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December 2022 - Bay of Plenty Business News

From mid-2016 Bay of Plenty businesses have a new voice, Bay of Plenty Business News. This new publication reflects the region’s growth and importance as part of the wider central North Island economy.

From mid-2016 Bay of Plenty businesses have a new voice, Bay of Plenty Business News. This new publication reflects the region’s growth and importance as part of the wider central North Island economy.

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38 BAY OF PLENTY BUSINESS NEWS <strong>December</strong> <strong>2022</strong><br />

Scientists explore biogas potential<br />

<strong>of</strong> partly digested grass from cows<br />

Converting partly digested<br />

grass from the stomachs<br />

<strong>of</strong> slaughtered cattle into<br />

biogas that could be<br />

used to sustainably heat<br />

commercial greenhouses<br />

is the focus <strong>of</strong> a new<br />

14-month study at Scion.<br />

It’s hoped the partly digested grass<br />

can one day be blended with food<br />

waste to develop a powerful new<br />

recipe to enhance bioenergy production<br />

for industry – making it less reliant<br />

on fossil fuels, saving money and<br />

benefiting the environment.<br />

Senior scientist and project<br />

leader Dr Suren Wijeyekoon says<br />

it is well known that cows produce<br />

a lot <strong>of</strong> methane gas when<br />

they belch after grass is digested<br />

by enzymes in their stomachs.<br />

Taking the same grass, known<br />

as ‘paunch grass’, from slaughtered<br />

animal stomachs and using<br />

it to produce methane-rich biogas<br />

is a research opportunity worth<br />

exploring for future bioenergy<br />

production replacing natural gas,<br />

he adds.<br />

“Each cow has about 10-15kg<br />

<strong>of</strong> partly digested grass in their<br />

first stomach when they arrive in<br />

an abattoir; that grass normally is<br />

disposed <strong>of</strong> by meat processing<br />

companies, which comes at a cost.<br />

Our research is looking at the<br />

potential to use that waste product<br />

to produce biogas at scale,<br />

taking it from a small batch to a<br />

large pilot study. If successful, it’s<br />

research that can be commercially<br />

adopted by Ecogas.”<br />

The research involving Ecogas,<br />

AgResearch and the Bioresource<br />

Processing Alliance (BPA) builds<br />

on 2017- 2018 Scion, Plant and<br />

Food Research and BPA research<br />

that piloted and de-risked the<br />

technology being used in New<br />

Zealand’s first large-scale food<br />

waste-to-bioenergy facility at<br />

Reporoa. Scion provided bioenergy<br />

expertise to the facility’s<br />

early planning and development.<br />

Once up and running by January<br />

2023, the $30 million state<strong>of</strong>-the-art<br />

facility will turn 75,000<br />

Scion scientist Dr Suren Wijeyekoon.<br />

tonnes <strong>of</strong> organic waste from<br />

businesses and kerbside food<br />

scrap collections throughout the<br />

North Island into sustainable and<br />

renewable clean energy. Owned<br />

and operated by Ecogas, the<br />

new anaerobic digestion plant<br />

sits on 2 hectares <strong>of</strong> farmland.<br />

After commissioning, food waste<br />

will be converted into biogas,<br />

which can be used to heat nearby<br />

greenhouses, with carbon dioxide<br />

pumped in to enhance plant<br />

growth. Bi<strong>of</strong>ertiliser produced<br />

at the site can also be applied<br />

onto more than 1500 hectares <strong>of</strong><br />

productive farmland, replacing<br />

imported and manufactured synthetic<br />

fertilisers.<br />

Dr Wijeyekoon says the paunch<br />

grass biogas study started in July<br />

and will be carried out at three different<br />

scales. It will evaluate how<br />

much gas can be produced from<br />

paunch, and how scientists can<br />

enhance that production through<br />

various grass ‘pre-treatment’<br />

methods. Successful methods will<br />

be scaled up from batch to continuous<br />

pilot scale.<br />

Silver Fern Farms provides the<br />

fresh paunch grass for the study.<br />

Scion scientists are then deploying<br />

Scion’s new ‘biomethane<br />

potential test kit’ to assess the biogas<br />

production, which is made up<br />

<strong>of</strong> about 60 percent methane, and<br />

40 percent carbon dioxide.<br />

Testing will be complete in<br />

October 2023. If successful, it’s<br />

hoped the project will be commercially<br />

adopted.<br />

Dr Wijeyekoon says a longterm<br />

goal is to blend the paunch<br />

grass with food waste to maximise<br />

biogas generation.<br />

“Grass is made up <strong>of</strong> mostly<br />

cellulose and is metabolised<br />

slowly. Food waste is fast digesting;<br />

together you will improve the<br />

digestion <strong>of</strong> grass.”<br />

“Ideally, you need the right<br />

cocktail to get the bugs working<br />

optimally – that’s the end game.”<br />

The $385,000 study has been<br />

jointly funded by Ecogas and<br />

the Bioresource Processing Alliance<br />

which works with New<br />

Zealand’s primary sector and science<br />

partners, including Scion, to<br />

get better value out <strong>of</strong> biological<br />

by-products.<br />

AgResearch is also involved<br />

in the study by exploring the<br />

potential <strong>of</strong> ‘paunch liquor’ to be<br />

used as a pet food ingredient. The<br />

