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Congratulations on your acceptance to <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong>’s<br />

<strong>College</strong> <strong>of</strong> LSA! We hope that you’re excited about college <strong>and</strong><br />

your move to Ann Arbor. U-M is a great university with many,<br />

many activities <strong>and</strong> resources designed to help students feel comfortable<br />

in <strong>the</strong>ir new environment.<br />

LSA ACADEMICS AT ORIENTATION<br />

The sessions, resources, <strong>and</strong> experiences at your orientation are<br />

designed to help you make decisions about your first term at <strong>the</strong><br />

University <strong>of</strong> <strong>Michigan</strong> <strong>and</strong> to help you consider <strong>the</strong> larger issues<br />

involved in planning your degree. One <strong>of</strong> <strong>the</strong> most important<br />

things that will happen at orientation is that you will meet your<br />

academic advisor. Your advisor will help answer your questions<br />

<strong>and</strong> help you register for your fall term classes. Your advisor will<br />

also continue to correspond with you over email throughout your<br />

four years at <strong>Michigan</strong> <strong>and</strong> will be available to meet with you on a<br />

regular basis.<br />

BEFORE YOU ARRIVE ON CAMPUS<br />

• Visit our web site for incoming students at<br />

www.umich.edu/~newtolsa.<br />

We hope it will answer many questions you might have before<br />

coming to Orientation.<br />

• Complete <strong>the</strong> on-line Academic Planning <strong>and</strong> Interest<br />

Questionnaire as soon as possible. This will help you<br />

identify your interests <strong>and</strong> <strong>the</strong> subjects you would like to<br />

pursue at <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong>. It will also help your<br />

academic advisor get to know you before you get here.<br />

Please be sure to take our on-line Academic Integrity<br />

Quiz. You won’t be able to register until you do! Review<br />

<strong>the</strong> information on page 2 before taking <strong>the</strong> quiz.<br />

• Take <strong>the</strong> on-line math placement exam<br />

This allows <strong>the</strong> University to place you into <strong>the</strong> course in<br />

which you will be most successful.<br />

• All LSA students, except transfers <strong>and</strong> those in <strong>the</strong><br />

Residential <strong>College</strong> <strong>and</strong> LSA Honors, must complete<br />

<strong>the</strong> online Directed Self-Placement (DSP) Essay <strong>and</strong><br />

Questions in C<strong>To</strong>ols at least five business days prior<br />

to <strong>the</strong>ir Orientation date. The DSP process consists <strong>of</strong><br />

(1) reading an article, (2) writing a 3-5 page double<br />

spaced essay (750-900 words) in response to that article,<br />

<strong>and</strong> (3) answering 10 follow-up questions about your writing<br />

experience. You will receive a course recommendation<br />

at Orientation based upon your responses to this task.<br />

• Browse through <strong>the</strong> entire LSA Course Guide<br />

(www.lsa.umich.edu/cg)<br />

Read <strong>the</strong> class descriptions <strong>and</strong> note <strong>the</strong> range <strong>and</strong> variety<br />

<strong>of</strong> courses available.<br />

• Make a list <strong>of</strong> courses that match your interests <strong>and</strong><br />

skills. In addition to course possibilities for <strong>the</strong> fall term,<br />

feel free to include courses for future terms. U-M has a<br />

rich curriculum, so think broadly.<br />

DURING ORIENTATION<br />

Your orientation will include <strong>the</strong> time to take <strong>the</strong> chemistry <strong>and</strong><br />

language placement exams before you meet with your advisor.<br />

Chemistry Placement<br />

The Chemistry Placement Exam will ei<strong>the</strong>r recommend that you<br />

start with CHEM 130 (General Chemistry) or CHEM 210 (Organic<br />

Chemistry). Your placement is determined not only by your Chemistry<br />

Exam score but also by your Math placement <strong>and</strong> your SAT or<br />

ACT Math scores. The majority <strong>of</strong> students are recommended for<br />

CHEM 130. Lecture Section 400 <strong>of</strong> CHEM 130 is a smaller lecture<br />

section with an extra hour <strong>of</strong> class designed for students who<br />

might benefit from additional instruction time.<br />

<strong>Welcome</strong> to <strong>Michigan</strong>!<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 1<br />

Credit is not granted for <strong>the</strong> Chemistry Placement Exam.<br />

LSA does not require that you take Chemistry.<br />

Note: CHEM 125/126 is <strong>the</strong> lab class that goes with CHEM 130. It<br />

is recommended but not required that <strong>the</strong>se general chemistry<br />

courses be taken toge<strong>the</strong>r. CHEM 211 is <strong>the</strong> lab course that goes<br />

with CHEM 210. You should enroll in both <strong>the</strong> lecture <strong>and</strong> <strong>the</strong> lab<br />

for Organic Chemistry.<br />

Math Placement<br />

The Math Placement Exam will ei<strong>the</strong>r recommend that you start<br />

with MATH 105 (Data, Functions, <strong>and</strong> Graphs) or a calculus class<br />

which is most <strong>of</strong>ten MATH 115 (Calculus 1). Your placement is determined<br />

not only by your Math Exam score but also by your SAT<br />

or ACT Math scores <strong>and</strong> your high school grade point average.<br />

MATH 105 is a preparatory class for U-M Calculus. You may be<br />

strongly recommended for MATH 105 or tentatively recommended.<br />

If you are recommended for MATH 105, your chances <strong>of</strong> success<br />

in Calculus without taking MATH 105 are poor. You may also be<br />

strongly recommended for MATH 115 or tentatively recommended.<br />

In all cases, a Math advisor will be available during Orientation for<br />

consultation. If you have AP credit for Calculus, you may want to<br />

consider taking Honors Math or a different course in <strong>the</strong> calculus<br />

series.<br />

Credit is not granted for <strong>the</strong> Math Placement Exam. LSA<br />

does not require that you take Math.<br />

Language Placement<br />

The following language placement exams are given during Orientation:<br />

French, Spanish, Italian, German, Latin, Hebrew, <strong>and</strong><br />

Russian. If you have previously studied any <strong>of</strong> <strong>the</strong>se languages,<br />

you should take <strong>the</strong> placement exam at Orientation. If you know a<br />

language o<strong>the</strong>r than <strong>the</strong>se, ask your advisor about taking a placement<br />

exam in <strong>the</strong> fall. The language placement exams will determine<br />

an appropriate level <strong>of</strong> language for your skill level. You must<br />

follow this placement unless you have permission from a language<br />

department to do o<strong>the</strong>rwise. It is possible to place past <strong>the</strong> fourth<br />

semester <strong>of</strong> language <strong>and</strong> thus place out <strong>of</strong> <strong>the</strong> LSA foreign language<br />

requirement.<br />

Please take this test seriously <strong>and</strong> make sure that you<br />

complete <strong>the</strong> entire test. Credit is not granted for <strong>the</strong> Language<br />

Placement Exam.<br />

AP Credit<br />

Students may receive credit for Advanced Placement exams <strong>the</strong>y<br />

complete in High School. Policies governing AP credits vary from<br />

department to department. In some cases, a score <strong>of</strong> 3 or better<br />

on <strong>the</strong> AP exam may be enough to receive credit. In o<strong>the</strong>r cases,<br />

a 4 or better is required on <strong>the</strong> exam. In still o<strong>the</strong>r cases students<br />

need to take an additional course or to meet with a concentration<br />

advisor in order to receive credit. As a result, it is essential that<br />

you discuss AP credits with your academic advisor at Orientation.<br />

If you have not had your AP scores sent to <strong>the</strong> U-M, go to <strong>the</strong><br />

<strong>College</strong> Board AP Exam Grades web site:<br />

www.collegeboard.com/student/testing/ap/exgrd_rep.html<br />

<strong>and</strong> click on “Send <strong>and</strong> View Scores,” or call (866) 756-7346.<br />

Your AP credit cannot count toward any LSA requirement<br />

o<strong>the</strong>r than <strong>the</strong> language requirement but <strong>the</strong>y can act as<br />

pre-requisites to some classes <strong>and</strong> concentrations<br />

For a tentative list <strong>of</strong> AP credits, go to <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong><br />

Office <strong>of</strong> <strong>the</strong> Undergraduate Admissions web site:<br />

www.admissions.umich.edu/admitted/freshmen/adv_credit/


2 / FIRST-YEAR COURSE GUIDE, FALL TERM 2011<br />

The undergraduate academic community, like all communities,<br />

functions best when its members treat one ano<strong>the</strong>r with honesty,<br />

fairness, respect, <strong>and</strong> trust. The <strong>College</strong> holds all members <strong>of</strong> its<br />

community to high st<strong>and</strong>ards <strong>of</strong> scholarship <strong>and</strong> integrity. <strong>To</strong> accomplish<br />

its mission <strong>of</strong> providing an optimal educational environment<br />

<strong>and</strong> developing leaders <strong>of</strong> society, <strong>the</strong> <strong>College</strong> promotes <strong>the</strong><br />

assumption <strong>of</strong> personal responsibility <strong>and</strong> integrity <strong>and</strong> prohibits all<br />

forms <strong>of</strong> academic dishonesty. Conduct that violates <strong>the</strong> academic<br />

integrity <strong>and</strong> ethical st<strong>and</strong>ards <strong>of</strong> <strong>the</strong> <strong>College</strong> community cannot<br />

be tolerated <strong>and</strong> will result in serious consequences <strong>and</strong> disciplinary<br />

action.<br />

Just as students rightly expect to learn in an atmosphere <strong>of</strong> integrity<br />

<strong>and</strong> mutual trust, so too faculty members are right to expect<br />

that all students who seek instruction <strong>and</strong> evaluation from <strong>the</strong>m<br />

will do so honestly. All members <strong>of</strong> <strong>the</strong> <strong>College</strong> community must<br />

take an active role in helping create <strong>and</strong> maintain a culture <strong>of</strong> integrity<br />

in LSA.<br />

An instructor has <strong>the</strong> responsibility to make clear what academic<br />

dishonesty is <strong>and</strong> to help her or his students underst<strong>and</strong> what<br />

uses may be made <strong>of</strong> <strong>the</strong> work <strong>of</strong> o<strong>the</strong>rs <strong>and</strong> under what conditions.<br />

A student is responsible for becoming familiar with <strong>the</strong> LSA<br />

Community St<strong>and</strong>ards <strong>of</strong> Integrity <strong>and</strong> for discovering <strong>the</strong> sort <strong>of</strong><br />

conduct which will be viewed as an attack upon <strong>the</strong> community’s<br />

values.<br />

Questions regarding alleged academic misconduct should be addressed<br />

to <strong>the</strong> LSA Assistant Dean for Student Academic Affairs,<br />

1213 Angell Hall. Frequently asked questions <strong>and</strong> answers, as well<br />

as procedures to be followed for resolving academic misconduct in<br />

LSA can be found at www.lsa.umich.edu/academicintegrity.<br />

EXAMPLES OF ACADEMIC MISCONDUCT<br />

Academic misconduct includes but is not limited to <strong>the</strong> following:<br />

Cheating<br />

Cheating is committing fraud <strong>and</strong>/or deception on a record, report,<br />

paper, computer assignment, examination or any o<strong>the</strong>r course requirement.<br />

Examples <strong>of</strong> cheating are:<br />

• Obtaining work or information from someone else <strong>and</strong> submitting<br />

it under one’s own name.<br />

• Using unauthorized notes, or study aids, or information from<br />

ano<strong>the</strong>r student or student’s paper on an examination.<br />

• Communicating answers with ano<strong>the</strong>r person during an exam.<br />

• Altering graded work after it has been returned, <strong>and</strong> <strong>the</strong>n<br />

submitting <strong>the</strong> work for re-grading.<br />

• Allowing ano<strong>the</strong>r person to do one’s work <strong>and</strong> submitting it<br />

under one’s own name.<br />

• Preprogramming a calculator to contain answers or o<strong>the</strong>r unauthorized<br />

information for exams.<br />

• Submitting substantially <strong>the</strong> same paper for two or more<br />

classes in <strong>the</strong> same or different terms without <strong>the</strong> expressed<br />

approval <strong>of</strong> each instructor.<br />

• Taking an exam for ano<strong>the</strong>r person or having someone take<br />

an exam for you.<br />

• Fabricating data which were not ga<strong>the</strong>red in accordance with<br />

<strong>the</strong> appropriate methods for collecting or generating data <strong>and</strong><br />

failing to include a substantially accurate account <strong>of</strong> <strong>the</strong><br />

method by which <strong>the</strong> data were ga<strong>the</strong>red or collected.<br />

Plagiarism<br />

Plagiarism is representing someone else’s ideas, words, statements<br />

or o<strong>the</strong>r works as one’s own without proper acknowledgment<br />

or citation. Examples <strong>of</strong> plagiarism include:<br />

Academic Integrity<br />

• Copying word for word or lifting phrases or a special term from<br />

a source or reference – whe<strong>the</strong>r oral, printed, or on <strong>the</strong> Internet<br />

– without proper attribution.<br />

• Paraphrasing, that is, using ano<strong>the</strong>r person’s written words or<br />

ideas, albeit in one’s own words, as if <strong>the</strong>y were one’s own<br />

thought.<br />

• Borrowing facts, statistics, or o<strong>the</strong>r illustrative material without<br />

proper reference, unless <strong>the</strong> information is common knowledge,<br />

in common public use.<br />

Unacceptable Collaboration<br />

Collaboration is unacceptable when a student works with ano<strong>the</strong>r<br />

or o<strong>the</strong>rs on a project, <strong>the</strong>n submits a written report which is represented<br />

explicitly or implicitly as <strong>the</strong> student’s own work. Using<br />

answers, solutions, or ideas that are <strong>the</strong> result <strong>of</strong> collaboration<br />

without citing <strong>the</strong> fact <strong>of</strong> collaboration is improper. Students also<br />

engage in unacceptable collaboration when <strong>the</strong>y expressly have<br />

been instructed to do <strong>the</strong>ir own work <strong>and</strong> have not been given<br />

prior approval by <strong>the</strong> instructor to collaborate.<br />

Falsification <strong>of</strong> Data, Records, <strong>and</strong> Official Documents<br />

• Fabrication <strong>of</strong> data<br />

• Altering documents affecting academic records<br />

• Misrepresentation <strong>of</strong> academic status<br />

• Forging a signature <strong>of</strong> authorization or falsifying information<br />

on an <strong>of</strong>ficial academic document, grade report, letter <strong>of</strong> recommendation/reference,<br />

letter <strong>of</strong> permission, petition, or any<br />

document (e.g., a Doctor’s excuse) designed to meet or exempt<br />

a student from an established class, <strong>College</strong> or University<br />

academic regulation.<br />

Aiding <strong>and</strong> Abetting Dishonesty<br />

Providing material or information to ano<strong>the</strong>r person with knowledge<br />

that <strong>the</strong>se materials or information will be used improperly.<br />

This includes both deliberate <strong>and</strong> inadvertent actions.<br />

Unauthorized or Malicious Interference/Tampering<br />

with Computer Property<br />

Unauthorized or malicious interference or tampering with computers<br />

is considered an academic <strong>of</strong>fense <strong>and</strong>, as such, is subject to<br />

<strong>College</strong> judicial sanction.<br />

Classroom Disturbances<br />

Classroom disturbances can also serve to create an unfair academic<br />

advantage for oneself or disadvantage for ano<strong>the</strong>r member<br />

<strong>of</strong> <strong>the</strong> academic community. Some examples <strong>of</strong> actions that may<br />

violate <strong>the</strong> LSA Community St<strong>and</strong>ards <strong>of</strong> Academic Integrity include:<br />

• Interference with <strong>the</strong> course <strong>of</strong> instruction or an exam to <strong>the</strong><br />

detriment <strong>of</strong> o<strong>the</strong>r students.<br />

• Disruption <strong>of</strong> classes or o<strong>the</strong>r academic activities in an attempt<br />

to stifle academic freedom <strong>of</strong> speech<br />

• Failure to comply with <strong>the</strong> instructions or directives.<br />

UNIVERSITY RESOURCES ON ACADEMIC INTEGRITY<br />

Academic Integrity in <strong>the</strong> Classroom: A Selected List <strong>of</strong> Resources<br />

for <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong><br />

www.lib.umich.edu/acadintegrity<br />

From <strong>the</strong> Office <strong>of</strong> <strong>the</strong> LSA Assistant Dean for Student Academic<br />

Affairs:<br />

Academic Judiciary Manual <strong>of</strong> Procedures<br />

www.lsa.umich.edu/academicintegrity<br />

The Department <strong>of</strong> English’s statement on Plagiarism:<br />

www.lsa.umich.edu/english/undergraduate/advising/plagNote.asp


THE DEGREES<br />

LSA grants four degrees:<br />

• Bachelor in General Studies (BGS)<br />

• Bachelor <strong>of</strong> <strong>Arts</strong> (AB)<br />

• Bachelor <strong>of</strong> <strong>Science</strong> (BS)<br />

• Bachelor <strong>of</strong> <strong>Science</strong> in Chemistry (BS–Chem)<br />

COMMON REQUIREMENTS FOR ALL LSA<br />

DEGREES<br />

CREDITS<br />

<strong>To</strong> graduate from LSA, you must:<br />

• Complete 120 credits <strong>and</strong><br />

• Earn a 2.0 cumulative grade point average.<br />

At least 100 <strong>of</strong> <strong>the</strong> 120 credits must be earned in LSA courses. LSA<br />

courses are:<br />

• Courses listed in <strong>the</strong> LSA Bulletin, or<br />

• Courses that transfer from ano<strong>the</strong>r school as LSA courses.<br />

You may count as many as 20 non-LSA credits – approved credits<br />

from o<strong>the</strong>r University <strong>of</strong> <strong>Michigan</strong> (Ann Arbor) units – toward your<br />

degree.<br />

Please note: many Kinesiology courses do not count toward an<br />

LSA degree. Check <strong>the</strong> LSA Bulletin.<br />

WRITING REQUIREMENTS<br />

All LSA students must fulfill <strong>the</strong>:<br />

• First-Year Writing Requirement <strong>and</strong><br />

• Upper-Level Writing Requirement.<br />

First-Year Writing Requirement (FYWR) – The goal <strong>of</strong> <strong>the</strong><br />

First Year Writing Requirement is to prepare students for <strong>the</strong> type<br />

<strong>of</strong> writing most <strong>of</strong>ten assigned <strong>and</strong> valued in University courses.<br />

The First-Year Writing Requirement should be completed in <strong>the</strong><br />

first year with a minimum grade <strong>of</strong> C– <strong>and</strong> must be satisfied before<br />

electing a course to satisfy <strong>the</strong> Upper-Level Writing Requirement.<br />

Advanced Placement (AP) credit is not equivalent to <strong>the</strong><br />

FYWR.<br />

• Students may take an approved four-credit First-Year Writing<br />

Requirement course in LSA; earning a C– or above fulfills <strong>the</strong><br />

First-Year Writing Requirement.<br />

• Students who seek a more individualized <strong>and</strong> gradual introduction<br />

to college writing may want to take WRITING 100:<br />

Transition to <strong>College</strong> Writing <strong>of</strong>fered by <strong>the</strong> Sweetl<strong>and</strong> Center<br />

for Writing before a First-Year Writing Requirement course.<br />

• International students who speak English as a second language<br />

may want to take ELI 120: Academic Writing for International<br />

Undergraduates before a First-Year Writing Requirement<br />

course.<br />

• Transfer students may be able to use an approved course<br />

from ano<strong>the</strong>r college (see<br />

www.lsa.umich.edu/sweetl<strong>and</strong>/writingrequirements/firstyear<br />

writingrequirement/transfercourses<br />

for a list <strong>of</strong> approved transfer courses).<br />

Upper-Level Writing Requirement (ULWR) – The goal <strong>of</strong> <strong>the</strong><br />

Upper-Level Writing Requirement is to teach students to recognize<br />

<strong>and</strong> master <strong>the</strong> writing conventions <strong>of</strong> <strong>the</strong>ir chosen concentration.<br />

Most students fulfill <strong>the</strong> Upper-Level Writing Requirement as<br />

juniors by taking an intensive writing course as part <strong>of</strong> <strong>the</strong>ir concentration<br />

program. <strong>To</strong> fulfill <strong>the</strong> ULWR, students must earn at<br />

Graduation Requirements<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 3<br />

least a C– in an approved ULWR course. The list <strong>of</strong> approved<br />

courses changes each term, <strong>and</strong> a course that meets <strong>the</strong> requirement<br />

one term will not necessarily satisfy it <strong>the</strong> next term. Students<br />

should check <strong>the</strong> LSA Course Guide each term for <strong>the</strong> list <strong>of</strong><br />

approved ULWR courses. Students must satisfy <strong>the</strong> First-Year<br />

Writing Requirement before electing one <strong>of</strong> <strong>the</strong> courses approved<br />

to satisfy <strong>the</strong> ULWR.<br />

QUANTITATIVE REASONING (QR)<br />

The emphasis <strong>of</strong> <strong>the</strong> Quantitative Reasoning Requirement is on<br />

critical thinking <strong>and</strong> on underst<strong>and</strong>ing <strong>and</strong> interpreting quantitative<br />

material. In courses that meet QR, you not only have to find <strong>the</strong><br />

correct answer for problems but also have to explain how you arrived<br />

at those answers.<br />

There are two ways you can meet <strong>the</strong> QR requirement:<br />

• Pass one course designated as QR/1, or<br />

• Pass two courses designated as QR/2.<br />

QR courses come from a wide range <strong>of</strong> disciplines, including<br />

chemistry, economics, ma<strong>the</strong>matics, philosophy, physics, statistics,<br />

<strong>and</strong> more.<br />

RACE AND ETHNICITY (R&E)<br />

At <strong>the</strong> U-M, you will encounter, in microcosm, <strong>the</strong> multicultural nature<br />

<strong>of</strong> <strong>the</strong> United States <strong>and</strong> <strong>the</strong> world. LSA’s R&E requirement,<br />

however, goes beyond asking you to appreciate cultural differences<br />

<strong>and</strong> has you consider how racism <strong>and</strong> ethnic intolerance<br />

have led to discrimination <strong>and</strong> inequality in <strong>the</strong> U.S. <strong>and</strong> in <strong>the</strong><br />

world.<br />

<strong>To</strong> meet <strong>the</strong> R&E requirement, you must receive credit for one <strong>of</strong><br />

<strong>the</strong> many designated (see <strong>the</strong> LSA Course Guide) R&E courses.<br />

Note: Typically, transfer credits do not fulfill ULWR, QR, or R&E,<br />

but if you take courses elsewhere that you feel might meet <strong>the</strong> intent<br />

<strong>of</strong> <strong>the</strong>se requirements, discuss <strong>the</strong>m with your LSA advisor. It<br />

is possible to petition to have transfer courses satisfy <strong>the</strong>se requirements.<br />

BACHELOR OF ARTS AND BACHELOR<br />

OF SCIENCE REQUIREMENTS<br />

Most LSA students earn ei<strong>the</strong>r a Bachelor <strong>of</strong> <strong>Arts</strong> (AB) or Bachelor<br />

<strong>of</strong> <strong>Science</strong> (BS) degree. The AB <strong>and</strong> BS are equivalent degrees,<br />

<strong>the</strong> only difference being that students who earn a BS complete at<br />

least 60 approved credits in Math <strong>and</strong> <strong>Science</strong>.<br />

LANGUAGE REQUIREMENT<br />

LSA’s language requirement seeks to prepare you for a world that<br />

has been pr<strong>of</strong>oundly transformed by <strong>the</strong> forces <strong>of</strong> globalization.<br />

Language shapes both how we underst<strong>and</strong> <strong>and</strong> how we negotiate<br />

our world; learning a second language provides both a deep<br />

awareness <strong>of</strong> differences (linguistic <strong>and</strong> cultural) <strong>and</strong> a means to<br />

bridge <strong>the</strong>m. Informed respect for o<strong>the</strong>r cultures, tolerance, cosmopolitanism,<br />

self-awareness, <strong>and</strong> flexibility are <strong>the</strong> hallmarks <strong>of</strong> a<br />

liberal education, <strong>and</strong> <strong>the</strong> study <strong>of</strong> foreign languages fosters precisely<br />

<strong>the</strong>se capacities.<br />

AB or BS students must demonstrate fourth-term pr<strong>of</strong>iciency in a<br />

second language <strong>and</strong> typically do so in one <strong>of</strong> four ways:<br />

1. Demonstrate pr<strong>of</strong>iciency on a pr<strong>of</strong>iciency/placement test.<br />

During Orientation, pr<strong>of</strong>iciency/placement tests are <strong>of</strong>fered in<br />

French, Italian, German, Russian, Spanish, <strong>and</strong> Latin. Placement<br />

but not pr<strong>of</strong>iciency tests are <strong>of</strong>fered for Hebrew during<br />

Orientation. Tests for o<strong>the</strong>r languages are arranged through<br />

<strong>the</strong> appropriate department <strong>of</strong>fice. On <strong>the</strong> basis <strong>of</strong> <strong>the</strong> test,


4 / FIRST-YEAR COURSE GUIDE, FALL TERM 2011<br />

students may meet <strong>the</strong> Language Requirement or are placed<br />

into a first, second, third, or fourth-term course.<br />

2. Pass a U-M fourth-term language course with at least a C–<br />

(fourth-term language courses used to meet <strong>the</strong> requirement<br />

may not be taken pass/fail).<br />

3. Pass a U-M language course that presumes fourth-term pr<strong>of</strong>iciency<br />

in a given language. There are some exceptions:<br />

check with your LSA advisor for specific course information.<br />

4. Receive transfer credit for a fourth-term language course or<br />

for a course that presumes fourth-term pr<strong>of</strong>iciency earned<br />

from AP courses.<br />

Students who have already studied a language <strong>and</strong> plan to take<br />

courses at <strong>the</strong> U-M in that language to meet <strong>the</strong> language requirement<br />

must take <strong>the</strong> pr<strong>of</strong>iciency/placement test.<br />

Note: Depending on your placement <strong>and</strong> how well you perform in<br />

your first language course, you might be eligible for retroactive<br />

credit in a language. Check with your advisor for details.<br />

CONCENTRATION<br />

The concentration (major) provides AB <strong>and</strong> BS students <strong>the</strong> opportunity<br />

to acquire in-depth knowledge in one academic discipline<br />

while developing <strong>and</strong> refining skills that will serve <strong>the</strong>m in a wide<br />

array <strong>of</strong> academic <strong>and</strong> non-academic endeavors.<br />

Concentration programs are approximately 30 credits although<br />

some require more, <strong>and</strong> most concentrations have one or more<br />

pre-requisite courses. Most students declare <strong>the</strong>ir concentrations<br />

in <strong>the</strong>ir sophomore year, but it’s not uncommon to change concentrations<br />

or even to have two concentrations <strong>and</strong> still graduate in<br />

four years. <strong>To</strong> graduate, you need to earn at least a 2.0 GPA in<br />

<strong>the</strong>ir concentration program(s).<br />

<strong>To</strong> declare a concentration, you meet with an LSA department<br />

concentration advisor. You also can develop your own Individual<br />

Concentration Program (ICP); for more details, check <strong>the</strong> LSA<br />

Bulletin.<br />

ACADEMIC MINORS<br />

Many LSA departments <strong>of</strong>fer academic minors: you are not required<br />

to have an academic minor, but many students find it useful<br />

to have a secondary focus <strong>of</strong> study. Check <strong>the</strong> LSA Bulletin for<br />

details.<br />

AREA DISTRIBUTION<br />

The Distribution Requirement adds intellectual breadth to <strong>the</strong> AB<br />

or BS degree <strong>and</strong> demonstrates that you have an ability to learn<br />

<strong>and</strong> think in a wide variety <strong>of</strong> ways.<br />

Distribution is a 30-credit requirement <strong>and</strong> has two parts. You<br />

need to complete at least seven credits in each <strong>of</strong> <strong>the</strong> following:<br />

• Natural <strong>Science</strong> (NS)<br />

• Humanities (HU)<br />

• Social <strong>Science</strong> (SS).<br />

In addition, you need to complete at least three credits in three <strong>of</strong><br />

<strong>the</strong> following:<br />

• Natural <strong>Science</strong><br />

• Humanities<br />

• Social <strong>Science</strong><br />

• Math <strong>and</strong> Symbolic Analysis (MSA)<br />

• Creative Expression (CE).<br />

Alternatively, you may fulfill up to nine <strong>of</strong> <strong>the</strong>se credits in Interdisciplinary<br />

(ID) studies.<br />

Some courses in <strong>the</strong> LSA Bulletin have a designation relating to<br />

<strong>the</strong> Distribution requirement. Those courses designated as HU, SS,<br />

NS, MSA, CE, or ID may count toward distribution. Courses without<br />

one <strong>of</strong> <strong>the</strong>se designations do not count toward Distribution,<br />

<strong>and</strong> no 400-level courses count toward distribution.<br />

See page 8 for a list <strong>of</strong> Fall 2011 distribution courses open to firstyear<br />

students.<br />

Please note: AP credits do not count toward Distribution,<br />

<strong>and</strong> courses from your concentration department or courses from<br />

o<strong>the</strong>r departments that are being used for your concentration program<br />

may not be used for Distribution.<br />

Transfer courses may be used in Distribution, but check with your<br />

advisor to determine which transfer credits can count toward<br />

which areas. Also, while non-LSA credit, generally, is not approved<br />

for Distribution, some courses from <strong>the</strong> School <strong>of</strong> Art & Design,<br />

<strong>the</strong> School <strong>of</strong> Music, Theatre & Dance, or <strong>the</strong> Taubman <strong>College</strong> <strong>of</strong><br />

Architecture + Urban Planning, can be used for Creative Expression.<br />

BACHELOR IN GENERAL STUDIES<br />

REQUIREMENTS<br />

The Bachelor in General Studies (BGS) is a flexible, interdisciplinary<br />

degree. Ra<strong>the</strong>r than meeting concentration requirements <strong>and</strong><br />

distribution, BGS students have <strong>the</strong> freedom <strong>and</strong> responsibility to<br />

shape <strong>the</strong>ir own liberal arts education.<br />

In addition to completing <strong>the</strong> Common Requirements for all LSA<br />

Degrees (FYWR, ULWR, R&E, QR), BGS students must do <strong>the</strong> following:<br />

• Complete 60 credits in courses numbered 300 or higher –<br />

no more than 20 <strong>of</strong> <strong>the</strong>se credits can be elected from any<br />

one department; <strong>and</strong><br />

• Earn at least a 2.0 GPA in <strong>the</strong>se credits.


You are responsible for all <strong>the</strong> LSA academic policies described in<br />

Chapter IV <strong>of</strong> <strong>the</strong> LSA Bulletin which you receive at Orientation.<br />

Make sure you read <strong>the</strong>se policies <strong>and</strong> ask your advisor any questions<br />

you have about <strong>the</strong>m.<br />

In <strong>the</strong> meantime, here are some <strong>of</strong> <strong>the</strong> policies most relevant to<br />

first-year students:<br />

A CAUTIONARY NOTE ON WAITLISTS<br />

Many but not all courses have electronic waitlists on<br />

wolverineaccess.umich.edu that begin once a course or section<br />

has filled with registered students. The waitlist exists to let <strong>the</strong><br />

faculty member know who <strong>and</strong> how many students have waitlisted<br />

a particular section or course. Talk to your academic advisor about<br />

how to h<strong>and</strong>le any waitlists that you include in your course election<br />

plan.<br />

The best advice, <strong>the</strong>n, is NOT to exit <strong>the</strong> registration system without<br />

a full schedule <strong>of</strong> interesting classes for <strong>the</strong> coming term. This<br />

is a prudent safeguard in case <strong>the</strong> you do not receive an override.<br />

If you hope to join a class, you should place yourself on <strong>the</strong> waitlist<br />

<strong>and</strong> should attend <strong>the</strong> first day <strong>of</strong> class.<br />

COURSE LOAD<br />

As long as you register for 12-18 credits (6-9 credits in a Spring or<br />

Summer term), you are a full-time student. Most students, however,<br />

take 13-16 credits, typically three to four courses. Students<br />

can’t take more than 18 credits without permission from an LSA<br />

advisor.<br />

Adding <strong>and</strong> Dropping Courses: Weeks 1-3<br />

Through <strong>the</strong> first three weeks <strong>of</strong> <strong>the</strong> term, you may drop or add<br />

courses via Wolverine Access.<br />

The regular Add/Drop Deadline is Monday, September 26, 2011.<br />

Note: While you can add courses through <strong>the</strong> first three weeks <strong>of</strong><br />

a term, make sure you talk with <strong>the</strong> instructor before you add a<br />

course after <strong>the</strong> first week. Many instructors have attendance policies,<br />

<strong>and</strong> if you add a course as late as <strong>the</strong> second or third week,<br />

you may already be in danger <strong>of</strong> failing <strong>the</strong> course.<br />

Adding Courses: Weeks 4-9<br />

In some instances, it is possible to add a course that you have<br />

been attending, even after <strong>the</strong> end <strong>of</strong> <strong>the</strong> third week. If you need<br />

to process <strong>the</strong> addition <strong>of</strong> a course this late in <strong>the</strong> term, talk to<br />

your academic advisor about <strong>the</strong> procedures.<br />

The Late Add Deadline is Friday, November 11, 2011.<br />

Dropping Courses: Weeks 4-9<br />

It is possible to drop a course that you have been attending between<br />

weeks 4 <strong>and</strong> 9 <strong>of</strong> <strong>the</strong> regular term. This flexibility is built<br />

into <strong>the</strong> system to accommodate unexpected changes in your circumstances.<br />

You will consult with your academic advisor should<br />

you need to consider this option.<br />

The Late Drop Deadline is Friday, November 11, 2011.<br />

Important Policies for New Students<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 5<br />

Adding <strong>and</strong> Dropping Courses: Weeks 10+<br />

After <strong>the</strong> ninth week <strong>of</strong> <strong>the</strong> term, late-drop requests are rarely approved<br />

<strong>and</strong>, <strong>the</strong>n, only on an exceptional basis.<br />

Note: You should be aware <strong>of</strong> <strong>the</strong> various deadline dates each<br />

term. These can be checked online at:<br />

www.lsa.umich.edu/students/st<strong>and</strong>ards/deadlinesforms<br />

PASS/FAIL AND CREDIT/NO CREDIT<br />

You are allowed to take up to 30 credits on a Pass/Fail or Credit/<br />

No Credit basis.<br />

Keep <strong>the</strong> following guidelines in mind regarding <strong>the</strong> Pass/Fail option:<br />

• No course that counts toward your concentration may be<br />

taken Pass/Fail.<br />

• The fourth term <strong>of</strong> your language requirement may not be<br />

taken Pass/Fail.<br />

• You have until <strong>the</strong> end <strong>of</strong> <strong>the</strong> third week <strong>of</strong> a full term to decide<br />

if you want to modify a class Pass/Fail. The Fall 2011<br />

deadline for Pass/Fail is Monday, September 26, 2011.<br />

• You must earn at least a “C–” to receive a Pass for a class.<br />

• Instructors do not know you are taking courses Pass/Fail unless<br />

you tell <strong>the</strong>m.<br />

• Pass/Fail grades do not count in your GPA.<br />

• You should NOT take pre-pr<strong>of</strong>essional requirements (pre-med<br />

or pre-business courses) Pass/Fail.<br />

POLICY ON CLASS ATTENDANCE<br />

A. It is critical that students attend classes from <strong>the</strong> beginning <strong>of</strong><br />

<strong>the</strong> term. Even though students may be registered <strong>of</strong>ficially for<br />

a course, departments may give away a student's place in a<br />

course if <strong>the</strong> student does not attend:<br />

• <strong>the</strong> first meeting <strong>of</strong> biology, chemistry, <strong>and</strong> physics laboratories<br />

• <strong>the</strong> first meeting <strong>of</strong> Sweetl<strong>and</strong> Center for Writing courses<br />

• ei<strong>the</strong>r <strong>of</strong> <strong>the</strong> first two meetings <strong>of</strong> ENGLISH courses<br />

• <strong>the</strong> first two meetings <strong>of</strong> HISTORY 396 <strong>and</strong> 397<br />

• any one <strong>of</strong> <strong>the</strong> first four meetings <strong>of</strong> language courses in <strong>the</strong><br />

Romance Languages department<br />

• <strong>the</strong> first two meetings <strong>of</strong> courses in o<strong>the</strong>r departments<br />

At <strong>the</strong> same time, departments are not obligated to withdraw<br />

students <strong>of</strong>ficially from <strong>the</strong> course, even though <strong>the</strong> student has<br />

been informed that his/her place in a course has been taken<br />

away. Students always are responsible for <strong>the</strong> accuracy <strong>of</strong> <strong>the</strong>ir<br />

own schedules.<br />

Students registered for a course that <strong>the</strong>y do not intend to keep<br />

should drop it so that <strong>the</strong> space is available for o<strong>the</strong>r students,<br />

<strong>and</strong> faculty will have an accurate course roster. In most instances,<br />

students are not automatically dropped from a class<br />

roster for non-attendance. Classes dropped after <strong>the</strong> drop deadline<br />

will result in a "W" on a student's transcript whe<strong>the</strong>r or not<br />

<strong>the</strong> student has attended.


6 / FIRST-YEAR COURSE GUIDE, FALL TERM 2011<br />

B. Students are expected to attend classes regularly. When <strong>the</strong> instructor<br />

considers <strong>the</strong> number <strong>of</strong> absences excessive, that is,<br />

when a student's absence from a course endangers that student's<br />

satisfactory academic progress, <strong>the</strong> instructor may send a<br />

written report on <strong>the</strong> case to <strong>the</strong> appropriate advising <strong>of</strong>fice.<br />

Concerted absence from any appointed duty by a class or by<br />

any number <strong>of</strong> students toge<strong>the</strong>r will be regarded as improper<br />

conduct, <strong>and</strong> those participating in such action shall be liable to<br />

disciplinary action.<br />

C. If a student will be away from class because <strong>of</strong> illness, <strong>the</strong> instructors<br />

should be informed as soon as possible. <strong>To</strong> help facilitate<br />

initial communication between students <strong>and</strong> instructors in<br />

<strong>the</strong> event <strong>of</strong> an illness, <strong>the</strong> <strong>College</strong> provides an Illness Reporting<br />

website at:<br />

https://wwwa1.lsa.umich.edu/UGAdvForms2/App/Illness/UFS_RptIll.aspx<br />

When a student submits a report <strong>of</strong> illness, <strong>the</strong> <strong>College</strong> will notify<br />

<strong>the</strong>ir instructors <strong>and</strong> advisors regarding <strong>the</strong> date <strong>the</strong>y began<br />

to miss classes. This notification does not constitute an excused<br />

absence. It is <strong>the</strong> <strong>College</strong>’s expectation that students, as soon<br />

as <strong>the</strong>y are able, will contact each <strong>of</strong> <strong>the</strong>ir instructors regarding<br />

options for making up missed work <strong>and</strong> possibly providing<br />

documentation <strong>of</strong> <strong>the</strong>ir absence, if required by individual instructors.<br />

Athletes<br />

Members <strong>of</strong> athletic teams must present to each instructor, prior<br />

to each absence caused by <strong>the</strong> membership on athletic teams, a<br />

written statement signed by <strong>the</strong> appropriate authority specifying<br />

<strong>the</strong> exact date <strong>of</strong> any such proposed absence.<br />

Within reason, a faculty member may provide appropriate accommodation<br />

to <strong>the</strong> student, providing such accommodation does not<br />

place unreasonable burden on <strong>the</strong> faculty member.


At <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong>, writing plays a critical role in students’<br />

thinking <strong>and</strong> learning, beginning with <strong>the</strong> first year <strong>and</strong> continuing<br />

into advanced writing in <strong>the</strong> disciplines. Students’ ability to<br />

write prose characterized by analytic complexity, clarity, appropriate<br />

organization <strong>and</strong> development <strong>of</strong> ideas, effective use <strong>of</strong> evidence,<br />

cogency, <strong>and</strong> rhetorical awareness is crucial to <strong>the</strong>ir success<br />

here at <strong>Michigan</strong>.<br />

The Sweetl<strong>and</strong> Center for Writing administers <strong>the</strong> First-Year Writing<br />

Requirement <strong>and</strong> <strong>the</strong> Upper-Level Writing Requirement.<br />

Courses from <strong>the</strong> 100 to <strong>the</strong> 400 level aim to enhance students’<br />

critical thinking <strong>and</strong> writing skills <strong>and</strong> prepare <strong>the</strong>m for writing<br />

both in <strong>the</strong>ir undergraduate years <strong>and</strong> in <strong>the</strong>ir future educational<br />

<strong>and</strong> pr<strong>of</strong>essional work.<br />

FIRST-YEAR WRITING REQUIREMENT<br />

The goal <strong>of</strong> <strong>the</strong> First-Year Writing Requirement (FYWR) is to prepare<br />

students for <strong>the</strong> type <strong>of</strong> writing most <strong>of</strong>ten assigned <strong>and</strong> valued<br />

in university classes. The First-Year Writing Requirement<br />

should be completed in <strong>the</strong> first year with a minimum grade <strong>of</strong> C–<br />

<strong>and</strong> must be satisfied before electing a course to satisfy <strong>the</strong> Upper-Level<br />

Writing Requirement. Advanced Placement (AP) credit is<br />

not equivalent to <strong>the</strong> FYWR.<br />

Overall learning goals for students are as follows:<br />

• produce complex, analytic, well-supported arguments that<br />

matter in academic contexts;<br />

• read, summarize, analyze, <strong>and</strong> syn<strong>the</strong>size complex texts purposefully<br />

in order to generate <strong>and</strong> support writing;<br />

• practice writing in a variety <strong>of</strong> genres <strong>and</strong> demonstrate an<br />

awareness <strong>of</strong> <strong>the</strong> strategies that writers use in different rhetorical<br />

situations;<br />

• develop flexible strategies for organizing, revising, editing,<br />

<strong>and</strong> pro<strong>of</strong>reading writing <strong>of</strong> varying lengths to improve development<br />

<strong>of</strong> ideas <strong>and</strong> appropriateness <strong>of</strong> expression; <strong>and</strong><br />

• collaborate with peers <strong>and</strong> <strong>the</strong> instructor to define revision<br />

strategies for particular pieces <strong>of</strong> writing, to set goals for improving<br />

writing, <strong>and</strong> to devise effective plans for achieving<br />

those goals.<br />

Ra<strong>the</strong>r than placing students in a specific course, <strong>the</strong> Sweetl<strong>and</strong><br />

Center for Writing invites students to participate in a Directed Self-<br />

Placement (DSP) process to select <strong>the</strong>ir first college writing course<br />

in consultation with <strong>the</strong>ir academic advisor. Prior to attending Orientation<br />

students complete an online reading <strong>and</strong> writing assignment,<br />

<strong>and</strong> answer questions about that experience <strong>and</strong> <strong>the</strong>ir previous<br />

experiences with writing. When meeting with <strong>the</strong>ir academic<br />

advisor during Orientation, students receive a course recommendation<br />

based upon <strong>the</strong>ir responses to <strong>the</strong> DSP Essay <strong>and</strong> Questions,<br />

look at <strong>the</strong>mselves as writers, discuss <strong>the</strong>ir course recommendation,<br />

<strong>and</strong> choose a writing course that will enable <strong>the</strong>m to<br />

become more pr<strong>of</strong>icient <strong>and</strong> confident in University-level academic<br />

writing. Students’ DSP Essays are sent to <strong>the</strong> instructor <strong>of</strong> <strong>the</strong>ir<br />

first writing course as an introduction to <strong>the</strong>ir writing <strong>and</strong> to help<br />

instructors work with students to identify strengths <strong>and</strong> areas for<br />

improvement.<br />

Students who seek a more individualized <strong>and</strong> gradual introduction<br />

to college writing, may want to take WRITING 100: Transition to<br />

<strong>College</strong> Writing <strong>of</strong>fered by <strong>the</strong> Sweetl<strong>and</strong> Center for Writing before<br />

a First-Year Writing Requirement course. This course provides intensive<br />

one-on-one feedback on writing assignments, as well as<br />

<strong>the</strong> creation <strong>of</strong> an electronic portfolio, which enables students to<br />

integrate technology into <strong>the</strong>ir learning <strong>and</strong> reflect upon <strong>the</strong>ir development<br />

as writers.<br />

International students who speak English as a second language<br />

may want to take ELI 120: Academic Writing for International<br />

Undergraduates <strong>of</strong>fered by <strong>the</strong> English Language Institute before<br />

a First-Year Writing Requirement course. This course helps<br />

Writing Requirements<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 7<br />

streng<strong>the</strong>n <strong>the</strong> writing skills <strong>of</strong> international undergraduates<br />

through critical reading <strong>and</strong> follow-up writing <strong>of</strong> text-types such as<br />

summary, critique <strong>and</strong> argument. ELI 120 can be taken at <strong>the</strong><br />

same time as WRITING 100 or prior to WRITING 100.<br />

Transfer students who have completed writing courses at ano<strong>the</strong>r<br />

college or university may be able to use those courses to satisfy<br />

<strong>the</strong> First-Year Writing Requirement. The list <strong>of</strong> currently approved<br />

<strong>and</strong> non-approved courses is available at:<br />

www.lsa.umich.edu/sweetl<strong>and</strong>/writingrequirements/firstyearwritin<br />

grequirement/transfercourses.<br />

First-Year Writing Requirement Courses <strong>of</strong>fered Fall Term<br />

2011:<br />

CLCIV 101. Classical Civilization I: The Ancient Greek World (in<br />

English) (14 sections, 4 restricted to students enrolled in <strong>the</strong><br />

<strong>College</strong> Honors Program)<br />

CLCIV 121. First-Year Seminar (1 section)<br />

COMPLIT 122. Writing World <strong>Literature</strong>s (7 sections)<br />

ENGLISH 124. <strong>College</strong> Writing: Writing <strong>and</strong> <strong>Literature</strong> (24 sections)<br />

ENGLISH 125. <strong>College</strong> Writing (103 sections)<br />

GTBOOKS 191. Great Books (24 sections, restricted to students<br />

enrolled in <strong>the</strong> <strong>College</strong> Honors Program)<br />

HISTORY 195. The Writing <strong>of</strong> History (5 sections)<br />

LHSP 125. <strong>College</strong> Writing (7 sections, restricted to students enrolled<br />

in <strong>the</strong> Lloyd Hall Scholars Program)<br />

RCCORE 100. First-Year Seminar (restricted to students enrolled<br />

in <strong>the</strong> Residential <strong>College</strong>)<br />

SLAVIC 151. First-Year Seminar (6 sections)<br />

UPPER-LEVEL WRITING REQUIREMENT<br />

The goal <strong>of</strong> <strong>the</strong> Upper-Level Writing Requirement is to teach students<br />

to recognize <strong>and</strong> master <strong>the</strong> writing conventions <strong>of</strong> <strong>the</strong>ir<br />

chosen concentration.<br />

Students must satisfy <strong>the</strong> First-Year Writing Requirement before<br />

electing one <strong>of</strong> <strong>the</strong> courses approved to satisfy <strong>the</strong> ULWR. A minimum<br />

course grade <strong>of</strong> C– is required in order to satisfy <strong>the</strong> ULWR.<br />

Over <strong>the</strong> course <strong>of</strong> <strong>the</strong> term, students will complete several writing<br />

assignments that are related to course content <strong>and</strong> intended to<br />

help students practice <strong>the</strong> rhetoric <strong>of</strong> <strong>the</strong>ir specific discipline. Possible<br />

assignments may include journals, research papers, critical<br />

analyses, <strong>and</strong>/or lab reports. Students will receive a great deal <strong>of</strong><br />

feedback on <strong>the</strong>ir writing from <strong>the</strong>ir ULWR instructor <strong>and</strong> are expected<br />

to revise much <strong>of</strong> <strong>the</strong>ir work throughout <strong>the</strong> term.<br />

Overall learning goals for students are as follows:<br />

• logically organize <strong>the</strong>ir thoughts into writing;<br />

• use clear <strong>and</strong> concise language;<br />

• analyze information masterfully;<br />

• incorporate appropriate evidence into <strong>the</strong>ir analyses; <strong>and</strong><br />

• underst<strong>and</strong> <strong>the</strong> central concepts, approaches, materials <strong>and</strong><br />

written conventions in <strong>the</strong>ir chosen concentration.<br />

The Sweetl<strong>and</strong> Center for Writing approves LSA departmental<br />

course <strong>of</strong>ferings that satisfy <strong>the</strong> ULWR. A list <strong>of</strong> approved ULWR<br />

courses for a particular academic term can be found through <strong>the</strong><br />

advanced search feature in <strong>the</strong> LSA Course Guide at:<br />

www.lsa.umich.edu/cg/.<br />

A course approved to meet <strong>the</strong> requirement one academic term is<br />

not necessarily approved to meet <strong>the</strong> requirement in subsequent<br />

terms.


8 / FIRST-YEAR COURSE GUIDE, FALL TERM 2011<br />

Below, you will find first-year Fall Term courses that may be used<br />

to meet <strong>the</strong> distribution requirements in <strong>the</strong> areas <strong>of</strong> humanities,<br />

social science, natural science, ma<strong>the</strong>matical <strong>and</strong> symbolic analysis,<br />

creative expression, <strong>and</strong> interdisciplinary. Courses which meet<br />

o<strong>the</strong>r college requirements are also indicated [e.g., Quantitative<br />

H u m a n i t i e s ( H U )<br />

Humanities courses focus on creations <strong>of</strong> <strong>the</strong> human mind as expressed,<br />

for example, in literature, religion, philosophy, music, <strong>and</strong><br />

<strong>the</strong> visual <strong>and</strong> performing arts. Its methods are analytical, critical,<br />

<strong>and</strong> speculative, <strong>and</strong> can <strong>of</strong>ten be contrasted with <strong>the</strong> quantitative<br />

<strong>and</strong> qualitative methods employed in <strong>the</strong> social sciences. Examples<br />

<strong>of</strong> humanistic study would include analysis <strong>of</strong> visual arts, literary<br />

forms, aes<strong>the</strong>tic values, <strong>and</strong> moral <strong>and</strong> ethical philosophies. Study<br />

in <strong>the</strong> humanities leads to a better underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong> human<br />

condition <strong>and</strong> what it means to be human. Such study fosters a<br />

deeper appreciation <strong>of</strong> one or more cultural areas by focusing<br />

close attention on exemplary practices or works <strong>and</strong> how <strong>the</strong>y fit<br />

within <strong>the</strong>ir larger context.<br />

First-Year Humanities Distribution Courses for<br />

Fall Academic Term 2011<br />

AAPTIS 100 / ACABS 100 / HISTORY 132 / HJCS 100. Peoples <strong>of</strong><br />

<strong>the</strong> Middle East. (4).<br />

AAPTIS 192. First Year Seminar in Arabic, Armenian, Persian,<br />

Turkish, <strong>and</strong> Islamic Studies. (3).<br />

AAPTIS 200 / ACABS 200 / HJCS 200 / RELIGION 201. Introduction<br />

to World Religions: Near Eastern. (4).<br />

AAPTIS 210 / AMCULT 215. Introduction to Arab-American Studies.<br />

(4).<br />

AAPTIS 274 / ARMENIAN 274. Armenia: Culture <strong>and</strong> Ethnicity. (3).<br />

AAPTIS 285 / HISTART 285. Visual Culture Islam. (4).<br />

AAS 104. First Year Humanities Seminar. (3).<br />

AAS 111. Introduction to Africa <strong>and</strong> Its Diaspora. (4).<br />

AAS 208 / HISTART 208. Introduction to African Art. (4).<br />

ACABS 100 / AAPTIS 100 / HISTORY 132 / HJCS 100. Peoples <strong>of</strong><br />

<strong>the</strong> Middle East. (4).<br />

ACABS 121 / RELIGION 121. Introduction to <strong>the</strong> Tanakh/Old Testament.<br />

(3).<br />

ACABS 200 / AAPTIS 200 / HJCS 200 / RELIGION 201. Introduction<br />

to World Religions: Near Eastern. (4).<br />

ACABS 221 / RELIGION 280. Jesus <strong>and</strong> <strong>the</strong> Gospels. (4).<br />

ACABS 270 / HJCS 270 / JUDAIC 270 / RELIGION 270. Introduction<br />

to Rabbinic <strong>Literature</strong>. (3).<br />

AMCULT 103. First Year Seminar in American Studies. (3).<br />

AMCULT 204. Themes in American Culture. (3).<br />

AMCULT 205. American Cultures. (3).<br />

AMCULT 209. History <strong>of</strong> American Popular Music. (3).<br />

AMCULT 211. Introduction to Ethnic Studies. (3).<br />

AMCULT 215 / AAPTIS 210. Introduction to Arab-American Studies.<br />

(4).<br />

AMCULT 217. Introduction to Native American Studies – Humanities.<br />

(3).<br />

AMCULT 219. Survey <strong>of</strong> American Folklore. (3).<br />

AMCULT 231. Visual & Material Culture Studies. (3 – 4).<br />

AMCULT 240 / WOMENSTD 240. Introduction to Women's Studies.<br />

(4).<br />

AMCULT 293 / WOMENSTD 293. 20th Century Writing by Women<br />

<strong>of</strong> Color. (3).<br />

ARMENIAN 274 / AAPTIS 274. Armenia: Culture <strong>and</strong> Ethnicity. (3).<br />

ARTDES 150. Art-Design Perspective I: Creators. (3).<br />

ASIAN 204 / HISTORY 204. East Asia: Early Transformations. (4).<br />

ASIAN 206 / HISTORY 206. Indian Civilization. (4).<br />

First-Year Area Distribution Courses<br />

Reasoning courses are indicated by a (QR/1) or (QR/2)]. These<br />

lists show you that your choices are many <strong>and</strong> that some <strong>of</strong> your<br />

choices exist in not so obvious places. Use <strong>the</strong>se lists, along with<br />

<strong>the</strong> descriptions in this Course Guide, to begin planning <strong>the</strong> academic<br />

program that best meets your individual needs.<br />

ASIAN 230 / PHIL 230 / RELIGION 230. Introduction to Buddhism.<br />

(4).<br />

ASIAN 251. Undergraduate Seminar in Chinese Culture. (3).<br />

ASIAN 254. Undergraduate Seminar in Korean Culture. (3).<br />

ASIAN 260 / HISTORY 252. Introduction to Chinese Civilization.<br />

(4).<br />

ASIAN 280. <strong>To</strong>pics in Asian Studies. (3).<br />

ASIAN 292 / HISTART 292. Introduction to Japanese Art <strong>and</strong> Culture.<br />

(4).<br />

CLARCH 221 / HISTART 221. Introduction to Greek Archaeology.<br />

(4).<br />

CLCIV 120. First-year Seminar in Classical Civilization (Humanities).<br />

(3).<br />

COMPLIT 140. First-Year Literary Seminar. (3).<br />

COMPLIT 240. Introduction to Comparative <strong>Literature</strong>. (3).<br />

COMPLIT 260. Europe <strong>and</strong> Its O<strong>the</strong>rs. (3).<br />

DUTCH 160. First Year Seminar: Colonialism <strong>and</strong> its Aftermath.<br />

(3).<br />

ENGLISH 140. First-Year Seminar on English Language <strong>and</strong> <strong>Literature</strong>.<br />

(3).<br />

ENGLISH 225. Academic Argumentation. (4).<br />

ENGLISH 245 / RCHUMS 280 / THTREMUS 211. Introduction to<br />

Drama <strong>and</strong> Theatre. (3).<br />

ENGLISH 267. Shakespeare <strong>and</strong> His World. (3).<br />

FRENCH 244. Issues in Race <strong>and</strong> Cultural Diversity in <strong>the</strong> Francophone<br />

World. (3).<br />

FRENCH 270. French <strong>and</strong> Francophone <strong>Literature</strong> <strong>and</strong> Culture. (3).<br />

FRENCH 274. French <strong>and</strong> Francophone Societies <strong>and</strong> Culture. (3).<br />

FRENCH 276. Spoken <strong>and</strong> Written Performance in French. (3).<br />

GERMAN 180. First Year Seminar. (3).<br />

GTBOOKS 191. Great Books. (4). (FYWR).<br />

HISTART 101. Great Monuments from <strong>the</strong> Stone Age to <strong>the</strong> Middle<br />

Ages. (4).<br />

HISTART 112. History <strong>of</strong> Photography. (4).<br />

HISTART 194. First Year Seminar. (3).<br />

HISTART 208 / AAS 208. Introduction to African Art. (4).<br />

HISTART 221 / CLARCH 221. Introduction to Greek Archaeology.<br />

(4).<br />

HISTART 255. Visual Mythology. (4).<br />

HISTART 271. Origins <strong>of</strong> Modernism: Art <strong>and</strong> Culture in Nineteenth<br />

Century France. (4).<br />

HISTART 285 / AAPTIS 285. Visual Culture Islam. (4).<br />

HISTART 292 / ASIAN 292. Introduction to Japanese Art <strong>and</strong> Culture.<br />

(4).<br />

HISTORY 132 / AAPTIS 100 / ACABS 100 / HJCS 100. Peoples <strong>of</strong><br />

<strong>the</strong> Middle East. (4).<br />

HISTORY 197. First-Year Seminar. (3).<br />

HISTORY 200. Ancient Greece to 323 B.C.E. (4).<br />

HISTORY 204 / ASIAN 204. East Asia: Early Transformations. (4).<br />

HISTORY 206 / ASIAN 206. Indian Civilization. (4).<br />

HISTORY 230. Humanities <strong>To</strong>pics in History. (3 – 4).<br />

HISTORY 250. China from <strong>the</strong> Oracle Bones to <strong>the</strong> Opium War.<br />

(3).<br />

HISTORY 252 / ASIAN 260. Introduction to Chinese Civilization.<br />

(4).


HISTORY 266. Twentieth-Century American Wars as Social <strong>and</strong><br />

Personal Experience. (4).<br />

HJCS 100 / AAPTIS 100 / ACABS 100 / HISTORY 132. Peoples <strong>of</strong><br />

<strong>the</strong> Middle East. (4).<br />

HJCS 192. First Year Seminar in Hebrew <strong>and</strong> Jewish Cultural Studies.<br />

(3).<br />

HJCS 200 / AAPTIS 200 / ACABS 200 / RELIGION 201. Introduction<br />

to World Religions: Near Eastern. (4).<br />

HJCS 270 / ACABS 270 / JUDAIC 270 / RELIGION 270. Introduction<br />

to Rabbinic <strong>Literature</strong>. (3).<br />

HJCS 276 / JUDAIC 205. Introduction to Jewish Civilizations <strong>and</strong><br />

Culture. (4).<br />

JUDAIC 150. First Year Seminar in Judaic Studies. (3).<br />

JUDAIC 205 / HJCS 276. Introduction to Jewish Civilizations <strong>and</strong><br />

Culture. (4).<br />

JUDAIC 218. Humanities <strong>To</strong>pics in Judaism. (1 – 4).<br />

JUDAIC 270 / ACABS 270 / HJCS 270 / RELIGION 270. Introduction<br />

to Rabbinic <strong>Literature</strong>. (3).<br />

LATIN 301. Intermediate Latin I. (3).<br />

LING 102. First Year Seminar (Humanities). (3).<br />

MUSICOL 123. Introduction to Popular Music. (3).<br />

MUSICOL 139. Intro to Mus. (2).<br />

MUSICOL 239. History <strong>of</strong> Music. (2).<br />

MUSICOL 345. History <strong>of</strong> Music. (3).<br />

PHIL 153. Philosophy <strong>and</strong> <strong>the</strong> <strong>Arts</strong>. (3).<br />

PHIL 155. The Nature <strong>of</strong> <strong>Science</strong>. (3).<br />

PHIL 158. Philosophy <strong>and</strong> Narrative. (3).<br />

PHIL 160. Moral Principles <strong>and</strong> Problems. (4).<br />

PHIL 181. Philosophical Issues: An Introduction. (3).<br />

PHIL 196. First Year Seminar. (3).<br />

PHIL 202. Introduction to Philosophy. (3).<br />

S o c i a l S c i e n c e ( S S )<br />

Social science courses focus on people <strong>and</strong> <strong>the</strong> institutions within<br />

which <strong>the</strong>y interact as individuals, <strong>and</strong> in groups, societies,<br />

nations, <strong>and</strong> states. Social scientists <strong>of</strong>ten use qualitative methods,<br />

such as ethnography, oral history, <strong>and</strong> descriptive analysis <strong>of</strong> archival<br />

materials <strong>and</strong> artifacts. They also use quantitative tools<br />

grounded in <strong>the</strong> scientific method to collect <strong>and</strong> analyze data, <strong>and</strong><br />

form testable hypo<strong>the</strong>ses about social phenomena. Examples <strong>of</strong><br />

quantitative social science would include survey research <strong>and</strong> economic<br />

modeling. <strong>To</strong>pics studied by social scientists include voting<br />

behavior, consumer preferences, academic achievement, <strong>and</strong><br />

population growth.<br />

The quantitative <strong>and</strong> qualitative methods employed in <strong>the</strong> social<br />

sciences can <strong>of</strong>ten be contrasted with <strong>the</strong> analytical, critical, <strong>and</strong><br />

speculative methods used in <strong>the</strong> humanities that focus on <strong>the</strong><br />

human condition as expressed, for example, in literature, religion,<br />

philosophy, <strong>and</strong> <strong>the</strong> visual <strong>and</strong> performing arts.<br />

First-Year Social <strong>Science</strong> Distribution Courses for<br />

Fall Academic Term 2011<br />

AAPTIS 244 / HISTORY 244 / HJCS 244 / JUDAIC 244 / MENAS<br />

244. The Arab-Jewish Conflict in <strong>the</strong> Middle East, c. 1880 to <strong>the</strong><br />

Present. (4).<br />

AAS 103. First Year Social <strong>Science</strong> Seminar. (3).<br />

AAS 246 / HISTORY 246. Africa to 1850. (4).<br />

AMCULT 100. Rethinking American Culture. (4).<br />

AMCULT 102. First Year Seminar in American Studies. (3).<br />

AMCULT 206. Themes in American Culture. (3).<br />

AMCULT 295 / WOMENSTD 295. Sexuality in Western Culture. (4).<br />

ANTHRARC 282. Introduction to Prehistoric Archaeology. (4).<br />

ANTHRCUL 101. Introduction to Anthropology. (4).<br />

ANTHRCUL 202. Ethnic Diversity in Japan. (4).<br />

ANTHRCUL 222. The Comparative Study <strong>of</strong> Cultures. (4).<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 9<br />

PHIL 230 / ASIAN 230 / RELIGION 230. Introduction to Buddhism.<br />

(4).<br />

PHIL 232. Problems <strong>of</strong> Philosophy. (4).<br />

PHIL 240. Environmental Ethics. (3).<br />

PHIL 297. Honors Introduction to Philosophy. (3).<br />

RCHUMS 236 / SAC 236. The Art <strong>of</strong> <strong>the</strong> Film. (4).<br />

RCHUMS 251. <strong>To</strong>pics in Music. (4).<br />

RCHUMS 280 / ENGLISH 245 / THTREMUS 211. Introduction to<br />

Drama <strong>and</strong> Theatre. (3).<br />

RCHUMS 291. The Experience <strong>of</strong> <strong>Arts</strong> <strong>and</strong> Ideas in <strong>the</strong> Nineteenth<br />

Century. (4).<br />

RELIGION 121 / ACABS 121. Introduction to <strong>the</strong> Tanakh/Old Testament.<br />

(3).<br />

RELIGION 201 / AAPTIS 200 / ACABS 200 / HJCS 200. Introduction<br />

to World Religions: Near Eastern. (4).<br />

RELIGION 230 / ASIAN 230 / PHIL 230. Introduction to Buddhism.<br />

(4).<br />

RELIGION 270 / ACABS 270 / HJCS 270 / JUDAIC 270. Introduction<br />

to Rabbinic <strong>Literature</strong>. (3).<br />

RELIGION 280 / ACABS 221. Jesus <strong>and</strong> <strong>the</strong> Gospels. (4).<br />

SAC 236 / RCHUMS 236. The Art <strong>of</strong> <strong>the</strong> Film. (4).<br />

SCAND 331. Introduction to Sc<strong>and</strong>inavian Civilization. (3).<br />

SLAVIC 225. <strong>Arts</strong> <strong>and</strong> Cultures <strong>of</strong> Central Europe. (3).<br />

THEORY 137. Intro Mus Theory. (3).<br />

THTREMUS 211 / ENGLISH 245 / RCHUMS 280. Introduction to<br />

Drama <strong>and</strong> Theatre. (3).<br />

UC 250. Sophomore Humanities Seminar. (3).<br />

WOMENSTD 240 / AMCULT 240. Introduction to Women's Studies.<br />

(4).<br />

WOMENSTD 293 / AMCULT 293. 20th Century Writing by Women<br />

<strong>of</strong> Color. (3).<br />

CICS 101 / GEOG 145 / UC 145. Introduction to International<br />

Studies. (3).<br />

COMM 101. The Mass Media. (4).<br />

COMM 102. Media Processes <strong>and</strong> Effects. (4).<br />

CSP 100. CSP Readings Seminar. (3).<br />

ECON 101. Principles <strong>of</strong> Economics I. (4). (QR/2).<br />

ECON 108. Introductory Microeconomics Workshop. (1).<br />

ENVIRON 222. Introduction to Environmental Justice. (3).<br />

GEOG 145 / CICS 101 / UC 145. Introduction to International<br />

Studies. (3).<br />

HISTORY 110 / MEMS 110. Medieval, Renaissance, <strong>and</strong> Reformation<br />

Europe. (4).<br />

HISTORY 196. First-Year Seminar. (3).<br />

HISTORY 210 / MEMS 210. Early Middle Ages, 300-1100. (4).<br />

HISTORY 220. Survey <strong>of</strong> British History to 1688. (3).<br />

HISTORY 241. America <strong>and</strong> Middle Eastern Wars. (4).<br />

HISTORY 244 / AAPTIS 244 / HJCS 244 / JUDAIC 244 / MENAS<br />

244. The Arab-Jewish Conflict in <strong>the</strong> Middle East, c. 1880 to <strong>the</strong><br />

Present. (4).<br />

HISTORY 246 / AAS 246. Africa to 1850. (4).<br />

HJCS 244 / AAPTIS 244 / HISTORY 244 / JUDAIC 244 / MENAS<br />

244. The Arab-Jewish Conflict in <strong>the</strong> Middle East, c. 1880 to <strong>the</strong><br />

Present. (4).<br />

JUDAIC 244 / AAPTIS 244 / HISTORY 244 / HJCS 244 / MENAS<br />

244. The Arab-Jewish Conflict in <strong>the</strong> Middle East, c. 1880 to <strong>the</strong><br />

Present. (4).<br />

LING 103. First Year Seminar (Social <strong>Science</strong>). (3).<br />

LING 111. Introduction to Language. (3).<br />

LING 210. Introduction to Linguistic Analysis. (4).<br />

MEMS 110 / HISTORY 110. Medieval, Renaissance, <strong>and</strong> Reformation<br />

Europe. (4).<br />

MEMS 210 / HISTORY 210. Early Middle Ages, 300-1100. (4).


10 / FIRST-YEAR COURSE GUIDE, FALL TERM 2011<br />

MENAS 244 / AAPTIS 244 / HISTORY 244 / HJCS 244 / JUDAIC<br />

244. The Arab-Jewish Conflict in <strong>the</strong> Middle East, c. 1880 to <strong>the</strong><br />

Present. (4).<br />

MODGREEK 214. Introduction to Modern Greek Culture. (3).<br />

NURS 220 / WOMENSTD 220. Perspectives in Women's Health.<br />

(3).<br />

POLSCI 101. Introduction to Political Theory. (4).<br />

POLSCI 111. Introduction to American Politics. (4).<br />

POLSCI 140. Introduction to Comparative Politics. (4).<br />

POLSCI 160. Introduction to World Politics. (4).<br />

PSYCH 111. Introduction to Psychology. (4).<br />

PSYCH 120. First-Year Seminar in Psychology as a Social <strong>Science</strong>.<br />

(3).<br />

SI 110 / SOC 110. Introduction to Information Studies. (4).<br />

N a t u r a l S c i e n c e ( N S )<br />

Natural science courses focus on underst<strong>and</strong>ing <strong>the</strong> natural world<br />

through application <strong>of</strong> <strong>the</strong> scientific method, which emphasizes<br />

observation, experimentation, formation <strong>of</strong> testable hypo<strong>the</strong>ses<br />

about natural phenomena, <strong>and</strong> testing <strong>of</strong> those hypo<strong>the</strong>ses.<br />

Courses do not have to emphasize all <strong>of</strong> <strong>the</strong>se areas to qualify. For<br />

example, descriptive astronomy courses (emphasizing <strong>the</strong> observational<br />

aspect <strong>and</strong> <strong>the</strong> conclusions that can be drawn from those<br />

observations), chemistry laboratory courses (emphasizing <strong>the</strong> experimental<br />

aspect), <strong>and</strong> <strong>the</strong>oretical physics courses (which lay <strong>the</strong><br />

groundwork for formation <strong>of</strong> testable hypo<strong>the</strong>ses about <strong>the</strong> physical<br />

universe) could all lie well within <strong>the</strong> realm <strong>of</strong> natural science<br />

courses.<br />

Courses that apply <strong>the</strong> scientific method to <strong>the</strong> underst<strong>and</strong>ing <strong>of</strong><br />

human behavior would generally not be considered natural science<br />

courses, but would fall within <strong>the</strong> realm <strong>of</strong> <strong>the</strong> social sciences.<br />

However, courses that seek knowledge about <strong>the</strong> biological underpinnings<br />

<strong>of</strong> certain aspects <strong>of</strong> human behavior could well be<br />

natural science courses. Some examples would include certain aspects<br />

<strong>of</strong> neuroscience, bio-psychology, <strong>and</strong> cognition. While <strong>the</strong>re<br />

have been many valuable ma<strong>the</strong>matical <strong>and</strong> statistical tools developed<br />

to support <strong>the</strong> natural sciences, courses that focus primarily<br />

on those tools ra<strong>the</strong>r than <strong>the</strong>ir application to <strong>the</strong> study <strong>of</strong> <strong>the</strong><br />

natural world would more likely fall within <strong>the</strong> realm <strong>of</strong> ma<strong>the</strong>matical<br />

<strong>and</strong> symbolic analysis courses.<br />

First-Year Natural <strong>Science</strong> Distribution Courses for<br />

Fall Academic Term 2011<br />

ANTHRBIO 161. Introduction to Biological Anthropology. (4). (BS).<br />

AOSS 101 / ASTRO 183. Rocket <strong>Science</strong>. (BS).<br />

AOSS 102 / ENVIRON 102 / GEOSCI 122. Extreme Wea<strong>the</strong>r. (3).<br />

(BS).<br />

AOSS 105 / CHEM 105 / ENSCEN 105 / ENVIRON 105. Our Changing<br />

Atmosphere. (3). (BS).<br />

AOSS 171 / BIOLOGY 110 / ENSCEN 171 / ENVIRON 110 /<br />

GEOSCI 171. Introduction <strong>of</strong> Global Change: Physical Processes.<br />

(4). (BS).<br />

ASTRO 101. Introductory Astronomy: The Solar System <strong>and</strong> <strong>the</strong><br />

Search for Life Beyond Earth. (4). (BS). (QR/2).<br />

ASTRO 102. Introductory Astronomy: Stars, Galaxies, <strong>and</strong> <strong>the</strong> Universe.<br />

(4). (BS). (QR/2).<br />

ASTRO 104. Alien Skies: A <strong>To</strong>ur Through <strong>the</strong> Universe. (3). (BS).<br />

(QR/2).<br />

ASTRO 127. Naked Eye Astronomy. (1). (BS).<br />

ASTRO 142. From <strong>the</strong> Big Bang to <strong>the</strong> Milky Way. (3). (BS).<br />

(QR/2).<br />

ASTRO 160. Introduction to Astrophysics. (4). (BS). (QR/1).<br />

ASTRO 183 / AOSS 101. Rocket <strong>Science</strong>. (BS).<br />

BIOLOGY 100. Biology for Nonscientists. (4). (BS).<br />

BIOLOGY 101 / ENVIRON 101. Energy, Food, <strong>and</strong> <strong>the</strong> Environment.<br />

(4). (BS).<br />

BIOLOGY 108. Introduction to Animal Diversity. (4). (BS).<br />

SOC 100. Introduction to Sociology. (4).<br />

SOC 102. Introduction to Sociology: Special <strong>To</strong>pics. (4).<br />

SOC 105. First Year Seminar in Sociology. (3).<br />

SOC 110 / SI 110. Introduction to Information Studies. (4).<br />

SOC 195. Honors Introduction to Sociology. (4).<br />

UC 145 / CICS 101 / GEOG 145. Introduction to International<br />

Studies. (3).<br />

UC 151. First-Year Social <strong>Science</strong> Seminar. (3).<br />

WOMENSTD 151. Social <strong>Science</strong> Seminars on Women <strong>and</strong> Gender.<br />

(3).<br />

WOMENSTD 220 / NURS 220. Perspectives in Women's Health.<br />

(3).<br />

WOMENSTD 270. Gender <strong>and</strong> <strong>the</strong> Law. (4).<br />

WOMENSTD 295 / AMCULT 295. Sexuality in Western Culture. (4).<br />

BIOLOGY 110 / AOSS 171 / ENSCEN 171 / ENVIRON 110 /<br />

GEOSCI 171. Introduction <strong>of</strong> Global Change: Physical Processes.<br />

(4). (BS).<br />

BIOLOGY 120. First Year Seminar in Biology. (3). (BS).<br />

BIOLOGY 130. Animal Behavior. (4). (BS).<br />

BIOLOGY 171. Introductory Biology: Ecology <strong>and</strong> Evolution. (4).<br />

(BS).<br />

BIOLOGY 172. Introductory Biology – Molecular, Cellular, <strong>and</strong> Developmental.<br />

(4). (BS).<br />

BIOLOGY 173. Introductory Biology Laboratory. (2). (BS).<br />

BIOPHYS 115. (In)organic Nutrition. (3). (BS).<br />

BIOPHYS 120. The Discovery <strong>of</strong> <strong>the</strong> DNA Double Helix <strong>and</strong> its Hidden<br />

Mysteries. (3). (BS).<br />

CHEM 105 / AOSS 105 / ENSCEN 105 / ENVIRON 105. Our Changing<br />

Atmosphere. (3). (BS).<br />

CHEM 120. First Year Seminar in Chemistry. (3). (BS).<br />

CHEM 125. General Chemistry Laboratory I. (1). (BS).<br />

CHEM 126. General Chemistry Laboratory II. (1). (BS).<br />

CHEM 130. General Chemistry: Macroscopic Investigations <strong>and</strong><br />

Reaction Principles. (3). (BS). (QR/2).<br />

CHEM 210. Structure <strong>and</strong> Reactivity I. (4). (BS).<br />

CHEM 211. Investigations in Chemistry. (1). (BS).<br />

ENSCEN 105 / AOSS 105 / CHEM 105 / ENVIRON 105. Our Changing<br />

Atmosphere. (3). (BS).<br />

ENSCEN 171 / AOSS 171 / BIOLOGY 110 / ENVIRON 110 /<br />

GEOSCI 171. Introduction <strong>of</strong> Global Change: Physical Processes.<br />

(4). (BS).<br />

ENVIRON 101 / BIOLOGY 101. Energy, Food, <strong>and</strong> <strong>the</strong> Environment.<br />

(4). (BS).<br />

ENVIRON 102 / AOSS 102 / GEOSCI 122. Extreme Wea<strong>the</strong>r. (3).<br />

(BS).<br />

ENVIRON 105 / AOSS 105 / CHEM 105 / ENSCEN 105. Our Changing<br />

Atmosphere. (3). (BS).<br />

ENVIRON 110 / AOSS 171 / BIOLOGY 110 / ENSCEN 171 /<br />

GEOSCI 171. Introduction <strong>of</strong> Global Change: Physical Processes.<br />

(4). (BS).<br />

ENVIRON 118 / GEOSCI 118. Introductory Geology Laboratory.<br />

(1). (BS).<br />

ENVIRON 119 / GEOSCI 119. Introductory Geology Lectures. (4).<br />

(BS).<br />

ENVIRON 120 / GEOSCI 120. Geology <strong>of</strong> National Parks <strong>and</strong><br />

Monuments. (4). (BS).<br />

ENVIRON 201. Ecological Issues. (4). (BS).<br />

ENVIRON 209 / GEOG 201 / GEOSCI 201. Introduction to Physical<br />

Geography: The Earth System. (4). (BS).<br />

ENVIRON 232 / GEOSCI 222. Introductory Oceanography. (3).<br />

(BS). (QR/2).<br />

ENVIRON 233 / GEOSCI 223. Introductory Oceanography, Laboratory.<br />

(1). (BS). (QR/2).<br />

GEOG 201 / ENVIRON 209 / GEOSCI 201. Introduction to Physical<br />

Geography: The Earth System. (4). (BS).<br />

GEOSCI 100. Coral Reefs. (1). (BS).<br />

GEOSCI 102. Energy from <strong>the</strong> Earth. (1). (BS).


GEOSCI 103. Dinosaurs <strong>and</strong> O<strong>the</strong>r Failures. (1). (BS).<br />

GEOSCI 105. Continents Adrift. (1). (BS).<br />

GEOSCI 108. When Earth Attacks: The <strong>Science</strong> Behind Natural<br />

Disasters. (1). (BS).<br />

GEOSCI 110. Evolving Oceans. (1). (BS).<br />

GEOSCI 113. Planets <strong>and</strong> Moons. (1). (BS).<br />

GEOSCI 114. Global Warming. (1). (BS).<br />

GEOSCI 118 / ENVIRON 118. Introductory Geology Laboratory.<br />

(1). (BS).<br />

GEOSCI 119 / ENVIRON 119. Introductory Geology Lectures. (4).<br />

(BS).<br />

GEOSCI 120 / ENVIRON 120. Geology <strong>of</strong> National Parks <strong>and</strong><br />

Monuments. (4). (BS).<br />

GEOSCI 122 / AOSS 102 / ENVIRON 102. Extreme Wea<strong>the</strong>r. (3).<br />

(BS).<br />

GEOSCI 146. Plate Tectonics. (3). (BS).<br />

GEOSCI 148. Seminar: Environmental Geology. (3). (BS).<br />

GEOSCI 151. The Ice Ages: Past <strong>and</strong> Present. (3). (BS).<br />

GEOSCI 154. Ocean Resources. (3). (BS).<br />

GEOSCI 156. Coral Reef Dynamics. (3). (BS).<br />

GEOSCI 171 / AOSS 171 / BIOLOGY 110 / ENSCEN 171 /<br />

ENVIRON 110. Introduction <strong>of</strong> Global Change: Physical Processes.<br />

(4). (BS).<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 11<br />

GEOSCI 201 / ENVIRON 209 / GEOG 201. Introduction to Physical<br />

Geography: The Earth System. (4). (BS).<br />

GEOSCI 205. How <strong>the</strong> Earth Works: The Dynamic Planet. (2).<br />

(BS).<br />

GEOSCI 222 / ENVIRON 232. Introductory Oceanography. (3).<br />

(BS). (QR/2).<br />

GEOSCI 223 / ENVIRON 233. Introductory Oceanography, Laboratory.<br />

(1). (BS). (QR/2).<br />

PHYSICS 106. Everyday Physics. (3). (BS).<br />

PHYSICS 112. Cosmology: The <strong>Science</strong> <strong>of</strong> <strong>the</strong> Universe. (3). (BS).<br />

PHYSICS 116. From Quarks to Cosmos. (3). (BS). (QR/1).<br />

PHYSICS 135. Physics for <strong>the</strong> Life <strong>Science</strong>s I. (4). (BS). (QR/1).<br />

PHYSICS 136. Physics for <strong>the</strong> Life <strong>Science</strong>s Laboratory I. (1). (BS).<br />

PHYSICS 140. General Physics I. (4). (BS). (QR/1).<br />

PHYSICS 141. Elementary Laboratory I. (1). (BS).<br />

PHYSICS 160. Honors Physics I. (4). (BS). (QR/1).<br />

PHYSICS 161. Honors Introductory Mechanics Lab. (1). (BS).<br />

PSYCH 112. Introduction to Psychology as a Natural <strong>Science</strong>. (4).<br />

(BS).<br />

PSYCH 121. First-Year Seminar in Psychology as a Natural <strong>Science</strong>.<br />

(3). (BS).<br />

UC 152. First-Year Natural <strong>Science</strong> Seminar. (3). (BS).<br />

UC 163. Biotechnology <strong>and</strong> Human Values. (4). (BS).<br />

M a t h e m a t i c a l a n d S y m b o l i c A n a l y s i s ( M S A )<br />

Ma<strong>the</strong>matical <strong>and</strong> Symbolic Analysis (MSA) courses focus primarily<br />

on <strong>the</strong> ma<strong>the</strong>matical <strong>and</strong> statistical tools used to support <strong>the</strong> study<br />

<strong>of</strong> natural <strong>and</strong> social sciences. Ra<strong>the</strong>r than ma<strong>the</strong>matical manipulation<br />

or computation, <strong>the</strong>se courses teach <strong>the</strong> methodology <strong>of</strong><br />

analyzing quantitative information to make decisions, judgments<br />

<strong>and</strong> predictions. This involves defining a problem by means <strong>of</strong><br />

numerical or geometrical representations <strong>of</strong> real-world phenomena,<br />

determining how to solve it, deducing consequences, formulating<br />

alternatives, <strong>and</strong> predicting outcomes. MSA courses are<br />

taught in a variety <strong>of</strong> subjects, including astronomy, biology,<br />

chemistry, economics, <strong>the</strong> environment, geological sciences, math,<br />

philosophy, physics, sociology, <strong>and</strong> statistics.<br />

First-Year Math & Symbolic Analysis Distribution Courses<br />

for Fall Academic Term 2011<br />

EECS 182 / SI 182. Building Applications for Information Environments.<br />

(4). (BS).<br />

EECS 183. Elementary Programming Concepts. (4). (BS).<br />

EECS 203. Discrete Math. (4). (BS).<br />

EECS 280. Programming <strong>and</strong> Introductory Data Structures. (4).<br />

(BS).<br />

MATH 105. Data, Functions, <strong>and</strong> Graphs. (4). (QR/1).<br />

C r e a t i v e E x p r e s s i o n ( C E )<br />

Creative Expression courses entail h<strong>and</strong>s-on activities that allow<br />

students to express <strong>the</strong>ir creativity through a wide range <strong>of</strong> arts.<br />

This differs from courses in <strong>the</strong> Humanities (HU) that are taught at<br />

a more <strong>the</strong>oretical or abstract level. For example, HU music<br />

courses focus on <strong>the</strong>ory without making sounds or practicing music.<br />

CE courses teach students how to apply <strong>the</strong> <strong>the</strong>ory not only on<br />

paper but through playing an instrument, creating sound, composing<br />

music, or arranging music. CE courses may address many different<br />

mediums, including <strong>the</strong> performing arts, fine arts, plastic<br />

<strong>and</strong> visual arts, architecture, ceramics, metalworking, paper <strong>and</strong><br />

textiles, woodworking, <strong>and</strong> glass.<br />

First-Year Creative Expression Distribution Courses for<br />

Fall Academic Term 2011<br />

COMP 221. Intro Elem Comp. (3).<br />

ENGLISH 223. Creative Writing. (3).<br />

MATH 115. Calculus I. (4). (BS). (QR/1).<br />

MATH 116. Calculus II. (4). (BS). (QR/1).<br />

MATH 147. Introduction to Interest Theory. (3). (BS).<br />

MATH 156. Applied Honors Calculus II. (4). (BS). (QR/1).<br />

MATH 175. An Introduction to Cryptology. (4). (BS). (QR/1).<br />

MATH 185. Honors Calculus I. (4). (BS). (QR/1).<br />

MATH 214. Linear Algebra <strong>and</strong> Differential Equations. (4). (BS).<br />

(QR/1).<br />

MATH 215. Calculus III. (4). (BS). (QR/1).<br />

MATH 216. Introduction to Differential Equations. (4). (BS).<br />

(QR/1).<br />

MATH 217. Linear Algebra. (4). (BS). (QR/1).<br />

MATH 285. Honors Calculus III. (4). (BS). (QR/1).<br />

MATH 295. Honors Ma<strong>the</strong>matics I. (4). (BS). (QR/1).<br />

PHIL 296. Honors Introduction to Logic. (3). (BS). (QR/1).<br />

SI 182 / EECS 182. Building Applications for Information Environments.<br />

(4). (BS).<br />

SOC 210. Elementary Statistics. (4). (BS). (QR/1).<br />

STATS 125. Games, Gambling <strong>and</strong> Coincidences. (3). (BS). (QR/1).<br />

STATS 250. Introduction to Statistics <strong>and</strong> Data Analysis. (4). (BS).<br />

(QR/1).<br />

LHSP 140. <strong>Arts</strong> <strong>and</strong> Humanities. (3).<br />

MUSTHTRE 235. Performance I. (3).<br />

MUSTHTRE 280. Prod Performance. (1 – 3).<br />

RCARTS 285. Photography. (4).<br />

RCARTS 286. Sculpture. (4).<br />

RCARTS 287. Printmaking. (4).<br />

RCARTS 288. Beginning Drawing. (4).<br />

RCARTS 289. Ceramics. (4).<br />

RCHUMS 250. Chamber Music. (1 – 2).<br />

RCHUMS 252. <strong>To</strong>pics in Musical Expression. (2 – 4).<br />

RCHUMS 253. Choral Ensemble. (1).<br />

RCHUMS 259. Musical Improvisation. (4).<br />

RCHUMS 282. Drama Interpretation I: Actor <strong>and</strong> Text. (4).<br />

THTREMUS 101. Introduction to Acting I. (3).


12 / FIRST-YEAR COURSE GUIDE, FALL TERM 2011<br />

Courses in Non-LSA Units <strong>of</strong>fering courses with Creative<br />

Expression designation (Credits are counted as Non-LSA)<br />

NOTE: This list is not term specific. Courses listed below may not<br />

be taught in <strong>the</strong> Fall 2011 Academic Term.<br />

Art & Design (ARTDES)<br />

110. Digital Studio I<br />

170. Drawing for Non-Majors<br />

171. Printmaking for Non-Majors<br />

172. Painting for Non-Majors<br />

173. Digital Photography for Non-Majors<br />

174. Watercolor for Non-Majors<br />

175. Life Drawing for Non-Majors<br />

176. Graphic Imaging for Non-Majors<br />

177. Metals for Non-Majors<br />

178. Animation for Non-Majors<br />

179. Sculpture for Non-Majors<br />

181. Clay for Non-Majors<br />

182. Wood for Non-Majors<br />

220. <strong>To</strong>ols, Materials & Processes Studio III: Time<br />

I n t e r d i s c i p l i n a r y ( I D )<br />

Interdisciplinary courses combine in roughly equal measure <strong>the</strong><br />

approaches within two or three <strong>of</strong> <strong>the</strong> primary distributions (HU,<br />

NS, <strong>and</strong> SS) in order to examine <strong>the</strong> differences <strong>and</strong> similarities<br />

between disciplines <strong>and</strong> explore alternative ways <strong>of</strong> discovering<br />

<strong>and</strong> organizing knowledge. Interdisciplinary work is primarily concerned<br />

with crossings <strong>and</strong> connections between areas <strong>of</strong> knowledge,<br />

inquiry, <strong>and</strong> method. ID courses emphasize critical thinking,<br />

team-based intellectual work, <strong>and</strong> <strong>the</strong> analytic skills characteristic<br />

<strong>of</strong> each discipline.<br />

230. Concept Form <strong>and</strong> Context Studio II<br />

231. Concept Form <strong>and</strong> Context Studio III<br />

Architecture (ARCH)<br />

201. Basic Drawing<br />

202. Graphic Communication<br />

218. Visual Studies<br />

Performance – Piano (PIANO)<br />

110. Performance<br />

111. Performance<br />

Dance (DANCE)<br />

100. Introduction to Dance<br />

261. Congolese Dance 1<br />

262. Congolese Dance 1<br />

Ensemble (ENS)<br />

All Courses 100-399<br />

Courses (100-399) in Music Performance SUBJECTS o<strong>the</strong>r than<br />

Piano Performance, may also be used for Creative Expression, but<br />

enrollment is restricted to students <strong>of</strong> advanced ability.<br />

First-Year Interdisciplinary Distribution Courses for<br />

Fall Academic Term 2011<br />

AMCULT 213. Introduction to Latina/o Studies. (4).<br />

AMCULT 214. Introduction to Asian/Pacific American Studies. (4).<br />

ENVIRON 139. First-Year Seminar in <strong>the</strong> Environment. (3).<br />

LING 209 / PSYCH 242. Language <strong>and</strong> Human Mind. (4).<br />

PSYCH 242 / LING 209. Language <strong>and</strong> Human Mind. (4).<br />

UC 105. Health <strong>Science</strong>s Scholars Program: Perspectives on Health<br />

<strong>and</strong> Health Care. (2).<br />

UC 154. First-Year Interdisciplinary Seminar. (3).


All students admitted to <strong>the</strong> <strong>College</strong> for <strong>the</strong> Fall Term <strong>of</strong> 1994 <strong>and</strong><br />

<strong>the</strong>reafter must meet <strong>the</strong> Quantitative Reasoning (QR) requirement.<br />

The goal <strong>of</strong> this requirement is to ensure that every graduate<br />

<strong>of</strong> <strong>the</strong> <strong>College</strong> achieves a certain level <strong>of</strong> pr<strong>of</strong>iciency in using<br />

<strong>and</strong> analyzing quantitative information. You may fulfill this requirement<br />

ei<strong>the</strong>r by:<br />

• successfully completing one course (<strong>of</strong> 3 credits or more) designated<br />

for full QR credit (QR/1); or<br />

• successfully completing two courses (at least one <strong>of</strong> which<br />

must be <strong>of</strong> 3 credits or more) designated for half QR credit<br />

(QR/2).<br />

QR courses may come from a wide range <strong>of</strong> disciplines representing<br />

<strong>the</strong> natural <strong>and</strong> social sciences, as well as some areas <strong>of</strong> <strong>the</strong><br />

humanities.<br />

Quantitative reasoning is first <strong>and</strong> foremost reasoning. It is not<br />

ma<strong>the</strong>matical manipulation or computation, but ra<strong>the</strong>r <strong>the</strong> methodology<br />

used to analyze quantitative information to make deci-<br />

Fall Academic Term 2011 First-Year QR Courses<br />

This list is subject to change without notice by <strong>the</strong> <strong>College</strong> <strong>of</strong> LSA<br />

Curriculum Committee.<br />

ASTRO 101. Introductory Astronomy: The Solar System <strong>and</strong> <strong>the</strong><br />

Search for Life Beyond Earth. (4). (NS). (BS). (QR/2).<br />

ASTRO 102. Introductory Astronomy: Stars, Galaxies, <strong>and</strong> <strong>the</strong> Universe.<br />

(4). (NS). (BS). (QR/2).<br />

ASTRO 104. Alien Skies: A <strong>To</strong>ur Through <strong>the</strong> Universe. (3). (NS).<br />

(BS). (QR/2).<br />

ASTRO 142. From <strong>the</strong> Big Bang to <strong>the</strong> Milky Way. (3). (NS). (BS).<br />

(QR/2).<br />

ASTRO 160. Introduction to Astrophysics. (4). (NS). (BS). (QR/1).<br />

CHEM 130. General Chemistry: Macroscopic Investigations <strong>and</strong><br />

Reaction Principles. (3). (NS). (BS). (QR/2).<br />

ECON 101. Principles <strong>of</strong> Economics I. (4). (SS). (QR/2).<br />

ENVIRON 232 / GEOSCI 222. Introductory Oceanography. (3).<br />

(NS). (BS). (QR/2).<br />

ENVIRON 233 / GEOSCI 223. Introductory Oceanography, Laboratory.<br />

(1). (NS). (BS). (QR/2).<br />

GEOSCI 222 / ENVIRON 232. Introductory Oceanography. (3).<br />

(NS). (BS). (QR/2).<br />

GEOSCI 223 / ENVIRON 233. Introductory Oceanography, Laboratory.<br />

(1). (NS). (BS). (QR/2).<br />

MATH 105. Data, Functions, <strong>and</strong> Graphs. (4). (MSA). (QR/1).<br />

MATH 115. Calculus I. (4). (MSA). (BS). (QR/1).<br />

Quantitative Reasoning Requirement<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 13<br />

sions, judgments, <strong>and</strong> predictions. It involves defining a problem<br />

by means <strong>of</strong> numerical or geometrical representations <strong>of</strong> realworld<br />

phenomena, determining how to solve it, deducing consequences,<br />

formulating alternatives, <strong>and</strong> predicting outcomes.<br />

Advanced Placement (AP) courses may not be used to satisfy <strong>the</strong><br />

Quantitative Reasoning requirement. Courses transferred from ano<strong>the</strong>r<br />

college or university do not generally carry QR credit, except<br />

in <strong>the</strong> following circumstances:<br />

1. QR is considered fulfilled for all science, math, <strong>and</strong> computer<br />

science concentrators who transfer in <strong>the</strong> prerequisites;<br />

2. Transfer credit <strong>of</strong> at least 3 credits for PHYSICS 125, 126,<br />

140, 240 <strong>and</strong> any statistics course receive (QR/1) credit.<br />

Courses used to satisfy <strong>the</strong> QR requirement may also serve to satisfy<br />

o<strong>the</strong>r <strong>College</strong> requirements; e.g., students who are working<br />

towards an A.B. or B.S. degree may elect a QR course that also<br />

counts toward meeting <strong>the</strong> Area Distribution, Concentration, or<br />

o<strong>the</strong>r <strong>College</strong> requirement.<br />

MATH 116. Calculus II. (4). (MSA). (BS). (QR/1).<br />

MATH 156. Applied Honors Calculus II. (4). (MSA). (BS). (QR/1).<br />

MATH 175. An Introduction to Cryptology. (4). (MSA). (BS).<br />

(QR/1).<br />

MATH 185. Honors Calculus I. (4). (MSA). (BS). (QR/1).<br />

MATH 214. Linear Algebra <strong>and</strong> Differential Equations. (4). (MSA).<br />

(BS). (QR/1).<br />

MATH 215. Calculus III. (4). (MSA). (BS). (QR/1).<br />

MATH 216. Introduction to Differential Equations. (4). (MSA).<br />

(BS). (QR/1).<br />

MATH 217. Linear Algebra. (4). (MSA). (BS). (QR/1).<br />

MATH 285. Honors Calculus III. (4). (MSA). (BS). (QR/1).<br />

MATH 295. Honors Ma<strong>the</strong>matics I. (4). (MSA). (BS). (QR/1).<br />

PHIL 296. Honors Introduction to Logic. (3). (MSA). (BS). (QR/1).<br />

PHYSICS 116. From Quarks to Cosmos. (3). (NS). (BS). (QR/1).<br />

PHYSICS 135. Physics for <strong>the</strong> Life <strong>Science</strong>s I. (4). (NS). (BS).<br />

(QR/1).<br />

PHYSICS 140. General Physics I. (4). (NS). (BS). (QR/1).<br />

PHYSICS 160. Honors Physics I. (4). (NS). (BS). (QR/1).<br />

SOC 210. Elementary Statistics. (4). (MSA). (BS). (QR/1).<br />

STATS 125. Games, Gambling <strong>and</strong> Coincidences. (3). (MSA). (BS).<br />

(QR/1).<br />

STATS 250. Introduction to Statistics <strong>and</strong> Data Analysis. (4).<br />

(MSA). (BS). (QR/1).


14 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

At <strong>the</strong> U-M, you will encounter, in microcosm, <strong>the</strong> multicultural nature<br />

<strong>of</strong> <strong>the</strong> United States <strong>and</strong> <strong>the</strong> world. LSA’s R&E requirement,<br />

however, goes beyond asking you to appreciate cultural differences<br />

<strong>and</strong> has you to study how racism <strong>and</strong> ethnic intolerance have led to<br />

discrimination <strong>and</strong> inequality in <strong>the</strong> U.S. <strong>and</strong> in societies across <strong>the</strong><br />

Fall Academic Term 2011 Race & Ethnicity List<br />

This list is subject to change by <strong>the</strong> <strong>College</strong> <strong>of</strong> LSA Curriculum<br />

Committee.<br />

AAPTIS 100 / ACABS 100 / HISTORY 132 / HJCS 100. Peoples <strong>of</strong><br />

<strong>the</strong> Middle East. (4). (HU).<br />

Section 001 – Issues in Race & Ethnicity<br />

Instructor: Michalowski, Piotr A<br />

AAPTIS 210 / AMCULT 215. Introduction to Arab-American Studies.<br />

(4). (HU).<br />

AAPTIS 244 / HISTORY 244 / HJCS 244 / JUDAIC 244 / MENAS<br />

244. The Arab-Jewish Conflict in <strong>the</strong> Middle East, c. 1880 to <strong>the</strong><br />

Present. (4). (SS).<br />

AAPTIS 274 / ARMENIAN 274. Armenia: Culture <strong>and</strong> Ethnicity. (3).<br />

(HU).<br />

Section 001 – Issues in Race & Ethnicity<br />

Instructor: Bardakjian, Kevork B<br />

AAPTIS 285 / HISTART 285. Visual Culture Islam. (4). (HU).<br />

AAS 111. Introduction to Africa <strong>and</strong> Its Diaspora. (4). (HU).<br />

ACABS 100 / AAPTIS 100 / HISTORY 132 / HJCS 100. Peoples <strong>of</strong><br />

<strong>the</strong> Middle East. (4). (HU).<br />

Section 001 – Issues in Race & Ethnicity<br />

Instructor: Michalowski, Piotr A<br />

AMCULT 100. Rethinking American Culture. (4). (SS).<br />

AMCULT 205. American Cultures. (3). (HU).<br />

Section 001 – Space, Story, <strong>and</strong> American Self<br />

Instructor: Zaborowska, Magdalena J<br />

Section 005 – Native American <strong>Literature</strong>: Great Lakes Ojibwe<br />

Tales<br />

Instructor: Noori, Margaret Ann<br />

AMCULT 213. Introduction to Latina/o Studies. (4). (ID).<br />

AMCULT 214. Introduction to Asian/Pacific American Studies. (4).<br />

(ID).<br />

AMCULT 215 / AAPTIS 210. Introduction to Arab-American Studies.<br />

(4). (HU).<br />

AMCULT 240 / WOMENSTD 240. Introduction to Women's Studies.<br />

(4). (HU).<br />

ANTHRCUL 101. Introduction to Anthropology. (4). (SS).<br />

ANTHRCUL 202. Ethnic Diversity in Japan. (4). (SS).<br />

Section 001 – Issues in Race & Ethnicity<br />

Instructor: Robertson, Jennifer E<br />

ARMENIAN 274 / AAPTIS 274. Armenia: Culture <strong>and</strong> Ethnicity. (3).<br />

(HU).<br />

Section 001 – Issues in Race & Ethnicity<br />

Instructor: Bardakjian, Kevork B<br />

ASIAN 204 / HISTORY 204. East Asia: Early Transformations. (4).<br />

(HU).<br />

ASIAN 260 / HISTORY 252. Introduction to Chinese Civilization. (4).<br />

(HU).<br />

Section 001 – Chinese Culture to <strong>the</strong> Mongols<br />

Instructor: Brown, Mir<strong>and</strong>a D<br />

DUTCH 160. First Year Seminar: Colonialism <strong>and</strong> its Aftermath. (3).<br />

(HU).<br />

Section 001 – Issues in Race & Ethnicity<br />

Instructor: Broos, <strong>To</strong>n J<br />

Race & Ethnicity Requirement<br />

world. <strong>To</strong> meet <strong>the</strong> R&E requirement, you must receive credit for<br />

one <strong>of</strong> <strong>the</strong> many designated (see <strong>the</strong> LSA Course Guide) R&E<br />

courses. Below is as list <strong>of</strong> courses that have been approved to meet<br />

<strong>the</strong> requirement in <strong>the</strong> Fall <strong>of</strong> 2011.<br />

EDUC 118. Introduction to Education: Schooling <strong>and</strong> Multicultural<br />

Society. (3).<br />

ENVIRON 222. Introduction to Environmental Justice. (3). (SS).<br />

Section 001 – Issues in Race & Ethnicity<br />

Instructor: Taylor, Dorceta E<br />

HISTART 285 / AAPTIS 285. Visual Culture Islam. (4). (HU).<br />

HISTORY 132 / AAPTIS 100 / ACABS 100 / HJCS 100. Peoples <strong>of</strong><br />

<strong>the</strong> Middle East. (4). (HU).<br />

Section 001 – Issues in Race & Ethnicity<br />

Instructor: Michalowski, Piotr A<br />

HISTORY 204 / ASIAN 204. East Asia: Early Transformations. (4).<br />

(HU).<br />

HISTORY 210 / MEMS 210. Early Middle Ages, 300-1100. (4). (SS).<br />

Section 001 – Issues in Race & Ethnicity<br />

Instructor: Squatriti, Paolo<br />

HISTORY 244 / AAPTIS 244 / HJCS 244 / JUDAIC 244 / MENAS<br />

244. The Arab-Jewish Conflict in <strong>the</strong> Middle East, c. 1880 to <strong>the</strong><br />

Present. (4). (SS).<br />

HISTORY 252 / ASIAN 260. Introduction to Chinese Civilization. (4).<br />

(HU).<br />

Section 001 – Chinese Culture to <strong>the</strong> Mongols<br />

Instructor: Brown, Mir<strong>and</strong>a D<br />

HJCS 100 / AAPTIS 100 / ACABS 100 / HISTORY 132. Peoples <strong>of</strong><br />

<strong>the</strong> Middle East. (4). (HU).<br />

Section 001 – Issues in Race & Ethnicity<br />

Instructor: Michalowski, Piotr A<br />

HJCS 244 / AAPTIS 244 / HISTORY 244 / JUDAIC 244 / MENAS<br />

244. The Arab-Jewish Conflict in <strong>the</strong> Middle East, c. 1880 to <strong>the</strong><br />

Present. (4). (SS).<br />

JUDAIC 244 / AAPTIS 244 / HISTORY 244 / HJCS 244 / MENAS<br />

244. The Arab-Jewish Conflict in <strong>the</strong> Middle East, c. 1880 to <strong>the</strong><br />

Present. (4). (SS).<br />

MEMS 210 / HISTORY 210. Early Middle Ages, 300-1100. (4). (SS).<br />

Section 001 – Issues in Race & Ethnicity<br />

Instructor: Squatriti, Paolo<br />

MENAS 244 / AAPTIS 244 / HISTORY 244 / HJCS 244 / JUDAIC<br />

244. The Arab-Jewish Conflict in <strong>the</strong> Middle East, c. 1880 to <strong>the</strong><br />

Present. (4). (SS).<br />

NURS 220 / WOMENSTD 220. Perspectives in Women's Health. (3).<br />

(SS).<br />

RCCORE 100. First Year Seminar. (4).<br />

Section 005 – Unteaching Racism<br />

Instructor: Fox, Helen<br />

SLAVIC 225. <strong>Arts</strong> <strong>and</strong> Cultures <strong>of</strong> Central Europe. (3). (HU).<br />

SOC 105. First Year Seminar in Sociology. (3). (SS).<br />

Section 002 – Transforming America: Immigrants Then <strong>and</strong> Now<br />

Instructor: Pedraza, Silvia<br />

WOMENSTD 220 / NURS 220. Perspectives in Women's Health. (3).<br />

(SS).<br />

WOMENSTD 240 / AMCULT 240. Introduction to Women's Studies.<br />

(4). (HU).


