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The Dance of Soma and Psyche This thesis is submitted to the AUT ...

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During <strong>the</strong> dance, as <strong>the</strong> movements increase in speed, body becomes fluid, in which <strong>the</strong> body<br />

motions can no longer be seen in detail. <strong>The</strong> postures are accompanied by <strong>the</strong> rhythmic sound <strong>of</strong><br />

<strong>the</strong> music which creates an ecstatic atmosphere. <strong>Dance</strong>rs start <strong>and</strong> end <strong>the</strong> dance by reading <strong>the</strong><br />

Quran (Friedl<strong>and</strong>er, 2003). According<br />

<strong>to</strong> Eymen Homsi, “words replace space<br />

<strong>and</strong> v<strong>is</strong>ion, being closer <strong>to</strong> <strong>the</strong> abstract<br />

nature <strong>of</strong> God. <strong>The</strong> overall effect <strong>is</strong> <strong>of</strong><br />

turning away from v<strong>is</strong>ible space in an act<br />

<strong>of</strong> subm<strong>is</strong>sion (Islam)” (Homsi, 2008). At<br />

<strong>the</strong> conclusion <strong>of</strong> <strong>the</strong> ritual, <strong>the</strong> unfolded<br />

position comes back <strong>to</strong> <strong>the</strong> ordinary<br />

folded position, returning <strong>the</strong> dancers<br />

<strong>to</strong> ordinary space, normal movement,<br />

ordinary speech <strong>and</strong> everyday consciousness.<br />

<strong>The</strong> dance represents <strong>the</strong><br />

integration between <strong>the</strong> different parts <strong>of</strong><br />

<strong>the</strong> body in movement. Translated in<strong>to</strong><br />

<strong>the</strong> field <strong>of</strong> architecture, th<strong>is</strong> principle<br />

supports <strong>the</strong> view <strong>of</strong> taking nature <strong>and</strong><br />

human elements in<strong>to</strong> account during <strong>the</strong><br />

design <strong>and</strong> construction phases.<br />

Fig.25<br />

24

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