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GA053 | The Spring Auction Series

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<strong>The</strong> <strong>Spring</strong><br />

<strong>Auction</strong> <strong>Series</strong><br />

Fine Jewellery & Watches<br />

Melbourne, 26 November 2023


Specialists & Management for this sale<br />

Jennifer Gibson<br />

CEO & Head of<br />

Valuations<br />

Deanna Baxter<br />

Business<br />

Manager<br />

Samuel Fricker<br />

Operations<br />

& Marketing<br />

Manager<br />

Dennice Collett<br />

Senior Specialist<br />

Decorative Arts<br />

Ann Roberts<br />

Consultant<br />

Specialist<br />

Asian Art<br />

Jon Dwyer<br />

Consultant<br />

Specialist<br />

Australian &<br />

International Art<br />

Phil Gore<br />

Consultant<br />

Specialist<br />

Clocks, Watches<br />

& Barometers<br />

Jennifer Gibson<br />

jennifer.gibson@gibsonsauctions.com.au<br />

Deanna Baxter<br />

deanna.baxter@gibsonsauctions.com.au<br />

Samuel Fricker<br />

samuel.fricker@gibsonsauctions.com.au<br />

Dennice Collett<br />

dennice.collett@gibsonsauctions.com.au<br />

Ann Roberts<br />

ann.roberts@gibsonsauctions.com.au<br />

Jon Dwyer<br />

jon.dwyer@gibsonsauctions.com.au<br />

Sarah Garrecht<br />

artadmin@gibsonsauctions.com.au<br />

Ellin Geary<br />

mail@gibsonsauctions.com.au<br />

Andre Kimonides<br />

collections@gibsonsauctions.com.au<br />

Jewellery Department<br />

jewellery@gibsonsauctions.com.au<br />

Marilla O’Sullivan<br />

marilla.osullivan@gibsonsauctions.com.au<br />

Ella Gibson<br />

decartsadmin@gibsonsauctions.com.au<br />

Max Sumner<br />

operations@gibsonsauctions.com.au<br />

ORRONG RD<br />

AUCTION ENQUIRIES<br />

ABSENTEE & TELEPHONE BIDS<br />

Deanna Baxter<br />

bids@gibsonsauctions.com.au<br />

+61 3 9500 2607<br />

CONDITION REPORTS<br />

condition.reports@gibsonsauctions.com.au<br />

+61 3 9500 2607<br />

SHIPPING<br />

Please refer to our website for a list of recommended shippers<br />

ACCOUNTS<br />

Dolly Akhani<br />

accounts@gibsonsauctions.com.au<br />

+61 3 9500 2607<br />

GENERAL ENQUIRIES<br />

mail@gibsonsauctions.com.au<br />

+61 3 9500 2607<br />

www.gibsonsauctions.com.au<br />

ASHLEIGH RD<br />

ARMADALE<br />

NEW ST<br />

HIGH ST<br />

OSMENT ST<br />

NORTHCOTE RD<br />

KOOYONG RD<br />

<strong>Auction</strong>, Viewing and<br />

Payment & Collections<br />

Level 1, 885-889 High St<br />

Armadale, Victoria 3143<br />

AUBURN GROVE<br />

SUTHERLAND RD<br />

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII<br />

ST<br />

DENBIGH RD<br />

CHEEL ST


FRONT COVER:<br />

Lot 23 (Detail)<br />

BACK COVER:<br />

Lot 222<br />

<strong>The</strong> <strong>Spring</strong><br />

<strong>Auction</strong> <strong>Series</strong><br />

Part I: Live <strong>Auction</strong><br />

Sunday 26 November 2023, 11am (Lots 1–509)<br />

Level 1, 885-889 High Street, Armadale, Victoria 3143<br />

Part II: Timed Online <strong>Auction</strong><br />

Monday 27 November 2023, closing from 10am (Lots 510–1157)<br />

Viewing<br />

Thursday 23 November 10.00am – 5.00pm<br />

Friday 24 November 10.00am – 5.00pm<br />

Saturday 25 November 10.00am – 5.00pm<br />

<strong>Auction</strong> Code: Part I: <strong>GA053</strong> | Part II: GO053OL<br />

GST<br />

† Lots with this symbol are subject<br />

to GST on the hammer price and the<br />

buyer’s premium.<br />

Buyer’s Premium<br />

Buyer’s Premium is charged at<br />

22% of the hammer price plus GST.<br />

GST is applicable to the buyer’s<br />

premium only, unless otherwise<br />

indicated by the † symbol.<br />

Registration<br />

To register to bid at Gibson's<br />

<strong>Auction</strong>eers & Valuers an accredited<br />

form of photo identification is<br />

required. This applies to bidding in<br />

person at the auction, Telephone,<br />

Absentee and Online bidding.<br />

Resale Royalty Scheme<br />

Lots subject to payment of the<br />

Artist's Resale Royalty Scheme<br />

will be denoted by the symbol §.<br />

<strong>The</strong> Australian Resale Royalty is<br />

a flat rate of 5% on the hammer<br />

price (including GST) and is<br />

payable by the seller.<br />

Restricted or Organic Material<br />

♦ Lots with this symbol have been<br />

identified at the time of cataloguing<br />

as containing organic material<br />

which may be subject to export or<br />

import restrictions. <strong>The</strong> absence<br />

of this symbol is not a guarantee<br />

that export or import restrictions<br />

will not apply. See www.cites.org<br />

for further information.<br />

Payments & Collections<br />

(By Appointment)<br />

gibsonsauctions.com.au/bookings<br />

or phone 03 9500 2607<br />

Payments & Collections can be made<br />

from: Level 1, 885-889 High Street,<br />

Armadale, Vic 3143<br />

Tuesday 28 November 10am–5pm<br />

Wednesday 29 November 10am–5pm<br />

Thursday 30 November 10am–5pm<br />

Friday 1 December 10am–5pm<br />

All goods must be collected<br />

and paid in full strictly by 5pm on<br />

Friday 1 December (unless by prior<br />

arrangement) to avoid removal and<br />

storage charges.<br />

All payments are to be made in<br />

Australian Dollars (AU$). Please refer<br />

to the methods of payment in the ‘How<br />

to Buy’ section on the following pages.


2<br />

How to Buy<br />

All you need to know about the bidding process at auction<br />

Viewing<br />

Catalogues<br />

Online catalogues can be viewed at<br />

www.gibsonsauctions.com.au approximately three weeks<br />

prior to the auction date.<br />

Complimentary printed catalogues are available<br />

at Gibson’s <strong>Auction</strong>eers & Valuers.<br />

Symbols<br />

Occasionally, a symbol is printed next to a lot number,<br />

indicating a special clause associated with the sale of<br />

the item/s. Further information on symbols within our<br />

catalogues can be found on Page 1.<br />

Viewing<br />

<strong>Auction</strong> viewings are open to the public and usually take<br />

place three or four days prior to the auction date, at the<br />

location/s listed in the auction catalogue and on the website.<br />

Lot Descriptions<br />

Lot Descriptions provide basic catalogue information<br />

such as dimensions, date or age, medium, attribution,<br />

provenance and quantity.<br />

All lots are guaranteed for fourteen (14) days from the<br />

auction date.<br />

Estimates<br />

Estimates are printed in the catalogue beside every lot and<br />

take into account rarity, condition, quality and provenance.<br />

<strong>The</strong> reserve is the amount at which the item is available<br />

for purchase. <strong>The</strong> reserve is an undisclosed confidential<br />

amount which is set at, or below the low estimate.<br />

<strong>The</strong> reserve will never exceed the low estimate at Gibson’s<br />

<strong>Auction</strong>eers & Valuers. Many lots are sold without reserve.<br />

Talk to our Specialists<br />

Gibson’s is an experienced team of specialists who are<br />

available to discuss items in further detail, and to offer<br />

advice and assistance.<br />

Contact details for relevant specialists can be found on the<br />

inside front cover our auction catalogues and on our website.<br />

Condition Reports<br />

Condition Reports are available on request. Condition<br />

Reports supplement the lot description and provide<br />

information on the condition of an item.<br />

We strongly advise obtaining a condition report if you are<br />

unable to view an item in person prior to the auction.<br />

To request a condition report please email<br />

condition.reports@gibsonsauctions.com.au with the<br />

auction title and lot number/s.<br />

Bidding<br />

Gibson’s <strong>Auction</strong>eers & Valuers offer four bidding options:<br />

1. <strong>Auction</strong> Room Bidding<br />

To bid in person we suggest you arrive early so that you<br />

have sufficient time to register for a bidding number prior<br />

to the auction. If this is your first time bidding with Gibson’s<br />

<strong>Auction</strong>eers & Valuers please bring photo identification,<br />

such as a driver’s licence or passport with you.<br />

2. Telephone Bidding<br />

Gibson’s <strong>Auction</strong>eers & Valuers offer telephone bidding on<br />

all lots, at all auctions.<br />

Telephone Bidding is a convenient solution if you are unable<br />

to attend an auction in person. A Gibson’s <strong>Auction</strong>eers<br />

& Valuers staff member will call you approximately 5 lots<br />

in advance and with your instruction, bid on your behalf<br />

at the auction.<br />

Please note: Telephone Bids must be organised at least<br />

24 hours prior to the auction and that occasionally, the<br />

number of telephone bidders available may be restricted<br />

when the auction is offsite.<br />

To organise a Telephone Bid please follow the link<br />

to the Telephone Bidding form on our website:<br />

www.gibsonsauctions.com.au. Please fill in & return<br />

via email to mail@gibsonsauctions.com.au<br />

If this is your first time bidding with Gibson’s <strong>Auction</strong>eers &<br />

Valuers, an email address is to be supplied when you submit<br />

your Telephone Bid, along with clear Photo ID verifying<br />

your address.


3<br />

3. Absentee Bids<br />

Absentee Bidding is another convenient solution if you<br />

are unable to attend an auction in person, to speak on the<br />

telephone or if you simply have a strict budget.<br />

An Absentee Bid should be set at the maximum amount<br />

you wish to bid on the lot/s you are interested in purchasing.<br />

Should the lot/s be knocked down at an amount lower than<br />

the bid recorded on your form, the lot will be sold to you for<br />

the lesser hammer price.<br />

Please note Absentee Bids must be received at least<br />

24 hours prior to the auction to allow time for processing.<br />

To organise an Absentee Bid please follow the link to<br />

the Absentee Bidding form available on our website:<br />

www.gibsonsauctions.com.au. Please fill in & return via email<br />

to mail@gibsonsauctions.com.au<br />

If this is your first time bidding with Gibson’s <strong>Auction</strong>eers &<br />

Valuers, an email address is to be supplied when you submit<br />

your Absentee Bid, along with clear Photo ID verifying<br />

your address.<br />

4. Online Bidding<br />

Online bidding allows you to bid via the internet in real<br />

time with a live broadcast of the auction. To bid online visit<br />

our website and follow the ‘Live Bidding’ link under the<br />

‘<strong>Auction</strong>s’ tab.<br />

Please register for this service at least 24 hours prior to the<br />

auction to ensure you do not miss your lot.<br />

Please note online bidding is powered by Invaluable.com<br />

and so will incur a 5% fee on successful lots.<br />

If you have not bid with Gibson’s <strong>Auction</strong>eers & Valuers<br />

previously, a photo ID verifying your address will be<br />

required before you can be approved to bid. Please email to<br />

mail@gibsonsauctions.com.au as soon as practical.<br />

International Bidding<br />

If you are bidding from overseas for the first time, you will<br />

be asked to provide a clear Photo ID verifying your address<br />

and a deposit (set at Gibson’s <strong>Auction</strong>eers & Valuers’<br />

discretion) prior to the auction. <strong>The</strong> deposit is refundable<br />

within 48 hours should you not be successful. If you are<br />

successful the deposit will be deducted from your invoice<br />

total. <strong>The</strong> remaining balance must be paid preferably by<br />

direct deposit.<br />

Bank details are provided in the Payment & Collection<br />

section of this guide.<br />

Payment & Collection<br />

Payments<br />

If you are successful an invoice (AU$) will be emailed or<br />

posted to you immediately after the auction.<br />

You will pay the hammer price, plus the buyer’s premium<br />

(22% plus GST) on each Lot, together with any additional<br />

applicable charges such as GST on hammer.<br />

Payments must be made in full by the final day of<br />

Collections as printed in the catalogue.<br />

Bank Transfer/Direct Deposit is our preferred method<br />

of payment:<br />

Account Name: Gibsons <strong>Auction</strong>s<br />

Bank:<br />

Bank of Melbourne (A division of St George)<br />

BSB: 193879<br />

Account No: 441701443<br />

Swift Code: SGBLAU2S<br />

Routing Code: 021000021<br />

Bank Address: 197-201 Glenferrie Road, Malvern, Vic, 3144<br />

• Personal, Company and Bank Cheques are not accepted<br />

without prior approval.<br />

• Eftpos (no charge).<br />

• Credit cards: Visa, Mastercard and American<br />

Express payments can be made securely online at<br />

www.gibsonsauctions.com.au/buy/payments/<br />

• Cash payments up to AU$10,000 can be accepted. For<br />

any amount over this, cash is to be deposited directly into<br />

our account at a Bank of Melbourne/St George branch.<br />

Collections<br />

Gibson’s is happy to assist and provide you with<br />

recommended transport companies whether it be a local,<br />

interstate or international delivery.<br />

Storage<br />

All items must be paid for and collected within the<br />

collection times advertised for each individual auction.<br />

If items are not collected within this time-frame, Gibson’s<br />

<strong>Auction</strong>eers & Valuers reserve the right to charge removal<br />

and storage fees.


