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Endeavor 3_0_SE_Edit_Sib7_Michael Barry_Schmidt Prepped_v1.50_Transposed_Final_[4] - Score

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Instrumentation<br />

FLUTE 1<br />

FLUTE 2<br />

PICCOLO<br />

(Flute)<br />

OBOE 1<br />

OBOE 2<br />

ENGLISH HORN 3<br />

Bb CLARINET 1<br />

Bb CLARINET 2<br />

Eb CLARINET 3<br />

Bb BASS CLARINET 4<br />

BASSOON 1<br />

BASSOON 2<br />

CONTRABASSOON 3<br />

!<br />

ALTO SAXOPHONE 1<br />

ALTO SAXOPHONE 2<br />

TENOR SAXOPHONE 1<br />

TENOR SAXOPHONE 2<br />

BARITONE SAXOPHONE<br />

!<br />

F HORN 1<br />

F HORN 2<br />

F HORN 3<br />

F HORN 4<br />

Bb TRUMPET 1<br />

Bb TRUMPET 2<br />

Bb TRUMPET 3<br />

TROMBONE 1<br />

TROMBONE 2<br />

TROMBONE 3<br />

BARITONE 1<br />

BARITONE 2<br />

BASS TROMBONE<br />

TUBA<br />

!<br />

TIMPANI<br />

PERCUSSION 1<br />

(Glock, Marimba, Vibraphone, Chimes)<br />

PERCUSSION 2<br />

(Triangle, Sus. Cymbal, Snare Drum, Sleigh Bells, Piatti,<br />

Bass Drum)<br />

!<br />

PIANO/CELESTE<br />

!<br />

STRING BASS<br />

!<br />

Duration - ca. 5:00<br />

About a year after I wrote “Like Our Fathers Before Us,” I had the idea to perhaps write another<br />

piece for wind ensemble. I contacted my contractor, Noah Gladstone, and he began putting<br />

an ensemble together for later in the month. At the same time, I began assembling some of<br />

the frameworks to this piece, <strong>Endeavor</strong> (I prefer to work under deadlines; even if selfimposed).<br />

In this work, I just wanted some more practice writing in traditional tutti textures for<br />

the wind ensemble. In my head, I sort of knew how a piece like this would sound if I had<br />

orchestrated it for orchestra, but I was curious how a wind ensemble setting would sound.<br />

Compositionally, there is nothing groundbreaking in this work; it is traditional in almost all<br />

senses of the word, but is hopefully still an enjoyable piece to play and listen to.

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