It is possible to study more that 65 languages at <strong>the</strong> University <strong>of</strong><br />

<strong>Michigan</strong>. The majority are unavailable at most o<strong>the</strong>r institutions:<br />

thus <strong>the</strong>y have come to be called <strong>the</strong> “less commonly taught languages.”<br />

This dazzling array <strong>of</strong> <strong>of</strong>ferings is one <strong>of</strong> <strong>the</strong> intellectual<br />

treasures <strong>of</strong> <strong>the</strong> University, <strong>and</strong> <strong>the</strong> core <strong>of</strong> <strong>Michigan</strong>’s longst<strong>and</strong>ing<br />

reputation as a leader in area studies. The range <strong>of</strong> <strong>of</strong>ferings available<br />

can be explored by viewing <strong>the</strong> links after each brief descrip-<br />

African Languages<br />

In addition to Swahili (see individual listing), <strong>the</strong> Department <strong>of</strong><br />

Afroamerican <strong>and</strong> African Studies <strong>of</strong>fers instruction in <strong>the</strong> language<br />

<strong>and</strong> culture <strong>of</strong> Akan, Bambara, Wol<strong>of</strong>, <strong>and</strong> Zulu. Arabic is <strong>of</strong>fered by<br />

<strong>the</strong> Department <strong>of</strong> Near Eastern Studies.<br />

• Akan, a major language <strong>of</strong> West Africa, is spoken by <strong>the</strong> Akan<br />

peoples <strong>of</strong> Ghana, <strong>and</strong> in <strong>the</strong> Ivory Coast. Instruction is given in<br />

both Akan language <strong>and</strong> culture.<br />

• Bambara is spoken in West Africa especially in Mali <strong>and</strong> Burkina<br />

Faso, Guinea-Conakry, Cote D’Ivoire <strong>and</strong> Senegal. Instruction is<br />

given in both Bambara language <strong>and</strong> culture.<br />

• Wol<strong>of</strong> is spoken in Senegal, Gambia, Mali, Mauritania, <strong>and</strong><br />

Guinea-Bissau. Instruction is given in both Wol<strong>of</strong> language <strong>and</strong><br />

culture.<br />

• Zulu is spoken in South Africa <strong>and</strong> <strong>the</strong> neighboring countries <strong>of</strong><br />

Zimbabwe, Malawi, Namibia, Mozambique, Swazil<strong>and</strong>, <strong>and</strong> Lesotho.<br />

Instruction is given in both Zulu language <strong>and</strong> culture.<br />

The Department <strong>of</strong> Afroamerican <strong>and</strong> African Studies:<br />

[ www.lsa.umich.edu/caas ]<br />

Arabic<br />

The Department <strong>of</strong> Near Eastern Studies <strong>of</strong>fers an impressive range<br />

<strong>of</strong> Arabic courses at all levels including Arabic for Academic, Communication,<br />

Business, <strong>and</strong> Islamic purposes. Its highly developed<br />

M.A. <strong>and</strong> Ph.D. graduate programs focus on <strong>the</strong> study <strong>of</strong> Arabic<br />

language, literature, <strong>and</strong> culture <strong>and</strong> <strong>the</strong> development <strong>of</strong> linguistic,<br />

literary <strong>and</strong> methodological skills necessary for scholarly research<br />

<strong>and</strong> classroom teaching.<br />

Arabic Program:<br />

[ www.umich.edu/~neareast/programs/arabic.html ]<br />

The Department <strong>of</strong> Near Eastern Studies:<br />

[ www.umich.edu/~neareast/ ]<br />

Armenian<br />

Classical Armenian is taught for research purposes <strong>and</strong> particular<br />

texts may be read for specific <strong>the</strong>mes <strong>and</strong> periods. Classical Armenian<br />

must be acquired in order to read Middle or Cilician Armenian<br />

texts. In classes in Modern Eastern (<strong>the</strong> state language <strong>of</strong> <strong>the</strong><br />

Republic <strong>of</strong> Armenia) <strong>and</strong> Modern Western Armenian (<strong>the</strong> language<br />

spoken in <strong>the</strong> Diaspora where, however, Eastern Armenian is also<br />

spoken by a very large number <strong>of</strong> immigrants from Armenia) reading,<br />

writing, speaking <strong>and</strong> listening are emphasized along with exposure<br />

to certain aspects <strong>of</strong> Armenian culture, old <strong>and</strong> new.<br />

Armenian Studies Program:<br />

[ www.ii.umich.edu/asp/ ]<br />

The Department <strong>of</strong> Near Eastern Studies:<br />

[ www.umich.edu/~neareast/ ]<br />

Bosnian/Croatian/Serbian<br />

Students are able to learn <strong>the</strong> different languages <strong>of</strong> <strong>the</strong> former<br />

Yugoslavia. In addition to learning both <strong>the</strong> Latin <strong>and</strong> Cyrillic writing<br />

systems, students are able to actively engage in cultural experiences<br />

<strong>and</strong> make more meaningful connections to <strong>the</strong> languages <strong>of</strong><br />

this region.<br />

Less Commonly Taught Languages<br />

at <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong><br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 15<br />

tion below. Intensive courses for several <strong>of</strong> <strong>the</strong>se languages are <strong>of</strong>fered<br />

by <strong>the</strong> Summer Language Institute. Study <strong>of</strong> <strong>the</strong>se languages<br />

provides <strong>the</strong> most intimate access to <strong>the</strong> many cultures <strong>of</strong> <strong>the</strong><br />

world, <strong>and</strong> is an ideal way to accomplish <strong>the</strong> most important goal <strong>of</strong><br />

<strong>the</strong> language requirement: learning to see <strong>the</strong> world with new eyes.<br />

Why not take advantage <strong>of</strong> this extraordinary resource by studying<br />

one <strong>of</strong> <strong>the</strong> following languages?<br />

The Department <strong>of</strong> Slavic Languages <strong>and</strong> <strong>Literature</strong>s:<br />

[ www.lsa.umich.edu/slavic/ ]<br />

Sou<strong>the</strong>ast European Studies at U-M:<br />

[ www.ii.umich.edu/crees/events/regionalprog/seeuropean ]<br />

Central Asian Languages<br />

Offered jointly by <strong>the</strong> Department <strong>of</strong> Near Eastern Studies <strong>and</strong> <strong>the</strong><br />

Department <strong>of</strong> Asian Languages <strong>and</strong> Cultures, instruction will be<br />

delivered via CIC by using distance learning from Indiana University.<br />

Students are provided with a basic knowledge <strong>of</strong> Central Asian<br />

languages – such as Uzbek, Kazakh, Uyghur, Pashto, or Tajik – as<br />

<strong>the</strong>y are spoken <strong>and</strong> written today, along with exposure to <strong>the</strong> associated<br />

culture <strong>of</strong> Central Asia. The spoken language <strong>of</strong> educated<br />

native speakers, as well as <strong>the</strong> contemporary literary language as<br />

reflected in newspapers <strong>and</strong> journals will be emphasized throughout.<br />

The Department <strong>of</strong> Near Eastern Studies:<br />

[ www.umich.edu/~neareast/ ]<br />

The Department <strong>of</strong> Asian Languages <strong>and</strong> Cultures:<br />

[ www.lsa.umich.edu/asian/ ]<br />

Czech<br />

How about trying Czech? Learning this less-commonly taught language<br />

has many rewards. You will never get lost in Prague! If you<br />

like humor, wit <strong>and</strong> irony, you will delight in reading Milan Kundera<br />

or Václav Havel; or if you find New Wave films intriguing, you will<br />

find those produced in <strong>the</strong> Czech Republic enlightening. There are<br />

many exciting opportunities available for speakers <strong>of</strong> Czech!<br />

Czech Program:<br />

[ www.lsa.umich.edu/slavic/undergrad/czech/ ]<br />

Czech <strong>and</strong> Slovak Studies at U-M:<br />

[ www.ii.umich.edu/crees/events/regionalprog/czechslovak ]<br />

The Department <strong>of</strong> Slavic Languages <strong>and</strong> <strong>Literature</strong>s:<br />

[ www.lsa.umich.edu/slavic/ ]<br />

Dutch<br />

Do Dutch, pr<strong>of</strong>it much! Close to German, Dutch is much easier <strong>and</strong><br />

<strong>the</strong> language closest to English. Over twenty million speak it<br />

worldwide, from <strong>the</strong> Ne<strong>the</strong>rl<strong>and</strong>s, Belgium <strong>and</strong> Suriname to <strong>the</strong><br />

Caribbean. Learn Dutch in small classes with an expert teacher, <strong>and</strong><br />

become a fellow speaker with Rembr<strong>and</strong>t, Vincent van Gogh, <strong>and</strong><br />

Anne Frank.<br />

Dutch <strong>and</strong> Flemish Studies:<br />

[ www.lsa.umich.edu/german/dutch/ ]<br />

The Department <strong>of</strong> Germanic Languages <strong>and</strong> <strong>Literature</strong>s:<br />

[ www.lsa.umich.edu/german/ ]<br />

Filipino<br />

Filipino is <strong>the</strong> language <strong>of</strong> more than 90% <strong>of</strong> Filipinos all over <strong>the</strong><br />

world; <strong>the</strong> cultural thread that keeps <strong>the</strong>m in touch with <strong>the</strong>ir roots<br />

<strong>and</strong> with each o<strong>the</strong>r. Filipino is based primarily on Tagalog, one <strong>of</strong><br />

<strong>the</strong> major ethnic languages, <strong>and</strong> is characterized by an openness to<br />

borrowings from o<strong>the</strong>r Philippine ethnic <strong>and</strong> foreign languages such


16 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

as Sanskrit, Arabic, Chinese, Spanish, Japanese, <strong>and</strong> English. The<br />

Roman alphabet is used in writing Filipino.<br />

Why Study Filipino?<br />

[ www.lsa.umich.edu/asian/language/sou<strong>the</strong>ast-asian ]<br />

The Department <strong>of</strong> Asian Languages <strong>and</strong> Cultures:<br />

[ www.lsa.umich.edu/asian/ ]<br />

Hebrew (Classical <strong>and</strong> Modern)<br />

The modern Hebrew program (Hebrew <strong>and</strong> Jewish Cultural Studies)<br />

educates students in modern Hebrew language <strong>and</strong> literature. Sections<br />

exist for heritage learners as well as beginners. In <strong>the</strong> Ancient<br />

Civilizations <strong>and</strong> Biblical Studies program, instruction is given in<br />

Classical Hebrew as well as <strong>the</strong> literature, history, <strong>and</strong> culture <strong>of</strong><br />

Ancient Israel <strong>and</strong> its neighbors.<br />

Why Study Hebrew?<br />

[ www.umich.edu/~hjcs/ ]<br />

Hebrew <strong>and</strong> Jewish Cultural Studies:<br />

[ www.umich.edu/~hjcs/ ]<br />

The Department <strong>of</strong> Near Eastern Studies:<br />

[ www.umich.edu/~neareast/ ]<br />

Hindi<br />

Hindi is an <strong>of</strong>ficial language <strong>of</strong> India. In Hindi courses, focus is on<br />

speaking, comprehending, reading, <strong>and</strong> writing <strong>the</strong> Devanagari<br />

(Hindi) script. In grammar <strong>and</strong> basic vocabulary, Urdu is very close<br />

to Hindi, but it is written in <strong>the</strong> Arabic script. <strong>To</strong>ge<strong>the</strong>r, Hindi <strong>and</strong><br />

Urdu are spoken by over 400 million people, making Hindi-Urdu <strong>the</strong><br />

language with <strong>the</strong> fifth largest number <strong>of</strong> speakers in <strong>the</strong> world.<br />

South Asian Language Study at U-M:<br />

[ www.lsa.umich.edu/asian/language/south-asian ]<br />

The Department <strong>of</strong> Asian Languages <strong>and</strong> Cultures:<br />

[ www.lsa.umich.edu/asian/ ]<br />

Indonesian<br />

Indonesian is <strong>the</strong> national language <strong>of</strong> Indonesia, <strong>the</strong> fourth most<br />

populous country in <strong>the</strong> world <strong>and</strong> a country that is noted for <strong>the</strong><br />

depth <strong>and</strong> diversity <strong>of</strong> its cultural traditions. With its 210 million<br />

speakers, Indonesian is <strong>the</strong> sixth most prevalently spoken <strong>of</strong> world<br />

languages. The syntactic <strong>and</strong> grammatical structures that characterize<br />

Indonesian make it an attractive <strong>and</strong> accessible Asian language<br />

for native speakers <strong>of</strong> English.<br />

Why Study Indonesian?<br />

[ www.lsa.umich.edu/asian/language/sou<strong>the</strong>ast-asian ]<br />

The Department <strong>of</strong> Asian Languages <strong>and</strong> Cultures:<br />

[ www.lsa.umich.edu/asian/ ]<br />

Kazak<br />

Elementary Kazak will be <strong>of</strong>fered at <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong> via<br />

videoconferencing with Indiana University, one <strong>of</strong> <strong>the</strong> nation’s leading<br />

centers for Central Asian studies. This innovative distance learning<br />

course affords U-M students <strong>the</strong> opportunity to begin study <strong>of</strong><br />

this important language <strong>of</strong> Central Asia, a region with a rich history<br />

that is expected to have considerable strategic importance in <strong>the</strong><br />

coming years.<br />

Why Kazak?<br />

[ www.indiana.edu/~ceus/_undergraduates/kazakh.shtml ]<br />

Central Asian Studies at U-M:<br />

[ www.ii.umich.edu/crees/events/regionalprog/centralasian ]<br />

The Department <strong>of</strong> Near Eastern Studies:<br />

[ www.umich.edu/~neareast/ ]<br />

Modern Greek<br />

Greek is spoken in a beautiful country blessed with mythical l<strong>and</strong>scapes,<br />

vibrant modern cities, <strong>and</strong> monuments from <strong>the</strong> classical,<br />

Byzantine, Ottoman, <strong>and</strong> modern eras – a favorite destination for<br />

adventurous souls. Greek is useful in Greece, Cyprus, <strong>and</strong> <strong>the</strong><br />

European Union, <strong>and</strong> even <strong>the</strong> U.S. as <strong>the</strong> language not just <strong>of</strong><br />

Greeks, but also <strong>of</strong> philosophy, architecture, ma<strong>the</strong>matics, biology,<br />

physics, <strong>and</strong> medicine: challenging fields <strong>of</strong> study that rely on<br />

Greek vocabulary <strong>and</strong> concepts.<br />

Why Study Modern Greek?<br />

[ www.lsa.umich.edu/modgreek/students/prospective ]<br />

Modern Greek Program:<br />

[ www.lsa.umich.edu/modgreek/ ]<br />

The Department <strong>of</strong> Classical Studies:<br />

[ www.lsa.umich.edu/classics ]<br />

Ojibwe<br />

This course serves as an introduction to <strong>the</strong> study <strong>of</strong> Ojibwe language<br />

<strong>and</strong> culture. The primary goal <strong>of</strong> this class is for each student<br />

to increase his or her knowledge about <strong>the</strong> Anishinaabe language<br />

<strong>and</strong> culture. This includes students who have no previous<br />

knowledge <strong>of</strong> <strong>the</strong> tribe as well as tribal members interested in<br />

learning more about <strong>the</strong>ir culture <strong>and</strong> language. Because Ojibwe is<br />

an endangered language, it is <strong>of</strong> utmost importance that we make<br />

sure <strong>the</strong> language is learned <strong>and</strong> used.<br />

There are three levels <strong>of</strong> Ojibwe language <strong>and</strong> culture at <strong>the</strong><br />

University <strong>of</strong> <strong>Michigan</strong>: Elementary, Intermediate, & Advanced.<br />

Each level has a first <strong>and</strong> second part that should be taken in sequence<br />

(i.e., Elementary Ojibwe – AMCULT 222 <strong>and</strong> 223).<br />

<strong>To</strong> find out more, visit:<br />

Ojibwe:<br />

[ www.umich.edu/~ojibwe/ ]<br />

Native American Studies:<br />

[ www.lsa.umich.edu/native/ ]<br />

The Program in American Culture:<br />

[ www.lsa.umich.edu/ac/ ]<br />

Persian<br />

The Department <strong>of</strong> Near Eastern Studies <strong>of</strong>fers Persian language<br />

courses on all levels. They are part <strong>of</strong> a well developed program on<br />

Persian <strong>and</strong> Iranian language, literature, <strong>and</strong> culture designed to<br />

develop linguistic, literary, <strong>and</strong> methodological skills for scholarly<br />

research. Following elementary <strong>and</strong> intermediate course work, advanced<br />

language <strong>and</strong> text courses include Modern Persian fiction<br />

<strong>and</strong> expository prose, with oral <strong>and</strong> written practice in Persian,<br />

Classical Persian prose <strong>and</strong> poetry, <strong>and</strong> Persianate history through<br />

political <strong>and</strong> cultural texts, as well as topical seminars.<br />

Persian Studies:<br />

[ www.umich.edu/~neareast/programs/persian.html ]<br />

The Department <strong>of</strong> Near Eastern Studies:<br />

[ www.umich.edu/~neareast/ ]<br />

Polish<br />

Whe<strong>the</strong>r you’re in Warsaw, N.Y. or London you’ll find someone<br />

who speaks Polish! Become part <strong>of</strong> <strong>the</strong> tradition <strong>of</strong> Copernicus,<br />

Chopin <strong>and</strong> Lech Wałęsa <strong>and</strong> learn to speak <strong>the</strong> language <strong>of</strong> one<br />

<strong>of</strong> <strong>the</strong> largest countries in Europe. In Pol<strong>and</strong>, you can hike in <strong>the</strong><br />

beautiful Tatra Mountains, sail on <strong>the</strong> Baltic Sea, visit historical<br />

Krakow or work for multinational companies in a thriving, emerging<br />

economy. Pol<strong>and</strong> has something for everyone!<br />

Polish Program:<br />

[ www.lsa.umich.edu/slavic/undergrad/polish/ ]<br />

Polish Studies at U-M:<br />

[ www.ii.umich.edu/crees/events/regionalprog/polish ]<br />

The Department <strong>of</strong> Slavic Languages <strong>and</strong> <strong>Literature</strong>s:<br />

[ www.lsa.umich.edu/slavic/ ]


Portuguese<br />

With over 200 million speakers, Portuguese is <strong>the</strong> seventh most<br />

widely spoken language in <strong>the</strong> world. It is <strong>the</strong> <strong>of</strong>ficial language <strong>of</strong><br />

seven countries in Europe, Africa, <strong>and</strong> South America <strong>and</strong> an un<strong>of</strong>ficial<br />

one in numerous linguistic isl<strong>and</strong>s in China <strong>and</strong> India. Why<br />

Portuguese? The astonishing richness <strong>of</strong> literature in Portuguese –<br />

everything from The Lusiads, <strong>the</strong> greatest epic poem <strong>of</strong> <strong>the</strong> European<br />

Renaissance, to <strong>the</strong> modern Brazilian novel.<br />

Why Study Portuguese?<br />

[ www.lsa.umich.edu/rll/langinstruct/whyportuguese.html ]<br />

The Department <strong>of</strong> Romance Languages <strong>and</strong> <strong>Literature</strong>s:<br />

[ www.lsa.umich.edu/rll/langinstruct/whyromance.html ]<br />

Punjabi<br />

Punjabi is spoken by eighty million people in South Asia <strong>and</strong> o<strong>the</strong>r<br />

British Commonwealth countries. It is <strong>the</strong> language <strong>of</strong> <strong>the</strong> sacred<br />

scriptures <strong>of</strong> <strong>the</strong> Sikhs, <strong>the</strong> <strong>of</strong>ficial language <strong>of</strong> <strong>the</strong> state <strong>of</strong> Punjab<br />

in India, <strong>and</strong> a language <strong>of</strong> mysticism <strong>and</strong> regional literature among<br />

Punjabi Muslims. The learning <strong>of</strong> Punjabi is important for an underst<strong>and</strong>ing<br />

<strong>of</strong> <strong>the</strong> cultures <strong>of</strong> South Asia.<br />

South Asian Language Study at U-M:<br />

[ www.lsa.umich.edu/asian/language/south-asian ]<br />

The Department <strong>of</strong> Asian Languages <strong>and</strong> Cultures:<br />

[ www.lsa.umich.edu/asian/ ]<br />

Quechua<br />

Quechua, <strong>the</strong> language <strong>of</strong> <strong>the</strong> Inkas, is spoken today by millions <strong>of</strong><br />

people in Bolivia, Peru, Ecuador, <strong>and</strong> Colombia. It has a written literature<br />

that goes back to <strong>the</strong> sixteenth century. Quechua is <strong>of</strong>fered<br />

as a regular course during <strong>the</strong> academic year at <strong>the</strong> University <strong>of</strong><br />

<strong>Michigan</strong> in Ann Arbor, <strong>and</strong> as an intensive summer course in<br />

Cuzco, Peru.<br />

Quechua Program:<br />

[ www.ii.umich.edu/lacs/academics/quechua ]<br />

The Program in Latin American <strong>and</strong> Caribbean Studies:<br />

[ www.ii.umich.edu/lacs/ ]<br />

Russian<br />

Russian is a beautiful language spoken by more than 150 million<br />

people who produce some <strong>of</strong> <strong>the</strong> best literature, music, <strong>the</strong>ater,<br />

<strong>and</strong> athletes. In <strong>the</strong> Slavic department you will study in smaller<br />

classes <strong>and</strong> in a community organized around tea-drinking <strong>and</strong> extra-curricular<br />

activities. You’ll experience <strong>the</strong> exhilarating satisfaction<br />

<strong>of</strong> mastering a less commonly learned language, something<br />

that truly makes you unique.<br />

Russian Program:<br />

[ www.lsa.umich.edu/slavic/undergrad/Russian ]<br />

The Department <strong>of</strong> Slavic Languages <strong>and</strong> <strong>Literature</strong>s:<br />

[ www.lsa.umich.edu/slavic/ ]<br />

Sanskrit<br />

Sanskrit – in its Vedic dialects – dates to about 1500 BCE, <strong>and</strong> was<br />

<strong>the</strong> language <strong>of</strong> high culture <strong>and</strong> learning in India until <strong>the</strong> coming<br />

<strong>of</strong> <strong>the</strong> British. Many <strong>of</strong> <strong>the</strong> classical texts <strong>of</strong> Hinduism <strong>and</strong> Buddhism<br />

were composed in Sanskrit. Beginning <strong>and</strong> Second Year Sanskrit<br />

are <strong>of</strong>fered in alternate years, <strong>and</strong> Readings in Sanskrit is <strong>of</strong>fered<br />

whenever <strong>the</strong>re are interested students.<br />

South Asian Language Study at U-M:<br />

[ www.lsa.umich.edu/asian/language/south-asian ]<br />

The Department <strong>of</strong> Asian Languages <strong>and</strong> Cultures:<br />

[ www.lsa.umich.edu/asian/ ]<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 17<br />

Swahili<br />

Over 50 million people in Africa speak Swahili. It is widely used in<br />

Kenya, Tanzania, <strong>and</strong> Ug<strong>and</strong>a. A little over one million people speak<br />

it as <strong>the</strong>ir first language. Most o<strong>the</strong>rs speak Swahili fluently as a<br />

second, third or fourth language. Prepare yourself for a career in<br />

government or work with an international Non Governmental<br />

Organization (NGO).<br />

The Center for Afroamerican <strong>and</strong> African Studies:<br />

[ www.lsa.umich.edu/caas ]<br />

Swedish<br />

Swedish is easy to learn, with simple grammar <strong>and</strong> many cognates,<br />

<strong>and</strong> our courses are small. Swedish opens <strong>the</strong> world <strong>of</strong> Norse mythology,<br />

Bergman, <strong>and</strong> Pippi Longstocking. Also Volvo, Pharmacia &<br />

Upjohn, Saab, <strong>and</strong> Ericsson. Students have <strong>the</strong> opportunity to study<br />

in Uppsala <strong>and</strong> experience Sc<strong>and</strong>inavia’s progressive social climate.<br />

Danish <strong>and</strong> Norwegian are very similar to Swedish, so you get three<br />

languages for <strong>the</strong> price <strong>of</strong> one!<br />

Sc<strong>and</strong>inavian Studies:<br />

[ www.lsa.umich.edu/german/Sc<strong>and</strong>inavian ]<br />

The Department <strong>of</strong> Germanic Languages <strong>and</strong> <strong>Literature</strong>s:<br />

[ www.lsa.umich.edu/german/ ]<br />

Tamil<br />

Tamil is one <strong>of</strong> <strong>the</strong> two classical languages <strong>of</strong> India. It has a rich<br />

grammatical <strong>and</strong> literary heritage dating back to Third Century B.C.<br />

Tamil is spoken in sou<strong>the</strong>rn India <strong>and</strong> in Sri Lanka, Malaysia, Singapore,<br />

Mauritius, South Africa, <strong>and</strong> Fiji, with a total <strong>of</strong> more than 65<br />

million speakers. The study <strong>of</strong> Tamil language <strong>and</strong> literature serves<br />

as a gateway to Dravidian languages, society, history, culture, philosophy,<br />

arts, <strong>and</strong> religion.<br />

South Asian Language Study at U-M:<br />

[ www.lsa.umich.edu/asian/language/south-asian ]<br />

The Department <strong>of</strong> Asian Languages <strong>and</strong> Cultures:<br />

[ www.lsa.umich.edu/asian/ ]<br />

Thai<br />

Studying Thai provides <strong>the</strong> opportunity for students to master a<br />

beautiful language <strong>and</strong> learn about <strong>the</strong> culture <strong>of</strong> 70 million people.<br />

Students learn <strong>the</strong> unique <strong>and</strong> artistic alphabetical systems from<br />

<strong>the</strong> first day <strong>of</strong> class <strong>and</strong> are able to read, speak, <strong>and</strong> write about<br />

everyday things in less than one semester. When you speak Thai<br />

<strong>the</strong> food tastes better, <strong>the</strong> prices are cheaper, <strong>and</strong> <strong>the</strong> experience<br />

is much more memorable.<br />

Why Study Thai?<br />

[ www.lsa.umich.edu/asian/language/sou<strong>the</strong>ast-asian ]<br />

The Department <strong>of</strong> Asian Languages <strong>and</strong> Cultures:<br />

[ www.lsa.umich.edu/asian/ ]<br />

Tibetan<br />

Tibetan is <strong>the</strong> language <strong>of</strong> six million Tibetan people, living at<br />

10,000 feet on <strong>the</strong> Tibetan plateau, north <strong>of</strong> <strong>the</strong> Himalayan range.<br />

It is also <strong>the</strong> language <strong>of</strong> Tibetan Buddhism, which spreads from<br />

<strong>the</strong> Caspian Sea in <strong>the</strong> west to Mount Wu Tai in China in <strong>the</strong> east,<br />

from Mongolia in <strong>the</strong> north to Nepal in <strong>the</strong> south. The Tibetan language<br />

is a vast repository <strong>of</strong> Buddhist thought <strong>and</strong> practice.<br />

Why Study Tibetan?<br />

[ www.lsa.umich.edu/asian/language/south-asian ]<br />

The Department <strong>of</strong> Asian Languages <strong>and</strong> Cultures:<br />

[ www.lsa.umich.edu/asian/ ]


18 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

Turkish<br />

Turkish is perhaps one <strong>of</strong> <strong>the</strong> easiest languages in <strong>the</strong> Middle East<br />

to learn. This, partly because <strong>of</strong> its use <strong>of</strong> <strong>the</strong> Latin alphabet, <strong>and</strong><br />

partly because <strong>of</strong> its phonetic nature. It is <strong>the</strong> language <strong>of</strong> <strong>the</strong> culture<br />

that inherited <strong>the</strong> Ottoman Empire which survived over 600<br />

years. Turkish, as an Altaic language, can easily open <strong>the</strong> path for<br />

o<strong>the</strong>r similar Altaic languages, some being specified as Turkic, spoken<br />

in some <strong>of</strong> <strong>the</strong> former Soviet States, today’s republics <strong>of</strong><br />

Central Asia. The Turkish language can facilitate <strong>the</strong> outreach not<br />

only <strong>of</strong> <strong>the</strong> literature <strong>and</strong> history <strong>of</strong> <strong>the</strong> Ottomans but also <strong>the</strong> discovery<br />

<strong>of</strong> an actual big market <strong>of</strong> business partly due to its growing<br />

industry.<br />

Turkish Studies at U-M:<br />

[ www.umich.edu/~turkish/ ]<br />

The Department <strong>of</strong> Near Eastern Studies:<br />

[ www.umich.edu/~neareast/ ]<br />

Ukrainian<br />

Learn Ukrainian! One <strong>of</strong> <strong>the</strong> most musical languages in <strong>the</strong> world!<br />

The language <strong>of</strong> <strong>the</strong> second-largest country in Europe! Discover a<br />

1,000-year-old culture. You will enjoy <strong>the</strong> beauty <strong>of</strong> <strong>the</strong> Ukrainian<br />

language as much as you’ll enjoy <strong>the</strong> sparkling colors on Ukrainian<br />

embroidery <strong>and</strong> Easter eggs.<br />

The Department <strong>of</strong> Slavic Languages <strong>and</strong> <strong>Literature</strong>s:<br />

[ www.lsa.umich.edu/slavic/ ]<br />

Urdu<br />

Urdu is an <strong>of</strong>ficial language <strong>of</strong> Pakistan <strong>and</strong> one <strong>of</strong> <strong>the</strong> languages <strong>of</strong><br />

India. In grammar <strong>and</strong> basic vocabulary, it is very close to Hindi,<br />

but it is written in <strong>the</strong> Arabic script. <strong>To</strong>ge<strong>the</strong>r, Hindi <strong>and</strong> Urdu are<br />

spoken by over 400 million people, making Hindi- Urdu <strong>the</strong> language<br />

with <strong>the</strong> fifth largest number <strong>of</strong> speakers in <strong>the</strong> world.<br />

Learning <strong>the</strong> Arabic script helps one to learn Persian <strong>and</strong> Arabic <strong>and</strong><br />

<strong>of</strong>fers access to <strong>the</strong> wonders <strong>of</strong> Urdu literature.<br />

South Asian Language Study at U-M:<br />

[ www.lsa.umich.edu/asian/language/south-asian ]<br />

The Department <strong>of</strong> Asian Languages <strong>and</strong> Cultures:<br />

[ www.lsa.umich.edu/asian/ ]<br />

Uzbek<br />

Elementary Uzbek will be <strong>of</strong>fered at <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong> via<br />

videoconferencing with Indiana University, one <strong>of</strong> <strong>the</strong> nation’s leading<br />

centers for Central Asian studies. This innovative distance learning<br />

course affords U-M students <strong>the</strong> opportunity to begin study <strong>of</strong><br />

this important language <strong>of</strong> Central Asia, a region with a rich history<br />

that is expected to have considerable strategic importance in <strong>the</strong><br />

coming years.<br />

Why Uzbek?<br />

[ www.indiana.edu/~ceus/_undergraduates/uzbek.shtml ]<br />

Central Asian Studies at U-M:<br />

[ www.ii.umich.edu/crees/events/regionalprog/centralasian ]<br />

The Department <strong>of</strong> Near Eastern Studies:<br />

[ www.umich.edu/~neareast/ ]<br />

Vietnamese<br />

Vietnamese is <strong>the</strong> language <strong>of</strong> modern Vietnam, a country <strong>of</strong> about<br />

80 million speakers. With <strong>the</strong> lifting <strong>of</strong> <strong>the</strong> trade embargo <strong>and</strong> normalization<br />

<strong>of</strong> U.S.-Vietnamese relations, Vietnam is open to <strong>the</strong> free<br />

world market <strong>and</strong> <strong>of</strong>fering good job opportunities to those who<br />

have a knowledge <strong>of</strong> its language <strong>and</strong> culture. Elementary<br />

Vietnamese provides a basic introduction to Vietnamese pronunciation,<br />

vocabulary <strong>and</strong> grammar, with <strong>the</strong> emphasis placed on developing<br />

conversational skills on practical situations encountered in a<br />

Vietnamese environment. At <strong>the</strong> end <strong>of</strong> <strong>the</strong> first year, <strong>the</strong> students<br />

should be able to h<strong>and</strong>le simple conversations in everyday topics<br />

<strong>and</strong> to read <strong>and</strong> write simple Vietnamese.<br />

Why Study Vietnamese?<br />

[ www.lsa.umich.edu/asian/language/sou<strong>the</strong>ast-asian ]<br />

The Department <strong>of</strong> Asian Languages <strong>and</strong> Cultures:<br />

[ www.lsa.umich.edu/asian/ ]<br />

Yiddish<br />

Who speaks Yiddish? Who reads it? Yiddish arose nearly a thous<strong>and</strong><br />

years ago in Western Europe, flourished for centuries in Eastern<br />

Europe, <strong>and</strong> was brought to <strong>the</strong> U.S. <strong>and</strong> elsewhere by immigrants<br />

who built a rich cultural life with it. At <strong>Michigan</strong>, Yiddish is a vibrant<br />

language. We learn its idioms <strong>and</strong> grammar, read its literary treasures,<br />

<strong>and</strong> explore its centrality to modern Jewish life.<br />

Yiddish Program (German Language <strong>and</strong> <strong>Literature</strong>s):<br />

[ www.lsa.umich.edu/german/yiddish/ ]<br />

Yiddish Program (Judaic Studies):<br />

[ www.lsa.umich.edu/judaic/html/yiddish_2_6_1.htm ]<br />

Frankel Center for Judaic Studies:<br />

[ www.lsa.umich.edu/judaic/ ]


COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 19<br />

Foreign <strong>Literature</strong> <strong>and</strong> Culture Courses in English Translation<br />

In <strong>the</strong> <strong>College</strong> <strong>of</strong> <strong>Literature</strong>, <strong>Science</strong>, <strong>and</strong> <strong>the</strong> <strong>Arts</strong>, courses in foreign<br />

literature <strong>and</strong> culture are taught in a number <strong>of</strong> departments<br />

<strong>and</strong> programs, <strong>and</strong> <strong>the</strong> courses work with texts in more than forty<br />

languages. These departments <strong>and</strong> programs also <strong>of</strong>fer literature<br />

<strong>and</strong> culture courses which use texts translated into English in<br />

order to make <strong>the</strong>se works available to all students.<br />

The LSA Office <strong>of</strong> <strong>the</strong> Associate Dean for Undergraduate Education<br />

has prepared <strong>the</strong> following list to assist students interested in<br />

Fall Academic Term 2011 Foreign <strong>Literature</strong> <strong>and</strong> Culture<br />

Courses in English Translation<br />

This list is subject to change by <strong>the</strong> Associate Dean for<br />

Undergraduate Education.<br />

AAPTIS 100 / ACABS 100 / HISTORY 132 / HJCS 100. Peoples <strong>of</strong><br />

<strong>the</strong> Middle East. (4). (HU).<br />

AAPTIS 200 / ACABS 200 / HJCS 200 / RELIGION 201. Introduction<br />

to World Religions: Near Eastern. (4). (HU).<br />

AAPTIS 274 / ARMENIAN 274. Armenia: Culture <strong>and</strong> Ethnicity. (3).<br />

(HU).<br />

ACABS 100 / AAPTIS 100 / HISTORY 132 / HJCS 100. Peoples <strong>of</strong><br />

<strong>the</strong> Middle East. (4). (HU).<br />

ACABS 121 / RELIGION 121. Introduction to <strong>the</strong> Tanakh/Old Testament.<br />

(3). (HU).<br />

ACABS 200 / AAPTIS 200 / HJCS 200 / RELIGION 201. Introduction<br />

to World Religions: Near Eastern. (4). (HU).<br />

ACABS 221 / RELIGION 280. Jesus <strong>and</strong> <strong>the</strong> Gospels. (4). (HU).<br />

ACABS 270 / HJCS 270 / JUDAIC 270 / RELIGION 270. Introduction<br />

to Rabbinic <strong>Literature</strong>. (3). (HU).<br />

ARMENIAN 274 / AAPTIS 274. Armenia: Culture <strong>and</strong> Ethnicity. (3).<br />

(HU).<br />

ASIAN 204 / HISTORY 204. East Asia: Early Transformations. (4).<br />

(HU).<br />

ASIAN 206 / HISTORY 206. Indian Civilization. (4). (HU).<br />

ASIAN 230 / PHIL 230 / RELIGION 230. Introduction to Buddhism.<br />

(4). (HU).<br />

ASIAN 251. Undergraduate Seminar in Chinese Culture. (3). (HU).<br />

ASIAN 254. Undergraduate Seminar in Korean Culture. (3). (HU).<br />

ASIAN 280. <strong>To</strong>pics in Asian Studies. (3). (HU).<br />

CLARCH 221 / HISTART 221. Introduction to Greek Archaeology.<br />

(4). (HU).<br />

CLCIV 101. Classical Civilization I: The Ancient Greek World (in<br />

English). (4).<br />

CLCIV 120. First-year Seminar in Classical Civilization (Humanities).<br />

(3). (HU).<br />

CLCIV 121. First-year Seminar in Classical Civilization (Composition).<br />

(4).<br />

DUTCH 160. First Year Seminar: Colonialism <strong>and</strong> its Aftermath.<br />

(3). (HU).<br />

ENGLISH 245 / RCHUMS 280 / THTREMUS 211. Introduction to<br />

Drama <strong>and</strong> Theatre. (3). (HU).<br />

electing courses that focus on foreign literature <strong>and</strong> culture in<br />

English translation. What follows is a list <strong>of</strong> such courses <strong>of</strong>fered in<br />

LSA for <strong>the</strong> Fall Academic Term 2011. Courses that earn Humanities<br />

or Social <strong>Science</strong> credit are so designated. Please consult <strong>the</strong><br />

departmental <strong>and</strong> program listings in this Course Guide for course<br />

descriptions <strong>and</strong> fur<strong>the</strong>r information.<br />

FRENCH 244. Issues in Race <strong>and</strong> Cultural Diversity in <strong>the</strong> Francophone<br />

World. (3). (HU).<br />

GERMAN 180. First Year Seminar. (3). (HU).<br />

GTBOOKS 191. Great Books. (4). (HU).<br />

HISTART 221 / CLARCH 221. Introduction to Greek Archaeology.<br />

(4). (HU).<br />

HISTORY 132 / AAPTIS 100 / ACABS 100 / HJCS 100. Peoples <strong>of</strong><br />

<strong>the</strong> Middle East. (4). (HU).<br />

HISTORY 204 / ASIAN 204. East Asia: Early Transformations. (4).<br />

(HU).<br />

HISTORY 206 / ASIAN 206. Indian Civilization. (4). (HU).<br />

HJCS 100 / AAPTIS 100 / ACABS 100 / HISTORY 132. Peoples <strong>of</strong><br />

<strong>the</strong> Middle East. (4). (HU).<br />

HJCS 192. First Year Seminar in Hebrew <strong>and</strong> Jewish Cultural Studies.<br />

(3). (HU).<br />

HJCS 200 / AAPTIS 200 / ACABS 200 / RELIGION 201. Introduction<br />

to World Religions: Near Eastern. (4). (HU).<br />

HJCS 270 / ACABS 270 / JUDAIC 270 / RELIGION 270. Introduction<br />

to Rabbinic <strong>Literature</strong>. (3). (HU).<br />

JUDAIC 270 / ACABS 270 / HJCS 270 / RELIGION 270. Introduction<br />

to Rabbinic <strong>Literature</strong>. (3). (HU).<br />

MODGREEK 214. Introduction to Modern Greek Culture. (3). (SS).<br />

PHIL 230 / ASIAN 230 / RELIGION 230. Introduction to Buddhism.<br />

(4). (HU).<br />

RCHUMS 280 / ENGLISH 245 / THTREMUS 211. Introduction to<br />

Drama <strong>and</strong> Theatre. (3). (HU).<br />

RELIGION 121 / ACABS 121. Introduction to <strong>the</strong> Tanakh/Old Testament.<br />

(3). (HU).<br />

RELIGION 201 / AAPTIS 200 / ACABS 200 / HJCS 200. Introduction<br />

to World Religions: Near Eastern. (4). (HU).<br />

RELIGION 230 / ASIAN 230 / PHIL 230. Introduction to Buddhism.<br />

(4). (HU).<br />

RELIGION 270 / ACABS 270 / HJCS 270 / JUDAIC 270. Introduction<br />

to Rabbinic <strong>Literature</strong>. (3). (HU).<br />

RELIGION 280 / ACABS 221. Jesus <strong>and</strong> <strong>the</strong> Gospels. (4). (HU).<br />

SCAND 331. Introduction to Sc<strong>and</strong>inavian Civilization. (3). (HU).<br />

THTREMUS 211 / ENGLISH 245 / RCHUMS 280. Introduction to<br />

Drama <strong>and</strong> Theatre. (3). (HU).


20 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

Introduction <strong>To</strong> Course Listing Notations<br />

The Fall Term First-Year Course Guide is published by <strong>the</strong> Office <strong>of</strong> LSA<br />

Advising Technology, <strong>College</strong> <strong>of</strong> <strong>Literature</strong>, <strong>Science</strong>, <strong>and</strong> <strong>the</strong> <strong>Arts</strong>, University<br />

<strong>of</strong> <strong>Michigan</strong>, G255 Angell Hall, Ann Arbor, <strong>Michigan</strong> 48109-<br />

1003.<br />

An accurate <strong>and</strong> current course description helps students in <strong>the</strong>ir academic<br />

planning. Descriptions are published in <strong>the</strong> online LSA Course<br />

Guide (www.lsa.umich.edu/cg). They are prefaced with <strong>the</strong> course<br />

number, title, prerequisite(s), <strong>and</strong> o<strong>the</strong>r information from wolverineaccess<br />

<strong>and</strong> <strong>the</strong> <strong>College</strong>’s course database.<br />

The descriptions contained here are a snapshot <strong>of</strong> data as <strong>of</strong> April 14,<br />

2011. Check <strong>the</strong> online Course Guide for <strong>the</strong> most current information<br />

on classes.<br />

The online LSA Course Guide.<br />

The online LSA Course Guide contains course descriptions written by<br />

instructors <strong>of</strong> classes to be <strong>of</strong>fered in a specific term. Instructors are<br />

asked:<br />

• to begin with a statement <strong>of</strong> <strong>the</strong> subjects (topics, <strong>the</strong>mes, methods).<br />

• to include <strong>the</strong> intended audience <strong>and</strong> any recommended special<br />

background that is not already listed in course prerequisites.<br />

• to indicate <strong>the</strong> basis <strong>of</strong> student evaluation (exams, papers, etc.)<br />

• to state method(s) <strong>of</strong> instruction (lecture, lab, discussion).<br />

• to mention texts which will be required.<br />

Links to instructor home pages, class homepages, <strong>and</strong> to open section<br />

information are provided on <strong>the</strong> class detail pages.<br />

Students can view descriptions by SUBJECT, <strong>and</strong> an advance search<br />

feature allows students to search for courses based on key words, distribution<br />

designation, or by various requirements <strong>and</strong> course groupings.<br />

View <strong>the</strong> Course Guides online at: www.lsa.umich.edu/cg<br />

University Online Schedule <strong>of</strong> Classes.<br />

www.ro.umich.edu/schedule provides links to PDF, CSV <strong>and</strong> Wolverine<br />

Access versions <strong>of</strong> <strong>the</strong> Schedule <strong>of</strong> Classes. The All Class reports are<br />

refreshed nightly, <strong>the</strong> Open Class reports are updated every half hour<br />

<strong>and</strong> Wolverine Access <strong>of</strong>fers real time course <strong>and</strong> class information.<br />

These are maintained for all active terms.<br />

A Note on Class Size. Courses numbered on <strong>the</strong> 100 <strong>and</strong> 200 level,<br />

especially those which are prerequisites for more advanced courses,<br />

<strong>of</strong>ten have large enrollments. Class size in such courses can range as<br />

high as 500, although enrollment <strong>of</strong> 100 to 200 students is more common.<br />

<strong>To</strong> reduce size, many <strong>of</strong> <strong>the</strong>se introductory courses are taught in<br />

sections. Each section covers <strong>the</strong> same material but has a different instructor<br />

<strong>and</strong> meeting time. For example, sections <strong>of</strong> First-Year Writing<br />

are limited to 22 students, <strong>and</strong> language sections are limited to 25<br />

(much smaller in some languages, e.g., 15 in Japanese). In addition,<br />

many <strong>of</strong> <strong>the</strong> larger courses on <strong>the</strong> 100 <strong>and</strong> 200 levels set aside a<br />

weekly class or two for small discussion sections led by graduate student<br />

instructors (GSIs). The presence <strong>of</strong> GSIs in such courses should<br />

not deter first-year students from trying to get to know <strong>the</strong> pr<strong>of</strong>essor.<br />

Most pr<strong>of</strong>essors welcome contact with first-year students <strong>and</strong> are troubled<br />

by <strong>the</strong> tendency <strong>of</strong> large classes to make contacts more difficult<br />

for students. First-year students should always feel free to see pr<strong>of</strong>essors<br />

during <strong>the</strong>ir <strong>of</strong>fice hours <strong>and</strong> should not suppose that <strong>the</strong>y must<br />

have specific (<strong>and</strong> pr<strong>of</strong>ound) questions in mind before visiting.<br />

Key to Course Listings<br />

Catalog numbers are part <strong>of</strong> a University-wide numbering system.<br />

Generally, courses numbered 100 to 199 are introductory, 200-299 are<br />

intermediate, <strong>and</strong> 300-499 are advanced (upper-level).<br />

Cross-listed courses are sponsored by more than one department or<br />

program <strong>and</strong> may be elected in any <strong>of</strong> <strong>the</strong> participating units. Crosslistings<br />

appear in boldface <strong>and</strong> are denoted by a slash between <strong>the</strong><br />

participating units.<br />

Course titles appear in boldface after <strong>the</strong> catalog number.<br />

Prerequisites appear in italics after <strong>the</strong> course title. Some prerequisites<br />

are advisory. They suggest <strong>the</strong> assumed background or level <strong>of</strong><br />

academic experience, <strong>and</strong> students should be guided by <strong>the</strong>se statements.<br />

Some prerequisites are m<strong>and</strong>atory <strong>and</strong> are enforced at <strong>the</strong><br />

point <strong>of</strong> registration. The Course Guide <strong>and</strong> <strong>the</strong> LSA Bulletin indicate<br />

<strong>the</strong> cases when prerequisites are enforced.<br />

Prerequisites are <strong>of</strong> three types:<br />

• Courses. Unless o<strong>the</strong>rwise stated, <strong>the</strong> phrase “or equivalent” may<br />

be considered an implicit part <strong>of</strong> <strong>the</strong> prerequisite for any course.<br />

When a student has satisfactorily completed a course(s) at <strong>the</strong> required<br />

level <strong>of</strong> competency <strong>and</strong> when that course is believed to be<br />

substantially equivalent to one listed as a prerequisite, <strong>the</strong> student<br />

must consult <strong>the</strong> instructor or department. If equivalency is determined<br />

to have been satisfied, election may be approved by issuance<br />

<strong>of</strong> electronic permission.<br />

• Class st<strong>and</strong>ing (first year, sophomore, junior, senior). A course<br />

might be appropriate for “first <strong>and</strong> second year students only,” or<br />

for “juniors <strong>and</strong> seniors.”<br />

• Permission <strong>of</strong> instructor or department. The phrase “or permission<br />

<strong>of</strong> instructor” or “permission <strong>of</strong> department” may be considered<br />

an implicit part <strong>of</strong> <strong>the</strong> statement <strong>of</strong> prerequisites for any<br />

course. When permission is a stated requirement, or when a student<br />

does not have <strong>the</strong> stated prerequisite for a course but can<br />

give evidence <strong>of</strong> sufficient background, <strong>the</strong> student should obtain<br />

approval from <strong>the</strong> instructor or department concerned <strong>and</strong> an electronic<br />

permission issued.<br />

The Credit Symbol, an Arabic numeral in paren<strong>the</strong>ses, denotes <strong>the</strong><br />

credits earned for <strong>the</strong> course. Credit is granted in semester hours. Except<br />

for small seminars where <strong>the</strong> reading <strong>and</strong>/or writing requirements<br />

are intensive, one credit represents no less than one hour <strong>of</strong> class<br />

meeting time each week <strong>of</strong> <strong>the</strong> term, <strong>and</strong> usually represents two hours<br />

<strong>of</strong> work outside <strong>of</strong> class for each class hour.<br />

Area distribution designation is approved by <strong>the</strong> LSA Curriculum<br />

Committee on a yearly basis. A course may be approved with <strong>the</strong> designation<br />

natural science (NS), social science (SS), humanities (HU),<br />

ma<strong>the</strong>matical <strong>and</strong> symbolic analysis (MSA), creative expression (CE),<br />

interdisciplinary (ID). Courses without one <strong>of</strong> <strong>the</strong>se designations may<br />

not be used toward Area Distribution.<br />

Courses meeting certain college requirements are so listed. Language<br />

o<strong>the</strong>r than English (Lang Req) courses may be used toward<br />

meeting <strong>the</strong> Language Requirement. The First-Year Writing Requirement<br />

may be met by courses designated (FYWR). Courses approved<br />

with <strong>the</strong> designation “Lang Req” or “FYWR” may not be used as part <strong>of</strong><br />

an area distribution plan. (BS) means that <strong>the</strong> course may be used toward<br />

<strong>the</strong> 60 approved credits required for <strong>the</strong> B.S. degree. Courses<br />

meeting or partially meeting <strong>the</strong> Quantitative Reasoning requirement<br />

are designated (QR/1) or (QR/2). Courses with st<strong>and</strong>ard approval for<br />

meeting <strong>the</strong> Race & Ethnicity (R&E) requirement are so indicated.<br />

O<strong>the</strong>r courses may meet <strong>the</strong> R&E or QR requirements on a term-byterm<br />

basis <strong>and</strong> are listed on <strong>the</strong> LSA website (www.lsa.umich.edu)<br />

Experiential, Independent Study, <strong>and</strong> Tutorial courses are so<br />

designated. (See Experiential <strong>and</strong> Directed Reading / Independent<br />

Study Courses in Chapter IV <strong>of</strong> <strong>the</strong> LSA Bulletin.)<br />

Repetition <strong>of</strong> a course that varies in content from term to term is<br />

permitted only under certain conditions. When a department or program<br />

has a policy about <strong>the</strong> repetition <strong>of</strong> a course for credit, that policy<br />

is included in <strong>the</strong> course listing. In all o<strong>the</strong>r instances, a student must<br />

get permission from both <strong>the</strong> department or program <strong>and</strong> <strong>the</strong> Academic<br />

St<strong>and</strong>ards Board to repeat a course for credit. Generally, a<br />

course may be elected for credit once only.<br />

Excluded combinations <strong>of</strong> course elections are designated in <strong>the</strong><br />

listing <strong>of</strong> affected courses.<br />

Special Grading pattern for a course is indicated in <strong>the</strong> course listing.<br />

Some LSA courses are <strong>of</strong>fered m<strong>and</strong>atory credit/no credit. (See<br />

Non-Graded Courses in Chapter IV <strong>of</strong> <strong>the</strong> LSA Bulletin.)


AAPTIS (Arabic, Armenian, Persian,<br />

Turkish, <strong>and</strong> Islamic Studies)<br />

The Department <strong>of</strong> Near Eastern Studies <strong>of</strong>fers instruction in <strong>the</strong><br />

languages, literatures, histories, cultures, <strong>and</strong> religions <strong>of</strong> <strong>the</strong> ancient<br />

Near East <strong>and</strong> <strong>the</strong> medieval <strong>and</strong> modern Middle East. The department’s<br />

language <strong>of</strong>ferings provide <strong>the</strong> foundation for <strong>the</strong> academic<br />

study <strong>of</strong> <strong>the</strong> literatures, histories, cultures, <strong>and</strong> religions <strong>of</strong><br />

<strong>the</strong> region. The ancient language <strong>of</strong>ferings include Sumerian,<br />

Egyptian, Akkadian, Hittite, Ugaritic, Avestan, Aramaic, <strong>and</strong> Classical<br />

Hebrew. The medieval <strong>and</strong> modern language <strong>of</strong>ferings include<br />

Armenian, Arabic, Hebrew, Persian, Turkish, <strong>and</strong> Uzbek.<br />

The division <strong>of</strong> Arabic, Armenian, Persian, Turkish, <strong>and</strong> Islamic<br />

Studies (AAPTIS) <strong>of</strong>fers instruction at <strong>the</strong> introductory to <strong>the</strong> advanced<br />

levels in medieval <strong>and</strong> modern Arabic, Armenian, Persian,<br />

<strong>and</strong> Turkish languages <strong>and</strong> literatures. Courses in <strong>the</strong> histories <strong>and</strong><br />

cultures <strong>of</strong> select regions represented by <strong>the</strong>se language groups are<br />

also <strong>of</strong>fered as are a wide range <strong>of</strong> topics in Islamic studies.<br />

AAPTIS 100 / ACABS 100 / HISTORY 132 / HJCS 100. Peoples<br />

<strong>of</strong> <strong>the</strong> Middle East.<br />

(4). (HU). May not be repeated for credit. Taught in English.<br />

Section 001 — Issues in Race & Ethnicity.<br />

An introductory course on <strong>the</strong> diversity <strong>of</strong> peoples, cultures,<br />

economies, <strong>and</strong> politics <strong>of</strong> <strong>the</strong> Middle East. <strong>To</strong>pics include religion<br />

(Judaism, Islam, Christianity), cities <strong>and</strong> nomads, women in <strong>the</strong><br />

Middle East, economic change, social <strong>and</strong> political systems, <strong>and</strong> <strong>the</strong><br />

world's first civilizations <strong>of</strong> Mesopotamia <strong>and</strong> Egypt.<br />

Instructor: Michalowski, Piotr A<br />

AAPTIS 101. Elementary Modern St<strong>and</strong>ard Arabic, I.<br />

(5). May not be repeated for credit.<br />

This is <strong>the</strong> first <strong>of</strong> a two-term sequence in elementary Arabic. It is<br />

designed for students who want to study Arabic for academic <strong>and</strong><br />

communication purposes. It starts with an introduction to <strong>the</strong> phonology<br />

<strong>and</strong> script <strong>of</strong> Modern St<strong>and</strong>ard Arabic combined with oral<br />

basic communication practice. This is followed by combined training<br />

in listening, speaking, reading, <strong>and</strong> writing supported by audio cassettes<br />

<strong>and</strong> DVDs. The course follows <strong>the</strong> pr<strong>of</strong>iciency-communicative<br />

approach with special emphasis on functional language use. There<br />

is focus on simple interactive communicative tasks involving<br />

teacher-student, student-student, <strong>and</strong> group interactions. Reading<br />

<strong>and</strong> cultural skills are developed through simple short texts <strong>and</strong><br />

situational dialogues.<br />

Textbooks:<br />

• Arabic Sounds <strong>and</strong> Letters. A Beginning Program Course, by R.<br />

Rammuny (Textbook <strong>and</strong> Manual).<br />

• Al-Kitab, Part One, by K. Brustad et al. (Lessons 1-7).<br />

• Hans Wehr's Dictionary <strong>of</strong> Modern Written Arabic.<br />

• English Grammar for Students <strong>of</strong> Arabic by Ernest McCarus.<br />

Course requirements include daily attendance <strong>of</strong> classes, preparation<br />

<strong>of</strong> <strong>the</strong> basic texts, vocabulary, grammar, oral <strong>and</strong> written<br />

drills, listening <strong>and</strong> reading passages <strong>and</strong> writing answers to certain<br />

drills <strong>and</strong> questions based on <strong>the</strong> listening <strong>and</strong> reading passages as<br />

well as filling out forms <strong>and</strong> supplying biographical information.<br />

Evaluation is based on active participation in all aspects <strong>of</strong> class,<br />

as well as all homework assignments, quizzes, midterm <strong>and</strong> exams.<br />

Section 001. This is <strong>the</strong> first <strong>of</strong> a two-term sequence in elementary<br />

Arabic. It is designed for students who want to study Arabic for<br />

academic <strong>and</strong> communication purposes. It starts with an introduction<br />

to <strong>the</strong> phonology <strong>and</strong> script <strong>of</strong> Modern St<strong>and</strong>ard Arabic combined<br />

with oral basic communication practice. This is followed by<br />

combined training in listening, speaking, reading, <strong>and</strong> writing supported<br />

by DVDs. The course follows <strong>the</strong> pr<strong>of</strong>iciency-communicative<br />

approach with special emphasis on functional language use. There<br />

is focus on simple interactive communicative tasks involving<br />

teacher-student, student-student, <strong>and</strong> group interactions. Reading<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 21<br />

<strong>and</strong> cultural skills are developed through simple short texts <strong>and</strong><br />

situational dialogues.<br />

Textbooks<br />

• Alif-Baa: Introduction to Arabic Letters <strong>and</strong> Sounds, by Brustad<br />

et al.<br />

• Al-Kitab, Part One, by K. Brustad et al. (Lessons 1-7).<br />

• Hans Wehr's Dictionary <strong>of</strong> Modern Written Arabic.<br />

• English Grammar for Students <strong>of</strong> Arabic by Ernest McCarus.<br />

Course requirements include daily attendance <strong>of</strong> classes, preparation<br />

<strong>of</strong> all assigned materials, vocabulary, grammar, oral <strong>and</strong> written<br />

drills, listening <strong>and</strong> reading passages <strong>and</strong> writing answers to<br />

certain drills <strong>and</strong> questions based on <strong>the</strong> listening <strong>and</strong> reading passages<br />

as well as filling out forms <strong>and</strong> supplying biographical information.<br />

Evaluation is based on active participation in all aspects <strong>of</strong> class,<br />

as well as all homework assignments, quizzes, <strong>and</strong> exams.<br />

Instructor: Bardenstein, Carol B<br />

Section 003, 005, 007, & 008. Elementary Modern St<strong>and</strong>ard<br />

Arabic I is <strong>the</strong> first <strong>of</strong> a two-term sequence in elementary Modern<br />

St<strong>and</strong>ard Arabic (MSA). It starts with an accelerated introduction to<br />

Arabic phonology <strong>and</strong> script. This is followed by situational dialogues<br />

<strong>and</strong> short reading passages including basic vocabulary <strong>and</strong><br />

fundamental grammatical structures. The course <strong>of</strong>fers combined<br />

training in listening, speaking, reading, <strong>and</strong> writing. The students<br />

are provided with opportunities to practice st<strong>and</strong>ard Arabic through<br />

<strong>the</strong> use <strong>of</strong> highly-structured drills, contextualized exercises <strong>and</strong> listening<br />

<strong>and</strong> reading short passages. There will be special focus on<br />

reading, translation <strong>and</strong> writing.<br />

Students enrolled in this ACCELERATED section are expected<br />

to continue in subsequent sections through AAPTIS<br />

202.<br />

Textbooks:<br />

• Arabic Sounds <strong>and</strong> Letters. A Beginning Program Course, by R.<br />

Rammuny (Textbook <strong>and</strong> Manual).<br />

• Elementary Modern St<strong>and</strong>ard Arabic, Part One (revised edition)<br />

by R. Rammuny <strong>and</strong> E. McCarus (lessons 1-10).<br />

• Hans Wehr's Dictionary <strong>of</strong> Modern Written Arabic.<br />

• English Grammar for Students <strong>of</strong> Arabic by Ernest McCarus.<br />

Course Requirements:<br />

Course requirements include daily preparation <strong>of</strong> <strong>the</strong> basic texts<br />

<strong>and</strong> <strong>the</strong> grammatical explanations, oral practice utilizing newly<br />

learned vocabulary <strong>and</strong> structures, reading <strong>and</strong> listening to short<br />

texts <strong>and</strong> writing activities including filling out forms, supplying<br />

simple biographical information, writing short descriptions <strong>of</strong> people<br />

<strong>and</strong> places.<br />

Intended Audience:<br />

This section is specifically designed for students who have had exposure<br />

to spoken Arabic <strong>and</strong> <strong>the</strong> alphabet, but who know little <strong>of</strong><br />

how to read <strong>and</strong> write st<strong>and</strong>ard Arabic.<br />

AAPTIS 119 / ASIANLAN 119. Introductory Central Asian<br />

Language I.<br />

(4 - 5). May be elected three times for credit. May be elected more<br />

than once in <strong>the</strong> same term. No credit granted to those who have<br />

completed or are enrolled in AAPTIS 519.<br />

Section 001 — Elementary Uzbek I.<br />

Elementary Uzbek I introduces <strong>the</strong> literary language, covering pronunciation,<br />

grammar, syntax, reading, <strong>and</strong> writing, as well as culture<br />

<strong>and</strong> daily life <strong>of</strong> <strong>the</strong> Uzbeks.<br />

This course will be <strong>of</strong>fered via live video-conferencing from Indiana<br />

University through <strong>the</strong> CIC CourseShare program in which LSA participates.<br />

The classroom instructor is Malik A. Hodjaev, lecturer <strong>of</strong><br />

Uzbek language in IU’s Department <strong>of</strong> Central Eurasian Studies.<br />

The class schedule will correspond to <strong>the</strong> Indiana University aca-


22 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

demic calendar; <strong>the</strong>refore, <strong>the</strong> first day <strong>of</strong> class will be on Monday,<br />

August 29, 2011.<br />

Please note: Supplemental tutoring will be provided.<br />

For more information, contact Gottfried Hagen at<br />

ghagen@umich.edu.<br />

Instructor: Hagen, Gottfried J<br />

AAPTIS 141. Elementary Persian, I.<br />

(4). May not be repeated for credit. No credit granted to those who<br />

have completed or are enrolled in AAPTIS 143. F.<br />

This is an elementary level course emphasizing oral fluency, reading<br />

comprehension, <strong>and</strong> written expression. The objectives <strong>of</strong> this<br />

course are to work with <strong>the</strong> students in a lively <strong>and</strong> an interactive<br />

environment to:<br />

• Communicate <strong>and</strong> converse in Persian (Farsi) on a variety <strong>of</strong><br />

daily <strong>and</strong> common topics.<br />

• Develop elementary level reading skills.<br />

• Write elementary, narrative style, paragraphs, <strong>and</strong> simple correspondence<br />

<strong>and</strong>/or memoirs, coherently <strong>and</strong> with reasonable<br />

accuracy.<br />

• Acquire <strong>and</strong> develop cultural awareness through readings, class<br />

discussions, presentations <strong>and</strong> films, picture books, etc!<br />

Instructor: Aghaei, Behrad<br />

AAPTIS 151. Elementary Turkish, I.<br />

(4). May not be repeated for credit. No credit granted to those who<br />

have completed or are enrolled in AAPTIS 155. F.<br />

Section 001.<br />

• Basic Turkish conversation for common <strong>and</strong> unexpected survival<br />

situations.<br />

• Reading beyond <strong>the</strong> elementary level to prepare students to<br />

conduct research in Turkish.<br />

• Writing based on conversation <strong>and</strong> readings.<br />

• Basic grammar required for all skills.<br />

In terms <strong>of</strong> <strong>the</strong> Provisional Pr<strong>of</strong>iciency Guidelines for Turkish <strong>of</strong><br />

AATT (American Association <strong>of</strong> Teachers <strong>of</strong> Turkic languages), this<br />

course aims to bring students to <strong>the</strong> mid-intermediate level in listening,<br />

speaking, reading, <strong>and</strong> writing. Some course materials are<br />

provided through our Turkish Studies website at<br />

www.umich.edu/~turkish<br />

AAPTIS 192. First Year Seminar in Arabic, Armenian, Persian,<br />

Turkish, <strong>and</strong> Islamic Studies.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (HU). May not be repeated for credit.<br />

First year seminar to be <strong>of</strong>fered on special topics. Courses would<br />

not be part <strong>of</strong> <strong>the</strong> permanent curriculum, but <strong>of</strong>fered by visiting<br />

faculty or permanent faculty for special purposes.<br />

Section 001 — Religion <strong>and</strong> Revolutions: A Comparison <strong>of</strong><br />

<strong>the</strong> French, Russian, Turkish <strong>and</strong> Iranian Cases.<br />

This course raises <strong>the</strong> central questions concerning <strong>the</strong> struggle between<br />

<strong>the</strong> received dogma <strong>of</strong> religion, <strong>and</strong> freedom <strong>of</strong> thought <strong>and</strong><br />

conscience by focusing on issues such as:<br />

• Views <strong>of</strong> <strong>the</strong> 18th century on Man, religion, <strong>and</strong> reason<br />

• efforts <strong>of</strong> <strong>the</strong> 19th century thinkers like Marx, Comte,<br />

Durkheim, Weber to change society in a more “rational” direction<br />

• role <strong>of</strong> <strong>the</strong> French Revolution in bringing down <strong>the</strong> traditional<br />

underpinnings <strong>of</strong> European society<br />

• Russian Revolution <strong>and</strong> <strong>the</strong> development <strong>of</strong> <strong>the</strong> Marxist position<br />

on religion<br />

• Turkish secularist revolution <strong>and</strong> <strong>the</strong> destruction <strong>of</strong> <strong>the</strong> Ottoman<br />

Empire<br />

• Iranian Civilization <strong>and</strong> <strong>the</strong> Iranian Revolution<br />

• Huntington’s concept <strong>of</strong> <strong>the</strong> “Clash <strong>of</strong> Civilizations.”<br />

Among <strong>the</strong> questions we will be dealing with are:<br />

• Is it possible to have a “secular” world?<br />

• Is it still possible to have a unified “religious” vision?<br />

• What is <strong>the</strong> relationship <strong>of</strong> “religion” to a “secular” state or to a<br />

“secular” public?<br />

• How can religious traditions relate to each o<strong>the</strong>r, in a constructive<br />

<strong>and</strong> creative fashion, without descending into violence, at a<br />

time when <strong>the</strong>y are obliged to come into closer <strong>and</strong> more intimate<br />

relations with each o<strong>the</strong>r than ever before?<br />

• What is <strong>the</strong> relationship between religion <strong>and</strong> revolution?<br />

• Is religion on <strong>the</strong> way out, or is it on <strong>the</strong> way in?<br />

• What contributes to <strong>the</strong> phenomenal rise in fundamentalist<br />

commitment in so many places?<br />

• Are <strong>the</strong>re exceptions?<br />

• Are we condemned to have a Star Wars like “clash <strong>of</strong> civilizations”<br />

between Islam <strong>and</strong> “<strong>the</strong> West”?<br />

Instructor: Cipa, Hakki Erdem<br />

AAPTIS 200 / ACABS 200 / HJCS 200 / RELIGION 201.<br />

Introduction to World Religions: Near Eastern.<br />

(4). (HU). May not be repeated for credit. F.<br />

Religions <strong>of</strong> <strong>the</strong> Book: Judaism, Christianity, <strong>and</strong> Islam.<br />

Section 001. This course serves two main functions:<br />

• <strong>the</strong> first <strong>of</strong> <strong>the</strong>se is to provide an introductory sense <strong>of</strong> what is<br />

involved in <strong>the</strong> academic study <strong>of</strong> religion;<br />

• <strong>the</strong> second, which will occupy almost <strong>the</strong> whole term, is to discuss<br />

<strong>the</strong> major religious traditions <strong>of</strong> <strong>the</strong> Near East, with emphasis<br />

on <strong>the</strong> development <strong>and</strong> major structures <strong>of</strong> Judaism,<br />

Christianity, <strong>and</strong> Islam.<br />

The course will keep two foci in view: one will have to do with <strong>the</strong><br />

historical development <strong>of</strong> <strong>the</strong>se religious traditions, <strong>the</strong>ir sacred<br />

texts, <strong>and</strong> major personalities; <strong>the</strong> second will involve a comparative<br />

view <strong>of</strong> <strong>the</strong>se traditions by analyzing <strong>the</strong>ir sense <strong>of</strong> <strong>the</strong> sacred<br />

in space, time, <strong>and</strong> text, <strong>the</strong>ir views on holy people.<br />

Course Requirements:<br />

Writing for <strong>the</strong> course typically involves an essay, a short response<br />

paper, a midterm, <strong>and</strong> a final exam.<br />

Intended Audience:<br />

This is an introductory course: it is not necessary for students to<br />

have any previous experience in <strong>the</strong> study <strong>of</strong> religion.<br />

Instructor: Knysh, Alex<strong>and</strong>er D<br />

AAPTIS 210 / AMCULT 215. Introduction to Arab-American<br />

Studies.<br />

(4). (HU). (R&E). May not be repeated for credit.<br />

The <strong>the</strong>mes <strong>of</strong> “race” <strong>and</strong> “ethnicity” are central to <strong>the</strong> current<br />

course <strong>of</strong>ferings in <strong>the</strong> Program in American Culture. In this course,<br />

students will examine <strong>the</strong> specific ways that Arab Americans engage<br />

with “race.” It provides a historical overview <strong>of</strong> Arab Americans<br />

<strong>and</strong> “race” in relation to a series <strong>of</strong> o<strong>the</strong>r identity markers,<br />

such as class, gender, sexuality, religion, <strong>and</strong> nation. This course<br />

fits particularly within <strong>the</strong> Program in American Culture’s focus on<br />

transnational <strong>and</strong> diasporic considerations <strong>of</strong> “race.”<br />

This course is an introductory survey to Arab-American studies. It<br />

will explore many questions such as <strong>the</strong> following in an interdisciplinary<br />

context, focusing on anthropological, historical, literary, <strong>and</strong><br />

visual materials.<br />

• What are <strong>the</strong> historical circumstances that have shaped Arab<br />

immigration to <strong>the</strong> U.S.?<br />

• Where do Arab Americans "fit" within America’s racial classification<br />

system?<br />

• What is anti-Arab racism?<br />

• How has it shifted throughout Arab American history?<br />

• What is <strong>the</strong> significance <strong>of</strong> gender <strong>and</strong> sexuality to anti-Arab<br />

racism?


• How did September 11th impact Arab American communities?<br />

• What are <strong>the</strong> cultural forms that Arab immigrants have inherited<br />

from <strong>the</strong>ir homel<strong>and</strong>s <strong>and</strong> reproduced in this country?<br />

• In what ways are <strong>the</strong>se cultural forms gendered?<br />

• What is <strong>the</strong> relationship between socioeconomic class <strong>and</strong> cultural<br />

identity among Arab Americans?<br />

• How have Arab Americans used <strong>the</strong> arts for cultural <strong>and</strong> political<br />

expression?<br />

• What is <strong>the</strong> significance <strong>of</strong> religious affiliation to Arab American<br />

identity formation?<br />

• How has U.S. foreign policy impacted Arab American histories<br />

<strong>and</strong> experiences?<br />

This course brings a series <strong>of</strong> guest speakers <strong>and</strong> artists to interact<br />

with students, including calligraphers, artists, musicians, filmmakers,<br />

journalists, <strong>and</strong> community activists. It also includes a class<br />

field trip to <strong>the</strong> Arab American National Museum in Dearborn.<br />

Through <strong>the</strong>se sorts <strong>of</strong> experiences, students are introduced to important<br />

paradigms <strong>and</strong> modes <strong>of</strong> analysis in <strong>the</strong> humanities, which<br />

include learning how to read <strong>and</strong> analyze a wide range <strong>of</strong> cultural<br />

texts <strong>and</strong> materials <strong>and</strong> learning how to think critically about <strong>the</strong><br />

relationship between history <strong>and</strong> culture, representations, <strong>and</strong> lived<br />

experiences.<br />

Course Requirements:<br />

• Weekly assignments: 40%<br />

Two-page (typed, double spaced) response paper is due every<br />

two weeks that summarizes <strong>the</strong> main argument in <strong>the</strong> reading<br />

<strong>and</strong> <strong>of</strong>fers a critical analysis. At <strong>the</strong> end <strong>of</strong> <strong>the</strong> paper, students<br />

must include two questions for class discussion.<br />

• Active discussion in class: 10%<br />

Students must demonstrate that <strong>the</strong>y have engaged in <strong>the</strong><br />

readings, participate in group exercises, <strong>and</strong> meet with <strong>the</strong> instructor<br />

at least one time during <strong>of</strong>fice hours.<br />

• Midterm essay based on required visit to Arab-American<br />

National Museum: 20%<br />

• Final group project: 30%.<br />

Students will receive an individual <strong>and</strong> a group grade.<br />

Intended Audience:<br />

First-year students <strong>and</strong> sophomores, plus any student interested in<br />

Arab-American studies.<br />

Class Format:<br />

3 hours per week primarily in recitation format.<br />

Instructor: Hassouneh, Rima Saudi<br />

AAPTIS 244 / HISTORY 244 / HJCS 244 / JUDAIC 244 /<br />

MENAS 244. The Arab-Jewish Conflict in <strong>the</strong> Middle East, c.<br />

1880 to <strong>the</strong> Present.<br />

(4). (SS). (R&E). May not be repeated for credit.<br />

For over a hundred years Arabs <strong>and</strong> Jews have been engaged in<br />

what is arguably <strong>the</strong> world's most long-lasting, bitter, <strong>and</strong> intractable<br />

dispute.<br />

This conflict has engendered five interstate wars (1948, 1956,<br />

1967, 1973, <strong>and</strong> 1982) <strong>and</strong> innumerable low-intensity clashes. As a<br />

source <strong>of</strong> daily media attention, United Nations resolutions, impassioned<br />

global debate, <strong>and</strong> Great Power rivalry, <strong>the</strong> Arab-Israeli conflict<br />

has no equal. Despite persistent interventions by <strong>the</strong> United<br />

States, Europe, <strong>and</strong> <strong>the</strong> United Nations, no resolution is in sight.<br />

This course assesses <strong>the</strong> origins, dynamics, <strong>and</strong> <strong>the</strong> amazing, chameleon-like<br />

persistence <strong>of</strong> Arab-Jewish conflict over some five generations.<br />

• How did <strong>the</strong> rivalry begin?<br />

• What historical, legal, <strong>and</strong> moral arguments does each side<br />

marshal to justify its position?<br />

• What has been <strong>the</strong> role <strong>of</strong> <strong>the</strong> United States?<br />

• What does <strong>the</strong> conflict say about <strong>the</strong> nature <strong>of</strong> truth <strong>and</strong> morality<br />

in <strong>the</strong> modern world?<br />

• And what does <strong>the</strong> future hold?<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 23<br />

Intended Audience:<br />

This course welcomes students from all backgrounds — including<br />

those who have no prior knowledge <strong>of</strong> <strong>the</strong> conflict, students who by<br />

personal background or interest already know a good deal, <strong>and</strong> all<br />

those who fall between <strong>the</strong>se poles.<br />

Instructor: Lieberman, Victor B<br />

AAPTIS 274 / ARMENIAN 274. Armenia: Culture <strong>and</strong><br />

Ethnicity.<br />

(3). (HU). May not be repeated for credit. Taught in English.<br />

Section 001 — Issues in Race & Ethnicity.<br />

This course will explore various aspects <strong>of</strong> <strong>the</strong> Christian Armenian<br />

identity, from <strong>the</strong> earliest times to <strong>the</strong> 1990s, against a historical<br />

<strong>and</strong> political background, with a greater emphasis on <strong>the</strong> more<br />

modern times. It will highlight <strong>the</strong> formation <strong>of</strong> <strong>the</strong> Armenian selfimage;<br />

its principle features (political, religious, cultural); <strong>and</strong> its<br />

historical evolution in a multi-religious <strong>and</strong> multi-national region<br />

that has undergone territorial <strong>and</strong> cultural transformations <strong>and</strong> has<br />

experienced many conflicts, at times deadly, resulting from <strong>the</strong><br />

clash <strong>of</strong> national-ethnic identities <strong>and</strong> aspirations, governed <strong>and</strong><br />

driven by oppression, distrust, religious <strong>and</strong> cultural intolerance,<br />

<strong>and</strong> aggressive political designs to name but a few.<br />

Course Requirements:<br />

Students will be required to write one short term paper (5-7 pages<br />

long) <strong>and</strong> a final paper (8-10 pages long) reflecting research on a<br />

selected topic.<br />

Class Format:<br />

There will be class discussions.<br />

Instructor: Bardakjian, Kevork B<br />

AAPTIS 285 / HISTART 285. Visual Culture Islam.<br />

(4). (HU). (R&E). May not be repeated for credit.<br />

Section 001. This course examines <strong>the</strong> visual cultures <strong>of</strong> Islam<br />

around <strong>the</strong> world from <strong>the</strong> 7th to <strong>the</strong> 20th century. Beginning with<br />

a discussion <strong>of</strong> Islam, Muhammad, <strong>the</strong> Qur’an, <strong>and</strong> a definition <strong>of</strong><br />

“Islamic” art, we will discuss <strong>the</strong> roles <strong>and</strong> meanings <strong>of</strong> demarcating<br />

divine topography as visible in <strong>the</strong> Ka‘ba in Mecca <strong>and</strong> <strong>the</strong><br />

Dome <strong>of</strong> <strong>the</strong> Rock in Jerusalem. The rapid spread <strong>of</strong> Islam to <strong>the</strong><br />

east <strong>and</strong> west during <strong>the</strong> 9th-11th centuries created a new vocabulary<br />

for Islamic art <strong>and</strong> architecture, fusing pre-existing Byzantine<br />

<strong>and</strong> Persian models with Islamic innovations. We will look at<br />

mosque <strong>and</strong> palace complexes in North Africa, sou<strong>the</strong>rn Spain, as<br />

well as in Mesopotamia <strong>and</strong> Central Asia. During <strong>the</strong> Crusades,<br />

Islam came into close contact with Europe, resulting in fascinating<br />

hybrid objects <strong>and</strong> architecture that call into question <strong>the</strong> simplistic<br />

division <strong>of</strong> “East” <strong>and</strong> “West.” From <strong>the</strong> 15th to <strong>the</strong> 17th century,<br />

<strong>the</strong> three so-called gunpowder states <strong>of</strong> Anatolia (<strong>the</strong> Ottomans),<br />

Persia (<strong>the</strong> Safavids), <strong>and</strong> <strong>the</strong> Indian Subcontinent (<strong>the</strong> Mughals)<br />

created new concepts <strong>of</strong> empire, wealth, <strong>and</strong> administration in <strong>the</strong><br />

imperial cities <strong>of</strong> Istanbul, Isfahan, <strong>and</strong> Agra. Finally, Colonialism<br />

<strong>and</strong> Orientalism will be examined, as well as <strong>the</strong> emergence <strong>of</strong><br />

modern Islamic art <strong>and</strong> visual culture.<br />

A. B. 1, 2<br />

Instructor: Gruber, Christiane J<br />

AAPTIS 291. <strong>To</strong>pics in Arabic, Armenian, Persian, Turkish<br />

<strong>and</strong> Islamic Studies.<br />

(3). May be repeated for a maximum <strong>of</strong> 6 credits. May be elected<br />

more than once in <strong>the</strong> same term.<br />

Undergraduate course in <strong>the</strong> field <strong>of</strong> Arabic, Armenian, Persian,<br />

Turkish, <strong>and</strong> Islamic Studies taught by a temporary faculty or as a<br />

testing course for a permanent faculty.<br />

Section 001 — History <strong>of</strong> <strong>the</strong> Turkish Republic.<br />

Commencing with an overview <strong>of</strong> <strong>the</strong> 19th-century reform movements<br />

within <strong>the</strong> Ottoman Empire, this course traces <strong>the</strong> political,<br />

social, <strong>and</strong> economic history <strong>of</strong> Turkey from <strong>the</strong> establishment <strong>of</strong>


24 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

<strong>the</strong> Turkish Republic in 1923 until today, focusing on various issues<br />

such as:<br />

• <strong>the</strong> fall <strong>of</strong> <strong>the</strong> Ottoman Empire;<br />

• <strong>the</strong> struggle for independence;<br />

• <strong>the</strong> emergence <strong>of</strong> <strong>the</strong> Turkish Republic;<br />

• <strong>the</strong> Turkish cultural revolution;<br />

• Mustafa Kemal Atatürk & Kemalism;<br />

• <strong>the</strong> construction <strong>of</strong> <strong>the</strong> “Turkish nation” & <strong>the</strong> emergence <strong>of</strong><br />

Turkish nationalism;<br />

• <strong>the</strong> transition from a single-party regime to a multi-party<br />

democracy;<br />

• <strong>the</strong> coup d’états in 1960, 1971, <strong>and</strong> 1980;<br />

• <strong>the</strong> rise <strong>of</strong> political Islam <strong>and</strong> its sectarian manifestations;<br />

• minorities <strong>and</strong> minority rights in Turkey;<br />

• Turkey’s relationship with <strong>the</strong> European Union;<br />

• Turkey’s role in <strong>the</strong> greater Middle East;<br />

• Turkey today: “secular” state vs. Islamist government.<br />

Instructor: Cipa, Hakki Erdem<br />

AAS (Afroamerican <strong>and</strong> African Studies)<br />

Effective September 1, 2011 <strong>the</strong> Center for Afroamerican & African<br />

Studies will become <strong>the</strong> Department <strong>of</strong> Afroamerican <strong>and</strong> African<br />

Studies, <strong>and</strong> our subject name has shifted from "CAAS" to "AAS" in<br />

this Course Guide.<br />

The Department <strong>of</strong> Afroamerican <strong>and</strong> African Studies (DAAS) provides<br />

students an opportunity to examine <strong>the</strong> histories, social organizations,<br />

cultures, <strong>and</strong> arts <strong>of</strong> people <strong>of</strong> African descent, particularly<br />

those <strong>of</strong> Africa, <strong>the</strong> United States, <strong>and</strong> <strong>the</strong> Caribbean. While<br />

encouraging comparative analysis <strong>of</strong> <strong>the</strong> diverse cultural <strong>and</strong> social<br />

traditions derived from Africa, courses also bring attention to current<br />

<strong>the</strong>ories, methodologies, <strong>and</strong> research on race, cultural identity,<br />

socioeconomic class, gender, <strong>and</strong> sexuality in relation to<br />

African, African American, <strong>and</strong> Afro-Caribbean experiences. In addition<br />

to exploring <strong>the</strong> historical cultures <strong>of</strong> Africa <strong>and</strong> its Diaspora,<br />

students also have opportunities to study contemporary issues<br />

treated in such pr<strong>of</strong>essional fields as public policy, urban planning,<br />

education, environmental studies, information technology, <strong>and</strong><br />

health sciences.<br />

Roster <strong>of</strong> AAS Area <strong>and</strong> Cross-Area Courses<br />

• African Studies Courses: 108, 200, 246, 247, 355, 380, 385,<br />

403, 404, 408, 422, 427, 440, 449, 453, 479, 562, 595.<br />

• African-American Studies Courses: 201, 203, 204, 214,<br />

230, 231, 274, 303, 321, 326, 327, 329, 333, 334, 335, 336,<br />

338, 340, 341, 342, 357, 360, 370, 400, 418, 425, 434, 435,<br />

450, 451, 452, 454, 457, 459, 465, 475, 476, 486, 489, 521,<br />

533.<br />

• Afro-Caribbean Studies: 202, 384, 439, 442, 444, 464, 478.<br />

• Cross-Area Courses: 103, 104, 111, 306, 331, 322, 332, 348,<br />

361, 394, 410, 420, 426, 430, 431, 470, 477, 495.<br />

Learn an African Language<br />

The Department <strong>of</strong> Afroamerican <strong>and</strong> African Studies <strong>of</strong>fers elementary<br />

<strong>and</strong> intermediate language instruction in <strong>the</strong> following languages:<br />

Akan, Bambara, Swahili, Wol<strong>of</strong>, <strong>and</strong> Zulu.<br />

• Swahili is spoken in Kenya, Tanzania, Burundi, Rw<strong>and</strong>a, Congo<br />

<strong>and</strong> <strong>the</strong> Comoros Isl<strong>and</strong>s. The sequence provides students with<br />

a solid knowledge <strong>of</strong> Swahili morphology <strong>and</strong> syntax, functional<br />

vocabulary, <strong>and</strong> practice in speaking <strong>and</strong> writing. It covers<br />

many facets <strong>of</strong> <strong>the</strong> East African cultures in which it is spoken.<br />

• Akan, a major language <strong>of</strong> West Africa, is spoken by <strong>the</strong> Akan<br />

people <strong>of</strong> Ghana, <strong>and</strong> in <strong>the</strong> Ivory Coast.<br />

• Bambara is spoken in West Africa especially in Mali <strong>and</strong> Burkina<br />

Faso, Guinea-Conakry, Cote D’Ivoire <strong>and</strong> Senegal. Instruction is<br />

given in both Bambara language <strong>and</strong> culture.<br />

• Wol<strong>of</strong> is spoken in Senegal, Gambia, Mali, Mauritania, <strong>and</strong><br />

Guinea-Bissau. Instruction is given in both Wol<strong>of</strong> language <strong>and</strong><br />

culture.<br />

• Zulu is spoken in South Africa <strong>and</strong> <strong>the</strong> neighboring countries <strong>of</strong><br />

Zimbabwe, Malawi, Namibia, Mozambique, Swazil<strong>and</strong>, <strong>and</strong><br />

Lesotho. Instruction is given in both Zulu language <strong>and</strong> culture.<br />

Swahili is <strong>of</strong>fered under AAS 115, 116, 215, 216; Akan, Bambara,<br />

Wol<strong>of</strong>, <strong>and</strong> Zulu are <strong>of</strong>fered under AAS 125, 126, 225, 226.<br />

AAS 103. First Year Social <strong>Science</strong> Seminar.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (SS). May not be repeated for credit.<br />

(Cross-Area Courses). May not be included in a concentration plan.<br />

This seminar introduces first-year students to <strong>the</strong> intellectual community<br />

<strong>of</strong> social scientists working in <strong>the</strong> field <strong>of</strong> Afroamerican <strong>and</strong><br />

African studies. The topic <strong>of</strong> <strong>the</strong> seminar varies term to term.<br />

Section 001 — Malcolm X, <strong>the</strong> Civil Rights Movement, <strong>and</strong><br />

<strong>the</strong> Practice <strong>of</strong> History.<br />

This course examines <strong>the</strong> life <strong>and</strong> legacy <strong>of</strong> Malcolm X, considering<br />

him both as an historical figure whose ideas <strong>and</strong> actions were part<br />

<strong>of</strong> a specific historical moment, <strong>and</strong> as an iconic, almost mythical<br />

figure whose image continues to st<strong>and</strong> as a powerful symbol. Our<br />

focus will be on underst<strong>and</strong>ing Malcolm X’s influence on <strong>the</strong> Black<br />

Power movement <strong>of</strong> <strong>the</strong> 1960s <strong>and</strong> 1970s, when various organizations<br />

<strong>and</strong> individuals claimed to be carrying on his legacy. In addition,<br />

we will critically assess <strong>the</strong> ways in which his legacy continues<br />

to be constructed <strong>and</strong> used to represent that period <strong>of</strong> Black struggle.<br />

Our investigation will be guided by three broad objectives.<br />

First, we will study Malcolm X’s life leading up to his emergence as<br />

a national <strong>and</strong> international figure <strong>of</strong> Black resistance.<br />

Secondly, we will examine <strong>the</strong> contours <strong>and</strong> depth <strong>of</strong> his activism<br />

<strong>and</strong> its relationship to <strong>the</strong> broader African American freedom<br />

movement. This will include a close look at <strong>the</strong> various ways in<br />

which his ideas <strong>and</strong> his example as a political activist impacted <strong>the</strong><br />

Civil Rights movement <strong>and</strong> <strong>the</strong> emergence <strong>of</strong> <strong>the</strong> Black Power<br />

movement following his assassination in 1965.<br />

Finally, we will analyze <strong>and</strong> interpret contemporary representations<br />

<strong>of</strong> Malcolm X in both scholarly <strong>and</strong> popular forms, allowing us to<br />

better underst<strong>and</strong> his legacy <strong>and</strong> his place in narratives <strong>of</strong> African<br />

American history. Throughout <strong>the</strong> academic term, we will take care<br />

to highlight <strong>the</strong> ways that ideas <strong>and</strong> images are used to construct<br />

historical meaning — that is, to make sense <strong>of</strong> <strong>the</strong> past <strong>and</strong> its relationship<br />

to <strong>the</strong> present.<br />

Instructor: Ward, Stephen M<br />

Section 002 — Underst<strong>and</strong>ing Social Problems through<br />

Memoirs.<br />

This course peers into <strong>the</strong> lives <strong>of</strong> famous <strong>and</strong> ordinary African<br />

Americans through intensive analysis <strong>of</strong> <strong>the</strong>ir memoirs. Most people<br />

remember good <strong>and</strong> bad aspects <strong>of</strong> <strong>the</strong>ir lives well enough to share<br />

<strong>the</strong>m with o<strong>the</strong>rs in everyday conversations. But memoirs represent<br />

individuals’ attempts to chronicle <strong>the</strong> most meaningful experiences<br />

<strong>of</strong> <strong>the</strong>ir lives. Some <strong>of</strong> <strong>the</strong>se authors expose <strong>the</strong>ir lives to strangers<br />

as a cautionary tale, o<strong>the</strong>rs as a model for achieving economic mobility,<br />

still o<strong>the</strong>rs to document life’s obstacles that <strong>the</strong>y’ve managed<br />

to overcome.<br />

This course has three objectives:<br />

• to apply major <strong>the</strong>ories about race, class, <strong>and</strong> gender to <strong>the</strong><br />

‘real life’ experiences <strong>of</strong> individuals,<br />

• to underst<strong>and</strong> <strong>the</strong> variety <strong>of</strong> ways in which individuals construct<br />

social identities through <strong>the</strong>ir interactions with o<strong>the</strong>rs, <strong>and</strong><br />

• to deepen students’ underst<strong>and</strong>ing <strong>of</strong> inequality <strong>and</strong> its consequences.<br />

Instructor: Lacy, Karyn R


Section 003 — Transnational Human Rights Formations.<br />

This seminar explores international human rights <strong>the</strong>ory <strong>and</strong> practice<br />

through a consideration <strong>of</strong> three key concepts:<br />

• Transnationalism<br />

• Ethnic Nationalism<br />

• Human Rights<br />

Each <strong>of</strong> <strong>the</strong> concepts will be considered in depth <strong>and</strong> linked to <strong>the</strong><br />

emerging field <strong>of</strong> transnational organizing <strong>and</strong> <strong>the</strong> growing interest<br />

in non-governmental organizations (NGOs) in shaping local <strong>and</strong><br />

global practices.<br />

Instructor: Adunbi, Omolade<br />

AAS 104. First Year Humanities Seminar.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (HU). May not be repeated for credit.<br />

(Cross-Area Courses). May not be included in a concentration plan.<br />

This seminar introduces first-year students to <strong>the</strong> intellectual community<br />

<strong>of</strong> humanities scholars working in <strong>the</strong> field <strong>of</strong> Afroamerican<br />

<strong>and</strong> African studies. The topic <strong>of</strong> <strong>the</strong> seminar varies from year to<br />

year.<br />

Section 002 — Introduction to <strong>the</strong> Black Novel 1950-1990.<br />

This course provides <strong>the</strong> students with an opportunity to follow <strong>the</strong><br />

development <strong>of</strong> <strong>the</strong> novel by African–American writers in <strong>the</strong> second<br />

half <strong>of</strong> <strong>the</strong> 20th century. Among o<strong>the</strong>rs, we will read<br />

Gwendolyn Brooks, Ann Petry, James Baldwin, Ralph Ellison,<br />

Richard Wright, <strong>and</strong> <strong>To</strong>ni Morrison. Working with close readings, as<br />

well as learning h<strong>and</strong>s-on critical approaches to literature, we will<br />

discuss such issues as: genre, social constructions <strong>of</strong> race, gender<br />

<strong>and</strong> sexuality, class, <strong>and</strong> social space.<br />

Course Requirements:<br />

Requirements include regular attendance, weekly readings <strong>and</strong><br />

critical journal, pop quizzes, <strong>and</strong> comprehensive midterm <strong>and</strong> final<br />

examinations.<br />

Instructor: Zaborowska, Magdalena J<br />

Section 003 — The Culture <strong>of</strong> Jazz.<br />

"There is more to jazz than music,” a scholar recently wrote, “<strong>and</strong> it<br />

is <strong>the</strong>re, paradoxically, that its influence is pr<strong>of</strong>ound.” “Jazz,” he<br />

continued, “is also a loosely connected set <strong>of</strong> ideas: it has a history<br />

<strong>and</strong> a tradition <strong>of</strong> thought, an imagery <strong>and</strong> a vocabulary that have<br />

given it reality <strong>and</strong> presence." This first-year seminar follows up on<br />

those very ideas. We will explore a few elements <strong>of</strong> <strong>the</strong> music, culture,<br />

<strong>and</strong> literature <strong>of</strong> jazz. We will be especially attentive to jazz’s<br />

relationship to African American cultural <strong>and</strong> intellectual life in <strong>the</strong><br />

20th century <strong>and</strong> we will also track <strong>the</strong> music’s relationship to<br />

American musical culture more broadly. Although <strong>the</strong> full history <strong>of</strong><br />

<strong>the</strong> music covers more than a century <strong>and</strong> reaches across <strong>the</strong><br />

world, our focus this term will be on <strong>the</strong> culture <strong>of</strong> modern jazz in<br />

<strong>the</strong> 1950s <strong>and</strong> 1960s <strong>and</strong> some <strong>of</strong> that era’s major figures, such as<br />

Miles Davis, John Coltrane, <strong>and</strong> Billie Holiday. Among o<strong>the</strong>r work,<br />

<strong>the</strong>re will be regular written commentaries required <strong>and</strong> short reading<br />

quizzes to help keep everyone on track with <strong>the</strong> reading.<br />

Instructor: Anderson, Paul A<br />

AAS 111. Introduction to Africa <strong>and</strong> Its Diaspora.<br />

(4). (HU). (R&E). May not be repeated for credit. May not be included<br />

in a concentration plan. F.<br />

Introduces basic concepts <strong>and</strong> methods involved in <strong>the</strong> study <strong>of</strong><br />

Africa <strong>and</strong> its Diaspora. This team-taught course takes a multimedia,<br />

interdisciplinary approach using maps, cultural artifacts, films,<br />

art, music, archival documents, literary texts, <strong>and</strong> key scholarly<br />

readings from both <strong>the</strong> humanities <strong>and</strong> social sciences.<br />

Prerequisite to <strong>the</strong> CAAS concentration <strong>and</strong> academic minor.<br />

Instructor: Baptista, Marlyse<br />

AAS 115. Elementary Swahili.<br />

(4). May not be repeated for credit.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 25<br />

The goal <strong>of</strong> this course is to provide students with a basic but solid<br />

knowledge <strong>of</strong> Swahili morphology <strong>and</strong> syntax, functional vocabulary,<br />

<strong>and</strong> practice in speaking <strong>and</strong> writing. It is designed to introduce<br />

students to <strong>the</strong> language <strong>and</strong> <strong>the</strong> many facets <strong>of</strong> <strong>the</strong> East<br />

African cultures in which it is spoken. Students will develop <strong>the</strong>ir<br />

ability to communicate satisfactorily in Swahili in everyday practical<br />

situations while acquiring some <strong>of</strong> <strong>the</strong> skills necessary for effective<br />

reading <strong>and</strong> writing. Using a variety <strong>of</strong> written <strong>and</strong> oral materials,<br />

<strong>the</strong> course focuses on <strong>the</strong> development <strong>of</strong> <strong>the</strong> four language skills<br />

necessary for interpersonal communication in Swahili: listening,<br />

writing, reading, <strong>and</strong> speaking.<br />

Instructional materials for this course include Sharifa Zawawi,<br />

Kiswahili Kwa Kitendo: An Introductory Course (Vol. I: Learn Our<br />

Kiswahili) <strong>and</strong> Tujifunze Kiswahili Chetu: Workbook (Vol. 2: Learn<br />

Our Kiswahili) as well as <strong>the</strong> accompanying audio-tapes, Africa<br />

World Press, Inc.<br />

Course Requirements:<br />

Regular attendance is essential. Participation in class includes asking<br />

<strong>and</strong> answering questions in Swahili, initiating discussion, role<br />

playing, <strong>and</strong> o<strong>the</strong>r situational activities. Final grade is based on<br />

class participation, journal entries, homework assignments, unit<br />

exams, a midterm written <strong>and</strong> oral test, <strong>and</strong> a final written <strong>and</strong> oral<br />

examination.<br />

Intended Audience:<br />

CAAS concentrators <strong>and</strong> academic minors, especially those engaged<br />

in <strong>the</strong> academic study <strong>of</strong> African/East African cultures as well as<br />

students engaged in similar study in a variety <strong>of</strong> o<strong>the</strong>r programs<br />

<strong>and</strong> departments such as anthropology, history, sociology, political<br />

science, <strong>and</strong> <strong>the</strong> Residential <strong>College</strong>.<br />

Class Format:<br />

This recitation course meets four days a week for one hour.<br />

Instructor: Mpesha, Nyambura<br />

AAS 125. Elementary African Languages I.<br />

(4). May not be repeated for credit.<br />

Section 001 — Akan.<br />

Introduction to Akan, a major language <strong>of</strong> West Africa, spoken by<br />

<strong>the</strong> Akan peoples <strong>of</strong> Ghana. With approximately three million<br />

speakers, it is <strong>the</strong> major language in Ghana. It is also spoken by<br />

thous<strong>and</strong>s <strong>of</strong> people in <strong>the</strong> Côte d'Ivoire. Basic grammatical structures<br />

<strong>and</strong> vocabulary, emphasis on <strong>the</strong> spoken language, oral <strong>and</strong><br />

listening comprehension, language use in specific social settings<br />

like <strong>the</strong> market, school, hospital, doctor's <strong>of</strong>fice, among o<strong>the</strong>rs. Important<br />

cultural points like food, clothing, marriage, etc. Videos <strong>and</strong><br />

Internet resources will be used.<br />

Intended Audience:<br />

Undergrads who wish to learn Akan<br />

Class Format:<br />

Class will meet four days a week for one hour.<br />

Instructor: Mpesha, Nyambura<br />

Section 002 — Bambara.<br />

Introduction to Bambara language <strong>and</strong> culture. Bambara is spoken<br />

in West Africa especially in Mali <strong>and</strong> Burkina Faso, Guinea-Conakry,<br />

Côte d'Ivoire, <strong>and</strong> Senegal. Basic grammatical structures <strong>and</strong> vocabulary.<br />

Emphasis is on spoken language-oral <strong>and</strong> listening comprehension,<br />

language use in specific social settings like <strong>the</strong> market,<br />

school, hospital, doctor's <strong>of</strong>fice, among o<strong>the</strong>rs. Important cultural<br />

points like food, clothing, marriage, etc. Videos <strong>and</strong> Internet resources<br />

will be used.<br />

Intended Audience:<br />

Undergrads who wish to learn Bambara


26 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

Class Format:<br />

Class will meet four days a week for one hour.<br />

Instructor: Mpesha, Nyambura<br />

Section 003 — Wol<strong>of</strong>.<br />

Introduction to Wol<strong>of</strong> language <strong>and</strong> culture. Wol<strong>of</strong> is spoken by<br />

over 3 million people in Senegal <strong>and</strong> by millions <strong>of</strong> people in <strong>the</strong><br />

Gambia, <strong>and</strong> Mauritania. It is <strong>the</strong> lingua franca in Senegal <strong>and</strong> belongs<br />

to <strong>the</strong> Atlantic branch <strong>of</strong> <strong>the</strong> Niger-Congo language family.<br />

Besides <strong>the</strong> Wol<strong>of</strong> people, <strong>the</strong> Wol<strong>of</strong> language is spoken by <strong>the</strong><br />

Fulani, Serer, <strong>To</strong>ucouleur, Diola, <strong>and</strong> M<strong>and</strong>ingo people as a second<br />

language.<br />

Intended Audience:<br />

Undergrads who wish to learn Wol<strong>of</strong><br />

Class Format:<br />

Class will meet four days a week for one hour.<br />

Instructor: Mpesha, Nyambura<br />

Section 004 — Zulu.<br />

Introduction to Zulu language <strong>and</strong> culture. Zulu is spoken in South<br />

Africa <strong>and</strong> <strong>the</strong> neighboring countries <strong>of</strong> Zimbabwe, Malawi,<br />

Namibia, Mozambique, Swazil<strong>and</strong>, <strong>and</strong> Lesotho. Basic grammatical<br />

structures <strong>and</strong> vocabulary. Emphasis is on spoken language-oral<br />

<strong>and</strong> listening comprehension, language use in specific social settings<br />

like <strong>the</strong> market, school, hospital, doctor's <strong>of</strong>fice, among o<strong>the</strong>rs.<br />

Important cultural points like food, clothing, marriage, etc.<br />

Videos <strong>and</strong> Internet resources will be used.<br />

Intended Audience:<br />

Undergrads who wish to learn Zulu<br />

Class Format:<br />

Class will meet four days a week for one hour.<br />

Instructor: Mpesha, Nyambura<br />

AAS 208 / HISTART 208. Introduction to African Art.<br />

(4). (HU). May not be repeated for credit.<br />

Section 001. Through <strong>the</strong> study <strong>of</strong> a selected group <strong>of</strong> African <strong>and</strong><br />

African Diaspora cultures, we will investigate several pivotal issues<br />

<strong>and</strong> narratives that lie behind <strong>the</strong> surfaces <strong>of</strong> some extraordinary<br />

objects <strong>and</strong> practices. African people have <strong>the</strong>ir own stories to tell<br />

about <strong>the</strong>se things, <strong>of</strong> course: stories <strong>of</strong> mythic power expressed as<br />

living form, stories <strong>of</strong> historical contact with o<strong>the</strong>r cultures, stories<br />

<strong>of</strong> struggle <strong>and</strong> redemption, stories <strong>of</strong> ordinary, everyday life. And<br />

over <strong>the</strong> past several centuries, we in <strong>the</strong> “West” also have had a<br />

decisive, <strong>of</strong>ten disturbing h<strong>and</strong> in <strong>the</strong> framing <strong>of</strong> African peoples,<br />

objects, <strong>and</strong> stories. The coupled histories <strong>of</strong> colonialism <strong>and</strong> <strong>the</strong><br />

slave trade, along with our inevitably distorted views <strong>and</strong> representations<br />

<strong>of</strong> what African people are <strong>and</strong> what <strong>the</strong>y do, have affected<br />

Africa <strong>and</strong> its peoples to <strong>the</strong> core. When we look at <strong>and</strong> think critically<br />

about “African Art,” <strong>the</strong>n, we necessarily must look at <strong>and</strong><br />

think critically about ourselves. Ultimately, <strong>the</strong> goal is to underst<strong>and</strong><br />

aspects <strong>of</strong> African cultures in <strong>the</strong> terms by which Africans underst<strong>and</strong><br />

<strong>the</strong>m — to know African ideals <strong>and</strong> realities as <strong>the</strong>y are<br />

shaped in word, sound, matter, <strong>and</strong> movement.<br />

In this course, we’ll be taking a few steps towards that goal. In lectures<br />

<strong>and</strong> weekly discussion sections, in films, recorded sound, <strong>and</strong><br />

perhaps even in live performance, we will examine objects <strong>and</strong> <strong>the</strong><br />

many stories that surround <strong>the</strong>m. Looking <strong>and</strong> listening closely, we<br />

will learn to see <strong>and</strong> to underst<strong>and</strong> a wide range <strong>of</strong> African visual<br />

practices including architecture, textiles, body adornment, painting,<br />

graphic communication systems, photography, dance, ritual performance<br />

<strong>and</strong>, <strong>of</strong> course, sculpture — not only as <strong>the</strong>se practices<br />

continue to unfold on <strong>the</strong> African continent, but also as <strong>the</strong>y are<br />

transformed, <strong>and</strong> as <strong>the</strong>y endure, in <strong>the</strong> African Diaspora.<br />

B. E. 4<br />

Class Format:<br />

Lecture <strong>and</strong> weekly discussion<br />

Instructor: Doris, David T<br />

AAS 246 / HISTORY 246. Africa to 1850.<br />

(4). (SS). May not be repeated for credit.<br />

This course is a survey <strong>of</strong> African history, from about 3000 BCE until<br />

<strong>the</strong> middle <strong>of</strong> <strong>the</strong> nineteenth century CE. We will focus our attention<br />

on <strong>the</strong> following major <strong>the</strong>mes in pre-colonial African history:<br />

• The Development <strong>of</strong> Social Complexity<br />

• African Political Cultures<br />

• Religion (African Traditional Religions, Islam, <strong>and</strong> Christianity)<br />

• Transformations in Gender Relations<br />

• Slavery <strong>and</strong> <strong>the</strong> Slave Trades<br />

• African history beyond <strong>the</strong> continent: The Making <strong>of</strong> African<br />

Diasporas<br />

• Increasing European Encroachment<br />

Africa is very large — 3-½ times <strong>the</strong> size <strong>of</strong> <strong>the</strong> continental U.S. —<br />

so covering roughly five millennia <strong>of</strong> its history could never be accomplished<br />

in an exhaustive way for <strong>the</strong> whole <strong>of</strong> <strong>the</strong> continent in<br />

thirteen weeks! Our approach will be to explore this history through<br />

five regional case studies each highlighting particular <strong>the</strong>mes:<br />

1. Egypt <strong>and</strong> <strong>the</strong> Greater Nile Valley<br />

2. West Africa, <strong>the</strong> Sahara, <strong>and</strong> <strong>the</strong> Maghrib<br />

3. West-Central Africa<br />

4. East Africa <strong>and</strong> <strong>the</strong> Swahili coast<br />

5. Sou<strong>the</strong>rn Africa<br />

BOOKS:<br />

• Erik Gilbert <strong>and</strong> Jonathan T. Reynolds, Africa in World History:<br />

From Prehistory to <strong>the</strong> Present<br />

• John Thornton, The Kongolese Saint Anthony: Dona Beatriz<br />

Kimpa Vita <strong>and</strong> <strong>the</strong> Antonian Movement: 1684-1706<br />

EVALUATION METHOD:<br />

• Exam #1 : 25 %<br />

• Exam #2 : 25%<br />

• Paper : 25%<br />

• Participation : 25%<br />

• Discussion<br />

Instructor: Ware, Rudolph T<br />

ACABS (Ancient Civilizations <strong>and</strong><br />

Biblical Studies)<br />

The Department <strong>of</strong> Near Eastern Studies <strong>of</strong>fers instruction in <strong>the</strong><br />

languages, literatures, histories, cultures <strong>and</strong> religions <strong>of</strong> <strong>the</strong> ancient<br />

Near East <strong>and</strong> <strong>the</strong> medieval <strong>and</strong> modern Middle East. The department’s<br />

language <strong>of</strong>ferings provide <strong>the</strong> foundation for <strong>the</strong> academic<br />

study <strong>of</strong> <strong>the</strong> literatures, histories, cultures <strong>and</strong> religions <strong>of</strong><br />

<strong>the</strong> region. The ancient language <strong>of</strong>ferings include Sumerian,<br />

Egyptian, Akkadian, Hittite, Ugaritic, Avestan, Aramaic, <strong>and</strong> Classical<br />

Hebrew. The medieval <strong>and</strong> modern language <strong>of</strong>ferings include<br />

Armenian, Arabic, Hebrew, Persian, Turkish, <strong>and</strong> Uzbek.<br />

The division <strong>of</strong> Ancient Civilizations <strong>and</strong> Biblical Studies (ACABS) <strong>of</strong>fers<br />

instruction at <strong>the</strong> introductory to advanced levels in <strong>the</strong> languages,<br />

literatures, histories, cultures, <strong>and</strong> religions <strong>of</strong> <strong>the</strong> ancient<br />

Near East (Anatolia, Egypt, Mesopotamia, Israel, Jordan, <strong>and</strong><br />

Syria).<br />

ACABS 100 / AAPTIS 100 / HISTORY 132 / HJCS 100. Peoples<br />

<strong>of</strong> <strong>the</strong> Middle East.<br />

(4). (HU). May not be repeated for credit. Taught in English.<br />

Section 001 — Issues in Race & Ethnicity.<br />

An introductory course on <strong>the</strong> diversity <strong>of</strong> peoples, cultures,<br />

economies, <strong>and</strong> politics <strong>of</strong> <strong>the</strong> Middle East. <strong>To</strong>pics include religion<br />

(Judaism, Islam, Christianity), cities <strong>and</strong> nomads, women in <strong>the</strong><br />

Middle East, economic change, social <strong>and</strong> political systems, <strong>and</strong> <strong>the</strong><br />

world's first civilizations <strong>of</strong> Mesopotamia <strong>and</strong> Egypt.<br />

Instructor: Michalowski, Piotr A


ACABS 101. Elementary Classical Hebrew I.<br />

(3). May not be repeated for credit. F.<br />

The purpose <strong>of</strong> this <strong>and</strong> <strong>the</strong> complementary course, ACABS 102<br />

Elementary Classical Hebrew II (Winter Term), is to equip <strong>the</strong> beginning<br />

student with <strong>the</strong> basic tools necessary for reading <strong>the</strong><br />

Hebrew Bible. The course will introduce <strong>the</strong> student to <strong>the</strong> grammar<br />

<strong>of</strong> biblical Hebrew; its phonology (<strong>the</strong> study <strong>of</strong> speech sounds),<br />

morphology (<strong>the</strong> study <strong>of</strong> word formation), <strong>and</strong> syntax (<strong>the</strong> study<br />

<strong>of</strong> phrase <strong>and</strong> sentence formation). In addition to mastering <strong>the</strong><br />

grammar, <strong>the</strong> student will need to acquire a sizable working vocabulary<br />

<strong>of</strong> <strong>the</strong> language, as competency in grammar <strong>and</strong> lexicon<br />

best facilitates <strong>the</strong> goal <strong>of</strong> reading <strong>the</strong> biblical text.<br />

Course Requirements:<br />

The grading will be based on corrected daily assignments (i.e., <strong>the</strong><br />

textbook exercises), 13-14 announced quizzes (with one class day<br />

advance notice), a final comprehensive exam, as well as attendance<br />

<strong>and</strong> participation. The daily assignments will comprise 25%<br />

<strong>of</strong> <strong>the</strong> grade, <strong>the</strong> ten best quizzes, 25%, <strong>the</strong> final exam, 25%, <strong>and</strong><br />

attendance <strong>and</strong> participation, 25%.<br />

Instructor: Schmidt, Brian B<br />

ACABS 121 / RELIGION 121. Introduction to <strong>the</strong> Tanakh/<br />

Old Testament.<br />

(3). (HU). May not be repeated for credit.<br />

This course is designed to introduce <strong>the</strong> student to <strong>the</strong> modern<br />

study <strong>of</strong> <strong>the</strong> Old Testament or Tanakh. This collection <strong>of</strong> texts is<br />

studied both as cultural vestige <strong>of</strong> <strong>the</strong> ancient Near East <strong>and</strong> as a<br />

foundational document to Western thought. Lectures <strong>and</strong> readings<br />

focus on <strong>the</strong> development <strong>of</strong> ancient Israel's literature, religion, <strong>and</strong><br />

history, as well as on <strong>the</strong> roles <strong>of</strong> those central to <strong>the</strong> formation<br />

<strong>and</strong> maintenance <strong>of</strong> early Israelite traditions: <strong>the</strong> priest, king,<br />

prophet, <strong>and</strong> sage.<br />

Instructor: Schmidt, Brian B<br />

ACABS 200 / AAPTIS 200 / HJCS 200 / RELIGION 201.<br />

Introduction to World Religions: Near Eastern.<br />

(4). (HU). May not be repeated for credit. F.<br />

Religions <strong>of</strong> <strong>the</strong> Book: Judaism, Christianity, <strong>and</strong> Islam.<br />

Section 001.<br />

This course serves two main functions:<br />

• <strong>the</strong> first <strong>of</strong> <strong>the</strong>se is to provide an introductory sense <strong>of</strong> what is<br />

involved in <strong>the</strong> academic study <strong>of</strong> religion;<br />

• <strong>the</strong> second, which will occupy almost <strong>the</strong> whole term, is to discuss<br />

<strong>the</strong> major religious traditions <strong>of</strong> <strong>the</strong> Near East, with emphasis<br />

on <strong>the</strong> development <strong>and</strong> major structures <strong>of</strong> Judaism,<br />

Christianity, <strong>and</strong> Islam.<br />

The course will keep two foci in view: one will have to do with <strong>the</strong><br />

historical development <strong>of</strong> <strong>the</strong>se religious traditions, <strong>the</strong>ir sacred<br />

texts, <strong>and</strong> major personalities; <strong>the</strong> second will involve a comparative<br />

view <strong>of</strong> <strong>the</strong>se traditions by analyzing <strong>the</strong>ir sense <strong>of</strong> <strong>the</strong> sacred<br />

in space, time, <strong>and</strong> text, <strong>the</strong>ir views on holy people.<br />

Course Requirements:<br />

Writing for <strong>the</strong> course typically involves an essay, a short response<br />

paper, a midterm, <strong>and</strong> a final exam.<br />

Intended Audience:<br />

This is an introductory course: it is not necessary for students to<br />

have any previous experience in <strong>the</strong> study <strong>of</strong> religion.<br />

Instructor: Knysh, Alex<strong>and</strong>er D<br />

ACABS 221 / RELIGION 280. Jesus <strong>and</strong> <strong>the</strong> Gospels.<br />

(4). (HU). May not be repeated for credit.<br />

Section 001. The course focuses on <strong>the</strong> founder <strong>of</strong> Christianity,<br />

Jesus son <strong>of</strong> Joseph (Joshua bar-Yosef), as an historical character.<br />

By examining all extant historical sources (Jewish, Christian, <strong>and</strong><br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 27<br />

Pagan), <strong>the</strong> course <strong>of</strong>fers a critical reconstruction <strong>of</strong> <strong>the</strong> major<br />

stages <strong>of</strong> <strong>the</strong> life <strong>and</strong> deeds <strong>of</strong> <strong>the</strong> prophet from Nazareth, from his<br />

birth under Herod <strong>the</strong> Great to his death <strong>and</strong> crucifixion under<br />

Pontius Pilate, within <strong>the</strong> diverse world <strong>of</strong> Second Temple Judaism.<br />

The course also explores <strong>the</strong> way in which <strong>the</strong> figure <strong>of</strong> Jesus has<br />

been reinterpreted over <strong>the</strong> centuries within <strong>the</strong> Christian, Jewish,<br />

<strong>and</strong> Muslim traditions, as well as his numerous portraits in <strong>the</strong> arts,<br />

involving <strong>the</strong> students in a multimedia experience <strong>of</strong> <strong>the</strong>ater, fine<br />

arts, <strong>and</strong> music (Gospel music, <strong>and</strong> operas like Amahl <strong>and</strong> <strong>the</strong> Night<br />

Vision by Menotti as well as musicals like Jesus Christ Superstar <strong>and</strong><br />

Godspell). Particular emphasis is placed on a detailed analysis <strong>of</strong><br />

<strong>the</strong> many movies on Jesus, from Zecca-Noguet (1905) to DeMille<br />

(1927), Ray (1961), Pasolini (1966), Scorsese (1988), <strong>and</strong> Gibson<br />

(2004).<br />

Course Requirements:<br />

The course grade will be based upon daily assignments <strong>and</strong> attendance;<br />

midterm(s) <strong>and</strong> final exam.<br />

Class Format:<br />

The format <strong>of</strong> <strong>the</strong> course consists <strong>of</strong> two lectures per week by <strong>the</strong><br />

instructor <strong>and</strong> a weekly discussion session conducted by a GSI.<br />

Instructor: Boccaccini, Gabriele<br />

ACABS 270 / HJCS 270 / JUDAIC 270 / RELIGION 270.<br />

Introduction to Rabbinic <strong>Literature</strong>.<br />

(3). (HU). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in HJCS 470 or JUDAIC<br />

470 or HJCS 570 or ACABS 570 or JUDAIC 570. Taught in English.<br />

Taught in English. All materials will be provided in English translation.<br />

In this course, we will explore <strong>the</strong> history <strong>and</strong> substance <strong>of</strong> rabbinic<br />

writing on three levels. First, we will talk about <strong>the</strong> rabbinic literary<br />

enterprise within <strong>the</strong> broad cultural, historical <strong>and</strong> religious context<br />

<strong>of</strong> <strong>the</strong> Roman <strong>and</strong> Byzantine eras. Second, we will examine <strong>the</strong><br />

many genres <strong>of</strong> rabbinic literature <strong>and</strong> literature <strong>and</strong> consider <strong>the</strong><br />

sages — <strong>the</strong> elite group <strong>of</strong> Jewish intellectuals who created this<br />

corpus. Finally, we will trace <strong>the</strong> way in which subsequent generations<br />

have gradually shaped <strong>the</strong>se texts to <strong>the</strong>ir current format <strong>and</strong><br />

endowed <strong>the</strong>m with <strong>the</strong>ir exalted status.<br />

Course Requirements:<br />

Grades will be based on participation, a short <strong>and</strong> long paper, midterm,<br />

<strong>and</strong> a final.<br />

Class Format:<br />

The course will combine lectures <strong>and</strong> reading sessions <strong>of</strong> rabbinic<br />

texts (all material will be provided in English translation).<br />

Instructor: Eliav, Yaron Z<br />

AMCULT (American Culture)<br />

The Program in American Culture exposes students to <strong>the</strong> interdisciplinary<br />

study <strong>of</strong> U.S. society <strong>and</strong> culture. Our courses integrate a<br />

rich array <strong>of</strong> materials, <strong>the</strong>mes, <strong>and</strong> approaches from many fields:<br />

not only historical <strong>and</strong> literary study, but also visual studies, musicology,<br />

film <strong>and</strong> media, anthropology, <strong>and</strong> o<strong>the</strong>rs. The curriculum<br />

<strong>of</strong> <strong>the</strong> Program emphasizes <strong>the</strong> multicultural diversity <strong>of</strong> American<br />

society, paying particular attention to ethnic, gender, <strong>and</strong> o<strong>the</strong>r<br />

forms <strong>of</strong> social difference <strong>and</strong> inequality. At <strong>the</strong> same time, it<br />

stresses <strong>the</strong> importance <strong>of</strong> studying U.S. nationhood, including<br />

Americans’ (sometimes conflicting) ideals <strong>and</strong> experiences <strong>of</strong> what<br />

it means to be American. Our courses are designed to explore<br />

<strong>the</strong>se issues in both historical <strong>and</strong> contemporary settings.<br />

Policy Regarding Waitlists <strong>and</strong> Overrides<br />

• All American Culture (AMCULT) courses will have unlimited electronic<br />

waitlists on Wolverine Access. Students interested in an<br />

American Culture course that has filled should add <strong>the</strong>ir name<br />

to <strong>the</strong> appropriate waitlist online.<br />

• From <strong>the</strong> first day <strong>of</strong> registration until <strong>the</strong> last business day before<br />

<strong>the</strong> first day <strong>of</strong> classes, a member <strong>of</strong> <strong>the</strong> AC staff will moni-


28 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

tor enrollments <strong>and</strong> note any waitlisted courses that have<br />

spaces available.<br />

• When available, a member <strong>of</strong> <strong>the</strong> AC staff will issue an override<br />

for each open space in a waitlisted course. Students who are<br />

<strong>of</strong>ficially declared AC-affiliated concentrators or minors<br />

will be given priority for <strong>the</strong>se overrides, with exceptions<br />

noted in <strong>the</strong> next bulleted point. If <strong>the</strong>re are no <strong>of</strong>ficially<br />

declared AC-affiliated concentrators or minors on <strong>the</strong><br />

waitlist, overrides will be issued according to waitlist order.<br />

• For <strong>the</strong> following Fall 2009 courses, priority for overrides<br />

will be given to freshmen <strong>and</strong> sophomores, regardless<br />

<strong>of</strong> concentration or minor declared: AMCULT 204, 205,<br />

213, 214 <strong>and</strong> 215.<br />

• The overrides issued will have an expiration date <strong>of</strong> 48 hours<br />

(including weekends). If <strong>the</strong> student does not accept <strong>the</strong> override<br />

within that time frame, it will expire. This will allow <strong>the</strong><br />

staff member to <strong>of</strong>fer <strong>the</strong> space to <strong>the</strong> next eligible student on<br />

<strong>the</strong> waitlist, who will <strong>the</strong>n have 48 hours to enroll.<br />

Please note: <strong>the</strong> expiration date will be one week (including<br />

weekends) when classes are not in session.<br />

• If all students on a given waitlist have been given an opportunity<br />

to enroll, but do not do so, a member <strong>of</strong> <strong>the</strong> AC staff will<br />

ask <strong>the</strong> Registrar’s Office to drop <strong>the</strong>m from said waitlist. This<br />

will allow <strong>the</strong> class to reopen for registration.<br />

• Once classes begin, no overrides will be issued without<br />

<strong>the</strong> consent <strong>of</strong> <strong>the</strong> instructor for <strong>the</strong> course. S/he has final<br />

authority on whe<strong>the</strong>r or not to issue overrides. Students may<br />

print <strong>of</strong>f a request for electronic override form <strong>and</strong> return it with<br />

<strong>the</strong> required information <strong>and</strong> signatures to 3700 Haven Hall for<br />

processing.<br />

Students should also be advised <strong>of</strong> <strong>the</strong> following:<br />

• Registration on an American Culture waitlist does not guarantee<br />

that A) <strong>the</strong> student will be given an override into <strong>the</strong> class at<br />

any time, or B) <strong>the</strong> student who is first on <strong>the</strong> waitlist will be<br />

<strong>the</strong> first person <strong>of</strong>fered an override.<br />

• Students can only waitlist for one section <strong>of</strong> a particular class.<br />

In o<strong>the</strong>r words, if <strong>the</strong>re are multiple discussion sections for a<br />

lecture/discussion course, <strong>the</strong> student must waitlist for <strong>the</strong> section<br />

s/he wants <strong>the</strong> most.<br />

• Prior to <strong>the</strong> start <strong>of</strong> classes, we will not give special consideration<br />

for overrides based on seniority, as upperclassmen already<br />

have priority to enroll or join waitlists because <strong>the</strong>ir registration<br />

appointments are early in <strong>the</strong> add/drop period.<br />

Questions? E-mail <strong>the</strong> undergraduate assistant.<br />

Repetition Unless o<strong>the</strong>rwise stated, <strong>the</strong> permission required for<br />

<strong>the</strong> repetition for credit <strong>of</strong> specifically designated courses is that <strong>of</strong><br />

<strong>the</strong> student's concentration or BGS advisor.<br />

Courses in Ojibwe<br />

A full sequence <strong>of</strong> Ojibwe cannot be guaranteed. Students must<br />

consult with <strong>the</strong> American Culture Program Office before undertaking<br />

Ojibwe to satisfy <strong>the</strong> <strong>College</strong> language requirement. Starting in<br />

Fall, 2009, students interested in enrolling in <strong>the</strong> first-year elementary<br />

Ojibwe course, AMCULT 222, must submit an application for<br />

admission to <strong>the</strong> course. Applications are available in <strong>the</strong> Program<br />

in American Culture <strong>of</strong>fice, 3700 Haven Hall.<br />

AMCULT 100. Rethinking American Culture.<br />

(4). (SS). (R&E). May not be repeated for credit.<br />

Section 001. What is an American? How are Americans made?<br />

What do <strong>the</strong> concepts <strong>of</strong> liberty <strong>and</strong> equality have to do with being<br />

American?<br />

This course, taught by a historian, will treat <strong>the</strong>se questions as <strong>the</strong>y<br />

emerged <strong>and</strong> have been contested over <strong>the</strong> centuries. Examining<br />

history <strong>and</strong> literature, facts <strong>and</strong> fiction, we will explore stories told<br />

about liberty <strong>and</strong> equality against a social backdrop that features<br />

ethnicity, immigration, racism, slavery, religion, gender, status, <strong>and</strong><br />

class. We will view a few movies <strong>and</strong> read a wide variety <strong>of</strong> documents,<br />

memoirs, essays, <strong>and</strong> fiction.<br />

Instructor: Dowd, Gregory E<br />

AMCULT 102. First Year Seminar in American Studies.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (SS). May not be repeated for credit.<br />

This course is designed to introduce students to a wide variety <strong>of</strong><br />

topics <strong>and</strong> issues in American Studies in a seminar format from a<br />

Social <strong>Science</strong> perspective. It enables students to have contact with<br />

regular faculty in a small-class experience <strong>and</strong> to elicit <strong>the</strong>ir active<br />

participation in <strong>the</strong> topics under discussion.<br />

Section 001 — Food <strong>and</strong> Gender in Asian American Communities.<br />

This course meets <strong>the</strong> Contemporary Communities requirement for<br />

Asian/Pacific Isl<strong>and</strong>er American Studies Minors.<br />

This first-year seminar introduces students to historical <strong>and</strong> contemporary<br />

issues <strong>of</strong> Asians in America, through <strong>the</strong> lens <strong>of</strong> food <strong>and</strong><br />

culture. We will examine how foodways <strong>of</strong>ten shape gender roles,<br />

labor, power dynamics, <strong>and</strong> Asian American identity. Focusing on<br />

Chinese, Japanese, Filipino, Korean, Indian, <strong>and</strong> Vietnamese American<br />

communities, we will explore how "Food is our only common<br />

language."<br />

Course Requirements:<br />

Assignments include journals, midterm exam, <strong>and</strong> term project.<br />

Class Format:<br />

First-year seminar<br />

Instructor: Lawsin, Emily P<br />

Section 002 — Sports Culture.<br />

This seminar examines <strong>the</strong> role <strong>of</strong> sports culture in <strong>the</strong> social <strong>and</strong><br />

political construction <strong>of</strong> individual <strong>and</strong> collective American identities.<br />

Special attention will be given to issues <strong>of</strong> power, <strong>and</strong> race, gender,<br />

sexuality, class, <strong>and</strong> nationalism. Readings <strong>and</strong> films will cover contemporary<br />

<strong>and</strong> historical issues in baseball, basketball, football,<br />

boxing, <strong>and</strong> cheerleading.<br />

Instructor: Diaz, Vicente M<br />

AMCULT 103. First Year Seminar in American Studies.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (HU). May not be repeated for credit.<br />

This course is designed to introduce students to a wide variety <strong>of</strong><br />

topics <strong>and</strong> issues in American Studies in a seminar format from a<br />

Humanities perspective. It enables students to have contact with<br />

regular faculty in a small-class experience <strong>and</strong> to elicit <strong>the</strong>ir active<br />

participation in <strong>the</strong> topics under discussion.<br />

Section 001 — Critical Genealogies <strong>of</strong> American Musics.<br />

Throughout <strong>the</strong> 20th century, both scholarship <strong>and</strong> commerce have<br />

shaped "American music" <strong>and</strong> "American musical life" in racially binary<br />

terms — namely, white <strong>and</strong> Black. This seminar will examine<br />

music production, marketing, consumption, <strong>and</strong> journalism in <strong>the</strong><br />

United States, through <strong>the</strong> lens <strong>of</strong> a racial politics <strong>of</strong> culture. How<br />

can we account for both inclusions <strong>and</strong> exclusions within constructions<br />

<strong>of</strong> "American music" <strong>and</strong> "American musical life"?<br />

Course Requirements:<br />

Course requirements include active participation in class discussion,<br />

brief weekly writing tasks, a major term research project, <strong>and</strong> a final<br />

syn<strong>the</strong>tic essay exam.<br />

Intended Audience:<br />

Enrollment restricted to first-year students<br />

Class Format:<br />

This seminar combines readings from multiple disciplines, listening<br />

assignments, <strong>and</strong> viewing <strong>of</strong> documentary films.<br />

Instructor: Stillman, Amy K


Section 002 — History Through <strong>Literature</strong>.<br />

This course takes a broad sweep through <strong>the</strong> epic transformations<br />

in <strong>the</strong> United States <strong>and</strong> its intersection with <strong>the</strong> broader world over<br />

<strong>the</strong> past century through reading historical fiction (<strong>and</strong> one work <strong>of</strong><br />

science fiction). We’ll identify <strong>and</strong> talk about <strong>the</strong> historical transformations,<br />

political <strong>and</strong> social conflicts, <strong>and</strong> pr<strong>of</strong>ound ethical issues<br />

faced by characters in <strong>the</strong>se books.<br />

Required readings: E.L. Doctorow: Ragtime; Philip Roth: The Plot<br />

against America; Graham Greene The Quiet American; Barbara<br />

Kingsolver The Poisonwood Bible; Marjane Satrapi Persepolis;<br />

Thomas Pynchon: Vinel<strong>and</strong>; Octavia Butler; Parable <strong>of</strong> <strong>the</strong> Sower;<br />

Kamila Shamsie Burnt Shadows.<br />

Course Requirements:<br />

Assignments include weekly one-page response papers, a short paper,<br />

<strong>and</strong> a final creative project.<br />

Intended Audience:<br />

Enrollment restricted to first-year students<br />

Class Format:<br />

The class is primarily discussion based, but we will sometimes<br />

augment <strong>the</strong> reading with film or music, drawing on cultural references<br />

within <strong>the</strong> novels or film adaptations.<br />

Instructor: Von Eschen, Penny M<br />

Section 003 — Say it Loud: Black Culture in America.<br />

The Afro. The zoot suit. Hip Hop. Ma Rainey. Boondocks. Aretha<br />

Franklin. James Brown. Each <strong>of</strong> <strong>the</strong>se cultural items is tied not only<br />

to personal taste or entertainment value but also to larger political<br />

<strong>and</strong> social issues around race. In this course, we will analyze Black<br />

expressive culture (such as in music, art, literature, <strong>and</strong> television)<br />

<strong>and</strong> Black everyday culture (such as through hair, fashion, <strong>and</strong> language),<br />

<strong>and</strong> seek answers to two broad questions:<br />

• What is <strong>the</strong> relationship between Black culture <strong>and</strong> <strong>the</strong> Black<br />

freedom struggle?<br />

• What is <strong>the</strong> relationship between “Black” culture <strong>and</strong> “American”<br />

culture?<br />

Intended Audience:<br />

Enrollment restricted to first-year students<br />

Class Format:<br />

First-Year Seminar<br />

Instructor: Berrey, Stephen<br />

Section 004 — Race in U.S. Popular Culture.<br />

The United States has always been a racially <strong>and</strong> culturally diverse<br />

nation. The meaning <strong>of</strong> that heterogeneity, however, has been<br />

fiercely debated. Our objectives for this class will center on building<br />

critical interpretative skills to think about racial representations in<br />

U.S. popular culture over <strong>the</strong> past 150 years. This class is somewhat<br />

different from o<strong>the</strong>r history classes. Ra<strong>the</strong>r than focusing on<br />

constructing a time line <strong>of</strong> events, we will explore how changing<br />

ideas about race influenced <strong>the</strong> representations <strong>of</strong> particular<br />

groups, including whites, African Americans, Latinos, Native Americans,<br />

<strong>and</strong> Arab Americans. We will learn to "read" popular media<br />

(including novels, films, comic books, etc.) as ano<strong>the</strong>r primary historical<br />

source. Our attention will be focused on how racial representations<br />

intersected with assumptions about gender, sexuality, economic<br />

class, <strong>and</strong> national belonging. <strong>To</strong> this end, we will start with<br />

<strong>the</strong> assumption that media functions as mechanisms <strong>of</strong> socialization<br />

<strong>and</strong> as a venue for expressing popular concerns or beliefs. With this<br />

in mind, we will strive to uncover how past anxieties about racial<br />

diversity continue to haunt contemporaneous discussions <strong>and</strong> debates.<br />

Instructor: Mora, Anthony P<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 29<br />

AMCULT 204. Themes in American Culture.<br />

(3). (HU). May be elected twice for credit. May be elected more<br />

than once in <strong>the</strong> same term.<br />

The course is intended for first-year students, sophomores <strong>and</strong> juniors<br />

as specific illustrations <strong>of</strong> <strong>the</strong> issues raised <strong>and</strong> <strong>the</strong> approaches<br />

used by American Studies scholars. It is an interdisciplinary approach<br />

to a social, cultural or literary <strong>the</strong>me in American Culture.<br />

Section 001 — Museums <strong>and</strong> <strong>the</strong> Pacific.<br />

This course examines <strong>the</strong> relations between museums <strong>and</strong> indigenous<br />

Pacific Isl<strong>and</strong>ers. It explores <strong>the</strong> role <strong>of</strong> museums, including<br />

<strong>the</strong> work <strong>of</strong> Euro-American explorers, scientists, photographers, anthropologists,<br />

archaeologists, <strong>and</strong> tourists, in <strong>the</strong> collection, exhibition,<br />

<strong>and</strong> representation <strong>of</strong> native Pacific objects <strong>and</strong> peoples. In<br />

addition to examining <strong>the</strong> colonial legacies <strong>of</strong> museums in <strong>the</strong> U.S.,<br />

Europe, <strong>and</strong> <strong>the</strong> Pacific, this course will explore contemporary political,<br />

social, <strong>and</strong> cultural contestations around <strong>the</strong> institution <strong>and</strong><br />

<strong>the</strong> way that indigenous Pacific Isl<strong>and</strong>ers have reshaped museums<br />

<strong>and</strong> museum practice.<br />

Instructor: Delisle, Christine Taitano<br />

Section 003 — Religion in <strong>the</strong> Making <strong>of</strong> African America.<br />

This course studies <strong>the</strong> historical development <strong>of</strong> African American<br />

religion from <strong>the</strong> faith systems adapted <strong>and</strong> created in <strong>the</strong> middle<br />

passage <strong>of</strong> trans-Atlantic slavery through <strong>the</strong> multiple evolutions <strong>of</strong><br />

religious practice <strong>and</strong> culture in <strong>the</strong> 19th <strong>and</strong> 20th centuries. Course<br />

lectures examine <strong>the</strong> religious thought <strong>and</strong> experiences <strong>of</strong> Afric<strong>and</strong>escended<br />

communities in <strong>the</strong> United States, while exploring <strong>the</strong><br />

U.S. context <strong>of</strong> African American religion through its historical connections<br />

with religious histories <strong>of</strong> <strong>the</strong> Caribbean, South America<br />

<strong>and</strong> Africa. The course’s reading, listening, <strong>and</strong> viewing assignments<br />

highlight <strong>the</strong> generational perspectives that have sustained<br />

African American religion’s connection to <strong>the</strong> politics <strong>and</strong> culture <strong>of</strong><br />

freedom struggles during slavery <strong>and</strong> across <strong>the</strong> long transformations<br />

<strong>of</strong> post-emancipation society. A primary objective <strong>of</strong> <strong>the</strong><br />

course is to account for <strong>the</strong> ways that African American religion (in<br />

its multiple varieties) has oriented African American claims for national<br />

citizenship <strong>and</strong> related (<strong>and</strong> at times competing) claims <strong>of</strong><br />

belonging to <strong>the</strong> African diaspora. What religion has meant to <strong>the</strong>se<br />

overlapping identifications <strong>of</strong> nation <strong>and</strong> diaspora — <strong>the</strong> “African<br />

America” <strong>of</strong> our course title — will be <strong>the</strong> guiding inquiry <strong>of</strong> course<br />

discussion.<br />

Intended Audience:<br />

First-year students <strong>and</strong> sophomores.<br />

Instructor: Hughes, Br<strong>and</strong>i Suzanne<br />

AMCULT 205. American Cultures.<br />

(3). (HU). May not be repeated for credit.<br />

A multidisciplinary introductory study <strong>of</strong> cultural diversity <strong>and</strong> pluralism<br />

evidenced by <strong>the</strong> existence <strong>of</strong>, dynamics within, <strong>and</strong> <strong>the</strong> interactions<br />

among cultural groups, races, <strong>and</strong> histories in America.<br />

Section 001 — Space, Story, <strong>and</strong> American Self.<br />

This lecture-<strong>and</strong>-discussion course focuses on <strong>the</strong> historic <strong>and</strong> cultural<br />

contexts <strong>of</strong> "what is an American" by bringing toge<strong>the</strong>r narrative<br />

texts <strong>and</strong> architectural spaces that represent, interrogate, <strong>and</strong><br />

complicate <strong>the</strong> concepts <strong>of</strong> national identity. We will pay close attention<br />

to <strong>the</strong> ways in which texts <strong>and</strong> architectural forms — books<br />

<strong>and</strong> buildings — recorded <strong>and</strong> interpreted various stages in <strong>the</strong><br />

formation <strong>of</strong> Americanness. While telescoping onto <strong>the</strong> historic <strong>and</strong><br />

literary moments in which <strong>the</strong> notions <strong>of</strong> race, gender, class, <strong>and</strong><br />

ethnicity determined who did or did not belong in <strong>the</strong> idealized<br />

American social space, we will trace a fascinating dialogue between<br />

<strong>the</strong> making <strong>of</strong> this culture through stories, novels, <strong>and</strong> actual <strong>and</strong><br />

imagined places, forms, <strong>and</strong> structures.


