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Instrumentation<br />
FLUTE 1<br />
FLUTE 2<br />
PICCOLO<br />
(Flute)<br />
OBOE 1<br />
OBOE 2<br />
ENGLISH HORN 3<br />
Bb CLARINET 1<br />
Bb CLARINET 2<br />
Eb CLARINET 3<br />
Bb BASS CLARINET 4<br />
BASSOON 1<br />
BASSOON 2<br />
CONTRABASSOON 3<br />
!<br />
ALTO SAXOPHONE 1<br />
ALTO SAXOPHONE 2<br />
TENOR SAXOPHONE 1<br />
TENOR SAXOPHONE 2<br />
BARITONE SAXOPHONE<br />
!<br />
F HORN 1<br />
F HORN 2<br />
F HORN 3<br />
F HORN 4<br />
Bb TRUMPET 1<br />
Bb TRUMPET 2<br />
Bb TRUMPET 3<br />
TROMBONE 1<br />
TROMBONE 2<br />
TROMBONE 3<br />
BARITONE 1<br />
BARITONE 2<br />
BASS TROMBONE<br />
TUBA<br />
!<br />
TIMPANI<br />
PERCUSSION 1<br />
(Glock, Marimba, Vibraphone, Chimes)<br />
PERCUSSION 2<br />
(Triangle, Sus. Cymbal, Snare Drum, Sleigh Bells, Piatti,<br />
Bass Drum)<br />
!<br />
PIANO/CELESTE<br />
!<br />
STRING BASS<br />
!<br />
Duration - ca. 5:00<br />
About a year after I wrote “Like Our Fathers Before Us,” I had the idea to perhaps write another<br />
piece for wind ensemble. I contacted my contractor, Noah Gladstone, and he began putting<br />
an ensemble together for later in the month. At the same time, I began assembling some of<br />
the frameworks to this piece, <strong>Endeavor</strong> (I prefer to work under deadlines; even if selfimposed).<br />
In this work, I just wanted some more practice writing in traditional tutti textures for<br />
the wind ensemble. In my head, I sort of knew how a piece like this would sound if I had<br />
orchestrated it for orchestra, but I was curious how a wind ensemble setting would sound.<br />
Compositionally, there is nothing groundbreaking in this work; it is traditional in almost all<br />
senses of the word, but is hopefully still an enjoyable piece to play and listen to.