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<strong>Home</strong> <strong>Life</strong><br />

Craft ACT: Craft + Design Centre


Craft ACT: Craft + Design Centre is partial supported by the ACT<br />

Government, the Visual Arts and Craft Strategy – an initiative<br />

of the Australian State and Territory Governments, and the<br />

Australia Council for the Arts – the Australian Government’s arts<br />

funding and advisory body.<br />

Craft ACT: Craft + Design Centre acknowledges the<br />

Ngunnawal people as the traditional custodians of the<br />

ACT and surrounding areas. We honour and respect<br />

their ongoing cultural and spiritual connections to this<br />

country and the contribution they make to the life of this<br />

city and this region. We aim to respect cultural heritage,<br />

customs and beliefs of all Indigenous people.<br />

Craft ACT: Craft + Design Centre<br />

Tues–Fri 10am–5pm<br />

Saturdays 12–4pm<br />

Level 1, North Building, 180 London Circuit,<br />

Canberra ACT Australia<br />

+61 2 6262 9333<br />

www.craftact.org.au<br />

Cover image: Portrait of Robert Foster. Photo by Damian McDonald.


<strong>Home</strong> <strong>Life</strong><br />

27 October – 10 December 2022<br />

Falegnameria Pisu for Pretziada | Campeggi | Pedrali | Beeing<br />

| Claudio Larcher | Miniforms | Tubes radiator | Artemide | Halo<br />

Edition | PM Studio | Maria Elena Bompani | Studio Natural | G.T.<br />

Design | Krill Design | Fabita | UniFor | Alcarol | Caimi Brevetti<br />

Spa | Danese Milano | Xilografia |<br />

Exhibition organised by<br />

IMF Foundation, EP studio<br />

In collaboration with<br />

Craft Act: Craft + Design Centre<br />

With the support of<br />

Embassy of Italy Canberra, Italian Cultural Institute Sydney<br />

Sponsored by<br />

Consorzio Prosecco doc – Italian Genio<br />

Curated by<br />

Elisabetta Pisu<br />

Text contribution<br />

Giulia Zappa<br />

Exhibition setup plan<br />

MC studio<br />

Press office<br />

Sign ress<br />

Craft ACT: Craft + Design Centre<br />

27 October - 10 December 2022


Acme21, B-BOX, 2020, Beeing. Photo courtesy of Beeing


Ludovica+Roberto Palomba, Eve, 2018, Tubes Radiatori. Photo Courtesy of Tubes


<strong>Home</strong> <strong>Life</strong><br />

The home – the place of intimacy and daily<br />

habits - is part of a constant metamorphosis<br />

process and, at the same time, it is the<br />

reflection of our evolving lifestyles.<br />

As a result of globalization and its effects on<br />

new nomadism, as well as of a pandemic<br />

that confined billions of people to their own<br />

four walls, the home is now at the center<br />

of renewed attention and innovative design<br />

research.<br />

No longer linked to a functionalist ideal<br />

nor conceived as a status symbol or the<br />

representation of a symbolic universe,<br />

the home is the expression of our desire<br />

for physical and psychological wellbeing.<br />

Furniture and objects designed in the<br />

third decade of the new millennium are<br />

conceived to meet modern needs and<br />

establishing a lasting complicity with users.<br />

Contemporary furniture pieces are highly<br />

modular and adaptable to specific space<br />

configurations. More and more efficient,<br />

they combine multiple functions and change<br />

their appearance to address our needs for<br />

transformability. Smarter than ever, these<br />

pieces contribute to purify air, spark our<br />

imagination, or amuse us with unexpected<br />

functions.<br />

Together with versatility, sustainability is a<br />

fundamental topic of contemporary home<br />

design. In a threatened ecosystem like<br />

ours, the desire for more greenery in indoor<br />

environments becomes stronger by the day.<br />

Through plants and flowers accessories,<br />

multispecies artifacts as well as decoration<br />

evoking nature, design now aims at soothing<br />

our souls in need of a reconnection with<br />

Mother Earth. The choice of ecofriendly<br />

materials is a fundamental element: be<br />

them recycled or natural or both, they are<br />

given organic shapes and are intentionally<br />

designed to have a second life.<br />

Through the selection of a few particular<br />

projects, <strong>Home</strong> <strong>Life</strong> represents the<br />

contemporary focus on comfort, versatility<br />

and environmental awareness and it<br />

highlights the role of the home as epicenter<br />

of a new habitat.