4


5<br />

Dinah Krongold,<br />

nee Shemberg (1920 – 2023)<br />

Dinah was born in Lomza, Poland, and in the<br />

1930’s her family migrated to Australia. She<br />

grew up in Melbourne enjoying her academic<br />

and social life in the Jewish community.<br />

She was overjoyed when she met her future<br />

husband Henry and soon after married on<br />

12 December 1942. <strong>The</strong>y would go on to share<br />

three sons together, Ronald, Dennis, and<br />

Paul. Dinah and Henry remained a loving<br />

and devoted couple, with Dinah not only<br />

fully supporting Henry in all his business<br />

ventures and community duties, but also<br />

playing an active role in their many and varied<br />

philanthropic pursuits enriching education,<br />

the arts, and numerous charitable causes.<br />

Some of their many businesses included<br />

textile and hosiery import and manufacture,<br />

house and land development, including the<br />

purchase of the iconic central Melbourne<br />

building Mitchell House, and the operation<br />

of one of Australia’s largest carpet<br />

manufacturing groups.<br />

Dinah and Henry’s energy expanded from a<br />

primary focus within the Jewish community<br />

to a much broader reach, becoming<br />

recognised among the country’s major<br />

philanthropists in the arts and education<br />

sectors. In 1972, Dinah and Henry made a very<br />

generous donation to Monash University for<br />

the construction of a new learning centre.<br />

Built over four years, it was originally known<br />

as <strong>The</strong> Dinah and Henry Krongold Centre<br />

for Exceptional Children. Subsequently,<br />

the building has transformed to become<br />

the Monash Krongold Clinic, Krongold<br />

Services for Children and Krongold Research<br />

Programs. <strong>The</strong>y were also major sponsors<br />

to many charities, including the Epworth<br />

Medical Foundation, Cabrini Hospital, Scotch<br />

College Foundation, Mount Scopus College,<br />

the Victorian State Opera, United Israel<br />

Appeal, and Tel Aviv University.<br />

Dinah was the perfect hostess, committed<br />

to her philanthropic work in the arts and<br />

the many charitable causes she supported.<br />

On their many trips overseas Dinah and<br />

Henry would always purchase the finest<br />

jewellery, some of which now forms part of<br />

the collection being auctioned by Gibson’s.<br />

Sidney Hack


6<br />

Property from <strong>The</strong> Estate of<br />

Dinah Krongold, Melbourne<br />

Lots 1–75<br />

1<br />

A gold cocktail bracelet<br />

<strong>The</strong> large oval hollow cable links with<br />

striated finish, crafted in 18ct yellow<br />

gold, 73.5gms, total length 230mm.<br />

$5,000–6,000<br />

2<br />

A gem-set floral spray brooch<br />

<strong>The</strong> gold branches featuring five<br />

cultured pearls and five spinning<br />

flowers, set with blue and pink<br />

sapphires and an emerald, finished<br />

with a knot of three single cut<br />

diamonds, 14ct yellow gold, 10.6gms<br />

$600–800<br />

3<br />

A tri coloured gold ring<br />

18ct gold contemporary design in<br />

cigar band style with a diagonal<br />

overlaid feature, 13.9gms.<br />

$800–1,000<br />

4<br />

A solitaire diamond signet ring<br />

<strong>The</strong> round brilliant cut diamond<br />

weighing 1.88cts set in a stepped<br />

two tone 18ct gold frame,<br />

total weight 11.4gms<br />

$6,500–8,500<br />

5<br />

A heavy gold chain<br />

<strong>The</strong> 18ct yellow gold virola<br />

link chain with concealed<br />

clasp, total weight 171.9gms,<br />

total length 900mm.<br />

$10,000–12,000<br />

6<br />

Two gold brooches<br />

Comprising an 18ct gold brooch<br />

designed as two interlocking circles<br />

with navy enamel highlights, 9.3gms<br />

and a 14ct gold feather set with<br />

eleven turquoise cut en cabochon,<br />

9.9gms.<br />

$900–1,200<br />

7<br />

A pair of white gold hoop<br />

earrings<br />

Polished finish, crafted in 18ct<br />

white gold, total weight 10.3gms.<br />

$500–700<br />

8<br />

A loose white opal<br />

A loose solid oval white<br />

opal cabochon measuring<br />

12.1 x 9.8 x 4.2mm,<br />

total weight 2.86cts.<br />

$100–200<br />

9<br />

A pair of gold watch cufflinks<br />

Featuring a circular dial manual wind<br />

movement, 14ct gold with brush<br />

finish, total weight 15.6gms,<br />

dial signed CSS Land, Swiss made.<br />

$500–700<br />

10<br />

A strand of lapis lazuli beads<br />

<strong>The</strong> graduated round lapis lazuli<br />

beads measuring 8.3mm to<br />

11.1mm, finished with a 14ct yellow<br />

gold and diamond barrel clasp,<br />

total length 475mm.<br />

$400–600<br />

11<br />

A gold pendant<br />

Modelled as an articulated fish in<br />

18ct yellow gold with enamel accents<br />

to the eye and tail, 10.2gms<br />

$500–700


7<br />

1<br />

2<br />

3<br />

4<br />

5


8<br />

13<br />

12<br />

12<br />

An antique diamond necklace<br />

<strong>The</strong> bow design pendant featuring<br />

an old cut diamond of 0.25cts,<br />

surrounded by eight single cut<br />

grain set diamonds decorating<br />

the ribbons. Having a drop set<br />

below with an early brilliant cut<br />

diamond weighing 0.80cts and<br />

finished with a trace chain, 18ct<br />

white gold, total weight 5.8gms,<br />

total length 410mm<br />

$1,400–1,800<br />

13<br />

A pair of sapphire<br />

and diamond earrings<br />

Each set with a cushion cut sapphire<br />

weighing 1.82cts, surrounded<br />

by fourteen old cut diamonds<br />

suspended from an articulated<br />

panel of four individually bezel set<br />

old cut diamonds, totalling 0.69cts,<br />

finished with screw back fittings,<br />

18ct white gold, total weight 7.3gms<br />

$1,400–1,700<br />

14<br />

A double strand of cultured<br />

pearls with a diamond clasp<br />

Comprising a row of fifty nine and a<br />

row of fifty eight graduated cultured<br />

pearls measuring 5.3mm to 8.2mm,<br />

finished with a 14ct white gold clasp,<br />

centrally set with a 6.6mm cultured<br />

pearl and twenty round single cut<br />

diamonds grain set to the surround,<br />

total length 405mm.<br />

$800–1,000<br />

15<br />

A pair of diamond studs<br />

<strong>The</strong> round brilliant cut diamonds<br />

weighing 1.35cts and 1.27cts,<br />

bezel set in 18ct white gold,<br />

post and butterfly back fittings,<br />

total weight 2.8gms<br />

$7,000–9,000<br />

16<br />

An Art Deco solitaire<br />

diamond ring<br />

<strong>The</strong> transition cut diamond<br />

weighing 0.88cts, having ten<br />

single cut diamonds set to the<br />

shoulders to a half round band,<br />

all set in platinum, 2.4gms.<br />

$2,400–2,800


9<br />

14<br />

15<br />

16


10<br />

17<br />

18<br />

17<br />

A retro smoky quartz and<br />

gold pendant and chain<br />

<strong>The</strong> emerald cut smokey quartz<br />

weighing 21.4cts, set in an<br />

octagonal pierced frame with<br />

overlaid fleur-de-lys style motifs<br />

in 14ct rose and white gold.<br />

total weight 18.3gms, suspended<br />

from a 9ct rose gold chino link<br />

chain, total length 505mm,<br />

total weight 5.4gms<br />

$900–1,200<br />

18<br />

A coral, ruby, sapphire<br />

and diamond ring<br />

<strong>The</strong> orange pink sugar loaf coral cut<br />

en cabochon, surrounded with two<br />

tiers of honeycomb floral motifs set<br />

with rubies, sapphires and diamonds,<br />

14ct gold, 14.0gms<br />

$500–700 ♦<br />

19<br />

A Van Cleef and Arpels<br />

gold and coral suite<br />

Comprising an adjustable<br />

necklace, bracelet and earrings,<br />

each having alternating 18ct<br />

yellow gold and pink coral rope<br />

textured curb links, the necklace<br />

with three adjustable sections<br />

with a clasp, total length 520mm,<br />

signed VCA 19481, the bracelet<br />

total length 205mm, signed VCA<br />

19481, French marks, earrings with<br />

post and clip fittings, signed VCA<br />

CS11059 total length 40mm, total<br />

weight of suite 245gms.<br />

$15,000–25,000 ♦<br />

20<br />

A large agate and<br />

gold signet ring<br />

<strong>The</strong> oval orange agate cut en<br />

cabochon measuring 28 x 18mm,<br />

set in a heavy 9ct gold frame<br />

with chequerboard and textured<br />

decoration, 23.8gms<br />

$400–600


19<br />

11


12<br />

21<br />

21<br />

A two tone gold woven necklace<br />

and bracelet by Bucherer<br />

Both crafted in 18ct yellow and<br />

white gold woven in an alternating<br />

chevron pattern, stamped CB 750,<br />

total length 440mm and 195mm,<br />

total weight 102.1gms.<br />

$7,000–10,000<br />

22<br />

Two pairs of sterling silver hoop<br />

earrings and a sterling silver<br />

bracelet<br />

One pair of earrings of polished finish<br />

and the other of twisted wire design,<br />

together with a bracelet of polished<br />

bead design, total length 180mm,<br />

total weight 30.1gms<br />

$100–200


13<br />

23<br />

A two tone gold woven<br />

evening bag by Bucherer<br />

Featuring rows of alternating 18ct<br />

yellow and white gold woven mesh<br />

chevron pattern and edged in<br />

twisted two toned wire, with a hinged<br />

opening and a mirror bezel set to the<br />

inside, 190 x 95 x 43mm, stamped<br />

750, signed CB, total weight 465gms,<br />

presented in original suede pouch<br />

and original purchase receipt.<br />

$22,000–28,000<br />

24<br />

A gold, ruby, sapphire<br />

and diamond brooch<br />

Having a central panel with an<br />

embossed image of Poseidon<br />

surrounded by a ring of grain set<br />

rubies, punctuated with three<br />

fleur-de-lys style motifs end set with<br />

three baguette and three marquise<br />

cut blue sapphires, surmounted with<br />

a bow centered with a round brilliant<br />

cut diamond, 5.8gms<br />

$460–650<br />

23


14<br />

25<br />

26<br />

25<br />

An Ebel gold wristwatch<br />

Quartz movement, circular mother<br />

of pearl dial with applied Roman<br />

numerals, 18ct gold case and<br />

bracelet bands, signed, 23mm<br />

diameter, total weight 70.8gms<br />

$3,000–5,000<br />

26<br />

A Bvlgari gold wristwatch<br />

Quartz, circular blue dial with<br />

baton numerals, 18ct gold case<br />

and blue leather bands, signed,<br />

25mm diameter<br />

$1,000–1,500<br />

27<br />

A seven strand coral necklace<br />

Of torsade style comprising<br />

orange-red coral beads measuring<br />

4.0 to 4.3mm finished with an<br />

18ct gold reeded barrel clasp,<br />

total length 460mm<br />

$800–1,200 ♦<br />

28<br />

An opal and diamond ring<br />

<strong>The</strong> solid white opal weighing<br />

6.10cts surrounded by a halo of<br />

twenty-four grain set round brilliant<br />

cut diamonds, with an additional ten<br />

diamonds set to the gallery, total<br />

diamond weight 1.06cts. Crafted in<br />

18ct yellow and white gold, 11.3gms<br />

$3,400–3,800


15<br />

27<br />

28<br />

29<br />

29<br />

A pair of opal and<br />

diamond earrings<br />

Each having a solid white opal<br />

weighing 3.6cts, surrounded by a<br />

halo of forty grain set round brilliant<br />

cut diamonds weighing 0.50cts,<br />

post and butterfly back fittings,<br />

18ct yellow and white gold,<br />

total weight 9.6gms<br />

$2,600–3,200


16<br />

32<br />

30<br />

31<br />

30<br />

A star ruby and diamond<br />

cocktail ring<br />

<strong>The</strong> sugar loaf cabochon ruby of<br />

8.25cts, set with four carre cut<br />

diamonds to each shoulder totalling<br />

0.48cts, 18ct white gold, 5.1gms<br />

$1,200–1,500<br />

31<br />

A sapphire and diamond<br />

cluster ring<br />

<strong>The</strong> oval cut deep blue sapphire<br />

weighing 6.23cts surrounded by<br />

a halo of pear shaped diamonds<br />

totalling 2.04cts, 18ct white gold,<br />

8.3gms.<br />

$5,000–7,000<br />

32<br />

A contemporary gold<br />

designer cuff ring<br />

Crafted in 18ct white gold with a<br />

jagged undulating texture, 41gms<br />

$2,600–3,600<br />

33<br />

A pair of Georg Jensen<br />

sterling silver earrings<br />

<strong>The</strong> sterling silver and hematite drop<br />

earrings with screw-back fittings,<br />

reference 140, total weight 12.0gms<br />

$300–500<br />

34<br />

A gold Lion of Judah<br />

pendant/brooch<br />

Styled in polished and brushed finish<br />

14ct gold, 12.4gms<br />

$500–700<br />

35<br />

A gold articulated fish pendant<br />

Crafted in 18ct yellow gold, set with<br />

two round blue paste cabochon eyes,<br />

10.9gms<br />

$550–750<br />

36<br />

A heart shaped amethyst and<br />

gold pendant/brooch<br />

<strong>The</strong> pierced heart shaped panel set<br />

with an oval cut amethyst weighing<br />

9.30cts, crafted in 14ct gold,<br />

6.4gms<br />

$300–400<br />

37<br />

Two gold and gem-set<br />

heart pendants<br />

Comprising a stylised 14ct gold<br />

heart with brushed finish set with a<br />

row of sixteen round rubies, 6.5gms<br />

together with a 9ct rose gold and<br />

banded agate heart, 24.4gms<br />

$300–500


17<br />

39<br />

38<br />

40<br />

38<br />

A loose Tanzanite<br />

<strong>The</strong> oval cut intense blue Tanzanite<br />

measuring 15.9 x 11.29 x 7.79 mm<br />

weighing 10.49cts<br />

$1,500–2,000<br />

39<br />

A loose diamond<br />

<strong>The</strong> pear cut diamond measuring<br />

13.84 x 8.91 x 5.13mm weighing<br />

3.78cts, (laser drilled)<br />

$8,000–12,000<br />

40<br />

A loose emerald<br />

<strong>The</strong> vivid green emerald cut emerald<br />

measuring 11.70 x 9.85 x 6.26 mm,<br />

total weight 5.30cts<br />

$8,000–10,000<br />

41<br />

A loose star ruby<br />

<strong>The</strong> oval ruby cut en cabochon<br />

measuring 11.00 x 9.29 x 6.23mm,<br />

total weight 6.60cts<br />

$200–300<br />

42<br />

A loose diamond<br />

<strong>The</strong> pear cut diamond measuring<br />

6.93 x 5.07 x 3.32mm, weighing<br />

0.71cts<br />

$800–1,000<br />

43<br />

Two loose diamonds<br />

<strong>The</strong> marquise cut diamond<br />

measuring 6.95 x 3.95 x 2.55mm,<br />

weighing 0.40cts together with<br />

a round brilliant cut diamond<br />

measuring 3.01 x 3.04 x 1.79mm,<br />

weighing 0.10cts<br />

$500–600


18<br />

44<br />

A gold locket<br />

<strong>The</strong> 14ct yellow gold rectangular<br />

hinged locket with pin stripe<br />

engraving, opening to reveal four<br />

picture frames, 19.6gms<br />

$900–1,200<br />

44<br />

45<br />

A gold case retailed<br />

by Menichini<br />

Of rectangular hinged form, the<br />

woven gold case crafted in 18ct<br />

yellow gold, presented in a Menichini<br />

Roma box, total weight 207.7gms.<br />

120 x 100mm<br />

$10,000–15,000<br />

45


19<br />

46<br />

46<br />

A gold cigarette case<br />

Rectangular hinged form with engine<br />

turned decoration with Greek key<br />

pattern border, crafted in 9ct gold,<br />

hallmarked, total weight 163.6gms.<br />

130 x 85mm<br />

$4,400–5,400<br />

47<br />

47<br />

A gold and onyx necklace<br />

by Bucherer<br />

<strong>The</strong> 18ct gold byzantine link chain<br />

interspaced with four onyx drops held<br />

in articulated twisted cages, stamped<br />

CB 750, total weight 115.2gms,<br />

total length 910mm.<br />

$6,000–8,000


20<br />

49<br />

48<br />

50<br />

48<br />

A French ruby and diamond<br />

bracelet by Pierre Sterle<br />

Comprising graduated and<br />

articulated spiraling gold rope<br />

panels, featuring five sections<br />

set with alternating panels of<br />

87 round brilliant cut diamonds<br />

totalling 4.26cts and 54 round<br />

cut rubies totalling 10.80cts. All<br />

finely crafted in 18ct gold, 71.6gms,<br />

signed Model Sterle Paris<br />

$11,000–14,000<br />

49<br />

A ruby and diamond<br />

cocktail ring<br />

Featuring two interlocking stylised<br />

domed panels, one set with fiftyfour<br />

round brilliant cut diamonds<br />

totalling 2.40cts and the other side<br />

with fifty-three round faceted rubies<br />

totalling 4.25cts, set in 18ct gold and<br />

platinum, 13.4gms<br />

$2,600–3,600<br />

50<br />

A pair of ruby and diamond<br />

cocktail earrings<br />

Featuring two interlocking stylised<br />

domed panels, one set with one<br />

hundred and four round brilliant cut<br />

diamonds totalling 3.64cts, the other<br />

panel set with one hundred round<br />

faceted rubies totalling 6.00cts, 18ct<br />

gold and platinum with post and clip<br />

fittings, total weight 22.9gms<br />

$4,000–6,000<br />

51<br />

A two tone gold lariat necklace<br />

Featuring an 18ct yellow and white<br />

gold heavy rope twist chain with gold<br />

quatrefoil beads and serpentine link<br />

chain tassels, fastened by a matte<br />

oval clasp, total weight 107.3gms,<br />

total length 1150mm.<br />

$5,500–7,500<br />

52<br />

A two tone gold bracelet<br />

Comprising four flat open oval links<br />

joined by small rectangular links,<br />

all crafted in a chevron style braid<br />

in 18ct white and yellow gold with<br />

etched finish, total weight 53.9gms,<br />

total length 190mm<br />

$2,800–3,800<br />

53<br />

A diamond and gold<br />

cocktail ring<br />

Having an oval white gold panel pave<br />

set with nineteen round brilliant cut<br />

diamonds totalling 1.75cts, set within<br />

a heavy reeded 18ct yellow gold<br />

frame, 17.9gms<br />

$2,500–3,500


21<br />

51<br />

53<br />

52


22<br />

54<br />

54<br />

A pair of gold snake cufflinks<br />

Featuring a coiled snake design set<br />

with twenty single cut white synthetic<br />

spinel grain, 18ct gold,<br />

total weight 20.2gms<br />

$1,000–1,500<br />

55<br />

A yellow gold chain<br />

<strong>The</strong> fox tail link chain crafted in 18ct<br />

yellow gold, total length 805mm,<br />

total weight 18.4gms<br />

$1,200–1,600<br />

56<br />

A gold band<br />

Crafted in 14ct rose gold, 4.8gms<br />

$200–400<br />

55


23<br />

57<br />

57<br />

A Cartier gold and<br />

enamel cigarette case<br />

Rectangular hinged form with<br />

engine turned decoration, having<br />

geometric black enamel decoration<br />

to the borders, finished with<br />

five sugarloaf sapphires cut en<br />

cabochon to the clasp, crafted<br />

in 18ct gold, signed Cartier Paris,<br />

Londres New York, reference 2186,<br />

total weight 206.2gms<br />

$12,000–16,000<br />

58<br />

A gold cigarette case<br />

Rectangular hinged formed with<br />

engine turned decoration crafted in<br />

14ct yellow gold, total weight 112gms<br />

$4,600–5,600<br />

58


24<br />

59<br />

A yellow gold chain<br />

<strong>The</strong> fancy flat link chain with<br />

curling links crafted in 18ct<br />

yellow gold, total length 720m,<br />

total weight 33.2gms<br />

$1,600–2,200<br />

60<br />

A gold and silver<br />

jasper dress ring<br />

<strong>The</strong> oval cabochon green jasper bezel<br />

set in an 18ct gold and suspended<br />

by a sterling silver concave band,<br />

7.0gms<br />

$120–160<br />

61<br />

A white gold chain<br />

Crafted in 18ct white gold of flat cable<br />

link design, total length 500mm,<br />

total weight 2.4gms<br />

$200–300<br />

62<br />

An emerald and diamond clasp<br />

<strong>The</strong> 14ct white gold clasp set<br />

with an emerald cut emerald of<br />

0.55ct, surrounded by fourteen<br />

grain set single cut diamonds<br />

and six baguette cut diamonds,<br />

all totalling 0.27cts, 2.3gms<br />

$200–300<br />

63<br />

A gold bracelet<br />

<strong>The</strong> double fetter link design bracelet<br />

crafted in 18ct yellow gold, 8.8gms<br />

$550–750<br />

64<br />

A Russian silver cigarette case<br />

Rectangular hinged and polished<br />

form having an applied monogram<br />

to the centre and an engraved<br />

star in the lower right hand corner,<br />

green cabochon stone push clasp,<br />

hallmarked, total weight 148.4gms<br />

$200–300<br />

59


25<br />

65<br />

65<br />

A multi strand tri-coloured<br />

gold necklace<br />

Crafted in tri-coloured 18ct<br />

gold, total weight 109.7gms,<br />

total length 425mm.<br />

$5,000–7,000<br />

66<br />

Five gold pendants<br />

Comprising a mezuzah pendant with<br />

parchment inscribed in Hebrew,<br />

crafted in 14ct rose gold, a 14ct<br />

rose gold Star of David pendant,<br />

a 14ct rose gold Torah charm with<br />

18ct gold safety chain and two 14ct<br />

rose gold Star of David pendants,<br />

total weight 5.45gms. the largest<br />

measuring approximately 35 x 8mm<br />

$200–400<br />

67<br />

A Bucherer desk clock by Imhop<br />

an eight day alarm desk top clock,<br />

gilded and raised on a green<br />

onyx base, 7.5cm high, 5cm wide,<br />

3.5cm deep.<br />

$200–400


26<br />

68<br />

68<br />

Three pairs of gold cufflinks<br />

All of rectangular form crafted<br />

in 9ct gold, one pair set with<br />

star sapphire cut en cabochon,<br />

total weight 32.1gms.<br />

$800–1,000<br />

69<br />

An Audemars Piguet Turler<br />

wristwatch<br />

17 jewel manual wind, circular white<br />

dial with black Arabic numerals, 18ct<br />

white gold case, original black leather<br />

bands with 18ct white gold buckle,<br />

32mm diameter<br />

$1,500–2,000<br />

70<br />

A vintage Banner mystery dial<br />

wristwatch<br />

Manual wind, cream dial with applied<br />

baton numerals, signed dial, stainless<br />

steel case and black leather bands,<br />

paste stones 34mm diameter<br />

$200–400<br />

71<br />

A Belle Epoque pearl pendant<br />

necklace<br />

<strong>The</strong> stylised openwork cartouche<br />

panel having fine pierced work<br />

throughout highlighted with small<br />

seed pearls, suspended from a fine<br />

trace chain, all crafted in silver gilt,<br />

total weight 11.8gms<br />

$200–300<br />

72<br />

A pair of gold and lapis lazuli<br />

earrings<br />

Each having a round lapis lazuli cut<br />

en cabochon bezel set in a triangular<br />

14ct gold frame with post and clip<br />

fittings, total weight 8.8gms<br />

$400–600<br />

69


27<br />

73<br />

73<br />

A French gold coin pendant<br />

<strong>The</strong> 1861 French franc depicting<br />

Charles Louise Napoleon the third,<br />

set in an 18ct yellow gold frame,<br />

total weight 9.3gms<br />

$600–800<br />

74<br />

74<br />

An Omega gold pocket watch<br />

Crown wind and set, circular<br />

cream dial with black Arabic<br />

numerals, 17 jewel movement,<br />

signed case, dial and movement,<br />

18ct gold case with engine turned<br />

and chased decoration, 49.8gms,<br />

44mm diameter, together with an<br />

associated fob chain<br />

$800–1,000<br />

75<br />

A retro Jaeger-LeCoultre<br />

Memovox travel alarm clock,<br />

circa 1960s<br />

manual wind movement, circular<br />

two tone dial with bead and<br />

baton numerals, black enamel<br />

detailing to the gold plated case<br />

and hinged cover, with the original<br />

Jaeger-LeCoultre pouch, with<br />

200mm gold plated snake chain and<br />

tie pin, total weight 47.5gms<br />

$400–600<br />

75


28<br />

Other Properties<br />

76<br />

A ruby and diamond cluster ring<br />

<strong>The</strong> oval cut ruby weighing 1.47cts,<br />

surrounded by fourteen round<br />

brilliant cut diamonds totalling<br />

0.54cts, set in 18ct white and yellow<br />

gold, total weight 4.6gms.<br />

$1,800–2,200<br />

77<br />

A gold, diamond and<br />

ruby cocktail brooch<br />

<strong>The</strong> stylised pierced bow brooch<br />

set with fifteen synthetic rubies,<br />

highlighted throughout with single<br />

cut diamonds, 18ct gold and<br />

platinum, 13.8gms.<br />

$500–700<br />

78<br />

A ruby and diamond suite<br />

Comprising a ring and pair of<br />

earrings of cluster design, each<br />

set with marquise, round and<br />

carre cut rubies offset with round<br />

brilliant cut diamonds, 18ct gold,<br />

total weight 13.2gms.<br />

$800–1,200<br />

79<br />

A ruby and diamond ring<br />

<strong>The</strong> oval ruby weighing 2.33cts,<br />

having stepped shoulders each set<br />

with five round brilliant cut diamonds<br />

totalling 0.30cts, 18ct gold, 4.65gms.<br />

$1,200–1,500<br />

80<br />

An Edwardian diamond<br />

cluster ring<br />

<strong>The</strong> central old European cut<br />

diamond weighing 0.35cts<br />

surrounded by eight further<br />

diamonds totalling 0.80cts,<br />

set in 15ct gold, 4.05gms.<br />

$600–800<br />

81<br />

A diamond cluster ring<br />

Pear cut diamond of 1.01cts set in<br />

an openwork frame with a border<br />

of round brilliant cut diamonds<br />

and further diamonds set to the<br />

shoulders. All set in 18ct white gold,<br />

total weight 2.9gms<br />

$600–800<br />

82<br />

A diamond cluster ring<br />

Comprising three old cut diamonds<br />

and twenty further early round and<br />

single cut diamonds totalling 0.78cts<br />

claw set in a raised wire frame.<br />

Crafted in 14ct gold, 5.5gms<br />

$700–900<br />

83<br />

A three stone diamond ring<br />

Three old cut diamonds totalling<br />

0.71cts claw set in coronet frames to<br />

a half round band in 18ct white and<br />

yellow gold, 3.4gms.<br />

$500–700<br />

84<br />

A diamond pendant<br />

Round brilliant cut diamond of<br />

0.45cts claw set in a propeller<br />

designed gold frame and<br />

gold box link chain. 9ct gold,<br />

total weight 4.8gms.<br />

$600–800<br />

85<br />

An Italian gold and diamond<br />

necklace<br />

<strong>The</strong> v shaped drop set with a round<br />

brilliant cut diamond weighing<br />

0.15cts, offset with further diamond<br />

detail set in 18ct gold and suspend<br />

from a flat link fancy chain, 9ct gold,<br />

total weight 10.25gms.<br />

$550–750<br />

86<br />

A diamond bracelet<br />

Comprising thirty two rows each<br />

set with three single cut diamonds,<br />

totalling 0.96cts, set in gold<br />

plate, total weight 20.85gms,<br />

total length 180mm.<br />

$900–1,200


29<br />

76<br />

77<br />

78<br />

79<br />

80


30<br />

87<br />

An emerald and diamond<br />

cluster ring<br />

Featuring a square cut emerald<br />

weighing 3.60cts, flanked by two<br />

emerald cut diamonds weighing<br />

0.40cts each, set in 18ct white and<br />

yellow gold, total weight 8.8gms.<br />

$11,000–13,000<br />

88<br />

A solitaire diamond ring<br />

<strong>The</strong> round brilliant cut diamond<br />

weighing 1.51cts, having small single<br />

cut diamonds set to the upswept<br />

shoulders, 18ct gold, 4.5gms.<br />

$3,400–4,400<br />

89<br />

A sapphire and diamond ring<br />

<strong>The</strong> oval blue sapphire weighing<br />

2.95cts having stepped shoulders<br />

each set with four graduated<br />

baguette cut diamonds<br />

totalling 0.88cts, 18ct gold,<br />

total weight 5.1gms.<br />

$1,500–2,000<br />

90<br />

An amethyst and<br />

diamond cluster ring<br />

Centrally set with a round cut<br />

amethyst with six radiating pear<br />

cut amethyst petals, interspaced<br />

with single cut diamonds,<br />

18ct gold, 6.8gms.<br />

$1,000–1,200<br />

91<br />

An emerald and diamond<br />

cluster ring<br />

<strong>The</strong> oval cut emerald of 4.60cts<br />

surrounded by tapered baguette<br />

and round brilliant cut diamonds,<br />

set in 18ct white and yellow gold,<br />

total weight 9.75gms.<br />

$1,500–2,000<br />

92<br />

A diamond flower cluster<br />

bar brooch<br />

Centrally set with an old European<br />

cut diamond of 0.52cts, surrounded<br />

by eleven further diamonds,<br />

18ct white gold, 4.95gms.<br />

$800–1,100<br />

93<br />

A solitaire diamond ring<br />

Round brilliant cut diamond 0.36cts<br />

set in 14ct gold, 2.5gms<br />

$500–700<br />

94<br />

A gold fob chain<br />

<strong>The</strong> 9ct gold oval belcher link<br />

chain with oversized engraved<br />

heart padlock, total weight 46gms,<br />

total length 485mm.<br />

$1,200–1,500<br />

95<br />

A gold and pearl necklace<br />

<strong>The</strong> 9ct gold infinity link chain<br />

interspaced with twenty one<br />

cultured pearls, total weight 29gms,<br />

total length 750mm.<br />

$600–800<br />

96<br />

An antique gold fob chain<br />

Fancy rope twist chain finished with<br />

two swivel clips, 18ct and 15ct gold,<br />

44.65gms, total length 390mm.<br />

$2,000–2,500<br />

97<br />

A French gold pencil, a gold<br />

thimble and a gold pill box<br />

the pencil with an embossed figural<br />

sheath in 18ct gold, signed, a 9ct<br />

gold thimble in the original hard<br />

case, and a small engine turned pill<br />

box in 18ct gold, total weight 28gms,<br />

the pencil 9cm long.<br />

$500–800<br />

98<br />

A pair of gold tassel earrings<br />

<strong>The</strong> box link chain tassels with<br />

quatrefoil shaped caps and finished<br />

with shepherd hook fittings, 18ct<br />

gold, total weight 14.1gms.<br />

$650–750


31<br />

87<br />

91<br />

88<br />

89<br />

90


32<br />

99<br />

100<br />

99<br />

Two gold and hand painted<br />

porcelain portrait brooches<br />

Each oval porcelain plaque<br />

painted depicting a woman in<br />

profile, 14ct and 9ct gold frames,<br />

total weight 27.8gms.<br />

$500–700<br />

100<br />

An antique cameo brooch<br />

<strong>The</strong> large oval cameo finely carved<br />

depicting a Roman god, set in a 9ct<br />

gold frame with applied rope twist<br />

decoration, 21.8gms.<br />

$500–800<br />

101<br />

An enamel and gold<br />

portrait pendant<br />

<strong>The</strong> circular panel finely enamelled<br />

with a portrait of an 18th century<br />

French lady, set in a 9ct gold frame<br />

with applied rope twist decoration,<br />

total weight 44.35gms.<br />

$400–600<br />

102<br />

Two antique shell cameo<br />

gold brooches<br />

<strong>The</strong> oval shell cameos finely carved<br />

depicting classical maidens in<br />

profile, one set in a 15ct gold frame<br />

and the other a 9ct gold frame,<br />

total weight 34.2gms.<br />

$500–700<br />

103<br />

An antique gold chain<br />

Fancy belcher link chain crafted<br />

in 9ct gold, total weight 13.6gms,<br />

total length 1200mm.<br />

$400–600<br />

104<br />

A sapphire and diamond bar<br />

brooch<br />

Centrally set with a cushion cut<br />

sapphire weighing 2.05cts, flanked by<br />

pairs of round brilliant cut diamonds<br />

bezel set totalling 0.16cts, all set in<br />

9ct white gold, total weight 3.4gms.<br />

$500–800


33<br />

105<br />

105<br />

A ruby, diamond and gold suite<br />

Comprising a pair of earrings and<br />

necklace, the earring having a pear<br />

cut ruby offset with sixteen round<br />

brilliant cut diamonds totalling<br />

0.93cts, post and clip fittings,<br />

together with a necklace featuring a<br />

ruby flower cluster centrally set with<br />

a round brilliant cut diamond, offset<br />

by further diamond detail totalling<br />

0.58cts, all crafted in 18ct gold,<br />

400mm total length of necklace,<br />

total weight 19.1gms.<br />

$2,400–2,800<br />

106<br />

An Edwardian amethyst and<br />

diamond brooch<br />

Modelled as a crescent, set with<br />

graduated oval cut amethysts<br />

and interspaced with pairs of<br />

small old cut diamonds, 15ct gold,<br />

hallmarked, 4.9gms.<br />

$500–700<br />

107<br />

A multi strand coral necklace<br />

with gold clasp<br />

Comprising eight graduated<br />

strand of round orange/red coral<br />

beads measuring 3.3-7.3mm,<br />

finished with a 9ct gold circular<br />

clasp set with a button coral panel,<br />

total length 440mm.<br />

$500–800 ♦<br />

108<br />

An aquamarine and diamond<br />

necklace<br />

<strong>The</strong> oval cut aquamarine weighing<br />

3.04cts, surrounded by twenty round<br />

brilliant cut diamonds, suspended<br />

from a stylised v shaped panel set<br />

with seventeen further diamonds.<br />

Finished with a trace chain, all set in<br />

18ct white gold, total weight 7.65gms,<br />

total length 435mm.<br />

$900–1,200<br />

109<br />

A Victorian sterling silver<br />

demi parure<br />

Comprising earrings and brooch,<br />

modelled as horseshoes with enamel,<br />

total weight 8.35gms, boxed,<br />

$200–300<br />

110<br />

A Victorian gold, enamel<br />

and agate mourning brooch/<br />

pendant, circa 1870<br />

Oval form centrally set with a<br />

banded agate cut en cabochon,<br />

having geometric patterned black<br />

and white enamel, 18ct gold,<br />

total weight 11.9gms.<br />

$600–800


34<br />

111<br />

A gold lady's cigarette case<br />

<strong>The</strong> spring hinged hexagonal<br />

case engine turned with floral<br />

scrollwork borders and flower head<br />

embellishments, a lapis blue stone<br />

to the clasp, 9ct gold hallmarked<br />

twice to the interior, Birmingham<br />

1930, makers mark possibly H.M.,<br />

with a 1931 presentation inscription,<br />

total weight 60gms.<br />

$1,500–2,000<br />

112<br />

An Omega gold wristwatch<br />

Manual wind, square silvered dial<br />

with applied baton numerals, 18ct<br />

white gold case to integral woven<br />

bands, signed case, dial, movement<br />

and bands, total weight 36.8gms,<br />

total length 170mm.<br />

$800–1,000<br />

113<br />

Three gold pocket watches<br />

Comprising: an open face pocket<br />

watch, key wind and set, circular<br />

gold engine turned dial with Roman<br />

numerals, 18ct gold, 40mm diameter;<br />

a full hunter pocket watch, key<br />

wind and set, circular gold engine<br />

turned dial with Roman numerals,<br />

18ct gold engraved case, with key,<br />

32mm diameter; and a full hunter<br />

pocket watch, crown wind and<br />

pin set, circular enamel dial with<br />

blue Roman numerals, engraved<br />

9ct gold case, 29mm diameter,<br />

total weight 106.4gms.<br />

$600–800<br />

114<br />

A Zone wristwatch with gold<br />

bands<br />

manual wind, circular dial with<br />

Arabic numerals, rolled gold case,<br />

finished with 18ct gold woven<br />

bands, total length 200mm,<br />

total weight 74.1gms.<br />

$700–900<br />

115<br />

An Elgin gold pocket watch<br />

Circular white dial with black<br />

enamel Roman numerals, seven<br />

jewel movement, 18ct gold case,<br />

signed case, dial and movement,<br />

20mm diameter, 37gms.<br />

$300–500<br />

111


35<br />

116<br />

116<br />

A Russian gold cigarette case<br />

Rectangular form, with engraved<br />

geometric decoration and sapphire<br />

cabochon push clasp, 14ct rose gold,<br />

hallmarked, total weight 154.65gms.<br />

$6,000–8,000<br />

117<br />

A citrine intaglio<br />

pendant and chain<br />

<strong>The</strong> emerald cut citrine having a<br />

carved intaglio coat of arms, claw<br />

set in 9ct rose gold and suspended<br />

from a 15ct gold box link chain,<br />

total weight 14.8gms.<br />

$500–800<br />

118<br />

Two gem set gold brooches<br />

Comprising a bar brooch set with an<br />

oval sapphire of 1.15cts, flanked by<br />

three round brilliant cut diamonds,<br />

18ct gold, 4gms, together with a<br />

bar brooch set with three round cut<br />

peridots, 18ct gold, 5.5gms.<br />

$500–700<br />

117


36<br />

119<br />

An Indian emerald, ruby,<br />

pearl and gold necklace<br />

Pierced geometric and graduated<br />

design, featuring a central panel<br />

set with a round emerald and<br />

highlighted with rows of graduated<br />

rubies, offset with seed pearls,<br />

finishing with a small ruby and<br />

pearl drop. <strong>The</strong> tapering panels<br />

of conforming design, finished<br />

with further ruby detail and a<br />

curb link chain. All crafted in<br />

20ct gold, total weight 37.2gms,<br />

total length 380mm.<br />

$2,000–3,000<br />

120<br />

A gold, diamond<br />

and ruby cocktail ring<br />

Featuring an old cut diamond<br />

weighing 0.60cts, surrounded by a<br />

border of eight single cut diamonds<br />

and eight round rubies. Raised in a<br />

woven crossover frame of 14ct gold,<br />

total weight 6.8gms.<br />

$1,300–1,800<br />

121<br />

A Chinese carved coral<br />

and gold brooch<br />

Finely carved depicting two birds<br />

amongst flowers and foliage, set in<br />

9ct gold with brooch and pendant<br />

fittings, total weight 44.75gms.<br />

$700–900 ♦<br />

122<br />

A pair of ruby stud earrings<br />

Each set with an oval cut ruby of<br />

0.90cts set in 9ct gold, post and<br />

butterfly back fittings, 1.7gms.<br />

$400–600<br />

123<br />

A gold and pearl necklace<br />

Featuring a pierced scroll panel<br />

set throughout with seed pearls,<br />

suspended from a fancy flat disc link<br />

chain, 9ct gold, total weight 17.3gms.<br />

$400–600<br />

124<br />

An emerald and gold ring<br />

<strong>The</strong> round emerald cut en<br />

cabochon measuring 10.5mm,<br />

bezel set in 18ct gold, 6.7gms.<br />

$400–600<br />

125<br />

An amethyst and diamond<br />

dress ring<br />

<strong>The</strong> pear cut amethyst offset by four<br />

round old cut diamonds totalling<br />

18ct white gold, 12.25gms.<br />

$600–800<br />

126<br />

A sapphire and diamond<br />

cluster ring<br />

<strong>The</strong> oval cut dark blue sapphire<br />

weighing 4.20cts, offset by six<br />

tapered baguette and two round<br />

brilliant cut diamonds totalling<br />

0.36cts, platinum, 9.35gms.<br />

$1,000–1,500<br />

127<br />

A diamond cluster ring<br />

Centrally set with a round brilliant<br />

cut diamond of 0.50cts surrounded<br />

by a halo of single cut diamonds,<br />

set in 18ct gold, 4.9gms.<br />

$800–1,200<br />

128<br />

A three stone diamond ring and<br />

a sapphire and diamond ring<br />

Comprising three old cut diamonds<br />

totalling 1.18cts set in 18ct white<br />

gold together with a 9ct white<br />

gold ring set with an oval cut<br />

sapphire and four old cut diamonds,<br />

total weight 6.95gms.<br />

$500–700


37<br />

119<br />

120<br />

121


38<br />

129<br />

130<br />

129<br />

A four leaf clover ruby<br />

and diamond brooch<br />

Comprising four pear cut rubies<br />

totalling 1.55cts, surrounded by round<br />

brilliant cut diamonds and further<br />

diamond detail to the stem. Finely set<br />

in 14ct white gold, 4.25gms.<br />

$1,200–1,600<br />

130<br />

A diamond cluster ring<br />

Centrally set with a transitional round<br />

brilliant cut diamond of 0.60cts,<br />

surround by ten old European cut<br />

diamonds totalling 0.50cts, 18ct gold<br />

and platinum, 3.6gms.<br />

$1,600–2,200<br />

131<br />

An antique diamond and gold<br />

star burst pendant/brooch<br />

Set throughout with rose cut<br />

diamonds and finished with three<br />

diamond set tassels, glazed section<br />

to the reverse, 14ct gold, 10.1gms.<br />

$400–600<br />

132<br />

A high carat gold necklace<br />

<strong>The</strong> 20ct gold barrel link<br />

chain finished with a s shaped<br />

clasp, total weight 9.3gms,<br />

total length 440mm.<br />

$500–800<br />

133<br />

A gold cross and chain<br />

<strong>The</strong> 18ct gold cross centrally set<br />

with a small turquoise, suspended<br />

from an 18ct gold cable link<br />

chain, total length 530mm,<br />

total weight 9.3gms.<br />

$600–800<br />

134<br />

An Egyptian gold, diamond and<br />

emerald bar brooch<br />

<strong>The</strong> 22ct polished gold bar centrally<br />

flush set with an emerald and rose<br />

cut diamond flower cluster, offset<br />

with further rose cut diamond<br />

leaf detail, total length 35mm,<br />

total weight 3.1gms.<br />

$700–900


39<br />

136<br />

135<br />

135<br />

A geometric diamond<br />

and pink sapphire pendant<br />

Set with princess cut sapphires<br />

in graduating pink hues, having<br />

a border of round brilliant cut<br />

diamonds, set in 9ct white gold and<br />

suspended from a silver bead chain,<br />

total weight 9.7gms, length 480mm.<br />

$800–1,000<br />

137<br />

An amethyst and gold suite<br />

Comprising a ring and pair of<br />

earrings, each set with an oval<br />

amethyst cut en cabochon set above<br />

pierced foliate gold frames in 9ct<br />

gold, total weight 19.35gms.<br />

$700–1,000<br />

136<br />

A gem-set and gold<br />

pendant and chain<br />

Centrally set with an oval cut citrine,<br />

surrounded by a fan of round and<br />

oval cut amethysts of varying hues<br />

and finished with a small round<br />

cut garnet, set in 18ct gold and<br />

suspended from a 9ct gold trace<br />

chain, total weight 19.2gms.<br />

$700–900<br />

137


40<br />

139<br />

138<br />

138<br />

A blue topaz and diamond ring<br />

Oval cut blue topaz of 14.3cts, having<br />

six small single cut diamonds set<br />

to the shoulders, 14ct white gold,<br />

total weight 9.4gms.<br />

$700–900<br />

139<br />

A blue topaz and diamond<br />

pendant necklace<br />

<strong>The</strong> oval cut blue topaz weighing<br />

7.57cts surmounted by a tapered<br />

bale set with round brilliant cut<br />

diamonds in 18ct white gold.<br />

Suspended on an 18ct white gold fine<br />

snake chain, total weight 6.85gms,<br />

total length 425mm.<br />

$400–600<br />

140<br />

A diamond cluster ring<br />

Centrally set with a princess cut<br />

diamond of 0.98cts, surrounded by<br />

twenty four small round brilliant cut<br />

diamonds in a square frame. Having<br />

thirteen further diamonds set to each<br />

shoulders, all set in 18ct white gold,<br />

total weight 5.6gms.<br />

$800–1,200<br />

141<br />

A diamond cluster ring<br />

Centrally set with a princess cut<br />

diamond of 0.60cts, surrounded by<br />

sixteen round brilliant cut diamonds<br />

in a square frame with twenty<br />

further diamonds set to the gallery<br />

and five diamonds set to each<br />

shoulder. All set in 18ct white gold,<br />

total weight 7.6gms.<br />

$800–1,200<br />

142<br />

A diamond spray brooch<br />

Featuring a principal diamond spray<br />

set with old cut diamonds amongst<br />

leaves, off set by a smaller diamond<br />

spray and round brilliant cut diamond<br />

leaves, total diamond weight 2.00cts,<br />

9ct white gold, 8.3gms.<br />

$500–700<br />

143<br />

A pair of diamond<br />

cluster earrings<br />

Each having a principal round<br />

brilliant cut diamond of 0.35cts set<br />

in a raised star frame surrounded by<br />

twelve single cut diamonds totalling<br />

0.24cts, post and butterfly back<br />

fittings, crafted in silver and gold,<br />

total weight 4.10gms.<br />

$1,200–1,500<br />

144<br />

A sapphire and diamond<br />

cluster ring<br />

<strong>The</strong> oval cut sapphire of 1.88cts,<br />

surrounded by alternating round<br />

brilliant and marquise cut diamonds<br />

totalling 0.68cts, set in 18ct white<br />

gold, total weight 5.65gms.<br />

$1,500–2,000<br />

145<br />

A pair of diamond knot earrings<br />

Each knot of geometric design grain<br />

set throughout with round brilliant<br />

cut diamonds, total diamond weight<br />

1.68cts, having post and clip fittings,<br />

18ct white gold, total weight 14.8gms.<br />

$1,000–1,500<br />

146<br />

A smoky quartz cocktail ring<br />

<strong>The</strong> large square cut smoky quartz<br />

weighing 21.8cts, raised in a four claw<br />

pierced frame with applied leaf detail<br />

to the shoulders, 9ct gold, 10.1gms.<br />

$400–600


41<br />

141<br />

140<br />

142<br />

143<br />

144<br />

145


42<br />

147<br />

147<br />

A mother of pearl, Tahitian<br />

pearl and gold necklace<br />

Comprising five finely carved<br />

mother of pearl panels, interspaced<br />

with three rows of alternating<br />

Tahitian pearls measuring 8mm,<br />

rectangular orange quartz beads<br />

and gold rondels. Set throughout<br />

in 18ct gold, signed Frederic Missir,<br />

total length 470mm.<br />

$800–1,200<br />

148<br />

A South Sea pearl<br />

and diamond ring<br />

<strong>The</strong> round pearl of silver and white<br />

hues measuring 14.65mm, mounted<br />

in a rose gold solid basket, encircled<br />

with a row of thirty four round<br />

brilliant cut diamonds and having<br />

a rose cut diamond of 2.4mm set<br />

beneath to the basket at each end.<br />

Finished with pierced triangular<br />

detail to the shoulders with a rose<br />

cut diamond and further round<br />

brilliant cut diamonds, total diamond<br />

weight 0.80cts, 18ct white gold,<br />

total weight 14.2gms.<br />

$800–1,200<br />

149<br />

A cameo, pearl<br />

and diamond suite<br />

Comprising a necklace, bracelet and<br />

brooch. <strong>The</strong> triple strand of cultured<br />

pearls measuring 8-8.5mm, finished<br />

with a carved cameo clasp surround<br />

by five round brilliant cut diamonds<br />

in a 9ct gold frame with foliage<br />

decoration, total length 390mm, the<br />

bracelet comprising of four strands<br />

of cultured pearls measuring 5.3mm<br />

with rectangular rope twist pattern<br />

9ct gold interspacers, finished with<br />

a 9ct gold carved cameo clasp<br />

set with five round brilliant cut<br />

diamonds to the pierced frame,<br />

total 175mm, and a 14ct gold cameo<br />

brooch depicting a woman in profile<br />

wearing a diamond set necklace.<br />

Total diamond weight 2.00cts.<br />

$1,500–2,500<br />

150<br />

A cultured pearl, sapphire and<br />

diamond bracelet<br />

Comprising three rows of uniform<br />

cultured pearls measuring 6.6mm,<br />

having two interspacers set with<br />

three blue sapphires cut en cabochon<br />

bezel set with small diamond<br />

rectangular panels in between,<br />

the clasp of conforming design,<br />

total length 190mm.<br />

$400–600<br />

151<br />

A sapphire and diamond suite<br />

Comprising brooch, earrings and<br />

pendant, the spray brooch set with<br />

marquise cut sapphires and single<br />

cut diamonds set in 9ct gold, the<br />

pendant necklace and earrings<br />

both modelled as clusters set with<br />

an oval cut sapphire surrounded<br />

by round brilliant cut diamonds, all<br />

set in 18ct gold, the chain 9ct gold,<br />

total weight 19.6gms.<br />

$600–900


43<br />

149<br />

148<br />

150


44<br />

152<br />

152<br />

A pair of black and white<br />

diamond drop earrings<br />

Each featuring a table cut pear<br />

shaped black diamond, surrounded<br />

by a pave set border of round brilliant<br />

cut white diamonds, suspended from<br />

three oval loops and a hook fitting all<br />

pave set throughout with diamonds,<br />

14ct white gold, retailed by Anton,<br />

total weight 9.74gms.<br />

$700–1,000<br />

153<br />

A mabe pearl, gold, and ebony<br />

ring by Adrian Lewis<br />

<strong>The</strong> half pearl of silver and white hues<br />

measuring 14.85mm bezel set in gold,<br />

the frame overlaid with ebony, having<br />

an 18ct gold mount beneath, signed<br />

A L, XXII, total weight 17.2gms.<br />

$800–1,200<br />

154<br />

A Georgian gold<br />

and garnet pendant<br />

Featuring five cushion cut almandine<br />

garnets foil backed and set in a<br />

pierced canetille and bead work 22ct<br />

gold frame, the bale of conforming<br />

design, 12.7gms.<br />

$1,500–2,500<br />

155<br />

A sapphire and diamond line<br />

bracelet<br />

Set with oval cut dark blue sapphires,<br />

interspaced with pairs of small single<br />

cut diamonds, 18ct gold, 15.2gms,<br />

total length 180mm.<br />

$1,000–1,500<br />

156<br />

A pair of mabe pearl, onyx, and<br />

gold earrings by Adrian Lewis<br />

Featuring a round half pearl of silver<br />

and white hues measuring 16.5mm,<br />

surmounted by an oval onyx cut en<br />

cabochon, set in a reeded frame of<br />

9ct gold with post and clip fittings,<br />

signed A, IX, total weight 19.6gms.<br />

$800–1,200<br />

157<br />

A pair of mabe pearl and<br />

diamond earrings<br />

Each centrally set with a semi<br />

baroque mabe pearl measuring<br />

12.5-13mm, surrounded by a halo of<br />

round brilliant cut diamonds and an<br />

outer scalloped border of baguette<br />

cut diamonds totalling 1.80cts,<br />

post and clip fittings, 14ct gold,<br />

total weight 19.4gms.<br />

$800–1,200<br />

158<br />

A long strand of Mikimoto<br />

cultured pearls<br />

<strong>The</strong> opera length strand of uniform<br />

pearls measuring 6.6mm, finished<br />

with a sterling silver Mikimoto clasp,<br />

total 905mm, boxed.<br />

$500–700<br />

159<br />

A strand of Tahitian pearls<br />

<strong>The</strong> baroque Tahitian pearls<br />

displaying green, mauve and peacock<br />

hues measuring 11.2-15.5mm in<br />

length, individually knotted to a 14ct<br />

two tone gold and diamond ball<br />

clasp, total length 455mm.<br />

$1,000–1,500<br />

160<br />

Two strands of cultured pearls<br />

with diamond clasps<br />

Comprising a strand of graduated<br />

cultured pearls measuring 3.2mm<br />

to 7mm finished with a an 18ct white<br />

gold pierced geometric clasp set with<br />

an emerald cut emerald and single<br />

cut diamonds, total length 435mm,<br />

together with a graduated strand<br />

of cultured pearls measuring 2.9 to<br />

6.0mm finished with a rectangular<br />

clasp set with four carre cut<br />

sapphires and single cut diamonds,<br />

total length 395mm.<br />

$600–800


45<br />

154<br />

153<br />

156<br />

155


46<br />

163<br />

161<br />

162<br />

161<br />

A tourmaline and diamond ring<br />

<strong>The</strong> fancy pink-red cushion cut<br />

tourmaline weighing 2.77cts four<br />

claw set above shoulders set with<br />

round brilliant cut diamonds totalling<br />

0.26cts, all set in 18ct white gold,<br />

4.35gms.<br />

$1,300–1,800<br />

162<br />

A sapphire and diamond<br />

cluster ring<br />

<strong>The</strong> cushion cut blue sapphire<br />

weighing 1.18cts surrounded<br />

by a halo of round brilliant cut<br />

diamonds totalling 0.36cts,<br />

set in 18ct white gold, 4.3gms<br />

$1,800–2,200<br />

163<br />

A pink and white diamond<br />

eternity band<br />

Set with round brilliant cut Argyle<br />

pink and white diamonds, finely<br />

claw set in an 18ct white gold band,<br />

1.6gms.<br />

$1,500–2,000<br />

164<br />

A fancy yellow diamond ring<br />

Comprising seven cushion, pear<br />

and oval cut fancy yellow diamonds<br />

totalling 0.43cts, claw set in 18ct<br />

yellow gold, 2.3gms.<br />

$1,300–1,800<br />

165<br />

An aquamarine pendant<br />

and omega collar<br />

<strong>The</strong> octagonal cut aquamarine<br />

weighing 6.65cts, surrounded by<br />

white paste in a 9ct rose gold filigree<br />

setting, suspended from a 9ct gold<br />

omega chain, total weight 16.25gms.<br />

$900–1,200<br />

166<br />

An Art Deco peridot<br />

and diamond brooch<br />

<strong>The</strong> cushion cut peridot weighing<br />

5.50cts, offset with rose cut<br />

diamonds, set in 9ct rose and white<br />

gold, 5.4gms.<br />

$700–900<br />

167<br />

A solitaire diamond ring<br />

<strong>The</strong> round brilliant cut diamond<br />

weighing 1.35cts, claw set above<br />

upswept shoulders and fine<br />

band of 18ct gold, 2.4gms.<br />

$2,000–3,000<br />

168<br />

A gold and diamond signet ring<br />

Rectangular polished panel flanked<br />

by a row of four old cut diamonds<br />

totalling 0.80cts, raised on a stepped<br />

and pierced frame with bead and<br />

bamboo decoration, 9ct gold,<br />

total weight 18.9gms.<br />

Ring size N.<br />

$600–800<br />

169<br />

A mabe pearl and<br />

diamond suite<br />

Comprising a pair of earrings and a<br />

pendant, each set with a mabe pearl<br />

of 15.5mm offset with a small round<br />

brilliant cut diamond, 14ct gold,<br />

earrings with post and clip fittings,<br />

total weight 15.6gms.<br />

$500–700


47<br />

165<br />

164<br />

166<br />

168<br />

167


48<br />

171<br />

170<br />

170<br />

A gold double sovereign coin<br />

pendant<br />

Minted 1887, the double sovereign<br />

mounted with a scroll pendant<br />

fitting in 9ct gold, 28mm,<br />

total weight 17.55gms.<br />

$1,200–1,500<br />

171<br />

A gold sovereign coin pendant<br />

and chain<br />

<strong>The</strong> full gold sovereign dated 1913,<br />

set in a pierced rope twist frame<br />

crafted in 9ct gold and suspended<br />

from an Italian 9ct gold belcher<br />

link chain. Total weight 16.75gms,<br />

total length 545mm.<br />

$1,000–1,500<br />

172<br />

A gold half sovereign brooch<br />

<strong>The</strong> gold half sovereign dated 1925,<br />

set in a starburst 18ct gold frame,<br />

45mm in length,<br />

total weight 16.2gms.<br />

$1,200–1,500<br />

173<br />

A gold sovereign pendant<br />

<strong>The</strong> full gold sovereign dated<br />

1917, set in an 18ct gold frame,<br />

30mm in length, 23mm in width,<br />

total weight 9.2gms.<br />

$800–1,000<br />

174<br />

A Russian gold coin<br />

1902 Nicholas II 37 ½ roubles -<br />

Jeweller's copy, 21ct gold, 32.3gms.<br />

$2,000–3,000<br />

175<br />

A gold sovereign pendant and<br />

chain<br />

<strong>The</strong> full gold sovereign dated<br />

1976, set in an 9ct gold frame<br />

and suspended from a 9ct gold<br />

trace chain, total length 475mm,<br />

total weight 13.2gms.<br />

$1,000–1,500<br />

176<br />

A gold half sovereign ring<br />

<strong>The</strong> gold half sovereign dated 1914,<br />

set in a heavy 9ct gold frame with<br />

rope twist band, total weight 14gms.<br />

$600–900<br />

177<br />

A South African one pond gold<br />

coin pendant and chain<br />

dated 1898, suspended<br />

from an 14ct gold trace<br />

chain, total weight 10.1gms,<br />

total length 530mm.<br />

$700–900<br />

178<br />

A gold half sovereign pendant<br />

and chain<br />

<strong>The</strong> gold half sovereign dated<br />

1914, set in a 9ct gold frame and<br />

suspended from a 9ct gold flat curb<br />

link chain, total weight 8.3gms,<br />

total length 425mm.<br />

$400–600<br />

179<br />

A full gold sovereign<br />

Dated 1901, Sydney mint,<br />

total weight 7.9gms.<br />

$600–800


49<br />

173<br />

172<br />

174<br />

176<br />

175


50<br />

Terms & Conditions of Sale<br />

<strong>The</strong> Terms and Conditions of Sale listed here contain<br />

the policies of Gibson's <strong>Auction</strong>eers & Valuers Pty<br />

Ltd (herein after referred to as "Gibson's"). <strong>The</strong>y are<br />

the Terms on which Gibson's and the Seller contract<br />

with the Buyer. <strong>The</strong>y may be amended by printed<br />

Saleroom Notices or oral announcements made<br />

before and during the Sale. By Bidding at <strong>Auction</strong>,<br />

you agree to be bound by these terms.<br />

1. Definitions<br />

<strong>The</strong> following conditions that are listed contain<br />

terms that are used regularly and have the following<br />

meanings:<br />

"<strong>Auction</strong>" means the event at which any Lot is<br />

offered for Sale by Gibson's.<br />

"<strong>Auction</strong>eer" means the representative of Gibson's<br />

conducting the <strong>Auction</strong>.<br />

"Bid" / "Bidder" means the action of notifying the<br />

<strong>Auction</strong>eer of the intention to purchase the Lot by<br />

the Prospective Buyer. <strong>The</strong> Bidder is any person or<br />

entity that makes this makes this action. Bidding is<br />

understood by both the Bidder and Gibson's to be<br />

contractually obliging.<br />

“Buyer” means the person with the highest Bid<br />

accepted by the <strong>Auction</strong>eer.<br />

“Buyer's Premium” means the charge payable by<br />

the Buyer to the <strong>Auction</strong> house as a percentage of<br />

the Hammer Price.<br />

“Company” means Gibson’s <strong>Auction</strong>s Pty Ltd,<br />

trading as Gibson’s <strong>Auction</strong>s.<br />

“Forgery” means an item constituting an imitation<br />

originally conceived and executed with fraudulent<br />

intention to deceive as to authorship, origin, age,<br />

period, culture, provenance or source where the<br />

correct description as to such matters is not<br />

reflected by the description in the catalogue.<br />

Accordingly, no Lot shall be capable of being a<br />

forgery by reason of any damage or restoration work<br />

of any kind (including re-painting).<br />

“Hammer Price” means the amount of the highest<br />

Bid accepted by the <strong>Auction</strong>eer in relation to a Lot.<br />

“Insured Value” means the amount that Gibson's<br />

in its absolute discretion from time to time shall<br />

consider the value for which a Lot should be covered<br />

for insurance (whether or not insurance is arranged<br />

by Gibson's).<br />

“Lot” means any item within the Sale for <strong>Auction</strong><br />

and in particular the item or items described against<br />

any Lot number in the catalogue.<br />

"Prospective Buyer" means any person or entity<br />

with the intention of purchasing any Lot in the<br />

<strong>Auction</strong>.<br />

“Reserve” means the confidential lowest amount<br />

at which Gibson's has contractually agreed with the<br />

Seller that the Lot can be sold.<br />

"Sale" means any private treaty or <strong>Auction</strong> Sale at<br />

which a Lot is offered for Sale.<br />

“Seller” means (as appropriate) the owner, their<br />

agent, executors or personal representatives, or<br />

the person in possession of the property consigned<br />

for <strong>Auction</strong>. Multiple owners, agents or persons in<br />

possession shall jointly and severally assume all<br />

obligations, liabilities, representations, warranties<br />

and indemnities in relation to the Sale of the Lot.<br />

"Dollars" or "$" means Australian currency. All Bids,<br />

Hammer Price, Reserves, Buyer's Premium and<br />

other expressions of value are understood to be in<br />

Australian Dollars unless otherwise specified.<br />

2. Gibson’s <strong>Auction</strong>eers<br />

& Valuers as Agent<br />

Except as otherwise stated Gibson's acts as agent<br />

for the Seller.<br />

<strong>The</strong> contract for the Sale of the property is therefore<br />

made between the Seller and the Buyer.<br />

3. Before the Sale<br />

A) EXAMINATION OF PROPERTY<br />

Prospective Buyers are strongly advised to examine<br />

in person any property in which they are interested<br />

before the <strong>Auction</strong> takes place. Neither Gibson's<br />

nor the Seller provides any guarantee in relation to<br />

the nature of the property apart from the Limited<br />

Warranty in the paragraph below. <strong>The</strong> property is<br />

otherwise sold “as is”.<br />

B) CATALOGUE AND OTHER DESCRIPTIONS<br />

All statements by Gibson's in the catalogue entry<br />

for the property or in the condition report, or made<br />

orally or in writing elsewhere, are statements of<br />

opinion and are not to be relied upon as statements<br />

of fact. Such statements do not constitute a<br />

representation, warranty or assumption of liability<br />

by Gibson's of any kind. References in the catalogue<br />

entry to the condition report, including damage<br />

or restoration are for guidance only and should be<br />

evaluated by personal inspection by the Bidder or<br />

a knowledgeable representative. <strong>The</strong> absence of<br />

such a reference does not imply that an item is free<br />

from defects or restoration, nor does a reference to<br />

particular defects imply the absence of any others.<br />

Estimates of the selling price should not be relied<br />

on as a statement that this is the price at which<br />

the item will sell or its value for any other purpose.<br />

Neither Gibson's nor the Seller is responsible for<br />

any errors or omissions in the catalogue or any<br />

supplemental material.<br />

Images are measured height by width. Illustrations<br />

are provided only as a guide and should not be relied<br />

upon as a true representation of colour or condition.<br />

Images are not shown at a standard scale. Mention<br />

is rarely made of frames (which may be provided as<br />

supplementary images on the website) which do<br />

not form part of the Lot as described in the printed<br />

catalogue.<br />

All transactions are in Australian Dollars so there<br />

may be a small exchange rate risk, for international<br />

Buyers. <strong>The</strong> costs associated with acquiring a goods<br />

certificate will be borne by the Buyer. If the item<br />

turns out to be a Forgery or otherwise incorrectly<br />

described, all reasonable costs will be borne by<br />

the Seller.<br />

C) BUYER'S RESPONSIBILITY<br />

All property is sold “as is” without representation<br />

or warranty of any kind by Gibson's or the Seller.<br />

Buyers are responsible for satisfying themselves<br />

concerning the condition of the property and the<br />

matters referred to in the catalogue by requesting a<br />

condition report.<br />

4. At the Sale<br />

A) REFUSAL OF ADMISSION<br />

Gibson's reserves the right at our complete<br />

discretion to refuse admission to the <strong>Auction</strong><br />

premises or participation in any <strong>Auction</strong> and to<br />

reject any Bid.<br />

B) REGISTRATION BEFORE BIDDING<br />

Any new Prospective Buyer must complete and<br />

sign a registration form and provide photographic<br />

identification before Bidding. Gibson's may<br />

request bank, trade or other financial references to<br />

substantiate this registration.<br />

C) BIDDING AS A PRINCIPAL<br />

When making a Bid, a Bidder is accepting personal<br />

liability to pay the purchase price including the<br />

Buyer's Premium and all applicable taxes, plus<br />

all other applicable charges, unless it has been<br />

explicitly agreed in writing with Gibson's before<br />

the commencement of the Sale that the Bidder is<br />

acting as agent on behalf of an identified third party<br />

acceptable to Gibson's and that Gibson's will only<br />

look to the principal for payment.<br />

D) INTERNATIONAL REGISTRATIONS<br />

All international clients not known to Gibson's will<br />

be required to scan or fax through an accredited<br />

form of photo identification and pay a deposit at our<br />

discretion in cleared funds into Gibson's account<br />

at least 48 hours before the commencement of<br />

the <strong>Auction</strong>. Bids will not be accepted without<br />

this deposit. Gibson's also reserves the right to<br />

request any additional forms of identification prior<br />

to registering an overseas Bid. This deposit can be<br />

made using a credit card, however the balance of<br />

any purchase price in excess of $5,000 cannot be<br />

charged to this card without prior arrangement. This<br />

deposit is redeemable against any <strong>Auction</strong> purchase.<br />

E) ABSENTEE BIDS<br />

Gibson's will use reasonable efforts to execute<br />

written Bids delivered to us at least 24 hours prior<br />

to the Sale for the convenience of those clients<br />

who are unable to attend the <strong>Auction</strong> in person.<br />

If Gibson's receives identical written Bids on a<br />

particular Lot, and at the <strong>Auction</strong> these are the<br />

highest Bids on that Lot, then the Lot will be sold<br />

to the person whose written Bid was received and<br />

accepted first. Execution of written Bids is a free<br />

service undertaken subject to other commitments<br />

at the time of the Sale and we do not accept liability<br />

for failing to execute a written Bid or for errors<br />

or omissions which may arise. It is the Bidder’s<br />

responsibility to check with Gibson's after the<br />

<strong>Auction</strong> if they were successful. Unlimited or<br />

“Buy” Bids will not be accepted. Please refer to our<br />

indicative Bidding increments below for appropriate<br />

absentee Bid amounts (Section K).<br />

F) TELEPHONE BIDS<br />

Priority will be given to overseas and interstate<br />

Bidders. Arrangements for this service must be<br />

confirmed at least 24 hours prior to the <strong>Auction</strong><br />

commencing. Gibson's accepts no responsibility<br />

whatsoever for any errors or failure to execute Bids.<br />

In telephone Bidding the Buyer agrees to be bound<br />

by all terms and conditions listed here and accepts<br />

that Gibson's cannot be held responsible for any<br />

miscommunications in the process. <strong>The</strong> success<br />

of telephone Bidding cannot be guaranteed due to<br />

circumstances that are unforeseen. Buyers should<br />

be aware of the risk and accept the consequences<br />

should contact be unsuccessful at the time of<br />

<strong>Auction</strong>. You must advise Gibson's of the Lots in<br />

question and recommend a ‘Cover Bid’ amount<br />

should there be any issues with technology or<br />

communication via the telephone number provided.<br />

Gibson's will advise Telephone Bidders who have<br />

registered at least 24 hours before the <strong>Auction</strong> of<br />

any relevant changes to descriptions, withdrawals or<br />

any other Sale room notices.<br />

G) ONLINE BIDDING<br />

Gibson's accepts no responsibility for any<br />

errors, failure to execute Bids or any other<br />

miscommunications regarding this process. It is the<br />

online Bidder’s responsibility to ensure the accuracy<br />

of the relevant information regarding Bids, Lot<br />

numbers and contact details.


