000–2,500<br />

753<br />

An Edwardian Gold and Amethyst<br />

Bracelet<br />

Fine gate link bracelet interspaced with<br />

six round cut amethysts finely bezel<br />

set. Crafted in 15ct gold, total length<br />

190mm, total weight 12.5gms.<br />

$800–1,000<br />

754<br />

A pair of Doulton Lambeth vases,<br />

1886-1914<br />

Slaters patent vases with tubelined<br />

flowers upon a textured ground,<br />

impressed marks underside<br />

27.5cm high<br />

$150–200<br />

755<br />

Three Doulton Lambeth vases, early<br />

20th century<br />

a pair of bottle vases with borders of<br />

applied decorations on a brown and<br />

blue mottled ground, and a similar vase<br />

with a shaped frieze of leafy motifs<br />

upon a tight scroll decorated ground,<br />

impressed marks underside, the latter<br />

with stamp for Art Union of London<br />

21cm high<br />

$160–200<br />

756<br />

A Persian wool prayer rug<br />

an allover design of star and cross<br />

forms in ink blue and beige colours<br />

upon a rust field, enclosed by lotus<br />

and hook borders, additional patterned<br />

borders to the short ends<br />

130cm x 80cm<br />

$300–500<br />

757<br />

Three Italian silver laminated<br />

Musketeer figures, by Gold Line, Italy,<br />

20th century<br />

with gold coloured and enamelled<br />

highlights, each numbered and marked<br />

Italy to cartouche to bases, mounted on<br />

stepped rose coloured stone stands<br />

24 cm high and smaller<br />

$200–400<br />

758<br />

An Art Deco spelter figure by Georges<br />

Gori, circa 1930<br />

modelled as young woman wearing a<br />

draping cold painted dress, with ivorine<br />

hands and face, raised on a veined<br />

russet marble base with a contrasting<br />

marble and onyx frieze<br />

32cm high, 42cm wide, 18cm deep<br />

$350–450<br />

759<br />

A pair of Louis XV style five branch<br />

brass chandeliers, 20th century<br />

the outswept serpentine arms with<br />

leafy embellishments and cherub<br />

decorations, sconces supporting<br />

textured globular and fluted shades<br />

45 high to top of ceiling bracket,<br />

50cm diameter<br />

$300–400<br />

760<br />

A sterling silver gravy ladle and toddy<br />

spoon, and a Continental plated soup<br />

ladle,19th to 20th century, various<br />

dates and makers<br />

A Sheffield thread edged gravy ladle<br />

by Harrison Brothers & Howson, 1919,<br />

a Georgian reed edged toddy ladle<br />

with a wrythen baleen handle, rubbed<br />

marks, and; a plated Continental plated<br />

soup ladle<br />

silver weight 125gm, gravy and toddy<br />

ladles only<br />

$250–350<br />

761<br />

An Aynsley coffee service in 'Orchard<br />

Gold' pattern, second half 20th century<br />

A service for six comprising coffee<br />

pot, creamer and a covered sugar<br />

basin with coffee cans and associated<br />

saucers, backstamps underside<br />

the coffee pot 23 cm high<br />

$400–600<br />

762<br />

A Royal Worcester 'Royal Lily' tureen,<br />

1878 and 1879<br />

with elephant handles and an oriental<br />

style bird claw handle, date letters and<br />

factory marks to base and lid<br />

24cm high, 43cm wide<br />

$600–800


202<br />

763<br />

A sterling silver table cigarette<br />

box, Thomas Ducrow & Sons,<br />

Birmingham 1947<br />

an elegant slim profile timber lined<br />

engine turned box with flush hinges,<br />

hallmarked underside<br />

2cm high, 16cm wide, 12cm deep<br />

$400–500<br />

764<br />

A small Chinese rosewood<br />

display stand<br />

the low profile stand with inverted<br />

bracket feet united by shaped<br />

stretchers to the long sides<br />

7cm high, 54cm long, 30cm deep<br />

$150–250<br />

765<br />

A Victorian cedar chest of drawers<br />

with an oval mirror, 19th century<br />

five pine lined drawers raised on bun<br />

feet and surmounted by a toilet mirror<br />

between carved supports<br />

175cm high, 106cm wide, 47cm deep<br />

$100–200<br />

766<br />

A pair of marble topped oak bedside<br />

tables, early 20th century<br />

inset marble tops above a single<br />

drawer and long cupboard, with canted<br />

corners, small carved embellishment<br />

and raised on a plinth base<br />

75cm high, 37cm wide and deep<br />

$300-500<br />

767<br />

An oak roll top desk, English,<br />

early 20th century<br />

with tambour top and eight drawers<br />

above a plinth base<br />

117cm high, 107cm wide, 69cm deep<br />

$200–300<br />

768<br />

An oriental style fall front bureau<br />

in a black finish with a painted gilt trim,<br />

with two long drawers and raised on<br />

Queen Anne cabriole legs with paw<br />

feet, the fall front having a partitioned<br />

red lacquer interior<br />

97cm high, 61cm wide, 41cm deep<br />