Paolo Cappello, Cigales, 2018, Miniforms. Photo Courtesy of Miniforms


Maddalena Casadei, Accanta, Side Table Collection, 2021, made by Falegnameria Pisu for Pretziada. Photo Courtesy of Pretziada


Accanta, 2021<br />

Side Table Collection<br />

Designer: Maddalena Casadei<br />

Firm: Falegnameria Pisu for Pretziada<br />

This collection of three stool\tables is entirely<br />

made of cork, a sustainable material obtained<br />

from the bark of a type of oak typical of the<br />

Mediterranean area. Based in Sardinia, where<br />

cork trees are part of the natural landscape,<br />

the high craftsmanship firm Pretziada has<br />

rediscovered cork thanks to a young designer<br />

and a local factory. The flared line highlights<br />

the sculpture-like appearance of Accanta,<br />

that can be used to serve many different<br />

purposes.


Anish, 2018<br />

Designer: Emanuele Magini<br />

Firm: Campeggi<br />

A transformable object, intentionally elusive,<br />

Anish’s functions are apparently mysterious<br />

and to be discovered only with use. At a first<br />

glance, it looks like a circular dividing curtain<br />

made of stretch fabric. As one surrenders to<br />

its softness, the semicircular seat becomes<br />

apparent – as one can also find out looking<br />

from behind. Anish invites us to put aside<br />

our most rigid expectations about furniture’s<br />

appearance and functions, and to consider<br />

them as a playful opportunity, a chance for<br />

wonder and surprise.


Image: Emanuele Magini, Anish, 2018, Campeggi. Photo Courtesy of Campeggi


Image: Odo Fioravanti, Babila XL recycled grey, 2020, Pedrali. Photo Courtesy of Pedrali


Babila XL recycled grey, 2020<br />

Designer: Odo Fioravanti<br />

Firm: Pedrali<br />

One of the first products by Italian brand<br />

Pedrali made from recycled polypropylene,<br />

Babila XL recycled grey, is produced 50%<br />

from plastic material post-consumer waste<br />

(as plastic bottles or food packaging) and<br />

50% from plastic material industrial waste.<br />

This combination - resulting from a long process<br />

of industrial research – contributes to<br />

the armchair’s better durability and resistance<br />

to wear and tear. The wide monocoque with<br />

integrated armrests provides high comfort<br />

standards, while the legs are made of FSC®<br />

C114358 certified solid ash wood finished<br />

with water-based paints composed mostly of<br />

plant-derived resins.


B-Box, 2020<br />

Designer: Acme21<br />

Firm: Beeing<br />

B-Box is the first beehive designed for small<br />

urban spaces like a private garden or a terrace.<br />

The bee entrance - a plywood chimney<br />

- is placed over 2 metres above the ground<br />

so that it’s possible to safely approach the<br />

hive without wearing protection. Honey can<br />

be collected through a small box on the lower<br />

part of the hive: B-Box patented system allows<br />

the user to easily extract the “favetti”, the<br />

collection combs where the bees deposit the<br />

honey, without touching the insects. Moreover,<br />

the transparent Plexiglas walls make the<br />

hive suitable for close observation.<br />

Launched via crowdfunding, B-Box has been<br />

purchased by customers in more than 40<br />

countries around the world, both by individuals<br />

and public institutions such as municipalities<br />

and schools.


Image: Acme21, B-BOX, 2020, Beeing. Photo Courtesy of Beeing.


Image: Claudio Larcher, Belt, 2021. Photo Courtesy by Stefania Zanetti.


Belt, 2021<br />

Designer: Claudio Larcher<br />

Belt is a collection of storage furniture that<br />

innovates industrial objects and components<br />

already on the market. Composed of metal<br />

sheets, a belt and four wheels – all elements<br />

easy to be found in DIY stores – Belt is a<br />

versatile and informal piece of furniture that<br />

modernizes the aesthetic of DIY through its<br />

vivid colors.


Cigales, 2018<br />

Designer: Paolo Cappello<br />

Firm: Miniforms<br />

Inspired by the need for more greenery in<br />

home environments, Paolo Cappello has<br />

designed a collection of two-armed étagères<br />

to hold plants and flowerpots. Available both<br />

freestanding and wall mounted, this slender<br />

support can transform a room into an urban<br />

oasis and make daily life more relaxing and<br />

joyful.


Image: Paolo Cappello, Cigales, 2018, Miniforms. Photo Courtesy of Miniforms.


Ludovica+Roberto Palomba, Eve, 2018, Tubes. Photo Courtesy of Tubes Radiatori


Eve, 2018<br />

Designer: Ludovica+Roberto<br />

Palomba<br />

Firm: Tubes radiator<br />

This fan heater’s iconic rounded shape reveals<br />

its double function related to two fundamental<br />

elements of the home environment:<br />

light and heat. In Spring and Autumn, it becomes<br />

a very useful design object, as it can<br />

quickly produce hot air, while in the warmest<br />

months of the year it can be used as a lamp<br />

- a light band at the bottom creates a cosy<br />

atmosphere. Powered by electricity, Eve is a<br />

free-standing piece that can follow its owner<br />

everywhere inside the house.


