31.10.2022 Views

NZPhotographer Issue 61, November 2022

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Apostasy<br />

Nikon D810, 24-70mm lens @ F4, 1/800s, ISO200<br />

The final image consists of six main images; the model,<br />

the sky, the railway lines, the old shed and some<br />

white clouds. I often use my brush tool to drop in a<br />

brighter circle of light on a separate layer behind my<br />

model. By altering the position of the layers and their<br />

opacity, they start to blend into one another and take<br />

on an altered reality. For me, composites should be<br />

believable and have the viewer believe what they<br />

see is reality. Like all my images, the final composite<br />

was run through Nik Filters to finesse, and then a<br />

couple of texture layers were added at the end of<br />

post-processing.<br />

A texture layer is designed to enhance your work<br />

and not obscure it; that is where the blending modes<br />

come into play in the layers menu. When working on<br />

an image like this, it is important to piece together<br />

the images in your composite before applying the<br />

final editing techniques to it; that way, it will result in a<br />

cohesive image. Be very aware of blending the edges<br />

of your different layers – you may not see them initially<br />

until you place another three or four layers over the<br />

top and end up with some funny lines in odd places!<br />

Our imagination knows no bounds with composites,<br />

and we can have so much fun. I find that composites<br />

can be a great side project to work on as you can<br />

keep adding more as your mind expands on ideas.<br />

Just note that the file size can become huge when<br />

working on composites due to the number of layers.<br />

I highly recommend saving the file regularly as you<br />

make changes in case Photoshop should decide to<br />

crash or there is a power outage, as you can lose<br />

hours and hours of work.<br />

CONCLUSION<br />

Having finally found a medium to express my creativity,<br />

I hope my mini-series on fine art portraiture inspires your<br />

creative journey too. To learn more with me, come<br />

along on one of my intimate weekend workshops on the<br />

beautiful shores of Lake Benmore, Twizel. All 2023 dates<br />

for both my Fine Art Nude and Imagination and Creation<br />

Workshops are available to view on my website.<br />

shelleyharveyphotography.com<br />

<strong>NZPhotographer</strong><br />

<strong>November</strong> <strong>2022</strong><br />

41

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!