NZPhotographer Issue 61, November 2022
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
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Cathedral Cove<br />
Fuji GFX100S, Fuji GF 23mm F.4 lens with ND Filter @ F9, 120s, ISO200<br />
Cathedral Cove was on my ‘NZ priority shot’ list. I’d<br />
researched the location and was disappointed to<br />
think the tides wouldn’t be right during my 2-day visit<br />
and might prevent access to get the best sunrise<br />
and sunset shots. However, during the first afternoon,<br />
I was relieved to see that the tide would be fine at<br />
sunset after all. The weather was the next issue; heavy<br />
squalls! Fortunately, I still managed some shots as the<br />
wind abated between rain showers; some late cloud<br />
colour was very welcome.<br />
This two-minute exposure was a gamble as I kept<br />
thinking the wind would pick up and completely blur<br />
the overhanging trees. Luckily it remained relatively<br />
light, so there is only fractional movement – if you look<br />
closely enough! The next evening the sky colours were<br />
vivid, but I actually prefer the softer colours seen in this<br />
shot.<br />
The images of stunning New Zealand landscapes I saw<br />
in this magazine actually inspired me to put a New<br />
Zealand Photography Workshops Tour at the forefront<br />
of my travel wish-list. And, after a few Covid restrictions<br />
related false starts, I travelled to Queenstown in<br />
September for a six-day tour along the West Coast of<br />
the South Island followed by a tour of the South Island,<br />
with my family who joined me in Nelson.<br />
TELL US MORE ABOUT YOUR RECENT TRIP TO<br />
THE SOUTH ISLAND…<br />
I was prepared for extremely wet weather each day,<br />
but the weather was great the entire time. That said,<br />
the change in light was incredibly fast and nothing<br />
like I’d experienced before. You had to be ready and<br />
keep a 360-degree watch at all times so as not to miss<br />
a unique opportunity.<br />
Not knowing the locations, I found my preconceived<br />
ideas were often wrong in terms of the best focal<br />
length lens to utilise for the scene. The vista in front of<br />
me regularly suited a longer lens. For myself, it certainly<br />
wasn’t a case of ‘shoot widest’ for landscape. Oh,<br />
and the sandflies were definitely an unwanted hassle!<br />
I picked up a lot of very useful technical information<br />
and advice on the workshop but the most important<br />
aspect that I believe will help me in future was the<br />
process our tour leaders, Ken Wright and Glen Howey,<br />
employed with their set-ups and their composition.<br />
Their attention to detail was remarkable, yet done at<br />
a fast pace - years of experience, no doubt! I should<br />
also add that their professionalism, and especially<br />
their passion for their craft, was both infectious and<br />
inspiring.<br />
24 <strong>November</strong> <strong>2022</strong> <strong>NZPhotographer</strong>