30 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

Course Requirements:<br />

1. Consistent attendance, preparation for, <strong>and</strong> participation in<br />

both lectures <strong>and</strong> discussion section meetings;<br />

2. Midterm <strong>and</strong> final in-class examinations;<br />

3. Brief reading responses <strong>and</strong> group <strong>and</strong> individual discussion<br />

section presentations.<br />

Class Format:<br />

lecture-<strong>and</strong>-discussion course<br />

Instructor: Zaborowska, Magdalena J<br />

Section 005 — Native American <strong>Literature</strong>: Great Lakes<br />

Ojibwe Tales.<br />

In this class, we will study <strong>the</strong> oral <strong>and</strong> written literatures <strong>of</strong> <strong>the</strong><br />

Native American Indian culture <strong>of</strong> <strong>the</strong> Great Lakes area — emphasizing<br />

memoirs, essays, fiction, poetry, drama, <strong>and</strong> film <strong>of</strong> <strong>the</strong><br />

twentieth <strong>and</strong> twenty-first centuries — examined within <strong>the</strong>ir cultural<br />

<strong>and</strong> historical contexts. We will read <strong>and</strong> become familiar with<br />

a range <strong>of</strong> oral traditional <strong>and</strong> 19 th -, 20 th -, <strong>and</strong> 21 st -century texts by<br />

Anishinaabe authors.<br />

This class will promote an underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong> ways in which <strong>the</strong><br />

ongoing legacy <strong>of</strong> colonialism has impacted all Native peoples, especially<br />

<strong>the</strong> Anishinaabeg, <strong>and</strong> it will explore current debates <strong>and</strong><br />

issues in <strong>the</strong> field <strong>of</strong> Native American, Algonquian, <strong>and</strong> Anishinaabe<br />

/ Ojibwe studies. Students will be encouraged to become better<br />

world citizens through <strong>the</strong> development <strong>of</strong> critical thinking skills<br />

about cross-cultural issues. Students will also examine how texts<br />

were read in <strong>the</strong>ir contemporary contexts, as well as <strong>the</strong> interpretive<br />

questions that <strong>the</strong>y present for readers today. The primary goal<br />

<strong>of</strong> this class is to introduce students to <strong>the</strong> rich literary legacy <strong>of</strong><br />

this place <strong>and</strong> <strong>the</strong> people who have known it for thous<strong>and</strong>s <strong>of</strong><br />

years.<br />

Instructor: Noori, Margaret Ann<br />

Section 006 — Muslims in America.<br />

This course examines <strong>the</strong> realities <strong>and</strong> experiences <strong>of</strong> Muslims in<br />

America, beginning with <strong>the</strong> trans-Atlantic slave trade <strong>and</strong> into <strong>the</strong><br />

contemporary political situation. We will discuss various Muslim<br />

American communities, including women, immigrants, African-<br />

American 'indigenous' Muslims, <strong>and</strong> 'transnationals,' considering<br />

<strong>the</strong>ir specific realities in America. We will also consider <strong>the</strong> status <strong>of</strong><br />

Muslim-Americans' civil rights, <strong>and</strong> <strong>the</strong>ir many responses to political<br />

racism, particularly but not exclusively in <strong>the</strong> aftermath <strong>of</strong> September<br />

11th, 2001.<br />

Instructor: Hassouneh, Rima Saudi<br />

AMCULT 206. Themes in American Culture.<br />

(3). (SS). May be elected twice for credit. May be elected more<br />

than once in <strong>the</strong> same term.<br />

The course is intended for first-year students, sophomores <strong>and</strong> juniors<br />

as specific illustrations <strong>of</strong> <strong>the</strong> issues raised <strong>and</strong> <strong>the</strong> approaches<br />

used by American Studies scholars. It is an interdisciplinary approach<br />

to a social, cultural or literary <strong>the</strong>me in American Culture.<br />

Section 001 — AIDS <strong>and</strong> America.<br />

This is a truly interdisciplinary course, working with materials from<br />

<strong>the</strong> natural <strong>and</strong> social sciences <strong>and</strong> <strong>the</strong> arts <strong>and</strong> humanities. We will<br />

deal with a wide range <strong>of</strong> subjects from <strong>the</strong> biology <strong>of</strong> HIV <strong>and</strong> <strong>the</strong><br />

medical treatment <strong>of</strong> AIDS to <strong>the</strong> politics <strong>and</strong> sociology <strong>of</strong> a worldwide<br />

epidemic <strong>and</strong> <strong>the</strong> nature <strong>of</strong> artistic creations in <strong>the</strong> midst <strong>of</strong> a<br />

terrible epidemic.<br />

Course Requirements:<br />

Students will write papers, do class projects, <strong>and</strong> participate in discussions.<br />

There will be frequent quizzes. Class attendance is required.<br />

Instructor: Meisler, Richard A<br />

AMCULT 209. History <strong>of</strong> American Popular Music.<br />

(3). (HU). May not be repeated for credit.<br />

Section 001. America has never been without popular music. The<br />

earliest settlers brought songbooks <strong>and</strong> <strong>the</strong> broadside tradition <strong>and</strong><br />

popular song was <strong>of</strong>ten one <strong>of</strong> <strong>the</strong> main ways <strong>of</strong> describing <strong>the</strong> mythos<br />

<strong>of</strong> America, <strong>and</strong> to reflect its history. As America became industrialized,<br />

popular music — both sacred <strong>and</strong> secular — played an<br />

increasingly important role in American society. <strong>To</strong>day, American<br />

popular music is perhaps our most pervasive cultural form <strong>and</strong> certainly<br />

one <strong>of</strong> our most important cultural exports. This course will<br />

trace <strong>the</strong> history <strong>of</strong> American Popular Music from its earliest days<br />

through contemporary genres. Students will listen, watch, <strong>and</strong> analyze<br />

popular music from its context, styles, <strong>and</strong> forms, as well as<br />

<strong>the</strong> way(s) <strong>the</strong>se relate to <strong>the</strong> American Experience.<br />

Course Requirements:<br />

Three quizzes, midterm (essay), final exam (essay).<br />

Intended Audience:<br />

Undergraduates in general.<br />

Instructor: Conforth, Bruce M<br />

AMCULT 211. Introduction to Ethnic Studies.<br />

(3). (HU). May be repeated for a maximum <strong>of</strong> 6 credits.<br />

The course introduces general or comparative ethnic studies from<br />

<strong>the</strong> perspective <strong>of</strong> <strong>the</strong> humanities (literature, arts, etc.)<br />

Section 001 — Jews <strong>and</strong> O<strong>the</strong>r O<strong>the</strong>rs.<br />

In this course, we'll look at <strong>the</strong> Jewish-American experience from<br />

roughly 1880 to <strong>the</strong> present day from a comparative perspective:<br />

that is, in terms <strong>of</strong> <strong>the</strong> ways in which that experience looks when<br />

placed in relation to that <strong>of</strong> African-Americans (<strong>and</strong> <strong>the</strong> fraught idiom<br />

<strong>of</strong> race), Asian-Americans (<strong>and</strong> <strong>the</strong> "model minority" myths applied<br />

to both groups) <strong>and</strong> o<strong>the</strong>r Euro-Americans. Our readings will<br />

be drawn from history (e.g., Mat<strong>the</strong>w Frye Jacobsen's Whiteness <strong>of</strong><br />

a Different Color), from anthropology (Sherry Ortner's New Jersey<br />

Dreaming: Capital, Culture, <strong>and</strong> <strong>the</strong> Class <strong>of</strong> '58), musicology<br />

(Jeffrey Melnick's The Right to Sing <strong>the</strong> Blues), <strong>and</strong> film criticism<br />

(Michael Rogin's Black Face, White Noise); but we'll spend most <strong>of</strong><br />

our time reading novels, poems, <strong>and</strong> plays, <strong>and</strong> watching films that<br />

speak to <strong>the</strong> complexities both <strong>of</strong> <strong>the</strong> Jewish-American experience<br />

<strong>and</strong> <strong>of</strong> its place in <strong>the</strong> ethnoracial hurly-burly <strong>of</strong> twentieth-century<br />

America.<br />

Course Requirements:<br />

Two short papers; One long one; quizzes every now <strong>and</strong> <strong>the</strong>n to<br />

keep you on your toes!<br />

Instructor: Freedman, Jonathan E<br />

AMCULT 213. Introduction to Latina/o Studies.<br />

(4). (ID). (R&E). May not be repeated for credit.<br />

Section 001. Latino <strong>and</strong> Latina Studies is an interdisciplinary approach<br />

to <strong>the</strong> study <strong>of</strong> Mexican, Puerto Rican, Cuban, Caribbean,<br />

Central American, <strong>and</strong> Latin American communities in <strong>the</strong> United<br />

States. This course will <strong>of</strong>fer an assortment <strong>of</strong> rubrics for underst<strong>and</strong>ing<br />

<strong>the</strong> interconnections between diverse Latina/o communities<br />

<strong>and</strong> also <strong>the</strong> differences that sometimes divide <strong>the</strong>m. Students<br />

will explore <strong>the</strong> many methodologies <strong>of</strong> Latina/o Studies by taking<br />

<strong>the</strong> opportunity to meet <strong>and</strong> learn from scholars across disciplines<br />

(including history, sociology, literary studies, <strong>and</strong> more) engaged in<br />

this field <strong>of</strong> study. The class will consist <strong>of</strong> a series <strong>of</strong> lectures / projects<br />

designed in conjunction with scholars, activists <strong>and</strong> cultural<br />

practitioners working in different areas <strong>of</strong> Latino Studies at <strong>the</strong> University<br />

<strong>of</strong> <strong>Michigan</strong> <strong>and</strong> beyond.<br />

Instructor: Mora, Anthony P


AMCULT 214. Introduction to Asian/Pacific American<br />

Studies.<br />

(4). (ID). (R&E). May not be repeated for credit.<br />

Section 001.<br />

Asian Americans are among <strong>the</strong> fastest-growing population segment,<br />

yet <strong>the</strong>y are virtually invisible in public culture in <strong>the</strong> United<br />

States. Pacific Isl<strong>and</strong>er Americans? Even more so. The following<br />

four questions frame our study <strong>of</strong> Asian <strong>and</strong> Pacific Isl<strong>and</strong>er Americans.<br />

• What historical <strong>the</strong>mes define <strong>the</strong> experiences <strong>of</strong> Asian Americans<br />

<strong>and</strong> Pacific Isl<strong>and</strong>er Americans in <strong>the</strong> United States?<br />

• What are some <strong>of</strong> <strong>the</strong> contributions to American life <strong>and</strong><br />

thought by Asian Americans <strong>and</strong> Pacific Isl<strong>and</strong>er Americans?<br />

• What present-day issues do contemporary Asian American <strong>and</strong><br />

Pacific Isl<strong>and</strong>er American communities face?<br />

• What can <strong>the</strong> perspectives <strong>of</strong> Asian Americans <strong>and</strong> Pacific<br />

Isl<strong>and</strong>er Americans tell us about American history <strong>and</strong> contemporary<br />

society?<br />

These questions also pose crucial opportunities to critique <strong>the</strong><br />

structures <strong>of</strong> power <strong>and</strong> oppression through which Asian <strong>and</strong> Pacific<br />

Isl<strong>and</strong>er Americans have navigated to locate citizenship <strong>and</strong> belonging.<br />

Since <strong>the</strong> late 20th century, Asian <strong>and</strong> Pacific Isl<strong>and</strong>er American<br />

immigration has also produced demographic <strong>and</strong> cultural transformations<br />

in public culture <strong>and</strong> contemporary life. We will examine<br />

<strong>the</strong> roots <strong>of</strong> Asian/Pacific Isl<strong>and</strong>er American Studies in <strong>the</strong> activism<br />

<strong>of</strong> <strong>the</strong> Asian American Movement, <strong>and</strong> follow through to <strong>the</strong> present<br />

moment <strong>of</strong> transnational flexible citizenship.<br />

Course Requirements:<br />

Requirements for this course will include guided “discovery” exercises,<br />

a term project, <strong>and</strong> essay midterm <strong>and</strong> final examinations.<br />

Instructor: Stillman, Amy K<br />

AMCULT 215 / AAPTIS 210. Introduction to Arab-American<br />

Studies.<br />

(4). (HU). (R&E). May not be repeated for credit.<br />

Course would meet <strong>the</strong> prerequisite requirement for <strong>the</strong> concentration<br />

in American Culture, or <strong>the</strong> "Transnationalism, Diaspora,<br />

<strong>and</strong>/or Empire," <strong>and</strong> "Women, Gender, <strong>and</strong>/or Sexuality" breadth<br />

requirement.<br />

The <strong>the</strong>mes <strong>of</strong> “race” <strong>and</strong> “ethnicity” are central to <strong>the</strong> current<br />

course <strong>of</strong>ferings in <strong>the</strong> Program in American Culture. In this course,<br />

students will examine <strong>the</strong> specific ways that Arab Americans engage<br />

with “race.” It provides a historical overview <strong>of</strong> Arab Americans<br />

<strong>and</strong> “race” in relation to a series <strong>of</strong> o<strong>the</strong>r identity markers,<br />

such as class, gender, sexuality, religion, <strong>and</strong> nation. This course<br />

fits particularly within <strong>the</strong> Program in American Culture’s focus on<br />

transnational <strong>and</strong> diasporic considerations <strong>of</strong> “race.”<br />

This course is an introductory survey to Arab-American studies. It<br />

will explore many questions such as <strong>the</strong> following in an interdisciplinary<br />

context, focusing on anthropological, historical, literary, <strong>and</strong><br />

visual materials.<br />

• What are <strong>the</strong> historical circumstances that have shaped Arab<br />

immigration to <strong>the</strong> U.S.?<br />

• Where do Arab Americans "fit" within America’s racial classification<br />

system?<br />

• What is anti-Arab racism?<br />

• How has it shifted throughout Arab American history?<br />

• What is <strong>the</strong> significance <strong>of</strong> gender <strong>and</strong> sexuality to anti-Arab<br />

racism?<br />

• How did September 11th impact Arab American communities?<br />

• What are <strong>the</strong> cultural forms that Arab immigrants have inherited<br />

from <strong>the</strong>ir homel<strong>and</strong>s <strong>and</strong> reproduced in this country?<br />

• In what ways are <strong>the</strong>se cultural forms gendered?<br />

• What is <strong>the</strong> relationship between socioeconomic class <strong>and</strong> cultural<br />

identity among Arab Americans?<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 31<br />

• How have Arab Americans used <strong>the</strong> arts for cultural <strong>and</strong> political<br />

expression?<br />

• What is <strong>the</strong> significance <strong>of</strong> religious affiliation to Arab American<br />

identity formation?<br />

• How has U.S. foreign policy impacted Arab American histories<br />

<strong>and</strong> experiences?<br />

This course brings a series <strong>of</strong> guest speakers <strong>and</strong> artists to interact<br />

with students, including calligraphers, artists, musicians, filmmakers,<br />

journalists, <strong>and</strong> community activists. It also includes a class<br />

field trip to <strong>the</strong> Arab American National Museum in Dearborn.<br />

Through <strong>the</strong>se sorts <strong>of</strong> experiences, students are introduced to important<br />

paradigms <strong>and</strong> modes <strong>of</strong> analysis in <strong>the</strong> humanities, which<br />

include learning how to read <strong>and</strong> analyze a wide range <strong>of</strong> cultural<br />

texts <strong>and</strong> materials <strong>and</strong> learning how to think critically about <strong>the</strong><br />

relationship between history <strong>and</strong> culture, representations, <strong>and</strong> lived<br />

experiences.<br />

Course Requirements:<br />

• Weekly assignments: 40%<br />

Two-page (typed, double spaced) response paper is due every<br />

two weeks that summarizes <strong>the</strong> main argument in <strong>the</strong> reading<br />

<strong>and</strong> <strong>of</strong>fers a critical analysis. At <strong>the</strong> end <strong>of</strong> <strong>the</strong> paper, students<br />

must include two questions for class discussion.<br />

• Active discussion in class: 10%<br />

Students must demonstrate that <strong>the</strong>y have engaged in <strong>the</strong><br />

readings, participate in group exercises, <strong>and</strong> meet with <strong>the</strong> instructor<br />

at least one time during <strong>of</strong>fice hours.<br />

• Midterm essay based on required visit to Arab-American<br />

National Museum: 20%<br />

• Final group project: 30%.<br />

Students will receive an individual <strong>and</strong> a group grade.<br />

Intended Audience:<br />

First-year students <strong>and</strong> sophomores, plus any student interested in<br />

Arab-American studies.<br />

Class Format:<br />

3 hours per week primarily in recitation format.<br />

Instructor: Hassouneh, Rima Saudi<br />

AMCULT 217. Introduction to Native American Studies —<br />

Humanities.<br />

(3). (HU). May not be repeated for credit.<br />

Section 001. This course will give students an overview <strong>of</strong> many<br />

aspects <strong>of</strong> Native-American culture, including Pre-Columbian lifestyles<br />

<strong>and</strong> gender roles, religion, literature, Native-American identity,<br />

attempts <strong>and</strong> resistance to forced assimilation, <strong>and</strong> struggles<br />

for sovereignty. Themes <strong>of</strong> Native American identity <strong>and</strong> <strong>the</strong> impact<br />

<strong>of</strong> colonialism on Native American communities are featured<br />

throughout. The course emphasizes <strong>the</strong> diversity <strong>of</strong> Native-<br />

American communities, <strong>and</strong> seeks to broaden students’ underst<strong>and</strong>ing<br />

<strong>of</strong> Native Americans beyond <strong>the</strong> image <strong>of</strong> Plains Indians on<br />

horseback to include Native Americans in <strong>the</strong> modern world. As <strong>the</strong><br />

course name implies, <strong>the</strong> topics will be covered in a way that emphasizes<br />

breadth, ra<strong>the</strong>r than depth, whetting students’ appetite for<br />

<strong>the</strong> advanced courses in <strong>the</strong>se areas <strong>of</strong>fered through <strong>the</strong> Program<br />

in American Culture. Guest lecturers from within <strong>the</strong> Program will<br />

introduce students to <strong>the</strong> ideas <strong>and</strong> styles <strong>of</strong> o<strong>the</strong>r pr<strong>of</strong>essors, allowing<br />

<strong>the</strong>m to sample courses that <strong>the</strong>y may wish to take in <strong>the</strong><br />

future from <strong>the</strong>se pr<strong>of</strong>essors.<br />

Course Requirements:<br />

Students will be required to provide approximately 12 pages <strong>of</strong> polished<br />

writing, complete a midterm <strong>and</strong> final exam, <strong>and</strong> participate<br />

in class discussions during sections.<br />

Instructor: Daubenmier, Judith Marie


32 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

AMCULT 219. Survey <strong>of</strong> American Folklore.<br />

(3). (HU). May not be repeated for credit.<br />

Section 001. This course is a survey <strong>of</strong> <strong>the</strong> wide-ranging creative<br />

ways in which we express who we are <strong>and</strong> what we value <strong>and</strong> believe:<br />

from <strong>the</strong> ways that people decorate <strong>the</strong>ir yards or use recycled<br />

items to create art to how <strong>the</strong>y use charms to foretell <strong>the</strong> sex<br />

<strong>of</strong> unborn babies; from <strong>the</strong> cures people create for colds <strong>and</strong><br />

hangovers to family recipes <strong>and</strong> stories. As a study <strong>of</strong> American culture<br />

this course considers diverse groups from a multiplicity <strong>of</strong> cultures,<br />

from groups connected by ethnicity, region, age, gender, <strong>and</strong><br />

occupation to smaller groups such as families, friends, classmates,<br />

<strong>and</strong> coworkers. For each <strong>of</strong> <strong>the</strong> major concepts we will discuss we<br />

will also visit key debates, conflicts, turning points <strong>and</strong> critiques.<br />

This course bridges many areas <strong>of</strong> American Culture <strong>of</strong>ferings <strong>and</strong><br />

draws <strong>the</strong>m toge<strong>the</strong>r through <strong>the</strong> common threads <strong>of</strong> belief, custom,<br />

tradition, <strong>and</strong> ritual. It introduces students to <strong>the</strong> broad field<br />

<strong>of</strong> folklore that encompasses philology, anthropology, literary studies,<br />

<strong>and</strong> <strong>the</strong> humanities in general. The collection component is especially<br />

valuable to American Culture students since it introduces<br />

students to fieldwork methodology <strong>and</strong> asks <strong>the</strong>m to produce a collection<br />

that will be accessioned into <strong>the</strong> American Culture Folklore<br />

<strong>and</strong> Oral History Archives. LSA undergraduates gain a valuable insight<br />

into <strong>the</strong> ways in which our cultural <strong>and</strong> ethnic backgrounds<br />

not only differ, but are brought toge<strong>the</strong>r with many <strong>of</strong> <strong>the</strong> same<br />

traditions <strong>and</strong> customs. Folklore, as a universal phenomenon is a<br />

perfect topic to address issues <strong>of</strong> diversity <strong>and</strong> our mutual commonalities.<br />

Course Requirements:<br />

Three quizzes (essay), final essay exam, collection project (1500word<br />

essay, collection items, transcriptions, etc.)<br />

Class Format:<br />

Students are expected to attend two 1.5 hour lecture sessions each<br />

week.<br />

Instructor: Conforth, Bruce M<br />

AMCULT 222. Elementary Ojibwe I.<br />

(3). May not be repeated for credit. May not be included in an academic<br />

minor in Native American Studies. F.<br />

The course will serve as an introduction to Anishinaabe language<br />

<strong>and</strong> culture. This course is for students who have no previous<br />

knowledge <strong>of</strong> <strong>the</strong> tribe as well as tribal members interested in<br />

learning more about <strong>the</strong>ir culture <strong>and</strong> language. Because Ojibwe is<br />

an endangered language, it is <strong>of</strong> utmost importance that we make<br />

sure <strong>the</strong> language is learned <strong>and</strong> used. This is a beautiful language<br />

with much to teach about living in this place. It deserves to be revitalized<br />

for future generations.<br />

After completing AMCULT 222 students should be able to use<br />

Ojibwe to:<br />

• Respond to <strong>and</strong> initiate simple statements <strong>and</strong> comm<strong>and</strong>s such<br />

as greetings <strong>and</strong> introductions.<br />

• Underst<strong>and</strong> 250 – 500 words.<br />

• Express reactions <strong>and</strong> courtesy phrases.<br />

• Express likes <strong>and</strong> dislikes.<br />

• Describe actions, people, places <strong>and</strong> things using short phrases.<br />

• Be able to read st<strong>and</strong>ardized orthography with correct pronunciation.<br />

• Recognize key characters <strong>and</strong> events found in traditional stories.<br />

• Know <strong>the</strong> basic chronological history <strong>of</strong> <strong>the</strong> Anishinaabe in <strong>the</strong><br />

U.S. <strong>and</strong> Sou<strong>the</strong>rn Ontario.<br />

Instructor: Kimewon, Howard G<br />

AMCULT 231. Visual & Material Culture Studies.<br />

(3 - 4). (HU). May not be repeated for credit.<br />

Section 001. We are living in a material <strong>and</strong>, increasingly, visual<br />

world. Every object you encounter <strong>and</strong> every image you see is<br />

shaped by powerful cultural ideologies — ideas about power <strong>and</strong><br />

race <strong>and</strong> gender <strong>and</strong> class <strong>and</strong> nation. This class will explore <strong>the</strong><br />

objects <strong>and</strong> images <strong>of</strong> our daily lives as puzzles rich with cultural<br />

codes for us to discover <strong>and</strong> unpack.<br />

Students will be asked to think about how photographs, maps,<br />

paintings, graffiti, architecture, monuments, billboards, museums,<br />

movies <strong>and</strong> more — as fundamental elements <strong>of</strong> our visual <strong>and</strong><br />

material world — construct <strong>and</strong> convey meaning. Students will be<br />

asked to think about ubiquitous visual <strong>and</strong> material signs as sites <strong>of</strong><br />

essential forms <strong>of</strong> cultural knowledge. They will be asked to develop<br />

analytical tools for underst<strong>and</strong>ing <strong>the</strong>se signs <strong>and</strong> to create<br />

some signs <strong>of</strong> <strong>the</strong>ir own.<br />

Course Requirements:<br />

Students will write two papers <strong>and</strong> produce two visual projects.<br />

Instructor: Hass, Kristin Ann<br />

AMCULT 240 / WOMENSTD 240. Introduction to Women's<br />

Studies.<br />

(4). (HU). (R&E). May not be repeated for credit.<br />

Section 001. This course provides an introduction to <strong>the</strong> feminist<br />

scholarship about women <strong>and</strong> gender. We explore how women’s<br />

lives differ across social categories such as race, class, sexual orientation,<br />

<strong>and</strong> age, with an emphasis on women in <strong>the</strong> United States<br />

today. Readings are drawn from both <strong>the</strong> humanities <strong>and</strong> social sciences<br />

to familiarize students with key questions, <strong>the</strong>oretical tools,<br />

<strong>and</strong> issues within Women’s Studies. A variety <strong>of</strong> topics are covered,<br />

including: violence against women; women <strong>and</strong> work; reproductive<br />

justice.<br />

Course Requirements:<br />

The course grade is based on short written assignments, a group<br />

project, exams, <strong>and</strong> participation in discussion.<br />

Instructor: Cole, Elizabeth Ruth<br />

AMCULT 293 / WOMENSTD 293. 20th Century Writing by<br />

Women <strong>of</strong> Color.<br />

(3). (HU). May not be repeated for credit.<br />

Section 001. For well over a century women <strong>of</strong> color have been<br />

writing <strong>the</strong>mselves into U.S. history, continuously redefining <strong>the</strong>ir<br />

political, cultural, <strong>and</strong> social locations within <strong>the</strong> discourses <strong>of</strong><br />

American identity. Their refusal to remain silent observers <strong>of</strong> history<br />

has resulted in a body <strong>of</strong> work — poems, essays, novels, <strong>and</strong> short<br />

stories — that helps us to underst<strong>and</strong> <strong>the</strong> ways in which ethnic,<br />

racial, class, gender, <strong>and</strong> sexual differences shape our conceptions<br />

<strong>of</strong> American identity. In this class, we will explore <strong>the</strong> narrative<br />

practices <strong>of</strong> Latinas, African American, Native American, <strong>and</strong> Asian<br />

American women, paying special attention to <strong>the</strong> ways in which<br />

<strong>the</strong>ir writing has given voice to <strong>the</strong>ir differential locations within <strong>the</strong><br />

discourses <strong>of</strong> American identity. We will explore <strong>the</strong> cultural, linguistic,<br />

<strong>and</strong> familial traditions that have informed <strong>the</strong>ir respective<br />

approaches to feminism, antiracism, <strong>and</strong> oppositional politics.<br />

Instructor: Mendoza, Victor Roman<br />

AMCULT 295 / WOMENSTD 295. Sexuality in Western<br />

Culture.<br />

(4). (SS). May not be repeated for credit.<br />

Section 001. This course is an introduction to major concepts in<br />

<strong>the</strong> history <strong>and</strong> anthropology <strong>of</strong> sexuality, as well as an historical<br />

survey <strong>of</strong> important trends in <strong>the</strong> social organization <strong>of</strong> gender <strong>and</strong><br />

sexuality in Western Culture beginning with ancient Greece. We<br />

continue through ancient Judaism <strong>and</strong> early Christianity, medieval<br />

courtly love, <strong>and</strong> 19th-century Engl<strong>and</strong> <strong>and</strong> America. The last part<br />

<strong>of</strong> <strong>the</strong> course deals with 20th-century sexual modernism, ending<br />

with <strong>the</strong> Sexual Revolution <strong>and</strong> <strong>the</strong> backlash against it.<br />

Instructor: Newton, Es<strong>the</strong>r


Anthropology<br />

Anthropology is a field <strong>of</strong> study that deals with both <strong>the</strong> biological<br />

<strong>and</strong> cultural aspects <strong>of</strong> humanity. Its basic concerns include <strong>the</strong> organic<br />

evolution <strong>of</strong> <strong>the</strong> human species; <strong>the</strong> origin, development, <strong>and</strong><br />

integration <strong>of</strong> customs, techniques, social relationships, <strong>and</strong> beliefs<br />

that define a way <strong>of</strong> life (or culture) <strong>of</strong> human social groups; <strong>and</strong><br />

<strong>the</strong> interrelations among <strong>the</strong>se biological <strong>and</strong> cultural factors in<br />

human behavior.<br />

The subject matter <strong>of</strong> anthropology is divided into four major areas<br />

<strong>of</strong> study: Anthropological Archaeology (ANTHRARC), Biological<br />

Anthropology (ANTHRBIO), Linguistic Anthropology, <strong>and</strong> Sociocultural<br />

Anthropology (ANTHRCUL).<br />

• Biological Anthropology considers human evolutionary history,<br />

<strong>the</strong> causes <strong>of</strong> present genetic diversity, <strong>and</strong> biological aspects<br />

<strong>of</strong> human behavior. It uses <strong>the</strong> evidence <strong>and</strong> concepts <strong>of</strong> paleontology,<br />

primate studies, population genetics, growth <strong>and</strong><br />

nutrition, <strong>and</strong> ecology.<br />

• Anthropological Archaeology seeks to underst<strong>and</strong> human behavior<br />

in <strong>the</strong> past, by examining <strong>the</strong> remains <strong>of</strong> human activity<br />

(such as settlements, tools, pottery) that have survived from<br />

earlier times. Through <strong>the</strong> analysis <strong>of</strong> material remains,<br />

archaeologists explore <strong>the</strong> cultural forms <strong>and</strong> social organization<br />

<strong>of</strong> human societies over <strong>the</strong> longest possible time span.<br />

• Sociocultural Anthropology describes, analyzes, <strong>and</strong> compares<br />

<strong>the</strong> widest possible range <strong>of</strong> human cultures <strong>and</strong> social institutions,<br />

with emphasis on <strong>the</strong> present day. While some sociocultural<br />

anthropologists concentrate on societies that differ from<br />

our own in scale or cultural history <strong>and</strong> way <strong>of</strong> life, o<strong>the</strong>rs examine<br />

contemporary European <strong>and</strong> American societies with <strong>the</strong><br />

wider perspective gained from looking at o<strong>the</strong>r cultures <strong>and</strong> societies.<br />

• Linguistic Anthropology views language as one <strong>of</strong> <strong>the</strong> most distinctive<br />

characteristics <strong>of</strong> human beings. It studies language in<br />

<strong>the</strong> context <strong>of</strong> human evolution, social relationships, <strong>and</strong> cultural<br />

forms, <strong>and</strong> it explores <strong>the</strong> role <strong>of</strong> languages <strong>and</strong> ways <strong>of</strong><br />

speaking in cultural difference <strong>and</strong> social action.<br />

Roster <strong>of</strong> Anthropology courses, by subgroup<br />

Biological Anthropology: ANTHRBIO 161, 168, 169, 265, 297,<br />

351, 360, 361, 362, 364, 365, 368, 450, 451, 452, 460, 461, 462,<br />

464, 465, 467, 468, 469, 470, 472, 473, 474, 475, 476, 477, 478,<br />

479<br />

Anthropological Archaeology: ANTHRARC 180, 282, 283, 284,<br />

285, 286, 292, 296, 380, 381, 382, 383, 385, 386, 388, 390, 394,<br />

407, 442, 481, 482, 483, 484, 485, 486, 488, 489, 490, 491, 492,<br />

493, 495, 587, 589<br />

Cultural Anthropology<br />

• Introductory Courses: ANTHRCUL 101, 158, 222, 225, 226,<br />

256, 272, 298, 299<br />

• Sociocultural Anthropology — Regional Courses: ANTHRCUL<br />

202, 302, 305, 306, 309, 314, 315, 317, 319, 320, 323, 324,<br />

346, 402, 403, 404, 405, 409, 410, 411, 412, 413, 414, 415,<br />

417, 421, 422, 423<br />

• Sociocultural Anthropology — Theory/Method: ANTHRCUL 230,<br />

327, 330, 331, 447, 532<br />

• Sociocultural Anthropology — <strong>To</strong>pical Courses: ANTHRCUL 232,<br />

234, 246, 260, 310, 325, 326, 329, 332, 333, 334, 335, 336,<br />

338, 339, 344, 345, 347, 349, 352, 355, 356, 357, 408, 416,<br />

425, 427, 428, 429, 431, 436, 438, 439, 440, 445, 446, 450,<br />

451, 453, 455, 457, 458, 459, 461, 462, 503, 538, 541, 543,<br />

553<br />

• Linguistic Anthropology: ANTHRCUL 272, 277, 299, 370, 371,<br />

372, 373, 374, 375, 461, 464, 473, 474, 475, 477, 519, 572,<br />

576, 577<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 33<br />

Museum, Honors, Reading, Research, <strong>and</strong> Field Courses<br />

• ANTHRARC 258, 392, 398, 399, 400, 401, 480, 487, 494, 496,<br />

497, 499<br />

• ANTHRBIO 371, 398, 399, 463, 471<br />

• ANTHRCUL 258, 300, 301, 398, 399, 499, 556<br />

Anthropology Department Waitlist Policy<br />

• Undergraduate Anthropology classes (ANTHRARC, ANTHRBIO,<br />

ANTHRCUL) will have waitlists available in Wolverine Access as<br />

soon as registration begins with <strong>the</strong> exception <strong>of</strong> large lecture/discussion<br />

classes, which will have a waitlist added after<br />

<strong>the</strong> lecture section is entirely full. If a student wishes to register<br />

for a closed Anthropology class <strong>the</strong>y should add <strong>the</strong>mselves to<br />

<strong>the</strong> waitlist on wolverine access.<br />

• Prior to <strong>the</strong> first day <strong>of</strong> classes, permissions will be issued by<br />

Anthropology department staff as spots open up in <strong>the</strong> class.<br />

Permissions granted before classes begin will expire one week<br />

from <strong>the</strong> issue date.<br />

• Permissions will be given first to anthropology concentrators<br />

<strong>and</strong> minors, <strong>the</strong>n to <strong>the</strong> first non-concentrator on <strong>the</strong> list.<br />

• After <strong>the</strong> first day <strong>of</strong> classes, instructors will be given <strong>the</strong> opportunity<br />

to decide who receives a permission into <strong>the</strong>ir classes<br />

based on <strong>the</strong> instructor’s criteria, such as attendance, field <strong>of</strong><br />

concentration, etc., <strong>and</strong> not necessarily on waitlist position. The<br />

instructor will apply his/her criteria consistently. Permissions<br />

granted after classes have begun will expire in 48 hours. Students<br />

will be allowed to waitlist for classes only through <strong>the</strong><br />

first week <strong>of</strong> <strong>the</strong> term.<br />

• If <strong>the</strong> instructors do not notify department staff that <strong>the</strong>y would<br />

like to control <strong>the</strong>ir own waitlists, <strong>the</strong>n department staff will issue<br />

permissions based on anthropology concentration or minor<br />

status, <strong>the</strong>n on waitlist position as spots open up in <strong>the</strong> class.<br />

• Students are notified by email when permission has been issued.<br />

• If all students on a waitlist have been given an opportunity to<br />

enroll, but do not, <strong>the</strong>y will be dropped from <strong>the</strong> waitlist by <strong>the</strong><br />

Registrar’s Office. This will allow <strong>the</strong> class to open back up for<br />

registration.<br />

ANTHRARC (Anthropology,<br />

Archaeological)<br />

ANTHRARC 282. Introduction to Prehistoric Archaeology.<br />

(4). (SS). May not be repeated for credit.<br />

Section 001. Is archaeology about hunting for lost treasure in<br />

exotic places? In Introduction to Prehistoric Archaeology, we examine<br />

what archaeology is by investigating <strong>the</strong> techniques, methods,<br />

<strong>and</strong> <strong>the</strong>ories that archaeologists use to interpret <strong>the</strong> human past.<br />

We <strong>the</strong>n explore what archaeologists have learned about <strong>the</strong> past<br />

through a ‘greatest hits’ tour <strong>of</strong> world prehistory, starting with <strong>the</strong><br />

earliest humans through historic times.<br />

Course Requirements:<br />

Students will be evaluated on take-home projects involving critically<br />

evaluating archaeological evidence, two hourly exams, <strong>and</strong> participation.<br />

Intended Audience:<br />

The course is specifically designed to be accessible to students regardless<br />

<strong>of</strong> <strong>the</strong>ir previous backgrounds in anthropology, but it will<br />

provide <strong>the</strong> foundation necessary for students who want to take<br />

more advanced courses in archaeology.<br />

Class Format:<br />

The course format is lecture <strong>and</strong> weekly discussion sections.<br />

Instructor: Young, Lisa C


34 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

ANTHRBIO (Anthropology, Biological)<br />

ANTHRBIO 161. Introduction to Biological Anthropology.<br />

(4). (NS). (BS). May not be repeated for credit. Does not count toward<br />

Anthropology concentration requirements. F, W, Su.<br />

Section 001. This is a four-unit course that examines <strong>the</strong> processes<br />

that have shaped human evolution. The first unit covers <strong>the</strong><br />

basic principles <strong>of</strong> evolutionary biology, <strong>and</strong> includes overviews <strong>of</strong><br />

adaptation, natural selection <strong>and</strong> genetics. The second unit focuses<br />

on <strong>the</strong> ecology <strong>and</strong> behavior <strong>of</strong> nonhuman primates, <strong>and</strong> considers<br />

how a comparative approach may help us to underst<strong>and</strong> human<br />

evolution. Unit three pays particular attention to <strong>the</strong> fossil record,<br />

<strong>and</strong> how <strong>the</strong> study <strong>of</strong> human prehistory informs our underst<strong>and</strong>ing<br />

<strong>of</strong> modern humans. Finally, we focus on humans in modern contexts<br />

<strong>and</strong> consider <strong>the</strong> biological bases <strong>of</strong> behavioral <strong>and</strong> morphological<br />

variability. There is one required text (How Humans Evolved,<br />

by Boyd <strong>and</strong> Silk) <strong>and</strong> several reserve readings.<br />

Course Requirements:<br />

Students are evaluated with exams based on lecture material, <strong>and</strong><br />

by quizzes in section.<br />

Intended Audience:<br />

No prerequisites.<br />

Class Format:<br />

Lectures are multimedia presentations including film clips <strong>and</strong><br />

slides, <strong>and</strong> sections include discussion <strong>and</strong> h<strong>and</strong>s-on exercises<br />

(using fossil casts, etc).<br />

Instructor: MacLatchy, Laura M<br />

ANTHRCUL (Anthropology, Cultural)<br />

ANTHRCUL 101. Introduction to Anthropology.<br />

(4). (SS). (R&E). May not be repeated for credit. Does not count<br />

toward Anthropology concentration requirements. F, W, Sp.<br />

Section 001. This introductory course exposes <strong>and</strong> explores <strong>the</strong><br />

structures <strong>of</strong> inquiry characteristic <strong>of</strong> anthropology <strong>and</strong> surveys <strong>the</strong><br />

field's four subdisciplines (biological, archaeological, cultural, <strong>and</strong><br />

linguistic anthropology), providing a first glimpse <strong>of</strong> <strong>the</strong> field's overall<br />

context, history, present status, <strong>and</strong> importance. The principal<br />

aim <strong>of</strong> <strong>the</strong> course is to help students develop a coherent view <strong>of</strong><br />

<strong>the</strong> essential concepts <strong>and</strong> methods that typify <strong>the</strong> discipline. It<br />

stresses unifying principles that link <strong>the</strong> subdisciplines <strong>and</strong> <strong>the</strong>reby<br />

create anthropology's comprehensive, holistic world view. It<br />

teaches students various ways <strong>of</strong> learning <strong>and</strong> thinking about <strong>the</strong><br />

world's many designs for living in time <strong>and</strong> space. It prepares<br />

<strong>the</strong>m:<br />

• to integrate <strong>and</strong> interpret information<br />

• to evaluate conflicting claims about human nature <strong>and</strong> diversity<br />

• to think critically<br />

<strong>To</strong>pics covered include:<br />

• <strong>the</strong> nature <strong>of</strong> culture<br />

• human genetics, evolution <strong>and</strong> <strong>the</strong> fossil record<br />

• <strong>the</strong> concept <strong>of</strong> race<br />

• primate (monkey <strong>and</strong> ape) behavior<br />

• language <strong>and</strong> culture<br />

• systems <strong>of</strong> marriage, kinship <strong>and</strong> family organization<br />

• sex-gender roles<br />

• economics, politics, <strong>and</strong> religion in global perspective<br />

• <strong>the</strong> cultural dimension <strong>of</strong> economic development <strong>and</strong> contemporary<br />

social change, <strong>and</strong> <strong>the</strong> emergence <strong>of</strong> a world system<br />

Required readings come from one introductory text <strong>and</strong> additional<br />

paperbacks.<br />

Course Requirements:<br />

Two objective exams (multiple choice <strong>and</strong> true or false questions)<br />

cover <strong>the</strong> two halves <strong>of</strong> <strong>the</strong> course. The second exam is given on<br />

<strong>the</strong> last day <strong>of</strong> class. There is no final exam <strong>and</strong> no term paper.<br />

Section leaders require quizzes <strong>and</strong> a short paper.<br />

Class Format:<br />

Lectures <strong>and</strong> discussion-recitation.<br />

Instructor: De Leon, Jason P<br />

Section 002. This introductory course surveys <strong>the</strong> field's four<br />

subdisciplines (biological, archaeological, cultural, <strong>and</strong> linguistic anthropology),<br />

providing a first glimpse <strong>of</strong> <strong>the</strong> field's overall context,<br />

history, present status, <strong>and</strong> importance. The principal aim <strong>of</strong> <strong>the</strong><br />

course is to help students develop a coherent view <strong>of</strong> <strong>the</strong> essential<br />

concepts, structures, <strong>and</strong> intellectual methods that typify <strong>the</strong> discipline.<br />

It stresses unifying principles that link <strong>the</strong> subdisciplines <strong>and</strong><br />

<strong>the</strong>reby create anthropology's comprehensive, holistic world view.<br />

It teaches students various ways <strong>of</strong> learning <strong>and</strong> thinking about <strong>the</strong><br />

world's many designs for living in time <strong>and</strong> space. It prepares <strong>the</strong>m<br />

to integrate <strong>and</strong> interpret information, to evaluate conflicting claims<br />

about human nature <strong>and</strong> diversity, <strong>and</strong> to think critically.<br />

<strong>To</strong>pics covered include:<br />

• <strong>the</strong> nature <strong>of</strong> culture;<br />

• human genetics, evolution <strong>and</strong> <strong>the</strong> fossil record;<br />

• <strong>the</strong> concept <strong>of</strong> race;<br />

• primate (monkey <strong>and</strong> ape) behavior;<br />

• language <strong>and</strong> culture;<br />

• systems <strong>of</strong> marriage, kinship <strong>and</strong> family organization;<br />

• sex-gender roles;<br />

• economics, politics, <strong>and</strong> religion in global perspective;<br />

• <strong>the</strong> arts; <strong>and</strong><br />

• medicine.<br />

Required readings come from one introductory text, a case studies<br />

book <strong>and</strong> one ethnography.<br />

Course Requirements:<br />

Three in-class hourlies (multiple choice, definition, short answer,<br />

brief essay) each cover one-third <strong>of</strong> <strong>the</strong> course material. The third<br />

hourly is given on <strong>the</strong> last day <strong>of</strong> class. There will be one short writing<br />

assignment due in section.<br />

Class Format:<br />

Lectures <strong>and</strong> discussion-recitation.<br />

Instructor: Peters-Golden, Holly<br />

ANTHRCUL 202. Ethnic Diversity in Japan.<br />

(4). (SS). May not be repeated for credit.<br />

This course begins with an overview <strong>of</strong> popular <strong>and</strong> anthropological<br />

ideas <strong>and</strong> <strong>the</strong>ories about human diversity. Japanese ideas <strong>of</strong> "race"<br />

<strong>and</strong> "ethnicity" are analyzed comparatively. We <strong>the</strong>n explore <strong>the</strong><br />

history <strong>and</strong> cultures <strong>of</strong> Japanese ethnic groups <strong>and</strong> minorities.<br />

Among <strong>the</strong> groups we will focus on are <strong>the</strong> ("aboriginal") Ainu,<br />

resident Koreans, migrant workers (<strong>of</strong> Japanese ancestry) from<br />

South America, so-called "international marriages" <strong>and</strong> children <strong>of</strong><br />

mixed parentage, Burakumin ("outcastes"), "sexual minorities" (i.e.,<br />

gays, lesbians, bisexuals), <strong>and</strong> o<strong>the</strong>rs. Anthropological readings are<br />

augmented by novels <strong>and</strong> short stories, comics, videos, <strong>and</strong> films.<br />

Instructor: Robertson, Jennifer E<br />

ANTHRCUL 222. The Comparative Study <strong>of</strong> Cultures.<br />

(4). (SS). May not be repeated for credit.<br />

Section 001.<br />

• Why do people do things in different ways?<br />

• Why do <strong>the</strong>y sometimes underst<strong>and</strong> <strong>and</strong> value <strong>the</strong> things <strong>the</strong>y<br />

do so differently?<br />

• What do <strong>the</strong>se cultural differences mean?<br />

• What are <strong>the</strong> ways in which we think about <strong>and</strong> underst<strong>and</strong> difference?<br />

• How can we think about <strong>and</strong> underst<strong>and</strong> cultural change <strong>and</strong><br />

<strong>the</strong> meaning <strong>of</strong> cultures in a world where people <strong>and</strong> societies<br />

constantly collide <strong>and</strong> commingle?


This course has two aims:<br />

• first, to introduce students to <strong>the</strong> concept <strong>of</strong> culture <strong>and</strong> to a<br />

small sampling <strong>of</strong> <strong>the</strong> great diversity <strong>of</strong> cultures that exist<br />

around <strong>the</strong> world;<br />

• second, to learn about some approaches to underst<strong>and</strong>ing this<br />

cultural diversity — <strong>and</strong>, along <strong>the</strong> way, to learn a bit <strong>of</strong> <strong>the</strong> history<br />

<strong>of</strong> social <strong>and</strong> anthropological <strong>the</strong>ory.<br />

Course Requirements:<br />

Grading will be based on regular attendance at lecture (including<br />

student group presentations), participation in discussion sections,<br />

<strong>and</strong> three papers.<br />

Class Format:<br />

Classes will be organized around <strong>the</strong> discussion <strong>of</strong> readings <strong>and</strong><br />

materials that span several cultures <strong>and</strong> diverse approaches to<br />

studying, thinking about, <strong>and</strong> describing culture, from ethnographic<br />

accounts (both classic <strong>and</strong> recent), to <strong>the</strong>oretical statements, to fictional<br />

writing <strong>and</strong> documentary film.<br />

Instructor: Frye, David L<br />

ANTHRCUL 246 / RELIGION 246. Anthropology <strong>of</strong> Religion.<br />

(4). May not be repeated for credit.<br />

Section 001. An introduction to basic problems faced by religions<br />

<strong>and</strong> by <strong>the</strong> study <strong>of</strong> religion. Drawing on case studies from around<br />

<strong>the</strong> world, <strong>the</strong> course examines different ways people have confronted<br />

questions such as how one deals with an invisible world,<br />

what happens after death, why do bad things happen to good people,<br />

what makes life worth living, how can one obtain wealth <strong>and</strong><br />

power. The emphasis will be on comparison, showing how very different<br />

traditions have dealt with <strong>the</strong> same or similar problems. In<br />

<strong>the</strong> process <strong>of</strong> examining <strong>the</strong>se issues, <strong>the</strong> course also raises questions<br />

about <strong>the</strong> difficulties involved in studying o<strong>the</strong>r people's most<br />

strongly held values <strong>and</strong> beliefs, <strong>and</strong> <strong>the</strong> relations between tolerance<br />

<strong>and</strong> faith.<br />

Instructor: Keane, Webb<br />

AOSS (Atmospheric, Oceanic <strong>and</strong> Space<br />

<strong>Science</strong>s)<br />

AOSS, a department in <strong>the</strong> <strong>College</strong> <strong>of</strong> Engineering, is <strong>the</strong> only one<br />

that combines science <strong>and</strong> engineering, <strong>of</strong>fering an integrated view<br />

<strong>of</strong> Earth <strong>and</strong> space. The blending <strong>of</strong> atmospheric <strong>and</strong> space sciences<br />

with engineering puts AOSS at <strong>the</strong> forefront <strong>of</strong> <strong>the</strong> movement<br />

to underst<strong>and</strong> <strong>the</strong> Earth, atmosphere, planets, solar system<br />

<strong>and</strong> space wea<strong>the</strong>r in a whole systemic view, ra<strong>the</strong>r than individual<br />

components. AOSS participates with <strong>the</strong> Department <strong>of</strong> Geological<br />

<strong>Science</strong>s to sponsor <strong>the</strong> concentration in Earth Systems <strong>Science</strong>.<br />

Although AOSS courses are <strong>of</strong>fered through <strong>the</strong> <strong>College</strong> <strong>of</strong> Engineering,<br />

several courses are approved by LSA to earn LSA credits<br />

<strong>and</strong> some may be used to meet distribution requirements. O<strong>the</strong>r<br />

Atmospheric, Oceanic, <strong>and</strong> Space <strong>Science</strong>s courses are listed in <strong>the</strong><br />

<strong>College</strong> <strong>of</strong> Engineering Bulletin, <strong>and</strong> in <strong>the</strong> Schedule <strong>of</strong> Classes as<br />

part <strong>of</strong> <strong>the</strong> <strong>of</strong>ferings <strong>of</strong> <strong>the</strong> <strong>College</strong> <strong>of</strong> Engineering in <strong>the</strong> AOSS subsection<br />

<strong>and</strong> may be elected by LSA students as a part <strong>of</strong> non-LSA<br />

course work.<br />

Students who have a serious pr<strong>of</strong>essional interest in <strong>the</strong> field<br />

should consult <strong>the</strong> department.<br />

AOSS 101 / ASTRO 183. Rocket <strong>Science</strong>.<br />

(NS). (BS). May not be repeated for credit.<br />

Section 001. An introduction to <strong>the</strong> science <strong>of</strong> space <strong>and</strong> space<br />

exploration. <strong>To</strong>pics covered include history <strong>of</strong> spaceflight, rockets,<br />

orbits, <strong>the</strong> space environment, satellites, remote sensing, <strong>and</strong> <strong>the</strong><br />

future human presence in space. The ma<strong>the</strong>matics will be at <strong>the</strong><br />

level <strong>of</strong> algebra <strong>and</strong> trigonometry.<br />

Instructor: Ridley, Aaron James<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 35<br />

AOSS 102 / ENVIRON 102 / GEOSCI 122. Extreme<br />

Wea<strong>the</strong>r.<br />

(3). (NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in AOSS 202.<br />

This course provides an introduction to <strong>the</strong> physics <strong>of</strong> extreme<br />

wea<strong>the</strong>r events. The course uses wea<strong>the</strong>r disasters <strong>and</strong> threats to<br />

illustrate <strong>the</strong> physical laws governing <strong>the</strong> atmosphere.<br />

We examine solar eruptions, ice ages, climate change, monsoons,<br />

El Niño, hurricanes, floods, droughts, heat waves, thunderstorms,<br />

lightning, hail, tornados, <strong>and</strong> o<strong>the</strong>r extreme atmospheric events to<br />

illustrate <strong>the</strong> basic physical laws that produce <strong>the</strong>se events. Participants<br />

are expected to apply <strong>the</strong>se principles to a series <strong>of</strong> homework<br />

assignments including h<strong>and</strong>s-on wea<strong>the</strong>r forecasting <strong>and</strong><br />

analysis <strong>of</strong> storm events.<br />

Required resources for this course include:<br />

1. An on-line subscription to XamPREP: Essentials <strong>of</strong> Meteorology<br />

by C. Donald Ahrens with<br />

2. (Optionally) A hard-copy version <strong>of</strong> Essentials <strong>of</strong> Meteorology by<br />

C. Donald Ahrens (it's redundant but some really prefer to also<br />

have <strong>the</strong> traditional paper copy), <strong>and</strong><br />

3. A copy <strong>of</strong> Extreme Wea<strong>the</strong>r by Chris Burt.<br />

Instructor: Samson, Perry J<br />

AOSS 105 / CHEM 105 / ENSCEN 105 / ENVIRON 105. Our<br />

Changing Atmosphere.<br />

(3). (NS). (BS). May not be repeated for credit.<br />

The greenhouse effect, stratospheric ozone depletion, <strong>the</strong> polar<br />

ozone holes, <strong>and</strong> urban smog are discussed from a scientific perspective<br />

using <strong>the</strong> latest information. Human-induced change in<br />

atmospheric composition is a primary vehicle for Global Change.<br />

These changes can affect atmospheric motions, including jet<br />

streams, fronts <strong>and</strong> violent storms. The atmosphere interacts with<br />

all o<strong>the</strong>r components <strong>of</strong> <strong>the</strong> environment: <strong>the</strong> oceans, <strong>the</strong> geosphere<br />

(solid earth), <strong>the</strong> biosphere (living plants <strong>and</strong> animals), <strong>and</strong><br />

<strong>the</strong> cryosphere (glaciers <strong>and</strong> ice-caps). These interactions <strong>and</strong><br />

"feedback mechanisms" are a central <strong>the</strong>me <strong>of</strong> this course, which is<br />

intended for non-science concentrators.<br />

Intended Audience:<br />

non-science concentrators.<br />

Instructor: De Roo, Roger Dean<br />

AOSS 171 / BIOLOGY 110 / ENSCEN 171 / ENVIRON 110 /<br />

GEOSCI 171. Introduction <strong>of</strong> Global Change: Physical Processes.<br />

(4). (NS). (BS). May not be repeated for credit. Credit is granted for<br />

a combined total <strong>of</strong> 17 credits elected in introductory biology. Satisfies<br />

<strong>the</strong> geography requirement for State <strong>of</strong> <strong>Michigan</strong> certification<br />

for social studies teachers. F.<br />

Instructor(s):<br />

• David Allan (NRE)<br />

• Ca<strong>the</strong>rine Badgley (Ecology <strong>and</strong> Evolutionary Biology),<br />

cbadgley@umich.edu<br />

• Christopher Poulson (Geology), poulsen@umich.edu<br />

Every day, millions <strong>of</strong> human <strong>and</strong> natural activities are altering <strong>the</strong><br />

planet on which we live. Over <strong>the</strong> past century, through our everincreasing<br />

population <strong>and</strong> mastery <strong>of</strong> technology, we have been<br />

changing <strong>the</strong> global environment at a pace unknown to natural history.<br />

The University <strong>of</strong> <strong>Michigan</strong> Global Change Program <strong>of</strong>fers an interdisciplinary,<br />

introductory course sequence which investigates <strong>the</strong><br />

causes <strong>and</strong> potential impacts <strong>of</strong> <strong>the</strong>se changes using a combination<br />

<strong>of</strong> traditional lecture-based <strong>and</strong> modern web-based teaching methodologies.<br />

The Fall Academic Term course deals with issues relating<br />

to <strong>the</strong> physical, chemical, <strong>and</strong> biological cycles contributing to<br />

Global Change. Students apply learned knowledge by using spread-


36 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

sheet <strong>and</strong> systems modeling s<strong>of</strong>tware to investigate <strong>the</strong> dynamics<br />

<strong>of</strong> natural systems.<br />

The Web-based course curriculum provides unparalleled opportunities<br />

to conduct on-line Internet research. In fact, you will create<br />

your own web-based poster on a topic <strong>of</strong> your choosing. The interactive<br />

laboratory exercises provide you <strong>the</strong> opportunity to use computers<br />

to examine how natural systems function as well as develop<br />

projections <strong>of</strong> <strong>the</strong> future consequences <strong>of</strong> changes in <strong>the</strong> environment.<br />

And, perhaps most important <strong>of</strong> all, you will have ample time<br />

for discussion <strong>of</strong> <strong>the</strong> critical issues in human development <strong>and</strong> how<br />

<strong>the</strong>y relate to <strong>the</strong> international business community, global economics,<br />

society as a whole <strong>and</strong> <strong>the</strong> individual. All topics are developed<br />

in a manner that students will find both accessible <strong>and</strong> enjoyable.<br />

You will discuss...<br />

• Current <strong>and</strong> Projected Global Change<br />

• The Role <strong>of</strong> <strong>the</strong> Individual as a Citizen <strong>of</strong> <strong>the</strong> Planet<br />

• Case Studies <strong>of</strong> Regional <strong>and</strong> Global Change Issues<br />

You will create...<br />

• Models <strong>of</strong> Interacting Systems that Give Insight into <strong>the</strong> Collision<br />

Between Natural <strong>and</strong> Societal Processes<br />

• A Web-based Poster on a Related <strong>To</strong>pic <strong>of</strong> Your Choice<br />

<strong>To</strong>pics that are covered ......<br />

The Universe:<br />

• Big Bang Theory<br />

• Birth <strong>and</strong> Death <strong>of</strong> Stars<br />

• Radiation Laws<br />

• Origin <strong>of</strong> <strong>the</strong> Elements<br />

• Planetary Energy Budget<br />

Our Planet:<br />

• The Age <strong>of</strong> <strong>the</strong> Earth<br />

• Primitive Atmospheres<br />

• Natural Hazards<br />

• Plate Tectonics<br />

• Chemical & Biological Evolution<br />

• The Building Blocks for Life<br />

Earth's Atmospheric & Oceanic Evolution:<br />

• Life Processes <strong>and</strong> Earth Systems<br />

• The Great Ice Ages<br />

• Atmospheric Circulation <strong>and</strong> Wea<strong>the</strong>r<br />

• Climate <strong>and</strong> Paleoclimate<br />

• Greenhouse Gases <strong>and</strong> Global Warming<br />

• Sea Level Change<br />

• El Niño<br />

The Tree <strong>of</strong> Life:<br />

• Emergence <strong>of</strong> Complex Life<br />

• Extinction <strong>and</strong> Radiation<br />

• The Five Kingdoms<br />

• Natural Selection<br />

• Respiration <strong>and</strong> Photosyn<strong>the</strong>sis<br />

• Ecosystems<br />

Projected Ecological Consequences:<br />

• Elevated Carbon Dioxide Levels<br />

• Environmental Pollutants<br />

• Ozone Depletion<br />

• Likelihood <strong>of</strong> Global Climatic Change<br />

Course Requirements:<br />

The course grade is based on two midterm exams, a final exam,<br />

completion <strong>of</strong> laboratory modules, <strong>and</strong> a course project based on<br />

some aspect <strong>of</strong> global change.<br />

Intended Audience:<br />

There are no prerequisites for <strong>the</strong> course <strong>and</strong> no science background<br />

is assumed. The course is appropriate for all undergraduate<br />

students, irrespective <strong>of</strong> intended concentration, <strong>and</strong> is <strong>the</strong> first <strong>of</strong> a<br />

series <strong>of</strong> courses that can be taken as part <strong>of</strong> <strong>the</strong> Global Change<br />

Minor.<br />

Instructor: Allan, J David<br />

ARMENIAN (Armenian Studies)<br />

The Armenian Studies Program at <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong>, Ann<br />

Arbor, began in 1976 with <strong>the</strong> introduction <strong>of</strong> courses in <strong>the</strong> Western<br />

Armenian language <strong>and</strong> a survey <strong>of</strong> Armenian history. In 1981<br />

<strong>the</strong> Alex Manoogian Chair in Modern Armenian History was established,<br />

thanks to <strong>the</strong> generous gift <strong>of</strong> Mr. <strong>and</strong> Mrs. Alex Manoogian.<br />

Six years later, <strong>the</strong> Marie Manoogian Chair in Armenian Language<br />

<strong>and</strong> <strong>Literature</strong> was created, making <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong>–Ann<br />

Arbor a major center <strong>of</strong> Armenian Studies in <strong>the</strong> United States.<br />

Courses taught by Pr<strong>of</strong>essor Kevork B. Bardakjian (literature) <strong>and</strong> a<br />

Pr<strong>of</strong>essor <strong>of</strong> Armenian history constitute <strong>the</strong> core <strong>of</strong> <strong>the</strong> Armenian<br />

Studies Program complemented by outreach activities. In addition<br />

to language, literature <strong>and</strong> history instruction, <strong>the</strong> Armenian Studies<br />

Program <strong>of</strong>fers courses on Armenian architecture, Armenian-<br />

American literature, <strong>the</strong> Modern Armenian Renaissance, <strong>and</strong><br />

Armenian intellectual history.<br />

ARMENIAN 274 / AAPTIS 274. Armenia: Culture <strong>and</strong> Ethnicity.<br />

(3). (HU). May not be repeated for credit. Taught in English.<br />

Section 001 — Issues in Race & Ethnicity.<br />

This course will explore various aspects <strong>of</strong> <strong>the</strong> Christian Armenian<br />

identity, from <strong>the</strong> earliest times to <strong>the</strong> 1990s, against a historical<br />

<strong>and</strong> political background, with a greater emphasis on <strong>the</strong> more<br />

modern times. It will highlight <strong>the</strong> formation <strong>of</strong> <strong>the</strong> Armenian selfimage;<br />

its principle features (political, religious, cultural); <strong>and</strong> its<br />

historical evolution in a multi-religious <strong>and</strong> multi-national region<br />

that has undergone territorial <strong>and</strong> cultural transformations <strong>and</strong> has<br />

experienced many conflicts, at times deadly, resulting from <strong>the</strong><br />

clash <strong>of</strong> national-ethnic identities <strong>and</strong> aspirations, governed <strong>and</strong><br />

driven by oppression, distrust, religious <strong>and</strong> cultural intolerance,<br />

<strong>and</strong> aggressive political designs to name but a few.<br />

Course Requirements:<br />

Students will be required to write one short term paper (5-7 pages<br />

long) <strong>and</strong> a final paper (8-10 pages long) reflecting research on a<br />

selected topic.<br />

Class Format:<br />

There will be class discussions.<br />

Instructor: Bardakjian, Kevork B<br />

ARTDES (Art & Design)<br />

The School <strong>of</strong> Art & Design (A&D) <strong>of</strong>fers an innovative media-rich<br />

<strong>and</strong> intellectually challenging bachelor <strong>of</strong> fine arts (BFA) degree<br />

that integrates traditional techniques with contemporary technologies<br />

<strong>and</strong> provides extensive opportunities for exhibition, community<br />

engagement, <strong>and</strong> international study. Joint degree programs with<br />

LSA provide opportunities for students whose educational goals include<br />

undergraduate degrees in both LSA <strong>and</strong> A&D.<br />

Fall <strong>and</strong> winter academic terms, A&D <strong>of</strong>fers studio courses designated<br />

for non-majors, some on Central Campus, some in <strong>the</strong> A&D<br />

facilities on North Campus. Art Design Perspectives courses are<br />

academic courses that count for Humanities or Interdisciplinary LSA<br />

credit as indicated below <strong>and</strong> are open to non-major registration. In<br />

addition, all o<strong>the</strong>r A&D studio courses are open to non-major registration<br />

after <strong>the</strong> last day <strong>of</strong> scheduled Wolverine Access registration<br />

appointments.<br />

Courses in <strong>the</strong> School <strong>of</strong> Art & Design are listed in <strong>the</strong> Schedule <strong>of</strong><br />

Classes under <strong>the</strong> School <strong>of</strong> Art & Design. Descriptions may be<br />

found on <strong>the</strong> A&D web site www.art-design.umich.edu.


ARTDES 150. Art-Design Perspective I: Creators.<br />

(3). (HU). May not be repeated for credit.<br />

One <strong>of</strong> a series <strong>of</strong> four academic courses that casts a broad net to<br />

explore a variety <strong>of</strong> creative expressions from those collected by<br />

museums to those uncollected <strong>and</strong> taken for granted as objects <strong>of</strong><br />

everyday life. This first course uses a case study approach to focusing<br />

on <strong>the</strong> concept <strong>of</strong> artists' individuality through time <strong>and</strong> across<br />

world cultures.<br />

In <strong>the</strong> ADP I course, “The Creators”, we will look at <strong>the</strong> art <strong>and</strong> design<br />

practices that have been maintained by cultural groups<br />

throughout <strong>the</strong> eras. We will explore <strong>the</strong> circumstances that have<br />

made art <strong>and</strong> design "tick" with meaning from ancient periods up<br />

until contemporary times. We will also learn <strong>the</strong> language <strong>of</strong> art<br />

<strong>and</strong> design, <strong>and</strong> study works that are made with diverse methods,<br />

technologies, <strong>and</strong> media.<br />

In addition to exploring <strong>the</strong> history <strong>and</strong> language <strong>of</strong> art <strong>and</strong> design,<br />

we will examine <strong>the</strong> social <strong>and</strong> cultural roles <strong>of</strong> <strong>the</strong> artist-designer.<br />

• What are <strong>the</strong> ways that creators communicate with <strong>the</strong>ir audiences?<br />

• What is <strong>the</strong> wellspring <strong>of</strong> inspiration that creators drink from as<br />

<strong>the</strong>m make <strong>the</strong>ir work?<br />

• How do <strong>the</strong> aspects <strong>of</strong> one's social identity become presented<br />

through <strong>the</strong> creative process?<br />

• What are <strong>the</strong> missions <strong>and</strong> intentions <strong>of</strong> <strong>the</strong> artist/designers?<br />

What is your own mission as a creator?<br />

• And finally, what are <strong>the</strong> criteria that artist-designers use to<br />

measure success?<br />

"The Creators" is a course in which we will explore <strong>the</strong> history <strong>of</strong><br />

creative work, as well as <strong>the</strong> elements that constitute a creative<br />

practice. We will study art <strong>and</strong> design, as well as <strong>the</strong> artists, designers,<br />

<strong>and</strong> audiences that sustain <strong>the</strong> dialogue that surrounds it.<br />

Instructor: Nunoo-Quarcoo, Francis P<br />

Asian Languages <strong>and</strong> Cultures<br />

The department <strong>of</strong>fers instruction in <strong>the</strong> languages, literatures, religions,<br />

<strong>and</strong> cultures <strong>of</strong> China, Japan, Korea, Tibet, South Asia, <strong>and</strong><br />

Sou<strong>the</strong>ast Asia, including courses in traditional <strong>and</strong> modern Chinese<br />

<strong>and</strong> Japanese literature, Chinese, Japanese, <strong>and</strong> Korean civilization,<br />

Chinese philosophy, courses in <strong>the</strong> literatures <strong>and</strong> cultures <strong>of</strong> South<br />

<strong>and</strong> Sou<strong>the</strong>ast Asia, <strong>and</strong> a sequence <strong>of</strong> courses on Buddhism in<br />

China, India, Japan, Korea, <strong>and</strong> Tibet.<br />

The department’s core courses in <strong>the</strong> modern languages <strong>of</strong> East,<br />

South, <strong>and</strong> Sou<strong>the</strong>ast Asia are designed to develop pr<strong>of</strong>iciency in<br />

<strong>the</strong> basic skills <strong>of</strong> speaking, aural comprehension, reading, <strong>and</strong> writing.<br />

<strong>To</strong> speed students’ progress toward a working knowledge <strong>of</strong><br />

language, intensive work in Chinese <strong>and</strong> Japanese are usually <strong>of</strong>fered<br />

during <strong>the</strong> summer (www.lsa.umich.edu/sli).<br />

WAITLIST POLICY<br />

Students are strongly encouraged to use <strong>the</strong> waitlist for any closed<br />

course. Students should register on <strong>the</strong> waitlist according to <strong>the</strong>ir<br />

preferred section. Overrides will be issued automatically, in waitlist<br />

order, up to <strong>the</strong> first day <strong>of</strong> class as space becomes available. Students<br />

are notified by email if receiving an override; <strong>the</strong> seat may go<br />

to an alternate student on <strong>the</strong> waitlist if <strong>the</strong> override is allowed to<br />

expire. Unused overrides will result in <strong>the</strong> student being removed<br />

from <strong>the</strong> waitlist completely. Overrides are not issued automatically<br />

after <strong>the</strong> first day <strong>of</strong> class for ASIANLAN courses. For ASIAN<br />

courses, overrides are issued automatically until <strong>the</strong> end <strong>of</strong> <strong>the</strong> first<br />

full week <strong>of</strong> classes. Ultimately, students are encouraged in both<br />

situations to contact <strong>the</strong> instructor or attend <strong>the</strong> first class to obtain<br />

an override after <strong>the</strong> start <strong>of</strong> <strong>the</strong> term.<br />

ASIAN (Asian Studies)<br />

ASIAN 204 / HISTORY 204. East Asia: Early Transformations.<br />

(4). (HU). (R&E). May not be repeated for credit.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 37<br />

This course <strong>of</strong>fers an overview <strong>of</strong> more than three thous<strong>and</strong> years<br />

<strong>of</strong> East Asian history, from ca. 1600 BCE through ca. 1800 CE.<br />

Since every such survey must be selective, this course will emphasize<br />

political, social, <strong>and</strong> cultural transformations. Aided by <strong>the</strong><br />

course textbook, we will inquire into <strong>the</strong> nature <strong>of</strong> political power,<br />

<strong>the</strong> succession <strong>of</strong> dynasties <strong>and</strong> military regimes, <strong>the</strong> growth <strong>and</strong><br />

spread <strong>of</strong> religions, <strong>and</strong> <strong>the</strong> transformation <strong>of</strong> family structures,<br />

economies, <strong>and</strong> diplomatic relations. The course will introduce <strong>the</strong><br />

different, distinct histories <strong>of</strong> China, Korea, <strong>and</strong> Japan, but will also<br />

chart <strong>the</strong> interactions between <strong>the</strong>se cultures, following <strong>the</strong> travels<br />

<strong>of</strong> monks <strong>and</strong> merchants, diplomats <strong>and</strong> conquerors, across <strong>the</strong> isl<strong>and</strong>s<br />

<strong>and</strong> continents. The primary-source readings for <strong>the</strong> lectures,<br />

<strong>and</strong> especially for <strong>the</strong> discussion sections, will <strong>of</strong>fer an opportunity<br />

to see <strong>the</strong>se changing cultures <strong>and</strong> l<strong>and</strong>scapes through <strong>the</strong> eyes <strong>of</strong><br />

contemporaries: early Chinese philosophers, Korean royal <strong>of</strong>ficials,<br />

Japanese court ladies, even European travelers. The primary-source<br />

readings will also give occasion to reflect on <strong>the</strong> origins <strong>and</strong> nature<br />

<strong>of</strong> historical knowledge, <strong>the</strong>reby making this course not only an introduction<br />

to East Asian history, but also an introduction to history<br />

as an academic discipline.<br />

The course uses a textbook <strong>and</strong> a course pack, at a total cost <strong>of</strong> ca.<br />

$100.<br />

Course Requirements:<br />

The course requires: attendance <strong>of</strong> all lectures <strong>and</strong> discussion sections<br />

(10%); preparation <strong>of</strong> <strong>the</strong> reading assignments <strong>and</strong> <strong>the</strong> reading<br />

questions for both lectures <strong>and</strong> discussion sections, <strong>and</strong> three<br />

quizzes in <strong>the</strong> discussion section (30%); two in-class examinations<br />

(30% each).<br />

Instructor: de Pee, Christian<br />

ASIAN 206 / HISTORY 206. Indian Civilization.<br />

(4). (HU). May not be repeated for credit.<br />

Section 001. This course is an introduction to <strong>the</strong> cultures <strong>and</strong><br />

histories <strong>of</strong> South Asia, <strong>the</strong> region <strong>of</strong> <strong>the</strong> world that today is constituted<br />

by <strong>the</strong> modern nation-states <strong>of</strong> India, Pakistan, Bangladesh,<br />

Sri Lanka, Nepal, <strong>and</strong> Bhutan. The aim <strong>of</strong> <strong>the</strong> course is to provide a<br />

broad over-view <strong>of</strong> <strong>the</strong> various historical, cultural, social, <strong>and</strong> political<br />

developments that contribute to making <strong>the</strong> region one <strong>of</strong> <strong>the</strong><br />

most diverse in <strong>the</strong> world. The course includes a study <strong>of</strong> <strong>the</strong> following<br />

<strong>the</strong>mes: social <strong>and</strong> religious gender <strong>and</strong> sexuality; <strong>and</strong><br />

commercial relations with a wider world. We will close with a review<br />

<strong>of</strong> India's encounter with modern Europe, <strong>the</strong> establishment <strong>of</strong><br />

colonial rule in <strong>the</strong> subcontinent, <strong>and</strong> <strong>the</strong> formation <strong>of</strong> <strong>the</strong> nationstates<br />

<strong>of</strong> today.<br />

Instructor: Prange, Sebastian Rafael<br />

ASIAN 230 / PHIL 230 / RELIGION 230. Introduction to<br />

Buddhism.<br />

(4). (HU). May not be repeated for credit. May not be included in a<br />

concentration plan in Philosophy.<br />

Over <strong>the</strong> course <strong>of</strong> its long history, Buddhism has been <strong>the</strong> most<br />

influential <strong>and</strong> widely practiced religion in Asia. Beginning in India<br />

2500 years ago, it eventually spread to China, Korea, Japan, Tibet,<br />

<strong>and</strong> Mongolia, <strong>and</strong> to Sri Lanka <strong>and</strong> throughout Sou<strong>the</strong>ast Asia.<br />

More recently it has spread to Europe <strong>and</strong> <strong>the</strong> Americas.<br />

This course is an introduction to <strong>the</strong> major <strong>the</strong>mes in Buddhist<br />

thought <strong>and</strong> practice. Beginning with <strong>the</strong> early teachings associated<br />

with <strong>the</strong> historical Buddha, <strong>the</strong> course will go on to consider <strong>the</strong><br />

development <strong>of</strong> <strong>the</strong> tradition across Asia. The readings for <strong>the</strong><br />

course will consist entirely <strong>of</strong> Buddhist texts in translation.<br />

Course Requirements:<br />

• Attendance at lecture <strong>and</strong> participation in discussion section<br />

(25%)<br />

• Four two-page papers (25%)<br />

• Midterm examination (25%)<br />

• Final examination (25%)<br />

Instructor: Ahn, Juhn Young


38 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

ASIAN 251. Undergraduate Seminar in Chinese Culture.<br />

No knowledge <strong>of</strong> Chinese language is required. (3). (HU). May not<br />

be repeated for credit.<br />

This undergraduate seminar <strong>of</strong>fers lower division LSA students a<br />

small group learning experience. Students explore a subject <strong>of</strong> particular<br />

interest in collaboration with a faculty member in <strong>the</strong> area <strong>of</strong><br />

Chinese culture.<br />

Section 001 — The Story <strong>of</strong> <strong>the</strong> Stone.<br />

In this first-year seminar class we will try toge<strong>the</strong>r to get a better<br />

underst<strong>and</strong>ing <strong>of</strong> traditional Chinese culture by reading <strong>and</strong> discussing<br />

a novel that has both been praised as a veritable encyclopedia<br />

<strong>of</strong> Chinese life, <strong>and</strong> which has mattered deeply to countless Chinese<br />

readers, some <strong>of</strong> whom read it year after year. Because <strong>the</strong> novel<br />

focuses on life within <strong>the</strong> household <strong>and</strong> <strong>the</strong> majority <strong>of</strong> its major<br />

characters are female, one <strong>of</strong> <strong>the</strong> foci <strong>of</strong> <strong>the</strong> course will be on <strong>the</strong><br />

life <strong>of</strong> Chinese women during <strong>the</strong> time <strong>the</strong> novel was written. Class<br />

meetings will feature a number <strong>of</strong> different activities. One <strong>of</strong> <strong>the</strong>se<br />

will be class debates on specific topics. The main goal <strong>of</strong> <strong>the</strong> various<br />

debates will be to permit us to get a wider <strong>and</strong> richer view <strong>of</strong><br />

<strong>the</strong> novel <strong>and</strong> <strong>the</strong> culture that produced it, but we will also be interested<br />

in relating what we see in <strong>the</strong> novel to life around us <strong>and</strong><br />

material we have learned in o<strong>the</strong>r contexts. The procedure <strong>of</strong> debating<br />

topics from different points <strong>of</strong> view will also help us be more<br />

critical about our own beliefs <strong>and</strong> predilections.<br />

Class Format:<br />

First-year seminar class<br />

Instructor: Rolston, David Lee<br />

ASIAN 254. Undergraduate Seminar in Korean Culture.<br />

No knowledge <strong>of</strong> Korean language is required. (3). (HU). May be<br />

repeated for a maximum <strong>of</strong> 6 credits.<br />

This undergraduate seminar <strong>of</strong>fers lower division LSA students a<br />

small group learning experience. Students explore a subject <strong>of</strong> particular<br />

interest in collaboration with a faculty member in <strong>the</strong> area <strong>of</strong><br />

Korean Culture.<br />

Section 001 — Popular Culture <strong>and</strong> Korean Society.<br />

In <strong>the</strong> second half <strong>of</strong> <strong>the</strong> twentieth century, South Korea underwent<br />

an economic development that transformed <strong>the</strong> country from one<br />

<strong>of</strong> <strong>the</strong> poorest nations in <strong>the</strong> world to one <strong>of</strong> <strong>the</strong> world’s dozen<br />

largest economies, <strong>and</strong> in <strong>the</strong> last decade, popular culture has<br />

emerged as <strong>the</strong> most prominent <strong>and</strong> dynamic <strong>of</strong> all South Korean<br />

exports. Institutional <strong>and</strong> ideological aspects <strong>of</strong> this developmental<br />

miracle are well-known, but how do we begin to underst<strong>and</strong> what<br />

such a change — pursued with a speed <strong>and</strong> thoroughness rarely<br />

witnessed in world history — must have meant for <strong>the</strong> people living<br />

through it?<br />

In this class, we will examine values, desires, <strong>and</strong> structures that<br />

sustain people’s lives in times <strong>of</strong> great upheaval <strong>and</strong> uprooting,<br />

through <strong>the</strong> medium <strong>of</strong> popular culture. In particular, we will focus<br />

on how popular cultural forms construct, represent, or contest<br />

dominant ideas about Korean history, national identity, gender<br />

roles, <strong>and</strong> globalization.<br />

Our approach will be at times <strong>the</strong>matic, at times generic, <strong>and</strong> at<br />

times historical. Discussions will revolve around texts drawn from<br />

diverse media including music, cinema, television, print, sports, online<br />

games, <strong>and</strong> sequential art. Analyses <strong>of</strong> primary texts will be<br />

supplemented by <strong>the</strong>oretical readings on topics including censorship,<br />

political economy, audience reception, f<strong>and</strong>om, <strong>and</strong> transnationalism.<br />

Instructor: Ryu, Youngju<br />

ASIAN 260 / HISTORY 252. Introduction to Chinese<br />

Civilization.<br />

(4). (HU). (R&E). May not be repeated for credit. No assumed<br />

knowledge <strong>of</strong> Chinese history, culture, or language required.<br />

This course is intended to introduce students to major issues in<br />

Chinese history from ancient times to <strong>the</strong> Chinese Revolution <strong>of</strong><br />

1911, with a specific focus on issues relating to race <strong>and</strong> ethnicity.<br />

In this connection, we investigate three problems:<br />

1. China is <strong>of</strong>ten seen as a racially, ethnically, <strong>and</strong> culturally<br />

homogenous society, but what is China <strong>and</strong> (Han) Chinese?<br />

2. <strong>To</strong> what extent was <strong>the</strong> direction <strong>of</strong> Chinese civilization driven<br />

by contact with ethnic, religious, <strong>and</strong> cultural o<strong>the</strong>rs? What role<br />

did ethnic, religious, <strong>and</strong> cultural conflict play in producing<br />

Chinese identity?<br />

3. How did China transition from a multi-ethnic empire to a modern<br />

nation state? <strong>To</strong> what extent was <strong>the</strong> creation <strong>of</strong> modern<br />

China a product <strong>of</strong> racial <strong>and</strong> ethnic strife?<br />

Readings <strong>and</strong> lectures will give equal weight to political <strong>and</strong> social<br />

developments, as well as to intellectual, religious, <strong>and</strong> cultural<br />

forces. Course assignments will not only include reading primary<br />

<strong>and</strong> secondary literature (entirely in English), but also require students<br />

to analyze visual sources. There are no books or coursepacks<br />

for this class; all readings will be available through C<strong>To</strong>ols.<br />

Course Requirements:<br />

Assignments:<br />

1. Active attendance <strong>and</strong> participation in section (Note: more<br />

than 5 unexcused absences will result in an automatic failure <strong>of</strong><br />

<strong>the</strong> course); 20% <strong>of</strong> total grade.<br />

2. One creative project; 20% <strong>of</strong> total grade.<br />

3. 3 short papers (3-5 pages); 60% <strong>of</strong> total grade.<br />

Instructor: Brown, Mir<strong>and</strong>a D<br />

ASIAN 280. <strong>To</strong>pics in Asian Studies.<br />

(3). (HU). May be elected twice for credit.<br />

Provides an opportunity for non-specialists to explore a particular<br />

area <strong>of</strong> Asian culture. It aims to give beginning students a background<br />

for <strong>the</strong> study <strong>of</strong> Asian topics, as well as special insights into<br />

<strong>the</strong> (literary) traditions, philosophies, <strong>and</strong> beliefs <strong>of</strong> different peoples<br />

within Asia.<br />

Section 001 — Sacred Collectives: Nation <strong>and</strong> Religion in<br />

South Asia.<br />

Can <strong>the</strong> nation be an object <strong>of</strong> worship? Do religious <strong>and</strong> national<br />

identities fortify each o<strong>the</strong>r? How must we underst<strong>and</strong> religious violence?<br />

What is <strong>the</strong> relationship between religion <strong>and</strong> politics in a<br />

secular world? Can religion be deployed as an instrument <strong>of</strong> political<br />

mobilization <strong>and</strong> transformations?<br />

Bearing <strong>the</strong> above questions in mind, this course will examine <strong>the</strong><br />

relationship between <strong>the</strong> Nation <strong>and</strong> Religion in South Asia. Home<br />

to almost every major Religion <strong>of</strong> <strong>the</strong> world, <strong>the</strong> region <strong>of</strong> South<br />

Asia has also witnessed a variety <strong>of</strong> movements <strong>and</strong> mobilizations<br />

that explicitly invoke religion in <strong>the</strong> service <strong>of</strong> <strong>the</strong> nation. The partition<br />

<strong>of</strong> <strong>the</strong> subcontinent into India <strong>and</strong> Pakistan in 1947, <strong>the</strong> rise <strong>of</strong><br />

Hindu fundamentalism in India, <strong>and</strong> pro-democracy movements in<br />

Myanmar, religion is never too far from politics, nor neatly privatized.<br />

We will examine <strong>the</strong> following case studies from <strong>the</strong> subcontinent<br />

that shed light on <strong>the</strong> intersections between religion <strong>and</strong> nation:<br />

<strong>the</strong> idea <strong>of</strong> ‘Mo<strong>the</strong>r India,’ <strong>the</strong> 1947 Partition <strong>of</strong> <strong>the</strong> subcontinent,<br />

<strong>the</strong> controversy over Rama’s ‘birthplace’ in India, <strong>the</strong> notion<br />

<strong>of</strong> ‘Jihad,’ <strong>and</strong> Buddhist monks’ participation in pro-democracy<br />

movement in Myanmar. The course will be divided into broad <strong>the</strong>matic<br />

sections dealing with community formation, national identity,<br />

religious fundamentalisms, <strong>and</strong> political mobilizations.<br />

Course objectives include fostering a nuanced underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong><br />

myriad ways in which religious collectives find expression in politics<br />

<strong>and</strong> society <strong>and</strong> contribute in forging modern national identities.<br />

Students will gain critical insight into religious nationalisms in South<br />

Asia <strong>and</strong> beyond. In addition, students will be able to take what<br />

<strong>the</strong>y learn from this course about religion <strong>and</strong> <strong>the</strong> nation to o<strong>the</strong>r<br />

situations <strong>and</strong> parts <strong>of</strong> <strong>the</strong> world. This course is not meant to provide<br />

final answers. Its primary objective is to make students think<br />

<strong>and</strong> reflect in a critical fashion, <strong>and</strong> provide <strong>the</strong>m with <strong>the</strong> material<br />

<strong>and</strong> intellectual tools necessary to do so.


Course Requirements:<br />

Course evaluation will be based upon attendance <strong>and</strong> class participation,<br />

two short essays, group presentations, a film review, <strong>and</strong> a<br />

final paper.<br />

Instructor: Bhatia, Varuni<br />

Section 002 — Religions <strong>of</strong> China.<br />

From <strong>the</strong> Analects <strong>of</strong> Confucius to <strong>the</strong> Zen <strong>of</strong> Buddhism, some <strong>of</strong><br />

<strong>the</strong> world's most intriguing <strong>and</strong> enduring religious traditions first<br />

developed <strong>and</strong> prospered in China. This course will take a broad<br />

look at <strong>the</strong> ancient <strong>and</strong> modern manifestation <strong>of</strong> Confucianism,<br />

Daoism, <strong>and</strong> Buddhism in <strong>the</strong> Chinese cultural context. What does it<br />

mean to become immortal? How do people strive for enlightenment?<br />

What is happening to religious traditions under <strong>the</strong> strain <strong>of</strong><br />

modernity, communism, <strong>and</strong> capitalism? In this seminar-style<br />

course, we will examine <strong>the</strong>se <strong>and</strong> o<strong>the</strong>r issues through readings,<br />

brief lectures, group discussions, images, films, <strong>and</strong> presentations.<br />

Intended Audience:<br />

No previous experience required. All are welcome.<br />

Class Format:<br />

Seminar-style<br />

Instructor: Brose, Benjamin<br />

Section 003 — History <strong>of</strong> Japanese Language.<br />

This course examines <strong>the</strong> historical development <strong>of</strong> <strong>the</strong> Japanese<br />

language using <strong>the</strong> Meiji Period (1868-1912) as its focal point. Meiji<br />

was <strong>the</strong> moment Edo became <strong>To</strong>kyo <strong>and</strong> language underwent drastic<br />

transformations due to national st<strong>and</strong>ardization <strong>and</strong> modernity.<br />

Pivoting around <strong>the</strong> moment <strong>of</strong> Meiji, <strong>the</strong> course will swing between<br />

<strong>the</strong> pre-modern <strong>and</strong> contemporary eras to look at all <strong>the</strong> major issues<br />

in <strong>the</strong> history <strong>of</strong> Japanese language, including genetic relationships,<br />

phonological, morphological <strong>and</strong> syntactic change, <strong>and</strong><br />

pragmatics. It discusses how Japanese language has developed,<br />

changed, <strong>and</strong> transformed through history in relation to honorifics,<br />

gender, sexuality, <strong>and</strong> popular culture.<br />

Instructor: Abe, Hideko<br />

ASIAN 292 / HISTART 292. Introduction to Japanese Art<br />

<strong>and</strong> Culture.<br />

(4). (HU). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in HISTART 495.<br />

Section 001. This course adopts an interdisciplinary approach to<br />

<strong>the</strong> history <strong>of</strong> Japanese visual culture, introducing <strong>the</strong> art <strong>of</strong> <strong>the</strong> archipelago<br />

from ancient times through <strong>the</strong> present day. Although<br />

primarily a chronological examination <strong>of</strong> key artistic monuments,<br />

<strong>the</strong> class will also discuss <strong>the</strong>matic issues such as <strong>the</strong> materiality <strong>of</strong><br />

art, cultural exchange, <strong>the</strong> meaning <strong>of</strong> nature, <strong>and</strong> <strong>the</strong> relationships<br />

between artistic production <strong>and</strong> religion, class, <strong>and</strong> society. The<br />

course makes no claim to be comprehensive, <strong>and</strong> <strong>the</strong> goal <strong>of</strong> <strong>the</strong><br />

lectures is only to introduce you to <strong>the</strong> panoply <strong>of</strong> Japanese art <strong>and</strong><br />

<strong>the</strong> ways that it interacted with <strong>the</strong> cultures that produced it. At <strong>the</strong><br />

end <strong>of</strong> <strong>the</strong> course, you should have a better underst<strong>and</strong>ing <strong>of</strong> many<br />

aspects <strong>of</strong> Japanese history, thought, religion, <strong>and</strong> visual culture;<br />

but you should also develop a heightened awareness <strong>of</strong> <strong>and</strong> sophistication<br />

about your visual world in general.<br />

C. 1, 2, 3, 4<br />

Instructor: Carr, Kevin Gray<br />

ASIANLAN (Asian Languages)<br />

ASIANLAN 101. First Year Chinese I.<br />

(5). May not be repeated for credit. Native or near-native speakers<br />

<strong>of</strong> Chinese are not eligible for this course. No credit granted to<br />

those who have completed or are enrolled in ASIANLAN 103.<br />

ASIANLAN 101 is an introductory course for students who do not<br />

underst<strong>and</strong> or speak any Chinese. (If you speak Chinese, <strong>the</strong> right<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 39<br />

course for you is ASIANLAN 104, Reading <strong>and</strong> Writing Chinese I.)<br />

In this course, students are expected to achieve control <strong>of</strong> <strong>the</strong><br />

sound system (especially <strong>the</strong> 4 tones), basic sentence patterns,<br />

aural comprehension, daily conversations <strong>and</strong> writing characters.<br />

374 characters will be introduced in this course. Students are required<br />

to perform skits in front <strong>of</strong> <strong>the</strong> class almost every week. A<br />

written quiz or test will be given every Tuesday <strong>and</strong> Thursday. Students<br />

have class one hour per day. Tuesdays <strong>and</strong> Thursdays are<br />

lectures; Mondays, Wednesdays <strong>and</strong> Fridays are recitations. Students<br />

are required to register for both a lecture section <strong>and</strong> a recitation<br />

section. Attendance is taken everyday.<br />

Textbooks:<br />

1. Integrated Chinese (Level One, Part I) — Textbook, Workbook,<br />

Character Workbook (all in Traditional Character Edition);<br />

2. Getting Around in Chinese — Chinese Skits for Beginners.<br />

ASIANLAN 104. First Year Chinese for M<strong>and</strong>arin Speakers.<br />

Consent <strong>of</strong> instructor required. (4). May not be repeated for credit.<br />

No credit granted to those who have completed or are enrolled in<br />

ASIANLAN 101, 102, 103.<br />

This course is designed for students with native or near-native<br />

speaking ability in Chinese, but little or no reading <strong>and</strong> writing ability.<br />

Classes, which are conducted in Chinese, meet four hours per<br />

week with a focus on reading <strong>and</strong> writing. Coursework will be<br />

graded on <strong>the</strong> basis <strong>of</strong> classroom performance, quizzes, tests, <strong>and</strong><br />

homework assignments. Students are required to register for both<br />

a lecture section <strong>and</strong> a recitation section. They must have <strong>the</strong> permission<br />

<strong>of</strong> <strong>the</strong> instructor in order to register for this course. Most<br />

students will receive this permission via a placement test before fall<br />

classes begin. For test information, please refer to<br />

www.lsa.umich.edu/asian/language/.<br />

Instructor: Gu, Karen<br />

ASIANLAN 111. First Year Filipino I.<br />

(4). May not be repeated for credit.<br />

Section 001. This is a beginners’ class (two-term sequence) that<br />

uses <strong>the</strong> functional-situational approach in learning a language. The<br />

students focus on conversational skills in Filipino. Classroom techniques<br />

include role-plays, games, songs, pair work, <strong>and</strong> writing exercises.<br />

At <strong>the</strong> end <strong>of</strong> <strong>the</strong> course, <strong>the</strong>y should be able to use Filipino<br />

in greetings <strong>and</strong> situations such as visiting a friend’s house, shopping,<br />

telling <strong>the</strong> time, making an appointment, asking <strong>and</strong> giving<br />

directions, <strong>and</strong> going to a medical clinic. They should also be able<br />

to use Filipino in: describing people, objects, <strong>and</strong> places; narrating<br />

an event or simple story; expressing feelings; <strong>and</strong> expressing<br />

agreement or disagreement.<br />

Instructor: Atienza, Richard<br />

ASIANLAN 115. First Year Hindi I.<br />

(4). May not be repeated for credit. No credit granted to those who<br />

have completed or are enrolled in ASIANLAN 117. Students with<br />

prior knowledge <strong>of</strong> Hindi are encouraged to take ASIANLAN 118.<br />

The first year is <strong>the</strong> beginner’s level Hindi course. The aim <strong>of</strong> <strong>the</strong><br />

course is to enable <strong>the</strong> student to acquire <strong>the</strong> major language skills<br />

— speaking, listening, reading <strong>and</strong> writing. St<strong>and</strong>ard text materials,<br />

audio-visual clips from Hindi films <strong>and</strong> popular TV programs, <strong>and</strong><br />

graded conversations prepared by <strong>the</strong> instructor are used with<br />

equal emphasis on spoken <strong>and</strong> written Hindi. Training in spoken<br />

Hindi emphasizes speaking <strong>and</strong> listening at normal speed with nearnative<br />

pronunciation <strong>and</strong> intonation.<br />

See <strong>the</strong> instructor for placement.<br />

Instructor: Siddiqi, Tahsin


40 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

ASIANLAN 119 / AAPTIS 119. Introductory Central Asian<br />

Language I.<br />

(4 - 5). May be elected three times for credit. May be elected more<br />

than once in <strong>the</strong> same term. No credit granted to those who have<br />

completed or are enrolled in AAPTIS 519.<br />

Section 001 — Elementary Uzbek I.<br />

Elementary Uzbek I introduces <strong>the</strong> literary language, covering pronunciation,<br />

grammar, syntax, reading, <strong>and</strong> writing, as well as culture<br />

<strong>and</strong> daily life <strong>of</strong> <strong>the</strong> Uzbeks.<br />

This course will be <strong>of</strong>fered via live video-conferencing from Indiana<br />

University through <strong>the</strong> CIC CourseShare program in which LSA participates.<br />

The classroom instructor is Malik A. Hodjaev, lecturer <strong>of</strong><br />

Uzbek language in IU’s Department <strong>of</strong> Central Eurasian Studies.<br />

The class schedule will correspond to <strong>the</strong> Indiana University academic<br />

calendar; <strong>the</strong>refore, <strong>the</strong> first day <strong>of</strong> class will be on Monday,<br />

August 29, 2011.<br />

Please note: Supplemental tutoring will be provided.<br />

For more information, contact Gottfried Hagen at<br />

ghagen@umich.edu.<br />

Instructor: Hagen, Gottfried J<br />

ASIANLAN 121. First Year Indonesian I.<br />

(4). May not be repeated for credit.<br />

Section 001. ASIANLAN 121 is an introduction to <strong>the</strong> speaking,<br />

reading, <strong>and</strong> writing <strong>of</strong> modern Indonesian. Students with previous<br />

experience with Indonesian or Malay should contact <strong>the</strong> department<br />

for placement into <strong>the</strong> course. Indonesian is <strong>the</strong> national language<br />

<strong>of</strong> Indonesia, a country noted for its rich <strong>and</strong> deep cultural<br />

heritage as well as for its remarkable cultural diversity. With more<br />

than 200 million speakers, Indonesian is <strong>the</strong> sixth most prevalently<br />

spoken language in <strong>the</strong> world. The relatively simple syntactic <strong>and</strong><br />

grammatical structures that characterize Indonesian make it an accessible<br />

language for any native speakers <strong>of</strong> o<strong>the</strong>r languages. The<br />

elementary course comprises a two-term sequence designed to<br />

provide <strong>the</strong> student with a basic working knowledge <strong>of</strong> <strong>the</strong> Indonesian<br />

language. The course aims at <strong>the</strong> acquisition <strong>of</strong> <strong>the</strong> four basic<br />

language skills: listening, speaking, reading, <strong>and</strong> writing in modern<br />

Indonesian. The course emphasizes aural-oral exercises <strong>and</strong> practice<br />

<strong>and</strong> <strong>the</strong> learning <strong>of</strong> culture throughout <strong>the</strong> course. The text<br />

used is keyed to a set <strong>of</strong> tapes for use in <strong>the</strong> language lab <strong>and</strong> concentrates<br />

on practical knowledge <strong>of</strong> <strong>the</strong> language.<br />

Course Requirements:<br />

Evaluation is based on classroom performance, homework assignments,<br />

tests, <strong>and</strong> a final project.<br />

Instructor: Agustini<br />

ASIANLAN 124. Accelerated Elementary Japanese.<br />

(3). May not be repeated for credit.<br />

This course is designed to enhance <strong>the</strong> four basic communication<br />

skills (speaking, listening, reading <strong>and</strong> writing) in modern Japanese<br />

that students have previously developed through lower-level high<br />

school coursework, <strong>the</strong>ir own individual or tutored study, or heritage<br />

that learned Japanese at home. Students placed into this class<br />

will have had some exposure to or knowledge <strong>of</strong> Japanese but not<br />

enough to warrant a placement in a higher level course. The emphasis<br />

<strong>of</strong> this course on <strong>the</strong> thorough mastery <strong>of</strong> <strong>the</strong> basic structure<br />

<strong>of</strong> <strong>the</strong> Japanese language that is necessary for effective communication<br />

in Japanese.<br />

ASIANLAN 124 will concentrate on <strong>the</strong> following:<br />

1. underst<strong>and</strong>ing <strong>and</strong> mastering appropriate use <strong>of</strong> basic grammar;<br />

2. mastering appropriate use <strong>of</strong> vocabulary <strong>and</strong> expressions in<br />

context;<br />

3. acquiring basic pragmatic <strong>and</strong> sociocultural skills;<br />

4. acquiring comprehensive reading skills in regard to simple<br />

essays;<br />

5. underst<strong>and</strong>ing daily conversations;<br />

6. writing short compositions;<br />

7. mastery <strong>of</strong> Hiragana, Katakana, <strong>and</strong> approximately 58 Kanji.<br />

It is expected that, by <strong>the</strong> end <strong>of</strong> <strong>the</strong> fall academic term, students<br />

will have basic speaking <strong>and</strong> listening comprehension skills, a solid<br />

grasp <strong>of</strong> <strong>the</strong> basic grammar, <strong>and</strong> <strong>the</strong> reading <strong>and</strong> writing skills in<br />

Hiragana, Katakana, <strong>and</strong> approximately 58 Kanji in context.<br />

ASIANLAN 124 students can continue on to ASIANLAN 126 with <strong>the</strong><br />

students who have passed ASIANLAN 125 <strong>and</strong> finish first-year<br />

Japanese toge<strong>the</strong>r at <strong>the</strong> end <strong>of</strong> <strong>the</strong> Winter academic term.<br />

Course Requirements:<br />

Exams (Midterm & Final) comprise grammar points emphasized in<br />

<strong>the</strong> various lessons; oral interviews; listening comprehension; <strong>and</strong><br />

reading/writing. The oral interviews may occur outside <strong>of</strong> <strong>the</strong><br />

scheduled class period. Quizzes (both vocabulary <strong>and</strong> Kanji) for<br />

each lesson will be given during <strong>the</strong> first 5-10 min <strong>of</strong> class. Lesson<br />

tests (lasting 50 minutes) will be given four times during <strong>the</strong> academic<br />

term. Students must actively participate in class in order to<br />

learn Japanese <strong>and</strong> improve <strong>the</strong>ir language skills. Students' participation<br />

in classroom activities, pair-work, dialogue presentation, answering<br />

questions, cooperation, <strong>and</strong> general attitude will be taken<br />

into consideration when grading.<br />

Assignments include:<br />

1. Kanji practice sheets;<br />

2. listening comprehension;<br />

3. grammar <strong>and</strong> reading exercise sheets;<br />

4. compositions; <strong>and</strong><br />

5. speech presentations at <strong>the</strong> end <strong>of</strong> <strong>the</strong> academic term.<br />

Intended Audience:<br />

Students across many disciplines who have a little background in<br />

Japanese language but are not yet ready to be placed into a<br />

higher-level course (i.e., ASIANLAN 126 or ASIANLAN 225).<br />

Class Format:<br />

Small class that integrates <strong>the</strong> traditional lecture <strong>and</strong> recitation<br />

components. Meets 3 hours per week.<br />

ASIANLAN 125. First Year Japanese I.<br />

(5). May not be repeated for credit. Native or near-native speakers<br />

<strong>of</strong> Japanese are not eligible for this course. No credit granted to<br />

those who have completed or are enrolled in ASIANLAN 124, 127,<br />

129 or RCLANG 196.<br />

This course is designed for students who have less than <strong>the</strong> equivalent<br />

<strong>of</strong> one year's study <strong>of</strong> Japanese at <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong>.<br />

The goal <strong>of</strong> <strong>the</strong> course is <strong>the</strong> simultaneous progression <strong>of</strong> four skills<br />

(speaking, listening, writing, <strong>and</strong> reading) as well as becoming familiar<br />

with aspects <strong>of</strong> Japanese culture which are necessary for language<br />

competency. Recitation sessions are conducted in Japanese<br />

emphasizing speaking/reading in Japanese contexts at normal<br />

speeds. Analyses, explanations, <strong>and</strong> discussions involving <strong>the</strong> use<br />

<strong>of</strong> English are specifically reserved for lectures. It is expected that,<br />

by <strong>the</strong> end <strong>of</strong> <strong>the</strong> academic term, students will have basic speaking<br />

<strong>and</strong> listening comprehension skills, a solid grasp <strong>of</strong> basic grammar,<br />

reading <strong>and</strong> writing skills in Hiragana <strong>and</strong> Katakana, <strong>and</strong> will be<br />

able to recognize <strong>and</strong> produce approximately 58 Kanji in context.<br />

Texts: Genki Vol.1, <strong>To</strong>kyo: The Japan Times, 1998.<br />

ASIANLAN 129 / RCLANG 196. Intensive Japanese I.<br />

Consent <strong>of</strong> instructor required. (10). May not be repeated for<br />

credit. No credit granted to those who have completed or are enrolled<br />

in ASIANLAN 124, 125, 126, or 127.<br />

Section 001. This course is designed for you to learn Novice (beginning)-level<br />

Japanese language in an intensive, semi-immersion<br />

setting. It is "intense" because we will study a normally two-term<br />

amount <strong>of</strong> materials in one academic term. It is "semi-immersion"<br />

in that in our classroom we constantly simulate au<strong>the</strong>ntic communicative<br />

interactions with speakers <strong>of</strong> Japanese, <strong>and</strong> will use <strong>the</strong> target<br />

language as much as possible while minimizing <strong>the</strong> use <strong>of</strong> Eng-


lish. Through extensive communication practice in classroom activities,<br />

we will work on developing all four skills (listening, speaking,<br />

reading, <strong>and</strong> writing, using hiragana, katakana <strong>and</strong> 177 kanji) along<br />

with cultural underst<strong>and</strong>ing. You will learn to acquire a sentencelevel<br />

comm<strong>and</strong> in limited topics around everyday life for college<br />

students. Most course-related activities are collaborative in nature.<br />

You are also required to attend minimum three hours <strong>of</strong> cocurricular<br />

activities, such as <strong>the</strong> Lunch Tables <strong>and</strong> Conversation<br />

Tables, per week. (No prior knowledge in Japanese is assumed; if<br />

you have studied Japanese before, <strong>the</strong> instructor's permission is required).<br />

Instructor: Sato, Tetsuya<br />

ASIANLAN 135. First Year Korean I.<br />

(5). May not be repeated for credit. Native or near-native speakers<br />

<strong>of</strong> Korean are not eligible for this course. No credit granted to those<br />

who have completed or are enrolled in ASIANLAN 137.<br />

ASIANLAN 135, <strong>the</strong> first <strong>of</strong> <strong>the</strong> two-term sequence (ASIANLAN 135<br />

<strong>and</strong> ASIANLAN 136), is for those who have no or minimal pr<strong>of</strong>iciency<br />

in Korean. This course introduces <strong>the</strong> basic structures <strong>of</strong><br />

Korean while focusing on <strong>the</strong> development <strong>of</strong> speaking, listening,<br />

reading, <strong>and</strong> writing skills. The class regularly meets five times per<br />

week — two hours <strong>of</strong> lecture <strong>and</strong> three hours <strong>of</strong> aural/oral practice<br />

— <strong>and</strong> daily attendance is expected. In addition, students are required<br />

to do additional hours <strong>of</strong> work for practice on <strong>the</strong>ir own. The<br />

checkpoints for evaluation include homework assignments, weekly<br />

quizzes, vocabulary quizzes, oral interviews, chapter tests, <strong>and</strong> final<br />

exam. Those who successfully complete <strong>the</strong> course will gain sustained<br />

control <strong>of</strong> basic conversation.<br />

ASIANLAN 138. Reading <strong>and</strong> Writing Korean I.<br />

Consent <strong>of</strong> instructor required. (5). May not be repeated for credit.<br />

No credit granted to those who have completed or are enrolled in<br />

ASIANLAN 135, 136, or 137.<br />

This course will cover regular ASIANLAN 135 <strong>and</strong> 136 course materials<br />

in one academic term. After completing ASIANLAN 138, students<br />

will be able to continue <strong>the</strong>ir study <strong>of</strong> Korean by enrolling in<br />

ASIANLAN 238 (Reading & Writing Korean II). While this course focuses<br />

on developing <strong>the</strong>ir comprehensive competence in listening,<br />

speaking, reading, <strong>and</strong> writing, more emphasis will be given to<br />

reading <strong>and</strong> writing Korean.<br />

Intended Audience:<br />

This course, <strong>the</strong> first <strong>of</strong> <strong>the</strong> two-term sequence (ASIANLAN 138 <strong>and</strong><br />

ASIANLAN 238), is for students who were raised in a home where<br />

Korean was spoken, who speak or merely underst<strong>and</strong> Korean, <strong>and</strong><br />

students who have some speaking abilities <strong>of</strong> daily Korean but who<br />

know little <strong>of</strong> how to read <strong>and</strong> write in Korean. Students with previous<br />

experience with Korean should contact <strong>the</strong> instructor for a<br />

placement into <strong>the</strong> course.<br />

Class Format:<br />

This class meets five hours per week.<br />

ASIANLAN 145. First Year Punjabi I.<br />

(4). May not be repeated for credit. No credit granted to those who<br />

have completed or are enrolled in SSEA 371.<br />

This course <strong>of</strong>fers an introduction to spoken <strong>and</strong> written Punjabi.<br />

Those who have little or no previous knowledge <strong>of</strong> Punjabi<br />

(Gurmukhi) script will learn to read <strong>and</strong> write at <strong>the</strong> basic level.<br />

During this course students will use <strong>the</strong> communicative approach to<br />

develop <strong>the</strong> ability to speak, comprehend, read, <strong>and</strong> write Punjabi.<br />

Course Requirements:<br />

Evaluation will be based on attendance, class participation, assignments,<br />

quizzes <strong>and</strong> tests.<br />

Instructor: Gill, Pinderjeet K<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 41<br />

ASIANLAN 155. First Year Tamil I.<br />

(4). May not be repeated for credit. No credit granted to those who<br />

have completed or are enrolled in ASIANLAN 157.<br />

Course (beginners' level) begins with an introduction to language,<br />

l<strong>and</strong>, history, cultures, <strong>and</strong> traditions <strong>of</strong> Tamilnadu. The aim <strong>of</strong> this<br />

course is achieving pr<strong>of</strong>iciency in spoken comprehension, enable<br />

<strong>the</strong> student to acquire <strong>the</strong> major language skills — listening, speaking,<br />

reading, <strong>and</strong> writing. St<strong>and</strong>ard text materials, course packs<br />

prepared by <strong>the</strong> instructor, as well as audio, video, <strong>and</strong> web-based<br />

materials are used with some emphasis on both spoken <strong>and</strong> written<br />

varieties <strong>of</strong> Tamil. Spoken materials emphasize speaking <strong>and</strong> listening<br />

in native contexts at normal speed with near-native pronunciation,<br />

intonation, style, etc. There will be opportunity to do exercises,<br />

assignments, spoken language practice, <strong>and</strong> language<br />

games. Students will also have <strong>the</strong> opportunity to do Group Work<br />

to develop <strong>the</strong>ir skill development particularly in reading <strong>the</strong> written<br />

variety <strong>of</strong> Tamil through writing, comprehension, class quizzes administered<br />

<strong>and</strong> conversational practice.<br />

ASIANLAN 161. First Year Thai I.<br />

(4). May not be repeated for credit.<br />

This is <strong>the</strong> first <strong>of</strong> <strong>the</strong> two-term sequence <strong>of</strong> courses in which students<br />

will achieve control <strong>of</strong> <strong>the</strong> sound system (Thai has five<br />

tones), basic sentence pattern, aural comprehension, <strong>and</strong> basic<br />

daily conversation. Students will be exposed to <strong>the</strong> au<strong>the</strong>ntic character<br />

<strong>of</strong> <strong>the</strong> language from <strong>the</strong> first day <strong>of</strong> class. Not only will students<br />

be able to speak <strong>the</strong> beautiful language, but also will be able<br />

to read <strong>and</strong> write <strong>the</strong> beautiful <strong>and</strong> unique script. Daily written assignments<br />

will be given to reinforce what was covered in class that<br />

day. By <strong>the</strong> end <strong>of</strong> <strong>the</strong> first term, students will be able to read, converse,<br />

<strong>and</strong> write about selective topics. Upon successful completion<br />

<strong>of</strong> <strong>the</strong> second term, students will be able to conduct conversations<br />

dealing with several survival concerns — ordering food, shopping,<br />

visiting <strong>the</strong> post <strong>of</strong>fice, going to <strong>the</strong> doctor, banking, etc. Many facets<br />

<strong>of</strong> Thai cultures will also be part <strong>of</strong> <strong>the</strong> lessons.<br />

Course Requirements:<br />

Grading will be based upon class attendance <strong>and</strong> participation, written<br />

homework, weekly quizzes, <strong>and</strong> a final exam.<br />

Instructor: Krishnamra, Montatip<br />

ASIANLAN 171. First Year Urdu I.<br />

(4). May not be repeated for credit.<br />

Section 001. First Year Urdu I is an introductory pr<strong>of</strong>iciencybased<br />

course which allows students to acquire linguistic skills in culturally<br />

au<strong>the</strong>ntic contexts. The course concentrates on developing<br />

skills in reading, writing, speaking, <strong>and</strong> listening comprehension.<br />

St<strong>and</strong>ard text materials, audio-visual clips from films, <strong>and</strong> graded<br />

conversation prepared by <strong>the</strong> instructor are used with equal emphasis<br />

on spoken <strong>and</strong> written Urdu. Training in spoken Urdu emphasizes<br />

speaking <strong>and</strong> listening at a normal speed with near-native<br />

pronunciation intonation.<br />

Course Requirements:<br />

Grading is based on attendance, class participation, written homework<br />

assignments, dictations, <strong>and</strong> quizzes/tests.<br />

Intended Audience:<br />

No prior knowledge <strong>of</strong> Urdu is required.<br />

Instructor: Ali, Syed Ekhteyar<br />

ASIANLAN 175. First Year Vietnamese I.<br />

(4). May not be repeated for credit.<br />

Section 001. ASIANLAN 175-176 is <strong>the</strong> introductory course sequence<br />

in reading, listening, speaking, <strong>and</strong> writing <strong>the</strong> only language<br />

<strong>of</strong> more than 74 million speakers, from <strong>the</strong> South to <strong>the</strong> utmost<br />

nor<strong>the</strong>rn part <strong>of</strong> Vietnam. This country now adopts <strong>the</strong> free<br />

market economy <strong>and</strong> needs foreign capital <strong>and</strong> know-how. With <strong>the</strong><br />

normalization <strong>of</strong> U.S.-Vietnamese relations, a knowledge <strong>of</strong> <strong>the</strong><br />

Vietnamese language <strong>and</strong> culture will be a crucial asset in enabling<br />

one to participate in many opportunities. This first half <strong>of</strong> <strong>the</strong> two-


42 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

term sequence course is designed to accommodate students with<br />

no knowledge <strong>of</strong> <strong>the</strong> Vietnamese language, as well those with some<br />

knowledge who want to develop <strong>the</strong> four basic language skills (listening,<br />

speaking, reading, <strong>and</strong> writing) <strong>and</strong> to improve <strong>the</strong>ir knowledge<br />

in Vietnamese history <strong>and</strong> culture. The format will be as follows:<br />

four class hours a week will be focused on <strong>the</strong> aural-oral approach<br />

in reading, dialoguing, translating, <strong>and</strong> responding to <strong>the</strong><br />

content <strong>of</strong> <strong>the</strong> texts using a question-<strong>and</strong>-answer format. One class<br />

hour a week will be devoted to quizzes <strong>and</strong> tests. In addition, <strong>the</strong>re<br />

will be written assignments <strong>and</strong> works in <strong>the</strong> language lab.<br />

Throughout <strong>the</strong> course, students will be encouraged to communicate<br />

in Vietnamese, <strong>and</strong> classes will be largely conducted in<br />

Vietnamese to develop <strong>the</strong> students' ability to acquire sufficient<br />

automaticity <strong>and</strong> fluency in spoken Vietnamese. Students will be<br />

graded on classroom performance, class attendance, homework assignments,<br />

<strong>and</strong> a final examination.<br />

Instructor: Nguyen, Thuy Anh Thi<br />

ASTRO (Astronomy)<br />

Introductory Courses <strong>and</strong> Courses for Non-Concentrators<br />

Learn about <strong>the</strong> cosmos from planets <strong>and</strong> black holes through <strong>the</strong><br />

expansion <strong>of</strong> <strong>the</strong> universe <strong>and</strong> dark energy. Most introductory<br />

courses fall into two broad areas.<br />

One area involves planets, solar systems, <strong>and</strong> life:<br />

• ASTRO 101: Introductory Astronomy: The Solar System <strong>and</strong> <strong>the</strong><br />

Search for Life Beyond Earth (4 credits); <strong>of</strong>fered every academic<br />

term (includes astronomical observing)<br />

• ASTRO 106: Aliens (1 credit); minicourse<br />

• ASTRO 115: Introductory Astrobiology: The Search for Life in<br />

<strong>the</strong> Universe (3 credits); not <strong>of</strong>fered every term (more focused<br />

than ASTRO 101)<br />

The o<strong>the</strong>r broad area involves stars, galaxies, <strong>and</strong> <strong>the</strong> Universe,<br />

including black holes, dark matter, <strong>and</strong> dark energy:<br />

• ASTRO 102: Introductory Astronomy: Stars, Galaxies, <strong>and</strong> <strong>the</strong><br />

Universe (4 credits) (includes astronomical observing)<br />

• ASTRO 104: Alien Skies: A <strong>To</strong>ur Through <strong>the</strong> Universe (3 credits);<br />

not <strong>of</strong>fered every term (a unique <strong>and</strong> highly regarded approach)<br />

• ASTRO 105: The Cosmos Through <strong>the</strong> Constellations (3 credits);<br />

includes Planetarium <strong>and</strong> Greek mythology<br />

• ASTRO 127: Naked Eye Astronomy (1 credit); minicourse in<br />

Planetarium<br />

• ASTRO 142: From <strong>the</strong> Big Bang to <strong>the</strong> Milky Way (3 credits);<br />

<strong>of</strong>fered most terms (more focused than ASTRO 102)<br />

• ASTRO 160: Introduction to Astrophysics (4 credits); <strong>of</strong>fered<br />

Fall <strong>and</strong> Winter Terms (a small class that looks deeper into astronomical<br />

phenomena)<br />

• ASTRO 205: Exploring <strong>the</strong> X-ray Universe (3 credits)<br />

• ASTRO 220: New Discoveries in Astronomy (3 credits); topics<br />

course with visiting researchers<br />

In <strong>the</strong> 4 credit courses, students will use <strong>the</strong> planetarium, observe<br />

<strong>the</strong> skies, <strong>and</strong> meet in small sections. We strongly recommend <strong>the</strong><br />

4 credit courses.<br />

Department <strong>of</strong> Astronomy Waitlist Procedures<br />

Contact <strong>the</strong> department.<br />

ASTRO 101. Introductory Astronomy: The Solar System <strong>and</strong><br />

<strong>the</strong> Search for Life Beyond Earth.<br />

A basic high school math <strong>and</strong> science background. (4). (NS). (BS).<br />

(QR/2). May not be repeated for credit. No credit granted to those<br />

who have completed or are enrolled in ASTRO 111 or 115. F, W.<br />

This course presents an introduction to <strong>the</strong> field <strong>of</strong> astronomy <strong>and</strong><br />

astrophysics with an emphasis on <strong>the</strong> discoveries from space exploration.<br />

The first third <strong>of</strong> <strong>the</strong> course deals with underst<strong>and</strong>ing <strong>the</strong><br />

history <strong>of</strong> astronomy, orbits, gravitation, optics, <strong>and</strong> <strong>the</strong> properties<br />

<strong>of</strong> light <strong>and</strong> matter. The rest <strong>of</strong> <strong>the</strong> course explores <strong>the</strong> properties,<br />

origin, <strong>and</strong> evolution <strong>of</strong> <strong>the</strong> major planets, asteroids, comets, <strong>the</strong><br />

Sun, <strong>and</strong> o<strong>the</strong>r components <strong>of</strong> <strong>the</strong> Solar System with particular emphasis<br />

on comparative aspects with respect to <strong>the</strong> Earth. The origin<br />

<strong>and</strong> formation <strong>of</strong> <strong>the</strong> Solar System <strong>and</strong> <strong>the</strong> origin <strong>of</strong> life will also be<br />

discussed. This course is intended for non-science concentrators<br />

with a basic high school math <strong>and</strong> science background.<br />

ASTRO 111 has a two-hour laboratory section every week. ASTRO<br />

101 has a one-hour discussion section. Course requirements include<br />

assigned reading, section meetings, homework, observations, quizzes,<br />

midterm, <strong>and</strong> a final examination. Laboratory sections include<br />

observations with telescopes.<br />

Instructor: Miller, Christopher John<br />

ASTRO 102. Introductory Astronomy: Stars, Galaxies, <strong>and</strong><br />

<strong>the</strong> Universe.<br />

A basic high school math <strong>and</strong> science background. (4). (NS). (BS).<br />

(QR/2). May not be repeated for credit. No credit granted to those<br />

who have completed or are enrolled in ASTRO 120 or 160. F, W.<br />

Section 006. Discover <strong>the</strong> nature <strong>of</strong> stars, black holes, luminous<br />

nebulae, supernovae, galaxies, <strong>and</strong> o<strong>the</strong>r cosmic phenomena. In<br />

this concept-focused course you will learn what <strong>the</strong>se objects are,<br />

how <strong>the</strong>y formed, <strong>and</strong> what is ultimately in store for <strong>the</strong> universe.<br />

Explore <strong>the</strong> roles <strong>of</strong> light, energy, <strong>and</strong> gravity in astronomy. Learn<br />

about <strong>the</strong> sky in our planetarium <strong>and</strong> get h<strong>and</strong>s-on experience with<br />

telescopes <strong>and</strong> o<strong>the</strong>r astronomy tools. This course is intended for<br />

non-science concentrators. Three lectures <strong>and</strong> a one-hour discussion<br />

period each week.<br />

Instructor: Volonteri, Marta<br />

ASTRO 104. Alien Skies: A <strong>To</strong>ur Through <strong>the</strong> Universe.<br />

(3). (NS). (BS). (QR/2). May not be repeated for credit.<br />

In this course we shall be “traveling” through space <strong>and</strong> time to<br />

“visit” firsth<strong>and</strong> some <strong>of</strong> <strong>the</strong> remarkable features <strong>of</strong> our Universe.<br />

Our “spacecraft” will be built from our imagination, but its destinations<br />

will reflect what astronomy <strong>and</strong> physics have revealed about<br />

<strong>the</strong> nature <strong>of</strong> our Universe. We will see <strong>the</strong> Solar System from different<br />

planets, look back at <strong>the</strong> Sun from neighboring stars, <strong>and</strong><br />

travel throughout our home Galaxy even as we prepare to embark<br />

to distant galaxies <strong>and</strong> beyond. As we travel extremely far from<br />

home, we will find that we also have to move back in time to see<br />

how <strong>the</strong> galaxies, stars, <strong>the</strong> Sun, <strong>and</strong> <strong>the</strong> Earth came about in <strong>the</strong><br />

first place. The physical concepts that we require to underst<strong>and</strong><br />

what we see will be introduced as we go along, <strong>and</strong> some <strong>of</strong> <strong>the</strong>se<br />

will be used many times during <strong>the</strong> course. Online notes will be<br />

available during <strong>the</strong> course <strong>of</strong> <strong>the</strong> term, though students may use<br />

any number <strong>of</strong> st<strong>and</strong>ard modern Astronomy textbooks to supplement<br />

<strong>the</strong>se notes <strong>and</strong> <strong>the</strong> class lectures. There are no labs or discussion<br />

sessions attached to this course, but <strong>the</strong>re will be opportunities<br />

to use telescopes <strong>and</strong> Angell Hall during <strong>the</strong> term.<br />

Intended audience: This general, introductory 100-level class is<br />

intended for non-science majors.<br />

Course Requirements: Cumulative points as follows: homework<br />

sets (10 assignments, each worth 5 points for a total <strong>of</strong> 50 points);<br />

two midterm exams, each worth 12.5 points, <strong>and</strong> one cumulative<br />

final exam worth 25 points). Students also may earn an extra point<br />

from bonus questions associated with every lecture <strong>and</strong> posted on<br />

<strong>the</strong> course web site, up to a maximum <strong>of</strong> 10 extra points.<br />

Instructor: Richstone, Douglas O<br />

ASTRO 115. Introductory Astrobiology: The Search for Life<br />

in <strong>the</strong> Universe.<br />

Basic high school math <strong>and</strong> science background. (3). (NS). (BS).<br />

(QR/2). May not be repeated for credit. No credit granted to those<br />

who have completed or are enrolled in ASTRO 101 or 111.<br />

This course covers <strong>the</strong> recent advances in our knowledge <strong>of</strong> <strong>the</strong><br />

sun, Earth, <strong>and</strong> planets. It presents <strong>the</strong> Earth as a planet, <strong>and</strong> <strong>the</strong><br />

planets <strong>and</strong> <strong>the</strong>ir satellites as bodies with similarities as well as differences<br />

with <strong>the</strong> Earth. The course also covers modern develop-


ments in molecular <strong>and</strong> biochemistry <strong>and</strong> <strong>the</strong> ever-relevant question<br />

<strong>of</strong> life on o<strong>the</strong>r worlds.<br />

ASTRO 127. Naked Eye Astronomy.<br />

(1). (NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in ASTRO 188.<br />

Students learn about <strong>the</strong> nature <strong>of</strong> <strong>the</strong> most common astronomical<br />

objects that can be observed by eye, such as <strong>the</strong> Sun, Moon, planets,<br />

stars, comets, <strong>and</strong> meteors. The motion <strong>of</strong> <strong>the</strong>se objects in <strong>the</strong><br />

sky is studied along with <strong>the</strong>ir influence on <strong>the</strong> Earth.<br />

*Please note, each section is restricted to 4 spaces for seniors, 5<br />

spaces for juniors, 8 spaces for sophomores, <strong>and</strong> 8 spaces for<br />

freshmen until August 7, 2010. At that time, any remaining spaces<br />

will be open to all class levels. Overrides will not be issued in advance<br />

<strong>of</strong> August 7, 2010. Please do not contact <strong>the</strong> instructors or<br />

department asking for an exception to this policy.<br />

Instructor: Schmoll, Shannon Elizabeth<br />

ASTRO 142. From <strong>the</strong> Big Bang to <strong>the</strong> Milky Way.<br />

(3). (NS). (BS). (QR/2). May not be repeated for credit. No credit<br />

granted to those who have completed or are enrolled in PHYSICS<br />

112.<br />

This course will trace our progress in underst<strong>and</strong>ing <strong>the</strong> nature <strong>of</strong><br />

<strong>the</strong> Universe from <strong>the</strong> early Greeks to today, with emphasis on our<br />

current underst<strong>and</strong>ing based on Einstein's relativity. The Big Bang<br />

Theory will be presented <strong>and</strong> origin <strong>of</strong> matter will be traced from<br />

<strong>the</strong> formation <strong>of</strong> atoms, to <strong>the</strong> formation <strong>of</strong> <strong>the</strong> first stars, to <strong>the</strong><br />

build-up <strong>of</strong> galaxies such as <strong>the</strong> Milky Way. Dark energy <strong>and</strong> <strong>the</strong><br />

ultimate fate <strong>of</strong> <strong>the</strong> universe will also be discussed in <strong>the</strong> context <strong>of</strong><br />

<strong>the</strong> recent results from space satellites concerning <strong>the</strong> cosmic microwave<br />

background radiation that fills <strong>the</strong> universe <strong>and</strong> <strong>the</strong> large<br />

scale distribution <strong>of</strong> galaxies that form <strong>the</strong> cosmic web.<br />

Intended audience: Introductory course for non-science concentrators<br />

with an interest in <strong>the</strong> evolution <strong>of</strong> <strong>the</strong> Universe <strong>and</strong> those<br />

with a basic math <strong>and</strong> science background.<br />

Course Requirements: Assigned reading, six homework assignments<br />

with some basic math required, <strong>and</strong> in-class discussion<br />

worksheets. Three exams, short answer <strong>and</strong> multiple choice.<br />

Class Format: 3 hours <strong>of</strong> lecture weekly<br />

Instructor: Gallo, Elena<br />

ASTRO 160. Introduction to Astrophysics.<br />

Calculus <strong>and</strong> physics at <strong>the</strong> high school or university level is<br />

strongly recommended. (4). (NS). (BS). (QR/1). May not be repeated<br />

for credit. F, W.<br />

Discover <strong>the</strong> extraordinary nature <strong>of</strong> <strong>the</strong> astronomy:<br />

• stars<br />

• black holes<br />

• galaxies<br />

• dark matter<br />

• <strong>the</strong> universe<br />

This course uncovers <strong>the</strong> astrophysics behind <strong>the</strong> most important<br />

<strong>and</strong> common astronomical phenomena in our universe. A major<br />

topic is stars <strong>and</strong> <strong>the</strong>ir lives, which can end violently through supernova<br />

explosions, leaving behind black holes or neutron stars. This is<br />

followed by <strong>the</strong> study <strong>of</strong> <strong>the</strong> Milky Way <strong>and</strong> its content, o<strong>the</strong>r galaxies,<br />

<strong>and</strong> how unseen “dark” matter shapes <strong>the</strong> universe we see today.<br />

We conclude with <strong>the</strong> origin <strong>of</strong> <strong>the</strong> universe <strong>and</strong> <strong>the</strong> limitations<br />

<strong>of</strong> looking back in time.<br />

Course Requirements:<br />

There will be a midterm, final, homework, <strong>and</strong> lab assignments.<br />

Intended Audience:<br />

Introductory course for ei<strong>the</strong>r non-science concentrators with some<br />

math or physics background, or for science concentrators.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 43<br />

Class Format:<br />

In this course, <strong>the</strong> pr<strong>of</strong>essor interacts closely with <strong>the</strong> students,<br />

plus <strong>the</strong> laboratory will provide practical experience in observational<br />

techniques, including use <strong>of</strong> our telescopes.<br />

Instructor: Ruszkowski, Mateusz<br />

ASTRO 183 / AOSS 101. Rocket <strong>Science</strong>.<br />

(NS). (BS). May not be repeated for credit.<br />

Section 001. An introduction to <strong>the</strong> science <strong>of</strong> space <strong>and</strong> space<br />

exploration. <strong>To</strong>pics covered include history <strong>of</strong> spaceflight, rockets,<br />

orbits, <strong>the</strong> space environment, satellites, remote sensing, <strong>and</strong> <strong>the</strong><br />

future human presence in space. The ma<strong>the</strong>matics will be at <strong>the</strong><br />

level <strong>of</strong> algebra <strong>and</strong> trigonometry.<br />

Instructor: Ridley, Aaron James<br />

BIOLOGY (Biology)<br />

The Interdepartmental Program in Biology (BIOLOGY) is administered<br />

jointly by <strong>the</strong> Department <strong>of</strong> Ecology <strong>and</strong> Evolutionary Biology<br />

(EEB) <strong>and</strong> <strong>the</strong> Department <strong>of</strong> Molecular, Cellular, <strong>and</strong> Developmental<br />

Biology (MCDB). All three <strong>of</strong> <strong>the</strong>se units <strong>of</strong>fer courses in <strong>the</strong> biological<br />

sciences. 100 <strong>and</strong> 200 — level courses are listed under <strong>the</strong><br />

subject <strong>of</strong> BIOLOGY, as well as <strong>the</strong> core concentration course in<br />

Genetics (305). All o<strong>the</strong>r intermediate <strong>and</strong> upper-level courses are<br />

listed under EEB or MCDB, depending on <strong>the</strong> course topics. Students<br />

should look under all three subjects to see whe<strong>the</strong>r or not a<br />

course is being <strong>of</strong>fered. Those students planning to register for independent<br />

research, 300 or 400, will enroll in ei<strong>the</strong>r MCDB 300 or<br />

400 or EEB 300 or 400, based on <strong>the</strong>ir faculty sponsor's departmental<br />

affiliation.<br />

Introductory Biology Credit Limitation: The maximum<br />

amount <strong>of</strong> credit that can be earned in introductory biology<br />

courses is 17 credits. Students interested in concentrating in<br />

Biology, General Biology, CMB, or Plant Biology must complete<br />

BIOLOGY 171, 172/174 <strong>and</strong> 173, or BIOLOGY 195 <strong>and</strong> 173, or<br />

equivalent. 
<br />

WAITLIST POLICY FOR COURSES IN BIOLOGY, EEB, AND<br />

MCDB<br />

If any Biology, Ecology or Evolutionary Biology (EEB) or Molecular,<br />

Cellular <strong>and</strong> Developmental Biology (MCDB) course becomes full,<br />

students are strongly encouraged to use <strong>the</strong> waitlist. Overrides will<br />

be issued at <strong>the</strong> discretion <strong>of</strong> <strong>the</strong> instructor for a given course, prioritized<br />

by a combination <strong>of</strong> <strong>the</strong> student’s concentration, class<br />

schedule, <strong>and</strong> <strong>the</strong>ir order on <strong>the</strong> waitlist. Students on <strong>the</strong> waitlist<br />

must attend <strong>the</strong> first day <strong>of</strong> class or discussion <strong>and</strong> notify <strong>the</strong> instructor<br />

or GSI <strong>of</strong> <strong>the</strong>ir desire to enroll in <strong>the</strong> course. Students issued<br />

overrides will have 72 hours to register. The Registrar’s Office<br />

will clear waitlist <strong>of</strong> students’ names with expired overrides.<br />

BIOLOGY 100. Biology for Nonscientists.<br />

Some exposure to biology <strong>and</strong> chemistry at <strong>the</strong> high school level is<br />

assumed. (4). (NS). (BS). May not be repeated for credit. Not open<br />

to those with Advanced Placement or "Departmental" credit in biology,<br />

nor to those concentrating in <strong>the</strong> biological sciences. Credit is<br />

granted for a combined total <strong>of</strong> 17 credits elected in introductory<br />

biology. F.<br />

Biology is a fascinating <strong>and</strong> diverse field. In addition to focusing on<br />

major concepts in ecology, evolution, genetics, cellular <strong>and</strong> molecular<br />

biology, as well as human physiology, <strong>the</strong> course will investigate<br />

<strong>the</strong> processes <strong>of</strong> scientific inquiry <strong>and</strong> require students to think<br />

critically <strong>and</strong> creatively when evaluating information in <strong>the</strong> media<br />

<strong>and</strong> making personal decisions that relate to biological issues. A<br />

major objective <strong>of</strong> this course is to point out to students <strong>the</strong> nature<br />

<strong>of</strong> <strong>the</strong> scientific process <strong>and</strong> illustrate <strong>the</strong> uses <strong>of</strong> science in contemporary<br />

life as well as <strong>the</strong> limitations <strong>of</strong> science. Wherever possible,<br />

<strong>the</strong> ethical <strong>and</strong> social implications <strong>of</strong> contemporary scientific effort<br />

will be discussed.