liquor is considered a valuable<br />

source <strong>of</strong> proteins, minerals and<br />

vitamins for cats and dogs.<br />

In another part <strong>of</strong> the project,<br />

Scion scientists will also test the<br />

digestate, the material left over<br />

after the paunch grass is digested<br />

in the bioreactors, for its potential<br />

as a bi<strong>of</strong>ertiliser. The team and<br />

Ecogas will partner with a company<br />

to carry out field trials to<br />

assess pasture growth after digestate<br />

is applied.<br />

Dr Wijeyekoon says the study<br />

is a great example <strong>of</strong> Scion’s<br />

research exploring the benefits <strong>of</strong><br />

a circular bioeconomy.<br />

“There are waste management<br />

costs for the disposal <strong>of</strong> paunch<br />

grass currently. Using that one<br />

feedstock or waste stream, we can<br />

explore a number <strong>of</strong> new opportunities:<br />

bioenergy production,<br />

bioCO2 for photosynthesis in<br />

greenhouses, digestate for bi<strong>of</strong>ertiliser<br />

and pet food ingredient<br />

production.”<br />

The benefits to the environment<br />

and industry are wide ranging.<br />

As well as reducing costs<br />

and climate change emissions<br />

from meat processing companies<br />

by diverting waste from landfill<br />

or composting, the biogas produced<br />

could also satisfy the heat<br />

demands <strong>of</strong> abattoirs in the future,<br />

he adds.<br />

Ecogas General Manager Alzbeta<br />

Bouskova says the company<br />

is excited to partner with Scion in<br />

the study and explore the potential<br />

<strong>of</strong> paunch grass as a new clean<br />

energy feedstock and, in the process,<br />

assist the meat industry with<br />

transition to sustainable and circular<br />

principles.<br />

“Ecogas is pleased with the<br />

opportunity to continue to build<br />

commercially desired technical<br />

knowledge,” Bouskova says.<br />

SHANNON TE AO EXHIBITION TŌKU ORA, TŌKU ARA OPENING AT<br />

TAURANGA ART GALLERY<br />

Tauranga Art Gallery was delighted<br />

to announce the opening <strong>of</strong> Tōku ora,<br />

tōku ara, an exhibition by renowned<br />

Te Whanganui-a-Tara based artist<br />

Shannon Te Ao (Ngāti Tūwharetoa)<br />

in October. Spanning moving image,<br />

photography and performance, Te Ao<br />

creates work that responds to Māori<br />

paradigms, testing the implications<br />

<strong>of</strong> alternative creative, social and<br />

linguistic models in relation to the<br />

moving image and other performative<br />

practices.<br />

Te Ao is creating a major new photographic<br />

commission for Tauranga<br />

Art Gallery’s atrium which departs<br />

from his predominantly black and<br />

white palette, translating these concerns<br />

into monumental full colour.<br />

Spread across two spaces, the<br />

exhibition also includes Te Ao’s<br />

notable 2020 moving image work Ka<br />

Mua, Ka Muri, which was originally<br />

co-commissioned by Remai Modern<br />

and Oakville Galleries, Canada.<br />

The title <strong>of</strong> the work is derived<br />

from a whakatauki (proverb) <strong>of</strong>ten<br />

cited as a guiding principle within<br />

Māori ideology.<br />

Meaning “to walk backwards<br />

into the future,” it suggests that time<br />

exists on a continuum where past,<br />

present and future co-exist and are<br />

tied together through ancestry and<br />

action.<br />

Tauranga Art Gallery Director<br />

Stephen Cleland says: “Te Ao’s practice<br />

occupies a fascinating intersection<br />

<strong>of</strong> moving image, photography,<br />

language, and sound. His new exhibition,<br />

devised especially for Tauranga<br />

Art Gallery, ups the ante for his<br />

investment in photography, through<br />

the production <strong>of</strong> large-scale prints<br />

which more than before approximate<br />

the scale and ambition <strong>of</strong> his<br />

renowned video installations. We’re<br />

thrilled to be enabling the artist to<br />

achieve a new scale in his practice for<br />

Tauranga audiences.”<br />

Shannon Te Ao is an artist, writer<br />

and curator whose current research<br />

interests include performance and<br />

video art practices. His work has<br />

been presented at several important<br />

exhibitions globally, including<br />

The 10th Asia Pacific Triennial <strong>of</strong><br />

Contemporary Art (APT10), QAG-<br />

OMA, Brisbane (2021-22); The 13th<br />

Gwangju Biennale – Minds Rising<br />

Spirits Turning (2021); With the sun<br />

aglow, I have my pensive moods, The<br />

Edinburgh Art Festival (2017); The<br />

11th Gwangju Biennale: The Eighth<br />

Climate (What Does Art Do?) (2016);<br />

and The 19th Biennale <strong>of</strong> Sydney:<br />

Shannon Te Ao<br />

Ka mua, ka muri,<br />

2020<br />

Two-channel video<br />

with sound<br />

Duration 5m 30s<br />

Cinematography:<br />

Adam Luxton<br />

Installation view:<br />

Oakville Galleries,<br />

Toronto<br />

Photo: Laura Findlay.<br />

Image courtesy <strong>of</strong><br />

Oakville Galleries.<br />

You Imagine What You Desire,<br />

curated by Juliana Engberg (2014).<br />

He was the 2016 winner <strong>of</strong><br />

Aotearoa’s prestigious Walters Prize,<br />

and is currently Senior Lecturer, Whiti<br />

o Rehua School <strong>of</strong> Art at Massey University,<br />

Pōneke Wellington.

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