$300–500<br />

769<br />

A pair of oriental style black ceramic<br />

lamps with shades<br />

baluster lamps with muted gilded<br />

details, on timber bases<br />

70cm high<br />

$300–400<br />

770<br />

A pair of Chinese painted black<br />

lacquerware trunks, one with stand<br />

decorated throughout with lotus and<br />

birds<br />

35cm high, 69.5cm wide, 48cm wide<br />

$300–400<br />

771<br />

A Bristol green glass decanter and<br />

target stopper, 19th century<br />

with bands of short flutes and lobed<br />

designs to the neck, flute cuts to the<br />

base<br />

31cm high<br />

$140–200<br />

772<br />

A Bristol green brandy decanter and<br />

stopper, early 19th century<br />

with a crimped tear drop stopper and<br />

original gilt work to the bottle<br />

24cm high<br />

$140–200<br />

773<br />

A pair of amethyst glass cut glass salts<br />

together with a Georgian boat shaped<br />

salt, early 19th century<br />

8cm high<br />

$150–200<br />

774<br />

A hardwood rocking chair,<br />

20th century<br />

height of back 112cm<br />

$150–250<br />

775<br />

A rare Georgian pearwood plate rack,<br />

18th century<br />

the spindle form rack with annular<br />

knops<br />

27cm high<br />

$200–300<br />

776<br />

A Victorian cut and engraved glass<br />

wine jug, 19th century<br />

of bottle vase shape with leaf designs<br />

to the body<br />

26.5cm high<br />

$150–250<br />

777<br />

A Georgian style pie crust wine table<br />

with a carved and turned stem, raised<br />

on outswept tripod cabriole legs with<br />

leaf embellished pad feet<br />

64cm high, 48cm diameter<br />

$300–500<br />

778<br />

A Georgian side chair,<br />

late 18th century<br />

with an intricately carved serpentine<br />

cresting rail and extended ears, a<br />

carved and pierced back splat above a<br />

drop seat with floral printed upholstery<br />

$300–500<br />

779<br />

A Georgian side chair,<br />

late 18th century<br />

with serpentine cresting rail and<br />

extended ears, a central pierced<br />

interlaced splat and carved stiles<br />

above a drop in seat<br />

$300–500<br />

780<br />

A stained oak coffer, 19th century<br />

with relief carved pilasters in the form<br />

of heads<br />

70cm high, 147cm wide, 52cm deep<br />

$600-800<br />

End of Sale


Final<br />

Entries<br />

Invited<br />

Australian, Maritime<br />

and Exploration<br />

<strong>Auction</strong> | August 2022<br />

ENQUIRIES<br />

03 9500 2607<br />

mail@gibsonsauctions.com.au<br />

WILLIAM EDWARDS<br />

(London, b.1819–?)<br />

An Australian Colonial sterling silver<br />

mounted etched glass Presentation<br />

claret jug, circa 1875. 30cm high<br />

Estimate: $10,000–15,000<br />

Sold July 2021 for $36,000


204<br />

Terms & Conditions of Sale<br />

<strong>The</strong> Terms and Conditions of Sale listed here contain<br />

the policies of Gibson's <strong>Auction</strong>eer's & Valuers Pty<br />

Ltd (herein after referred to as "Gibson's"). <strong>The</strong>y are<br />

the Terms on which Gibson's and the Seller contract<br />

with the Buyer. <strong>The</strong>y may be amended by printed<br />

Saleroom Notices or oral announcements made<br />

before and during the Sale. By Bidding at <strong>Auction</strong> you<br />

agree to be bound by these terms.<br />

1. Definitions<br />

<strong>The</strong> following conditions that are listed contain<br />

terms that are used regularly and have the following<br />

meanings:<br />

"<strong>Auction</strong>" means the event at which any Lot is<br />

offered for Sale by Gibson's.<br />

"<strong>Auction</strong>eer" means the representative of Gibson's<br />

conducting the <strong>Auction</strong>.<br />

"Bid" / "Bidder" means the action of notifying the<br />

<strong>Auction</strong>eer of the intention to purchase the Lot by<br />

the Prospective Buyer. <strong>The</strong> Bidder is any person or<br />

entity that makes this makes this action. Bidding is<br />

understood by both the Bidder and Gibson's to be<br />

contractually obliging.<br />

“Buyer” means the person with the highest Bid<br />

accepted by the <strong>Auction</strong>eer.<br />

“Buyer's Premium” means the charge payable by<br />

the Buyer to the <strong>Auction</strong> house as a percentage of<br />

the Hammer Price.<br />

“Forgery” means an item constituting an imitation<br />

originally conceived and executed with fraudulent<br />

intention to deceive as to authorship, origin, age,<br />

period, culture, provenance or source where the<br />

correct description as to such matters is not reflected<br />

by the description in the catalogue. Accordingly no<br />

Lot shall be capable of being a forgery by reason of<br />