51<br />

H) RESERVES<br />

Unless otherwise indicated, all Lots are offered<br />

subject to a Reserve, which is the confidential<br />

minimum price below which the Lot will not be<br />

sold. <strong>The</strong> Reserve will not exceed the low estimate<br />

printed in the catalogue. <strong>The</strong> <strong>Auction</strong>eer may open<br />

the Bidding on any Lot below the Reserve by placing<br />

a Bid on behalf of the Seller. <strong>The</strong> <strong>Auction</strong>eer may<br />

continue to Bid on behalf of Seller up to the amount<br />

of the Reserve, either by placing consecutive Bids or<br />

by placing Bids in response to other Bidders.<br />

I) AUCTIONEER'S DISCRETION<br />

<strong>The</strong> <strong>Auction</strong>eer has the right at his absolute and<br />

sole discretion to refuse any Bid, to advance the<br />

Bidding in such a manner as he may decide, to<br />

withdraw or divide any Lot, to combine any two or<br />

more Lots and, in the case or error or dispute and<br />

whether during or after the Sale, to determine the<br />

successful Bidder, to continue the Bidding, to cancel<br />

the Sale or to re-offer and resell the item in dispute.<br />

In the event of a dispute, or the <strong>Auction</strong>eer or the<br />

Company is of the opinion that there has been a<br />

misunderstanding or mistake regarding a Sale or a<br />

Lot the subject of a Sale, the <strong>Auction</strong>eer may rescind<br />

the Sale and put any Lot up for a Second <strong>Auction</strong>. If<br />

a Sale is rescinded, the Company may put the Lot up<br />

at a second <strong>Auction</strong>, offer the Lot for sale by private<br />

treaty or withdraw the Lot from sale entirely.<br />

J) SUCCESSFUL BID AND PASSING OF RISK<br />

Subject to the <strong>Auction</strong>eer’s discretion, on the<br />

acceptance of a Bid by the fall of the <strong>Auction</strong>eer's<br />

hammer, a contract of sale is made between the<br />

Seller and the Buyer. Risk and responsibility for the<br />

Lot (including frames or glass where relevant) passes<br />

immediately to the Buyer. Gibson's shall not be liable<br />

for any breach of contract by either the Seller or<br />

the Buyer.<br />

K) INDICATIVE BIDDING STEPS, ETC.<br />

Gibson's reserves the right to refuse any Bid,<br />

withdraw any Lot from Sale, to place a Reserve on<br />

any Lot and to advance the Bidding according to<br />

the following:<br />

Increment Amount<br />

Dollar Range<br />

$20 $0–$500<br />

$50 $500–$1,000<br />

$100 $1,000–$2,000<br />

$200 $2,000–$5,000<br />

$500 $5,000–$10,000<br />

$1,000 $10,000–$20,000<br />

$2,000 $20,000–$50,000<br />

$5,000 $50,000–$100,000<br />

$10,000 $100,000–$200,000<br />

$20,000 $200,000–$500,000<br />

$50,000 $500,000–$1,000,000<br />

Absentee Bids must follow these increments and<br />

any Bids that don’t follow the steps will be rounded<br />

up to the nearest acceptable Bid.<br />

5. After the Sale<br />

A) BUYER'S PREMIUM<br />

In addition to the Hammer Price, the Buyer agrees<br />

to pay to Gibson's the Buyer's Premium. <strong>The</strong> Buyer's<br />

Premium is 22% of the Hammer Price plus GST.<br />

(Goods and Services Tax) where applicable.<br />

B) ONLINE SURCHARGE<br />

In the case where the Buyer purchases via online<br />

Bidding platforms, the Buyer agrees to pay the online<br />

Bidding surcharge of 2% (Gibsons.com.au) or 5%<br />

(Invaluable.com) plus GST, where applicable.<br />

C) PAYMENT AND PASSING OF TITLE<br />

<strong>The</strong> Buyer must pay the full amount due (comprising<br />

the Hammer Price, Buyer's Premium and any<br />

applicable taxes and GST) not later than three (3)<br />

days after the <strong>Auction</strong> date.<br />

<strong>The</strong> Buyer will not acquire title for the Lot until<br />

Gibson's receives full payment in cleared funds, and<br />

no goods under any circumstances will be released<br />

without confirmation of cleared funds received.<br />

This applies even if the Buyer wishes to send items<br />

interstate or overseas.<br />

Payment can be made by the following means:<br />

• Bank Transfer/Direct Deposit is our preferred<br />

method of payment<br />

Account Name: Gibson's <strong>Auction</strong>s<br />

Bank:<br />

Bank of Melbourne<br />

(A division of St George)<br />

BSB: 193879<br />

Account No: 441701443<br />

Swift Code: SGBLAU2S<br />

Routing Code: 021000021<br />

Bank Address: 197-201 Glenferrie Road,<br />

Malvern, Vic, 3144<br />

<strong>The</strong> Buyer is responsible for any bank fees and<br />

charges applicable for the transfer of funds into<br />

Gibson's account<br />

• Personal, Company and Bank Cheques are not<br />

accepted without prior approval.<br />

• EFTPOS (no charge)<br />

• Credit cards: Visa and Mastercard (1% incl GST<br />

merchant fee) and American Express (1.5% incl<br />

GST merchant fee)<br />

Please note that credit card transactions over<br />

$5,000 will not be accepted over the telephone<br />

unless by prior arrangement.<br />

• Cash up to AU$10,000 can accepted in<br />

cash. For any amount over this, cash is to be<br />

deposited directly into our account at a Bank of<br />

Melbourne/St George branch<br />

D) COLLECTION OF PURCHASES & INSURANCE<br />

Gibson's is entitled to retain items sold until all<br />

amounts due to us have been received in full in good<br />

cleared funds. Subject to this, the Buyer shall collect<br />

purchased Lots within three (3) days from the date of<br />

the Sale unless otherwise agreed in writing between<br />

Gibson's and the Buyer.<br />

At the fall of the hammer, insurance is the<br />

responsibility of the purchaser.<br />

E) PACKING, HANDLING AND SHIPPING<br />

At the request of the Buyer, Gibson's may assist with<br />

packing of goods but takes no responsibility for loss,<br />

damage or breakage that may occur. Gibson's at<br />

the request of the Buyer may arrange for a carrier,<br />

packer or shipper to have the property packed,<br />

insured and shipped at the Buyer’s expense. All<br />

packing, shipping, insurance, postage & associated<br />

charges will be borne by the purchaser. Gibson's can<br />

assist with removal companies that the Buyer can<br />

use but takes no responsibility whatsoever for the<br />

actions of any recommended third party.<br />

F) CULTURAL HERITAGE EXPORT LICENCES<br />

Unless otherwise agreed by Gibson's in writing, the<br />

fact that the Buyer wishes to apply for an export<br />

licence does not affect their obligation to make full<br />

payment immediately, nor Gibson's right to charge<br />

interest or storage charges on late payment. It is<br />

the responsibility of the Buyer to check Australia’s<br />

Protection of Moveable Cultural Heritage Act<br />

1986 prior to purchase. Export/import licences<br />

applications are the responsibility of the Buyer and/<br />

or the Buyer's nominated shipper. Gibson's shall<br />

not be obliged to rescind a Sale nor to refund any<br />

expenses incurred by the Buyer in circumstances<br />

where an export licence is not granted.<br />

G) REMEDIES FOR NON-PAYMENT<br />

If the Buyer fails to make full payment immediately,<br />

Gibson's is entitled to exercise one or more of the<br />

following rights or remedies (in addition to asserting<br />

any other rights or remedies available under the law)<br />

i) to charge interest at the ANZ visa credit card<br />

rate as published weekly in the Australian<br />

Financial Review;<br />

ii)<br />

iii)<br />

iv)<br />

to hold the defaulting Buyer liable for the<br />

total amount due and to commence legal<br />

proceedings for its recovery along with interest,<br />

legal fees and costs to the fullest extent<br />

permitted under applicable law;<br />

to cancel the Sale;<br />

to resell the property publicly or privately on<br />

such terms as the Company sees fit;<br />

v) to pay the Seller an amount up to the net<br />

proceeds payable in respect of the amount Bid<br />

by the defaulting Buyer. In these circumstances<br />

the defaulting Buyer can have no claim upon<br />

Gibson's in the event that the Lot(s) are sold for<br />

an amount greater than the original invoiced<br />

amount;<br />

vi)<br />

to offset against any amounts which<br />

Gibson's may owe the Buyer across any other<br />

transactions;<br />

viii) to reject at any future <strong>Auction</strong> any Bids made by<br />

or on behalf of the Buyer or to obtain a deposit<br />

from the Buyer prior to accepting any Bids;<br />

ix)<br />

to exercise all the rights and remedies of a<br />

person holding security over any property in<br />

our possession owned by the Buyer whether by<br />

way of pledge, security interest or in any other<br />

way, to the fullest extent permitted by the law<br />

of the place where such property is located.<br />

<strong>The</strong> Buyer will be deemed to have been granted<br />

such security to us and we may retain such<br />

property as collateral security for such Buyer’s<br />

obligations to the Company;<br />

x) to take such other action as the Company<br />

deems necessary or appropriate.<br />

H) FAILURE TO COLLECT PURCHASES<br />

Where purchases are not collected within three (3)<br />

days from the Sale date, whether or not payment has<br />

been made, the Company shall be permitted to:<br />

i) remove, store and further insure the Lot at the<br />

expense of the Buyer, releasing only after full<br />

payment has been received from the Buyer for<br />

incurred costs;<br />

ii)<br />

iii)<br />

re-sell the Lot without Reserve by <strong>Auction</strong>,<br />

private treaty or any other means whereby the<br />

Buyer agrees not to challenge the resale price<br />

achieved.<br />

rescind the Sale of that Lot or any other Lot sold<br />

by the Seller to the Buyer at the same or any<br />

other <strong>Auction</strong>.<br />

If Gibson's do re-sell the property under clauses H<br />

and G, the defaulting Buyer agrees to be liable for<br />

all payments of any deficiency between the total<br />

amount originally due and the price obtained, as well<br />

as the legal as all costs, expenses, damages, legal<br />

fees, commissions and premiums of whatever kinds<br />

associated with both Sales or otherwise arising from<br />

the default.<br />

6. Extent of Gibson's Liability<br />

Gibson's agrees to refund the purchase price in the<br />

circumstances of the Limited Warranty set out in<br />

paragraph 7. Apart from that, neither the Seller nor<br />

the Company, nor any of the Company’s employees<br />

or agents are responsible for the correctness of any<br />

statement of whatever kind concerning any Lot,<br />

whether written or oral, nor for any other errors or<br />

omissions in description or for any faults or defects<br />

in any Lots. Except as stated in paragraph 7 below,<br />

neither the Seller, the Company, its officers, agents<br />

or employees give any representation warranty<br />

or guarantee or assume any liability of any kind in


52<br />

respect of any Lot with regard to merchantability,<br />

fitness for a particular purpose, description, size,<br />

quality, condition, attribution, authenticity, rarity,<br />

importance, medium, provenance, exhibition history,<br />

literature or historical relevance. Except as required<br />

by local law any warranty of any kind is excluded by<br />

this paragraph.<br />

7. Limited Warranty<br />

Subject to the terms and conditions of this<br />

paragraph, the warrants for the period of fourteen<br />

(14) days from the date of the Sale that any property<br />

described in this catalogue (noting such description<br />

may be amended by any Saleroom notice or<br />

announcement) which is stated without qualification<br />

to be the work of a named author or authorship is<br />

authentic and not a forgery. <strong>The</strong> term “Author” or<br />

“Authorship” refers to the creator of the property or<br />

to the period, culture, source, or origin as the case<br />

may be, with which the creation of such property is<br />

identified in the catalogue.<br />

<strong>The</strong> warranty is subject to the following:<br />

i) it does not apply where a) the catalogue<br />

description or Saleroom notice corresponded<br />

to the generally accepted opinion of scholars<br />

and experts at the date of the Sale or fairly<br />

indicated that there was a conflict of opinions,<br />

or b) correct identification of a Lot can be<br />

demonstrated only by means of a scientific<br />

process not generally accepted for use until<br />

after publication of the catalogue or a process<br />

which at the date of the publication of the<br />

catalogue was unreasonably expensive or<br />

impractical or likely to have caused damage to<br />

the property.<br />

ii)<br />

iii)<br />

iv)<br />

the benefits of the warranty are not assignable<br />

and shall apply only to the original Buyer of the<br />

Lot as shown on the invoice originally issued by<br />

Gibson's when the Lot was sold at <strong>Auction</strong>.<br />

the original Buyer must have remained the<br />

owner of the Lot without disposing of any<br />

interest in it to any third party<br />

<strong>The</strong> Buyer’s sole and exclusive remedy against<br />

the Seller in place of any other remedy which<br />

might be available, is the cancellation of the<br />

Sale and the refund of the original purchase<br />

price paid for the Lot less the Buyer's Premium<br />

which is non-refundable. Neither the Seller nor<br />

Gibson's will be liable for any special, incidental<br />

nor consequential damages including, without<br />

limitation, loss of profits not for interest.<br />

v) <strong>The</strong> Buyer must give written notice of claim<br />

to us within fourteen (14) days of the date of<br />

the <strong>Auction</strong>. <strong>The</strong> Seller shall have the right, to<br />

require the Buyer to obtain two written opinions<br />

by recognised experts in the field, mutually<br />

acceptable to the Buyer and Gibson's to decide<br />

whether to cancel the Sale under warranty.<br />

vi)<br />

the Buyer must return the Lot to Seller in the<br />

same condition that it was purchased.<br />

8. Severability<br />

If any part of these Conditions of Sale is found by any<br />

court to be invalid, illegal or unenforceable, that part<br />

shall be discounted and the rest of the Conditions<br />

shall continue to be valid to the fullest extent<br />

permitted by law.<br />

9. Copyright<br />

<strong>The</strong> copyright of all images, illustrations and written<br />

material produced by Gibson's relating to a Lot<br />

including the contents of this catalogue, is and shall<br />

remain the property at all times of Gibson's and shall<br />

not be used by the Buyer, nor by anyone else without<br />

our prior written consent. Gibson's and the Seller<br />

make no representation or warranty that the Buyer<br />

of a property will acquire any copyright or other<br />

reproduction rights in it.<br />

10. Law and Jurisdiction<br />

<strong>The</strong>se terms and conditions and any matters<br />

concerned with the foregoing fall within the exclusive<br />

jurisdiction of the courts of the state in which the<br />

<strong>Auction</strong> is held.<br />

11. Pre-Sale Estimates<br />

Gibson's publishes with each catalogue our opinion<br />

as to the estimated price range for each Lot. <strong>The</strong>se<br />

estimates are approximate prices only and are not<br />

intended to be definitive. <strong>The</strong>y are prepared well in<br />

advance of the Sale and may be subject to revision.<br />

Interested parties should contact Gibson's prior to<br />

<strong>Auction</strong> for updated pre-Sale estimates and starting<br />

prices.<br />

12. Sale results<br />

After the Sale, Gibson's may publish (both verbally<br />

and in writing) the results of Sale at our discretion,<br />

including the prices achieved for specific Lots.<br />

Unless otherwise discussed with the Buyer, details of<br />

individual Buyers will remain confidential.<br />

13. Goods and Service Tax<br />

In accordance with A New Tax System (Goods<br />

and Services Tax) Act 1999, Gibson's <strong>Auction</strong>s will<br />

collect on behalf of the Australian Tax Office (ATO) a<br />

Goods and Service Tax (GST) of 10% on all applicable<br />

transactions.<br />

GST is applicable on the Hammer Price in the case<br />

where the Seller is selling property that is owned by<br />

an entity registered for GST. GST is also applicable<br />

on the Hammer Price in the case where the Seller is<br />

not an Australian resident. <strong>The</strong>se Lots are denoted<br />

by a dagger symbol (†) placed next to the estimate.<br />

GST is also applicable on the Buyer's Premium.<br />

Overseas Buyers and non-resident Buyers in<br />

Australia will not be charged GST on both Hammer<br />

Price and Premiums under the following conditions:<br />

1. <strong>The</strong> items are exported through a Gibson's<br />

approved freight company including Australia<br />

Post<br />

2. <strong>The</strong> items are exported within 60 days of the<br />

date of the Sale<br />

<strong>The</strong> invoice supplied by Gibson's for purchases will<br />

be regarded as a Tax invoice for GST purposes.<br />

14. Resale Royalty Scheme<br />

Under the legal obligations of the Resale Royalty<br />

Scheme for Visual Artists Act 2009, Sellers must<br />

provide the following information to comply with<br />

the act:<br />

• was the artwork acquired after 8 June 2010?<br />

• is the Sale/Reserve price (including GST)<br />

$1,000 or more?<br />

• is the artist from Australia or a country listed in<br />

the Regulations to the Act?<br />

• is the artist alive, or deceased less than 70 years?<br />

<strong>The</strong> Seller:<br />

i) acknowledges that he or she understands his or<br />

her legal obligations under the Resale Royalty<br />

for Visual Artists Act 2009 (the Act);<br />

ii)<br />

iii)<br />

iv)<br />

undertakes to comply with all requirements of<br />

the Act, including by providing its agent, the<br />

company, with accurate information sufficient<br />

for compliance with sections 28 and 29 of the<br />

Act;<br />

undertakes to indemnify the Company for any<br />

loss incurred by the Company as a result of<br />

the Vendor’s failure to comply with any of the<br />

Vendor’s legal obligations under the Act; and<br />

acknowledges that if he or she fails to comply<br />

with any of his or her legal obligations under<br />

the Act, the company may provide the vendor’s<br />

name and contact details to Copyright Agency<br />

Limited (CAL).<br />

Lots subject to payment of the Resale Royalty<br />

Scheme will be denoted by the §. <strong>The</strong> Australian<br />

Resale Royalty is a flat rate of 5% on the hammer<br />

price (including GST). <strong>The</strong> Australian Resale<br />

Royalty is payable by the Seller in addition to<br />

Vendor Commission plus any applicable GST and<br />

government charges.<br />

15. Jewels, Watches & Gold<br />

GEMSTONES<br />

Gemstones have historically been subjected to a<br />

variety of treatments to enhance their appearance.<br />

Sapphire and rubies are routinely heat treated to<br />

improve their colour and clarity, similarly emeralds<br />

are frequently treated with oils or resin for the<br />

same purpose. Other treatments such as staining<br />

or dyeing, irradiation, filling or coating may have<br />

been used on other precious and semi-precious<br />

gemstones and organic material. <strong>The</strong>se treatments<br />

may be permanent, whilst others may need special<br />

care to reserve their appearance. Buyers should<br />

assume that each Lot has been subject to some<br />

form of treatment and that the estimates reflect this.<br />

A number of laboratories issue certificates that give<br />

detailed descriptions of gemstones, and in the event<br />

that Gibson's has been supplied with or obtained<br />

certificates for any Lot, this shall be noted in the<br />

catalogue. However, as there may not be consensus<br />

between different laboratories on the degree, or<br />

types of treatment of the gemstones, Gibson's<br />

supplies these without warranty.<br />

Buyers should assume that all gemstones sold<br />

by Gibson's may have been subjected to such<br />

treatments, and that the catalogue estimates<br />

reflect this.<br />

PEARLS<br />

Pearls, like gemstones, are also subject to various<br />

treatments. Buyers should assume that any pearls<br />

sold by Gibson's may have been subjected to such<br />

treatments, and that the catalogue estimates<br />

reflect this.<br />

WATCHES<br />

Please note: All watches sold by Gibson's are sold on<br />

an “as is” basis. Gibson's makes no representation<br />

or warranty that any watch is in working order. Many<br />

watches have been repaired over their lifetime and<br />

may contain non-original parts. <strong>The</strong> absence of any<br />

reference to the condition of a watch does not imply<br />

that the Lot is in good condition and without defects,<br />

repairs or restorations. Buyers should be aware that<br />

a general service, change of battery or further repair<br />

work, for which the Buyer is solely responsible for,<br />

may be necessary.<br />

ESTIMATED WEIGHTS<br />

If a stone has a known weight, it has been weighed<br />

out of the mount. If a stone has an estimated weight,<br />

it is an approximate weight only and has been<br />

measured by us in the mount and is a statement of<br />

opinion only. <strong>The</strong> information is given as a guide only<br />

and Buyers should satisfy themselves with regard to<br />

this information as to its accuracy.<br />

GOLD<br />

Gold is sold in good faith that its purity is as<br />

marked or hallmarked on the object. Should an<br />

item have a gold content of 10% less than the<br />

catalogued amount, Gibson’s will refund as per our<br />

Terms and Conditions.


<strong>The</strong> <strong>Spring</strong><br />

<strong>Auction</strong> <strong>Series</strong><br />

Decorative Arts & Design<br />

Chinese & Asian works of art<br />

Melbourne, 26 & 27 November 2023


Specialists & Management for this sale<br />

Jennifer Gibson<br />

CEO & Head of<br />

Valuations<br />

Deanna Baxter<br />

Business<br />

Manager<br />

Samuel Fricker<br />

Operations<br />

& Marketing<br />

Manager<br />

Dennice Collett<br />

Senior Specialist<br />

Decorative Arts<br />

Ann Roberts<br />

Consultant<br />

Specialist<br />

Asian Art<br />

Jon Dwyer<br />

Consultant<br />

Specialist<br />

Australian &<br />

International Art<br />

Phil Gore<br />

Consultant<br />

Specialist<br />

Clocks, Watches<br />

& Barometers<br />

Jennifer Gibson<br />

jennifer.gibson@gibsonsauctions.com.au<br />

Deanna Baxter<br />

deanna.baxter@gibsonsauctions.com.au<br />

Samuel Fricker<br />

samuel.fricker@gibsonsauctions.com.au<br />

Dennice Collett<br />

dennice.collett@gibsonsauctions.com.au<br />

Ann Roberts<br />

ann.roberts@gibsonsauctions.com.au<br />

Jon Dwyer<br />

jon.dwyer@gibsonsauctions.com.au<br />

Sarah Garrecht<br />

artadmin@gibsonsauctions.com.au<br />

Ellin Geary<br />

mail@gibsonsauctions.com.au<br />

Andre Kimonides<br />

collections@gibsonsauctions.com.au<br />

Jewellery Department<br />

jewellery@gibsonsauctions.com.au<br />

Marilla O’Sullivan<br />

marilla.osullivan@gibsonsauctions.com.au<br />

Ella Gibson<br />

decartsadmin@gibsonsauctions.com.au<br />

Max Sumner<br />

operations@gibsonsauctions.com.au<br />

ORRONG RD<br />

AUCTION ENQUIRIES<br />

ABSENTEE & TELEPHONE BIDS<br />

Deanna Baxter<br />

bids@gibsonsauctions.com.au<br />

+61 3 9500 2607<br />

CONDITION REPORTS<br />

condition.reports@gibsonsauctions.com.au<br />

+61 3 9500 2607<br />

SHIPPING<br />

Please refer to our website for a list of recommended shippers<br />

ACCOUNTS<br />

Dolly Akhani<br />

accounts@gibsonsauctions.com.au<br />

+61 3 9500 2607<br />

GENERAL ENQUIRIES<br />

mail@gibsonsauctions.com.au<br />

+61 3 9500 2607<br />

www.gibsonsauctions.com.au<br />

ASHLEIGH RD<br />

ARMADALE<br />

NEW ST<br />

HIGH ST<br />

OSMENT ST<br />

NORTHCOTE RD<br />

KOOYONG RD<br />

<strong>Auction</strong>, Viewing and<br />

Payment & Collections<br />

Level 1, 885-889 High St<br />

Armadale, Victoria 3143<br />

AUBURN GROVE<br />

SUTHERLAND RD<br />

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII<br />

ST<br />

DENBIGH RD<br />

CHEEL ST


FRONT COVER:<br />

Lot 222<br />

BACK COVER:<br />

Lot 23 (Detail)<br />

<strong>The</strong> <strong>Spring</strong><br />

<strong>Auction</strong> <strong>Series</strong><br />

Part I: Live <strong>Auction</strong><br />

Sunday 26 November 2023, 11am (Lots 1–509)<br />

Level 1, 885-889 High Street, Armadale, Victoria 3143<br />

Part II: Timed Online <strong>Auction</strong><br />

Monday 27 November 2023, closing from 10am (Lots 510–1157)<br />

Viewing<br />

Thursday 23 November 10.00am – 5.00pm<br />

Friday 24 November 10.00am – 5.00pm<br />

Saturday 25 November 10.00am – 5.00pm<br />

<strong>Auction</strong> Code: Part I: <strong>GA053</strong> | Part II: GO053OL<br />

GST<br />

† Lots with this symbol are subject<br />

to GST on the hammer price and the<br />

buyer’s premium.<br />

Buyer’s Premium<br />

Buyer’s Premium is charged at<br />

22% of the hammer price plus GST.<br />

GST is applicable to the buyer’s<br />

premium only, unless otherwise<br />

indicated by the † symbol.<br />

Registration<br />

To register to bid at Gibson's<br />

<strong>Auction</strong>eers & Valuers an accredited<br />

form of photo identification is<br />

required. This applies to bidding in<br />

person at the auction, Telephone,<br />

Absentee and Online bidding.<br />

Resale Royalty Scheme<br />

Lots subject to payment of the<br />

Artist's Resale Royalty Scheme<br />

will be denoted by the symbol §.<br />

<strong>The</strong> Australian Resale Royalty is<br />

a flat rate of 5% on the hammer<br />

price (including GST) and is<br />

payable by the seller.<br />

Restricted or Organic Material<br />

♦ Lots with this symbol have been<br />

identified at the time of cataloguing<br />

as containing organic material<br />

which may be subject to export or<br />

import restrictions. <strong>The</strong> absence<br />

of this symbol is not a guarantee<br />

that export or import restrictions<br />

will not apply. See www.cites.org<br />

for further information.<br />

Payments & Collections<br />

(By Appointment)<br />

gibsonsauctions.com.au/bookings<br />

or phone 03 9500 2607<br />

Payments & Collections can be made<br />

from: Level 1, 885-889 High Street,<br />

Armadale, Vic 3143<br />

Tuesday 28 November 10am–5pm<br />

Wednesday 29 November 10am–5pm<br />

Thursday 30 November 10am–5pm<br />

Friday 1 December 10am–5pm<br />

All goods must be collected<br />

and paid in full strictly by 5pm on<br />

Friday 1 December (unless by prior<br />

arrangement) to avoid removal and<br />

storage charges.<br />

All payments are to be made in<br />

Australian Dollars (AU$). Please refer<br />

to the methods of payment in the ‘How<br />

to Buy’ section on the following pages.