44 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

Textbook: What is Life?: A Guide to Biology with Physiology, Jay<br />

Phelan. W.H. Freeman, 2011. S<strong>of</strong>tcover student edition. ISBN: 1-<br />

4292-4666-9. Also available as E-book for great savings — check<br />

out <strong>the</strong> publisher’s (WH Freeman <strong>and</strong> Company) web site at<br />

www.whfreeman.com.<br />

Intended Audience:<br />

This one-term course is intended for students not planning to concentrate<br />

in <strong>the</strong> biological sciences who want an overview <strong>of</strong> <strong>the</strong><br />

central ideas <strong>of</strong> biology.<br />

Class Format:<br />

The course consists <strong>of</strong> three hours <strong>of</strong> lecture per week plus a coordinated<br />

discussion session which occupies two hours per week.<br />

Instructor: Kurdziel, Josephine P<br />

BIOLOGY 101 / ENVIRON 101. Energy, Food, <strong>and</strong> <strong>the</strong> Environment.<br />

(4). (NS). (BS). May not be repeated for credit. Credit is granted for<br />

a combined total <strong>of</strong> 17 credits elected in introductory biology. F.<br />

The course begins with a presentation <strong>of</strong> <strong>the</strong> basic ideas <strong>of</strong> <strong>the</strong><br />

method <strong>of</strong> science <strong>and</strong> its history <strong>and</strong> <strong>the</strong>n proceeds to an analysis<br />

<strong>of</strong> <strong>the</strong> current environmental crises, especially as related to <strong>the</strong><br />

problem <strong>of</strong> food <strong>and</strong> energy <strong>and</strong> <strong>the</strong>ir production <strong>and</strong> utilization.<br />

Subjects include <strong>the</strong> crisis <strong>of</strong> obesity in <strong>the</strong> U.S., nutritional diseases<br />

such as diabetes, <strong>the</strong> growth <strong>of</strong> <strong>the</strong> industrial system <strong>of</strong> agriculture,<br />

alternative forms <strong>of</strong> agriculture, <strong>the</strong> development <strong>of</strong> <strong>the</strong> hydrocarbon<br />

energy society, global climate change <strong>and</strong> its consequences,<br />

among o<strong>the</strong>rs. Emphasis is placed on <strong>the</strong> need for scientific underst<strong>and</strong>ing<br />

<strong>of</strong> <strong>the</strong>se problems <strong>and</strong> citizen participation in developing<br />

rational solutions.<br />

Intended Audience:<br />

This is a course aimed at non-science concentrators, interested in<br />

issues <strong>of</strong> food, energy <strong>and</strong> <strong>the</strong> environment.<br />

BIOLOGY 108. Introduction to Animal Diversity.<br />

(4). (NS). (BS). May not be repeated for credit. Credit is granted for<br />

a combined total <strong>of</strong> 17 credits elected in introductory biology. W.<br />

This course will introduce students to <strong>the</strong> amazing diversity <strong>of</strong> animals<br />

in our world. We will discuss how animals within this diversity<br />

manage to survive, function, reproduce, <strong>and</strong> behave in <strong>the</strong>ir natural<br />

environment. Meanwhile, we will explore interesting questions that<br />

scientists ask about animals. By <strong>the</strong> end <strong>of</strong> this course, we hope<br />

you will be able to:<br />

1. Take part in public decision-making processes affecting or affected<br />

by animals.<br />

2. Research practical decisions that ei<strong>the</strong>r impact or are impacted<br />

by animals.<br />

3. Create an argument for <strong>the</strong> importance <strong>of</strong> animal diversity.<br />

In order to do this, you will:<br />

1. Develop <strong>the</strong> literacy needed to describe <strong>the</strong> diversity <strong>of</strong> animals<br />

to a non-expert audience, such as your child or a fellow voter.<br />

2. Be able to evaluate <strong>the</strong> impact <strong>of</strong> human actions on animal diversity.<br />

Course Requirements:<br />

Grades for <strong>the</strong> course will be based on three exams, participation in<br />

discussions, <strong>and</strong> <strong>the</strong> completion <strong>of</strong> class <strong>and</strong> discussion section activities,<br />

<strong>and</strong> a final project.<br />

Class Format:<br />

Students will attend three lectures <strong>and</strong> one discussion section per<br />

week.<br />

Instructor: Eidietis, Laura<br />

BIOLOGY 110 / AOSS 171 / ENSCEN 171 / ENVIRON 110 /<br />

GEOSCI 171. Introduction <strong>of</strong> Global Change: Physical Processes.<br />

(4). (NS). (BS). May not be repeated for credit. Credit is granted for<br />

a combined total <strong>of</strong> 17 credits elected in introductory biology. Satis-<br />

fies <strong>the</strong> geography requirement for State <strong>of</strong> <strong>Michigan</strong> certification<br />

for social studies teachers. F.<br />

Section 001.<br />

Instructor(s):<br />

• David Allan (NRE)<br />

• Ca<strong>the</strong>rine Badgley (Ecology <strong>and</strong> Evolutionary Biology),<br />

cbadgley@umich.edu<br />

• Christopher Poulson (Geology), poulsen@umich.edu<br />

Every day, millions <strong>of</strong> human <strong>and</strong> natural activities are altering <strong>the</strong><br />

planet on which we live. Over <strong>the</strong> past century, through our everincreasing<br />

population <strong>and</strong> mastery <strong>of</strong> technology, we have been<br />

changing <strong>the</strong> global environment at a pace unknown to natural history.<br />

The University <strong>of</strong> <strong>Michigan</strong> Global Change Program <strong>of</strong>fers an interdisciplinary,<br />

introductory course sequence which investigates <strong>the</strong><br />

causes <strong>and</strong> potential impacts <strong>of</strong> <strong>the</strong>se changes using a combination<br />

<strong>of</strong> traditional lecture-based <strong>and</strong> modern web-based teaching methodologies.<br />

The Fall Academic Term course deals with issues relating<br />

to <strong>the</strong> physical, chemical, <strong>and</strong> biological cycles contributing to<br />

Global Change. Students apply learned knowledge by using spreadsheet<br />

<strong>and</strong> systems modeling s<strong>of</strong>tware to investigate <strong>the</strong> dynamics<br />

<strong>of</strong> natural systems.<br />

The Web-based course curriculum provides unparalleled opportunities<br />

to conduct on-line Internet research. In fact, you will create<br />

your own web-based poster on a topic <strong>of</strong> your choosing. The interactive<br />

laboratory exercises provide you <strong>the</strong> opportunity to use computers<br />

to examine how natural systems function as well as develop<br />

projections <strong>of</strong> <strong>the</strong> future consequences <strong>of</strong> changes in <strong>the</strong> environment.<br />

And, perhaps most important <strong>of</strong> all, you will have ample time<br />

for discussion <strong>of</strong> <strong>the</strong> critical issues in human development <strong>and</strong> how<br />

<strong>the</strong>y relate to <strong>the</strong> international business community, global economics,<br />

society as a whole <strong>and</strong> <strong>the</strong> individual. All topics are developed<br />

in a manner that students will find both accessible <strong>and</strong> enjoyable.<br />

You will discuss...<br />

• Current <strong>and</strong> Projected Global Change<br />

• The Role <strong>of</strong> <strong>the</strong> Individual as a Citizen <strong>of</strong> <strong>the</strong> Planet<br />

• Case Studies <strong>of</strong> Regional <strong>and</strong> Global Change Issues<br />

You will create...<br />

• Models <strong>of</strong> Interacting Systems that Give Insight into <strong>the</strong> Collision<br />

Between Natural <strong>and</strong> Societal Processes<br />

• A Web-based Poster on a Related <strong>To</strong>pic <strong>of</strong> Your Choice<br />

<strong>To</strong>pics that are covered ......<br />

The Universe:<br />

• Big Bang Theory<br />

• Birth <strong>and</strong> Death <strong>of</strong> Stars<br />

• Radiation Laws<br />

• Origin <strong>of</strong> <strong>the</strong> Elements<br />

• Planetary Energy Budget<br />

Our Planet:<br />

• The Age <strong>of</strong> <strong>the</strong> Earth<br />

• Primitive Atmospheres<br />

• Natural Hazards<br />

• Plate Tectonics<br />

• Chemical & Biological Evolution<br />

• The Building Blocks for Life<br />

Earth's Atmospheric & Oceanic Evolution:<br />

• Life Processes <strong>and</strong> Earth Systems<br />

• The Great Ice Ages<br />

• Atmospheric Circulation <strong>and</strong> Wea<strong>the</strong>r<br />

• Climate <strong>and</strong> Paleoclimate


• Greenhouse Gases <strong>and</strong> Global Warming<br />

• Sea Level Change<br />

• El Niño<br />

The Tree <strong>of</strong> Life:<br />

• Emergence <strong>of</strong> Complex Life<br />

• Extinction <strong>and</strong> Radiation<br />

• The Five Kingdoms<br />

• Natural Selection<br />

• Respiration <strong>and</strong> Photosyn<strong>the</strong>sis<br />

• Ecosystems<br />

Projected Ecological Consequences:<br />

• Elevated Carbon Dioxide Levels<br />

• Environmental Pollutants<br />

• Ozone Depletion<br />

• Likelihood <strong>of</strong> Global Climatic Change<br />

Course Requirements:<br />

The course grade is based on two midterm exams, a final exam,<br />

completion <strong>of</strong> laboratory modules, <strong>and</strong> a course project based on<br />

some aspect <strong>of</strong> global change.<br />

Intended Audience:<br />

There are no prerequisites for <strong>the</strong> course <strong>and</strong> no science background<br />

is assumed. The course is appropriate for all undergraduate<br />

students, irrespective <strong>of</strong> intended concentration, <strong>and</strong> is <strong>the</strong> first <strong>of</strong> a<br />

series <strong>of</strong> courses that can be taken as part <strong>of</strong> <strong>the</strong> Global Change<br />

Minor.<br />

Instructor: Allan, J David<br />

BIOLOGY 120. First Year Seminar in Biology.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (NS). (BS). May not be repeated for<br />

credit. Credit is granted for a combined total <strong>of</strong> 17 credits elected in<br />

introductory biology.<br />

These seminars, which are restricted to first-year students, are<br />

small-group classes (approximately 15-25 students) taught by regular<br />

<strong>and</strong> emeritus faculty.<br />

Section 001 & 002 — Living by Evidence.<br />

A neuroscientist will lead a broad survey which critically explores<br />

scientific <strong>and</strong> religious views <strong>of</strong> life on Earth. Take this course if you<br />

want to learn <strong>the</strong> basics ei<strong>the</strong>r about DNA <strong>and</strong> evolution or about<br />

religion <strong>and</strong> Christianity. Avoid this course if you wish to protect a<br />

traditional Christian or Islamic outlook from criticism <strong>and</strong> scrutiny.<br />

Prerequisite: A semester <strong>of</strong> high school biology is required; one<br />

year is preferred.<br />

Instructor: Oakley, Bruce<br />

BIOLOGY 130. Animal Behavior.<br />

(4). (NS). (BS). May not be repeated for credit. Credit is granted for<br />

a combined total <strong>of</strong> 17 credits elected in introductory biology. F.<br />

• Why are male cardinals brilliant red while females are dull<br />

brown?<br />

• Why do some ground squirrels emit alarm calls when a predator<br />

is nearby, thus drawing attention to <strong>the</strong>mselves?<br />

• Why do lions commit infanticide?<br />

• Do animals lie?<br />

These are just some <strong>of</strong> <strong>the</strong> questions you should be able to discuss<br />

by <strong>the</strong> end <strong>of</strong> this course.<br />

This course in an introduction to <strong>the</strong> behavior <strong>of</strong> animals in <strong>the</strong>ir<br />

natural environment. Examples will be drawn from birds, mammals,<br />

insects, <strong>and</strong> humans.<br />

Specific topics include:<br />

• sexual selection <strong>and</strong> mating behavior;<br />

• cooperation <strong>and</strong> conflict in animal families;<br />

• natural selection;<br />

• Darwinian medicine;<br />

• communication;<br />

• culture; <strong>and</strong><br />

• behavioral development.<br />

The goals are to:<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 45<br />

a. gain a background in <strong>the</strong> natural behavior <strong>of</strong> animals, <strong>and</strong><br />

b. underst<strong>and</strong> sexual, aggressive, <strong>and</strong> social behaviors from an<br />

evolutionary perspective.<br />

Textbook: Animal Behavior, 9th edition, by John Alcock<br />

Course Requirements:<br />

There will be three hourly exams.<br />

Class Format:<br />

The course consists <strong>of</strong> lectures, discussions, <strong>and</strong> movies.<br />

Instructor: Tibbetts, Elizabeth Alison<br />

BIOLOGY 171. Introductory Biology: Ecology <strong>and</strong> Evolution.<br />

(4). (NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed BIOLOGY 162 or 163 or 195. Credit is<br />

granted for a combined total <strong>of</strong> 17 credits elected in introductory<br />

biology.<br />

EXAMS WILL BE GIVEN WEDS., SEPT. 28, OCT. 19, AND NOV. 16,<br />

6:00-8:00 PM.<br />

BIOLOGY 171 is a one-term course in ecology <strong>and</strong> evolutionary biology<br />

that, toge<strong>the</strong>r with BIOLOGY 172 <strong>and</strong> 173, collectively form<br />

<strong>the</strong> introductory biology course unit. BIOLOGY 171 <strong>and</strong> 172 can be<br />

taken in ei<strong>the</strong>r order.<br />

The primary aims <strong>of</strong> BIOLOGY 171 are:<br />

1. to provide factual <strong>and</strong> conceptual knowledge concerning <strong>the</strong><br />

origin <strong>and</strong> complex interactions <strong>of</strong> <strong>the</strong> Earth's biodiversity;<br />

2. to give an integrated overview <strong>of</strong> biological organization including<br />

genes, individuals, kin groups, populations, species, communities,<br />

<strong>and</strong> ecosystems;<br />

3. to engage with biological hypo<strong>the</strong>ses dealing with prominent<br />

current issues such as human evolutionary origins, emerging<br />

diseases, conservation biology <strong>and</strong> global change; <strong>and</strong><br />

4. to develop critical-thinking <strong>and</strong> writing skills.<br />

<strong>To</strong>pics in BIOLOGY 171 are divided among three primary areas:<br />

• Mendelian genetics <strong>and</strong> evolutionary processes;<br />

• biodiversity, organismal biology <strong>and</strong> <strong>the</strong> evolution <strong>of</strong> development;<br />

<strong>and</strong><br />

• ecology.<br />

Textbook: Biological <strong>Science</strong>, Scott Freeman, 3rd edition, Pearson<br />

Prentice Hall, 2008.<br />

Intended Audience:<br />

The two-term set <strong>of</strong> BIOLOGY 171, 172, <strong>and</strong> 173 is intended for<br />

concentrators in biology, o<strong>the</strong>r science programs, or prepr<strong>of</strong>essional<br />

studies. O<strong>the</strong>r suitably prepared students wishing detailed<br />

coverage <strong>of</strong> biology are also welcome.<br />

Instructor: OConnor, Barry M<br />

BIOLOGY 172. Introductory Biology — Molecular, Cellular,<br />

<strong>and</strong> Developmental.<br />

Prior or concurrent enrollment in CHEM 130. (4). (NS). (BS). May<br />

not be repeated for credit. No credit granted to those who have<br />

completed or are enrolled in BIOLOGY 162, 163, 174, or 195. Credit<br />

is granted for a combined total <strong>of</strong> 17 credits elected in introductory<br />

biology.<br />

EXAMS WILL BE GIVEN MONDAY, OCT. 3, OCT. 31, AND NOV. 21,<br />

6:00-8:00 PM.<br />

BIOLOGY 172 is a one-term course in molecular, cellular, <strong>and</strong> developmental<br />

biology that, toge<strong>the</strong>r with BIOLOGY 171 <strong>and</strong> 173, col-


46 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

lectively forms <strong>the</strong> introductory biology course sequence. BIOLOGY<br />

171 <strong>and</strong> 172 can be taken in ei<strong>the</strong>r order.<br />

The aims <strong>of</strong> BIOLOGY 172 are:<br />

1. to provide factual <strong>and</strong> conceptual knowledge <strong>of</strong> how cells, organs,<br />

<strong>and</strong> organisms work; <strong>and</strong><br />

2. to develop scientific hypo<strong>the</strong>sis-testing <strong>and</strong> critical-thinking<br />

skills.<br />

Textbook: Biological <strong>Science</strong>, Scott Freeman. 3rd edition. Pearson<br />

Prentice Hall, 2005.<br />

Intended Audience:<br />

It is intended for concentrators in biology, o<strong>the</strong>r science programs,<br />

or pre-pr<strong>of</strong>essional studies. O<strong>the</strong>r suitably prepared students wishing<br />

detailed coverage <strong>of</strong> biology are also welcome.<br />

Instructor: Clark, Steven E<br />

BIOLOGY 173. Introductory Biology Laboratory.<br />

BIOLOGY 163 or 171 or 172 or 174 or 195. (Prerequisites enforced<br />

at registration.) Students should have completed one <strong>of</strong> <strong>the</strong> introductory<br />

lecture courses [ei<strong>the</strong>r BIOLOGY 171 or (172 or 174)] <strong>and</strong><br />

be concurrently enrolled in <strong>the</strong> o<strong>the</strong>r. (2). (NS). (BS). May not be<br />

repeated for credit. No credit granted to those who have completed<br />

BIOLOGY 162. Credit is granted for a combined total <strong>of</strong> 17 credits<br />

elected in introductory biology.<br />

BIOLOGY 173 is a one-term project-based laboratory course that<br />

with BIOLOGY 171 <strong>and</strong> 172 forms <strong>the</strong> introductory biology sequence.<br />

The aims <strong>of</strong> BIOLOGY 173 are:<br />

1. to provide an integrated introduction to experimental biology;<br />

2. to foster hypo<strong>the</strong>sis-testing, analytical approaches to experimental<br />

data; <strong>and</strong><br />

3. to develop critical-thinking <strong>and</strong> writing skills.<br />

<strong>To</strong>pics in BIOLOGY 173 are divided among four primary areas:<br />

1. Biochemistry<br />

2. Molecular genetics<br />

3. Evolution<br />

4. Ecology<br />

Textbook: Biology 173 Laboratory Manual, Marc Ammerlaan, 2008.<br />

Intended Audience:<br />

It is intended for concentrators in biology, o<strong>the</strong>r science programs,<br />

or pre-pr<strong>of</strong>essional studies. O<strong>the</strong>r suitably prepared students wishing<br />

detailed coverage <strong>of</strong> biology are welcome.<br />

Instructor: Ammerlaan, Marcus C<br />

BIOPHYS (Biophysics)<br />

Waitlist Policy for Biophysics:<br />

Should <strong>the</strong>re be <strong>the</strong> need for a waitlist, Biophysics concentrators<br />

will be given preference; after which open spots will be granted on<br />

a first-come, first-serve basis.<br />

BIOPHYS 115. (In)organic Nutrition.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (NS). (BS). May not be repeated for<br />

credit.<br />

Section 001 — (In)organic Nutrition.<br />

Life (at least as we know it) would be impossible without about 20<br />

"trace elements." These are "inorganic" (as opposed to "organic,"<br />

or carbon based) chemicals. We will explore what roles <strong>the</strong>se elements<br />

play, <strong>and</strong> what happens if <strong>the</strong>y aren't present.<br />

We will also look at elements, not normally found in biology, that<br />

can be important both in causing disease (i.e., environmental toxins)<br />

<strong>and</strong> in curing disease (e.g., anti-cancer drugs).<br />

Instructor: Penner-Hahn, James E<br />

BIOPHYS 120. The Discovery <strong>of</strong> <strong>the</strong> DNA Double Helix <strong>and</strong><br />

its Hidden Mysteries.<br />

(3). (NS). (BS). May not be repeated for credit.<br />

Section 001. This course introduces students to <strong>the</strong> field <strong>of</strong> biophysics<br />

<strong>and</strong> its role in <strong>the</strong> life sciences. The historical example <strong>of</strong><br />

<strong>the</strong> discovery <strong>of</strong> <strong>the</strong> structure <strong>of</strong> DNA by Watson <strong>and</strong> Crick is discussed,<br />

<strong>and</strong> students will have <strong>the</strong> opportunity to re-create <strong>the</strong><br />

original experiments that led to <strong>the</strong> discovery <strong>of</strong> how DNA governs<br />

inheritance.<br />

Course Requirements:<br />

Student presentations, quizzes, <strong>and</strong> a term paper.<br />

Intended Audience:<br />

Students interested in <strong>the</strong> natural sciences <strong>and</strong> medicine.<br />

Class Format:<br />

BIOPHYS 120 will be taught in a format that combines lectures,<br />

demonstration experiments, <strong>and</strong> h<strong>and</strong>s-on student experiments.<br />

Class will meet twice for 3 hours per week with lab portions integrated<br />

into <strong>the</strong> lecture/discussion format.<br />

BIOPHYS 280. Biophysics Undergraduate Research (UROP).<br />

(1 - 4). (EXPERIENTIAL). May be repeated for a maximum <strong>of</strong> 8<br />

credits. Credit is granted for a combined total <strong>of</strong> 8 credits in any<br />

UROP research courses.<br />

This course gives UROP students <strong>the</strong> opportunity to engage in independent<br />

research in a research laboratory under <strong>the</strong> supervision<br />

<strong>of</strong> a Biophysics faculty member. Various research projects will<br />

ei<strong>the</strong>r be assigned by faculty or created by <strong>the</strong> student.<br />

Course Requirements:<br />

Varies by project <strong>and</strong> instructor<br />

Intended Audience:<br />

Students in UROP (Undergraduate Research Opportunity Program)<br />

Class Format:<br />

Laboratory setting<br />

CHEM (Chemistry)<br />

The Chemistry Department has three types <strong>of</strong> courses available for<br />

students starting out toward careers in any <strong>of</strong> <strong>the</strong> sciences, engineering,<br />

or medicine. Students are placed into <strong>the</strong>se courses according<br />

to <strong>the</strong> results <strong>of</strong> <strong>the</strong> tests in chemistry <strong>and</strong> ma<strong>the</strong>matics<br />

that <strong>the</strong>y take during orientation.<br />

For students interested in <strong>the</strong> sciences, engineering or medicine,<br />

ei<strong>the</strong>r CHEM 130 or CHEM 210/211 can be <strong>the</strong>ir starting point. Students<br />

who have had a strong course in high school (which may include<br />

AP credit in chemistry) are advised to start in CHEM 210 <strong>and</strong><br />

211, <strong>the</strong> laboratory course that accompanies it. CHEM 130 is recommended<br />

for all o<strong>the</strong>r students. Section 400 <strong>of</strong> CHEM 130 is reserved<br />

for students who would benefit from a smaller lecture section<br />

<strong>and</strong> more frequent contact with both senior faculty <strong>and</strong> teaching<br />

assistants.<br />

Students who have had little or no laboratory work in high school<br />

should plan to elect CHEM 125/126 with CHEM 130. O<strong>the</strong>r students<br />

electing CHEM 130 may postpone laboratory to a subsequent term.<br />

Special Departmental Policies<br />

The department requires that a student earn a grade <strong>of</strong> at least C–<br />

in all CHEM courses <strong>and</strong> ma<strong>the</strong>matics <strong>and</strong> physics courses which<br />

are prerequisite for subsequent elections.<br />

The Waitlist Policy for CHEM courses is posted on <strong>the</strong> Chemistry<br />

Department website:<br />

www.umich.edu/~michchem/undergrad/ChemistryWaitlistPolicy.pdf<br />

Safety Regulations<br />

No contact lenses will be allowed in any chemistry laboratory. In<br />

laboratory classes, students must wear ei<strong>the</strong>r prescription or safety<br />

glasses at all times.


Laboratory Check-in<br />

Check into labs on <strong>the</strong> first day <strong>the</strong>y are scheduled. You must take<br />

a print-out <strong>of</strong> your class schedule to Lab Check-in. If you fail to appear,<br />

your space may be given to a waitlisted student without fur<strong>the</strong>r<br />

notice <strong>and</strong> you are at risk <strong>of</strong> not being able to take that course<br />

for <strong>the</strong> academic term, if all sections become full.<br />

CHEM Laboratories Waitlist Instructions<br />

If a laboratory section is full, join <strong>the</strong> waitlist through Wolverine Access<br />

backpack/registration as soon as possible. Electronic permissions<br />

will be issued prior to <strong>the</strong> beginning <strong>of</strong> classes as space becomes<br />

available; students will be notified via email <strong>of</strong> <strong>the</strong> opportunity<br />

to enroll. All enrollment permissions are <strong>of</strong> limited duration <strong>and</strong><br />

if a student fails to enroll by <strong>the</strong> expiration date, <strong>the</strong> student will<br />

automatically be dropped from <strong>the</strong> class waitlist. Students should<br />

check <strong>the</strong>ir University <strong>of</strong> <strong>Michigan</strong> email <strong>of</strong>ten <strong>and</strong> register for <strong>the</strong><br />

class as soon as <strong>the</strong>y receive <strong>the</strong> permission.<br />

Students who are still waitlisted after classes begin should attend<br />

<strong>the</strong> first meeting <strong>of</strong> <strong>the</strong> lab to be considered for any unclaimed<br />

seats. Students who are not physically present will not be considered<br />

for enrollment. Any available openings will be assigned beginning<br />

with waitlisted students by day/time order <strong>of</strong> <strong>the</strong>ir waitlist position.<br />

Lab sections are <strong>of</strong>ten in high dem<strong>and</strong>, with a limited number <strong>of</strong><br />

workstations available; it is recommended to enroll/waitlist for<br />

CHEM lab courses as soon as possible.<br />

CHEM 105 / AOSS 105 / ENSCEN 105 / ENVIRON 105. Our<br />

Changing Atmosphere.<br />

(3). (NS). (BS). May not be repeated for credit.<br />

The greenhouse effect, stratospheric ozone depletion, <strong>the</strong> polar<br />

ozone holes, <strong>and</strong> urban smog are discussed from a scientific perspective<br />

using <strong>the</strong> latest information. Human-induced change in<br />

atmospheric composition is a primary vehicle for Global Change.<br />

These changes can affect atmospheric motions, including jet<br />

streams, fronts <strong>and</strong> violent storms. The atmosphere interacts with<br />

all o<strong>the</strong>r components <strong>of</strong> <strong>the</strong> environment: <strong>the</strong> oceans, <strong>the</strong> geosphere<br />

(solid earth), <strong>the</strong> biosphere (living plants <strong>and</strong> animals), <strong>and</strong><br />

<strong>the</strong> cryosphere (glaciers <strong>and</strong> ice-caps). These interactions <strong>and</strong><br />

"feedback mechanisms" are a central <strong>the</strong>me <strong>of</strong> this course, which is<br />

intended for non-science concentrators.<br />

Intended Audience:<br />

non-science concentrators.<br />

Instructor: De Roo, Roger Dean<br />

CHEM 120. First Year Seminar in Chemistry.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (NS). (BS). May not be repeated for<br />

credit.<br />

These seminars, which are restricted to first-year students, are<br />

small group classes (approximately 15-25 students) taught by regular<br />

<strong>and</strong> emeritus faculty.<br />

Section 001 — (In)organic Nutrition.<br />

Life (at least as we know it) would be impossible without about 20<br />

"trace elements." These are "inorganic" (as opposed to "organic,"<br />

or carbon based) chemicals. We will explore what roles <strong>the</strong>se elements<br />

play, <strong>and</strong> what happens if <strong>the</strong>y aren't present.<br />

We will also look at elements, not normally found in biology, that<br />

can be important both in causing disease (i.e., environmental toxins)<br />

<strong>and</strong> in curing disease (e.g., anti-cancer drugs).<br />

Instructor: Penner-Hahn, James E<br />

CHEM 125. General Chemistry Laboratory I.<br />

<strong>To</strong> be elected by students who are eligible for (or enrolled in) CHEM<br />

130, <strong>and</strong> concurrent enrollment in CHEM 126. (1). (NS). (BS). May<br />

not be repeated for credit. F, W, Su.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 47<br />

Students electing CHEM 125 must also elect a corresponding section<br />

<strong>of</strong> CHEM 126.<br />

The focus <strong>of</strong> this guided inquiry laboratory is to foster critical thinking<br />

that allows students to design, perform, <strong>and</strong> interpret experiments.<br />

In addition, <strong>the</strong> student acquires technical skills that are required<br />

for fur<strong>the</strong>r advancement in experimental sciences. Although<br />

an ability to collect <strong>and</strong> analyze data in a quantitative manner is<br />

developed, <strong>the</strong> emphasis <strong>of</strong> <strong>the</strong> course is to provide a qualitative<br />

underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong> basic concepts <strong>of</strong> chemistry. This is accomplished<br />

by demonstrating that chemical principles are derived from<br />

experimental data. The goal is to provide students both with a<br />

more accurate picture <strong>of</strong> <strong>the</strong> scientific process <strong>and</strong> with skills that<br />

are relevant to solving real life problems.<br />

NOTE:<br />

STUDENTS MUST CLAIM THEIR SPACE AT THE FIRST MEETING OF<br />

LAB.<br />

Section 100 — Students must also elect one 100 level DIS/LAB<br />

combination <strong>and</strong> a matching CHEM 126 lecture. Combinations are<br />

made in consecutive order <strong>and</strong> are linked. For example: If you elect<br />

CHEM 125.110 DIS section <strong>and</strong> CHEM 125.111 LAB section you<br />

MUST elect CHEM 126.100 LEC.<br />

Section 200 — Students must also elect one 200 level DIS/LAB<br />

combination <strong>and</strong> a matching CHEM 126 lecture. For example: If you<br />

elect CHEM 125.250 DIS section <strong>and</strong> CHEM 125.251 LAB section<br />

you MUST elect CHEM 126.200 LEC.<br />

Any questions regarding enrolling for this course should be directed<br />

to <strong>the</strong> Chemistry Student Services Office at<br />

chemundergrad@umich.edu.<br />

Course Requirements:<br />

Much <strong>of</strong> <strong>the</strong> course work is done as a member <strong>of</strong> a team. Student<br />

groups each explore <strong>the</strong> same problem, with each group using different<br />

reagents <strong>and</strong>/or conditions. A networked computer system is<br />

used to collect, pool, <strong>and</strong> summarize <strong>the</strong> largely qualitative class<br />

data. Student groups address questions which require <strong>the</strong>m to organize<br />

<strong>the</strong> class data using commercial graphing s<strong>of</strong>tware. Group<br />

answers are presented in discussion.<br />

Intended Audience:<br />

This laboratory course can be elected with, or following, CHEM 130.<br />

It is intended that students planning to enroll in CHEM 130 who<br />

have had little or no previous chemistry laboratory enroll concurrently<br />

in CHEM 125 <strong>and</strong> CHEM 126.<br />

Class Format:<br />

The format <strong>of</strong> <strong>the</strong> course is organized into three sections:<br />

I. Pre-laboratory reading <strong>and</strong> questions are completed prior to<br />

each multi-period project laboratory. A one-hour lecture provides<br />

support for <strong>the</strong> topics <strong>and</strong> problems that will be investigated<br />

in <strong>the</strong> laboratory.<br />

II. The second component is performance in <strong>the</strong> laboratory where<br />

team data are shared, analyzed, <strong>and</strong> evaluated.<br />

III. The third begins in <strong>the</strong> first hour following completion <strong>of</strong> each<br />

multi-period project lab where groups communicate <strong>the</strong>ir findings<br />

during a student-led discussion.<br />

Instructor: Kerner, Nancy Konigsberg<br />

CHEM 126. General Chemistry Laboratory II.<br />

<strong>To</strong> be elected by students who are eligible for (or enrolled in) CHEM<br />

130, <strong>and</strong> concurrent enrollment in CHEM 125. (1). (NS). (BS). May<br />

not be repeated for credit. F, W, Su.<br />

See CHEM 125.<br />

Instructor: Kerner, Nancy Konigsberg<br />

CHEM 130. General Chemistry: Macroscopic Investigations<br />

<strong>and</strong> Reaction Principles.<br />

Three years <strong>of</strong> high school math or MATH 105; one year <strong>of</strong> high<br />

school chemistry recommended. Placement by testing, or permis-


48 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

sion <strong>of</strong> Chemistry department. (3). (NS). (BS). (QR/2). May not be<br />

repeated for credit. Intended for students without AP credit in<br />

Chemistry. F, W, Su.<br />

This General Chemistry course is intended to satisfy <strong>the</strong> one-term<br />

chemistry requirement for students interested in science, or as a<br />

natural science elective for non-science concentrators. This course<br />

may also be used as <strong>the</strong> first term in a four or more term chemistry<br />

sequence (probably CHEM 130, 210/211, 215/216, 260/241/242,<br />

etc.) for science concentrators <strong>and</strong> pre-pr<strong>of</strong>essional students.<br />

CHEM 130 provides an introduction to <strong>the</strong> major concepts <strong>of</strong> chemistry,<br />

including <strong>the</strong> microscopic picture <strong>of</strong> atomic <strong>and</strong> molecular<br />

structure, periodic trends in <strong>the</strong> chemical reactivity, <strong>the</strong> energetics<br />

<strong>of</strong> chemical reactions, <strong>and</strong> <strong>the</strong> nature <strong>of</strong> chemical equilibria. Students<br />

will be introduced to <strong>the</strong> fundamental principles <strong>of</strong> modern<br />

chemistry, <strong>the</strong> descriptive chemistry <strong>of</strong> <strong>the</strong> elements, <strong>and</strong> to <strong>the</strong><br />

underlying <strong>the</strong>ories that account for observed macroscopic behavior.<br />

In CHEM 130, students will learn to think critically, examine experimental<br />

data, <strong>and</strong> form generalizations about data as chemists<br />

do.<br />

Class Format:<br />

CHEM 130 will meet three times each week in lecture sections with<br />

senior faculty (<strong>the</strong> intensive section will have four lectures a week),<br />

<strong>and</strong> once a week in small group discussion classes led by graduate<br />

student instructors. Lecturers <strong>and</strong> graduate student instructors will<br />

have scheduled <strong>of</strong>fice hours for after-class help <strong>and</strong> computerized<br />

study aids will be available to all students.<br />

Any questions regarding enrolling for this course should be directed<br />

to <strong>the</strong> Chemistry Student Services Office at<br />

chemundergrad@umich.edu.<br />

SECTION 100 — STUDENTS MUST ELECT DISCUSSION SECTION<br />

101-121.<br />

SECTION 200 — STUDENTS MUST ELECT DISCUSSION SECTION<br />

201-223.<br />

SECTION 300 — STUDENTS MUST ELECT SECTION 301-320.<br />

SECTION 400 — Comprehensive Studies Program The intensive<br />

lecture section (Section 400) is intended for those students<br />

who would benefit from a smaller lecture section (maximum 100<br />

students) <strong>and</strong> more lectures so that <strong>the</strong> pace is slower <strong>and</strong> <strong>the</strong>re is<br />

more feedback. Permission <strong>of</strong> <strong>the</strong> CSP <strong>of</strong>fice is needed for enrollment<br />

in that section. STUDENTS MUST ELECT DISCUSSION 402-<br />

406.<br />

SECTION 500 — STUDENTS MUST ELECT DISCUSSION 501-508.<br />

CHEM 210. Structure <strong>and</strong> Reactivity I.<br />

High school chemistry. Placement by examination during Orientation.<br />

<strong>To</strong> be taken with CHEM 211. (4). (NS). (BS). May not be repeated<br />

for credit. Students who have completed CHEM 215 will not<br />

receive credit for CHEM 210. F, W, Su.<br />

CHEM 210 is <strong>the</strong> first course in a two-term sequence in which <strong>the</strong><br />

major concepts <strong>of</strong> chemistry are introduced in <strong>the</strong> context <strong>of</strong> organic<br />

chemistry. Emphasis is on <strong>the</strong> development <strong>of</strong> <strong>the</strong> capacity <strong>of</strong><br />

students to think about <strong>the</strong> relationship between structure <strong>and</strong> reactivity<br />

<strong>and</strong> to solve problems in a qualitatively analytical way.<br />

Intended Audience:<br />

This course is a particularly good first course for students with AP<br />

credit in chemistry, Honors students, <strong>and</strong> o<strong>the</strong>r students with a<br />

strong interest in chemistry <strong>and</strong> biology.<br />

Class Format:<br />

The course has three lectures with <strong>the</strong> pr<strong>of</strong>essor <strong>and</strong> one hour <strong>of</strong><br />

discussion with a graduate student instructor per week.<br />

SECTION 100 — MUST ELECT ONE DISCUSSION 110-199.<br />

SECTION 200 — MUST ELECT ONE DISCUSSION 210-299.<br />

SECTION 300 — MUST ELECT ONE DISCUSSION 310-391.<br />

Any questions regarding enrolling for this course should be directed<br />

to <strong>the</strong> Chemistry Student Services Office at<br />

chemundergrad@umich.edu.<br />

CHEM 211. Investigations in Chemistry.<br />

<strong>To</strong> be taken concurrently with CHEM 210. (1). (NS). (BS). May not<br />

be repeated for credit. Students who have completed CHEM 216<br />

will not receive credit for CHEM 211. F, W, Su.<br />

CHEM 211 is a laboratory introduction to methods <strong>of</strong> investigation<br />

in inorganic <strong>and</strong> organic chemistry. Students solve individual problems<br />

using microscale equipment <strong>and</strong> a variety <strong>of</strong> techniques such<br />

as thin layer chromatography, titrations, <strong>and</strong> spectroscopy. The<br />

course consists <strong>of</strong> a four-hour laboratory period with a teaching assistant<br />

under <strong>the</strong> supervision <strong>of</strong> <strong>the</strong> pr<strong>of</strong>essor. Students keep laboratory<br />

notebooks, which also serve as laboratory reports.<br />

NOTE: This course is linked to CHEM 210. Students must elect<br />

both CHEM 210 (for 4 credits) <strong>and</strong> CHEM 211 (for 1 credit).<br />

STUDENTS MUST SHOW VERIFICATION OF REGISTRATION FOR<br />

CHEM 211 AT LAB CHECK IN AND CLAIM THEIR SPACES AT THE<br />

FIRST MTG OF THE LAB.<br />

Any questions regarding enrolling for this course should be directed<br />

to <strong>the</strong> Chemistry Student Services Office at<br />

chemundergrad@umich.edu.<br />

CHEM 218. Independent Study in Biochemistry.<br />

Consent <strong>of</strong> instructor required. For students with less than junior<br />

st<strong>and</strong>ing. (1). (INDEPENDENT). May be repeated for a maximum <strong>of</strong><br />

4 credits. F, W, Sp/Su, Sp, Su.<br />

This course provides an introduction to independent biochemistry<br />

research under <strong>the</strong> direction <strong>of</strong> a faculty member whose project is<br />

in <strong>the</strong> biochemistry area. The Chemistry Department encourages<br />

students to get involved with undergraduate research as early as<br />

possible.<br />

CHEM 218 is for biochemistry concentrators, <strong>and</strong> research projects<br />

must be approved by a biochemistry advisor. Exact details such as<br />

nature <strong>of</strong> research, level <strong>of</strong> involvement <strong>of</strong> <strong>the</strong> student, <strong>and</strong> criteria<br />

for grading are individually determined in consultation with <strong>the</strong> faculty<br />

member. The student is expected to put in a minimum <strong>of</strong> three<br />

hours per week <strong>of</strong> actual work for a 14-week term for each credit<br />

elected. At <strong>the</strong> end <strong>of</strong> each term, two copies <strong>of</strong> a written report are<br />

submitted — one for <strong>the</strong> faculty supervisor <strong>and</strong> one for <strong>the</strong> student.<br />

For a student to receive biochemistry credit for CHEM 218, <strong>the</strong> student<br />

must work on a research project supervised by a member <strong>of</strong><br />

<strong>the</strong> biochemistry concentration research faculty <strong>and</strong> <strong>the</strong> project<br />

must be approved by a biochemistry advisor. Final evaluation <strong>of</strong> <strong>the</strong><br />

research effort <strong>and</strong> <strong>the</strong> report, as well as <strong>the</strong> grade for <strong>the</strong> course,<br />

rests with <strong>the</strong> biochemistry research faculty member.<br />

CHEM 219. Independent Study in Chemistry.<br />

Consent <strong>of</strong> instructor required. For students with less than junior<br />

st<strong>and</strong>ing. (1). (INDEPENDENT). May not be repeated for credit. F,<br />

W, Sp/Su, Sp, Su.<br />

Research in an area <strong>of</strong> interest to, <strong>and</strong> supervised by, a Chemistry<br />

faculty member. The Chemistry Department encourages students to<br />

get involved with undergraduate research as early as possible.<br />

Exact details such as nature <strong>of</strong> <strong>the</strong> research, level <strong>of</strong> involvement <strong>of</strong><br />

<strong>the</strong> student, credits awarded, <strong>and</strong> criteria for grading are individually<br />

determined in consultation with <strong>the</strong> faculty member. The student<br />

is expected to put in at least three hours a week <strong>of</strong> actual<br />

work for a 14-week term for each credit elected. At <strong>the</strong> end <strong>of</strong> each<br />

term, two copies <strong>of</strong> a written report are submitted — one for <strong>the</strong><br />

faculty supervisor <strong>and</strong> one for <strong>the</strong> student.<br />

For a student to receive Chemistry credit for CHEM 219, <strong>the</strong> student<br />

must work on a research project supervised by a faculty member <strong>of</strong><br />

<strong>the</strong> Chemistry Department, ei<strong>the</strong>r alone or in collaboration with a<br />

colleague within <strong>the</strong> department, from ano<strong>the</strong>r department, or from<br />

ano<strong>the</strong>r school. This collaboration must be an ongoing one <strong>and</strong> <strong>the</strong>


student must receive direct supervision by all <strong>of</strong> <strong>the</strong> faculty who<br />

have agreed to sponsor <strong>the</strong> project. Final evaluation <strong>of</strong> <strong>the</strong> research<br />

effort <strong>and</strong> <strong>the</strong> report, as well as <strong>the</strong> grade for <strong>the</strong> course, rests with<br />

<strong>the</strong> faculty member from <strong>the</strong> Chemistry Department.<br />

CICS (International <strong>and</strong> Comparative<br />

Studies)<br />

CICS 101 / GEOG 145 / UC 145. Introduction to International<br />

Studies.<br />

(3). (SS). May not be repeated for credit. Meets <strong>the</strong> geography requirement<br />

for public teacher certification in <strong>the</strong> School <strong>of</strong> Education.<br />

This interdisciplinary course explores <strong>the</strong> historical, cultural, political,<br />

economic, <strong>and</strong> technological factors that drive global interdependence.<br />

Using case studies <strong>and</strong> historical examples, <strong>the</strong> course<br />

examines <strong>the</strong> ways in which people, goods, diseases, <strong>and</strong> natural<br />

resources have flowed across political <strong>and</strong> cultural borders over <strong>the</strong><br />

course <strong>of</strong> human history.<br />

Intended Audience:<br />

This class has no prerequisite <strong>and</strong> it is open to all <strong>Michigan</strong> undergraduates.<br />

It can be used as a “gateway” course to explore <strong>the</strong><br />

many options in area <strong>and</strong> international studies that are available<br />

through our academic departments <strong>and</strong> pr<strong>of</strong>essional schools. It is a<br />

core course for <strong>the</strong> international studies concentration.<br />

Instructor: Farnsworth, Bradley D<br />

Classical Studies<br />

The Department <strong>of</strong> Classical Studies believes that <strong>the</strong> literature,<br />

monuments, <strong>and</strong> social institutions <strong>of</strong> <strong>the</strong> ancient world, toge<strong>the</strong>r<br />

with <strong>the</strong> reflections <strong>of</strong> <strong>the</strong> Greek <strong>and</strong> Roman thinkers about <strong>the</strong>ir<br />

own cultures, are <strong>of</strong> unique value in <strong>the</strong>mselves, well worth our<br />

contemplation <strong>and</strong> underst<strong>and</strong>ing; <strong>and</strong> that as we attempt to learn<br />

about <strong>and</strong> appreciate classical civilization, we necessarily learn as<br />

well a variety <strong>of</strong> contemporary methodologies <strong>and</strong> disciplines.<br />

The department <strong>of</strong>fers three groups <strong>of</strong> courses for distribution,<br />

those in Classical Civilization (introductory courses that require no<br />

knowledge <strong>of</strong> Greek or Latin), courses in Classical Archaeology, <strong>and</strong><br />

upper-level language courses in Greek <strong>and</strong> Latin authors or genres.<br />

While only a few courses are repeated in yearly or biennial rotation,<br />

most courses are <strong>of</strong>fered less regularly. This system guarantees<br />

that <strong>the</strong> instructor approaches <strong>the</strong> subject each time with fresh impetus.<br />

We believe in a healthy change <strong>and</strong> variation in our course<br />

<strong>of</strong>ferings.<br />

Classical Civilization <strong>of</strong>ferings include <strong>the</strong> general surveys <strong>of</strong> Greek<br />

<strong>and</strong> Roman civilizations (CLCIV 101 <strong>and</strong> 102), which provide<br />

(through readings, lectures, <strong>and</strong> discussions) a broad underst<strong>and</strong>ing<br />

<strong>of</strong> <strong>the</strong> literatures, thought, <strong>and</strong> social development <strong>of</strong> ancient<br />

Greece <strong>and</strong> Rome, <strong>and</strong> thus provide <strong>the</strong> student with knowledge <strong>of</strong><br />

<strong>and</strong> appreciation for our cultural origins, as well as an acquaintance<br />

with modern methods for underst<strong>and</strong>ing an ancient culture. These<br />

courses are taught each year. CLCIV 101 is <strong>of</strong>fered in <strong>the</strong> Fall <strong>and</strong><br />

CLCIV 102 is <strong>of</strong>fered in <strong>the</strong> Winter. O<strong>the</strong>r courses provide underst<strong>and</strong>ing<br />

<strong>of</strong> particular aspects <strong>of</strong> <strong>the</strong> ancient world, approached<br />

from a variety <strong>of</strong> disciplines <strong>and</strong> studies — literary, philosophical,<br />

historical, sociological, <strong>and</strong> so on. Some students (particularly those<br />

who have already developed special interests in such disciplines)<br />

may wish to explore one <strong>of</strong> <strong>the</strong>se topics without having had a<br />

broader introduction.<br />

Classical Archaeology <strong>of</strong>ferings include <strong>the</strong> broad surveys <strong>of</strong> <strong>the</strong> archaeology<br />

<strong>and</strong> monuments <strong>of</strong> Greece (CLARCH 221 — <strong>of</strong>fered in<br />

<strong>the</strong> Fall) <strong>and</strong> Rome (CLARCH 222 — <strong>of</strong>fered in <strong>the</strong> Winter) <strong>and</strong> a<br />

general introduction to archaeological field methods (CLARCH 323).<br />

O<strong>the</strong>r courses use <strong>the</strong> material remains <strong>of</strong> specific cultures both to<br />

introduce students to <strong>the</strong> diversity <strong>of</strong> <strong>the</strong> ancient world <strong>and</strong> to<br />

demonstrate how, through a variety <strong>of</strong> multi-disciplinary approaches,<br />

<strong>the</strong> archaeological record can be used to reconstruct <strong>the</strong><br />

life-ways <strong>of</strong> past societies.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 49<br />

CLARCH (Classical Archaeology)<br />

CLARCH 220 / HISTART 220. Great Buildings <strong>of</strong> Ancient<br />

Greece <strong>and</strong> Rome.<br />

(4; 3 in <strong>the</strong> half-term). (HU). May not be repeated for credit.<br />

Section 001. Why do we still find ancient buildings so evocative?<br />

What can we learn about <strong>the</strong> civilizations <strong>of</strong> Greece <strong>and</strong> Rome<br />

through <strong>the</strong> study <strong>of</strong> <strong>the</strong>ir architectural monuments? How has <strong>the</strong><br />

classical heritage continued to influence later architecture not only<br />

in Europe but across <strong>the</strong> world? This course introduces students to<br />

<strong>the</strong> study <strong>of</strong> classical civilization though <strong>the</strong> history <strong>of</strong> architecture;<br />

at <strong>the</strong> same time, it provides an introduction to <strong>the</strong> study <strong>of</strong> architecture<br />

through a survey <strong>of</strong> <strong>the</strong> Classical tradition; <strong>and</strong> it highlights<br />

<strong>the</strong> contributions that classical archaeology has made both to classical<br />

studies <strong>and</strong> to architectural history. The course is organized<br />

chronologically, but ra<strong>the</strong>r than attempting a comprehensive treatment,<br />

it focuses in on a series <strong>of</strong> key monuments that show how<br />

architecture reflects, responds to, <strong>and</strong> articulates historical change;<br />

<strong>and</strong> that illustrate various building types, <strong>the</strong> creation <strong>and</strong> evolution<br />

<strong>of</strong> <strong>the</strong> architectural orders, <strong>the</strong> development <strong>of</strong> building technology,<br />

different approaches to town-planning, <strong>and</strong> <strong>the</strong> achievements <strong>of</strong><br />

ancient civil engineering.<br />

Instructor: Ratte, Christopher John<br />

CLARCH 221 / HISTART 221. Introduction to Greek<br />

Archaeology.<br />

(4). (HU). May not be repeated for credit. F.<br />

Section 001.<br />

This course looks at evidence for:<br />

• <strong>the</strong> rise <strong>and</strong> fall <strong>of</strong> civilization;<br />

• <strong>the</strong> introduction <strong>of</strong> revolutionary technological innovations;<br />

• trade <strong>and</strong> <strong>the</strong> exploration <strong>of</strong> new l<strong>and</strong>s; <strong>and</strong><br />

• <strong>the</strong> invention, loss <strong>and</strong> re-creation <strong>of</strong> a range <strong>of</strong> skills including<br />

<strong>the</strong> production <strong>of</strong> figurative art, monumental stone architecture,<br />

<strong>and</strong> writing.<br />

Our context is <strong>the</strong> ancient Greek world between ca. 3000 <strong>and</strong> 31<br />

BCE. Ancient Greece has famously given us <strong>the</strong> Olympics, democracy,<br />

history, <strong>and</strong> <strong>the</strong>atrical performance, all <strong>of</strong> which can be traced<br />

through <strong>the</strong> writings <strong>of</strong> ancient authors. Here, though, we will focus<br />

on <strong>the</strong> art, architecture <strong>and</strong> artefacts left behind, asking what <strong>the</strong>y<br />

have to tell us about <strong>the</strong> lives <strong>of</strong> ordinary people, <strong>and</strong> how those<br />

lives were affected by social, cultural, <strong>and</strong> technological change. At<br />

<strong>the</strong> same time as <strong>of</strong>fering an introduction to <strong>the</strong> major societies <strong>of</strong><br />

<strong>the</strong> Greek world during this period, we shall also look at some <strong>of</strong><br />

<strong>the</strong> major research traditions <strong>and</strong> methods which have been employed<br />

in Greek archaeology over <strong>the</strong> past couple <strong>of</strong> centuries,<br />

down to <strong>the</strong> present day.<br />

Instructor: Nevett, Lisa C<br />

CLCIV (Classical Civilization)<br />

Courses in this division do not require a knowledge <strong>of</strong> Greek or<br />

Latin. They are intended for students who wish to acquire knowledge<br />

<strong>of</strong> ancient literature, life, <strong>and</strong> thought, <strong>and</strong> <strong>of</strong> <strong>the</strong> debt modern<br />

civilization owes <strong>the</strong> Greeks <strong>and</strong> Romans.<br />

CLCIV 101. Classical Civilization I: The Ancient Greek World<br />

(in English).<br />

Freshman or Sophomore or permission <strong>of</strong> instructor. (4). (FYWR).<br />

May not be repeated for credit. No credit granted to those who<br />

have completed or are enrolled in GTBOOKS 191 or 201. F.<br />

Section 001. An introduction to <strong>the</strong> civilization <strong>of</strong> ancient Greece<br />

from <strong>the</strong> beginning through <strong>the</strong> Hellenistic age. Through <strong>the</strong> reading<br />

<strong>of</strong> literature that ranges from comedy to philosophy, we confront<br />

<strong>the</strong> contradictions <strong>of</strong> this complex society.<br />

Course Requirements:<br />

There are approximately 75-100 pages <strong>of</strong> reading per week, two<br />

short projects, a midterm <strong>and</strong> a final examination.


50 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

Intended Audience:<br />

No previous knowledge is required.<br />

Instructor: Schironi, Francesca<br />

CLCIV 120. First-year Seminar in Classical Civilization<br />

(Humanities).<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (HU). May not be repeated for credit.<br />

This course addresses a wide range <strong>of</strong> topics from <strong>the</strong> ancient<br />

Greek <strong>and</strong> Roman cultures. These are studied for <strong>the</strong>ir ideas, literary<br />

values, <strong>and</strong> as illustrations <strong>of</strong> socio-historical <strong>and</strong> o<strong>the</strong>r historical<br />

<strong>and</strong> intellectual developments important for <strong>the</strong> underst<strong>and</strong>ing<br />

<strong>of</strong> <strong>the</strong> ancient <strong>and</strong> modern world, <strong>the</strong>ir achievements <strong>and</strong> problems.<br />

Section 001 — Great Speeches Ancient <strong>and</strong> Modern.<br />

Have you ever been inspired by a great speech? Have you ever<br />

wondered how great speakers — from Abraham Lincoln to Barack<br />

Obama — perform <strong>the</strong>ir magic? Is <strong>the</strong> power <strong>of</strong> persuasive speech<br />

a matter <strong>of</strong> inborn charisma (magic?) or can people learn <strong>the</strong> techniques<br />

<strong>of</strong> effective public speaking? The ancient Greeks <strong>and</strong><br />

Romans believed that <strong>the</strong>se techniques could be taught, <strong>and</strong> several<br />

practical guides to public speaking have survived from classical<br />

antiquity. In this course, we will learn from <strong>the</strong> ancients by examining<br />

one such h<strong>and</strong>book <strong>of</strong> public speaking (Aristotle's Rhetoric)<br />

alongside a selection <strong>of</strong> <strong>the</strong> many great speeches that have survived<br />

from classical antiquity. In addition, we will explore how<br />

speeches by modern political leaders (e.g., Winston Churchill, John<br />

F. Kennedy, Martin Lu<strong>the</strong>r King, Hillary Rodham Clinton, <strong>and</strong>, yes,<br />

Barack Obama) make use <strong>of</strong> <strong>the</strong> very same techniques as those developed<br />

first by <strong>the</strong> ancient Greeks. Finally, we will use <strong>the</strong> techniques<br />

we have learned to write our own speeches.<br />

Course Requirements:<br />

Course requirements include active participation in class discussions,<br />

a midterm exam, <strong>and</strong> <strong>the</strong> performance <strong>of</strong> a speech on a topic<br />

<strong>of</strong> one's own choosing.<br />

Instructor: Forsdyke, Sara L<br />

Section 002 — Clubs in Antiquity.<br />

This seminar is a study <strong>of</strong> voluntary associations in Greek <strong>and</strong><br />

Roman societies. These include religious, secular, pr<strong>of</strong>essional, <strong>and</strong><br />

social clubs.<br />

Instructor: Garbrah, Kweku A<br />

CLCIV 121. First-year Seminar in Classical Civilization<br />

(Composition).<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (4). (FYWR). May not be repeated for credit.<br />

This course addresses a wide range <strong>of</strong> topics from <strong>the</strong> ancient<br />

Greek <strong>and</strong> Roman cultures. These are studied for <strong>the</strong>ir ideas, literary<br />

values, <strong>and</strong> as illustrations <strong>of</strong> socio-historical <strong>and</strong> o<strong>the</strong>r historical<br />

<strong>and</strong> intellectual developments important for <strong>the</strong> underst<strong>and</strong>ing<br />

<strong>of</strong> <strong>the</strong> ancient <strong>and</strong> modern world, <strong>the</strong>ir achievements <strong>and</strong> problems.<br />

Section 001 — Objects surviving from Greek <strong>and</strong> Roman<br />

antiquity.<br />

In <strong>the</strong> contemporary world we surround ourselves with objects. The<br />

items we select say much about us <strong>and</strong> about how we wish to be<br />

viewed by o<strong>the</strong>rs. But at <strong>the</strong> same time, each object has its own<br />

history <strong>and</strong> its own place <strong>and</strong> significance within <strong>the</strong> complex web<br />

<strong>of</strong> contemporary culture. In this course we consider some examples<br />

<strong>of</strong> objects surviving from Greek <strong>and</strong> Roman antiquity, exploring<br />

<strong>the</strong>ir individual histories <strong>and</strong> what <strong>the</strong>y may have to say about <strong>the</strong><br />

cultures <strong>of</strong> which <strong>the</strong>y were a part. Our starting point will be <strong>the</strong><br />

objects <strong>the</strong>mselves, but as we seek to contextualize <strong>and</strong> underst<strong>and</strong><br />

<strong>the</strong>m we will be sampling a much wider range <strong>of</strong> ancient<br />

source materials, including ancient texts in translation. This information<br />

is used to address some larger questions, showing how<br />

scholarly debate <strong>of</strong>ten reflects <strong>the</strong> concerns <strong>of</strong> contemporary society,<br />

<strong>and</strong> highlighting some <strong>of</strong> <strong>the</strong> similarities <strong>and</strong> differences between<br />

<strong>the</strong> ancient <strong>and</strong> modern worlds. As we work, we will make<br />

use <strong>of</strong> techniques from a range <strong>of</strong> <strong>the</strong> different sub-disciplines encompassed<br />

by Classical Studies. At <strong>the</strong> same time we will be building<br />

basic research skills necessary for all academic study, including<br />

not only writing, but also critical thinking; evaluation <strong>of</strong> written<br />

texts (both ancient sources in translation <strong>and</strong> modern scholarly discussions);<br />

<strong>and</strong> approaches to independent research.<br />

Intended Audience:<br />

First year undergraduates<br />

Instructor: Nevett, Lisa C<br />

CMPLXSYS (Complex Systems)<br />

CMPLXSYS 250 / PUBPOL 250. Social Systems, Energy, <strong>and</strong><br />

Public Policy.<br />

(3). (QR/1). May not be repeated for credit.<br />

Energy is an incredibly complex topic by virtue <strong>of</strong> <strong>the</strong> inter-linkages<br />

<strong>of</strong> science, technology, public policy, economics, <strong>and</strong> human behaviors.<br />

This course will examine all aspects <strong>of</strong> energy: supply <strong>and</strong><br />

dem<strong>and</strong>, technical <strong>and</strong> social, with a concerted look at <strong>the</strong> natural<br />

place <strong>of</strong> social science (behavior, pricing, externalities, social<br />

norms) in <strong>the</strong> energy sphere.<br />

Every aspect <strong>of</strong> present-day society depends on <strong>the</strong> continuing<br />

availability <strong>of</strong> clean, affordable, flexible, secure, <strong>and</strong> safe energy resources.<br />

Yet nearly 90% <strong>of</strong> our current energy needs are met by<br />

fossil fuels. Our reliance on fossil fuels has led to declining supplies,<br />

rising prices, global climate change, <strong>and</strong> security concerns. The current<br />

global energy economy is not sustainable. The technological<br />

challenges are formidable; but <strong>the</strong>y cannot be considered solutions<br />

without considering <strong>the</strong> human <strong>and</strong> social behavioral side <strong>of</strong> energy<br />

dem<strong>and</strong>.<br />

The quest for solutions to "The Energy Problem" is dominated by<br />

technology "fixes". The visions <strong>of</strong> practical technological fixes,<br />

whe<strong>the</strong>r electricity energy generation, oil exploration <strong>and</strong> extraction,<br />

pollution mitigation, automobile fuel efficiency <strong>and</strong> alternatives<br />

to combustion engines, etc., necessarily build on what we know today<br />

<strong>and</strong> presume that we can achieve in a couple <strong>of</strong> decades or so,<br />

through sufficient R&D, an energy supply-dem<strong>and</strong> balance that fulfills<br />

a wide range <strong>of</strong> incompatible requirements — cheap, environmentally<br />

benign, politically secure, unconstrained supply, convenient,<br />

<strong>and</strong> safe. While we expect technology to come to our energyrescue<br />

<strong>and</strong> support our established patterns <strong>of</strong> economic growth<br />

<strong>and</strong> energy-intensive lifestyles, we tend to expect very little from<br />

<strong>the</strong> human <strong>and</strong> social behavioral side <strong>of</strong> energy use <strong>and</strong> dem<strong>and</strong>.<br />

In some ways <strong>the</strong> Energy Problem is yet ano<strong>the</strong>r version <strong>of</strong> C.P.<br />

Snow's Two Cultures — parallel technology <strong>and</strong> social cultures with<br />

little mutual underst<strong>and</strong>ing <strong>and</strong> rare cross-over exchange.<br />

The Complex Systems view would hold that society <strong>and</strong> Energy<br />

technologies have coevolved through <strong>the</strong> actions <strong>of</strong> individual<br />

agents (inventors, scientists, entrepreneurs, financiers, writers,<br />

politicians, kings <strong>and</strong> queens, dictators, <strong>and</strong> statesman), learning,<br />

adapting, selecting, exchanging information, <strong>and</strong> interacting<br />

through transactions <strong>of</strong> many kinds. At every stage, <strong>the</strong> social, economic,<br />

<strong>and</strong> technological systems were tightly coupled. It is not<br />

possible to underst<strong>and</strong> Energy Problems without framing <strong>the</strong>m in a<br />

systems context.<br />

Course Requirements:<br />

Two midterm exams, a Final Exam, graded homework assignments,<br />

<strong>and</strong> a term project.<br />

Intended Audience:<br />

Freshmen / Sophomores interested in energy <strong>and</strong> complex systems.<br />

Class Format:<br />

Three hours <strong>of</strong> lecture per week.<br />

Instructor: Salmeen, Irving T


CMPLXSYS 260 / SOC 260. Tipping Points, B<strong>and</strong>wagons <strong>and</strong><br />

Cascades: From Individual Behavior to Social Dynamics.<br />

(3). May not be repeated for credit.<br />

In this class, we examine how interdependent behaviors <strong>of</strong> individuals<br />

can lead to some surprising <strong>and</strong> unexpected social outcomes.<br />

We will explore both <strong>the</strong>oretical models <strong>and</strong> empirical applications<br />

<strong>of</strong> social dynamics, including sexual networks <strong>and</strong> marriage<br />

markets, <strong>the</strong> formation <strong>and</strong> transformation <strong>of</strong> neighborhoods, <strong>the</strong><br />

success or failure <strong>of</strong> social movements, <strong>and</strong> <strong>the</strong> diffusion <strong>of</strong> innovation.<br />

There are many situations in which how we behave depends on <strong>the</strong><br />

behavior <strong>of</strong> o<strong>the</strong>rs. We can be influenced by our friends <strong>and</strong> also by<br />

complete strangers. Social influence may be trivial <strong>and</strong> fleeting, or<br />

enduring <strong>and</strong> highly consequential. For example, whom a person<br />

dates or marries depends on both her attraction to potential suitors<br />

as well as <strong>the</strong> characteristics <strong>and</strong> preferences <strong>of</strong> <strong>the</strong> competition.<br />

Similarly, racially integrated neighborhoods <strong>of</strong>ten end up completely<br />

segregated due to <strong>the</strong> domino effect produced by <strong>the</strong> out-migration<br />

<strong>of</strong> a few less tolerant whites. In this class, we examine how interdependent<br />

behaviors <strong>of</strong> individuals can lead to some surprising <strong>and</strong><br />

unexpected social outcomes. We will explore both <strong>the</strong>oretical models<br />

<strong>and</strong> empirical applications <strong>of</strong> social dynamics, including sexual<br />

networks <strong>and</strong> marriage markets, <strong>the</strong> formation <strong>and</strong> transformation<br />

<strong>of</strong> neighborhoods, <strong>the</strong> success or failure <strong>of</strong> social movements, <strong>and</strong><br />

<strong>the</strong> diffusion <strong>of</strong> innovation.<br />

Course Requirements:<br />

During <strong>the</strong> academic term, students will be required to write three<br />

short papers <strong>and</strong> complete a set <strong>of</strong> laboratory exercises. Student<br />

participation counts for a significant portion <strong>of</strong> <strong>the</strong> total grade.<br />

The students will write three 5-10 page papers for <strong>the</strong> class. They<br />

will also complete a series <strong>of</strong> lab exercises that are designed to illustrate<br />

<strong>the</strong> various applications <strong>of</strong> interdependent behavior that we<br />

discuss in class (e.g., networks, prisoner's dilemma, tipping points,<br />

etc.) Students will learn basic programming skills in <strong>the</strong> lab. They<br />

will also build simple, virtual worlds, <strong>and</strong> <strong>the</strong>n using those worlds to<br />

perform different experiments about <strong>the</strong> relationship between individual<br />

behavior <strong>and</strong> social dynamics.<br />

Intended Audience:<br />

Freshmen <strong>and</strong> sophomores.<br />

Class Format:<br />

The course includes both a seminar <strong>and</strong> lab component: 3 hour<br />

seminar for first five weeks, <strong>the</strong>n 1.5 hour seminar <strong>and</strong> 1.5 hour lab<br />

per week for <strong>the</strong> remaining ten weeks.<br />

Instructor: Bruch, Elizabeth Eve<br />

COMM (Communication Studies)<br />

Department policy requires students to attend <strong>the</strong> first two seminars<br />

or lectures <strong>of</strong> <strong>the</strong> course. For lecture courses with discussion<br />

sections, Department policy requires students to attend <strong>the</strong> first<br />

two lectures <strong>and</strong> one discussion section <strong>of</strong> <strong>the</strong> course. Failure to do<br />

so may result in <strong>the</strong> student being dropped from <strong>the</strong> course.<br />

Waitlist <strong>and</strong> Permission Policies<br />

For all classes, <strong>the</strong> Department uses <strong>the</strong> electronic waitlist system<br />

once <strong>the</strong> class fills. Students seeking to enroll in an already full<br />

class can put <strong>the</strong>ir names on a waitlist through <strong>the</strong> on-line registration<br />

system (Wolverine Access). A waitlist number will appear on<br />

<strong>the</strong> student’s schedule indicating <strong>the</strong>ir sequential spot on <strong>the</strong> electronic<br />

waitlist. However, priority on <strong>the</strong> waitlist is determined not by<br />

sequential order but by <strong>the</strong> Department policies listed below. Faculty<br />

members will apply appropriate departmental policies to determine<br />

which, if any, students are accepted into <strong>the</strong> class once it is<br />

full <strong>and</strong> waitlisted. Due to <strong>the</strong> reservation restrictions <strong>of</strong> Communication<br />

Studies courses for <strong>of</strong>ficially declared students, new concentrators<br />

are encouraged to waitlist for any closed Communication<br />

Studies courses.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 51<br />

WAITLIST PRIORITIES IN 100-LEVEL COURSES:<br />

1. Sophomores, including those with Junior class st<strong>and</strong>ing due to<br />

Advanced Placement credit (54 credits or less after exclusion <strong>of</strong><br />

AP credit)<br />

2. Freshmen<br />

3. Juniors<br />

4. Seniors<br />

WAITLIST PRIORITIES IN COMM 211<br />

1. Juniors, including those with Senior class st<strong>and</strong>ing due to Advanced<br />

Placement credit (84 credits or less after exclusion <strong>of</strong> AP<br />

credit)<br />

2. Sophomores<br />

3. Freshmen<br />

4. Seniors<br />

[COMM 101 or 102 is a prerequisite to enroll in COMM 211.]<br />

WAITLIST PRIORITIES IN 300-LEVEL COURSES<br />

1. Senior concentrators<br />

2. Junior concentrators<br />

3. Sophomore concentrators<br />

4. All o<strong>the</strong>r undergraduate students in order <strong>of</strong> sequence on <strong>the</strong><br />

waitlist who have fulfilled <strong>the</strong> appropriate prerequisite<br />

[COMM 101 or 102 is a prerequisite to enroll in COMM 351, 361,<br />

371, <strong>and</strong> 381.]<br />

NOTE: All sections <strong>of</strong> COMM 351, 361, 371, <strong>and</strong> 381 meet <strong>the</strong> LSA<br />

Upper-Level Writing Requirement. All students enrolled in <strong>the</strong>se<br />

courses must complete all writing assignments regardless <strong>of</strong><br />

whe<strong>the</strong>r or not <strong>the</strong>y are seeking ULWR credit.<br />

WAITLIST PRIORITIES IN 400 LEVEL COURSES<br />

1. Senior concentrators<br />

2. Junior concentrators<br />

3. Sophomore concentrators<br />

4. All o<strong>the</strong>r undergraduate students in order <strong>of</strong> sequence on <strong>the</strong><br />

waitlist<br />

5. Graduate students in order <strong>of</strong> sequence on <strong>the</strong> waitlist<br />

Permissions <strong>and</strong> <strong>the</strong> 2 Class Rule<br />

Permissions are not issued until after a class has met two times.<br />

For seminar or lecture courses, Department policy requires students<br />

to attend <strong>the</strong> first two seminars or lectures <strong>of</strong> <strong>the</strong> course. For lecture<br />

courses with discussion sections, Department policy requires<br />

students to attend <strong>the</strong> first two lectures <strong>and</strong> one discussion section<br />

<strong>of</strong> <strong>the</strong> course. Faculty can request registered students to be administratively<br />

dropped from a course if <strong>the</strong>y fail to attend <strong>the</strong> first two<br />

class meetings as described above.<br />

Permission Priorities<br />

Faculty will use <strong>the</strong> Department’s established priorities to grant<br />

permissions. Students who are registered in one section <strong>of</strong> a class,<br />

but wish to switch sections, will NOT be given priority over any student<br />

on <strong>the</strong> <strong>of</strong>ficial waitlist in Wolverine Access.<br />

Permission Procedures<br />

Permissions are approved only by faculty after <strong>the</strong> term begins.<br />

Permissions are issued within 24 hours <strong>of</strong> Department staff receiving<br />

<strong>the</strong>m from <strong>the</strong> instructor. Students <strong>of</strong>fered permission will receive<br />

an e-mail with registration information from Wolverine Access.<br />

Permissions will be valid for 3 days <strong>and</strong> will expire at midnight<br />

on <strong>the</strong> third day (which includes weekends). Failure to use <strong>the</strong><br />

permission within <strong>the</strong> 3 day time frame will result in being administratively<br />

dropped from <strong>the</strong> waitlist. After receiving permission, students<br />

must add <strong>the</strong> class via Wolverine Access to become <strong>of</strong>ficially<br />

enrolled. Also, students will not be able to register for <strong>the</strong> course<br />

(add <strong>the</strong> course) until <strong>the</strong>y are issued permission <strong>and</strong> have dropped<br />

<strong>the</strong>mselves from <strong>the</strong> waitlist. In all cases, it is <strong>the</strong> student’s responsibility<br />

to insure that he or she is properly enrolled in, or dropped<br />

from, a course.


52 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

New Concentration Status<br />

Newly declared concentrators should present <strong>the</strong>ir approved,<br />

signed declaration form to instructors in waitlisted courses to confirm<br />

<strong>of</strong>ficial concentration status. Faculty rely on <strong>the</strong> signed declaration<br />

forms to validate a student’s <strong>of</strong>ficial Communication Studies<br />

concentration status so that appropriate waitlist priority is granted.<br />

COMM 101. The Mass Media.<br />

First- <strong>and</strong> second-year students. (Prerequisites enforced at registration.)<br />

(4). (SS). May not be repeated for credit.<br />

This course provides an introduction to <strong>the</strong> history <strong>and</strong> impact <strong>of</strong><br />

mass media on American culture through advertising, news, radio,<br />

television programming, <strong>the</strong> Internet, <strong>and</strong> popular music. It reviews<br />

ideological, technological, <strong>and</strong> regulatory developments that produced<br />

our existing media system; <strong>and</strong> analytical tools <strong>and</strong> techniques<br />

that enhance media literacy. <strong>To</strong>pics include: media's role in<br />

shaping attitudes towards race, gender, sexuality <strong>and</strong> class; relationship<br />

between media <strong>and</strong> society; <strong>and</strong> language <strong>and</strong> skills for<br />

critically evaluating media's assumptions <strong>and</strong> techniques.<br />

Instructor: Hutchinson, Rossie Marie<br />

COMM 102. Media Processes <strong>and</strong> Effects.<br />

First- <strong>and</strong> second-year students. (Prerequisites enforced at registration.)<br />

(4). (SS). May not be repeated for credit.<br />

Americans are immersed in <strong>the</strong> media like fish in water. The average<br />

adult spends two-thirds <strong>of</strong> his or her waking time consuming<br />

media, <strong>of</strong>ten more than one type at a time. Many people believe<br />

<strong>the</strong> media have little effect, but research shows <strong>the</strong>y are wrong.<br />

This course describes <strong>the</strong> effects <strong>of</strong> media on thoughts, feelings,<br />

attitudes, <strong>and</strong> behaviors, <strong>and</strong> reasons why <strong>the</strong> media affect us. It<br />

includes review <strong>and</strong> evaluation <strong>of</strong> media research articles <strong>and</strong> participation<br />

in media research studies.<br />

Instructor: Kwak, Nojin<br />

COMM 111. Workshop on Managing <strong>the</strong> Information<br />

Environment.<br />

First- <strong>and</strong> second-year students. (Prerequisites enforced at registration.)<br />

(1). May not be repeated for credit. Offered m<strong>and</strong>atory<br />

credit/no credit.<br />

This h<strong>and</strong>s-on workshop focuses on mastery <strong>of</strong> <strong>the</strong> rapidly developing<br />

<strong>and</strong> exp<strong>and</strong>ing electronic information environment. Skills include<br />

<strong>the</strong> use <strong>of</strong> electronic communication systems, online search<br />

<strong>and</strong> retrieval, Web authoring, data management, image manipulation,<br />

critical evaluation <strong>of</strong> information resources, <strong>and</strong> formal presentation<br />

<strong>of</strong> research findings. The course also introduces a range <strong>of</strong><br />

campus information resources, including <strong>the</strong> university computing<br />

environment, university library system, <strong>and</strong> remote access to <strong>the</strong><br />

Internet <strong>and</strong> World Wide Web. Group assignments teach strategies<br />

needed to discover, evaluate, <strong>and</strong> communicate research findings<br />

within a university environment.<br />

COMP (Music Composition)<br />

It is possible for LSA students to elect a concentration program in<br />

Theatre or Music, <strong>and</strong> <strong>the</strong>se programs are described in <strong>the</strong> LSA<br />

Bulletin. In addition, Theatre courses <strong>and</strong> Music courses are frequently<br />

elected by LSA students not concentrating in ei<strong>the</strong>r Music<br />

or Theatre. All courses in Music History/Musicology, Composition,<br />

<strong>and</strong> Music Theory are electable for LSA credit; some but not all<br />

Theatre <strong>and</strong> Drama courses are available for LSA credit. Some <strong>of</strong><br />

<strong>the</strong>se courses can be used in an area distribution plan. LSA students<br />

may elect music PERFORMANCE courses for degree credit,<br />

but this credit counts toward <strong>the</strong> maximum twenty non-LSA credit<br />

hours that can be applied toward an LSA degree.<br />

Courses in Theatre, Music History/Musicology, Composition, Music<br />

Theory, <strong>and</strong> Performing <strong>Arts</strong> Technology are listed in <strong>the</strong> Time<br />

Schedule under <strong>the</strong> School <strong>of</strong> Music, Theatre & Dance.<br />

COMP 221. Intro Elem Comp.<br />

NON-MUS ONLY. (3). (CE). May be repeated for credit.<br />

For non-music concentrators. For students with limited musical<br />

background who wish to gain underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong> creative process<br />

<strong>and</strong> contemporary art music by composing. The course investigates<br />

traditional compositional crafts, as well as more current or experimental<br />

tendencies, including pop, ethnic, <strong>and</strong> jazz idioms. Student<br />

creative projects receive individual attention.<br />

Intended Audience:<br />

No prerequisites, but <strong>the</strong> ability to read music is strongly recommended.<br />

Instructor: Daugherty, Michael K<br />

COMPLIT (Comparative <strong>Literature</strong>)<br />

COMPLIT 122. Writing World <strong>Literature</strong>s.<br />

(4). (FYWR). May not be repeated for credit.<br />

An intensive writing course focusing on multiple translations <strong>of</strong><br />

works, asking students to consider how <strong>the</strong>se translation reflect different<br />

cultural times <strong>and</strong> milieu as well as choices in language. Students<br />

work intensely with issues <strong>of</strong> composition, argument, <strong>and</strong><br />

source material related to <strong>the</strong> creative texts.<br />

COMPLIT 140. First-Year Literary Seminar.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (HU). May be repeated for a maximum <strong>of</strong><br />

6 credits.<br />

A course in <strong>the</strong> LSA First-Year Seminar Program. Led by a faculty<br />

member, COMPLIT 140 is a study <strong>of</strong> selected topics in literature<br />

through classroom discussion <strong>and</strong> <strong>the</strong> writing <strong>of</strong> essays.<br />

Section 001 — <strong>Welcome</strong> to <strong>the</strong> Twentieth Century.<br />

<strong>Welcome</strong> to <strong>the</strong> ride through <strong>the</strong> most diverse <strong>and</strong> wonderful literary<br />

<strong>and</strong> artistic era! This course is envisioned as a survey <strong>of</strong> <strong>the</strong> literary<br />

<strong>and</strong> artistic movements <strong>of</strong> <strong>the</strong> past century that will be introduced<br />

<strong>and</strong> placed in context with <strong>the</strong> historical developments that<br />

accompanied <strong>the</strong>m.<br />

Departing from <strong>the</strong> wildest experimentations with language <strong>and</strong><br />

form <strong>of</strong> <strong>the</strong> historical avant-gardes from <strong>the</strong> beginning <strong>of</strong> <strong>the</strong> century,<br />

our journey takes us through <strong>the</strong> post-WWII disillusionment <strong>of</strong><br />

Theatre <strong>of</strong> <strong>the</strong> Absurd, all <strong>the</strong> way to postmodern fragmentation <strong>of</strong><br />

text <strong>and</strong> image. Besides some <strong>of</strong> <strong>the</strong> most important names <strong>of</strong> <strong>the</strong><br />

European <strong>and</strong> American literature <strong>and</strong> art, look for <strong>the</strong> many unexpected<br />

texts from <strong>the</strong> world’s “cultural peripheries,” intended to<br />

give a rounded idea <strong>of</strong> how <strong>the</strong> Western ideas in literature <strong>and</strong> art<br />

were disseminated to o<strong>the</strong>r parts <strong>of</strong> <strong>the</strong> globe. This is a truly comparative<br />

course that will expose students to a variety <strong>of</strong> genres,<br />

forms <strong>of</strong> expression, periods <strong>and</strong> cultures.<br />

Course materials include textual <strong>and</strong> visual materials. We will spend<br />

a lot <strong>of</strong> time in <strong>the</strong> reconstructed U-M museum learning about <strong>the</strong><br />

arts <strong>of</strong> <strong>the</strong> century.<br />

Course Requirements:<br />

regular class participation <strong>and</strong> reading, class presentation, midterm<br />

paper <strong>and</strong> a final project.<br />

Instructor: Aleksić, Tatjana<br />

COMPLIT 240. Introduction to Comparative <strong>Literature</strong>.<br />

(3). (HU). May not be repeated for credit. F.<br />

Section 001 — Reading to Live.<br />

Why read? Why live? Do <strong>the</strong> two questions have <strong>the</strong> same answers?<br />

What does reading have to do with living?<br />

In this course, we will take <strong>the</strong>se questions as a framework through<br />

which to approach comparative literature as something people<br />

study <strong>and</strong> as a way <strong>the</strong>y study it. But wait, <strong>the</strong>re’s more! The books<br />

you read, <strong>the</strong> thoughts you think, <strong>and</strong> <strong>the</strong> words you hear, speak,<br />

<strong>and</strong> write will slip under your skin with excruciating sweetness.<br />

They might make you feel itchy <strong>and</strong> uncomfortable. It may be diffi-


cult to walk <strong>and</strong> talk normally. You may begin to hear voices <strong>and</strong> to<br />

tell stories. I promise… But only if you do <strong>the</strong> reading (which will<br />

include work by authors such as Cortázar, Borges, McCullers, Puig,<br />

Suzuki, Nietzsche, Marx, Shelley, Oliver, <strong>and</strong> Snyder), writing<br />

(weekly short papers, one or two longer essays), talking, <strong>and</strong> thinking<br />

(constantly).<br />

Instructor: Colás, Santiago<br />

COMPLIT 260. Europe <strong>and</strong> Its O<strong>the</strong>rs.<br />

(3). (HU). May not be repeated for credit.<br />

Section 001 — Rethinking Negritude.<br />

In <strong>the</strong> 1930s, Léopold Sédar Senghor, a young poet from <strong>the</strong><br />

French colony <strong>of</strong> Senegal declared that “Emotion is Negro, Reason<br />

is Greek”. This declaration was extremely influential for helping <strong>the</strong><br />

Black Africans who were colonized by <strong>the</strong> French Empire to regain<br />

<strong>the</strong>ir value in light <strong>of</strong> <strong>the</strong> European culture <strong>of</strong> that time. Senghor<br />

was one <strong>of</strong> <strong>the</strong> important voices <strong>of</strong> <strong>the</strong> Negritude movement <strong>of</strong> <strong>the</strong><br />

1930s, an extremely important literary <strong>and</strong> aes<strong>the</strong>tic movement<br />

which united Black people from <strong>the</strong> French-speaking West Indies<br />

<strong>and</strong> <strong>the</strong> parts <strong>of</strong> Africa that had been colonized by <strong>the</strong> French.<br />

Negritude was one <strong>of</strong> <strong>the</strong> many ways in which Black people from<br />

<strong>the</strong> French Empire first began to articulate notions <strong>of</strong> “blackness”, a<br />

way <strong>of</strong> conceiving <strong>of</strong> a kind <strong>of</strong> subjectivity that would transcend <strong>the</strong><br />

deep divisions between Arabs, West Indian Africans, continental<br />

Africans <strong>and</strong> o<strong>the</strong>r members <strong>of</strong> <strong>the</strong> Black Diaspora <strong>and</strong> allow <strong>the</strong>m<br />

to come toge<strong>the</strong>r <strong>and</strong> find a new form <strong>of</strong> self-respect.<br />

As can be discerned from Senghor’s provocative statement, <strong>the</strong><br />

formulation <strong>of</strong> Negritude was never easy <strong>and</strong> was always beset<br />

with problems. Does <strong>the</strong> function <strong>of</strong> Reason <strong>and</strong> thought only belong<br />

to cultures <strong>of</strong> white civilization, <strong>and</strong> <strong>the</strong> qualities <strong>of</strong> “Emotion”<br />

only to people with darker skins? This reasoning also led to many<br />

problems which began to stereotype <strong>and</strong> entrap black thought,<br />

while it was trying to articulate itself. In order to explore <strong>the</strong>se<br />

problems, one would also have to include a study <strong>of</strong> <strong>the</strong> Harlem<br />

Renaissance, which was very influential towards Negritude. In fact,<br />

Aimé Césaire, ano<strong>the</strong>r founder <strong>of</strong> Negritude, argued that Negritude<br />

was an African American concept in that it emerges from <strong>the</strong> research<br />

<strong>and</strong> artistry <strong>of</strong> W.E.B. Du Bois, Langston Hughes, Claude<br />

McKay, Countee Cullen, <strong>and</strong> Zora Neale Hurston.<br />

In this course <strong>the</strong>refore, we shall begin through a study <strong>of</strong> <strong>the</strong><br />

movement <strong>and</strong> philosophy <strong>of</strong> Negritude to begin to explore some <strong>of</strong><br />

<strong>the</strong> difficult rhetorical, philosophical, sociological <strong>and</strong> historical<br />

questions embedded in what “blackness” is all about. We will concentrate<br />

on <strong>the</strong> following questions:<br />

1. How do we define <strong>the</strong> relationship <strong>of</strong> Black people who were<br />

displaced by <strong>the</strong> Atlantic Slave Trade, to <strong>the</strong> relationship <strong>of</strong><br />

o<strong>the</strong>r Black people who lived under colonial regimes?<br />

2. What is <strong>the</strong> relationship <strong>of</strong> European languages to blackness?<br />

3. What are <strong>the</strong> problems with representing “blackness” in contemporary<br />

African <strong>and</strong> African American literature?<br />

An intense interrogation into <strong>the</strong>se questions will allow students to<br />

begin a serious intellectual consideration as to how come problems<br />

<strong>of</strong> blackness, representation <strong>and</strong> race still occur today on a global<br />

scale, <strong>and</strong> will allow students to locate more effectively <strong>the</strong> racial<br />

<strong>and</strong> ethnic problems that plague modern American society.<br />

Instructor: Ekotto, Frieda<br />

CSP (Comprehensive Studies Program)<br />

CSP 100. CSP Readings Seminar.<br />

(3). (SS). May be elected twice for credit. F, W, Su.<br />

In CSP 100 participants are encouraged to learn <strong>and</strong> apply metacognitive<br />

principles to <strong>the</strong> planning <strong>of</strong> <strong>the</strong>ir own academic, pr<strong>of</strong>essional,<br />

<strong>and</strong> personal goals. Participants in <strong>the</strong> seminar work to enhance<br />

<strong>the</strong>ir academic success by embarking on a thorough examination<br />

<strong>of</strong> how <strong>the</strong>y are currently approaching <strong>the</strong>ir learning. They<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 53<br />

<strong>the</strong>n set goals for adjusting <strong>and</strong> improving <strong>the</strong>ir current skills to<br />

help <strong>the</strong>m become better learners in this context.<br />

<strong>To</strong>pics participants in this seminar explore have included but are<br />

not limited to <strong>the</strong> following:<br />

• Developing critical thinking skills<br />

• Basic principles <strong>of</strong> formal argumentation<br />

• Enhancing study techniques.<br />

• Improving <strong>and</strong>/or developing test-taking strategies.<br />

• Creating a personal philosophy <strong>and</strong> four or five-year plan<br />

• Establishing academic <strong>and</strong> personal goals [short <strong>and</strong> long term]<br />

• Identifying individual learning styles<br />

• Time Management<br />

• Effective note-taking<br />

• Enhancement <strong>of</strong> Test Taking<br />

• Stress Management<br />

• The impact <strong>of</strong> diversity on academic success<br />

• Problem solving techniques in an academic context<br />

• Discussion <strong>of</strong> faculty/instructor expectations for academic success<br />

• Career Exploration <strong>and</strong> its related skills [interview techniques/<br />

marketing self]<br />

Instructor: McLaughlin, Harry K<br />

DUTCH (Dutch <strong>and</strong> Flemish Studies)<br />

Dutch Studies has been an integral part <strong>of</strong> <strong>the</strong> Department <strong>of</strong><br />

Germanic Languages <strong>and</strong> <strong>Literature</strong>s since <strong>the</strong> early 1970s. The<br />

program <strong>of</strong>fers both language <strong>and</strong> literature courses. The first- <strong>and</strong><br />

second-year courses satisfy <strong>the</strong> language requirement. Upper-level<br />

courses have ranged from <strong>the</strong> most modern literature to medieval<br />

genres, <strong>the</strong> literature <strong>of</strong> Rembr<strong>and</strong>t’s time, <strong>and</strong> Vincent van Gogh’s<br />

letters or Dutch colonial literature from The East Indies. Independent<br />

studies in combination with for instance European or World History,<br />

Anthropology, South African, or Indonesian Studies are encouraged.<br />

Hovering between English <strong>and</strong> German, Dutch is easy to<br />

learn for English speakers. Tutorials in <strong>the</strong> closely-related South<br />

African language Afrikaans are available on request.<br />

A special course is <strong>of</strong>fered: “Anne Frank in Past <strong>and</strong> Present”<br />

(DUTCH 492), in which <strong>the</strong> famous diary <strong>and</strong> its impact are studied<br />

<strong>and</strong> compared to o<strong>the</strong>r Holocaust writings. The first-year seminar<br />

entitled “Colonialism <strong>and</strong> its Aftermath” (DUTCH 160) enhances <strong>and</strong><br />

emphasizes <strong>the</strong> wide scope <strong>of</strong> Dutch <strong>and</strong> Flemish Studies, as <strong>the</strong><br />

history <strong>of</strong> <strong>the</strong> low countries is examined in contacts with new<br />

worlds in East <strong>and</strong> West.<br />

Each year in May, students <strong>of</strong> Dutch have <strong>the</strong> opportunity to acquire<br />

<strong>the</strong> internationally recognized certificate <strong>of</strong> pr<strong>of</strong>iciency in<br />

Dutch, on three levels. The Martin Zwart Scholarship for Study in<br />

<strong>the</strong> Ne<strong>the</strong>rl<strong>and</strong>s <strong>and</strong> Belgium is awarded each year. Grants are also<br />

available from <strong>the</strong> Dutch <strong>and</strong> Belgian Government for summer<br />

courses in Zeist (The Ne<strong>the</strong>rl<strong>and</strong>s) <strong>and</strong> Hasselt (Belgium).<br />

Department <strong>of</strong> Germanic Languages <strong>and</strong> <strong>Literature</strong>s<br />

Waitlist Policy<br />

From <strong>the</strong> first day <strong>of</strong> registration until <strong>the</strong> last business day before<br />

<strong>the</strong> first day <strong>of</strong> classes, a member <strong>of</strong> <strong>the</strong> GLL staff will monitor enrollments<br />

<strong>and</strong> note any waitlisted courses that have spaces available.<br />

When available, a member <strong>of</strong> <strong>the</strong> GLL staff will issue an override<br />

for each open space in a waitlisted course in <strong>the</strong> order <strong>of</strong> <strong>the</strong><br />

waitlist. The overrides issued will have an expiration date <strong>of</strong> 48<br />

hours (including weekends). If <strong>the</strong> student does not accept <strong>the</strong><br />

override within that time frame, it will expire. This will allow <strong>the</strong><br />

staff member to <strong>of</strong>fer <strong>the</strong> space to <strong>the</strong> next eligible student on <strong>the</strong><br />

waitlist, who will <strong>the</strong>n have 48 hours to enroll. If all students on a<br />

given waitlist have been given an opportunity to enroll, but do not<br />

do so, a member <strong>of</strong> <strong>the</strong> GLL staff will ask <strong>the</strong> Registrar's Office to<br />

drop <strong>the</strong>m from said waitlist. This will allow <strong>the</strong> class to reopen for<br />

registration. Once classes begin, no overrides will be issued for<br />

closed courses without <strong>the</strong> consent <strong>of</strong> <strong>the</strong> instructor for <strong>the</strong> course.<br />

S/he has final authority on whe<strong>the</strong>r or not to issue overrides.


54 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

DUTCH 111. First Special Speaking <strong>and</strong> Reading Course.<br />

(4). May not be repeated for credit. Graduate students should elect<br />

DUTCH 511. No credit granted to those who have completed or are<br />

enrolled in DUTCH 100. F.<br />

Section 001. This course provides <strong>the</strong> student with <strong>the</strong> basics <strong>of</strong><br />

<strong>the</strong> Dutch language <strong>and</strong> culture. Besides <strong>the</strong> course book, we use<br />

CD—ROM's <strong>and</strong> available Internet sites to get a wonderful introduction<br />

<strong>and</strong> first step into <strong>the</strong> Dutch language <strong>and</strong> <strong>the</strong> Dutch-speaking<br />

world. In class we practice conversations, do exercises, <strong>and</strong> have<br />

cultural discussions to give a real taste <strong>of</strong> <strong>the</strong> Dutch experience in a<br />

friendly atmosphere.<br />

Required course materials:<br />

• Boers et al.: CODE. Basisleergang Nederl<strong>and</strong>s voor<br />

<strong>and</strong>erstaligen. Takenboek & CD-ROM; ThiemeMeulenh<strong>of</strong>f,<br />

Utrecht/Zutphen 2004<br />

• Boers et al.: CODE. Basisleergang Nederl<strong>and</strong>s voor<br />

<strong>and</strong>erstaligen. Oefenschrift; ThiemeMeulenh<strong>of</strong>f,<br />

Utrecht/Zutphen 2004<br />

Class Format:<br />

In class we practice conversations, do exercises, <strong>and</strong> have cultural<br />

discussions to give a real taste <strong>of</strong> <strong>the</strong> Dutch experience in a friendly<br />

atmosphere.<br />

Instructor: Broos, <strong>To</strong>n J<br />

DUTCH 160. First Year Seminar: Colonialism <strong>and</strong> its Aftermath.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (HU). May not be repeated for credit.<br />

Taught in English. F.<br />

Section 001 — Issues in Race & Ethnicity.<br />

The course introduces first-year students to cultural studies in general<br />

<strong>and</strong> Dutch Studies in particular, integrating social, political, <strong>and</strong><br />

economic history with literary renderings, <strong>and</strong> artistic representations<br />

<strong>of</strong> colonialism. The Ne<strong>the</strong>rl<strong>and</strong>s has been an active participant<br />

in shaping <strong>the</strong> world as we know it, through mercantile <strong>and</strong> political<br />

involvement around <strong>the</strong> globe. The Dutch were colonizers <strong>of</strong> Indonesia<br />

<strong>and</strong> its many isl<strong>and</strong>s, founders <strong>of</strong> New Amsterdam/New York,<br />

traders in West Africa, first settlers in Capetown in South Africa,<br />

<strong>and</strong> <strong>the</strong> first trading partners with <strong>the</strong> Japanese. The Ne<strong>the</strong>rl<strong>and</strong>s<br />

held colonial power over Suriname until 1975; o<strong>the</strong>r West Indies<br />

isl<strong>and</strong>s, i.e., Aruba, Bonaire, Curaçao are still part <strong>of</strong> <strong>the</strong> Dutch<br />

Kingdom.<br />

We will trace <strong>the</strong> origin <strong>and</strong> development <strong>of</strong> <strong>the</strong> Dutch expansion in<br />

<strong>the</strong> world, how countries were conquered <strong>and</strong> political systems<br />

were established. Mercantile gains as shown in <strong>the</strong> spice trade <strong>and</strong><br />

<strong>the</strong> many aspects <strong>of</strong> <strong>the</strong> slave trade will be emphasized. The role <strong>of</strong><br />

<strong>the</strong> Dutch East India Company (VOC), once called <strong>the</strong> world's largest<br />

multinational in <strong>the</strong> 17 th <strong>and</strong> 18 th century, will be examined. We<br />

will read from <strong>the</strong> vast body <strong>of</strong> Dutch literary works related to <strong>the</strong><br />

East <strong>and</strong> West Indies, started as early as <strong>the</strong> 17 th century.<br />

Instructor: Broos, <strong>To</strong>n J<br />

ECON (Economics)<br />

Economic problems are central to modern society. Consequently, a<br />

broad underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong> modern world requires some knowledge<br />

<strong>of</strong> economic systems. An individual’s intelligent underst<strong>and</strong>ing<br />

<strong>of</strong> <strong>and</strong> participation in <strong>the</strong> solution <strong>of</strong> problems which face society is<br />

aided by an underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong> point <strong>of</strong> view <strong>and</strong> techniques <strong>of</strong><br />

analysis which have been developed by economists. The introductory<br />

courses (ECON 101 <strong>and</strong> 102) <strong>of</strong>fered by <strong>the</strong> department are<br />

designed to provide basic knowledge as well as to serve as a foundation<br />

for o<strong>the</strong>r courses in economics for students who wish to pursue<br />

<strong>the</strong> subject at an intermediate or advanced level.<br />

Special Department Policies<br />

ECON 401, 402, <strong>and</strong> statistics are prerequisites to many upper-level<br />

economics courses <strong>and</strong> should be elected during <strong>the</strong> sophomore or<br />

junior year. ECON 401 should be elected before ECON 402. No student<br />

should take a 400-level ECON elective before completing each<br />

<strong>of</strong> <strong>the</strong> relevant prerequisites with a grade <strong>of</strong> at least C—.<br />

Students with a serious interest in <strong>the</strong> study <strong>of</strong> economics are<br />

strongly encouraged to continue <strong>the</strong> study <strong>of</strong> calculus beyond<br />

MATH 115. MATH 116, 215, <strong>and</strong> 217, or <strong>the</strong>ir Honors equivalents,<br />

are recommended for students with an interest in quantitative economics.<br />

Students with a serious interest in advanced research<br />

should elect ECON 405 (or STATS 426) <strong>and</strong> ECON 406.<br />

Roster <strong>of</strong> Undergraduate Economics Courses<br />

A. Introductory Courses<br />

101, 102, 108, 140, 195<br />

B. Economic Theory<br />

398, 401, 402, 403, 409<br />

C. Statistics <strong>and</strong> Econometrics<br />

404, 405, 406, 407<br />

D. Macroeconomics<br />

310, 411, 414, 418<br />

E. Financial Economics<br />

434, 435<br />

F. Labor Economics<br />

320, 421, 422<br />

G. Industrial Organization<br />

330, 431, 432<br />

H. International Economics<br />

340, 441, 442<br />

I. Comparative Economics<br />

453<br />

J. Economic Development<br />

461, 462, 466<br />

K. Environmental Economics<br />

370, 437, 471, 472<br />

L. Public Economics<br />

380, 481, 482<br />

M. Economic History<br />

491, 492, 494<br />

N. O<strong>the</strong>r <strong>To</strong>pics in Economics<br />

309, 323, 327, 395, 396, 408, 412, 423, 425, 438, 487, 490<br />

O. Honors Program, Internships, Seminars, & Independent<br />

Research<br />

299, 495, 498, 499<br />

Economics WAITLIST POLICY<br />

• Students seeking admission to a closed ECON class should add<br />

<strong>the</strong>mselves to <strong>the</strong> waitlist.<br />

• In a class with discussion sections, a waitlist is not created until<br />

all discussion sections are full. Students may add <strong>the</strong>mselves to<br />

<strong>the</strong> waitlist <strong>of</strong> only one discussion section; <strong>the</strong>y should choose<br />

<strong>the</strong>ir preferred discussion section.<br />

• Before <strong>the</strong> first day <strong>of</strong> classes, unless <strong>the</strong> instructor chooses a<br />

different criterion, overrides are issued in waitlist order. Students<br />

have 48 hours (during <strong>the</strong> summer, <strong>the</strong>y have seven<br />

days) to use <strong>the</strong>ir overrides.<br />

• On <strong>the</strong> day before <strong>the</strong> first day <strong>of</strong> classes, all waitlisted students<br />

who received an override previously but failed to use it are<br />

dropped from <strong>the</strong> waitlist. If no students remain on <strong>the</strong> waitlist,<br />

<strong>the</strong> class becomes open again for enrollment.<br />

Textbook Information<br />

For textbook information, please visit <strong>the</strong> ECON Textbook Information<br />

Website. Information will be posted for each class as soon as it<br />

is available.<br />

ECON 101. Principles <strong>of</strong> Economics I.<br />

High school algebra <strong>and</strong> geometry. (4). (SS). (QR/2). May not be<br />

repeated for credit. F, W, Sp/Su.<br />

ECON 101 examines <strong>the</strong> microeconomics <strong>of</strong> capitalism — <strong>the</strong> behavior<br />

<strong>of</strong> households <strong>and</strong> businesses, <strong>the</strong> generation <strong>of</strong> prices <strong>and</strong><br />

outputs in markets, <strong>and</strong> applications to public policy. Specific topics


in ECON 101 include: supply <strong>and</strong> dem<strong>and</strong>; <strong>the</strong> differences between<br />

competition <strong>and</strong> monopoly; environmental problems <strong>and</strong> policies;<br />

labor markets; <strong>and</strong> international trade. ECON 101 is <strong>the</strong> first part <strong>of</strong><br />

<strong>the</strong> two-term introduction to economics — <strong>the</strong> second part (ECON<br />

102, for which ECON 101 is a prerequisite) examines macroeconomics.<br />

Prerequisites for ECON 101: high school algebra <strong>and</strong> geometry<br />

<strong>and</strong> a willingness to use <strong>the</strong>m.<br />

Section 100. The waitlist is managed according to st<strong>and</strong>ard departmental<br />

practice.<br />

Instructor: Gerson, Janet<br />

Section 200. The waitlist is managed according to st<strong>and</strong>ard departmental<br />

practice.<br />

Instructor: Malone, Paula A<br />

Section 300.<br />

Midterm exams for this class are given in <strong>the</strong> evening (outside<br />

regular class time) from 8-10 PM on Mon Oct 11, Mon Nov 8, <strong>and</strong><br />

Mon Dec 13.<br />

Instructor: Proulx, Chris<br />

ECON 108. Introductory Microeconomics Workshop.<br />

First-year st<strong>and</strong>ing <strong>and</strong> concurrent enrollment in ECON 101. (1).<br />

(SS). May not be repeated for credit. Offered m<strong>and</strong>atory credit/no<br />

credit.<br />

Section 001 — Microeconomic Theory in <strong>the</strong> News.<br />

Course meets weekly for discussion <strong>of</strong> current Wall Street Journal<br />

articles related to <strong>the</strong> week's ECON 101 topics, stressing <strong>the</strong> use<br />

<strong>and</strong> application <strong>of</strong> <strong>the</strong> microeconomics tools being learned in ECON<br />

101.<br />

Students will select a topic, turn in weekly summaries, open <strong>the</strong><br />

discussion on <strong>the</strong>ir week's topic, <strong>and</strong> write a brief paper evaluating<br />

one <strong>of</strong> <strong>the</strong> articles discussed in more detail. This paper will be<br />

turned in on <strong>the</strong> last day <strong>of</strong> classes.<br />

Workshop attendance is m<strong>and</strong>atory, <strong>and</strong> each student will be required<br />

to subscribe to <strong>the</strong> Wall Street Journal for <strong>the</strong> term. Subscription<br />

information will be available in class <strong>the</strong> first day.<br />

Intended Audience:<br />

Evaluation <strong>of</strong> students will be entirely on <strong>the</strong> basis <strong>of</strong> <strong>the</strong>ir paper,<br />

attendance, <strong>and</strong> summaries.<br />

Students in ECON 108 MUST BE enrolled in ECON 101. Please contact<br />

Jan Gerson (jgerson@umich.edu) if you are interested in enrolling<br />

for ECON 108 <strong>and</strong> are unable to register for it.<br />

Instructor: Gerson, Janet<br />

Section 002 — Economic Analysis Through Service<br />

Learning.<br />

This section <strong>of</strong> ECON 108 focuses on economic analysis through<br />

service-learning. Service-learning is a teaching-learning process<br />

that involves students in <strong>the</strong> community for both service <strong>and</strong> learning<br />

reasons.<br />

The service this academic term will be at one <strong>of</strong> a number <strong>of</strong> local<br />

agencies where you will serve in capacities that are negotiated with<br />

<strong>the</strong> staff <strong>the</strong>re. The learning will focus on observation <strong>and</strong> analysis<br />

at <strong>the</strong> service agency. As you serve in <strong>the</strong> agency, you will observe<br />

<strong>and</strong> actively analyze incentives, decision-making <strong>and</strong> <strong>the</strong> costs <strong>and</strong><br />

benefits <strong>of</strong> <strong>the</strong> agency.<br />

Written assignments include keeping a structured journal <strong>and</strong> an<br />

end-<strong>of</strong>-term paper summarizing your observations <strong>and</strong> analysis.<br />

All readings will be available on <strong>the</strong> C<strong>To</strong>ols website for <strong>the</strong> course.<br />

Course Requirements:<br />

The course aims to introduce first-year students to <strong>the</strong> field <strong>of</strong> integrated<br />

cultural studies, with emphasis on <strong>the</strong> Dutch role in past <strong>and</strong><br />

present. The course encourages students to fur<strong>the</strong>r pursue <strong>the</strong><br />

study <strong>of</strong> literature, political <strong>and</strong> social history, <strong>and</strong> related areas.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 55<br />

Intended Audience:<br />

First-year st<strong>and</strong>ing electing ECON 101 concurrently<br />

Students in ECON 108 MUST BE enrolled in ECON 101. Please contact<br />

Jan Gerson (jgerson@umich.edu) if you are interested in enrolling<br />

for ECON 108 <strong>and</strong> are unable to register for it.<br />

Class Format:<br />

ECON 108 meets weekly for discussion.<br />

Instructor: Gerson, Janet<br />

Section 003 — Personal Finance.<br />

This class, to be taken concurrently with ECON 101, aims to teach<br />

students <strong>the</strong> fundamentals <strong>of</strong> responsible money management.<br />

<strong>To</strong>pics that will be covered during <strong>the</strong> term include budgeting, saving,<br />

credit, debt, retirement planning, <strong>and</strong> definitions <strong>of</strong> <strong>the</strong> different<br />

types <strong>of</strong> investment instruments.<br />

Students in ECON 108 MUST BE enrolled in ECON 101. Please contact<br />

Paula Malone (pmalone@umich.edu) if you are interested in<br />

enrolling for ECON 108 <strong>and</strong> are unable to register for it.<br />

Instructor: Malone, Paula A<br />

EDUC (Education)<br />

Courses in <strong>the</strong> School <strong>of</strong> Education are listed in <strong>the</strong> Schedule <strong>of</strong><br />

Classes under <strong>the</strong> School <strong>of</strong> Education.<br />

EDUC 118. Introduction to Education: Schooling <strong>and</strong> Multicultural<br />

Society.<br />

(3). (R&E). May not be repeated for credit. (non-LSA).<br />

In this elective course, we will use written texts, discussions, <strong>and</strong><br />

experiential learning to explore critical issues <strong>of</strong> schooling in today's<br />

world:<br />

• How students learn<br />

• Literacy in <strong>the</strong> information age<br />

• Education in a diverse society<br />

• Facilitating student achievement<br />

We will also visit local classrooms to work with elementary, middle,<br />

<strong>and</strong> high school students <strong>and</strong> teachers<br />

Instructor: Goldin, Simona<br />

EECS (Electrical Engineering <strong>and</strong><br />

Computer <strong>Science</strong>)<br />

For all EECS courses numbered 499 <strong>and</strong> below, prerequisites are<br />

being enforced. If <strong>the</strong> system doesn't find that you have completed<br />

or are currently enrolled in <strong>the</strong> prerequisites, you will get this message<br />

when trying to enroll: "Requisites not met for class. Not enrolled."<br />

Prerequisites <strong>and</strong> grade requirements are in place to be sure that<br />

participating students have <strong>the</strong> skills <strong>the</strong>y will need to succeed in<br />

<strong>the</strong> class. If you have a special circumstance that you think warrants<br />

an exception, you may petition to register (in EECS we call<br />

this a Permission Request). The Chief Program Advisor (CPA) for<br />

your program will review your academic record <strong>and</strong> <strong>the</strong> information<br />

you provide <strong>and</strong> make a recommendation. The instructor for <strong>the</strong><br />

course will make <strong>the</strong> final decision based on <strong>the</strong> CPA's recommendation<br />

<strong>and</strong> <strong>the</strong> Advising Office will notify you <strong>of</strong> <strong>the</strong> decision via<br />

email. You do not need to make an appointment with <strong>the</strong> CPA to<br />

initiate this process, but you are welcome to do so if you would like<br />

to discuss your situation in person.<br />

Please be aware that this process can sometimes take several days<br />

to weeks. Please start <strong>the</strong> process early!<br />

Note: Permissions will not be granted based on instructor consent<br />

alone. You will still be asked to complete <strong>the</strong> form <strong>and</strong> it will still be<br />

reviewed by <strong>the</strong> CPA <strong>and</strong> sent to <strong>the</strong> instructor so that he/she can<br />

make an informed decision based on your advisor's recommenda-


56 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

tion. Your instructor may still allow you to enroll in <strong>the</strong> course, but<br />

skipping this step will delay <strong>the</strong> process for you.<br />

If you meet <strong>the</strong> prerequisites for <strong>the</strong> course but <strong>the</strong> section you<br />

wish to join is full, please add yourself to <strong>the</strong> electronic waitlist via<br />

Wolverine Access. The department makes every attempt to accommodate<br />

<strong>the</strong>se waitlists <strong>and</strong> place students in sections that work<br />

for <strong>the</strong>m, but you should always have a back-up plan. You should<br />

attend <strong>the</strong> first day <strong>of</strong> classes to determine whe<strong>the</strong>r or not <strong>the</strong>re<br />

will be space for you in <strong>the</strong> class. Some waitlists are not cleared until<br />

after <strong>the</strong> first day <strong>of</strong> classes, please be patient! You can always<br />

ask <strong>the</strong> EECS Undergraduate Advising Office about <strong>the</strong> status <strong>of</strong> a<br />

full section or waitlist.<br />

When a waitlist is cleared, you will receive an e-mail letting you<br />

know that you can register. Then use Wolverine Access to add <strong>the</strong><br />

course to your schedule (note: you will need to drop from <strong>the</strong><br />

waitlist first).<br />

THE ELECTRONIC WAITLIST CLOSES ON THE 1ST DAY OF CLASS.<br />

If you cannot add your name to <strong>the</strong> electronic waitlist via Wolverine<br />

Access because it is after <strong>the</strong> first day <strong>of</strong> classes, you must fill out a<br />

Permission Request form in <strong>the</strong> EECS Undergraduate Advising Office.<br />

If your prerequisites are verified you will be added to a paper<br />

waitlist <strong>and</strong> authorized to enroll as space allows. If you do not have<br />

<strong>the</strong> prerequisites your request will be sent through <strong>the</strong> permission<br />

process below.<br />

Note: Once you receive a waitlist override or permission, you must<br />

use Wolverine Access to add <strong>the</strong> course to your schedule. Electronic<br />

overrides <strong>and</strong> permissions have expiration dates. You must add <strong>the</strong><br />

course by midnight <strong>of</strong> <strong>the</strong> day it expires.<br />

EECS 182 / SI 182. Building Applications for Information<br />

Environments.<br />

(4). (MSA). (BS). May not be repeated for credit. F, W.<br />

Fundamental programming skills in <strong>the</strong> context <strong>of</strong> end-user s<strong>of</strong>tware<br />

applications using a high-level language, such as Ruby or<br />

Python. Rapid design <strong>of</strong> a variety <strong>of</strong> information-oriented applications<br />

to ga<strong>the</strong>r, analyze, transform, manipulate, <strong>and</strong> publish data.<br />

Applications drawn from statistics, pattern matching, social computing<br />

<strong>and</strong> computer games.<br />

<strong>Welcome</strong> to EECS 182, an exciting new course that is specially designed<br />

to teach introductory programming skills in a novel way to<br />

students with interests in a variety <strong>of</strong> fields. The course is jointly<br />

designed by faculty in Computer <strong>Science</strong> <strong>and</strong> School <strong>of</strong> Information<br />

to appeal to students considering <strong>the</strong> new interdisciplinary concentration<br />

in LSA, called Informatics. It should also be a very attractive<br />

course for students who have interests in o<strong>the</strong>r concentrations <strong>and</strong><br />

need an exposure to programming that <strong>the</strong>y can make use <strong>of</strong> in<br />

day-to-day work. You can sign up for <strong>the</strong> course as ei<strong>the</strong>r EECS 182<br />

or SI 182. The new concentration deals with design <strong>and</strong> analysis <strong>of</strong><br />

information systems in various fields, including life sciences, social<br />

networks, statistics, computer science, etc. It will have four tracks,<br />

Computational Life <strong>Science</strong>s, Social Computing, Information Analysis,<br />

<strong>and</strong> Computational Informatics. EECS 182 will usually draw on<br />

applications with broad applicability from <strong>the</strong>se domains. EECS 182<br />

uses a higher-level language, Python, which is a wonderful language<br />

for writing quick mashups or prototyping solutions quickly.<br />

Python is a very popular language <strong>and</strong> is used at many companies,<br />

including Yahoo <strong>and</strong> Google!<br />

See www.python.org for more information about <strong>the</strong> language.<br />

Specifically, we designed <strong>the</strong> course keeping in mind <strong>the</strong> technology<br />

skills students will need throughout <strong>the</strong>ir careers. The one<br />

thing that you will likely encounter over <strong>and</strong> over during your undergraduate<br />

degree, when you pursue advanced degrees, <strong>and</strong> once<br />

you are working is complex data that needs to be analyzed, understood,<br />

<strong>and</strong> visualized.<br />

While you can do a lot with a spreadsheet, most <strong>of</strong> <strong>the</strong> interesting<br />

data is never quite in <strong>the</strong> right format. Sometimes, before you can<br />

work with data, you have to "clean it up", transform it, or even<br />

check it for errors. Often, this manipulation <strong>of</strong> data requires a series<br />

<strong>of</strong> tedious manual steps — <strong>and</strong> sometimes you have to repeat <strong>the</strong><br />

steps over <strong>and</strong> over again for each new data set with which you are<br />

working.<br />

This is where programming comes in — programming is a simple<br />

way for you to describe a series <strong>of</strong> steps to <strong>the</strong> computer <strong>and</strong> <strong>the</strong>n<br />

sit back <strong>and</strong> watch as <strong>the</strong> computer happily does your task over<br />

<strong>and</strong> over without making a mistake. As a result, you can turn your<br />

focus to exploring <strong>and</strong> interpreting <strong>the</strong> data instead <strong>of</strong> laboring over<br />

manual editing.<br />

Automation <strong>of</strong> <strong>the</strong>se mundane tasks requires some programming<br />

skills. It isn't necessary to be a "super programmer" — just to have<br />

an ability to learn <strong>and</strong> apply <strong>the</strong> basics. These basics are useful for<br />

writing a macro in a spreadsheet, data visualization script, interactive<br />

web page, or game to run on your cell phone.<br />

EECS 182 has been designed for students with no prior programming<br />

experience. We will learn <strong>the</strong> basics <strong>of</strong> programming taking<br />

our time to underst<strong>and</strong> <strong>the</strong> basic concepts <strong>of</strong> programming <strong>and</strong> revisiting<br />

topics as necessary. Weekly assignments will be key, as<br />

<strong>the</strong>y will provide a venue for applying programming concepts. We<br />

will look at a number <strong>of</strong> data applications <strong>and</strong> use our programming<br />

skills to manipulate, transform, <strong>and</strong> visualize <strong>the</strong> data from multiple<br />

sources <strong>and</strong> application domains. If you want to take more advanced<br />

s<strong>of</strong>tware development courses, EECS 182 is a solid introduction<br />

to programming <strong>and</strong> will prepare you for <strong>the</strong> more advanced<br />

courses in EECS. And, if this is <strong>the</strong> only programming<br />

course you ever take, you will be pretty h<strong>and</strong>y with data <strong>and</strong> visualization<br />

for <strong>the</strong> rest <strong>of</strong> your career.<br />

Two o<strong>the</strong>r introductory programming courses, besides EECS 182,<br />

are EECS 183 <strong>and</strong> ENGR 101. All <strong>the</strong> three courses should prepare<br />

a student for subsequent courses in most fields. The primary difference<br />

is in <strong>the</strong> style <strong>of</strong> teaching, target audience, <strong>and</strong> in <strong>the</strong> choice<br />

<strong>of</strong> programming languages. ENGR 101 is oriented toward engineering<br />

students. It teaches C++ <strong>and</strong> MATLAB <strong>and</strong> focuses on engineering-oriented<br />

problem solving. EECS 183 is a course for nonengineering<br />

students, that uses C++; many students in EECS 183<br />

intend to go for a Computer <strong>Science</strong> degree <strong>and</strong> <strong>the</strong> applicationdomain<br />

for problem solving is <strong>of</strong>ten oriented towards computer scientists.<br />

There are no pre-requisites for <strong>the</strong> course so anyone should be able<br />

to register until <strong>the</strong> course fills up. The course is capped at 50 students.<br />

If you find <strong>the</strong> course is filled, be sure to put yourself on <strong>the</strong><br />

wait list. Often, we are able to accommodate students from <strong>the</strong><br />

wait list during <strong>the</strong> first two weeks <strong>of</strong> <strong>the</strong> class.<br />

Textbook:<br />

The following textbook is required for <strong>the</strong> course:<br />

• John M. Zelle. Python Programming: An Introduction to Computer<br />

<strong>Science</strong>, Franklin, Beedle & Associates, Inc. 2003, ISBN:<br />

1887902996. beedle.com/99-6.html<br />

In addition, <strong>the</strong>re are several online resources, including complete<br />

books, that you will find useful <strong>and</strong> we will refer to from time to<br />

time:<br />

• How to Think Like a Computer Scientist: Learning with Python,<br />

by Allen Downey, Jeffrey Ekner, Chris Meyers. This is a good introductory<br />

text that uses Python to present basic ideas <strong>of</strong> computer<br />

science <strong>and</strong> programming. It's especially recommended if<br />

you don't have a lot <strong>of</strong> programming experience <strong>and</strong> a good<br />

thing to skim even if you do. Freely available online.<br />

• Python for Newbies, by David Borowitz. A short tutorial that<br />

goes through <strong>the</strong> basics <strong>of</strong> Python that only assumes a bit <strong>of</strong><br />

programming experience.<br />

• Learn Python in 10 Minutes, by Poromenos. An even shorter tutorial<br />

that covers Python's syntax quickly for those with a fair<br />

amount <strong>of</strong> programming experience.


