PHOTOGRAPHERS Magazine #11 JANUARY 2023
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CHRONICLES
Ludwig Riml
Austria
Kuntal Biswas
India
Wolfgang Gangl
Austria
#11
Jan 2023
2nd Anniversary Special Edition
Cover photo
Untitled by Wolfgang Gangl
www.wolfganggangl.com
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FUJIFILM Portugal is our offcial partner
and sponsor of PHOTO OF THE YEAR
Founder, Director and Design:
João Freire
Administrators and Editorial staff:
Elsa Martins
Filipe Miranda
Mário Barrela
Trimestral online and Paper Magazine
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www.facebook.com/photographers.magazine.pt
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All images copyright are property of the respective authors
© 2023 Photographers Magazine. All Rights Reserved
This is our first anniversary special edition magazine and we would like to thank you
very much FUJIFILM Portugal and the contribution of the authors:
Ludwig Riml
Kuntal Biswas
Wolfgang Gangl
Alain Caille
Aleksandra Chmura
Alexander Perov
Ângelo Fernandes
António Bernardino Coelho
António Manuel Pereira
Artur Kanicki
Aurélien Bomy
Cesare Bracciali
Colin James Watkins
Dan Leszek Kołudzki
Dmitrijus Skackovas
Dominique Agius
Dov Oron
Eduardo Perez Sanchez
Edward Bogdanski
Elena Molina
Elsa Martins
Erminio Vanzan
Fabrizio Secchi
Fernando Carús Sánchez
Filipe Miranda
Giorgos Kohilas
Hugo Levi
Irene Perovich
Jan Kočičák Kočí
Jens F. Kruse
José Mariano
José Oliveira
José Zarcos Palma
Josefina Melo
Ju Landscapes
Karel Ševčík
Kasia Bochniak
Kiran Rawal
Lam Makmak
Laura Giammichele
Lilian Fraga
Marian Plaino
Mário Barrela
Mário Ferreira
Marko Klavs
Marta Losiewicz
Martin Wacker
Michael Kavanagh
Michal Jedlička
Milan Hristev
Nick van Dijk
Okan Yilmaz
Ondrej Novak
Panagiotis Grammatikakis
Petko Atanasov
Pranay Kantal
Radana Kuchařová
Rainer Neumann
Rajesh Dutta
Rei Ueno
Robert Fischer
Robert Marzec
Robert Szumała
Roberto Zaninelli
Rudi Hendrickx
Rui Pinto
Sam Benari
Sanlui Ballesteros
Selim Seval
Sérgio de Medeiros
Sil Nut Herrero
Sultan Koç
Takaaki Ishikura
Tan wee chuang
Thomas de Franzoni
Timurtaş Onan
Uwe Schröder
Wojciech Karlinski
Yi-Tang Wang
Zoltan Janik
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CONTENTS
CHRONICLES
Ludwig Riml
CHRONICLES
Kuntal Biswas
CHRONICLES
Wolfgang Gangl
AUTHORS
SELECTED PHOTOS
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CHRONICLES
LUDWIG RIML
AUSTRIA
PORTFOLIO
www.facebook.com/ludwig.riml/
www.instagram.com/ludwigriml/
https://fineartamerica.com/profiles/ludwig-riml
www.ludwigriml.com
Awakening at Lake Bled
www.ludwigriml.com
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CHRONICLES - LUDWIG RIML
My name is Ludwig Riml. I am born in Tirol in the midst of the Austrian Alps. Since my childhood I have been
fond of nature, skiing and trekking being my favorite.
Already as a 7 year old my parents would send me to a mountain pasture to work as a "cow boy", taking care
of goats, sheep and cows during my summer vacations. I was living with a farmer high up in the mountains
only to see my family on Sundays when I had to walk 2 hours down to the village to attend church.
I was part of the Austrian Ski team and traveled a lot in my youth. When I was 14 I traded a pair of skis
against a Russian Zenit being in Poland for a competition. That was the starting point of my lifelong love
affair with photography.
At the age of 23 I moved to Sweden, where I still live. By then I had aquired a Canon F1, an analog flagship
camera. I remember long nights in the darkroom, after the children had gone to bed, and days at work,
when I had to fight to keep myself awake.
When I was 33 I became ill in cancer and that was the beginning of trying to find meaning in life. I started
out a search which led me to explore the religious traditions and mystics from different parts of the world.