2<br />

<strong>The</strong> June Harris Collection Part III<br />

Lots 180–217<br />

180<br />

A pair of Royal Worcester vases,<br />

by John Stinton, 1913<br />

each with bracket handles and moulded collars picked<br />

out in gilt and shot colours, decorated to the bodies<br />

with highland cattle drinking in sublime landscape<br />

settings, signed John Stinton lower right and lower<br />

left of images, puce backstamp, date cipher and<br />

pattern number 1654 underside<br />

each 20cm high<br />

PROVENANCE<br />

Elder Fine Art, March 2010<br />

$2,000–3,000<br />

181<br />

A Minton dessert service, 1850-1870 period<br />

comprising three tazze and twelve plates each<br />

individually decorated with floral sprays and enclosed<br />

by gilt enriched turquoise borders, the main tazza<br />

with moulded putti surrounding the standard above<br />

a moulded base, pattern 7820, marked underside<br />

with quartets of dots and ermine marks<br />

the largest tazza 20.5cm high, 24cm diameter,<br />

the plates 23.5cm diameter<br />

$800–1,200<br />

180


3<br />

182<br />

A Royal Worcester covered urn,<br />

by John Stinton, 1905<br />

the finely moulded vase with roaring lion handles<br />

and trailing fish scale panels in coral and pale green<br />

colours picked out in gilt, decorated with Highland<br />

cattle in a grey misty landscape, a moody loch scene<br />

to the reverse, signed to lower left of main image, puce<br />

backstamp, date cipher and pattern number underside<br />

35cm high<br />

$2,500–3,500<br />

183<br />

A Royal Worcester covered vase by John Stinton,<br />

1903<br />

with moulded handles and pedestal, decorated to the<br />

body with a herd of Highland cattle in a rocky misty<br />

landscape, signed John Stinton lower right, green<br />

backstamp and date cipher underside<br />

40cm high<br />

PROVENANCE<br />

Sotheby's, October 2008<br />

$3,000–5,000<br />

182<br />

183


4<br />

186<br />

184<br />

A pair of Royal Worcester still life cabinet plates<br />

by W.A Hawkins, 1907<br />

moulded cobalt ground plates centred with<br />

arrangements within gilded borders, signed lower<br />

left to both, green backstamps, date cipher and<br />

pattern number 2367 underside<br />

20.5cm diameter<br />

$800–1,200<br />

185<br />

A Royal Worcester cabinet plate decorated<br />

by Harry Davis, 1909<br />

depicting a beachside scene with a distant castle,<br />

and enclosed by a richly gilded border on a cobalt and<br />

mauve ground, puce backstamp underside<br />

22.5cm diameter<br />

$400–600<br />

184


5<br />

186<br />

A set of four Minton Royal service plates in the<br />

Sèvres style decorated by Antoin Boullemier,<br />

circa 1885<br />

painted in coloured enamels with a putto beside a pink<br />

ground panel centred with a gilt monogram of interlinked L's<br />

possibly for King Leopold of the Belgians, beneath a crown,<br />

the cobalt ground border with running laurel and beaded<br />

bands within a dentil rim, pattern number G 5154, retailer's<br />

marks for Mortlock, Oxford Street, London<br />

23.5cm diameter<br />

NOTE<br />

Paul Atterbury, <strong>The</strong> Dictionary of Minton, page 308,<br />

illustrates a plate in this pattern decorated by Fred N Sutton<br />

$800–1,200<br />

187<br />

A pair of Royal Worcester urns decorated<br />

by William Hawkins, circa 1910<br />

finely decorated with fruit studies to shaped and gilded<br />

cartouches upon a cobalt ground, with bead edge borders,<br />

gilt decorated teal handles and a moulded pedestal base,<br />

each signed Hawkins to lower left of images, blurred ink<br />

blue backstamps underside<br />

21.5cm high<br />

$3,000–5,000<br />

187


6<br />

188<br />

188<br />

A Berlin porcelain plaque of a sleeping monk,<br />

after Eduard Von Grutzner, 19th century<br />

apparently unsigned<br />

image size 26 x 20.5cm, frame size 32 x 28cm<br />

$1,500–2,000<br />

189<br />

A Berlin porcelain plaque of Mozart,<br />

19th/20th century<br />

signed indistinctly but probably T.P. Sk lower right<br />

image size 19.5 x 17.5cm, frame size 37.5 x 36cm<br />

$800–1,200


7<br />

190<br />

A Napoleon III boulle occasional<br />

table, 19th century<br />

of serpentine profile and inlaid in<br />

the Berainesque manner upon a red<br />

tortoiseshell ground, the bold cabriole<br />

legs decorated with cast mounts and<br />

sabots united by stretchers and a<br />

central ornament, with a single drawer<br />

77cm high, 126cm wide, 73cm deep<br />

$4,000–6,000 ♦<br />

190 (Detail)<br />

190


8<br />

191<br />

A Royal Worcester ewer vase decorated<br />

by William Powell, 1912<br />

the gilt enriched vase with a high set handle and<br />

mask terminal, decorated to the body with herons in<br />

an oasis landscape with palm trees, signed W. Powell<br />

lower right of image, puce backstamp, date cipher<br />

and pattern number underside<br />

28cm high<br />

$800–1,200<br />

192<br />

A Royal Worcester urn cup by Harry Davis, 1929<br />

with moulded flying handles and borders in white<br />

picked out in gilt, decorated to a roundel with figures<br />

beside a river and arching bridge, signed H. Davis<br />

lower right of image, puce backstamp, date cipher<br />

and pattern number 2402 underside<br />

13cm high<br />

$500–800<br />

193<br />

A Royal Worcester rose vase by Walter Sedgley,<br />

1919<br />

the pear shape vase with a moulded collar, foot and<br />

handles decorated in shot and gilt colours, painted<br />

to the body with full blown magenta and pink roses,<br />

signed Sedgley to reverse of main image<br />

23.5cm high<br />

$500–800<br />

191


9<br />

194<br />

A Royal Worcester swan vase by Charles Baldwyn,<br />

1888<br />

in the Persian manner with slender bracket handles and<br />

a patterned gilded collar with shot colours, decorated<br />

with a wedge of swans flying through rushes on a<br />

powder blue ground, signed C Baldwyn to right of image,<br />

puce backstamp<br />

17cm high<br />

$1,200–1,500<br />

195<br />

A rare Royal Worcester covered vase<br />

by Charles Baldwyn, 1903<br />

the baluster vase with high set flying handles with<br />

moulding to rim collar and foot picked out in gilt and<br />

shot colours, the body decorated with white doves on<br />

a pale blue ground, surrounded by gilt foliage, signed<br />

C. Baldwyn lower right below image, puce backstamp<br />

and pattern 2307 underside<br />

30cm high<br />

$2,000–3,000<br />

194 195


10<br />

196<br />

A Royal Worcester urn vase by Harry Davis, 1913<br />

the vase with moulded flying handles picked in gilt<br />

and shot colours, decorated to the body with black<br />

face Highland sheep in a sublime lochside setting with<br />

a ruin and towering cliffs in the background, signed<br />

H. Davis lower right, puce backstamp, date cipher<br />

and pattern number underside<br />

31cm high<br />

$2,000–3,000<br />

197<br />

A Royal Doulton trumpet vase decorated<br />

by R. Boden, 1902-1922 period<br />

decorated with full blown pink roses and foliage on a<br />

suffused mauve and lemon ground, signed lower right<br />

of image, green backstamp underside<br />

30cm high<br />

$400–600<br />

196


11<br />

198<br />

A Royal Worcester Highland cattle vase<br />

by John Stinton, 1936<br />

the oriental style cylinder vase on a reticulated<br />

integral gilded foot, decorated with Highland cattle<br />

on a misty mountainside, signed Stinton lower right,<br />

puce backstamp and date cipher underside<br />

26cm high<br />

$1,200–1,500<br />

199<br />

A Royal Worcester covered urn<br />

by Harry Davis, 1908<br />

the twin handle moulded vase in blush colours picked out<br />

in gilt, decorated to the body with black face Highland<br />

sheep in a sublime landscape setting, puce backstamp,<br />

date cipher and pattern number 2158 underside<br />

27.5cm high<br />

$2,000–3,000<br />

198 199


12<br />

200<br />

201<br />

200<br />

A Louis XVI style gilt bronze<br />

mounted mahogany occasional<br />

table, 19th century<br />

with a breccia rocca marble top<br />

raised on urn form fluted legs,<br />

decorated throughout with formal<br />

anthemions, paterae and cast trims<br />

73cm high, 56cm diameter<br />

$800–1,200<br />

202<br />

201<br />

A Neoclassical brass and<br />

carved giltwood display cabinet<br />

on stand, 19th/20th century<br />

the Italian-style stretcher base<br />

console with relief carved edges,<br />

paterae and spiral turned legs<br />

supporting a brass mounted glazed<br />

cabinet enclosing shelves<br />

91.5cm high, 80cm wide, 45cm deep<br />

$1,200–1,500


13<br />

203<br />

202<br />

An ornately inlaid satinwood two-tier occasional<br />

table, late 19th/20th century<br />

the oval trays centred with musical trophies, with floral<br />

inlay, cross banding and stringing, raised on tapering legs<br />

united by stretchers<br />

81cm high, 90cm wide, 55cm deep<br />

$800–1,200<br />

203<br />

A KPM porcelain plaque, '<strong>The</strong> Fates',<br />

after Paul Thumann, 19th/20th century<br />

initialled verso, possibly J.G. S or L, with impressed<br />

sceptre and KPM mark, bearing historic Sotheby's label<br />

image size 24.5 x 18.5cm, frame size 47.5 x 37.5cm<br />

$2,000–3,000


14<br />

204<br />

204<br />

A fine pair of Minton shell form jardinières,<br />

1850-1870 period<br />

Rococo revival pots decorated with floral and fancy bird<br />

medallions on a pink ground, enclosed by gold embellished<br />

emerald bands, and gilt garlands, raised on elaborate<br />

scrolling acanthus feet, iron red ermine marks underside,<br />

also marked 7=47/W, BADA label to one<br />

16.5cm high, 22cm wide, 14cm deep<br />

$800–1,200<br />

205<br />

A Pompidou pink Mintons vase, late 19th century<br />

the slender amphora vase with twin handles, decorated<br />

to navettes with mythological maidens enclosed by<br />

ribbons, trailing bellflowers and delicate pendents,<br />

trophy motifs to the neck and raised on a square base,<br />

impressed Mintons mark to base<br />

42.5cm high<br />

$800–1,200<br />

206<br />

A finely decorated pink ground jardiniere,<br />

French, 18th/19th century<br />

with moulded lug handles and decorated with exquisite<br />

loose arrangements of flowers and fruits within<br />

richly gilded cartouches, a dentil border to the rims<br />

and a lattice and scroll gilt border to the inner lip,<br />

handpainted crossed Sèvres/Vincennes style marks<br />

with various letters underside<br />

18.5cm high, 25cm wide to each handle<br />

$800–1,200<br />

205


15<br />

207<br />

A pair of Minton pâte-sur-pâte rouge ground<br />

ewer vases, 1891-1912 period<br />

with high set handles, mask terminals and leafy<br />

gilt enriched rims, the bodies enamel decorated<br />

with birds, insects and foliage above stiff leaf<br />

lappets, a waisted stem to a square base,<br />

green Mintons mark underside<br />

29cm high<br />

$1,200–1,500<br />

208<br />

A blue and white Arita porcelain vase on stand,<br />

Meiji period<br />

the baluster vase with a cushion neck and fluted trumpet<br />

rim, decorated with a fancy ho-ho bird on a tree branch in<br />

a fenced garden setting, lappets to the foot, unmarked,<br />

together with an ebonised display stand<br />

71cm high, vase; stand 25cm high<br />

$500–800<br />

207


16<br />

209<br />

A large Royal Doulton vase decorated<br />

by D. Dewsberry, 1902-1922 period<br />

with a gilt embellished neck and foot, decorated in<br />

the round with field daffodils, signed D Dewsberry<br />

to lower right, puce backstamp and impressed<br />

pattern number 1266 underside<br />

40cm high<br />

$800–1,200<br />

210<br />

A Doulton Burslem vase decorated<br />

by Fred Hancock, circa 1900<br />

the slender rouleau style vase featuring a maiden<br />

in medieval attire in a misty blue grey poppy field,<br />

signed to lower body, green Burslem mark underside<br />

29cm high, 9cm diameter<br />

$500–800<br />

209 210


17<br />

211<br />

A Royal Crown Derby Aesthetic style turquoise<br />

ground vase, late 19th century<br />

the tapering square section vase with a reticulated rim<br />

decorated to each face with polychrome birds and insects<br />

and gilded foliage, blurred crown mark underside<br />

23cm high<br />

$300–500<br />

212<br />

A fine Sèvres style bleu celeste covered vase<br />

by Mintons, late 19th century<br />

the urn vase, with serpentine moulded handles picked out<br />

in gilt, decorated to the body with floral garlands and birds<br />

on a white meandering ground with gilt floral borders, with<br />

garlands, lappets and a waisted stem to a square base,<br />

gold Mintons stamp underside<br />

37.5cm high<br />

$800–1,200<br />

213<br />

A Royal Doulton vase 'William, Prince of Orange',<br />

by Leslie Johnson, circa 1925<br />

a finely painted three quarter length portrait medallion,<br />

signed Leslie Johnson lower right, and enclosed by<br />

an elaborate gilt relief border upon a cream ground,<br />

green backstamp underside<br />

22.5cm high<br />

$500–800<br />

211 212


18<br />

214<br />

An Anglo-Indian padouk<br />

tilt top table, 1830-1840<br />

with relief carved egg and dart<br />

edges above a carved and knopped<br />

standard to a tripod platform base<br />

with squashed bun feet<br />

73cm high, 59cm wide, 60cm deep<br />

$600–800<br />

214<br />

215<br />

An Anglo-Indian padouk<br />

tilt top table, 1830-1840<br />

with relief carved bullnose edging<br />

above a carved and knopped<br />

standard to a tripod platform<br />

base on squashed bun feet<br />

74cm high, 60 x 60cm<br />

$600–800<br />

215


19<br />

216<br />

216<br />

A KPM porcelain plaque, '<strong>The</strong> Knight Errant',<br />

after John Everett Millais, late 19th century<br />

signed faintly lower right, apparently K.A, impressed<br />

sceptre and KPM mark underside<br />

image size 30.5 x 22.5cm, frame size 50.5 x 42.5cm<br />

$2,500–3,500<br />

217<br />

A Royal Worcester porcelain plaque<br />

by John Stinton, early 20th century<br />

depicting cattle drinking in a sublime and tranquil<br />

lake side setting, signed John Stinton lower centre,<br />

housed in the original giltwood frame<br />

image size 15 x 23cm, frame size 27 x 40cm<br />

$1,500–2,500


20<br />

Other Properties<br />

218<br />

A large Louis XV style carved<br />

giltwood mirror, 19th century<br />

with an extravagant Rococo style<br />

crest and moulded frame with an egg<br />

and dart inner border and trailing<br />

floral motifs, later glass plate<br />

220 x 144cm<br />

$1,500–2,500<br />

218


21<br />

219<br />

An impressive pair of Italian<br />

maiolica vases with snake<br />

handles, 19th century<br />

in the Renaissance revival manner<br />

of Cantagalli and continuously<br />

decorated with scenes of soldiers<br />

and encampments, the snake<br />

handles with grotesque mask<br />

terminals, blue painted cockerel<br />

marks underside<br />

77cm high<br />

$3,000–5,000<br />

220<br />

A large Italian blanc de chine<br />

ceramic fruit urn centrepiece<br />

with life size modelled fruits to the<br />

cover and a pear finial, above a<br />

gadrooned basket urn base<br />

82cm high, 41cm diameter<br />

$1,200–1,800<br />

221<br />

An Italian ceramic polychrome<br />

basket urn centrepiece<br />

the glazed ceramic cover comprising<br />

life size fruits with a red apple finial<br />

above a pierced pedestal bowl with<br />

cane effect borders, blue underglaze<br />

mark to base<br />

48cm high, 25cm diameter<br />

$500–800<br />

219


22<br />

222<br />

222<br />

An impressive Italian maiolica<br />

charger, 18th/19th century<br />

depicting Diana engaged in<br />

Bacchanalian revelries beneath a<br />

gnarled tree and accompanied by<br />

satyrs, amorous couples and putti<br />

67cm diameter<br />

$2,000–3,000<br />

223<br />

A large Italian blanc de chine<br />

ceramic fruit urn centrepiece<br />

with life size modelled fruits to the<br />

cover and a pear finial, above a<br />

gadrooned basket urn base<br />

82cm high, 41cm diameter<br />

$1,200–1,800<br />

224<br />

An Italian polychrome glazed<br />

ceramic centrepiece<br />

arranged as a white wicker basket<br />

holding an abundance of coloured<br />

fruits<br />

24cm high, 42cm diameter<br />

$500–800<br />

225<br />

An Italian polychrome glazed<br />

ceramic centrepiece<br />

arranged as a white wicker<br />

basket holding an abundance<br />

of coloured fruits<br />

24cm high, 42cm diameter<br />

$500–800<br />

226<br />

A Louis XV style walnut<br />

wingback bergére<br />

upholstered in red and gold<br />

brocade, with relief carved<br />

arm supports, and raised on a<br />

cabriole legs with whorl feet<br />

$500–800<br />

227<br />

A French brass fire fender<br />

with figural side pieces,<br />

19th/20th century<br />

cast in the Rococo revival manner<br />

with shell and swirling scroll<br />

elements, the cherubic figures<br />

in a bronze patinated finish<br />

the figures 40cm high,<br />

the fender 134.5cm long<br />

$500–800


23<br />

228<br />

JULES FELIX COUTAN<br />

(1848-1939)<br />

La Paix<br />

the cast bronze winged figure of<br />

peace holding a sword, signed<br />

COUTAN to the domed base<br />

198cm high, 55cm diameter to base<br />

$12,000–15,000<br />

229<br />

BUBNIC CHEIESE<br />

Sunday Morning<br />

oil on canvas<br />

signed lower left: Bubnic Cheiese<br />

32 x 40.5cm<br />

$500–800<br />

230<br />

ROBERT JOHNSON<br />

(1890-1964)<br />

Homestead in the Valley<br />

oil on canvas on board<br />

signed lower right: Robert Johnson<br />

29 x 36.5cm<br />

$800–1,200<br />

231<br />

AFTER JOHN FREDERICK<br />

HERRING SR<br />

Fores's National Sport,<br />

Fox Hunting<br />

<strong>The</strong> Meet, <strong>The</strong> Find,<br />

<strong>The</strong> Run and <strong>The</strong> Kill<br />

four colour engravings<br />

engraved by J Harris<br />

published London April 1852<br />

53.5 x 105.5cm (image size, each)<br />

$800–1,200<br />

228


24<br />

232<br />

232<br />

JAOUEN<br />

Victor-Hugo 1909<br />

oil on canvas<br />

signed and dated lower right:<br />

Jaouen / 1909<br />

56.5 x 97.5cm<br />

$1,500–2,500<br />

233<br />

A Napoleon III walnut court<br />

cupboard, French, 19th century<br />

in the Renaissance Revival manner<br />

with an extended pediment<br />

above three glazed doors each<br />

flanked by twin pilasters, an<br />

open compartment with plate<br />

rack and turned supports to an<br />

extended base with frieze drawers<br />

and twin panelled cupboards,<br />

raised on squashed bun feet<br />

229cm high, 150cm wide,<br />

55.5cm deep<br />

$1,500–2,500<br />

234<br />

An Italian mantel mirror,<br />

20th century<br />

the mirror of arching profile with<br />

Gothic glaze bar effect<br />

197cm high, 92.5cm wide<br />

$500–700<br />

235<br />

A stained beech cabinet in the<br />

Japanese manner, attributed<br />

to Gabriel Viardot, French,<br />

late 19th century<br />

with a carved dragon surmount<br />

above an arrangement of cabinets<br />

and shelves, oriental style carved<br />

and pierced elements throughout<br />

with applied figures and cranes<br />

in bronze, coloured shell and<br />

bone, above cabriole legs<br />

170cm high, 65cm wide, 34cm deep<br />

$1,200–1,800<br />

236<br />

A carved hardwood salon mirror<br />

the ebonised frame with pierced<br />

acanthus scrollwork throughout<br />

132 x 101cm<br />

$650–800<br />

237<br />

An ornate cast iron fire fender,<br />

English, 19th century<br />

in the form of a serpentine<br />

fortification with cannon apertures<br />

to the faux brickwork facade, with<br />

circular stairway feature to each end<br />

and centred with a trophy<br />

28cm high, 140cm wide, 40cm deep<br />

$600–800


25<br />

238<br />

An impressive French Industrial<br />

Revolution lighthouse clock with<br />

a rotating turret, 1890s<br />

the eight day time only clock with<br />

barometer, thermometer, compass<br />

and clock face to the rotating<br />

component enclosed by an open<br />

canopy, the base with decorative<br />

brass rope, anchor, chains and cog<br />

border feature, with key<br />

51.5cm high<br />

$8,000–10,000<br />

239<br />

A cast iron console, 19th century<br />

with a stone effect surface, with<br />

exaggerated ear form corners<br />

above pierced hipped and cabriole<br />

legs united by a decorative<br />

stretcher, in a vintage thickly<br />

painted distressed finish<br />

77cm high, 122cm wide, 51cm deep<br />

$2,000–2,400<br />

240<br />

A walnut side table, 18th century<br />

with a thumbnail edged top,<br />

single drawer, and turned legs<br />

on an H-form stretcher base<br />

70cm high, 50cm wide, 30cm deep<br />

$700–900<br />

241<br />

A French walnut circular wash<br />

stand, late 19th century<br />

the tray top with turned<br />

supports to an undertier above<br />

a stepped concave stretcher<br />

base, raised on squat bun feet<br />

80cm high, 47cm diameter<br />

$400–600<br />

242<br />

A silver gilt hardwood mirror<br />

lavishly pierced and carved with<br />

acanthus motifs<br />

107cm high, 88cm wide<br />

$1,300–1,600<br />

238


26<br />

243<br />

243<br />

G F THOMPSON (BRITISH,<br />

ACTIVE 1880-1900)<br />

Hunting Dogs 1889<br />

oil on canvas<br />

signed and dated left:<br />

G F Thompson 89<br />

75.5 x 126.5cm<br />

$1,500–2,500<br />

245<br />

A French linen upholstered<br />

walnut wing back arm chair,<br />

19th century<br />

of arching profile and raised on<br />

cabriole legs with carved details<br />

$600–800<br />

244<br />

A set of six Sheraton style<br />

mahogany dining chairs,<br />

circa 1790<br />

with straight top rails and stick<br />

splats, cream and red floral<br />

upholstered stuffover seats<br />

$800–1,200


27<br />

246<br />

Two bronze dogs, contemporary<br />

life size and naturalistically<br />

modelled dogs<br />

the largest hound 96cm high,<br />

146cm long from snout to tail<br />

$5,500–6,500<br />

247<br />

A pair of Empire style<br />

giltwood salon chairs<br />

with cream studded leather<br />

upholstery<br />

85cm high, 54cm wide, 52cm deep<br />

$600–800<br />

248<br />

A Louis XV style giltwood<br />

furniture suite<br />

comprising two tub<br />

chairs and a canapé, each<br />

upholstered in ecru linen<br />

the canapé 95cm high, 137cm wide,<br />

66cm deep approx.<br />

$900–1,200<br />

249<br />

A tessellated horn veneer<br />

bureau plat, by Maitland Smith,<br />

late 20th century<br />

of Louis XV inspiration with tiled<br />

edges and panels and raised on<br />

cabriole legs<br />

74cm high, 61cm wide, 80cm deep<br />

$1,000–1,500<br />

250<br />

A painted leather<br />

four-fold room screen<br />

panels of vases issuing foliage<br />

and enclosed by delicate<br />

arches and ornaments in the<br />

Adam style, in maroon colours<br />

on a deep gold ground<br />

each panel 185cm high, 54cm deep<br />

$600–800<br />

251<br />

A set of six William IV mahogany<br />

dining chairs, circa 1830<br />

curved spade backs with leafy<br />

ornament in relief, scrolling<br />

mid rails and raised on slender<br />

faceted baluster legs with toupie<br />

feet, the stuffover seats with<br />

maroon velvet upholstery<br />

$500–800<br />

246


28<br />

252<br />

A pair of George III mahogany<br />

hanging cupboards, circa 1800<br />

with astragals to six panes<br />

and chequered stringing, the<br />

pediments with inlaid boxwood<br />

conch shells to medallions<br />

102cm high, 58cm wide<br />

$1,500–2,500<br />

253<br />

A George III walnut bureau,<br />

circa 1800<br />

with vigorously patterned veneers,<br />

the fall front with Sheraton style fan<br />

inlay above four long drawers with<br />

pierced brass backplates and swing<br />

handles, raised on bracket feet<br />

99.5cm high, 91.5cm wide, 51cm deep<br />

$800–1,000<br />

254<br />

A George III mahogany bureau<br />

cabinet bookcase, 19th century<br />

with a break arch pediment<br />

surmounted by a classical urn<br />

above a pair of domed cupboard<br />

doors, the projecting lower section<br />

with a fall front and six drawers,<br />

raised on bracket feet<br />

222.5cm high, 100cm wide,<br />

58cm deep<br />

$800–1,200<br />

252


29<br />

255<br />

An impressive Victorian<br />

longcase clock, 19th century<br />

with a broken swan pediment with<br />

decorative inlay to the case, the dial<br />

with silvered Roman chapter ring,<br />

decorative pierced gilt spandrels<br />

and mask, the case with Sheraton<br />

style inlay to an extended base with<br />

musical trophy, with quarter strike<br />

and eight day movement<br />

240cm high, 48cm wide, 27cm deep<br />

$2,000–4,000<br />

256<br />

A rouge marble three piece<br />

bracket clock garniture<br />

in the Louis XV manner,<br />

French, circa 1870<br />

an the eight day bell strike clock,<br />

the case with an urn form finial,<br />

a waisted body enclosing a white<br />

enamel dial, with cast gilt bronze<br />

mounts and feet, the conforming<br />

vase form candelabra with serpentine<br />

arms supporting sconces<br />

the clock 52.5cm high, 25cm wide,<br />

14cm deep<br />

$600–800<br />

259<br />

A George III mahogany pedestal<br />

dining table, circa 1810<br />

with two leaves, each end<br />

supported on a turned column<br />

with three reeded swept legs<br />

74cm high, 227cm wide (extended),<br />

124cm deep<br />

$1,000–1,500<br />

260<br />

A Regency rosewood card table,<br />

circa 1820<br />

the rectangular foldover top<br />

with carved frieze, on a square<br />

moulded column standing on a<br />

platform base and four hipped<br />

and carved swept legs<br />

70cm high, 87cm wide, 45cm deep<br />

$500–800<br />

257<br />

An ornate French carriage<br />

clock, circa 1900<br />

a time only clock with eight<br />

day movement, well decorated<br />

throughout with pierced borders,<br />

fluted pilasters and a blue enamel<br />

and gilt pierced mask, the silver dial<br />

with Roman numerals, without key<br />

$600–800<br />

258<br />

A vintage Jaeger LeCoultre<br />

Memovox alarm pocket watch<br />

together with two other<br />

timepieces<br />

a 1950s Jaeger LeCoultre Memovox<br />

alarm pocket watch with strut<br />

support, numbered verso 711272,<br />

with leather case, together<br />

with an Asprey clock face and a<br />

petite travelling alarm clock<br />

<strong>The</strong> Jaeger LeCoultre 4cm diameter<br />

$600–800<br />

255


30<br />

Chinese and Asian Ceramics,<br />

Works of Art and Furniture<br />

Lots 261–343<br />

261<br />

A group of enamelled and<br />

embellished silver gilt filigree<br />

and mesh figures<br />

20th century<br />

comprising a pair of Mandarin<br />

duck form boxes and covers,<br />

the removable wings and<br />

plumage forming the covers;<br />

and a pair of Buddhist lions,<br />

one with a cub the other with a<br />

brocade ball, two wood stands<br />

15cm and 9cm long<br />

PROVENANCE<br />

Property from the Collection<br />

of the Late Jan Bayer<br />

$600–800<br />

262<br />

A plique-a-jour covered bowl<br />

decorated in colours with flowering<br />

peonies on the scale diaper ground,<br />

the domed cover with a pierced<br />

border of floral scrolls, wood stand<br />

10.2cm diameter<br />

$400–600<br />

261


31<br />

263<br />

An embellished and enamelled<br />

silver mesh covered casket<br />

20th century<br />

the cylindrical sides decorated with<br />

floral panels and sprays in coloured<br />

enamels and applied with various<br />

hardstone cabuchons, the cover<br />

applied with a frieze of further<br />

cabuchons and enamel sprigs around<br />

a celadon jade flowerhead<br />

10.5cm high<br />

PROVENANCE<br />

Property from the Collection<br />

of the Late Jan Bayer<br />

$800–1,000<br />

264<br />

A champleve enamel<br />

covered casket<br />

20th century<br />

decorated overall with lotus<br />

sprays and foliate scrolls, a<br />

cloud collar border around the<br />

mouth and knop, wood stand<br />

17cm high<br />

PROVENANCE<br />

Property from the Collection<br />

of the Late Jan Bayer<br />

$400–600<br />

263


32<br />

265<br />

265<br />

A red silk Buddhist priest's robe,<br />

kasaya<br />

embroidered in coloured silks with<br />

deities supported on clouds and<br />

ribboned emblems within gold<br />

bordered squares and a border of<br />

lotus flowers, wood ruyi-shaped clasp<br />

and cassock ring<br />

225 x 131cm<br />

$1,000–1,500<br />

266<br />

A thangka, Tibet<br />

18th/19th century<br />

painted in colours, depicting<br />

Amithayus with the vessel of the elixir<br />

of life in both hands, surrounded by<br />

ninety-nine smaller figures and a<br />

white Tara in the centre of the lower<br />

row, brocade mounts<br />

65 x 45cm<br />

$1,800–2,200


266<br />

33


34<br />

267<br />

A Peking blue glass vase<br />

the octagonally fluted sides<br />

surmounted by a tall narrow neck,<br />

Qianlong mark<br />

19cm high<br />

$1,000–1,500<br />

267


35<br />

268<br />

An unusual pink glass washer<br />

of domed square section, the<br />

gently rounded sides with lines of<br />

inscriptions below the circular lipped<br />

mouth, Qianlong mark, wood stand<br />

5.5cm square<br />

$800–1,000<br />

269<br />

An embellished cinnabar<br />

lacquer snuff bottle<br />

Qing Dynasty<br />

of double gourd form, either side<br />

applied with a florette and fruiting<br />

branch in various hardstones on<br />

the diaper ground within key fret<br />

borders, stalk stopper en suite<br />

8cm high overall<br />

PROVENANCE<br />

Property from the Collection<br />

of the Late Jan Bayer<br />

$500–800<br />

270<br />

Three embellished<br />

Mongolian-style snuff bottles<br />

each applied with coloured stones<br />

including turquoise and coral,<br />

stoppers en suite<br />

the largest snuff bottle 9cm high<br />

PROVENANCE<br />

Property from the Collection<br />

of the Late Jan Bayer<br />

$500–700 ♦<br />

268


36<br />

271<br />

A bamboo carving<br />

of the Ho Ho Erh Hsien<br />

19th/20th century<br />

one boy holding a lotus stem<br />

the other a box, both with<br />

jovial expressions, standing<br />

on a rockwork base<br />

29cm high<br />

$500–700<br />

272<br />

An ivory wrist rest<br />

19th/20th century<br />

the concave interior carved in high<br />

relief with a man riding a donkey<br />

over a rustic bridge beneath an<br />

overhanging tree and clouds, the<br />

reverse with tall leafy bamboo canes<br />

20.3cm high<br />

$1,500–2,000 ♦<br />

273<br />

An Ivory figure of a dignitary<br />

early 20th century<br />

standing holding a fan in one hand and<br />

a scroll in the other, a fly whisk tucked<br />

into the collar of his wide sleeved robe,<br />

his face with long whiskers and beard,<br />

carved wood stand<br />

22.3cm high<br />

$500–700 ♦<br />

271 272


37<br />

274<br />

A polychrome soapstone<br />

carving of a Lohan<br />

late Qing dynasty<br />

seated on the back of a dragon<br />

supported on clouds, holding a ball in<br />

his left hand, the details well defined<br />

18.5cm long<br />

$1,200–1,800<br />

275<br />

An ivory figure of Shou Lao<br />

early 20th century<br />

standing holding a gnarled staff in<br />

his right hand, a boy attendant to one<br />

side holding a fruiting peach branch<br />

and a crane perched on the other<br />

side, wood stand<br />

27cm high<br />

PROVENANCE<br />

Property from the Collection<br />

of the Late Jan Bayer<br />

$500–700 ♦<br />

274


38<br />

276<br />

A Chinese three piece<br />

silver tea service<br />

comprising a teapot, milk jug and<br />

sugar basin and cover, each piece<br />

repoussé with a dragon encircling<br />

the sides, the handles simulating<br />

bamboo, marks probably of Sing Fat,<br />

Canton, weight 825gms<br />

the teapot 23.5cm wide<br />

$900–1,200<br />

276


39<br />

277<br />

277<br />

A Chinese three piece<br />

silver tea service together<br />

with a similar tea caddy<br />

19th century<br />

of globular form with ornately<br />

decorated spiral bands,<br />

dragon handles and finials, and<br />

including a pair of conforming<br />

sugar tongs, character marks<br />

to cartouches on each item<br />

the teapot 17cm high, 24cm wide<br />

1105gms total weight of silver<br />

$1,500–2,500


40<br />

278<br />

A gilt patinated bronze censer<br />

Qing dynasty<br />

of squat form supported on<br />

tripod legs, the base with an<br />

inscription in seal characters<br />

19cm diameter<br />

$1,000–1,500<br />

279<br />

Two intricately carved<br />

gilt wood plaques<br />

19th/20th century<br />

one of figures dancing in a pavilion<br />

garden; the other of warriors<br />

on horseback and attendants<br />

on foot near a walled parapet,<br />

framed, metal hangers<br />

the first 14 x 33cm,<br />

overall 21.5 x 40.5cm<br />

the second 22.5 x 22.5cm,<br />

overall 27 x 28cm<br />

PROVENANCE<br />

Property from the Collection<br />

of the Late Jan Bayer<br />

$600–800<br />

280<br />

Three carved openwork<br />

gilt wood plaques<br />

19th/20th century<br />

comprising one depicting Immortals<br />

riding on a kylin, a horse, a Buddhist<br />

lion and a dragon among clouds<br />

reserved on a red ground; another<br />

of dignitaries and attendants,<br />

one on horseback, and others in<br />

pavilions and terraces, gilt on the<br />

red ground, framed; and another<br />

of a dignitary holding a basket<br />

of fruit with dancing attendants<br />

among scrolling clouds, framed<br />

overall 38 x 24cm; 34 x 29cm;<br />

40 x 28cm<br />

PROVENANCE<br />

Property from the Collection<br />

of the Late Jan Bayer<br />

$600–800<br />

278


41<br />

281<br />

An intricately carved<br />

openwork gilt wood plaque<br />

20th century<br />

with tiers of dignitaries and warriors<br />

on horseback and on foot, some<br />

brandishing weapons and banners,<br />

on rocky paths with pine and willow<br />

trees leading to terraces and<br />

pavilions, metal hanger<br />

42 x 30cm<br />

PROVENANCE<br />

Property from the Collection<br />

of the Late Jan Bayer<br />

$500–800<br />

282<br />

A large heavily cast<br />

bronze censer<br />

Qing dynasty<br />

the rounded sides set with two<br />

lion mask handles below the<br />

everted rim, supported on a<br />

splayed foot, the base with an<br />

inscription in a square cartouche<br />

10.5cm high, 26cm diameter<br />

$2,000–3,000<br />

282


42<br />

283<br />

A zitan brushpot<br />

of cylindrical form with lipped rim,<br />

dark even patina<br />

13cm high<br />

$1,200–1,800<br />

284<br />

A bronze censer<br />

Qing dynasty, 19th century<br />

the rounded sides decorated in<br />

relief with pairs of bats and twin fish<br />

alternating with character medallions<br />

above a band of lotus petals,<br />

Qianlong seal mark<br />

16.5cm diameter<br />

$500–700<br />

283<br />

285<br />

A Tibetan gilt copper repoussé<br />

'snow lion' plaque<br />

19th/20th century<br />

the animal standing on its hind legs<br />

with front legs held aloft in dancing<br />

attitude, framed<br />

39 x 32 cm<br />

$600–800<br />

285


43<br />

286<br />

A gilt bronze yab-yum group<br />

20th century<br />

the couple in an amorous embrace<br />

seated on a lotus throne above a<br />

rectangular plinth decorated with<br />

phoenix, holding a flower spray in his<br />

right hand, and a ghanta in his left<br />

23cm high<br />

$600–800<br />

287<br />

A bronze ceremonial bell,<br />

ghanta<br />

the handle cast with a face<br />

supporting a crown and band<br />

of petals, surmounted by a<br />

vajra-form finial, the domed<br />

sides decorated with lappets<br />

containing Tibetan script<br />

15.5cm high<br />

$300–400<br />

286


44<br />

288<br />

A famille verte baluster vase<br />

19th/20th century<br />

the sides painted with scenes of<br />

women supervising small boys<br />

