GA042 | Interiors Private Collections

Interiors 

PRIVATE COLLECTIONS 

Melbourne, Sunday 26 March 2023

Specialists & Management for this sale 

Jennifer Gibson 

CEO & Head of 

Valuations 

Deanna Baxter 

Business 

Manager 

Samuel Fricker 

Operations 

& Marketing 

Manager 

Dennice Collett 

Senior Specialist 

Decorative Arts 

Jon Dwyer 

Consultant 

Specialist 

Australian & 

International Art 

Phil Gore 

Consultant 

Specialist 

Clocks, Watches 

& Barometers 

Jennifer Gibson 

jennifer.gibson@gibsonsauctions.com.au 

Deanna Baxter 

deanna.baxter@gibsonsauctions.com.au 

Samuel Fricker 

samuel.fricker@gibsonsauctions.com.au 

Dennice Collett 

dennice.collett@gibsonsauctions.com.au 

Jon Dwyer 

jon.dwyer@gibsonsauctions.com.au 

Jewellery Department 

jewellery@gibsonsauctions.com.au 

Marilla O’Sullivan 

marilla.osullivan@gibsonsauctions.com.au 

Ella Gibson 

decartsadmin@gibsonsauctions.com.au 

AUCTION ENQUIRIES 

ABSENTEE & TELEPHONE BIDS 

Deanna Baxter 

bids@gibsonsauctions.com.au 

+61 3 9500 2607 

CONDITION REPORTS 

condition.reports@gibsonsauctions.com.au 

+61 3 9500 2607 

SHIPPING 

gibsonsauctions.com.au/buy/collections-shipping/ 

ACCOUNTS 

Megan Mac Sweeney 

accounts@gibsonsauctions.com.au 

+61 3 9500 2607 

GENERAL ENQUIRIES 

mail@gibsonsauctions.com.au 

+61 3 9500 2607 

www.gibsonsauctions.com.au 

ORRONG RD 

ASHLEIGH RD 

ARMADALE 

NEW ST 

HIGH ST 

OSMENT ST 

NORTHCOTE RD 

KOOYONG RD 

Auction, Viewing and 

Payment & Collections 

Level 1, 885-889 High St 

Armadale, Victoria 3143 

AUBURN GROVE 

SUTHERLAND RD 

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII 

ST 

DENBIGH RD 

CHEEL ST

FRONT COVER: 

Lot 51 (Detail) 

BACK COVER: 

Lot 273 

Interiors 

PRIVATE COLLECTIONS 

Auction 

Sunday 26 March 2023, 11.00am 

Level 1, 885-889 High Street, 

Armadale, Victoria 3143 

Viewing 

Thursday 23 March 

Friday 24 March 

Saturday 25 March 

10.00am – 5.00pm 

10.00am – 5.00pm 

10.00am – 5.00pm 

Auction Code: GA042 

GST 

† Lots with this symbol are subject 

to GST on the hammer price and the 

buyer’s premium. 

Buyer’s Premium 

Buyer’s Premium is charged at 

22% of the hammer price plus GST. 

GST is applicable to the buyer’s 

premium only, unless otherwise 

indicated by the † symbol. 

Registration 

To register to bid at Gibson's 

Auctioneers & Valuers an accredited 

form of photo identification is 

required. This applies to bidding in 

person at the auction, Telephone, 

Absentee and Online bidding. 

Resale Royalty Scheme 

Lots subject to payment of the 

Artist's Resale Royalty Scheme will 

be denoted by the symbol §. The 

Australian Resale Royalty is a flat rate 

of 5% on the hammer price (including 

GST) and is payable by the seller. 

Restricted or Organic Material 

♦ Lots with this symbol have been 

identified at the time of cataloguing 

as containing organic material 

which may be subject to export or 

import restrictions. The absence of 

this symbol is not a guarantee that 

export or import restrictions will not 

apply. See www.cites.org for further 

information. 

Payments & Collections 

(By Appointment) 

gibsonsauctions.com.au/bookings 

or phone 03 9500 2607 

Payments & Collections can be made 

from: Level 1, 885-889 High Street, 

Armadale, Vic 3143 

Monday 27 March 

Tuesday 28 March 

Wednesday 29 March 

10am–5pm 

10am–5pm 

10am–5pm 

All goods must be collected and paid 

in full strictly by 5pm on Wednesday 29 

March (unless by prior arrangement) to 

avoid removal and storage charges. 

All payments are to be made in 

Australian Dollars (AU$). Please refer 

to the methods of payment in the ‘How 

to Buy’ section on the following pages.

2 

PROPERTIES FROM 

1 The Estate of Wayne Priddle 

(Lots 1–83) 

2 Private Collection, Melbourne 

(Lots 84–253) 

3 Private Collection, Sydney 

(Lots 254–323) 

RIGHT: 

Lot 125 (Detail)

3

4 

How to Buy 

All you need to know about the bidding process at auction 

Viewing 

Catalogues 

Online catalogues can be viewed at 

www.gibsonsauctions.com.au approximately three weeks 

prior to the auction date. 

Complimentary printed catalogues are available 

at Gibson’s Auctioneers & Valuers. 

Symbols 

Occasionally, a symbol is printed next to a lot number, 

indicating a special clause associated with the sale of 

the item/s. Further information on symbols within our 

catalogues can be found on Page 1. 

Viewing 

Auction viewings are open to the public and usually take 

place three or four days prior to the auction date, at the 

location/s listed in the auction catalogue and on the website. 

Lot Descriptions 

Lot Descriptions provide basic catalogue information 

such as dimensions, date or age, medium, attribution, 

provenance and quantity. 

All lots are guaranteed for fourteen (14) days from the 

auction date. 

Estimates 

Estimates are printed in the catalogue beside every lot and 

take into account rarity, condition, quality and provenance. 

The reserve is the amount at which the item is available 

for purchase. The reserve is an undisclosed confidential 

amount which is set at, or below the low estimate. 

The reserve will never exceed the low estimate at Gibson’s 

Auctioneers & Valuers. Many lots are sold without reserve. 

Talk to our Specialists 

Gibson’s Auctioneers & Valuers are an experienced team 

of specialists who are available to discuss items in further 

detail, and to offer advice and assistance. 

Contact details for relevant specialists can be found on the 

inside front cover our auction catalogues and on our website. 

Condition Reports 

Condition Reports are available on request. Condition 

Reports supplement the lot description and provide 

information on the condition of an item. 

We strongly advise obtaining a condition report if you are 

unable to view an item in person prior to the auction. 

To request a condition report please email 

condition.reports@gibsonsauctions.com.au with the 

auction title and lot number/s. 

Bidding 

Gibson’s Auctioneers & Valuers offer four bidding options: 

1. Auction Room Bidding 

To bid in person we suggest you arrive early so that you 

have sufficient time to register for a bidding number prior 

to the auction. If this is your first time bidding with Gibson’s 

Auctioneers & Valuers please bring photo identification, 

such as a driver’s licence or passport with you. 

2. Telephone Bidding 

Gibson’s Auctioneers & Valuers offer telephone bidding on 

all lots, at all auctions. 

Telephone Bidding is a convenient solution if you are unable 

to attend an auction in person. A Gibson’s Auctioneers 

& Valuers staff member will call you approximately 5 lots 

in advance and with your instruction, bid on your behalf 

at the auction. 

Please note: Telephone Bids must be organised at least 

24 hours prior to the auction and that occasionally, the 

number of telephone bidders available may be restricted 

when the auction is offsite. 

To organise a Telephone Bid please follow the link 

to the Telephone Bidding form on our website: 

www.gibsonsauctions.com.au. Please fill in & return 

via email to mail@gibsonsauctions.com.au 

If this is your first time bidding with Gibson’s Auctioneers & 

Valuers, an email address is to be supplied when you submit 

your Telephone Bid, along with clear Photo ID verifying 

your address.

5 

3. Absentee Bids 

Absentee Bidding is another convenient solution if you 

are unable to attend an auction in person, to speak on the 

telephone or if you simply have a strict budget. 

An Absentee Bid should be set at the maximum amount 

you wish to bid on the lot/s you are interested in purchasing. 

Should the lot/s be knocked down at an amount lower than 

the bid recorded on your form, the lot will be sold to you for 

the lesser hammer price. 

Please note Absentee Bids must be received at least 

24 hours prior to the auction to allow time for processing. 

To organise an Absentee Bid please follow the link to 

the Absentee Bidding form available on our website: 

www.gibsonsauctions.com.au. Please fill in & return via email 

to mail@gibsonsauctions.com.au 

If this is your first time bidding with Gibson’s Auctioneers & 

Valuers, an email address is to be supplied when you submit 

your Absentee Bid, along with clear Photo ID verifying 

your address. 

4. Online Bidding 

Online bidding allows you to bid via the internet in real 

time with a live broadcast of the auction. To bid online visit 

our website and follow the ‘Live Bidding’ link under the 

‘Auctions’ tab. 

Please register for this service at least 24 hours prior to the 

auction to ensure you do not miss your lot. 

Please note online bidding is powered by Invaluable.com 

and so will incur a 5% fee on successful lots. 

If you have not bid with Gibson’s Auctioneers & Valuers 

previously, a photo ID verifying your address will be 

required before you can be approved to bid. Please email to 

mail@gibsonsauctions.com.au as soon as practical. 

International Bidding 

If you are bidding from overseas for the first time, you will 

be asked to provide a clear Photo ID verifying your address 

and a deposit (set at Gibson’s Auctioneers & Valuers’ 

discretion) prior to the auction. The deposit is refundable 

within 48 hours should you not be successful. If you are 

successful the deposit will be deducted from your invoice 

total. The remaining balance must be paid preferably by 

direct deposit. 

Bank details are provided in the Payment & Collection 

section of this guide. 

Payment & Collection 

Payments 

If you are successful an invoice (AU$) will be emailed or 

posted to you immediately after the auction. 

You will pay the hammer price, plus the buyer’s premium 

(22% plus GST) on each Lot, together with any additional 

applicable charges such as GST on hammer. 

Payments must be made in full by the final day of 

Collections as printed in the catalogue. 

Bank Transfer/Direct Deposit is our preferred method 

of payment: 

Account Name: Gibsons Auctions 

Bank: 

Bank of Melbourne (A division of St George) 

BSB: 193879 

Account No: 441701443 

Swift Code: SGBLAU2S 

Routing Code: 021000021 

Bank Address: 197-201 Glenferrie Road, Malvern, Vic, 3144 

• Personal, Company and Bank Cheques are not accepted 

without prior approval. 

• Eftpos (no charge). 

• Credit cards: Visa, Mastercard and American 

Express payments can be made securely online at 

www.gibsonsauctions.com.au/buy/payments/ 

• Cash payments up to AU$10,000 can be accepted. For 

any amount over this, cash is to be deposited directly into 

our account at a Bank of Melbourne/St George branch. 

Collections 

Gibson’s Auctioneers & Valuers are happy to assist and 

provide you with recommended transport companies 

whether it be a local, interstate or international delivery. 

Storage 

All items must be paid for and collected within the 

collection times advertised for each individual auction. If 

items are not collected within this time-frame, Gibson’s 

Auctioneers & Valuers reserve the right to charge removal 

and storage fees.

6 

The Estate of Wayne Priddle 

Lots 1–83 

1 

A pair of Chinese Art Deco style 

lacquered cabinets, circa 1940 

the two door cabinets glazed in 

amber tones and decorated with 

penwork oriental figures in pavilion 

and garden settings, with traditional 

style hardware 

106cm high, 66.5cm wide, 

45cm deep 

$400–600 

2 

AMANDA PENROSE HART 

(BORN 1963) 

Yellow Sky 2 2015 

oil on paper 

signed, dated and titled verso: 

AMANDA PENROSE HART 2015 

YELLOW SKY 2 

20.5 x 32cm 

PROVENANCE 

King Street Gallery, Sydney 

$200–400 

3 

AMANDA PENROSE HART 

(BORN 1963) 

Yellow Sky 2015 

oil on paper 


AMANDA PENROSE HART 2015 

YELLOW SKY 

20 x 32cm 

PROVENANCE 


$200–400 

1

7 

4 

A Louis XVI style marquetry 

inlaid marble top commode, 

Swedish, early 20th century 

the three drawer commode with a 

flecked marble top, decorative cross 

banding and shaped burr panels, 

inlaid with a running fret and urn 

motif, raised on angle set square 

section legs with brass caps 

78cm high, 99cm wide, 44cm deep 

$1,200–1,500 

5 

JAMES ROSS (BORN 1948) 

7 2018 

charcoal on paper 

signed, dated and titled lower right: 

Ross James 2018 7 

28.5 x 38cm 

$200–400 

6 

JAMES ROSS (BORN 1948) 

3 2018 

charcoal on paper 

signed, dated and titled lower right: 