any damage or restoration work of any kind (including<br />

re-painting).<br />

“Hammer Price” means the amount of the highest<br />

Bid accepted by the <strong>Auction</strong>eer in relation to a Lot.<br />

“Insured Value” means the amount that Gibson's<br />

in its absolute discretion from time to time shall<br />

consider the value for which a Lot should be covered<br />

for insurance (whether or not insurance is arranged<br />

by Gibson's).<br />

“Lot” means any item within the Sale for <strong>Auction</strong> and<br />

in particular the item or items described against any<br />

Lot number in the catalogue.<br />

"Prospective Buyer" means any person or entity<br />

with the intention of purchasing any Lot in the<br />

<strong>Auction</strong>.<br />

“Reserve” means the confidential lowest amount<br />

at which Gibson's has contractually agreed with the<br />

Seller that the Lot can be sold.<br />

"Sale" means any private treaty or <strong>Auction</strong> Sale at<br />

which a Lot is offered for Sale.<br />

“Seller” means (as appropriate) the owner, their<br />

agent, executors or personal representatives, or the<br />

person in possession of the property consigned<br />

for <strong>Auction</strong>. Multiple owners, agents or persons in<br />

possession shall jointly and severally assume all<br />

obligations, liabilities, representations, warranties and<br />

indemnities in relation to the Sale of the Lot.<br />

"Dollars" or "$" means Australian currency. All Bids,<br />

Hammer Price, Reserves, Buyer's Premium and<br />

other expressions of value are understood to be in<br />

Australian Dollars unless otherwise specified.<br />

2. Gibson’s <strong>Auction</strong>eers & Valuers<br />

as Agent<br />

Except as otherwise stated Gibson's acts as agent<br />

for the Seller.<br />

<strong>The</strong> contract for the Sale of the property is therefore<br />

made between the Seller and the Buyer.<br />

3. Before the Sale<br />

A) EXAMINATION OF PROPERTY<br />

Prospective Buyers are strongly advised to examine<br />

in person any property in which they are interested<br />

before the <strong>Auction</strong> takes place. Neither Gibson's<br />

nor the Seller provides any guarantee in relation to<br />

the nature of the property apart from the Limited<br />

Warranty in the paragraph below.<br />

<strong>The</strong> property is otherwise sold “as is”.<br />

B) CATALOGUE AND OTHER DESCRIPTIONS<br />

All statements by Gibson's in the catalogue entry for<br />

the property or in the condition report, or made orally<br />

or in writing elsewhere, are statements of opinion<br />

and are not to be relied upon as statements of fact.<br />

Such statements do not constitute a representation,<br />

warranty or assumption of liability by Gibson's of<br />

any kind. References in the catalogue entry to the<br />

condition report, including damage or restoration<br />

are for guidance only and should be evaluated by<br />

personal inspection by the Bidder or a knowledgeable<br />

representative. <strong>The</strong> absence of such a reference<br />

does not imply that an item is free from defects or<br />

restoration, nor does a reference to particular defects<br />

imply the absence of any others. Estimates of the<br />

selling price should not be relied on as a statement<br />

that this is the price at which the item will sell or it’s<br />

value for any other purpose. Neither Gibson's nor the<br />

Seller is responsible for any errors or omissions in the<br />

catalogue or any supplemental material.<br />

Images are measured height by width. Illustrations<br />

are provided only as a guide and should not be relied<br />

upon as a true representation of colour or condition.<br />

Images are not shown at a standard scale. Mention<br />

is rarely made of frames (which may be provided as<br />

supplementary images on the website) which do<br />

not form part of the Lot as described in the printed<br />

catalogue.<br />

All transactions are in Australian Dollars so there<br />

may be a small exchange rate risk, for international<br />

Buyers. <strong>The</strong> costs associated with acquiring a goods<br />

certificate will be borne by the Buyer. If the item<br />

turns out to be a Forgery or otherwise incorrectly<br />

described, all reasonable costs will be borne by the<br />

Seller.<br />

C) BUYER'S RESPONSIBILITY<br />

All property is sold “as is” without representation or<br />

warranty of any kind by Gibson's or the Seller. Buyers<br />

are responsible for satisfying themselves concerning<br />

the condition of the property and the matters referred<br />

to in the catalogue by requesting a condition report<br />

4. At the Sale<br />

A) REFUSAL OF ADMISSION<br />

Gibson's reserves the right at our complete discretion<br />