playing in pavilion interiors and<br />

gardens, a band of ribboned<br />

emblems around the short mouth,<br />

the base bearing labels for Brans<br />

Antiques and Art, and the Chinese<br />

Porcelain Company<br />

34cm high<br />

$500–700<br />

288


45<br />

289<br />

A wucai lobed jar<br />

20th century<br />

the sides decorated with alternating<br />

dragons and phoenix pursuing<br />

flaming pearls among clouds, below a<br />

cloud collar border on the shoulders,<br />

Wanli mark, fitted wood box<br />

15.5cm wide<br />

$1,200–1,500<br />

289


46<br />

290<br />

A blue and white yen yen vase<br />

19th/20th century<br />

decorated with lakeside<br />

landscapes around the baluster<br />

body and tall trumpet neck<br />

45cm high<br />

$600–800<br />

291<br />

A blue and white dish<br />

19th/20th century<br />

the interior painted with lotus scrolls<br />

in a central medallion within a border<br />

below the lipped rim, and repeated<br />

on the exterior, Guangxu mark, box<br />

16cm diameter<br />

$500–800<br />

292<br />

A Ming-style blue and white<br />

tazza<br />

decorated with a central lotus<br />

medallion within a floral scroll border,<br />

the high splayed foot encircled with a<br />

lingzhi meander, Qianlong seal mark<br />

10cm high, 20.5cm diameter<br />

$500–800<br />

290


47<br />

293<br />

A blue and white dish<br />

19th/20th century<br />

the interior painted with a central<br />

lotus scroll medallion, Guangxu mark<br />

19cm diameter<br />

$500–700<br />

294<br />

A blue and white 'dragon' bowl<br />

20th century<br />

with deep rounded sides painted on<br />

the exterior with two dragons among<br />

cloud scrolls, above a band of crested<br />

waves, Xuande mark, fitted box<br />

20cm diameter<br />

$700–900<br />

295<br />

A Ming-style<br />

blue and white vase<br />

20th century<br />

of squat bell form, the sides painted<br />

with a composite floral scroll<br />

below the waisted narrow neck,<br />

Qianlong seal mark<br />

17cm high<br />

$500–700<br />

296<br />

A large Ming-style<br />

blue and white vase<br />

20th century<br />

of baluster form surmounted by a<br />

tall waisted neck set with double<br />

loop handles, painted in bright blue<br />

with simulated 'heaping and piling'<br />

with a band of the Eight Buddhist<br />

Emblems above a continuous lotus<br />

scroll, the neck decorated with a<br />

band of upright plantain leaves<br />

and ruyi-head border between<br />

bands of waves, the high flared foot<br />

encircled with a lingzhi fungus scroll<br />

63cm high<br />

$800–1,000<br />

293


48<br />

297<br />

297<br />

Three famille rose wares<br />

comprising a pair of dragon and<br />

phoenix bowls, Qianlong seal<br />

marks; and a squat stand painted<br />

with figures and inscriptions,<br />

Daoguang seal mark<br />

16.4cm and 17cm diameter<br />

$600–800<br />

298<br />

A lime-green ground famille<br />

rose foliate rimmed oval tea tray<br />

decorated to the interior with a<br />

shaped cartouche enclosing an<br />

inscription in iron-red ending<br />

with a Jiaqing dingsi cyclical date<br />

corresponding to 1797, encircled<br />

with floral sprays on the lime-green<br />

ground, supported on shallow<br />

bracket feet, Jiaqing seal mark<br />

16.2cm long<br />

$400–600<br />

299<br />

A boxed Canton famille rose<br />

supper set and a lacquer<br />

covered box<br />

the supper set comprising nine<br />

shaped shallow dishes fitted in<br />

a gilt decorated brown lacquer<br />

box; together with an hexagonal<br />

lacquer box and cover decorated<br />

with a phoenix and dragon<br />

on the cover and wicker work<br />

recessed panels on the sides<br />

30.5 x 30.5cm; 23cm diameter<br />

$500–700


49<br />

300<br />

A famille rose covered bowl<br />

the sides and cover decorated with<br />

alternate pendants suspended<br />

from lotus flower heads and bats<br />

interspersed with jewels, chimes and<br />

tassels, Shendetang zhi marks<br />

10.6cm diameter<br />

$500–700<br />

301<br />

Two blanc de Chine libation<br />

cups and a famille rose mug<br />

Qing dynasty, 18th century<br />

one cup with relief appliqués<br />

of animals and birds, the other<br />

with flowering plants; the mug<br />

decorated with a scene of<br />

maidens and attendants<br />

13.3cm, 11.5cm wide and 11cm high<br />

$600–800<br />

301


50<br />

302<br />

A blanc de Chine group<br />

of the Eight Immortals<br />

19th/20th century<br />

well modelled with the standing<br />

figures each holding an attribute and<br />

supported on a large crested wave,<br />

the glaze of ivory tone, wood stand<br />

29cm high<br />

$600–800<br />

302


51<br />

303<br />

A ge-type hu form vase<br />

the horizontally ribbed body<br />

set with double lug handles,<br />

covered overall with a crackled<br />

bluish-grey glaze apart from the<br />

dark brown footrim, wood box<br />

24cm high<br />

$1,000–1,500<br />

304<br />

A yellow-glazed saucer dish<br />

with shallow rounded sides rising<br />

from a short straight foot, covered<br />

with an even rich egg-yolk yellow<br />

glaze, Xianfeng mark<br />

10.6cm diameter<br />

$400–600<br />

305<br />

A pair of pink-glazed bowls<br />

20th century<br />

each covered on the exterior with a<br />

rich pink glaze, the interior in white,<br />

blue enamel Yanghetangzhi marks<br />

15.2cm diameter<br />

$600–800<br />

303


52<br />

306<br />

A white jade<br />

rectangular pendant<br />

Qing dynasty<br />

delicately carved on one side with<br />

a fisherman in a sampan catching<br />

a fish on his line, the reverse<br />

with an inscription surmounted<br />

by a pair of dragons confronted<br />

on double shou characters<br />

6.2cm long<br />

$800–1,000<br />

307<br />

A green jade figure of a maiden<br />

holding a butterfly kite<br />

20th century<br />

standing holding the kite in her raised<br />

right hand and the spool in her left,<br />

wearing loose wide sleeved robe and<br />

her hair in a high chignon, wood stand<br />

24cm high<br />

$500–700<br />

306


53<br />

308<br />

A jade inset hardwood sceptre<br />

applied with three white jade plaques<br />

each incised with archaic style<br />

characters within keyfret borders<br />

42cm long<br />

$800–1,000<br />

309<br />

Two jade covered censers<br />

and two jade vases<br />

20th century<br />

comprising one censer on tripod<br />

feet with lion head and loose ring<br />

handles; the other with three<br />

Buddhist lions in high relief forming<br />

handles on the rounded sides,<br />

wood stand; a vase of rectangular<br />

section carved with taotie masks<br />

and set with loop and loose ring<br />

handles, wood stand; another carved<br />

with flowering plants and set with<br />

openwork loose ring handles<br />

the tallest vase and censer<br />

16.5cm high<br />

$500–700<br />

308


54<br />

310<br />

A jade carving of a chilong<br />

Qing dynasty<br />

the recumbent animal's head turned<br />

to bite its sinuous coiled tail, carved<br />

from a whitish stone with brown and<br />

russet suffusions<br />

6.5cm long<br />

$800–1,200<br />

311<br />

A celadon jade carving of a<br />

gourd vine<br />

with three fruit hanging from a<br />

branch with leaves and tendrils<br />

in relief, the pale stone with<br />

slight russet suffusions<br />

8.5cm long<br />

$500–800<br />

312<br />

A celadon jade 'chilong' bi disc<br />

Qing dynasty<br />

either side finely carved in low relief<br />

with two chilong around the central<br />

aperture, the pale stone with slight<br />

russet suffusions to one side<br />

7.6cm diameter<br />

$500–800<br />

313<br />

Two small celadon jade carvings<br />

one of a figure reclining in a tree raft,<br />

a small lion at his feet; the other of<br />

a boy standing on one leg holding<br />

a lion mask in his raised right hand,<br />

the details carved from bright russet<br />

markings in the pale stone<br />

5.2cm and 5.5cm long<br />

$500–800<br />

314<br />

A carved jade bird finial<br />

with head raised and tail plumes<br />

arched, carved from a mottled<br />

grey-green stone with some russet<br />

inclusions and striations<br />

12cm long<br />

$500–800<br />

315<br />

Three celadon jade<br />

carvings of animals<br />

comprising one of a recumbent<br />

deer; one of a pig; and another<br />

of a recumbent cat with a<br />

kitten lying on its back<br />

6.5cm, 4.5cm and 3.5cm long<br />

$500–800<br />

310<br />

311


55<br />

316<br />

A white jade carving<br />

of a scholar's rock<br />

19th/20th century<br />

of irregular upright form simulating<br />

rockwork with naturalistic hollows,<br />

apertures and protrusions, the pale<br />

stone with some areas of russet<br />

suffusions, fitted wood stand<br />

11cm high<br />

$1,000–1,200<br />

317<br />

A green jade covered vase<br />

20th century<br />

the shouldered sides carved with<br />

panels of confronted archaistic<br />

dragons and set on the short straight<br />

neck with double loop and loose<br />

ring handles, the domed cover with<br />

a dog form knop, wood stand<br />

19cm high<br />

$600–800<br />

318<br />

A jade vase and cover<br />

20th century<br />

the sides carved in archaic style<br />

with taotie and stiff leaves below<br />

the cylindrical neck set with four<br />

dragon loop handles two with<br />

pendant loose rings, the domed<br />

cover with further loop and loose<br />

ring handles and a conical knop,<br />

the stone in mottled tones of green<br />

22cm high<br />

$500–700<br />

316<br />

317


56<br />

319<br />

A white jade carving of two fish<br />

Qing dynasty<br />

one biting fronds of lingzhi, with a<br />

smaller fish resting on its back<br />

6.3cm long<br />

$600–800<br />

320<br />

A celadon jade carving<br />

of a phoenix<br />

Qing dynasty<br />

retaining the shape of the original<br />

pebble the bird with head turned<br />

towards the curling tail plumes<br />

holding a fruiting peach spray in its<br />

beak, the details well defined, the pale<br />

stone with some russet suffusions<br />

7.5cm long<br />

$800–1,200<br />

319<br />

321<br />

A pair of green jade bowls<br />

each with rounded sides and lipped<br />

rim standing on a short straight foot,<br />

wood stands<br />

10cm diameter<br />

PROVENANCE<br />

Property from the Collection<br />

of the Late Jan Bayer<br />

$500–700<br />

320


57<br />

322<br />

A boxed set of three jadeite<br />

archer's rings<br />

each carved from a stone with<br />

bright green suffusions, fitted<br />

wood box with Qianlong mark<br />

2.5 to 2.7cm high<br />

$1,500–2,000<br />

323<br />

A jade bi disc and<br />

two openwork plaques<br />

the disc carved in relief on one side<br />

with entwined chilong, the reverse<br />

with interlaced motifs; a reticulated<br />

butterfly plaque; and a rectangular<br />

plaque with bats and shou<br />

characters, wood stands<br />

5.5cm, 9cm and 6cm long<br />

$300–500<br />

324<br />

A group of four reticulated<br />

jade plaques<br />

one of a dragon; one of a butterfly;<br />

one of a pair of phoenix; and one of<br />

an axe, two wood stands<br />

5.5 to 7.5cm long<br />

$300–400<br />

325<br />

A group of four jade plaques<br />

comprising two celadon plaques<br />

pierced with birds and flowers; an<br />

oval white pendant carved with a<br />

tiger and inscription; and a white<br />

pendant carved with a boy holding<br />

lingzhi stems and a bat<br />

7.5 to 5cm long<br />

$300–500<br />

326<br />

Two boxed sets of<br />

archaistic jade carvings<br />

each wood box containing two<br />

archaic-style animal pendants<br />

the jades 6cm to 8cm<br />

$600–800<br />

327<br />

A spinach green jade washer<br />

late Qing dynasty<br />

the shallow rounded sides carved<br />

in relief with a pair of dragons<br />

confronted on a large flaming pearl<br />

among cloud scrolls, Qianlong mark<br />

17.5cm diameter<br />

$900–1,200<br />

322


58<br />

328<br />

An ivory okimono<br />

of a basket seller<br />

Meiji period<br />

well carved standing carrying<br />

several baskets and other objects<br />

hanging from a bamboo pole over<br />

his right shoulder, wearing a tunic<br />

over a wide sleeved jacket and<br />

leggings above his sandals, the<br />

face with clearly defined features<br />

16cm high<br />

PROVENANCE<br />

Property from the Collection<br />

of the Late Jan Bayer<br />

$800–1,000 ♦<br />

329<br />

An ivory figure of a farmer<br />

Meiji period<br />

standing wearing a tunic tied at the<br />

waist and rope sandals, his hands<br />

held in front, a long staff tied with a<br />

rope resting against his left shoulder,<br />

and a basket at his feet, the face with<br />

well defined features and hair drawn<br />

into a top knot, wood stand<br />

26cm high<br />

PROVENANCE<br />

Property from the Collection<br />

of the Late Jan Bayer<br />

$600–800 ♦<br />

328


59<br />

330<br />

A Tokyo school bronze<br />

and ivory figure of a man<br />

Meiji period<br />

standing with head lowered looking<br />

at the small bird held in his left<br />

hand tempting it with a bunch of<br />

fruit held in his right, wearing a long<br />

tunic, jacket and cloth cap, raised<br />

cartouche with mark to the base<br />

18.5cm high<br />

$600–800 ♦<br />

330


60<br />

331<br />

Three ivory netsuke<br />

late Meiji period<br />

comprising one of a man riding a<br />

galloping horse; a rotund figure of a<br />

Samurai; and a geisha seated with<br />

her dog, all signed<br />

$400–500 ♦<br />

332<br />

An ivory card case and a pair<br />

of lacquer whist counters,<br />

19th century<br />

the card case carved with shaped<br />

cartouches of figures in garden<br />

settings; the counters decorated<br />

with flowers and insects<br />

10.5cm and 9cm long<br />

$300–400 ♦<br />

331<br />

332


61<br />

333<br />

A large ivory 'phoenix' boat<br />

early 20th century<br />

with several carved figures<br />

pinned to the deck formed of<br />

small sections of ivory simulating<br />

wooden planks, the prow in the<br />

form of a phoenix head its wings<br />

to either side, fitted wood stand<br />

37cm long<br />

$600–800 ♦<br />

333


62<br />

334<br />

An inlaid bronze vase<br />

Meiji period<br />

the sides decorated in silver and<br />

gold relief with a crested bird<br />

walking beside flowering peony<br />

and bamboo shoots and further<br />

flowering sprays on the reverse<br />

31.3cm high<br />

PROVENANCE<br />

Property from the Collection<br />

of the Late Jan Bayer<br />

$600–800<br />

335<br />

A bronze figure of a rice farmer<br />

Meiji period<br />

standing in bare feet, taking a<br />

rest from his work, filling his pipe<br />

from the pouch at his waist and<br />

supporting the long handle of his<br />

hoe, his head bent forward, wearing<br />

a loose jacket and cloth cap<br />

33cm high<br />

PROVENANCE<br />

Property from the Collection<br />

of the Late Jan Bayer<br />

$600–800<br />

336<br />

A pair of applied lacquer panels<br />

20th century<br />

each applied in relief with a standing<br />

figure in bone and mother of pearl on<br />

the painted brown lacquer ground,<br />

one of a samurai with two swords<br />

and a falcon perched on his right<br />

hand, the other of a geisha, holding a<br />

parasol and a flower<br />

each 45.5 x 28.5cm<br />

PROVENANCE<br />

Property from the Collection<br />

of the Late Jan Bayer<br />

$500–800<br />

334


63<br />

337<br />

A Japanese bronze<br />

figure of Daikoku<br />

late Meiji Period<br />

the removable figure standing<br />

on two bales of rice, his right arm<br />

holding up a mallet and the left<br />

clasping the large bag held over<br />

his shoulder, wearing a short tunic,<br />

pantaloons and cloth cap with<br />

gilt detailing, mark on reverse<br />

37.5cm high<br />

$500–700<br />

337


64<br />

338<br />

Two triptych wood block prints<br />

attributed to Kuniteru<br />

Geisha at house of pleasure in the<br />

evening with cherry blossom<br />

and Hikaru Genji with beauties<br />

watching a waterfall, framed<br />

each overall 64cm x 106cm<br />

PROVENANCE<br />

Japanese Gallery, Kensington Church<br />

Street, London, 18 August, 2007<br />

$600–800<br />

339<br />

Two triptych wood block prints<br />

attributed to Yoshu Chikanobu<br />

Ladies taking tea in an interior<br />

and Ladies of the Chiyoda Palace,<br />

framed<br />

each overall 64cm x 106cm<br />

PROVENANCE<br />

Japanese Gallery, Kensington Church<br />

Street, London, 18 April, 2010<br />

$600–800<br />

340<br />

Two triptych wood block prints<br />

attributed to Miyagawa Shuntei<br />

Geisha seated in an interior<br />

and Celebrating Doll's Festival,<br />

framed<br />

each overall 64cm x 106cm<br />

PROVENANCE<br />

<strong>The</strong> first print Bayside Antique Prints<br />

and Maps, Brighton, 26 June 2004<br />

<strong>The</strong> second print Japanese Gallery,<br />

Kensington Church Street, London<br />

$600–800<br />

338


65<br />

341<br />

A profusely carved<br />

hardwood cabinet<br />

the upright rectangular frame<br />

containing three large upper<br />

compartments each fronted with<br />

a pull down panel door above two<br />

drawers at the base, the three panels<br />

and two drawer fronts profusely<br />

carved in relief with pairs of dragons<br />

confronted on flaming pearls on an<br />

overall ground of dense cloud scrolls,<br />

all within borders of similarly carved<br />

dragons pursuing pearls among<br />

clouds, supported on short square<br />

section legs joined by shaped panels<br />

above the metal mounted feet, plain<br />

panelled sides<br />

198cm high, 110cm wide, 54cm deep<br />

$2,800–4,200<br />

342<br />

A Chinese style elm coffee table<br />

with shaped stretchers and raised on<br />

square section legs with hook feet<br />

49cm high, 89cm wide, 89cm deep<br />

$300–500<br />

343<br />

A Chinoiserie style red<br />

lacquered cabinet<br />

20th century<br />

154cm high, 102cm wide, 51cm deep<br />

$300–500<br />

341


66<br />

Other Properties<br />

344<br />

344<br />

A gilt bronze model of a<br />

schoolgirl caught in the wind,<br />

circa 1930, signed H.Chiparus<br />

signed H. Chiparus to the reverse<br />

of the coat and raised on a shaped<br />

circular marble base, the base<br />

inscribed 2627556<br />

18.5cm high<br />

$1,000–1,200<br />

345<br />

345<br />

A large Royal Worcester figural<br />

'bird's nest' banquet lamp base<br />

by James Hadley, 1894<br />

in blush ivory colours picked out in<br />

gilt, featuring a boy holding a bird's<br />

nest and girl in 18th century attire<br />

beneath gnarled tree trunks, the<br />

trees supporting a wicker basket<br />

style font, inscribed mark of modeller,<br />

Hadley verso, puce backstamp<br />

underside with date cipher and<br />

pattern number, 1239<br />

48cm high<br />

$1,200–1,800


67<br />

346<br />

A bronze figure, 'Danse Paienne',<br />

after Marcel-Andre Bouraine<br />

(1886-1948)<br />

on a marble base<br />

22cm high<br />

$700–900<br />

347<br />

A pair of Royal Worcester<br />

Aesthetic movement vases,<br />

late 1870s<br />

ovoid with exotic birds and insects<br />

flying above and through vegetation,<br />

in textured gilt and shot colours upon<br />

a cream ground, three writhing snake<br />

handles trailing from the collar of<br />

each, green backstamp underside,<br />

possibly marked with the letter 'P'<br />

22.5cm high<br />

$600–800<br />

346<br />

347


68<br />

348 349<br />

348<br />

An Austrian Art Nouveau<br />

Amphora figure of a woman<br />

and a deer, circa 1900<br />

in ivory and shot green and gold<br />

colours, impressed marks underside<br />

and painted numerals B/723<br />

56cm high, 35cm wide, 23cm deep<br />

$600–800<br />

349<br />

An alabaster and marble<br />

figurine of a girl holding a<br />

tambourine, late 19th century<br />

the contemplative figure resting<br />

on a roughly hewn plinth to a<br />

rectangular base, in white marble<br />

and vigorously veined grey tone<br />

alabaster, apparently unmarked<br />

52cm high, 18.5cm wide, 14.5cm deep<br />

$1,500–2,500<br />

350<br />

A Napoleon III Boulle salon<br />

cabinet, France, 19th century<br />

the ebonised cabinet with intricate<br />

brass inlay upon a red tortoiseshell<br />

ground, with large medallions to<br />

the cupboards, gilt bronze corner<br />

demi-figures and raised on a shaped<br />

plinth base, with key<br />

105cm high, 130cm wide, 40cm deep<br />

$1,000–1,500 ♦<br />

351<br />

A large giltwood trumeau<br />

mirror, 19th century<br />

with an oriental scene en grisaille<br />

above a rectangular plate<br />

196 x 156cm<br />

$600–800<br />

352<br />

A George IV mahogany<br />

wine table<br />

71.5cm high, 75cm diameter<br />

$600–800<br />

353<br />

An Anglo-Indian two tier<br />

rosewood cabinet, 19th century<br />

with arched fielded panels<br />

to the cupboards flanked<br />

by spiral twist pillars<br />

210cm high, 126cm wide, 54cm deep<br />

$800–1,200


69<br />

354<br />

A Louis XV carved fruitwood<br />

buffet deux corps, 18th century<br />

with panelled doors to the<br />

upper and lower sections, the<br />

cabinet with interior shelving<br />

above a shaped apron and<br />

cabriole feet<br />

197cm high, 138cm wide,<br />

65cm deep<br />

$2,000–3,000<br />

355<br />

An antique alabaster<br />

pedestal<br />

the square top with canted<br />

corners above a ringed<br />

stem to a faceted base<br />

106cm high<br />

$500–800<br />

356<br />

A pair of spelter figures,<br />

Bonjour & Bonsoir, after<br />

Henry Etienne Dumaige<br />

(1830-1880)<br />

Classical female figures in<br />

draping attire holding infants,<br />

and raised on black marble<br />

bases with titles, signed<br />

Dumaige in relief script verso<br />

59.5cm high<br />

$700–900<br />

357<br />

A pair of carved and silver<br />

gilt wall sconces, Italian or<br />

French, mid 20th century<br />

with a cascading arrangement<br />

of fruits and flowers supporting<br />

serpentine arms with tolework<br />

leaf embellishments, sconces<br />

and electric candles<br />

78cm high<br />

$500–800<br />

354


70<br />

358<br />

A Royal Worcester vase<br />

decorated by John Stinton, 1931<br />

the rouleau style vase with a<br />

reticulated neck and whorl<br />

feet, decorated with a scene of<br />

Highland cattle grazing in a sublime<br />

valley setting, signed to lower<br />

left of image, puce backstamp<br />

and date cipher underside<br />

22.5cm high<br />

$1,200–1,500<br />

359<br />

A Royal Worcester covered<br />

urn, in the Persian taste, later<br />

19th century<br />

ovoid with a slender neck with high<br />

set gilded handles with an onion<br />

dome lid, decorated to the body<br />

with bramble fruits and flowers<br />

in raised gilt and shot colours,<br />

drilled to the footrim, date mark<br />

obscured by metal baseplate,<br />

inscribed numeral to base 650<br />

39cm high<br />

$500–800<br />

360<br />

A Royal Dux figure of a<br />

cameleer and a small attendant,<br />

circa 1925<br />

in muted dusky pink, green and<br />

ivory colours, numbered, with pink<br />

triangular cartouche,<br />

46cm high, 34cm wide, 15cm deep<br />

$500–800<br />

361<br />

HAROLD HERBERT<br />

(1892-1945)<br />

<strong>The</strong> Blue Hills 1929<br />

watercolour<br />

signed and dated lower left:<br />

HAROLD B HERBERT 1929<br />

37 x 45cm<br />

$800–1,200<br />

362<br />

EUROPEAN SCHOOL<br />

Classical Still Life<br />

oil on canvas<br />

73.5 x 58.5cm<br />

$300–500<br />

363<br />

A collection of five silver<br />

mounted horn snuff mulls,<br />

Scottish, 18th/19th century<br />

one with an ornately embossed stone<br />

set lid, one with a Scottish thistle<br />

motif, two of box form<br />

12.5cm x 11cm largest snuff mull<br />

$500–800<br />

358


71<br />

364 365<br />

364<br />

A Royal Worcester pot pourri<br />

decorated by Harry Davis, 1905<br />

with a reticulated neck and cover,<br />

the bulbous body with a moulded<br />

collar and continuous landscape<br />

decoration, signed H. Davis to rim,<br />

black backstamp underside<br />

16cm high<br />

$1,000–1,500<br />

365<br />

A Royal Worcester vase and<br />

cover decorated by John<br />

Stinton, 1909<br />

ovoid with a moulded collar and<br />

twin handles decorated in muted<br />

colours picked out in gilt, the<br />

body with a continuous scene<br />

of Highland cattle in a misty<br />

lakeside setting, puce backstamp<br />

and date cipher underside<br />

21cm high<br />

$1,800–2,500<br />

366<br />

A mirror pair of Royal Worcester<br />

Aesthetic movement vases, 1881<br />

decorated with cranes and butterflies<br />

flying through silver and gold foliage<br />

on a gold dusted ivory ground, puce<br />

backstamps, impressed marks and<br />

date ciphers underside<br />

22cm high<br />

$800–1,200<br />

367<br />

A group of four Royal Crown<br />

Derby vases in the exotic taste,<br />

1877-1890 period<br />

imari patterned vases of<br />

compressed form with slender<br />

flared necks and handles with<br />

mask form terminals, each with<br />

pairs of mihrab shape cartouches<br />

decorated with birds against gilded<br />

branches, black backstamps and<br />

iron red backstamps underside<br />

15.5cm high<br />

$500–800<br />

368<br />

A Chamberlain's Worcester<br />

dinner service, 1820s<br />

pattern 4871 the floral decorated<br />

service comprising dinner plates,<br />

soup bowls, four tureens in various<br />

sizes with bursting fruit finials, and<br />

a range of platters, all with floral<br />

decoration and moulded details<br />

enriched with gilt<br />

the tureen 27cm high, the largest<br />

platter 50 x 40cm<br />

$500–800<br />

369<br />

A Royal Worcester ewer vase,<br />

1886<br />

of compressed form with a<br />

dragon handle, embellished with<br />

gilt floral sprays in relief upon an<br />

ivory ground, puce backstamp<br />

and date cipher underside<br />

18.5cm high<br />

$500–700


72<br />

370<br />

A Queen Anne style dome top<br />

walnut bookcase on stand, late<br />

18th/19th century<br />

the twin door arching case with<br />

ebonised glazing bars, raised on a<br />

stand with five drawers, the shaped<br />

skirt above knopped supports united<br />

by os-de-mouton stretchers, with<br />

decorative borders of cross and<br />

feather banding to the drawers<br />

210cm high, 101cm wide,<br />

47.5cm deep<br />

$1,500–2,500<br />

371<br />

ANDOR MESZAROS<br />

(1900-1972)<br />

Stations of the Cross<br />

fourteen bronze relief medallions<br />

each signed: ANDOR MESZAROS,<br />

dated 1942-1969, and inscribed with<br />

Latin titles<br />

housed in a fitted wooden display tray<br />

each medallion 6.3cm diameter<br />

152.5cm long, 13cm wide, display tray<br />

$500–800<br />

372<br />

A Chinese export ware lacquer<br />

tea caddy, early 19th century<br />

of shaped sarcophagus form and<br />

decorated with oriental scenes<br />

featuring figural narratives in pavilion<br />

and garden settings in gold and red<br />

colours upon the black lacquered<br />

ground, the interior with the original<br />

patterned lead containers with inner<br />

lids and decorative covers, with key<br />

14cm high, 28cm wide, 20cm deep<br />

$800–1,200<br />

370


73<br />

373<br />

373<br />

EDWARD ARMFIELD<br />

(ATTRIBUTED)<br />

Three Terriers at the Fox Hole<br />

oil on canvas<br />

76 x 126.5cm<br />

$1,800–2,500<br />

374<br />

A Murano bullicante bowl in<br />

olive colours<br />

the heavy gauge bowl 'full of bubbles'<br />

with a fire polished rim, unmarked<br />

14.5cm high, 28cm diameter<br />

$1,000–1,200<br />

374


74<br />

375<br />

A Louis XVI style ormolu<br />

mounted kingwood work table,<br />

French, late 19th century<br />

the galleried surface with quarter<br />

veneer panelling and stringing, one<br />

long side with a hinged flap, raised<br />

on lyre supports to splayed trestle<br />

ends united by an undertier, finely<br />

decorated with a cast Vitruvian scroll<br />

and leafy borders, ribboned trims,<br />

paterae and vase forms<br />

73cm high, 71cm wide, 35cm deep<br />

PROVENANCE<br />

Kozminsky, 1980s<br />

$1,000–1,500<br />

376<br />

A pair of Dutch Delft vases,<br />

19th century and a large hand<br />

painted blue and white floor<br />

vase by Fajans, Poland<br />

the pair under glaze decorated<br />

within shaped panels of floral<br />

motifs, the Fajans vase of<br />

baluster form with teardrop form<br />

floral panels to each side<br />

factory marks and editioned to base<br />

the largest vase 60cm high<br />

$500–700<br />

377<br />

Three silver mounted<br />

conductor's batons,<br />

19th/20th century<br />

comprising an 1893 ebonised<br />

presentation baton with engraved<br />

silver mounts, a 1915 presentation<br />

fiddleback blackwood baton with<br />

plain mounts, and an ebonised cane<br />

baton with a Calcutta type silver<br />

handle, the terminal gold tipped<br />

57cm, 46cm and 42cm long<br />

$500–800<br />

375


75<br />

378<br />

A Mintons two handle amphora<br />

vase decorated by Antonin<br />

Boullemier, 1873-1891 period<br />

the turquoise ground vase with raised<br />

gilt work throughout decorated<br />

with a hand painted child figure,<br />

signed to lower right of image,<br />

with backstamp and cipher<br />

30cm high<br />

$800–1,000<br />

379<br />

A Victorian parian ware figure of<br />

the Greek water nymph, Clytie,<br />

second half 19th century<br />

originally modelled after the<br />

antique by C. Delpech for Copeland,<br />

unmarked<br />

42cm<br />

$500–700<br />

378<br />

380<br />

380<br />

Two Royal Worcester cobalt<br />

ground pedestal vases,<br />

decorated by Harry Davis, and<br />

Ernest Phillips, 1903 and 1906<br />

the ovoid vase with a stiff<br />

leaf moulded collar and base<br />

decorated with a miniature panel<br />

of cows drinking, signed H. Davis<br />

lower right, and enclosed by a<br />

richly gilded and tooled frame; a<br />

summer flower study vase, signed<br />

E Phillips lower right, both vases<br />

with gilt tracery throughout,<br />

backstamps with date ciphers<br />

and pattern numbers underside<br />

17cm and smaller<br />

$800–1,200


76<br />

381<br />

A pair of bronze busts of <strong>The</strong><br />

Duke of York and George IV,<br />

together with a bronze bust of<br />

Augustus, first half 19th century<br />

the bust pair on white socles to<br />

bréche marble plinths and black<br />

marble bases, the bust of Augustus<br />

on a bronze base, unmarked<br />

22.5cm high, portrait busts<br />

$700–900<br />

381<br />

382<br />

A Régence style verde<br />

marble top walnut commode,<br />

French, 18th century<br />

of serpentine profile with<br />

cast bronze mounts<br />

81cm high, 128cm wide, 58cm deep<br />

$4,000–6,000<br />

382


77<br />

383<br />

An English eight day longcase<br />

by J.N. Bilston, 1850<br />

the swan neck clock with a painted<br />

break arch dial featuring ladies<br />

to the spandrels and harbour and<br />

other scenes, the chapter ring<br />

with Roman numerals and flanked<br />

by turned pilasters, in a flame<br />

mahogany case, the movement<br />

with anchor escapement<br />

137.5cm high, 64cm wide, 27cm deep<br />

$1,000–1,500<br />

384<br />

A Louis XVI gilded spelter<br />

figural mantel clock, French,<br />

circa 1870<br />

depicting a hunter leaning on a sign<br />

reading 'Route/Chemin' beside a<br />

drum head with Roman numerals<br />

to an ornamented base, with red<br />

velvet giltwood stand, the movement<br />

numbered 4309, under dome<br />

the clock 27.5cm high,<br />

27cm wide, 11.5cm deep<br />

the dome 40cm high, 37cm wide<br />

$500–700<br />

385<br />

An English single fusee<br />

Great Wheel skeleton clock<br />

with great wheel to anchor<br />

escapement, the restored<br />

white enamel dial, under dome,<br />

with key and pendulum<br />

the clock 27.5cm high, 18cm wide,<br />

9.5cm deep<br />

$600–800<br />

386<br />

Three French carriage clocks,<br />

including two miniatures,<br />

circa 1900<br />

the 8 day, lever platform clocks<br />

all with enamel dials and Roman<br />

numerals, the smallest featuring 8<br />

day time only, the mid sized clock<br />

with time and alarm, and the largest<br />

time only, without keys<br />

the largest 12cm high, 8cm wide,<br />

6.5cm deep<br />

$600–800<br />

383


78<br />

Property from <strong>The</strong> Estate of<br />

Paul Krongold, Melbourne<br />

Lots 387–424<br />

387<br />

A pair of porcelain inset<br />

satinwood and ebony work<br />

tables in the French manner,<br />

19th century<br />

each with a hinged rectangular top<br />

enclosing a velvet lined interior,<br />

above dipped aprons inset with a<br />

Sèvres style oval porcelain medallions<br />

hand painted with a Watteauesque<br />

shepherdess and a courting couple,<br />

raised on slender cabriole legs united<br />

by undertiers, with cast bronze<br />

mounts and sabots<br />

70cm high, 31cm wide, 23cm deep<br />

$2,000–3,000<br />

388<br />

An extensive Limoges Rehausse<br />

Main porcelain dinner service<br />

comprising 35 dinner plates,<br />

18 luncheon plates, 18 side plates,<br />

17 teacups, 18 saucers, 9 various<br />

serving dishes, a teapot, sugar<br />

bowl , creamer, oval fish platters;<br />

each piece decorated with floral<br />

sprays to the centre surrounded<br />

by cream and gilded borders,<br />

116 pieces approximately<br />

the coffee pot 25cm high,<br />

the largest platter 45cm long<br />

$800–1,000<br />

389<br />

A Louis XV style ormolu and<br />

marquetry inlaid kingwood and<br />

walnut vitrine, 19th century<br />

the Siena marble top above a pair<br />

of glazed cupboard doors enclosing<br />

three glass shelves, raised on<br />

cabriole legs, with cast mounts,<br />

trims and sabots, with key<br />

167cm high, 120cm wide, 44cm deep<br />

$4,000–6,000<br />

387


389<br />

79


80<br />

390<br />

390<br />

A Royal Doulton 'Reynard the<br />

Fox' porcelain coffee service<br />

comprising six coffee cups and<br />

saucers, a creamer, sugar bowl,<br />

coffee pot and hot water pot,<br />

design number H4927, green<br />

backstamps underside<br />

the coffee pot 21cm high<br />

$500–800<br />

391<br />

A set of twelve Baccarat<br />

coloured cut crystal wine<br />

glasses, 20th century<br />

in two designs,<br />

Baccarat stencil mark underside<br />

20cm high<br />

$600–800<br />

392<br />

A Royal Worcester bone china<br />

pot-pourri by Harry Stinton,<br />

1963<br />

the lobed pot pourri with a pierced<br />

cover and a moulded shot gilt border,<br />

decorated with grazing Highland<br />

cattle, signed H Stinton lower right,<br />

black backstamp and date cipher<br />

underside, pattern number 291/H<br />

18cm high<br />

$500–800<br />

391


81<br />

393<br />

A Royal Vienna style porcelain<br />

mounted giltwood table by<br />

Schuler, circa 1890<br />

the central porcelain plaque<br />

depicting three classically draped<br />

female figures pulling a carriage<br />

with a seated cupid raising his<br />

bow in the air, and enclosed by a<br />

partitioned rim with twelve round<br />

porcelain plaques, signed Schuler,<br />

raised on a cabriole carved giltwood<br />

base united by stretchers<br />

74cm high, 55cm diameter<br />

$3,000–5,000<br />

393


82<br />

394<br />

A limited edition sterling silver,<br />

gold and diamond set Queen's<br />

Jubilee commemorative sword<br />

by Wilkinson, London 1952-1977<br />

the design is based on an<br />

18th century English Court sword,<br />

the hilt is inlaid with 18ct gold<br />

and inset with twenty five old cut<br />

diamonds, 2.00cts in total, each<br />

diamond representing a year of<br />

Queen Elizabeth II's reign, edition<br />

5/100, assay marks for London, 1977,<br />

fitted mahogany case<br />