Meditation, mindfulness and yoga became the tools to deepen in knowledge.
Hi Ludwig Riml, give us some background, how long ago did you start shooting and what made you start
in this world of photography?
I got my first camera when I was 14. But it was not before I was about 20 I started to take photography more
serious. During my whole life I have had a desire to be creative and express myself. I want to share the
beauty I experience in nature, places and people I meet.
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Silver Falls
www.ludwigriml.com
CHRONICLES - LUDWIG RIML
Do you remember the click that sparked your passion for photography?
For me I do not think it was a special point in time or a click. It is more like a strong desire to express myself
that has evolved through the years.
Who are your main influences on photography? And outside of it?
I remember when I first started out to photograph seriously that I would buy all the Photography Magazines
and books available. I have always studied things for myself only. I guess it's because I have such high
expectations for myself. I just do not want to expose myself before I think my work is good enough. That is
why I don't submit myself to teachers. I get very unsecure in a teaching situation and my creativity is gone. I
get paralyzed.
Outside of photography I get influenced of all types of art and the beauty around us. I think what still
influences me the most is my meditative way of life. I am a "slow" photographer.
I notice that most of your photos are landscape and documentary photography. Why choose landscape and
documentary photography? Love at first sight or did you discover your relationship with landscape and
documentary photography over time?
I think my landscape photography has evolved through the influence of my childhood. Nature has been my
home since I was a shepheard with my goats and cows high up in the mountains of Tirol in summer and on
the skis during winter. Through landscape photography I try to convey my feelings and emotions. On a
deeper level I hope to mediate a sense of being that connects us all.
Anybody Out There ?
www.ludwigriml.com
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CHRONICLES - LUDWIG RIML
IMy documentary photography has it's origin in my love for different cultures and it's expressions. It has
evolved through my personal endevours to find peace and harmony. Even in all it's diversities I can see the
one singel motivation behind all. That is to be happy. We are all one in this pursuit but our ideas of how to
achieve it vary.
also notice that you have a special taste for colour photography, why this choice?
I started out with B&W photography and loved the whole process from taking the pictures out in the field to
developing them in the darkroom. When the digital evolution began I somehow had to learn all over again.
Especially on the computer side. Somehow I developed my "seing" in colors and found it interesting to bring
out the fine nuances which color photography offers. If I would go back to B&W, which I may, I would have
to redefine the whole process of photography, I think.
The photographers' creative process is often overlooked. Can you tell me a little about your processes? Not
in terms of equipment or technique, but in terms of motivations, from finding a place to photograph to the
final photograph.
Whenever you go out to photograph, have you studied everything already or do you let yourself be carried
away by the moment?
I think I am not the type who is very good at planning. Not in terms of photography and not in life. Of course
I have places and ideas in mind espacially when I am travelling. I do have lists of interesting places to visit,
but when I am out in the field I am rather sponteneous and open for what is taking possession of me. I think
it is then I have use of my practice in meditation and mindfullness which allows me to leave everything aside
to be fully in the moment.
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The Valley of Barns
www.ludwigriml.com
CHRONICLES - LUDWIG RIML
The Long and Winding Road
The Cloud of Unknowing
www.ludwigriml.com
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CHRONICLES - LUDWIG RIML
Magic Moment
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Embedded
www.ludwigriml.com
CHRONICLES - LUDWIG RIML
Vasco da Gama
www.ludwigriml.com
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CHRONICLES - LUDWIG RIML
Njupeskär Waterfall
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Alpine Mysticism
www.ludwigriml.com
CHRONICLES - LUDWIG RIML
The Sadhu's Blessing
Tamil Children
www.ludwigriml.com
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CHRONICLES - LUDWIG RIML
Happiness
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Shelter
www.ludwigriml.com
CHRONICLES
KUNTAL BISWAS
INDIA
PORTFOLIO
https://instagram.com/pixelatedkuntal
https://vero.co/kuntal
https://1x.com/kuntalbiswas1
bath-layer
https://instagram.com/pixelatedkuntal
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CHRONICLES - KUNTAL BISWAS
Hi Kuntal Biswas, give us some background, how long ago did you start shooting and what made you start
in this world of photography?
I am Kuntal Biswas, a freelance photographer from Canning, West Bengal, India, having a strong appetite
towards exploring and learning every genre of Photography but mainly focusing into the street,
storytelling & documentary segment currently. I love to capture different inertias of stories on the streets.