to refuse admission to the <strong>Auction</strong> premises or<br />

participation in any <strong>Auction</strong> and to reject any Bid.<br />

B) REGISTRATION BEFORE BIDDING<br />

Any new Prospective Buyer must complete and<br />

sign a registration form and provide photographic<br />

identification before Bidding. Gibson's may<br />

request bank, trade or other financial references to<br />

substantiate this registration.<br />

C) BIDDING AS A PRINCIPAL<br />

When making a Bid, a Bidder is accepting personal<br />

liability to pay the purchase price including the<br />

Buyer's Premium and all applicable taxes, plus<br />

all other applicable charges, unless it has been<br />

explicitly agreed in writing with Gibson's before<br />

the commencement of the Sale that the Bidder is<br />

acting as agent on behalf of an identified third party<br />

acceptable to Gibson's and that Gibson's will only<br />

look to the principal for payment.<br />

D) INTERNATIONAL REGISTRATIONS<br />

All international clients not known to Gibson's will<br />

be required to scan or fax through an accredited<br />

form of photo identification and pay a deposit at our<br />

discretion in cleared funds into Gibson's account<br />

at least 48 hours before the commencement of<br />

the <strong>Auction</strong>. Bids will not be accepted without<br />

this deposit. Gibson's also reserves the right to<br />

request any additional forms of identification prior to<br />

registering an overseas Bid.<br />

This deposit can be made using a credit card,<br />

however the balance of any purchase price in excess<br />

of $5,000 can not be charged to this card without<br />

prior arrangement. This deposit is redeemable<br />

against any <strong>Auction</strong> purchase.<br />

E) ABSENTEE BIDS<br />

Gibson's will use reasonable efforts to execute written<br />

Bids delivered to us at least 24 hours prior to the<br />

Sale for the convenience of those clients who are<br />

unable to attend the <strong>Auction</strong> in person. If Gibson's<br />

receives identical written Bids on a particular Lot, and<br />

at the <strong>Auction</strong> these are the highest Bids on that Lot,<br />

then the Lot will be sold to the person whose written<br />

Bid was received and accepted first. Execution of<br />

written Bids is a free service undertaken subject to<br />

other commitments at the time of the Sale and we<br />

do not accept liability for failing to execute a written<br />

Bid or for errors or omissions which may arise. It is<br />

the Bidder’s responsibility to check with Gibson's<br />

after the <strong>Auction</strong> if they were successful. Unlimited<br />

or “Buy” Bids will not be accepted. Please refer to our<br />

indicative Bidding increments below for appropriate<br />

absentee Bid amounts (Section K).<br />

F) TELEPHONE BIDS<br />

Priority will be given to overseas and interstate<br />

Bidders. Arrangements for this service must be<br />

confirmed at least 24 hours prior to the <strong>Auction</strong><br />

commencing. Gibson's accepts no responsibility<br />

whatsoever for any errors or failure to execute Bids.<br />

In telephone Bidding the Buyer agrees to be bound<br />

by all terms and conditions listed here and accepts<br />

that Gibson's cannot be held responsible for any<br />

miscommunications in the process. <strong>The</strong> success<br />

of telephone Bidding cannot be guaranteed due to<br />

circumstances that are unforeseen. Buyers should<br />

be aware of the risk and accept the consequences<br />

should contact be unsuccessful at the time of<br />

<strong>Auction</strong>. You must advise Gibson's of the Lots in<br />

question and recommend a ‘Cover Bid’ amount<br />

should there be any issues with technology or<br />

communication via the telephone number provided.<br />

Gibson's will advise Telephone Bidders who have<br />

registered at least 24 hours before the <strong>Auction</strong> of any<br />

relevant changes to descriptions, withdrawals or any<br />

other Sale room notices.<br />

G) ONLINE BIDDING<br />

Gibson's accepts no responsibility for any<br />

errors, failure to execute Bids or any other<br />

miscommunications regarding this process. It is the<br />

online Bidder’s responsibility to ensure the accuracy<br />

of the relevant information regarding Bids, Lot<br />

numbers and contact details.


205<br />

H) RESERVES<br />

Unless otherwise indicated, all Lots are offered<br />

subject to a Reserve, which is the confidential<br />

minimum price below which the Lot will not be sold.<br />

<strong>The</strong> Reserve will not exceed the low estimate printed<br />

in the catalogue. <strong>The</strong> <strong>Auction</strong>eer may open the<br />

