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Art for the People: Bendigo Art Gallery 1887 - 2013

This electronic publication accompanies the exhibition Art for the People: Bendigo Art Gallery 1887 - 2013. Bendigo Art Gallery, established in 1887, has played, and continues to play an important role in the local Bendigo community. The Gallery has existed for the delight of the people since a desire for a Gallery was expressed in Mayor P Hayes letter (11 May 1887) to the principal citizens to ‘prove of great service to the young people growing up around us’. Considered a cultivating and educating strength of the community, the Gallery endeavours to collect, preserve and display works of art … for the pleasure and education of the public. In more recent years it has positioned itself as the most profiled and significant cultural venue in regional Australia. Drawing on the archives of Bendigo Art Gallery, this exhibition was curated to offer a glimpse into the story and journey so far of this much loved and respected people’s gallery.

This electronic publication accompanies the exhibition Art for the People: Bendigo Art Gallery 1887 - 2013.

Bendigo Art Gallery, established in 1887, has played, and continues to play an important role in the local Bendigo community. The Gallery has existed for the delight of the people since a desire for a Gallery was expressed in Mayor P Hayes letter (11 May 1887) to the principal citizens to ‘prove of great service to the young people growing up around us’. Considered a cultivating and educating strength of the community, the Gallery endeavours to collect, preserve and display works of art … for the pleasure and education of the public. In more recent years it has positioned itself as the most profiled and significant cultural venue in regional Australia. Drawing on the archives of Bendigo Art Gallery, this exhibition was curated to offer a glimpse into the story and journey so far of this much loved and respected people’s gallery.

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<strong>Art</strong> <strong>for</strong> <strong>the</strong> people:<br />

<strong>Bendigo</strong> <strong>Art</strong> <strong>Gallery</strong><br />

<strong>1887</strong> – <strong>2013</strong><br />

Ad delectationem Populi per <strong>Art</strong>em<br />

Pulchram; ‘<strong>for</strong> <strong>the</strong> delight of <strong>the</strong> people<br />

through beautiful art’. 1<br />

Originally called Sandhurst Fine<br />

<strong>Art</strong> <strong>Gallery</strong>, <strong>Bendigo</strong> <strong>Art</strong> <strong>Gallery</strong> was<br />

established in <strong>1887</strong> and since that<br />

time it has played a pivotal role in<br />

<strong>the</strong> <strong>Bendigo</strong> community. The desire<br />

<strong>for</strong> a <strong>Gallery</strong> was first expressed by<br />

<strong>the</strong> Mayor of Sandhurst, Mr Patrick<br />

Hayes, in a letter to <strong>the</strong> city’s principal<br />

citizens to ‘prove of great service to<br />

<strong>the</strong> young people growing up around<br />

us’. 2 Considered a cultivating and<br />

educating strength of <strong>the</strong> community,<br />

<strong>the</strong> <strong>Gallery</strong> has always endeavoured<br />

to collect, preserve and display works<br />

of art <strong>for</strong> <strong>the</strong> pleasure and education<br />

of <strong>the</strong> public. 3 In more recent years<br />

it has positioned itself as <strong>the</strong> most<br />

profiled and significant cultural venue<br />

in regional Australia; international<br />

exhibitions have been <strong>the</strong> drawcard<br />

<strong>for</strong> thousands, which has seen <strong>Bendigo</strong><br />

<strong>Art</strong> <strong>Gallery</strong> evolve as <strong>the</strong> <strong>for</strong>erunner of<br />

regional galleries.<br />

As with all long-standing<br />

institutions, <strong>Bendigo</strong> <strong>Art</strong> <strong>Gallery</strong>’s<br />

stories are rich in history. Since its<br />

inception, <strong>the</strong> <strong>Gallery</strong> has evolved<br />

from a humble single-room exhibition<br />

space to one of Victoria’s largest<br />

galleries. The building itself has<br />

changed considerably since <strong>the</strong> 1880s<br />

without losing ‘… its pretty and<br />

unpretentious red brick façade’. 4 Its<br />

people – both staff and volunteers<br />

– remain dedicated to providing<br />

exhibitions, programs and events<br />

of international standard while still<br />

recalling that modest yet proud motto,<br />

‘… giving delight to <strong>the</strong> people<br />

through <strong>the</strong> beauty of art’. 5 Without its<br />

founders and remarkable benefactors,<br />

<strong>Bendigo</strong> <strong>Art</strong> <strong>Gallery</strong> would not have<br />