• Python Tutorial, by Guido Van Rwum. This is <strong>the</strong> st<strong>and</strong>ard tutorial<br />

reference by <strong>the</strong> inventor <strong>of</strong> Python. It's aimed at people<br />

who have previous programming experience.<br />

• The NumPy package for scientific computing<br />

• Python 2D plotting library: Matplotlib/pylab library for generating<br />

various types <strong>of</strong> 2D plots.<br />

Part <strong>of</strong> your grade requires you to find an interesting python module<br />

<strong>and</strong> talk about it in <strong>the</strong> class. You can find one list <strong>of</strong> modules<br />

at docs.python.org/lib/ <strong>and</strong> at docs.python.org/modindex.html. You<br />

are not restricted to talking about modules in <strong>the</strong>se sets however.<br />

If you find an interesting module, share it with <strong>the</strong> class.<br />

Grading<br />

• Homeworks [including mini-projects <strong>and</strong> projects): 50%<br />

• Exams: 40%<br />

• Class participation <strong>and</strong> python module presentation: 10%<br />

Instructor: Prakash, Atul<br />

EECS 183. Elementary Programming Concepts.<br />

(4). (MSA). (BS). May not be repeated for credit. Credit is granted<br />

for only one course among EECS 183 or ENGR 101. Not intended<br />

for Engineering students (who should take ENGR 101), nor for<br />

Computer <strong>Science</strong> concentrators in LSA who qualify to enter EECS<br />

280. F, W, Sp.<br />

Fundamental concepts <strong>and</strong> skills <strong>of</strong> programming in a high-level<br />

language. Flow <strong>of</strong> control: selection, iteration, subprograms. Data<br />

structures: strings, arrays, records, lists, tables. Algorithms using<br />

selection <strong>and</strong> iteration (decision making, finding maxima/minima,<br />

searching, sorting, simulation, etc.). Good program design, structure<br />

<strong>and</strong> style are emphasized. Testing <strong>and</strong> debugging.<br />

EECS 203. Discrete Math.<br />

MATH 115 or 116 or 119 or 120 or 121 or 156 or 176 or 185 or 186<br />

or 295 or 296 or 215 or 255 or 285 with a grade <strong>of</strong> at least C or<br />

better. (Prerequisites enforced at registration.) (4). (MSA). (BS).<br />

May not be repeated for credit. F, W.<br />

Introduction to <strong>the</strong> ma<strong>the</strong>matical foundations <strong>of</strong> computer science.<br />

<strong>To</strong>pics covered include: propositional <strong>and</strong> predicate logic, set <strong>the</strong>ory,<br />

function <strong>and</strong> relations, growth <strong>of</strong> functions <strong>and</strong> asymptotic notation,<br />

introduction to algorithms, elementary combinatorics <strong>and</strong><br />

graph <strong>the</strong>ory, <strong>and</strong> discrete probability <strong>the</strong>ory.<br />

EECS 280. Programming <strong>and</strong> Introductory Data Structures.<br />

MATH 115. (4). (MSA). (BS). May not be repeated for credit. No<br />

credit granted to those who have completed or are enrolled in EECS<br />

283. F, W.<br />

Techniques <strong>and</strong> algorithm development <strong>and</strong> effective programming,<br />

top-down analysis, structured programming, testing, <strong>and</strong> program<br />

correctness. Program language syntax <strong>and</strong> static <strong>and</strong> runtime semantics.<br />

Scope, procedure instantiation, recursion, abstract data<br />

types, <strong>and</strong> parameter passing methods. Structured data types,<br />

pointers, linked data structures, stacks, queues, arrays, records,<br />

<strong>and</strong> trees.<br />

EECS 285. A Programming Language or Computer System.<br />

Some programming knowledge required. (2). (BS). May not be repeated<br />

for credit.<br />

A course covering a complex computer system or programming<br />

language. Programming problems will be assigned. Specific languages<br />

or systems to be <strong>of</strong>fered will be announced in advance.<br />

Instructor: Morgan, Andrew Michael<br />

ELI (English Language Institute)<br />

The English Language Institute <strong>of</strong>fers instruction in <strong>the</strong> English language<br />

to non-native speakers enrolled in <strong>the</strong> University. The main<br />

purpose <strong>of</strong> this instruction is to help non-native speakers to become<br />

effective <strong>and</strong> fully participating members <strong>of</strong> <strong>the</strong> academic community.<br />

For this reason, <strong>the</strong> majority <strong>of</strong> <strong>the</strong> ELI courses are primarily<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 57<br />

concerned with English for Academic Purposes. Most <strong>of</strong> <strong>the</strong>se<br />

courses address specific areas such as academic writing, academic<br />

speaking, pronunciation, lecture comprehension, or academic<br />

grammar. In order to place students into <strong>the</strong> most suitable courses,<br />

students may be asked to take an Academic English Evaluation administered<br />

by <strong>the</strong> Testing <strong>and</strong> Certification Division <strong>of</strong> <strong>the</strong> ELI. In<br />

major areas such as speaking <strong>and</strong> writing, a sequence <strong>of</strong> courses <strong>of</strong><br />

increasing difficulty <strong>and</strong> specialization is available.<br />

English
Language
Institute
Courses.
A
maximum
<strong>of</strong>
four
ELI
credits
<br />

may
be
counted
toward
<strong>the</strong>
minimum
120
credits
required
for
an
<br />

LSA
degree.
<br />

ELI 120. Academic Writing for International Undergraduates.<br />

(3). May not be repeated for credit. A maximum <strong>of</strong> four ELI credits<br />

may be counted toward a degree.<br />

This course helps streng<strong>the</strong>n <strong>the</strong> writing skills <strong>of</strong> international undergraduate<br />

students through critical reading <strong>and</strong> writing <strong>of</strong> texttypes<br />

such as summary, critique, <strong>and</strong> argument. The course focuses<br />

on:<br />

1. organization, style, <strong>and</strong> accuracy <strong>of</strong> academic writing;<br />

2. revising one's own writing;<br />

3. providing feedback on peer writing; <strong>and</strong><br />

4. using, integrating, <strong>and</strong> documenting academic sources in one's<br />

writing.<br />

Activities include individual <strong>and</strong> small-group writing in addition to<br />

whole-class workshops <strong>of</strong> individual students' essays.<br />

ENGLISH (English Language <strong>and</strong><br />

<strong>Literature</strong>)<br />

Courses in Expository Writing. Courses in writing develop a<br />

student’s sense <strong>of</strong> <strong>the</strong> various possible forms <strong>of</strong> expression. Writing<br />

practice, lectures, <strong>and</strong> class discussion are supplemented in <strong>the</strong>se<br />

courses by regular meetings with <strong>the</strong> instructor. Sections <strong>of</strong><br />

ENGLISH 225 include a great variety <strong>of</strong> writing projects, while sections<br />

<strong>of</strong> ENGLISH 325 <strong>and</strong> 425 tend to be somewhat more specialized.<br />

The Creative Writing Program. Students interested in <strong>the</strong> department’s<br />

<strong>of</strong>ferings in creative writing should begin with ENGLISH<br />

223, an introduction to <strong>the</strong> reading <strong>and</strong> writing <strong>of</strong> modern poetry<br />

<strong>and</strong> prose fiction <strong>and</strong> to <strong>the</strong> workshop method <strong>of</strong> critiquing student<br />

writing. ENGLISH 223 is a prerequisite to ENGLISH 323 (Advanced<br />

Creative Writing in Fiction) <strong>and</strong> 324 (Advanced Creative Writing in<br />

Poetry), but admission into ENGLISH 323 <strong>and</strong> 324 is based on a<br />

portfolio submission. There is a “permission <strong>of</strong> instructor” restriction<br />

on <strong>the</strong>se courses. At <strong>the</strong> advanced level students may elect (with<br />

<strong>the</strong> instructor’s permission) <strong>the</strong> advanced fiction workshop<br />

(ENGLISH 423) or <strong>the</strong> advanced poetry workshop (ENGLISH 424).<br />

Repeating Courses for Credit. Some <strong>of</strong> <strong>the</strong> courses listed below<br />

are general titles under which varied topics may be <strong>of</strong>fered. Such<br />

courses may be repeated for credit with departmental permission.<br />

Most <strong>of</strong> <strong>the</strong> courses available for re-election are signaled below.<br />

Students must obtain <strong>the</strong> proper approval form from <strong>the</strong> English<br />

Office, 3187 Angell Hall <strong>and</strong> return it for approval within <strong>the</strong> first<br />

two weeks <strong>of</strong> class.<br />

Courses meeting Concentration Requirements. The concentration<br />

requirements referred to in this section are for undergraduate<br />

English concentrators.<br />

• Pre-1600<br />

• Pre-1830<br />

• American <strong>Literature</strong><br />

• Poetry<br />

• New Traditions — English concentrators will take at least one<br />

upper-division course that focuses on work by North America


58 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

<strong>and</strong>/or British writers/artists <strong>of</strong> color, world Anglophone<br />

writer/artists <strong>of</strong> a range <strong>of</strong> identity categories (involving gender,<br />

sexuality, disability, <strong>and</strong> class) who reflect upon – <strong>and</strong> are in<br />

dialogue about – <strong>the</strong> differentials <strong>of</strong> social power <strong>and</strong> <strong>the</strong>ir representation.<br />

• Upper-Level Writing Requirement<br />

Please select a semester <strong>and</strong> year from <strong>the</strong> pull down menus at <strong>the</strong><br />

link below:<br />

lsa.umich.edu/english/undergraduate/courses/conReqs.asp<br />

Areas <strong>of</strong> Specialization. We have designed <strong>the</strong>se “Areas <strong>of</strong> Specialization”<br />

to help concentrators identify <strong>the</strong> variety <strong>of</strong> fields currently<br />

taught within <strong>the</strong> English Department, <strong>and</strong> to assist concentrators<br />

in arranging <strong>the</strong>ir upper-division courses with greater coherence.<br />

Concentrators are strongly encouraged to select three upperdivision<br />

courses within one <strong>of</strong> <strong>the</strong> Areas available from <strong>the</strong> link below<br />

(or one designed by <strong>the</strong> student <strong>and</strong> an advisor). Please select<br />

a semester, year, <strong>and</strong> Area <strong>of</strong> Specialization from <strong>the</strong> options on<br />

<strong>the</strong> link below:<br />

lsa.umich.edu/english/undergraduate/courses/specAreas.asp<br />

English Undergraduate Waitlist Policy for literature courses<br />

(not writing)<br />

If you want to try to get into a course that is closed, place your<br />

name on <strong>the</strong> waitlist <strong>and</strong> attend <strong>the</strong> first day <strong>of</strong> class to see if you<br />

can get into <strong>the</strong> course. Our students are generally taken <strong>of</strong>f <strong>the</strong><br />

waitlist in chronological order, unless <strong>the</strong> faculty teaching <strong>the</strong><br />

course decides that <strong>the</strong>y will take senior-level students ahead <strong>of</strong> <strong>the</strong><br />

chronologically listed students. Permissions will be given electronically<br />

within 24 hours <strong>of</strong> approval — please remember to register for<br />

<strong>the</strong> course. From May to August <strong>the</strong> department monitors <strong>the</strong> waitlists<br />

<strong>and</strong> issues overrides as space becomes available.<br />

NOTE: It is department policy that students must attend both <strong>the</strong><br />

first <strong>and</strong> <strong>the</strong> second class meetings. Failure to do so may result in<br />

<strong>the</strong> student being dropped from <strong>the</strong> course.<br />

ENGLISH 124. <strong>College</strong> Writing: Writing <strong>and</strong> <strong>Literature</strong>.<br />

(4). (FYWR). May not be repeated for credit.<br />

This course studies <strong>the</strong> intersection between critical thinking <strong>and</strong><br />

persuasive writing, <strong>and</strong>, using literary texts as <strong>the</strong> point <strong>of</strong> reference,<br />

takes as its goal <strong>the</strong> development <strong>of</strong> <strong>the</strong> student's skill at<br />

writing cogent expository <strong>and</strong> argumentative prose.<br />

Section 003. We are a culture obsessed with things. Witness<br />

Hoarders on TV or pick up any popular magazine (or walk through<br />

<strong>the</strong> Diag…) In society at large, think <strong>of</strong> <strong>the</strong> status — <strong>and</strong> emotion<br />

— attached to iPhones, BMWs, UGG boots, Tiffany jewelry. And<br />

think <strong>of</strong> how smaller items in our lives — ei<strong>the</strong>r celebrated or mundane,<br />

ei<strong>the</strong>r expensive or not — create meaning for us personally<br />

<strong>and</strong> also reveal something about who we are.<br />

In this class, we’ll use an interdisciplinary approach to explore <strong>the</strong><br />

role <strong>of</strong> objects in our own experience <strong>and</strong> in literature. What can<br />

objects teach us about subjects? We’ll begin by looking at objects<br />

as texts in <strong>the</strong>mselves, drawing on fields such as anthropology, history,<br />

art history, <strong>and</strong> architecture to read <strong>the</strong>m in detail. Next, we’ll<br />

look at objects in texts, examining how authors deploy descriptions<br />

<strong>of</strong> physical things to give life to characters. How do objects function<br />

metaphorically as representations <strong>of</strong> <strong>the</strong>ir owners? How does <strong>the</strong><br />

physical l<strong>and</strong>scape shape <strong>the</strong> mental one, <strong>and</strong> how might <strong>the</strong> mental<br />

map onto <strong>the</strong> physical? What crucial underst<strong>and</strong>ing <strong>of</strong> a text do<br />

we gain by closely examining <strong>the</strong> objects within it? We’ll also think<br />

about descriptive language, asking how <strong>the</strong> material world molds<br />

writers <strong>and</strong> <strong>the</strong>ir work.<br />

Our reading, which will cover a variety <strong>of</strong> genres but focus primarily<br />

on literary texts, will go h<strong>and</strong>-in-h<strong>and</strong> with our writing. The details<br />

we observe will form <strong>the</strong> foundation <strong>of</strong> complex, analytic, wellsupported<br />

arguments that matter in academic contexts. Over <strong>the</strong><br />

course <strong>of</strong> several papers, you will work closely with your peers <strong>and</strong><br />

your instructor to develop, revise, <strong>and</strong> refine your written prose.<br />

Instructor: Atias, Daphna<br />

Section 004. This course studies <strong>the</strong> intersection between critical<br />

thinking <strong>and</strong> persuasive writing, <strong>and</strong>, using literary texts as <strong>the</strong><br />

point <strong>of</strong> reference, takes as its goal <strong>the</strong> development <strong>of</strong> <strong>the</strong> student's<br />

skill at writing cogent expository <strong>and</strong> argumentative prose.<br />

Regardless <strong>of</strong> your intended major or vocation, reading <strong>and</strong> writing<br />

critically are invaluable skills for you to hone throughout your college<br />

career. This course is meant to set you on that excellent intellectual<br />

path while you are <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong>. In order to do<br />

so, you will be rigorously examining a number <strong>of</strong> literary texts during<br />

our classroom discussion <strong>and</strong> creating original, organized <strong>and</strong><br />

thoughtful arguments about <strong>the</strong>se texts as part <strong>of</strong> your writing assignments<br />

throughout <strong>the</strong> academic term. You should expect to<br />

read about 20-30 pages per week <strong>and</strong> to have written a total <strong>of</strong><br />

25-30 pages by <strong>the</strong> time we reach <strong>the</strong> end <strong>of</strong> <strong>the</strong> academic term.<br />

While <strong>the</strong> process <strong>of</strong> writing is typically a solitary one <strong>and</strong> you will<br />

be turning in your own papers, you will have many opportunities to<br />

talk about your writing with your classmates <strong>and</strong> to hear what <strong>the</strong>y<br />

have to say as readers <strong>of</strong> your writing. This is probably one <strong>of</strong> <strong>the</strong><br />

more nerve-wracking aspects <strong>of</strong> this class but also one <strong>of</strong> <strong>the</strong> most<br />

productive as well. As you might be able to tell by some <strong>of</strong> <strong>the</strong> titles,<br />

all <strong>the</strong>se texts are drawn toge<strong>the</strong>r by <strong>the</strong>ir delicious explorations<br />

<strong>of</strong> <strong>the</strong> role <strong>of</strong> food (both when produced <strong>and</strong> consumed)<br />

across different classes <strong>and</strong> cultures. We will be reading excerpts<br />

from longer texts such as Like Water for Chocolate by Laura<br />

Esquivel, Angela’s Ashes by Frank McCourt, Down <strong>and</strong> Out in Paris<br />

<strong>and</strong> London by George Orwell, The Importance <strong>of</strong> Being Earnest by<br />

Oscar Wilde <strong>and</strong> “Eating Cultures: Incorporation, Identity <strong>and</strong><br />

Indian Food” by Uma Narayan as well as short stories like “A Family<br />

Story” by Kazuo Ishiguro <strong>and</strong> “Esmeralda” by Gerald Durrell.<br />

Instructor: Jeyathurai, Dashini<br />

Section 013. This writing course focuses on <strong>the</strong> creation <strong>of</strong> complex,<br />

analytic, well-supported arguments that matter in academic<br />

contexts. Students work closely with <strong>the</strong>ir peers <strong>and</strong> <strong>the</strong> instructor<br />

to develop <strong>the</strong>ir written prose. Readings cover a variety <strong>of</strong> different<br />

genres, with a primary focus on literary texts. This class will teach<br />

college writing by looking at <strong>the</strong> process <strong>of</strong> adaptation: how writers<br />

respond to <strong>and</strong> reinterpret work that has preceded <strong>the</strong>m. The texts<br />

will mainly consist <strong>of</strong> Greek <strong>and</strong> Latin classics <strong>and</strong> modern adaptations<br />

<strong>of</strong> those works. We will examine <strong>the</strong>se texts to see how <strong>the</strong><br />

authors conceptualize <strong>and</strong> portray <strong>the</strong>mes, such as war, love,<br />

trauma, change, art, death, <strong>and</strong> inspiration, carefully considering<br />

<strong>the</strong> historical context <strong>and</strong> <strong>the</strong> formal elements that shape <strong>the</strong> text.<br />

There will be at least one in-class writing assignment for every<br />

week, in addition to <strong>the</strong> reading assigned for each class meeting.<br />

Students will write analytical, persuasive essays to sharpen <strong>the</strong>ir<br />

skills for <strong>the</strong> requirements <strong>of</strong> college writing, as well as <strong>the</strong>ir own<br />

adaptations <strong>of</strong> <strong>the</strong> texts to provide a facility with various styles,<br />

genres, <strong>and</strong> tones.<br />

Instructor: Shearer, Emily Jean<br />

Section 016. This writing course focuses on <strong>the</strong> creation <strong>of</strong> complex,<br />

analytic, well-supported arguments that matter in academic<br />

contexts. Students work closely with <strong>the</strong>ir peers <strong>and</strong> <strong>the</strong> instructor<br />

to develop <strong>the</strong>ir written prose. Readings cover a variety <strong>of</strong> different<br />

genres, with a primary focus on literary texts.<br />

We will organize our writing course around <strong>the</strong> notion <strong>of</strong> pleasure<br />

— pleasure as eroticism or desire; as consumption; as a rhetorical<br />

device or strategy; as a term with a history. Writing about pleasure<br />

can be difficult because we <strong>of</strong>ten think <strong>of</strong> it in terms <strong>of</strong> emotion; we<br />

like (or don’t like) an experience, person, or thing, but we are not<br />

sure exactly why we feel that way. Thinking critically about pleasure,<br />

<strong>the</strong>n, will allow us to sort out <strong>the</strong> complicated relationship between<br />

what we feel about a topic <strong>and</strong> how we write about a topic.<br />

In our study <strong>of</strong> pleasure, students should expect a focus on gender<br />

<strong>and</strong> sexuality. We will (probably) read Vladimir Nabokov’s Lolita as<br />

well as excerpts from o<strong>the</strong>r works <strong>of</strong> fiction. We may also read nonfictional<br />

works <strong>of</strong> philosophy <strong>and</strong> history as well as contemporary<br />

popular sources such as newspaper articles on sexual education to


supplement our reading <strong>of</strong> fiction. Assignments will include weekly<br />

journal entries <strong>and</strong> four formal papers.<br />

Instructor: Ball, Tiffany<br />

Section 019. What makes a person or idea seductive? What are<br />

<strong>the</strong> methods that someone might use to seduce an audience? Is<br />

seduction always a negative force? This course will explore such<br />

questions, engaging with various types <strong>of</strong> seduction, including —<br />

but not limited to — political, moral, sexual, <strong>and</strong> rhetorical. We will<br />

explore <strong>the</strong> nature <strong>of</strong> seductive literary characters <strong>and</strong> <strong>the</strong> reasons<br />

for <strong>the</strong>ir attempts at seduction, <strong>and</strong> also <strong>the</strong> nature <strong>of</strong> seductive<br />

writing: how do authors use language to draw in <strong>the</strong>ir readers <strong>and</strong><br />

audience members? What might we learn from <strong>the</strong>m in order to<br />

develop our own writing?<br />

Our reading will cover a variety <strong>of</strong> genres, with a primary focus on<br />

literary texts. Your written work, which will go h<strong>and</strong>-in-h<strong>and</strong> with<br />

<strong>the</strong> reading, will focus on <strong>the</strong> creation <strong>of</strong> complex, analytic, wellsupported<br />

arguments that matter in academic contexts. Over <strong>the</strong><br />

course <strong>of</strong> several papers, you will work closely with your peers <strong>and</strong><br />

<strong>the</strong> instructor to develop, revise, <strong>and</strong> refine your written prose.<br />

Instructor: Zukerman, Cordelia<br />

Section 021. How do we distinguish fact from fiction? Truth from<br />

lie? Real from fantasy? How do we make <strong>the</strong>se distinctions based<br />

on <strong>the</strong> word <strong>of</strong> o<strong>the</strong>rs? If we read a memoir, do we implicitly believe<br />

that it’s true? Does it matter if <strong>the</strong> author lied? Does it matter<br />

if someone else writes your autobiography? Can we trust a documentary<br />

if we cannot see beyond <strong>the</strong> frame <strong>of</strong> <strong>the</strong> camera’s lens?<br />

Can art tell us <strong>the</strong> truth?<br />

In this class, we will consider <strong>the</strong>se questions through reading fictionalized<br />

versions <strong>of</strong> traditionally “non-fiction” genres (i.e., autobiography,<br />

memoir, travelogues, histories, <strong>and</strong> documentaries). This<br />

is a class devoted to <strong>the</strong> rhetoric <strong>of</strong> non-fictional genres <strong>and</strong> how<br />

<strong>the</strong>y are co-opted, manipulated, parodied, <strong>and</strong> problematized in literature<br />

<strong>and</strong> o<strong>the</strong>r media. Through contextualizing <strong>the</strong>se fictional<br />

works both historically <strong>and</strong> generically, we will consider <strong>the</strong> political<br />

<strong>and</strong> aes<strong>the</strong>tic motivations for mimicking non-fiction genres. Our<br />

analyses <strong>of</strong> <strong>the</strong>se texts will consider issues <strong>of</strong> truth <strong>and</strong> fiction,<br />

audience reception <strong>and</strong> reader response, satire <strong>and</strong> parody. Readings<br />

will include selections from H.D.’s Nights, James Frey’s controversial<br />

“memoir” A Million Little Pieces, <strong>and</strong> selections from Jonathan<br />

Swift’s Gulliver’s Travels <strong>and</strong> Gertrude Stein’s Autobiography<br />

<strong>of</strong> Alice B. <strong>To</strong>klas. We will also consider <strong>the</strong>se strategies in o<strong>the</strong>r<br />

media through listening to Orwell’s radio broadcast <strong>of</strong> War <strong>of</strong> <strong>the</strong><br />

Worlds <strong>and</strong> through watching <strong>the</strong> “mock-umentaries” Best in Show<br />

<strong>and</strong> The Office pilot.<br />

This is primarily a composition class in which you will work closely<br />

with your peers <strong>and</strong> your instructor in order to develop your written<br />

prose over <strong>the</strong> course <strong>of</strong> several papers. Our readings will focus<br />

primarily on literary texts <strong>and</strong> our written assignments will go h<strong>and</strong>in-h<strong>and</strong><br />

with <strong>the</strong> <strong>the</strong>mes we will discuss in class. We will draw on<br />

our class discussions <strong>and</strong> readings in order to formulate complex,<br />

analytic, well-supported arguments that matter in academic contexts.<br />

Instructor: Schnur, Kate<br />

Section 023. In order to practice <strong>the</strong> art <strong>of</strong> argumentative writing,<br />

this course believes that students must first learn <strong>the</strong> art <strong>of</strong><br />

analytical reading. Our core literary selection will comprise <strong>of</strong> nineteenth<br />

century American literature, including but not limited to <strong>the</strong><br />

works <strong>of</strong> Washington Irving, Harriet Sp<strong>of</strong>ford, Edgar Allan Poe,<br />

Herman Melville, <strong>and</strong> Sarah Orne Jewett, <strong>and</strong> Henry James. Within<br />

this canon we will focus on short stories that are “metacritical,” that<br />

is, stories that teach you how to read <strong>the</strong>m. Students will learn how<br />

to: read “texts;” process all sorts <strong>of</strong> “textual” information such as<br />

form, tone, style, <strong>and</strong> narration; contextualize <strong>the</strong>ir texts, <strong>and</strong> finally<br />

move outward to make insightful <strong>and</strong> meaningful arguments.<br />

Instructor: Zhang, Nan<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 59<br />

ENGLISH 125. <strong>College</strong> Writing.<br />

(4). (FYWR). May not be repeated for credit. F, W, Sp, Su.<br />

A study <strong>of</strong> rhetoric, both as a body <strong>of</strong> principles, <strong>and</strong> as a practical<br />

art, emphasizing <strong>the</strong> writing <strong>of</strong> expository <strong>and</strong> argumentative essays.<br />

Section 001. Food is something with which we all come in contact<br />

on a daily basis, but how <strong>of</strong>ten do we think about what we are<br />

eating or <strong>the</strong> way we eat it? Taking <strong>the</strong> idea <strong>of</strong> “food” as our subject<br />

<strong>of</strong> analysis, we will learn to think critically about a variety <strong>of</strong><br />

approaches to food <strong>and</strong> to articulate those thoughts in academic<br />

writing. We will consider questions such as <strong>the</strong> following: How do<br />

people talk about food differently in divergent social contexts? How<br />

does food connect to o<strong>the</strong>r aspects <strong>of</strong> life such as politics, social relationships,<br />

<strong>and</strong> healthcare? Is food preparation a physical necessity<br />

or an art form? What are <strong>the</strong> ethics <strong>of</strong> eating or consuming, preparing,<br />

<strong>and</strong> distributing food? How much should we know about our<br />

food, <strong>and</strong> should this knowledge change our eating habits? When<br />

people talk about food, what larger, more abstract cultural values<br />

drive <strong>the</strong>ir arguments? As we explore <strong>the</strong>se <strong>and</strong> o<strong>the</strong>r questions in<br />

our class, you will learn analytical <strong>and</strong> writing skills that you can<br />

transfer to o<strong>the</strong>r academic contexts for <strong>the</strong> rest <strong>of</strong> your college career.<br />

Instructor: Watkins, Leila R<br />

Section 010. What distinguishes good taste from bad taste? What<br />

separates “highbrow” from “lowbrow?” How do we cultivate our<br />

stylistic preferences, <strong>and</strong> how do we fashion our personal identities<br />

around <strong>the</strong>m? This course will examine <strong>the</strong> ways in which <strong>the</strong> hierarchy<br />

<strong>of</strong> taste operates in American culture. We will take seriously<br />

popular culture as an object <strong>of</strong> study, <strong>and</strong> will devote attention to<br />

<strong>the</strong> “lowest <strong>of</strong> <strong>the</strong> low”: reality television, tabloid talk shows, Justin<br />

Bieber, beach reads, B-movies, sports-entertainment, gossip blogs,<br />

<strong>and</strong> o<strong>the</strong>r sources <strong>of</strong> trash media. In addition to <strong>the</strong>se primary<br />

sources, we will also read scholarship on pop cultural studies. Writing<br />

exercises will ask students to consider <strong>the</strong> notion <strong>of</strong> guilt with<br />

respect to taste, <strong>the</strong> factors that contribute to this sense <strong>of</strong> shame,<br />

<strong>and</strong> <strong>the</strong> reasons behind <strong>the</strong>se discriminations.<br />

Instructor: Kim, Jina<br />

Section 012. Writing is not only a process <strong>of</strong> learning <strong>and</strong> expression,<br />

but also an important way to develop a conscious voice as an<br />

individual. We are each members <strong>of</strong> diverse <strong>and</strong> myriad communities.<br />

Be it our regional or national background, educational or economic<br />

circumstances, ethnic or racial history, sexual or political<br />

preference, or religious or family upbringing, we underst<strong>and</strong> <strong>the</strong><br />

world <strong>and</strong> define ourselves in relation to <strong>the</strong> institutions <strong>and</strong> groups<br />

to which we belong (whe<strong>the</strong>r by choice or not). Yet ultimately, <strong>and</strong><br />

perhaps most importantly, we are our own persons. Over <strong>the</strong><br />

course <strong>of</strong> this academic term we will explore <strong>the</strong> ways in which individuals<br />

— including ourselves — negotiate <strong>the</strong> different <strong>and</strong><br />

sometimes difficult responsibilities <strong>of</strong> culture. By seeking to underst<strong>and</strong><br />

what “belonging” means, we will not only learn to see <strong>the</strong><br />

world in a more complex way, but also begin <strong>the</strong> life-long process<br />

<strong>of</strong> developing our own voices as artists, writers, thinkers, <strong>and</strong> citizens.<br />

Instructor: Chamberlin, Jeremiah Michael<br />

Section 013.<br />

“Use <strong>the</strong> time <strong>of</strong> a total stranger in such a way that he or<br />

she will not feel <strong>the</strong> time was wasted.”<br />

— Kurt Vonnegut<br />

In this section, students will examine a variety <strong>of</strong> media <strong>and</strong> mediums<br />

in a variety <strong>of</strong> writing modes. We will move from an initial examination<br />

<strong>of</strong> what writers have to say about writing, through personal<br />

response, towards ever more argument based assignments.<br />

Regular <strong>and</strong> close engagement with texts, including summaries <strong>and</strong><br />

responses to o<strong>the</strong>r students’ work, will sharpen analytic skills as<br />

well as honing craft <strong>and</strong> technique.


60 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

We will read <strong>and</strong> respond to essays, poetry, personal experienceobservation,<br />

articles, a short modern novel, <strong>and</strong> film & video. A particular<br />

focus <strong>of</strong> this section will be on representations <strong>of</strong> modern<br />

(Post-WWII) identities. That writing is <strong>the</strong> best way to know, discover,<br />

<strong>and</strong> exp<strong>and</strong> your own thoughts on particular subjects, is <strong>the</strong><br />

central premise <strong>of</strong> this course, <strong>and</strong> to this end some sample assignments<br />

might include:<br />

• summaries <strong>of</strong> articles <strong>and</strong> brief journal responses<br />

• pre-writing techniques: generating questions, outlining, closereadings,<br />

etc.<br />

• imitation <strong>of</strong> a short essay in a field <strong>of</strong> <strong>the</strong> student’s choosing<br />

• personal responses informed by academic articles <strong>and</strong> o<strong>the</strong>r<br />

texts<br />

• comparison/contrast essays<br />

• persuasive essays<br />

Instructor: MacMartin, Allister<br />

Section 014 — Islam in <strong>the</strong> Indian Ocean through Different<br />

Genres.<br />

The primary goals <strong>of</strong> this course, like all ENGLISH 125 sections, revolve<br />

around helping you to develop your writing skills, especially<br />

learning to craft “complex, analytic, (<strong>and</strong>) well-supported arguments.”<br />

<strong>To</strong> do this we will work toge<strong>the</strong>r, through collaborative <strong>and</strong><br />

individual work, experimenting with a variety <strong>of</strong> genres <strong>and</strong> styles<br />

<strong>of</strong> writing. The course will be particularly useful for students interested<br />

in modes <strong>of</strong> writing used by anthropologists, historians <strong>and</strong><br />

those in related fields.<br />

Our course readings will focus on writings produced on <strong>the</strong> topic <strong>of</strong><br />

Islam <strong>and</strong> Muslims in <strong>the</strong> Indian Ocean since <strong>the</strong> fourteenth century.<br />

These will include <strong>the</strong> accounts <strong>of</strong> travelers, colonial <strong>and</strong> postcolonial<br />

ethnographies, a novel, <strong>and</strong> more. Works include both<br />

those authored by Muslims <strong>and</strong> non-Muslims. Why this focus?<br />

There are many reasons! Here I list two: 1) These sources all use<br />

different evidence, strategies <strong>and</strong> rhetorical styles to describe <strong>the</strong><br />

space <strong>of</strong> <strong>the</strong> Indian Ocean <strong>and</strong> make arguments about it, which<br />

should help us to reflect on how we do <strong>the</strong>se things in our own<br />

writing; <strong>and</strong> 2) Because many historians argue that <strong>the</strong> beginning<br />

<strong>of</strong> this period represents <strong>the</strong> opening <strong>of</strong> modern systems <strong>of</strong> exchange<br />

<strong>and</strong> politics, it is an interesting one with which to think<br />

about <strong>the</strong> ways in which Islam is represented in writing <strong>and</strong> o<strong>the</strong>r<br />

media today.<br />

Instructor: Birchok, Daniel Andrew<br />

Section 016. The primary goal <strong>of</strong> this course is to help you learn<br />

to think clearly <strong>and</strong> write clear, articulated ideas. These skills will be<br />

developed through close critical readings, group discussions regarding<br />

class material, <strong>and</strong> written responses to various texts, art, <strong>and</strong><br />

possibly short film. Because I believe an answer to anything, to<br />

paraphrase, is only as good as <strong>the</strong> question it entertains, we will<br />

focus on how to get out our ideas by learning how to write wellsupported<br />

arguments that engage critically with <strong>the</strong> text.<br />

I have named this class “Writing: Due South” because we will be<br />

using <strong>the</strong> sou<strong>the</strong>rn U.S. region as our lens to develop our writing. I<br />

want to view how o<strong>the</strong>r artists have engaged with <strong>the</strong> south <strong>and</strong> to<br />

see if we can't parse out definitions <strong>of</strong> what makes things nominally<br />

regarded as sou<strong>the</strong>rn. We will look at what older artists like Flannery<br />

O'Connor <strong>and</strong> Williams Faulkner have written <strong>and</strong> <strong>the</strong> statements<br />

we can ga<strong>the</strong>r about <strong>the</strong> South but also what recent artists<br />

are doing to extend our ideas about <strong>the</strong> south. The <strong>the</strong>mes <strong>of</strong> this<br />

discussion will involve ideas <strong>of</strong> place, identity, gender, <strong>and</strong> politics.<br />

By doing this, we will find a conversation that will revise, reflect,<br />

<strong>and</strong> contradict what has been an <strong>of</strong>ten o<strong>the</strong>rwise impenetrable region.<br />

Instructor: Henderson, Carlus<br />

Section 017. The goal <strong>of</strong> <strong>the</strong> course is to help you compose clear<br />

<strong>and</strong> well-developed prose. Since writing is a means <strong>of</strong> communication,<br />

this course will focus on <strong>the</strong> different rhetorical strategies<br />

authors employ across a variety <strong>of</strong> disciplines to convey an argument<br />

or a perspective. Whe<strong>the</strong>r you study Economics, Philosophy<br />

or any o<strong>the</strong>r discipline, you will need to know how to write with<br />

clarity <strong>and</strong> sophistication. Through essays <strong>and</strong> articles ranging from<br />

<strong>the</strong> use <strong>of</strong> white tigers in <strong>the</strong> Cincinnati Zoo to <strong>the</strong> Housing Market<br />

Crash, we will look at how authorial intent informs <strong>the</strong> structure <strong>of</strong><br />

writing <strong>and</strong> analyze <strong>the</strong> different techniques involved in composing<br />

a well-supported <strong>and</strong> nuanced argument. Importantly, this course<br />

will allow you <strong>the</strong> space to grow as both a writer <strong>and</strong> a reader.<br />

Over <strong>the</strong> academic term, we will discuss <strong>the</strong> many stages <strong>of</strong> <strong>the</strong><br />

writing process, <strong>and</strong> through peer review <strong>and</strong> reading assignments,<br />

you will develop <strong>the</strong> tools necessary to critically approach your own<br />

writing <strong>and</strong> <strong>the</strong> writing <strong>of</strong> o<strong>the</strong>rs.<br />

Instructor: Kumarasamy, Akil<br />

Section 019. Through <strong>the</strong> course <strong>of</strong> this section, we’ll approach<br />

<strong>the</strong> questions <strong>and</strong> practices <strong>of</strong> college writing by examining issues<br />

<strong>of</strong> social mores, politics, <strong>and</strong> gender in science fiction literature.<br />

<strong>Science</strong> fiction, with its reputation for social critique, will provide a<br />

backdrop for us to familiarize ourselves with <strong>the</strong> questions <strong>of</strong> college<br />

writing: why do we write? How should we do it, anyway — is<br />

<strong>the</strong>re even one way we “should” write? How do we make a compelling<br />

argument? Why should our reader be convinced by our position?<br />

How does a paper get written, from concept to final form?<br />

We’ll learn <strong>and</strong> apply <strong>the</strong>se writing methods to <strong>the</strong> weekly readings<br />

<strong>of</strong> science fiction literature — mainly short stories, but with some<br />

longer works <strong>and</strong> possibly some study <strong>of</strong> television or film. At <strong>the</strong><br />

same time, we’ll consider criticism on <strong>the</strong>se pieces <strong>of</strong> literature both<br />

for <strong>the</strong>ir interrogation <strong>of</strong> <strong>the</strong> original text <strong>and</strong> for <strong>the</strong> ways <strong>the</strong>y use<br />

rhetoric in <strong>the</strong>ir writing.<br />

No extensive previous reading <strong>of</strong> science fiction is necessary; we’ll<br />

be using <strong>the</strong> literary genre as a subject for our study <strong>of</strong> writing, <strong>and</strong><br />

not <strong>the</strong> o<strong>the</strong>r way around. All that matters is a willingness to read<br />

closely, ask questions, <strong>and</strong> explore how college writing relies on doing<br />

just that.<br />

Instructor: Miller, Mat<strong>the</strong>w<br />

Section 020. Close your eyes <strong>and</strong> imagine getting away from it<br />

all. Are you on a beach in Cancún? Hiking through <strong>the</strong> Canadian<br />

Rockies? Or perhaps exploring <strong>the</strong> cafés <strong>of</strong> Paris? Travel can be a<br />

space <strong>of</strong> fantasy that sheds light on our desires <strong>and</strong> <strong>the</strong> way we<br />

see ourselves in <strong>the</strong> world. This class will analyze travel <strong>and</strong> tourism<br />

from multiple analytical perspectives. We will begin by examining<br />

representations <strong>of</strong> tourism in first-h<strong>and</strong> accounts, fiction, <strong>and</strong><br />

film, such as Eurotrip (2004) <strong>and</strong> Alexis de <strong>To</strong>cqueville’s essay<br />

“Excursion to Lake Oneida.” We will <strong>the</strong>n transition to <strong>the</strong> study <strong>of</strong><br />

how tourism works in practice. Looking at guidebooks <strong>and</strong> published<br />

advice for travelers, we will investigate how information<br />

about travelling is disseminated, as well as how issues <strong>of</strong> class,<br />

race, <strong>and</strong> gender influence writing for, by, <strong>and</strong> about tourists. From<br />

here, we will look at how tourism affects <strong>the</strong> host community, looking<br />

especially as sexual tourism in Thail<strong>and</strong> <strong>and</strong> elsewhere, ecotourism<br />

in <strong>the</strong> Amazon, <strong>and</strong> terror tourism in <strong>the</strong> former Yugoslavia <strong>and</strong><br />

Nor<strong>the</strong>rn Irel<strong>and</strong>. In <strong>the</strong> final part <strong>of</strong> <strong>the</strong> course we will examine<br />

writings about travel more broadly, including migrant labor, human<br />

trafficking, <strong>and</strong> forced relocation. We will ask ourselves how <strong>the</strong>se<br />

non-voluntary forms <strong>of</strong> travel complicate our underst<strong>and</strong>ing <strong>of</strong> what<br />

it means to move through geographical space.<br />

The class will use thought-provoking discussions <strong>of</strong> travel to spur<br />

<strong>the</strong> development <strong>of</strong> your writing. We will hold one-on-one conferences<br />

<strong>and</strong> whole-class workshops to help work through <strong>the</strong> challenges<br />

<strong>of</strong> college-level academic writing, from developing a strong<br />

<strong>the</strong>sis to final editing. By <strong>the</strong> end <strong>of</strong> <strong>the</strong> term, you will have written<br />

about 20 pages <strong>of</strong> polished prose, <strong>and</strong> learned skills <strong>of</strong> grammar,<br />

argumentation, <strong>and</strong> style.<br />

Instructor: McAdams, Ruth M


Section 022.<br />

"I write entirely to find out what I'm thinking, what I'm<br />

looking at, what I see <strong>and</strong> what it means."<br />

— Joan Didion<br />

<strong>To</strong> write well is to think well. In this course, we will read, discuss,<br />

<strong>and</strong> respond to a variety <strong>of</strong> texts in order to hone our powers <strong>of</strong><br />

thought <strong>and</strong> inquiry. As writers, we are also makers — craftspeople<br />

carefully wielding tools in order to create something new <strong>and</strong><br />

meaningful. In our case, those tools will include strategies for generating<br />

drafts, structuring arguments, <strong>and</strong> revising for clarity. Our<br />

readings throughout <strong>the</strong> academic term will be geared toward underst<strong>and</strong>ing<br />

<strong>the</strong> role <strong>of</strong> <strong>the</strong> writer as an engaged creator. You will<br />

be invited to see each choice in <strong>the</strong> process <strong>of</strong> writing as an opportunity<br />

to discover <strong>and</strong> articulate ideas that you think are important.<br />

Major writing assignments, ranging in length from 2-6 pages, will<br />

provide opportunities to apply <strong>the</strong>se critical thinking skills to developing<br />

nuanced, insightful, <strong>and</strong> well-supported arguments. These<br />

major assignments will be supplemented by shorter weekly assignments,<br />

which may include reading responses or some part <strong>of</strong> a major<br />

paper, such as a <strong>the</strong>sis statement. Individual conferences <strong>and</strong><br />

in-class group workshops will also give you <strong>the</strong> opportunity to work<br />

as part <strong>of</strong> a writing community.<br />

Instructor: Rodrigues, Elizabeth<br />

Section 025. Can <strong>the</strong> body be art? This class will think about <strong>the</strong><br />

politics <strong>and</strong> practice <strong>of</strong> body modification. What does it mean to<br />

engage in body modification? How is <strong>the</strong> body being thought about<br />

<strong>and</strong> understood in <strong>the</strong> representation <strong>of</strong> <strong>the</strong>se practices? What does<br />

it mean to think about <strong>the</strong> body as an aes<strong>the</strong>tic object? Does <strong>the</strong><br />

practice <strong>of</strong> body modification have a different meaning across different<br />

times <strong>and</strong> places? We will try to answer <strong>the</strong>se questions toge<strong>the</strong>r<br />

by examining a wide range <strong>of</strong> sources, from popular representations<br />

<strong>of</strong> body modification to critical <strong>the</strong>ory about <strong>the</strong> body<br />

<strong>and</strong> its modification. Through our discussion <strong>of</strong> <strong>the</strong>se questions, our<br />

ultimate goal will be to improve your academic writing <strong>and</strong> argumentation<br />

skills. <strong>To</strong> that end, we will adopt different writing approaches<br />

to help us think our way through <strong>the</strong> topic. You will read<br />

<strong>and</strong> respond to <strong>the</strong> work <strong>of</strong> your peers to develop <strong>the</strong> critical reading<br />

<strong>and</strong> editing skills that will help you communicate throughout<br />

your university career <strong>and</strong> beyond.<br />

Instructor: Kohn, Jenny Deborah<br />

Section 026. A documentary filmmaker, a journalist, a laboratory<br />

scientist, <strong>and</strong> a college student having an argument on Facebook all<br />

have something in common: <strong>the</strong> need to ga<strong>the</strong>r, interpret <strong>and</strong> syn<strong>the</strong>size<br />

many different sources. Writing in many genres <strong>and</strong> fields<br />

relies on this skill. How do we treat primary information — raw<br />

data, first-person narratives, conversations — differently than we<br />

do information that has been syn<strong>the</strong>sized into a clear statement?<br />

How do we use both, in <strong>and</strong> for our writing? In this course we will<br />

develop writing skills through <strong>the</strong> lens <strong>of</strong> documentary, which<br />

potently mixes primary information from statistics, interviews, quotations,<br />

<strong>and</strong> photographs with strong rhetoric. Most documentary<br />

materials we will read or watch toge<strong>the</strong>r will focus in some way on<br />

group identity.<br />

Throughout <strong>the</strong> academic term, we will write in a variety <strong>of</strong> genres.<br />

Early on, documentary films, photojournalism, <strong>and</strong> essays that include<br />

oral testimonies will help us identify <strong>and</strong> analyze rhetorical<br />

strategies, position <strong>and</strong> bias. Later, <strong>the</strong>se will help us pinpoint good<br />

practices in using research to support a <strong>the</strong>sis. We will also conduct<br />

interviews with classmates, friends, <strong>and</strong> family members to help us<br />

answer complex questions <strong>and</strong> compose informed narratives. A few<br />

times a academic term, students are expected to contribute to class<br />

workshops by reading <strong>the</strong>ir peers’ work <strong>and</strong> providing constructive<br />

feedback.<br />

Required materials for this course will include a collection <strong>of</strong> essays<br />

that focuses on <strong>the</strong> craft <strong>of</strong> essay writing. Supplementary materials<br />

may include excerpts from Studs Terkel’s Working, Eula Biss’ Notes<br />

from No Man’s L<strong>and</strong>, Zora Neale Hurston’s Mules <strong>and</strong> Men, <strong>the</strong><br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 61<br />

National Council <strong>of</strong> Jewish Women’s By Myself I’m a Book, Spike<br />

Lee’s When <strong>the</strong> Levees Broke, books <strong>and</strong> podcasts from Story-<br />

Corps, <strong>and</strong> various individual or organizational blogs.<br />

Instructor: Falk, Leah<br />

Section 027 — Gossip: Talking Across <strong>the</strong> Disciplines.<br />

This course will investigate <strong>the</strong> notion <strong>of</strong> gossip — who does it,<br />

when does it occur, <strong>and</strong> how do we recognize it. Throughout <strong>the</strong><br />

term, we will draw upon material from a variety <strong>of</strong> disciplines, including<br />

sociology, anthropology, women's studies, <strong>and</strong> communications,<br />

in order to investigate <strong>the</strong> ways in which gossip has been<br />

studied. Using this literature, along with popular novels, television<br />

programs, <strong>and</strong> tabloid magazines, we will investigate <strong>the</strong> social<br />

functions <strong>of</strong> gossip, <strong>the</strong> gendered discourse that surrounds this<br />

form <strong>of</strong> speech, <strong>and</strong> <strong>the</strong> potential political implications that gossip<br />

brings to bear in our contemporary media l<strong>and</strong>scape.<br />

Instructor: McDonnell, Andrea Marie<br />

Section 032. The goal <strong>of</strong> this course is to improve your writing<br />

skills. We will work toge<strong>the</strong>r to underst<strong>and</strong> <strong>the</strong> elements <strong>of</strong> good<br />

prose <strong>and</strong> to assimilate those elements into your writing. We will<br />

read <strong>and</strong> discuss essays, stories, <strong>and</strong> academic articles in preparation<br />

for writing a persuasive, an expository, <strong>and</strong> an argumentative<br />

essay.<br />

Mark Twain once wrote, "I didn't have time to write a short letter,<br />

so I wrote a long one instead." Revision is <strong>the</strong> secret to good writing.<br />

We will study approaches to revising your work. Class will <strong>of</strong>ten<br />

be conducted in a workshop format, where students will read <strong>and</strong><br />

advise <strong>the</strong> work <strong>of</strong> <strong>the</strong>ir peers.<br />

We will consider writing as a means to clarify thought, <strong>and</strong> we will<br />

discuss various approaches to articulating your ideas <strong>and</strong> how to<br />

incorporate evidence <strong>and</strong> sources in your writing.<br />

Course materials will be drawn from a variety <strong>of</strong> genres, disciplines,<br />

<strong>and</strong> media, which may include fiction, film, memoir, essay, science,<br />

etc.<br />

Instructor: Samuele, Rocco<br />

Section 033 — Tuning In: Finding Meaning in Music.<br />

From a perfect playlist to a national an<strong>the</strong>m, music matters. In this<br />

class, we will examine <strong>the</strong> various roles music plays in our lives <strong>and</strong><br />

how music carries such emotional <strong>and</strong> personal power. <strong>To</strong>pics will<br />

range from personal encounters with music to its role in broader<br />

social identities <strong>and</strong> its practical, political, <strong>and</strong> ethical applications.<br />

Writing assignments will require students to approach music from a<br />

variety <strong>of</strong> angles, <strong>and</strong> may include shorter reactions to readings<br />

<strong>and</strong> musical examples, first-h<strong>and</strong> accounts, position papers, <strong>and</strong> research-based<br />

analysis. Knowledge <strong>of</strong> music <strong>and</strong> musical terminology<br />

will be helpful but is not required.<br />

Instructor: Blim, Richard Daniel<br />

Section 034. This college writing class presents students with <strong>the</strong><br />

principles <strong>of</strong> academic reading <strong>and</strong> composition, <strong>and</strong> provides <strong>the</strong>m<br />

with tools for critical analysis. Through a close, sensitive reading <strong>of</strong><br />

literary <strong>and</strong> <strong>the</strong>oretical texts (as well as o<strong>the</strong>r media), dealing with<br />

childhood <strong>and</strong> coming <strong>of</strong> age in different cultures <strong>and</strong> periods, students<br />

will be introduced to different academic discourses, <strong>and</strong> will<br />

practice <strong>and</strong> hone <strong>the</strong>ir academic writing skills. Readings will be<br />

drawn from <strong>the</strong> fields <strong>of</strong> national <strong>and</strong> comparative literatures, sociology,<br />

anthropology, disability studies, women <strong>and</strong> gender studies,<br />

history, psychology <strong>and</strong> psychoanalysis, <strong>and</strong> law, among o<strong>the</strong>rs.<br />

Instructor: Eitan, Maayan<br />

Section 035 — Perspectives on Consumer Culture.<br />

What makes us consumers? In what way do our various activities<br />

participate in consumerism? We will attempt to answer <strong>the</strong>se questions<br />

<strong>and</strong> o<strong>the</strong>rs as we examine texts, images <strong>and</strong> o<strong>the</strong>r media that<br />

comment on <strong>and</strong> constitute past <strong>and</strong> present consumer cultures.<br />

These will include pertinent <strong>the</strong>oretical texts (by authors such as


62 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

Karl Marx <strong>and</strong> Jean Baudrillard), academic studies, literary works<br />

<strong>and</strong> artistic movements. The goal <strong>of</strong> this course is to develop your<br />

academic writing skills, so we will be engaging with this topic<br />

through a variety <strong>of</strong> writing approaches/genres (free writes, formal<br />

essays, peer review, revision, etc.).<br />

Instructor: Brion, Ka<strong>the</strong>rine Danielle<br />

Section 036. A renaissance is said to involve two things: a looking-back<br />

<strong>and</strong> an "efflorescence." This course will attempt, in its<br />

small way, to sow <strong>the</strong> seeds <strong>of</strong> a renaissance in English letters.<br />

Sir Francis Bacon (scientist) –– Sir Thomas Browne (physician) ––<br />

Benjamin Franklin (politician) –– Thomas Jefferson (lawyer) ––<br />

T.H. Huxley (biologist) –– William James (psychologist) –– Rebecca<br />

West (journalist) –– Bertr<strong>and</strong> Russell (philosopher) –– Pauline Kael<br />

(film critic) … Each <strong>of</strong> <strong>the</strong>se figures was, in addition to having been<br />

a giant in his or her particular field, a master stylist <strong>of</strong> English<br />

prose. There may even have been a connection between <strong>the</strong> two<br />

phenomena: <strong>the</strong> better one writes, after all, <strong>the</strong> more eagerly people<br />

will read. What is even <strong>the</strong> greatest discovery worth if o<strong>the</strong>rs<br />

cannot be persuaded to acknowledge it? Looking back, <strong>the</strong>n, this<br />

course will bring into focus not only what has been considered<br />

good writing since <strong>the</strong> 17th century, but also how this writing came<br />

into being. How, for example, have technological changes affected<br />

<strong>the</strong> experience <strong>and</strong> results <strong>of</strong> "<strong>the</strong> scrivener's craft"? Students will<br />

have <strong>the</strong> opportunity to experiment with alternative methods <strong>of</strong><br />

composition (typewriter, dictation, quill <strong>and</strong> parchment, etc.) as we<br />

decide which features <strong>of</strong> <strong>the</strong> past are to be reclaimed –– not dismissing<br />

this because it is old, not embracing that because it is new<br />

–– <strong>and</strong> which are to be left untouched for <strong>the</strong> pioneers <strong>of</strong> some<br />

remoter renascence.<br />

Instructor: Alderman, Christopher Alton<br />

Section 038. In this writing course we will reflect on <strong>the</strong> role <strong>of</strong><br />

<strong>the</strong> college campus as an important site <strong>of</strong> history, politics, <strong>and</strong> arts<br />

in <strong>the</strong> United States. From Love Story <strong>and</strong> Animal House to The<br />

Gilmore Girls <strong>and</strong> The Social Network, our popular culture is saturated<br />

with images <strong>of</strong> college life in <strong>the</strong> US. What are our collective<br />

assumptions about how college campuses — <strong>and</strong> <strong>the</strong> people on<br />

<strong>the</strong>m — reflect our culture’s underst<strong>and</strong>ing <strong>of</strong> class, gender, ethnic,<br />

<strong>and</strong> regional diversity? How does <strong>the</strong> spatial layout <strong>of</strong> <strong>the</strong> college<br />

campus affect our everyday experience? What are <strong>the</strong> ideas <strong>and</strong><br />

histories behind <strong>the</strong> buildings <strong>and</strong> resources on our own campus,<br />

<strong>and</strong> how did <strong>Michigan</strong> students in previous centuries challenge<br />

<strong>the</strong>se? We will consider <strong>the</strong>se <strong>and</strong> o<strong>the</strong>r questions in works <strong>of</strong><br />

popular culture, literature, <strong>and</strong> history, as well as through a selection<br />

<strong>of</strong> on-campus site visits.<br />

By engaging such questions this introduction to college writing will<br />

explore <strong>the</strong> pleasures <strong>and</strong> practicalities <strong>of</strong> developing your own<br />

academic voice. Different programs, instructors, <strong>and</strong> courses at this<br />

university will expect you to be familiar with a range <strong>of</strong> strategies<br />

for putting your thoughts into written words. We will <strong>the</strong>refore<br />

practice modes <strong>of</strong> academic writing that are most common in university<br />

courses: analysis, argumentation, narrative, <strong>and</strong> description.<br />

Through a variety <strong>of</strong> writing exercises this course will help you with<br />

general rhetorical approaches to college writing as well as more<br />

specific questions about style, grammar, organization, <strong>and</strong> citation<br />

format. Writing, revising, <strong>and</strong> workshopping drafts will be major<br />

components <strong>of</strong> <strong>the</strong> course work, as well as peer-editing <strong>and</strong> commenting<br />

on fellow students’ work.<br />

Instructor: Kelderman, Frank<br />

Section 039. This course will approach argumentation <strong>and</strong> <strong>the</strong><br />

use <strong>and</strong> analysis <strong>of</strong> language with 20th century <strong>the</strong>ory <strong>and</strong> philosophy<br />

as its main texts. We will explore language, its construction<br />

<strong>and</strong> representation, <strong>and</strong> how to engage language critically through<br />

short selections <strong>of</strong> writing about linguistics <strong>and</strong> discourse, including<br />

Saussure, Bar<strong>the</strong>s, Derrida, <strong>and</strong> Foucault. Argumentation will be<br />

analyzed through readings <strong>of</strong> literary <strong>the</strong>ory, including Althusser,<br />

Fanon, Said, Sedgwick, <strong>and</strong> Ngugi. By reading, discussing, <strong>and</strong> writing<br />

about various arguments concerning how language constructs<br />

<strong>and</strong> informs our reality, students will develop <strong>the</strong> analytic skills,<br />

both thinking <strong>and</strong> writing, necessary at <strong>the</strong> college level. The writing<br />

assignments will include analysis <strong>of</strong> texts from <strong>the</strong> required<br />

reading, as well as <strong>the</strong> students' own critical engagement <strong>and</strong> interpretation<br />

<strong>of</strong> arguments <strong>and</strong> <strong>the</strong>ories discussed in class.<br />

Instructor: Oches, Mat<strong>the</strong>w Lawrence<br />

Section 041. What can we learn from objects in museums? In<br />

this course, we will read <strong>and</strong> write about museums, memory <strong>and</strong><br />

material culture to begin answering this question. We will explore<br />

how museums <strong>and</strong> objects shape how we remember <strong>the</strong> past <strong>and</strong><br />

think about <strong>the</strong> present. Course texts will include scholarly, literary,<br />

<strong>and</strong> popular works about how objects acquire meaning within <strong>the</strong><br />

context <strong>of</strong> museums <strong>and</strong> <strong>the</strong> roles museums play in society.<br />

Throughout <strong>the</strong> academic term, we will also visit museums on campus<br />

<strong>and</strong> talk about contemporary museums, exhibits <strong>and</strong> collections<br />

from around <strong>the</strong> world to inspire our writing. Students will be encouraged<br />

to explore <strong>the</strong>ir own individual interests in museums as<br />

<strong>the</strong>y write.<br />

Instructor: Harmon, Elizabeth<br />

Section 045 — "Case Studies in Writing Across Disciplines"?<br />

This section will explore what it means to write well in <strong>the</strong> context<br />

<strong>of</strong> several different subjects that you may study in more detail during<br />

your time at U-M. We will read "case studies" <strong>of</strong> good writing<br />

from <strong>the</strong> natural sciences, social sciences, <strong>and</strong> humanities, <strong>and</strong> try<br />

to underst<strong>and</strong> what makes for strong writing in each <strong>of</strong> <strong>the</strong>se broad<br />

areas.<br />

Instructor: Gibelyou, Cameron Michael<br />

Section 048. In this course, we develop <strong>the</strong> skills necessary to<br />

read, critique <strong>and</strong> produce <strong>the</strong> various strategies writers deploy to<br />

present a convincing <strong>and</strong> evocative argument. We will first analyze<br />

<strong>and</strong> underst<strong>and</strong> how o<strong>the</strong>r texts persuade, studying <strong>the</strong> tactics <strong>of</strong><br />

multiple genres, from low to high culture, from advertising to<br />

Aristotle. We will <strong>the</strong>n use <strong>the</strong>se methods to craft texts, learning<br />

how writing implements <strong>and</strong> sharpens authorial voice. This course<br />

asks students to think critically about how <strong>the</strong>y learn <strong>and</strong> internalize<br />

information, how <strong>the</strong>y begin <strong>and</strong> sustain belief in an idea, how to<br />

make transparent <strong>the</strong>ir logics, <strong>and</strong> how relate <strong>the</strong>m to o<strong>the</strong>rs. Students<br />

are required to purchase A Pocket Style Manual, 4th Edition<br />

by Diana Hacker. All o<strong>the</strong>r texts will be available via C-<strong>To</strong>ols.<br />

Instructor: Shomali, Mejdulene B<br />

Section 049. Writing teachers have <strong>of</strong>ten expressed a preference<br />

for writing that “shows” an event ra<strong>the</strong>r than “tells” about it. The<br />

movement now called “creative nonfiction” embodies something <strong>of</strong><br />

<strong>the</strong> showing <strong>and</strong> telling axiom, promoting well written <strong>and</strong> wellresearched<br />

information that is particularly designed to hold <strong>the</strong> interest<br />

<strong>of</strong> <strong>the</strong> reader — that is, designed to show <strong>the</strong> information<br />

ra<strong>the</strong>r than tell about it. This kind <strong>of</strong> writing might be contrasted<br />

with <strong>the</strong> presentation <strong>of</strong> accurate information that is not particularly<br />

well written <strong>and</strong> that does not hold <strong>the</strong> attention <strong>of</strong> <strong>the</strong> reader. Participants<br />

in this class will have a variety <strong>of</strong> opportunities to write<br />

about experience in dramatic, persuasive, <strong>and</strong> humorous ways. This<br />

writing course will examine a variety <strong>of</strong> ways to “show” an experience<br />

in writing ra<strong>the</strong>r than “tell” about it. We will also examine <strong>the</strong><br />

problematic aspects <strong>of</strong> writing well, <strong>the</strong> politics <strong>of</strong> point <strong>of</strong> view,<br />

<strong>and</strong> how writers, in <strong>the</strong>ir presentation <strong>of</strong> language, can appropriate<br />

<strong>and</strong> alter truth. Such considerations <strong>of</strong> language <strong>and</strong> its use can<br />

<strong>and</strong> will enhance students’ underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong> nature <strong>of</strong> academic<br />

thinking <strong>and</strong> writing, foster methods <strong>of</strong> invention, <strong>and</strong> support concepts<br />

<strong>of</strong> composition appropriate to university studies <strong>and</strong> beyond.<br />

Course Goals: <strong>To</strong> instill <strong>the</strong> idea that writing can take many<br />

forms; that though <strong>the</strong>re are formulas, writing is not formulaic; that<br />

while we live in a visual, sound-bite oriented world, thoughtful reflection<br />

<strong>and</strong> writing is still important.<br />

Required Text: Writing Creative Nonfiction: Instruction <strong>and</strong> insights<br />

from <strong>the</strong> teachers <strong>of</strong> <strong>the</strong> Associated Writing Programs. Eds.<br />

Carolyn Forche <strong>and</strong> Philip Gerard. Story Press: Cincinnati, OH.


2001. This book is available at any <strong>of</strong> <strong>the</strong> major book distributors<br />

on campus.<br />

A coursepack available at AccuCopy on William Street, containing<br />

selections from Rhetoric: Discovery <strong>and</strong> Change by Richard E.<br />

Young, Alton L. Becker <strong>and</strong> Kenneth L. Pike.<br />

Instructor: Cooper, George H<br />

Section 053 & 054. This section provides a better underst<strong>and</strong>ing<br />

<strong>of</strong> writing across <strong>the</strong> disciplines. In analyzing various approaches to<br />

academic writing, our focus will be on <strong>the</strong> connection between<br />

reading, thinking, <strong>and</strong> writing. We will explore what close reading<br />

<strong>and</strong> critical thinking entails, as well as how persuasive writing provides<br />

a way <strong>of</strong> situating ourselves in <strong>the</strong> context <strong>of</strong> <strong>the</strong> world. In<br />

addition to matters <strong>of</strong> voice, tone, nuance, rhythm, audience, <strong>and</strong><br />

perspective, a basic introduction to finding <strong>and</strong> incorporating research<br />

(primary <strong>and</strong> secondary sources) will be surveyed. My goal<br />

is to provide <strong>the</strong> necessary writing skills that will ensure your future<br />

academic success.<br />

Instructor: Tessier, R<strong>and</strong>all L<br />

Section 055 & 056. <strong>Welcome</strong> to <strong>College</strong> Writing, a graded four<br />

credit course where you will focus on <strong>the</strong> creation <strong>of</strong> complex, analytic,<br />

well-supported arguments that matter in academic contexts.<br />

<strong>To</strong> achieve this end, you will work closely with your peers <strong>and</strong> me<br />

to develop your written prose.<br />

Readings cover a variety <strong>of</strong> different genres <strong>and</strong> academic disciplines;<br />

you will read <strong>and</strong> discuss autobiographical, narrative, expository<br />

<strong>and</strong> persuasive essays written by pr<strong>of</strong>essional writers <strong>and</strong><br />

scholars: works by David Sedaris, Sherman Alexie, Paulo Freire,<br />

Gerald Graff, Gloria Naylor, Gretel Ehrlich, Elwood Reid, <strong>and</strong><br />

Stephen L. Carter are among <strong>the</strong> diversity <strong>of</strong> voices we will explore<br />

this term. Our readings also include published student writers <strong>and</strong><br />

your peers. These weekly readings will provide <strong>the</strong> backdrop for<br />

discussion <strong>and</strong> paper topics, <strong>and</strong> active participation in class discussions<br />

will model critical thought processes essential to writing sophisticated<br />

academic essays. We will concentrate on connecting<br />

reading <strong>and</strong> writing in this course, since improving your reading<br />

comprehension <strong>and</strong> analytical skills will contribute to your growth<br />

as a writer.<br />

The best way to learn how to be a better writer is to write. You will<br />

write different kinds <strong>of</strong> essays, <strong>and</strong> each assignment will help you<br />

develop a particular writing skill. I enjoy teaching writing because I<br />

think you have something important to say. The premise <strong>of</strong> this<br />

course is that college writing is fundamentally analytical writing.<br />

We’ll be defining what that means over <strong>the</strong> course <strong>of</strong> <strong>the</strong> academic<br />

term, but some <strong>of</strong> <strong>the</strong> characteristic moves <strong>of</strong> analysis involve slowing<br />

down, looking carefully, suspending judgment, looking for patterns,<br />

<strong>and</strong> for things that “don’t fit”, <strong>and</strong> only late in this process<br />

proposing a hypo<strong>the</strong>tical or potential explanation — a hypo<strong>the</strong>sis<br />

that <strong>the</strong>n gets subjected to this process all over again. <strong>College</strong> Writing<br />

will give you substantial opportunities to practice <strong>the</strong>se characteristic<br />

moves, as well as build thoughtful arguments, underst<strong>and</strong><br />

common usage issues, <strong>and</strong> explore your own voice <strong>and</strong> style as a<br />

writer. Regardless <strong>of</strong> what you plan to study here at U-M, you will<br />

need to know how to write well, both in college <strong>and</strong> afterwards. Being<br />

a good writer takes time, attention, honesty, <strong>and</strong> courage, <strong>and</strong><br />

in this class we will work on developing all <strong>the</strong>se skills in our writing.<br />

Instructor: Allen, K E<br />

Section 060. This writing course focuses on <strong>the</strong> creation <strong>of</strong> complex,<br />

analytic, well-supported arguments. We consider matters both<br />

small, e.g., diction, <strong>and</strong> large, e.g., paper structure, as students<br />

write several longer essays <strong>and</strong> frequent short responses. Students<br />

should leave <strong>the</strong> course with a set <strong>of</strong> flexible writing strategies that<br />

<strong>the</strong>y can apply in future classes. Under <strong>the</strong> assumption that critical<br />

reading is one <strong>of</strong> best ways to learn writing technique, students<br />

read <strong>and</strong> analyze published essays as well as workshop peer work.<br />

Published readings cover a variety <strong>of</strong> genres <strong>and</strong> disciplines with<br />

some emphasis on haunting, personal <strong>and</strong> cultural memory, <strong>and</strong><br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 63<br />

<strong>the</strong> unspeakable. As writers, how do we capture both <strong>the</strong> personal<br />

<strong>and</strong> historical past? How do we tackle difficult or painful topics?<br />

When does language fail us?<br />

Instructor: Brenner, Anna<br />

Section 061. When Elvis Costello (See “Radio, Radio” or “(What's<br />

So Funny 'Bout) Peace, Love <strong>and</strong> Underst<strong>and</strong>ing?”) comments that<br />

“writing about music is like dancing about architecture,” he suggests<br />

that explicating one form <strong>of</strong> art in terms <strong>of</strong> ano<strong>the</strong>r seems<br />

like an absurd practice. Costello, however, has written prolifically<br />

about rock’n’roll, <strong>and</strong> he currently hosts <strong>the</strong> BBC-produced television<br />

program Spectacle: Elvis Costello with… which features interviews<br />

with a wide range <strong>of</strong> musicians, so we might take Costello’s<br />

criticism with a grain <strong>of</strong> salt. Our course — Popular Music, Technologies,<br />

<strong>and</strong> Audiences — foregrounds <strong>the</strong> importance <strong>of</strong> composition<br />

as a tool for critical thinking <strong>and</strong> learning across disciplines at<br />

<strong>the</strong> university level as its method <strong>and</strong> uses popular music <strong>and</strong> a<br />

wide-variety <strong>of</strong> associated cultural practices <strong>and</strong> beliefs as its subject.<br />

Stressing writing as a process in which pre-writing, drafting,<br />

revising, <strong>and</strong> pro<strong>of</strong>reading all matter, our course will consider questions<br />

about <strong>the</strong> mutually-constitutive relationships between music<br />

that we love (or hate) <strong>and</strong> <strong>the</strong> recording industry (pre- <strong>and</strong> postiTunes),<br />

listening <strong>and</strong> recording technologies (from <strong>the</strong> phonautograph<br />

to Garageb<strong>and</strong> <strong>and</strong> <strong>the</strong> iPhone), <strong>and</strong> audiences. We will read<br />

widely from a variety <strong>of</strong> print texts including reviews <strong>and</strong> reportage,<br />

<strong>the</strong> personal essay <strong>and</strong> memoir, <strong>and</strong> cultural <strong>the</strong>ory; visual texts including<br />

magazine covers, iconic concert photography, music video,<br />

<strong>and</strong> concert video; <strong>and</strong> songs. You will produce a number <strong>of</strong> written<br />

essays <strong>and</strong> at least one podcast on various topics, taking each finished<br />

piece through a number <strong>of</strong> substantive revisions. By semester’s<br />

end, we will have developed <strong>the</strong> tools to ask complex questions<br />

<strong>of</strong> a variety <strong>of</strong> texts <strong>and</strong> to learn through our own compositional<br />

practices. Moreover, we might just feel like dancing about architecture.<br />

Instructor: Kupetz, Joshua<br />

Section 062. This course focuses on <strong>the</strong> creation <strong>of</strong> complex,<br />

analytic, well-supported arguments that matter in academic contexts.<br />

Students work closely with <strong>the</strong>ir peers <strong>and</strong> <strong>the</strong> instructor to<br />

develop <strong>the</strong>ir written prose. Readings cover a variety <strong>of</strong> different<br />

genres <strong>and</strong> academic disciplines. All too <strong>of</strong>ten in our reading <strong>and</strong> in<br />

our writing, we move too quickly <strong>and</strong> rush through words <strong>and</strong> turns<br />

<strong>of</strong> phrase, <strong>and</strong> yet it is <strong>of</strong>ten <strong>the</strong> smallest <strong>of</strong> details — <strong>the</strong> single<br />

word — which proves to be <strong>the</strong> most crucial. As Mark Twain once<br />

remarked, “The difference between <strong>the</strong> right word <strong>and</strong> <strong>the</strong> almost<br />

right word is like <strong>the</strong> difference between lightning <strong>and</strong> a lightning<br />

bug.” In this course, we’ll be reading a number <strong>of</strong> different types <strong>of</strong><br />

texts — including essays, cultural <strong>the</strong>ory, poems, short stories, <strong>and</strong><br />

a novel — by authors such as David Sedaris, Jonathon Safran Foer,<br />

Alice Munro, James Joyce, William Faulkner, Virginia Woolf, <strong>and</strong><br />

Ralph Ellison. All <strong>of</strong> <strong>the</strong>se texts will be short in length, giving us <strong>the</strong><br />

time to read our texts with great care, close precision, <strong>and</strong> attention<br />

to detail, so that you can develop <strong>the</strong> close textual analysis<br />

skills that you need in order to generate forceful <strong>and</strong> powerful arguments<br />

in your writing. Through reading, classroom discussion,<br />

written assignments, <strong>and</strong> workshops, you’ll learn not only how to<br />

critique <strong>and</strong> analyze <strong>the</strong> words <strong>of</strong> o<strong>the</strong>rs but also how to craft your<br />

own ideas into words that have weight – words that provoke, startle,<br />

convince, <strong>and</strong> persuade.<br />

Instructor: Fagan, Monica Marie<br />

Section 064 — Exploring Perception through Writing.<br />

The way in which our beliefs about <strong>the</strong> world are shaped by human<br />

perception has been a central topic in fields such as philosophy, fiction,<br />

<strong>and</strong>, more recently, cognitive science. Using this topic as our<br />

intellectual anchor, students will be expected to produce writing in<br />

various genres, such as literary essays <strong>and</strong> lab reports. Various<br />

strategies such as peer review, revision, <strong>and</strong> exploration <strong>of</strong> writing<br />

mechanics will be employed with <strong>the</strong> ultimate goal <strong>of</strong> creating articulate<br />

<strong>and</strong> self-aware writers, who are prepared for any discipline.<br />

Instructor: Medeiros, David Jenkins


64 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

Section 066. The ability to produce polished <strong>and</strong> sophisticated<br />

prose is essential to success in every academic discipline <strong>and</strong> most<br />

pr<strong>of</strong>essional settings. This course will draw upon a variety <strong>of</strong> critical<br />

essays, short stories, news media, <strong>and</strong> film throughout <strong>the</strong> academic<br />

term to help students think about argument, analysis, organization,<br />

style, <strong>and</strong> <strong>the</strong> mechanics <strong>of</strong> good writing.<br />

Instructor: Miura, Cassie<br />

Section 067. Imagine you are one <strong>of</strong> several eyewitnesses st<strong>and</strong>ing<br />

at <strong>the</strong> scene <strong>of</strong> an accident. The police arrive to take your<br />

statement, <strong>and</strong> you feel confident about providing <strong>the</strong>m with a factual,<br />

unbiased account <strong>of</strong> <strong>the</strong> events that have transpired. After <strong>the</strong><br />

<strong>of</strong>ficer records your statement, you begin to overhear o<strong>the</strong>r witnesses’<br />

accounts, <strong>and</strong> realize that much <strong>of</strong> <strong>the</strong> information you’ve<br />

provided contradicts what o<strong>the</strong>rs have seen. How is this possible?<br />

you ask yourself. As you begin to reanalyze your story, you consider<br />

some <strong>of</strong> <strong>the</strong> following questions:<br />

• Is it possible that my observations were erroneous? Misremembered?<br />

• Did o<strong>the</strong>rs have a better view <strong>of</strong> <strong>the</strong> accident?<br />

• Did my report contain any personal biases? If so, what were<br />

<strong>the</strong>y? (And where did <strong>the</strong>y come from?)<br />

• How does my gender, race, ethnicity, education, sexuality, culture,<br />

religious beliefs, etc., impact what I’ve seen?<br />

• Finally… what did o<strong>the</strong>rs see?<br />

In this course, we will focus our readings, discussions <strong>and</strong> written<br />

work based loosely around <strong>the</strong> idea that our individual lenses (or<br />

ways <strong>of</strong> seeing) may inform <strong>and</strong> at times, bias, <strong>the</strong> way we experience<br />

<strong>and</strong> interpret <strong>the</strong> world. Throughout <strong>the</strong> academic term, students<br />

will be expected to write thoughtful, well-organized, contentrich<br />

essays demonstrating <strong>the</strong>ir ability to make academic arguments<br />

in response to historical, critical <strong>and</strong> literary texts. When developing<br />

essays, students will be asked to consider <strong>the</strong> following aspects <strong>of</strong><br />

composition:<br />

• Does this essay have a clear, arguable, <strong>and</strong> well-supported<br />

<strong>the</strong>sis?<br />

• Does <strong>the</strong> essay provide a comprehensive summary <strong>of</strong> background<br />

information, when needed?<br />

• Is <strong>the</strong> structure organized, logical, <strong>and</strong> cohesive?<br />

• Does <strong>the</strong> language exhibit clarity <strong>and</strong> an underst<strong>and</strong>ing <strong>of</strong> mechanics?<br />

• What is <strong>the</strong> style <strong>and</strong> tone exhibited in <strong>the</strong> essay?<br />

• Does <strong>the</strong> essay make relevant <strong>and</strong> academically / intellectually<br />

significant claims?<br />

Students will also be expected to participate actively in class discussion,<br />

having completed all assigned readings (about 20-40<br />

pages per week) in advance. They will set concrete personal goals<br />

to improve <strong>the</strong>ir own writing skills, <strong>and</strong> will carefully pro<strong>of</strong>read <strong>and</strong><br />

thoughtfully respond to <strong>the</strong> work <strong>of</strong> <strong>the</strong>ir peers in an effort to contribute<br />

<strong>the</strong>ir own strengths, skills <strong>and</strong> perspectives to this writing<br />

community.<br />

Instructor: Lee, Nan Young<br />

Section 068. “Tell me what you eat, <strong>and</strong> I will tell you who you<br />

are,” wrote <strong>the</strong> famous French gourm<strong>and</strong> Jean-An<strong>the</strong>lme Brillat-<br />

Savarin almost two centuries ago. He lived <strong>and</strong> wrote at <strong>the</strong> beginning<br />

<strong>of</strong> a new era <strong>of</strong> French cuisine, when food was raised from a<br />

necessity to an art. But food acquisition, preparation, <strong>and</strong> consumption<br />

have been <strong>the</strong> central activities <strong>of</strong> human cultures for millennia<br />

— a way to keep body <strong>and</strong> soul toge<strong>the</strong>r <strong>and</strong> create relationships<br />

with o<strong>the</strong>rs. In our own time, in an attempt to recapture what was<br />

good about <strong>the</strong> old foodways, North Americans have embraced <strong>the</strong><br />

Slow Food movement, sustainable agriculture, <strong>and</strong> local eating.<br />

However, watching famine in <strong>the</strong> Sudan <strong>and</strong> food riots in Haiti reminds<br />

us <strong>of</strong> <strong>the</strong> inequitable distribution <strong>of</strong> food resources in <strong>the</strong><br />

world. In this course we’ll explore both <strong>the</strong> pleasures <strong>and</strong> <strong>the</strong> politics<br />

<strong>of</strong> food — how its presence streng<strong>the</strong>ns some communities<br />

while its absence destroys o<strong>the</strong>rs. We’ll read some great food writers<br />

<strong>of</strong> <strong>the</strong> twentieth century <strong>and</strong>, in our writing assignments,<br />

sharpen our powers <strong>of</strong> observation <strong>and</strong> analysis as we consider<br />

how food shapes identities, communities, ecosystems, <strong>and</strong> economies.<br />

Our work in <strong>the</strong> course will culminate in an individual or<br />

group project <strong>of</strong> students' design. Be prepared to write about your<br />

own history <strong>and</strong> relationship with food, to explore <strong>the</strong> local food<br />

system <strong>of</strong> Washtenaw County, to eat <strong>and</strong> laugh a lot toge<strong>the</strong>r, <strong>and</strong><br />

to discover how sharing a meal with those who hunger can “give a<br />

hunger for justice to those who have food.”<br />

Instructor: Modey, Christine Ann<br />

Section 073. What is work? What is play? Can one sphere <strong>of</strong> activity<br />

exist without <strong>the</strong> o<strong>the</strong>r? Have ideas about what’s fun <strong>and</strong><br />

what’s not changed over time? And who has been expected or<br />

permitted to work? How does your job (or lack <strong>of</strong> a job) define<br />

you? Can play teach? This course is designed to help students read<br />

<strong>and</strong> write across a variety <strong>of</strong> genres while exploring such central<br />

questions. <strong>To</strong> gain exposure to models <strong>of</strong> writing in a range <strong>of</strong><br />

fields, we will read texts by social scientists, historians, <strong>and</strong> scholars<br />

<strong>of</strong> rhetoric who have studied how people work <strong>and</strong> play. We will<br />

also consider personal essays, short fiction, <strong>and</strong>, yes, even <strong>the</strong> occasional<br />

poem. Specific topics we engage may include women <strong>and</strong><br />

work, <strong>the</strong> marketing <strong>of</strong> children’s toys, Facebook games, <strong>the</strong> history<br />

<strong>of</strong> public swimming pools, <strong>the</strong> modern phenomenon <strong>of</strong> nightshift<br />

work, <strong>and</strong> <strong>the</strong> place <strong>of</strong> <strong>the</strong> university in preparing workers for <strong>the</strong><br />

twenty-first century.<br />

Instructor: Jong, Lisa<br />

Section 074. This writing course focuses on <strong>the</strong> creation <strong>of</strong> complex,<br />

analytic, well-supported arguments that matter in academic<br />

contexts. Students will work closely with <strong>the</strong>ir peers <strong>and</strong> <strong>the</strong> instructor<br />

to develop <strong>the</strong>ir written prose. Readings cover a variety <strong>of</strong><br />

different genres <strong>and</strong> academic disciplines. This course will help you<br />

to develop your writing skills through readings, discussions, writing<br />

exercises, <strong>and</strong> responses to o<strong>the</strong>r forms <strong>of</strong> expression including<br />

audio <strong>and</strong> visual media, music, <strong>and</strong> film.<br />

Thematically, this course engages with <strong>the</strong> idea <strong>of</strong> gender. We will<br />

proceed from <strong>the</strong> idea that gender is a social construction, that<br />

femininity <strong>and</strong> masculinity are not “natural” products <strong>of</strong> biological<br />

sex, but socially constructed <strong>and</strong> socially enforced sets <strong>of</strong> behaviors,<br />

or, in <strong>the</strong> words <strong>of</strong> Simone de Beauvoir “One is not born a<br />

woman, but becomes one.” But how does one become a woman?<br />

Or a man? What if one becomes nei<strong>the</strong>r? Or both? Using <strong>the</strong> work<br />

<strong>of</strong> feminist <strong>and</strong> gender <strong>the</strong>orists we will develop a working underst<strong>and</strong>ing<br />

<strong>of</strong> <strong>the</strong> concept that will aid us in thinking with, through,<br />

<strong>and</strong> against gender.<br />

Although gender is <strong>the</strong> general rubric under which operate this is<br />

ultimately a writing course focused on helping students develop as<br />

thinkers, readers, <strong>and</strong> writers. Thinking gender will be a means to<br />

honing your analytic abilities <strong>and</strong> learning to craft different kinds <strong>of</strong><br />

prose. Active participation in both discussion <strong>and</strong> workshopping<br />

sessions with peers is critical to your success. Making <strong>the</strong> most <strong>of</strong><br />

this space means taking advantage <strong>of</strong> opportunities for collaboration<br />

<strong>and</strong> critique to develop your skills in crafting coherent, lucid,<br />

critically engaged prose.<br />

Instructor: Healy, Am<strong>and</strong>a K<br />

Section 075. The goal <strong>of</strong> this course is to hone your skills <strong>of</strong> observation,<br />

description, <strong>and</strong> argumentation by reading, thinking, <strong>and</strong><br />

writing about everyday life. It will provide you with a rigorous introduction<br />

to writing well-organized, persuasive, <strong>and</strong> graceful essays<br />

about a variety <strong>of</strong> topics. The ultimate goal <strong>of</strong> this course is to<br />

equip you with skills that you will need to succeed at academic<br />

writing for your subsequent courses at <strong>the</strong> University <strong>and</strong> beyond.<br />

Everyday life is where we spend most <strong>of</strong> our time, but many <strong>of</strong> <strong>the</strong><br />

books, movies, <strong>and</strong> TV shows we consume are dedicated to helping<br />

us escape it. The words we use to describe everyday things are<br />

usually neutral or negative: “common,” “humdrum,” “run-<strong>of</strong>-<strong>the</strong>mill,”<br />

<strong>and</strong>, in a word, “boring.” Why? In this class, we will ask ourselves<br />

whe<strong>the</strong>r everyday life really is boring <strong>and</strong> humdrum. What<br />

would happen if we paid attention to everyday life instead <strong>of</strong> trying


to escape it? Our writing <strong>and</strong> class discussions will be based on<br />

readings <strong>of</strong> literature, scientific <strong>and</strong>/or sociological articles, historical<br />

records, art, <strong>and</strong> film. Our thinking will be guided by a large<br />

body <strong>of</strong> <strong>the</strong>oretical work that will allow us to critique <strong>and</strong> reevaluate<br />

everyday living.<br />

Course Requirements:<br />

Assignments will include weekly journals, literary analysis, a<br />

research paper, <strong>and</strong> a creative final project.<br />

Instructor: Howard, Emily<br />

Section 077. <strong>College</strong> Writing focuses on <strong>the</strong> creation <strong>of</strong> complex,<br />

analytic, well-supported arguments that matter in academic contexts.<br />

Students work closely with <strong>the</strong>ir peers <strong>and</strong> <strong>the</strong> instructor to<br />

develop <strong>the</strong>ir written prose through intensive processes <strong>of</strong> revision.<br />

In this section, our main topic <strong>of</strong> discussion <strong>and</strong> writing will be language.<br />

When we write, we manipulate language as a means <strong>of</strong> developing,<br />

organizing, <strong>and</strong> representing our ideas. But language itself<br />

is also an ever-popular topic <strong>of</strong> public debate, whe<strong>the</strong>r <strong>the</strong> issue<br />

is bilingual education, taboo words, political c<strong>and</strong>idates' shifting<br />

accents, minority language endangerment, or text messaging. This<br />

course considers language both as <strong>the</strong> raw material <strong>of</strong> <strong>the</strong> writing<br />

process <strong>and</strong> as an object <strong>of</strong> critical investigation for writers; that is,<br />

how we use language to represent our arguments in writing, as<br />

well as how language is an important topic <strong>of</strong> writing.<br />

Instructor: Kwon, Harim<br />

Section 088. This writing course focuses on <strong>the</strong> creation <strong>of</strong> complex,<br />

analytic arguments that matter in academic contexts. Students<br />

work closely with <strong>the</strong>ir peers <strong>and</strong> <strong>the</strong> instructor to develop<br />

<strong>the</strong>ir written prose. Good writing is directly related to good reading.<br />

In this spirit, required reading will encompass a variety <strong>of</strong> texts, including<br />

essays, articles, <strong>and</strong> short stories, that will be used as examples<br />

<strong>of</strong> how to make your own prose clear, compelling, <strong>and</strong> fluid.<br />

Assignments, most <strong>of</strong> which will be done outside <strong>of</strong> class, will include<br />

short writing exercises, written critiques, <strong>and</strong> four revised,<br />

polished essays <strong>of</strong> varying lengths<br />

Instructor: Riemenschneider, Jennifer Lee<br />

Section 090. How much does place matter? In this course, we<br />

will engage with this question by reading <strong>and</strong> writing about <strong>the</strong><br />

built <strong>and</strong> natural environments that make up <strong>the</strong> l<strong>and</strong>scapes in<br />

which we live. From architecture, cities, suburbs, parks, <strong>and</strong> <strong>the</strong><br />

natural world, <strong>the</strong> places <strong>of</strong> American culture are complex systems<br />

that develop over time. Through analytical viewing, critical reading,<br />

thinking, <strong>and</strong> individual inquiry, we will develop a more dynamic<br />

underst<strong>and</strong>ing <strong>of</strong> American l<strong>and</strong>scapes, as <strong>the</strong>y exist in literature,<br />

visual images, history, <strong>and</strong> material reality. Readings will be varied,<br />

<strong>and</strong> draw from a range <strong>of</strong> fiction <strong>and</strong> non-fiction. Writing assignments<br />

will involve a range <strong>of</strong> shorter responses, peer editing, rewriting,<br />

<strong>and</strong> a longer final paper. Reading <strong>and</strong> writing assignments<br />

will encourage students to develop greater environmental awareness<br />

in relation to <strong>the</strong>ir own interests. Please don’t hesitate to<br />

e-mail me with questions about <strong>the</strong> course. An edited description<br />

<strong>and</strong> syllabus will be available mid-summer.<br />

Instructor: Cialdella, Joseph Stanhope<br />

Section 093 — Writing <strong>the</strong> Visual: Anime, Manga, <strong>and</strong> <strong>the</strong><br />

Place <strong>of</strong> "Low" Culture in "Higher" Education.<br />

What if I told you <strong>the</strong> Final Fantasy videogame series was one <strong>of</strong><br />

<strong>the</strong> greatest works <strong>of</strong> world literature in <strong>the</strong> past twenty years?<br />

Would you agree or disagree? How could you convince a skeptical<br />

reader that Ghost in <strong>the</strong> Shell is more pertinent to our times than<br />

Shakespeare? In this course, while practicing academic writing, we<br />

will assert <strong>the</strong> value <strong>and</strong> importance <strong>of</strong> popular culture as an object<br />

<strong>of</strong> academic study. We will read essays on cultural <strong>the</strong>ory <strong>and</strong> address<br />

current trends such as cyberpunk <strong>and</strong> steampunk, while<br />

learning <strong>the</strong> writing skills needed to help you succeed in college.<br />

Students are invited to explore <strong>the</strong>ir own cultural interests from<br />

hip-hop to video games by creating a writing portfolio. No knowledge<br />

<strong>of</strong> any particular sub-culture is needed for this course, only an<br />

interest in writing about something you love.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 65<br />

This writing course focuses on <strong>the</strong> creation <strong>of</strong> complex, analytic,<br />

well-supported arguments that matter in academic contexts.<br />

Students work closely with <strong>the</strong>ir peers <strong>and</strong> <strong>the</strong> instructor to develop<br />

<strong>the</strong>ir written prose. Readings cover a variety <strong>of</strong> different genres <strong>and</strong><br />

academic disciplines.<br />

We will become pr<strong>of</strong>icient academic writers by practicing writing, in<br />

a comfortable <strong>and</strong> collaborative classroom environment. In order to<br />

better underst<strong>and</strong> patterns in our own writing, we will seek <strong>and</strong><br />

provide feedback at each stage <strong>of</strong> writing. Individually <strong>and</strong> in<br />

groups, we will ask <strong>and</strong> answer questions when planning, during<br />

writing, <strong>and</strong> when evaluating papers, with <strong>the</strong> goal <strong>of</strong> developing a<br />

clearer underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong> writing process. This circle <strong>of</strong> feedback<br />

from peers/instructor will help us improve composition <strong>and</strong> develop<br />

a more realistic view <strong>of</strong> <strong>the</strong> writing process. We will learn to anticipate<br />

<strong>the</strong> needs <strong>and</strong> expectations <strong>of</strong> our readers; develop skills for<br />

structuring <strong>and</strong> framing arguments; <strong>and</strong> to revise our writing in a<br />

productive manner.<br />

Instructor: Dowdle, Brian Clark<br />

Section 096. This course is an introduction to college-level writing,<br />

where we will focus on <strong>the</strong> creation <strong>of</strong> complex, analytic, wellsupported<br />

arguments that matter in academic contexts. It will address<br />

fundamental aspects <strong>of</strong> expository writing, including prewriting<br />

techniques, effective organization <strong>of</strong> ideas, <strong>and</strong> elements <strong>of</strong><br />

style <strong>and</strong> grammar. Additionally, students will participate in peerediting<br />

workshops as a means <strong>of</strong> developing <strong>the</strong>ir editorial skills<br />

<strong>and</strong> obtaining feedback on drafts <strong>of</strong> <strong>the</strong>ir own work.<br />

Instructor: Alvarado, Esteban<br />

Section 097. What is it that sets humans apart from all o<strong>the</strong>r<br />

species? Arguably, it is our complex use <strong>of</strong> language. In this course,<br />

we will investigate this uniquely human trait <strong>and</strong> consider <strong>the</strong><br />

common principles that underlie seemingly unrelated languages<br />

from around <strong>the</strong> world. Additionally, we will grapple with <strong>the</strong> dual<br />

nature <strong>of</strong> language: its remarkable complexity on one h<strong>and</strong>, <strong>and</strong><br />

<strong>the</strong> ease with which children learn it on <strong>the</strong> o<strong>the</strong>r. Written assignments<br />

will include responses to class readings as well as longer<br />

analytic papers.<br />

Our consideration <strong>of</strong> language in this course will be on two levels.<br />

While we are reading <strong>and</strong> thinking about <strong>the</strong> nature <strong>of</strong> language,<br />

we will also be sharpening our own use <strong>of</strong> language as we practice<br />

writing analytical <strong>and</strong> evaluative essays. My goals for this course<br />

are to help you to develop meaningful, persuasive prose; to emphasize<br />

that thinking <strong>and</strong> writing are <strong>of</strong>ten an intertwined process;<br />

<strong>and</strong> finally, to give you a greater appreciation for <strong>the</strong> complexity<br />

<strong>and</strong> richness <strong>of</strong> language (both written <strong>and</strong> spoken) that is so <strong>of</strong>ten<br />

taken for granted.<br />

Section 102. It may seem strange to think about writing in <strong>the</strong><br />

context <strong>of</strong> animals, which are largely incapable <strong>of</strong> communicating in<br />

a systematic way with humans. Yet anyone who has spent a significant<br />

amount <strong>of</strong> time with a companion animal knows that communication<br />

can exist beyond <strong>the</strong> traditional boundaries <strong>of</strong> what we<br />

consider language. In this course, we will use writings about animals<br />

— ranging from fictional works to scientific tracts to legal materials<br />

— as an occasion to practice <strong>the</strong> craft <strong>of</strong> college-level writing.<br />

Students will be expected to engage critically with <strong>the</strong>ir own<br />

work <strong>and</strong> <strong>the</strong> work <strong>of</strong> <strong>the</strong>ir peers, refining <strong>the</strong>ir ability to express<br />

<strong>the</strong>mselves in formal St<strong>and</strong>ard English while respecting <strong>and</strong> cultivating<br />

<strong>the</strong>ir own individual voices.<br />

Instructor: Bruner Olson, Nicolette Isabel<br />

ENGLISH 140. First-Year Seminar on English Language <strong>and</strong><br />

<strong>Literature</strong>.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (HU). May not be repeated for credit.<br />

A course in <strong>the</strong> LSA First-Year Seminar Program taught by a faculty<br />

member. Course involves focused study <strong>of</strong> selected topics in<br />

English language <strong>and</strong> literature through classroom discussion <strong>and</strong><br />

<strong>the</strong> writing <strong>of</strong> essays.


66 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

Section 001 — Shakespeare in Performance.<br />

Shakespeare wrote for a particular kind <strong>of</strong> <strong>the</strong>ater in a complex <strong>and</strong><br />

challenging time. Sometimes praised as a poet <strong>of</strong> <strong>the</strong> stage, he was<br />

also one <strong>of</strong> <strong>the</strong> most gifted, original, <strong>and</strong> provocative masters <strong>of</strong><br />

stagecraft <strong>and</strong> <strong>the</strong> possibilities <strong>of</strong> performance. In this First-Year<br />

Seminar, we will be studying four plays intensively, with a special<br />

emphasis on <strong>the</strong> ways in which performance embodies meaning.<br />

Among <strong>the</strong> plays we will be reading: A Midsummer Night’s Dream,<br />

The Merchant <strong>of</strong> Venice, Hamlet, King Lear, Macbeth, <strong>and</strong>/or<br />

O<strong>the</strong>llo.<br />

The specific goal <strong>of</strong> <strong>the</strong> course will be to learn how performance<br />

works as a fundamental mode <strong>of</strong> signification. We will develop our<br />

skills for watching both filmed <strong>and</strong> live performances; explore playtexts<br />

as imagined performances; bring a <strong>the</strong>atrical <strong>and</strong> textual perspective<br />

to questions about individual words, lines, <strong>and</strong> speeches,<br />

verbal <strong>and</strong> physical interactions among characters, stage directions,<br />

props, audience, <strong>and</strong> stage design. By <strong>the</strong> end <strong>of</strong> <strong>the</strong> term, you will<br />

have a firm sense <strong>of</strong> <strong>the</strong> varied traditions <strong>of</strong> <strong>the</strong>atrical performance<br />

in Shakespeare’s plays <strong>and</strong> an enhanced familiarity with some <strong>of</strong><br />

<strong>the</strong> basic research tools in literature <strong>and</strong> <strong>the</strong>ater.<br />

Instructor: Mullaney, Steven G<br />

Section 002 — Arthurian <strong>Literature</strong>.<br />

Arthurian literature has exerted an enduring fascination for audiences<br />

<strong>and</strong> readers for nearly 1500 years. This course will sample a<br />

variety <strong>of</strong> versions <strong>of</strong> Arthurian characters <strong>and</strong> stories, both serious<br />

<strong>and</strong> comic, from <strong>the</strong> war heroes <strong>of</strong> early Welsh folktale; <strong>the</strong> ideal<br />

chivalric society <strong>of</strong> high medieval romance (where many <strong>of</strong> our<br />

modern ideas <strong>of</strong> love originated); Malory’s full cycle (from <strong>the</strong><br />

Sword in <strong>the</strong> Stone through Lancelot <strong>and</strong> Guinevere, <strong>the</strong> quest for<br />

<strong>the</strong> Holy Grail, <strong>and</strong> <strong>the</strong> downfall <strong>of</strong> <strong>the</strong> Round Table <strong>and</strong> <strong>the</strong> o<strong>the</strong>rworldly<br />

end <strong>of</strong> Arthur, <strong>the</strong> “once <strong>and</strong> future king”); <strong>and</strong> modern appropriations<br />

in works such as Mark Twain, Connecticut Yankee in<br />

King Arthur’s Court <strong>and</strong> Monte Python, Monte Python <strong>and</strong> <strong>the</strong> Holy<br />

Grail. We will compare <strong>and</strong> discuss changes in <strong>the</strong> cultural ideals<br />

represented by shared characters who reappear, to different effect,<br />

across many works for many kinds <strong>of</strong> readers; <strong>and</strong> we will also explore<br />

strategies <strong>of</strong> interpreting both <strong>the</strong> characters <strong>and</strong> <strong>the</strong> sometimes<br />

mysterious logic <strong>of</strong> <strong>the</strong> stories as <strong>the</strong>y unfold <strong>and</strong> ga<strong>the</strong>r<br />

meaning.<br />

Instructor: Taylor, Karla T<br />

Section 003 — <strong>Literature</strong> <strong>and</strong> <strong>the</strong> History <strong>of</strong> Sexuality.<br />

Medieval literature reveals <strong>the</strong> contradictory western invention <strong>of</strong><br />

romantic love <strong>and</strong> sexual desire. Here we discover ideas about <strong>the</strong><br />

sinfulness <strong>of</strong> sexuality, but also <strong>the</strong> acceptance <strong>of</strong> prostitution as a<br />

legal, civic enterprise. We learn that many diseases are thought to<br />

result from sexual intercourse, but also that intercourse is believed<br />

to be a remedy for some physical ailments.<br />

In this course, we will investigate <strong>the</strong> challenges <strong>of</strong> underst<strong>and</strong>ing<br />

<strong>the</strong>se <strong>and</strong> o<strong>the</strong>r conceptions <strong>of</strong> human sexuality, <strong>and</strong> <strong>the</strong> rewarding<br />

difficulties <strong>of</strong> investigating interdisciplinary approaches to love <strong>and</strong><br />

desire.<br />

Course requirements include active participation in discussions,<br />

several essays, peer critiques <strong>of</strong> essays in progress, <strong>and</strong> a collaborative<br />

research project.<br />

Instructor: Tinkle, Theresa L<br />

Section 004 — City Lit.<br />

This course will study <strong>the</strong> emergence <strong>and</strong> flowering <strong>of</strong> modernism<br />

— a movement that aimed to revolutionize literature in <strong>the</strong> late<br />

nineteenth <strong>and</strong> early twentieth centuries — by tracking its development<br />

as a response to <strong>the</strong> growth <strong>of</strong> cities <strong>and</strong> <strong>the</strong> normalization<br />

<strong>of</strong> urban experience. London, Paris, Berlin: all were seized upon by<br />

writers as settings for <strong>the</strong>ir lives <strong>and</strong> works, <strong>and</strong> made integral to<br />

<strong>the</strong> formal experiments <strong>the</strong>y were attempting.<br />

• What matter did <strong>the</strong> city <strong>of</strong>fer to <strong>the</strong>se writers?<br />

• How did <strong>the</strong>ir writings register <strong>the</strong> novelty <strong>of</strong> <strong>the</strong> urban, back in<br />

<strong>the</strong> day, <strong>and</strong> how do <strong>the</strong>y capture its experience yet?<br />

• What kind <strong>of</strong> values does a literature centered on urban experience<br />

privilege <strong>and</strong> produce?<br />

Readings will include short stories, novels, <strong>and</strong> poetry by writers<br />

from <strong>the</strong> late 1800s <strong>and</strong> early 1900s, including Edgar Allan Poe,<br />

Charles Baudelaire, T.S. Eliot, Virginia Woolf, E.M. Forster, James<br />

Joyce, <strong>and</strong> Ka<strong>the</strong>rine Mansfield.<br />

Course Requirements:<br />

Weekly homework assignments <strong>and</strong> four formal essays will be required.<br />

Instructor: Zemgulys, Andrea Patricia<br />

ENGLISH 223. Creative Writing.<br />

(3). (CE). May not be repeated for credit. F, W, Sp.<br />

Introductory creative writing course in which students compose<br />

pieces in fiction, poetry or drama.<br />

Section 003. We will play in <strong>the</strong> intersections between creative<br />

writing <strong>and</strong> o<strong>the</strong>r art forms, particularly <strong>the</strong> visual arts. We will read<br />

<strong>and</strong> write poems inspired by art <strong>and</strong> plays adapted from poems. We<br />

will experiment with techniques used by contemporary writers <strong>and</strong><br />

artists alike, including collage, erasure, <strong>the</strong> use <strong>of</strong> multimedia technology,<br />

<strong>and</strong> collaboration. With <strong>the</strong> campus as our canvas, we will<br />

practice <strong>the</strong> art <strong>of</strong> seeing, <strong>the</strong>n use our skill <strong>of</strong> attention to discover<br />

fresh possibilities for our writing.<br />

Instructor: Manery, Rebecca<br />

Section 004. This introductory workshop focuses on <strong>the</strong> short<br />

story <strong>and</strong> <strong>the</strong> prose poem. Through weekly writing assignments<br />

<strong>and</strong> readings, writers will explore elements <strong>of</strong> craft in both genres.<br />

Students should be prepared to submit <strong>the</strong>ir own writing to class<br />

<strong>and</strong> to actively participate in discussions <strong>of</strong> <strong>the</strong>ir peers’ writing.<br />

Grades will be based on participation, completion <strong>of</strong> writing assignments,<br />

<strong>and</strong> a final portfolio consisting <strong>of</strong> revised work.<br />

Instructor: Sheaffer, Anna<br />

Section 005. In this introductory course, we will read <strong>and</strong> write in<br />

two genres: fiction <strong>and</strong> drama (playwriting).<br />

Authors under consideration include: Donald Bar<strong>the</strong>lme, Italo<br />

Calvino, Angela Carter, Franz Kafka, <strong>To</strong>m Robbins, Gabriel García<br />

Márquez, <strong>and</strong> a host <strong>of</strong> o<strong>the</strong>rs.<br />

Course Requirements:<br />

Students will complete regular writing exercises (with topics such<br />

as: write a paragraph from an animal's point <strong>of</strong> view) <strong>and</strong> write<br />

longer, complete works in each genre. We will primarily study <strong>and</strong><br />

write 10-minute plays, although students who wish to write or<br />

workshop longer pieces are welcome to do so. This class will focus<br />

on workshopping both short fiction <strong>and</strong> short plays, <strong>and</strong> each student<br />

will also turn in a final post-workshop revision in <strong>the</strong> genre <strong>of</strong><br />

<strong>the</strong>ir choice. In addition, we will read widely in <strong>the</strong> fields <strong>of</strong> contemporary<br />

fiction <strong>and</strong> drama to discuss issues <strong>of</strong> craft such as point<br />

<strong>of</strong> view, structure, <strong>and</strong> <strong>the</strong>me.<br />

Intended Audience:<br />

No formal background in playwriting is required. Students interested<br />

in magical realism, surrealism, historical ambiguity, <strong>and</strong> o<strong>the</strong>r<br />

forms <strong>of</strong> non-traditional narratives are especially encouraged to<br />

sign up.<br />

Instructor: Langford Shaw, Kendra<br />

Section 006. This course will be divided between poetry <strong>and</strong><br />

short fiction. We’ll read a diverse selection <strong>of</strong> 20th- <strong>and</strong> 21stcentury<br />

poems <strong>and</strong> short stories, we’ll talk about <strong>the</strong>m, <strong>and</strong> we’ll<br />

write regularly <strong>and</strong> <strong>of</strong>ten. This will be both fun <strong>and</strong> serious. Aiming<br />

to strike a healthy balance between playful, reckless experimentation<br />

<strong>and</strong> rigorous attention to craft, we’ll hone our skills <strong>and</strong> courage<br />

through in-class freewriting, formal <strong>and</strong> informal writing assignments,<br />

games, <strong>and</strong> writing workshops.


