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The Summer Art Collection

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9<br />

AUGUSTUS BAKER PEIRCE (1840–1919)<br />

Robert Chirnside and the Melbourne Hunt Club, 1882<br />

oil on canvas<br />

signed and dated lower right: Gus B. Pierce 1882<br />

63 x 88cm<br />

PROVENANCE<br />

Private <strong>Collection</strong>, Melbourne<br />

Sotheby's, Fine Australian & International<br />

Paintings, Sydney, 26 August, 2003, Lot 484<br />

By descent in the family of Robert<br />

Chirnside. Reference: Joan Kerr<br />

$15,000–25,000<br />

<strong>The</strong> colonial pastoralists Thomas Chirnside (1815-1887)<br />

and his brother Andrew Spencer Chirnside (1818-1890)<br />

sailed from Liverpool in the Bardaster and arrived at Adelaide<br />

in January 1839. <strong>The</strong> brothers saw the prospects of<br />

speculating in the colonies and after some early ventures<br />

they overlanded sheep and cattle to the Port Phillip<br />

District. By April 1842 they had established a station at<br />

Mount William in the Grampians. Later that year Thomas<br />

acquired a station on the Wannon and was the first in<br />

that district to employ Aboriginals as station hands.<br />

In 1843 the brothers bought Mokanger station and during the<br />

next few years acquired a chain of runs in the Western District<br />

including Victoria Lagoon in the Grampians, Kenilworth South,<br />

Wardy Yallock, Curnong and Carranballac. <strong>The</strong> Chirnsides<br />

considered Port Phillip the Eden of all the colonies and<br />

just before the gold rushes they began acquiring land at<br />

Wyndham (Werribee). <strong>The</strong>re Thomas settled, later building<br />

the bluestone mansion now known as Werribee Park and<br />

gaining a freehold of 80,000 acres while Andrew made<br />

his base on 50,000 acres at Carranballac, near Skipton.<br />

<strong>The</strong> Chirnsides were great sportsmen who regularly<br />

rode to hounds with the Melbourne Hunt Club. Thomas<br />

Chirnside imported foxes, hares, pheasants and<br />

partridges, and his red deer from England formed the<br />

nucleus of the herd of the Anakies and You Yangs.<br />

Robert Chirnside (1853-1900) the eldest son of Andrew<br />

Chirnside inherited his father’s vitality and love of the<br />

outdoors. He was an agricultural innovator and upon taking<br />

over the property at Caranballac he set about modernising<br />

and improving all aspects of the running of it. Robert<br />

succeeded in forming one of the best Merino flocks in the<br />

Western District and was one of the first pastoralists to<br />

look after the well-being of his men. <strong>The</strong> shearing sheds<br />

were considered the most complete in the colonies with<br />

the installation of steam powered Wolsely machines to<br />

assist in the shearing, pressing, dumping, and loading of<br />

the wool. Lord Hopetoun is said to have pronounced that<br />

‘Carranballac carried off the palm of the Western District.’<br />

Robert’s reputation as an amateur rider, and subsequently<br />

as an owner of racehorses, was well known. He won the<br />

Caulfield Grand National with ‘Dondi’ and was the first to take<br />

an Australian horse (Sailor) to England. He was an original<br />

member of the V.A.T.C., and in the early days of hunting he<br />

and his brother kept the hounds in the Geelong district,<br />

which afterwards formed the nucleus of the Ballarat pack.<br />

<strong>The</strong> present image by Augustus Baker Peirce (1840-<br />

1919) presents us with an image of Robert Chirnside as<br />

a young man at the height of his powers. It was probably<br />

commissioned and completed when Peirce settled in<br />

the Geelong district in 1879 after nearly thirty years of<br />

peripatetic adventuring in Australia. Having tired of his travels<br />

he was, at various times during this period, a tobacconist,<br />

hotelier, scene-painter, and horse portrait painter.<br />

Chirnside is shown here sitting confidently astride a<br />

large, glossy bay stallion surrounded by coursing hounds.<br />

<strong>The</strong> horse is shown prancing slightly and the tails of the<br />

hounds are up, the chase is imminent. Painted in 1882,<br />

the work gives no indication of the illness that was to<br />

cut short Robert Chirnside’s life at the age of 46. Neither<br />

Peirce nor Robert would have imagined it at the time but<br />

perhaps the gathering dark clouds to the upper right<br />

of the picture were a portent of what was to come.<br />

12

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