I completed my graduation in Electrical engineering and then photography came along the way. And now,
I want to pursue photo Journalism as a career.
Do you remember the click that sparked your passion for photography?
I bought a new phone in 2018 and started clicking pictures of landscapes and streets. Even while I was
clicking images, becoming a photographer never occurred to me. However, my friends used to appreciate
my photography, which made me focus on photography and motivated me to learn more about it.
I used to look through social media and magazines, like National Geographic and Better Photography not
really interested in the articles but the pictures (although I read the articles after looking at the pictures
dozens of times).I have always loved how a photograph can be absolutely story telling or awe-inspiring,
making you feel like you are part of the moment or scene.So I started taking photographs and use those
images as inspiration (I still refer to the NG website from time to time).
As I told I loved clicking images back when I was a kid but took it on a higher note out of sheer passion in
around year 2020.
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streetbath
https://instagram.com/pixelatedkuntal
CHRONICLES - KUNTAL BISWAS
Who are your main influences on photography? And outside of it?
My biggest influence in photography mainly in street photography is Mr.Siddhartha Paul,who is renowned
street photographer from kolkata and his style of capturing people and also his dedication towards street
photography inspire me alot.
And also my perents motivate me all the time and also cleck every single picture I have taken which inspire
me and push me to go outside and shoot in daily basis.
I notice that most of your photos are street and documentary photos. Why choose street and documentary
photography? Love at first sight or did you discover your relationship with street and documentary
photography over time?
Street photography was not the fist piece of pickings for me as I used to get inclined at people portraits and
landscape but when I started to explore and learn photography as a whole, I started moving out into the
streets more often and gradually became passionate upon the genre of live visualisations, street
photography.
And also my city is filled with verious stories which led me to street and documentary photography. I used
to see where other people used to visit and take inspiration from it. I have not yet done any technical courses
in photography and learned everything through other photographers and experimenting with the gears.
I also notice that you have a special taste for colour photography, why this choice?
To me, Colours create dramas that captures certain attention to specific moods, themes or stories and
delivers a unique and compelling experience to the viewers, Hence I am passionate about playing with
colours in my photography.
boubaraks
https://instagram.com/pixelatedkuntal
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CHRONICLES - KUNTAL BISWAS
The photographers' creative process is often overlooked. Can you tell me a little about your processes? Not
in terms of equipment or technique, but in terms of motivations, from finding a place to photograph to the
final photograph.
Whenever you go out to photograph, have you studied everything already or do you let yourself be carried
away by the moment?
I go both ways, to me research is the only key to the doorway but taste of experiences shall be different for
different persons as we all got different perspectives of clicking!, yes, certain moments are predictive, but
whether you are aware of it or not, if in streets, moments that are captured fresh and raw feels best to me as
it generates an unique story that defines my vision to the world.
I notice that Kuntal Kiswas regularly photographs India. Any special reason?
Well I never thought in that way, I love to capture and document people and their emotions. People and
emotions have always fascinated me. India is very diverse, here in every few inches you meet people with
different social status, culture, language, race and relegion, they all have their own stories to be heard. May
be that's the reason I have been attracted so much to India. However, the world of His is diverse, so if I get an
opportunity in future I would definitely try to capture it.
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layers1
https://instagram.com/pixelatedkuntal
CHRONICLES - KUNTAL BISWAS
bulls eye
Love triangle
https://instagram.com/pixelatedkuntal
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CHRONICLES - KUNTAL BISWAS
bus-silhoutte-02
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shadow-silhoutte
https://instagram.com/pixelatedkuntal
CHRONICLES - KUNTAL BISWAS
rame-silhoutte-01
football
https://instagram.com/pixelatedkuntal
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CHRONICLES - KUNTAL BISWAS
busstories5
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window1
https://instagram.com/pixelatedkuntal
CHRONICLES - KUNTAL BISWAS
labour
ghat2
https://instagram.com/pixelatedkuntal
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CHRONICLES - KUNTAL BISWAS
velvel9
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kumor2
https://instagram.com/pixelatedkuntal
CHRONICLES
WOLFGANG GANGL
AUSTRIA
PORTFOLIO
www.facebook.com/wolfgang.gangl
www.instagram.com/wolfgangganglofficial/
https://foundation.app/@wolfgangganglofficial
www.wolfganggangl.com
www.wolfganggangl.com
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CHRONICLES - WOLFGANG GANGL
Wolfgang Gangl was born in 1977 in Graz/Austria and is an award-winning photographic artist.