Ross James 2018 3 

28 x 38cm 

$200–400 

4

8 

7 

A Charles I oak trunk, 

17th century 

a six plank small trunk with thumbnail 

front edge to the lid, crimped to 

the sides, with antique but later 

hardware, candle box without lid to 

the interior 

54.5cm high, 109cm wide, 32cm deep 

$500–700 

8 

A mixed group of contemporary 

Wedgwood plates 

comprising four large Jasper Conran 

Chinoiserie plates, four Paeonia 

Blush plates in various colourways 

and a Byzance sideplate 

the Jasper Conran plates 

27cm diameter 

$200–300 

9 

A crystalline marble 

vase-shaped lamp, 

in the Art Deco style 

the fluted pedestal vase with high 

set double scroll handles, with an 

electric globe to the interior, raised 

on a square section base, with 

contemporary wiring and fittings 

43cm high 

$250–350 

10 

A Victorian green ground 

temple jar and two Wedgwood 

Japan pattern plates, 

19th century 

the jar decorated throughout with 

oriental flora, birds and insects in iron 

red and ink colours picked out in gilt, 

faux oriental marks to the base, the 

two plates with overglaze decoration, 

impressed marks underside 

48cm high 

$250–350 

11 

A Royal Doulton Signature 

Platinum dinner service for 

eight place settings 

fifty six pieces comprising dinner, 

entrée and side plates, soup bowls, 

cups and associated saucers, four 

platters, two oval serving dishes and 

a gravy boat and stand, backstamps 

underside 

the dinner plates 27cm diameter 

$400–500 

12 

A giltwood dolphin-base lamp 

the carved lamp on an ebonised 

square base surmounted by 

an oval white linen shade, 

with contemporary wiring 

the base 56cm high, 73cm with 

shade 

$250–350 

7

9 

13 

13 

PAUL HIGGS (BORN 1954) 

Paint Slab 2 1993 

oil on board 

signed, dated, titled and inscribed 

verso: Paul Higgs 93 PAINT SLAB 2 

To Frank Watters, Watters Gallery 

38 x 28.5cm 

PROVENANCE 

Watters Gallery, Sydney 

$400–600 

14 

ARTIST UNKNOWN 

Bird 

watercolour and gouache on paper 

20.5 x 29.5cm 

$100–300 

15 

JAMES JONES (BORN 1963) 

Gravity Space 2012 

oil on canvas 

71.5 x 92cm 

PROVENANCE 


$300–500 

16 


Kiss Me 3 2008 

oil on paper 


James Jones 2008 Kiss me 3 

40.5 x 50.5cm 

PROVENANCE 


EXHIBITED 

James Jones - Free, King Street 

Gallery, Sydney, 3 - 29 June 2008, 

cat no. 12 

$300–400

10 

17 

TODD HUNTER (BORN 1972) 

Phalanx 2013 

oil on vinyl album cover 

signed with initials lower right: T H 


Hunter 13 Phalanx 

31 x 31cm 

PROVENANCE 

Scott Livesey Galleries, Melbourne 

$600–800 

18 


Daughters of the Northern 

Coast 2013 

oil on vinyl album cover 

signed, dated and titled verso: Hunter 

13 Daughters of the Northern Coast 

31 x 31cm 

PROVENANCE 


$600–800 

17 

19 


Pittwater # 6 

oil pastel on paper 

signed lower left: Hunter 

16.5 x 17.5cm 

PROVENANCE 


$300–500 

20 


Pittwater Country II 

oil pastel on paper 

signed lower left: Hunter 

titled verso: ‘Pittwater Country (II) 

17 x 18cm 

PROVENANCE 


$300–500 

18

11 

21 

21 


Just Like the Night 4 2004 

oil on board 


Hunter 2004 ‘Just like the night’ .4 

22 x 20cm 

$800–1,200 

22 

ANDREW HOPKINS 

(BORN 1987) 

Untitled (Abstract Landscape) 

oil on canvas 

31.5 x 31.5cm 

$200–400 

23 


(BORN 1987) 

Study 2 2020 

oil on canvas 


ANDREW HOPKINS 2020 Study 2 

35.5cm x 36cm 

$300–500 

24 


(BORN 1987) 

Study 5 2020 

oil on canvas 


ANDREW HOPKINS 2020 Study 5 

35.5 x 35.5cm 

$300–500 

25 


(BORN 1987) 

Untitled (Abstract Landscape) 

oil on canvas 

30 x 30cm 

$200–400 

26 


(BORN 1987) 

Nasturtiums 2021 

oil on canvas 


ANDREW HOPKINS 2021 Nasturtiums 

20.5 x 20.5 

PROVENANCE 

Robin Gibson Gallery, Sydney 

$200–400

12 

27 

A Regency giltwood pier mirror, 

early 19th century 

with a fan shaped architectural motif 

to the upper section flanked by mask 

heads and rosettes, with stiff leaf and 

husk borders and ribbon details to 

reeded pilasters, with aged plate 

87 x 51cm 

$600–900 

28 

A comprehensive Wedgwood 

Queensware dinner service for 

eight place settings with extras, 

together with a matching 

Leedsware stand 

comprising over one hundred pieces 

including dinner, entree and side 

plates, pasta or soup bowls, shallow 

bowls and dessert dishes, cups and 

associated saucers, serving platters 

and bowls, three covered tureens, 

a teapot, two creamers and sugar 

bowls, a gravy boat, various shakers, 

a candlestick and other accessory 

items; backstamps underside 

the largest oval platters 39 x 30cm, 

the pierced Leedsware stand 

24cm high 

$800–1,200 

29 

A Regency mahogany lamp 

table, circa 1820 

the dished surface above a turned 

pedestal to an outswept triform base 

72cm high, 25cm diameter 

$300–400 

27

13 

30 

A Scottish Regency mahogany 

fold over tea table, circa 1820 

with a fine exterior and interior 

surface, the brass mounted table 

with rounded corners above a deep 

skirt, a turned pedestal and four 

outswept reeded legs with scroll 

motifs, brass paw feet and casters 


(folded) 

$700–900 

31 

A Chinese famille rose porcelain 

seat 

of typical barrel form with coin form 

piercings and decorated with lotus 

flowers between ruyi and lappet 

borders 


$400–600 

32 

A collection of terracotta pots 

and vessels 

comprising a brown glazed campana 

urn, a part glazed amphora, a large 

Australian amphora resting upon 

a woven wicker foot ring, and two 

painted vessels decorated in the 

antique Mediterranean manner 

56cm and smaller 

$500–700 

30

14 

33 

PAUL FERMAN (BORN 1948) 

Untitled 9 N2-4 1991 

silver gelatin photograph, ed. 10/20 

signed, dated and editioned lower 

right: Paul Ferman 1991 10/20 

37 x 37cm 

$100–300 

34 

THEO KUIJPERS (BORN 1939) 

Mangrove III 2018 

watercolour 

signed and dated lower right: 

Kuijpers 2018 

42 x 29.5cm 

$200–400 

35 

ROSS LAURIE (BORN 1961) 

Gone from the Meaning 

of a Name 2012 

oil on board 

signed, dated and titled verso 

45 x 40.5cm 

PROVENANCE 


$400–600 

36 


Kiss Me 2008 

oil on canvas 

signed, dated and titled verso 

42.5 x 49.5cm 

PROVENANCE 


EXHIBITED 

James Jones - Free, King Street 

Gallery, Sydney, 3 - 29 June 2008, 

cat no. 9 

$400–600 

37 

ARTIST UNKNOWN 

Waliha IV 2009 

colour etching ed. 4/20 

editioned, titled, signed and dated 

to margin 

37 x 50.5cm 

$100–300 

38 

ROBERT HIRSCHMANN 

(BORN 1968) 

Untitled VII (Yellow 3) 2001 

oil and pigment on paper 


Robert Hirschmann 2001 Untitled VII 

(yellow 3) 

40 x 35.5cm 

PROVENANCE 

King Street Gallery, Melbourne 

$400–600 

39 

ROBERT HIRSCHMANN 

(BORN 1968) 

Untitled IV (Red I) 2001 

oil and pigment on paper 


Robert Hirschmann 2001 Untitled IV 

(Red I) 

40 x 36cm 

PROVENANCE 


$400–600 

40 

PETER BAKA (BORN 1958) 

Layers of Dissatisfaction 4 2019 

mixed media on paper 

signed, dated and numbered on 

margin: baka 19 4 

20 x 32.5cm 

$200–400 

41 

SUE STUART 

Moth Orchid 

watercolour 

signed lower right: Sue Stuart 

14.5 x 14.5cm 

PROVENANCE 

Lady Franklin Gallery, Tasmania 

$100–200 

42 

SUE STUART 

Cymbidium Orchid 

watercolour 


22.5 x 33cm 

PROVENANCE 

Lady Franklin Gallery, Tasmania 

$200–400 

43 

SUE STUART 

Tulips 

watercolour 


27.5 x 27.5cm 

$200–400 

44 

SUE STUART 

Helleborus x Hybridus 

watercolour 

signed and titled lower left and right: 

Sue Stuart Helleborus x hybridus 

27.5 x 27.5cm 

$200–400 

45 

GINA SINOZICH (1930-2020) 

Pansies 

oil on board 

21 x 30cm 

$100–300 

46 

GINA SINOZICH (1930-2020) 

Spring Bunch 

oil on paper 

signed lower right: Gina 

18.5 x 29cm 

$100–300

15 

47 

GARRY FOYE (BORN 1946) 

Untitled 

acrylic on paper 

signed lower right: G Foye 

42.5cm diameter 

PROVENANCE 


$300–500 

48 

GARRY FOYE (BORN 1946) 

Capertee Flood 

oil on canvas 

signed lower right: G Foye 

59.5 x 59.5cm 

PROVENANCE 


$400–600 

49 

CHRISTOPHER (CHRIS) 

CAPPER (BORN 1951) 

Five Carnations 2017 

oil on canvas 

signed lower right: Capper 


Chris Capper 2017 5 Carnations 

41 x 51cm 

PROVENANCE 


$300–500 

47 

50 

SCOTT OWEN 

In the Light of Day 2019 

oil on board 

signed, dated and titled 

verso: SCOTT OWEN 2019 

In The Light of Day 

40 x 35cm 

PROVENANCE 


$300–500 

48

16 

51 

51 

PAUL FERMAN (BORN 1948) 

Proximity #80 2004 

photograph 

signed, dated, titled and editioned in 

image: Paul Ferman 2004 Proximity 

#80 1/10 

84.5 x 84.5cm 

PROVENANCE 


$500–800 

52 

A Georgian mahogany 

Pembroke table, 


the drop side table having two 

drawers, dummy to the reverse and 

raised on turned and faceted legs 

terminating in brass casters 

74cm high, 78cm wide (extended), 

56cm deep 

$200–400 

53 

A William IV rosewood card 


of Greek Revival inspiration, the 

foldover table with a carved pedestal 

to a platform base with paw feet 

77.5cm high, 94.5cm wide, 

45cm deep (folded) 

$800–1,000

17 

54 

A William IV Greek Revival 

mahogany library table, 

circa 1830s 

of elegant proportions with a tooled 

green leather surface above a trestle 

base with scroll and anthemion 

motifs 

79.5cm high, 124cm high, 61cm deep 

$900–1,200 

55 

A Louis XVI style beech chair, 

late 19th century 

the tablet back chair with a 

carved showframe and raised on 

slender fluted legs, upholstered 

in watermelon and sage 

silk check fabric 

$300–400 

56 

A Regency brass inlaid chair 

and a Georgian style chair, 

1825 and after 

the Regency chair with an inlaid 

dipped crest and mid rail both above 

a caned seat accompanied by a seat 

cushion, the other with a cross back, 

stuffover seat in a 'warp and weft' 

pattern upholstery above fluted legs 

$500–700 

57 

A Victorian ebonised and inlaid 

pier cabinet, circa 1860 

with delicate boxwood inlay to the 

frieze and front edges, stringing, gilt 

bronze borders and mounts above a 

plinth base, the interior with a single 

shelf, with key 

96cm high, 75cm wide, 25.5cm deep 

$400–600 

58 

A Chinese red lacquer 

altar style table, 

late 19th/early 20th century 

with a waisted top above an open 

work skirt with key fret and archaistic 

motifs, the square section legs with 

side stretchers 


PROVENANCE 

Grafton Galleries Antiques, 

Double Bay, Sydney 

$400–600 

54

18 

59 

IAN PEARSON (BORN 1951) 

Turner, Cover Version # 2 2015 

oil on canvas 


Pearson 2016 


Ian H Pearson 2015 Turner, 

cover version # 2 

61 x 61cm 

PROVENANCE 


$200–400 

60 

IAN HOWARD PEARSON 

(BORN 1951) 

Arcadia 2004 

oil on canvas on board 

titled, signed and dated to margin: 

Arcadia Pearson '04 

titled, signed and dated verso: 

Arcadia Pearson '04 

38.5 x 38.5cm 

PROVENANCE 


$200–400 

61 

IAN HOWARD PEARSON 

(BORN 1951) 

Fantin (Colour By Numbers) 

2018 

oil on canvas 


Pearson 2018 

titled, signed and dated verso: Fantin, 

(colour by numbers) H. Pearson 2018 

39 x 39cm 

$200–400 

62 

A small tribal Persian rug 

in red, tan and coffee colours 

with a central geometric lozenge 

and flowerheads upon a red field, 

with tan spandrels and a running 

knot style border 

124 x 57cm 

$150–250 

63 

A group of assorted antique 

metalware including bronze 

candlesticks, Sheffield plate, 

19th-20th century 

comprising pair of cast candlesticks, 

a Sheffield plate dolphin comport 

base, a heavy gauge footed bowl, and 

a silver plate teapot with an ebonised 

handle and finial by Hardy Bros. 

