CONFLUENCE
The exhibition CONFLUENCE is the culmination of Craft ACT’s 2021 Artist-in-Residence program showcasing the work of Valerie Kirk and Harriet Schwarzrock which is the results of their engagement in the two-part residency project - researching at Geoscience Australia and creating in Namadji National Park.
The exhibition CONFLUENCE is the culmination of Craft ACT’s 2021 Artist-in-Residence program showcasing the work of Valerie Kirk and Harriet Schwarzrock which is the results of their engagement in the two-part residency project - researching at Geoscience Australia and creating in Namadji National Park.
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A special early morning ritual was sitting on the front<br />
porch, rugged up with hot tea watching the valley come<br />
to life as the sun came up over the mountains, kangaroos<br />
grazing nearby and sometimes the dingos coming down<br />
the slope on the other side of the creek. With pastels<br />
and small strips of paper I quickly tried to capture the<br />
changing light as the mist rolled away.<br />
My favourite discovery was an area where Hospital and<br />
Boboyan (Dry) creeks meet. Here two geological areas<br />
meet with rocks that have been washed and tumbled<br />
clearly showing the Granodiorite of one area and the<br />
Sandstone, Slate, Chert, Limestone and Quartzite of<br />
the adjacent area. Playfully I picked up and arranged<br />
a sample of shapes, colours and sizes, thinking about<br />
British sculptor Andy Goldsworthy and his ephemeral<br />
works in the environment.<br />
In the last days at Namadgi National Park ideas were<br />
coming together and I raced against the clock to<br />
complete wax resist and Indian ink drawings looking<br />
from the back of the cottage towards Yankee Hat, do<br />
larger rubbings of rock surfaces to draw plant fossils on<br />
and notate the shapes of the dried out plants on the<br />
ground. I worked quickly on collages and gathered the<br />
information I needed to take back to the studio to start a<br />
new body of work.<br />
The residency combining time at Geoscience Australia<br />
and Namadgi National Park provided the perfect match.<br />
From the obvious links in rocks and geology, I discovered<br />
more specific interests in the immense expanse of time<br />
before us, the changing seasons, night and day – shifting<br />
and changing land. Being present, aware and curious<br />
gave me fresh inspiration, joy in discovery and the<br />
rewards of creating new work.<br />
As I sadly packed to leave and locked the gate to<br />
Gudgenby Cottage I felt brimming full of possibility.<br />
Through the heightened experience I took with me a<br />
renewed sense of connection to our natural world and<br />
the people who have lived on the land and travelled here<br />
before us.<br />
I felt again the freedom I had as a child in the Southern<br />
Upland hills of Scotland – being able to roam, absorb<br />
everything around me and reconnect with art, science<br />
and nature. But this is a different land that I inhabit now<br />
and I have so much more to learn. Like the Bogong moth,<br />
I hope to keep returning.<br />
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