Bidding on any Lot below the Reserve by placing<br />

a Bid on behalf of the Seller. <strong>The</strong> <strong>Auction</strong>eer may<br />

continue to Bid on behalf of Seller up to the amount<br />

of the Reserve, either by placing consecutive Bids or<br />

by placing Bids in response to other Bidders.<br />

I) AUCTIONEERS DISCRETION<br />

<strong>The</strong> <strong>Auction</strong>eer has the right at his absolute and sole<br />

discretion to refuse any Bid, to advance the Bidding<br />

in such a manner as he may decide, to withdraw or<br />

divide any Lot, to combine any two or more Lots and,<br />

in the case or error or dispute and whether during or<br />

after the Sale, to determine the successful Bidder,<br />

to continue the Bidding, to cancel the Sale or to<br />

re-offer and resell the item in dispute. If any dispute<br />

arises after the Sale, then Gibson's Sale record is<br />

conclusive.<br />

J) SUCCESSFUL BID AND PASSING OF RISK<br />

Subject to the <strong>Auction</strong>eer’s discretion, on the<br />

acceptance of a Bid by the fall of the <strong>Auction</strong>eer's<br />

hammer, a contract of sale is made between the<br />

Seller and the Buyer. Risk and responsibility for the<br />

Lot (including frames or glass where relevant) passes<br />

immediately to the Buyer. Gibson's shall not be liable<br />

for any breach of contract by either the Seller or<br />

the Buyer.<br />

K) INDICATIVE BIDDING STEPS, ETC.<br />

Gibson's reserves the right to refuse any Bid,<br />

withdraw any Lot from Sale, to place a Reserve on<br />

any Lot and to advance the Bidding according to<br />

the following:<br />

Increment Amount<br />

Dollar Range<br />

$20 $0–$500<br />

$50 $500–$1,000<br />

$100 $1,000–$2,000<br />

$200 $2,000–$5,000<br />

$500 $5,000–$10,000<br />

$1,000 $10,000–$20,000<br />

$2,000 $20,000–$50,000<br />

$5,000 $50,000–$100,000<br />

$10,000 $100,000–$200,000<br />

$20,000 $200,000–$500,000<br />

$50,000 $500,000–$1,000,000<br />

Absentee Bids must follow these increments and any<br />

Bids that don’t follow the steps will be rounded up to<br />

the nearest acceptable Bid.<br />

5. After the Sale<br />

A) BUYER'S PREMIUM<br />

In addition to the Hammer Price, the Buyer agrees<br />

to pay to Gibson's the Buyer's Premium. <strong>The</strong> Buyer's<br />

Premium is 22% of the Hammer Price plus GST.<br />

(Goods and Services Tax) where applicable.<br />

B) ONLINE SURCHARGE<br />

In the case where the Buyer purchases via online<br />

Bidding platforms, the Buyer agrees to pay the online<br />

Bidding surcharge of 2% (Gibsons.com.au) or 5%<br />

(Invaluable.com) plus GST, where applicable.<br />

C) PAYMENT AND PASSING OF TITLE<br />

<strong>The</strong> Buyer must pay the full amount due (comprising<br />

the Hammer Price, Buyer's Premium and any<br />

applicable taxes and GST) not later than three (3)<br />

days after the <strong>Auction</strong> date.<br />

<strong>The</strong> Buyer will not acquire title for the Lot until<br />

Gibson's receives full payment in cleared funds, and<br />

no goods under any circumstances will be released<br />

without confirmation of cleared funds received.<br />

This applies even if the Buyer wishes to send items<br />

interstate or overseas.<br />

Payment can be made by the following means:<br />

• Bank Transfer/Direct Deposit is our preferred<br />

method of payment<br />

Account Name: Gibson's <strong>Auction</strong>s<br />

Bank:<br />

Bank of Melbourne<br />

(A division of St George)<br />

BSB: 193879<br />

Account No: 441701443<br />

Swift Code: SGBLAU2S<br />

Routing Code: 021000021<br />

Bank Address: 197-201 Glenferrie Road,<br />

Malvern, Vic, 3144<br />

<strong>The</strong> Buyer is responsible for any bank fees and<br />

charges applicable for the transfer of funds into<br />

Gibson's account<br />

• Personal, Company and Bank Cheques are not<br />

accepted without prior approval.<br />

• EFTPOS (no charge)<br />

• Credit cards: Visa and Mastercard (1.2% incl GST<br />

merchant fee) and American Express (2% incl<br />

GST merchant fee)<br />

Please note that credit card transactions over<br />

$5,000 will not be accepted over the telephone<br />

unless by prior arrangement.<br />

• Cash up to AU$10,000 can accepted in<br />

cash. For any amount over this, cash is to be<br />

deposited directly into our account at a Bank of<br />

Melbourne/St George branch<br />

D) COLLECTION OF PURCHASES & INSURANCE<br />

Gibson's is entitled to retain items sold until all<br />

amounts due to us have been received in full in good<br />

cleared funds. Subject to this, the Buyer shall collect<br />

purchased Lots within three (3) days from the date of<br />

the Sale unless otherwise agreed in writing between<br />

Gibson's and the Buyer.<br />

At the fall of the hammer, insurance is the<br />

responsibility of the purchaser.<br />

E) PACKING, HANDLING AND SHIPPING<br />

At the request of the Buyer, Gibson's may assist with<br />

packing of goods but takes no responsibility for loss,<br />

damage or breakage that may occur.<br />

Gibson's at the request of the Buyer may arrange<br />

for a carrier, packer or shipper to have the property<br />

packed, insured and shipped at the Buyer’s<br />