Course Requirements:<br />

Grading will be based on two writing portfolios (one for poetry <strong>and</strong><br />

one for fiction) <strong>and</strong> your sincere engagement in <strong>the</strong> class.<br />

Instructor: Puchalski, Audra<br />

Section 007. As writers, how do we use language to brea<strong>the</strong> life<br />

into characters <strong>and</strong> images? In this introductory creative writing<br />

course we will explore creative writing as a craft with <strong>the</strong> goal <strong>of</strong><br />

developing distinctive voices, compelling characters, vibrant images,<br />

lyrical verse, <strong>and</strong> well-defined narrative structures. The goal<br />

will be <strong>the</strong> creation <strong>of</strong> work which engages thoughtfully with <strong>the</strong><br />

world <strong>and</strong> accesses strong <strong>the</strong>mes in a manner characteristic <strong>of</strong><br />

great literature. The focus <strong>of</strong> <strong>the</strong> course will be on fiction as well as<br />

poetry. We will read works <strong>of</strong> fiction <strong>and</strong> poetry <strong>and</strong> discuss <strong>the</strong><br />

form, style <strong>and</strong> content <strong>of</strong> each piece. The course will be workshopcentered<br />

which will give students <strong>the</strong> opportunity to receive constructive<br />

feedback <strong>and</strong> fur<strong>the</strong>r develop strong critical reading skills.<br />

Students will be required to submit a portfolio at midterm <strong>and</strong> again<br />

at <strong>the</strong> end <strong>of</strong> <strong>the</strong> academic term along with a self-evaluation.<br />

Instructor: Beasley, Lionel<br />

Section 008. This course is designed for students who love <strong>the</strong><br />

written word <strong>and</strong> who want to develop <strong>the</strong>ir own voice as creative<br />

writers, even (<strong>and</strong> especially) if <strong>the</strong>y have had little exposure or experience.<br />

Students will encounter classic, modern, <strong>and</strong> contemporary<br />

work within <strong>the</strong> traditions <strong>of</strong> (short) fiction, creative non-fiction<br />

<strong>and</strong> poetry, <strong>and</strong> engage in <strong>the</strong>se traditions through <strong>the</strong>ir own writing.<br />

The hope is for students to be challenged, moved, <strong>and</strong> inspired<br />

by <strong>the</strong> works <strong>of</strong> published writers <strong>and</strong>, more importantly, each<br />

o<strong>the</strong>r. The heart <strong>of</strong> <strong>the</strong> class will be <strong>the</strong> workshop — where students<br />

will discuss each o<strong>the</strong>r’s work with an eye towards revision.<br />

Grading will be based on attendance, participation, written assignments,<br />

<strong>and</strong> a final portfolio <strong>of</strong> revised work.<br />

Instructor: Ganiard, John<br />

Section 009. In this course we aim to return <strong>the</strong> workshop to its<br />

definition: a site for building, exploration <strong>and</strong> innovation. We will<br />

examine 20th century avant garde movements, from <strong>the</strong> early days<br />

<strong>of</strong> Dada/Surrealism, Negritude, Russian Futurism, Brazilian Constructivism,<br />

Oberiu, to mid-century Oulipo, Litteralism, Letterism, to<br />

contemporary American <strong>and</strong> international experimental poetry. The<br />

concepts behind <strong>the</strong>se movements will be secondary to exploring<br />

how poets <strong>and</strong> fiction writers <strong>of</strong> <strong>the</strong> past century have exploited,<br />

subverted <strong>and</strong> exp<strong>and</strong>ed traditional notions <strong>of</strong> what literature is <strong>and</strong><br />

can do. We will explore facets <strong>of</strong> craft, emphasizing that craft is not<br />

static, <strong>and</strong> form, which need not necessarily be formalistic. We will<br />

also engage somewhat with criticism useful to redefining long-held<br />

notions <strong>of</strong> literature, but again <strong>the</strong> focus will be less on <strong>the</strong> metaphysical<br />

than on putting <strong>the</strong>se ideas <strong>of</strong> (im-)possibility into practice.<br />

Some authors we will read will be Julio Cortázar, Rene Char, Bob<br />

Kaufman, Aimé Césaire, Federico García Lorca, John Cage, DA<br />

Powell, Raymond Queneau, Harryette Mullen, Daniil Khaarms, Gabe<br />

Gudding, Tatyana <strong>To</strong>lstaya, etc.<br />

Instructor: Hodges, Kyle<br />

Section 010. The Inferno produces a lyrical image <strong>of</strong> Hell that is<br />

built on Dante’s solid knowledge <strong>of</strong> European history. Through<br />

Junot Díaz’s collection <strong>of</strong> short fiction, Drown, <strong>the</strong> reader learns a<br />

lot about <strong>the</strong> reality <strong>of</strong> contemporary Latin culture in <strong>the</strong> New York<br />

metro area. A best-selling essayist, David Sedaris, has said that 96<br />

percent true is enough to make a story non-fiction for him. In <strong>the</strong>ory,<br />

non-fiction is truth. Fiction is false <strong>and</strong> poetry is <strong>the</strong> work <strong>of</strong> an<br />

imagination gone completely wild. In <strong>the</strong> real world <strong>of</strong> storytelling,<br />

though, truth <strong>and</strong> fantasy blend.<br />

In this course, students will write about <strong>the</strong>ir experiences in <strong>the</strong><br />

form <strong>of</strong> both poetry <strong>and</strong> prose. Some <strong>of</strong> <strong>the</strong>se tales will be true.<br />

Some will be fiction. Many will be a blend <strong>of</strong> both. Each student will<br />

decide how much truth to bring into his or her work <strong>and</strong>, with insight<br />

gained from peer workshops, will find his or her most satisfying<br />

method <strong>of</strong> storytelling. Each student’s final portfolio will contain<br />

both poetry <strong>and</strong> prose.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 67<br />

The core reading list for this class is comprised <strong>of</strong> short selections<br />

from <strong>the</strong> following: Drown by Junot Díaz; Krik? Krak! by Edwidge<br />

Danticat; Me Talk Pretty One Day by David Sedaris; Freakonomics<br />

by Steven D. Levitt <strong>and</strong> Stephen J. Dubner; The Big Short by Michael<br />

Lewis; The Inferno by Dante Alighieri; Montage <strong>of</strong> a Dream<br />

Deferred by Langston Hughes; <strong>and</strong> Cocktails by D.A. Powell.<br />

<strong>To</strong> find inspiration, <strong>the</strong> class will also look at an eclectic array <strong>of</strong><br />

contemporary poetry.<br />

Instructor: Wynne, Trilbe<br />

Section 011. This course is designed to introduce you to <strong>the</strong> craft<br />

<strong>of</strong> poetry <strong>and</strong> fiction writing <strong>and</strong> to invite you to participate in some<br />

<strong>of</strong> <strong>the</strong> venues <strong>and</strong> networks that make up <strong>the</strong> contemporary creative<br />

writing community in <strong>the</strong> U.S. Discussion <strong>of</strong> reading, invention<br />

exercises, drafting, workshop participation, <strong>and</strong> revision exercises<br />

will make up <strong>the</strong> bulk <strong>of</strong> our classroom activities.<br />

Course goals include <strong>the</strong> acquisition <strong>of</strong> a craft-based language to<br />

help you analyze <strong>and</strong> talk about how poems <strong>and</strong> stories work, <strong>the</strong><br />

development <strong>of</strong> a personal writing process, <strong>and</strong> an underst<strong>and</strong>ing<br />

<strong>of</strong> how to continue a writing practice <strong>and</strong> stay connected to a writing<br />

community after <strong>the</strong> course ends. Evaluation will be based on<br />

<strong>the</strong> fulfillment <strong>of</strong> a course contract, which includes completion <strong>of</strong> all<br />

assignments, class <strong>and</strong> workshop participation, class attendance, a<br />

short presentation, attendance at a local reading, <strong>and</strong> poetry <strong>and</strong><br />

fiction portfolios that evidence reflection <strong>and</strong> revision.<br />

Instructor: Want, Joanna Lin<br />

Section 014. Creative writing is <strong>the</strong> very best kind <strong>of</strong> lie: in fiction<br />

<strong>and</strong> poetry, we make stuff up in order to tell each o<strong>the</strong>r deeper<br />

truths. In its study <strong>of</strong> <strong>the</strong>se two genres, this class will encourage<br />

students to find <strong>the</strong>ir inner fabulist <strong>and</strong> tell a few good whoppers<br />

that begin to explain who we are <strong>and</strong> what we’re all doing here.<br />

We’ll read <strong>and</strong> debate attempts by classics <strong>and</strong> contemporaries in<br />

both genres who attempt to answer those questions, including poetry<br />

from Whitman to <strong>the</strong> Beats <strong>and</strong> beyond <strong>and</strong> fiction from Poe<br />

<strong>and</strong> Joyce to David Foster Wallace <strong>and</strong> Roberto Bolaño. But most<br />

importantly, we’ll be writing, <strong>and</strong> writing a lot — writing from <strong>the</strong><br />

faith that in this world <strong>the</strong> blank page is <strong>the</strong> worst kind <strong>of</strong> lie. Assignments<br />

will range from <strong>the</strong> cathartic ab<strong>and</strong>on <strong>of</strong> free-writing to<br />

<strong>the</strong> painstaking search <strong>of</strong> revision, <strong>and</strong> will culminate in long final<br />

project in <strong>the</strong> genre <strong>of</strong> <strong>the</strong> student’s choice, a project we’ll shape<br />

through one-on-one discussion. Students will also keep a journal<br />

<strong>and</strong> practice <strong>the</strong>ir best lies in short in-class writing assignments.<br />

Grades will be based on <strong>the</strong> commitment, effort <strong>and</strong> attention to<br />

detail shown by a student towards <strong>the</strong>ir writing, <strong>the</strong> assigned readings,<br />

in-class discussion <strong>and</strong> peer reviews, <strong>and</strong> a final portfolio including<br />

revisions <strong>of</strong> previously submitted work.<br />

Instructor: Keane, Daniel<br />

Section 016. In this course, we will experiment with forms <strong>of</strong> fiction<br />

<strong>and</strong> creative non-fiction, including flash fiction, short stories,<br />

personal essays, <strong>and</strong> memoir. We will explore both traditional <strong>and</strong><br />

experimental writing <strong>and</strong> take risks both substantive <strong>and</strong> stylistic.<br />

Each week, we will read published work <strong>and</strong> discuss issues <strong>of</strong> craft,<br />

including intent, characterization, structure, tone, <strong>and</strong> style. In<br />

weekly workshops we will consider <strong>and</strong> critique student writing assignments<br />

<strong>and</strong> craft exercises. Grading will be based on a final<br />

portfolio <strong>of</strong> revised work as well as participation <strong>and</strong> peer workshop<br />

feedback.<br />

Instructor: Scherm, Rebecca<br />

ENGLISH 225. Academic Argumentation.<br />

Completion <strong>of</strong> <strong>the</strong> First-Year Writing Requirement. (4). (HU). May<br />

not be repeated for credit. F, W, Sp.<br />

This course focuses on examining <strong>and</strong> employing academic argumentation.<br />

Students hone <strong>the</strong>ir skills at <strong>the</strong> presentation, explanation,<br />

<strong>and</strong> assessment <strong>of</strong> claims through effectively crafted writing<br />

that utilizes appropriate evidence. The course builds on <strong>and</strong> refines


68 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

skills from first-year writing courses <strong>and</strong> provides a basic introduction<br />

to incorporating research.<br />

Section 001. This course requires you to produce thoughtful <strong>and</strong><br />

intellectually rigorous arguments that attend to academic expectations<br />

<strong>of</strong> form <strong>and</strong> style. We will interrogate <strong>the</strong> frequently silent assumptions<br />

that underlie both implicit <strong>and</strong> explicit arguments, recognize<br />

<strong>the</strong> importance <strong>of</strong> context <strong>and</strong> audience when developing<br />

your essays, <strong>and</strong> identify <strong>and</strong> minimize <strong>the</strong> logical fallacies that too<br />

<strong>of</strong>ten pass for nuanced analysis. Critical reading is integral to this<br />

process, <strong>and</strong> will be a central component <strong>of</strong> this course.<br />

Instructor: McConnell, Karen M<br />

Section 003. This course will explore <strong>the</strong> use <strong>of</strong> written academic<br />

argument as inquiry — as a method to solve problems or answer<br />

questions that have yet to be addressed. The goal <strong>of</strong> written argument<br />

is not for an individual or individuals to win but for <strong>the</strong> entire<br />

community to work toward agreement on <strong>the</strong> best possible solution<br />

to a problem. Like ancient rhetoricians, you will learn specific ways<br />

to develop arguments to address questions <strong>of</strong> definition, cause,<br />

value, <strong>and</strong> action about a single issue. The goal is to improve your<br />

written argumentation skills — skills you can use in o<strong>the</strong>r courses.<br />

Also, you should emerge with new skills in using written argumentation<br />

for analysis.<br />

Instructor: Gray, Denise<br />

Section 007. This course will help you build <strong>the</strong> skills you need to<br />

become a persuasive advocate for <strong>the</strong> issues <strong>and</strong> ideas that matter<br />

to you. Throughout <strong>the</strong> term, you will write a series <strong>of</strong> wellinformed,<br />

well-structured arguments that speak to real world debates<br />

— whe<strong>the</strong>r in politics, culture, education or science — that<br />

pique your curiosity, chap your hide or arouse your passion. We will<br />

focus on specific techniques for reading, researching <strong>and</strong> writing<br />

about contemporary issues, providing you with <strong>the</strong> tools you need<br />

to produce a range <strong>of</strong> convincing, sophisticated arguments about<br />

<strong>the</strong> topics you choose to study. I will be encouraging you to consider<br />

<strong>the</strong> concept <strong>of</strong> argument not simply as a means <strong>of</strong> confronting<br />

opponents but also as a means <strong>of</strong> inquiry — a means <strong>of</strong> discovering<br />

<strong>and</strong> building knowledge about ourselves, our communities, <strong>and</strong> <strong>the</strong><br />

world at large. The major papers <strong>and</strong> assignments for this course<br />

will focus on presentation, explanation, <strong>and</strong> assessment <strong>of</strong> claims<br />

through written reasoning that utilizes appropriate evidence <strong>and</strong><br />

writing conventions. This course builds on <strong>and</strong> refines skills from<br />

introductory writing courses ENGLISH 124 <strong>and</strong> 125, as well as provides<br />

a basic introduction to <strong>the</strong> processes <strong>and</strong> effective uses <strong>of</strong><br />

primary <strong>and</strong> secondary research.<br />

Instructor: Berkley, Angela Marie<br />

Section 009. What is "aging with grace"? Does it mean that we<br />

should abstain from beauty surgery <strong>and</strong> let time do its work? Does<br />

it mean that we should exercise regularly to moderate <strong>the</strong> aging<br />

process? Or does it mean that we should learn to be older <strong>and</strong><br />

wiser? And how does a story like "The Curious Case <strong>of</strong> Benjamin<br />

Button" shake up what we know about growth <strong>and</strong> time?<br />

In this class, we will intervene in <strong>the</strong> ongoing discussion <strong>of</strong> beauty,<br />

maturity, productivity, <strong>and</strong> o<strong>the</strong>r age- or time-related issues<br />

through a wide range <strong>of</strong> readings, exercises, <strong>and</strong> assignments.<br />

Starting with <strong>the</strong> conventions <strong>and</strong> protocols <strong>of</strong> academic writing, we<br />

will learn to write in four distinct styles: argumentative essay, research<br />

article, literary analysis, <strong>and</strong> project proposal (or annotated<br />

bibliography).<br />

Class Format:<br />

Through discussion, workshop, conference, collaboration, <strong>and</strong><br />

library tour, we will learn to look at daily issues with a fresh eye,<br />

incorporate research into arguments, <strong>and</strong> complicate arguments by<br />

engaging with different discourses. Although this class is predominantly<br />

about temporality, we may also touch on o<strong>the</strong>r topics <strong>of</strong><br />

your interest. In class, we will focus on <strong>the</strong> mechanics <strong>of</strong> writing<br />

<strong>and</strong> <strong>the</strong> craft <strong>of</strong> argumentation.<br />

Instructor: Ku, Chung-Hao<br />

Section 010. In this course, students will choose a single public<br />

document to examine in a variety <strong>of</strong> writing assignments throughout<br />

<strong>the</strong> academic term. As each student writes a brief biography <strong>of</strong><br />

<strong>the</strong>ir chosen document, <strong>the</strong> course will focus on compiling evidence,<br />

analyzing beliefs <strong>and</strong> assumptions, <strong>and</strong> presenting effective<br />

written arguments. This format will allow students to underst<strong>and</strong><br />

how arguments are made, how <strong>the</strong>y achieve rhetorical impact, <strong>and</strong><br />

what difference public documents make in our everyday lives.<br />

Instructor: Pugh, Melody<br />

Section 011. Ecology has been defined as <strong>the</strong> relationship between<br />

living organisms <strong>and</strong> <strong>the</strong>ir environment. What, <strong>the</strong>n, is <strong>the</strong><br />

ecology <strong>of</strong> an argument? And what are some <strong>of</strong> <strong>the</strong> ecological systems<br />

that <strong>the</strong> writer inhabits?<br />

In this course, we will consider how <strong>the</strong> dem<strong>and</strong>s <strong>of</strong> argumentation<br />

vary according to rhetorical context. We will use methods <strong>of</strong> genre<br />

inquiry to analyze <strong>and</strong> compose arguments dealing with social <strong>and</strong><br />

environmental issues. Questions we will consider include: what<br />

elements make arguments effective? And how does <strong>the</strong> disciplinary<br />

context <strong>of</strong> an argument shape what counts as evidence? Students<br />

will have multiple opportunities in writing to clarify, to explore, to<br />

research, <strong>and</strong> to persuade. They will be expected to provide feedback<br />

on one ano<strong>the</strong>r's work, <strong>and</strong>, collaboratively, to revise.<br />

Instructor: Porter, Anne Elizabeth<br />

Section 015. In this course you will explore how <strong>and</strong> why arguments<br />

are constructed in academia, in general, <strong>and</strong> in your discipline,<br />

specifically. You will support your exploration with course<br />

readings <strong>and</strong> discussions, an interview you conduct with a faculty<br />

member in your discipline about <strong>the</strong>ir published work, <strong>and</strong> an<br />

analysis <strong>of</strong> your own writing reasons <strong>and</strong> processes.<br />

This course requires you do describe your explorations to <strong>the</strong> public<br />

using a blog format, which you will maintain 2-3 times a week. Assignments<br />

for your blog will generate from <strong>the</strong> readings <strong>and</strong><br />

homework from previous courses <strong>and</strong> will build towards <strong>the</strong> writing<br />

<strong>of</strong> 4 formal papers. Each formal paper develops from <strong>and</strong> incorporates<br />

elements <strong>of</strong> <strong>the</strong> previous paper(s).<br />

Instructor: Griffiths, Brett Megan<br />

Section 017. This section focuses on <strong>the</strong> audience. Most if not all<br />

<strong>of</strong> <strong>the</strong> time, people write for a particular audience, but people do<br />

not always consciously think about who <strong>the</strong>ir audience is or how to<br />

connect with <strong>the</strong>m. But someone reading a Twitter feed has a very<br />

different set <strong>of</strong> expectations than someone reading a newspaper,<br />

<strong>and</strong> both have a different set <strong>of</strong> expectations than someone reading<br />

an academic paper. In this class, we will develop strategies for<br />

identifying <strong>and</strong> reaching different kinds <strong>of</strong> audiences. Audience expectations<br />

can determine everything from a writer’s word choice<br />

<strong>and</strong> syntax, to how <strong>the</strong>y structure <strong>the</strong>ir argument, to <strong>the</strong> kinds <strong>of</strong><br />

sources <strong>the</strong>y cite. In this class we will learn how to study audiences<br />

<strong>and</strong> respond to <strong>the</strong>ir rhetorical needs. Students will analyze examples<br />

<strong>of</strong> writers succeeding (or failing) at connecting with <strong>the</strong>ir audience<br />

<strong>and</strong> will practice writing for several different audiences. Work<br />

commitments for this course will include reading, large- <strong>and</strong> smallgroup<br />

discussion, peer reviews <strong>and</strong> workshops <strong>of</strong> one ano<strong>the</strong>r’s<br />

work, small-scale writing assignments, <strong>and</strong> several extended essays.<br />

Instructor: Matzke, Brian Severin<br />

Section 018 & 019. In this course, you are assumed to have<br />

learned <strong>the</strong> basics <strong>of</strong> grammar <strong>and</strong> citation formats, as well as how<br />

to assemble a coherent argument. Here, we will explore ways to<br />

shape more sophisticated arguments. We will also work to develop<br />

a clear <strong>and</strong> personal writing voice, <strong>and</strong> to present effective <strong>the</strong>ses<br />

while avoiding logical fallacies. With those goals in mind, we will<br />

discuss ways to make use <strong>of</strong> <strong>the</strong> "Four Classes <strong>of</strong> Argument," <strong>and</strong><br />

to eliminate <strong>the</strong> most damaging "Logical Fallacies."<br />

Instructor: Taylor III, Charles Lavelle


Section 020. This course is designed to improve a studentwriter's<br />

pr<strong>of</strong>iciency in persuasive discourse — argumentative writing<br />

which seeks to persuade a reader to a specific point <strong>of</strong> view by<br />

means <strong>of</strong> reason. Most <strong>of</strong>ten <strong>the</strong> subject matter <strong>of</strong> argumentative<br />

essays is controversial <strong>and</strong> contemporary; yet, <strong>the</strong> forms for <strong>the</strong><br />

delivery <strong>of</strong> ideas on those topics you will be introduced to are quite<br />

classical. By <strong>the</strong> end <strong>of</strong> <strong>the</strong> academic term <strong>the</strong> student-writer<br />

should be on <strong>the</strong> road to becoming an effective communicator,<br />

skilled in a number <strong>of</strong> literary techniques <strong>and</strong>, hopefully, be able to<br />

convey ideas in a precise, provocative <strong>and</strong> logical manner. In <strong>the</strong><br />

past, literature was used almost exclusively as model <strong>and</strong> inspirational<br />

catalyst for analyses <strong>and</strong> essays on topics in written form. In<br />

this course, student writing, pr<strong>of</strong>essional non-fiction, popular culture<br />

<strong>and</strong>, occasionally, literature will be employed as subject matter<br />

for discussions as well as in-class <strong>and</strong> out <strong>of</strong> class essays. This academic<br />

term <strong>the</strong> discourse will revolve around some specific issues<br />

<strong>and</strong> subjects: argumentation; Black secular music; Black<br />

male/female relationships (gender); <strong>and</strong> class <strong>and</strong> race. The essays<br />

you will write during <strong>the</strong> term will focus on <strong>the</strong>se topics (<strong>and</strong> / or<br />

sub-topics within <strong>the</strong>se areas).<br />

Policies & Procedural Requirements:<br />

Attendance is required. Four or more absences will adversely affect<br />

<strong>the</strong> final grade you receive, e.g., from a B+ to a B, a C+ to a C,<br />

etc.<br />

Tardiness is also inexcusable. If you are late 3 times, this counts as<br />

an absence.<br />

Late papers are unacceptable. Period. (If, however, <strong>the</strong>re are legitimate<br />

<strong>and</strong> reasonable circumstances that necessitate you asking<br />

for an extension, you must ask for more time well in advance <strong>of</strong> <strong>the</strong><br />

paper's due date.)<br />

Revised Papers are due no later than seven days from <strong>the</strong> day <strong>the</strong><br />

paper is returned to you. Only 2 papers (out <strong>of</strong> 7) can be revised.<br />

Class Participation is very important <strong>and</strong> will be considered when<br />

computing your final grade.<br />

Visual Stimuli.<br />

Throughout <strong>the</strong> course <strong>of</strong> <strong>the</strong> academic term, I will show quite a<br />

few videotapes—documentaries, news segments, etc., — which are<br />

provided to supplement your knowledge on <strong>the</strong> topics, enhance<br />

your classroom experience <strong>and</strong> function as additional (<strong>and</strong> perhaps<br />

more recent) support for your arguments. These visual stimuli constitute<br />

“visual evidence.” You are expected to watch <strong>the</strong>se quietly,<br />

take notes <strong>and</strong> analytically consider <strong>the</strong> connections between <strong>the</strong>se<br />

materials <strong>and</strong> <strong>the</strong> writing contained in <strong>the</strong> course-packs on <strong>the</strong> topics.<br />

For Help With Your Writing:<br />

Each student is strongly recommended to see me if s/he is really<br />

serious about improving his/her writing. Although my schedule is<br />

usually “open” to allow me <strong>the</strong> possibility <strong>of</strong> seeing students who<br />

just “drop by,” if you want help with your writing you should make<br />

a st<strong>and</strong>ing appointment with me by calling Ms. Della Wea<strong>the</strong>rspoon<br />

at 764-9129. (I might also add that our review <strong>of</strong> a draft is no<br />

guarantee that your paper will receive an “A” because it was<br />

somewhat error-free at <strong>the</strong> time.) When you want help with your<br />

writing please bring <strong>the</strong> work on an IBM diskette (which will make it<br />

a lot easier to make <strong>the</strong> necessary revisions).<br />

Written Assignments:<br />

• Three (3) 4-6 page out <strong>of</strong> class (oc) essays, typed, doublespaced<br />

<strong>and</strong> substantiated by outside sources ( In o<strong>the</strong>r words,<br />

you'll be writing research papers which include quotes from<br />

authorities on <strong>the</strong> subject. Only 2 <strong>of</strong> <strong>the</strong>se sources can be internet<br />

or www sources.)<br />

• Four (4) in class essays, 2 — 3 pages (not skipping a line) on<br />

readings from <strong>the</strong> coursepack or issues discussed in class related<br />

to <strong>the</strong> readings.<br />

• One (1) Mid-Term Examination<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 69<br />

• One (1) Take-Home Final Examination related to <strong>the</strong> last topic<br />

covered in <strong>the</strong> course.<br />

Instructor: Story, Ralph D<br />

ENGLISH 245 / RCHUMS 280 / THTREMUS 211. Introduction<br />

to Drama <strong>and</strong> Theatre.<br />

(3). (HU). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in RCHUMS 281.<br />

Section 001. The course aims to introduce students to <strong>the</strong> power<br />

<strong>and</strong> variety <strong>of</strong> <strong>the</strong>atre, <strong>and</strong> to help <strong>the</strong>m underst<strong>and</strong> <strong>the</strong> processes<br />

which go toward making a production. Five to seven plays will be<br />

subjects <strong>of</strong> special study, chosen to cover a wide range <strong>of</strong> style <strong>and</strong><br />

content, but interest will not be confined to <strong>the</strong>se.<br />

Required Texts: available at <strong>the</strong> Shaman Drum <strong>and</strong> on reserve at<br />

<strong>the</strong> Shapiro:<br />

• The Essential Theatre, Oscar Brockett<br />

• Waiting for Godot, Samuel Beckett<br />

• The Piano Lesson, August Wilson<br />

• The Heidi Chronicles, Wendy Wasserstein<br />

• Dream on Monkey Mountain, Derek Walcott<br />

Online:<br />

• Oedipus Rex, Sophocles<br />

• Romeo <strong>and</strong> Juliet, William Shakespeare<br />

• <strong>and</strong> o<strong>the</strong>r online readings as assigned<br />

Course Objectives:<br />

1. <strong>To</strong> determine what "<strong>the</strong>atre" <strong>and</strong> "drama" have meant at different<br />

times in history <strong>and</strong> what <strong>the</strong>y mean now, <strong>and</strong> to do so by<br />

examining l<strong>and</strong>mark plays in <strong>the</strong>ir <strong>the</strong>atrical <strong>and</strong> social contexts.<br />

2. <strong>To</strong> gain a fundamental underst<strong>and</strong>ing <strong>of</strong> how each <strong>of</strong> <strong>the</strong> <strong>the</strong>atre's<br />

constituent arts (acting, directing, design, playwriting, architecture)<br />

contributes to <strong>the</strong> making <strong>of</strong> a <strong>the</strong>atrical whole.<br />

3. <strong>To</strong> develop a sense <strong>of</strong> how <strong>the</strong>atre is a discipline without clear<br />

boundaries <strong>and</strong> how o<strong>the</strong>r practices intersect with <strong>and</strong> shape<br />

<strong>the</strong>atrical performance.<br />

Course Requirements:<br />

Three papers are required plus a final examination.<br />

Class Format:<br />

Each student will attend two lectures weekly, plays a two-hour<br />

meeting in section each week; <strong>the</strong> latter will be used for questions,<br />

discussions, exploration <strong>of</strong> texts, <strong>and</strong> o<strong>the</strong>r exercises. Students will<br />

be required to attend two or more <strong>the</strong>atre performances, chosen<br />

from those available in Ann Arbor.<br />

Instructor: Westlake, EJ<br />

ENGLISH 267. Shakespeare <strong>and</strong> His World.<br />

Completion <strong>of</strong> first-year writing requirement. (3). (HU). May not be<br />

repeated for credit.<br />

Section 001 — The Major Plays, Text, <strong>and</strong> Performance.<br />

This course is designed to <strong>of</strong>fer undergraduates a useful introduction<br />

to <strong>the</strong> dramatic world created in <strong>the</strong> master playwright's comedies,<br />

histories, tragedies <strong>and</strong> romances. In addition to developing<br />

close reading skills by looking circumstantially at <strong>the</strong> language <strong>of</strong><br />

<strong>the</strong> plays (this will include a brief excursion into an examination <strong>of</strong><br />

<strong>the</strong> sonnets), students will be everywhere encouraged to imagine<br />

possibilities for Shakespeare in performance.<br />

In order to do so, we will make use <strong>of</strong> <strong>the</strong> wide collection <strong>of</strong> recordings<br />

<strong>and</strong> tapes <strong>of</strong> <strong>the</strong> plays held in <strong>the</strong> Shapiro Library. The fundamental<br />

prerequisite for this class is intellectual curiosity.<br />

Works to be studied include Hamlet, Macbeth, O<strong>the</strong>llo, King Lear,<br />

King Richard 111, A Midsummer Night’s Dream, Romeo <strong>and</strong> Juliet,<br />

Julius Caesar, <strong>and</strong> The Merchant <strong>of</strong> Venice.<br />

The text for this class is The Riverside Shakespeare


70 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

Course requirements include both a midterm <strong>and</strong> a final examination,<br />

as well as weekly response papers.<br />

Instructor: Brater, Enoch<br />

ENSCEN (Environmental <strong>Science</strong>s <strong>and</strong><br />

Engineering)<br />

ENSCEN 105 / AOSS 105 / CHEM 105 / ENVIRON 105. Our<br />

Changing Atmosphere.<br />

(3). (NS). (BS). May not be repeated for credit.<br />

The greenhouse effect, stratospheric ozone depletion, <strong>the</strong> polar<br />

ozone holes, <strong>and</strong> urban smog are discussed from a scientific perspective<br />

using <strong>the</strong> latest information. Human-induced change in<br />

atmospheric composition is a primary vehicle for Global Change.<br />

These changes can affect atmospheric motions, including jet<br />

streams, fronts <strong>and</strong> violent storms. The atmosphere interacts with<br />

all o<strong>the</strong>r components <strong>of</strong> <strong>the</strong> environment: <strong>the</strong> oceans, <strong>the</strong> geosphere<br />

(solid earth), <strong>the</strong> biosphere (living plants <strong>and</strong> animals), <strong>and</strong><br />

<strong>the</strong> cryosphere (glaciers <strong>and</strong> ice-caps). These interactions <strong>and</strong><br />

"feedback mechanisms" are a central <strong>the</strong>me <strong>of</strong> this course, which is<br />

intended for non-science concentrators.<br />

Intended Audience:<br />

Non-science concentrators.<br />

Instructor: De Roo, Roger Dean<br />

ENSCEN 171 / AOSS 171 / BIOLOGY 110 / ENVIRON 110 /<br />

GEOSCI 171. Introduction <strong>of</strong> Global Change: Physical Processes.<br />

(4). (NS). (BS). May not be repeated for credit. Credit is granted for<br />

a combined total <strong>of</strong> 17 credits elected in introductory biology. Satisfies<br />

<strong>the</strong> geography requirement for State <strong>of</strong> <strong>Michigan</strong> certification<br />

for social studies teachers. F.<br />

Section 001.<br />

Instructor(s):<br />

• David Allan (NRE)<br />

• Ca<strong>the</strong>rine Badgley (Ecology <strong>and</strong> Evolutionary Biology),<br />

cbadgley@umich.edu<br />

• Christopher Poulson (Geology), poulsen@umich.edu<br />

Every day, millions <strong>of</strong> human <strong>and</strong> natural activities are altering <strong>the</strong><br />

planet on which we live. Over <strong>the</strong> past century, through our everincreasing<br />

population <strong>and</strong> mastery <strong>of</strong> technology, we have been<br />

changing <strong>the</strong> global environment at a pace unknown to natural history.<br />

The University <strong>of</strong> <strong>Michigan</strong> Global Change Program <strong>of</strong>fers an interdisciplinary,<br />

introductory course sequence which investigates <strong>the</strong><br />

causes <strong>and</strong> potential impacts <strong>of</strong> <strong>the</strong>se changes using a combination<br />

<strong>of</strong> traditional lecture-based <strong>and</strong> modern web-based teaching methodologies.<br />

The Fall Academic Term course deals with issues relating<br />

to <strong>the</strong> physical, chemical, <strong>and</strong> biological cycles contributing to<br />

Global Change. Students apply learned knowledge by using spreadsheet<br />

<strong>and</strong> systems modeling s<strong>of</strong>tware to investigate <strong>the</strong> dynamics<br />

<strong>of</strong> natural systems.<br />

The Web-based course curriculum provides unparalleled opportunities<br />

to conduct on-line Internet research. In fact, you will create<br />

your own web-based poster on a topic <strong>of</strong> your choosing. The interactive<br />

laboratory exercises provide you <strong>the</strong> opportunity to use computers<br />

to examine how natural systems function as well as develop<br />

projections <strong>of</strong> <strong>the</strong> future consequences <strong>of</strong> changes in <strong>the</strong> environment.<br />

And, perhaps most important <strong>of</strong> all, you will have ample time<br />

for discussion <strong>of</strong> <strong>the</strong> critical issues in human development <strong>and</strong> how<br />

<strong>the</strong>y relate to <strong>the</strong> international business community, global economics,<br />

society as a whole <strong>and</strong> <strong>the</strong> individual. All topics are developed<br />

in a manner that students will find both accessible <strong>and</strong> enjoyable.<br />

You will discuss...<br />

• Current <strong>and</strong> Projected Global Change<br />

• The Role <strong>of</strong> <strong>the</strong> Individual as a Citizen <strong>of</strong> <strong>the</strong> Planet<br />

• Case Studies <strong>of</strong> Regional <strong>and</strong> Global Change Issues<br />

You will create...<br />

• Models <strong>of</strong> Interacting Systems that Give Insight into <strong>the</strong> Collision<br />

Between Natural <strong>and</strong> Societal Processes<br />

• A Web-based Poster on a Related <strong>To</strong>pic <strong>of</strong> Your Choice<br />

<strong>To</strong>pics that are covered ......<br />

The Universe:<br />

• Big Bang Theory<br />

• Birth <strong>and</strong> Death <strong>of</strong> Stars<br />

• Radiation Laws<br />

• Origin <strong>of</strong> <strong>the</strong> Elements<br />

• Planetary Energy Budget<br />

Our Planet:<br />

• The Age <strong>of</strong> <strong>the</strong> Earth<br />

• Primitive Atmospheres<br />

• Natural Hazards<br />

• Plate Tectonics<br />

• Chemical & Biological Evolution<br />

• The Building Blocks for Life<br />

Earth's Atmospheric & Oceanic Evolution:<br />

• Life Processes <strong>and</strong> Earth Systems<br />

• The Great Ice Ages<br />

• Atmospheric Circulation <strong>and</strong> Wea<strong>the</strong>r<br />

• Climate <strong>and</strong> Paleoclimate<br />

• Greenhouse Gases <strong>and</strong> Global Warming<br />

• Sea Level Change<br />

• El Niño<br />

The Tree <strong>of</strong> Life:<br />

• Emergence <strong>of</strong> Complex Life<br />

• Extinction <strong>and</strong> Radiation<br />

• The Five Kingdoms<br />

• Natural Selection<br />

• Respiration <strong>and</strong> Photosyn<strong>the</strong>sis<br />

• Ecosystems<br />

Projected Ecological Consequences:<br />

• Elevated Carbon Dioxide Levels<br />

• Environmental Pollutants<br />

• Ozone Depletion<br />

• Likelihood <strong>of</strong> Global Climatic Change<br />

Course Requirements:<br />

The course grade is based on two midterm exams, a final exam,<br />

completion <strong>of</strong> laboratory modules, <strong>and</strong> a course project based on<br />

some aspect <strong>of</strong> global change.<br />

Intended Audience:<br />

There are no prerequisites for <strong>the</strong> course <strong>and</strong> no science background<br />

is assumed. The course is appropriate for all undergraduate<br />

students, irrespective <strong>of</strong> intended concentration, <strong>and</strong> is <strong>the</strong> first <strong>of</strong> a<br />

series <strong>of</strong> courses that can be taken as part <strong>of</strong> <strong>the</strong> Global Change<br />

Minor.


ENVIRON (Program in <strong>the</strong><br />

Environment)<br />

Program in <strong>the</strong> Environment Waitlist Policy<br />

As required by LSA, all Program in <strong>the</strong> Environment (ENVIRON)<br />

courses will have electronic waitlists in effect at <strong>the</strong> beginning <strong>of</strong><br />

registration. Students interested in enrolling in a course that has<br />

filled should add <strong>the</strong>ir name to <strong>the</strong> appropriate waitlist through <strong>the</strong><br />

on-line registration system (Wolverine Access). A waitlist number<br />

will appear on <strong>the</strong> student’s schedule indicating <strong>the</strong>ir sequential<br />

spot on <strong>the</strong> electronic waitlist. However, priority on <strong>the</strong> waitlist is<br />

determined not by sequential order but by <strong>the</strong> Department policies<br />

listed below. Faculty members will apply appropriate departmental<br />

policies to determine which, if any, students are accepted into <strong>the</strong><br />

class once it is full <strong>and</strong> waitlisted.<br />

Waitlist Priorities in 100 <strong>and</strong> 200 level courses:<br />

• Sophomores, including those with Junior class st<strong>and</strong>ing due to<br />

Advanced Placement credit<br />

• Freshmen<br />

• Juniors<br />

• Seniors<br />

Waitlist Priorities in 300 <strong>and</strong> 400 level courses:<br />

• Senior concentrators<br />

• Junior concentrators<br />

• Sophomore concentrators<br />

• All o<strong>the</strong>r undergraduate students in order <strong>of</strong> sequence on <strong>the</strong><br />

waitlist who have fulfilled <strong>the</strong> appropriate prerequisite<br />

• For 400 level courses only: Graduate students in order <strong>of</strong> sequence<br />

on <strong>the</strong> waitlist<br />

Permission Priorities Faculty will use <strong>the</strong> Department’s established<br />

priorities to grant permissions. Students who are registered<br />

in one section <strong>of</strong> a class, but wish to switch sections, will NOT be<br />

given priority over any students on <strong>the</strong> <strong>of</strong>ficial waitlist in Wolverine<br />

Access.<br />

Permission Procedures During early registration <strong>and</strong> prior to <strong>the</strong><br />

beginning <strong>of</strong> <strong>the</strong> term, PitE staff will issue permissions to students<br />

on each waitlist as seats open using <strong>the</strong> priority classifications listed<br />

above. Once <strong>the</strong> term begins, faculty can manage <strong>the</strong>ir own waitlists<br />

or can request to have PitE continue managing <strong>the</strong>m until <strong>the</strong><br />

day before <strong>the</strong> end <strong>of</strong> <strong>the</strong> third week <strong>of</strong> courses. Permissions are<br />

issued within 24 hours <strong>of</strong> Program staff receiving <strong>the</strong>m from <strong>the</strong> instructor.<br />

It is recommended that faculty do not issue permissions until after<br />

a class has met two times. For seminar or lecture courses, students<br />

should attend <strong>the</strong> first two seminars or lectures <strong>of</strong> <strong>the</strong> course. For<br />

lecture courses with discussion sections, students should attend <strong>the</strong><br />

first two lectures <strong>and</strong> one discussion section <strong>of</strong> <strong>the</strong> course. Faculty<br />

can request registered students to be administratively dropped<br />

from a course if <strong>the</strong>y fail to attend <strong>the</strong> first two class meetings as<br />

described above.<br />

Students <strong>of</strong>fered permission will receive an e-mail with registration<br />

information from Wolverine Access. Permissions will be valid for<br />

3 days <strong>and</strong> will expire at midnight on <strong>the</strong> third day (which<br />

includes weekends). Failure to use <strong>the</strong> permission within <strong>the</strong> 3<br />

day time frame will result in being administratively dropped from<br />

<strong>the</strong> waitlist. After receiving permission, students must add <strong>the</strong> class<br />

via Wolverine Access to become <strong>of</strong>ficially enrolled. Also, students<br />

will not be able to register for <strong>the</strong> course (add <strong>the</strong> course) until<br />

<strong>the</strong>y are issued permission <strong>and</strong> have dropped <strong>the</strong>mselves from <strong>the</strong><br />

waitlist. In all cases, it is <strong>the</strong> student’s responsibility to insure he or<br />

she is properly enrolled in, or dropped from, a course.<br />

Students <strong>and</strong> Faculty should be advised <strong>of</strong> <strong>the</strong> following<br />

• As soon as a class with a waitlist closes <strong>and</strong> a student gets on<br />

<strong>the</strong> waitlist, <strong>the</strong> class does not open if seats are added or if a<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 71<br />

student drops <strong>the</strong> class as long as <strong>the</strong>re is at least one person<br />

on <strong>the</strong> waitlist<br />

• A student can only waitlist for one section <strong>of</strong> a multi-component<br />

course<br />

• A student enrolled in one section <strong>of</strong> a multi-component course<br />

cannot waitlist for ano<strong>the</strong>r section in <strong>the</strong> same association.<br />

ENVIRON 101 / BIOLOGY 101. Energy, Food, <strong>and</strong> <strong>the</strong><br />

Environment.<br />

(4). (NS). (BS). May not be repeated for credit. Credit is granted for<br />

a combined total <strong>of</strong> 17 credits elected in introductory biology.<br />

The course begins with a presentation <strong>of</strong> <strong>the</strong> basic ideas <strong>of</strong> <strong>the</strong><br />

method <strong>of</strong> science <strong>and</strong> its history <strong>and</strong> <strong>the</strong>n proceeds to an analysis<br />

<strong>of</strong> <strong>the</strong> current environmental crises, especially as related to <strong>the</strong><br />

problem <strong>of</strong> food <strong>and</strong> energy <strong>and</strong> <strong>the</strong>ir production <strong>and</strong> utilization.<br />

Subjects include <strong>the</strong> crisis <strong>of</strong> obesity in <strong>the</strong> U.S., nutritional diseases<br />

such as diabetes, <strong>the</strong> growth <strong>of</strong> <strong>the</strong> industrial system <strong>of</strong> agriculture,<br />

alternative forms <strong>of</strong> agriculture, <strong>the</strong> development <strong>of</strong> <strong>the</strong> hydrocarbon<br />

energy society, global climate change <strong>and</strong> its consequences,<br />

among o<strong>the</strong>rs. Emphasis is placed on <strong>the</strong> need for scientific underst<strong>and</strong>ing<br />

<strong>of</strong> <strong>the</strong>se problems <strong>and</strong> citizen participation in developing<br />

rational solutions.<br />

Intended Audience:<br />

This is a course aimed at non-science concentrators, interested in<br />

issues <strong>of</strong> food, energy <strong>and</strong> <strong>the</strong> environment.<br />

ENVIRON 102 / AOSS 102 / GEOSCI 122. Extreme<br />

Wea<strong>the</strong>r.<br />

(3). (NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in AOSS 202.<br />

This course provides an introduction to <strong>the</strong> physics <strong>of</strong> extreme<br />

wea<strong>the</strong>r events. The course uses wea<strong>the</strong>r disasters <strong>and</strong> threats to<br />

illustrate <strong>the</strong> physical laws governing <strong>the</strong> atmosphere.<br />

We examine solar eruptions, ice ages, climate change, monsoons,<br />

El Niño, hurricanes, floods, droughts, heat waves, thunderstorms,<br />

lightning, hail, tornados, <strong>and</strong> o<strong>the</strong>r extreme atmospheric events to<br />

illustrate <strong>the</strong> basic physical laws that produce <strong>the</strong>se events. Participants<br />

are expected to apply <strong>the</strong>se principles to a series <strong>of</strong> homework<br />

assignments including h<strong>and</strong>s-on wea<strong>the</strong>r forecasting <strong>and</strong><br />

analysis <strong>of</strong> storm events.<br />

Required resources for this course include:<br />

1. An on-line subscription to XamPREP: Essentials <strong>of</strong> Meteorology<br />

by C. Donald Ahrens with<br />

2. (Optionally) A hard-copy version <strong>of</strong> Essentials <strong>of</strong> Meteorology by<br />

C. Donald Ahrens (it's redundant but some really prefer to also<br />

have <strong>the</strong> traditional paper copy), <strong>and</strong><br />

3. A copy <strong>of</strong> Extreme Wea<strong>the</strong>r by Chris Burt.<br />

Instructor: Samson, Perry J<br />

ENVIRON 105 / AOSS 105 / CHEM 105 / ENSCEN 105. Our<br />

Changing Atmosphere.<br />

(3). (NS). (BS). May not be repeated for credit.<br />

The greenhouse effect, stratospheric ozone depletion, <strong>the</strong> polar<br />

ozone holes, <strong>and</strong> urban smog are discussed from a scientific perspective<br />

using <strong>the</strong> latest information. Human-induced change in<br />

atmospheric composition is a primary vehicle for Global Change.<br />

These changes can affect atmospheric motions, including jet<br />

streams, fronts <strong>and</strong> violent storms. The atmosphere interacts with<br />

all o<strong>the</strong>r components <strong>of</strong> <strong>the</strong> environment: <strong>the</strong> oceans, <strong>the</strong> geosphere<br />

(solid earth), <strong>the</strong> biosphere (living plants <strong>and</strong> animals), <strong>and</strong><br />

<strong>the</strong> cryosphere (glaciers <strong>and</strong> ice-caps). These interactions <strong>and</strong><br />

"feedback mechanisms" are a central <strong>the</strong>me <strong>of</strong> this course, which is<br />

intended for non-science concentrators.<br />

Intended Audience:<br />

Non-science concentrators.<br />

Instructor: De Roo, Roger Dean


72 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

ENVIRON 110 / AOSS 171 / BIOLOGY 110 / ENSCEN 171 /<br />

GEOSCI 171. Introduction <strong>of</strong> Global Change: Physical Processes.<br />

(4). (NS). (BS). May not be repeated for credit. Credit is granted for<br />

a combined total <strong>of</strong> 17 credits elected in introductory biology. Satisfies<br />

<strong>the</strong> geography requirement for State <strong>of</strong> <strong>Michigan</strong> certification<br />

for social studies teachers. F.<br />

Section 001.<br />

Instructor(s):<br />

• David Allan (NRE)<br />

• Ca<strong>the</strong>rine Badgley (Ecology <strong>and</strong> Evolutionary Biology),<br />

cbadgley@umich.edu<br />

• Christopher Poulson (Geology), poulsen@umich.edu<br />

Every day, millions <strong>of</strong> human <strong>and</strong> natural activities are altering <strong>the</strong><br />

planet on which we live. Over <strong>the</strong> past century, through our everincreasing<br />

population <strong>and</strong> mastery <strong>of</strong> technology, we have been<br />

changing <strong>the</strong> global environment at a pace unknown to natural history.<br />

The University <strong>of</strong> <strong>Michigan</strong> Global Change Program <strong>of</strong>fers an interdisciplinary,<br />

introductory course sequence which investigates <strong>the</strong><br />

causes <strong>and</strong> potential impacts <strong>of</strong> <strong>the</strong>se changes using a combination<br />

<strong>of</strong> traditional lecture-based <strong>and</strong> modern web-based teaching methodologies.<br />

The Fall Academic Term course deals with issues relating<br />

to <strong>the</strong> physical, chemical, <strong>and</strong> biological cycles contributing to<br />

Global Change. Students apply learned knowledge by using spreadsheet<br />

<strong>and</strong> systems modeling s<strong>of</strong>tware to investigate <strong>the</strong> dynamics<br />

<strong>of</strong> natural systems.<br />

The Web-based course curriculum provides unparalleled opportunities<br />

to conduct on-line Internet research. In fact, you will create<br />

your own web-based poster on a topic <strong>of</strong> your choosing. The interactive<br />

laboratory exercises provide you <strong>the</strong> opportunity to use computers<br />

to examine how natural systems function as well as develop<br />

projections <strong>of</strong> <strong>the</strong> future consequences <strong>of</strong> changes in <strong>the</strong> environment.<br />

And, perhaps most important <strong>of</strong> all, you will have ample time<br />

for discussion <strong>of</strong> <strong>the</strong> critical issues in human development <strong>and</strong> how<br />

<strong>the</strong>y relate to <strong>the</strong> international business community, global economics,<br />

society as a whole <strong>and</strong> <strong>the</strong> individual. All topics are developed<br />

in a manner that students will find both accessible <strong>and</strong> enjoyable.<br />

You will discuss...<br />

• Current <strong>and</strong> Projected Global Change<br />

• The Role <strong>of</strong> <strong>the</strong> Individual as a Citizen <strong>of</strong> <strong>the</strong> Planet<br />

• Case Studies <strong>of</strong> Regional <strong>and</strong> Global Change Issues<br />

You will create...<br />

• Models <strong>of</strong> Interacting Systems that Give Insight into <strong>the</strong> Collision<br />

Between Natural <strong>and</strong> Societal Processes<br />

• A Web-based Poster on a Related <strong>To</strong>pic <strong>of</strong> Your Choice<br />

<strong>To</strong>pics that are covered ......<br />

The Universe:<br />

• Big Bang Theory<br />

• Birth <strong>and</strong> Death <strong>of</strong> Stars<br />

• Radiation Laws<br />

• Origin <strong>of</strong> <strong>the</strong> Elements<br />

• Planetary Energy Budget<br />

Our Planet:<br />

• The Age <strong>of</strong> <strong>the</strong> Earth<br />

• Primitive Atmospheres<br />

• Natural Hazards<br />

• Plate Tectonics<br />

• Chemical & Biological Evolution<br />

• The Building Blocks for Life<br />

Earth's Atmospheric & Oceanic Evolution:<br />

• Life Processes <strong>and</strong> Earth Systems<br />

• The Great Ice Ages<br />

• Atmospheric Circulation <strong>and</strong> Wea<strong>the</strong>r<br />

• Climate <strong>and</strong> Paleoclimate<br />

• Greenhouse Gases <strong>and</strong> Global Warming<br />

• Sea Level Change<br />

• El Niño<br />

The Tree <strong>of</strong> Life:<br />

• Emergence <strong>of</strong> Complex Life<br />

• Extinction <strong>and</strong> Radiation<br />

• The Five Kingdoms<br />

• Natural Selection<br />

• Respiration <strong>and</strong> Photosyn<strong>the</strong>sis<br />

• Ecosystems<br />

Projected Ecological Consequences:<br />

• Elevated Carbon Dioxide Levels<br />

• Environmental Pollutants<br />

• Ozone Depletion<br />

• Likelihood <strong>of</strong> Global Climatic Change<br />

Course Requirements:<br />

The course grade is based on two midterm exams, a final exam,<br />

completion <strong>of</strong> laboratory modules, <strong>and</strong> a course project based on<br />

some aspect <strong>of</strong> global change.<br />

Intended Audience:<br />

There are no prerequisites for <strong>the</strong> course <strong>and</strong> no science background<br />

is assumed. The course is appropriate for all undergraduate<br />

students, irrespective <strong>of</strong> intended concentration, <strong>and</strong> is <strong>the</strong> first <strong>of</strong> a<br />

series <strong>of</strong> courses that can be taken as part <strong>of</strong> <strong>the</strong> Global Change<br />

Minor.<br />

Instructor: Allan, J David<br />

ENVIRON 118 / GEOSCI 118. Introductory Geology<br />

Laboratory.<br />

Prior or concurrent enrollment in GEOSCI 119, or 205 <strong>and</strong> 206, or<br />

135. (1). (NS). (BS). May not be repeated for credit. No credit if<br />

completed an introductory course in geology (GEOSCI/ENVIRON<br />

116, 117, or 218). F, W.<br />

A one-term laboratory course covering <strong>the</strong> laboratory portion <strong>of</strong><br />

Introduction to Geology. The laboratory provides h<strong>and</strong>s-on experience<br />

with minerals, rocks, <strong>and</strong> maps. Participants will learn to identify<br />

common minerals <strong>and</strong> rocks, use topographic <strong>and</strong> geologic<br />

maps, <strong>and</strong> draw <strong>and</strong> interpret geologic cross sections. Examples will<br />

be drawn from areas <strong>of</strong> recent glaciation, volcanism, <strong>and</strong> earthquakes<br />

to show how <strong>the</strong>se features are depicted in maps.<br />

Students who register for GEOSCI 118 must also be enrolled in<br />

GEOSCI 119 or <strong>the</strong>y must have taken 119 in an earlier academic<br />

term.<br />

ENVIRON 119 / GEOSCI 119. Introductory Geology<br />

Lectures.<br />

Concurrent enrollment in ENVIRON or GEOSCI 118 for <strong>the</strong> lab. (4).<br />

(NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in GEOSCI/ENVIRON<br />

116, 117, 120. No credit granted if completed both GEOSCI 205<br />

AND GEOSCI/ENVIRON 206; only 3 credits with GEOSCI 205 or<br />

GEOSCI/ENVIRON 206. F, W.<br />

GEOSCI 119 is a basic single-term course in introductory geology<br />

concentrating on <strong>the</strong> evolution <strong>of</strong> <strong>the</strong> Earth in physical <strong>and</strong> chemical<br />

terms. Reference to <strong>the</strong> interaction <strong>of</strong> <strong>the</strong> external biosphere—<br />

atmosphere—hydrosphere with <strong>the</strong> Earth's interior is an essential<br />

component <strong>of</strong> <strong>the</strong> course.<br />

<strong>To</strong>pics covered include:<br />

• plate tectonics: continental collision <strong>and</strong> fragmentation


• tsunamis, earthquakes <strong>and</strong> volcanoes<br />

• evolution <strong>and</strong> extinction: dinosaurs <strong>and</strong> <strong>the</strong> fossil record<br />

• glaciers, global warming, <strong>and</strong> climate change<br />

• geologic time<br />

REQUIRED TEXTBOOK: Earth: Portrait <strong>of</strong> a Planet, by Marshak,<br />

third edition, W.W. Norton & Company, New York. ISBN: 0-393-<br />

93036-X<br />

Class Format:<br />

Lectures three hours per week. A separate discussion section for<br />

one hour each week is scheduled for review <strong>and</strong> discussion <strong>of</strong> topics<br />

covered in class.<br />

<strong>To</strong> also enroll in <strong>the</strong> Introductory Geology Laboratory, register for<br />

any section <strong>of</strong> GEOSCI 118. The GEOSCI 118 laboratory provides a<br />

practical study <strong>of</strong> minerals, rocks, fossils, <strong>and</strong> geologic maps. Students<br />

are strongly encouraged to enroll in both GEOSCI 119 <strong>and</strong><br />

118, since <strong>the</strong> lab sessions complement <strong>the</strong> lectures <strong>and</strong> discussions.<br />

Instructor: Lohmann, Kyger C<br />

ENVIRON 120 / GEOSCI 120. Geology <strong>of</strong> National Parks<br />

<strong>and</strong> Monuments.<br />

(4). (NS). (BS). May not be repeated for credit. No credit if completed<br />

GEOSCI/ENVIRON 116, 117, or 119, or both GEOSCI 205<br />

AND GEOSCI/ENVIRON 206. Only 3 credits with GEOSCI 205 or<br />

GEOSCI/ENVIRON 206.<br />

This is an introductory course that uses <strong>the</strong> National Parks (Hawaii,<br />

Yellowstone, Crater Lake, Yosemite, Gr<strong>and</strong> Canyon, Zion, Pt. Reyes,<br />

Death Valley, Gr<strong>and</strong> Teton, Rocky Mtn, Glacier <strong>and</strong> Pictured Rocks)<br />

to explore <strong>the</strong> geological history <strong>of</strong> <strong>the</strong> Earth, <strong>and</strong> specifically <strong>the</strong><br />

tectonic evolution <strong>of</strong> <strong>the</strong> North American continent. <strong>To</strong>pics include<br />

plate tectonics, global volcanism, large explosive volcanic eruptions,<br />

<strong>the</strong> age <strong>of</strong> <strong>the</strong> Earth, <strong>the</strong> history <strong>of</strong> life (fossil record), meteorite<br />

impacts, earthquakes, mountain building, <strong>the</strong> origin <strong>of</strong> <strong>the</strong> Great<br />

Lakes, <strong>and</strong> climate change throughout Earth history.<br />

Instructor: Lange, Rebecca Ann<br />

ENVIRON 139. First-Year Seminar in <strong>the</strong> Environment.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (ID). May not be repeated for credit.<br />

Seminar on environmental topics for first-year students.<br />

Section 001 — Environmental Conflict: <strong>Science</strong>, Political,<br />

Social.<br />

Environmental problems are a tangled web <strong>of</strong> scientific, political,<br />

historical, social, economic, legal <strong>and</strong> psychological factors. This<br />

seminar will unravel <strong>the</strong> complexity <strong>of</strong> <strong>the</strong> challenging world <strong>of</strong> environmental<br />

problems by examining several conflicts through <strong>the</strong>se<br />

different disciplinary lenses. The conflict over reintroduction <strong>of</strong><br />

wolves to <strong>the</strong> Greater Yellowstone Ecosystem, <strong>the</strong> global climate<br />

change debate, <strong>and</strong> <strong>the</strong> conflict between fishermen <strong>and</strong> scientists<br />

over New Engl<strong>and</strong>’s declining cod fishery will be examined in detail.<br />

O<strong>the</strong>r current conflicts will be discussed including oil exploration in<br />

<strong>the</strong> Arctic National Wildlife Refuge, preservation <strong>of</strong> endangered<br />

grizzly bears <strong>and</strong> bowhead whales, <strong>and</strong> rock climbing disputes at<br />

Native American sacred sites.<br />

Instructor: Wondolleck, Julia<br />

Section 003 — Environmental <strong>Literature</strong>.<br />

This seminar explores <strong>the</strong> human connection to <strong>the</strong> environment<br />

<strong>and</strong> <strong>the</strong> evolution <strong>of</strong> American attitudes toward <strong>the</strong> natural world as<br />

reflected in environmental literature. Underst<strong>and</strong>ing our connection<br />

to <strong>the</strong> world through <strong>the</strong> use <strong>of</strong> language enables us to examine<br />

our relationship with nature in various works <strong>of</strong> fiction, nonfiction,<br />

poetry, <strong>and</strong> film. In addition to exploring environmental literature<br />

<strong>and</strong> film, students attend environmental events on campus <strong>and</strong><br />

write about <strong>the</strong>ir experience. By fostering a greater appreciation for<br />

our connection to <strong>the</strong> environment <strong>and</strong> attempting to reconcile our<br />

ambivalent attitudes toward nature, this seminar helps us define<br />

our place in <strong>the</strong> natural world.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 73<br />

Texts may include:<br />

• Edward Abbey’s Desert Solitaire,<br />

• Diane Ackerman’s The Moon by Whale Light,<br />

• Aldo Leopold’s S<strong>and</strong> County Almanac,<br />

• Ellen Meloy’s Eating Stone,<br />

• Scott Momaday’s The Man Made <strong>of</strong> Words,<br />

• Jack Turner’s The Abstract Wild.<br />

Films may include: “Garbage Warrior,” “Waterbusters,” <strong>and</strong> “Trinkets<br />

<strong>and</strong> Beads.”<br />

Contact Virginia Murphy with any questions: vemu@umich.edu<br />

Instructor: Murphy, Virginia E<br />

Section 020 — Environment, Religions, Spirituality <strong>and</strong><br />

Sustainability.<br />

Inquiry into <strong>the</strong> fundamental changes occurring in <strong>the</strong> natural environment<br />

(including humans) <strong>and</strong> in human social systems <strong>and</strong> culture,<br />

to explore <strong>the</strong> question<br />

"<strong>To</strong> what extent, in what ways <strong>and</strong> why are current<br />

trends in human impacts on <strong>the</strong> environment <strong>and</strong> social<br />

relations unsustainable/sustainable?"<br />

The seminar will introduce <strong>the</strong> major contrasting responses being<br />

made to this question along with <strong>the</strong>ir differing scenarios <strong>of</strong> <strong>the</strong> future<br />

in terms <strong>of</strong> <strong>the</strong>ir visions, strategies, <strong>and</strong> examples <strong>of</strong> practices<br />

to be pursued.<br />

Learning resources will be selected from four types <strong>of</strong> information:<br />

1. scientific,<br />

2. religious/spiritual,<br />

3. documentation <strong>of</strong> innovative environmental, social (including<br />

economic <strong>and</strong> political) <strong>and</strong> technological practices <strong>and</strong><br />

4. personal experiences <strong>and</strong> commitments.<br />

Religions to be considered include those <strong>of</strong> Native Americans <strong>and</strong><br />

o<strong>the</strong>r indigenous peoples as well as world religions, e.g., Buddhism,<br />

Islam, Judaism, <strong>and</strong> Christianity. The consideration <strong>of</strong> spirituality is<br />

based on individuals' experiences <strong>and</strong> recognition <strong>of</strong> "sacred" or<br />

"ultimate" realities that are variously understood <strong>and</strong> characterized.<br />

Students will be asked to engage in interdisciplinary, seminar-based<br />

inquiry through reading <strong>and</strong> thinking critically, reflecting on <strong>and</strong><br />

analyzing <strong>the</strong>ir own values, beliefs <strong>and</strong> practices, sharing <strong>the</strong> results<br />

<strong>of</strong> <strong>the</strong>ir own inquiries through discussions, writing, <strong>and</strong> presentations<br />

<strong>and</strong> by comparing <strong>and</strong> contrasting <strong>the</strong>ir own beliefs <strong>and</strong><br />

ideas with o<strong>the</strong>rs who have different backgrounds <strong>and</strong> current values,<br />

beliefs, <strong>and</strong> goals.<br />

It is expected that students enrolling in this seminar will have differing<br />

backgrounds <strong>of</strong> knowledge <strong>and</strong> experience in relation to <strong>the</strong><br />

environment, science, religion / spirituality, <strong>and</strong> unsustainability /<br />

sustainability. Both students with religious commitments are welcome<br />

as well as students who are agnostics, a<strong>the</strong>ists or who would<br />

describe <strong>the</strong>mselves as secular humanists, skeptics, <strong>and</strong> “undecided"<br />

or by some o<strong>the</strong>r name for <strong>the</strong>ir highest values <strong>and</strong> related<br />

belief systems <strong>and</strong> practices. This opportunity for participatory inquiry<br />

will require enrolled students to engage in respectful dialogue<br />

along with acceptance <strong>of</strong> people with backgrounds <strong>and</strong> present<br />

commitments <strong>and</strong> beliefs that are different from <strong>the</strong>ir own.<br />

Instructor: Crowfoot, James E<br />

ENVIRON 201. Ecological Issues.<br />

(4). (NS). (BS). May not be repeated for credit.<br />

Section 001. The environment is defined as <strong>the</strong> circumstances or<br />

conditions that surround an organism, <strong>and</strong> environmental science<br />

as <strong>the</strong> study <strong>of</strong> <strong>the</strong> environment <strong>and</strong> our proper place in it. These<br />

definitions point out <strong>the</strong> intricacy <strong>of</strong> underst<strong>and</strong>ing environmental<br />

science from a scientific, ethical, behavioral, economic, <strong>and</strong> institutional<br />

perspective. This course focuses on ecological principles <strong>and</strong><br />

concepts underlying <strong>the</strong> management <strong>and</strong> use <strong>of</strong> natural resources,<br />

as well as socioeconomic factors <strong>and</strong> institutional roles. Throughout


74 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

<strong>the</strong> course, emphasis is placed on <strong>the</strong> importance <strong>of</strong> interdisciplinary<br />

approaches to matters concerning <strong>the</strong> allocation <strong>of</strong> natural resources<br />

<strong>and</strong> <strong>the</strong> quality <strong>of</strong> our environment. Through lectures <strong>and</strong><br />

discussions, students are encouraged not only to learn about environmental<br />

issues but also to consider <strong>the</strong>ir personal ethics relating<br />

to nature, resource use, <strong>and</strong> human populations.<br />

<strong>To</strong>pics covered include biodiversity, endangered species, exploitation<br />

practices, global fisheries <strong>and</strong> aquaculture, tropical deforestation,<br />

agriculture, air <strong>and</strong> water pollution, energy production <strong>and</strong><br />

use, waste disposal, <strong>and</strong> <strong>the</strong> role <strong>of</strong> politics <strong>and</strong> economics in environmental<br />

issues. A particular focus is placed on <strong>the</strong> role <strong>of</strong> natural<br />

resources in <strong>the</strong> lives <strong>of</strong> people from <strong>the</strong> developed <strong>and</strong> developing<br />

world, <strong>and</strong> issues relating to environmental justice in <strong>the</strong> use <strong>of</strong> resources<br />

by people from both regions.<br />

No textbook is required for <strong>the</strong> course, <strong>and</strong> readings are provided<br />

through C<strong>To</strong>ols from current literature. Quizdom clickers will be<br />

used to facilitate interactions during lecture. <strong>To</strong>tal material cost is<br />

<strong>the</strong> cost <strong>of</strong> a clicker.<br />

Instructor: Miller, Shelie<br />

ENVIRON 209 / GEOG 201 / GEOSCI 201. Introduction to<br />

Physical Geography: The Earth System.<br />

(4). (NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in GEOSCI 144 or<br />

GEOSCI 202. Students who have completed GEOSCI 331 will receive<br />

only 3 credits. F.<br />

Section 001. This course emphasizes <strong>the</strong> scientific processes <strong>and</strong><br />

principles behind global environmental problems. <strong>To</strong>pics include<br />

global biogeochemical cycles, human population, ecosystem management,<br />

biogeography, ecological restoration, soil-water-air pollution,<br />

environmental health, <strong>and</strong> energy resources.<br />

Instructor: Blum, Joel D<br />

ENVIRON 222. Introduction to Environmental Justice.<br />

(3). (SS). May not be repeated for credit.<br />

This course explores people <strong>of</strong> color environmental concerns <strong>and</strong><br />

specifically focuses on <strong>the</strong> connection between communities <strong>of</strong><br />

color <strong>and</strong> low-income groups <strong>and</strong> <strong>the</strong> location <strong>of</strong> hazardous waste<br />

sites. This course also explores Native American environmental issues<br />

<strong>and</strong> <strong>the</strong> connection between <strong>the</strong> transboundary shipping <strong>of</strong><br />

hazardous waste from developed countries to developing ones.<br />

Instructor: Taylor, Dorceta E<br />

ENVIRON 232 / GEOSCI 222. Introductory Oceanography.<br />

(3). (NS). (BS). (QR/2). May not be repeated for credit. No credit<br />

granted to those who have completed or are enrolled in AOSS 203.<br />

This course explores <strong>the</strong> Earth's oceans in terms <strong>of</strong> geological,<br />

chemical, physical, <strong>and</strong> biological oceanography, with emphasis on<br />

underst<strong>and</strong>ing <strong>the</strong> oceans as an integrated system. We study <strong>the</strong><br />

processes that form ocean basins, <strong>the</strong> forces that govern ocean circulation,<br />

<strong>the</strong> physical <strong>and</strong> chemical properties that influence <strong>the</strong><br />

distribution <strong>of</strong> life, <strong>and</strong> <strong>the</strong> adaptation <strong>of</strong> organisms to <strong>the</strong>ir aquatic<br />

environment. We also discuss <strong>the</strong> ocean's role in mitigating global<br />

change <strong>and</strong> <strong>the</strong> consequences for oceanic ecosystems <strong>and</strong> human<br />

society.<br />

Instructor: Arbic, Brian K<br />

ENVIRON 233 / GEOSCI 223. Introductory Oceanography,<br />

Laboratory.<br />

Concurrent enrollment in GEOSCI 222/ENVIRON 232. (1). (NS).<br />

(BS). (QR/2). May not be repeated for credit.<br />

Laboratory course to be elected concurrently with GEOSCI 222 /<br />

ENVIRON 232. This companion laboratory course provides h<strong>and</strong>son<br />

experience with <strong>the</strong> concepts covered in lecture. We learn about<br />

<strong>the</strong> cycling <strong>of</strong> elements <strong>and</strong> <strong>the</strong> distribution <strong>of</strong> life in <strong>the</strong> ocean, <strong>the</strong><br />

processes that drive ocean circulation, <strong>and</strong> <strong>the</strong> dynamic nature <strong>of</strong><br />

<strong>the</strong> coasts. On a more practical note, we learn to navigate by <strong>the</strong><br />

stars <strong>and</strong> how to find <strong>the</strong> best waves for surfing.<br />

Class Format:<br />

One two-hour lab each week.<br />

FRENCH (French)<br />

Placement Tests<br />

Students who intend to continue a language begun in high school<br />

or ano<strong>the</strong>r college or university must take <strong>the</strong> Placement Test to<br />

determine <strong>the</strong> language course in which <strong>the</strong>y should enroll. Please<br />

note that students may not take <strong>the</strong> French placement test more<br />

than one time. Students must check with <strong>the</strong> Course Coordinator<br />

for any exceptions to <strong>the</strong> Placement Test level. For more information,<br />

visit <strong>the</strong> department website:<br />

www.lsa.umich.edu/rll/langinstruct/placementtest.html<br />

Language Requirement<br />

Students who demonstrate a fourth-term pr<strong>of</strong>iciency are certified to<br />

have fulfilled <strong>the</strong> LSA language requirement. O<strong>the</strong>r students are<br />

placed in courses according to <strong>the</strong>ir demonstrated degree <strong>of</strong> competence<br />

<strong>and</strong> satisfy <strong>the</strong> LSA language requirement by successful<br />

completion <strong>of</strong> FRENCH 232, ITALIAN 232, PORTUG 232, SPANISH<br />

232, or <strong>the</strong> equivalent. Students with previous background in or<br />

exposure to a Romance language are encouraged to continue study<br />

<strong>of</strong> that language through <strong>the</strong> freshman <strong>and</strong> sophomore years. The<br />

language requirement cannot be satisfied by out-<strong>of</strong>-residence credit<br />

which is elected after <strong>the</strong> student has begun degree enrollment in<br />

LSA.<br />

Override Policy<br />

www.lsa.umich.edu/rll/langinstruct/overrides.html<br />

Attendance Policy<br />

A student who misses ei<strong>the</strong>r <strong>of</strong> <strong>the</strong> first two meetings <strong>of</strong> any course<br />

<strong>of</strong>fered by <strong>the</strong> Department <strong>of</strong> Romance Languages may be dropped<br />

from <strong>the</strong> course for non-attendance.<br />

FRENCH 101. Elementary French.<br />

No prior instruction in French OR placement <strong>of</strong> FRENCH 101. (Prerequisites<br />

enforced at registration.) Students with any prior study <strong>of</strong><br />

French must take <strong>the</strong> Placement Test. (4). May not be repeated for<br />

credit. No credit granted to those who have completed FRENCH<br />

100, 111 or 112, or RCLANG 190.<br />

The sequence <strong>of</strong> FRENCH 101/102 presents <strong>the</strong> essentials <strong>of</strong><br />

French grammar, vocabulary, <strong>and</strong> culture needed to communicate<br />

in French at a moderate speed. Vocabulary <strong>and</strong> structures are practiced<br />

through communicative activities stressing listening <strong>and</strong><br />

speaking. Au<strong>the</strong>ntic documents are used to develop reading skills.<br />

Cultural awareness <strong>and</strong> listening skills are also developed through<br />

listening <strong>and</strong> video materials.<br />

Coordinator, Lorrel Sullivan, lorrelsu@umich.edu<br />

FRENCH 103. Review <strong>of</strong> Elementary French.<br />

Students with any prior study <strong>of</strong> French must take <strong>the</strong> Placement<br />

Test. Only <strong>the</strong> placement score <strong>and</strong> not language coursework completed<br />

at a previous school will determine placement; RCLANG 150.<br />

(Prerequisites enforced at registration.) (4). May not be repeated<br />

for credit. No credit granted to those who have completed FRENCH<br />

100, 102, 111 or 112, or RCLANG 190.<br />

FRENCH 103 is a course for students with some prior language<br />

study in French, <strong>and</strong> covers <strong>the</strong> same material presented in<br />

FRENCH 101 <strong>and</strong> 102. Entrance into <strong>the</strong> course is by recommendation<br />

<strong>of</strong> <strong>the</strong> placement exam or with <strong>the</strong> permission <strong>of</strong> <strong>the</strong> coordinator.<br />

(Information on <strong>the</strong> placement exam is available online at<br />

www.lsa.umich.edu/rll/langinstruct/placementtest.html.)<br />

Because students placed in FRENCH 103 are already familiar with<br />

some <strong>of</strong> <strong>the</strong> material, <strong>the</strong> course moves at a rapid pace.<br />

By <strong>the</strong> end <strong>of</strong> <strong>the</strong> course, students will have a good working vocabulary<br />

<strong>and</strong> strong listening comprehension skills; <strong>the</strong>y should be


able to express <strong>the</strong>mselves in French (both in writing <strong>and</strong> orally)<br />

using most <strong>of</strong> <strong>the</strong> basic structural patterns in <strong>the</strong> language. Students<br />

will also have a general knowledge <strong>of</strong> some French-speaking<br />

cultures. Technology (multi-media, <strong>the</strong> web) will be used to aid in<br />

developing writing, reading, <strong>and</strong> listening skills as well as cultural<br />

competency.<br />

Course Requirements:<br />

Students will need to plan on spending at least 8 to 10 hours each<br />

week preparing for daily lessons. Tests <strong>and</strong> quizzes (with both aural<br />

<strong>and</strong> written components) will be administered to check students'<br />

assimilation <strong>of</strong> <strong>the</strong> material covered in class. There will be hourly<br />

exams, quizzes, a final exam, writing assignments, <strong>and</strong> speaking<br />

tests. Since active participation is essential to <strong>the</strong> development <strong>of</strong><br />

strong communicative skills, regular attendance is required <strong>and</strong><br />

participation will be included in <strong>the</strong> final grade.<br />

FRENCH 231. Second-Year French.<br />

FRENCH 100, 102, or 103 or RCLANG 190 with a grade <strong>of</strong> C- or<br />

higher; or assignment <strong>of</strong> FRENCH 231 on Placement test. (Prerequisites<br />

enforced at registration.) (4). May not be repeated for<br />

credit. No credit granted to those who have completed FRENCH<br />

230 or RCLANG 290 or 310.<br />

Students whose last French course was NOT at UM—Ann Arbor<br />

must take <strong>the</strong> placement test. Details are available online at<br />

www.lsa.umich.edu/rll/langinstruct/placementtest.html.<br />

FRENCH 231 builds <strong>and</strong> exp<strong>and</strong>s upon <strong>the</strong> work done in FRENCH<br />

101/102 or FRENCH 103. The primary goals <strong>of</strong> FRENCH 231 are to:<br />

• develop <strong>and</strong> refine your listening, speaking, reading, <strong>and</strong> writing<br />

skills;<br />

• provide you with strategies that allow you to communicate <strong>and</strong><br />

read more effectively;<br />

• help you review previously learned grammatical structures <strong>and</strong><br />

acquire new structures <strong>and</strong> uses;<br />

• develop your awareness <strong>of</strong> French-speaking cultures around <strong>the</strong><br />

world, via <strong>the</strong> exploration <strong>of</strong> a variety <strong>of</strong> Francophone cultural<br />

documents (including Internet resources, literary texts, <strong>and</strong><br />

demographic information).<br />

Course Requirements:<br />

Since communicative skills are emphasized daily, regular attendance<br />

<strong>and</strong> active participation are essential. Homework consists <strong>of</strong><br />

reading <strong>and</strong> writing assignments, written exercises, <strong>and</strong> computerbased<br />

laboratory work, both audio <strong>and</strong> video. There are comprehensive<br />

course-wide tests as well as a final examination.<br />

Class Format:<br />

Classes meet four times per week.<br />

FRENCH 232. Second-Year French, Continued.<br />

FRENCH 231 with a grade <strong>of</strong> C- or higher; RCLANG 250; assignment<br />

by placement test. (Prerequisites enforced at registration.)<br />

(4). (Lang Req). May not be repeated for credit. No credit granted<br />

to those who have completed FRENCH 112 or 230 or RCLANG 290<br />

or 310.<br />

In FRENCH 232, we will use literature, magazine articles, movies,<br />

videos, <strong>and</strong> songs to explore <strong>the</strong> history <strong>of</strong> France <strong>and</strong> several<br />

o<strong>the</strong>r Francophone countries from <strong>the</strong> 1940's until <strong>the</strong> present. We<br />

will begin by studying life in France during <strong>the</strong> Second World War.<br />

Then, through some videos <strong>and</strong> <strong>the</strong> literature <strong>of</strong> several o<strong>the</strong>r<br />

Francophone cultures, we will examine <strong>the</strong> effects <strong>of</strong> colonization<br />

<strong>and</strong> decolonization on language use, culture, <strong>and</strong> identity. The last<br />

part <strong>of</strong> <strong>the</strong> course will focus on <strong>the</strong> politics <strong>and</strong> social climate in<br />

modern French society. Throughout <strong>the</strong> course <strong>of</strong> <strong>the</strong> term, students<br />

will be expected to review <strong>and</strong> learn various grammatical<br />

elements <strong>and</strong> vocabulary in order to participate in classroom activities<br />

<strong>and</strong> discussions. Linguistically, we will focus on supporting<br />

opinions, making comparisons, hypo<strong>the</strong>sizing, <strong>and</strong> composing more<br />

<strong>and</strong> more sophisticated sentences.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 75<br />

REMINDER: All students who have not taken any French language<br />

courses at U-M should take <strong>the</strong> placement exam before registering<br />

for a course.<br />

Course Requirements:<br />

Since communicative skills are emphasized, daily, regular attendance<br />

<strong>and</strong> active participation are essential <strong>and</strong> will be included in<br />

<strong>the</strong> final grade. There will be several short writing assignments, one<br />

composition, two tests, <strong>and</strong> a final examination.<br />

Class Format:<br />

Classes meet four times per week.<br />

FRENCH 235. Advanced Practice in French.<br />

FRENCH 230 or 232 with a grade <strong>of</strong> C- or higher; or RCLANG 290<br />

or 310, or assignment by placement test. Only <strong>the</strong> placement score<br />

<strong>and</strong> not language coursework completed at a previous school will<br />

determine placement. (Prerequisites enforced at registration.) Students<br />

who receive transfer credit from for FRENCH 232 <strong>and</strong> wish to<br />

continue with <strong>the</strong>ir language study are strongly encouraged to take<br />

<strong>the</strong> placement exam to be certain that <strong>the</strong>y are prepared for<br />

FRENCH 235. (3). May not be repeated for credit.<br />

This course deals with recent political, social, economic <strong>and</strong> cultural<br />

issues facing today’s French/European societies. Themes are explored<br />

through readings <strong>and</strong> audiovisual material.<br />

Its content includes:<br />

1. The French Republic<br />

2. The European Union<br />

3. Transatlantic Relations:<br />

o Franco/Euro-American Relations<br />

o Globalization <strong>and</strong> its Opponents<br />

4. Some Critical Issues:<br />

o Delinquency<br />

o AIDS<br />

o Homophobia<br />

o Rights <strong>of</strong> H<strong>and</strong>icapped People<br />

5. Families:<br />

o Marriages<br />

o P.A.C.S. (Civil Solidarity Pacts)<br />

o Gay Marriages <strong>and</strong> Adoption<br />

6. Women:<br />

o Rights <strong>and</strong> Inequalities<br />

o Abortion<br />

o Violence against Women (Domestic Violence <strong>and</strong> Genital<br />

Mutilation)<br />

o Bioethics<br />

7. France’s Multicultural Society:<br />

o Slavery <strong>and</strong> Colonization<br />

o Immigration<br />

o Islam <strong>of</strong> France <strong>and</strong> in Europe<br />

o Islamic veil controversy<br />

o "Fighting Hatreds" (Anti-Semitism <strong>and</strong> Racism)<br />

o St<strong>and</strong>-Up Comedy/Raï Music/French Rap<br />

Required Texts: French 235 Coursepack (Yannick Viers), French<br />

Grammar (M. Crocker C<strong>of</strong>fman, McGraw-Hill)<br />

Recommended Texts: Robert Micro Poche (Le Robert)<br />

Course Requirements:<br />

The final grade is based on three oral presentations (30 %),<br />

three essays (30 %), several written exercises (20 %), <strong>and</strong> class<br />

participation (20 %).<br />

FRENCH 244. Issues in Race <strong>and</strong> Cultural Diversity in <strong>the</strong><br />

Francophone World.<br />

Enrollment restricted to first- <strong>and</strong> second-year students. (3). (HU).<br />

May not be repeated for credit.<br />

Intensive study <strong>of</strong> cultural productions <strong>and</strong> social issues in Frenchspeaking<br />

societies related to issues <strong>of</strong> race or ethnicity, taught in<br />

English using translated materials.


76 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

Section 001. Taught in English.<br />

In this seminar we will concentrate on cultural productions <strong>and</strong> social<br />

issues related to race, racism, <strong>and</strong> ethnicity in French-speaking<br />

societies. At one level <strong>of</strong> <strong>the</strong> presentation we shall discuss how discourses<br />

on race function within <strong>the</strong> general ideological state apparatuses<br />

that reproduce a given social order. At ano<strong>the</strong>r level we<br />

shall analyze how discourses on race, racism, ethnicity, gender, <strong>and</strong><br />

social class are inscribed in <strong>the</strong> texts <strong>and</strong> films selected for <strong>the</strong><br />

course. We shall also examine <strong>the</strong> implications <strong>of</strong> cultural diversity<br />

in different parts <strong>of</strong> <strong>the</strong> Francophone world. Selected examples <strong>of</strong><br />

specific texts <strong>and</strong> films will be used to put in context our examination<br />

<strong>of</strong> <strong>the</strong>se issues.<br />

Class Format:<br />

Seminar. This course will be taught in English. All reading material<br />

<strong>and</strong> films are in translation.<br />

Instructor: Ekotto, Frieda<br />

FRENCH 270. French <strong>and</strong> Francophone <strong>Literature</strong> <strong>and</strong> Culture.<br />

FRENCH 235 with a grade <strong>of</strong> C- or higher. (Prerequisites enforced<br />

at registration.) (3). (HU). May be elected twice for credit. May be<br />

elected more than once in <strong>the</strong> same term.<br />

Intensive study <strong>of</strong> a topic, <strong>the</strong>me, or genre in <strong>the</strong> literatures <strong>and</strong><br />

o<strong>the</strong>r cultural productions <strong>of</strong> French-speaking peoples, providing an<br />

introduction to <strong>the</strong> methods <strong>and</strong> practice <strong>of</strong> literary <strong>and</strong> cultural<br />

study in <strong>the</strong> French language <strong>and</strong> opportunities for development <strong>of</strong><br />

linguistic pr<strong>of</strong>iciency beyond <strong>the</strong> 4 th -semester level.<br />

Section 005 — L'Espagne romantique. Course given in French.<br />

French writers, artists, composers, <strong>and</strong> filmmakers have been fascinated<br />

by <strong>the</strong> image <strong>of</strong> Spain — as a setting for <strong>the</strong>ir works, a destination<br />

for <strong>the</strong>ir travels, <strong>and</strong> a subject for creative invention. The<br />

“founding moment” <strong>of</strong> <strong>the</strong> Romantic movement was inextricably<br />

linked with a “Spanish” story: <strong>the</strong> riotous performance <strong>of</strong> Victor<br />

Hugo’s play Hernani at <strong>the</strong> Comédie française on 25 February 1830.<br />

In this class, we will examine <strong>the</strong> manifestations <strong>and</strong> implications <strong>of</strong><br />

<strong>the</strong> <strong>the</strong>me <strong>of</strong> Spain in selected texts by Chateaubri<strong>and</strong>, Nodier,<br />

Hugo <strong>and</strong> Mérimée, as well as in one <strong>of</strong> <strong>the</strong> most popular <strong>and</strong> <strong>of</strong>tperformed<br />

French operas ever written — Bizet’s Carmen. Finally,<br />

we will examine <strong>the</strong> extension <strong>of</strong> this <strong>the</strong>me into early cinema, in<br />

Marcel L’Herbier’s 1921 film, El Dorado. We will explore <strong>the</strong> cultural<br />

meaning with which <strong>the</strong> idea <strong>of</strong> "Spain" was endowed in <strong>the</strong> French<br />

national imagination.<br />

Instructor: Hannoosh, Michele A<br />

FRENCH 274. French <strong>and</strong> Francophone Societies <strong>and</strong> Culture.<br />

FRENCH 235 with a grade <strong>of</strong> C- or higher. (Prerequisites enforced<br />

at registration.) (3). (HU). May be elected twice for credit. May be<br />

elected more than once in <strong>the</strong> same term.<br />

Intensive study <strong>of</strong> a topic in <strong>the</strong> culture, politics, <strong>and</strong> structures <strong>of</strong><br />

French-speaking societies providing an introduction to <strong>the</strong> methods<br />

<strong>and</strong> practice <strong>of</strong> cultural <strong>and</strong> social study in <strong>the</strong> French language <strong>and</strong><br />

opportunities for development <strong>of</strong> linguistic pr<strong>of</strong>iciency beyond <strong>the</strong><br />

4th-term level.<br />

Section 001 — France <strong>and</strong> <strong>the</strong> New World. In French.<br />

In direct competition with Spanish <strong>and</strong> English explorers, <strong>the</strong><br />

French launched numerous expeditions to both North <strong>and</strong> South<br />

America. Not only did <strong>the</strong>se trips encourage diverse reactions to native<br />

cultures, but imagining what natives might have thought <strong>of</strong><br />

European culture led <strong>the</strong> French to a consciousness <strong>of</strong> <strong>the</strong>ir own<br />

"foreign" character. The New World has continued to shape<br />

France's image <strong>of</strong> itself as <strong>the</strong> United States has become <strong>the</strong> country's<br />

most important point <strong>of</strong> comparison <strong>and</strong> opportunity for selfreflection.<br />

Readings from:<br />

• Verazzanno's Lettre à François I<br />

• Cartier's Relations<br />

• Léry's Voyage au Brésil<br />

• Marguerite de Navarre's Heptaméron<br />

• Le Jeune’s Relations<br />

• Montaigne's Essais<br />

• Shakespeare's Tempest<br />

• Graffigny's Lettres péruviennes<br />

• <strong>To</strong>cqueville's De la démocratie en Amérique<br />

• Baudrillard's L'Amérique<br />

Films:<br />

• La Controverse de Valladolid<br />

• Black Robe<br />

• Auberge Espagnole<br />

• Human Nature.<br />

Instructor: H<strong>of</strong>fmann, George P<br />

Section 003 — Streets.<br />

In modern, urban life, streets are <strong>the</strong> space <strong>of</strong> <strong>the</strong> in-between, <strong>of</strong><br />

<strong>the</strong> transitory <strong>and</strong> <strong>the</strong> ephemeral.<br />

• So where exactly are we when we are in <strong>the</strong> streets?<br />

• What is <strong>the</strong> nature <strong>of</strong> such a space, if it is defined by movement?<br />

• Is it safe or is it dangerous? Familiar or alienating? All this at<br />

once perhaps?<br />

• How does this affect our relations with o<strong>the</strong>rs, who share <strong>the</strong><br />

streets with us?<br />

In this course, we will reflect on different ways <strong>of</strong> being in or on <strong>the</strong><br />

street: work <strong>and</strong> leisure, homelessness <strong>and</strong> marches, making contact<br />

<strong>and</strong> avoiding it. We will study poems, images, novels, memoirs,<br />

films <strong>and</strong> a variety <strong>of</strong> cultural material pertaining to <strong>the</strong>se questions.<br />

Instructor: Caron, David<br />

FRENCH 276. Spoken <strong>and</strong> Written Performance in French.<br />

FRENCH 235 with a grade <strong>of</strong> C- or higher. (Prerequisites enforced<br />

at registration.) (3). (HU). May be repeated for a maximum <strong>of</strong> 6<br />

credits.<br />

Section 001. This course is devoted to <strong>the</strong> principle that literature<br />

<strong>and</strong> culture in French are things that students should create, <strong>and</strong><br />

perform, not just learn or analyze. <strong>Literature</strong>, in this course, will be<br />

taken not as a group <strong>of</strong> texts to be studied, but as something to be<br />

produced, transformed, read aloud, played with, <strong>and</strong> invented. The<br />

main activities will be creative writing, oral interpretation, <strong>and</strong><br />

small-scale <strong>the</strong>atrical performances, <strong>and</strong> will <strong>of</strong>fer diverse opportunities<br />

for using <strong>and</strong> practicing <strong>the</strong> French language.<br />

Course Requirements:<br />

Writing projects will <strong>of</strong>ten involve imitation, translation, pastiche,<br />

parody, <strong>and</strong> o<strong>the</strong>r forms that emphasize creative responses to<br />

readings, as well as techniques such as those <strong>of</strong> <strong>the</strong> French group<br />

Oulipo for doing original work when one is not necessarily inspired.<br />

There will also be Web-based projects, notably exchanges <strong>and</strong> collaborative<br />

activities on <strong>the</strong> course Web site. Grading will be based<br />

on class participation <strong>and</strong> <strong>the</strong> totality <strong>of</strong> written work; <strong>the</strong>re will be<br />

no final examination.<br />

Instructor: Paulson, William R<br />

GEOG (Geography)<br />

GEOG courses are <strong>of</strong>fered by faculty in o<strong>the</strong>r departments across<br />

<strong>the</strong> University.<br />

GEOG 145 / CICS 101 / UC 145. Introduction to International<br />

Studies.<br />

(3). (SS). May not be repeated for credit. Meets <strong>the</strong> geography requirement<br />

for public teacher certification in <strong>the</strong> School <strong>of</strong> Education.<br />

This interdisciplinary course explores <strong>the</strong> historical, cultural, political,<br />

economic, <strong>and</strong> technological factors that drive global interdependence.<br />

Using case studies <strong>and</strong> historical examples, <strong>the</strong> course<br />

examines <strong>the</strong> ways in which people, goods, diseases, <strong>and</strong> natural


esources have flowed across political <strong>and</strong> cultural borders over <strong>the</strong><br />

course <strong>of</strong> human history.<br />

Intended Audience:<br />

This class has no prerequisite <strong>and</strong> it is open to all <strong>Michigan</strong> undergraduates.<br />

It can be used as a “gateway” course to explore <strong>the</strong><br />

many options in area <strong>and</strong> international studies that are available<br />

through our academic departments <strong>and</strong> pr<strong>of</strong>essional schools. It is a<br />

core course for <strong>the</strong> international studies concentration.<br />

Instructor: Farnsworth, Bradley D<br />

GEOG 201 / ENVIRON 209 / GEOSCI 201. Introduction to<br />

Physical Geography: The Earth System.<br />

(4). (NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in GEOSCI 144 or<br />

GEOSCI 202. Students who have completed GEOSCI 331 will receive<br />

only 3 credits. F.<br />

Section 001. This course emphasizes <strong>the</strong> scientific processes <strong>and</strong><br />

principles behind global environmental problems. <strong>To</strong>pics include<br />

global biogeochemical cycles, human population, ecosystem management,<br />

biogeography, ecological restoration, soil-water-air pollution,<br />

environmental health, <strong>and</strong> energy resources.<br />

Instructor: Blum, Joel D<br />

GEOSCI (Geological <strong>Science</strong>s)<br />

Introductory Courses <strong>and</strong> Courses for Non-concentrators.<br />

GEOSCI 100-115 are short (half-term) one-credit minicourses. They<br />

consist <strong>of</strong> detailed examinations <strong>of</strong> restricted geologic <strong>and</strong> environmental<br />

topics. The Department lists <strong>the</strong> specific courses from this<br />

series in <strong>the</strong> Schedule <strong>of</strong> Classes for <strong>the</strong> terms <strong>the</strong>y are <strong>of</strong>fered.<br />

Each course, when <strong>of</strong>fered, meets twice weekly for half <strong>of</strong> <strong>the</strong> term<br />

(first half or second half), <strong>and</strong> <strong>the</strong> specific dates for each course are<br />

printed in <strong>the</strong> Schedule <strong>of</strong> Classes. The drop/add deadlines for<br />

<strong>the</strong>se classes conform to <strong>the</strong> half-term deadlines, not <strong>the</strong> full-term<br />

deadlines. These courses are designed primarily for students with<br />

no prior geologic training <strong>and</strong> <strong>the</strong>y are open to all interested students.<br />

GEOSCI 100-115 are <strong>of</strong>fered on <strong>the</strong> graded pattern (optional<br />

pass/fail).<br />

Waitlist <strong>and</strong> Permission Policies<br />

As required by LSA, all Geological <strong>Science</strong>s (GEOSCI) undergraduate<br />

courses will have electronic waitlists in effect at <strong>the</strong> beginning<br />

<strong>of</strong> registration. Students interested in enrolling in a course that has<br />

filled should add <strong>the</strong>ir name to <strong>the</strong> appropriate waitlist through <strong>the</strong><br />

on-line registration system in Wolverine Access. A waitlist number<br />

will appear on <strong>the</strong> student’s schedule indicating <strong>the</strong>ir sequential<br />

spot on <strong>the</strong> electronic waitlist. However, priority on <strong>the</strong> waitlist is<br />

determined by <strong>the</strong> Department policies listed below.<br />

Waitlist Priorities in 100 <strong>and</strong> 200 level courses:<br />

Sequential order on <strong>the</strong> electronic waitlist based on <strong>the</strong> day/time<br />

students added <strong>the</strong>mselves to <strong>the</strong> waitlist.<br />

Waitlist Priorities in 300 <strong>and</strong> 400 level courses:<br />

1. Senior concentrators<br />

2. Junior concentrators<br />

3. Sophomore concentrators<br />

4. All o<strong>the</strong>r undergraduate students in order <strong>of</strong> sequence on <strong>the</strong><br />

waitlist who have fulfilled <strong>the</strong> appropriate prerequisites.<br />

Permission Procedures<br />

From <strong>the</strong> first day <strong>of</strong> registration until <strong>the</strong> first day <strong>of</strong> each class,<br />

GEOSCI staff will issue permissions to students on each waitlist as<br />

seats open using <strong>the</strong> priority classifications listed above. Once <strong>the</strong><br />

class begins, enrollment in all GEOSCI classes is by permission <strong>of</strong><br />

faculty only. Students should email faculty to request permission.<br />

Permissions are issued within 24 hours <strong>of</strong> GEOSCI staff receiving an<br />

email from <strong>the</strong> faculty instructor.<br />

It is recommended that faculty instructors not issue permissions<br />

until after a class has met two times. For seminar or lecture<br />

courses, students should attend <strong>the</strong> first two seminars or lectures<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 77<br />

<strong>of</strong> <strong>the</strong> course. For lecture courses with discussion <strong>and</strong>/or lab sections,<br />

students should attend <strong>the</strong> first two lectures <strong>and</strong> one discussion<br />

<strong>and</strong>/or lab section <strong>of</strong> <strong>the</strong> course. Faculty instructors can request<br />

registered students to be administratively dropped from a<br />

course if <strong>the</strong>y fail to attend <strong>the</strong> first two class meetings as described<br />

above.<br />

Students <strong>of</strong>fered permission will receive an e-mail with registration<br />

information from Wolverine Access. Permissions will be valid for 2<br />

days <strong>and</strong> will expire at midnight on <strong>the</strong> second day (which includes<br />

weekends). Failure to use <strong>the</strong> permission within <strong>the</strong> 2 day time<br />

frame will result in being automatically dropped from <strong>the</strong> waitlist.<br />

After receiving permission, students must add <strong>the</strong> class via Wolverine<br />

Access to become <strong>of</strong>ficially enrolled. In all cases, it is <strong>the</strong> student’s<br />

responsibility to insure he or she is properly enrolled in, or<br />

dropped from, a course.<br />

Students <strong>and</strong> Faculty should be advised <strong>of</strong> <strong>the</strong> following:<br />

• When a class with a waitlist closes <strong>and</strong> <strong>the</strong> first student gets on<br />

<strong>the</strong> waitlist, <strong>the</strong> class does not reopen as long as <strong>the</strong>re is at<br />

least one student on <strong>the</strong> waitlist.<br />

• Students will be automatically dropped from <strong>the</strong> waitlist when<br />

<strong>the</strong>ir permissions expire.<br />

• A student can only waitlist for one section <strong>of</strong> a multi-component<br />

course.<br />

• A student enrolled in one section <strong>of</strong> a multi-component course<br />

cannot waitlist for ano<strong>the</strong>r section in <strong>the</strong> same association.<br />

• Permission to enroll in a class is entirely at <strong>the</strong> discretion <strong>of</strong> <strong>the</strong><br />

faculty instructor.<br />

GEOSCI 100. Coral Reefs.<br />

(1). (NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in GEOSCI 156.<br />

Coral Reefs is an in-depth tour <strong>of</strong> <strong>the</strong> biological <strong>and</strong> physical processes<br />

active in modern reef systems to provide a detailed underst<strong>and</strong>ing<br />

<strong>of</strong> <strong>the</strong> ecology <strong>of</strong> <strong>the</strong> individual organisms <strong>and</strong> <strong>the</strong> complex<br />

nature <strong>of</strong> <strong>the</strong>ir interactions within <strong>the</strong> reef community. Evolution<br />

<strong>of</strong> <strong>the</strong> reef community is examined, ranging from <strong>the</strong> crude<br />

framework structures formed over one billion years ago by primitive<br />

algae to luxuriant <strong>and</strong> diversified reefs <strong>of</strong> <strong>the</strong> modern-day oceans.<br />

The implications <strong>of</strong> man's intervention in <strong>the</strong> Earth's hydrosphere<br />

<strong>and</strong> atmosphere on <strong>the</strong> character <strong>of</strong> future reef communities are<br />

also considered.<br />

Instructor: Hendy, Ingrid L<br />

GEOSCI 102. Energy from <strong>the</strong> Earth.<br />

(1). (NS). (BS). May not be repeated for credit.<br />

The nature, mode <strong>of</strong> occurrence, <strong>and</strong> <strong>the</strong> technology <strong>of</strong> exploration<br />

<strong>and</strong> exploitation <strong>of</strong> energy resources, <strong>and</strong> <strong>the</strong>ir relevance to <strong>the</strong><br />

present <strong>and</strong> future world energy needs. Special attention is given to<br />

oil, gas, oil shale, tar s<strong>and</strong>s, coal, uranium, <strong>and</strong> geo<strong>the</strong>rmal resources.<br />

Instructor: Becker, Udo<br />

GEOSCI 103. Dinosaurs <strong>and</strong> O<strong>the</strong>r Failures.<br />

(1). (NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in GEOSCI 149.<br />

Section 001. Some <strong>of</strong> <strong>the</strong> outst<strong>and</strong>ing "failures" in evolutionary<br />

history also involve <strong>the</strong> most interesting success stories. This<br />

course looks at <strong>the</strong> fossil record <strong>and</strong> <strong>the</strong> ecological causes <strong>of</strong> diversification<br />

<strong>and</strong> extinction <strong>of</strong> <strong>the</strong> ruling reptiles.<br />

Instructor: Wilson, Jeffrey A<br />

GEOSCI 105. Continents Adrift.<br />

(1). (NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in GEOSCI 205 or 146.<br />

Section 001. Earth is a dynamic planet. This course reviews <strong>the</strong><br />

development <strong>of</strong> <strong>the</strong> <strong>the</strong>ory <strong>of</strong> plate tectonics <strong>and</strong> how plate tectonics<br />

explains <strong>the</strong> break-up <strong>and</strong> drift <strong>of</strong> continents, <strong>the</strong> formation <strong>of</strong>


78 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

mountains <strong>and</strong> deep-ocean trenches, <strong>and</strong> natural disasters such as<br />

volcanic eruptions, earthquakes, <strong>and</strong> tsunamis.<br />

Instructor: Ritsema, Jeroen<br />

GEOSCI 108. When Earth Attacks: The <strong>Science</strong> Behind<br />

Natural Disasters.<br />

(1). (NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in GEOSCI 147.<br />

Natural disasters, such as earthquakes, volcanic eruptions, tsunamis,<br />

l<strong>and</strong>slides, floods, hurricanes, <strong>and</strong> tornados, can lead to thous<strong>and</strong>s<br />

<strong>of</strong> fatalities <strong>and</strong> billions <strong>of</strong> dollars in economic damage. This<br />

course explores <strong>the</strong> science behind natural disasters, concentrating<br />

on our ability, or inability, to predict <strong>the</strong>m, <strong>and</strong> how this affects<br />

public perception <strong>and</strong> policy. The course also addresses how natural<br />

disasters can lead to changes in both science <strong>and</strong> public policy.<br />

Course Requirements:<br />

Course grade will be based on short weekly homework <strong>and</strong> one inclass<br />

final exam.<br />

Intended Audience:<br />

A broad spectrum <strong>of</strong> undergraduate students interested in underst<strong>and</strong>ing<br />

science behind preparation for natural disasters <strong>and</strong> <strong>the</strong><br />

role <strong>of</strong> science in policy related to natural disaster preparation,<br />

mitigation, <strong>and</strong> response.<br />

Class Format:<br />

Minicourse. One-hour lectures twice weekly during half <strong>of</strong> Fall or<br />

Winter term, or two-hour lectures twice weekly during half <strong>of</strong><br />

Spring or Summer half-term.<br />

Instructor: Ruff, Larry John<br />

GEOSCI 110. Evolving Oceans.<br />

(1). (NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in GEOSCI 222.<br />

Section 002. Global warming is a key factor determining <strong>the</strong> state<br />

<strong>of</strong> <strong>the</strong> world's oceans. The ocean mitigates global warming by absorbing<br />

vast quantities <strong>of</strong> carbon dioxide <strong>and</strong> heat, but <strong>the</strong>se functions<br />

have consequences that include sea level rise, acidification,<br />

<strong>and</strong> altered circulation patterns. L<strong>and</strong> use <strong>and</strong> resource extraction<br />

also have unique effects on oceanic ecosystems. This course explores<br />

<strong>the</strong> science behind global change in <strong>the</strong> oceans, concentrating<br />

on <strong>the</strong> issues with <strong>the</strong> greatest consequence for humans. The<br />

course concludes with a discussion <strong>of</strong> adaptation <strong>and</strong> mitigation<br />

strategies for minimizing impacts on socioeconomic systems.<br />

Course Requirements:<br />

Course grade is based on daily quizzes <strong>and</strong> a final exam.<br />

Instructor: Lund, David Charles<br />

GEOSCI 113. Planets <strong>and</strong> Moons.<br />

(1). (NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in GEOSCI 153 or 204 or<br />

AOSS 204 or ASTRO 204.<br />

A current survey <strong>of</strong> <strong>the</strong> geology <strong>of</strong> <strong>the</strong> solar system in light <strong>of</strong> <strong>the</strong><br />

extraordinary advances in planetary exploration during <strong>the</strong> past<br />

decade. Historical development <strong>of</strong> geological ideas about <strong>the</strong> solar<br />

system, including processes on earth <strong>and</strong> those <strong>of</strong> o<strong>the</strong>r bodies in<br />

<strong>the</strong> solar system.<br />

Instructor: van Keken, Peter E<br />

GEOSCI 114. Global Warming.<br />

High School math, physics, <strong>and</strong> chemistry. (1). (NS). (BS). May not<br />

be repeated for credit. No credit granted to those who have completed<br />

or are enrolled in GEOSCI 151.<br />

Review <strong>of</strong> <strong>the</strong> science <strong>of</strong> global warming including global radiation<br />

balance, geochemistry <strong>of</strong> natural <strong>and</strong> anthropogenic greenhouse<br />

gases, climate feedbacks, <strong>and</strong> historical <strong>and</strong> geological records <strong>of</strong><br />

climate change; summary <strong>of</strong> <strong>the</strong> impacts <strong>of</strong> climate change on<br />

natural <strong>and</strong> systems <strong>and</strong> society; <strong>and</strong> discussion <strong>of</strong> potential remediation<br />

methods <strong>and</strong> <strong>the</strong> politicization <strong>of</strong> global warming.<br />

Instructor: Gleason, James D<br />

GEOSCI 118 / ENVIRON 118. Introductory Geology<br />

Laboratory.<br />

Prior or concurrent enrollment in GEOSCI 119, or 205 <strong>and</strong> 206, or<br />

135. (1). (NS). (BS). May not be repeated for credit. No credit if<br />

completed an introductory course in geology (GEOSCI/ENVIRON<br />

116, 117, or 218). F, W.<br />

A one-term laboratory course covering <strong>the</strong> laboratory portion <strong>of</strong><br />

Introduction to Geology. The laboratory provides h<strong>and</strong>s-on experience<br />

with minerals, rocks, <strong>and</strong> maps. Participants will learn to identify<br />

common minerals <strong>and</strong> rocks, use topographic <strong>and</strong> geologic<br />

maps, <strong>and</strong> draw <strong>and</strong> interpret geologic cross sections. Examples will<br />

be drawn from areas <strong>of</strong> recent glaciation, volcanism, <strong>and</strong> earthquakes<br />

to show how <strong>the</strong>se features are depicted in maps.<br />

Students who register for GEOSCI 118 must also be enrolled in<br />

GEOSCI 119 or <strong>the</strong>y must have taken 119 in an earlier academic<br />

term.<br />

GEOSCI 119 / ENVIRON 119. Introductory Geology<br />

Lectures.<br />

Concurrent enrollment in ENVIRON or GEOSCI 118 for <strong>the</strong> lab. (4).<br />

(NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in GEOSCI/ENVIRON<br />

116, 117, 120. No credit granted if completed both GEOSCI 205<br />

AND GEOSCI/ENVIRON 206; only 3 credits with GEOSCI 205 or<br />

GEOSCI/ENVIRON 206. F, W.<br />

GEOSCI 119 is a basic single-term course in introductory geology<br />

concentrating on <strong>the</strong> evolution <strong>of</strong> <strong>the</strong> Earth in physical <strong>and</strong> chemical<br />

terms. Reference to <strong>the</strong> interaction <strong>of</strong> <strong>the</strong> external biosphere—<br />

atmosphere—hydrosphere with <strong>the</strong> Earth's interior is an essential<br />

component <strong>of</strong> <strong>the</strong> course.<br />

<strong>To</strong>pics covered include:<br />

• plate tectonics: continental collision <strong>and</strong> fragmentation<br />

• tsunamis, earthquakes <strong>and</strong> volcanoes<br />

• evolution <strong>and</strong> extinction: dinosaurs <strong>and</strong> <strong>the</strong> fossil record<br />

• glaciers, global warming, <strong>and</strong> climate change<br />

• geologic time<br />

REQUIRED TEXTBOOK: Earth: Portrait <strong>of</strong> a Planet, by Marshak,<br />

third edition, W.W. Norton & Company, New York. ISBN: 0-393-<br />

93036-X<br />

Class Format:<br />

Lectures three hours per week. A separate discussion section for<br />

one hour each week is scheduled for review <strong>and</strong> discussion <strong>of</strong><br />

topics covered in class.<br />

<strong>To</strong> also enroll in <strong>the</strong> Introductory Geology Laboratory, register for<br />

any section <strong>of</strong> GEOSCI 118. The GEOSCI 118 laboratory provides a<br />

practical study <strong>of</strong> minerals, rocks, fossils, <strong>and</strong> geologic maps. Students<br />

are strongly encouraged to enroll in both GEOSCI 119 <strong>and</strong><br />

118, since <strong>the</strong> lab sessions complement <strong>the</strong> lectures <strong>and</strong> discussions.<br />

Instructor: Lohmann, Kyger C<br />

GEOSCI 120 / ENVIRON 120. Geology <strong>of</strong> National Parks<br />

<strong>and</strong> Monuments.<br />

(4). (NS). (BS). May not be repeated for credit. No credit if completed<br />

GEOSCI/ENVIRON 116, 117, or 119, or both GEOSCI 205<br />

AND GEOSCI/ENVIRON 206. Only 3 credits with GEOSCI 205 or<br />

GEOSCI/ENVIRON 206. W.<br />

This is an introductory course that uses <strong>the</strong> National Parks (Hawaii,<br />

Yellowstone, Crater Lake, Yosemite, Gr<strong>and</strong> Canyon, Zion, Pt. Reyes,<br />

Death Valley, Gr<strong>and</strong> Teton, Rocky Mtn, Glacier <strong>and</strong> Pictured Rocks)<br />

to explore <strong>the</strong> geological history <strong>of</strong> <strong>the</strong> Earth, <strong>and</strong> specifically <strong>the</strong><br />

tectonic evolution <strong>of</strong> <strong>the</strong> North American continent. <strong>To</strong>pics include


plate tectonics, global volcanism, large explosive volcanic eruptions,<br />

<strong>the</strong> age <strong>of</strong> <strong>the</strong> Earth, <strong>the</strong> history <strong>of</strong> life (fossil record), meteorite<br />

impacts, earthquakes, mountain building, <strong>the</strong> origin <strong>of</strong> <strong>the</strong> Great<br />

Lakes, <strong>and</strong> climate change throughout Earth history.<br />

Instructor: Lange, Rebecca Ann<br />

GEOSCI 122 / AOSS 102 / ENVIRON 102. Extreme<br />

Wea<strong>the</strong>r.<br />

(3). (NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in AOSS 202.<br />

This course provides an introduction to <strong>the</strong> physics <strong>of</strong> extreme<br />

wea<strong>the</strong>r events. The course uses wea<strong>the</strong>r disasters <strong>and</strong> threats to<br />

illustrate <strong>the</strong> physical laws governing <strong>the</strong> atmosphere.<br />

We examine solar eruptions, ice ages, climate change, monsoons,<br />

El Niño, hurricanes, floods, droughts, heat waves, thunderstorms,<br />

lightning, hail, tornados, <strong>and</strong> o<strong>the</strong>r extreme atmospheric events to<br />

illustrate <strong>the</strong> basic physical laws that produce <strong>the</strong>se events. Participants<br />

are expected to apply <strong>the</strong>se principles to a series <strong>of</strong> homework<br />

assignments including h<strong>and</strong>s-on wea<strong>the</strong>r forecasting <strong>and</strong><br />

analysis <strong>of</strong> storm events.<br />

Required resources for this course include:<br />

1. An on-line subscription to XamPREP: Essentials <strong>of</strong> Meteorology<br />

by C. Donald Ahrens with<br />

2. (Optionally) A hard-copy version <strong>of</strong> Essentials <strong>of</strong> Meteorology by<br />

C. Donald Ahrens (it's redundant but some really prefer to also<br />

have <strong>the</strong> traditional paper copy), <strong>and</strong><br />

3. A copy <strong>of</strong> Extreme Wea<strong>the</strong>r by Chris Burt.<br />

Instructor: Samson, Perry J<br />

GEOSCI 146. Plate Tectonics.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (NS). (BS). May not be repeated for<br />

credit. No credit granted to those who have completed three <strong>of</strong><br />

GEOSCI 105, 107, <strong>and</strong> 205. Those with credit for one <strong>of</strong> GEOSCI<br />

105 <strong>and</strong> 107 may only elect GEOSCI 146 for two credits. Those<br />

with credit for GEOSCI 205, or both GEOSCI 105 <strong>and</strong> 107, may only<br />

elect GEOSCI 146 for one credit.<br />

Two hundred million years ago <strong>the</strong> Earth's continents were joined<br />

toge<strong>the</strong>r to form one gigantic super-continent, called Pangea. Plate<br />

tectonic forces broke Pangea apart <strong>and</strong> caused <strong>the</strong> continents to<br />

drift. We study <strong>the</strong> evidence for plate tectonics <strong>and</strong> <strong>the</strong> large-scale<br />

dynamics <strong>of</strong> <strong>the</strong> Earth's interior that is responsible for mountain<br />

building, earthquakes faulting, volcanic eruptions, changes in<br />

Earth's magnetic field <strong>and</strong> much more.<br />

Course Requirements:<br />

Evaluation is based on class participation, three exams, a series <strong>of</strong><br />

student presentations on selected topics <strong>and</strong> written essays on <strong>the</strong><br />

same subject.<br />

Intended Audience:<br />

No background in Earth science is necessary.<br />

Class Format:<br />

The course involves three hours <strong>of</strong> weekly meeting time <strong>and</strong><br />

selected reading material.<br />

Instructor: Hankard, Fatim<br />

GEOSCI 148. Seminar: Environmental Geology.<br />

High school math <strong>and</strong> science. Enrollment restricted to first-year<br />

students, including those with sophomore st<strong>and</strong>ing. (3). (NS). (BS).<br />

May not be repeated for credit. No credit granted to those who<br />

have completed or are enrolled in GEOSCI 284. Those with credit<br />

for GEOSCI 109 may only elect GEOSCI 148 for 2 credits.<br />

Section 001. This seminar examines interactions between people<br />

<strong>and</strong> <strong>the</strong>ir physical environment through case histories. We discuss<br />

several environmental problems, including natural hazards, water<br />

resources, nuclear waste disposal, <strong>and</strong> geologic aspects <strong>of</strong> environmental<br />

health. Emphasis will be given to current water issues.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 79<br />

Instructor: Cruz Da Silva Castro, Maria C<br />

GEOSCI 151. The Ice Ages: Past <strong>and</strong> Present.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (NS). (BS). May not be repeated for<br />

credit. Those with credit for GEOSCI 104 may only elect GEOSCI<br />

151 for 2 credits. F.<br />

This course explores <strong>the</strong> characteristic <strong>of</strong> <strong>the</strong> Earth's climate system<br />

<strong>and</strong> how <strong>the</strong> various components <strong>of</strong> that system operate to produce<br />

times when extensive ice sheets cover large parts <strong>of</strong> <strong>the</strong> Earth's<br />

surface. The role <strong>of</strong> each <strong>of</strong> <strong>the</strong> major components <strong>of</strong> <strong>the</strong> climate<br />

system will be discussed in detail. These include <strong>the</strong> ice sheets<br />

<strong>the</strong>mselves, <strong>the</strong> astronomical inputs, <strong>the</strong> oceans, <strong>the</strong> atmosphere,<br />

<strong>and</strong> <strong>the</strong> movement <strong>of</strong> <strong>the</strong> continental <strong>and</strong> ocean boundaries. Reconstructions<br />

<strong>of</strong> past climatic conditions are presented <strong>and</strong> discussed<br />

in terms <strong>of</strong> how <strong>the</strong>y are developed, what <strong>the</strong>y can tell us<br />

about climatic extremes, <strong>and</strong> how <strong>the</strong>y can be used to test <strong>the</strong><br />

models that simulate modern climate patterns. The long-term climate<br />

change associated with <strong>the</strong> most recent ice age is <strong>the</strong>n contrasted<br />

with more rapid climate oscillations, particularly <strong>the</strong> climatic<br />

warming which has been associated with <strong>the</strong> recent large increase<br />

in atmospheric "greenhouse gases."<br />

Instructor: Hendy, Ingrid L<br />

GEOSCI 154. Ocean Resources.<br />

High school science <strong>and</strong> math recommended. Enrollment restricted<br />

to first-year students, including those with sophomore st<strong>and</strong>ing.<br />

(3). (NS). (BS). May not be repeated for credit.<br />

This course focuses on resources from <strong>the</strong> ocean <strong>and</strong> how <strong>the</strong>se<br />

are used by <strong>and</strong> influenced by humans. Two general subject areas<br />

are covered: minerals <strong>and</strong> energy from <strong>the</strong> oceans, <strong>and</strong> food resources<br />

in <strong>the</strong> oceans.<br />

Class Format:<br />

The course combines student presentations <strong>and</strong> discussions with<br />

lectures.<br />

Instructor: Alt, Jeffrey C<br />

GEOSCI 156. Coral Reef Dynamics.<br />

(3). (NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in GEOSCI 100.<br />

Coral Reefs Dynamics examines <strong>the</strong> different components <strong>of</strong> this<br />

very important marine ecosystem. The biology <strong>and</strong> ecology <strong>of</strong><br />

modern reefs are a central focus <strong>of</strong> <strong>the</strong> class, toge<strong>the</strong>r with <strong>the</strong><br />

evolution <strong>of</strong> <strong>the</strong> reef community <strong>and</strong> its composition over geologic<br />

time. The class also investigates <strong>the</strong> interaction between <strong>the</strong> major<br />

organisms living in association with coral reefs <strong>and</strong> <strong>the</strong> ways in<br />

which our species affect <strong>the</strong> reefs both directly <strong>and</strong> indirectly<br />

through climate change.<br />

Course Requirements:<br />

In-class presentations, midterm <strong>and</strong> final exam, reports.<br />

Intended Audience:<br />

First year students; No background in science is necessary.<br />

Class Format:<br />

First-Year Seminar meets three hours per week. The course combines<br />

student presentations <strong>and</strong> discussions with traditional lectures.<br />

Instructor: Arnaboldi, Michela<br />

GEOSCI 171 / AOSS 171 / BIOLOGY 110 / ENSCEN 171 /<br />

ENVIRON 110. Introduction <strong>of</strong> Global Change: Physical<br />

Processes.<br />

(4). (NS). (BS). May not be repeated for credit. Credit is granted for<br />

a combined total <strong>of</strong> 17 credits elected in introductory biology. Satisfies<br />

<strong>the</strong> geography requirement for State <strong>of</strong> <strong>Michigan</strong> certification<br />

for social studies teachers. F.<br />

Every day, millions <strong>of</strong> human <strong>and</strong> natural activities are altering <strong>the</strong><br />

planet on which we live. Over <strong>the</strong> past century, through our ever-


80 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

increasing population <strong>and</strong> mastery <strong>of</strong> technology, we have been<br />

changing <strong>the</strong> global environment at a pace unknown to natural history.<br />

The University <strong>of</strong> <strong>Michigan</strong> Global Change Program <strong>of</strong>fers an interdisciplinary,<br />

introductory course sequence which investigates <strong>the</strong><br />

causes <strong>and</strong> potential impacts <strong>of</strong> <strong>the</strong>se changes using a combination<br />

<strong>of</strong> traditional lecture-based <strong>and</strong> modern web-based teaching methodologies.<br />

The Fall Academic Term course deals with issues relating<br />

to <strong>the</strong> physical, chemical, <strong>and</strong> biological cycles contributing to<br />

Global Change. Students apply learned knowledge by using spreadsheet<br />

<strong>and</strong> systems modeling s<strong>of</strong>tware to investigate <strong>the</strong> dynamics<br />

<strong>of</strong> natural systems.<br />

The Web-based course curriculum provides unparalleled opportunities<br />

to conduct on-line Internet research. In fact, you will create<br />

your own web-based poster on a topic <strong>of</strong> your choosing. The interactive<br />

laboratory exercises provide you <strong>the</strong> opportunity to use computers<br />

to examine how natural systems function as well as develop<br />

projections <strong>of</strong> <strong>the</strong> future consequences <strong>of</strong> changes in <strong>the</strong> environment.<br />

And, perhaps most important <strong>of</strong> all, you will have ample time<br />

for discussion <strong>of</strong> <strong>the</strong> critical issues in human development <strong>and</strong> how<br />

<strong>the</strong>y relate to <strong>the</strong> international business community, global economics,<br />

society as a whole <strong>and</strong> <strong>the</strong> individual. All topics are developed<br />

in a manner that students will find both accessible <strong>and</strong> enjoyable.<br />

You will discuss...<br />

• Current <strong>and</strong> Projected Global Change<br />

• The Role <strong>of</strong> <strong>the</strong> Individual as a Citizen <strong>of</strong> <strong>the</strong> Planet<br />

• Case Studies <strong>of</strong> Regional <strong>and</strong> Global Change Issues<br />

You will create...<br />

• Models <strong>of</strong> Interacting Systems that Give Insight into <strong>the</strong> Collision<br />

Between Natural <strong>and</strong> Societal Processes<br />

• A Web-based Poster on a Related <strong>To</strong>pic <strong>of</strong> Your Choice<br />

<strong>To</strong>pics that are covered ......<br />

The Universe:<br />

• Big Bang Theory<br />

• Birth <strong>and</strong> Death <strong>of</strong> Stars<br />

• Radiation Laws<br />

• Origin <strong>of</strong> <strong>the</strong> Elements<br />

• Planetary Energy Budget<br />

Our Planet:<br />

• The Age <strong>of</strong> <strong>the</strong> Earth<br />

• Primitive Atmospheres<br />

• Natural Hazards<br />

• Plate Tectonics<br />

• Chemical & Biological Evolution<br />

• The Building Blocks for Life<br />

Earth's Atmospheric & Oceanic Evolution:<br />

• Life Processes <strong>and</strong> Earth Systems<br />

• The Great Ice Ages<br />

• Atmospheric Circulation <strong>and</strong> Wea<strong>the</strong>r<br />

• Climate <strong>and</strong> Paleoclimate<br />

• Greenhouse Gases <strong>and</strong> Global Warming<br />

• Sea Level Change<br />

• El Niño<br />

The Tree <strong>of</strong> Life:<br />

• Emergence <strong>of</strong> Complex Life<br />

• Extinction <strong>and</strong> Radiation<br />

• The Five Kingdoms<br />

• Natural Selection<br />

• Respiration <strong>and</strong> Photosyn<strong>the</strong>sis<br />

• Ecosystems<br />

Projected Ecological Consequences:<br />

• Elevated Carbon Dioxide Levels<br />

• Environmental Pollutants<br />

• Ozone Depletion<br />

• Likelihood <strong>of</strong> Global Climatic Change<br />

Course Requirements:<br />

The course grade is based on two midterm exams, a final exam,<br />

completion <strong>of</strong> laboratory modules, <strong>and</strong> a course project based on<br />

some aspect <strong>of</strong> global change.<br />

Intended Audience:<br />

There are no prerequisites for <strong>the</strong> course <strong>and</strong> no science background<br />

is assumed. The course is appropriate for all undergraduate<br />

students, irrespective <strong>of</strong> intended concentration, <strong>and</strong> is <strong>the</strong> first <strong>of</strong> a<br />

series <strong>of</strong> courses that can be taken as part <strong>of</strong> <strong>the</strong> Global Change<br />

Minor.<br />

Instructor(s):<br />

• David Allan (NRE)<br />

• Ca<strong>the</strong>rine Badgley (Ecology <strong>and</strong> Evolutionary Biology),<br />

cbadgley@umich.edu<br />

• Christopher Poulson (Geology), poulsen@umich.edu<br />

GEOSCI 201 / ENVIRON 209 / GEOG 201. Introduction to<br />

Physical Geography: The Earth System.<br />

(4). (NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in GEOSCI 144 or<br />

GEOSCI 202. Students who have completed GEOSCI 331 will receive<br />

only 3 credits. F.<br />

Section 001. This course emphasizes <strong>the</strong> scientific processes <strong>and</strong><br />

principles behind global environmental problems. <strong>To</strong>pics include<br />

global biogeochemical cycles, human population, ecosystem management,<br />

biogeography, ecological restoration, soil-water-air pollution,<br />

environmental health, <strong>and</strong> energy resources.<br />

Instructor: Blum, Joel D<br />

GEOSCI 205. How <strong>the</strong> Earth Works: The Dynamic Planet.<br />

(2). (NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in GEOSCI 116, 117,<br />

119, 120, or 146. No credit granted to those who have completed<br />

both GEOSCI 105 <strong>and</strong> 107. Those with credit for one <strong>of</strong> GEOSCI<br />

105 <strong>and</strong> 107 may only elect GEOSCI 205 for 1 credit.<br />

An integrated look at <strong>the</strong> dynamic Earth, with an emphasis on<br />

processes involved in its formation 4.56 billion years ago, <strong>the</strong> early<br />

development <strong>of</strong> its atmosphere, oceans <strong>and</strong> crust, <strong>and</strong> <strong>the</strong> subsequent<br />

evolution <strong>of</strong> its continents <strong>and</strong> ocean basins.<br />

Instructor: Ruff, Larry John<br />

GEOSCI 208. Hot <strong>To</strong>pics in <strong>the</strong> Earth <strong>Science</strong>s.<br />

(1). (BS). May be elected twice for credit. Offered m<strong>and</strong>atory<br />

credit/no credit.<br />

The modern Earth <strong>Science</strong>s are in <strong>the</strong> middle <strong>of</strong> some <strong>of</strong> <strong>the</strong> hottest<br />

debates in science on topics such as climate, global change, natural<br />

hazards, water <strong>and</strong> resources, evolution <strong>and</strong> origin <strong>of</strong> life, <strong>and</strong> <strong>the</strong><br />

future <strong>of</strong> our planet. The Geological <strong>Science</strong>s Department hosts an<br />

endowed Smith Lecture Series in which Earth scientists from many<br />

research areas around <strong>the</strong> world share <strong>the</strong>ir latest work on <strong>the</strong>se<br />

topics. Seminar participants will attend <strong>the</strong> lectures, read <strong>the</strong><br />

posted topical articles, <strong>and</strong> post a weblog entry each week discussing<br />

new earth science insights gained from hearing <strong>the</strong> lecture <strong>and</strong><br />

<strong>the</strong> effectiveness <strong>of</strong> <strong>the</strong> speaker in communicating <strong>the</strong>se points.<br />

GEOSCI 208 covers <strong>the</strong> entire range <strong>of</strong> research in <strong>the</strong> department.<br />

Lectures include <strong>the</strong> latest research <strong>and</strong> analysis <strong>of</strong> important<br />

issues in <strong>the</strong> field, <strong>and</strong> students work on underst<strong>and</strong>ing <strong>the</strong>se issues<br />

during class.<br />

This minicourse has no textbook since <strong>the</strong> lecture topics vary from<br />

term to term, but students read papers each week written by <strong>the</strong>


speaker <strong>and</strong> o<strong>the</strong>rs on <strong>the</strong> topic <strong>of</strong> <strong>the</strong> week; <strong>the</strong>se are posted online<br />

by <strong>the</strong> instructor.<br />

Course Requirements:<br />

Attendance at both <strong>the</strong> weekly Smith Lecture <strong>and</strong> preceding seminar<br />

is m<strong>and</strong>atory. Grade is based on weekly attendance, participation<br />

in discussion sessions, <strong>and</strong> weblog entries.<br />

Intended Audience:<br />

Undergraduates interested in Earth sciences <strong>and</strong> <strong>the</strong> environment.<br />

No prerequisites are required, <strong>and</strong> students throughout <strong>the</strong> <strong>College</strong><br />

are welcome.<br />

Class Format:<br />

Meets for one hour before <strong>the</strong> Smith lecture, <strong>the</strong>n for <strong>the</strong> Smith<br />

Lecture.<br />

Instructor: Hendy, Ingrid L<br />

GEOSCI 222 / ENVIRON 232. Introductory Oceanography.<br />

(3). (NS). (BS). (QR/2). May not be repeated for credit. No credit<br />

granted to those who have completed or are enrolled in AOSS 203.<br />

This course explores <strong>the</strong> Earth's oceans in terms <strong>of</strong> geological,<br />

chemical, physical, <strong>and</strong> biological oceanography, with emphasis on<br />

underst<strong>and</strong>ing <strong>the</strong> oceans as an integrated system. We study <strong>the</strong><br />

processes that form ocean basins, <strong>the</strong> forces that govern ocean circulation,<br />

<strong>the</strong> physical <strong>and</strong> chemical properties that influence <strong>the</strong><br />

distribution <strong>of</strong> life, <strong>and</strong> <strong>the</strong> adaptation <strong>of</strong> organisms to <strong>the</strong>ir aquatic<br />

environment. We also discuss <strong>the</strong> ocean's role in mitigating global<br />

change <strong>and</strong> <strong>the</strong> consequences for oceanic ecosystems <strong>and</strong> human<br />

society.<br />

Instructor: Arbic, Brian K<br />

GEOSCI 223 / ENVIRON 233. Introductory Oceanography,<br />

Laboratory.<br />

Concurrent enrollment in GEOSCI 222/ENVIRON 232. (1). (NS).<br />

(BS). (QR/2). May not be repeated for credit.<br />

Laboratory course to be elected concurrently with GEOSCI 222 /<br />

ENVIRON 232. This companion laboratory course provides h<strong>and</strong>son<br />

experience with <strong>the</strong> concepts covered in lecture. We learn about<br />

