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NZPhotographer Issue 61, November 2022

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

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Cathedral Cove<br />

Fuji GFX100S, Fuji GF 23mm F.4 lens with ND Filter @ F9, 120s, ISO200<br />

Cathedral Cove was on my ‘NZ priority shot’ list. I’d<br />

researched the location and was disappointed to<br />

think the tides wouldn’t be right during my 2-day visit<br />

and might prevent access to get the best sunrise<br />

and sunset shots. However, during the first afternoon,<br />

I was relieved to see that the tide would be fine at<br />

sunset after all. The weather was the next issue; heavy<br />

squalls! Fortunately, I still managed some shots as the<br />

wind abated between rain showers; some late cloud<br />

colour was very welcome.<br />

This two-minute exposure was a gamble as I kept<br />

thinking the wind would pick up and completely blur<br />

the overhanging trees. Luckily it remained relatively<br />

light, so there is only fractional movement – if you look<br />

closely enough! The next evening the sky colours were<br />

vivid, but I actually prefer the softer colours seen in this<br />

shot.<br />

The images of stunning New Zealand landscapes I saw<br />

in this magazine actually inspired me to put a New<br />

Zealand Photography Workshops Tour at the forefront<br />

of my travel wish-list. And, after a few Covid restrictions<br />

related false starts, I travelled to Queenstown in<br />

September for a six-day tour along the West Coast of<br />

the South Island followed by a tour of the South Island,<br />

with my family who joined me in Nelson.<br />

TELL US MORE ABOUT YOUR RECENT TRIP TO<br />

THE SOUTH ISLAND…<br />

I was prepared for extremely wet weather each day,<br />

but the weather was great the entire time. That said,<br />

the change in light was incredibly fast and nothing<br />

like I’d experienced before. You had to be ready and<br />

keep a 360-degree watch at all times so as not to miss<br />

a unique opportunity.<br />

Not knowing the locations, I found my preconceived<br />

ideas were often wrong in terms of the best focal<br />

length lens to utilise for the scene. The vista in front of<br />

me regularly suited a longer lens. For myself, it certainly<br />

wasn’t a case of ‘shoot widest’ for landscape. Oh,<br />

and the sandflies were definitely an unwanted hassle!<br />

I picked up a lot of very useful technical information<br />

and advice on the workshop but the most important<br />

aspect that I believe will help me in future was the<br />

process our tour leaders, Ken Wright and Glen Howey,<br />

employed with their set-ups and their composition.<br />

Their attention to detail was remarkable, yet done at<br />

a fast pace - years of experience, no doubt! I should<br />

also add that their professionalism, and especially<br />

their passion for their craft, was both infectious and<br />

inspiring.<br />

24 <strong>November</strong> <strong>2022</strong> <strong>NZPhotographer</strong>

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