In addition to numerous national and international medals and awards, he was Photographer of the Year
2020 and 2021. In 2022, he became Styrian National Champion in Photography and won a gold medal at
the Trierenberg Supercircuit. In the same year, he was nominated to the Austrian National Team of
Professional Photographers and will participate in the World Photographic Cup 2023.
His works are characterized above all by the consistent reduction of individual elements, the stylization of
women through pompous dresses and the recurring geometric shapes. His pictures have been exhibited
in Arles, Berlin, Graz, Vienna, Zurich, Miami and Mallorca and printed in various magazines and books.
Hi Wolfgang Gangl, give us some background, how long ago did you start shooting and what
made you start in this world of photography?
I take pictures since childhood. Back then it was the fascination of the simple analog camera, the click and
the surprise when the picture came back from development. It triggered the interest for photography.
Today, it is not much different. The fascination stayed, even though I changed my analog camera from back
then into a medium-format camera.
Do you remember the click that sparked your passion for photography?
It wasn't really a single click but it has evolved over the years. Once the passion to photograph has grabbed
you, there is no escape.
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www.wolfganggangl.com
CHRONICLES - WOLFGANG GANGL
Who are your main influences on photography? And outside of it?
This is very difficult, especially today in a digital time. One is f loodede and drowned with pictures alone
scrolling through social media whether I like it or not. But I also look very deliberately at art, notably Albert
Watson, Irving Penn, Mert & Marcus or Erwin Olaf.
And outside? I was sick and in bed for the last week. Out of boredom I watched some documentaries and
films of the then Empress of Austria "Sissi". I knew the stories because I had seen similarfilmss about Sissi with
my mother as a small child. But I immediately noticed that the extremely pompous dresses of that time have
a direct influence on my current photography. In many pictures I depict women stylized with clothes and
big hats sticking out. That has definitely remained as an influence for me.
I notice that most of your photos are portraits and concept photos. Why choose portraits and concept
photography? Love at first sight or did you discover your relationship with portraits and concept
photography over time?
No, it was not love at first sight. I used to photograph everything that came in front of my camera. At some
point, however, I discovered a preference for photographing people. Then I photographed young women as
you know them from Instagram and Facebook. Very „gracefully" to get as many likes as possible. But I
noticed relatively quickly that the Likes mean nothing to me.
From then on, my photography evolved into "concept photography". I photograph only as I see the model
and how I like the photos regardless of whether others like it too. But I am very happy when the photos then
get encouragement and can be seen at various exhibitions.
www.wolfganggangl.com
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CHRONICLES - WOLFGANG GANGL
I also notice that you have a special taste for colour photography, why this choice?
Life is in color. No matter where I look, everything is in color so I also like to create my pictures in color. There
are already black and white photos of me, but only very few. In some pictures I just like it better when they
are also very reduced in color.
The photographers' creative process is often overlooked. Can you tell me a little about your processes? Not
in terms of equipment or technique, but in terms of motivations, from finding a place to photograph to the
final photograph.
Whenever you go out to photograph, have you studied everything already or do you let yourself be carried
away by the moment?
Sometimes I see a picture, where I like the basic idea - but for me - it does not seem finished. Another time
an idea emerges while I do sports or have dinner and I have to write it down then and there. When I still like
the idea the next day, I like to implement it. Even though I need to get 100 years old to finalize all of them.
I work very conceptually. The pictures are usually pretty finalized in my mind before I start to think with
which model I like to work with. After that we organize everything for what the picture needs.
Without a doubt, the challenge is to get into the camera what has formed in my head earlier… preferably
without any compromises. Besides, the reduction of the picture presents itself a challenge. Often, pictures
„work“ through leaving off or adding smaller details.