expense. All packing, shipping, insurance, postage &<br />

associated charges will be borne by the purchaser.<br />

Gibson's can assist with removal companies that the<br />

Buyer can use but takes no responsibility whatsoever<br />

for the actions of any recommended third party.<br />

F) CULTURAL HERITAGE EXPORT LICENCES<br />

Unless otherwise agreed by Gibson's in writing, the<br />

fact that the Buyer wishes to apply for an export<br />

licence does not affect their obligation to make full<br />

payment immediately, nor Gibson's right to charge<br />

interest or storage charges on late payment. It is<br />

the responsibility of the Buyer to check Australia’s<br />

Protection of Moveable Cultural Heritage Act 1986<br />

prior to purchase. Export/import licences applications<br />

are the responsibility of the Buyer and/or the Buyer's<br />

nominated shipper. Gibson's shall not be obliged to<br />

rescind a Sale nor to refund any expenses incurred by<br />

the Buyer in circumstances where an export licence<br />

is not granted.<br />

G) REMEDIES FOR NON-PAYMENT<br />

If the Buyer fails to make full payment immediately,<br />

Gibson's is entitled to exercise one or more of the<br />

following rights or remedies (in addition to asserting<br />

any other rights or remedies available under the law)<br />

i) to charge interest at the ANZ visa credit card<br />

rate as published weekly in the Australian<br />

Financial Review;<br />

ii)<br />

iii)<br />

iv)<br />

to hold the defaulting Buyer liable for the<br />

total amount due and to commence legal<br />

proceedings for it’s recovery along with interest,<br />

legal fees and costs to the fullest extent<br />

permitted under applicable law;<br />

to cancel the Sale;<br />

to resell the property publicly or privately on<br />

such terms as we see fit;<br />

v) to pay the Seller an amount up to the net<br />

proceeds payable in respect of the amount Bid<br />

by the defaulting Buyer. In these circumstances<br />

the defaulting Buyer can have no claim upon<br />

Gibson's in the event that the Lot(s) are sold for<br />

an amount greater than the original invoiced<br />

amount;<br />

vi)<br />

to offset against any amounts which Gibson's<br />

may owe the Buyer across any other<br />

transactions;<br />

viii) to reject at any future <strong>Auction</strong> any Bids made by<br />

or on behalf of the Buyer or to obtain a deposit<br />

from the Buyer prior to accepting any Bids;<br />

ix)<br />

to exercise all the rights and remedies of a<br />

person holding security over any property in<br />

our possession owned by the Buyer whether by<br />

way of pledge, security interest or in any other<br />

way, to the fullest extent permitted by the law of<br />

the place where such property is located. <strong>The</strong><br />

Buyer will be deemed to have been granted such<br />

security to us and we may retain such property<br />

as collateral security for such Buyer’s obligations<br />

to us;<br />

x) to take such other action as Gibson's deem<br />

necessary or appropriate.<br />

H) FAILURE TO COLLECT PURCHASES<br />

Where purchases are not collected within three (3)<br />

days from the Sale date, whether or not payment has<br />

been made, Gibson's shall be permitted to:<br />

i) remove, store and further insure the Lot at the<br />

expense of the Buyer, releasing only after full<br />

payment has been received from the Buyer for<br />

incurred costs;<br />

ii)<br />

iii)<br />

re-sell the Lot without Reserve by <strong>Auction</strong>,<br />

private treaty or any other means whereby the<br />

Buyer agrees not to challenge the resale price<br />

achieved<br />

rescind the Sale of that Lot or any other Lot sold<br />

by the Seller to the Buyer at the same or any<br />

other <strong>Auction</strong><br />

If Gibson's do re-sell the property under clauses H<br />

and G, the defaulting Buyer agrees to be liable for<br />

all payments of any deficiency between the total<br />

amount originally due and the price obtained, as well<br />

as the legal as all costs, expenses, damages, legal<br />

fees, commissions and premiums of whatever kinds<br />

associated with both Sales or otherwise arising from<br />

the default.<br />

6. Extent of Gibson's Liability<br />

Gibson's agrees to refund the purchase price in<br />

the circumstances of the Limited Warranty set out<br />

in paragraph 7. Apart from that, neither the Seller<br />

nor we, nor any of our employees or agents are<br />

responsible for the correctness of any statement of<br />

whatever kind concerning any Lot, whether written<br />

or oral, nor for any other errors or omissions in<br />

description or for any faults or defects in any Lots.<br />

Except as stated in paragraph 7 below, neither the<br />

Seller ourselves, our officers, agents or employees<br />

give any representation warranty or guarantee or<br />

assume any liability of any kind in respect of any<br />

Lot with regard to merchantability, fitness for a<br />

particular purpose, description, size, quality, condition,<br />

attribution, authenticity, rarity, importance, medium,<br />

provenance, exhibition history, literature or historical<br />

relevance. Except as required by local law any<br />

warranty of any kind is excluded by this paragraph.