the candlesticks 24cm high, 

the bowl 17.5cm diameter 

$200–300 

64 

A large Bing & Grondahl 

bisque plaque together with 

six by Royal Copenhagen, 

20th century 

including an Eneret design plaque 

featuring a winged classical 

maiden with a cherub in relief, 

impressed marks underside, and 

smaller plaques with classical 

subject matter, one with an 17th 

century style figure astride a horse, 

backstamps underside 

28.5cm diameter, 13.5cm diameter 

$300–400 

65 

A group of marble architectural 

elements, glass vases, and a 

Martin Boyd bowl 

a near pair of carved white marble 

lotus bud ornaments or finials, 

a pair of clear glass specimen 

vases in the form of twisted 

branches, and a plain cream bowl, 

inscribed Martin Boyd to base 

the vases 18.5cm high, the bowl 


$200–300 

66 

A treen pedestal bowl and 

cover, 19th century 

in turned burl wood with a dome 

cover and acorn finial 

23cm high 

$350–450 

67 

A collection of Chinese famille 

rose dishes, cloisonné and 

lacquerware 

comprising a famille rose charger 

with stand, two celadon ground 

famille rose plates, a cloisonné bowl, 

a red lacquered chrysanthemum 

plate together with a pair of 

rosewood stands 

the largest charger 35cm diameter 

$100–200 

68 

A modernist sand cast 

glass sculpture, possibly 

Scandinavian, mid century 

in the form of a seated figure 

17.5cm high 

$200–300 

69 

Two antique walking sticks 

one fashioned from a natural rustic 

branch, the other comprising a series 

of seed pod husks with a knob handle 

the largest 89cm long 

$300–400 

70 

An ebonised Chinese side table 

with a waisted surface above a 

open work skirt with key fret motifs, 

the square section legs united 

by a box stretcher 


$150–250 

71 

A Colefax & Fowler chintz 

lounge chair 

the loose linen cover in a bright 

iris design with pipe edging and a 

matching cushion 

$300–500

19 

72 

72 

JOHN EDWARDS (BORN 1956) 

Two Seasons of Happiness 2012 

oil on canvas 

diptych 


John Edwards 2012 

'2 SEASONS OF HAPPINESS' 

51 x 81cm (overall) 

$600–1,000 

73 

BARBARA WEIR (1945-2023) 

Grass Seeds 

synthetic polymer paint on canvas 

signed verso: Barbara Weir 

cat no # 2135 

30.5 x 30.5cm 

PROVENANCE 

The Artery, Sydney 

$200–400 

74 


Grass Seeds 



cat no # 2125 

30.5 x 30.5cm 

PROVENANCE 


$200–400 

75 


Grass Seeds 



30.5 x 30.5cm 

PROVENANCE 


$200–400 

76 


Grass Seeds 



30.5 x 30.5cm 

PROVENANCE 


$200–400

20 

77 

A pair of Colefax & Fowler linen 

covered armchairs 

plush chairs with pale teal covers 

with arm protectors and two 

matching velvet cushions 

$500–700 

78 

Three Casa Mia dining chairs 

with slip cover, plus one other 

with ebonised Italian beechwood 

frames with cross stretchers and 

red upholstery, three with Colefax 

and Fowler fawn Eaton check 

slipcovers, the fourth in ecru linen 

with black piping 

$400–600 

79 

A set of four matching 

architectural elements 

white painted fluted pilasters with 

Doric capitals 

202cm high, 41cm wide 

$500–700 

80 

An Australian cedar platform 

base centre table, circa 1840 

the well figured table with a bold 

gadroon edge, the platform base 

raised on whorl end feet with 

porcelain casters 


$700–1,000 

81 

A transitional tulipwood 

commode, French, 


of breakfront profile with a breche 

marble surface above two drawers 

with feather banded panels within 

strung borders, a dropped apron and 

raised on tapering cabriole legs, with 

brass plate handles and ring handles, 

embossed escutcheons and sabots 

79cm high, 80.5cm wide, 42cm deep 

$800–1,000 

77

21 

82 

82 

GAIL ENGLISH (BORN 1939) 

Weather Patterns 2004 

oil on canvas 

signed lower right: G. English 

signed, dated and titled verso: Gail 

English 2004 Weather Patterns 

40.5 x 40.5cm 

PROVENANCE 


$300–500 

83 

GAIL ENGLISH (BORN 1939) 

Untitled 2004/2005 

oil on canvas 

signed lower right: G English 

inscribed and dated verso: Gail 

English 2004/05 

40.5 x 40.5cm 

PROVENANCE 


$300–400

22 

Private Collection, Melbourne 

Lots 84–253

23 

84 

A French cast iron fuel box, 

by Corneau Fréres, 19th century 

with an ornate hinged vegetal lid with 

mask motif and a porcelain handle, 

raised on four slender swept feet, 

maker's mark to the lid 


$400–600 

84 

85 

An ornate cast iron fire fender, 

French, 19th century 

in the form of a curvaceous 

fortification with cannon apertures 

to the faux brickwork facade, with 

circular stairway feature to each end 

and centred with a trophy 


$800–1,200 

86 

A pair of silver plate twin branch 

wall lights, French circa 1930 

with bead edge wall plates issuing 

curvaceous arms supporting broad 

dishes and bud like sconces 

20cm high, 34cm across 

$200–400 

85

24 

87 

A French wrought iron hall 

lantern, early 20th century 

of pentagonal profile with a pierced 

dome cover and textured light 

amber panes 

80cm high 

$600–800 

88 

A Provincial pine stretcherbased 

refectory table 

with substantial baluster legs above 

block feet 


$800–1,200 

89 

A wall mounted vanity light, 

possibly by Allibert, 1970s 

the circular mirror float set within 

a cream plastic dished shell 

62cm diameter 

$300–400 

90 

A small Art Deco 

wrought-iron umbrella 

stand, French, 

circa 1925 

the framed stand with floral 

and arabesque motifs 

54cm high, 50cm wide, 

9cm deep 

$250–350 

87 

88

25 

92 

91 

An unusual French Provincial 

wrought iron lockable wine 

stand, probably 19th century 

the shallow stand with strap support 

for a single bottle, with cap and 

attached chain feature to locking 

mechanism, raised on a low stand 

49cm high 

$400–600 

92 

A pair of Italian polychrome 

glazed ceramic centrepieces 

each modelled as a tiered group of 

lemons in boat shape flared baskets 


$1,500–2,500 

91

26 

95 

A set of six faience green glazed 

plates by Foucard Jourdan, 

French, 19th/20th century 

in a mottled light olive glaze, stamped 

underside, Foucard Jourdan, 

Vallauris 


$120–180 

96 

Four faience begonia leaf 

dishes, 19th/20th century 

naturalistically modelled with green 

and treacle glazes, unmarked 

24.5cm long 

$80–120 

97 

A set of eighteen majolica 

plates by Gien, French, 


in emerald glazes moulded with leaf 

and trellis border designs, stamped 

to bases 


$400–600 

93 

93 

An Indo Persian miniature of a 

couple in a garden pavilion with 

attendants 

a richly decorated book page in 

opaque gouache colours enclosed 

by gilt enriched floral borders 

embellished with script, script also 

verso 

26cm x 18.5cm 

$300–400 

94 

An Anglo-Ceylonese ebony 

sofa, circa 1900 

with a curvaceous reeded cresting 

rail centred with a carved shell motif, 

the bolster style ends faced with 

tightly coiled reeding, a decorative 

relief carved skirt and raised on bold 

turned legs, with hole to hole cane 

seating, upholstered with tiger print 

cut velvet 

length of back 217cm 

$800–1,200 

98 

A set of sixteen majolica leaf 

plates, by Regal & Sanjouand, 

Clairefontaine, France 

in emerald glazes, each marked with 

RS and anchor underside 

21cm diameter 

$250–350 

99 

A collection of green 'cabbage' 

majolica condiment pots and 

a hanging basket, French, 

19th/20th century 

in olive green glazes comprising 

two sets of salt and pepper shakers 

on stands and a mustard pot and 

spoon with stand, and a hanging pot 

moulded as a basket with leaves and 

applied convolvulus flowers 

$200–300

27 

100 

A Venetian red chinoiserie 

bureau-cabinet, 


with a broken pediment above twin 

glazed cupboards, the serpentine 

lower register with a fall front, three 

drawers and raised on bracket 

feet, with polychrome decoration 

throughout and gilt enrichments 


$2,000–4,000 

101 

A small fruitwood tray-top 

occasional table, French, 

19th century 

with a dished surface and a small 

drawer, raised on a stretcher-base 

with trestle ends 

67cm high, 47cm wide, 31.5cm wide 

$240–300 

102 

A gilt-metal hall lantern, French, 

circa 1920 

cylindrical with a hanging chain and 

ceiling cup, the stem with provision 

for three electric candle lights 

80cm long 

$400–600 

103 

A black metal and multicoloured 

painted timber 

hallstand, French, circa 1950 

the wall hung stand in the style of 

Roger Feraud, with billiard ball type 

hanging knobs and a slender mirror 

insert 

180cm high 

$600–1,000 

104 

An antique giltwood overmantel 

mirror, 19th century 

of cusped arching form and 

embellished with vegetal and 

scrolling forms to the frame 

150 x 75cm 

$500–700 

100

28 

105 

An ebonised and turned wood 

easel, French, circa 1880 

with turned finials, fluted supports 

and spindle embellishments to the 

upper register and shelf 

$500–700 

106 

FRENCH SCHOOL 

The Horse Race 1900 

oil on cardboard 

signed with initials, dated and 

inscribed lower right and left: 