Flexia, 2020<br />

Designer: Mario Cucinella<br />

Firm: Artemide<br />

Flexia is a suspension lamp combining a<br />

sound-absorbing panel with a transparent<br />

emitting surface; a single object designed<br />

to control both light and sound in an indoor<br />

location. Inspired by papiroflexia, the art of<br />

papyrus-folding, Flexia is reminiscent of the<br />

Japanese art of origami. The lamp’s wings are<br />

flexible and modular so that it can be adjusted<br />

to all room sizes. An example of sustainable<br />

design, a subject dear to architect Mario<br />

Cucinella, Flexia features multiple integrated<br />

and synergic elements: the adaptability to<br />

the characteristics of all environments, the<br />

interpretation of human needs – both physiological<br />

and psychological - and the use of<br />

ecofriendly materials.


Mario Cucinella, Flexia, 2020, Artemide. Photo Courtesy of Artemide


Halo Evo, 2019<br />

Colour: Sunset Red<br />

Designer: Mandalaki Studio<br />

Halo Evo is a light installation that recreates<br />

sunlight inside a home environment giving a<br />

warm and calming sensation in the space, favoring<br />

meditations. The optical device developed<br />

by Milan based Mandalaki Studio guarantees an<br />

accurate visualization as it projects different analogical<br />

hues in a very natural fashion: the result<br />

is an intense and vibrant natural color palette<br />

that creates a sense of infinity. The anodized<br />

aluminium stand supports a flexible head that<br />

allows different projection orientations while a<br />

dimmer can be used to lower the brightness of<br />

the light.<br />

Mandalaki Studio, Halo Evo - Colour sunset red - 2019, Halo Edition. Photo Courtesy of Halo Edition


Hug, 2022<br />

Designer: PM Studio (Barbara<br />

Medeot, Giulia Piovesan)<br />

Hug is a multifunction furniture system designed<br />

to be used in different ways in the home<br />

environment. Its components – a semicircular<br />

top, two curved wooden planks and a series of<br />

sticks – can be easily assembled with a plain<br />

coupling mechanism without additional tools<br />

as nails or glue. According to the selected configuration,<br />

Hug can be a stool, a seat with backrest,<br />

a bookcase or a single piece of furniture<br />

including all the above functions. Made from<br />

beech wood waste, Hug is an example of sustainability<br />

and durability.


PM studio (Barbara Medeot, Giulia Piovesan), Hug, 2022


Itaca, 2016<br />

Designer: Maria Elena Bompani<br />

Increasing mobility is a challenging topic for<br />

designers who need to rethink furniture in<br />

order to make frequent relocations easier and<br />

cheaper. Starting from her personal experience,<br />

Maria Elena Bompani designed a minimal, modular<br />

and flexible furniture set. Made of beech<br />

wood poles, leather belts and fabric elements,<br />

the components can be assembled as needed<br />

to create a daybed, a stool or a room divider<br />

equipped with a built-in desk and storage<br />

spaces. When it’s not needed, the system can<br />

be stored in a suitcase and easily carried to the<br />

next destination.


Maria Elena Bompani, Itaca, 2016


Lucio (Solar Charger Table), 2014<br />

Designer: Studio Natural<br />

One of the first pieces of furniture to feature<br />

solar panels, Lucio combines new energy technologies<br />

with home design. Via a built-in charger<br />

and small solar panels, this coffee table uses<br />

the natural light inside a room and store it to<br />

recharge your laptop and tablet at the end of<br />

the day without any plugs.


Studio Natural, Lucio - solar charger table - 2014. Photo Courtesy by Studio Natural


Moving Forest 0, 2019<br />

Designer: Deanna Comellini<br />

Firm: G.T. Design<br />

Designer Deanna Comellini has transformed an<br />

ancestral object as the rug in an opportunity to<br />

evoke nature and its fascination in one’s home.<br />

The pattern of Moving Forest – made of the<br />

juxtaposition of blue stripes on a green background<br />

– recalls the visual and sensorial perception<br />

of a forest, while the chromatic shades and<br />

the light effects reproduce the vitality of the<br />

flora. Moving Forest aims at creating a visual effect<br />

as well as representing a metaphor; it is an<br />

invitation to surrender to nature and reconnect<br />

with the primordiality of its emotional sphere.<br />

The rug is made of digitally printed high-quality<br />

wool.