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www.wolfganggangl.com
CHRONICLES - WOLFGANG GANGL
www.wolfganggangl.com
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www.wolfganggangl.com
CHRONICLES - WOLFGANG GANGL
www.wolfganggangl.com
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www.wolfganggangl.com
CHRONICLES - WOLFGANG GANGL
www.wolfganggangl.com
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CHRONICLES - WOLFGANG GANGL
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www.wolfganggangl.com
AUTHORS
SELECTED PHOTOS
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Ovaakca, Bursa, Turkey, Late 1970's by Selim Seval
www.selimseval.zenfolio.com
Untitled by Angelo Fernandes (Lisbon, Portugal)
www.instagram.com/angelof_photography/ www.afshoot.com
Untitled by Petko Atanasov
Istambul, Turkey
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Travel memories/India by Fabrizio Secchi
Ig: secchifab
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Santa claus is coming to town by Mário Barrela
Ribeira 36 by Eduardo Perez Sanchez (Porto, Portugal - March/1990)
www.facebook.com/eduardo.perezsanchez.96995/ www.instagram.com/e.perez.sanchez/
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Untitled, London 2020 by Sam Benari
www.facebook.com/profile.php?id=100008438173906 www.instagram.com/sambenari/
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We moved by Fernando Carús Sánchez
Grennwich, London - 23/09/2015
Shadow on zebra crossing by Yi-Tang Wang (Taiwan)
www.facebook.com/wang.w.yang.7/
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Colorful Balloons and A White VW Delivery Van by Hugo Levi (São Paulo, Brazil - 2022)
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Métropolitain by Aurélien Bomy (Paris, France - 2022)
Ig: @aurelienbomy http://aurelienbomy-photographie.com
Montpellier girl by Jens F. Kruse (Montpellier, France - 05/22)
www.jfkstreetphotography.com www.instagram.com/jfkstreetphotography/
Mr. Pork by Marian Plaino (Oaxaca, Mexic)
www.facebook.com/plaino.marian
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Na parede dos pequenos círculos by Mário Ferreira (Salvador da Bahia, Brazil)
www.facebook.com/mario.jbc.ferreira/ www.instagram.com/mario.jbc.ferreira/
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Untitled by Michael Kavanagh
Lundy flyers event, Saunton Sands beach, Devon
İstanbul / Zeyrek District by Timurtaş Onan
www.facebook.com/timurtas.onan.7/ www.timurtasonan.com
Smokers by Michal Jedlička
www.facebook.com/profile.php?id=100005947609231 www.instagram.com/michal.jedlicka7/
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Untitled by Elsa Martins
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Cross lines by Filipe Miranda
https://instagram.com/filipemiranda_photography
The old ways of time by Erminio Vanzan
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Na paz dos anjos by José Oliveira (Tirada algures no Algarve)
www.fineart-portugal.com/author/8212 https://500px.com/p/jmsoliva?view=photos
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Stray by Giorgos Kohilas
Piraeu, Votsalakia, Greece
Untitled by Jan Kočičák Kočí
aşura yası, Halkalı, İstanbul, Türkey by Sultan Koç
www.facebook.com/sultan.koc.3994 www.instagram.com/sultannkoc13/
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the Rabbi and his followers by Dov Oron (Bnei Brak, Israel)
Ig: @dov_oron
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Untitled by Cesare Bracciali
Fulani elder by Elena Molina (Niergui refugee camp, Tchad)
www.elena-molina.com/ https://1x.com/elenamolina
Memories by Marta Losiewicz (Ewa Dankiewicz my Mom, Poland)
www.instagram.com/moosephotoshoots/ https://moose-photoshoots.com/
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Lahore street food stall by Sanlui Ballesteros (Lahore, Pakistan)
www.facebook.com/sanlui.ballesteros www.instagram.com/sanluy/
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Bungamati-Daily life scene by Irene Perovich
Bungamati, Nepal - 2015
Siesta by Rudi Hendrickx
Wyoming, USA
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livestock.market, Bulgaria by Milan Hristev
www.milanhristev.com
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Untitled by Rainer Neumann (Manaus, Brasil. October 2022)
www.fb.com/rainerneumannludwigshafen www.rainerneumannphotography.de
Kenya by Edward Bogdanski
Light touch of Light by Rajesh Dutta (Badkulla, Nadia, WB, India)
www.fb.com/rajesh.dutta1 www.instagram.com/rajesh.dutta1/
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Untitled by Uwe Schröder
ww.fb.com/Uwe.Schroeder.Fotografie www.fb.com/UweSchroederFotografieBerlin