C de B 1900 Homage de l' auteur 

/ Mr Mackentein 

24 x 33cm 

$500–600 

107 

A collection of ceramic fowl 

tureens and ornaments 

comprising two porcelain chicken 

form tureens together with an 

earthenware rooster 

the largest hen 23cm high 

$50–100 

108 

A large green metal lantern 

the cylindrical lantern with trellis style 

borders 

50cm high 

$250–350 

109 

A Louis XV style giltwood 

cartouche form wall mirror 

of waisted profile with a shell form 

crest and rocaille embellishments to 

the frame 

100 x 68cm 

$800–1,200 

110 

A pair of small green patinated 

cast iron urns 

of campana form with gadroon 

feature, raised on squared bases 


$400–600 

105

29 

111 

111 

An Aubusson verdure tapestry, 


featuring a landscape with a castle 

and an exotic bird in the foreground, 

enclosed by vegetal borders 


$4,000–6,000 

112 

A wrought iron tiled coffee 

table, French, circa, 1950 

with a bold arrangement of burnt 

orange and brown tiles above 

bifurcated wrought iron cabriole legs 

with a twist stretcher base 


$300–500 

113 

A wrought iron and painted 

wood coat rack, French, 

circa 1950 

comprising an arrangement of 

coloured 'billiard balls' serving as 

hooks, on a ribbon twist frame 

58.5cm wide 

$180–250

30 

114 

An impressive carved giltwood 

salon mirror, English, 19th century 

with an extravagant and ornate pierced 

crest adorned with vegetal motifs, 

similarly decorated to the corners 

150 x 91cm 

$2,000–3,000 

114

31 

115 

An art glass vase in the 

manner of Val St Lambert, 

mid 20th century 

the cased chartreuse glass vase of 

twisted, flaring and organic form, 

with a thick walled rim, unmarked 

26.5cm high 

$200–300 

116 

A console table in the manner 

of Gilbert Poillerat, French, 

circa 1940 

the gilded bronze and wrought iron 

table with a shaped marble top 


$2,500–3,000 

115 

116

32 

117 

A French wrought iron eight 

light chandelier, 20th century 

with profuse scroll work throughout 

and tole embellishments, the main 

branches supporting electric candles 

and maroon gathered fabric shades 


$800–1,200 

118 

A wrought iron wall mirror, 

1940s 

of tubular form with arabesque 

embellishments 

78 x 66cm 

$250–350 

117 

119 

A small Aesthetic style picture 

easel, French, circa 1900 

in the oriental taste with bamboo 

style supports, turned rails and a 

wooden shelf 

138cm high 

$400–600 

120 

A gilt metal and glass coffee 

table by Pierre Vandel 

the square section frame in a 

satin finish with a floating bevelled 

glass plate 

105cm x 54.5 x 34 cm 

$600–800 

121 

A silvered metal lamp base, 

Italian, circa 1960 

of bold knopped form and supported 

on a dome base 

60 cm high 

$200–400 

122 

A marble and gilt-metal three 

tier table, French, circa 1950 

with a verde antico marble surface 

and tiers, the base with cross form 

side stretchers 


$800–1,000 

123 

A gilt-metal pineapple lamp in 

the manner of Maison Charles, 

French, circa 1950 

with a waisted pedestal and raised 

on a plinth base, with a black shade 

with gilt trim 

77cm high 

$500–700 

124 

A pair of French gilt-metal 

hall lanterns 

of typical cylindrical form with 

decorative cast ceiling cups 

45cm high 

$300–500

33 

125 

An exceptional and very 

decorative verre-eglomise 

circular-top coffee table, 


raised on a scrolling gilt metal base 

41cm high, 74.5cm diameter 

$2,000–3,000 

126 

A pair of Samson of Paris 

Japanese Kakiemon 

style porcelain elephants, 


caparisoned trumpeting elephants in 

glazed white porcelain, red stylised 

'S' mark to one foot indicative of 

1941-1957 period 

17cm high 

$250–350 

125 

125

34 

127 

128

35 

129 

129 

127 

A pair of wrought iron 

bottle wine stands, French, 

19th century 

with crank mechanism and applied 

vine leaf decorations, both supported 

on rectangular bases 

each 28cm high 

$500–800 

128 

A Spanish fruitwood 

stretcher-based dining table 

bold square section scrolling legs 

with trestle ends and a wrought iron 

scroll end stretcher 


$2,000–4,000 

129 

A pair of wrought iron lanterns, 


the gothic inspired pair with amber 

brown textured glass enclosed within 

a gun metal grey frame with scroll 

work, flowering finials and spiral twist 

supports with snake head terminals 

74cm long 

$3,000–5,000 

130 

A collection of polished metal 

towel rails and fixing plates 

three fine quality gilt-bronze towel 

rails with decorative fixing plates, one 

rail and plate with a chrome finish 

the towel rails 38cm long 

$300–500

36 

131 

131 

A five branch tole ceiling light, 


the patinated two tone light in the 

form of a bunch of lilies with open 

blooms and strapwork 

60cm high 

$700–900 

132 

A Louis XVI style carved 

giltwood wall sconce 

with an acanthus leaf wall mount 

issuing two vegetal arms supporting 

floriform sconces 

37cm high 

$200–400 

133 

A floriate circular giltwood wall 

mirror, Italian 

profusely carved and pierced with 

repeating motifs 

58cm diameter 

$500–800 

134 

A gilt-bronze and satinwood 

Étagère, French, 19th century 

the three tier stand in a gilt bronze 

bamboo style frame 


$400–600

37 

135 

EUROPEAN SCHOOL 

Still Life 

oil on canvas 

55 x 78.5cm 

$400–600 

136 

An Italian walnut side table, 

18th century 

the extended surface with much 

patina above twin drawers and 

turned legs united by a box 

stretcher 


74cm deep 

$4,000–6,000 

135 

136

38 

137 

A French Gothic Revival glazed 

wrought iron hall lantern, 


of hexagonal profile with red and 

green panes enclosed by a series 

of extended columns and dramatic 

flaring spear heads, baluster shaped 

scroll work to the long stem 


$1,000–1,500 

138 

MURIEL JOYCE BIDDER 

(ENGLISH 1906-1999) 

St George 

a gold finish plaster plaque in low 

relief, initialled MJB upper right and 

label verso 

the plaque 19 x 14cm 

$400–600 

139 

A fine gilt-bronze and 

mahogany panel, French, 

circa 1925 

featuring a semi-naked maiden in a 

frenzied dance with Bacchus flanked 

by the emblems of wine and music 

29 x 35.5cm 

$700–900 

140 

A green Chinoiserie incised 

lacquer and gilt-bronze coffee 

table, French, circa 1920 

raised on trios of bamboo style 

brass legs 


$800–1,200 

141 

ANGUS WINNEKE 

Throne Room - Apple Blossom 

Palace - Puss in Boots 

watercolour, bodycolour and ink 

inscribed with title upper left and 

right in image 

25 x 19.5cm 

$100–200 

137

39 

142 

A spelter kangaroo mystery 

clock, German, circa 1900 

A Junghans- type mystery clock with 

a gilt metal swinging timepiece 

27cm high 

$500–800 

143 

A French wrought iron marble 

top console, early 20th century 

with a serpentine verde marble top 


$2,000–3,000 

145 

A demi-lune parquetry 

inlaid foldover games table, 

19th century 

with a bold lattice surface and 

chevron motif to the skirt, opening to 

green baize interior, supported on a 

pull out drawer leg, with gilt bronze 

sabots 

76.5cm high, 95.5cm diameter 

$1,200–1,500 

144 

A small bronze letter rack, 

English, 19th century 

in the form of tiered cast vine leaves 

25.5cm high 

$100–200 

142 

143

40 

146 

146 

MARCEL COUSINS 

(BORN 1972) 

Melting Second World War 

German Soldier 2010 

resin and two-pac paint 

signed, dated, titled and editioned 

on base: MARCEL COUSINS 2010 

MELTING SECOND WORLD WAR 

GERMAN SOLDIER 4/5 


$1,200–1,500 

147 

RYCA (RYAN CALLANAN, 

BRITISH, BORN 1981) 

Racquel Welch (Green) 

colour silkscreen 

signed and editioned on margin: 

Ryca 13/15 

65 x 46cm 

$600–800 

148 

A pair of vintage Barcelona 

Chairs by Ludwig Mies Van Der 

Rohe, manufactured by Knoll, 

mid 1970s 

in chromed metal and tan leather 

Purchased Palazzo, South Yarra 

$2,000–3,000 

149 

A Barcelona Chair by 

Ludwig Mies Van Der Rohe, 

manufactured by Knoll, 

mid 1980s 

in chromed metal and black leather 

Purchased Bakka Design, Armadale 

$800–1,200 

150 

A pair of polished brass 

wall sconces with faceted 

glass drops 

26cm high, 25cm across 

$300–400 

151 

A silver plate drinks tray on 

stand, French, circa 1950 

a twin handled drinks tray with a 

pierced gallery supported on a 

gilt-metal folding stand 


$400–600 

152 

Monuments de Paris, 

dessinés par M. Nicolle 

'Monuments de Paris, 1810, 

Hommage de l'Empereur Napoléon a 

L'Impératrice Marie-Louise' 

A facsimile set of coloured 

lithographs of the Monuments of 

Paris in a gilt-tooled red leather folio 

and hard case, originally produced as 

watercolours by Victoria Jean Nicolle 

as a marriage gift to Napoléon to 

Marie-Louise 

$200–300

41 

153 

A white leather 'Swan' chair 

by Arne Jacobson 

in original white leather, 

manufactured by Fritz Hansen, 

Denmark (label attached to base), 

1960s 

PROVENANCE 

Purchased from Geoffrey Hatty 

1990s 

$3,000–5,000 

154 

A vintage decoupage two fold 

screen, French, circa 1920 

each panel 116 x 40cm 

$300–400 

155 

A brushed chrome glass top 


in the style of House of Bagues, of 

waisted form with four twin box 

tubular legs supported on brass 

footplates, similar brass motifs to the 

frame edge and supporting the plate 


$800–1,200 

156 

A pair of Louis XV style silverplate 

two light candlesticks, 


the knopped and threaded stems 

supported on tiered dome bases with 

fluted edges, 

32.5cm high 

$300–500 

153

42 

157 

157 

A pair of French carved 

giltwood girandoles, 

19th century 

slender tapering framed mirrors 

surmounted by a circular mirror motif 

and shell feature, the base issuing 

twin curvaceous arms supporting 

electric candle sockets 

90cm high 

$800–1,200 

158 

A large gilt-metal display wall 

cabinet, Italian, circa 1960 

in a satin brushed chrome and brass 

finish with canted edges, mirror back, 

glass shelves and electrical fittings 


$500–800

43 

159 

A decorative monochrome 

grey-painted four fold screen, 


depicting figures and riders within 

palace grounds 

each panel 157 x 58cm 

$600–800 

160 

A brass and glass coffee table, 


with a square section frame and legs 

supporting a floating plate 

36.5cm high, 112cm wide, 

56.5cm deep 

$500–800 

161 

A pair of Louis XVI style giltbronze 

candlestick lamps, 


with fluted and knopped stems to 

spreading domed bases 

31.5cm high 

$300–500 

159

44 

162 

A Louis XV style walnut bedside 


with a three quarter gallery above a 

single cupboard relief carved with 

a trophy, the serpentine rocaille 

decorated skirt raised on cabriole 

legs with shell embellished knees 


$400–600 

162 

163

45 

164 

163 

A Chinese glazed pottery parrot 

perched on a rock 

the slip moulded figure in emerald 

colours with yellow, blue and red 

enrichments, impressed and red 

stencil marks underside 

25cm high 

$150–250 

164 

Five faience plates, 19th century 

two scenic plates with impressed 

marks, Fabrique D'Emaux Brevet, and 

three with fruit designs, enclosed by 

embossed borders 

the largest 23cm diameter 

$200–300 

165 

A pair of small turquoise glazed 

parrots, 20th century 

solid moulded with a bright glaze 

10.5cm high 

$100–200 

165

46 

166 

A stained beech cabinet in the 

Japanese manner, attributed 

to Gabriel Viardot, French, 


with a carved dragon surmount 

above an arrangement of cabinets 

and shelves, oriental style carved 

and pierced elements throughout 

with applied figures and cranes in 

bronze, coloured shell and bone, 

above cabriole legs 


$3,000–5,000 

167 

A Louis XV style giltwood 

banquette, French, 19th century 

with vegetal carved details and raised 

on curvaceous legs united by twin 'X' 

form stretchers, with floral upholstery 

and nail trim 

113cm wide 

$800–1,000 

168 

A group of of ten porcelain 

apothecary jars, French, 

19th century 

the drug jars with domed covers with 

gilt and decorative Latin inscriptions, 

by Limoges and other makers 

the largest 29.5cm high 

$200–300 

169 

A silver plate mounted glass 

water jug, French, 1950, 

together with a silver plate 

mounted claret jug, circa 1900 

the jug with etched motifs to the 

glass body, Gallia marks 

ewer 30cm high 

$200–300 

166

47 

170 

A pair of bronze mounted Imari 

lamps, Japanese and French, 

circa 1900 

the baluster vases with fan shaped 

cartouches amidst foliage in a typical 

cobalt and red palette, with French 

bronze cast mounts, with sconces for 

bayonet fittings 

33.5cm high 

$500–600 

171 

A Dutch colonial leather trunk, 


the brown leather domed trunk 

with handles to the short ends and 

decorated with studwork patterns 

throughout 


$500–800 

172 

A gilt bronze mounted floral 

ceramic vase 

with an applied rose and foliage, 

raised on a decorative pierced stand 

29cm high 

$50–100 

173 

A cane and metal framed egg 

shaped chair and ottoman, 


the chair with graduated arching 

canes raised on a splayed legs 

the ottoman 35cm high, 50cm wide, 

35cm deep 

$400–600 

174 

A collection of Paris porcelain 

plates, 19th century 

comprising nineteen pieces with 

variously coloured borders, some 

with central gilded floral motifs, 

unmarked 

22cm diameter 

$400–600 

175 

A glass and gilt-metal 

stretcher-based coffee table, 


thick plate glass resting upon 'U' 

shaped supports 


$600–900 

176 

A bronze hall light, French, 

circa 1920 

of lobed form with bronze finials, 

square set scroll supports to a 

knopped stem, with provision for four 

electric candles 

65cm long 

$500–800 

170

48 

177 

A Swiss made gilt metal 

Armillary clock by Lancel, 

circa 1970 

with Roman numerals, subsidiary 

dials and moonphase to the 

face, engraved 24 hour clock and 

astrological symbols to the rings, 

signed to the dial 

18cm high 

$800–1,200 

177 

178 

178 

A gilded iron and plate glass 

coffee table, French, circa 1950 

the stretcher-based table with 'U' 

form supports united by lion head 

rosettes 


$800–1,200

49 

179 

179 

An emerald shagreen and ivory 

case, French, circa 1930 

the wood lined table top cigarette 

box with ivory edging and 

thumbpiece 


$250–350 

180 

A gilt-metal and mirrored glass 

top occasional table, French, 

circa 1940 

circular top on arrow form supports 

50cm high, 45.5cm diameter 

$1,200–1,600 

181 

A French carved giltwood wall 

mirror, 19th century 

ornately pierced and carved, having 

an arching crest with scrolling 

acanthus and flower heads and richly 

flower embellished to each corner 

79.5 x 40.5cm 

$600–800 

180

50 

182 

J. HUBERT 

A large scenic mural painted 

on canvas 

signed lower right 

210 x 530cm 

$1,500–2,500 

183 

A chrome sputnik ceiling light, 

French or Italian, circa 1960 

50cm diameter 

$600–900 

184 

A red painted wrought iron 

Chinoiserie coffee table by Jean 

Major, French, mid 20th century 

with lattice designs to the edge and 

skirt, and a glass surface covering a 

painted panel featuring birds, foliage 

and rockwork 


$800–1,000 

185 

An Indo Persian miniature 

painting of a romantic couple in 

a pavilion 

a book page richly decorated in 

opaque gouache colours with gilt 

enrichments, surmounted by script, 

also verso 

image size 17 x 10cm 

$300–400

51 

182 

186 

A Hollywood Regency style gilt 

metal urn form table lamp 

with strappy leaf feature and 

provision for three bulbs 

74cm high 

$300–500 

187 

A verre églomisé wall mirror 

the oval mirror with a decorative crest 

and applied decorations 

73.5 x 44cm 

$400–600 

188 

A mahogany butler's tray on 

stand 

of typical form with folding flaps and 

a collapsible base 

the tray 50 x 76cm 

$300–500 

189 

A pair of vintage metal bracket 

lanterns 

each with a pagoda top and pierced 

border decoration 


$600–800 

190 

A pair of painted Moroccan 

metal ware lanterns 

domed iron red lanterns with pierced 

borders 


$600–800

52 

191 

A pair of carved and painted 

Solomonic columns, 

19th century 

each column decorated with an 

entwined vine above platform 

bases, the square top capitals with 

feathered tiers and ionic scrolls 


$1,500–2,500 

192 

An 'Old Horndale' oak tawny 

port barrel 

the coopered barrel with bunghole, 

spigot and resting in a wood cradle 

40cm high 

$150–250 

193 

A Gothic Revival fruitwood 

marble top console table 

with a rouge marble surface above 

drawers with interlocking circular 

motifs, a shaped skirt and raised on 

substantial legs to a platform base 


$300–500 

194 

A French wrought iron hall 

lantern 

of tapering hexagonal profile 

surmounted by scroll motifs united at 

the stem, with clear glass panes 

47.5cm long 

$600–800 

195 

A set of four Carolean Revival 

tapestry upholstered dining 

chairs, 19th century 

with upholstered square back and 

stuffover seats with tapestry and 

velvet covering and nail trim above 

gadroon capped legs with turned 'H' 