Deanna Comellini, Moving Forest 0, 2019, G.T. Design. Photo courtesy of G.T. Design


Ohmie - The Orange Lamp, 2021<br />

Designer: Yack Di Maio and Sofia<br />

Durarte<br />

Firm: Krill Design<br />

Produced by Milan-based startup Krill Design,<br />

Ohmie is the first lamp made from orange peel<br />

waste printed in 3D. The peels are reduced to<br />

dust and mixed with a vegetal biopolymeral<br />

starch that makes the material waterproof. In<br />

order to further reduce waste, the quantity of<br />

material used for each print can be controlled<br />

via the 3D printing procedure. Ohmie’s sinuous<br />

profile evokes the organic forms of nature while<br />

its porous texture recalls that of an orange. The<br />

name derives from the crasis of Ohm (Ω – unit<br />

of electrical resistance) and <strong>Home</strong>. At the end<br />

of its life cycle, the lamp can be biodegraded<br />

together with compost.


Yack di Maio and Sofia Durarte, Ohmie, The Orange Lamp, 2021, Krill Design. Photo courtesy of Krill Design


Ordine, 2019<br />

Designer: Adriano Design<br />

Firm: Fabita<br />

Winner of the the ADI Compasso d’Oro Award<br />

2022, Ordine is designed to optimize food<br />

cooking thanks to its versatility and efficiency.<br />

Two circular induction plates can be positioned<br />

on any flat countertop, even a small one. Once<br />

used, the plates can be hung near the touchscreen<br />

control, leaving the kitchen top free.<br />

Ideal for small spaces, Ordine is the result of<br />

breakthrough innovation.


Adriano Design, Ordine, 2019, Fabita- Photo Courtesy of Fabita


Secretello, 2015<br />

Designer: Michele De Lucchi<br />

Firm: UniFor<br />

Secretello is a hybrid piece of furniture combining<br />

the functions of two personal items: a secretaire<br />

and a display cabinet. Lifting the tilting<br />

crystal and lowering the oak top, Secretello<br />

turns into a workstation. The niche created by<br />

transparent surfaces provides a secret shelter<br />

and enhance concentration. With its doors<br />

closed, Secretello becomes a little contemporary<br />

wunderkammer, an intimate place for<br />

showcasing personal items, collectibles and<br />

ordinary but treasured souvenirs.


Michele De Lucchi, Secretello, 2015, UniFor. ph Mario Carrieri


Stump Stool, 2015<br />

Firm: Alcarol<br />

Stump is an invitation to contemplate nature:<br />

it’s a stool that captures the life of trees valuing<br />

it in a hyper realistic key. Made from discarded<br />

logs from the undergrowth of the Italian Dolomite<br />

mountains (UNESCO heritage site), Stump<br />

is embedded in a resin - recalling the idea of<br />

water and the seed that generated the tree’s life<br />

– that fills all the cracks enveloping mosses and<br />

lichens. The natural wood surface - not covered<br />

by resin on the section planes - features a selective<br />

wood coating with an opaque finishing preserving<br />

the tactile experience of wood.


Photo: Tim Bean Photography<br />

Stump Stool, 2015, alcarol. Photo Courtesy of alcarol


Teleta, 2021<br />

Designer: Alessandro Zambelli<br />

Firm: Caimi Brevetti Spa<br />

A seemingly traditional lamp, Teleta is instead<br />

a multifunctional and innovative device. With<br />

a ceramic diffuser body and a LED, the lamp<br />

includes a clever shell-shaped filter that purifies<br />

air from bacteria. The result of a long research<br />

and development project, the filtering system<br />

uses the heat produced by the LED to push air<br />

upwards where an anodized filter with silver<br />

ions is placed. Thanks to this air-purifying system,<br />

Teleta contributes to the home sanitization<br />

and well-being.


Alessandro Zambelli, Teleta, 2021, Caimi Brevetti spa. Photo courtesy of Caimi Brevetti


Window Garden, 2016<br />

Designer: Big<br />

Firm: Danese Milano<br />

Window Garden is a system of flowerpots suitable<br />

for hydroponic cultures in home environments.<br />

Made of high-pressure porcelain and<br />

held together by a steel wire, the twelve pots<br />

are fitted with a small water reservoir so that no<br />

watering and no saucer is needed. Window Garden<br />

adds a touch of green in your apartment or<br />

office and encourages the user to home grow<br />

vegetables and herbs.


BIG (Bjarke Ingels Group), Window Garden, 2016, Danese Milano. Photo Courtesy of Danese Milano


Xilo Station, 2021<br />

Designer: Matteo Ragni<br />

Firm: Xilografia<br />

Xilo Station is a solution for home environment<br />

where spaces are reduced as it easily turns into<br />

a writing desk. Designed as a wall painting with<br />

customizable graphics, it features a frame and a<br />

folding panel that can be opened when needed,<br />

providing a support surface for computers.<br />

A piece of home décor and a workstation, Xilo<br />

Station has it all.


Matteo Ragni, XiloStation, 2021, XILOGRAFIA


Michele De Lucchi, Secretello, 2015, UniFor. ph Mario Carrieri

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