206<br />

7. Limited Warranty<br />

Subject to the terms and conditions of this<br />

paragraph, the warrants for the period of fourteen<br />

(14) days from the date of the Sale that any property<br />

described in this catalogue (noting such description<br />

may be amended by any Saleroom notice or<br />

announcement) which is stated without qualification<br />

to be the work of a named author or authorship is<br />

authentic and not a forgery. <strong>The</strong> term “Author” or<br />

“authorship” refers to the creator of the property or<br />

to the period, culture, source, or origin as the case<br />

may be, with which the creation of such property is<br />

identified in the catalogue.<br />

<strong>The</strong> warranty is subject to the following:<br />

i) it does not apply where a) the catalogue<br />

description or Saleroom notice corresponded<br />

to the generally accepted opinion of scholars<br />

and experts at the date of the Sale or fairly<br />

indicated that there was a conflict of opinions,<br />

or b) correct identification of a Lot can be<br />

demonstrated only by means of a scientific<br />

process not generally accepted for use until<br />

after publication of the catalogue or a process<br />

which at the date of the publication of the<br />

catalogue was unreasonably expensive or<br />

impractical or likely to have caused damage to<br />

the property.<br />

ii)<br />

iii)<br />

iv)<br />

the benefits of the warranty are not assignable<br />

and shall apply only to the original Buyer of the<br />

Lot as shown on the invoice originally issued by<br />

Gibson's when the Lot was sold at <strong>Auction</strong>.<br />

the original Buyer must have remained the owner<br />

of the Lot without disposing of any interest in it<br />

to any third party<br />

<strong>The</strong> Buyer’s sole and exclusive remedy against<br />

the Seller in place of any other remedy which<br />

might be available, is the cancellation of the<br />

Sale and the refund of the original purchase<br />

price paid for the Lot less the Buyer's Premium<br />

which is non refundable. Neither the Seller nor<br />

Gibson's will be liable for any special, incidental<br />

nor consequential damages including, without<br />

limitation, loss of profits not for interest.<br />

v) <strong>The</strong> Buyer must give written notice of claim<br />

to us within fourteen (14) days of the date of<br />

the <strong>Auction</strong>. <strong>The</strong> Seller shall have the right, to<br />