form stretchers 

$300–500 

191

53 

196 

An Italian blanc de chine 

ceramic fruit urn centrepiece 

with life size modelled fruits to the 

cover and a pear finial, above a 

gadrooned basket urn base 


$1,800–2,500 

197 

An Italian blanc de chine 

ceramic fruit urn centrepiece 

with life size modelled fruits to the 

cover and a pear finial, above a 

gadrooned basket urn base 


$1,800–2,500 

198 

A pair of metal folding 

occasional tables 

each with hinged X form stretcher 

bases 


$500–800 

196

54 

199 

A pair of gilt-bronze mounted 

Delft table lamps, circa 1900 

blue and white double gourd vases 

set in gilt bronze French mounts 

the bases 69cm high 

$600–800 

200 

AUNG 

The Ceremony 1991 

oil on canvas 


AUNG 91 

44 x 59.5cm 

$200–400 

199 

201 

A Restauration gilt-bronze 

and mahogany clock, French, 

circa 1830 

lyre shaped with applied bronze 

Neoclassical motifs, the dial with 

a enamel chapter ring with Roman 

numerals and minute markings, mark 

of Fléchy, Boulevard St Martin N°45 

42cm high 

$500–700 

202 

A collection of Dutch delft 

blue and white wares, 

19th century and later 

comprising a pair of vases, a charger 

and a small plate, each under glaze 

decorated within shaped panels of 

floral motifs 

the charger 33.5cm diameter 

$500–800 

201

55 

202 

203 

A collection of Dutch delft blue 

and white vessels 

comprising two large fluted and 

faceted covered vases with lion 

finials, together with one smaller 

covered vase, and a pair of flaring 

vases, profusely decorated to each 

the largest covered vase 50cm high 

$500–800 

203

56 

205 

204 

SIDNEY NICOLSON BOYES 

(ENGLISH) 

Sans titre 1909 

spelter female figure 

with a brown patina raised on wooden 

pedestal 

incised and dated on base: S. Boyes, 1909 

33cm high 

$300–500 

204

57 

205 

An Empire gilt-bronze hand 

mirror, French, circa 1820 

with a cast ornamented handle and 

an engine turned frame enclosing a 

modern glass, one side magnified 

29cm long 

$300–400 

206 

A Neo-Classical revival giltbronze 

glass top coffee-table, 


in the manner of Maison Charles or 

Maison Bagues with Egyptian style 

capitals to the legs and hooped 

stretchers 


$1,500–2,000 

207 

A collection of mixed timber 

treenwares 

comprising a comport, a small 

coopered pot, a covered canister and 

a coconut punch ladle 

the comport 15cm high, 

26cm diameter 

$200–300 

208 

A pair of mid-century gilded 

table lamp bases 

the stems with clear triangular glass 

and globular features separated 

by brass rings and raised on broad 

square glass and brass bases 

31cm high 

$500–800 

209 

A carved and painted simulated 

marble plinth 

of rectangular profile with a cross 

hatched design to the body and 

raised on a tiered and stepped base 


$500–800 

210 

A carved hardwood salon 

mirror, French 

the ebonised frame with pierced 

acanthus scrollwork throughout 

132 x 101cm 

$800–1,000 

211 

Two Italian blue and white 

apothecary jars 

ovoid with domed lids, each 

with underglaze blue script and 

decoration and grape bunch handles 

30cm high 

$600–800 

206

58 

212 

212 

A gilt-bronze table or hanging 

mirror, French, 19th century 

the ornately framed bevelled glass 

with a cast frame and a lavish crest 

bearing a monogrammed medallion, 

with a lead backplate, easel support 

and a hanging bail 

37 x 28cm 

$500–700 

213 

A set of four carved tapestry 

upholstered dining chairs, 

in the James II style 

the square back chairs with turned 

and knopped legs united by scroll 

and barb 'X' form stretchers, with red 

and cream patterned upholstery 

$800–1,200 

214 

A small collection of vintage 

pewter 

comprising two baluster tankards 

with double scroll handles and three 

dishes 

the largest dish 24cm diameter 

$100–200

59 

215 

A set of six Louis XVI style 

pale grey painted chairs, 

19th century 

the lyre back chairs with pale blue 

upholstery, impressed mark of 

R.Chartier to frames 

$1,200–1,500 

216 

HUTCH (BRITISH, BORN 1967) 

Juggling Grenades (pink) 

colour silkscreen 

signed and editioned lower right and 

left in image: HUTCH 43/50 

96 x 50cm 

$600–800 

217 

A brass and walnut magazine 

rack on stand, French circa 1920 

the tubular rack mounted on a 

wooden stand and a tripod tubular 

brass base with swept feet 


$350–500 

215

60 

218 

A carved Chippendale style 

giltwood mirror 

of delicate proportions with 

scrollwork and swags to the crest, 

featuring a vase issuing plumes, 

with pendant motifs to the sides and 

decorations to the base 

136 x 75cm 

$1,000–1,500 

219 

A pair of gilt bronze 

mask wall appliqués, 


in the Neo-classical style with three 

scrolling arms supporting bead edge 

pans and electric candles 


$1,000–1,500 

220 

A Louis XVI style marquetry and 

palisander demi-lune console 


with a Carrara marble surface 

enclosed by a pierced part gilt 

bronze gallery, with gilt-metal 

mounts and raised on tapering 

square section legs united by an 

undertier 


$1,500–2,000 

221 

A circular blondewood 

bentwood side table, circa 1960 

with a veneered surface above an 

oak stem with spreading feet 

73cm high, 70m diameter 

$400–600 

218 

222 

A . HAMENDT-AVIGDOR 

Coraux et poissons sous l'eau 

watercolour 

signed lower left: 

A. Hamendt-Avigdor 

inscribed verso: H Avigdor 

42 x 62cm 

$200–400

61 

219 

220

62 

223 

STUART RAY 

(BRITISH 1916-1985) 

Chambre d'un Cottage 

oil on board 

signed lower left with initials 

35 x 14.5cm 

$200–400 

224 

A large Arco floor lamp in the 

style of Castiglioni, Italian, 

circa 1960 

an arching box steel three section 

stem set within a Cararra marble 

base, with two associated aluminium 

shades 

230cm high 

$700–900 

225 

A collection of Japanese Imari 

porcelain 

comprising a koro and cover, a 

rectangular dish with a scroll and 

barb rim, and an oval dish, each 

decorated with flora and patterns in 

cobalt and iron red colours 

the koro 20cm high 

$300–500 

226 

A green painted wrought iron 

six-branch chandelier, French, 

circa 1920 

an inverted heart shape issuing 

tendrils and ribbon twist arms 

supporting broad dishes and electric 

candles 

78cm high 

$400–600 

223 

227 

An unusual bronze inkwell in 

the form of a crab, Japanese, 

circa 1900 

the hinged shell opening to reveal 

the well 

25cm wide 

$300–500

63 

228 

An Italian polychrome glazed 

ceramic centrepiece 

arranged as a white wicker basket 

holding an abundance of coloured 

fruits 


$1,000–1,500 

229 

An Italian polychrome glazed 

ceramic centrepiece 

arranged as a white wicker 

basket holding an abundance of 

coloured fruits 


$1,000–1,500 

230 

A pair of silvered metal torchère 

table lamps 

in the Neoclassical manner with 

stiff leaf, fan and acanthus motifs to 

the knopped stem and raised on a 

domed triangular base with paw feet 

85cm high (including shade) 

$500–800 

231 

A finely carved Anglo-Indian 

padauk pedestal 

highly ornamented with relief 

carved borders and lappet motifs, a 

mihrab shaped open compartment 

with a spindle gallery above a 

patterned and tiered lower section 

to a platform base 


$800–1,200 

232 

GABRIEL PARIS 

(FRENCH, 1924-2000) 

Sous-bois ‡ l'automne 1957 

oil on canvas 


Gabriel Paris 57 

65 x 81cm 

$200–400 

229 

228

64 

233 

An unusual painted cast iron 

mechanical bird money box, 

circa 1880s 

lever operated and featuring an eagle 

feeding chicks in a nest 

14.5cm high 

$800–1,000 

234 

A Victorian silver mounted 

ostrich egg jewel casket, 

possibly by Stuart Clifford, 

London, circa 1880 

red velvet lined, standing on ball feet 


$1,000–2,000 

233 

235

65 

235 

A Louis XV style marble top 

tulipwood bombé commode, 


the mottled rouge marble top of 

serpentine profile above two drawers 

with a book end veneer cartouche 

inlaid with floral sprays, with a 

dropped apron and embellished with 

cast gilt bronze foliate ornaments 

and sabots 


$1,000–1,500 

236 

A carved giltwood salon mirror 

in the Chippendale manner, the open 

work crest composed of vegetal 

scrollwork and flowers, the plates 

divided by similar scrollwork, the 

apron similarly decorated 

141.5 x 79cm 

$1,500–2,000 

237 

An unusual bird mounted 

brass smokers companion, 

19th century 

in the form of a parrot with a 

removable head on a perch and 

raised on knopped stem to a dish 

34.5cm high 

$500–800 

238 

A carved giltwood wall appliqué 

by A Pierini, Melbourne, 1971 

in the form of a musical trophy with 

flowers and instruments 

151cm high 

$800–1,200 

239 

A pair of 'church brass' 

candlestick table lamps with 

parchment shades 

with knopped and annulated stems 

and having generous sconces 

supporting electric candles 

72cm high 

$600–800 

236

66 

240 

An English Art Deco satin glaze 

kangaroo, by Spode, circa 1935 

the kangaroo upon an integral plinth, 

with mark for Spode Velamour 

to base 


$600–800 

240 

241 

A pair of moderne silver plate 

three branch table lamps, 

Italian, circa 1960 

with a central faceted glass obelisk 

issuing from a well base, with brown 

sateen with burgundy trim shades 

50.5cm high 

$600–800 

241

67 

242 

242 

A large starburst pendant light 

clear glass panes in a distressed 

brass frame, with contemporary 

electrical fittings 


(approximately) 

$1,200–1,500 

243 

A large starburst pendant light 

clear glass panes in a distressed 

brass frame, with contemporary 

electrical fittings 


(approximately) 

$1,200–1,500 

244 

A pair of rare armchairs by Alain 

Richard, France, circa 1960s 

in white lacquered plywood and 

chrome, with blue wool upholstery 

$800–1,200 

245 

A Louis XVI style gilt-bronze 

chenet form lamp base, 


featuring a spiral twist urn 

above a fluted column draped 

with a husk swag 

58cm high 

$300–500 

246 

A large handpainted blue and 

white floor vase by Fajans, 

Poland 

of baluster form, with teardrop form 

floral panels to each side 

factory marks and editioned to base 

60cm high 

$300–400 

247 

A varied group of majolica 

wares, Italian and other, 

20th century 

an assortment of vegetables and a lid 

the artichoke form dish 19cm long 

$20–40

68 

248 

PERCY LINDSAY 

(ATTRIBUTED) 

