NZPhotographer Issue 61, November 2022
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
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Apostasy<br />
Nikon D810, 24-70mm lens @ F4, 1/800s, ISO200<br />
The final image consists of six main images; the model,<br />
the sky, the railway lines, the old shed and some<br />
white clouds. I often use my brush tool to drop in a<br />
brighter circle of light on a separate layer behind my<br />
model. By altering the position of the layers and their<br />
opacity, they start to blend into one another and take<br />
on an altered reality. For me, composites should be<br />
believable and have the viewer believe what they<br />
see is reality. Like all my images, the final composite<br />
was run through Nik Filters to finesse, and then a<br />
couple of texture layers were added at the end of<br />
post-processing.<br />
A texture layer is designed to enhance your work<br />
and not obscure it; that is where the blending modes<br />
come into play in the layers menu. When working on<br />
an image like this, it is important to piece together<br />
the images in your composite before applying the<br />
final editing techniques to it; that way, it will result in a<br />
cohesive image. Be very aware of blending the edges<br />
of your different layers – you may not see them initially<br />
until you place another three or four layers over the<br />
top and end up with some funny lines in odd places!<br />
Our imagination knows no bounds with composites,<br />
and we can have so much fun. I find that composites<br />
can be a great side project to work on as you can<br />
keep adding more as your mind expands on ideas.<br />
Just note that the file size can become huge when<br />
working on composites due to the number of layers.<br />
I highly recommend saving the file regularly as you<br />
make changes in case Photoshop should decide to<br />
crash or there is a power outage, as you can lose<br />
hours and hours of work.<br />
CONCLUSION<br />
Having finally found a medium to express my creativity,<br />
I hope my mini-series on fine art portraiture inspires your<br />
creative journey too. To learn more with me, come<br />
along on one of my intimate weekend workshops on the<br />
beautiful shores of Lake Benmore, Twizel. All 2023 dates<br />
for both my Fine Art Nude and Imagination and Creation<br />
Workshops are available to view on my website.<br />
shelleyharveyphotography.com<br />
<strong>NZPhotographer</strong><br />
<strong>November</strong> <strong>2022</strong><br />
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