94cm long<br />

$3,000–5,000<br />

395<br />

A Sèvres style porcelain<br />

mounted ormolu mantel<br />

clock by Le Roy & Fils, Paris,<br />

late 19th century<br />

the domed clock with a porcelain<br />

dial and Roman numeral cartouches,<br />

centred with a a pair of demi-figures,<br />

and flanked by elaborately cast<br />

pillars, with porcelain ornaments and<br />

raised on figural cast feet, raised on a<br />

giltwood stand, with pendulum<br />

39cm high, 29cm wide, 13cm deep<br />

$500–800<br />

394 (Detail)<br />

394<br />

394


83<br />

396<br />

A Napoleon III boulle centre<br />

table, 19th century<br />

the serpentine top finely brass inlaid<br />

in the Berainesque manner to the red<br />

tortoiseshell ground and centred with<br />

a Roman charioteer, with cast ormolu<br />

mounts, a fitted frieze drawer and<br />

raised on hipped cabriole legs<br />

76cm high, 130cm wide, 76cm deep<br />

$4,000–6,000 ♦<br />

397<br />

An Art Deco bronze figurine<br />

of a female dancer, circa 1930<br />

raised on a verde marble plinth,<br />

signed 'Marquix 7175' to the<br />

underside of the foot.<br />

39cm high<br />

$500–800 396 (Detail)<br />

396


84<br />

398<br />

398<br />

A Royal Worcester porcelain plaque, Kilchurn<br />

Castle Scotland, by Harry Davis, 1919<br />

the picturesque named view depicting the ruin, formerly<br />

the stronghold of the MacGregors, against a Highland<br />

landscape with figures and a shepherd with flock in the<br />

foreground, signed to right margin of image, with puce<br />

backstamp, title, and date cipher underside, and<br />

presented in the original giltwood frame<br />

22cm x 16 cm, image, 35.5cm x 45cm, frame<br />

$800–1,200<br />

399<br />

A suite of Moser crystal 'Splendid' glassware,<br />

Czechoslovakia<br />

49 pieces comprising a water jug, decanter, twelve small<br />

wine glasses, twelve champagne flutes, twelve tumblers<br />

and eleven large wine glasses, each piece with gilded<br />

tooled rims<br />

the decanter 39.5cm high<br />

$2,200–2,500<br />

399


85<br />

400<br />

A Louis XV style ormolu<br />

mounted kingwood and walnut<br />

display cabinet, 20th century<br />

with a glazed cupboard door, side<br />

display shelving above a serpentine<br />

console with an apron drawer, raised<br />

on cabriole legs and decorated<br />

throughout with cast bronze<br />

trims and sabots<br />

178cm high, 113cm wide,<br />

50cm deep<br />

$1,500–2,500<br />

401<br />

A Louis XV style walnut<br />

bureau de dame, 20th century<br />

of tiered and serpentine profile with<br />

decorative quarter veneer panels, a<br />

galleried marble shelf above petite<br />

drawers, a leather tooled writing<br />

surface, the apron with a single<br />

drawer and raised on cabriole legs,<br />

with gilt bronze mounts<br />

90cm high, 71cm wide, 49cm deep<br />

$500–800<br />

402<br />

A Herend porcelain part<br />

dinner service in the<br />

'Nanking Bouquet' pattern,<br />

Hungary<br />

each piece decorated with<br />

orange floral sprays on a white<br />

ground, comprising 8 coffee<br />

cups and saucers, a coffee pot,<br />

3 chocolate pots, 2 creamers,<br />

a small jug, two leaf shaped<br />

dishes, 5 serving platters, two<br />

covered dishes, a covered sugar<br />

bowl, an oval meat platter, a<br />

gravy boat, a square serving dish,<br />

a small oval dish and a 7 piece<br />

hors-douvres tray (38 items)<br />

the largest platter 43cm long<br />

$500–800<br />

400


86<br />

403<br />

A transitional style ormolu<br />

mounted rosewood vitrine,<br />

early 20th century<br />

of demi-lune profile with a part<br />

gallery above a tall glazed door and<br />

side panels enclosing three glass<br />

shelves, marquetry inlaid panels<br />

to the lower register and raised on<br />

cabriole legs, decorated throughout<br />

with Vitruvian scroll borders, pendent<br />

flora and formal cast embellishments<br />

150cm high, 61cm wide, 32cm deep<br />

$1,200–1,500<br />

404<br />

A Neoclassical Sèvres style<br />

porcelain mounted ormolu<br />

mantel clock, late 19th century<br />

in bleu celeste, with an urn<br />

shaped finial, the painted dial with<br />

Roman numeral cartouches, on<br />

bell strike and the mechanism<br />

marked EL, with pendulum<br />

39cm high, 29cm wide, 10cm deep<br />

$600–800<br />

405<br />

Two transitional style ormolu<br />

mounted kingwood and walnut<br />

side tables, French, 19th century<br />

one of demi-lune form, the<br />

other kidney shaped, both with<br />

pierced galleries enclosing white<br />

marble surfaces, apron drawers<br />

and raised on cabriole legs<br />

74cm high, 47cm wide, 23cm deep<br />

$800–1,200<br />

406<br />

A pair of Murano ruby glass<br />

three light candelabra together<br />

with a pair of monumental<br />

goblets, by A. Nason<br />

each piece decorated with gilded<br />

and enamelled scrolls and flowers,<br />

maker's mark to bases<br />

the candelabra 36.5cm high<br />

the goblets 31cm high<br />

$500–700<br />

403


87<br />

407<br />

A rosewood and gilded eagle<br />

marble top console table in<br />

the manner of William Kent,<br />

circa 1860<br />

the rectangular rouge marble<br />

top above the marquetry inlaid<br />

frieze, raised on a carved, gilded<br />

eagle support with mirror back on<br />

a breakfront plinth base, decorated<br />

with cast trims and borders<br />

86cm high, 110cm wide, 40cm deep<br />

$8,000–12,000<br />

406<br />

407


88<br />

408<br />

A Victorian style black lacquered<br />

papier-mâché and mother-of<br />

pearl inlaid nest of tables<br />

each with a rectangular top decorated<br />

with painted medallions depicting<br />

rural scenes all surrounded by ornate<br />

mother-of-pearl inlaid borders<br />

the largest 75cm high, 63cm wide,<br />

41cm deep<br />

$800–1,200<br />

408 (Detail)<br />

408


89<br />

409<br />

A fine and rare<br />

Jaeger-Lecoultre Bees Spider<br />

Clock, Swiss, circa 1960<br />

an 8-day desk clock in brass and<br />

Lucite, signed to the case and dial,<br />

inscribed REF. 321 to base of clock<br />

and dated 6/12/1960, case also<br />

marked 321<br />

20cm high<br />

$800–1,000<br />

410<br />

A collection of small crystal<br />

ornaments, including Lalique<br />

comprising a French made 'Faberge'<br />

bear with salmon, a Swedish<br />

Royal Krona crystal intaglio owl<br />

paperweight, a Lalique twin swan<br />

dish, signed to base, and a figural<br />

group of two entwined figures, stencil<br />

marked Lalique France to base<br />

the figures 26cm high<br />

$700–900<br />

409<br />

411<br />

A suite of Moser cut crystal 'Lady Hamilton'<br />

design stemware, Czechoslovakia<br />

comprising 13 wine glasses, 11 liqueur glasses, 13 small<br />

tumblers and 12 large tumblers, each with facet cut<br />

decoration, 49 pieces with stencil marks to bases<br />

the tumblers 10.5cm high<br />

$800–1,200<br />

411


90<br />

412<br />

An extensive Georg Jensen sterling silver<br />

'Acorn pattern' flatware service<br />

comprising 18 each dinner knives, dinner forks, butter<br />

knives, fish knives, fish forks, teaspoons, grapefruit<br />

forks, soup spoons, dessert spoons, cake forks,<br />

place card holders, twelve savoury picks, a pair of<br />

salad servers, a marrow scoop, a sauce ladle, two<br />

sugar shovels, a cheese plane, a pair of sugar tongs,<br />

a cheese knife, a cheese server, two cake knives,<br />

a bread knife and a cake server, including a pair of<br />

grape scissors in a different design (225 pieces)<br />

8035gms silver weight without steel bladed main knives,<br />

9835gms with knives<br />

$12,000–15,000<br />

413<br />

A unique sterling silver and silver gilt eighteen<br />

light candelabra by Stuart Devlin, London, 1975<br />

with pierced radiating filigree arms leading to<br />

candle sconces, raised on a hand beaten turned<br />

stem with radiating star base, crisply hallmarked<br />

56cm high, 45cm diameter<br />

3600gms total weight<br />

$15,000–20,000<br />

412


413<br />

91


92<br />

414<br />

A William IV sterling silver<br />

four piece tea service by<br />

Samuel Hayne & Dudley Cater,<br />

London 1836/1837<br />

comprising a teapot, hot water<br />

pot, creamer and sugar bowl,<br />

each of squat spherical form<br />

decorated with flowers and<br />

foliage in relief, on scroll feet<br />

the teapot 24cm high<br />

total weight of silver 2531gms<br />

$2,500–3,500<br />

415<br />

An extensive Georgian sterling<br />

silver Old English pattern<br />

flatware service, London,<br />

various makers 1802-1829<br />

comprising twelve each dinner<br />

forks, entrée forks, bouillon or table<br />

spoons, dessert spoons, two sauce<br />

ladles, two basting spoons, a soup<br />

ladle together with twenty four pistol<br />

handled knives in two sizes, Sheffield,<br />

1959, and assorted EPNS cake forks<br />

the ladle 33cm long<br />

2880gms silver<br />

1440gms, steel blade,<br />

sterling handle knives<br />

$3,500–5,000<br />

416<br />

A matching William IV and<br />

Victorian sterling silver four<br />

piece tea service, London,<br />

1835 and 1881<br />

various makers including Edward,<br />

Edward Jnr, John & William Barnard,<br />

and; Johnson, Walker & Tolhurst,<br />

London 1881, comprising a melon<br />

shaped teapot and hot water pot,<br />

sugar basin and milk jug, each<br />

decorated with acanthus leaves in<br />

relief; the teapot bears a presentation<br />

inscription to Phillip Wray, 1836,<br />

crisply hallmarked underside<br />

hot water pot 35cm high<br />

total weight of silver 2360gms<br />

$2,500–3,500<br />

417<br />

A sterling silver twin handle<br />

tea tray, Walker & Hall,<br />

Sheffield 1962<br />

of rectangular form, with shaped<br />

moulded border, hallmarked to tray,<br />

Walker & Hall marks verso<br />

60.5 x 27.5cm<br />

2025gms<br />

$1,500–1,800<br />

416


93<br />

414<br />

418<br />

A Russian .875 silver casket<br />

by IE, St Petersburg 1874, with<br />

assayer's mark for Mathias<br />

Henrik Kipeleinen<br />

of rectangular from with engraved<br />

scroll and strapwork, with an 84<br />

zolotnik mark and date for 1874 the<br />

crest "Tout au Rien" (All or Nothing)<br />

to lid; hallmarked to base<br />

11cm high, 14cm wide, 9cm deep<br />

550gms silver weight<br />

$1,200–1,500<br />

418


94<br />

419<br />

419<br />

Two sterling silver gilt Surprise<br />

Eggs by Stuart Devlin, London,<br />

1979 & 1980<br />

one containing a turtle and<br />

flowers, the other containing a<br />

Jack-in-the-box, each a limited<br />

edition of 8/300; both hallmarked<br />

and in original cases<br />

7.5cm high<br />

$1,500–1,800<br />

420<br />

A set of twelve sterling silver<br />

and silver gilt champagne flutes<br />

by Stuart Devlin, London, 1973<br />

the bowls with a lightly hammered<br />

finish, gilt washed to the interiors and<br />

raised on spiral bark effect stems and<br />

bases, hallmarked below rim<br />

20cm high<br />

each flute 256gms,<br />

3072gms total silver weight<br />

$5,000–8,000<br />

421<br />

An Italian .800 silver six light<br />

candelabra by F.lli Peruzzi,<br />

Florence, 20th century<br />

the baluster reeded stem issuing<br />

serpentine arms and sconces,<br />

raised on a circular base<br />

28.5cm high, hallmarked to<br />

foot with standard, lozenge<br />

with rubbed 'fascio', maker's<br />

marks, F.lli Peruzzi, underside<br />

28.5cm high<br />

1145gms silver weight<br />

$600–800<br />

420


95<br />

422<br />

A George V sterling silver salver by<br />

G. Bryan & Co, Birmingham, 1932<br />

of square form, with a moulded edge.<br />

27cm square, total weight of silver<br />

760gms<br />

$700–900<br />

423<br />

A Victorian sterling silver salver by<br />

Elkington & Co, London 1880<br />

of circular form decorated with bright<br />

cut exotic birds amongst bamboo<br />

26cm diameter, weight of silver 632gms<br />

$700–900<br />

424<br />

A pair of hollow silver candlesticks,<br />

probably Northern European<br />

of baluster form with embossed leafy<br />

borders and removable sconces,<br />

with indistinct maker's mark in<br />

script to foot and numeral '19'<br />

32cm high<br />

900gms silver weight<br />

$500–800<br />

422<br />

423


96<br />

Other Properties<br />

425<br />

A 9 carat gold two handle<br />

presentation cup, Goldsmiths<br />

& Silversmiths Co., Ltd,<br />

London 1927<br />

the footed cup with flying handles,<br />

engraved T.H - E.H and 1886-<br />

1936, hallmarked below rim,<br />

retailer's mark for Goldsmiths &<br />

Silversmiths Co. Ltd underside,<br />

with green velvet display stand<br />

cup 9cm high, 10cm diameter bowl<br />

165gms gold weight<br />

$4,000–5,000<br />

426<br />

A Georgian sterling silver<br />

chamberstick and snuffer,<br />

Thomas & James Creswick,<br />

Sheffield 1817 and 1818<br />

the lobed tray with an applied<br />

gadroon and shell form border,<br />

a flying handle with anthemion<br />

thumbpiece and sconce with<br />

a removable dish, all elements<br />

hallmarked with inverted<br />

crown and date letter<br />

10.5cm high, 16cm diameter<br />

395gms silver weight<br />

$500–800<br />

427<br />

<strong>The</strong> Empire Collection, gold<br />

plated sterling silver stamp<br />

replicas, Hallmark Replicas,<br />

London 1981<br />

numbered 9260 from a limited<br />

edition of 10,000, hallmarked, with<br />

certificate of authenticity, jeweller's<br />

cloth, explanatory document and<br />

housed in a red leather hard case<br />

gold and silver weight 470gms<br />

the case 30 x 26cm<br />

$650–800<br />

425


97<br />

428<br />

A refined Neoclassical style<br />

Victorian sterling silver hot<br />

water ewer, Roberts & Briggs,<br />

Sheffield, 1860<br />

of baluster form with a finely cast claw<br />

foot handle and mask head spout above<br />

panels with engraved scenes from<br />

Classical mythology, with guilloche and<br />

lappet borders, hallmarked below rim<br />

35cm high<br />

silver weight 1080gms<br />

$1,600–2,000<br />

429<br />

A pair of silver plate owl casters,<br />

French<br />

heavy gauge and realistically modelled<br />

with removable heads and glass eyes<br />

14cm high<br />

$700–900<br />

430<br />

A Victorian silver mounted<br />

ostrich egg jewel casket, possibly<br />

by Stuart Clifford, London,<br />

circa 1880<br />

red velvet lined, standing on ball feet<br />

12cm high, 15cm wide<br />

$800–1,200<br />

431<br />

A sterling silver rose bowl by<br />

Walker & Hall, Sheffield, 1904<br />

with high set flying scroll handles<br />

and presentation sentiment<br />

21cm high, 26.5cm diameter<br />

1000gms silver weight<br />

without wire grille<br />

$900–1,200<br />

428


98<br />

432<br />

432<br />

A part Victorian sterling silver<br />

tea set, William Hutton & Sons<br />

Ltd, London 1901<br />

comprising a teapot and water pot<br />

without stand, both with fruitwood<br />

handles, and a sugar basin, all<br />

decorated with embossed Rococo<br />

forms to the fluted bodies<br />

kettle 27.5cm high<br />

2075gms total silver weight<br />

$1,600–2,400<br />

433<br />

A sterling silver waiter,<br />

Drummond & Co, London 1933<br />

with a gadrooned rim and<br />

variously signed to the plate,<br />

including Norman Brookes,<br />

crisply hallmarked underside<br />

2.5cm high, 21cm diameter<br />

350gms<br />

$500–700<br />

433


99<br />

434<br />

A sterling silver equestrian<br />

theme cruet set, Elkington & Co,<br />

Birmingham 1904, together with<br />

a silver plate cigar cutter<br />

comprising two riding boots serving<br />

as the salt pot and pepper shaker, a<br />

riding cap mustard pot, a crop and<br />

whip spoon and a small spoon, all<br />

mounted on a spur and horseshoe<br />

base, all components hallmarked<br />

9cm high<br />

425gms<br />

$600–800<br />

435<br />

A fine reticulated sterling silver<br />

centrepiece dish, James Dixon<br />

& Sons Ltd, Sheffield 1904<br />

with an applied Rococo style rim and<br />

leafy scroll feet, with Latin motto to<br />

the cartouche, 'Audentes Fortuna<br />

Juvet', Fortune favours the Brave,<br />

with a clear glass liner<br />

11.5cm high, 31cm wide, 23cm deep<br />

1050gms silver weight<br />

$1,000–1,400<br />

436<br />

A group of three silver wares, a<br />

goblet, tankard and a milk jug,<br />

various makers, Sheffield and<br />

Chester, 19th/20th century<br />

a gilt washed goblet, a tankard with<br />

chased and repousse grapevine<br />

frieze, and a baluster shape milk jug<br />

with guilloche borders, all hallmarked<br />

18cm high, goblet<br />

585gms silver weight<br />

$500–800<br />

434<br />

437<br />

A pair of sterling silver<br />

candlesticks, Henry Wilkinson<br />

& Co., Sheffield 1839<br />

knopped weighted sticks on shaped<br />

square bases with anthemion motifs<br />

to the corners, one stick without dish,<br />

hallmarked to feet of both<br />

22.5cm high<br />

955gms total weight<br />

$500–700<br />

435


100<br />

438<br />

Three Strombergshyttan<br />

cased glass vases in clear and<br />

amethyst colours, Swedish<br />

with polished pontils, one with<br />

original black and silver foil label<br />

35cm, 25.5cm, and 21.5cm high<br />

$1,000–1,200<br />

439<br />

Two tantalus sets,<br />

early 20th century<br />

each with oak cases, one holding<br />

three matching square ribbed<br />

decanters, the other holding two cut<br />

crystal decanters, both sets with keys<br />

31.5cm high, 35cm wide, 13.5cm deep<br />

$500–800<br />

440<br />

A cased turquoise and amethyst<br />

glass vase<br />

of tapering cushion form with a fire<br />

polished rim and flat base, unmarked<br />

26cm high<br />

$750–900<br />

441<br />

A red and clear 'bookend' vase<br />

unsigned<br />

29cm high<br />

$500–700<br />

442<br />

A Swedish glass paperweight<br />

and an Australian art glass vase<br />

by Pauline Delaney<br />

the clear paperweight by<br />

Strombergshytton featuring a<br />

suspended trapped bubble, signed<br />

Stromberg to the footrim, and a<br />

cased cobalt vase with coloured<br />

foil trails and splashes, engraved<br />

signature to base<br />

the vase 16cm high<br />

$450–650<br />

438


101<br />

443<br />

A Venetian cased turquoise and<br />

amethyst vase by Cenedese<br />

of cushion bottle vase shape,<br />

engraved signature to flat base<br />

34cm high<br />

$1,000–1,200<br />

444<br />

Two French millefiori<br />

paperweights<br />

both with close arrangements<br />

of flowerheads and canes,<br />

apparently unmarked<br />

7cm and 9cm diameter<br />

$700–900<br />

445<br />

A Lalique Poissons coupe plate,<br />

circa 1931<br />

pattern 3264, stencil marked R.<br />

Lalique France to base<br />

25cm diameter<br />

$500–700<br />

446<br />

A sommerso glass vase, Flavio<br />

Poli for Seguso Vetri d'Arte<br />

of gently waisted form in clear purple<br />

and blue colours, unmarked<br />

32cm high, 14cm wide, 11cm deep<br />

$600–800<br />

447<br />

A Daum Nancy sky blue cameo<br />

vase on a mottled ground,<br />

circa 1925<br />

signed to base with cross of Lorraine<br />

22cm high<br />

$1,600–2,000<br />

448<br />

A red Murano glass vase,<br />

mid 20th century<br />

the flared vase on a citrus green<br />

base, with attached but indistinct foil<br />

label, probably for Murano glass<br />

28cm high<br />

NOTE<br />

an identical item is held in the<br />

collection of the Hamilton Gallery,<br />

Victoria<br />

$600–800<br />

443


102<br />

449<br />

A pair of Charles and Ray<br />

Eames Aluminium Group Chairs<br />

stamped 681/82 938-006 and<br />

manufacturer's stamp to base<br />

88 x 55 x 60cm each<br />

PROVENANCE<br />

Leonard Joel, <strong>Spring</strong> <strong>Auction</strong>, 2006,<br />

Lot 644<br />

Sir Andrew and Lady Marsha<br />

Grimwade CBE Collection, Melbourne<br />

$1,200–1,500<br />

450<br />

A Clarice Cliff 'Alton' pattern<br />

Bizarre series vase, 1930s<br />

the baluster vase shape 1515,<br />

decorated with brown and tan<br />

autumn leaves and vibrant orange<br />

red and blue flowers against a green<br />

and yellow landscape, black Newport<br />

pottery backstamp underside<br />

25.5cm high<br />

$1,000–1,500<br />

451<br />

A 'Foliage' mirror by Barry Dixon<br />

for Arteriors<br />

of near oval form with candle<br />

pricket and trailing foliage<br />

to the lower register<br />

90cm high, 58cm wide, 17cm deep<br />

$800–1,200<br />

452<br />

A lamp by Barry Dixon<br />

for Arteriors<br />

of globular form with ring lug handles<br />

and a high set looping feature to<br />

the rim, embellished with borders of<br />

overlapping leaves to the collar and<br />

foot, in a charcoal lustre glaze<br />

108cm high, the shade<br />

56cm diameter<br />

$600–800<br />

453<br />

A pair of large contemporary<br />

wall mirrors<br />

with silver gilt moulded frames with a<br />

matt black border enclosing bevelled<br />

mirror plate<br />

193cm high, 92cm wide<br />

$800–1,000<br />

449


103<br />

454<br />

A monumental swing arm<br />

industrial-style chrome lamp,<br />

mid 20th century<br />

the adjustable arm with<br />

counterweight and a movable<br />

head supported on a cross<br />

base with casters<br />

maximum height 225cm, stem height<br />

180cm, length of arm 170cm<br />

$1,000–1,200<br />

455<br />

Gregory Bonasera 'Squid Lamp',<br />

circa 1991<br />

in chromed cast metal and<br />

handblown glass, together with<br />

an issue of Blueprint, magazine of<br />

architecture and design, June 1991,<br />

Number 78 which features an article<br />

on the designer<br />

21cm high, 50cm wide, 35cm deep<br />

$700–900<br />

454


104<br />

456<br />

456<br />

A pair of hard paste Edme<br />

Samson of Paris figural<br />

candlesticks, later 19th century<br />

in the style of Chelsea and bearing<br />

red anchor marks, the pastoral boy<br />

and girl in jaunty 18th century attire<br />

with open baskets and supported<br />

with flowering bocage above high set<br />

Rococo bases, with candle sconces<br />

attached at the rear<br />

23cm high, 23cm wide, 10cm deep<br />

$800–1,200<br />

457<br />

A giltwood French mantel<br />

mirror, 19th/ 20th century<br />

with a pierced floral and shell crest<br />

flanked by putti musicians, the frame<br />

with an inner bead border<br />

232cm high, 124cm wide<br />

$1,800–2,400<br />

458<br />

A Chinese style polished<br />

elm desk<br />

the pedestals each with two drawers<br />

and open compartments<br />

73cm high, 122cm wide, 61cm deep<br />

$500–800<br />

459<br />

A pair of French gilt brass<br />

pricket sticks, fabricated by<br />

Louis Bachelet, second half<br />

19th century<br />

of ecclesiastical Gothic inspiration<br />

with mark of L. Bachelet Paris to the<br />

foot of each<br />

32cm to top of pricket<br />

$800–1,000<br />

460<br />

A carved polychrome wood<br />

six branch chandelier,<br />

19th/20th century<br />

with a knopped column issuing<br />

serpentine arms with leafy<br />

embellishments and supporting<br />

sconces and electric candles<br />

75cm drop<br />

$1,000–1,400<br />

461<br />

A pair of gilt bronze mask wall<br />

appliqués, early 20th century<br />

in the Neo-classical style with three<br />

scrolling arms supporting bead edge<br />

pans and electric candles<br />

28cm high, 32cm wide, 22.5cm deep<br />

$600–800<br />

462<br />

A pair of painted toleware<br />

lanterns<br />

domed iron red lanterns with pierced<br />

borders, each of hexagonal form with<br />

gadrooned collars and tiered domes,<br />

the interior with a candle pricket<br />

71cm high, 31cm diameter<br />

$600–800<br />

463<br />

A pair of painted toleware<br />

lanterns<br />

domed iron red lanterns with pierced<br />

borders, each of hexagonal form with<br />

gadrooned collars and tiered domes,<br />

the interior with a candle pricket<br />

71cm high, 31cm diameter<br />

$600–800<br />

464<br />

A gilded and lacquered<br />

Chinoiserie tray, 19th century<br />

the papier-mâché tray of<br />

serpentine profile, exquisitely<br />

decorated with figural narratives<br />

set in exotic garden and pavilion<br />

settings, enclosed by painted<br />

rope twist and elaborate floral<br />

borders in differing shades of gilt<br />

68 x 60cm<br />

$500–800


105<br />

465<br />

A pair of Italian maiolica<br />

vases with snake handles,<br />

19th century<br />

in the Renaissance revival<br />

manner of Cantagalli with<br />

Classical mythological figures<br />

and antique armoured figures in<br />

landscape settings, brown painted<br />

cockerel marks underside<br />

43cm high<br />

$2,500–3,500<br />

466<br />

Two Victorian wire-work tiered<br />

pot stands, 19th century<br />

108cm high, 104cm wide<br />

$500–800<br />

467<br />

A Victorian papier-mâché fan<br />

form fire screen, 19th century<br />

decorated with a roundel<br />

of potted sunflowers and<br />

inset with abalone shell<br />

60cm high, 61cm wide<br />

$500–800<br />

468<br />

An impressive contemporary<br />

silvered ellipse form mirror<br />

97 x 184cm<br />

$600–800<br />

469<br />

A bronze figure of a horse<br />

and jockey, 20th century<br />

modelled as a cantering horse<br />

raised on a textured base<br />

27cm high, 24cm wide, 11cm deep<br />

$500–800<br />

470<br />

A wrought iron hanging lantern,<br />

early 20th century<br />

with arching amber panes and<br />

applied scrolling motifs, the pierced<br />

dome with finial and bail<br />

80cm high, 50cm diameter approx.<br />

$600–800<br />

465


106<br />

471<br />

An Empire style English single<br />

fusee skeleton clock, 1870<br />

with anchor escapement and silvered<br />

dial, a pair of lions on small pedestals<br />

on either side of the stepped<br />

base, with key and pendulum and<br />

presented under a glass dome<br />

38cm high, 18cm wide, 10cm deep<br />

$800–1,200<br />

472<br />

A cast bronze figure of an urchin<br />

boy, 'Mousse Sifleur', by Victor<br />

Szczeblewski, late 19th century<br />

the whistling boy with legs apart,<br />

hands in pockets, engraved 'Mousse<br />

Sifleur' to the base and raised on a<br />

waisted marble plinth<br />

18cm high<br />

$1,200–1,800<br />

473<br />

A bronze model of a laughing<br />

boy, Juan Clara (1875-1948),<br />

Goldscheider foundry,<br />

early 20th century<br />

marked A Goldscheider -<br />

Editeur-Paris, Vrai Bronze<br />

ALE 54/1421 to reverse<br />

22cm high, 14cm wide, 11cm deep<br />

$800–1,200<br />

474<br />

A bronze Art Deco style figure,<br />

circa 1930<br />

an elongated serene female figure<br />

lightly robed and veiled, raised on a<br />

stepped base<br />

70cm high with base<br />

$500–800<br />

472<br />

471<br />

473


107<br />

475<br />

475<br />

JUSTICE FRANK GAMBLE<br />

Portrait of John Longstaff<br />

oil on canvas<br />

77 x 94 cm<br />

PROVENANCE<br />

Frank Gamble, <strong>The</strong>nce by descent<br />

OTHER NOTES<br />

Justice Gamble was great friends<br />

with Longstaff<br />

$500–800<br />

476<br />

LAZAR KRESTIN<br />

(ATTRIBUTED)<br />

<strong>The</strong> Scholar<br />

oil on canvas<br />

signed lower right: L Krestin<br />

75.5 x 45.5cm<br />

PROVENANCE<br />

<strong>The</strong> Collection of Harry and<br />

Masha Flicker, Melbourne<br />

<strong>The</strong>nce by descent<br />

$1,800–2,500<br />

477<br />

G TAYLOR<br />

S "<strong>The</strong>rmopylâe" 1880<br />

oil on canvas on board<br />

signed, dated and inscribed lower<br />

left: G Taylor / 1880 / Wms TOWN<br />

61.5 x 89.5cm<br />

$500–800


108<br />

478<br />

478<br />

An impressive Indian silver<br />

mirror, 19th/20th century<br />

the flamboyant frame with pierced<br />

acanthus motifs<br />

185cm high, 134cm wide<br />

$3,500–5,000<br />

479<br />

A bronze model of a pawing bull<br />

unsigned<br />

27cm high, 39cm wide<br />

$800–1,200<br />

480<br />

A bronze figural group<br />

of two boys smoking,<br />

19th/20th century<br />

raised on a tiered green onyx base,<br />

unmarked, probably French<br />

13.5cm high<br />

$500–800


109<br />

481<br />

A Venetian verre églomisé<br />

decorated mirror<br />

112cm high x 62cm wide<br />

$800–1,200<br />

482<br />

An Art Deco style bronze<br />

figure of an exotic dancing girl,<br />

after Chiparus<br />

raised on a waisted marble base<br />

38cm high<br />

$500–800<br />

483<br />

AFTER JEAN LOUIS<br />

GREGOIRE<br />

A large bronze figure of Mozart<br />

73cm high<br />

$800–1,000<br />

484<br />

A pair of Regency gilt bronze<br />

verde marble mounted<br />

candlesticks, circa 1810<br />

with cast acanthus, scrolls and hoof<br />

feet on shaped triangular bases<br />

17.5cm high<br />

$600–800<br />

481<br />

485<br />

Two hard paste porcelain<br />

figures, Europa and the Bull,<br />

and Leda and the Swan,<br />

probably Edme Samson of<br />

Paris, after Derby<br />

large scale models in soft colours<br />

after the 1760s Derby figures and<br />

raised on Rococo bases, gold quasi<br />

marks to reverse<br />

27.5cm high<br />

$800–1,200<br />

485


110<br />

486<br />

A northwest Persian knotted<br />

pile runner, Heriz region,<br />

early 20th century<br />

with a row of geometric floral star<br />

designs upon a brick red field<br />

enclosed by multiple borders<br />

438 x 110cm<br />

$900–1,400<br />

487<br />

An exceptional Turkoman,<br />

Beshir, knotted carpet,<br />

produced in the Bokhara region,<br />

Central Asia, third quarter of<br />

the nineteenth century<br />

wool warp and weft, wool pile, the<br />

characteristic design in a colour<br />

palette dominated by a glowing<br />

madder-red, with a dark blue ground<br />

and smaller areas of ivory, dark brown<br />

and a light golden yellow, the field<br />

filled with a stylised version of the<br />

Iranian 'Herati' design, superimposed<br />

with five almost-circular medallions;<br />

one in each corner and one<br />

placed in the centre of the field<br />

582 x 246cm<br />

$5,000–8,000<br />

488<br />

A large cream wool hall runner,<br />

Indian<br />

with palmettes, flowers and scrolling<br />

leaves united by tendrils in ecru and<br />

red tones upon a cream coloured<br />

field, enclosed by a small lotus and<br />

floral cream border<br />

350 x 62cm<br />

$1,000–1,500<br />

489<br />

A large Afghan hand knotted<br />

wool hall runner<br />

in shades of cream and maroon<br />

285 x 92cm<br />

$800–1,100<br />

490<br />

A large red and cream hand<br />

knotted Indian wool runner<br />

with lotus, palmette flowerheads and<br />

trellis style tendrils in cream colours<br />

upon a blood red field and enclosed<br />

by a cream border<br />

300 x 70cm<br />

$700–900<br />

491<br />

A large Indian hand knotted<br />

wool floral patterned hall runner<br />

with flower heads, leafy arabesques<br />

in muted cream, olive and tan tones<br />

upon a maroon field<br />

320 x 75cm<br />

$1,000–1,500<br />

492<br />

A large hand knotted<br />

Indian hall runner<br />

with lotus, palmette flowerheads and<br />

trellis style tendrils in cream colours<br />

upon a blood red field and enclosed<br />

by a cream border<br />

304 x 72cm<br />

$700–900<br />

493<br />

A hand knotted Indian<br />

wool runner<br />

with flowerheads and trellis style<br />

tendrils in shades of cream and tan<br />

upon a dusky pale blue field, and<br />

enclosed by a running floral cream<br />

border<br />

387 x 83cm<br />

$1,200–1,500<br />

494<br />

A Kashan wool runner,<br />

South Western Iran<br />

with three lozenge medallions<br />

in pale blue, navy and other<br />

colours upon a blood red field<br />

enclosed by an ornate border<br />

340 x 104cm<br />

$1,000–1,200<br />

495<br />

A large Indian hand knotted<br />

wool rug<br />

with palmettes, flowers and<br />

scrolling leaves united by tendrils in<br />

cream and buff tones upon a rust<br />

coloured field, enclosed by a broad<br />

lotus and floral cream border<br />

250 x 155cm<br />

$1,200–1,600<br />

496<br />

A large Indian hand knotted<br />

wool Indian rug<br />

with lotus and floral tendrils in muted<br />

tan and red colours upon an ecru field<br />

310 x 240cm<br />

$2,500–3,500


111<br />

486<br />

487


112<br />

497<br />

A northwest Persian knotted<br />

pile rug, Bakshaish region,<br />

early 20th century<br />

with tribal tree of life designs in<br />

tan and cream colours upon a<br />

muted blue field, with geometric<br />

red tone spandrels enclosed by<br />

narrow geometric borders<br />

232 x 146cm<br />

$1,800–2,400<br />

498<br />

A west Persian knotted<br />

pile rug, Senneh region,<br />

early 20th century<br />

of bold lozenge design with<br />

dense formal floral patterns<br />

in pink, red and tan colours<br />

upon a cream and ink blue field<br />

enclosed by geometric borders<br />

192 x 133cm<br />

$900–1,400<br />

499<br />

A Persian knotted pile runner,<br />

Tabriz region, 20th century<br />

with 'workshop signature', profusely<br />

decorated with flowers and vase<br />

arrangements in colours upon a navy<br />

field, with rust coloured spandrels<br />

and multiple floral borders<br />

414 x 97cm<br />

$800–1,200<br />

500<br />

A Persian knotted pile runner,<br />

village production, 20th century<br />

profusely decorated with geometric<br />

tree of life and floral motifs in colours<br />

upon a navy field with peach tone<br />

spandrels and a white main border<br />

with a geometric meandering design<br />

392 x 103cm<br />

$600–800<br />

501<br />

A north Indian knotted pile<br />

medallion rug, 20th century<br />

in tan, pink and blue colours featuring<br />

a profusion of floral motifs, formal<br />

fountains and wildlife upon a cream<br />

field, with spandrels and a broad<br />

border featuring scenic panels of<br />

animals and flora<br />

230 x 139cm<br />

$800–1,000<br />

502<br />

A large knotted pile silk carpet,<br />

Iran, 20th century<br />

in pale green, rust, ecru and light blue<br />

colours, featuring mihrab shaped<br />

panels with vase motifs, enclosed<br />

within flower head tile and boteh<br />

borders, surrounded by a green floral<br />

main border on a cream ground<br />

269.5 x 182cm<br />

$600–800<br />

503<br />

A Kashan pattern silk rug,<br />

20th century<br />

the central floriate medallion on a red<br />

field within pale green borders<br />

151 x 241cm<br />

$600–800<br />

504<br />

A Persian rug, Eastern Iran,<br />

circa 1960s<br />

the repeating diamond pattern within<br />

red borders<br />

193 x 140cm<br />

$1,000–1,500<br />

505<br />

A Persian prayer design rug,<br />

20th century<br />

of mihrab design with hanging<br />

lanterns and coffee pots in tan and<br />

cream colours upon a red field, with<br />

navy spandrels and multiple borders<br />

241 x 133cm<br />

$800–1,200<br />

506<br />

A Persian rug, Senneh region,<br />

20th century<br />

of intricate tribal design in blue and<br />

cream tones upon a muted red field,<br />

with navy spandrels and enclosed by<br />

geometric crab style borders<br />

193 x 132cm<br />

$600–800<br />

507<br />

A Ghomsheh pattern rug, South<br />

Central Iran, late 20th century<br />

silk weave, of mihrab design with<br />

hanging lanterns and profusely<br />

decorated with a garden of<br />

paradise design in ochre, cream<br />

and red colours upon a navy field,<br />

enclosed by a floral embellished<br />

watermelon pink border<br />

157 x 103cm<br />

$1,000–1,500<br />

508<br />

A pale blue 'Everest' pattern rug<br />

by Hali<br />

made in India<br />

270 x 185cm<br />

$800–1,200<br />

509<br />

A pale teal 'Everest' pattern rug<br />

by Hali<br />

made in India<br />

270 x 185cm<br />

$800–1,000


113<br />

497


114<br />

Part II Online <strong>Auction</strong><br />

<strong>The</strong> Autumn <strong>Auction</strong> <strong>Series</strong> Part II will occur as a timed online sale,<br />

