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GA039 | Australian & International Art

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41<br />

ANDREI GAVRILOVICH LYSENKO<br />

(RUSSIAN, 1916-2000)<br />

The Student<br />

oil on canvas<br />

signed lower centre: A. A<br />

signed and titled verso in Cyrillic:<br />

A Lysenko Student<br />

70.5 x 66.5cm<br />

$1,000–1,500<br />

42<br />

JOHANNES J PALING<br />

(DUTCH, 1844-1892)<br />

The Newborn<br />

oil on panel<br />

signed lower right: Joh. J. Paling<br />

44.5 x 33cm<br />

$1,000–1,500<br />

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43<br />

UGO CATANI (1859-1944)<br />

La Fiorentina 1880<br />

oil on canvas<br />

signed and dated lower right:<br />

U. Nicolai Catani 1880<br />

49 x 33cm<br />

$5,000–8,000<br />

NOTE<br />

Florentine born Ugo Catani trained at the<br />

Academy of <strong>Art</strong> in that city and in 1885 travelled<br />

with fellow Academy student, Girolamo Nerli, to<br />

Melbourne where he was to work for the next<br />

ten years, sharing studios with Nerli, Walter<br />

Withers, and <strong>Art</strong>hur Loureiro. Concerned by<br />

the conservative tendencies espoused by the<br />

Victorian Academy, Catani, along with fellow<br />

young artists including Tom Roberts agitated<br />

to form the <strong>Australian</strong> <strong>Art</strong>ists Association,<br />

with whom he exhibited and held office as a<br />

committee member.<br />

From 1895 Catani resided and worked in<br />

England before returning to his native Florence<br />

in the 1920s where he remained for the rest of<br />

his life.<br />

Catani earned his living principally as a portrait<br />

painter, and this work, La Fiorentina, is a work<br />

by the youthful Catani during his formative<br />

Florentine years. Here, an elegant young woman,<br />

with a glass in hand poses in an unmistakably<br />

Italian garden complete with antique statuary.<br />

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