The Moored Boat 

oil on board 

inscribed verso: Percival Lindsay 

21 x 15cm 

$600–800 

249 

A vintage embossed cast iron 

hearth plate 

featuring two children in low relief 

49 x 47.5cm 

$200–400 

250 

A large carved giltwood salon 

mirror, French, 19th century 

in the Rococo manner with a lavish 

pierced crest to the arching top rail 

and vegetal embellishments to the 

corners of the moulded frame 

173 x 112cm 

$1,000–1,500 

251 

A cherry wood corner cabinet, 

in the Georgian style 

the projecting dentil cornice above 

an astragal glazed door, with a 

panelled cupboard to the base, 

raised on bracket feet 

188cm high, 64cm wide, 45 deep 

$300–500 

250

69 

252 

A gilt-metal and glass coffee 


the delicately framed table with a 

stretcher base and decorative pine 

cone finials 


$600–800 

253 

A gilt metal and parchment top 


the gilded scrolling wrought iron 

base with angled stretchers, the 

parchment surface covered with a 

framed glass top 


$800–1,000 

252 

253

70 

Private Collection, Sydney 

Lots 254–323 

254 

A Catellani and Smith 

'Sottovento' floor lamp 

makers mark and editioned to base 

maximum height 224cm 

$1,800–2,500 

254

71 

255 

A Catellani and Smith wire ball 

pendant lamp 

60cm diameter 

$1,200–1,500 

256 

A Mogensen 2213 three seater 

sofa together with a matching 

footstool, by Fredericia 

in black leather with piped edging 

and raised on pale oak legs, includes 

four seal skin cushions with pebbled 

leather backing 

the sofa length of back 220cm, 

the footstool 43cm high, 57cm wide, 

57cm deep 

$3,000–5,000 

255 

256

72 

257 

A 'Lovelock' cast solid bronze 

coat and hat stand by Barbera, 

Australia 

a branch form piece with a puddle 

style base 

173cm high 

$800–1,200 

258 

A green onyx 'Pillar' lamp by 

Studio Henry Wilson, 2021 

45cm high 

$1,000–1,500 

262 

A hardwood desk by Khai Liew, 

Australia, 2020 

a slim line desk with a trio of grey 

laminate panels to the surface, with 

twin shallow side drawers each with 

removable slides, supported on 

slanted tapering legs with stretchers, 

signed and dated Khai Liew, 

June 2020 


$6,000–8,000 

259 

A Bocci 28.7 cluster multicoloured 

blown glass 

chandelier by Omer Arbel 

in shades of blue, orange 

and opaque red 

each handblown shade 

15cm diameter 

$1,500–2,000 

260 

A Bocci 21.21 chandelier 

comprising twenty one porcelain 

petal form pendants suspended 

from coaxial cable 

the pendants 20cm high 

$2,000–3,000 

261 

A cased glass vase by 

Omer Arbel for Bocci, 

Vancouver and Berlin 

the vase with a trapped wire 

mesh feature, edition number: 

OA84.2020.45 

13.5cm high 

$400–600 

257

73 

263 

A cased glass vase by 

Omer Arbel for Bocci, 

Vancouver and Berlin 

the vase with a trapped wire mesh 

feature, edition number OA84.2019.5 

12cm high 

$500–800 

264 

A large glass dome 

34.5cm diameter, 50cm high 

$100–200 

263 

262

74 

265 

A tub chair by Khai Liew, 

Australia 

with a linen seat cushion, signed and 

dated Khai Liew 2021 to base 

$3,000–5,000 

266 

A Vitra Spindle wall clock, 

originally designed by George 

Nelson, 1950s 

in brass coloured brushed 

aluminium and solid walnut, boxed, 

battery operated 


$200–300 

267 

A Vitra Sunflower wall clock, 


Nelson, 1950s 

in ebonised timber with brass 

indicators, battery operated 

75cm diameter 

$200–300 

268 

A Vitra Popsicle wall clock, 


Nelson, 1950s 

in walnut, boxed with original tags, 


35cm diameter 

$200–300 

265

75 

269 

A striking asymmetrical 

American oak sideboard by 

Khai Liew, Australia 

a long wedge shaped open ended 

box supported on slightly angled 

triangular legs, brand stamp for Khai 

Liew underside 


$6,000–8,000 

270 

A pair of hardwood bedside 

tables, by Khai Liew, Australia 

with overhanging surfaces, solid 

plank sides and fabric covered 

drawer faces, brand stamp of Khai 

Liew to underside of drawers 


$1,500–2,500 

269 

270

76 

271 

271 

A PP250 Valet Chair 

originally designed by Hans Wegner 

in 1953 for PP Mobler, Denmark 

in ash with a wenge seat, 

PP Mobler stamp underside 

94cm high 

$5,000–8,000 

271

77 

272 

A Chieftain Chair 

originally designed by Finn Juhl in 1949, 

House of Finn Juhl, Denmark 

in walnut with cognac red leather upholstery, trademark 

HFJ and brand stamp behind front rail 

with original Certificate of Authenticity swing tag 

93cm high, 101cm wide to edge of each elbow rest 

$8,000–12,000 

272

78 

273

79 

273 

A Mobler PP225 flag 

Halyard chair 

designed by Hans Wegner in 

1950 for PP Mobler, Denmark 

in steel with 240 metres of flag 

and a deep red leather headrest 

with strap supports, engraved PP 

to front steel bar and numbered 

28387, with original Certificate of 

Authenticity swing tag 


$4,000–6,000 

274 

A PP502 Mobler Swivel chair 



in ash, brushed steel, and deep 

red leather, with PP Mobler brand 

underside 

$5,000–8,000 

274

80 

275 

A Bang & Olufsen Beovision 

Eclipse 60 inch television 

with a light oakwood sound cover, 

and raised on a circular brushed steel 

base, with matching remote 

$3,000–5,000 

276 

A Bang & Olufsen contour 

48 inch television 

on an aluminium circular stand, 

with remote 

$2,000–3,000 

277 

A Samsung television 

on a tripod stand, with remote 

80cm (31 inches) diagonally 

$100–200 

275

81 

278 

A pair of Bang & Olufsen Boelab 

50 Beosund floor speakers 

in oak and aluminium 

103cm high 

$8,000–12,000 

279 

A large thick slab of verde 

antico marble 

the right angled slab with two 

irregular edges 

95 x 85cm (irregular), 7.5cm deep 

$600-800 

278

82 

280 

A Persian inspired green flat weave 

rug by Golran 

with varying tones surrounded by a vegetal 

border, hand tufted wool and cotton 

377 x 301cm 

$2,000–3,000 

280

83 

281 

A teal hand tufted wool rug designed 

by Beni Ourain for Halycon Lake 

irregular grey stripe pattern, 

part of the Moroccan collection 

344 x 275cm 

$3,000–5,000 

281

84 

282 

A Berkel Flywheel Heritage 

slicer with stand, Model B2 

Standard, Italy 

the stand on a pedestal base with 

lion's paw feet 

70 x 54 (irregular), slicer, 79cm high, 

55cm diameter (approx), stand 

$1,500–2,500 

283 

A large parquetry style 

chopping block or display plinth 


$200–300 

282

85 

284 

A Kees Van Der Westen 

Speedster stainless steel coffee 

machine 

on a commercial stainless steel 

wheeled bench 

the coffee machine 44cm wide 

the bench 92.5cm high, 138cm wide, 

60cm deep 

$4,000–6,000 

285 

A Panasonic Econavi microwave 

steam oven 


$200–300 

286 

A Vitamix Blender 

Ascent Series A3500i 

43.5cm high 

$300–500 

284

86 

287 

A set of four hardwood bar 

stools by Khai Liew, Australia 

the square back stools with 'L' 

shaped splats united by a brass 

clasp, the legs with box stretchers 

and side feature, upholstered in 

russet leather 

$2,000–3,000 

288 

A queen bed frame and 

headboard by Khai Liew, 

Australia, 2020 

with a custom panelled headboard 

with raised and recessed hardwood 

framed and fabric covered panels, 

signed 'with best wishes Khai Liew, 

2020', to lower back of headboard 

the headboard 96 x 185cm 

$4,000–6,000 

289 

A 'Losanges' wool flatweave rug 

by Ronan & Erwan Bouroullec 

for Nanimarquina 

of tonneau shape with a crenellated 

feature to the short ends 

415 x 300cm (variable) 

$4,000–6,000 

287

289 

87

88 

290 

290 

An overspill brass bowl by Omer 

Arbel for Bocci, fabricated in 

East Vancouver 

a unique piece of rough organic sand 

cast form made from recycled brass 

with a brightly polished central dish 

58cm wide (irregular) 

$2,000–3,000 

291 

A large collection of Bernadaud 

'Noel' porcelain tableware, 

France 

twelve boxes of festively patterned 

porcelain plates and platters, 

comprising approximately 40 pieces 

including bread and butter plates, 

salad and dinner plates, shallow soup 

bowls, a large salad bowl and one 

smaller, extra large service plates, 

and other 

the largest plates 31.5cm diameter 

$500–800 

292 

A bespoke naturalistic 

hardwood panel coffee table, 

'Oliver', by Khai Liew, Australia, 

2020 

the irregular top raised on legs united 

by angled hewn stretchers, with title, 

signature and date, 'Oliver' /Khai 

Liew, May 2020 


43cm deep (irregular) 

$4,000–6,000

89 

293 

A twelve person sterling silver 

flatware service in Martelé design, 

by Robbe & Berking, Germany 

each element marked with crown 

and crescent and stamped .925, 

knife blades in stainless steel 

the knives 24cm long, 

total weight 3.25kg 

$2,000–3,000 

293 

292

90 

294 

A BillStone watch winder 

for four watches, with touch screen 

control in a wood grain case, 

with charger 


$400–600 

295 

A bison hide rug 

256cm long, 220cm wide at the 

hindquarters 

$400–600 

296 

A silver curly fleece rug 

by Ivano Redaelli, Italy 

210 x 273cm 

$1,200–1,500 

294 

297 

A Halcyon Lake hand knotted 

multi-coloured wool rug 

in 'Vintage Boujard' design from the 

Moroccan Collection 

127 x 178cm 

$400–600 

298 

298 

A solid pale oak dovetail bench 

by Dinesen, Denmark 


44cm deep 

$1,500–2,500

91 

299 

299 

A Moroccan fleece rug, 

by Ivano Redaelli, Italy 

in fine white sheep fleece, 

with label attached 

250cm diameter approx. 

$1,200–1,500

92 

300 

A Halcyon Lake hand knotted pure 

wool rug in orange and cream 

an 'Atlas #12' design from the Moroccan 

collection 

256 x 350cm 

$2,000–3,000 

300

93 

301 

A 'Memories Topkaj Lapis' 

pattern flat weave rug by 

Isabella Sodi for Golran 

hand-knotted wool and silk in shades 

of teal, chartreuse and oatmeal 

388 x 305cm 

$4,000–6,000 

301

94 

302 

302 

A set of four white oak BRDR 

Kruger ARV dining chairs, 

Denmark 

with woven seats and backs, 

maker's brand underside 

$2,000–3,000 

303 

A slender teak tallboy 

by Great Dane 

the six drawer chest comprising four 

shallow drawers and two deeper 

drawers, raised on slender legs, with 

brass Great Dane label to top drawer 


35cm deep 

$800–1,200 

304 

Two Elba stone Semper 

planters by Two Volumes 


$800–1,200 

305 

A travertine-look Pila plinth 

pedestal, by EnGold 

in polished faux stone with a 

rough hewn base, label for EnGold 

near base 


$200–300

95 

306 

A PP503 Mobler Round Chair 


in 1949/1950 for PP Mobler, Denmark 

in ash, with PP Mobler stamp 

underside 

$2,500–3,500 

307 

A set of four PP68 dining chairs 



with ash frames, with PP Mobler 

stamp to reverse of front stretcher 

$3,000–5,000 

306 

307

96 

308 

An 'Atticus' extension teak 

dining table by Lowe 

in American black walnut with angled 

square section legs and a finely 

chamfered profile to the edge 


$4,000–6,000 

309 

A Molteni & C clip queen bed 

with a grey fabric covered headboard 

and sides 

the headboard 74.5 x 190cm 

$3,000–5,000 

308

97 

310 

310 

A pair of Molteni & C 'When' 

two tier bedside tables, 

designed by Rodolfo Dordoni 

circular tables with a single drawer 


$1,000–1,500 

311 

A Vitra 'Flock of Butterflies' 

wall clock, designed by George 

Nelson, mid 20th century 

in aluminium and wood, battery 

operated, with Vitra Design Museum 

label verso 

61cm diameter 

$200–300 

312 

A large Vitra Turbine wall clock 


Nelson, 1950s 

in bronze toned aluminium, boxed, 


76cm diameter 

$200–300 

313 

Eighteen 'Tommy' crystal wine 

glasses, by Saint Louis, France 

comprising fourteen red wine 

or water glasses, three white 

wine glasses and a single 

champagne coupe 

the wine glasses 18cm high 

$500–800

98 

314 

A PaddleZone Hurricane 

Skimmer 106 kayak 

complete with a pair of Bay Sports 

paddles 

320cm long 

$200–400 

315 

An Orange Bay sports kayak 

with a pair of Riot paddles 

341cm long 

$400–600 

316 

A Thule car pod, Sweden 

a glossy black roof box 

180cm long 

$200–400 

317 

A Heatscope 'Pure' 3000 

2 infra red carbon heater, 

German made 

in original retail packaging 

103cm long 

$300–500 

318 

A McTavish Surfboard with 

McTavish travel bag 

inscribed 7' 10, 223, numbered 1139 

and signed, 'by McTavish' 

without fins 

240cm long 

$400–600 

319 

A McTavish custom made 

longboard with McTavish travel 

bag, Byron Bay Australia 

marked 9'0, 2274, 270, numbered 

C36875 and signed 'by McTavish', 

with fin 

270cm long 

$600–800 

314

99 

318 

319

100 

320 

A vintage industrial painted 

steel and glass display cabinet, 


with a single half shelf and a lower 

drawer 


$1,500–2,500 

320

101 

321 

A Mercedes Benz Formula E 

Team eBike 

matte black aluminium frame, 

optimized for riders 165-200cm tall 

accessories include charger and 

charger instructions, tools, manual, 

instructions for C50 internal 

gear hubs 

$1,200–1,500 

321

102 

322

103 

322 

A Braaap ST250 Shadow Cafe 

Racer Bike 

$1,500–2,500 

323 

A brushed black coated steel 

'Cocoon' pedestal fireplace 

the portable fireplace with a non 

smoke producing bioethanol burner 


$800–1,200 

End of Sale 

322

104 

Terms & Conditions of Sale 

The Terms and Conditions of Sale listed here contain 

the policies of Gibson's Auctioneers & Valuers Pty 

Ltd (herein after referred to as "Gibson's"). They are 

the Terms on which Gibson's and the Seller contract 

with the Buyer. They may be amended by printed 

Saleroom Notices or oral announcements made 

before and during the Sale. By Bidding at Auction, 

you agree to be bound by these terms. 