Monday 27 November, closing from 10am<br />

All bids are placed via the online catalogue on the Gibson’s website<br />

and are executed immediately against the lot’s reserve, or the current<br />

highest bid. In the case of multiple bids occurring within the last five<br />

minutes of the close of lot, the closing time is extended for a further<br />

five minutes. Please contact our office for further information.<br />

510<br />

Two strands of Biwa pearls<br />

Each of cream, pink and purple hues<br />

with silver gilt clasps measuring<br />

800mm and 600mm, together with<br />

a strand of white baroque pearls<br />

measuring 13mm - 15mm and having<br />

14ct gold clasp, total length 430mm.<br />

$140–240<br />

511<br />

A pair of South Sea pearl studs<br />

<strong>The</strong> button shaped pearls of white<br />

and cream hues measuring 11.9mm,<br />

finished with 18ct gold posts and 9ct<br />

gold butterfly backs, 4.80gms.<br />

$200–300<br />

512<br />

A gold and nephrite bracelet<br />

and ring<br />

Polished nephrite panels capped<br />

with gold and interspaced with gold<br />

beads, together with a nephrite and<br />

gold polished band.<br />

$400–600<br />

513<br />

An amethyst and diamond ring<br />

Oval cut amethyst weighing 3.20cts,<br />

offset with two round brilliant cut<br />

diamonds totalling 0.04cts, set in 9ct<br />

yellow gold, total weight 3.84gms.<br />

$260–360<br />

514<br />

A collection of assorted shirt<br />

studs<br />

including gold and one set with a<br />

cabochon sapphire<br />

$140–240<br />

515<br />

Two Art Deco diamond rings<br />

Set with old cut diamonds in 18ct<br />

gold, total weight 4.05gms.<br />

$200–300<br />

516<br />

A pair of diamond drop earrings<br />

and a gold chain<br />

Comprising a pair of pave set<br />

diamond drop earrings in 9ct rose<br />

gold together with a 9ct gold belcher<br />

link chain with bolt ring clasp,<br />

total weight 10.2gms.<br />

$200–300<br />

517<br />

A rolled gold guard chain, a<br />

coin bracelet and a silver coin<br />

pendant<br />

Belcher link rolled gold guard<br />

chain with swivel clasp,<br />

total length 1720mm, together<br />

with a replica German silver coin<br />

pendant and an antique coin<br />

bracelet set with farthings.<br />

$200–300<br />

518<br />

Two gold and gem set rings<br />

Both set with emerald, ruby,<br />

sapphire and diamond, one<br />

18ct and one 14ct gold.<br />

$300–400<br />

519<br />

Two emerald rings<br />

<strong>The</strong> emerald cut emerald flanked<br />

by a trefoil of diamonds, set<br />

in 18ct gold, together with an<br />

emerald and paste ring.<br />

$400–600<br />

520<br />

Two emerald and diamond rings<br />

Featuring an emerald cut emerald<br />

flanked by a double row of baguette<br />

cut diamonds, set in 18ct white<br />

gold together with an oval cut<br />

emerald surrounded by single cut<br />

diamonds, all in 9ct white gold,<br />

total weight 10.25gms.<br />

$500–700<br />

521<br />

A sapphire and diamond cluster<br />

ring and a ruby and diamond<br />

cluster ring<br />

the sapphire and diamond cluster<br />

ring in 9ct white gold and the ruby<br />

and diamond ring set in silver.<br />

$240–340<br />

522<br />

Two gem set rings<br />

Oval cut pink kunzite chequerboard<br />

faceted and four claw set in an 18ct<br />

gold frame together with a three<br />

white stone ring set in 9ct gold,<br />

total weight 7.80gms.<br />

$280–380<br />

523<br />

An opera length strand of<br />

cultured pearls with diamond<br />

clasp<br />

<strong>The</strong> uniform pearls of white and pink<br />

hues measuring 6.5mm, individually<br />

knotted to a 14ct gold pierced bow<br />

shaped clasp set with eight single cut<br />

diamonds, total length 910mm.<br />

$200–300


115<br />

524<br />

A pair of South Sea pearl<br />

earrings<br />

<strong>The</strong> button pearls of silver and<br />

white hues displaying fine lustre<br />

measuring 13.65mm, mounted to an<br />

18ct gold disc panel and having post<br />

and clip fittings, stamped 750 AMJ,<br />

total weight 8.6gms.<br />

$300–500<br />

525<br />

A gold and titanium bangle<br />

Circular form, stamped RKL Ti 9ct,<br />

total weight 35.28gms.<br />

$100–200<br />

526<br />

A pair of gold earrings<br />

Polished domed form crafted in 9ct<br />

gold, 5gms.<br />

$120–180<br />

527<br />

Two gold bracelets<br />

Comprising two similar 9ct<br />

gold fetter link bracelets,<br />

total weight 18gms.<br />

$440–540<br />

528<br />

A gold medal<br />

Crafted in 9ct gold,<br />

total weight 10gms.<br />

$140–240<br />

529<br />

An open face silver and gold<br />

lined pocketwatch<br />

Openface silver and gold lined<br />

pocketwatch with key.<br />

$50–100<br />

530<br />

A solitaire diamond ring<br />

<strong>The</strong> round brilliant cut diamond of<br />

0.40cts, raised in a square frame with<br />

small diamonds set to the upswept<br />

shoulders, 18ct gold, 5gms.<br />

$340–440<br />

531<br />

Two antique gold brooches<br />

Comprising a late Victorian 9ct gold<br />

and pearl bar brooch, 6gms and an<br />

Edwardian 9ct gold and amethyst bar<br />

brooch with safety chain, 5gms.<br />

$240–340<br />

532<br />

An Art Deco style diamond and<br />

sapphire ring<br />

pierced plaque set with carre cut<br />

sapphires and old cut diamonds,<br />

18ct white gold, 3gms.<br />

$200–300<br />

533<br />

An antique diamond half hoop<br />

ring together with a zircon half<br />

hoop ring<br />

Five stone old cut diamond ring set<br />

in 18ct gold together with a seven<br />

stone white zircon 18ct gold ring<br />

total weight 4.4gms.<br />

$180–240<br />

534<br />

A diamond cluster ring<br />

Set with single cut diamonds<br />

in an 18ct white gold frame,<br />

total weight 3gms.<br />

$300–400<br />

535<br />

A domed pave set diamond ring<br />

<strong>The</strong> domed panel pave set with<br />

round brilliant cut diamonds totalling<br />

1.00cts, 9ct gold, total weight 4gms.<br />

$400–500<br />

536<br />

A diamond cluster ring and a<br />

three stone diamond ring<br />

Comprising seven round brilliant<br />

cut diamonds in a cluster formation<br />

totalling 0.46cts in 9ct white<br />

gold, 2gms together with three<br />

old cut diamonds totalling 0.61cts<br />

set in 15ct white gold, 3gms.<br />

$500–700<br />

537<br />

A five stone diamond ring<br />

Bezel set with five round mixed cut<br />

diamonds interspaced with eight<br />

small rose cut diamonds, finely<br />

engraved detail throughout, 18ct<br />

gold, total diamond weight 0.70cts,<br />

total weight 4.5gms.<br />

$340–440<br />

538<br />

An antique five stone diamond<br />

ring<br />

Set with five old cut diamonds<br />

in a half hoop design, 18ct gold,<br />

hallmarked 1922 total weight 2gms.<br />

$300–400<br />

539<br />

An antique five stone diamond<br />

ring<br />

Set with old cut diamonds in 18ct<br />

gold, total weight 3gms, hallmarked<br />

Birmingham 1916.<br />

$200–300<br />

540<br />

A diamond dress ring and a<br />

sapphire dress ring<br />

Comprising a lozenge panel set with<br />

single cut diamonds in 9ct gold and<br />

a 14ct gold and sapphire dress ring<br />

total weight 4.4gms.<br />

$140–240<br />

541<br />

A sterling silver pendant watch<br />

and chain<br />

Modelled as a tulip with a 17 jewel<br />

Swiss movement with engraved<br />

decoration retailed by London's<br />

St. James House Co., hallmarked,<br />

suspended from a sterling silver<br />

rope twist chain, total weight 67gms.<br />

total length 710mm.<br />

$200–300


116<br />

542<br />

An Omega wristwatch<br />

manual wind, oval silvered dial with<br />

applied baton numerals, gold capped<br />

case and plated gold woven bands,<br />

28mm diameter, presented in original<br />

case with certificates and warranty.<br />

$100–200<br />

543<br />

Two sapphire and diamond<br />

rings<br />

Both crafted in 9ct gold,<br />

total weight 7.05gms.<br />

$160–260<br />

544<br />

Two diamond rings<br />

Comprising a diamond cluster ring<br />

set with round brilliant cut diamonds<br />

totalling 0.22cts and a solitaire<br />

diamond ring of 0.17cts, both set in<br />

18ct gold total weight 7.8gms.<br />

$400–600<br />

545<br />

An emerald and diamond ring<br />

<strong>The</strong> emerald cut emerald weighing<br />

0.60cts, having two round brilliant<br />

cut diamonds set to each shoulder,<br />

set in 18ct gold, 3.45gms.<br />

$200–300<br />

546<br />

A pair of emerald and diamond<br />

cluster earrings<br />

Oval cut emerald surrounded<br />

by round brilliant cut diamonds,<br />

together with a similar pair set with<br />

synthetic emeralds and an emerald<br />

and diamond pendant, all set in 18ct<br />

gold, total weight 7gms.<br />

$400–600<br />

547<br />

A collection of antique<br />

jewellery and watches<br />

Including 9ct gold wristwatch,<br />

9ct gold medal, gold pin,<br />

18ct white gold brooch mount.<br />

$200–400<br />

548<br />

An Edwardian seed pearl and<br />

aquamarine necklace<br />

Set throughout with round and<br />

pear cut aquamarines highlighted<br />

with seed pearl foliate and scroll<br />

decoration set in 15ct gold and<br />

finished with a 14ct gold trace<br />

chain. Total weight 6.9gms,<br />

total length 425mm.<br />

$300–500<br />

549<br />

A seed pearl, lapis lazuli, gold<br />

and white sapphire suite<br />

Comprising a necklace, bracelet<br />

and earrings; the multi strand seed<br />

pearl necklace and bracelet each<br />

having a hexagonal panel set with<br />

oval lapis lazuli cut en cabochon,<br />

surrounded by ten round brilliant cut<br />

white sapphires set in silver gilt, the<br />

earrings of conforming design with<br />

post and butterfly back fittings.<br />

$200–300<br />

550<br />

A loose cushion cut amethyst<br />

<strong>The</strong> cushion cut rich purple amethyst<br />

measuring 19.2 x 17.4 x 11.8mm<br />

weighing 26.1cts.<br />

$100–200<br />

551<br />

A large loose cushion cut<br />

amethyst<br />

<strong>The</strong> cushion cut rich purple amethyst<br />

measuring 23.8 x 22.5 x 12.5mm<br />

weighing 44.35cts.<br />

$100–200<br />

552<br />

A loose oval cut ruby<br />

<strong>The</strong> synthetic ruby measuring<br />

8.5 x 6.9 x 4.2mm weighing 1.82cts.<br />

$100–200<br />

553<br />

A fancy gold link necklace<br />

Woven design crafted in low carat<br />

gold, 19.7gms.<br />

$100–200<br />

554<br />

Three cultured pearl necklaces<br />

One graduated strand with a possible<br />

Mikimoto clasp, a strand of cultured<br />

black and white pearls with 9ct gold<br />

and diamond clasp, and a strand of<br />

cultured pearls interspaced with lapis<br />

lazuli, gold bead and 9ct gold clasp.<br />

$300–500<br />

555<br />

A multi strand cultured pearl<br />

and gold bracelet<br />

Comprising of four uniform strands<br />

of cultured pearls having fine gold<br />

rectangular interspaced panels and a<br />

14ct gold clasp.<br />

$300–400<br />

556<br />

A matinee length strand of<br />

cultured pearls with gold clasp<br />

Uniform strand of cultured pearls<br />

measuring 6.7mm finished with a<br />

14ct gold clasp, total length 670mm.<br />

$300–500<br />

557<br />

Four pairs of cultured pearl<br />

earrings<br />

Comprising a pair of white and pair<br />

of black cultured pearl earrings with<br />

18ct gold fittings and two pairs of<br />

black cultured pearl earrings with<br />

14ct white gold fittings.<br />

$120–180<br />

558<br />

A pair of Georgian seed pearl<br />

tassel earrings<br />

<strong>The</strong> small seed pearls finely threaded<br />

to form tassels, 9ct gold hook fittings.<br />

$300–500<br />

559<br />

Four mabe pearl and gold<br />

pendants<br />

Comprising a tear drop white mabe<br />

pearl set in 14ct gold and three dyed<br />

black mabe pearls set in 14ct gold.<br />

$200–400


117<br />

560<br />

Two pairs of mabe pearl and<br />

gold earrings<br />

Comprising a pair of domed white<br />

mabe pearls measuring 16.3mm set<br />

in 18ct gold with post and clip fittings,<br />

together with a pair of pale pink<br />

heart shaped mabe pearls with bow<br />

surmount set in 18ct gold with clip<br />

fittings, total weight 25.7gms.<br />

$400–600<br />

561<br />

A pair of South Sea pearl drop<br />

earrings and a pair of black<br />

cultured pearl and gold earrings<br />

Comprising a pair of white South<br />

Sea bell shaped pearls suspended<br />

from fine chain and hook fittings<br />

of 9ct gold, together with a pair of<br />

button shaped pearls of green and<br />

purple hues set in a polished 14ct<br />

gold frame with post and clip fittings,<br />

total weight 11.7gms.<br />

$300–500<br />

562<br />

Two Edwardian pendant<br />

necklaces<br />

Comprising a heart shaped amethyst<br />

and seed pearl pendant in 9ct gold<br />

suspended from a later Italian<br />

9ct gold chain, together with a<br />

green paste set gold lined pendant<br />

suspended from an 18ct gold chain,<br />

total weight 11.9gms.<br />

$300–500<br />

563<br />

A pair of green tourmaline and<br />

diamond cluster earrings and<br />

pair of rose cut diamond stud<br />

earrings<br />

<strong>The</strong> round green tourmaline of<br />

4mm surrounded by a halo of round<br />

brilliant cut diamonds set in 14ct<br />

white gold with post and butterfly<br />

back fittings, together with a pair set<br />

with rose cut diamond measuring<br />

3mm set in a 9ct gold circular<br />

pierced frame with post and butterfly<br />

fittings, total weight 3.6gms.<br />

$200–400<br />

564<br />

A Baume and Mercier<br />

wristwatch<br />

Quartz movement, circular white<br />

dial with applied baton numerals<br />

and date at six. Stainless steel case<br />

and bracelet bands with gold plated<br />

detail, 22mm diameter.<br />

$50–100<br />

565<br />

A large collection of ivory<br />

jewellery<br />

Comprising four necklaces, a bangle,<br />

pair of earrings and a brooch.<br />

$200–400 ♦<br />

566<br />

Four strands of amber beads<br />

Comprising a strand of polished and<br />

a strand of faceted cherry amber and<br />

two strands of polished honey amber<br />

beads.<br />

$400–600<br />

567<br />

Three antique silver pocket<br />

watches with silver albertinas<br />

Comprising two full hunters and one<br />

half hunter all with engraved silver<br />

cases, suspended from fox tail link<br />

silver albertinas, total weight 172gms.<br />

$400–600<br />

568<br />

An iolite line bracleet<br />

Set with oval cut mauve iolite<br />

totalling 3.18cts, set in 14ct<br />

white gold, total weight 11.9gms,<br />

total length 200mm.<br />

$400–600<br />

569<br />

A sapphire bracelet<br />

Comprising six graduated clusters<br />

centrally set with an oval cut blue<br />

sapphire surrounded by small<br />

round white sapphires, interspaced<br />

with seven pairs of small round<br />

blue sapphires, all set in silver,<br />

total weight 20.15gms.<br />

$300–500<br />

570<br />

A gem-set pendant/brooch<br />

Set throughout with oval cut semi<br />

precious stones including peridot,<br />

garnet, spinel, citrine set in a gold<br />

plate frame, 11.7gms.<br />

$200–400<br />

571<br />

A gold chain<br />

<strong>The</strong> flat curb link chain crafted in<br />

9ct gold with an associated 9ct<br />

circular photo locket, 10.8gms,<br />

total length 580mm.<br />

$200–300<br />

572<br />

A synthetic emerald and<br />

diamond pendant and chain<br />

Emerald cut synthetic emerald<br />

surmounted by a round brilliant<br />

cut diamond weighing 0.17cts,<br />

suspended from an 18ct white gold<br />

box link chain, total weight 7gms.<br />

$300–400<br />

573<br />

An Edwardian peridot,<br />

pearl and gold necklace<br />

Having a central openwork stylised<br />

pendant set throughout with peridot<br />

and seed pearls with further detail to<br />

the knife edge panels. Finished with a<br />

trace chain, all set in 9ct gold, 5gms.<br />

$200–300<br />

574<br />

An Edwardian amethyst and<br />

diamond pendant necklace<br />

Featuring two oval cut amethyst<br />

individually claw set and joined by<br />

a knife edge bar. Centrally set with<br />

a rose cut diamond of 4mm to the<br />

bar in 14ct gold and finished with a<br />

trace chain, set in 9ct gold, 6.5gms,<br />

total length 420mm.<br />

$200–300<br />

575<br />

Two antique charms<br />

One carved agate panel set in 9ct<br />

rose gold together with a purple<br />

paste intaglio.<br />

$80–120


118<br />

576<br />

Two gem-set gold brooches<br />

Comprising a solitaire blue zircon and<br />

a solitaire garnet topped doublet set<br />

in 9ct gold, together with a smoky<br />

quartz faceted bead and gold plate<br />

bar brooch.<br />

$140–240<br />

577<br />

A collection of four vintage<br />

brooches<br />

<strong>The</strong> four bar brooches set with<br />

either garnet topped doublets or<br />

red paste, one crafted in 18ct, two<br />

in 9ct and one in low carat gold,<br />

total weight 18.05gms.<br />

$300–500<br />

578<br />

Three antique seed pearl bar<br />

brooches<br />

All crafted in 9ct gold and set<br />

with garnet topped doublets or<br />

red paste with seed pearl detail,<br />

total weight 13.5gms.<br />

$240–340<br />

579<br />

A collection of three antique<br />

gold brooches<br />

Comprising a 15ct gold bar brooch<br />

and two 9ct gold bar brooches,<br />

total weight 8.05gms.<br />

$200–300<br />

580<br />

A collection of three gold<br />

brooches<br />

Set throughout with green or blue<br />

paste, one set in 14ct gold and two in<br />

9ct gold, total weight 10gms.<br />

$200–300<br />

581<br />

An antique gold locket and a<br />

pinchbeck portrait brooch<br />

Comprising an oval polished 9ct<br />

rose gold frame with glazed section,<br />

30.9gms, together with an antique<br />

pinchbeck oval brooch with swivel<br />

panel to the centre.<br />

$500–800<br />

582<br />

A collection of four antique<br />

brooches<br />

Comprising a seed pearl and garnet<br />

topped doublet crescent brooch in<br />

15ct gold, a seed pearl floral spray<br />

brooch in 9ct gold, a 9ct gold and<br />

New Zealand greenstone brooch and<br />

a silver gilt Bohemian garnet crescent<br />

brooch, total weight 23.5gms.<br />

$200–300<br />

583<br />

A London blue topaz and silver<br />

ring<br />

<strong>The</strong> oval cut London blue topaz<br />

measuring 21.5 x 14.1 x 10.2mm<br />

weighing 27.05cts, set in silver,<br />

12.75gms.<br />

$150–250<br />

584<br />

A tanzanite and diamond ring<br />

Cushion cut tanzanite (cracked),<br />

offset with four small round brilliant<br />

cut diamonds to each shoulder, 18ct<br />

gold, 9.3gms.<br />

$400–600<br />

585<br />

An ivory and gold pendant and<br />

gold chain<br />

<strong>The</strong> carved ivory buddha set in<br />

18ct gold and suspended from<br />

a 9ct gold belcher link chain,<br />

total weight 13.1gms.<br />

$300–400 ♦<br />

586<br />

Two cameo gold brooches<br />

<strong>The</strong> oval shell cameos finely<br />

carved depicting ladies in profile,<br />

both set in 9ct gold frames,<br />

total weight 24.5gms.<br />

$300–400<br />

587<br />

A large collection of assorted<br />

loose rubies<br />

All faceted and mostly round or<br />

oval cut of varying sizes measuring<br />

between 1.0 to 3.0mm.<br />

$200–400<br />

588<br />

Three antique lorgnettes<br />

One crafted in 9ct gold weighing<br />

9.55gms and the other two gold lined.<br />

$200–300<br />

589<br />

Three gem set rings<br />

Including a synthetic alexandrite 9ct<br />

gold ring, an aquamarine and garnet<br />

cluster ring in 9ct gold, and a blue<br />

and white stone cluster ring in gold<br />

plate, total weight 12.05gms.<br />

$200–400<br />

590<br />

A cognac solitaire diamond ring<br />

<strong>The</strong> round brilliant cut cognac<br />

diamond weighing 0.25cts, with<br />

baguette cut white diamond<br />

detail to the shoulders, 18ct gold<br />

total weight 5.25gms.<br />

$400–600<br />

591<br />

Three emerald and diamond<br />

rings<br />

Comprising a synthetic emerald<br />

and diamond cluster ring in 14ct<br />

gold and two natural emerald and<br />

diamond rings set in 9ct gold,<br />

total weight 10.6gms.<br />

$400–600<br />

592<br />

Two gold wedders<br />

One crafted in 18ct gold, the other<br />

14ct white gold, total weight 5.75gms.<br />

$300–400<br />

593<br />

Three sapphire and diamond<br />

cluster rings<br />

Featuring a cushion cut sapphire<br />

surrounded by single cut diamonds<br />

in 18ct white gold, together with an<br />

oval sapphire and diamond cluster<br />

ring in 18ct gold and a three stone<br />

sapphire and diamond silver ring,<br />

total weight 14.9gms.<br />

$500–700


119<br />

594<br />

Two gold necklaces<br />

Featuring a 14ct gold, diamond and<br />

cultured dyed black pearl pendant<br />

finished with 9ct gold chain, together<br />

with an 18ct gold enamel book<br />

pendant suspended on 18ct gold<br />

chain. total weight 11.5gms.<br />

$400–600<br />

595<br />

A ruby and diamond dress ring<br />

Centrally set with five round rubies<br />

raised above a border of round<br />

brilliant cut diamonds, set in 18ct<br />

white gold, 7.7gms.<br />

$400–600<br />

596<br />

A Victorian pearl and sapphire<br />

ring and a vintage garnet ring<br />

<strong>The</strong> 18ct gold gypsy ring set with<br />

a half pearl and two cushion cut<br />

sapphires, together with an oval<br />

garnet cluster ring set in 9ct gold,<br />

total weight 9.35gms.<br />

$200–300<br />

597<br />

Two sapphire and diamond<br />

cluster rings<br />

<strong>The</strong> oval cut dark blue sapphire<br />

surrounded by round brilliant cut<br />

diamonds set in 18ct gold, together<br />

with a large dark blue oval sapphire<br />

surrounded by single cut diamonds<br />

set in 9ct gold, total weight 6.8gms.<br />

$300–400<br />

598<br />

An antique gold knot pendant/<br />

brooch<br />

Stylised design the double ribbons<br />

crafted in 15ct gold, 7.9gms.<br />

$300–400<br />

599<br />

Two gold and opal brooches<br />

Featuring an 18ct gold and green<br />

enamel swirl brooch set with an opal<br />

triplet together with a stylised 9ct<br />

gold brooch set with an opal doublet,<br />

total weight 22.6gms.<br />

$500–700<br />

600<br />

A pair of antique style gold drop<br />

earrings<br />

Each having an elongated drop with<br />

applied canetille work suspended<br />

from a small domed panel of<br />

conforming design, continental<br />

hook fittings, styled in 9ct rose gold,<br />

total weight 4gms.<br />

$200–300<br />

601<br />

Three ivory brooches<br />

Featuring an antique pierced cameo<br />

panel carved in relief of a deer scene<br />

set in a gold lined frame together<br />

with two carved cameo portrait<br />

brooches.<br />

$100–200 ♦<br />

602<br />

Two gold and gem set brooches<br />

Two 14ct gold spray brooches set<br />

with cultured pearl, turquoise or<br />

sapphire, total weight 20.9gms,<br />

together with a gold plated scroll<br />

brooch.<br />

$600–800<br />

603<br />

Two gold pendants<br />

One modelled as a scarab the other<br />

an enamelled cross, both in 18ct gold,<br />

total weight 3.6gms.<br />

$140–240<br />

604<br />

Three Indian pins<br />

Set with rubies and other semi<br />

precious stones silver gilt,<br />

total weight 49.4gms.<br />

$200–400<br />

605<br />

A pair of gold and ruby earrings<br />

Oval hoops each set with nine<br />

small rubies, crafted in 14ct gold,<br />

total weight 4.05gms.<br />

$100–200<br />

606<br />

An antique silver vinaigrette and<br />

two silver pendants and chains<br />

<strong>The</strong> silver vinaigrette suspended<br />

from a silver trace chain, together<br />

with an oval hinged silver locket<br />

suspended on an Italian silver chain<br />

together with an agate rectangular<br />

panel overlaid with silver filigree<br />

depicting a dragon scene suspended<br />

from a silver foxtail link chain,<br />

total weight 46.1gms.<br />

$150–250<br />

607<br />

A Must de Cartier tank<br />

wristwatch<br />

Manual wind, rectangular cream dial<br />

with black Roman numerals, silver gilt<br />

case and leather bands, signed case,<br />

dial and movement, 22 x 25mm.<br />

$300–400<br />

608<br />

A ruby and gold cluster ring<br />

Set with fourteen round rubies in a<br />

spray formation, 14ct gold, 6.8gms.<br />

$200–300<br />

609<br />

A sapphire and diamond<br />

pendant<br />

Featuring a fancy cut sapphire of<br />

approximately 1.00ct, set with a<br />

round brilliant cut diamond; 18ct rose<br />

gold. Total length 450mm.<br />

$300–500<br />

610<br />

An Art Deco silver and paste<br />

ring<br />

Cabochon cut red paste set in a fine<br />

pierced silver frame, 6gms.<br />

$400–600<br />

611<br />

A gold cameo brooch<br />

Depicting a portrait of a woman in<br />

profile, set in 18ct gold, 30mm in<br />

length, 20mm in width,<br />

total weight 3.7gms.<br />

$160–220


120<br />

612<br />

Two antique gold brooches<br />

Comprising a 15ct gold horseshoe<br />

bar brooch and an Art Nouveau<br />

9ct gold brooch both set with seed<br />

pearls and garnet topped doublets,<br />

total weight 9.2gms.<br />

$200–300<br />

613<br />

Two strands of cultured pearls<br />

and a multi strand of freshwater<br />

pearls<br />

Strand of uniform cultured<br />

pearls measuring 7.5mm finished<br />

with a 9ct gold mabe pearl,<br />

total length 505mm, a baroque<br />

strand of cultured pearls measuring<br />

7.3mm, total length 700mm and<br />

a six strand pale pink and cream<br />

freshwater pearl necklace 450mm.<br />

$200–400<br />

614<br />

An emerald and diamond ring<br />

and two sapphire and diamond<br />

rings<br />

Comprising an emerald and diamond<br />

cluster, a sapphire and diamond half<br />

hoop ring and a synthetic sapphire<br />

and diamond ring, all crafted in 9ct<br />

gold, total weight 8gms.<br />

$200–300<br />

615<br />

An Edwardian seed pearl and<br />

gold brooch and a pearl and<br />

gold pendant<br />

Starburst design set with seed pearls<br />

and garnet topped doublets in 9ct<br />

gold together with a cultured pearl<br />

pendant suspended on a trace chain<br />

in 9ct gold, total weight 8.7gms.<br />

$200–300<br />

616<br />

Two diamond dress rings<br />

Both crafted in 9ct gold,<br />

total weight 4.1gms.<br />

$180–240<br />

617<br />

A strand of cultured pearls<br />

<strong>The</strong> graduated cultured pearls<br />

measuring 4.7-7.1mm, finished with a<br />

sterling silver clasp and presented in<br />

a Mikimoto box, total length 465mm.<br />

$200–300<br />

618<br />

A Cyma gold wristwatch<br />

Manual wind, circular silvered dial<br />

with baton and Arabic numerals<br />

and sub seconds at six, 9ct rose<br />

gold case and leather bands, 33mm<br />

diameter, together with an 18ct gold<br />

manual wind wristwatch with leather<br />

bands, 18mm diameter.<br />

$300–400<br />

619<br />

A pair of Hanau silver serving<br />

dishes, together with two<br />

large silver plate platters,<br />

19th/20th century<br />

the Hanau dishes embossed with<br />

portrait medallions and swags to the<br />

rim, hallmarked underside, and; a pair<br />

of probably Elkington plate platters<br />

with date letter for 1872<br />

46 x 36cm larger platter,<br />

21.5cm diameter silver dishes<br />

the Hanau dishes 605gms silver<br />

weight<br />

$300–500<br />

620<br />

A collection of sterling silver<br />

and glass desk accessories,<br />

Birmingham, early 20th century<br />

together with three watercolour<br />

miniatures<br />

including a French silver plate<br />

bottle opener, a small decanter, a<br />

faceted flask, an unmarked repousse<br />

decorated hand mirror circa 1906,<br />

a sterling silver mounted crystal<br />

inkwell by C C May & Sons, 1939, an<br />

inkwell and a repousse decorated<br />

jar by Henry Matthews, 1899 & 1907,<br />

a small weighted candlestick by<br />

William Hutton & Sons Ltd, 1909 and<br />

a pierced edge footed trinket dish by<br />

Crisford & Norris Ltd, 1975<br />

the flask 16.5cm high<br />

$200–300<br />

621<br />

An assortment of sterling,<br />

continental and American silver<br />

spoons, 1814 and later, various<br />

makers<br />

comprising a sterling silver serving<br />

spoon, London, 1814, a large<br />

ecclesiastical spoon, London, 1975,<br />

a boxed set of baby flatware & two<br />

mother of pearl handled entrée<br />

knives, all engraved for 'Betty' by<br />

Charles Wilkes, Birmingham, 1938,<br />

a boxed set of sterling silver coffee<br />

spoons, a partial set of silver plate<br />

apostle spoons and a large array of<br />

international souvenir teaspoons<br />

variously marked<br />

the largest spoon 22cm long<br />

weight of silver excluding knives,<br />

coffee and apostle spoons 600gms<br />

$200–400<br />

622<br />

A pair of Sheffield plate<br />

candlesticks, by John Sherwood<br />

& Sons, circa 1870<br />

lavishly decorated with acanthus and<br />

scrollwork, with initials and beaver<br />

trademark<br />

34cm high<br />

$200–300<br />

623<br />

A sterling silver stamp case,<br />

a silver mounted shell purse<br />

and a silver violin scent bottle,<br />

early 20th century<br />

the stamp case in the form of an<br />

envelope, marked Birmingham 1911,<br />

the other elements stamped sterling<br />

or .925<br />

stamp case 6cm x 3cm<br />

25gms silver weight<br />

$200–300<br />

624<br />

A group of six American silver<br />

fiddle pattern teaspoons, by<br />

Thomas Jefferson Meager; and<br />

two other matching spoons by<br />

R & W. Wilson and J.Redifer,<br />

mid 19th century<br />

135gms silver weight<br />

$200–400


121<br />

625<br />

A sterling silver cruet set by<br />

S Blanckensee & Son Ltd.,<br />

Birmingham 1933<br />

the cased set of faceted profile<br />

comprising two pillar pepper shakers,<br />

a pair of salts and a mustard pot,<br />

with blue glass liners and three non<br />

associated silver plate condiment<br />

spoons, hallmarked to main elements<br />

the pepper pot 9cm high<br />

175gms silver weight<br />

$200–300<br />

626<br />

A pair of Rococo Revival<br />

silver plate candelabra,<br />

late 19th century<br />

the four light candelabra<br />

with floriform sconces and<br />

flamboyant scrollwork<br />

31cm high<br />

$300–400<br />

627<br />

A silver plate champagne<br />

bucket<br />

25cm high<br />

$100–200<br />

628<br />

A group of small sterling silver<br />

dishes, British and American<br />

makers, various dates<br />

including two petite salts, two<br />

miniature American pin dishes, and<br />

a Birmingham dish centred with<br />

a Charles II coin, together with an<br />

Australian silver napkin ring<br />

the largest dish 10cm diameter<br />

total weight of silver 185gms<br />

$150–250<br />

629<br />

A group of sterling silver<br />

thimbles and sugar tongs,<br />

various dates and makers<br />

comprising sixteen thimbles, five<br />

sugar tongs together with a pair of<br />

salt spoons, a toothpick, miniature<br />

apostle fork, and a novelty salt spoon<br />

the largest pair of tongs 15cm long<br />

total weight of silver 270gms<br />

$200–300<br />

630<br />

A group of sterling silver<br />

handled buttonhooks and vanity<br />

items, and a large compact,<br />

various dates and makers<br />

the seven button hooks, shoehorn<br />

and six vanity items with steel blades,<br />

the compact marked 'pure silver'<br />

the largest button hook 22cm long,<br />

the compact 11cm diameter<br />

580gms total weight including steel<br />

components<br />

$240–300<br />

631<br />

A collection of sterling silver<br />

mustard spoons, mostly<br />

Victorian and after, various<br />

dates and makers<br />

including one Georgian spoon and<br />

two novelty sterling demitasse<br />

spoons, hallmarked<br />

total weight of silver 145gms<br />

$120–180<br />

632<br />

A miscellaneous group of<br />

mostly sterling silver spoons<br />

and two .800, spoons, various<br />

dates and makers<br />

425gms total silver weight<br />

$200–300<br />

633<br />

An antique silver plate wine<br />

cooler, 19th/20th century<br />

21cm high<br />

$300–400<br />

634<br />

A sterling silver milk jug,<br />

H. Phillips, London, 1945<br />

of heavy gauge baluster form<br />

with a small bead pendent<br />

detail below the spout<br />

10cm high<br />

205gms<br />

$150–250<br />

635<br />

Two silver plate mounted water<br />

jugs and two etched ruby glass<br />

comports, 19th/20 century<br />

one jug with an ice core flask<br />

the largest jug 28.5cm high<br />

$200–400<br />

636<br />

A sterling sugar basin by Daniel<br />

& John Wellby, 1895 London,<br />

and two pairs of sterling salt<br />

and pepper shakers, English<br />

and American<br />

the basin of gadrooned form, a pair<br />

of ornately embossed shakers by<br />

Gorham, and a London made pillar<br />

pair, all hallmarked<br />

the sugar basin 7.5cm high,<br />

16.5cm wide, 12cm deep<br />

total weight of silver 500gms<br />

$400–600<br />

637<br />

An interesting assortment<br />

of small sterling silver wares,<br />

various dates and makers<br />

including a pierced photograph<br />

frame, scent bottles, a pair of<br />

duck salt and pepper shakers,<br />

petite boxes, a vinaigrette,<br />

retractable pencils<br />

the frame 19 x 13cm<br />

total weight of silver 45gms<br />

$200–400<br />

638<br />

A collection of sterling silver<br />

table wares, English, various<br />

makers, late 18th century and<br />

after<br />

nine items comprising a pair of gravy<br />

boats, a pair of condiment shakers, a<br />

pair of salts with blue glass liners, two<br />

bright cut Georgian spoons with crisp<br />

hallmarks, and a mustard spoon<br />

the gravy boats 8cm high, 15cm wide<br />

total silver weight without liners<br />

460gms<br />

$300–500


122<br />

639<br />

A group of four sterling silver<br />

frames together with four<br />

sterling vanity brushware items,<br />

various dates and makers<br />

the largest frame 35 x 34cm<br />

$300–400<br />

640<br />

A sterling silver table snuff box,<br />

1942, London, and a parcel gilt<br />

box by Finnigan's Ltd, 1912,<br />

London<br />

the engine turned box with a cast<br />

floral thumbpiece, maker's marks<br />

rubbed, the oval lidded box engine<br />

turned and decorated with floral<br />

arabesques, retailer's mark for<br />

Finnigan's New Bond Street<br />

the largest box 1.5cm high, 8cm wide,<br />

5cm deep<br />

135gms total weight of silver<br />

$300–400<br />

641<br />

A mixed group of sterling silver<br />

wares, London & Birmingham,<br />

early to late 19th century,<br />

various makers<br />

a fern leaf embellished cigarette<br />

case, a Georgian vinaigrette, and a<br />

Georgian miniature book form box, a<br />

thimble, a locket and a cushion form<br />

Rococo style box, all hallmarked<br />

the cigarette case 10 x 7.5cm<br />

200gms total weight of silver<br />

$250–350<br />

642<br />

A group of six Australian<br />

sterling silver wildflower<br />

spoons, Harris & Sons, Western<br />

Australia, and a gem set sterling<br />

silver fork by Sargison, Hobart<br />

together with an assortment<br />

of English silver items, a<br />

spoon, a pair of petite bon bon<br />

dishes and a pepper pot<br />

the Sargison fork 8cm<br />

190gms silver weight<br />

$200–350<br />

643<br />

An assorted group of<br />

silver wares, candle sticks,<br />

rattle, flatware, and a scent<br />

bottle, 19th/20th century,<br />

various dates and makers<br />

two pairs of heavily weighted<br />

American sterling silver candle<br />

sticks, including a pair by Towle, a<br />

baby rattle with petite bells, a fork<br />

with sterling handle, a Georgian Old<br />

English spoon, a souvenir spoon<br />

and; a flash glass scent bottle with a<br />

sterling turban cap<br />

the largest candlesticks 12.5cm high<br />

165gms silver weight, without<br />

weighted candlesticks and scent<br />

bottle<br />

$280–380<br />

644<br />

A pair of lobed Sheffield<br />

plate meat cloches,<br />

19th/20th century,<br />

mark of JS & S<br />

with bead edge and cast foliate<br />

handles, and engraved crest within<br />

buckle, Audentes Fortuna Iuvat,<br />

(fortune favours the brave)<br />

22cm high, 34cm wide<br />

$400–500<br />

645<br />

A sterling silver gadrooned<br />

edge waiter by Harrison<br />

Brothers & Howson, Sheffield,<br />

1936<br />

crisply hallmarked underside<br />

14.5cm diameter<br />

135gms silver weight<br />

$200–300<br />

646<br />

A Scottish sterling silver golf<br />

themed timber lined box, Brook<br />

& Son, Edinburgh 1892<br />

the table top cigarette box with a<br />

scenic panel to the lid featuring<br />

gentlemen playing golf and an<br />

engraved 1894 presentation<br />

sentiment, twice hallmarked<br />

4cm high, 16.5cm wide, 10.5cm deep<br />

$300–400<br />

647<br />

A sterling silver photo frame,<br />

John Bull Ltd, London 1986<br />

with embossed pendent flora and<br />

cabochon motifs, easel back<br />

18cm high, 13.5cm wide<br />

$100–150<br />

648<br />

A group of silver plate<br />

wares,19th/20th century<br />

a Bellmark Sheffield silver four piece<br />

tea and coffee service, a Hecworth<br />

tray, a pair of heavy gauge lobed<br />

trays and five matching large salts,<br />

probably by John Sherwood & Sons,<br />

with faux silver marks with beaver<br />

stamp<br />

26cm high coffee pot<br />

$300–400<br />

649<br />

A sterling silver platter,<br />

probably American<br />

with a gadroon and floral decorated<br />

edge<br />

33.5cm long<br />

560gms weight of silver<br />

$200–300<br />

650<br />

A collection of mixed sterling<br />

silver table and drinks wares<br />

including Chinese export style<br />

bitters bottles, various dates<br />

and makers<br />

including four Chinese style pepper<br />

shakers, a pierced mustard pot,<br />

salt cellar, and pepper pot with blue<br />

glass liners, a small shell shaped<br />

box and a miniature pail serving as a<br />

pepperette, some items unmarked<br />

the bitters bottles 12cm high<br />

$300–400<br />

651<br />

An .800 standard Continental<br />

silver leaf form dish<br />

heavy gauge with a cast border and<br />

pierced scroll handle<br />

21cm long, weight of silver 325gms<br />

$200–300


123<br />

652<br />

Two sterling silver sauce<br />

boats, and three sterling<br />

silver ladles, various makers,<br />

early 19th century and after<br />

a large bead edge sauce boat and<br />

one smaller, both with flying handles,<br />

Birmingham made, and three<br />

Georgian ladles including a bead<br />

edge pair and a petite twist stem<br />

toddy ladle<br />

the largest sauce boat 10cm high,<br />

19cm wide<br />

480gms total weight of silver<br />

$450–600<br />

653<br />

An interesting mixed group of<br />

silver wares, English, Chinese,<br />

Indian, 19th/20th century<br />

including an English tea caddy<br />

with Rococo style figural panels, by<br />

Samuel Walton Smith, Birmingham<br />

1892, a petite Chinese silver lobed<br />

dish, an Indian silver box, and an<br />

unmarked figure mounted on an 1893<br />

English silver coin<br />

the tea caddy 12cm high,<br />

9cm diameter<br />

total weight of silver without figure,<br />

325 gms<br />

$400–500<br />

654<br />

A sterling silver cruet set by<br />

William Suckling, Birmingham<br />

1946/7 together with a cased<br />

set of demitasse spoons by<br />

James Dixon & Sons, Sheffield<br />

1926<br />

the pepper pot 8cm high<br />

235gms total weight of silver<br />

$200–300<br />

655<br />

A William IV sterling silver<br />

soup ladle by William Edwards,<br />

William Fearn & William Eley<br />

London, 1830<br />

34cm long<br />

245gms weight of silver<br />

$350–500<br />

656<br />

A sterling silver gilt and<br />

enamelled set of demitasse<br />

spoons and cake forks, Frigast,<br />

Denmark<br />

forty eight pieces<br />

450gms total weight<br />

$400–600<br />

657<br />

A Chinese export style .950<br />

silver framed decanter set<br />

comprising 12 liqueur glasses and<br />

a concave sided decanter, each of<br />

clear glass with bamboo leaf pierced<br />

and cast frames, each piece stamped<br />

.950 sterling<br />

22.5cm high<br />

$400–600<br />

658<br />

A George V sterling silver<br />

table cigarette box by William<br />

Frederick Williams, London,<br />

1912<br />

of plain rectangular form, the lid with<br />

an integral match box and gilded<br />

to the interior, the box wood lined,<br />

and with a pull out tray to the base,<br />

inscribed 'To Alfred Fripp, the friend<br />

of the navy 1914-1918'<br />

8cm high, 15cm wide, 9cm deep<br />

775gms total weight<br />

$400–600<br />

659<br />

A pair of sterling silver oval<br />

dishes, probably American<br />

each embossed with flowers and<br />

seed pods, marked 925/1000<br />

underside<br />

each 23cm long<br />

total weight of silver 288gms<br />

$200–300<br />

660<br />

A set of four George V sterling<br />

silver cauldron salts by Haseler<br />

Brothers, London, 1913<br />

each of plain form<br />

255gms total weight of silver<br />

$300–500<br />

661<br />

A set of twelve Tiffany & Co.<br />

sterling silver coasters<br />

stamped Tiffany & Co sterling<br />

underside<br />

8cm diameter<br />

total weight 285gms<br />

$300–400<br />

662<br />

A collection of mostly sterling<br />

silver teaspoons, condiment<br />

spoons and sugar tongs, various<br />

dates and makers<br />

twelve pieces including four .800<br />

silver Rose of Hildescheim style<br />

items, and six silver plate pieces<br />

the largest tongs 14cm long<br />

180gms silver weight<br />

$150–250<br />

663<br />

A collection of silver plated<br />

trays and tablewares<br />

six large trays, a pierced bread<br />

basket, a water jug, a wine coaster,<br />

sauce boat and sugar bowl<br />

comprising twelve pieces<br />

the largest tray 37 x 30cm<br />

$100–200<br />

664<br />

A set of six enamelled sterling<br />

silver open salts and pepper<br />

shakers, by ELA, Denmark<br />

the pepperettes of mushroom form<br />

the salts 5cm diameter, the pepper<br />

shakers 4cm high<br />

155gm total weight<br />

$300–500<br />

665<br />

A collection of Don Sheil<br />

aluminium table wares<br />

together with similar aluminium<br />

wares and metal platters, one Indian,<br />

and comprising two wine coasters,<br />

an oval bread platter, two bowls<br />

and two oval serving platters, salad<br />

servers and cheese knife, each with a<br />

textured finish; Don Shiel signatures<br />

and decals<br />

the bread platter 58cm long<br />

$200–400


124<br />

666<br />

Two sterling silver hip flasks,<br />

Sampson Mordan & Co., London<br />

1915, and G & J W Hawksley Ltd,<br />

Sheffield 1904<br />

both with twist hinged caps, the<br />

larger with a removable cup,<br />

hallmarked<br />

16cm and 8cm high<br />

335gms silver weight<br />

$300–400<br />

667<br />

A sky blue enamelled jewellery<br />

casket, 19th/20th century<br />

the cushion form panels hand<br />

decorated with lily-of-the-valley and<br />

forget-me-nots, with bead trim and<br />

gilt metal mounts, with a buttoned<br />

silk interior<br />

8cm high, 13cm wide, 9cm deep<br />

$200–300<br />

668<br />

A large collection of silver plate<br />

tableware<br />

comprising seven various serving<br />

dishes and a teapot, a tureen,<br />

coasters, boxed napkin rings, an<br />

Alessi fruit bowl, bone handled<br />

appetiser forks, platters, Strachan<br />

coasters, condiment bowls, salt<br />

and pepper shakers, a silver etched<br />

Victorian tumbler<br />

the coffee pot 30cm high<br />

$100–200<br />

669<br />

A set of six Israeli sterling silver<br />

teacups and saucers<br />

each with filigree frames and clear<br />

glass inserts.<br />

total weight of silver 930gms<br />

each saucer 11.5cm diameter<br />

$400–600<br />

670<br />

A group of four sterling silver<br />

pillar casters, various makers,<br />

Birmingham and London,<br />

1903-1938<br />

all hallmarked<br />

the largest 17cm high, 435gms total<br />

silver weight<br />

$350–450<br />

671<br />

A Viner & Hall silver plated<br />

cutlery service in a walnut<br />

canteen table<br />

comprising 12 each dinner knives<br />

and forks, entrée knives and forks,<br />

fish knives and forks, teaspoons,<br />

demitasse spoons, fruit knives,<br />

soup spoons, dessert spoons, five<br />

tablespoons, and a ladle, the knives<br />

with faux bone handles, the felt lined<br />

canteen table raised on cabriole legs<br />

the canteen 78cm high, 60cm wide,<br />

45cm deep<br />

$200–300<br />

672<br />

A continental silver wire wine<br />

basket<br />

34cm long<br />

$200–300<br />

673<br />

A good collection of sterling<br />

silver bon bon dishes, salts,<br />

sauce dishes, various makers,<br />

English, 19th/20th century<br />

seventeen items including three<br />

pairs of decoratively pierced bon bon<br />

dishes, pairs of salts, assorted little<br />

bowls and dishes<br />

the largest footed bon bon dish<br />

4.5cm high, 16cm high, 11cm deep<br />

620gms total silver weight<br />

$400–600<br />

674<br />

Two sterling silver hip flasks,<br />

together with a silver plate flask,<br />

19th/20th century<br />

a flask with a removable cup in a<br />

hammered finish, Steinhart & Co.<br />

London 1910; a demi-lune shape<br />

flask, William Neal, London 1877, and;<br />

an engraved silver plate flask with<br />

leather cladding<br />

the glass flask 16cm high, the sterling<br />

flask 12cm high<br />

215gms silver weight without glass<br />

flask<br />

$300–500<br />

675<br />

An English sterling silver wood<br />

clad box, William Comyns &<br />

Sons, London 1896, and a Dutch<br />

silver box, 19th century<br />

a wood and velvet lined embossed<br />

box with dove and foliage motifs<br />

to the lid, the footed Dutch box<br />

with bright cut scenes of cottages<br />

and yachts amidst Rococo style<br />

decoration, hallmarked to both items<br />

4cm high, 18cm wide, 6.5cm deep<br />

175gms, Dutch box<br />

$250–350<br />

676<br />

A pair of Georgian silver salts, a<br />

single salt and a later bon bon<br />

dish, London and Birmingham,<br />

18th-20th century<br />

a pair of bright cut and pierced<br />

navette shaped salts, George<br />

Burrows I, London 1787, a single<br />

pierced salt with husk swags,<br />

Robert Hennell I, London, 1783,<br />

and; a pierced bon bon dish in the<br />

Neoclassical style, T.W, Birmingham,<br />

1900, all with blue glass liners, also<br />

including two petite sterling silver<br />

condiment spoons<br />

bon bon dish 7.5cm high (excluding<br />

handle) , 12.5cm wide, 11cm deep<br />

260gms silver weight<br />

$400–600<br />

677<br />

A small George II sterling silver<br />

caster, London 1751, together<br />

with two sterling silver posy<br />

vases, and a pair of American<br />

sterling salt and pepper pots,<br />

early 20th century<br />

the Georgian caster with indistinct<br />

maker's marks, embossed and<br />

chased in the Rococo manner, a pair<br />

of London 1900 sterling vases, and<br />

lightly weighted pillar casters with an<br />

applied border, hallmarked to all<br />

15.5cm high, vase pair, Georgian<br />

caster 11.5cm high<br />

430gms silver weight<br />

$300–500


125<br />

678<br />

A group of eleven assorted<br />