obtained <strong>the</strong> reputation it has today.<br />

The <strong>Gallery</strong> continues to grow<br />

and includes an extensive and varied<br />

collection of painting, sculpture,<br />

ceramics, indigenous art, decorative<br />

arts, photography, works on paper and<br />

new media. The collection has a strong<br />

emphasis on 19th century European<br />

art and Australian art from <strong>the</strong> 1800s<br />

onwards, and over <strong>the</strong> past decade<br />

has developed significant holdings of<br />

contemporary Australian art. As artists<br />

emerge and develop and trends evolve,<br />

so too does <strong>the</strong> <strong>Gallery</strong>’s collection.<br />

Drawing on <strong>the</strong> archives of <strong>Bendigo</strong><br />

<strong>Art</strong> <strong>Gallery</strong>, this exhibition offers a<br />

glimpse into <strong>the</strong> stories and journey so<br />

far of this much loved and respected<br />

people’s gallery.<br />

Sandhurst Fine <strong>Art</strong><br />

Public <strong>Gallery</strong> –<br />

<strong>Gallery</strong> Committee<br />

First minutes book<br />

(detail)<br />

<strong>1887</strong>–89<br />

pen on paper<br />

<strong>Bendigo</strong> <strong>Art</strong> <strong>Gallery</strong><br />

archives<br />

THE SANDHURST FINE ART PUBLIC<br />

GALLERY<br />

‘Sandhurst is behind o<strong>the</strong>r places<br />

in not having an <strong>Art</strong> <strong>Gallery</strong>’ 6 was<br />

<strong>the</strong> sentiment expressed by Mr John<br />

Wilkinson Rymer in a letter to <strong>the</strong><br />

<strong>Bendigo</strong> Advertiser on 5 April <strong>1887</strong>.<br />

Local artist William Short agreed with<br />

Rymer and trusted that this movement<br />

would be ‘… heartily supported by <strong>the</strong><br />

art loving population of Sandhurst’, 7<br />

offering to donate a painting <strong>for</strong> <strong>the</strong><br />

cause. Popular opinion was such that<br />

it was imminent that Sandhurst would<br />

soon have ‘… an <strong>Art</strong> <strong>Gallery</strong> of which<br />

<strong>the</strong> citizens may be proud … of great<br />

advantage to <strong>the</strong> rising generation<br />

in having a highly refining influence<br />

and in developing talent … it will<br />

encourage <strong>the</strong> growth of <strong>the</strong> arts …<br />

and be a constant source of pleasure to<br />

<strong>the</strong> community’. 8<br />

In response, on 19 May <strong>1887</strong>,<br />

Mayor JP (Patrick) Hayes called a<br />

public meeting which was attended<br />

by more than 35 local representatives<br />

including doctors, lawyers, lecturers<br />

and businessmen. At that moment,<br />

Sandhurst Fine <strong>Art</strong> <strong>Gallery</strong> was<br />

born, and a provisional committee<br />

appointed. The <strong>Gallery</strong> was underway<br />

with only a few works donated by<br />

Jacob Cohn and a number of pieces<br />

lent by private citizens.<br />

Mr Rymer continued to take a great<br />

interest in <strong>the</strong> welfare of <strong>the</strong> <strong>Gallery</strong><br />

and his advice and assistance, especially<br />

in <strong>the</strong> choice of new artworks,<br />

was always freely given and keenly<br />

appreciated by his colleagues on <strong>the</strong><br />

Committee. Mr Hayes was <strong>the</strong> first<br />

President of Sandhurst Fine <strong>Art</strong> <strong>Gallery</strong>,<br />

in <strong>the</strong> same year he was Mayor, using<br />

his influence to <strong>for</strong>m <strong>the</strong> art gallery. He<br />

served as President <strong>for</strong> one year. Jacob<br />

Cohn served as <strong>the</strong> second President<br />

and held <strong>the</strong> position <strong>for</strong> 14 years.<br />

A MILITARY BEGINNING<br />

From <strong>1887</strong> to 1890 <strong>the</strong> <strong>Gallery</strong><br />

was housed in a large hall at <strong>the</strong><br />

Sandhurst School of Mines on Pall<br />

Mall (now <strong>Bendigo</strong> Regional Institute<br />

of TAFE), until building repairs and<br />

<strong>the</strong> ‘… mild outrage caused by <strong>the</strong><br />

scandalous exhibition of a nude<br />

painting, The Spanish Maiden, caused<br />

<strong>the</strong> gallery committee to seek o<strong>the</strong>r<br />

accommodation’. 9<br />

After unsuccessfully applying <strong>for</strong> a<br />

£2000 government grant in <strong>1887</strong>, and<br />

campaigning in vain to obtain <strong>the</strong> old<br />

Post and Telegraph Office on View<br />

Street as <strong>the</strong> new exhibition space,<br />

<strong>the</strong> <strong>Gallery</strong> ultimately moved to its<br />

present site – not into a purpose-built<br />

4 5

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