<strong>the</strong> cycling <strong>of</strong> elements <strong>and</strong> <strong>the</strong> distribution <strong>of</strong> life in <strong>the</strong> ocean, <strong>the</strong><br />

processes that drive ocean circulation, <strong>and</strong> <strong>the</strong> dynamic nature <strong>of</strong><br />

<strong>the</strong> coasts. On a more practical note, we learn to navigate by <strong>the</strong><br />

stars <strong>and</strong> how to find <strong>the</strong> best waves for surfing.<br />

Class Format:<br />

One two-hour lab each week.<br />

GEOSCI 299. Independent Study <strong>and</strong> Research.<br />

Consent <strong>of</strong> instructor required. (1 — 6). (INDEPENDENT). May be<br />

repeated for a maximum <strong>of</strong> 12 credits.<br />

Undergraduate research in geology for students with less than<br />

junior st<strong>and</strong>ing.<br />

Course Requirements:<br />

Independent study class course requirements will vary depending<br />

on <strong>the</strong> instructor <strong>and</strong> student.<br />

Intended Audience:<br />

Freshmen <strong>and</strong> sophomores who are doing research in one <strong>of</strong> <strong>the</strong><br />

Geological <strong>Science</strong>s laboratories<br />

Class Format:<br />

Independent study<br />

GERMAN (German)<br />

Department <strong>of</strong> Germanic Languages <strong>and</strong> <strong>Literature</strong>s<br />

Waitlist Policy<br />

From <strong>the</strong> first day <strong>of</strong> registration until <strong>the</strong> last business day before<br />

<strong>the</strong> first day <strong>of</strong> classes, a member <strong>of</strong> <strong>the</strong> GLL staff will monitor enrollments<br />

<strong>and</strong> note any waitlisted courses that have spaces available.<br />

When available, a member <strong>of</strong> <strong>the</strong> GLL staff will issue an override<br />

for each open space in a waitlisted course in <strong>the</strong> order <strong>of</strong> <strong>the</strong><br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 81<br />

waitlist. The overrides issued will have an expiration date <strong>of</strong> 48<br />

hours (including weekends). If <strong>the</strong> student does not accept <strong>the</strong><br />

override within that time frame, it will expire. This will allow <strong>the</strong><br />

staff member to <strong>of</strong>fer <strong>the</strong> space to <strong>the</strong> next eligible student on <strong>the</strong><br />

waitlist, who will <strong>the</strong>n have 48 hours to enroll. If all students on a<br />

given waitlist have been given an opportunity to enroll, but do not<br />

do so, a member <strong>of</strong> <strong>the</strong> GLL staff will ask <strong>the</strong> Registrar's Office to<br />

drop <strong>the</strong>m from said waitlist. This will allow <strong>the</strong> class to reopen for<br />

registration. Once classes begin, no overrides will be issued for<br />

closed courses without <strong>the</strong> consent <strong>of</strong> <strong>the</strong> instructor for <strong>the</strong> course.<br />

S/he has final authority on whe<strong>the</strong>r or not to issue overrides.<br />

GERMAN 101. Elementary Course.<br />

All students with prior coursework in German must take <strong>the</strong> placement<br />

test. (4). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in GERMAN 100 or 103.<br />

F, W, Su.<br />

GERMAN 101 is an introductory course for students who have not<br />

previously studied German. Learning a new language for <strong>the</strong> first<br />

time is exciting <strong>and</strong> fun, <strong>and</strong> <strong>the</strong> course curriculum <strong>and</strong> materials<br />

focus on engaging students' interest, creativity, <strong>and</strong> sense <strong>of</strong> humor.<br />

The course focuses systematically on <strong>the</strong> concurrent development<br />

<strong>of</strong> students' ability to underst<strong>and</strong> spoken <strong>and</strong> written German,<br />

<strong>and</strong> to speak <strong>and</strong> write German <strong>the</strong>mselves, <strong>and</strong> on exposing students<br />

to a broad range <strong>of</strong> aspects <strong>of</strong> German culture. While children<br />

may be good at picking up a second language when living in <strong>the</strong><br />

culture, adults are much better at learning languages in <strong>the</strong> classroom<br />

than children, <strong>and</strong> <strong>the</strong> course aims to take advantage <strong>of</strong> this<br />

by helping students to develop effective language learning strategies,<br />

<strong>and</strong> by providing students with a wide range <strong>of</strong> tools <strong>and</strong> resources<br />

to help <strong>the</strong>m to learn <strong>the</strong> language. These include:<br />

• Online video lectures introducing new structures for each chapter,<br />

accompanied by online comprehension check exercises or<br />

worksheets.<br />

• Online vocabulary practice materials, including a nifty online<br />

flashcard program, <strong>and</strong> online exercises or worksheets for each<br />

chapter.<br />

• A "German Lab" in <strong>the</strong> Language Resource Center where students<br />

can practice <strong>the</strong>ir German or get help with homework or<br />

any questions <strong>the</strong>y have, Monday — Thursday 2-5 (in <strong>the</strong> Fall<br />

<strong>and</strong> Winter academic terms only)<br />

• Weekly German Tables in <strong>the</strong> North Quad <strong>and</strong>/or <strong>the</strong> MLB (in<br />

<strong>the</strong> Fall <strong>and</strong> Winter semesters only)<br />

• A feature film (Run Lola Run) <strong>and</strong> a popular children's book<br />

(Oh, wie schön ist Panama) integrated into <strong>the</strong> curriculum. In<br />

addition, enrolled students have access to a wide range <strong>of</strong><br />

o<strong>the</strong>r feature films via <strong>the</strong> course's C<strong>To</strong>ols site, <strong>and</strong> in <strong>the</strong><br />

Language Resource Center (including some popular Englishlanguage<br />

films dubbed in German, such as <strong>the</strong> original Star<br />

Wars trilogy, <strong>the</strong> first Monty Python movie, Shrek, <strong>and</strong> The Big<br />

Lebowski)<br />

• Additional cultural readings in English supplementing <strong>the</strong> cultural<br />

information in <strong>the</strong> textbook. These range from systematic<br />

texts exploring <strong>the</strong> United States' German cultural heritage or<br />

<strong>the</strong> situation <strong>of</strong> women in Germany to quirky perspectives on<br />

everyday aspects <strong>of</strong> German culture such as "The German<br />

National Pastime: Whining, Bitching <strong>and</strong> Moaning," "The<br />

Germanic Stare Down: Watcha Lookin’ at, Granny?" or "Brutally<br />

Honest: Have You Gained Weight?"<br />

• Detailed review sheets to help with preparation for tests<br />

• All transparencies used in class are available to students via <strong>the</strong><br />

C<strong>To</strong>ols site for (p)review outside <strong>of</strong> class<br />

• Cartoon transparencies <strong>and</strong> a compilation <strong>of</strong> "Videos zum Spaß"<br />

["videos for fun"] providing informal reinforcement <strong>of</strong> concepts<br />

from class<br />

By <strong>the</strong> end <strong>of</strong> <strong>the</strong> academic term, students will have a firm foundation<br />

in some <strong>of</strong> <strong>the</strong> fundamental elements <strong>of</strong> German grammar <strong>and</strong><br />

will be able to underst<strong>and</strong> <strong>and</strong> respond appropriately to a variety <strong>of</strong><br />

texts <strong>and</strong> basic conversational situations.<br />

Instructor: Rastalsky, Hartmut Maria


82 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

GERMAN 103. Review <strong>of</strong> Elementary German.<br />

Assignment by placement test or permission <strong>of</strong> department. (4).<br />

May not be repeated for credit. No credit granted to those who<br />

have completed or are enrolled in GERMAN 100, 101, or 102.<br />

GERMAN 103 provides a review <strong>of</strong> <strong>the</strong> fundamental components <strong>of</strong><br />

<strong>the</strong> German language for students who have had German language<br />

instruction before entering <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong>. The course<br />

focuses systematically on <strong>the</strong> concurrent development <strong>of</strong> students'<br />

ability to underst<strong>and</strong> spoken <strong>and</strong> written German, <strong>and</strong> to speak <strong>and</strong><br />

write German <strong>the</strong>mselves, <strong>and</strong> on exposing students to a broad<br />

range <strong>of</strong> aspects <strong>of</strong> German culture. While children may be good at<br />

picking up a second language when living in <strong>the</strong> culture, adults are<br />

much better at learning languages in <strong>the</strong> classroom than children,<br />

<strong>and</strong> <strong>the</strong> course aims to take advantage <strong>of</strong> this by helping students<br />

to develop effective language learning strategies, <strong>and</strong> by providing<br />

students with a wide range <strong>of</strong> tools <strong>and</strong> resources to help <strong>the</strong>m to<br />

learn <strong>the</strong> language. These include:<br />

• A nifty online flashcard program for practicing vocabulary<br />

• A "German Lab" in <strong>the</strong> Language Resource Center where students<br />

can practice <strong>the</strong>ir German or get help with homework or<br />

any questions <strong>the</strong>y have, Monday — Thursday 2-5<br />

• Weekly German Tables in <strong>the</strong> North Quad <strong>and</strong>/or <strong>the</strong> MLB<br />

• A feature film (Run Lola Run) <strong>and</strong> a popular children's book<br />

(Oh, wie schön ist Panama) integrated into <strong>the</strong> curriculum. In<br />

addition, enrolled students have access to a wide range <strong>of</strong><br />

o<strong>the</strong>r feature films via <strong>the</strong> course's C<strong>To</strong>ols site, <strong>and</strong> in <strong>the</strong><br />

Language Resource Center (including some popular Englishlanguage<br />

films dubbed in German, such as <strong>the</strong> original Star<br />

Wars trilogy, <strong>the</strong> first Monty Python movie, Shrek, <strong>and</strong> The Big<br />

Lebowski)<br />

By <strong>the</strong> end <strong>of</strong> <strong>the</strong> academic term, students will have been exposed<br />

to all <strong>the</strong> essentials <strong>of</strong> German grammar, which will <strong>the</strong>n be reviewed<br />

<strong>and</strong> extended in <strong>the</strong> second year courses. Students will be<br />

able to cope with a variety <strong>of</strong> conversational situations <strong>and</strong> written<br />

texts. In particular, <strong>the</strong>y will have <strong>the</strong> necessary "survival skills" for<br />

a visit to a German-speaking country, as well as a basic foundation<br />

for doing intellectual work in German.<br />

Instructor: Rastalsky, Hartmut Maria<br />

GERMAN 180. First Year Seminar.<br />

No knowledge <strong>of</strong> German is required. Enrollment restricted to firstyear<br />

students, including those with sophomore st<strong>and</strong>ing. (3). (HU).<br />

May not be repeated for credit. Taught in English.<br />

This course aims to introduce first-year students to <strong>the</strong> field <strong>of</strong><br />

German Studies<br />

Section 001 — The Third Reich <strong>and</strong> its Legacies.<br />

In this course, we will explore <strong>the</strong> history, politics, <strong>and</strong> culture <strong>of</strong><br />

<strong>the</strong> period ranging from 1943 to 1989. This period covers <strong>the</strong> beginning<br />

<strong>of</strong> <strong>the</strong> end <strong>of</strong> <strong>the</strong> Third Reich <strong>and</strong> beginning <strong>of</strong> <strong>the</strong> so-called<br />

Berlin Republic, i.e., Germany after <strong>the</strong> fall <strong>of</strong> <strong>the</strong> wall. We will<br />

study how politicians, public intellectuals, <strong>and</strong> artists thought about<br />

<strong>the</strong> National Socialist prehistory <strong>of</strong> <strong>the</strong> two postwar Germanies.<br />

Readings will include a mixture <strong>of</strong> literary <strong>and</strong> non-literary, German<br />

<strong>and</strong> English texts.<br />

Instructor: Hell, Julia C<br />

GERMAN 191 / RCLANG 191. Intensive German I.<br />

(8). May not be repeated for credit. No credit granted to those who<br />

have completed or are enrolled in GERMAN 100, 101, 102, or 103.<br />

Conducted in German. Pass/Fail with Narrative Evaluation.<br />

Section 001. Intensive German I covers <strong>the</strong> first year <strong>of</strong> German<br />

language study in one academic term. The goal <strong>of</strong> this course is to<br />

provide students with a basic but solid knowledge <strong>of</strong> grammatical<br />

structures <strong>and</strong> syntax, a functional vocabulary, familiarity with intonation<br />

patterns <strong>and</strong> native pronunciation, <strong>and</strong> practice in speaking<br />

<strong>and</strong> writing. At <strong>the</strong> end <strong>of</strong> German Intensive I, students can underst<strong>and</strong><br />

au<strong>the</strong>ntic <strong>and</strong> literary texts appropriate to <strong>the</strong> level <strong>and</strong> short<br />

spoken passages without glossed vocabulary, <strong>the</strong>y can write an es-<br />

say or short story without <strong>the</strong> aid <strong>of</strong> a dictionary, <strong>and</strong> <strong>the</strong>y can converse<br />

on a range <strong>of</strong> general topics. This course, like all RC German<br />

language courses, is conducted in German, so students quickly become<br />

accustomed to using German for daily activities. Students in<br />

RCLANG 191 have many opportunities to gain facility with <strong>the</strong> language<br />

by speaking with more advanced learners <strong>and</strong> teachers in<br />

<strong>the</strong> program in informal settings, such as RC German lunch tables<br />

<strong>and</strong> c<strong>of</strong>fee hours. In addition, <strong>the</strong>y are introduced to web activities<br />

<strong>and</strong> films to help <strong>the</strong>m explore aspects <strong>of</strong> German language <strong>and</strong><br />

culture.<br />

RCLANG 191 in <strong>the</strong> Fall academic term is intended for students who<br />

have had HS German, who place below GERMAN 231. In <strong>the</strong> Winter<br />

academic term, <strong>the</strong> course is geared to students who have little or<br />

no prior exposure to <strong>the</strong> language.<br />

Instructor: Hegman Shier, Janet Hegman<br />

GERMAN 221. Accelerated Third Semester German.<br />

GERMAN 102 <strong>and</strong> assignment by placement test. (5). May not be<br />

repeated for credit. No credit granted to those who have completed<br />

GERMAN 230 or 231. Four credits granted to those who have completed<br />

GERMAN 102 or 103.<br />

This course combines an intensive review <strong>of</strong> basic grammar with<br />

more advanced practice in <strong>the</strong> four basic language skills (reading,<br />

writing, listening, <strong>and</strong> speaking). It covers <strong>the</strong> same content as<br />

GERMAN 231, but with an extra day <strong>of</strong> class each week for additional<br />

review <strong>and</strong> speaking practice, so that by <strong>the</strong> end <strong>of</strong> <strong>the</strong> term,<br />

students in GERMAN 221 <strong>and</strong> 231 will be at <strong>the</strong> same level.<br />

See GERMAN 231 for description.<br />

Instructor: Rastalsky, Hartmut Maria<br />

GERMAN 231. Second-Year Course.<br />

GERMAN 102 or 103 <strong>and</strong> assignment by placement test. (4). May<br />

not be repeated for credit. No credit granted to those who have<br />

completed or are enrolled in GERMAN 230 or 221.<br />

By this point in your career as a German student, you're ready to<br />

do some really interesting, fun <strong>and</strong> challenging things. In this<br />

course, you will watch five feature films (including Good Bye<br />

Lenin!) <strong>and</strong> one set <strong>of</strong> video interviews online, <strong>and</strong> see numerous<br />

o<strong>the</strong>r DVD/video clips in class. You will read some short texts <strong>and</strong><br />

two short novels edited for language learners. The first is based on<br />

a popular movie about growing up <strong>and</strong> falling in love in former East<br />

Germany shortly before <strong>the</strong> fall <strong>of</strong> <strong>the</strong> Berlin Wall. The second is<br />

Kafka's Die Verw<strong>and</strong>lung (The Metamorphosis), in which Gregor<br />

Samsa awakes one morning from uneasy dreams to find himself<br />

transformed in his bed into an enormous bug, <strong>and</strong> wonders how<br />

he's going to get to work on time. The course website will provide<br />

you with extensive explanatory notes <strong>and</strong> vocabulary glosses in<br />

order to help you to enjoy <strong>the</strong>se two books, <strong>and</strong> to read <strong>the</strong>m at a<br />

reasonable speed. Several class sessions will take place in <strong>the</strong> computer<br />

lab, where you will have an opportunity to listen to some<br />

German popular music, look at some art by German-speaking artists,<br />

learn about <strong>the</strong> geography <strong>of</strong> <strong>the</strong> German-speaking countries,<br />

take (part <strong>of</strong>) a test that is required for immigrants seeking German<br />

citizenship, <strong>and</strong> to inform yourself about <strong>the</strong> Holocaust.<br />

You will review <strong>and</strong> extend <strong>the</strong> grammatical knowledge with which<br />

you entered <strong>the</strong> course by means <strong>of</strong> an online grammar consisting<br />

<strong>of</strong> summaries, explanations, lots <strong>of</strong> examples, practice exercises<br />

<strong>and</strong> "diagnostic exercises"; we've done our best to make learning<br />

grammar fun <strong>and</strong> interesting for you by our choice <strong>of</strong> exercises <strong>and</strong><br />

examples.<br />

You will have six opportunities in <strong>the</strong> first month <strong>of</strong> <strong>the</strong> course to<br />

pass a "Gateway Vocabulary Test" on a list <strong>of</strong> slightly less than 600<br />

<strong>of</strong> <strong>the</strong> most common German words <strong>and</strong> phrases, most <strong>of</strong> which<br />

you will already have encountered. This will provide you with a<br />

solid vocabulary base which will make everything else you do with<br />

German easier for you. You need a score <strong>of</strong> 80% to pass this multiple<br />

choice test; once you pass it, you need not take it again. If<br />

you do not manage to pass this test by <strong>the</strong> last scheduled time,


your final course grade will be reduced by one grade notch, i.e., an<br />

A would become an A-, an A- would become a B+ etc. Six additional,<br />

much shorter vocabulary lists later in <strong>the</strong> course will help<br />

you to fur<strong>the</strong>r extend your vocabulary. <strong>To</strong> help you study for <strong>the</strong><br />

test, an identical version <strong>of</strong> <strong>the</strong> test will be available for you to take<br />

online as <strong>of</strong>ten as you wish. The test consists <strong>of</strong> a large item bank,<br />

<strong>of</strong> which you will see 40 items each time <strong>the</strong> test loads. In addition,<br />

a nifty online flashcard program will help you study this vocabulary,<br />

<strong>and</strong> all o<strong>the</strong>r vocabulary for <strong>the</strong> course.<br />

The feature films, DVD <strong>and</strong> video clips, readings <strong>and</strong> o<strong>the</strong>r course<br />

materials will cover a variety <strong>of</strong> fields <strong>and</strong> <strong>the</strong>mes ranging from<br />

popular culture, contemporary social issues <strong>and</strong> history to classical<br />

music, art, <strong>and</strong> literature. By <strong>the</strong> end <strong>of</strong> <strong>the</strong> course, you should be<br />

able to survive without using English in a German-speaking country,<br />

<strong>and</strong> have enough conversational skills to meet people <strong>and</strong><br />

enjoy yourself. You should be comfortable surfing <strong>the</strong> web in<br />

German, able to read <strong>and</strong> write independently about short texts<br />

covering a wide range <strong>of</strong> topics, <strong>and</strong> you should be quite familiar<br />

with all <strong>the</strong> basics <strong>of</strong> German grammar, so that you will be able to<br />

pursue your own specific interests in GERMAN 232 <strong>and</strong> beyond.<br />

A $200 prize is awarded each academic term for <strong>the</strong> best final<br />

video in GERMAN 221/231.<br />

Course Requirements:<br />

Course requirements include daily homework assignments (reading,<br />

writing, learning vocabulary, practicing grammar, watching movies,<br />

etc.), regular attendance <strong>and</strong> participation, tests (including two<br />

informal oral tests), quizzes, <strong>and</strong> <strong>the</strong> Gateway Vocabulary Test.<br />

Instead <strong>of</strong> a final examination, students will work in groups to produce<br />

short videos, which will be screened on <strong>the</strong> last days <strong>of</strong><br />

classes.<br />

Instructor: Rastalsky, Hartmut Maria<br />

GERMAN 232. Second-Year Course.<br />

GERMAN 221 or 231 <strong>and</strong> assignment by placement test. (4). (Lang<br />

Req). May not be repeated for credit. No credit granted to those<br />

who have completed or are enrolled in GERMAN 230. All sections <strong>of</strong><br />

GERMAN 232 address special topics, e.g., music, philosophy, science,<br />

current political issues, etc. F, W, Sp, Su.<br />

In this course, students complete <strong>the</strong> four-term introductory language<br />

sequence by selecting one <strong>of</strong> several "special topics" courses<br />

intended as an introduction to <strong>the</strong> study <strong>of</strong> an academic discipline,<br />

such as Music, Politics <strong>and</strong> Society, Film, or <strong>Science</strong>, in German.<br />

Students should emerge from <strong>the</strong> course prepared <strong>and</strong> motivated<br />

to do work (or read for pleasure) in German in this field throughout<br />

<strong>the</strong>ir academic career <strong>and</strong> beyond. Students are strongly encouraged<br />

to arrange <strong>the</strong>ir schedules so <strong>the</strong>y can enroll in <strong>the</strong> section<br />

whose topic interests <strong>the</strong>m <strong>the</strong> most, in order to get <strong>the</strong> maximum<br />

benefit from this course. Interest in <strong>the</strong> course content is <strong>the</strong> most<br />

effective motivation for language study, <strong>and</strong> students can emerge<br />

from GERMAN 232 with genuine pride in what <strong>the</strong>y are able to do<br />

with <strong>the</strong>ir German. More generally, students should be ready by <strong>the</strong><br />

end <strong>of</strong> <strong>the</strong> course to pursue an internship or study abroad in<br />

Germany, <strong>and</strong> are strongly encouraged to take advantage <strong>of</strong> <strong>the</strong><br />

assistance <strong>of</strong>fered by <strong>the</strong> German department <strong>and</strong> by <strong>the</strong> Center for<br />

Global <strong>and</strong> Intercultural Study in this regard.<br />

Section 001 — Scientific German.<br />

This course serves as an introduction to <strong>the</strong> tools that are vital for<br />

pursuing fur<strong>the</strong>r science-based work in German — practical or academic.<br />

Recently, one <strong>of</strong> <strong>the</strong> reasons why students have taken this<br />

course has been to prepare <strong>the</strong>mselves for summer internships<br />

available with German companies or for study abroad in technical<br />

<strong>and</strong> scientific fields. In addition to reading various scientific articles,<br />

we will go on excursions to <strong>the</strong> H<strong>and</strong>s on Museum <strong>and</strong> <strong>the</strong> Exhibit<br />

Museum <strong>of</strong> Natural History; students will have <strong>the</strong> opportunity to<br />

present some fun experiments in groups; <strong>the</strong>re will be an elementary<br />

math lesson (or more if <strong>the</strong> class is interested); etc. In addition,<br />

we will pause along <strong>the</strong> way to consider <strong>the</strong> nature <strong>of</strong> science<br />

<strong>and</strong> <strong>the</strong> cultural values that can underlie it, as well as <strong>the</strong> ethical<br />

implications that a rapidly increasing amount <strong>of</strong> technology <strong>and</strong><br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 83<br />

knowledge has for our society today. The necessary vocabulary <strong>and</strong><br />

grammar will be provided along <strong>the</strong> way. No background in math or<br />

science is assumed.<br />

Course Requirements:<br />

Grades will be based on participation, homework, quizzes, presentations/projects,<br />

<strong>and</strong> exams.<br />

Instructor: Swennes, Erin S<br />

Section 002 — Mozart's Magic Flute.<br />

Ever heard <strong>of</strong> <strong>the</strong> ‘Mozart effect’? Taking this course will make you<br />

smarter <strong>and</strong> learning German easier! Besides covering topics such<br />

as, ‘What is genius?’ <strong>and</strong> ‘Why is Mozart so famous?’, you’ll gain an<br />

in-depth knowledge <strong>of</strong> Mozart’s opera The Magic Flute (Die Zauberflöte).<br />

You’ll improve your written <strong>and</strong> spoken German, do a comprehensive<br />

grammar review, compare productions <strong>of</strong> <strong>the</strong> opera <strong>and</strong><br />

watch a number <strong>of</strong> films. You will also learn to sing <strong>the</strong> opera <strong>and</strong><br />

perhaps take part in a concert at <strong>the</strong> end <strong>of</strong> <strong>the</strong> academic term.<br />

There will be guest lectures on subjects ranging from conducting,<br />

costume <strong>and</strong> lighting design to Freemasonry.<br />

Course Requirements:<br />

The assessment for this course will be based on participation,<br />

weekly writing <strong>and</strong> grammar assignments, <strong>and</strong> tests.<br />

Intended Audience:<br />

The only prerequisite for this course is enthusiasm.<br />

Instructor: Agnew, Vanessa Helen<br />

Section 003 — Contemporary German Society.<br />

This class will work on enhancing German language skills by examining<br />

Germany's post-World War II history <strong>and</strong> <strong>the</strong> repercussions<br />

<strong>the</strong>re<strong>of</strong>, including geographical phenomena <strong>and</strong> societal trends as<br />

<strong>the</strong>y relate to <strong>the</strong> economic, business, <strong>and</strong> political climate in contemporary<br />

German society. Throughout <strong>the</strong> course we will discuss<br />

ongoing current events through student-led discussions. Each week<br />

we will review a grammar topic to be put into immediate practice in<br />

our coursework.<br />

Instructor: Rastalsky, Hartmut Maria<br />

Section 004 — Introduction to <strong>the</strong> <strong>Literature</strong> <strong>of</strong> <strong>the</strong><br />

German-Speaking World.<br />

This section <strong>of</strong>fers an introduction to <strong>the</strong> rich <strong>and</strong> varied literature<br />

<strong>of</strong> <strong>the</strong> German-speaking world. We will read classic texts ranging<br />

from <strong>the</strong> 18th to <strong>the</strong> 20th centuries, by authors such as Goe<strong>the</strong>,<br />

Heine, Kafka, Brecht, Dürrenmatt, <strong>and</strong> Bachmann. <strong>To</strong>ward <strong>the</strong> end<br />

<strong>of</strong> <strong>the</strong> academic term, we will get a taste <strong>of</strong> contemporary literature.<br />

We will read plays, poems, <strong>and</strong> short stories, along with some<br />

biographical <strong>and</strong> historical articles. We will also watch film adaptations<br />

<strong>of</strong> some <strong>of</strong> <strong>the</strong>se texts, listen to songs inspired by <strong>the</strong>m, <strong>and</strong><br />

listen to recordings <strong>of</strong> author readings. By engaging with <strong>the</strong>se<br />

texts, we will not only learn about literary history, but also touch<br />

upon political, social, <strong>and</strong> cultural developments. <strong>To</strong> provide ample<br />

time to explore <strong>the</strong>se aspects, we will read <strong>the</strong> texts at a moderate<br />

pace, <strong>and</strong> at times read <strong>the</strong>m in excerpted or simplified form. The<br />

development <strong>of</strong> <strong>the</strong> fundamental skills <strong>of</strong> reading, writing, grammar,<br />

speaking, <strong>and</strong> listening comprehension will figure centrally,<br />

with a special emphasis on class discussion.<br />

Course Requirements:<br />

Course requirements include regular attendance <strong>and</strong> active participation,<br />

homework assignments, essays, quizzes, <strong>and</strong> a final project.<br />

Writing assignments will <strong>of</strong>ten be short responses, including some<br />

opportunities for creative writing.<br />

Instructor: Rastalsky, Hartmut Maria<br />

Section 005 — Introduction to German Film.<br />

This fourth-term course provides a creative <strong>and</strong> entertaining approach<br />

to <strong>the</strong> field <strong>of</strong> Film Studies in German. Students will read<br />

articles on film criticism (English <strong>and</strong> German) as well as view <strong>and</strong><br />

discuss German film classics <strong>of</strong> various periods <strong>and</strong> genres. In <strong>the</strong><br />

h<strong>and</strong>s-on part <strong>of</strong> <strong>the</strong> course students will shoot a short movie (10-


84 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

15 min) based on a self-produced script. Workshops in shooting<br />

<strong>and</strong> editing video will be provided.<br />

Course Requirements:<br />

Grades will be based on participation, homework, quizzes, presentations,<br />

essays, <strong>and</strong> <strong>the</strong> script/video-project<br />

Instructor: Marquardt, Ca<strong>the</strong>rine Alice<br />

GERMAN 291 / RCLANG 291. Intensive German II.<br />

RCLANG 191/GERMAN 191, GERMAN 102, 103, or 221. (8). (Lang<br />

Req). May not be repeated for credit. No credit granted to those<br />

who have completed or are enrolled in GERMAN 230, 231, or 232.<br />

Pass/Fail with Narrative Evaluation.<br />

Intensive German II covers all <strong>of</strong> second-year German in one academic<br />

term. The goals <strong>of</strong> <strong>the</strong> course are to exp<strong>and</strong> vocabulary, to<br />

improve communication skills, <strong>and</strong> to master grammatical structures<br />

<strong>and</strong> syntax to <strong>the</strong> level <strong>of</strong> competency that meets advanced<br />

intermediate st<strong>and</strong>ards for pr<strong>of</strong>iciency. One hour <strong>of</strong> class develops<br />

essay writing <strong>and</strong> oral communication skills, focusing on autobiographical<br />

<strong>and</strong> literary texts about <strong>the</strong> major events in 20 th - <strong>and</strong> 21 st -<br />

Century German cultural history. The second hour is devoted to in<br />

depth study <strong>and</strong> practice <strong>of</strong> grammar; it is aimed at developing<br />

students' ability to apply correct forms <strong>and</strong> syntax <strong>and</strong> be aware <strong>of</strong><br />

stylistic nuances even when using <strong>the</strong> language spontaneously.<br />

Through engagement with course materials, including films <strong>and</strong><br />

o<strong>the</strong>r visual <strong>and</strong> performance texts, <strong>and</strong> through interaction with<br />

teachers <strong>and</strong> classmates both in formal <strong>and</strong> informal contexts, students<br />

develop speaking, aural comprehension, <strong>and</strong> writing skills. By<br />

<strong>the</strong> end <strong>of</strong> <strong>the</strong> term, students are able to underst<strong>and</strong> <strong>the</strong> content <strong>of</strong><br />

texts <strong>and</strong> lectures <strong>of</strong> a non-technical nature <strong>and</strong> <strong>of</strong> general interest,<br />

<strong>and</strong> to communicate with some ease with a native speaker, in spoken<br />

<strong>and</strong> written language. Though training for study abroad or<br />

work abroad are not course objectives, per se, students are <strong>of</strong>ten<br />

well qualified to do ei<strong>the</strong>r after completion <strong>of</strong> this course.<br />

Instructor: Hegman Shier, Janet Hegman<br />

GERMAN 300. German Grammar <strong>and</strong> Composition.<br />

GERMAN 230 or 232. (4). May not be repeated for credit. Taught in<br />

German.<br />

This course seeks to increase <strong>the</strong> accuracy <strong>of</strong> students' grammar<br />

<strong>and</strong> vocabulary through conversation, writing, <strong>and</strong> reading. Its content<br />

is focused on everyday situations <strong>and</strong> current events. Course<br />

Taught in German.<br />

Section 001. This course seeks to increase <strong>the</strong> accuracy <strong>of</strong> students'<br />

grammar <strong>and</strong> vocabulary through conversation, writing, <strong>and</strong><br />

reading. The content <strong>of</strong> <strong>the</strong> course is focused on everyday life, cultural<br />

trends, <strong>and</strong> current events in Germany.<br />

Texts to be read include journalistic prose, material from <strong>the</strong><br />

Internet, movies, <strong>and</strong> popular short stories.<br />

Recommended Text: Martin Durrell. Hammer's German Grammar<br />

<strong>and</strong> Usage. Fourth Edition. Chicago: McGraw-Hill, 2002.<br />

Intended Audience:<br />

The course is intended for students still wishing or needing a systematic<br />

review <strong>of</strong> German grammar <strong>and</strong> practice in composition<br />

after having satisfied <strong>the</strong> language requirement.<br />

Instructor: Federh<strong>of</strong>er, Karl-Georg<br />

Section 002. This course seeks to increase <strong>the</strong> accuracy <strong>of</strong> students'<br />

grammar <strong>and</strong> vocabulary through conversation, writing, <strong>and</strong><br />

reading. The content <strong>of</strong> <strong>the</strong> course is focused on a variety <strong>of</strong> topics<br />

from everyday life, cultural trends, <strong>and</strong> current events in Germany.<br />

Texts to be read include journalistic prose, material from <strong>the</strong> Internet,<br />

movies, <strong>and</strong> popular music. The course will also provide a systematic<br />

review <strong>of</strong> German grammar.<br />

Instructor: Dischler, Vicki L<br />

GERMAN 305. Conversation Practice.<br />

GERMAN 230, 231, or 232; concurrent enrollment in a 300-level<br />

course is encouraged but not necessary. (1). May be elected twice<br />

for credit. Students who have previously participated in a 400-level<br />

GERMAN conversation course may not register for GERMAN 305 or<br />

306. This course does not satisfy <strong>the</strong> language requirement. May<br />

not be included in a concentration plan or academic minor in German.<br />

Taught in German. Offered m<strong>and</strong>atory credit/no credit.<br />

Taught in German.<br />

The goal <strong>of</strong> this course is to increase students' confidence in speaking<br />

on any topic <strong>and</strong>, <strong>the</strong>refore, <strong>the</strong> course will focus on a variety <strong>of</strong><br />

topics ranging from practical language situations to current cultural<br />

events to areas <strong>of</strong> students' academic interests. Students will work<br />

on exp<strong>and</strong>ing vocabulary, finding synonyms, <strong>and</strong> underst<strong>and</strong>ing/using<br />

varying spoken styles, which are necessary to appreciate<br />

life in German-speaking communities. The materials for <strong>the</strong> course<br />

will come from German websites as well as various materials from<br />

<strong>the</strong> instructor.<br />

Course Requirements:<br />

Course requirements are: energetic class participation, thorough<br />

preparation, e-mail in German with <strong>the</strong> instructor <strong>and</strong> fellow students,<br />

<strong>and</strong> oral presentations.<br />

GERMAN 325. Intermediate German.<br />

GERMAN 230 or 232, or <strong>the</strong> equivalent (placement test) or permission<br />

<strong>of</strong> instructor. (3). May be elected twice for credit. May be<br />

elected more than once in <strong>the</strong> same term. Taught in German.<br />

Designed to improve pr<strong>of</strong>iciency in written <strong>and</strong> spoken German by<br />

way <strong>of</strong> introductions to various topics in German studies. Taught in<br />

German.<br />

Section 001 — O<strong>the</strong>r Victims <strong>of</strong> <strong>the</strong> Holocaust.<br />

It is well-known that <strong>the</strong>re were over 6 Million Jewish victims <strong>of</strong> <strong>the</strong><br />

Holocaust. Much less well-known is that <strong>the</strong>re were 5 Million o<strong>the</strong>r<br />

victims <strong>of</strong> <strong>the</strong> Nazi Regime in Germany.<br />

In this course we will examine accounts about <strong>and</strong> by representative<br />

<strong>of</strong> this o<strong>the</strong>r very large <strong>and</strong> disparate group <strong>of</strong> Nazi victims:<br />

Resistance Fighters, Blacks, Roma, Jehovah’s Witnesses, Homosexuals,<br />

Dwarfs, Swing Kids, Slavs.<br />

There will be readings from, among o<strong>the</strong>r books:<br />

• "Die Weisse Rose";<br />

• "Edelweisspiraten" ;<br />

• "Neger, Neger, Schornsteinfeger";<br />

• "Muscha";<br />

• "Abschied von Sidone";<br />

• "Da wollten wir FREI sein";<br />

• "Die Männer mit dem Rosa Winkel";<br />

• "Getanzte Freiheit".<br />

The course will include several movies, <strong>and</strong> <strong>the</strong>re will also be vocabulary<br />

<strong>and</strong> writing work on <strong>the</strong> topic <strong>and</strong> several tests during <strong>the</strong><br />

academic term.<br />

Instructor: VanValkenburg, Janet K<br />

Section 002 — Germany <strong>and</strong> <strong>the</strong> European Union.<br />

In this course, students will learn about <strong>the</strong> geography <strong>of</strong> <strong>the</strong> EU,<br />

<strong>the</strong> history <strong>of</strong> European Integration after World War II, <strong>and</strong> <strong>the</strong><br />

EU’s recent enlargements in 2004 <strong>and</strong> 2007. We will discuss specifics<br />

<strong>and</strong> advantages <strong>of</strong> <strong>the</strong> Internal Market, economic data <strong>and</strong> challenges<br />

after <strong>the</strong> introduction <strong>of</strong> <strong>the</strong> Euro. Students will get an insight<br />

into EU institutions, <strong>the</strong> decision-making process, <strong>and</strong> current<br />

topics on <strong>the</strong> political agenda. We will also look at <strong>the</strong> concept <strong>of</strong><br />

unity <strong>and</strong> diversity <strong>and</strong> what it means for culture <strong>and</strong> languages in<br />

<strong>the</strong> European context. In addition to tests <strong>and</strong> essays, students will<br />

work independently in groups to present select EU member states.<br />

Time will also be spent on building a topic-oriented vocabulary <strong>and</strong><br />

reviewing essential grammar in connection with <strong>the</strong> text work.<br />

Instructor: Wunderwald-Jensen, Peggy M


Section 003 — German Visions <strong>of</strong> America.<br />

From its inception as a nation-state <strong>and</strong> even before, “America” has<br />

figured prominently in <strong>the</strong> imaginations <strong>of</strong> millions <strong>of</strong> Germans <strong>and</strong><br />

functioned as a critical instrument for German underst<strong>and</strong>ings <strong>of</strong><br />

<strong>the</strong>mselves <strong>and</strong> <strong>the</strong> sweeping societal changes going on around<br />

<strong>the</strong>m. This course explores a chronological range <strong>of</strong> German visions<br />

<strong>of</strong> America <strong>and</strong> its culture <strong>and</strong> examines how Germans have used<br />

<strong>the</strong> concept <strong>of</strong> America to define <strong>and</strong> underst<strong>and</strong> <strong>the</strong>mselves <strong>and</strong><br />

<strong>the</strong>ir own culture. Course materials will investigate a variety <strong>of</strong> topics<br />

(language, music, film, fashion, etc.) to explain <strong>the</strong> attraction<br />

<strong>and</strong> rejection <strong>of</strong> American culture. Though <strong>the</strong> topic has political<br />

implications, our focus will remain on cultural exchange. In addition,<br />

we will work on improving vocabulary <strong>and</strong> grammar through<br />

regular review <strong>and</strong> by means <strong>of</strong> exercises linked to <strong>the</strong> course<br />

topic.<br />

Instructor: Luppes, Jeffrey Paul<br />

Section 004 — German for Engineers I.<br />

This course will introduce students to German engineering discourse.<br />

It is <strong>the</strong> first course in a two-course sequence designed to<br />

prepare students for internships <strong>and</strong> jobs requiring some knowledge<br />

<strong>of</strong> technical German, <strong>and</strong> for study abroad in a technical field<br />

in a German-speaking country. Readings will be taken primarily<br />

from Wie funktioniert das? Technik heute (6th ed.). This book provides<br />

a wide range <strong>of</strong> technical information in a st<strong>and</strong>ardized format<br />

consisting <strong>of</strong> one page <strong>of</strong> text with a facing page <strong>of</strong> illustrations<br />

for each topic. We will watch a number <strong>of</strong> videos related to<br />

<strong>the</strong> course material, <strong>and</strong> will make some use <strong>of</strong> <strong>the</strong> Internet. The<br />

course will also include one or two field trips <strong>and</strong>/or guest lectures<br />

by faculty from technical fields. In addition, we will spend one day<br />

taking some things apart <strong>and</strong> putting <strong>the</strong>m back toge<strong>the</strong>r again.<br />

Vocabulary building will be emphasized strongly; grammar will be<br />

reviewed as needed. There will be a lot <strong>of</strong> partner <strong>and</strong> small group<br />

work during class time, in order to maximize students' opportunities<br />

to practice speaking <strong>and</strong> to help each o<strong>the</strong>r master <strong>the</strong> material.<br />

Intended Audience:<br />

Student tasks <strong>and</strong> <strong>the</strong> instructor's expectations will be based on <strong>the</strong><br />

assumption that <strong>the</strong> majority <strong>of</strong> students will previously have had<br />

(no more than!) <strong>the</strong> equivalent <strong>of</strong> four terms <strong>of</strong> college German. It<br />

is strongly recommended, but not required, that students have<br />

some background in Engineering. Students enrolling in <strong>the</strong> course<br />

without such a background should be open to <strong>and</strong> interested in <strong>the</strong><br />

study <strong>of</strong> scientific <strong>and</strong> technical concepts.<br />

Instructor: Rastalsky, Hartmut Maria<br />

Section 006 — Soccer.<br />

In this course, students are invited to dive into <strong>the</strong> fascination<br />

‘Fußball’. Introduction to <strong>the</strong> rules, soccer-jargon, teams, <strong>and</strong> players<br />

will be part <strong>of</strong> <strong>the</strong> class time, as well as historical <strong>and</strong> cultural<br />

aspects <strong>of</strong> soccer in <strong>the</strong> German-speaking countries. The material<br />

for discussions <strong>and</strong> student presentations is based on literary texts,<br />

Internet resources, videos, <strong>and</strong> two movies. The course will be<br />

conducted in German; weekly readings <strong>and</strong> motivated participation<br />

are required. Matters <strong>of</strong> German grammar, which may occur while<br />

improving <strong>the</strong> speaking, reading <strong>and</strong> writing skills, will be reviewed<br />

as needed. The course expects a strong interest in soccer <strong>and</strong> an<br />

existing familiarity with <strong>the</strong> sport.<br />

Instructor: Federh<strong>of</strong>er, Karl-Georg<br />

Section 007 — Germany Rocks.<br />

The goal <strong>of</strong> this course is to provide a general introduction into <strong>the</strong><br />

phenomenon <strong>of</strong> Expressionism <strong>and</strong> to situate it within German culture<br />

as a whole. A major cultural movement <strong>of</strong> early twentiethcentury<br />

Germany, Expressionism was not confined to any one<br />

realm <strong>of</strong> aes<strong>the</strong>tic production. Its extent ranged from drama <strong>and</strong><br />

poetry to painting, architecture, <strong>and</strong> music. Indeed, for this reason,<br />

<strong>the</strong> 1910s have <strong>of</strong>ten been called “<strong>the</strong> Expressionist decade” in<br />

Germany. We will look at how Expressionism shaped <strong>and</strong> was in<br />

turn shaped by its surroundings, asking how this interdisciplinary<br />

movement sought to come to terms with a German culture undergoing<br />

rapid transformations due to modernization, war, <strong>and</strong> revolu-<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 85<br />

tion. We will read, view, <strong>and</strong> hear works by Alfred Döblin, Elsa<br />

Lasker-Schüler, Arnold Schoenberg, Franz Marc, Wassily K<strong>and</strong>insky,<br />

<strong>and</strong> Fritz Lang.<br />

The language <strong>of</strong> instruction <strong>and</strong> readings for this course will be<br />

German.<br />

Instructor: Choberka, David M<br />

GERMAN 350. Business German.<br />

GERMAN 230 or 232, or <strong>the</strong> equivalent (placement test) or permission<br />

<strong>of</strong> instructor. (3). May not be repeated for credit. Taught in<br />

German.<br />

Taught in German.<br />

Section 001. This course introduces students to <strong>the</strong> language <strong>of</strong><br />

business German <strong>and</strong> gives <strong>the</strong>m insight into Germany's place in<br />

<strong>the</strong> global economy. The course is organized around major business<br />

<strong>and</strong> economic topics, such as:<br />

• <strong>the</strong> geography <strong>of</strong> business in German;<br />

• <strong>the</strong> European Union <strong>and</strong> Germany's roll <strong>the</strong>rein;<br />

• trade;<br />

• traffic <strong>and</strong> transportation;<br />

• marketing;<br />

• industry;<br />

• money <strong>and</strong> banking; <strong>and</strong><br />

• ecology.<br />

In addition to <strong>the</strong> basic text, students will read actual business,<br />

merch<strong>and</strong>ising, <strong>and</strong> advertising material; newspapers <strong>and</strong> magazines.<br />

There will also be short videos on business <strong>and</strong> related topics.<br />

The language <strong>of</strong> instruction is German.<br />

Course Requirements:<br />

There will be three major exams; a number <strong>of</strong> short reports, papers,<br />

<strong>and</strong> projects; <strong>and</strong> a final exam.<br />

Instructor: VanValkenburg, Janet K<br />

GREEK (Greek)<br />

GREEK 101. Elementary Greek.<br />

(4). May not be repeated for credit. Graduate students should elect<br />

GREEK 502. F.<br />

In combination with GREEK 102, this is <strong>the</strong> first half <strong>of</strong> a year-long<br />

introduction to ancient Greek <strong>and</strong> is designed to prepare students<br />

for <strong>the</strong> reading <strong>of</strong> Greek texts. GREEK 101 concentrates on fifthcentury<br />

B.C. Attic Greek which was <strong>the</strong> language <strong>of</strong> <strong>the</strong> "golden<br />

age" <strong>of</strong> A<strong>the</strong>ns. The Greek language <strong>of</strong> that time <strong>and</strong> place represents<br />

a cultural <strong>and</strong> linguistic central point from which students can<br />

pursue <strong>the</strong>ir own interests within a wide range <strong>of</strong> Greek literature<br />

which extends from <strong>the</strong> Homeric epics to <strong>the</strong> Byzantine era <strong>and</strong><br />

which includes <strong>the</strong> archaic, classical, <strong>and</strong> Hellenistic periods as well<br />

as <strong>the</strong> koine Greek <strong>of</strong> <strong>the</strong> New Testament. The purpose <strong>of</strong> <strong>the</strong><br />

course is to develop <strong>the</strong> fundamentals <strong>of</strong> <strong>the</strong> language so that<br />

<strong>the</strong>se fundamentals can <strong>the</strong>n be applied to whatever area <strong>of</strong> ancient<br />

Greek students wish to pursue.<br />

GTBOOKS (Great Books)<br />

Great Books is <strong>the</strong> heading for a small number <strong>of</strong> humanities<br />

courses that do not fit within traditional departments. These<br />

courses introduce significant <strong>and</strong> influential works <strong>of</strong> literature <strong>and</strong><br />

philosophy from various traditions <strong>and</strong> cultures.<br />

GTBOOKS 191. Great Books.<br />

FR.H.PRG. (4). (HU). (FYWR). May not be repeated for credit. No<br />

credit granted to those who have completed or are enrolled in<br />

GTBOOKS 201 or CLCIV 101. F.<br />

Section 001. An introduction to <strong>the</strong> major literary, philosophical,<br />

<strong>and</strong> historical masterpieces <strong>of</strong> ancient Greece. Completion <strong>of</strong><br />

GTBOOKS 191 meets <strong>the</strong> First-Year Writing degree requirement;


86 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

completion <strong>of</strong> both GTBOOKS 191 <strong>and</strong> 192 also gives eight credits<br />

toward <strong>the</strong> humanities distribution requirement. There are two lecture<br />

<strong>and</strong> two discussion periods each week. Readings include<br />

Homer, Aeschylus, Sophocles, Euripides, Aristophanes, Herodotus,<br />

Thucydides, <strong>and</strong> Plato.<br />

Instructor: Seo, Mira<br />

HISTART (History <strong>of</strong> Art)<br />

HISTART 101. Great Monuments from <strong>the</strong> Stone Age to <strong>the</strong><br />

Middle Ages.<br />

(4). (HU). May not be repeated for credit. F.<br />

Section 001. HISTART 101 introduces students to <strong>the</strong> disciplinary<br />

practices <strong>and</strong> goals <strong>of</strong> art history via encounters with selected great<br />

monuments <strong>of</strong> visual culture ranging from magic-charged cave art<br />

<strong>of</strong> prehistory to compelling Christian, Jewish, <strong>and</strong> Islamic monuments<br />

<strong>of</strong> medieval life, piety, <strong>and</strong> power down through <strong>the</strong><br />

Crusades. We place each monument in dialogue with a cluster <strong>of</strong><br />

<strong>the</strong>matically associated creations that enrich our underst<strong>and</strong>ing <strong>of</strong><br />

how art expresses ideas <strong>and</strong> exerts meaning in its era <strong>of</strong> original<br />

production. We also consider how to “read” a famous monument<br />

across time — as its fame may have <strong>the</strong> power to produce new<br />

meanings in new historical contexts. Course materials: Online Aids.<br />

Course Requirements:<br />

Grading basis: Three Unit Tests (1 hour each), Periodic 150-word<br />

journal entries, Class Attendance/Section Participation.<br />

Class Format:<br />

Discussion sections encourage active use <strong>of</strong> campus museum collections<br />

via specially designed online engagements.<br />

Instructor: Timmermann, Achim<br />

HISTART 112. History <strong>of</strong> Photography.<br />

(4). (HU). May not be repeated for credit.<br />

Section 001. This course surveys <strong>the</strong> history <strong>of</strong> photography from<br />

<strong>the</strong> invention <strong>of</strong> <strong>the</strong> medium in 1839 to its most recent developments.<br />

It is designed to introduce students to skills <strong>of</strong> analyzing<br />

<strong>and</strong> interpreting photographs as well as to present <strong>the</strong> history <strong>of</strong><br />

photography as both an art form <strong>and</strong> as a social phenomenon.<br />

Since <strong>the</strong> meaning <strong>of</strong> a photograph changes depending on <strong>the</strong><br />

methodology used to interpret it, this course will also introduce<br />

students to a number <strong>of</strong> different methods <strong>of</strong> visual analysis, including<br />

formal analysis, semiotics, psychoanalysis, <strong>and</strong> Marxism (as<br />

well as o<strong>the</strong>r forms <strong>of</strong> contextual analysis). In addition, <strong>the</strong> development<br />

<strong>of</strong> photographic <strong>the</strong>ory will also be briefly examined.<br />

HISTART 194. First Year Seminar.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (HU). May not be repeated for credit.<br />

May not be used to meet <strong>the</strong> prerequisite requirement for <strong>the</strong><br />

History <strong>of</strong> Art concentration.<br />

This course is designed to introduce first-year students to history <strong>of</strong><br />

art topics in a seminar format. The content varies, depending on<br />

<strong>the</strong> instructor.<br />

Section 001 — The Archbishop's Bones: Art, Architecture,<br />

<strong>and</strong> Pilgrimage at Canterbury Ca<strong>the</strong>dral.<br />

On 29 December 1170, Thomas Becket, Archbishop <strong>of</strong> Canterbury,<br />

was murdered in his own ca<strong>the</strong>dral. Fifty years later, Canterbury<br />

Ca<strong>the</strong>dral had become one <strong>of</strong> <strong>the</strong> major centers <strong>of</strong> pilgrimage in<br />

western Christendom, drawing pilgrims — like those described in<br />

Chaucer's 'Canterbury Tales' — from all over Europe. The goal <strong>of</strong><br />

<strong>the</strong> pilgrimage were Thomas Becket's mortal remains, kept within a<br />

series <strong>of</strong> golden shrines, <strong>and</strong> staged within <strong>the</strong> rich <strong>and</strong> luminous<br />

architecture <strong>of</strong> Canterbury's new choir, one <strong>of</strong> <strong>the</strong> first, <strong>and</strong> one <strong>of</strong><br />

<strong>the</strong> important, Gothic structures in Engl<strong>and</strong>.<br />

Our seminar will explore <strong>the</strong> extraordinary story <strong>of</strong> Becket's martyrdom,<br />

<strong>the</strong> posthumous veneration <strong>of</strong> his relics, but above all, <strong>the</strong><br />

magnificent architecture <strong>and</strong> stained glass <strong>of</strong> Canterbury Ca<strong>the</strong>dral.<br />

Our discussions will introduce you to <strong>the</strong> spatial lay-out, structure,<br />

function <strong>and</strong> imagery <strong>of</strong> a great Gothic church, <strong>and</strong> sharpen your<br />

skills <strong>of</strong> visual <strong>and</strong> architectural analysis. You will also learn how to<br />

read primary textual sources (such as contemporary accounts <strong>of</strong><br />

Becket's murder), <strong>and</strong> secondary literature (for instance a scholarly<br />

article analyzing medieval imagery depicting Becket's murder).<br />

Course Requirements:<br />

One short paper (visual analysis) <strong>of</strong> ca. 5 pages — 25 %. One paper<br />

(architectural analysis) <strong>of</strong> ca. 7-8 pages — 35 %. Class participation<br />

<strong>and</strong> discussion questions. In this seminar, class participation<br />

<strong>and</strong> an active engagement with <strong>the</strong> visual <strong>and</strong> textual material under<br />

discussion will be essential — 40%.<br />

Instructor: Timmermann, Achim<br />

HISTART 208 / AAS 208. Introduction to African Art.<br />

(4). (HU). May not be repeated for credit.<br />

Section 001. Through <strong>the</strong> study <strong>of</strong> a selected group <strong>of</strong> African<br />

<strong>and</strong> African Diaspora cultures, we will investigate several pivotal<br />

issues <strong>and</strong> narratives that lie behind <strong>the</strong> surfaces <strong>of</strong> some extraordinary<br />

objects <strong>and</strong> practices. African people have <strong>the</strong>ir own stories<br />

to tell about <strong>the</strong>se things, <strong>of</strong> course: stories <strong>of</strong> mythic power expressed<br />

as living form, stories <strong>of</strong> historical contact with o<strong>the</strong>r cultures,<br />

stories <strong>of</strong> struggle <strong>and</strong> redemption, stories <strong>of</strong> ordinary, everyday<br />

life. And over <strong>the</strong> past several centuries, we in <strong>the</strong> “West”<br />

also have had a decisive, <strong>of</strong>ten disturbing h<strong>and</strong> in <strong>the</strong> framing <strong>of</strong><br />

African peoples, objects, <strong>and</strong> stories. The coupled histories <strong>of</strong> colonialism<br />

<strong>and</strong> <strong>the</strong> slave trade, along with our inevitably distorted<br />

views <strong>and</strong> representations <strong>of</strong> what African people are <strong>and</strong> what<br />

<strong>the</strong>y do, have affected Africa <strong>and</strong> its peoples to <strong>the</strong> core. When we<br />

look at <strong>and</strong> think critically about “African Art,” <strong>the</strong>n, we necessarily<br />

must look at <strong>and</strong> think critically about ourselves. Ultimately, <strong>the</strong><br />

goal is to underst<strong>and</strong> aspects <strong>of</strong> African cultures in <strong>the</strong> terms by<br />

which Africans underst<strong>and</strong> <strong>the</strong>m — to know African ideals <strong>and</strong> realities<br />

as <strong>the</strong>y are shaped in word, sound, matter, <strong>and</strong> movement.<br />

In this course, we’ll be taking a few steps towards that goal. In lectures<br />

<strong>and</strong> weekly discussion sections, in films, recorded sound, <strong>and</strong><br />

perhaps even in live performance, we will examine objects <strong>and</strong> <strong>the</strong><br />

many stories that surround <strong>the</strong>m. Looking <strong>and</strong> listening closely, we<br />

will learn to see <strong>and</strong> to underst<strong>and</strong> a wide range <strong>of</strong> African visual<br />

practices including architecture, textiles, body adornment, painting,<br />

graphic communication systems, photography, dance, ritual performance<br />

<strong>and</strong>, <strong>of</strong> course, sculpture — not only as <strong>the</strong>se practices<br />

continue to unfold on <strong>the</strong> African continent, but also as <strong>the</strong>y are<br />

transformed, <strong>and</strong> as <strong>the</strong>y endure, in <strong>the</strong> African Diaspora. B. E. 4<br />

Class Format:<br />

Lecture <strong>and</strong> weekly discussion<br />

Instructor: Doris, David T<br />

HISTART 220 / CLARCH 220. Great Buildings <strong>of</strong> Ancient<br />

Greece <strong>and</strong> Rome.<br />

(4; 3 in <strong>the</strong> half-term). (HU). May not be repeated for credit.<br />

Section 001. Why do we still find ancient buildings so evocative?<br />

What can we learn about <strong>the</strong> civilizations <strong>of</strong> Greece <strong>and</strong> Rome<br />

through <strong>the</strong> study <strong>of</strong> <strong>the</strong>ir architectural monuments? How has <strong>the</strong><br />

classical heritage continued to influence later architecture not only<br />

in Europe but across <strong>the</strong> world? This course introduces students to<br />

<strong>the</strong> study <strong>of</strong> classical civilization though <strong>the</strong> history <strong>of</strong> architecture;<br />

at <strong>the</strong> same time, it provides an introduction to <strong>the</strong> study <strong>of</strong> architecture<br />

through a survey <strong>of</strong> <strong>the</strong> Classical tradition; <strong>and</strong> it highlights<br />

<strong>the</strong> contributions that classical archaeology has made both to classical<br />

studies <strong>and</strong> to architectural history. The course is organized<br />

chronologically, but ra<strong>the</strong>r than attempting a comprehensive treatment,<br />

it focuses in on a series <strong>of</strong> key monuments that show how<br />

architecture reflects, responds to, <strong>and</strong> articulates historical change;<br />

<strong>and</strong> that illustrate various building types, <strong>the</strong> creation <strong>and</strong> evolution<br />

<strong>of</strong> <strong>the</strong> architectural orders, <strong>the</strong> development <strong>of</strong> building technology,<br />

different approaches to town-planning, <strong>and</strong> <strong>the</strong> achievements <strong>of</strong><br />

ancient civil engineering.<br />

Instructor: Ratte, Christopher John


HISTART 221 / CLARCH 221. Introduction to Greek<br />

Archaeology.<br />

(4). (HU). May not be repeated for credit.<br />

Section 001.<br />

This course looks at evidence for:<br />

• <strong>the</strong> rise <strong>and</strong> fall <strong>of</strong> civilization;<br />

• <strong>the</strong> introduction <strong>of</strong> revolutionary technological innovations;<br />

• trade <strong>and</strong> <strong>the</strong> exploration <strong>of</strong> new l<strong>and</strong>s; <strong>and</strong><br />

• <strong>the</strong> invention, loss <strong>and</strong> re-creation <strong>of</strong> a range <strong>of</strong> skills including<br />

<strong>the</strong> production <strong>of</strong> figurative art, monumental stone architecture,<br />

<strong>and</strong> writing.<br />

Our context is <strong>the</strong> ancient Greek world between ca. 3000 <strong>and</strong> 31<br />

BCE. Ancient Greece has famously given us <strong>the</strong> Olympics, democracy,<br />

history, <strong>and</strong> <strong>the</strong>atrical performance, all <strong>of</strong> which can be traced<br />

through <strong>the</strong> writings <strong>of</strong> ancient authors. Here, though, we will focus<br />

on <strong>the</strong> art, architecture <strong>and</strong> artefacts left behind, asking what <strong>the</strong>y<br />

have to tell us about <strong>the</strong> lives <strong>of</strong> ordinary people, <strong>and</strong> how those<br />

lives were affected by social, cultural, <strong>and</strong> technological change. At<br />

<strong>the</strong> same time as <strong>of</strong>fering an introduction to <strong>the</strong> major societies <strong>of</strong><br />

<strong>the</strong> Greek world during this period, we shall also look at some <strong>of</strong><br />

<strong>the</strong> major research traditions <strong>and</strong> methods which have been employed<br />

in Greek archaeology over <strong>the</strong> past couple <strong>of</strong> centuries,<br />

down to <strong>the</strong> present day.<br />

Instructor: Nevett, Lisa C<br />

HISTART 255. Visual Mythology.<br />

(4). (HU). May not be repeated for credit.<br />

Section 001. Myths are a way <strong>of</strong> structuring <strong>and</strong> explaining <strong>the</strong><br />

world. This course explores <strong>the</strong> ‘after life’ <strong>of</strong> ancient mythologies by<br />

focusing on <strong>the</strong> classical revival <strong>of</strong> <strong>the</strong> Renaissance, but we also<br />

study <strong>the</strong> intersection <strong>of</strong> <strong>the</strong>se traditions with contemporary representations,<br />

including film. The course aims to familiarize students<br />

with a core set <strong>of</strong> myths, ones narrated in Ovid’s Metamorphoses,<br />

<strong>and</strong> which provided a framework for picturing <strong>the</strong>mes like transformation,<br />

desire <strong>and</strong> creativity. We will combine analysis <strong>of</strong> literary<br />

poetics with close attention to visual literacy. Through gender<br />

analysis, we focus on <strong>the</strong> construction <strong>of</strong> masculinity (e.g.,<br />

Hercules) <strong>and</strong> femininity (e.g., Venus). The very fictionality <strong>of</strong> myth<br />

made it an apt vehicle for <strong>the</strong> figuring <strong>of</strong> creativity, here investigated<br />

through <strong>the</strong> stories <strong>of</strong> Narcissus, Prome<strong>the</strong>us <strong>and</strong> Pygmalion.<br />

Textbook:<br />

• Ovid, Metamorphoses, Penguin.<br />

Images:<br />

• Botticelli, Venus.<br />

• Kapoor, Marsyas.<br />

D. 3<br />

Instructor: Simons, Patricia<br />

HISTART 271. Origins <strong>of</strong> Modernism: Art <strong>and</strong> Culture in<br />

Nineteenth Century France.<br />

(4). (HU). May not be repeated for credit. F.<br />

Section 001. This course examines a series <strong>of</strong> dramatic transformation<br />

in French art between 1784 <strong>and</strong> 1907 — from <strong>the</strong> rise <strong>of</strong><br />

Neoclassicism <strong>and</strong> Romanticism to <strong>the</strong> advent <strong>of</strong> Realism, Impressionism,<br />

<strong>and</strong> Post-Impressionism. Our objective is to account for a<br />

selection <strong>of</strong> remarkable pictures (by David, Géricault, Courbet,<br />

Manet, Degas, Monet, <strong>To</strong>ulouse-Lautrec, van Gogh, Cézanne, et al.)<br />

<strong>and</strong> to assess <strong>the</strong> changing cultural circumstances under which <strong>the</strong><br />

art <strong>of</strong> painting was produced during <strong>the</strong> nineteenth century. This is<br />

<strong>the</strong> period during which modern art developed its characteristic<br />

strategies <strong>and</strong> behavioral patterns: an insistence on innovation,<br />

originality <strong>and</strong> individuality; a contentious involvement with tradition;<br />

a critical relationship with both institutional <strong>and</strong> commercial<br />

culture; <strong>and</strong> a somewhat strained allegiance with radical politics<br />

<strong>and</strong> alternative subcultures. It is also <strong>the</strong> period that witnessed a<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 87<br />

thoroughgoing reassessment <strong>of</strong> <strong>the</strong> possibilities <strong>and</strong> limitations <strong>of</strong><br />

visual media. Over <strong>the</strong> course <strong>of</strong> <strong>the</strong> academic term, this class<br />

takes stock <strong>of</strong> <strong>the</strong> connections between artistic production <strong>and</strong> a<br />

society radically transformed by revolution, industrialization, <strong>and</strong><br />

<strong>the</strong> emergence <strong>of</strong> consumer capitalism. It also focuses on <strong>the</strong> formal<br />

means by which artists sought to picture — <strong>and</strong> to underst<strong>and</strong><br />

— <strong>the</strong> advent <strong>of</strong> modernity. So our objective is nothing less than to<br />

account for a radical <strong>and</strong> thoroughgoing transformation <strong>of</strong> <strong>the</strong> making<br />

<strong>and</strong> reception <strong>of</strong> modern art.<br />

D. 4<br />

Instructor: Lay, Howard G<br />

HISTART 285 / AAPTIS 285. Visual Culture Islam.<br />

(4). (HU). (R&E). May not be repeated for credit.<br />

Section 001. This course examines <strong>the</strong> visual cultures <strong>of</strong> Islam<br />

around <strong>the</strong> world from <strong>the</strong> 7th to <strong>the</strong> 20th century. Beginning with<br />

a discussion <strong>of</strong> Islam, Muhammad, <strong>the</strong> Qur’an, <strong>and</strong> a definition <strong>of</strong><br />

“Islamic” art, we will discuss <strong>the</strong> roles <strong>and</strong> meanings <strong>of</strong> demarcating<br />

divine topography as visible in <strong>the</strong> Ka‘ba in Mecca <strong>and</strong> <strong>the</strong><br />

Dome <strong>of</strong> <strong>the</strong> Rock in Jerusalem. The rapid spread <strong>of</strong> Islam to <strong>the</strong><br />

east <strong>and</strong> west during <strong>the</strong> 9th-11th centuries created a new vocabulary<br />

for Islamic art <strong>and</strong> architecture, fusing pre-existing Byzantine<br />

<strong>and</strong> Persian models with Islamic innovations. We will look at<br />

mosque <strong>and</strong> palace complexes in North Africa, sou<strong>the</strong>rn Spain, as<br />

well as in Mesopotamia <strong>and</strong> Central Asia. During <strong>the</strong> Crusades,<br />

Islam came into close contact with Europe, resulting in fascinating<br />

hybrid objects <strong>and</strong> architecture that call into question <strong>the</strong> simplistic<br />

division <strong>of</strong> “East” <strong>and</strong> “West.” From <strong>the</strong> 15th to <strong>the</strong> 17th century,<br />

<strong>the</strong> three so-called gunpowder states <strong>of</strong> Anatolia (<strong>the</strong> Ottomans),<br />

Persia (<strong>the</strong> Safavids), <strong>and</strong> <strong>the</strong> Indian Subcontinent (<strong>the</strong> Mughals)<br />

created new concepts <strong>of</strong> empire, wealth, <strong>and</strong> administration in <strong>the</strong><br />

imperial cities <strong>of</strong> Istanbul, Isfahan, <strong>and</strong> Agra. Finally, Colonialism<br />

<strong>and</strong> Orientalism will be examined, as well as <strong>the</strong> emergence <strong>of</strong><br />

modern Islamic art <strong>and</strong> visual culture.<br />

A. B. 1, 2<br />

Instructor: Gruber, Christiane J<br />

HISTART 292 / ASIAN 292. Introduction to Japanese Art<br />

<strong>and</strong> Culture.<br />

(4). (HU). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in HISTART 495.<br />

Section 001. This course adopts an interdisciplinary approach to<br />

<strong>the</strong> history <strong>of</strong> Japanese visual culture, introducing <strong>the</strong> art <strong>of</strong> <strong>the</strong> archipelago<br />

from ancient times through <strong>the</strong> present day. Although<br />

primarily a chronological examination <strong>of</strong> key artistic monuments,<br />

<strong>the</strong> class will also discuss <strong>the</strong>matic issues such as <strong>the</strong> materiality <strong>of</strong><br />

art, cultural exchange, <strong>the</strong> meaning <strong>of</strong> nature, <strong>and</strong> <strong>the</strong> relationships<br />

between artistic production <strong>and</strong> religion, class, <strong>and</strong> society. The<br />

course makes no claim to be comprehensive, <strong>and</strong> <strong>the</strong> goal <strong>of</strong> <strong>the</strong><br />

lectures is only to introduce you to <strong>the</strong> panoply <strong>of</strong> Japanese art <strong>and</strong><br />

<strong>the</strong> ways that it interacted with <strong>the</strong> cultures that produced it. At <strong>the</strong><br />

end <strong>of</strong> <strong>the</strong> course, you should have a better underst<strong>and</strong>ing <strong>of</strong> many<br />

aspects <strong>of</strong> Japanese history, thought, religion, <strong>and</strong> visual culture;<br />

but you should also develop a heightened awareness <strong>of</strong> <strong>and</strong> sophistication<br />

about your visual world in general.<br />

C. 1, 2, 3, 4<br />

Instructor: Carr, Kevin Gray<br />

HISTORY (History)<br />

Course Numbers<br />

100-level courses are introductory <strong>and</strong> broad in nature <strong>and</strong> assume<br />

no background in <strong>the</strong> topic.<br />

200-level courses, most <strong>of</strong> which are lecture courses, are equally<br />

suitable for first-year students, but are not restricted to <strong>the</strong>m.<br />

300 <strong>and</strong> 400 level courses are more focused topics <strong>and</strong> require<br />

substantially more dem<strong>and</strong>ing workloads. These are designed for


88 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

juniors <strong>and</strong> seniors, but not restricted to <strong>the</strong>m. Students with<br />

strong backgrounds in history may take upper-level courses in <strong>the</strong>ir<br />

first two years. Most history courses carry no prerequisite requirements.<br />

Courses for First-Year Students<br />

First-Year Writing Courses<br />

All LSA students take a First-Year Writing course to satisfy <strong>the</strong> LSA<br />

writing requirement. If you have an interest in history, HISTORY<br />

195, “The Writing <strong>of</strong> History,” is designed to allow you to develop<br />

your college-level writing skills in <strong>the</strong> context <strong>of</strong> history. Section<br />

topics change each term, taught by advanced graduate students<br />

in <strong>the</strong> final stage <strong>of</strong> degree completion. Classes are limited to<br />

18 to allow individual attention <strong>and</strong> student participation.<br />

HISTORY 195 may not be included in a History concentration<br />

First-Year Seminars (HISTORY 196 <strong>and</strong> 197)<br />

First-Year Seminars provide an opportunity to begin your college<br />

study <strong>of</strong> history in a small seminar setting. These courses are<br />

taught by history pr<strong>of</strong>essors who choose stimulating topics in <strong>the</strong><br />

area <strong>of</strong> <strong>the</strong>ir expertise to engage <strong>the</strong>ir students in <strong>the</strong> historical discipline.<br />

Students are active participants in discussion <strong>and</strong> develop a<br />

strong background college-level history critical thinking, reading,<br />

<strong>and</strong> writing.<br />

History First-Year Seminars satisfy LSA area distribution for nonconcentrators<br />

(HISTORY 196 = Social <strong>Science</strong>; HISTORY 197 =<br />

Humanities).<br />

First-Year Seminars may not be included in a History concentration.<br />

Introductory Survey Sequences<br />

Electing a course from one <strong>of</strong> <strong>the</strong> six history concentration Introductory<br />

Survey Sequences is a good way to sample <strong>the</strong> department’s<br />

<strong>of</strong>ferings <strong>and</strong> get an early start toward history concentration.<br />

For students who do not plan to follow a history program,<br />

<strong>the</strong>se 100- <strong>and</strong> 200-level courses satisfy ei<strong>the</strong>r <strong>the</strong> social science or<br />

humanities LSA college requirements.<br />

Department <strong>of</strong> History Waitlist Policy:<br />

Students are strongly encouraged to use <strong>the</strong> waitlist for any closed<br />

History course. Students should register on <strong>the</strong> waitlist according to<br />

<strong>the</strong>ir preferred section AND attend <strong>the</strong> first class. Overrides will be<br />

issued automatically, in waitlist order, up to <strong>the</strong> first day <strong>of</strong> class by<br />

<strong>the</strong> department as space becomes available. Students are notified<br />

by email <strong>and</strong> given two days to use <strong>the</strong> override; <strong>the</strong> seat may go<br />

to an alternate student on <strong>the</strong> waitlist if <strong>the</strong> override is allowed to<br />

expire. Students should remember that for cross-listed courses,<br />

<strong>the</strong>ir waitlist position as seen on Wolverine Access is relative to <strong>the</strong><br />

unit under which <strong>the</strong>y are enrolled. Unused overrides may result in<br />

<strong>the</strong> student being removed from <strong>the</strong> waitlist completely. No overrides<br />

will be issued automatically after <strong>the</strong> first day <strong>of</strong> classes —<br />

students (waitlisted or not) must attend <strong>the</strong> first class <strong>and</strong> obtain<br />

an override from <strong>the</strong> instructor or GSI.<br />

HISTORY 110 / MEMS 110. Medieval, Renaissance, <strong>and</strong><br />

Reformation Europe.<br />

(4). (SS). May not be repeated for credit.<br />

Starting in <strong>the</strong> sixth century <strong>and</strong> moving quickly through to <strong>the</strong> sixteenth<br />

century, this course <strong>of</strong>fers students an accessible <strong>and</strong> entertaining<br />

introduction to <strong>the</strong> fitfull process by which <strong>the</strong> inhabitants <strong>of</strong><br />

Europe began to see <strong>the</strong>mselves as “Europeans,” as <strong>the</strong> bearers <strong>of</strong><br />

a Western civilization. We will begin with <strong>the</strong> transformation <strong>of</strong> <strong>the</strong><br />

pagan world into a Christian one, <strong>and</strong> we will end with <strong>the</strong><br />

European discovery <strong>of</strong> new worlds. On <strong>the</strong> journey between <strong>the</strong>se<br />

points, you will learn <strong>the</strong> key <strong>the</strong>mes <strong>of</strong> European history as well as<br />

Europe’s place in <strong>the</strong> wider world. In addition, by working with primary<br />

sources, you will gain essential preparation for more advanced<br />

courses, learning to think, debate, <strong>and</strong> write like a historian.<br />

Course Requirements:<br />

There will be a midterm <strong>and</strong> a final exam, which test your under-<br />

st<strong>and</strong>ing <strong>of</strong> <strong>the</strong> broader <strong>the</strong>mes, as well as two, short writing assignments<br />

based on primary sources.<br />

Instructor: Fancy, Hussein Anwar<br />

HISTORY 132 / AAPTIS 100 / ACABS 100 / HJCS 100. Peoples<br />

<strong>of</strong> <strong>the</strong> Middle East.<br />

(4). (HU). May not be repeated for credit. Taught in English.<br />

Section 001 — Issues in Race & Ethnicity.<br />

An introductory course on <strong>the</strong> diversity <strong>of</strong> peoples, cultures,<br />

economies, <strong>and</strong> politics <strong>of</strong> <strong>the</strong> Middle East. <strong>To</strong>pics include religion<br />

(Judaism, Islam, Christianity), cities <strong>and</strong> nomads, women in <strong>the</strong><br />

Middle East, economic change, social <strong>and</strong> political systems, <strong>and</strong> <strong>the</strong><br />

world's first civilizations <strong>of</strong> Mesopotamia <strong>and</strong> Egypt.<br />

Instructor: Michalowski, Piotr A<br />

HISTORY 195. The Writing <strong>of</strong> History.<br />

(4). (FYWR). May not be repeated for credit. This course may not<br />

be included in a History concentration. F.<br />

Each section <strong>of</strong> "The Writing <strong>of</strong> History" will study a different era<br />

<strong>and</strong> topic in <strong>the</strong> past, for <strong>the</strong> common purpose <strong>of</strong> learning how history<br />

is written <strong>and</strong> how to write about it. Students will read <strong>the</strong><br />

work <strong>of</strong> modern historians, documents <strong>and</strong> o<strong>the</strong>r source materials<br />

from <strong>the</strong> past. The goal will be to learn how to construct effective<br />

arguments, <strong>and</strong> how to write college-level papers.<br />

Section 001 — Rome Meets Egypt: Imperial Domination <strong>and</strong><br />

Provincial Power in <strong>the</strong> Ancient Mediterranean.<br />

This course introduces <strong>the</strong> history <strong>of</strong> ancient Egypt under Roman<br />

rule from <strong>the</strong> battle <strong>of</strong> Actium through <strong>the</strong> beginnings <strong>of</strong> Christianity<br />

(31 BCE to 356 CE). Students will learn about <strong>the</strong> economic,<br />

social, <strong>and</strong> cultural interactions between Egypt <strong>and</strong> <strong>the</strong> rest <strong>of</strong> <strong>the</strong><br />

Mediterranean world <strong>and</strong> how those interactions affected daily life<br />

in Roman Egypt. Special emphasis will be placed on Rome's physical<br />

<strong>and</strong> cultural exploitation <strong>of</strong> Egypt, from grain to gods, <strong>and</strong> how<br />

<strong>the</strong>se physical <strong>and</strong> cultural assets spread throughout <strong>the</strong> Roman<br />

Empire. Students will learn first-h<strong>and</strong> about archaeology <strong>and</strong> papyrology,<br />

academic disciplines which support <strong>the</strong> study <strong>of</strong> ancient<br />

Egypt, through trips to <strong>the</strong> Kelsey Museum <strong>of</strong> Archaeology <strong>and</strong> <strong>the</strong><br />

Papyrology Collection at Hatcher Library.<br />

Instructor: Platte, Elizabeth Leigh<br />

Section 002 — From Actress to Activist: Women in Public<br />

Life in Nineteenth-Century America.<br />

Abolitionists, actresses, labor activists: all <strong>of</strong> <strong>the</strong>se women helped<br />

redefine <strong>the</strong> boundaries <strong>of</strong> gender <strong>and</strong> public life in America in <strong>the</strong><br />

nineteenth century. This course on <strong>the</strong> “The Writing <strong>of</strong> History” will<br />

explore <strong>the</strong> many aspects <strong>of</strong> women’s involvement in public life in<br />

<strong>the</strong> nineteenth century, introducing students to key moments <strong>and</strong><br />

issues in nineteenth-century women’s history as a way to teach<br />

<strong>the</strong>m about <strong>the</strong> craft <strong>of</strong> writing history. We will look at moral reformers,<br />

wage laborers, actresses, writers, <strong>and</strong> women’s rights activists,<br />

<strong>and</strong> analyze <strong>the</strong> range <strong>of</strong> sources produced by <strong>and</strong> about<br />

women that contributed to conversations about women’s activities<br />

in public life.<br />

The course readings will consist <strong>of</strong> a combination <strong>of</strong> focused scholarly<br />

essays <strong>and</strong> primary documents, including memoirs, fiction, <strong>and</strong><br />

newspaper articles. Students will be asked to think, discuss, <strong>and</strong><br />

write about how ideas about gender <strong>and</strong> representation operate in<br />

<strong>the</strong>se sources. The readings will enable students to identify <strong>the</strong><br />

many ways women participated in public life, <strong>and</strong> to analyze how<br />

women represented <strong>the</strong>mselves <strong>and</strong> various social <strong>and</strong> political issues,<br />

<strong>and</strong> <strong>the</strong> terms according to which <strong>the</strong>se women were evaluated.<br />

Course Requirements:<br />

This course is first <strong>and</strong> foremost a writing course, <strong>and</strong> over <strong>the</strong><br />

academic term we will develop your skills in <strong>the</strong> written analysis <strong>of</strong><br />

primary <strong>and</strong> secondary documents. Students will write three short<br />

(1-3 page) response papers that will give a close analysis <strong>of</strong> <strong>the</strong><br />

weekly readings. Over <strong>the</strong> academic term you will write three for-


mal essays that will place multiple sources in conversation. We will<br />

“work-shop” <strong>the</strong>se essays as part <strong>of</strong> a peer review <strong>and</strong> revision<br />

process.<br />

Instructor: Lampert, Sara Elisabeth<br />

Section 003 — Technology <strong>and</strong> <strong>the</strong> Culture <strong>of</strong> Modernity,<br />

1870-2010.<br />

This course will introduce students to <strong>the</strong> concept <strong>of</strong> modernity <strong>and</strong><br />

its role in defining contemporary Western <strong>and</strong> ultimately, global,<br />

existence. Students will trace this term from its origins in <strong>the</strong> midnineteenth<br />

century through to our current wireless “postmodern”<br />

era. Specifically, we look at two key features <strong>of</strong> modernity — urban<br />

spaces <strong>and</strong> media technologies like <strong>the</strong> cinema, television, computers,<br />

<strong>and</strong> <strong>the</strong> Internet. By examining <strong>the</strong> spaces in which people live<br />

<strong>and</strong> <strong>the</strong> media through which <strong>the</strong>y interact, this course interrogates<br />

<strong>the</strong> role <strong>of</strong> technologies in shaping our modern consciousness <strong>and</strong><br />

sensibility.<br />

Required textbooks include Strunk, William <strong>and</strong> White, E.B. The<br />

Elements <strong>of</strong> Style. 4th ed. New York: Longman, 1999; <strong>and</strong><br />

Turabian, Kate L. A Manual for Writers <strong>of</strong> Research Papers, Theses<br />

<strong>and</strong> Dissertations. 7th ed. Chicago: University <strong>of</strong> Chicago, 2007.<br />

Course Requirements:<br />

Students will write, edit, <strong>and</strong> revise a series <strong>of</strong> reading-response<br />

papers, journal- or blog entries, <strong>and</strong> submit a research paper at <strong>the</strong><br />

end <strong>of</strong> <strong>the</strong> term.<br />

Intended Audience:<br />

Students are not required to have any previous coursework in history,<br />

media studies or communication studies although some familiarity<br />

with twentieth-century world history would be preferable.<br />

Class Format:<br />

Course instruction will include lectures, in-class group discussions,<br />

<strong>and</strong> possibly online activities.<br />

Instructor: Garner, Kenneth H<br />

Section 004 — Law <strong>and</strong> Gender in Modern India.<br />

This course examines <strong>the</strong> history <strong>of</strong> law in India, <strong>the</strong> world's largest<br />

democracy, while paying special attention to gender. Beginning in<br />

<strong>the</strong> nineteenth century <strong>and</strong> concluding with <strong>the</strong> most recent developments<br />

in Indian law, we will examine questions such as: What, if<br />

any, is <strong>the</strong> British colonial legal legacy in India? Did British rule<br />

promote <strong>the</strong> “rule <strong>of</strong> law,” as is frequently claimed? How did Indian<br />

lawyer-nationalists like Moh<strong>and</strong>as G<strong>and</strong>hi envision <strong>the</strong> Indian legal<br />

system <strong>and</strong> women's roles in it? After Independence from Britain in<br />

1947, how did <strong>the</strong> Indian Constitution come to be written with farreaching<br />

guarantees <strong>of</strong> social justice for women, lower classes <strong>and</strong><br />

lower castes? Have <strong>the</strong>se promises <strong>of</strong> human rights been fulfilled?<br />

What are <strong>the</strong> roots <strong>of</strong> recent progressive court decisions legalizing<br />

homosexuality, <strong>and</strong> how have <strong>the</strong>se been received in India?<br />

During <strong>the</strong> semester, we will learn to think <strong>and</strong> write historically<br />

about legal change in India, <strong>and</strong> we will examine a range <strong>of</strong> historical<br />

<strong>and</strong> legal sources such as court cases, political tracts, letters,<br />

<strong>and</strong> autobiographical writing as well as some visual sources <strong>and</strong><br />

documentaries. This course fulfills <strong>the</strong> First Year Writing Requirement.<br />

Course Requirements:<br />

Students will maintain an informal blog, <strong>and</strong> will undertake a series<br />

<strong>of</strong> short writing assignments over <strong>the</strong> course <strong>of</strong> <strong>the</strong> term designed<br />

to build writing skills. The major assignment <strong>of</strong> <strong>the</strong> term will be a<br />

10-page research paper on a topic <strong>of</strong> <strong>the</strong> students’ choosing related<br />

to <strong>the</strong> course <strong>the</strong>mes.<br />

Class Format:<br />

Classroom sessions will combine brief lectures with seminar-style<br />

discussion <strong>of</strong> weekly readings <strong>and</strong> student writing. Two in-class<br />

writing workshops will be held over <strong>the</strong> course <strong>of</strong> <strong>the</strong> term to give<br />

students an opportunity to get valuable feedback on <strong>the</strong>ir work,<br />

<strong>and</strong> to learn how to provide constructive criticism on o<strong>the</strong>r students’<br />

work.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 89<br />

Instructor: Grapevine, Rebecca Rose<br />

Section 005 — Race <strong>and</strong> Immigration in <strong>the</strong> American<br />

Metropolis.<br />

This course will examine <strong>the</strong> history <strong>of</strong> race <strong>and</strong> immigration in <strong>the</strong><br />

American metropolis, from <strong>the</strong> early 20th century to <strong>the</strong> present.<br />

We will explore <strong>the</strong> origins <strong>of</strong> iconic immigrant l<strong>and</strong>scapes — <strong>the</strong><br />

Chinatown or Little Italy at <strong>the</strong> center <strong>of</strong> many cities — as well as<br />

<strong>the</strong> new communities springing up as Latino <strong>and</strong> Asian immigrants<br />

settle in suburban America. We will discuss how racial ideas have<br />

shaped <strong>the</strong> geography <strong>of</strong> immigration <strong>and</strong> how immigrants have<br />

struggled for full citizenship <strong>and</strong> civil rights.<br />

The course will introduce students to <strong>the</strong>ories <strong>of</strong> race <strong>and</strong> space in<br />

<strong>the</strong> social sciences. It will also introduce students to <strong>the</strong> methods <strong>of</strong><br />

history as an academic discipline. Students will learn how to conduct<br />

original historical research, drawing on <strong>the</strong> University <strong>of</strong><br />

<strong>Michigan</strong>'s excellent archival <strong>and</strong> online collections. In addition to<br />

analyzing written texts, students will explore <strong>the</strong> history <strong>of</strong> race <strong>and</strong><br />

immigration through photography, music, <strong>and</strong> film, including <strong>the</strong><br />

recent Detroit movie Gran <strong>To</strong>rino.<br />

Course Requirements<br />

This course requires frequent writing <strong>and</strong> revision; assignments will<br />

include short papers, a writing portfolio, <strong>and</strong> a final paper on a<br />

topic <strong>of</strong> your choice.<br />

Instructor: Cavin, Aaron Ivan<br />

HISTORY 196. First-Year Seminar.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (SS). May not be repeated for credit.<br />

A basic introduction to historical thinking <strong>and</strong> method through<br />

small-course seminar experience. <strong>To</strong>pics vary from term to term;<br />

however, no matter what <strong>the</strong> topic, students can expect to spend a<br />

great deal <strong>of</strong> time learning to think critically about historical questions<br />

<strong>and</strong> to write well. As such, <strong>the</strong> First-Year seminar should serve<br />

as an introduction to upper-level course work in history <strong>and</strong> related<br />

fields <strong>of</strong> study.<br />

Section 001 — World-Wide Witchcraft: Witch-Belief <strong>and</strong><br />

Witch-Hunting in Global Perspective.<br />

Deadly attacks on suspected witches proliferate in <strong>the</strong> 21st century<br />

as <strong>the</strong>y did in early modern Europe, where witch-hunts took <strong>the</strong><br />

lives <strong>of</strong> tens <strong>of</strong> thous<strong>and</strong>s <strong>of</strong> people, mainly women. What should<br />

we make <strong>of</strong> this near-universal fear <strong>of</strong> what many observers today<br />

consider an imaginary crime?<br />

The course engages with historical <strong>and</strong> anthropological methodologies<br />

<strong>and</strong> with global <strong>and</strong> comparative approaches as <strong>the</strong>y apply to<br />

<strong>the</strong> fascinating <strong>and</strong> horrifying subject <strong>of</strong> witchcraft belief <strong>and</strong> persecution.<br />

Instructor: Kivelson, Valerie Ann<br />

Section 002 — The Entry <strong>of</strong> <strong>the</strong> Jews into European Society,<br />

1750-1850.<br />

This course <strong>of</strong>fers students <strong>the</strong> opportunity to take a close look at<br />

how <strong>the</strong> Jews <strong>of</strong> Western <strong>and</strong> Central Europe made <strong>the</strong> passage<br />

from tradition to modernity in <strong>the</strong> eighteenth <strong>and</strong> nineteenth centuries.<br />

We will discuss how Jews became citizens <strong>of</strong> <strong>the</strong> states in <strong>the</strong><br />

which <strong>the</strong>y lived, how <strong>the</strong>y redefined <strong>the</strong> nature <strong>of</strong> Jewishness <strong>and</strong><br />

<strong>the</strong> character <strong>of</strong> Judaism to fit <strong>the</strong>ir new status, how <strong>the</strong>y adopted<br />

non-Jewish values <strong>and</strong> modes <strong>of</strong> behavior, <strong>and</strong> how <strong>the</strong>y entered<br />

(or tried to enter) new spheres <strong>of</strong> activity in state <strong>and</strong> society. We<br />

will examine, in particular, why this transformation proceeded more<br />

rapidly <strong>and</strong> smoothly in some states (like France, <strong>the</strong> Ne<strong>the</strong>rl<strong>and</strong>s,<br />

<strong>and</strong> Great Britain) than in o<strong>the</strong>rs (like Prussia <strong>and</strong> <strong>the</strong> Habsburg<br />

Empire). We will also focus on <strong>the</strong> subjective experience <strong>of</strong> <strong>the</strong><br />

transformative processes <strong>of</strong> acculturation, integration, <strong>and</strong> secularization.<br />

Accordingly, <strong>the</strong> reading will emphasize, as much as possible,<br />

primary sources illuminating how individuals experienced <strong>the</strong><br />

passage from tradition to modernity. We will also utilize graphic<br />

materials from <strong>the</strong> special collections division <strong>of</strong> <strong>the</strong> University


90 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

Library to underst<strong>and</strong> how representations <strong>of</strong> Jews <strong>and</strong> Jewishness<br />

influenced <strong>the</strong> above processes.<br />

Course Requirements:<br />

Students will be evaluated on <strong>the</strong> basis <strong>of</strong> <strong>the</strong>ir classroom participation<br />

<strong>and</strong> <strong>the</strong> three analytical essays <strong>the</strong>y will be asked to write.<br />

Class Format:<br />

Students will be expected to do a considerable amount <strong>of</strong> reading,<br />

some <strong>of</strong> it difficult, <strong>and</strong> to discuss <strong>the</strong> assigned texts in class. This<br />

is a discussion-driven, ra<strong>the</strong>r than lecture-driven, class.<br />

Instructor: Endelman, <strong>To</strong>dd M<br />

HISTORY 197. First-Year Seminar.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (HU). May not be repeated for credit.<br />

A basic introduction to historical thinking <strong>and</strong> method through<br />

small-course seminar experience. <strong>To</strong>pics vary from term to term;<br />

however, no matter what <strong>the</strong> topic, students can expect to spend a<br />

great deal <strong>of</strong> time learning to think critically about historical questions<br />

<strong>and</strong> to write well. As such, <strong>the</strong> First-Year seminar should serve<br />

as an introduction to upper-level course work in history <strong>and</strong> related<br />

fields <strong>of</strong> study.<br />

Section 001 — Modern British History in Fiction.<br />

This course will use novels to think about how British history has<br />

been represented through fiction <strong>and</strong> to explore broader <strong>the</strong>mes.<br />

The goal is not to judge fiction against "real" history but to consider<br />

how fiction can present history <strong>and</strong> be about history, how fiction<br />

may produce historical knowledge <strong>and</strong> what kinds <strong>of</strong> historical<br />

knowledge novels may presume.<br />

• What kinds <strong>of</strong> history get represented?<br />

• How do authors show relations between different histories?<br />

• What are <strong>the</strong> risks <strong>of</strong> fiction as a mode <strong>of</strong> writing history?<br />

• What kinds <strong>of</strong> historical forces does fiction have a hard time<br />

with?<br />

• What does it do especially well?<br />

• Does fiction always "domesticate" history, making it a story <strong>of</strong><br />

individuals <strong>and</strong> emotions?<br />

• What techniques <strong>of</strong> writing have authors explored to capture<br />

<strong>the</strong> difference, <strong>the</strong> strangeness <strong>of</strong> <strong>the</strong> past?<br />

We may also consider film versions <strong>of</strong> some texts.<br />

No previous knowledge <strong>of</strong> British history is required, <strong>and</strong> we will<br />

read a range <strong>of</strong> works that address different areas <strong>of</strong> British history,<br />

within <strong>and</strong> beyond <strong>the</strong> British isles, with most works dealing with<br />

modern history.<br />

Instructor: Israel, Kali A K<br />

Section 002 — The Long Civil Rights Movement: From<br />

World War II to <strong>the</strong> Present.<br />

Historians have recently used <strong>the</strong> phrase "<strong>the</strong> Long Civil Rights<br />

Movement" to emphasize <strong>the</strong> alliance between civil rights organizations<br />

<strong>and</strong> <strong>the</strong> labor movement dating back to <strong>the</strong> 1930s <strong>and</strong> 1940s<br />

in struggles against racial discrimination. The phrase also describes<br />

recent scholarship on <strong>the</strong> evolving nature <strong>of</strong> struggles for equality<br />

in <strong>the</strong> urban North, as well as <strong>the</strong> Deep South, during <strong>the</strong> late<br />

1960s <strong>and</strong> 1970s, <strong>and</strong> <strong>the</strong>ir relationship to <strong>the</strong> Women's movement,<br />

<strong>the</strong> antiwar movement, <strong>and</strong> <strong>the</strong> youth counterculture. Through a<br />

selection <strong>of</strong> diverse texts (history, literature, film, drama, popular<br />

music), we will discuss <strong>the</strong> history <strong>and</strong> legacy <strong>of</strong> <strong>the</strong> movement.<br />

Instructor: Gaines, Kevin K<br />

Section 003 — Say it Loud: Black Culture in America.<br />

The Afro. The zoot suit. Hip Hop. Ma Rainey. Boondocks. Aretha<br />

Franklin. James Brown. Each <strong>of</strong> <strong>the</strong>se cultural items is tied not only<br />

to personal taste or entertainment value but also to larger political<br />

<strong>and</strong> social issues around race. In this course, we will analyze Black<br />

expressive culture (such as in music, art, literature, <strong>and</strong> television)<br />

<strong>and</strong> Black everyday culture (such as through hair, fashion, <strong>and</strong> language),<br />

<strong>and</strong> seek answers to two broad questions:<br />

• What is <strong>the</strong> relationship between Black culture <strong>and</strong> <strong>the</strong> Black<br />

freedom struggle?<br />

• What is <strong>the</strong> relationship between “Black” culture <strong>and</strong> “American”<br />

culture?<br />

Intended Audience:<br />

Enrollment restricted to first-year students<br />

Class Format:<br />

First-Year Seminar<br />

Instructor: Berrey, Stephen<br />

Section 004 — Religion <strong>and</strong> Revolutions: A Comparison <strong>of</strong><br />

<strong>the</strong> French, Russian, Turkish <strong>and</strong> Iranian Cases.<br />

This course raises <strong>the</strong> central questions concerning <strong>the</strong> struggle between<br />

<strong>the</strong> received dogma <strong>of</strong> religion, <strong>and</strong> freedom <strong>of</strong> thought <strong>and</strong><br />

conscience by focusing on issues such as:<br />

• Views <strong>of</strong> <strong>the</strong> 18th century on Man, religion, <strong>and</strong> reason<br />

• efforts <strong>of</strong> <strong>the</strong> 19th century thinkers like Marx, Comte,<br />

Durkheim, Weber to change society in a more “rational” direction<br />

• role <strong>of</strong> <strong>the</strong> French Revolution in bringing down <strong>the</strong> traditional<br />

underpinnings <strong>of</strong> European society<br />

• Russian Revolution <strong>and</strong> <strong>the</strong> development <strong>of</strong> <strong>the</strong> Marxist position<br />

on religion<br />

• Turkish secularist revolution <strong>and</strong> <strong>the</strong> destruction <strong>of</strong> <strong>the</strong> Ottoman<br />

Empire<br />

• Iranian Civilization <strong>and</strong> <strong>the</strong> Iranian Revolution<br />

• Huntington’s concept <strong>of</strong> <strong>the</strong> “Clash <strong>of</strong> Civilizations.”<br />

Among <strong>the</strong> questions we will be dealing with are:<br />

• Is it possible to have a “secular” world?<br />

• Is it still possible to have a unified “religious” vision?<br />

• What is <strong>the</strong> relationship <strong>of</strong> “religion” to a “secular” state or to a<br />

“secular” public?<br />

• How can religious traditions relate to each o<strong>the</strong>r, in a constructive<br />

<strong>and</strong> creative fashion, without descending into violence, at a<br />

time when <strong>the</strong>y are obliged to come into closer <strong>and</strong> more intimate<br />

relations with each o<strong>the</strong>r than ever before?<br />

• What is <strong>the</strong> relationship between religion <strong>and</strong> revolution?<br />

• Is religion on <strong>the</strong> way out, or is it on <strong>the</strong> way in?<br />

• What contributes to <strong>the</strong> phenomenal rise in fundamentalist<br />

commitment in so many places?<br />

• Are <strong>the</strong>re exceptions?<br />

• Are we condemned to have a Star Wars like “clash <strong>of</strong> civilizations”<br />

between Islam <strong>and</strong> “<strong>the</strong> West”?<br />

Instructor: Cipa, Hakki Erdem<br />

Section 005 — Race in US Pop Culture.<br />

The United States has always been a racially <strong>and</strong> culturally diverse<br />

nation. The meaning <strong>of</strong> that heterogeneity, however, has been<br />

fiercely debated. Our objectives for this class will center on building<br />

critical interpretative skills to think about racial representations in<br />

U.S. popular culture over <strong>the</strong> past 150 years. This class is somewhat<br />

different from o<strong>the</strong>r history classes. Ra<strong>the</strong>r than focusing on<br />

constructing a time line <strong>of</strong> events, we will explore how changing<br />

ideas about race influenced <strong>the</strong> representations <strong>of</strong> particular<br />

groups, including whites, African Americans, Latinos, Native Americans,<br />

<strong>and</strong> Arab Americans. We will learn to "read" popular media<br />

(including novels, films, comic books, etc.) as ano<strong>the</strong>r primary historical<br />

source. Our attention will be focused on how racial representations<br />

intersected with assumptions about gender, sexuality, economic<br />

class, <strong>and</strong> national belonging. <strong>To</strong> this end, we will start with<br />

<strong>the</strong> assumption that media functions as mechanisms <strong>of</strong> socialization<br />

<strong>and</strong> as a venue for expressing popular concerns or beliefs. With this<br />

in mind, we will strive to uncover how past anxieties about racial<br />

diversity continue to haunt contemporaneous discussions <strong>and</strong><br />

debates.<br />

Instructor: Mora, Anthony P


Section 006 — Inventing <strong>the</strong> Seaside.<br />

This seminar examines changing underst<strong>and</strong>ings <strong>of</strong> <strong>the</strong> sea <strong>and</strong><br />

coastline in different cultures <strong>and</strong> historical moments. What cultural<br />

meanings have been attached to <strong>the</strong> sea? What role has <strong>the</strong> sea<br />

played in <strong>the</strong> imagination? As a site for social relationships? Particular<br />

attention is given to <strong>the</strong> fashioning <strong>of</strong> <strong>the</strong> beach as a space <strong>of</strong><br />

health, leisure, <strong>and</strong> tourism, as well as <strong>the</strong> tensions between tourism<br />

<strong>and</strong> o<strong>the</strong>r economic activities centered around <strong>the</strong> sea.<br />

Intended Audience:<br />

First-year students<br />

Class Format:<br />

Seminar<br />

Instructor: Ballinger, Pamela<br />

Section 007 — Making <strong>of</strong> <strong>the</strong> Modern University.<br />

Despite <strong>the</strong> medieval founding <strong>of</strong> some venerable institutions in<br />

Europe — not to mention <strong>the</strong> architectural imitation <strong>of</strong> many o<strong>the</strong>rs<br />

in <strong>the</strong> U.S. — <strong>the</strong> university as we know it is a modern institution.<br />

Every research university that exists today was ei<strong>the</strong>r newly<br />

founded or radically reformed <strong>and</strong> reconstituted during <strong>the</strong> 19th<br />

century. Why, <strong>and</strong> how, did this transformation occur? What has<br />

been <strong>the</strong> university’s relation to <strong>the</strong> state, <strong>and</strong> to <strong>the</strong> Christian<br />

church? This course will examine <strong>the</strong> history <strong>of</strong> <strong>the</strong> university from<br />

<strong>the</strong> 12th century to <strong>the</strong> present, focusing particularly on <strong>the</strong> crucial<br />

period <strong>of</strong> its re-invention in <strong>the</strong> 19th. The significant role <strong>the</strong> University<br />

<strong>of</strong> <strong>Michigan</strong> played in this history will be also considered.<br />

The seminar members will be introduced to some <strong>of</strong> <strong>the</strong> foundational<br />

skills <strong>and</strong> methods <strong>of</strong> historical research, utilizing both physical<br />

<strong>and</strong> digital archival resources.<br />

Instructor: Masuzawa, <strong>To</strong>moko<br />

Section 008 — History Through <strong>Literature</strong>.<br />

This course takes a broad sweep through <strong>the</strong> epic transformations<br />

in <strong>the</strong> United States <strong>and</strong> its intersection with <strong>the</strong> broader world over<br />

<strong>the</strong> past century through reading historical fiction (<strong>and</strong> one work <strong>of</strong><br />

science fiction). We’ll identify <strong>and</strong> talk about <strong>the</strong> historical transformations,<br />

political <strong>and</strong> social conflicts, <strong>and</strong> pr<strong>of</strong>ound ethical issues<br />

faced by characters in <strong>the</strong>se books.<br />

Required readings:<br />

• E.L. Doctorow: Ragtime;<br />

• Philip Roth: The Plot against America;<br />

• Graham Greene The Quiet American;<br />

• Barbara Kingsolver The Poisonwood Bible;<br />

• Marjane Satrapi Persepolis;<br />

• Thomas Pynchon: Vinel<strong>and</strong>;<br />

• Octavia Butler; Parable <strong>of</strong> <strong>the</strong> Sower;<br />

• Kamila Shamsie Burnt Shadows.<br />

Course Requirements:<br />

Assignments include weekly one-page response papers, a short<br />

paper, <strong>and</strong> a final creative project.<br />

Intended Audience:<br />

Enrollment restricted to first-year students<br />

Class Format:<br />

The class is primarily discussion based, but we will sometimes<br />

augment <strong>the</strong> reading with film or music, drawing on cultural references<br />

within <strong>the</strong> novels or film adaptations.<br />

Instructor: Von Eschen, Penny M<br />

HISTORY 200. Ancient Greece to 323 B.C.E.<br />

(4). (HU). May not be repeated for credit. F.<br />

A survey <strong>of</strong> ancient Greek history from <strong>the</strong> Bronze Age until <strong>the</strong><br />

death <strong>of</strong> Alex<strong>and</strong>er <strong>the</strong> Great. <strong>To</strong>pics to be discussed include: interactions<br />

between Greece <strong>and</strong> o<strong>the</strong>r ancient civilizations; <strong>the</strong> development<br />

<strong>of</strong> Greek city-states (e.g., at A<strong>the</strong>ns <strong>and</strong> Sparta); local or<br />

regional identities <strong>and</strong> <strong>the</strong> formation <strong>of</strong> a common Greek identity<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 91<br />

(panhellenism); society <strong>and</strong> culture. Readings will include mainly<br />

ancient texts in translation <strong>and</strong> some modern scholarship.<br />

Course Requirements:<br />

Final grade is based on two tests, frequent short writing assignments,<br />

<strong>and</strong> participation in discussions. Everyone welcome (no special<br />

background required).<br />

Class Format:<br />

Course consists <strong>of</strong> lectures <strong>and</strong> sections in which students make<br />

critical use <strong>of</strong> sources to discuss <strong>and</strong> debate historical questions.<br />

Instructor: Moyer, Ian S<br />

HISTORY 204 / ASIAN 204. East Asia: Early Transformations.<br />

(4). (HU). (R&E). May not be repeated for credit.<br />

This course <strong>of</strong>fers an overview <strong>of</strong> more than three thous<strong>and</strong> years<br />

<strong>of</strong> East Asian history, from ca. 1600 BCE through ca. 1800 CE.<br />

Since every such survey must be selective, this course will emphasize<br />

political, social, <strong>and</strong> cultural transformations. Aided by <strong>the</strong><br />

course textbook, we will inquire into <strong>the</strong> nature <strong>of</strong> political power,<br />

<strong>the</strong> succession <strong>of</strong> dynasties <strong>and</strong> military regimes, <strong>the</strong> growth <strong>and</strong><br />

spread <strong>of</strong> religions, <strong>and</strong> <strong>the</strong> transformation <strong>of</strong> family structures,<br />

economies, <strong>and</strong> diplomatic relations. The course will introduce <strong>the</strong><br />

different, distinct histories <strong>of</strong> China, Korea, <strong>and</strong> Japan, but will also<br />

chart <strong>the</strong> interactions between <strong>the</strong>se cultures, following <strong>the</strong> travels<br />

<strong>of</strong> monks <strong>and</strong> merchants, diplomats <strong>and</strong> conquerors, across <strong>the</strong><br />

isl<strong>and</strong>s <strong>and</strong> continents. The primary-source readings for <strong>the</strong> lectures,<br />

<strong>and</strong> especially for <strong>the</strong> discussion sections, will <strong>of</strong>fer an opportunity<br />

to see <strong>the</strong>se changing cultures <strong>and</strong> l<strong>and</strong>scapes through <strong>the</strong><br />

eyes <strong>of</strong> contemporaries: early Chinese philosophers, Korean royal<br />

<strong>of</strong>ficials, Japanese court ladies, even European travelers. The primary-source<br />

readings will also give occasion to reflect on <strong>the</strong> origins<br />

<strong>and</strong> nature <strong>of</strong> historical knowledge, <strong>the</strong>reby making this course<br />

not only an introduction to East Asian history, but also an introduction<br />

to history as an academic discipline.<br />

The course uses a textbook <strong>and</strong> a course pack, at a total cost <strong>of</strong> ca.<br />

$100.<br />

Course Requirements:<br />

The course requires: attendance <strong>of</strong> all lectures <strong>and</strong> discussion sections<br />

(10%); preparation <strong>of</strong> <strong>the</strong> reading assignments <strong>and</strong> <strong>the</strong> reading<br />

questions for both lectures <strong>and</strong> discussion sections, <strong>and</strong> three<br />

quizzes in <strong>the</strong> discussion section (30%); two in-class examinations<br />

(30% each).<br />

Instructor: de Pee, Christian<br />

HISTORY 206 / ASIAN 206. Indian Civilization.<br />

(4). (HU). May not be repeated for credit.<br />

Section 001. This course is an introduction to <strong>the</strong> cultures <strong>and</strong><br />

histories <strong>of</strong> South Asia, <strong>the</strong> region <strong>of</strong> <strong>the</strong> world that today is constituted<br />

by <strong>the</strong> modern nation-states <strong>of</strong> India, Pakistan, Bangladesh,<br />

Sri Lanka, Nepal, <strong>and</strong> Bhutan. The aim <strong>of</strong> <strong>the</strong> course is to provide a<br />

broad over-view <strong>of</strong> <strong>the</strong> various historical, cultural, social, <strong>and</strong> political<br />

developments that contribute to making <strong>the</strong> region one <strong>of</strong> <strong>the</strong><br />

most diverse in <strong>the</strong> world. The course includes a study <strong>of</strong> <strong>the</strong> following<br />

<strong>the</strong>mes: social <strong>and</strong> religious gender <strong>and</strong> sexuality; <strong>and</strong><br />

commercial relations with a wider world. We will close with a review<br />

<strong>of</strong> India's encounter with modern Europe, <strong>the</strong> establishment <strong>of</strong><br />

colonial rule in <strong>the</strong> subcontinent, <strong>and</strong> <strong>the</strong> formation <strong>of</strong> <strong>the</strong> nationstates<br />

<strong>of</strong> today.<br />

Instructor: Prange, Sebastian Rafael<br />

HISTORY 208. <strong>To</strong>pics in History.<br />

(3 - 4). May be elected twice for credit.<br />

This course is intended to examine select topics in history not covered<br />

under a specific country or time period.


92 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

Section 001 — The World Before 1492.<br />

This course will meet <strong>the</strong> Global History requirement for students<br />

interested in earning certification to teach history/social studies in<br />

secondary schools.<br />

Long before European “voyages <strong>of</strong> discovery” ushered in <strong>the</strong> modern<br />

era <strong>of</strong> globalism <strong>and</strong> global inequality, huge areas <strong>of</strong> <strong>the</strong> world<br />

had already been connected <strong>and</strong> divided by extensive systems <strong>of</strong><br />

material exchange, cross-cultural interaction, <strong>and</strong> political integration.<br />

The history <strong>of</strong> <strong>the</strong>se earlier worlds is <strong>the</strong> subject <strong>of</strong> this<br />

course. The pursuit <strong>of</strong> comparisons <strong>and</strong> connections will be <strong>the</strong><br />

passport that allows us to criss-cross <strong>the</strong> regions, societies <strong>and</strong> cultures<br />

into which <strong>the</strong> world’s premodern history is usually divided.<br />

By practicing history on a large scale, particular questions <strong>and</strong><br />

problems come to <strong>the</strong> fore:<br />

• Why did major social <strong>and</strong> technological transformations such as<br />

agriculture or writing arise multiple times in different areas <strong>and</strong><br />

times <strong>and</strong> <strong>the</strong>n spread fur<strong>the</strong>r afield?<br />

• Were <strong>the</strong>ir causes <strong>and</strong> consequences always <strong>the</strong> same?<br />

• How did human groups in various regions form states, empires<br />

<strong>and</strong> o<strong>the</strong>r collectives?<br />

In order to underst<strong>and</strong> world history in terms <strong>of</strong> both large-scale<br />

patterns <strong>and</strong> human actors, we shall tackle big questions by examining<br />

very particular pieces <strong>of</strong> evidence — both textual <strong>and</strong> material<br />

— from <strong>the</strong> premodern past.<br />

• How did cross-cultural interaction ebb <strong>and</strong> flow with changing<br />

patterns <strong>of</strong> migration, trade, <strong>and</strong> imperialism or with <strong>the</strong> rise <strong>of</strong><br />

universal religions?<br />

• What effects did broad climatic <strong>and</strong> ecological changes have on<br />

different societies <strong>and</strong> systems <strong>of</strong> interaction?<br />

• How were larger world-historical trends experienced, advanced<br />

or resisted at more local levels?<br />

• How did people placed at <strong>the</strong> margins <strong>of</strong> such trends, such as<br />

nomads <strong>and</strong> subject populations, come to play important roles<br />

in large scale transformations?<br />

Course Requirements:<br />

Evaluation is based on two exams, three short papers, <strong>and</strong> participation<br />

in discussions.<br />

Intended Audience:<br />

Everyone is welcome, <strong>and</strong> no special background is required for this<br />

course.<br />

Class Format:<br />

The class format consists <strong>of</strong> lectures <strong>and</strong> discussion sections.<br />

Instructor: Moyer, Ian S<br />

HISTORY 210 / MEMS 210. Early Middle Ages, 300-1100.<br />

(4). (SS). May not be repeated for credit. F.<br />

Section 001 — Issues in Race & Ethnicity.<br />

The course covers <strong>the</strong> period when <strong>the</strong> first true 'Europe' was born.<br />

It covers <strong>the</strong> disintegration <strong>of</strong> <strong>the</strong> Roman Empire in <strong>the</strong> western<br />

Mediterranean, <strong>and</strong> <strong>the</strong> development <strong>of</strong> successor states in northwestern<br />

Europe, like <strong>the</strong> 'barbarian' monarchies, <strong>and</strong> <strong>the</strong> multiethnic<br />

empires <strong>of</strong> Charlemagne <strong>and</strong> <strong>the</strong> Ottonians up to 1000. Main<br />

<strong>the</strong>mes are <strong>the</strong> development <strong>of</strong> new kinds <strong>of</strong> community among<br />

European people (Christian monasticism, feudalism, ethnic solidarity),<br />

new economic systems, <strong>and</strong> relations with <strong>the</strong> earliest Islamic<br />

states <strong>and</strong> with <strong>the</strong> Byzantine empire.<br />

Instructor: Squatriti, Paolo<br />

HISTORY 220. Survey <strong>of</strong> British History to 1688.<br />

(3). (SS). May not be repeated for credit.<br />

Section 001. This course introduces students to <strong>the</strong> sweep <strong>of</strong><br />

English history from Roman times until <strong>the</strong> Glorious Revolution. The<br />

first half <strong>of</strong> it is devoted to <strong>the</strong> Middle Ages <strong>and</strong> focuses on <strong>the</strong><br />

formation <strong>of</strong> <strong>the</strong> English monarchy, <strong>the</strong> role <strong>of</strong> <strong>the</strong> church in politics<br />

<strong>and</strong> culture, <strong>and</strong> basic social <strong>and</strong> economic structures. The second<br />

half treats <strong>the</strong> early modern period (c.1450-1700) <strong>and</strong> concentrates<br />

on <strong>the</strong> growth <strong>of</strong> <strong>the</strong> state, <strong>the</strong> Protestant Reformation, <strong>the</strong> English<br />

Revolution, <strong>and</strong> <strong>the</strong> social <strong>and</strong> economic changes that followed <strong>the</strong><br />

Black Death <strong>and</strong> played <strong>the</strong>mselves out during <strong>the</strong> reigns <strong>of</strong> <strong>the</strong><br />

Tudor <strong>and</strong> Stuart monarchs. No prior knowledge <strong>of</strong> English history<br />

is assumed in this course, <strong>and</strong> it is intended to serve as <strong>the</strong> basis<br />

for more advanced work in British history <strong>and</strong> to provide background<br />

<strong>and</strong> comparisons for courses in English literature <strong>and</strong><br />

European <strong>and</strong> American history.<br />

Instructor: MacDonald, Michael P<br />

HISTORY 227. The Rise <strong>and</strong> Fall <strong>of</strong> <strong>the</strong> British Empire.<br />

(4). May not be repeated for credit.<br />

This course takes a critical, panoramic view <strong>of</strong> <strong>the</strong> origins, development,<br />

<strong>and</strong> eventual "fall" <strong>of</strong> <strong>the</strong> British Empire. Exploring <strong>the</strong><br />

social, cultural, economic, <strong>and</strong> political dimensions <strong>of</strong> this history,<br />

this course analyzes <strong>the</strong> diverse <strong>and</strong> complicated experiences <strong>of</strong><br />

empire by those that ruled <strong>the</strong> empire (or at least claimed to), <strong>and</strong><br />

those who were ruled. Beginning with <strong>the</strong> extension <strong>of</strong> British rule<br />

in Britain <strong>and</strong> Irel<strong>and</strong> in <strong>the</strong> sixteenth century, <strong>the</strong> course turns to<br />

<strong>the</strong> creation <strong>of</strong> what has been called <strong>the</strong> "First British Empire" — in<br />

<strong>the</strong> British Isles, North America <strong>and</strong> <strong>the</strong> Atlantic. It <strong>the</strong>n traces <strong>the</strong><br />

remaking <strong>of</strong> this Empire, epitomized by <strong>the</strong> Revolutionary War, or<br />

what is <strong>of</strong>ten called <strong>the</strong> "Second British Empire", which was consolidating<br />

in <strong>the</strong> wake <strong>of</strong> this earlier effort, <strong>and</strong> eventually exp<strong>and</strong>ed<br />

British rule in astonishingly large parts <strong>of</strong> South Asia, Africa,<br />

Australasia <strong>and</strong> <strong>the</strong> Pacific. By <strong>the</strong> time <strong>the</strong> British Empire was at its<br />

peak size, in 1920, it was <strong>the</strong> largest political entity — both in territory<br />

<strong>and</strong> proportion <strong>of</strong> <strong>the</strong> world's population — that <strong>the</strong> world had<br />

ever known. Yet, as this course explores, within just a few decades<br />

it appeared to have "fallen" from this apparent position <strong>of</strong> apparent<br />

might <strong>and</strong> gr<strong>and</strong>eur; first into <strong>the</strong> new political status <strong>of</strong><br />

"Commonwealth", <strong>and</strong> <strong>the</strong>n into virtual bankruptcy <strong>and</strong> fragmentation.<br />

The "fall" was no less important — perhaps even more so —<br />

than <strong>the</strong> "rise" <strong>of</strong> empire. The transformation <strong>of</strong> what was <strong>the</strong><br />

British empire changed culture, politics <strong>and</strong> economies at both local<br />

<strong>and</strong> global scales, creating dozens <strong>of</strong> new states, <strong>and</strong> fashioning<br />

many <strong>of</strong> <strong>the</strong> defining features <strong>of</strong> our own world. As many <strong>of</strong> <strong>the</strong><br />

world's hotspots continue to map on to hotspots shared with, even<br />

"invented" by <strong>the</strong> British Empire — Iraq, <strong>the</strong> Sudan, Afghanistan —<br />

<strong>the</strong> history <strong>of</strong> this Empire continues to seem unusually relevant to<br />

us, <strong>and</strong> our own times.<br />

Instructor: Salesa, Damon I<br />

HISTORY 230. Humanities <strong>To</strong>pics in History.<br />

(3 - 4). (HU). May be elected twice for credit.<br />

This course is meant to examine an aspect or select topic in history<br />

not covered under a specific country or time period. It will be<br />

taught from a Humanities perspective.<br />

Section 001 — Religion in <strong>the</strong> Making <strong>of</strong> African America.<br />

This course studies <strong>the</strong> historical development <strong>of</strong> African American<br />

religion from <strong>the</strong> faith systems adapted <strong>and</strong> created in <strong>the</strong> middle<br />

passage <strong>of</strong> trans-Atlantic slavery through <strong>the</strong> multiple evolutions <strong>of</strong><br />

religious practice <strong>and</strong> culture in <strong>the</strong> 19th <strong>and</strong> 20th centuries. Course<br />

lectures examine <strong>the</strong> religious thought <strong>and</strong> experiences <strong>of</strong> Afric<strong>and</strong>escended<br />

communities in <strong>the</strong> United States, while exploring <strong>the</strong><br />

U.S. context <strong>of</strong> African American religion through its historical connections<br />

with religious histories <strong>of</strong> <strong>the</strong> Caribbean, South America<br />

<strong>and</strong> Africa. The course’s reading, listening, <strong>and</strong> viewing assignments<br />

highlight <strong>the</strong> generational perspectives that have sustained<br />

African American religion’s connection to <strong>the</strong> politics <strong>and</strong> culture <strong>of</strong><br />

freedom struggles during slavery <strong>and</strong> across <strong>the</strong> long transformations<br />

<strong>of</strong> post-emancipation society. A primary objective <strong>of</strong> <strong>the</strong><br />

course is to account for <strong>the</strong> ways that African American religion (in<br />

its multiple varieties) has oriented African American claims for national<br />

citizenship <strong>and</strong> related (<strong>and</strong> at times competing) claims <strong>of</strong><br />

belonging to <strong>the</strong> African diaspora. What religion has meant to <strong>the</strong>se<br />

overlapping identifications <strong>of</strong> nation <strong>and</strong> diaspora — <strong>the</strong> “African<br />

America” <strong>of</strong> our course title — will be <strong>the</strong> guiding inquiry <strong>of</strong> course<br />

discussion.