silver items, salts,<br />

candleholders, various dates<br />

and makers<br />

including a bell, two pairs of small<br />

candleholders, a pair of salts, two<br />

Viking ship salts, a Norwegian pepper<br />

pot, a calendar stand<br />

10cm high, bell<br />

470gms total silver weight with<br />

weighted candle holders<br />

$200–300<br />

679<br />

Three silver gilt vanity jars and<br />

bottles, two sterling mustard<br />

pots and a toast rack, early<br />

19th/20th century<br />

the cut crystal and silver gilt bottles<br />

by J.C Vickery, Regent Street London,<br />

a George IV threaded mustard pot<br />

with a blue glass liner, a Victorian<br />

spiral gadrooned mustard pot, and a<br />

sterling toast rack, all hallmarked<br />

bottle 11.5cm high<br />

280gms silver weight (vanity bottles<br />

excluded)<br />

$300–400<br />

680<br />

An interesting assortment of<br />

eight mostly sterling silver<br />

wares, English, Australian,<br />

Mexican, Indian, various dates<br />

and makers, 19th/20th century<br />

comprising two chatelaine pouches,<br />

one with clip and leather clad;<br />

an Indian lozenge shaped box; a<br />

decorative etui holder, probably<br />

Mexican; a petite rattle with a mother<br />

of pearl handle, two 1943 Australian<br />

'three pence' condiment spoons, and<br />

a compact with a pierced mother of<br />

pearl 'star of Bethlehem' face<br />

etui holder with clip, 24cm long<br />

245gms total weight<br />

$200–400<br />

681<br />

Three sterling silver ink wells,<br />

19th/20th century<br />

one with a silver inlaid tortoiseshell<br />

lid, one with a guilloche blue enamel<br />

lid, all hallmarked, and including a<br />

small unmarked pot with an ivory<br />

handle<br />

10cm diameter largest ink well<br />

$300–400 ♦<br />

682<br />

A Victorian sterling silver card<br />

case, Hilliard & Thomason,<br />

Birmingham 1884<br />

delicately engraved and chased with<br />

scrolling flora, a monogrammed gold<br />

shield cartouche to the case, lined<br />

with teal moire taffeta and housed in<br />

a hard case<br />

10 x 7cm, 95gms silver weight<br />

$200–300<br />

683<br />

A sterling silver cigar set, with<br />

case, vesta, cigar mouthpiece<br />

and holder, Samuel M. Levi,<br />

Birmingham 1901<br />

the shaped cushion form case with<br />

engraved foliate decoration and<br />

a 1903 presentation inscription, a<br />

matching vesta, cigar mouthpiece<br />

holder, all gilt washed to the interiors,<br />

and a cellulose mouthpiece with a 9ct<br />

gold mount, all elements hallmarked,<br />

in a hard case<br />

190gms silver weight<br />

$300–500<br />

684<br />

A fine Sheffield silver plate<br />

greyhound theme inkwell set,<br />

together with a sterling silver<br />

inkpot and tray, Walker & Hall,<br />

Birmingham 1914<br />

a well cast gilt washed desk set with<br />

recumbent greyhounds and two<br />

crystal pots, together with a bead<br />

edge serpentine tray with a single cut<br />

crystal bottle with silver mounts<br />

13.5cm high, 21.5cm wide, 17cm deep<br />

$300–400<br />

685<br />

A collection of six sterling silver<br />

Old English and Fiddle pattern<br />

sugar tongs, various dates and<br />

makers, late 18th/19th century<br />

includes a George III pair by John<br />

Langlands II, Exeter<br />

the largest 15cm, 295gms total silver<br />

weight<br />

$300–400<br />

686<br />

A George III sterling silver bone<br />

marrow scoop, William Eley I &<br />

William Fearn, London 1818<br />

of typical form with scoops to both<br />

ends, stag crest to underside of bowl,<br />

crisply hallmarked to handle<br />

23cm long<br />

65gms silver<br />

$300–500<br />

687<br />

Two silver toddy ladles with<br />

wrythen baleen handles<br />

in the Georgian manner with<br />

feathered engraving to the throats,<br />

one with a gilt washed bowl, both<br />

unmarked<br />

36.5cm long<br />

$200–300<br />

688<br />

Two English sterling silver tea<br />

caddy spoons, a Chinese silver<br />

tea strainer and a small sugar<br />

shovel, 19th/20th century<br />

a bright cut shell form tea caddy<br />

spoon, an ornate grape vine<br />

embossed and cast tea caddy spoon,<br />

a moving tea strainer with drip tray by<br />

Hung Chong, Canton and Shanghai,<br />

and; a Rose of Hildesheim type sugar<br />

shovel, apparently unmarked<br />

the tea strainer 4.5cm high<br />

total weight of silver without sugar<br />

shovel 90gms silver weight<br />

$200–300


126<br />

689<br />

An interesting group of five<br />

silver tea accessories, Russian,<br />

German and English, mid<br />

19th/20th century<br />

comprising an 1846 .875 Russian tea<br />

strainer with an agate handle, with<br />

rare western provinces town mark of<br />

Tartu; a post 1886 German .800 silver<br />

strainer; a Sheffield sterling strainer<br />

and a small slops bowl, and; an<br />

ornate bright cut Victorian infuser<br />

17.5cm Russian strainer<br />

240gms silver weight<br />

$300–500<br />

690<br />

A pierced sterling silver bon bon<br />

dish, William Comyns & Sons,<br />

London 1909<br />

the heavy gauge dish with bead trim,<br />

ribbon handles and raised on pierced<br />

feet,<br />

9.5cm high, 21.5cm wide, 14cm deep<br />

425gms<br />

$400–500<br />

691<br />

A group of eleven mixed<br />

table and drinks accessories,<br />

20th century, various makers<br />

including a pair of sterling mounted<br />

hardstone knife rests, three sterling<br />

retractable drinks whisks, two hors<br />

d'oeuvres picks in the shape of corn<br />

cobs, a retractable pencil, together<br />

with a pair of silver plate pheasant<br />

knife rests<br />

hardstone knife rests 8cm<br />

140gms total weight, excluding silver<br />

plate items<br />

$80–100<br />

692<br />

A group of silver plate table<br />

accessories, 19th/20th century<br />

comprising a tea strainer, candlewick<br />

snuffer, grape scissors, two pairs of<br />

scissored tongs<br />

24cm long<br />

$100–200<br />

693<br />

A group of four Georgian<br />

bright cut sugar tongs, late<br />

18th/19th century, various dates<br />

and makers including Hester<br />

Bateman<br />

15cm longest<br />

120gms silver weight<br />

$250–350<br />

694<br />

A collection of five sterling<br />

silver sugar tongs, English, Irish,<br />

19th/20th century<br />

together with an unmarked and an<br />

EPNS pair<br />

15cm long<br />

total weight of silver 200gms<br />

$200–300<br />

695<br />

A mixed group of silver tea<br />

and table wares, English,<br />

Dutch, German, American,<br />

19th/20th century, various dates<br />

and makers<br />

includes one silver plate spoon<br />

cake slice 25cm long<br />

225gms silver weight excluding<br />

plated spoon<br />

$100–200<br />

696<br />

A Russian enamelled .875 silver<br />

spoon<br />

with a cloisonné decorated bowl,<br />

bearing rubbed marks for St<br />

Petersburg, zolotnik 84, assay master<br />

A.A with 1880s date mark<br />

14cm long<br />

$300–500<br />

697<br />

A sterling silver reticulated<br />

bowl by James Dixon & Sons,<br />

Sheffield, 1944<br />

on a footed base, crisply hallmarked<br />

underside<br />

4.5cm high, 16.5cm diameter<br />

240gms silver weight<br />

$200–400<br />

698<br />

Two Old Sheffield plate<br />

stands and a pair of coasters,<br />

early 19th century<br />

a bead edge stand with anthemion<br />

feet and a thread edge stand,<br />

together with pierced, engraved and<br />

bright cut coasters, all exhibiting<br />

exposed copper<br />

17cm wide, 13cm deep<br />

4cm high, 12.5cm high diameter<br />

-coasters<br />

$300–400<br />

699<br />

Two antique silver plate trays,<br />

early 19th century<br />

with gadroon and shell form borders<br />

31.5cm wide, 23.5cm deep<br />

$200–300<br />

700<br />

Two pairs of Sheffield plate<br />

candlesticks, one pair<br />

telescopic, early 19th century<br />

the heavily weighted sticks, one<br />

pair with egg and dart borders, the<br />

telescopic pair with Rococo shell and<br />

scroll forms and leafy cast dishes,<br />

both pairs with exposed copper<br />

22.5cm high, and 17.5cm high<br />

$300–400<br />

701<br />

A pair of electroplate<br />

Renaissance Revival<br />

candlesticks, Elkington & Co,<br />

1895 and 1896<br />

the knopped heavy gauge cast sticks<br />

ornamented with ram's heads, figures<br />

and classical borders, stamped<br />

marks and date ciphers underside<br />

18cm high<br />

$400–600<br />

702<br />

An American sterling silver<br />

vase, early 20th century<br />

the weighted amphora shape vase<br />

with a concentric rib design and high<br />

set handles, marked .925 to foot<br />

23.5cm high, 330gms total weight<br />

$300–400


127<br />

703<br />

A reticulated sterling silver dish,<br />

Joseph Rodgers & Sons, 1902<br />

Sheffield<br />

decoratively embossed with<br />

flowerheads, scrolling forms, scallop<br />

shells and rosettes to the rim, crisply<br />

hallmarked to the interior<br />

5cm high, 31.5cm wide, 23cm deep<br />

305gms<br />

$300–500<br />

704<br />

A mixed group of nine sterling<br />

silver napkin rings, English and<br />

Australian<br />

various dates and makers including<br />

Stokes, hallmarked<br />

the largest 3cm high, 4.5cm diameter<br />

245gms silver<br />

$160–200<br />

705<br />

A group of four sterling silver<br />

posy vases, Goldsmiths &<br />

Silversmiths Co Ltd, London<br />

1909<br />

weighted faceted vases with pierced<br />

everted rims<br />

11cm high<br />

total weight 745gms<br />

$300–400<br />

706<br />

Four assorted sterling silver<br />

wares, English, 19th century<br />

a scent bottle, a small cup, a petite<br />

box, cased egg cup and spoon set<br />

with an unrelated napkin ring<br />

13.5cm high, scent bottle<br />

175gms silver<br />

$200–300<br />

707<br />

Two sterling silver toast racks,<br />

B&W Ltd, 1930, and F.H. Adams<br />

& Co, 1936, both Birmingham<br />

both hallmarked<br />

10cm high, 10cm wide, 6cm deep<br />

230gms<br />

$160–200<br />

708<br />

A sterling silver salver, L/BCo<br />

Ltd, London 1939<br />

the lobed salver with a finely<br />

gadrooned rim and raised on pad<br />

feet, crisply hallmarked underside<br />

21.5cm diameter<br />

380gms<br />

$300–500<br />

709<br />

A petite Austrian sterling silver<br />

and yellow guilloche enamel<br />

box, post 1922<br />

with a pierced floral insert and cast<br />

flowerhead border opening to a gilt<br />

washed interior, stamped sterling<br />

silver Austria, also marked with<br />

hoopoe bird and .935 standard<br />

5cm diameter<br />

$200–300<br />

710<br />

A sterling silver and crystal<br />

inkwell set, Walker & Hall,<br />

Sheffield 1899<br />

of serpentine profile with an applied<br />

gadrooned rim punctuated with<br />

scallop shells, two square crystal<br />

bottles with conforming shell form<br />

hinged lids, hallmarked to tray,<br />

retailer stamp also to base<br />

23.5cm wide, 17cm deep<br />

345gms silver weight without bottles<br />

$400–600<br />

711<br />

A petite sterling silver and<br />

guilloche enamel trinket box,<br />

Robert Chandler, Birmingham<br />

1912<br />

shaped as a French style table<br />

of serpentine profile and raised<br />

on cabriole legs, the lid with a<br />

floral diamond feature with gilt<br />

enrichments upon a teal ground,<br />

hallmarked to the the gilt washed<br />

interior<br />

3.5cm high, 7.5cm wide, 5cm deep<br />

70gms total weight<br />

$300–400<br />

712<br />

An articulated white metal and<br />

brass fish vinaigrette, probably<br />

Indian or Persian<br />

with a hinged lid opening to a gilt<br />

washed interior, with red paste stone<br />

eyes<br />

8.5cm long<br />

$200–300<br />

713<br />

A group of three Georgian<br />

sterling silver tea caddy spoons,<br />

various makers, Birmingham<br />

1807, 1819 and probably 1835<br />

a petite caddy spoon with bright<br />

cutting to the round bowl and handle,<br />

a floral embossed shell form spoon<br />

with an applied cast handle, and;<br />

a scallop shell spoon with a curled<br />

handle, all hallmarked<br />

6.5cm to 8cm long<br />

30gms silver weight<br />

$300–400<br />

714<br />

A George III sterling silver two<br />

handled pedestal cup, Thomas<br />

Pratt & Arthur Humphries,<br />

London 1783<br />

of Neoclassical inspiration with<br />

swags of embossed husks or<br />

bluebells, rosettes and pendent<br />

blooms, gadrooned to the lower<br />

register and gilt washed to the<br />

interior, hallmarked underside and<br />

also to interior of cup<br />

13.5cm high<br />

200gms silver weight<br />

$450–600<br />

715<br />

A Victorian sterling silver calling<br />

card case, Frederick Marson<br />

(also stamped CD), Birmingham<br />

1876 and a later cigarette case<br />

the calling card case with engraved<br />

foliage throughout and centred with a<br />

medallion, the cigarette case marked<br />

.925, STG with possible beaver mark<br />

10cm x 7.5cm<br />

120 gms silver weight<br />

$240–300


128<br />

716<br />

A carved wood figure of Liu Hai<br />

Qing dynasty, 19th century<br />

his features well defined standing<br />

with left arm raised clasping an<br />

inscribed cash, gazing down to his<br />

three-legged toad climbing up his<br />

leg, wearing flowing robes and a<br />

wide-brimmed straw hat tied over his<br />

back, a bat to one side and the Three<br />

Abundancies tied to his belt<br />

44cm high<br />

$200–300<br />

717<br />

A carved mother of pearl shell<br />

20th century<br />

the interior carved in relief with the<br />

Eight Immortals supported on clouds<br />

above mountain peaks 22.1cm high,<br />

25.3cm wide<br />

$200–400<br />

718<br />

Chinese Calligraphy<br />

ink on paper<br />

bearing the signature Shi Li and one<br />

seal, framed<br />

79.5 x 35cm<br />

$200–300<br />

719<br />

A group of five Yixing teapots<br />

20th century<br />

including a dragon's head teapot with<br />

a dragon protruding from an aperture<br />

in the cover,<br />

impressed marks to the bases<br />

the largest 8.5cm high<br />

$100–200<br />

720<br />

A collection of six small<br />

Yixing teapots<br />

20th century<br />

the covers with frog, squirrel, ox and<br />

fish form knops, impressed marks<br />

to bases<br />

the largest 17cm<br />

$100–200<br />

721<br />

A group of nine yixing teapots<br />

each with gilt or coloured decoration,<br />

marks to the base<br />

the largest 19cm long<br />

$100–200<br />

722<br />

A collection of eight small<br />

yixing teapots<br />

of various colours, marks to the base<br />

the largest 13.5cm long<br />

$80–120<br />

723<br />

A collection of Yixing botanical<br />

teawares<br />

comprising six teapots, a jar and<br />

cover, a model of a lotus pot, a small<br />

lotus bowl, four covers and five small<br />

botanic models, marks to the base<br />

the largest teapot 16cm high<br />

$100–200<br />

724<br />

A bronze figure of a Chinese<br />

Han-style 'flying' horse<br />

in galloping stance supported<br />

on one hoof resting on a prone<br />

eagle, the head held high with<br />

mouth open and tail raised, the<br />

bronze with green patina<br />

27cm high<br />

$200–400<br />

725<br />

An ivory carving of a fisherman<br />

Meiji period<br />

standing with jovial expression,<br />

clasping a bamboo rod in one hand<br />

and a fish and basket in the other,<br />

wood stand<br />

23cm high<br />

CITES is a multilateral treaty to<br />

protect endangered plants and<br />

animals.<br />

$400–600 ♦<br />

726<br />

A soapstone 'persimmon' jar<br />

and cover<br />

carved from an olive green stone<br />

8cm wide<br />

$200–300<br />

727<br />

A bronze figure of a Chinese<br />

Tang-style horse<br />

standing on a rectangular base<br />

with one foreleg raised, the head<br />

lowered with mouth open and<br />

neck arched with long mane<br />

and docked tail, a saddle and<br />

saddle cloth with trappings over<br />

its back, the bronze with some<br />

green and cream patination<br />

wood stand<br />

23cm high<br />

$200–400<br />

728<br />

A brown-glazed Matarban<br />

stoneware storage jar<br />

the shoulders carved with a lotus<br />

scroll and set with four lug handles<br />

35cm high<br />

PROVENANCE<br />

Sotheby's, Hong Kong, 23 May 1981,<br />

lot 1065<br />

$250–300<br />

729<br />

Two Sotheby's New York hard<br />

back catalogues of Junkunc,<br />

<strong>The</strong> Arts of Ancient China<br />

comprising Junkunc, <strong>The</strong> Arts of<br />

Ancient China, 19 March 2019, and<br />

Part II, 10 September 2019<br />

$250–350<br />

730<br />

A collection of seventeen books<br />

on Chinese Snuff Bottles<br />

including <strong>The</strong> Collector's Book of<br />

Snuff Bottles, by Bob C. Stevens;<br />

Masterpieces of Chinese Snuff<br />

Bottles in the National Palace<br />

Museum; <strong>The</strong> Ko Family Collection of<br />

Chinese Snuff Bottles Parts I, II and<br />

III, sold at Christie's 1971-73; Snuff<br />

Bottles of China, by Hugh M. Moss;<br />

Chinese Snuff Bottles, by Lilla S.<br />

Perry; Snuff Bottle Terminology Part I,<br />

by Raymond Li<br />

$200–300


129<br />

731<br />

Five hard cover books on<br />

Chinese ceramics and works<br />

of art<br />

comprising, Oriental Ceramics, Vol II:<br />

<strong>The</strong> World's Great Collections - <strong>The</strong><br />

Metropolitan Museum of Art New<br />

York, by Suzanne G Valenstein and<br />

2 more; China: A History in Art, by<br />

Bradley Smith and Wan-go Weng;<br />

Chinese Ceramics, by Michel and<br />

Cecile Beurdeley; Oriental Ceramic<br />

Art, by S.W. Bushell; and Chinese Art<br />

– <strong>The</strong> Minor Arts by R. Soame Jenyns<br />

and William Watson<br />

$200–250<br />

732<br />

Seven reference books on<br />

Japanese Art and Culture<br />

comprising, <strong>The</strong> Heritage<br />

of Japanese Art, Kodansha<br />

International Ltd, hard cover; A<br />

History of Japanese Art, by Penelope<br />

Mason; Japan: Masterpieces from<br />

the Idemitsu Collection; Japanese<br />

Art: A Collector's Guide by Alex<br />

Newman and Egerton Ryerson;<br />

Japanese Culture: Third Edition,<br />

by Paul Varley; Japanese Art, by<br />

Joan Stanley-Baker; and Japan: A<br />

Reinterpretation, by Patrick Smith<br />

$150–200<br />

733<br />

A collection of ten books<br />

on Indian and Tibetan Arts,<br />

Mythology and Architecture<br />

including, Indian and Western<br />

Painting, 1780-1910, <strong>The</strong> Ehrenfeld<br />

Collection, 1998; <strong>The</strong> New Cambridge<br />

History of India: Mughal and Rajput<br />

Painting, Milo Cleveland Beach;<br />

<strong>The</strong> Art of Ancient India, Susan<br />

L. Huntington, contributions by<br />

John C. Huntington; Classic Hindu<br />

Mythology by Cornelia Dimmitt<br />

and J.A.B. van Buitenen; Indian<br />

Art: A Concise History, by Roy<br />

C. Craven; Sacred Visions: Early<br />

Paintings from Central Tibet, by<br />

Stephen M. Kossak and Jane Casey<br />

Singer; Mandala: <strong>The</strong> Architecture<br />

of Enlightenment, Denise Patry<br />

Leidy and Robert A.F. Thurman<br />

$150–250<br />

734<br />

A collection of eleven<br />

Sotheby's international auction<br />

catalogues<br />

of Indian, South East Asian and<br />

Islamic Arts, carpets and textiles,<br />

including the Stuart Cary Welch<br />

Collection, Part two, Arts of<br />

India, London 31 May 2011; and<br />

Indian Miniatures, the Property<br />

of the British Rail Pension<br />

Fund, London 26 April, 1994<br />

$100–200<br />

735<br />

A collection of thirteen<br />

international auction<br />

catalogues<br />

of Chinese and Asian ceramics,<br />

works of art and jewellery including,<br />

A Rediscovered Imperial Heirloom,<br />

Ten Auspicious Landscapes of<br />

Taiwan by Qian Weicheng, Sotheby's<br />

Hong Kong 3 April 2018; Imperial<br />

Chinese works of art from the<br />

Collection of Mr and Mrs Richard<br />

C. Bull, Sotheby's New York, 6<br />

December 1983; and Eight Treasures<br />

from a Private Collection, Sotheby's<br />

Hong Kong, 2 November 1998<br />

$180–220<br />

736<br />

A collection of sixteen reference<br />

books on Chinese history, works<br />

of art and paintings<br />

including, <strong>The</strong> Asian Art Museum<br />

of San Francisco, Selected Works;<br />

<strong>The</strong> Treasures and Dynasties of<br />

China, Bamber Gascoigne, hard<br />

cover; Fantastic Mountains; Chinese<br />

Landscape Painting from the<br />

Shanghai Museum, Liu Yang and<br />

Edmund Capon; Chinese Paintings of<br />

the Ming and Qing Dynasties: 14th-<br />

20th centuries, exhibition catalogue<br />

Edmund Capon and Mae Anna Pang;<br />

<strong>The</strong> Compelling Image - Nature<br />

and Style in Seventeenth Century<br />

Chinese Paintings, James Cahill;<br />

<strong>The</strong> Arts of China, Michael Sullivan;<br />

China: Cambridge Illustrated History,<br />

Patricia Buckley Ebrey, hard cover<br />

$150–250<br />

737<br />

Two Sotheby's Hong Kong hard<br />

back catalogues of <strong>The</strong> Edward<br />

T. Chow Collection and <strong>The</strong><br />

Meiyintang Collection<br />

comprising <strong>The</strong> Edward T. Chow<br />

Collection, Part One, Ming and Qing<br />

Porcelain, 25 November 1980; and<br />

<strong>The</strong> Meiyintang Collection, Part V,<br />

An Important Selection of Imperial<br />

Chinese Porcelains, 8 April 2013<br />

$300–500<br />

738<br />

A collection of twenty reference<br />

books on Chinese history, works<br />

of art and paintings<br />

including, Chinese Ornament <strong>The</strong><br />

Lotus and the Dragon, Jessica<br />

Rawson; A Handbook of Chinese<br />

Ceramics, Suzanne Valenstein; <strong>The</strong><br />

Arts of China, Hugo Munsterberg,<br />

hard cover; Treasures from the<br />

Shanghai Museum: 6,000 years of<br />

Chinese Art; A Decade of Collecting –<br />

Asian Art Museum of San Francisco;<br />

Mountains and Streams, Mae Anna<br />

Pang; Art in China, Craig Clunas;<br />

<strong>The</strong> Golden Peaches of Samarkand,<br />

Edward H. Schafer<br />

$200–300<br />

739<br />

A collection of fourteen<br />

Sotheby's international auction<br />

catalogues<br />

of Japanese ceramics, works of art,<br />

paintings and prints, including the<br />

Betty Jahss Collection of Netsuke,<br />

Part I and II, London 14 November<br />

1991 and 18 June 1991; the Raymond<br />

and Frances Bushell Collection of<br />

Inro and Lacquer, London 18 June<br />

1997 and New York 21 March 2000;<br />

and the Gretchen Kroch Ketsch<br />

Lacquer Collection Part I and II, New<br />

York 11 March 1981 and 27 March 1982<br />

$100–200


130<br />

740<br />

A collection of fourteen<br />

international auction<br />

catalogues<br />

of Chinese ceramics and works of art,<br />

including Imperial Chinese Ceramics<br />

from the J.M. Hu Family Collection,<br />

Sotheby's New York, 4 June 1985;<br />

Chinese Ceramic Sculpture from<br />

the Collection of Lillian Schloss,<br />

Sotheby's New York, 3 December<br />

1984, and 9 December 1987; and <strong>The</strong><br />

Lost Wisdom Sutra, Sotheby's Hong<br />

Kong, 3 April 2018<br />

$180–220<br />

741<br />

Two hard back Sotheby's<br />

international catalogues of the<br />

Sakamoto Goro Collection<br />

comprising: Lacquer, Hong Kong 8<br />

October 2013; and Early Chinese Art,<br />

New York, 13 September 2016<br />

$250–350<br />

742<br />

A Japanese Imari vase<br />

20th century<br />

painted with floral panels on a flower<br />

and diaper ground, wood stand<br />

56cm high<br />

$200–400<br />

743<br />

A small green glazed tileworks<br />

pillow<br />

Ming dynasty<br />

of rectangular form, the sides with<br />

flowering plants in relief picked out<br />

in cream and chestnut; together with<br />

a green glazed pottery vase, one<br />

side with a figural panel in relief on a<br />

chestnut ground<br />

the tablet 21.5cm long<br />

the vase 15.5cm high<br />

$400–600<br />

744<br />

Two wood netsuke<br />

Meiji period<br />

comprising one of a standing figure<br />

with a lion mask over his head; and a<br />

slender figure of a maiden standing<br />

holding a basket, signed<br />

10.3cm and 7.7cm<br />

$300–500<br />

745<br />

Three Japanese wood block<br />

prints<br />

two attributed to Chikanobu and<br />

Kunisada depicting women wearing<br />

traditional kimonos and holding fans,<br />

and one of a male samurai actor<br />

holding a sword, gilt wood frames<br />

53cm x 38cm, 50cm x 37cm,<br />

56cm x 41.5cm<br />

$400–600<br />

746<br />

A collection of thirteen books<br />

on Chinese Works of Art<br />

including <strong>The</strong> Chinese Collector<br />

through the Centuries, by Michel<br />

Beurdeley; Chinese Ivory Sculpture,<br />

by Warren E. Cox; Chinese Painting,<br />

by William Cohn; Chinese Art, by<br />

Stephen W. Bushell Vols I and II;<br />

Chinese Buddhist Bronzes, by<br />

Hugo Munsterberg; Foundations<br />

of Chinese Art, by William Willetts;<br />

Chinese Jade throughout the Ages,<br />

by Stanley Charles Nott<br />

$150–250<br />

747<br />

A Satsuma earthenware<br />

saucer dish<br />

Meiji period<br />

stoutly potted and decorated on the<br />

interior with three simulated scroll<br />

paintings of figure scenes reserved<br />

on a ground of flowering poppies<br />

and wisteria, two character mark on<br />

the base<br />

30.5cm diameter<br />

$300–500<br />

748<br />

An impressive celadon charger<br />

with moulded floral decoration<br />

enclosed by borders and a serpentine<br />

and barbed rim<br />

74.5cm diameter<br />

$300–500<br />

749<br />

A collection of seven reference<br />

books on Chinese ceramics and<br />

works of art<br />

comprising, Song Ceramics, Mary<br />

Tregear; Tang and Liao Ceramics,<br />

William Watson; Sung Ceramics, Liu<br />

Liang-yu; Foundations of Chinese<br />

Art, William Willetts; Great National<br />

Treasures of China, Masterworks in<br />

the National Palace Museum; Arts of<br />

China Neolithic Cultures to the Tang<br />

dynasty; Chinese Blue and White<br />

Porcelain, Duncan Macintosh<br />

$150–250<br />

750<br />

CHINESE SCHOOL<br />

Birds and Flowers<br />

ink and colour, four paintings<br />

depicting owls, an egret, song birds<br />

and cranes with two seals, framed<br />

each 123 x 49cm<br />

$300–500<br />

751<br />

Three ivory carvings<br />

early 20th century<br />

comprising two netsuke of monkeys,<br />

and a polychrome figure of an<br />

elephant<br />

the largest 5.5cm high<br />

$200–300 ♦<br />

752<br />

A Thai gilt wood figure of<br />

Buddha<br />

seated in bhumisparshamudra on<br />

a high base, the head with long<br />

earlobes and downward gaze<br />

47cm high<br />

NOTE<br />

This lot is sold with a Certificate<br />

of Origin from Chin Hua Galleries,<br />

Sydney, July 1986<br />

$300–500


131<br />

753<br />

A collection of thirteen<br />

reference books on Chinese<br />

ceramics, works of art and<br />

paintings<br />

including, Chinese Art, R Soame.<br />

Jenyns, Vols I, II and III; Masterpieces<br />

of Chinese works of art and ceramics<br />

in the National Palace Museum,<br />

four volumes; Chinese Blue and<br />

White Porcelain, Duncan Macintosh;<br />

Chinese Export Porcelain, D.F.<br />

Lunsingh Scheurleer; Oriental Blue<br />

and White, Sir Harry Garner; Chinese<br />

Pottery and Porcelain, R. L. Hobson;<br />

Chinese Porcelain, Anthony Du<br />

Boulay; Chinese Watercolours<br />

$200–300<br />

754<br />

A large Canton famille rose bowl<br />

Qing dynasty, 19th century<br />

the interior brightly enamelled with<br />

figure scenes alternating with panels<br />

of birds and flowers, reserved on the<br />

foliate scroll gilt ground; together<br />

with a later white glazed bowl, wood<br />

stand<br />

the large bowl 47.7cm diameter<br />

the small bowl 17.5cm diameter<br />

$400–500<br />

755<br />

A pair of Chinese soapstone<br />

bookends and a soapstone vase<br />

each carved in high relief with birds<br />

and flowering plants<br />

17cm and 31cm high<br />

$200–300<br />

756<br />

A pair of iron-red and gilt<br />

decorated vases<br />

20th century<br />

the sides painted with figures walking<br />

in temple gardens, an inscription in<br />

black on the reverse, Qianlong marks<br />

each 21.5cm high<br />

$400–600<br />

757<br />

A collection of seven reference<br />

books on Chinese paintings and<br />

works of art<br />

including, Six Masters of Early Qing<br />

and Wu Li, Laurence C.S. Tam;<br />

Chinese Watercolours, Josef Hejzlar;<br />

Fu Baoshi Fan Face Collection;<br />

Masterworks of Chinese Jade in the<br />

National Palace Museum; Chinese<br />

Blue and White Porcelain, Duncan<br />

Macintosh<br />

$100–200<br />

758<br />

Two small celadon jade carvings<br />

comprising one of a small boy holding<br />

the stem of a large leaf over one<br />

shoulder, wood stand; and an archer's<br />

ring, the stone with faint russet<br />

suffusions<br />

the ring 3cm high<br />

$300–400<br />

759<br />

A blue and white dish<br />

late Qing dynasty<br />

painted with a crane in a central<br />

medallion, character mark, fitted box<br />

20.5cm<br />

This lot is sold with a Certificate of<br />

Authenticity from Chinese Arts and<br />

Crafts (H.K.) Ltd November 1992,<br />

dating the dish to Qing-Kangxi<br />

$300–400<br />

760<br />

An Indian carved ivory<br />

covered box<br />

19th century<br />

the straight sides carved in high relief<br />

with a figure leading a camel train<br />

with a female rider, approaching a<br />

lion on the tree lined rocky path<br />

9cm wide<br />

$200–400 ♦<br />

761<br />

An ivory okimono<br />

Meiji period<br />

of a man standing clasping the<br />

wide sleeve of his jacket worn over<br />

pantaloons, his cap tied with a rope<br />

around his neck, the face with fierce<br />

expression<br />

10cm high<br />

$300–500 ♦<br />

762<br />

A hardstone figure<br />

of an elephant<br />

20th century<br />

standing with head reared up<br />

and trunk curled over its head,<br />

the tusks inset in ivory, the<br />

stone in dark mottled tones of<br />

green, fitted wood stand<br />

24cm high<br />

$300–500 ♦<br />

763<br />

A Japanese Satsuma 'carp' vase<br />

20th century<br />

the fish rising from a swirling sea,<br />

picked out in colours and gilding<br />

28cm high<br />

$300–500<br />

764<br />

Two small blue and white<br />

square jarlets<br />

Yuan dynasty<br />

one with chilong on the shoulders the<br />

other with lug handles, both painted<br />

with floral sprays, labels for the<br />

National Museum, Philippines<br />

6.5cm high<br />

$400–600<br />

765<br />

A large blue and white vase<br />

19th/20th century<br />

painted with shou characters on<br />

a ground of floral scrolls between<br />

formal borders, wood stand<br />

44cm high<br />

$400–600


132<br />

766<br />

A small bronze ink cake rest and<br />

five copper tea saucers<br />

19th/20th century<br />

the rectangular ink cake rest<br />

decorated with a lakeside<br />

scene and bearing the mark of<br />

Honma Takusai I; the saucers each<br />

of fan shape decorated with pine<br />

branches and clouds<br />

8cm and 12.5cm wide<br />

$300–500<br />

767<br />

Two cylindrical brushpots<br />

19th/20th century<br />

one decorated in underglaze blue<br />

with precious objects, the other with<br />

floral sprays in underglaze blue and<br />

copper red<br />

13.8 and 14cm high<br />

$400–600<br />

768<br />

A group of three reticulated<br />

jade plaques<br />

one mounted as a brooch and<br />

embellished with a hardstone<br />

cabuchon, and two mounted as<br />

pendants<br />

each 6cm long<br />

$400–500<br />

769<br />

A collection of thirteen books<br />

and publications on Japanese<br />

sculpture, ceramics, calligraphy<br />

and works of art<br />

including: Divine Intervention with<br />

a Human Face: Japanese Buddhist<br />

Wood Sculpture, Sydney L. Moss Ltd.<br />

2020; Art Treasures from Japan,<br />

Pure Form Japanese Sculptural<br />

Ceramics, by Russell Kelty; <strong>The</strong><br />

Poetry of Ink, <strong>The</strong> Korean Literati<br />

Tradition 1392 - 1910, Exhibition<br />

Musee Guimet, Paris, 2005; 50th<br />

Anniversary Exhibition, Idemitsu<br />

Museum of Arts, Ko-Garatsu, <strong>The</strong><br />

Age of Great Ceramics and Roku<br />

Koro, Six Old Kilns, Ceramics of<br />

Japan; <strong>The</strong> Unknown Craftsman,<br />

A Japanese Insight into Beauty, by<br />

Soetsu Yang<br />

$100–200<br />

770<br />

A blanc de chine censer<br />

the cylindrical sides with horizontal<br />

ribbing supported on three bracket<br />

feet, covered with a creamish glaze<br />

suffused with fine dark speckling, the<br />

interior partly unglazed<br />

12cm diameter<br />

$200–300<br />

771<br />

Two jade bi discs<br />

one carved with straight edges from<br />

a faintly mottled white stone; the<br />

other of pale celadon tone with faint<br />

russet suffusions carved with slightly<br />

convex sides and indented central<br />

aperture<br />

5.7cm and 4.6cm diameter<br />

$300–500<br />

772<br />

A group of five celadon jade<br />

carvings<br />

comprising a small archaistic cong;<br />

a triangular seal; a miniature cong;<br />

and two small finial pendants<br />

5.5cm to 2cm<br />

$400–600<br />

773<br />

Three small jade pendants<br />

comprising a white jade bat with a<br />

cash on the reverse; a pale celadon<br />

goose; and a celadon and russet<br />

winged insect<br />

4.5cm and 4cm long<br />

$200–400<br />

774<br />

Two ivory figure groups<br />

Meiji period<br />

one of a maiden standing holding<br />

a fan watching a boy with a sieve<br />

kneeling at her side; the other of<br />

three women, one seated holding a<br />

child, unsigned<br />

9.5cm and 8cm high<br />

$400–600 ♦<br />

775<br />

An ivory okimono<br />

Meiji period<br />

of a figure standing, wearing a long<br />

robe and cap, holding the foot of an<br />

oni climbing onto her head, wood<br />

stand<br />

14cm high<br />

$400–600 ♦<br />

776<br />

A doucai enamelled meiping<br />

20th century<br />

the sides painted with three dragons<br />

among cloud scrolls above a band of<br />

crested waves, Jiaqing seal mark<br />

17.5cm high<br />

$400–600<br />

777<br />

A bronze figure of Daikoko<br />

late Meiji period<br />

standing on two bales of rice, a rat<br />

climbing up one bale, holding a mallet<br />

in his right hand and clasping a large<br />

bag over his shoulder<br />

20.5cm high<br />

$400–500<br />

778<br />

Two wood block prints<br />

attributed to Utagawa Kuniyoshi<br />

Yasuda Takubee Kunitomo<br />

and Negoro no Komidzucha, framed<br />

each 35.5cm x 24cm<br />

NOTE<br />

For a description and illustration of<br />

these prints see, Elena Varshavskaya,<br />

Heroes of the Grand Pacification<br />

Kuniyoshi's Taiheiki eiyu den, nos. 30<br />

and 26<br />

PROVENANCE<br />

Japanese Gallery, Kensington Church<br />

Street, London, 10 April, 2008<br />

$400–600


133<br />

779<br />

Two wood block prints<br />

attributed to Utagawa Kuniyoshi<br />

Asakura Saemonnotayu Yoshikane<br />

and Amanaka Shikanosuke Yukimori,<br />

framed<br />

each 35.5cm x 24cm<br />

NOTE<br />

For a description and illustration<br />

of these prints see Elena<br />

Varshavaskaya, Heroes of the Grand<br />

Pacification Kuniyoshi's Taiheiki eiyu<br />

den, nos. 8 and 19<br />

PROVENANCE<br />

Japanese Gallery, Kensington Church<br />

Street, London, 10 April, 2008<br />

$400–600<br />

780<br />

Two wood block prints<br />

attributed to Utagawa Kuniyoshi<br />

Horimoto Gidayu Takatoshi -<br />

Morimoto Gidayu<br />

and Kido Takuzayemon Nagachika -<br />

Kido Sakuyemon, framed<br />

each 35.5cm x 24cm<br />

NOTE<br />

For a description and illustration of<br />

these prints see Elena Varshavskaya,<br />

Heroes of the Grand Pacification<br />

Kuniyoshi's Taiheiki eiyu den, nos 45<br />

and 46<br />

PROVENANCE<br />

Japanese Gallery, Kensington Church<br />

Street, London, 10 April, 2008<br />

$400–600<br />

781<br />

A blue and white vase<br />

20th century<br />

decorated with floral sprays, the<br />

flowers picked out in copper-red<br />

34cm high<br />

$200–300<br />

782<br />

A knotted pile rug, Afghanistan,<br />

late 20th century<br />

of tribal design in shades of pink and<br />

brown<br />

138 x 101cm<br />

$200–400<br />

783<br />

A Persian pattern blue ground<br />

floral pattern rug<br />

with a formal arrangement of flower<br />

heads and interlocking motifs in<br />

cream, faded buff, and peach tones<br />

upon a navy field, enclosed by a main<br />

flower head border and narrow bands<br />

151 x 100cm<br />

$150–200<br />

784<br />

A small cream and brown<br />

knotted pile rug, Afghanistan,<br />

late 20th century<br />

with repeat rows of tiles enclosing<br />

hook motifs within scroll and<br />

geometric borders<br />

155 x 96cm<br />

$200–300<br />

785<br />

A knotted pile rug, Iran,<br />

late 20th century<br />

with a repeating camel and shepherd<br />

border<br />

183 x 128cm<br />

$200–300<br />

786<br />

A knotted pile Turkoman rug,<br />

Afghanistan, late 20th century<br />

with guls on a red field enclosed by<br />

geometric borders<br />

187 x 103cm<br />

$200–400<br />

787<br />

A knotted pile vintage Berber<br />

rug, Morocco, 20th century<br />

in modulating shades of red sprigged<br />

with small linear motifs<br />

176 x 122cm<br />

$150–250<br />

788<br />

A knotted pile Turkoman style<br />

rug, Iran, late 20th century<br />

with a bold lozenge in black<br />

and cream colours upon a pale<br />

watermelon red field dotted with<br />

formal motifs and enclosed by<br />

multiple narrow borders<br />

145 x 116cm<br />

$200–400<br />

789<br />

A knotted pile wool rug with silk<br />

highlights, Iran, 20th century<br />

with a rosette in cream, teal, tan<br />

and dusky pink colours upon a<br />

profusely decorated floral field, with<br />

meandering spandrels and enclosed<br />

by a wide lotus embellished running<br />

border<br />

203 x 139cm<br />

$400–600<br />

790<br />

A Kashan style knotted pile rug,<br />

Iran, 20th century<br />

profusely decorated throughout with<br />

flora in pink, red,and tan colours upon<br />

a muted pale blue field and enclosed<br />

by a wide border of formal floral<br />

arrangements and narrow bands<br />

201 x 131cm<br />

$400–600<br />

791<br />

A hand worked floral wool<br />

tapestry<br />

in shades of blue, cream and brown<br />

231 x 185cm<br />

$300–400<br />

792<br />

A small cream wool Kashan<br />

pattern rug<br />

in blue and olive colours with floral<br />

decoration upon a cream field and<br />

enclosed by a running floral main<br />

border and narrow bands<br />

150 x 100cm<br />

$300–500


134<br />

793<br />

A small Hamedan wool hall<br />

runner, Western Iran<br />

with formal hooked lozenges and<br />

cross forms in shades of red, navy<br />

and cream upon a bright red field<br />

205 x 35cm<br />

$400–600<br />

794<br />

A pair of Turkoman saddle bags<br />

in tones of red and black with an<br />

elephant foot design to the front of<br />

each<br />

approx 105 x 52cm<br />

$400–600<br />

795<br />

A group of Victorian wash stand<br />

pitchers and a Minton foot bath,<br />

19th century<br />

the Minton foot bath 21.5cm high,<br />

46cm wide, 30cm deep<br />

the largest jug 32cm high<br />

$100–200<br />

796<br />

A Clarice Cliff 'Cruiseware' cup<br />

and saucer plate together with<br />

a 'My Garden' vase, 1930s<br />

featuring a cup and paint palette<br />

saucer plate from the 'Bizarre' range,<br />

transfer printed and hand painted<br />

with an athletic young woman<br />

engaged in a game of quoits, and a<br />

drip glazed 'Bizarre' vase in yellow<br />

and brown colours with an applied<br />

vegetal handle with leafy mounts,<br />

backstamps underside<br />

the vase 19.5cm high<br />

$150–250<br />

797<br />

An assembled suite of<br />

gilded demitasse wares,<br />

including Spode and Limoges,<br />

late 20th century<br />

the largest jug 13.5cm high<br />

$100–200<br />

798<br />

A comprehensive J&G Meakin<br />

'Golden Dawn' dinner service,<br />

circa 1930<br />

for twelve place settings with<br />

additional plates and dishes<br />

and a range of accessory items;<br />

backstamps underside<br />

the largest platter 33 x 24cm<br />

$150–250<br />

799<br />

A Royal Worcester figurine<br />

'Liberty', late 19th -<br />

early 20th century<br />

modelled as a classical maiden in a<br />

draping tunic holding a dove aloft, in<br />

high glaze cream colours with faint<br />

colour washes to the skin and hair,<br />

model number 2/116, impressed<br />

marks only to base<br />

35.5cm high<br />

$150–250<br />

800<br />

A moulded flamingo jug by<br />

Clarice Cliff<br />

brown factory marks to base<br />

20.5cm high<br />

$200–300<br />

801<br />

A Royal Crown Derby blue<br />

'Mikado' part dinner service,<br />

late 1930s<br />

twenty eight pieces comprising four<br />

dinner and four entrée plates, two<br />

large side plates and eight smaller<br />

side plates, five cups and associated<br />

saucers, green backstamps<br />

underside<br />

the dinner plates 26cm diameter<br />

$150–250<br />

802<br />

A pair of Derby named view<br />

vases, together with three<br />

topographical urn vases and a<br />

pair of Paris Porcelain vases,<br />

early 19th century<br />

the Derby vases, 'View in Holland' and<br />

'View in Cornwall' with mask adorned<br />

scrolling handles, red Crown marks<br />

underside (1806-1825 period), three<br />

continuously and finely decorated<br />

campana urn vases, in the manner<br />

of Derby but unmarked, and a pair<br />

of Paris porcelain vases painted with<br />

scenes of women entertaining young<br />

children, unmarked<br />

the Paris vases 27cm high high<br />

$350–450<br />

803<br />

<strong>The</strong> 'Duke of Wellington 1815',<br />

and '<strong>The</strong> Right Honourable<br />

Lord Viscount Nelson 1805', by<br />

Michael Sutty, together with<br />

French and German porcelain<br />

military figures, early to later<br />

20th century<br />

two modern porcelain military busts,<br />

numbered 65 and 118 from limited<br />

editions of 250, plus two small<br />

military figures, one marked M. Imp.<br />

de Sèvres, backstamps underside to<br />

the modern figures, German figure<br />

with gold Chelsea mark but later,<br />

probably Samson, with paper label<br />

from Joshua McClelland Print Room<br />

27cm high<br />

$400–600<br />

804<br />

A collection of small<br />

Staffordshire type porcelain<br />

wares and a pair of pug dogs,<br />

19th century<br />

comprising two children riding large<br />

dogs, a pair of poodles holding<br />

caught birds, a sheep, a seated toper<br />

figure and a later mirror pair of pug<br />

dogs with beaded collars<br />

children on dog figures 14.5cm high<br />

$300–500


135<br />

805<br />

A group of Danish porcelain<br />

wares by Bing & Grondahl and<br />

Dahl Jensen, mid 20th century<br />

and after<br />

a figure of a young child, a seated<br />

oriental figure, a flock of geese,<br />

and a small English porcelain pug,<br />

backstamps to all<br />

21.5cm high<br />

$300–500<br />

806<br />

A part imari service by Derby<br />

and Bloor Derby, together with a<br />

Victorian part service and a part<br />

Copeland Spode coffee service,<br />

early to later 19th century<br />

comprising a plate, dish, stand,<br />

six shallow bowls and eight coffee<br />

cans, red Crown and Bloor Derby<br />

marks underside, an unmarked part<br />

tea service with teapot, slops bowl,<br />

cups and saucers, and; a Copeland's<br />

Spode part coffee service, 1891-1900<br />

period in the 18th century Worcester<br />

manner, also a small part Derby imari<br />

stand<br />

17cm high teapot<br />

$400–600<br />

807<br />

A mixed group of floral tea<br />

and dinner wares including<br />

Minton and Royal Crown Derby,<br />

20th century<br />

part Minton 'Marlow' and<br />

'Lorraine' services, and a small<br />

selection of 'Derby Posies'<br />

wares, backstamps to all<br />

the largest plate 27cm diameter<br />

$100–200<br />

808<br />

A collection of vintage<br />

earthenware duck ornaments,<br />

Chinese<br />

together with a painted wood mallard<br />

decoy<br />

the largest 25cm high<br />

$200–300<br />

809<br />

A group of vintage blue and<br />

white wares<br />

comprising a Booths 'British Scenery'<br />

soup tureen, cover and stand; a<br />

willow pattern cake stand; two willow<br />

pattern meat dishes in two sizes;<br />

and a Royal Worcester willow pattern<br />

coffee can and saucer<br />

the tureen 30cm wide, the<br />

stand 32.5cm diameter, the dish<br />

26cm diameter, the largest meat dish<br />

45cm long<br />

$200–300<br />

810<br />

A Port Dundas Pottery Co.<br />

Glasgow cider jar with stopper<br />

and loop handle<br />

together with another similar jar<br />

43cm and 32cm high<br />

$150–250<br />

811<br />

A mixed suite of Belleek<br />

porcelain tea wares, Ireland,<br />

1950s<br />

thirty-seven items in various<br />

basket weave, shell and embossed<br />

floral designs including tea cups,<br />

associated saucers and plates,<br />

various creamers and bowls, and a<br />

large platter, together with a set of<br />

six cream toned leaf edged plates,<br />

green backstamps underside<br />

the largest platter 30 x 40cm, the jug<br />

8cm high<br />

$100–200<br />

812<br />

A Royal Worcester Aesthetic<br />

style pilgrim flask vase, 1880s<br />

in the oriental manner, with lug<br />

handles, blind fret appliqués, and<br />

decorated with exotic flying birds<br />

and butterflies and prunus blossom<br />

to the reverse, in textured gilt and<br />

shot colours upon a cream field,<br />

green backstamp underside, possibly<br />

marked with letter 'V'<br />

22.5cm high<br />

$300–500<br />

813<br />

A large German figural<br />

comport in the Rococo manner,<br />

19th/20th century<br />

with a flower encrusted reticulated<br />

basket supported on a tree like<br />

standard surrounded by three<br />

polychrome figures in 18th century<br />

attire, and with encrusted flowers,<br />

trellis cartouches above a high<br />

Rococo base picked out in gilt,<br />

crossed marks underside<br />

38.5cm high, 29cm wide, 28cm deep<br />

$300–500<br />

814<br />

A Neoclassical urn vase with<br />

cover, in the manner of Paris<br />

Porcelain, 19th century<br />

lavishly gilded throughout with small<br />

handles with mask head terminals,<br />

decorated to the body with finely<br />

painted medallions featuring children<br />

and cupids slumbering in landscapes,<br />

and cupids at play, unmarked<br />

41.5cm high<br />

$400–600<br />

815<br />

A Neoclassical Davenport imari<br />

pot pourri with a matching<br />

bowl, three similar Royal Crown<br />

Derby creamers and a bowl,<br />

19th/20th century<br />

Davenport pattern 6060 and Royal<br />

Crown Derby pattern 2451<br />

15cm high and smaller<br />

$400–600<br />

816<br />

A group of three character jugs,<br />

Staffordshire, Wood & Sons,<br />

19th/20th century<br />

two similar 'Hearty Good Fellow' jugs<br />

and a seated 'Toby' Wood & Sons, the<br />

latter with black backstamp<br />

28cm high and smaller<br />

$100–200


136<br />

817<br />