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Dondi The Ritual by Pranay Kantal (Kolkata, West Bengal, India)
www.facebook.com/pranay.kantal/
Tea pleasure by Okan Yilmaz (Rize, Türkiye)
instagram.com/okanyilmaz https://okanyilmaz.myportfolio.com/projects
Lavadeiras do Mondego by José Mariano (praia fluvial de Palheiros e Zorro, Carvalhosas, Portugal)
www.facebook.com/joaumima
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hongkong by Lam makmak
Molly by Colin Watkins Photoboothportraits
www.instagram.com/photoboothportraits/ www.photoboothportraits.co.uk
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MILA by Dominique Agius
www.fb/DAFOCUS06 www.da-focus.com
untitled by Dmitrijus Skackovas
www.facebook.com/dmitrijausfotografija
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Rose Girl by Tan wee Chiang
Renascer em Florença by Sérgio de Medeiros (Firenza, Italy)
www.facebook.com/sergio.demedeiros.35
untitled by Laura Giammichele
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HK identity by Rei Ueno (Hong Kong)
Milou by Nick van Dijk
www.fb.com/dtrdyk www.nickvandijkphotography.com
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Carla by Roberto Zaninelli - IG:@robertozaninelli
Model:Carla IG:@trioflaif
Lily au violoncelle by Alain Caille
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untitled by Lilian Fraga
www.instagram.com/fraga555
Untitled by Zoltan Janik (Budapest, Feszek VIP studio)
www.fb.com/zoltanjanikphoto www.instagram.com/zoltanjanik/
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Afternoon Girl by Takaaki Ishikura
www.instagram.com/ts_framed/ takaaki-ishikura.com
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Untitled by Wojciech Karlinski
www.fb.com/wojciech.karlinski www.karlinskifoto.com
Pilot by Karel Ševčík (Slovakia)
www.fb.com/KIV.photography www.kiv-foto.com
untitled by Panagiotis Grammatikakis
www.fb.com/PanGramPhotos www.instagram.com/pan_gram__/
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the wind that by Josefina Melo
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D and space by Radana Kuchařová
the old stadium, Prague
The Wave by Martin Wacker
www.fbcom/martin.wacker.31 www.martinwacker.xyz/
Frame by José Zarcos Palma (Dubai)
Ig: zarcospalma
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Efímero by Sil Nut Herrero
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Ghost Dancing #1 by Robert Fischer (Munich, Germany - 2022)
www.facebook.com/robert.fischer.5205
Ladybird by Aleksandra Chmura
www.fb.com/aleksandra.chmura.56 www.instagram.com/aleksandra_chmura_fotografia
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Untitled by Robert Marzec
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Simply 2 Water Drops by António Manuel de Assunção Pereira
www.fb.com/antoniomanuel.pereira.7146/ www.instagram.com/amaptax/
Early morning, Italy, October 2018 by Alexander Perov
BOW by Artur Kanicki (Ruda Sułowska, Lower Silesia, Poland)
www.fb.com/arturkanicki.foto https://500px.com/p/nightdream?view=photos
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The Last Rays of the Sun by Adam Pachula (Haukland Beach, Lofoten)
www.facebook.com/AdamPachulaPhotography www.adampachula.eu
untitled by Kiran Rawal (Kutch, Gujarat, India)
www.facebook.com/kiran.rawal.9 www.vero.co/gujjubhai
Russula Emetica by António Bernardino Coelho (Recarei, Paredes)
www.instagram.com/antonio_bernardino_/
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Still Standing by Marko Klavs (Möhlin, Switzerland)
www.fb.com/klavs.marko/ https://markoklavsphotography.com/
The tree of Stars by Ju Landscapes (Provence, Vaucluse highlands, France)
www.facebook.com/ju.landscapes/
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Meadow stories by Robert Szumała
https://vero.co/robertszumala https://500px.com/p/rszumala69?view=photos
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autumn forest tales..... by Dan Leszek Kołudzki
https://500px.com/p/pomian3?view=photos www.flickr.com/photos/pomian/
This Will Never End by Thomas de Franzoni (Chiusaforte, Friuli Venezia Giulia, Italy)
www.facebook.com/ThomasdeFranzoniPhotography/ https://1x.com/thomasdefranzoni
Birches in the foggy morning by Ondrej Novak (North-East part of the Czech Republic, between town
Hustopece nad Becvou and Vysoka) Ig: ondrejnov1
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Tranquility by Kasia Bochniak (Wadąg Lake, Poland)
www.fb.com/bochniakfotografia/ https://linktr.ee/kasiabochniak
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Caminhos submersos by Rui Pinto (Torreira, Portugal)
www.fb.com/RuijPintoPhotography www.instagram.com/ruijvpinto1
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