require the Buyer to obtain two written opinions<br />

by recognised experts in the field, mutually<br />

acceptable to the Buyer and Gibson's to<br />

decide whether or not to cancel the Sale under<br />

warranty.<br />

vi)<br />

the Buyer must return the Lot to Seller in the<br />

same condition that it was purchased.<br />

8. Severability<br />

If any part of these Conditions of Sale is found by any<br />

court to be invalid, illegal or unenforceable, that part<br />

shall be discounted and the rest of the Conditions<br />

shall continue to be valid to the fullest extent<br />

permitted by law.<br />

9. Copyright<br />

<strong>The</strong> copyright of all images, illustrations and written<br />

material produced by Gibson's relating to a Lot<br />

including the contents of this catalogue, is and shall<br />

remain the property at all times of Gibson's and<br />

shall not be used by the Buyer, nor by anyone else<br />

without our prior written consent. Gibson's and the<br />

Seller make no representation or warranty that the<br />

Buyer of a property will acquire any copyright or other<br />

reproduction rights in it.<br />

10. Law and Jurisdiction<br />

<strong>The</strong>se terms and conditions and any matters<br />

concerned with the foregoing fall within the exclusive<br />

jurisdiction of the courts of the state in which the<br />

<strong>Auction</strong> is held.<br />

11. Pre-Sale Estimates<br />

Gibson's publishes with each catalogue our opinion<br />

as to the estimated price range for each Lot. <strong>The</strong>se<br />

estimates are approximate prices only and are not<br />

intended to be definitive. <strong>The</strong>y are prepared well in<br />

advance of the Sale and may be subject to revision.<br />

Interested parties should contact Gibson's prior to<br />

<strong>Auction</strong> for updated pre-Sale estimates and starting<br />

prices.<br />

12. Sale results<br />

After the Sale, Gibson's may publish (both verbally<br />

and in writing) the results of Sale at our discretion,<br />

including the prices achieved for specific Lots.<br />

Unless otherwise discussed with the Buyer, details of<br />

individual Buyers will remain confidential.<br />

13. Goods and Service Tax<br />

In accordance with A New Tax System (Goods and<br />

Services Tax) Act 1999, Gibson's <strong>Auction</strong>s will collect<br />

on behalf of the Australian Tax Office (ATO) a Goods<br />

and Service Tax (GST) of 10% on all applicable<br />

transactions.<br />

GST is applicable on the Hammer Price in the case<br />

where the Seller is selling property that is owned by<br />

an entity registered for GST. GST is also applicable<br />

on the Hammer Price in the case where the Seller is<br />

not an Australian resident. <strong>The</strong>se Lots are denoted<br />

by a dagger symbol † placed next to the estimate.<br />

GST is also applicable on the Buyer's Premium.<br />

Overseas Buyers and non-resident Buyers in Australia<br />

will not be charged GST on both Hammer Price and<br />

Premiums under the following conditions:<br />

1. <strong>The</strong> items are exported through a Gibson's<br />

approved freight company including Australia<br />

Post<br />

2. <strong>The</strong> items are exported within 60 days of the<br />

date of the Sale<br />

<strong>The</strong> invoice supplied by Gibson's for purchases will be<br />

regarded as a Tax invoice for GST purposes.<br />

14. Resale Royalty Scheme<br />

Under the legal obligations of the Resale Royalty<br />

Scheme for Visual Artists Act 2009, Sellers must<br />

provide the following information to comply with<br />

the act:<br />

• was the artwork acquired after 8 June 2010?<br />

• is the Sale/Reserve price (including GST) $1,000<br />

or more?<br />

• is the artist from Australia or a country listed in<br />

the Regulations to the Act?<br />

• is the artist alive, or deceased less than 70<br />

years?<br />

<strong>The</strong> Seller:<br />

i) acknowledges that he or she understands his or<br />

her legal obligations under the Resale Royalty for<br />

Visual Artists Act 2009 (the Act);<br />

ii)<br />

iii)<br />

iv)<br />

undertakes to comply with all requirements of<br />

the Act, including by providing its agent, the<br />

company, with accurate information sufficient for<br />

compliance with sections 28 and 29 of the Act;<br />

undertakes to indemnify the company for any<br />

loss incurred by the company as a result of<br />

the vendor’s failure to comply with any of the<br />

vendor’s legal obligations under the Act; and<br />

acknowledges that if he or she fails to comply<br />

with any of his or her legal obligations under<br />

the Act, the company may provide the vendor’s<br />

name and contact details to Copyright Agency<br />

Limited (CAL).<br />

Lots subject to payment of the Resale Royalty<br />

Scheme will be denoted by the symbol §. <strong>The</strong><br />

Australian Resale Royalty is a flat rate of 5% on the<br />

Hammer Price (including GST). <strong>The</strong> Australian Resale<br />

Royalty is payable by the Seller in addition to the<br />

Buyer's Premium plus any applicable GST.<br />

15. Jewels & Watches<br />

GEMSTONES<br />

Gemstones have historically been subjected to a<br />

variety of treatments to enhance their appearance.<br />

Sapphire and rubies are routinely heat treated to<br />

improve their colour and clarity, similarly emeralds<br />

are frequently treated with oils or resin for the same<br />

purpose. Other treatments such as staining or dyeing,<br />

irradiation, filling or coating may have been used<br />

on other precious and semi-precious gemstones<br />

and organic material. <strong>The</strong>se treatments may be<br />

permanent, whilst others may need special care to<br />

reserve their appearance. Buyers should assume that<br />

each Lot has been subject to some form of treatment<br />

and that the estimates reflect this.<br />

A number of laboratories issue certificates that give<br />

detailed descriptions of gemstones, and in the event<br />

that Gibson's has been supplied with or obtained<br />

certificates for any Lot, this shall be noted in the<br />

catalogue. However, as there may not be consensus<br />

between different laboratories on the degree, or<br />

types of treatment of the gemstones, Gibson's<br />

supplies these without warranty.<br />

Buyers should assume that all gemstones sold<br />

by Gibson's may have been subjected to such<br />

treatments, and that the catalogue estimates reflect<br />

this.<br />

PEARLS<br />

Pearls, like gemstones, are also subject to various<br />

treatments. Buyers should assume that any pearls<br />

sold by Gibson's may have been subjected to such<br />

treatments, and that the catalogue estimates reflect<br />

this.<br />

WATCHES<br />

Please note: All watches sold by Gibson's are sold on<br />

an “as is” basis. Gibson's makes no representation<br />

or warranty that any watch is in working order. Many<br />

watches have been repaired over their lifetime and<br />

may contain non-original parts. <strong>The</strong> absence of any<br />

reference to the condition of a watch does not imply<br />

that the Lot is in good condition and without defects,<br />

repairs or restorations. Buyers should be aware that<br />

a general service, change of battery or further repair<br />

work, for which the Buyer is solely responsible for,<br />

may be necessary.<br />

ESTIMATED WEIGHTS<br />

If a stone has a known weight, it has been weighed<br />

out of the mount. If a stone has an estimated weight,<br />

it is an approximate weight only and has been<br />

measured by us in the mount and is a statement of<br />

opinion only. <strong>The</strong> information is given as a guide only<br />

and Buyers should satisfy themselves with regard to<br />

this information as to its accuracy.


Lot 9 (Detail)

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