1. Definitions 

The following conditions that are listed contain 

terms that are used regularly and have the following 

meanings: 

"Auction" means the event at which any Lot is 

offered for Sale by Gibson's. 

"Auctioneer" means the representative of Gibson's 

conducting the Auction. 

"Bid" / "Bidder" means the action of notifying the 

Auctioneer of the intention to purchase the Lot by 

the Prospective Buyer. The Bidder is any person or 

entity that makes this makes this action. Bidding is 

understood by both the Bidder and Gibson's to be 

contractually obliging. 

“Buyer” means the person with the highest Bid 

accepted by the Auctioneer. 

“Buyer's Premium” means the charge payable by 

the Buyer to the Auction house as a percentage of 

the Hammer Price. 

“Company” means Gibson’s Auctions Pty Ltd, 

trading as Gibson’s Auctions. 

“Forgery” means an item constituting an imitation 

originally conceived and executed with fraudulent 

intention to deceive as to authorship, origin, age, 

period, culture, provenance or source where the 

correct description as to such matters is not 

reflected by the description in the catalogue. 

Accordingly, no Lot shall be capable of being a 

forgery by reason of any damage or restoration work 

of any kind (including re-painting). 

“Hammer Price” means the amount of the highest 

Bid accepted by the Auctioneer in relation to a Lot. 

“Insured Value” means the amount that Gibson's 

in its absolute discretion from time to time shall 

consider the value for which a Lot should be covered 

for insurance (whether or not insurance is arranged 

by Gibson's). 

“Lot” means any item within the Sale for Auction 

and in particular the item or items described against 

any Lot number in the catalogue. 

"Prospective Buyer" means any person or entity 

with the intention of purchasing any Lot in the 

Auction. 

“Reserve” means the confidential lowest amount 

at which Gibson's has contractually agreed with the 

Seller that the Lot can be sold. 

"Sale" means any private treaty or Auction Sale at 

which a Lot is offered for Sale. 

“Seller” means (as appropriate) the owner, their 

agent, executors or personal representatives, or 

the person in possession of the property consigned 

for Auction. Multiple owners, agents or persons in 

possession shall jointly and severally assume all 

obligations, liabilities, representations, warranties 

and indemnities in relation to the Sale of the Lot. 

"Dollars" or "$" means Australian currency. All Bids, 

Hammer Price, Reserves, Buyer's Premium and 

other expressions of value are understood to be in 

Australian Dollars unless otherwise specified. 

2. Gibson’s Auctioneers 

& Valuers as Agent 

Except as otherwise stated Gibson's acts as agent 

for the Seller. 

The contract for the Sale of the property is therefore 

made between the Seller and the Buyer. 

3. Before the Sale 

A) EXAMINATION OF PROPERTY 

Prospective Buyers are strongly advised to examine 

in person any property in which they are interested 

before the Auction takes place. Neither Gibson's 

nor the Seller provides any guarantee in relation to 

the nature of the property apart from the Limited 

Warranty in the paragraph below. The property is 

otherwise sold “as is”. 

B) CATALOGUE AND OTHER DESCRIPTIONS 

All statements by Gibson's in the catalogue entry 

for the property or in the condition report, or made 

orally or in writing elsewhere, are statements of 

opinion and are not to be relied upon as statements 

of fact. Such statements do not constitute a 

representation, warranty or assumption of liability 

by Gibson's of any kind. References in the catalogue 

entry to the condition report, including damage 

or restoration are for guidance only and should be 

evaluated by personal inspection by the Bidder or 

a knowledgeable representative. The absence of 

such a reference does not imply that an item is free 

from defects or restoration, nor does a reference to 

particular defects imply the absence of any others. 

Estimates of the selling price should not be relied 

on as a statement that this is the price at which 

the item will sell or its value for any other purpose. 

Neither Gibson's nor the Seller is responsible for 

any errors or omissions in the catalogue or any 

supplemental material. 

Images are measured height by width. Illustrations 

are provided only as a guide and should not be relied 

upon as a true representation of colour or condition. 

Images are not shown at a standard scale. Mention 

is rarely made of frames (which may be provided as 

supplementary images on the website) which do 

not form part of the Lot as described in the printed 

catalogue. 

All transactions are in Australian Dollars so there 

may be a small exchange rate risk, for international 

Buyers. The costs associated with acquiring a goods 

certificate will be borne by the Buyer. If the item 

turns out to be a Forgery or otherwise incorrectly 

described, all reasonable costs will be borne by 

the Seller. 

C) BUYER'S RESPONSIBILITY 

All property is sold “as is” without representation 

or warranty of any kind by Gibson's or the Seller. 

Buyers are responsible for satisfying themselves 

concerning the condition of the property and the 

matters referred to in the catalogue by requesting a 

condition report. 

4. At the Sale 

A) REFUSAL OF ADMISSION 

Gibson's reserves the right at our complete 

discretion to refuse admission to the Auction 

premises or participation in any Auction and to 

reject any Bid. 

B) REGISTRATION BEFORE BIDDING 

Any new Prospective Buyer must complete and 

sign a registration form and provide photographic 

identification before Bidding. Gibson's may 

request bank, trade or other financial references to 

substantiate this registration. 

C) BIDDING AS A PRINCIPAL 

When making a Bid, a Bidder is accepting personal 

liability to pay the purchase price including the 

Buyer's Premium and all applicable taxes, plus 

all other applicable charges, unless it has been 

explicitly agreed in writing with Gibson's before 

the commencement of the Sale that the Bidder is 

acting as agent on behalf of an identified third party 

acceptable to Gibson's and that Gibson's will only 

look to the principal for payment. 

D) INTERNATIONAL REGISTRATIONS 

All international clients not known to Gibson's will 

be required to scan or fax through an accredited 

form of photo identification and pay a deposit at our 

discretion in cleared funds into Gibson's account 

at least 48 hours before the commencement of 

the Auction. Bids will not be accepted without 

this deposit. Gibson's also reserves the right to 

request any additional forms of identification prior 

to registering an overseas Bid. This deposit can be 

made using a credit card, however the balance of 

any purchase price in excess of $5,000 cannot be 

charged to this card without prior arrangement. This 

deposit is redeemable against any Auction purchase. 

E) ABSENTEE BIDS 

Gibson's will use reasonable efforts to execute 

written Bids delivered to us at least 24 hours prior 

to the Sale for the convenience of those clients 

who are unable to attend the Auction in person. 

If Gibson's receives identical written Bids on a 

particular Lot, and at the Auction these are the 

highest Bids on that Lot, then the Lot will be sold 

to the person whose written Bid was received and 

accepted first. Execution of written Bids is a free 

service undertaken subject to other commitments 

at the time of the Sale and we do not accept liability 

for failing to execute a written Bid or for errors 

or omissions which may arise. It is the Bidder’s 

responsibility to check with Gibson's after the 

Auction if they were successful. Unlimited or 

“Buy” Bids will not be accepted. Please refer to our 

indicative Bidding increments below for appropriate 

absentee Bid amounts (Section K). 

F) TELEPHONE BIDS 

Priority will be given to overseas and interstate 

Bidders. Arrangements for this service must be 

confirmed at least 24 hours prior to the Auction 

commencing. Gibson's accepts no responsibility 

whatsoever for any errors or failure to execute Bids. 

In telephone Bidding the Buyer agrees to be bound 

by all terms and conditions listed here and accepts 

that Gibson's cannot be held responsible for any 

miscommunications in the process. The success 

of telephone Bidding cannot be guaranteed due to 

circumstances that are unforeseen. Buyers should 

be aware of the risk and accept the consequences 

should contact be unsuccessful at the time of 

Auction. You must advise Gibson's of the Lots in 

question and recommend a ‘Cover Bid’ amount 

should there be any issues with technology or 

communication via the telephone number provided. 

Gibson's will advise Telephone Bidders who have 

registered at least 24 hours before the Auction of 

any relevant changes to descriptions, withdrawals or 

any other Sale room notices. 

G) ONLINE BIDDING 

Gibson's accepts no responsibility for any 

errors, failure to execute Bids or any other 

miscommunications regarding this process. It is the 

online Bidder’s responsibility to ensure the accuracy 

of the relevant information regarding Bids, Lot 

numbers and contact details.

105 

H) RESERVES 

Unless otherwise indicated, all Lots are offered 

subject to a Reserve, which is the confidential 

minimum price below which the Lot will not be 

sold. The Reserve will not exceed the low estimate 

printed in the catalogue. The Auctioneer may open 

the Bidding on any Lot below the Reserve by placing 

a Bid on behalf of the Seller. The Auctioneer may 

continue to Bid on behalf of Seller up to the amount 

of the Reserve, either by placing consecutive Bids or 

by placing Bids in response to other Bidders. 

I) AUCTIONEER'S DISCRETION 

The Auctioneer has the right at his absolute and 

sole discretion to refuse any Bid, to advance the 

Bidding in such a manner as he may decide, to 

withdraw or divide any Lot, to combine any two or 

more Lots and, in the case or error or dispute and 

whether during or after the Sale, to determine the 

successful Bidder, to continue the Bidding, to cancel 

the Sale or to re-offer and resell the item in dispute. 

In the event of a dispute, or the Auctioneer or the 

Company is of the opinion that there has been a 

misunderstanding or mistake regarding a Sale or a 

Lot the subject of a Sale, the Auctioneer may rescind 

the Sale and put any Lot up for a Second Auction. If 

a Sale is rescinded, the Company may put the Lot up 

at a second Auction, offer the Lot for sale by private 

treaty or withdraw the Lot from sale entirely. 

J) SUCCESSFUL BID AND PASSING OF RISK 

Subject to the Auctioneer’s discretion, on the 

acceptance of a Bid by the fall of the Auctioneer's 

hammer, a contract of sale is made between the 

Seller and the Buyer. Risk and responsibility for the 

Lot (including frames or glass where relevant) passes 

immediately to the Buyer. Gibson's shall not be liable 

for any breach of contract by either the Seller or 

the Buyer. 

K) INDICATIVE BIDDING STEPS, ETC. 

Gibson's reserves the right to refuse any Bid, 

withdraw any Lot from Sale, to place a Reserve on 

any Lot and to advance the Bidding according to 

the following: 

Increment Amount 

Dollar Range 

$20 $0–$500 

$50 $500–$1,000 

$100 $1,000–$2,000 

$200 $2,000–$5,000 

$500 $5,000–$10,000 

$1,000 $10,000–$20,000 

$2,000 $20,000–$50,000 

$5,000 $50,000–$100,000 

$10,000 $100,000–$200,000 

$20,000 $200,000–$500,000 

$50,000 $500,000–$1,000,000 

Absentee Bids must follow these increments and 

any Bids that don’t follow the steps will be rounded 

up to the nearest acceptable Bid. 

5. After the Sale 

A) BUYER'S PREMIUM 

In addition to the Hammer Price, the Buyer agrees 

to pay to Gibson's the Buyer's Premium. The Buyer's 

Premium is 22% of the Hammer Price plus GST. 

(Goods and Services Tax) where applicable. 

B) ONLINE SURCHARGE 

In the case where the Buyer purchases via online 

Bidding platforms, the Buyer agrees to pay the online 

Bidding surcharge of 2% (Gibsons.com.au) or 5% 

(Invaluable.com) plus GST, where applicable. 

C) PAYMENT AND PASSING OF TITLE 

The Buyer must pay the full amount due (comprising 

the Hammer Price, Buyer's Premium and any 

applicable taxes and GST) not later than three (3) 

days after the Auction date. 

The Buyer will not acquire title for the Lot until 

Gibson's receives full payment in cleared funds, and 

no goods under any circumstances will be released 

without confirmation of cleared funds received. 

This applies even if the Buyer wishes to send items 

interstate or overseas. 

Payment can be made by the following means: 

• Bank Transfer/Direct Deposit is our preferred 

method of payment 

Account Name: Gibson's Auctions 

Bank: 

Bank of Melbourne 

(A division of St George) 

BSB: 193879 

Account No: 441701443 

Swift Code: SGBLAU2S 

Routing Code: 021000021 

Bank Address: 197-201 Glenferrie Road, 

Malvern, Vic, 3144 

The Buyer is responsible for any bank fees and 

charges applicable for the transfer of funds into 

Gibson's account 

• Personal, Company and Bank Cheques are not 

accepted without prior approval. 

• EFTPOS (no charge) 

• Credit cards: Visa and Mastercard (1% incl GST 

merchant fee) and American Express (1.5% incl 

GST merchant fee) 

Please note that credit card transactions over 

$5,000 will not be accepted over the telephone 

unless by prior arrangement. 

• Cash up to AU$10,000 can accepted in 

cash. For any amount over this, cash is to be 

deposited directly into our account at a Bank of 

Melbourne/St George branch 

D) COLLECTION OF PURCHASES & INSURANCE 

Gibson's is entitled to retain items sold until all 

amounts due to us have been received in full in good 

cleared funds. Subject to this, the Buyer shall collect 

purchased Lots within three (3) days from the date of 

the Sale unless otherwise agreed in writing between 

Gibson's and the Buyer. 

At the fall of the hammer, insurance is the 

responsibility of the purchaser. 

E) PACKING, HANDLING AND SHIPPING 

At the request of the Buyer, Gibson's may assist with 

packing of goods but takes no responsibility for loss, 

damage or breakage that may occur. Gibson's at 

the request of the Buyer may arrange for a carrier, 

packer or shipper to have the property packed, 

insured and shipped at the Buyer’s expense. All 

packing, shipping, insurance, postage & associated 

charges will be borne by the purchaser. Gibson's can 

assist with removal companies that the Buyer can 

use but takes no responsibility whatsoever for the 

actions of any recommended third party. 

F) CULTURAL HERITAGE EXPORT LICENCES 

Unless otherwise agreed by Gibson's in writing, the 

fact that the Buyer wishes to apply for an export 

licence does not affect their obligation to make full 

payment immediately, nor Gibson's right to charge 

interest or storage charges on late payment. It is 

the responsibility of the Buyer to check Australia’s 

Protection of Moveable Cultural Heritage Act 

1986 prior to purchase. Export/import licences 

applications are the responsibility of the Buyer and/ 

or the Buyer's nominated shipper. Gibson's shall 

not be obliged to rescind a Sale nor to refund any 

expenses incurred by the Buyer in circumstances 

where an export licence is not granted. 

G) REMEDIES FOR NON-PAYMENT 

If the Buyer fails to make full payment immediately, 

Gibson's is entitled to exercise one or more of the 

following rights or remedies (in addition to asserting 

any other rights or remedies available under the law) 

i) to charge interest at the ANZ visa credit card 

rate as published weekly in the Australian 

Financial Review; 

ii) 

iii) 

iv) 

to hold the defaulting Buyer liable for the 

total amount due and to commence legal 

proceedings for its recovery along with interest, 

legal fees and costs to the fullest extent 

permitted under applicable law; 

to cancel the Sale; 

to resell the property publicly or privately on 

such terms as the Company sees fit; 

v) to pay the Seller an amount up to the net 

proceeds payable in respect of the amount Bid 

by the defaulting Buyer. In these circumstances 

the defaulting Buyer can have no claim upon 

Gibson's in the event that the Lot(s) are sold for 

an amount greater than the original invoiced 

amount; 

vi) 

to offset against any amounts which 

Gibson's may owe the Buyer across any other 

transactions; 

viii) to reject at any future Auction any Bids made by 

or on behalf of the Buyer or to obtain a deposit 

from the Buyer prior to accepting any Bids; 

ix) 

to exercise all the rights and remedies of a 

person holding security over any property in 

our possession owned by the Buyer whether by 

way of pledge, security interest or in any other 

way, to the fullest extent permitted by the law 

of the place where such property is located. 

The Buyer will be deemed to have been granted 

such security to us and we may retain such 

property as collateral security for such Buyer’s 

obligations to the Company; 

x) to take such other action as the Company 

deems necessary or appropriate. 

H) FAILURE TO COLLECT PURCHASES 

Where purchases are not collected within three (3) 

days from the Sale date, whether or not payment has 

been made, the Company shall be permitted to: 

i) remove, store and further insure the Lot at the 

expense of the Buyer, releasing only after full 

payment has been received from the Buyer for 

incurred costs; 

ii) 

iii) 

re-sell the Lot without Reserve by Auction, 

private treaty or any other means whereby the 

Buyer agrees not to challenge the resale price 

achieved. 

rescind the Sale of that Lot or any other Lot sold 

by the Seller to the Buyer at the same or any 

other Auction. 

If Gibson's do re-sell the property under clauses H 

and G, the defaulting Buyer agrees to be liable for 

all payments of any deficiency between the total 

amount originally due and the price obtained, as well 

as the legal as all costs, expenses, damages, legal 

fees, commissions and premiums of whatever kinds 

associated with both Sales or otherwise arising from 

the default. 

6. Extent of Gibson's Liability 

Gibson's agrees to refund the purchase price in the 

circumstances of the Limited Warranty set out in 

paragraph 7. Apart from that, neither the Seller nor 

the Company, nor any of the Company’s employees 

or agents are responsible for the correctness of any 

statement of whatever kind concerning any Lot, 

whether written or oral, nor for any other errors or 

omissions in description or for any faults or defects 

in any Lots. Except as stated in paragraph 7 below, 

neither the Seller, the Company, its officers, agents 

or employees give any representation warranty 

or guarantee or assume any liability of any kind in

106 

respect of any Lot with regard to merchantability, 

fitness for a particular purpose, description, size, 

quality, condition, attribution, authenticity, rarity, 

importance, medium, provenance, exhibition history, 

literature or historical relevance. Except as required 

by local law any warranty of any kind is excluded by 

this paragraph. 

7. Limited Warranty 

Subject to the terms and conditions of this 

paragraph, the warrants for the period of fourteen 

(14) days from the date of the Sale that any property 

described in this catalogue (noting such description 

may be amended by any Saleroom notice or 

announcement) which is stated without qualification 

to be the work of a named author or authorship is 

authentic and not a forgery. The term “Author” or 

“Authorship” refers to the creator of the property or 

to the period, culture, source, or origin as the case 

may be, with which the creation of such property is 

identified in the catalogue. 

The warranty is subject to the following: 

i) it does not apply where a) the catalogue 

description or Saleroom notice corresponded 

to the generally accepted opinion of scholars 

and experts at the date of the Sale or fairly 

indicated that there was a conflict of opinions, 

or b) correct identification of a Lot can be 

demonstrated only by means of a scientific 

process not generally accepted for use until 

after publication of the catalogue or a process 

which at the date of the publication of the 

catalogue was unreasonably expensive or 

impractical or likely to have caused damage to 

the property. 

ii) 

iii) 

iv) 

the benefits of the warranty are not assignable 

and shall apply only to the original Buyer of the 

Lot as shown on the invoice originally issued by 

Gibson's when the Lot was sold at Auction. 

the original Buyer must have remained the 

owner of the Lot without disposing of any 

interest in it to any third party 

The Buyer’s sole and exclusive remedy against 

the Seller in place of any other remedy which 

might be available, is the cancellation of the 

Sale and the refund of the original purchase 

price paid for the Lot less the Buyer's Premium 

which is non-refundable. Neither the Seller nor 

Gibson's will be liable for any special, incidental 

nor consequential damages including, without 

limitation, loss of profits not for interest. 

v) The Buyer must give written notice of claim 

to us within fourteen (14) days of the date of 

the Auction. The Seller shall have the right, to 

require the Buyer to obtain two written opinions 

by recognised experts in the field, mutually 

acceptable to the Buyer and Gibson's to decide 

whether to cancel the Sale under warranty. 

vi) 

the Buyer must return the Lot to Seller in the 

same condition that it was purchased. 

8. Severability 

If any part of these Conditions of Sale is found by any 

court to be invalid, illegal or unenforceable, that part 

shall be discounted and the rest of the Conditions 

shall continue to be valid to the fullest extent 

permitted by law. 

9. Copyright 

The copyright of all images, illustrations and written 

material produced by Gibson's relating to a Lot 

including the contents of this catalogue, is and shall 

remain the property at all times of Gibson's and shall 

not be used by the Buyer, nor by anyone else without 

our prior written consent. Gibson's and the Seller 

make no representation or warranty that the Buyer 

of a property will acquire any copyright or other 

reproduction rights in it. 

10. Law and Jurisdiction 

These terms and conditions and any matters 

concerned with the foregoing fall within the exclusive 

jurisdiction of the courts of the state in which the 

Auction is held. 

11. Pre-Sale Estimates 

Gibson's publishes with each catalogue our opinion 

as to the estimated price range for each Lot. These 

estimates are approximate prices only and are not 

intended to be definitive. They are prepared well in 

advance of the Sale and may be subject to revision. 

Interested parties should contact Gibson's prior to 

Auction for updated pre-Sale estimates and starting 

prices. 

12. Sale results 

After the Sale, Gibson's may publish (both verbally 

and in writing) the results of Sale at our discretion, 

including the prices achieved for specific Lots. 

Unless otherwise discussed with the Buyer, details of 

individual Buyers will remain confidential. 

13. Goods and Service Tax 

In accordance with A New Tax System (Goods 

and Services Tax) Act 1999, Gibson's Auctions will 

collect on behalf of the Australian Tax Office (ATO) a 

Goods and Service Tax (GST) of 10% on all applicable 

transactions. 

GST is applicable on the Hammer Price in the case 

where the Seller is selling property that is owned by 

an entity registered for GST. GST is also applicable 

on the Hammer Price in the case where the Seller is 

not an Australian resident. These Lots are denoted 

by a dagger symbol (†) placed next to the estimate. 

GST is also applicable on the Buyer's Premium. 

Overseas Buyers and non-resident Buyers in 

Australia will not be charged GST on both Hammer 

Price and Premiums under the following conditions: 

1. The items are exported through a Gibson's 

approved freight company including Australia 

Post 

2. The items are exported within 60 days of the 

date of the Sale 

The invoice supplied by Gibson's for purchases will 

be regarded as a Tax invoice for GST purposes. 

14. Resale Royalty Scheme 

Under the legal obligations of the Resale Royalty 

Scheme for Visual Artists Act 2009, Sellers must 

provide the following information to comply with 

the act: 

• was the artwork acquired after 8 June 2010? 

• is the Sale/Reserve price (including GST) 

$1,000 or more? 

• is the artist from Australia or a country listed in 

the Regulations to the Act? 

• is the artist alive, or deceased less than 70 years? 

The Seller: 

i) acknowledges that he or she understands his or 

her legal obligations under the Resale Royalty 

for Visual Artists Act 2009 (the Act); 

ii) 

iii) 

iv) 

undertakes to comply with all requirements of 

the Act, including by providing its agent, the 

company, with accurate information sufficient 

for compliance with sections 28 and 29 of the 

Act; 

undertakes to indemnify the Company for any 

loss incurred by the Company as a result of 

the Vendor’s failure to comply with any of the 

Vendor’s legal obligations under the Act; and 

acknowledges that if he or she fails to comply 

with any of his or her legal obligations under 

the Act, the company may provide the vendor’s 

name and contact details to Copyright Agency 

Limited (CAL). 

Lots subject to payment of the Resale Royalty 

Scheme will be denoted by the symbol §. The 

Australian Resale Royalty is a flat rate of 5% on 

the Hammer Price (including GST). The Australian 

Resale Royalty is payable by the Seller in addition to 

the Buyer's Premium plus any applicable GST. 

15. Jewels & Watches 

GEMSTONES 

Gemstones have historically been subjected to a 

variety of treatments to enhance their appearance. 

Sapphire and rubies are routinely heat treated to 

improve their colour and clarity, similarly emeralds 

are frequently treated with oils or resin for the 

same purpose. Other treatments such as staining 

or dyeing, irradiation, filling or coating may have 

been used on other precious and semi-precious 

gemstones and organic material. These treatments 

may be permanent, whilst others may need special 

care to reserve their appearance. Buyers should 

assume that each Lot has been subject to some 

form of treatment and that the estimates reflect this. 

A number of laboratories issue certificates that give 

detailed descriptions of gemstones, and in the event 

that Gibson's has been supplied with or obtained 

certificates for any Lot, this shall be noted in the 

catalogue. However, as there may not be consensus 

between different laboratories on the degree, or 

types of treatment of the gemstones, Gibson's 

supplies these without warranty. 

Buyers should assume that all gemstones sold 

by Gibson's may have been subjected to such 

treatments, and that the catalogue estimates 

reflect this. 

PEARLS 

Pearls, like gemstones, are also subject to various 

treatments. Buyers should assume that any pearls 

sold by Gibson's may have been subjected to such 

treatments, and that the catalogue estimates 

reflect this. 

WATCHES 

Please note: All watches sold by Gibson's are sold on 

an “as is” basis. Gibson's makes no representation 

or warranty that any watch is in working order. Many 

watches have been repaired over their lifetime and 

may contain non-original parts. The absence of any 

reference to the condition of a watch does not imply 

that the Lot is in good condition and without defects, 

repairs or restorations. Buyers should be aware that 

a general service, change of battery or further repair 

work, for which the Buyer is solely responsible for, 

may be necessary. 

ESTIMATED WEIGHTS 

If a stone has a known weight, it has been weighed 

out of the mount. If a stone has an estimated weight, 

it is an approximate weight only and has been 

measured by us in the mount and is a statement of 

opinion only. The information is given as a guide only 

and Buyers should satisfy themselves with regard to 

this information as to its accuracy.

Lot 289

GA042 | Interiors Private Collections

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