Intended Audience:<br />

First-year students <strong>and</strong> sophomores.<br />

Instructor: Hughes, Br<strong>and</strong>i Suzanne<br />

HISTORY 241. America <strong>and</strong> Middle Eastern Wars.<br />

(4). (SS). May not be repeated for credit.<br />

This course examines <strong>the</strong> U.S. military <strong>and</strong> diplomatic involvement<br />

in <strong>the</strong> modern Middle East, beginning at <strong>the</strong> end <strong>of</strong> World War II,<br />

with involvement in Iran <strong>and</strong> Egypt early in <strong>the</strong> Cold War. Much <strong>of</strong><br />

<strong>the</strong> class focuses on U.S. interventions in Lebanon, Afghanistan,<br />

<strong>and</strong> Iraq. Attention is paid to U.S. motives <strong>and</strong> goals <strong>and</strong> to <strong>the</strong><br />

ways in which Middle Eastern actors deployed conventional <strong>and</strong> unconventional<br />

forces against U.S. forces.<br />

For more information on this course you may go to <strong>the</strong> instructor's<br />

URL at www-personal.umich.edu/~jrcole/syl/war/war.htm.<br />

Instructor: Cole, Juan R<br />

HISTORY 244 / AAPTIS 244 / HJCS 244 / JUDAIC 244 /<br />

MENAS 244. The Arab-Jewish Conflict in <strong>the</strong> Middle East, c.<br />

1880 to <strong>the</strong> Present.<br />

(4). (SS). (R&E). May not be repeated for credit.<br />

For over a hundred years Arabs <strong>and</strong> Jews have been engaged in<br />

what is arguably <strong>the</strong> world's most long-lasting, bitter, <strong>and</strong> intractable<br />

dispute.<br />

This conflict has engendered five interstate wars (1948, 1956,<br />

1967, 1973, <strong>and</strong> 1982) <strong>and</strong> innumerable low-intensity clashes. As a<br />

source <strong>of</strong> daily media attention, United Nations resolutions, impassioned<br />

global debate, <strong>and</strong> Great Power rivalry, <strong>the</strong> Arab-Israeli conflict<br />

has no equal. Despite persistent interventions by <strong>the</strong> United<br />

States, Europe, <strong>and</strong> <strong>the</strong> United Nations, no resolution is in sight.<br />

This course assesses <strong>the</strong> origins, dynamics, <strong>and</strong> <strong>the</strong> amazing, chameleon-like<br />

persistence <strong>of</strong> Arab-Jewish conflict over some five generations.<br />

• How did <strong>the</strong> rivalry begin?<br />

• What historical, legal, <strong>and</strong> moral arguments does each side<br />

marshal to justify its position?<br />

• What has been <strong>the</strong> role <strong>of</strong> <strong>the</strong> United States?<br />

• What does <strong>the</strong> conflict say about <strong>the</strong> nature <strong>of</strong> truth <strong>and</strong> morality<br />

in <strong>the</strong> modern world?<br />

• And what does <strong>the</strong> future hold?<br />

Intended Audience:<br />

This course welcomes students from all backgrounds — including<br />

those who have no prior knowledge <strong>of</strong> <strong>the</strong> conflict, students who by<br />

personal background or interest already know a good deal, <strong>and</strong> all<br />

those who fall between <strong>the</strong>se poles.<br />

Instructor: Lieberman, Victor B<br />

HISTORY 246 / AAS 246. Africa to 1850.<br />

(4). (SS). May not be repeated for credit.<br />

This course is a survey <strong>of</strong> African history, from about 3000 BCE until<br />

<strong>the</strong> middle <strong>of</strong> <strong>the</strong> nineteenth century CE. We will focus our attention<br />

on <strong>the</strong> following major <strong>the</strong>mes in pre-colonial African history:<br />

• The Development <strong>of</strong> Social Complexity<br />

• African Political Cultures<br />

• Religion (African Traditional Religions, Islam, <strong>and</strong> Christianity)<br />

• Transformations in Gender Relations<br />

• Slavery <strong>and</strong> <strong>the</strong> Slave Trades<br />

• African history beyond <strong>the</strong> continent: The Making <strong>of</strong> African<br />

Diasporas<br />

• Increasing European Encroachment<br />

Africa is very large — 3-½ times <strong>the</strong> size <strong>of</strong> <strong>the</strong> continental U.S. —<br />

so covering roughly five millennia <strong>of</strong> its history could never be accomplished<br />

in an exhaustive way for <strong>the</strong> whole <strong>of</strong> <strong>the</strong> continent in<br />

thirteen weeks! Our approach will be to explore this history through<br />

five regional case studies each highlighting particular <strong>the</strong>mes:<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 93<br />

1. Egypt <strong>and</strong> <strong>the</strong> Greater Nile Valley<br />

2. West Africa, <strong>the</strong> Sahara, <strong>and</strong> <strong>the</strong> Maghrib<br />

3. West-Central Africa<br />

4. East Africa <strong>and</strong> <strong>the</strong> Swahili coast<br />

5. Sou<strong>the</strong>rn Africa<br />

BOOKS:<br />

• Erik Gilbert <strong>and</strong> Jonathan T. Reynolds, Africa in World History:<br />

From Prehistory to <strong>the</strong> Present<br />

• John Thornton, The Kongolese Saint Anthony: Dona Beatriz<br />

Kimpa Vita <strong>and</strong> <strong>the</strong> Antonian Movement: 1684-1706<br />

Course Requirements:<br />

EVALUATION METHOD:<br />

• Exam #1 : 25 %<br />

• Exam #2 : 25%<br />

• Paper : 25%<br />

• Participation : 25%<br />

• Discussion<br />

Instructor: Ware, Rudolph T<br />

HISTORY 250. China from <strong>the</strong> Oracle Bones to <strong>the</strong> Opium<br />

War.<br />

(3). (HU). May not be repeated for credit. F.<br />

Section 001. This course consists <strong>of</strong> a survey <strong>of</strong> early Chinese<br />

history, with special emphasis on <strong>the</strong> origins <strong>and</strong> development <strong>of</strong><br />

<strong>the</strong> political, social, <strong>and</strong> economic institutions <strong>and</strong> <strong>the</strong>ir intellectual<br />

foundations. Special features include class participation in performing<br />

a series <strong>of</strong> short dramas recreating critical issues <strong>and</strong> moments<br />

in Chinese history, slides especially prepared for <strong>the</strong> lectures, new<br />

views on race <strong>and</strong> gender in <strong>the</strong> making <strong>of</strong> China, intellectual <strong>and</strong><br />

scientific revolutions in <strong>the</strong> seventeenth century, <strong>and</strong> literature <strong>and</strong><br />

society in premodern China.<br />

Instructor: Chang, Chun-Shu<br />

HISTORY 252 / ASIAN 260. Introduction to Chinese Civilization.<br />

(4). (HU). (R&E). May not be repeated for credit. No assumed<br />

knowledge <strong>of</strong> Chinese history, culture, or language required.<br />

This course is intended to introduce students to major issues in<br />

Chinese history from ancient times to <strong>the</strong> Chinese Revolution <strong>of</strong><br />

1911, with a specific focus on issues relating to race <strong>and</strong> ethnicity.<br />

In this connection, we investigate three problems:<br />

1. China is <strong>of</strong>ten seen as a racially, ethnically, <strong>and</strong> culturally<br />

homogenous society, but what is China <strong>and</strong> (Han) Chinese?<br />

2. <strong>To</strong> what extent was <strong>the</strong> direction <strong>of</strong> Chinese civilization driven<br />

by contact with ethnic, religious, <strong>and</strong> cultural o<strong>the</strong>rs? What role<br />

did ethnic, religious, <strong>and</strong> cultural conflict play in producing<br />

Chinese identity?<br />

3. How did China transition from a multi-ethnic empire to a modern<br />

nation state? <strong>To</strong> what extent was <strong>the</strong> creation <strong>of</strong> modern<br />

China a product <strong>of</strong> racial <strong>and</strong> ethnic strife?<br />

Readings <strong>and</strong> lectures will give equal weight to political <strong>and</strong> social<br />

developments, as well as to intellectual, religious, <strong>and</strong> cultural<br />

forces. Course assignments will not only include reading primary<br />

<strong>and</strong> secondary literature (entirely in English), but also require students<br />

to analyze visual sources. There are no books or coursepacks<br />

for this class; all readings will be available through C<strong>To</strong>ols.<br />

Course Requirements:<br />

1. Active attendance <strong>and</strong> participation in section (Note: more than<br />

5 unexcused absences will result in an automatic failure <strong>of</strong> <strong>the</strong><br />

course); 20% <strong>of</strong> total grade.<br />

2. One creative project; 20% <strong>of</strong> total grade.<br />

3. 3 short papers (3-5 pages); 60% <strong>of</strong> total grade.<br />

Instructor: Brown, Mir<strong>and</strong>a D


94 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

HISTORY 266. Twentieth-Century American Wars as Social<br />

<strong>and</strong> Personal Experience.<br />

(4). (HU). May not be repeated for credit.<br />

Section 001. This course will examine <strong>the</strong> American experience <strong>of</strong><br />

war in this century. Lectures, readings, films, <strong>and</strong> discussions will<br />

focus not only on <strong>the</strong> military experience itself, but on how<br />

America's wars — real <strong>and</strong> imagined — have shaped <strong>the</strong> country's<br />

economy, politics, <strong>and</strong> culture. The course will also examine <strong>the</strong><br />

processes <strong>of</strong> transmission <strong>and</strong> memory: how Americans who did<br />

not fight learned about those who did, <strong>and</strong> what all Americans have<br />

remembered or have been taught to remember about <strong>the</strong> wars <strong>of</strong><br />

this century. Finally, we will consider how <strong>the</strong> nation's wartime<br />

conduct, at home <strong>and</strong> on <strong>the</strong> battlefield, has fit into long-st<strong>and</strong>ing<br />

social patterns <strong>and</strong> behavior such as our alleged propensity for violence.<br />

In brief, we will be looking at <strong>the</strong> American experience <strong>of</strong><br />

war as inclusively as a term will allow.<br />

Instructor: Marwil, Jonathan L<br />

HJCS (Hebrew <strong>and</strong> Jewish Cultural<br />

Studies)<br />

The Department <strong>of</strong> Near Eastern Studies <strong>of</strong>fers instruction in <strong>the</strong><br />

languages, literatures, histories, cultures, <strong>and</strong> religions <strong>of</strong> <strong>the</strong><br />

ancient Near East <strong>and</strong> <strong>the</strong> medieval <strong>and</strong> modern Middle East. The<br />

department’s language <strong>of</strong>ferings provide <strong>the</strong> foundation for <strong>the</strong><br />

academic study <strong>of</strong> <strong>the</strong> literatures, histories, cultures, <strong>and</strong> religions<br />

<strong>of</strong> <strong>the</strong> region. The ancient language <strong>of</strong>ferings include Sumerian,<br />

Egyptian, Akkadian, Hittite, Ugaritic, Avestan, Aramaic, <strong>and</strong> Classical<br />

Hebrew. The medieval <strong>and</strong> modern language <strong>of</strong>ferings include<br />

Armenian, Arabic, Hebrew, Persian, Turkish, <strong>and</strong> Uzbek.<br />

The division <strong>of</strong> Hebrew <strong>and</strong> Jewish Cultural Studies (HJCS) <strong>of</strong>fers<br />

instruction at <strong>the</strong> introductory to <strong>the</strong> advanced level in Hebrew language,<br />

literature <strong>and</strong> culture. Learning <strong>the</strong> language enables students<br />

to engage in <strong>the</strong> study <strong>of</strong> historical, literary <strong>and</strong> religious<br />

texts, as well as study <strong>the</strong> politics, folklore, anthropology <strong>of</strong> <strong>the</strong> culture,<br />

using texts <strong>and</strong> various media, including film. The study <strong>of</strong><br />

Classical <strong>and</strong> Modern Hebrew texts provides students with an integrated<br />

view <strong>of</strong> <strong>the</strong> development <strong>of</strong> Hebrew <strong>and</strong> Jewish literature<br />

<strong>and</strong> culture.<br />

Why Study Hebrew? People study Hebrew for different reasons.<br />

For some, it is <strong>the</strong> desire to be able to read <strong>the</strong> Hebrew Bible in <strong>the</strong><br />

original language; for o<strong>the</strong>rs, who are interested in Israel <strong>and</strong> wish<br />

to underst<strong>and</strong> its people, culture <strong>and</strong> politics, Hebrew is necessary.<br />

Some people wish to use Hebrew as a means <strong>of</strong> communication.<br />

For o<strong>the</strong>rs, <strong>the</strong> goal is <strong>the</strong> ability to read Hebrew literature, scholarship,<br />

newspapers or electronic media. No matter what your goal is,<br />

we <strong>of</strong>fer a variety <strong>of</strong> courses <strong>and</strong> learning opportunities.<br />

HJCS 100 / AAPTIS 100 / ACABS 100 / HISTORY 132. Peoples<br />

<strong>of</strong> <strong>the</strong> Middle East.<br />

(4). (HU). May not be repeated for credit. Taught in English.<br />

Section 001 — Issues in Race & Ethnicity.<br />

An introductory course on <strong>the</strong> diversity <strong>of</strong> peoples, cultures,<br />

economies, <strong>and</strong> politics <strong>of</strong> <strong>the</strong> Middle East. <strong>To</strong>pics include religion<br />

(Judaism, Islam, Christianity), cities <strong>and</strong> nomads, women in <strong>the</strong><br />

Middle East, economic change, social <strong>and</strong> political systems, <strong>and</strong> <strong>the</strong><br />

world's first civilizations <strong>of</strong> Mesopotamia <strong>and</strong> Egypt.<br />

Instructor: Michalowski, Piotr A<br />

HJCS 101. Elementary Modern Hebrew, I.<br />

(5). May not be repeated for credit. F.<br />

Students will develop basic communication skills in Hebrew. There<br />

are class discussions <strong>and</strong> readings in Hebrew as well as class <strong>and</strong><br />

language laboratory drills.<br />

Section 001 & 002. Sections 001 <strong>and</strong> 002 <strong>of</strong> Modern Elementary<br />

Hebrew I are for students with no background <strong>and</strong> experience in<br />

Hebrew. (Students with previous knowledge <strong>of</strong> Hebrew SHOULD<br />

REGISTER for Sections 003 <strong>and</strong> 004.) This course will <strong>of</strong>fer instruc-<br />

tion on all four language skills, starting with reading <strong>and</strong> writing <strong>the</strong><br />

alphabet.<br />

Instructor: Weizman, Paula<br />

HJCS 192. First Year Seminar in Hebrew <strong>and</strong> Jewish<br />

Cultural Studies.<br />

Only first-year students, including those with sophomore st<strong>and</strong>ing,<br />

may pre-register for First-Year Seminars. All o<strong>the</strong>rs need permission<br />

<strong>of</strong> instructor. (3). (HU). May not be repeated for credit. Taught in<br />

English.<br />

First year seminar to be <strong>of</strong>fered on special topics.<br />

Section 001 — Old, New L<strong>and</strong>s: Jewish Immigration in<br />

<strong>Literature</strong> & Film.<br />

• What does it mean to become a refugee or an immigrant?<br />

• What is lost <strong>and</strong> what is gained in <strong>the</strong> process <strong>of</strong> relocation?<br />

This course explores <strong>the</strong>se questions by looking at representations<br />

<strong>of</strong> Jewish immigrants in modern literature <strong>and</strong> film. During <strong>the</strong><br />

nineteenth <strong>and</strong> twentieth centuries, millions <strong>of</strong> Jews ei<strong>the</strong>r chose to<br />

leave Central <strong>and</strong> Eastern Europe or were forced to do so because<br />

<strong>of</strong> political, social, <strong>and</strong> economic circumstances; <strong>the</strong>y immigrated<br />

primarily to <strong>the</strong> United States, Palestine, or Western Europe.<br />

Reading texts in translation from Hebrew, German, Polish, <strong>and</strong><br />

Yiddish, we will discuss <strong>the</strong> significance <strong>of</strong> modes <strong>of</strong> transportation<br />

<strong>and</strong> spaces <strong>of</strong> transit: boats, trains, <strong>and</strong> airplanes, as well as train<br />

stations, hotels, boarding houses, elevators, <strong>and</strong> even suitcases.<br />

What kinds <strong>of</strong> encounters take place en route, in <strong>the</strong>se various<br />

spaces, or upon arrival in <strong>the</strong> “old-new” l<strong>and</strong>s <strong>of</strong> America or<br />

Palestine/Israel?<br />

Instructor: Barzilai, Maya<br />

HJCS 200 / AAPTIS 200 / ACABS 200 / RELIGION 201.<br />

Introduction to World Religions: Near Eastern.<br />

(4). (HU). May not be repeated for credit. F.<br />

Religions <strong>of</strong> <strong>the</strong> Book: Judaism, Christianity, <strong>and</strong> Islam.<br />

Section 001.<br />

This course serves two main functions:<br />

• <strong>the</strong> first <strong>of</strong> <strong>the</strong>se is to provide an introductory sense <strong>of</strong> what is<br />

involved in <strong>the</strong> academic study <strong>of</strong> religion;<br />

• <strong>the</strong> second, which will occupy almost <strong>the</strong> whole term, is to discuss<br />

<strong>the</strong> major religious traditions <strong>of</strong> <strong>the</strong> Near East, with emphasis<br />

on <strong>the</strong> development <strong>and</strong> major structures <strong>of</strong> Judaism,<br />

Christianity, <strong>and</strong> Islam.<br />

The course will keep two foci in view: one will have to do with <strong>the</strong><br />

historical development <strong>of</strong> <strong>the</strong>se religious traditions, <strong>the</strong>ir sacred<br />

texts, <strong>and</strong> major personalities; <strong>the</strong> second will involve a comparative<br />

view <strong>of</strong> <strong>the</strong>se traditions by analyzing <strong>the</strong>ir sense <strong>of</strong> <strong>the</strong> sacred<br />

in space, time, <strong>and</strong> text, <strong>the</strong>ir views on holy people.<br />

Course Requirements:<br />

Writing for <strong>the</strong> course typically involves an essay, a short response<br />

paper, a midterm, <strong>and</strong> a final exam.<br />

Intended Audience:<br />

This is an introductory course: it is not necessary for students to<br />

have any previous experience in <strong>the</strong> study <strong>of</strong> religion.<br />

Instructor: Knysh, Alex<strong>and</strong>er D<br />

HJCS 201. Intermediate Modern Hebrew, I.<br />

HJCS 102. (5). May not be repeated for credit. F.<br />

Section 003 & 004. The focus <strong>of</strong> instruction is on <strong>the</strong> development<br />

<strong>of</strong> advanced language skills with an emphasis on oral <strong>and</strong><br />

written communication <strong>and</strong> in st<strong>and</strong>ard modern Hebrew. In addition<br />

to reading texts, relevant cultural materials are provided through<br />

<strong>the</strong> use <strong>of</strong> video <strong>and</strong> technology based materials.


Course Requirements:<br />

The final grade is based on class activities, students presentations,<br />

written assignments, <strong>and</strong> unit tests: midterm <strong>and</strong> final.<br />

Class Format:<br />

This course is taught in small sections <strong>and</strong> class discussion. Class<br />

discussions <strong>and</strong> activities are exclusively in Hebrew.<br />

Instructor: Rosenberg, Ilan<br />

HJCS 244 / AAPTIS 244 / HISTORY 244 / JUDAIC 244 /<br />

MENAS 244. The Arab-Jewish Conflict in <strong>the</strong> Middle East, c.<br />

1880 to <strong>the</strong> Present.<br />

(4). (SS). (R&E). May not be repeated for credit.<br />

For over a hundred years Arabs <strong>and</strong> Jews have been engaged in<br />

what is arguably <strong>the</strong> world's most long-lasting, bitter, <strong>and</strong> intractable<br />

dispute.<br />

This conflict has engendered five interstate wars (1948, 1956,<br />

1967, 1973, <strong>and</strong> 1982) <strong>and</strong> innumerable low-intensity clashes. As a<br />

source <strong>of</strong> daily media attention, United Nations resolutions, impassioned<br />

global debate, <strong>and</strong> Great Power rivalry, <strong>the</strong> Arab-Israeli conflict<br />

has no equal. Despite persistent interventions by <strong>the</strong> United<br />

States, Europe, <strong>and</strong> <strong>the</strong> United Nations, no resolution is in sight.<br />

This course assesses <strong>the</strong> origins, dynamics, <strong>and</strong> <strong>the</strong> amazing, chameleon-like<br />

persistence <strong>of</strong> Arab-Jewish conflict over some five generations.<br />

• How did <strong>the</strong> rivalry begin?<br />

• What historical, legal, <strong>and</strong> moral arguments does each side<br />

marshal to justify its position?<br />

• What has been <strong>the</strong> role <strong>of</strong> <strong>the</strong> United States?<br />

• What does <strong>the</strong> conflict say about <strong>the</strong> nature <strong>of</strong> truth <strong>and</strong> morality<br />

in <strong>the</strong> modern world?<br />

• And what does <strong>the</strong> future hold?<br />

Intended Audience:<br />

This course welcomes students from all backgrounds — including<br />

those who have no prior knowledge <strong>of</strong> <strong>the</strong> conflict, students who by<br />

personal background or interest already know a good deal, <strong>and</strong> all<br />

those who fall between <strong>the</strong>se poles.<br />

Instructor: Lieberman, Victor B<br />

HJCS 270 / ACABS 270 / JUDAIC 270 / RELIGION 270. Introduction<br />

to Rabbinic <strong>Literature</strong>.<br />

(3). (HU). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in HJCS 470 or JUDAIC<br />

470 or HJCS 570 or ACABS 570 or JUDAIC 570. Taught in English.<br />

Taught in English. All materials will be provided in English translation.<br />

In this course, we will explore <strong>the</strong> history <strong>and</strong> substance <strong>of</strong> rabbinic<br />

writing on three levels. First, we will talk about <strong>the</strong> rabbinic literary<br />

enterprise within <strong>the</strong> broad cultural, historical <strong>and</strong> religious context<br />

<strong>of</strong> <strong>the</strong> Roman <strong>and</strong> Byzantine eras. Second, we will examine <strong>the</strong><br />

many genres <strong>of</strong> rabbinic literature <strong>and</strong> literature <strong>and</strong> consider <strong>the</strong><br />

sages — <strong>the</strong> elite group <strong>of</strong> Jewish intellectuals who created this<br />

corpus. Finally, we will trace <strong>the</strong> way in which subsequent generations<br />

have gradually shaped <strong>the</strong>se texts to <strong>the</strong>ir current format <strong>and</strong><br />

endowed <strong>the</strong>m with <strong>the</strong>ir exalted status.<br />

Course Requirements:<br />

Grades will be based on participation, a short <strong>and</strong> long paper, midterm,<br />

<strong>and</strong> a final.<br />

Class Format:<br />

The course will combine lectures <strong>and</strong> reading sessions <strong>of</strong> rabbinic<br />

texts (all material will be provided in English translation).<br />

Instructor: Eliav, Yaron Z<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 95<br />

HJCS 276 / JUDAIC 205. Introduction to Jewish<br />

Civilizations <strong>and</strong> Culture.<br />

(4). (HU). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in JUDAIC 505 or HJCS<br />

576.<br />

Section 001. This course is a sweeping overview <strong>of</strong> Jewish civilization,<br />

from its ancient Near Eastern roots to its various expressions<br />

in <strong>the</strong> contemporary world. We will focus on developments<br />

within Jewish religious culture <strong>and</strong> political <strong>and</strong> social organization<br />

that united <strong>the</strong> Jewish people historically. At <strong>the</strong> same time, we will<br />

pay close attention to <strong>the</strong> diversity <strong>of</strong> expression <strong>of</strong> <strong>the</strong> Jewish people<br />

that reflects regional <strong>and</strong> gender differences, rational <strong>and</strong> mystical<br />

modes <strong>of</strong> expression, dissent <strong>and</strong> sectarian developments.<br />

Course Requirements:<br />

Grades are based on attendance <strong>and</strong> participation in section, a midterm,<br />

a final, <strong>and</strong> a creative project.<br />

Intended Audience:<br />

No prerequisites.<br />

Class Format:<br />

The Introduction to Jewish Civilization is taught by an interdisciplinary<br />

team: <strong>the</strong> primary instructor provides <strong>the</strong> general framework<br />

in introductory lectures for each unit <strong>and</strong> U-M specialists in Judaic<br />

Studies <strong>of</strong>fer guest lectures on a range <strong>of</strong> topics pertaining to<br />

Jewish history, religion, <strong>and</strong> culture. Discussion sessions provide<br />

<strong>the</strong> opportunity for direct contact with primary sources <strong>and</strong> for conversation.<br />

Instructor: Levinson, Julian Arnold<br />

HJCS 301. Advanced Hebrew, I.<br />

HJCS 202. (3). May not be repeated for credit. F.<br />

The course materials consist <strong>of</strong> texts from Modern Hebrew prose:<br />

fiction <strong>and</strong> non-fiction. Writing <strong>and</strong> speaking skills are enhanced<br />

through a series <strong>of</strong> related assignments. Review <strong>of</strong> basic language<br />

structures <strong>and</strong> enrichment <strong>of</strong> vocabulary are among <strong>the</strong> objectives<br />

<strong>of</strong> this course.<br />

HONORS (Honors Program)<br />

Honors Courses. The Honors Program believes that challenging<br />

work, including research opportunities, should be available to superior<br />

students from <strong>the</strong> onset <strong>of</strong> <strong>the</strong>ir college education. Several<br />

types <strong>of</strong> Honors courses are <strong>of</strong>fered for first <strong>and</strong> second year students:<br />

• courses <strong>of</strong>fered by various departments intended only for<br />

Honors students<br />

• sections <strong>of</strong> regular courses for Honors students<br />

• courses sponsored by <strong>the</strong> Honors Program.<br />

Small seminars (HONORS 250, 251, <strong>and</strong> 252) enable students to<br />

discuss matters <strong>of</strong> intellectual substance with a senior faculty<br />

member on a variety <strong>of</strong> topics. These seminars enroll a maximum<br />

<strong>of</strong> 15 students.<br />

Some upper level courses also count as Honors courses for first <strong>and</strong><br />

second year students <strong>and</strong> many courses may be converted to<br />

Honors courses with <strong>the</strong> agreement <strong>of</strong> <strong>the</strong> pr<strong>of</strong>essor <strong>and</strong> <strong>the</strong> Honors<br />

Program.<br />

No course elected Pass/Fail will receive <strong>the</strong> Honors notation on <strong>the</strong><br />

transcript or be counted as an "Honors" course for <strong>the</strong> Sophomore<br />

Honors Award.<br />

Independent Study <strong>and</strong> Research. Underlying all <strong>the</strong> coursework<br />

in Honors is <strong>the</strong> firm belief that students should take learning<br />

outside <strong>the</strong> classroom <strong>and</strong> engage in an independent study research<br />

project (for credit) under <strong>the</strong> direction <strong>of</strong> a faculty member.<br />

The Honors Program strongly encourages qualified <strong>and</strong> able students<br />

to do independent study or research. These options allow<br />

students to concentrate a considerable amount <strong>of</strong> time <strong>and</strong> effort in<br />

an area <strong>of</strong> particular interest, to develop intellectual relationships


96 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

with members <strong>of</strong> <strong>the</strong> faculty <strong>and</strong> research staff, <strong>and</strong> to make more<br />

informed decisions about <strong>the</strong> Honors <strong>the</strong>sis <strong>and</strong> perhaps even longrange<br />

goals. Students are encouraged to look for a research placement<br />

when <strong>the</strong>y have had adequate preparation to make <strong>the</strong>ir participation<br />

useful to <strong>the</strong> project <strong>and</strong> interesting for <strong>the</strong>m. Honors<br />

academic advisors will be happy to talk with students about strategies<br />

for finding a project <strong>and</strong> a mentor.<br />

Honors research tutorials are available in any term by permission <strong>of</strong><br />

<strong>the</strong> Honors Office. First-year students <strong>and</strong> sophomores elect<br />

HONORS 291 <strong>and</strong> 292 <strong>and</strong> may serve as research assistants for<br />

faculty researchers, receive instruction in research methods, or participate<br />

in some phase <strong>of</strong> University or individual research.<br />

Comparable courses are available for juniors (HONORS 390) <strong>and</strong><br />

seniors (HONORS 490).<br />

The Undergraduate Research Opportunity Program (UROP) is ano<strong>the</strong>r<br />

avenue through which to find a research placement. Some<br />

departments (for example, chemistry <strong>and</strong> psychology) maintain lists<br />

<strong>of</strong> available research projects. Many <strong>of</strong> our students find research<br />

work by directly contacting faculty whose areas <strong>of</strong> specialization interest<br />

<strong>the</strong>m.<br />

Texts <strong>and</strong> Ideas. The Honors Program has established special<br />

courses that satisfy <strong>the</strong> First-Year Writing Requirement at <strong>Michigan</strong>.<br />

It is our firm belief that strong writing skills are best achieved by<br />

exposure to great works <strong>of</strong> literature, history, <strong>and</strong> philosophy, <strong>and</strong><br />

by exposure to <strong>the</strong> range <strong>of</strong> critical approaches to those works.<br />

Except in very rare circumstances, every first-year Honors student<br />

must elect one <strong>of</strong> <strong>the</strong> following courses in each academic term <strong>of</strong><br />

<strong>the</strong> first year: English Advanced Placement will not satisfy <strong>the</strong> Texts<br />

<strong>and</strong> Ideas requirement.<br />

Fall Term, First Year<br />

CLCIV 101 (Honors section) or GTBOOKS 191 (any section).<br />

The readings for GTBOOKS 191 <strong>and</strong> CLCIV 101 (Honors section)<br />

overlap considerably but <strong>the</strong>y have somewhat different emphases.<br />

Both courses stress <strong>the</strong> writing <strong>of</strong> essays, <strong>and</strong> <strong>the</strong> instructors pay<br />

attention to writing techniques <strong>and</strong> problems.<br />

Winter Term, First Year<br />

CLCIV 102 (Honors section) or GTBOOKS 192 (any section) or an<br />

approved alternative.<br />

Prior to <strong>the</strong> registration period for each term, a list <strong>of</strong> courses which<br />

satisfy <strong>the</strong> second half <strong>of</strong> <strong>the</strong> <strong>Literature</strong> <strong>and</strong> Ideas requirement is<br />

published on <strong>the</strong> Honors website <strong>and</strong> is also available in <strong>the</strong> Honors<br />

<strong>of</strong>fice. This list will vary from year to year as course <strong>of</strong>ferings vary.<br />

Honors Waitlist Policy<br />

Waitlist priority given to LSA Honors students in order <strong>of</strong> class year<br />

(seniors, juniors, sophomores, <strong>the</strong>n freshmen).<br />

HONORS 135. Ideas in Honors.<br />

First-year st<strong>and</strong>ing in <strong>the</strong> Honors Program. (1). May not be repeated<br />

for credit. Offered m<strong>and</strong>atory credit/no credit.<br />

Section topic <strong>and</strong> meet times to be announced in May.<br />

A guided journey that opens first-year students' eyes to <strong>the</strong> importance<br />

<strong>of</strong> scholarship <strong>and</strong> research in an area <strong>of</strong> <strong>the</strong> seminar leader's<br />

expertise. Subject matter <strong>and</strong> discussions are confronted from <strong>the</strong><br />

vantage point “Why does it matter?”<br />

ITALIAN (Italian)<br />

Placement Tests<br />

Students who intend to continue a language begun in high school<br />

or ano<strong>the</strong>r college or university must take <strong>the</strong> Placement Test to<br />

determine <strong>the</strong> language course in which <strong>the</strong>y should enroll. Please<br />

note that students may not take <strong>the</strong> Italian placement test more<br />

than one time. Beginners desiring to acquire pr<strong>of</strong>iciency at a faster<br />

pace are encouraged to enroll in ITALIAN 103, followed by ITALIAN<br />

233. Students who choose this option can satisfy <strong>the</strong> language requirement<br />

only if <strong>the</strong>y <strong>the</strong>n receive credit for a more advanced<br />

course taught in Italian (ITALIAN 235 or higher). Students must<br />

check with <strong>the</strong> Course Coordinator for any exceptions to <strong>the</strong> Placement<br />

Test level. For more information, visit <strong>the</strong> department website:<br />

www.lsa.umich.edu/rll/langinstruct/placementtest.html<br />

Language Requirement<br />

Students who demonstrate a fourth-term pr<strong>of</strong>iciency are certified to<br />

have fulfilled <strong>the</strong> LSA language requirement. O<strong>the</strong>r students are<br />

placed in courses according to <strong>the</strong>ir demonstrated degree <strong>of</strong> competence<br />

<strong>and</strong> satisfy <strong>the</strong> LSA language requirement by successful<br />

completion <strong>of</strong> FRENCH 232, ITALIAN 232, PORTUG 232, SPANISH<br />

232, or <strong>the</strong> equivalent. Students with previous background in or<br />

exposure to a Romance language are encouraged to continue study<br />

<strong>of</strong> that language through <strong>the</strong> freshman <strong>and</strong> sophomore years. The<br />

language requirement cannot be satisfied by out-<strong>of</strong>-residence credit<br />

which is elected after <strong>the</strong> student has begun degree enrollment in<br />

LSA.<br />

Override Policy<br />

www.lsa.umich.edu/rll/langinstruct/overrides.html<br />

Attendance Policy<br />

A student who misses ei<strong>the</strong>r <strong>of</strong> <strong>the</strong> first two meetings <strong>of</strong> any course<br />

<strong>of</strong>fered by <strong>the</strong> Department <strong>of</strong> Romance Languages may be dropped<br />

from <strong>the</strong> course for non-attendance.<br />

ITALIAN 101. Elementary Italian.<br />

No prior instruction in Italian language OR placement <strong>of</strong> ITALIAN<br />

101. (Prerequisites enforced at registration.) Students with any<br />

prior study <strong>of</strong> Italian must take <strong>the</strong> Placement Test. (4). May not be<br />

repeated for credit. No credit granted to those who have completed<br />

or are enrolled in ITALIAN 100, 103, 111, or 112.<br />

ITALIAN 101 is an introductory-level course designed to provide<br />

students with a basis to communicate effectively in Italian in everyday,<br />

realistic situations while practicing reading <strong>and</strong> writing skills.<br />

This course is task- <strong>and</strong> content-based <strong>and</strong> incorporates grammar<br />

in a functional use <strong>of</strong> language through listening, speaking, reading,<br />

<strong>and</strong> writing. Vocabulary <strong>and</strong> structures are practiced in class<br />

through communicative activities. Readings <strong>and</strong> cultural notes introduce<br />

students to contemporary Italian life <strong>and</strong> culture. Their cultural<br />

awareness <strong>and</strong> listening skills are fur<strong>the</strong>r developed through<br />

audio-visual materials.<br />

Course Requirements:<br />

Evaluation criteria include: regular attendance, oral participation,<br />

in-class work, homework assignments, written <strong>and</strong> speaking tests,<br />

<strong>and</strong> a final examination.<br />

ITALIAN 103. Accelerated Italian.<br />

(4). May not be repeated for credit. No credit granted to those who<br />

have completed or are enrolled in ITALIAN 100, 101, or 102.<br />

Course coordinator: S<strong>and</strong>ra Palaich, spalaich@umich.edu<br />

ITALIAN 103 is an accelerated course for those students who wish<br />

to develop <strong>the</strong>ir speaking, listening, reading, <strong>and</strong> writing skills at a<br />

rapid pace, while being introduced to various aspects <strong>of</strong> Italian culture.<br />

The pace <strong>of</strong> this class is fast <strong>and</strong> <strong>the</strong> workload is heavy. The<br />

material covered in this one term course is equivalent to that<br />

taught in two terms <strong>of</strong> ITALIAN 101 <strong>and</strong> 102.<br />

Course Requirements:<br />

Course grade is based on regular attendance, oral participation, inclass<br />

work, homework assignments, written <strong>and</strong> oral tests, <strong>and</strong> a<br />

final examination.<br />

JUDAIC (Judaic Studies)<br />

With over 120 currently approved Judaic Studies courses <strong>of</strong>fered<br />

during <strong>the</strong> Fall <strong>and</strong> Winter terms <strong>of</strong> each academic year, concentrators<br />

<strong>and</strong> minors enjoy diverse options as <strong>the</strong>y progress through<br />

<strong>the</strong>ir studies. Students can also sample additional courses from visiting<br />

faculty. Frankel Center advisors assist students in determining<br />

<strong>the</strong> program <strong>of</strong> study tailored to individual interests. Due to ongoing<br />

curriculum development, <strong>the</strong> course numbers <strong>and</strong> titles are sub-


ject to change at any time. Please contact <strong>the</strong> Frankel Center for<br />

verification <strong>of</strong> this information <strong>and</strong> for current availability.<br />

www.lsa.umich.edu/judaic<br />

JUDAIC 101 / YIDDISH 101. Elementary Yiddish I.<br />

(4). May not be repeated for credit. No credit granted to those who<br />

have completed or are enrolled in JUDAIC 431 or YIDDISH 431.<br />

Graduate students elect JUDAIC 431 or YIDDISH 431. F.<br />

Section 001.<br />

<strong>Welcome</strong> to Beginning Yiddish!<br />

This course <strong>of</strong>fers you <strong>the</strong> opportunity to learn <strong>the</strong> basics <strong>of</strong> Yiddish<br />

grammar <strong>and</strong> to acquire basic reading, writing, speaking <strong>and</strong> listening<br />

skills. You will learn to talk about yourself <strong>and</strong> your interests,<br />

surroundings, friends, <strong>and</strong> family. You will also learn about <strong>the</strong> history,<br />

sociology <strong>and</strong> culture <strong>of</strong> Yiddish <strong>and</strong> how Jewish life <strong>of</strong> <strong>the</strong><br />

past centuries is reflected in <strong>the</strong> language. You will become acquainted<br />

with simple Yiddish texts from various times <strong>and</strong> places —<br />

a poem from a Yiddish children’s textbook published in New York in<br />

<strong>the</strong> 1930s, Yiddish folksongs that have been sung in Eastern<br />

Europe for many, many years, stories from a school book used in<br />

our days in some haredi schools in Israel, <strong>and</strong> more. Games <strong>and</strong><br />

audio-visual materials will enhance <strong>the</strong> learning process!<br />

Grading: Classroom Work: 30%, Quizzes & Homework: 30%, <strong>and</strong><br />

Exams: 40%<br />

As you can see from <strong>the</strong> grading system, active classroom participation<br />

is very important, as are daily homework assignments —<br />

always due on <strong>the</strong> next class.<br />

I am always happy to meet with you to discuss any questions or<br />

concerns you may have about <strong>the</strong> class, or to give you additional<br />

help that you might need with <strong>the</strong> Yiddish alphabet, reading skills<br />

or anything else you feel you would benefit from.<br />

JUDAIC 150. First Year Seminar in Judaic Studies.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (HU). May be repeated for a maximum <strong>of</strong><br />

6 credits. May be elected more than once in <strong>the</strong> same term.<br />

This course will serve as a first-year seminar in <strong>the</strong> Humanities to<br />

be <strong>of</strong>fered on special topics in Judaic Studies. Each section will<br />

serve as an introduction to various cultural aspects <strong>of</strong> Judaic<br />

Studies, such as diversity, history, ethnicity, religions, languages,<br />

art.<br />

Section 001 — Old-New L<strong>and</strong>s: Jewish Immigration in<br />

<strong>Literature</strong> <strong>and</strong> Film.<br />

• What does it mean to become a refugee or an immigrant?<br />

• What is lost <strong>and</strong> what is gained in <strong>the</strong> process <strong>of</strong> relocation?<br />

This course explores <strong>the</strong>se questions by looking at representations<br />

<strong>of</strong> Jewish immigrants in modern literature <strong>and</strong> film. During <strong>the</strong><br />

nineteenth <strong>and</strong> twentieth centuries, millions <strong>of</strong> Jews ei<strong>the</strong>r chose to<br />

leave Central <strong>and</strong> Eastern Europe or were forced to do so because<br />

<strong>of</strong> political, social, <strong>and</strong> economic circumstances; <strong>the</strong>y immigrated<br />

primarily to <strong>the</strong> United States, Palestine, or Western Europe.<br />

Reading texts in translation from Hebrew, German, Polish, <strong>and</strong><br />

Yiddish, we will discuss <strong>the</strong> significance <strong>of</strong> modes <strong>of</strong> transportation<br />

<strong>and</strong> spaces <strong>of</strong> transit: boats, trains, <strong>and</strong> airplanes, as well as train<br />

stations, hotels, boarding houses, elevators, <strong>and</strong> even suitcases.<br />

What kinds <strong>of</strong> encounters take place en route, in <strong>the</strong>se various<br />

spaces, or upon arrival in <strong>the</strong> “old-new” l<strong>and</strong>s <strong>of</strong> America or<br />

Palestine/Israel?<br />

Instructor: Barzilai, Maya<br />

JUDAIC 205 / HJCS 276. Introduction to Jewish Civilizations<br />

<strong>and</strong> Culture.<br />

(4). (HU). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in JUDAIC 505 or HJCS<br />

576.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 97<br />

Section 001. This course is a sweeping overview <strong>of</strong> Jewish civilization,<br />

from its ancient Near Eastern roots to its various expressions<br />

in <strong>the</strong> contemporary world. We will focus on developments<br />

within Jewish religious culture <strong>and</strong> political <strong>and</strong> social organization<br />

that united <strong>the</strong> Jewish people historically. At <strong>the</strong> same time, we will<br />

pay close attention to <strong>the</strong> diversity <strong>of</strong> expression <strong>of</strong> <strong>the</strong> Jewish people<br />

that reflects regional <strong>and</strong> gender differences, rational <strong>and</strong> mystical<br />

modes <strong>of</strong> expression, dissent <strong>and</strong> sectarian developments.<br />

Course Requirements:<br />

Grades are based on attendance <strong>and</strong> participation in section, a midterm,<br />

a final, <strong>and</strong> a creative project.<br />

Intended Audience:<br />

No prerequisites.<br />

Class Format:<br />

The Introduction to Jewish Civilization is taught by an interdisciplinary<br />

team: <strong>the</strong> primary instructor provides <strong>the</strong> general framework<br />

in introductory lectures for each unit <strong>and</strong> U-M specialists in Judaic<br />

Studies <strong>of</strong>fer guest lectures on a range <strong>of</strong> topics pertaining to Jewish<br />

history, religion, <strong>and</strong> culture. Discussion sessions provide <strong>the</strong><br />

opportunity for direct contact with primary sources <strong>and</strong> for conversation.<br />

Instructor: Levinson, Julian Arnold<br />

JUDAIC 218. Humanities <strong>To</strong>pics in Judaism.<br />

(1 - 4). (HU). May be elected eight times for credit. May be elected<br />

more than once in <strong>the</strong> same term.<br />

Intended for lower-level undergraduate students, designated by <strong>the</strong><br />

section title <strong>and</strong> taught by a Judaic Studies regular or visiting faculty<br />

member, may include fields such as philosophy, film <strong>and</strong> video,<br />

literature, history, political science, etc., as <strong>the</strong>y pertain to Judaic<br />

Studies.<br />

Section 001 — Jews <strong>and</strong> O<strong>the</strong>r O<strong>the</strong>rs.<br />

In this course, we'll look at <strong>the</strong> Jewish-American experience from<br />

roughly 1880 to <strong>the</strong> present day from a comparative perspective:<br />

that is, in terms <strong>of</strong> <strong>the</strong> ways in which that experience looks when<br />

placed in relation to that <strong>of</strong> African-Americans (<strong>and</strong> <strong>the</strong> fraught idiom<br />

<strong>of</strong> race), Asian-Americans (<strong>and</strong> <strong>the</strong> "model minority" myths applied<br />

to both groups) <strong>and</strong> o<strong>the</strong>r Euro-Americans. Our readings will<br />

be drawn from history (e.g., Mat<strong>the</strong>w Frye Jacobsen's Whiteness <strong>of</strong><br />

a Different Color), from anthropology (Sherry Ortner's New Jersey<br />

Dreaming: Capital, Culture, <strong>and</strong> <strong>the</strong> Class <strong>of</strong> '58), musicology<br />

(Jeffrey Melnick's The Right to Sing <strong>the</strong> Blues), <strong>and</strong> film criticism<br />

(Michael Rogin's Black Face, White Noise); but we'll spend most <strong>of</strong><br />

our time reading novels, poems, <strong>and</strong> plays, <strong>and</strong> watching films that<br />

speak to <strong>the</strong> complexities both <strong>of</strong> <strong>the</strong> Jewish-American experience<br />

<strong>and</strong> <strong>of</strong> its place in <strong>the</strong> ethnoracial hurly-burly <strong>of</strong> twentieth-century<br />

America.<br />

Course Requirements:<br />

Two short papers; One long one; quizzes every now <strong>and</strong> <strong>the</strong>n to<br />

keep you on your toes!<br />

Instructor: Freedman, Jonathan E<br />

Section 002 — Law in <strong>the</strong> Pre-Modern World.<br />

This course is a historical <strong>and</strong> comparative introduction to <strong>the</strong> study<br />

<strong>of</strong> law, thus exposing students to a variety <strong>of</strong> ancient <strong>and</strong> medieval<br />

legal cultures across <strong>the</strong> globe. Besides grappling with <strong>the</strong> basic<br />

question <strong>of</strong> what law actually is, we investigate how law was made<br />

<strong>and</strong> justified, how laws were involved in governing <strong>and</strong> regulating<br />

human relations <strong>and</strong> transactions, <strong>and</strong> shifting notions <strong>of</strong> justice.<br />

We examine a range <strong>of</strong> famous <strong>and</strong> lesser-known legal sources <strong>and</strong><br />

materials (codes, narratives, documents, trial records, cases,<br />

rituals, performances <strong>and</strong> ceremonies) as well as literature drawn<br />

from history, anthropology, <strong>and</strong> political <strong>the</strong>ory.<br />

Instructor: Neis, Rachel


98 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

JUDAIC 244 / AAPTIS 244 / HISTORY 244 / HJCS 244 /<br />

MENAS 244. The Arab-Jewish Conflict in <strong>the</strong> Middle East, c.<br />

1880 to <strong>the</strong> Present.<br />

(4). (SS). (R&E). May not be repeated for credit.<br />

For over a hundred years Arabs <strong>and</strong> Jews have been engaged in<br />

what is arguably <strong>the</strong> world's most long-lasting, bitter, <strong>and</strong> intractable<br />

dispute.<br />

This conflict has engendered five interstate wars (1948, 1956,<br />

1967, 1973, <strong>and</strong> 1982) <strong>and</strong> innumerable low-intensity clashes. As a<br />

source <strong>of</strong> daily media attention, United Nations resolutions, impassioned<br />

global debate, <strong>and</strong> Great Power rivalry, <strong>the</strong> Arab-Israeli conflict<br />

has no equal. Despite persistent interventions by <strong>the</strong> United<br />

States, Europe, <strong>and</strong> <strong>the</strong> United Nations, no resolution is in sight.<br />

This course assesses <strong>the</strong> origins, dynamics, <strong>and</strong> <strong>the</strong> amazing, chameleon-like<br />

persistence <strong>of</strong> Arab-Jewish conflict over some five generations.<br />

• How did <strong>the</strong> rivalry begin?<br />

• What historical, legal, <strong>and</strong> moral arguments does each side<br />

marshal to justify its position?<br />

• What has been <strong>the</strong> role <strong>of</strong> <strong>the</strong> United States?<br />

• What does <strong>the</strong> conflict say about <strong>the</strong> nature <strong>of</strong> truth <strong>and</strong> morality<br />

in <strong>the</strong> modern world?<br />

• And what does <strong>the</strong> future hold?<br />

Intended Audience:<br />

This course welcomes students from all backgrounds — including<br />

those who have no prior knowledge <strong>of</strong> <strong>the</strong> conflict, students who by<br />

personal background or interest already know a good deal, <strong>and</strong> all<br />

those who fall between <strong>the</strong>se poles.<br />

Instructor: Lieberman, Victor B<br />

JUDAIC 270 / ACABS 270 / HJCS 270 / RELIGION 270.<br />

Introduction to Rabbinic <strong>Literature</strong>.<br />

(3). (HU). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in HJCS 470 or JUDAIC<br />

470 or HJCS 570 or ACABS 570 or JUDAIC 570. Taught in English.<br />

Taught in English. All materials will be provided in English translation.<br />

In this course, we will explore <strong>the</strong> history <strong>and</strong> substance <strong>of</strong> rabbinic<br />

writing on three levels. First, we will talk about <strong>the</strong> rabbinic literary<br />

enterprise within <strong>the</strong> broad cultural, historical <strong>and</strong> religious context<br />

<strong>of</strong> <strong>the</strong> Roman <strong>and</strong> Byzantine eras. Second, we will examine <strong>the</strong><br />

many genres <strong>of</strong> rabbinic literature <strong>and</strong> literature <strong>and</strong> consider <strong>the</strong><br />

sages — <strong>the</strong> elite group <strong>of</strong> Jewish intellectuals who created this<br />

corpus. Finally, we will trace <strong>the</strong> way in which subsequent generations<br />

have gradually shaped <strong>the</strong>se texts to <strong>the</strong>ir current format <strong>and</strong><br />

endowed <strong>the</strong>m with <strong>the</strong>ir exalted status.<br />

Course Requirements:<br />

Grades will be based on participation, a short <strong>and</strong> long paper, midterm,<br />

<strong>and</strong> a final.<br />

Class Format:<br />

The course will combine lectures <strong>and</strong> reading sessions <strong>of</strong> rabbinic<br />

texts (all material will be provided in English translation).<br />

Instructor: Eliav, Yaron Z<br />

LACS (Latin American <strong>and</strong> Caribbean<br />

Studies)<br />

Quechua Language Study at <strong>Michigan</strong>.<br />

LACS established a Quechua Language program in 1997 that <strong>of</strong>fers<br />

one <strong>of</strong> <strong>the</strong> world's only full-year, three-level course in <strong>the</strong> most extensively<br />

spoken indigenous language in <strong>the</strong> Americas. Quechua,<br />

<strong>the</strong> language <strong>of</strong> <strong>the</strong> Inkas, is spoken today by millions <strong>of</strong> people in<br />

Bolivia, Peru, Ecuador, <strong>and</strong> Colombia. It has a written literature that<br />

goes back to <strong>the</strong> sixteenth century. Quechua is <strong>of</strong>fered as a regular<br />

course during <strong>the</strong> academic year at <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong> in<br />

Ann Arbor, <strong>and</strong> as an intensive summer course in Cusco, Peru.<br />

Three levels are taught in year-long courses<br />

• Beginning Quechua (LACS 471/472)<br />

• Intermediate Quechua (LACS 473/474)<br />

• Advanced Quechua (LACS 475/476).<br />

LACS 474 meets <strong>the</strong> language requirement<br />

Summer Quechua Language Study in Cusco. The program is<br />

open to all college <strong>and</strong> university undergraduate <strong>and</strong> graduate students<br />

who wish to learn Sou<strong>the</strong>rn Quechua. This unique program<br />

<strong>of</strong>fers high quality intensive language instruction through <strong>the</strong> experienced<br />

faculty Centro Tinku <strong>and</strong> <strong>the</strong> unusual experience <strong>of</strong> living<br />

<strong>and</strong> learning in <strong>the</strong> ancient Inka capital <strong>of</strong> Cuzco. Classes will meet<br />

intensively for seven weeks. A series <strong>of</strong> lectures on Quechua culture<br />

<strong>and</strong> history <strong>and</strong> an extensive program <strong>of</strong> excursions <strong>and</strong> cultural<br />

events will supplement <strong>the</strong> courses. The Quechua courses are<br />

taught using <strong>the</strong> immersion method, so previous knowledge <strong>of</strong><br />

Spanish is not required (though <strong>of</strong> course some familiarity with<br />

Spanish is useful for getting around Peru). Consult <strong>the</strong> program<br />

website for fur<strong>the</strong>r information:<br />

www.ii.umich.edu/lacs/academics/quechua<br />

Courses in O<strong>the</strong>r Departments<br />

The <strong>of</strong>fice <strong>of</strong> <strong>the</strong> Program makes available, during pre-registration,<br />

a list <strong>of</strong> many o<strong>the</strong>r upper-level courses related to Latin America<br />

<strong>and</strong> <strong>the</strong> Caribbean <strong>of</strong>fered by several departments <strong>and</strong> pr<strong>of</strong>essional<br />

schools <strong>of</strong> <strong>the</strong> University.<br />

LACS 471. Elementary Quechua, I.<br />

Permission <strong>of</strong> instructor. (4). May not be repeated for credit.<br />

Section 001. Introduces students with little or no Quechua pr<strong>of</strong>iciency<br />

to conversational <strong>and</strong> cultural skills needed to use <strong>the</strong><br />

language in real life situations. Covers both written <strong>and</strong> spoken<br />

Quechua; introduces basic structures <strong>of</strong> Quechua while focusing on<br />

<strong>the</strong> development <strong>of</strong> speaking <strong>and</strong> reading skills; emphasis is on developing<br />

conversational ability. Those who successfully finish this<br />

course will gain sustained control <strong>of</strong> basic conversation.<br />

Course Requirements:<br />

Evaluations based on homework, weekly quizzes, reading aloud, interviews.<br />

Instructor: Castillo Collado, Martin<br />

LATIN (Latin)<br />

Two convictions are basic to <strong>the</strong> Elementary Latin Program <strong>of</strong> <strong>the</strong><br />

Department <strong>of</strong> Classical Studies:<br />

1. it is possible for every able-minded person to master <strong>the</strong> basic<br />

facts <strong>of</strong> a foreign language <strong>and</strong><br />

2. <strong>the</strong> learning experience leading to such a mastery is a privilege<br />

that is very specifically human <strong>and</strong> ought to be most satisfying.<br />

Essential facts <strong>of</strong> morphology, syntax, semantics, vocabulary, history,<br />

<strong>and</strong> culture are taught, <strong>and</strong> a knowledge <strong>of</strong> <strong>the</strong>se facts enables<br />

students to underst<strong>and</strong> Latin written by <strong>the</strong> famous authors<br />

<strong>of</strong> <strong>the</strong> Golden Age. Since at least 50% <strong>of</strong> <strong>the</strong> vocabulary <strong>of</strong> an educated<br />

speaker <strong>of</strong> English is Latin in origin, English vocabulary improves<br />

as Latin stems <strong>and</strong> derivatives are learned. The program<br />

normally takes four terms to complete. A placement test may be<br />

taken at <strong>the</strong> beginning or end <strong>of</strong> a term, <strong>and</strong> a student may succeed<br />

in placing out <strong>of</strong> one or more courses in <strong>the</strong> introductory sequence.<br />

In <strong>the</strong> Elementary Latin Program, <strong>the</strong> department is <strong>of</strong>fering LATIN<br />

101, 102, 103, 195, 231, <strong>and</strong> 232. LATIN 101 (see below) is for<br />

students with little or no previous Latin. A placement examination<br />

will determine <strong>the</strong> appropriate course for o<strong>the</strong>r students who enter<br />

<strong>the</strong> elementary sequence. Students with questions about which<br />

course to elect are encouraged to visit Pr<strong>of</strong>essor Deborah Ross in<br />

2143 Angell Hall, (734) 764-0357.


LATIN 101. Elementary Latin.<br />

(4). May not be repeated for credit. Credit is granted for no more<br />

than two courses among LATIN 101, 102 <strong>and</strong> 103. No credit<br />

granted to those who have completed or are enrolled in LATIN 193<br />

or 502.<br />

Section 002. All <strong>of</strong> <strong>the</strong> assigned tasks/exercises in LATIN 101 are<br />

directed toward <strong>the</strong> reading <strong>and</strong> translation <strong>of</strong> Classical Latin <strong>and</strong><br />

not toward writing or conversation. The course has as its primary<br />

objective <strong>the</strong> acquisition <strong>of</strong> a fundamental underst<strong>and</strong>ing <strong>of</strong> basic<br />

Latin grammar <strong>and</strong> <strong>the</strong> development <strong>of</strong> basic reading skills. The<br />

text for <strong>the</strong> course is Shelmerdine, Introduction to Latin. LATIN 101<br />

covers approximately <strong>the</strong> first half <strong>of</strong> <strong>the</strong> text. Supplementary readings<br />

in Roman culture will also be assigned. Grading is based on<br />

quizzes, class participation, hour examinations, <strong>and</strong> a final.<br />

Instructor: Ross, Deborah Pennell<br />

LATIN 102. Elementary Latin.<br />

LATIN 101. (Prerequisites enforced at registration.) Restricted by<br />

placement exam or permission <strong>of</strong> Elementary Latin Program coordinator.<br />

(4). May not be repeated for credit. Credit is granted for no<br />

more than two courses among LATIN 101, 102 <strong>and</strong> 103. No credit<br />

granted to those who have completed or are enrolled in LATIN 193<br />

or 502.<br />

All <strong>of</strong> <strong>the</strong> assigned tasks/exercises in LATIN 102 are directed toward<br />

<strong>the</strong> reading <strong>and</strong> translation <strong>of</strong> Classical Latin <strong>and</strong> not toward<br />

writing or conversation. The course continues <strong>the</strong> presentation <strong>of</strong><br />

<strong>the</strong> essentials <strong>of</strong> <strong>the</strong> Latin language as it covers <strong>the</strong> last half <strong>of</strong><br />

Shelmerdine, Introduction to Latin. Supplementary readings in<br />

Roman culture will also be assigned.<br />

Course Requirements:<br />

Grading is based on quizzes, class participation, hour examinations,<br />

<strong>and</strong> a final.<br />

LATIN 103. Review Latin.<br />

Restricted by placement exam or permission <strong>of</strong> Elementary Latin<br />

Program coordinator. (4). May not be repeated for credit. Credit is<br />

granted for no more than two courses among LATIN 101, 102 <strong>and</strong><br />

103. No credit granted to those who have completed or are enrolled<br />

in LATIN 193 or 502.<br />

Section 001. All <strong>of</strong> <strong>the</strong> assigned tasks <strong>and</strong> exercises in LATIN 103<br />

are directed toward <strong>the</strong> reading <strong>and</strong> translation <strong>of</strong> Classical Latin<br />

<strong>and</strong> not toward writing or conversation. The text used is<br />

Shelmerdine, Introduction to Latin, <strong>and</strong> <strong>the</strong> course starts at <strong>the</strong> beginning<br />

<strong>of</strong> <strong>the</strong> book. A more rapid pace is maintained as LATIN 103<br />

covers <strong>the</strong> material <strong>of</strong> LATIN 101 <strong>and</strong> 102. Grading is based on<br />

class participation, quizzes, hour examinations, <strong>and</strong> a final.<br />

Instructor: Ross, Deborah Pennell<br />

LATIN 195 / RCLANG 195. Intensive Latin I.<br />

(8). May not be repeated for credit.<br />

Section 001. During this term, students will learn <strong>the</strong> essential<br />

morphological, grammatical, <strong>and</strong> syntactical structures <strong>of</strong> Latin, <strong>and</strong><br />

will build a basic vocabulary <strong>of</strong> <strong>the</strong> language. Through readings <strong>and</strong><br />

discussion students will become acquainted with significant aspects<br />

<strong>of</strong> Roman history <strong>and</strong> culture.<br />

Class Format:<br />

This course meets for two hours per day <strong>and</strong> covers in one<br />

academic term <strong>the</strong> equivalent <strong>of</strong> two terms at <strong>the</strong> level <strong>of</strong> a nonintensive<br />

first-year collegiate course.<br />

Instructor: Soter, Gina Marie<br />

LATIN 231. Roman Kings <strong>and</strong> Emperors.<br />

LATIN 102, 103, or 195. (Prerequisites enforced at registration.)<br />

Restricted by placement exam or permission <strong>of</strong> Elementary Latin<br />

Program coordinator. (4). May not be repeated for credit. No credit<br />

granted to those who have completed or are enrolled in LATIN 194<br />

or 503.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 99<br />

Section 001. A review <strong>of</strong> grammar as students are introduced to<br />

extended passages <strong>of</strong> Classical Latin prose through selections from<br />

such authors <strong>of</strong> <strong>the</strong> first centuries BCE <strong>and</strong> CE as Cicero, Caesar,<br />

Sallust, Livy, <strong>and</strong> Tacitus.<br />

Instructor: Schultz, Celia E<br />

Section 003. Great Romans in Latin prose <strong>and</strong> poetry is an intensive<br />

Honors section which covers <strong>the</strong> LATIN 231 material in half<br />

semester <strong>and</strong> includes an introduction to Vergil's Aeneid in its second<br />

half. Students who have completed successfully <strong>the</strong> Honors<br />

section can start accumulating credit towards a concentration/minor<br />

in a Classics-related field by enrolling into a 300-level LATIN course<br />

or higher for <strong>the</strong> last term <strong>of</strong> <strong>the</strong>ir language requirement.<br />

Instructor: Ross, Deborah Pennell<br />

Section 004. This is an intensive Honors section <strong>of</strong> LATIN 231, <strong>the</strong><br />

third term in <strong>the</strong> language requirement sequence. The intensive<br />

Honors section covers <strong>the</strong> LATIN 231 material in half <strong>of</strong> <strong>the</strong> term<br />

<strong>and</strong> includes an introduction to Virgil’s Aeneid in its second half.<br />

Students who complete <strong>the</strong> course successfully can start accumulating<br />

credit toward a concentration/academic minor in a Classicsrelated<br />

field by enrolling into a 300-level Latin course or higher for<br />

<strong>the</strong> last term <strong>of</strong> <strong>the</strong>ir language requirement. After this course, one<br />

more course (LATIN 232, 233 or 301/higher) IS REQUIRED to fulfill<br />

<strong>the</strong> language requirement. If you are not an Honors student, you<br />

need to obtain an override to enroll in <strong>the</strong> course. Contact Robin<br />

Axelrod (raxelrod@umich.edu) for an override or Donka Markus<br />

(markusdd@umich.edu) for more information.<br />

Instructor: Markus, Donka D<br />

LATIN 232. Vergil, Aeneid.<br />

LATIN 231. (Prerequisites enforced at registration.) Restricted by<br />

placement exam or permission <strong>of</strong> Elementary Latin Program coordinator.<br />

(4). (Lang Req). May not be repeated for credit. No credit<br />

granted to those who have completed or are enrolled in LATIN 194<br />

or 503.<br />

The goal <strong>of</strong> this course is simple: to learn to read extensive passages<br />

<strong>of</strong> <strong>the</strong> greatest work <strong>of</strong> Latin literature, Vergil's Aeneid, with<br />

comprehension <strong>and</strong> enjoyment. This course will ask you to bring<br />

toge<strong>the</strong>r <strong>and</strong> apply <strong>the</strong> knowledge <strong>and</strong> skills you have acquired up<br />

to this point <strong>and</strong> to build on <strong>the</strong>se as you learn to read poetry.<br />

There will be some grammar review as necessary. You will also<br />

study Vergil's epic poem in English translation. By term's end, you<br />

should have both a good underst<strong>and</strong>ing <strong>and</strong> appreciation <strong>of</strong> what<br />

<strong>the</strong> Aeneid is all about <strong>and</strong> an ability to h<strong>and</strong>le a Latin passage <strong>of</strong><br />

<strong>the</strong> poem with control <strong>and</strong> comprehension.<br />

Course Requirements:<br />

Grading is based on class participation, quizzes, hour exams, <strong>and</strong> a<br />

final.<br />

LATIN 301. Intermediate Latin I.<br />

LATIN 194 or 232. (3). (HU). May not be repeated for credit.<br />

Section 001. The goal <strong>of</strong> this course is to read original texts<br />

(Cicero, Livy, Catullus or Ovid) with both speed <strong>and</strong> depth <strong>of</strong> comprehension.<br />

The course <strong>of</strong>fers grammar review depending on student<br />

need <strong>and</strong> targets advanced grammatical structures <strong>and</strong> complex<br />

word-order. Special attention will be given to translation skills<br />

<strong>and</strong> questions <strong>of</strong> meter, style, <strong>and</strong> literary interpretation.<br />

Course Requirements:<br />

Grading in <strong>the</strong> course is based upon in-class translation practice,<br />

discussion <strong>of</strong> context <strong>and</strong> interpretation, review <strong>and</strong> sight quizzes, a<br />

term paper or project (5-6 pp) <strong>and</strong> a final exam.<br />

Instructor: Markus, Donka D


100 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

LHSP (Lloyd Hall Scholars Program)<br />

The Program <strong>of</strong>fers writing <strong>and</strong> arts courses for all first-year students.<br />

The Program's writing course for entering students, LHSP<br />

125, meets <strong>the</strong> LSA Introductory Composition Requirement for firstyear<br />

students. Several sections <strong>of</strong> LHSP 125, taught by Sweetl<strong>and</strong><br />

Center for Writing faculty, are <strong>of</strong>fered in fall term. This course,<br />

while emphasizing college writing, focuses on a variety <strong>of</strong> diverse<br />

topics <strong>and</strong> <strong>the</strong>mes related to <strong>the</strong> creative arts. A variety <strong>of</strong> elective<br />

courses, including creative non-fiction <strong>and</strong> studio art courses, are<br />

also <strong>of</strong>fered through LHSP. All LHSP courses are small, <strong>and</strong> active<br />

participation by students is encouraged. LHSP also has a Writing<br />

Center available for all students.<br />

Lloyd
Hall
Scholars
Program
Courses.
A
total
<strong>of</strong>
20
credits
<strong>of</strong>
LHSP
<br />

courses
may
be
counted
toward
<strong>the</strong>
minimum
120
credits
required
<br />

for
an
LSA
degree.
<br />

LHSP 140. <strong>Arts</strong> <strong>and</strong> Humanities.<br />

(3). (CE). May be repeated for a maximum <strong>of</strong> 6 credits. May be<br />

elected more than once in <strong>the</strong> same term. A maximum <strong>of</strong> 20 Lloyd<br />

Hall Scholars Program credits may be counted toward a degree.<br />

A studio course in drawing <strong>and</strong> painting, combined with an introduction<br />

to <strong>the</strong> concepts <strong>and</strong> language <strong>of</strong> art criticism. Students will<br />

develop skills in drawing <strong>and</strong> painting, do research on topics in art<br />

history <strong>and</strong> <strong>the</strong>ory, <strong>and</strong> write short essays on <strong>the</strong> whole process.<br />

Section 001 — Red, Yellow, Blue <strong>and</strong> Beyond.<br />

Close your eyes <strong>and</strong> imagine that you were born completely without<br />

sight. Now imagine that your sight was miraculously restored.<br />

What would you “see”? Look at your h<strong>and</strong> <strong>and</strong> wiggle your fingers.<br />

Is this what you expected your h<strong>and</strong> to look like? Would you be<br />

able to comprehend <strong>the</strong> world around you or would everything be<br />

such a confusing mass <strong>of</strong> shapes, lines, colors, textures, spaces,<br />

shadows <strong>and</strong> light that you would feel overwhelmed by <strong>the</strong> complexity<br />

<strong>of</strong> it all?<br />

In this course we will demystify <strong>the</strong> art <strong>of</strong> seeing. Learning to draw<br />

<strong>and</strong> paint requires you to look at <strong>the</strong> world more closely <strong>and</strong> to record<br />

what you see more accurately. Learning to see, not what you<br />

“think” you see, but what you actually see, is <strong>the</strong> key that can unlock<br />

<strong>the</strong> door to your inner vision. Once you can access visual phenomenon<br />

through drawing <strong>and</strong> painting you will find out how much<br />

<strong>the</strong>re is to see <strong>and</strong> how beautiful things really are.<br />

One half <strong>of</strong> <strong>the</strong> course will be in black <strong>and</strong> white, drawing <strong>the</strong><br />

human body; something simultaneously intimate <strong>and</strong> yet completely<br />

foreign. The second half <strong>of</strong> <strong>the</strong> course will concentrate on<br />

seeing <strong>the</strong> world in color through painting.<br />

No previous experience necessary, however due to <strong>the</strong> rigorous<br />

nature <strong>of</strong> <strong>the</strong> course, students will be expected to possess a positive,<br />

open attitude <strong>and</strong> strong work ethic.<br />

Note: This course will require <strong>the</strong> purchase <strong>of</strong> art materials related<br />

to drawing <strong>and</strong> painting. A specific list <strong>of</strong> materials will be available<br />

on <strong>the</strong> first day <strong>of</strong> class. There is also a lab fee <strong>of</strong> $75, which will<br />

cover <strong>the</strong> hiring <strong>of</strong> <strong>the</strong> model(s). M<strong>and</strong>atory attendance <strong>and</strong> active<br />

class participation required. Expect extensive outside work on<br />

homework assignments. Museum trips (TBA) may be required.<br />

Instructor: Tucker, Mark E<br />

LING (Linguistics)<br />

LING 102. First Year Seminar (Humanities).<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (HU). May not be repeated for credit.<br />

Designed to introduce entering students to <strong>the</strong> intellectual life <strong>of</strong><br />

<strong>the</strong> university in a small course taught by an experienced member<br />

<strong>of</strong> <strong>the</strong> faculty. <strong>To</strong>pics vary according to <strong>the</strong> interests <strong>of</strong> <strong>the</strong> instructors.<br />

Whatever <strong>the</strong>ir subject matter, first-year seminars emphasize<br />

critical thinking through class discussion <strong>and</strong> regular practice in<br />

writing.<br />

Section 001 — The Pronunciation <strong>of</strong> English.<br />

In this course we discuss linguistic <strong>the</strong>ories <strong>and</strong> techniques in analyzing<br />

pronunciation, using English as <strong>the</strong> primary example. We<br />

shall also compare English with o<strong>the</strong>r languages <strong>and</strong> discuss how to<br />

evaluate ‘foreign accents’ objectively, using computer instruments.<br />

There is no prerequisite for this course.<br />

Instructor: Duanmu, San<br />

Section 002 — Language <strong>and</strong> Sexuality.<br />

This course explores <strong>the</strong> use <strong>of</strong> language in relation to sexuality,<br />

with particular emphasis on <strong>the</strong> development <strong>of</strong> sexual identities.<br />

We examine how speakers use different aspects <strong>of</strong> language, such<br />

as narrative, word choice, <strong>and</strong> pronunciation, to point to socially<br />

relevant notions <strong>of</strong> sexuality, such as sexual orientations <strong>and</strong> behavioral<br />

categories, e.g., slut, stud, or prude. We also explore <strong>the</strong><br />

relationship <strong>of</strong> language <strong>and</strong> sexual identity to expressions <strong>of</strong> desire<br />

<strong>and</strong> look at <strong>the</strong> ways in which both language <strong>and</strong> sexual identities<br />

are intertwined with o<strong>the</strong>r salient ways <strong>of</strong> interacting in <strong>the</strong> social<br />

world, including in terms <strong>of</strong> gender, social status <strong>and</strong> class, ethnicity<br />

<strong>and</strong> o<strong>the</strong>r kinds <strong>of</strong> cultural affiliations. Students become familiar<br />

with current research in language <strong>and</strong> sexuality as well as <strong>the</strong> fundamentals<br />

<strong>of</strong> designing <strong>and</strong> interpreting research that cross cuts<br />

<strong>the</strong> social sciences <strong>and</strong> <strong>the</strong> humanities.<br />

Instructor: Queen, Robin M<br />

LING 103. First Year Seminar (Social <strong>Science</strong>).<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (SS). May not be repeated for credit.<br />

Designed to introduce entering students to <strong>the</strong> intellectual life <strong>of</strong><br />

<strong>the</strong> university in a small course taught by an experienced member<br />

<strong>of</strong> <strong>the</strong> faculty. <strong>To</strong>pics vary according to <strong>the</strong> interests <strong>of</strong> <strong>the</strong> instructors.<br />

Whatever <strong>the</strong>ir subject matter, first-year seminars emphasize<br />

critical thinking through class discussion <strong>and</strong> regular practice in<br />

writing.<br />

Section 001 — The Ma<strong>the</strong>matics <strong>of</strong> Language.<br />

Can language be described ma<strong>the</strong>matically? Is <strong>the</strong>re any fundamental<br />

difference between human languages (English, Swahili,<br />

Anishinaabemowin, ...) <strong>and</strong> computer languages? Can we build a<br />

machine that genuinely speaks English? How does one invent a<br />

language (like Sindarin or Klingon) that has <strong>the</strong> ring <strong>of</strong> real language?<br />

What is Language? Can <strong>the</strong>re be a science <strong>of</strong> language?<br />

We will explore <strong>the</strong> ma<strong>the</strong>matical concepts <strong>and</strong> techniques that<br />

have been developed by linguists, logicians, <strong>and</strong> computer scientists<br />

to model language. The ma<strong>the</strong>matical toolbox includes things<br />

like finite-state <strong>and</strong> context-free grammars, logic, <strong>and</strong> probability<br />

<strong>the</strong>ory. The focus will be on syntax (how sentences are put toge<strong>the</strong>r)<br />

<strong>and</strong> semantics (what <strong>the</strong>y mean).<br />

No ma<strong>the</strong>matical background is assumed beyond high school algebra.<br />

Enrollment is restricted to Honors students.<br />

Instructor: Abney, Steven P<br />

LING 111. Introduction to Language.<br />

(3). (SS). May not be repeated for credit.<br />

Language permeates just about every aspect <strong>of</strong> human existence,<br />

<strong>and</strong> as such <strong>the</strong> study <strong>of</strong> language <strong>of</strong>fers a richly interdisciplinary<br />

approach to underst<strong>and</strong>ing <strong>the</strong> human condition. This course will<br />

give you an overview <strong>of</strong> some <strong>of</strong> <strong>the</strong> many different ways in which<br />

language can be studied, <strong>and</strong> will show what we learn about being<br />

human from this. Because language is involved in so many facets <strong>of</strong><br />

human existence, <strong>the</strong> study <strong>of</strong> language affords excellent background<br />

for many o<strong>the</strong>r fields such as cognitive <strong>and</strong> social psychology,<br />

sociology, neuroscience, history, foreign languages, sociology,<br />

anthropology, etc. <strong>To</strong>pics from at least three <strong>of</strong> <strong>the</strong>se areas will be<br />

addressed in <strong>the</strong> course:


i. Cognitive aspects <strong>of</strong> language. What does it mean to say<br />

that you “know” some language? What aspects <strong>of</strong> this knowledge<br />

are acquired <strong>and</strong> how are <strong>the</strong>y acquired? What aspects<br />

are genetically determined <strong>and</strong> do not need to be acquired?<br />

How can we best describe this knowledge?<br />

ii. Physiological aspects <strong>of</strong> language. Many different systems<br />

<strong>of</strong> your body are involved in <strong>the</strong> production <strong>and</strong> perception <strong>of</strong><br />

language — <strong>the</strong> mouth, <strong>the</strong> visual system, auditory system, <strong>the</strong><br />

brain, <strong>the</strong> h<strong>and</strong>s (for signed languages), etc. What are <strong>the</strong><br />

properties <strong>of</strong> <strong>the</strong>se different systems? What do <strong>the</strong> properties<br />

<strong>of</strong> <strong>the</strong>se systems tell us about language <strong>and</strong> about being<br />

human? Are <strong>the</strong>re any parts <strong>of</strong> <strong>the</strong> human physiology that are<br />

uniquely specialized for language?<br />

iii. Social aspects <strong>of</strong> language. Language is a powerful tool <strong>of</strong><br />

identity construction. We use language both to define our own<br />

identity, <strong>and</strong> to classify o<strong>the</strong>rs. How do we use language to<br />

achieve this social identity formation? How is language used as<br />

a political tool for creating social cohesion <strong>and</strong>/or oppression?<br />

iv. Historical aspects <strong>of</strong> language. Language is constantly<br />

changing. American English, for instance, is pronounced very<br />

differently from British English. There are also many vocabulary<br />

differences between British <strong>and</strong> American English. What factors<br />

(including cognitive, physiological, <strong>and</strong> social) lead to change,<br />

<strong>and</strong> how can we trace <strong>the</strong> evolutionary path? How are new languages<br />

created <strong>and</strong> why are so many languages currently on<br />

<strong>the</strong> verge <strong>of</strong> extinction?<br />

Instructor: Keshet, Ezra Russell<br />

LING 140. Introduction to Deaf Culture.<br />

(3). May not be repeated for credit.<br />

Section 001. This course introduces students to Deaf culture<br />

within <strong>the</strong> United States, <strong>and</strong> focuses on <strong>the</strong> link between culture<br />

<strong>and</strong> language (in this case, American Sign Language). An analysis<br />

<strong>of</strong> medical <strong>and</strong> cultural models <strong>of</strong> perceiving deafness is investigated<br />

to familiarize students with <strong>the</strong> range <strong>of</strong> perceptions held by<br />

members <strong>of</strong> <strong>the</strong> cultural majority <strong>and</strong> <strong>the</strong> effect it has on <strong>the</strong> Deaf<br />

community. The influencing factors <strong>of</strong> educational systems on deaf<br />

children are reviewed to underst<strong>and</strong> <strong>the</strong> link between language systems<br />

used in <strong>the</strong> classroom <strong>and</strong> <strong>the</strong> development <strong>of</strong> a Deaf identity.<br />

The historical roots <strong>of</strong> American Sign Language <strong>and</strong> <strong>the</strong> value <strong>of</strong><br />

language preservation provide for additional overview <strong>of</strong> attitudes<br />

in American society. Social adaptations to deafness <strong>and</strong> individual<br />

factors <strong>of</strong> communicative <strong>and</strong> linguistic development are analyzed<br />

for underst<strong>and</strong>ing <strong>the</strong> implications <strong>of</strong> family <strong>and</strong> social systems on<br />

deaf children <strong>and</strong> adults.<br />

Instructor will use a course pack.<br />

Course Requirements:<br />

There will be weekly written assignments (1-2 paragraph reaction<br />

statements to readings from <strong>the</strong> course pack) or weekly quizzes.<br />

There will be a written midterm <strong>and</strong> final.<br />

Instructor: Berwanger, Paula D<br />

LING 150. Elementary American Sign Language.<br />

Concurrent enrollment in or completion <strong>of</strong> LING 140. (4). May not<br />

be repeated for credit.<br />

Section 001. LING 150 is a beginning course in American Sign<br />

Language (ASL) that introduces students to basic grammatical<br />

structures <strong>and</strong> sign vocabulary through intensive classroom conversational<br />

interactions. Emphasis is on practical communicative functions<br />

as students learn how to communicate in a visual-gestural<br />

channel. Classroom work is supplemented by video-taped workbook<br />

exercises to facilitate development <strong>of</strong> receptive language skills.<br />

LING 140 (Introduction to Deaf Culture) is a pre- or co-requisite for<br />

this course.<br />

This course will be conducted exclusively in American Sign<br />

Language. Required course materials include a workbook <strong>and</strong><br />

videotape. H<strong>and</strong>outs will also be provided. An optional Dictionary <strong>of</strong><br />

ASL is suggested.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 101<br />

Course Requirements:<br />

Students will complete weekly assignments from <strong>the</strong> workbook.<br />

There will be both a midterm <strong>and</strong> final consisting <strong>of</strong> both written<br />

exams <strong>and</strong> videotaped Sign Language interactions. A 3-5 page term<br />

paper is also required (a report on a Deaf social event, on an interaction<br />

with Deaf persons, or on an approved article or subject).<br />

Class Format:<br />

Class will meet two days, two hours per day. There will be 1-2<br />

hours <strong>of</strong> weekly lab work to be completed at <strong>the</strong> Language<br />

Resource Center.<br />

Instructor: Berwanger, Paula D<br />

LING 209 / PSYCH 242. Language <strong>and</strong> Human Mind.<br />

(4). (ID). May not be repeated for credit.<br />

This course is designed to introduce students to <strong>the</strong> “cognitive<br />

revolution” <strong>and</strong> its impact on <strong>the</strong> contemporary study <strong>of</strong> language.<br />

The course reviews <strong>the</strong> Chomskyan shift away from speech behavior<br />

or “languages” as <strong>the</strong> object <strong>of</strong> inquiry to <strong>the</strong> experimental <strong>and</strong><br />

<strong>the</strong>oretical study <strong>of</strong> <strong>the</strong> cognitive mechanisms underlying our<br />

unique human capacity for language, <strong>the</strong> exercise <strong>of</strong> which permeates<br />

virtually every aspect <strong>of</strong> human life, including what you are<br />

now doing! In every household, all <strong>of</strong> <strong>the</strong> children, barring pathology<br />

— but none <strong>of</strong> <strong>the</strong> dogs, cats or o<strong>the</strong>r organisms (nor <strong>the</strong> inanimate<br />

objects!) — acquire <strong>the</strong> language spoken (or signed) by<br />

<strong>the</strong> adults. There is some biological property <strong>of</strong> humans that makes<br />

this feat possible.<br />

• What do we know when we know a language?<br />

• What does it mean to say that humans have an innate capacity<br />

for language?<br />

• Why has this innateness claim generated so much contentious<br />

debate?<br />

• How do languages differ, <strong>and</strong> why?<br />

• How is it that you are now scanning text with your visual system,<br />

<strong>and</strong> converting little squiggles you perceive into meanings?<br />

• What is a meaning?<br />

• Given that you can perform this squiggle-to-meaning conversion,<br />

how does your converter work?<br />

• How do speakers <strong>of</strong> sign languages (again, humans but not<br />

dogs) convert moving h<strong>and</strong> shapes into meaning?<br />

Isn’t it true that <strong>the</strong> conversion to meaning you are now performing<br />

allows your mind to now know what my mind is now thinking? That<br />

is, through this process aren’t you acquiring knowledge <strong>of</strong> my<br />

thoughts, (<strong>the</strong>reby facilitating educated guesses as to what this<br />

course <strong>and</strong> <strong>the</strong>se Pr<strong>of</strong>s. will be like?) or is that crazy talk about<br />

“mind reading”?<br />

Course Requirements:<br />

Homework, quizzes, class participation, final exam<br />

Intended Audience:<br />

Freshmen <strong>and</strong> sophomores interested in Linguistics <strong>and</strong> Psychology<br />

as cognitive science.<br />

Instructor: Epstein, Samuel D<br />

LING 210. Introduction to Linguistic Analysis.<br />

(4). (SS). May not be repeated for credit.<br />

Languages are rule-governed systems. The rules that interest linguists<br />

are not prescriptive ones <strong>of</strong> <strong>the</strong> type "don't split infinitives"<br />

but are ra<strong>the</strong>r <strong>the</strong> systematic patterns that language speakers unconsciously<br />

know as part <strong>of</strong> <strong>the</strong>ir linguistic competence. For example,<br />

as a speaker <strong>of</strong> English you know how to order words in a sentence<br />

to convey a particular meaning <strong>and</strong> how to change that<br />

meaning with seemingly subtle changes in pitch; you can appropriately<br />

modify your speech for different social situations, <strong>and</strong> can underst<strong>and</strong><br />

<strong>and</strong> create novel sentences you've never heard before.<br />

This course in linguistic analysis introduces students to <strong>the</strong> methods<br />

<strong>and</strong> <strong>the</strong>oretical principles used by linguists for rendering speakers'


102 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

implicit knowledge <strong>of</strong> <strong>the</strong>ir language explicit. Drawing on data from<br />

English <strong>and</strong> many o<strong>the</strong>r languages <strong>of</strong> <strong>the</strong> world, we will investigate<br />

<strong>the</strong> sounds <strong>of</strong> language, how <strong>the</strong>y are produced <strong>and</strong> perceived<br />

(phonetics), <strong>and</strong> how <strong>the</strong>y pattern into syllables <strong>and</strong> words (phonology).<br />

We will study processes <strong>of</strong> word formation (morphology),<br />

sentence structure (syntax), <strong>and</strong> <strong>the</strong> relation between <strong>the</strong>se structures<br />

<strong>and</strong> <strong>the</strong> construction <strong>of</strong> meaning (semantics). We will consider<br />

data such as errors children make when acquiring language,<br />

language games, historical reconstructions <strong>of</strong> extinct languages, instrumental<br />

measures, <strong>and</strong> experimental findings. Our goal is to underst<strong>and</strong><br />

<strong>the</strong> properties shared by all languages as well as <strong>the</strong> ways<br />

in which languages can differ from each o<strong>the</strong>r <strong>and</strong> change, with <strong>the</strong><br />

broader aim <strong>of</strong> underst<strong>and</strong>ing <strong>the</strong> formal structure <strong>of</strong> human language<br />

— how language "works".<br />

Instructor: Beddor, Patrice Speeter<br />

MATH (Ma<strong>the</strong>matics)<br />

Elementary Ma<strong>the</strong>matics Courses.<br />

In order to accommodate diverse backgrounds <strong>and</strong> interests, several<br />

course options are available to beginning ma<strong>the</strong>matics students.<br />

All courses require three years <strong>of</strong> high school ma<strong>the</strong>matics;<br />

four years are strongly recommended <strong>and</strong> more information is<br />

given for some individual courses below. Students with <strong>College</strong><br />

Board Advanced Placement credit <strong>and</strong> anyone planning to enroll in<br />

an upper-level class should consider one <strong>of</strong> <strong>the</strong> Honors sequences<br />

<strong>and</strong> discuss <strong>the</strong> options with a ma<strong>the</strong>matics advisor.<br />

Students who need additional preparation for calculus are tentatively<br />

identified by a combination <strong>of</strong> <strong>the</strong> math placement test (given<br />

during orientation), college admission test scores (SAT or ACT), <strong>and</strong><br />

high school grade point average. Academic advisors will discuss this<br />

placement information with each student <strong>and</strong> refer students to a<br />

special ma<strong>the</strong>matics advisor when necessary.<br />

Two courses preparatory to <strong>the</strong> calculus, MATH 105 <strong>and</strong> 110, are<br />

<strong>of</strong>fered. MATH 105 is a course on data analysis, functions, <strong>and</strong><br />

graphs with an emphasis on problem solving. MATH 110 is a condensed<br />

half-term version <strong>of</strong> <strong>the</strong> same material <strong>of</strong>fered as a selfstudy<br />

course taught through <strong>the</strong> Math Lab <strong>and</strong> is only open to students<br />

in MATH 115 who find that <strong>the</strong>y need additional preparation<br />

to successfully complete <strong>the</strong> course. A maximum total <strong>of</strong> 4 credits<br />

may be earned in courses numbered 103, 105, <strong>and</strong> 110. MATH 103<br />

is <strong>of</strong>fered exclusively in <strong>the</strong> Summer half-term for students in <strong>the</strong><br />

Summer Bridge Program. MATH 107, Ma<strong>the</strong>matics for <strong>the</strong> Information<br />

Age, is a course for students who may not want or need to<br />

take calculus. It encourages ma<strong>the</strong>matical exploration <strong>of</strong> a variety<br />

<strong>of</strong> topics both inside <strong>and</strong> outside <strong>of</strong> ma<strong>the</strong>matics.<br />

MATH 127, 128, <strong>and</strong> 174 are courses containing selected topics<br />

from geometry <strong>and</strong> number <strong>the</strong>ory. They are intended for students<br />

who want exposure to ma<strong>the</strong>matical culture <strong>and</strong> thinking through a<br />

single course. They are nei<strong>the</strong>r prerequisite nor preparation for any<br />

fur<strong>the</strong>r course. No credit will be received for <strong>the</strong> election <strong>of</strong> MATH<br />

127, 128, or 174 if a student already has credit for a 200 (or<br />

higher) level MATH course. Each <strong>of</strong> MATH 115, 185, <strong>and</strong> 295 is a<br />

first course in calculus. Generally credit can be received for only<br />

one <strong>of</strong> MATH 115 or 185. The sequence MATH 115-116-215 is appropriate<br />

for most students who want a complete introduction to<br />

calculus. One <strong>of</strong> MATH 215, 255, 285, or 395 is prerequisite to<br />

most more advanced courses in Ma<strong>the</strong>matics.<br />

The sequences MATH 156-255-256, 175-186-285-286, 185-186-<br />

285-286, <strong>and</strong> 295-296-395-396 are Honors sequences. Students<br />

need not be enrolled in <strong>the</strong> LSA Honors Program to enroll in any <strong>of</strong><br />

<strong>the</strong>se courses but must have <strong>the</strong> permission <strong>of</strong> an Honors math advisor.<br />

Students with strong preparation <strong>and</strong> interest in ma<strong>the</strong>matics<br />

are encouraged to consider <strong>the</strong>se courses.<br />

MATH 185 through 285 covers much <strong>of</strong> <strong>the</strong> material <strong>of</strong> MATH 115<br />

through 215 with more attention to <strong>the</strong> <strong>the</strong>ory in addition to applications.<br />

Most students who take MATH 185 have taken a high<br />

school calculus course, but it is not required. MATH 175 through<br />

186 assumes knowledge <strong>of</strong> calculus roughly equivalent to MATH<br />

115 <strong>and</strong> covers a substantial amount <strong>of</strong> so-called combinatorial<br />

ma<strong>the</strong>matics as well as calculus-related topics not usually part <strong>of</strong><br />

<strong>the</strong> calculus sequence. MATH 175 is taught in <strong>the</strong> Inquiry-Based<br />

Learning (IBL) Through guided exploration under <strong>the</strong> guidance <strong>of</strong><br />

experienced instructors, this learning method emphasizes discovery,<br />

analysis, <strong>and</strong> investigation to deepen underst<strong>and</strong>ing. The sequence<br />

MATH 295 through 396 provides a rigorous introduction to<br />

<strong>the</strong>oretical ma<strong>the</strong>matics. Pro<strong>of</strong>s are stressed over applications, <strong>and</strong><br />

<strong>the</strong>se courses require a high level <strong>of</strong> interest <strong>and</strong> commitment.<br />

Most students electing MATH 295 have completed a thorough high<br />

school calculus course. MATH 295 through 396 is excellent preparation<br />

for ma<strong>the</strong>matics at <strong>the</strong> advanced undergraduate <strong>and</strong> beginning<br />

graduate level.<br />

Students with strong scores on ei<strong>the</strong>r <strong>the</strong> AB or BC version <strong>of</strong> <strong>the</strong><br />

<strong>College</strong> Board Advanced Placement exam may be granted credit<br />

<strong>and</strong> advanced placement in one <strong>of</strong> <strong>the</strong> sequences described above;<br />

a table explaining <strong>the</strong> possibilities is available from advisors <strong>and</strong> <strong>the</strong><br />

department. In addition, <strong>the</strong>re is one course especially designed<br />

<strong>and</strong> recommended for students with one or two terms <strong>of</strong> AP credit<br />

— MATH 156. MATH 156 is an Honors course intended primarily for<br />

science <strong>and</strong> engineering concentrators <strong>and</strong> emphasizes both applications<br />

<strong>and</strong> <strong>the</strong>ory. Interested students should consult a ma<strong>the</strong>matics<br />

advisor for more details.<br />

In rare circumstances <strong>and</strong> with permission <strong>of</strong> a Ma<strong>the</strong>matics advisor,<br />

reduced credit may be granted for MATH 185 after MATH 115.<br />

A list <strong>of</strong> <strong>the</strong>se <strong>and</strong> o<strong>the</strong>r cases <strong>of</strong> reduced credit for courses with<br />

overlapping material is available from <strong>the</strong> department. <strong>To</strong> avoid unexpected<br />

reduction in credit, a student should always consult an<br />

advisor before switching from one sequence to ano<strong>the</strong>r. In all cases<br />

a maximum total <strong>of</strong> 16 credits may be earned for calculus courses<br />

MATH 115 through 296, <strong>and</strong> no credit can be earned for a prerequisite<br />

to a course taken after <strong>the</strong> course itself.<br />

Students completing MATH 116 who are principally interested in <strong>the</strong><br />

application <strong>of</strong> ma<strong>the</strong>matics to o<strong>the</strong>r fields may continue ei<strong>the</strong>r to<br />

MATH 215 (Analytic Geometry <strong>and</strong> Calculus III) or to MATH 216<br />

(Introduction to Differential Equations); <strong>the</strong>se two courses may be<br />

taken in ei<strong>the</strong>r order. Students who have greater interest in <strong>the</strong>ory<br />

or who intend to take more advanced courses in ma<strong>the</strong>matics<br />

should continue with MATH 215 followed by <strong>the</strong> sequence MATH<br />

217-316 (Linear Algebra-Differential Equations). MATH 217 (or <strong>the</strong><br />

Honors version, MATH 513) is required for a concentration in<br />

Ma<strong>the</strong>matics; it both serves as a transition to <strong>the</strong> more <strong>the</strong>oretical<br />

material <strong>of</strong> advanced courses <strong>and</strong> provides <strong>the</strong> background required<br />

for optimal treatment <strong>of</strong> differential equations in MATH 316.<br />

MATH 216 is not intended for concentrators in pure ma<strong>the</strong>matics.<br />

Special Departmental Policies. All prerequisite courses must be<br />

satisfied with a grade <strong>of</strong> C– or above. Students with lower grades in<br />

prerequisite courses must receive special permission <strong>of</strong> <strong>the</strong> instructor<br />

to enroll in subsequent courses.<br />

Department <strong>of</strong> Ma<strong>the</strong>matics Waitlist Policy<br />

When a course becomes fully enrolled, a waitlist is created <strong>and</strong> students<br />

attempting to register for a particular course will be placed<br />

on <strong>the</strong> waitlist. By careful management <strong>of</strong> enrollments, <strong>the</strong><br />

Department <strong>of</strong> Ma<strong>the</strong>matics makes every effort to accommodate<br />

students registering for Math 115, 116, 215 <strong>and</strong> 216. Please see<br />

department staff for assistance in registering for a section <strong>of</strong> Math<br />

115, 116, 215 <strong>and</strong> 216 if <strong>the</strong>y appear temporarily closed.<br />

In general, waitlisted students in Ma<strong>the</strong>matics courses numbered<br />

300 <strong>and</strong> above receive priority for permissions based on:<br />

1. whe<strong>the</strong>r <strong>the</strong>y are declared Ma<strong>the</strong>matics concentrators;<br />

2. how close <strong>the</strong>y are to graduation; <strong>and</strong><br />

3. when <strong>the</strong>y joined <strong>the</strong> waitlist.<br />

Please note that particular courses or sections may have different<br />

or additional criteria for overrides; <strong>the</strong>se are posted as "Notes" on<br />

Wolverine Access.<br />

For additional information, please contact <strong>the</strong> Undergraduate<br />

Office.


MATH 103. Intermediate Algebra.<br />

Only open to designated summer half-term Bridge students. May<br />

not be repeated for credit. A maximum <strong>of</strong> four credits may be<br />

earned in MATH 101, 103, 105, <strong>and</strong> 110. Su.<br />

Review <strong>of</strong> elementary algebra; rational <strong>and</strong> quadratic equations;<br />

properties <strong>of</strong> relations, functions, <strong>and</strong> <strong>the</strong>ir graphs; linear <strong>and</strong><br />

quadratic functions; inequalities, logarithmic <strong>and</strong> exponential functions<br />

<strong>and</strong> equations.<br />

MATH 105. Data, Functions, <strong>and</strong> Graphs.<br />

(4). (MSA). (QR/1). May not be repeated for credit. Students with<br />

credit for MATH 103 can elect MATH 105 for only 2 credits. No<br />

credit granted to those who have completed any Ma<strong>the</strong>matics<br />

course numbered 110 or higher. A maximum <strong>of</strong> four credits may be<br />

earned in MATH 101, 103, 105, <strong>and</strong> 110.<br />

UNIFORM EVENING EXAMS FOR MATH 105<br />

Background <strong>and</strong> Goals: MATH 105 serves both as a preparatory<br />

class to <strong>the</strong> calculus sequences <strong>and</strong> as a terminal course for students<br />

who need only this level <strong>of</strong> ma<strong>the</strong>matics. Students who successfully<br />

complete MATH 105 are fully prepared for MATH 115.<br />

Content: This is a course on analyzing data by means <strong>of</strong> functions<br />

<strong>and</strong> graphs. The emphasis is on ma<strong>the</strong>matical modeling <strong>of</strong> realworld<br />

applications. The functions used are linear, quadratic, polynomial,<br />

logarithmic, exponential, <strong>and</strong> trigonometric. Algebra skills<br />

are assessed during <strong>the</strong> term by periodic testing. The classroom<br />

atmosphere is interactive <strong>and</strong> cooperative <strong>and</strong> homework is done in<br />

groups.<br />

Subsequent Courses: The course prepares students for MATH<br />

115.<br />

MATH 110. Pre-Calculus (Self-Study).<br />

MATH 110 is by recommendation or permission <strong>of</strong> MATH 115 instructor.<br />

(2). May not be repeated for credit. No credit granted to<br />

those who already have 4 credits for pre-calculus ma<strong>the</strong>matics<br />

courses. A maximum <strong>of</strong> four credits may be earned in MATH 101,<br />

103, 105, <strong>and</strong> 110.<br />

Background <strong>and</strong> Goals: MATH 110 is a condensed, half-term<br />

version <strong>of</strong> MATH 105 designed specifically to prepare students for<br />

MATH 115. It is open only to students who have enrolled in MATH<br />

115 <strong>and</strong> whose performance on <strong>the</strong> first uniform examination indicates<br />

that <strong>the</strong>y will have difficulty completing that course successfully.<br />

This self-study course begins shortly after <strong>the</strong> first uniform<br />

examination in MATH 115, <strong>and</strong> is completed under <strong>the</strong> guidance <strong>of</strong><br />

an instructor without regular classroom meetings. Students must<br />

receive permission from <strong>the</strong> MATH 115 Course Director or<br />

o<strong>the</strong>r designated representative to enroll in <strong>the</strong> course, <strong>and</strong><br />

must visit <strong>the</strong> Math Lab as soon as possible after enrolling to receive<br />

printed course information. Enrollment opens <strong>the</strong> day after<br />

<strong>the</strong> first MATH 115 uniform examination, <strong>and</strong> must be completed<br />

by <strong>the</strong> Friday <strong>of</strong> <strong>the</strong> following week.<br />

Content: The course is a condensed, half-term version <strong>of</strong> MATH<br />

105 designed for students who appear to be prepared to h<strong>and</strong>le<br />

calculus but are not able to successfully complete MATH 115. Students<br />

may enroll in MATH 110 only on <strong>the</strong> recommendation<br />

<strong>of</strong> a ma<strong>the</strong>matics instructor after <strong>the</strong> third week <strong>of</strong> classes in<br />

<strong>the</strong> Fall <strong>and</strong> must visit <strong>the</strong> Math Lab to complete paperwork <strong>and</strong> receive<br />

course materials. The course covers data analysis by means<br />

<strong>of</strong> functions <strong>and</strong> graphs.<br />

Alternatives: MATH 105 (Data, Functions <strong>and</strong> Graphs) covers <strong>the</strong><br />

same material in a traditional classroom setting.<br />

Subsequent Courses: The course prepares students for MATH<br />

115.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 103<br />

MATH 115. Calculus I.<br />

Four years <strong>of</strong> high school ma<strong>the</strong>matics. (4). (MSA). (BS). (QR/1).<br />

May not be repeated for credit. Credit is granted for only one<br />

course from among MATH 115 <strong>and</strong> 185.<br />

EVENING EXAMS FOR MATH 115<br />

Background <strong>and</strong> Goals: The sequence MATH 115-116-215 is <strong>the</strong><br />

st<strong>and</strong>ard complete introduction to <strong>the</strong> concepts <strong>and</strong> methods <strong>of</strong><br />

calculus. It is taken by <strong>the</strong> majority <strong>of</strong> students intending to major<br />

in ma<strong>the</strong>matics, science, or engineering as well as students heading<br />

for many o<strong>the</strong>r fields. The emphasis is on concepts <strong>and</strong> solving<br />

problems ra<strong>the</strong>r than <strong>the</strong>ory <strong>and</strong> pro<strong>of</strong>. All sections are given a uniform<br />

midterm <strong>and</strong> final exam.<br />

Content: The course presents <strong>the</strong> concepts <strong>of</strong> calculus from three<br />

points <strong>of</strong> view: geometric (graphs); numerical (tables); <strong>and</strong> algebraic<br />

(formulas). Students will develop <strong>the</strong>ir reading, writing <strong>and</strong><br />

questioning skills. <strong>To</strong>pics include functions <strong>and</strong> graphs, derivatives<br />

<strong>and</strong> <strong>the</strong>ir applications to real-life problems in various fields, <strong>and</strong><br />

definite integrals. The classroom atmosphere is interactive <strong>and</strong> cooperative<br />

<strong>and</strong> homework is done in groups.<br />

Alternatives: MATH 185 (Honors Anal. Geom. <strong>and</strong> Calc. I) is a<br />

somewhat more <strong>the</strong>oretical course which covers some <strong>of</strong> <strong>the</strong> same<br />

material. MATH 175 (Combinatorics <strong>and</strong> Calculus) is a non-calculus<br />

alternative for students with a good comm<strong>and</strong> <strong>of</strong> first-term calculus.<br />

MATH 295 (Honors Ma<strong>the</strong>matics I) is a much more intensive<br />

<strong>and</strong> rigorous course. A student whose preparation is insufficient for<br />

MATH 115 should take MATH 105 (Data, Functions <strong>and</strong> Graphs).<br />

Subsequent Courses: MATH 116 (Calculus II) is <strong>the</strong> natural sequel.<br />

A student who has done very well in this course could enter<br />

<strong>the</strong> Honors sequence at this point by taking MATH 186 (Honors<br />

Anal. Geom. <strong>and</strong> Calc. II).<br />

Instructor: Halpern, Jill Ellen<br />

MATH 116. Calculus II.<br />

MATH 115. (4). (MSA). (BS). (QR/1). May not be repeated for<br />

credit. Credit is granted for only one course among MATH 116, 119,<br />

156, 176, <strong>and</strong> 186.<br />

Evening exams for Math 116<br />

See MATH 115 for a general description <strong>of</strong> <strong>the</strong> sequence MATH<br />

115-116-215.<br />

<strong>To</strong>pics include <strong>the</strong> indefinite integral, techniques <strong>of</strong> integration, introduction<br />

to differential equations, <strong>and</strong> infinite series. MATH 186 is<br />

a somewhat more <strong>the</strong>oretical course which covers much <strong>of</strong> <strong>the</strong><br />

same material. MATH 215 is <strong>the</strong> natural sequel. A student who has<br />

done very well in this course could enter <strong>the</strong> Honors sequence at<br />

this point by taking MATH 285.<br />

Text: Calculus, 5th Edition, Hughes-Hallet/Gleason, Wiley Publishing.<br />

TI-84 Graphing Calculator, Texas Instruments.<br />

MATH 145. Houghton Scholars Calculus Workshop I.<br />

Consent <strong>of</strong> department required. Concurrent enrollment in MATH<br />

115. (2). May not be repeated for credit. Offered m<strong>and</strong>atory<br />

credit/no credit.<br />

The goal is to develop <strong>the</strong> students' problem-solving capabilities<br />

<strong>and</strong> promote <strong>the</strong>ir interest in math <strong>and</strong> science careers.<br />

Course Requirements:<br />

Students will be evaluated on <strong>the</strong> basis <strong>of</strong> attendance <strong>and</strong> participation<br />

in activities during scheduled sessions.<br />

Intended Audience:<br />

A supplemental workshop experience for students in <strong>the</strong> Douglas<br />

Houghton Scholars Program.<br />

Class Format:<br />

In a small-class setting, students work in small groups on problems<br />

more challenging than those in <strong>the</strong> regular section <strong>of</strong> MATH 115.<br />

Instructor: Conger, Mark Adams


104 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

MATH 147. Introduction to Interest Theory.<br />

Three to four years high school ma<strong>the</strong>matics. (3). (MSA). (BS). May<br />

not be repeated for credit. No credit granted to those who have<br />

completed a 200- (or higher) level ma<strong>the</strong>matics course.<br />

Background <strong>and</strong> Goals: This course is designed for students who<br />

seek an introduction to <strong>the</strong> ma<strong>the</strong>matical concepts <strong>and</strong> techniques<br />

employed by financial institutions such as banks, insurance companies,<br />

<strong>and</strong> pension funds. Actuarial students, <strong>and</strong> o<strong>the</strong>r ma<strong>the</strong>matics<br />

concentrators, should elect MATH 424 which covers <strong>the</strong> same topics<br />

but on a more rigorous basis requiring considerable use <strong>of</strong> calculus.<br />

The course is not part <strong>of</strong> a sequence. Students should possess<br />

financial calculators.<br />

Content: <strong>To</strong>pics covered include: various rates <strong>of</strong> simple <strong>and</strong> compound<br />

interest, present <strong>and</strong> accumulated values based on <strong>the</strong>se;<br />

annuity functions <strong>and</strong> <strong>the</strong>ir application to amortization, sinking<br />

funds <strong>and</strong> bond values; depreciation methods; introduction to life<br />

tables, life annuity, <strong>and</strong> life insurance values.<br />

Alternatives: MATH 424 (Compound Interest <strong>and</strong> Life Ins) covers<br />

<strong>the</strong> same material in greater depth <strong>and</strong> with a higher level <strong>of</strong><br />

ma<strong>the</strong>matical content.<br />

Subsequent Courses: none<br />

MATH 156. Applied Honors Calculus II.<br />

Score <strong>of</strong> 4 or 5 on <strong>the</strong> AB or BC Advanced Placement calculus<br />

exam. (4). (MSA). (BS). (QR/1). May not be repeated for credit.<br />

Credit is granted for only one course from among MATH 116, 119,<br />

156, 176, <strong>and</strong> 186. F.<br />

Background <strong>and</strong> Goals: The sequence MATH 156-255-256 is an<br />

Honors calculus sequence intended for engineering <strong>and</strong> science<br />

concentrators who scored 4 or 5 on <strong>the</strong> AB or BC Advanced Placement<br />

calculus exam. Applications will be stressed, but some <strong>the</strong>ory<br />

will also be included.<br />

Content: <strong>To</strong>pics include linear algebra, matrices, systems <strong>of</strong> differential<br />

equations, initial <strong>and</strong> boundary value problems, qualitative<br />

<strong>the</strong>ory <strong>of</strong> dynamical systems (e.g., equilibria, phase space, stability,<br />

bifurcations), nonlinear equations, numerical methods. MAPLE will<br />

be used throughout.<br />

Alternatives: MATH 216 (Intro. <strong>To</strong> Differential Equations) or<br />

MATH 286 (Honors Differential Equations).<br />

Subsequent Courses: Many upper-level courses.<br />

MATH 175. An Introduction to Cryptology.<br />

Permission <strong>of</strong> department. (4). (MSA). (BS). (QR/1). May not be repeated<br />

for credit. No credit granted to those who have completed a<br />

200-level or higher Ma<strong>the</strong>matics course. F.<br />

Introduces students to <strong>the</strong> science <strong>of</strong> constructing <strong>and</strong> attacking<br />

secret codes. An important goal is to present <strong>the</strong> ma<strong>the</strong>matical<br />

tools — from combinatorics, number <strong>the</strong>ory, <strong>and</strong> probability — that<br />

underlie cryptologic methods.<br />

Background <strong>and</strong> Goals: This course is an alternative to MATH<br />

185 as an entry to <strong>the</strong> Honors sequence. Students are expected to<br />

have previous experience with <strong>the</strong> basic concepts <strong>and</strong> techniques <strong>of</strong><br />

first-semester calculus. The course stresses discovery as a vehicle<br />

for learning. Students will be required to experiment throughout <strong>the</strong><br />

course on a range <strong>of</strong> problems <strong>and</strong> will participate each academic<br />

term in a group project.<br />

Grades will be based on homework <strong>and</strong> projects with a strong emphasis<br />

on homework. Personal computers will be a valuable experimental<br />

tool in this course <strong>and</strong> students will be asked to learn to<br />

program in ei<strong>the</strong>r BASIC, PASCAL or FORTRAN.<br />

Content: This course gives a historical introduction to Cryptology<br />

<strong>and</strong> introduces a number <strong>of</strong> ma<strong>the</strong>matical ideas <strong>and</strong> results involved<br />

in <strong>the</strong> development <strong>and</strong> analysis <strong>of</strong> secret codes. The course<br />

begins with <strong>the</strong> study <strong>of</strong> permutation-based codes: substitutional<br />

ciphers, transpositional codes, <strong>and</strong> more complex polyalphabetic<br />

substitutions. The ma<strong>the</strong>matical subjects treated in this section include<br />

enumeration, modular arithmetic <strong>and</strong> some elementary statistics.<br />

The subject <strong>the</strong>n moves to bit stream encryption methods.<br />

These include block cipher schemes such as <strong>the</strong> Data Encryption<br />

St<strong>and</strong>ard. The ma<strong>the</strong>matical concepts introduced here are recurrence<br />

relations <strong>and</strong> some more advanced statistical results. The<br />

final part <strong>of</strong> <strong>the</strong> course is devoted to public key encryption, including<br />

Diffie-Hellman key exchange, RSA <strong>and</strong> Knapsack codes. The<br />

ma<strong>the</strong>matical tools come from elementary number <strong>the</strong>ory.<br />

Alternatives: MATH 115 (Calculus I), MATH 185 (Honors Calculus<br />

I), or MATH 295 (Honors Ma<strong>the</strong>matics I).<br />

Subsequent Courses: MATH 176 (Dynamical Systems <strong>and</strong> Calculus),<br />

MATH 186 (Honors Calculus II), or MATH 116 (Calculus II).<br />

Instructor: Stover, Mat<strong>the</strong>w Thomas<br />

MATH 185. Honors Calculus I.<br />

Permission <strong>of</strong> <strong>the</strong> Honors advisor. (4). (MSA). (BS). (QR/1). May<br />

not be repeated for credit. Credit is granted for only one course<br />

from among MATH 115, <strong>and</strong> 185. F.<br />

Background <strong>and</strong> Goals: Most students take calculus in high<br />

school, <strong>and</strong> it may seem that <strong>the</strong>re isn't much new to learn. The<br />

goal <strong>of</strong> this course is to develop <strong>the</strong> familiar concepts <strong>of</strong> calculus<br />

using a more rigorous <strong>and</strong> <strong>the</strong>oretical approach. In particular, with<br />

its emphasis on how to use appropriate ma<strong>the</strong>matical language,<br />

this course lays a solid foundation for future math courses, <strong>and</strong> is<br />

suitable for students intending to pursue a concentration in<br />

ma<strong>the</strong>matics, science, or engineering who desire a more complete<br />

underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong> underpinnings <strong>of</strong> calculus. Considerable attention<br />

is paid to developing problem solving skills. This sequence is<br />

not restricted to students enrolled in <strong>the</strong> LSA Honors Program.<br />

Content: <strong>To</strong>pics covered include functions, graphs, continuity, limits,<br />

derivatives, <strong>and</strong> integrals. Tuesday meetings are usually devoted<br />

to introducing linear algebra.<br />

Alternatives: MATH 115 (Calculus I) is a less <strong>the</strong>oretical course<br />

which covers much <strong>of</strong> <strong>the</strong> same material. MATH 295 (Honors<br />

Ma<strong>the</strong>matics I) gives a much more <strong>the</strong>oretical treatment <strong>of</strong> much <strong>of</strong><br />

<strong>the</strong> same material.<br />

Subsequent Courses: MATH 186 (Honors Calculus II) is <strong>the</strong> natural<br />

sequel.<br />

Instructor: Zieve, Michael E<br />

MATH 214. Linear Algebra <strong>and</strong> Differential Equations.<br />

MATH 115 <strong>and</strong> 116. Most students take only one course from<br />

among MATH 214, 217, 417, 419, <strong>and</strong> 513. (4). (MSA). (BS).<br />

(QR/1). May not be repeated for credit. Credit can be earned for<br />

only one <strong>of</strong> MATH 214, 217, 417, or 419. No credit granted to those<br />

who have completed or are enrolled in MATH 513.<br />

Background <strong>and</strong> Goals: An introduction to matrices <strong>and</strong> linear<br />

algebra. This course covers <strong>the</strong> basics needed to underst<strong>and</strong> a wide<br />

variety <strong>of</strong> applications that use <strong>the</strong> ideas <strong>of</strong> linear algebra, from linear<br />

programming to ma<strong>the</strong>matical economics. The emphasis is on<br />

concepts <strong>and</strong> problem solving. The course is designed as an alternative<br />

to MATH 216 for students who need more linear algebra <strong>and</strong><br />

less differential equations background than provided in MATH 216.<br />

Content: An introduction to <strong>the</strong> main concepts <strong>of</strong> linear algebra…<br />

matrix operations, echelon form, solution <strong>of</strong> systems <strong>of</strong> linear equations,<br />

Euclidean vector spaces, linear combinations, independence<br />

<strong>and</strong> spans <strong>of</strong> sets <strong>of</strong> vectors in Euclidean space, eigenvectors <strong>and</strong><br />

eigenvalues, similarity <strong>the</strong>ory. There are applications to discrete<br />

Markov processes, linear programming, <strong>and</strong> solutions <strong>of</strong> linear differential<br />

equations with constant coefficients.<br />

Alternatives: MATH 419 (Linear Spaces <strong>and</strong> Matrix Theory) has a<br />

somewhat more <strong>the</strong>oretical emphasis. MATH 217 is a more <strong>the</strong>oretical<br />

course which covers much <strong>of</strong> <strong>the</strong> material <strong>of</strong> MATH 214 at a<br />

deeper level. MATH 513 (Intro. to Linear Algebra) is a Honors ver-


sion <strong>of</strong> this course. Ma<strong>the</strong>matics concentrators are required to take<br />

MATH 217 or MATH 513.<br />

Subsequent Courses: MATH 420 (Matrix Algebra II), Linear Programming<br />

(MATH 561), Ma<strong>the</strong>matical Modeling (MATH 462), MATH<br />

571 (Numer. Methods For Sci).<br />

Instructor: Barvinok, Alex<strong>and</strong>er<br />

MATH 215. Calculus III.<br />

MATH 116. (4). (MSA). (BS). (QR/1). May not be repeated for<br />

credit. Credit can be earned for only one <strong>of</strong> MATH 215, 255, or 285.<br />

Background <strong>and</strong> Goals: The sequence MATH 115-116-215 is <strong>the</strong><br />

st<strong>and</strong>ard complete introduction to <strong>the</strong> concepts <strong>and</strong> methods <strong>of</strong><br />

calculus. It is taken by <strong>the</strong> majority <strong>of</strong> students intending to major<br />

in ma<strong>the</strong>matics, science, or engineering as well as students heading<br />

for many o<strong>the</strong>r fields. The emphasis is on concepts <strong>and</strong> solving<br />

problems ra<strong>the</strong>r than <strong>the</strong>ory <strong>and</strong> pro<strong>of</strong>.<br />

Content: <strong>To</strong>pics include vector algebra <strong>and</strong> vector functions; analytic<br />

geometry <strong>of</strong> planes, surfaces, <strong>and</strong> solids; functions <strong>of</strong> several<br />

variables <strong>and</strong> partial differentiation; line, surface, <strong>and</strong> volume integrals<br />

<strong>and</strong> applications; vector fields <strong>and</strong> integration; Green's<br />

Theorem <strong>and</strong> Stokes' Theorem. There is a weekly computer lab using<br />

MAPLE.<br />

Alternatives: MATH 285 (Honors Calculus III) is a somewhat<br />

more <strong>the</strong>oretical course which covers <strong>the</strong> same material. MATH 255<br />

(Applied Honors Calculus III) is also an alternative.<br />

Subsequent Courses: For students intending to major in ma<strong>the</strong>matics<br />

or who have some interest in <strong>the</strong> <strong>the</strong>ory <strong>of</strong> ma<strong>the</strong>matics as<br />

well as its applications, <strong>the</strong> appropriate sequel is MATH 217 (Linear<br />

Algebra). Students who intend to take only one fur<strong>the</strong>r ma<strong>the</strong>matics<br />

course <strong>and</strong> need differential equations should take MATH 216<br />

(Intro. to Differential Equations).<br />

MATH 216. Introduction to Differential Equations.<br />

MATH 116, 119, 156, 176, 186, or 296. (4). (MSA). (BS). (QR/1).<br />

May not be repeated for credit. Credit can be earned for only one<br />

<strong>of</strong> MATH 216, 256, 286, or 316.<br />

Background <strong>and</strong> Goals: For a student who has completed <strong>the</strong><br />

calculus sequence, <strong>the</strong>re are two sequences which deal with linear<br />

algebra <strong>and</strong> differential equations, MATH 216-417 (or MATH 419)<br />

<strong>and</strong> MATH 217-316. The sequence MATH 216-417 emphasizes<br />

problem-solving <strong>and</strong> applications <strong>and</strong> is intended for students <strong>of</strong><br />

Engineering <strong>and</strong> <strong>the</strong> sciences. Math concentrators <strong>and</strong> o<strong>the</strong>r students<br />

who have some interest in <strong>the</strong> <strong>the</strong>ory <strong>of</strong> ma<strong>the</strong>matics should<br />

elect <strong>the</strong> sequence MATH 217-316.<br />

Content: MATH 216 is a basic course on differential equations, intended<br />

for engineers <strong>and</strong> o<strong>the</strong>r scientists who need to apply <strong>the</strong><br />

techniques in <strong>the</strong>ir work. The lectures are accompanied by a computer<br />

lab <strong>and</strong> recitation section where students have <strong>the</strong> opportunity<br />

to discuss problems <strong>and</strong> work through computer experiments<br />

to fur<strong>the</strong>r develop <strong>the</strong>ir underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong> concepts <strong>of</strong> <strong>the</strong> class.<br />

<strong>To</strong>pics covered include some material on complex numbers <strong>and</strong><br />

matrix algebra, first <strong>and</strong> second order linear <strong>and</strong> non-linear systems<br />

with applications, introductory numerical methods, <strong>and</strong> elementary<br />

Laplace transform techniques.<br />

Alternatives: MATH 286 (Honors Differential Equations) covers<br />

much <strong>of</strong> <strong>the</strong> same material in <strong>the</strong> Honors sequence. The sequence<br />

MATH 217 (Linear Algebra)-MATH 316 (Differential Equations) covers<br />

all <strong>of</strong> this material <strong>and</strong> substantially more at greater depth <strong>and</strong><br />

with greater emphasis on <strong>the</strong> <strong>the</strong>ory. MATH 256 (Applied Honors<br />

Calculus IV) is also an alternative.<br />

Subsequent Courses: MATH 404 (Intermediate Diff. Eq.) covers<br />

fur<strong>the</strong>r material on differential equations. MATH 217 (Linear Algebra)<br />

<strong>and</strong> MATH 417 (Matrix Algebra I) cover fur<strong>the</strong>r material on<br />

linear algebra. MATH 371 ([ENGR 303] Numerical Methods) <strong>and</strong><br />

MATH 471 (Intro. <strong>To</strong> Numerical Methods) cover additional material<br />

on numerical methods.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 105<br />

MATH 217. Linear Algebra.<br />

MATH 215, 255, or 285. Most students take only one course from<br />

MATH 214, 217, 417, 419, <strong>and</strong> 513. (4). (MSA). (BS). (QR/1). May<br />

not be repeated for credit. Credit can be earned for only one <strong>of</strong><br />

MATH 214, 217, 417, or 419. No credit granted to those who have<br />

completed or are enrolled in MATH 513.<br />

Background <strong>and</strong> Goals: For a student who has completed <strong>the</strong><br />

calculus sequence, <strong>the</strong>re are two sequences which deal with linear<br />

algebra <strong>and</strong> differential equations, MATH 216-417 (or 419) <strong>and</strong><br />

MATH 217-316. The sequence MATH 216-417 emphasizes problemsolving<br />

<strong>and</strong> applications <strong>and</strong> is intended for students <strong>of</strong> Engineering<br />

<strong>and</strong> <strong>the</strong> sciences. Math concentrators <strong>and</strong> o<strong>the</strong>r students who have<br />

some interest in <strong>the</strong> <strong>the</strong>ory <strong>of</strong> ma<strong>the</strong>matics should elect <strong>the</strong> sequence<br />

MATH 217-316. These courses are explicitly designed to introduce<br />

<strong>the</strong> student to both <strong>the</strong> concepts <strong>and</strong> applications <strong>of</strong> <strong>the</strong>ir<br />

subjects <strong>and</strong> to <strong>the</strong> methods by which <strong>the</strong> results are proved.<br />

Content: The topics covered include: systems <strong>of</strong> linear equations;<br />

matrix algebra; vectors, vector spaces, <strong>and</strong> subspaces; geometry <strong>of</strong><br />

R n ; linear dependence, bases, <strong>and</strong> dimension; linear transformations;<br />

Eigenvalues <strong>and</strong> Eigenvectors; diagonalization; inner products.<br />

Throughout <strong>the</strong>re will be emphasis on <strong>the</strong> concepts, logic, <strong>and</strong><br />

methods <strong>of</strong> <strong>the</strong>oretical ma<strong>the</strong>matics.<br />

Alternatives: MATH 214, 417 <strong>and</strong> 419 cover similar material with<br />

more emphasis on computation <strong>and</strong> applications <strong>and</strong> less emphasis<br />

on pro<strong>of</strong>s. MATH 513 covers more in a much more sophisticated<br />

way.<br />

Subsequent Courses: The intended course to follow MATH 217 is<br />

MATH 316 (Differential Equations). MATH 217 is also prerequisite<br />

for MATH 312 (Applied Modern Algebra), MATH 412 (Introduction<br />

to Modern Algebra) <strong>and</strong> all more advanced courses in ma<strong>the</strong>matics.<br />

MATH 285. Honors Calculus III.<br />

MATH 176 or 186, or permission <strong>of</strong> <strong>the</strong> Honors advisor. (4). (MSA).<br />

(BS). (QR/1). May not be repeated for credit. Credit can be earned<br />

for only one <strong>of</strong> MATH 215, 255, or 285. F.<br />

Background <strong>and</strong> Goals: The sequence MATH 185-186-285-286 is<br />

an introduction to <strong>the</strong> calculus at <strong>the</strong> Honors level. It is taken by<br />

students intending to major in ma<strong>the</strong>matics, science, or engineering<br />

as well as students heading for many o<strong>the</strong>r fields who want a<br />

somewhat more <strong>the</strong>oretical approach. Although much attention is<br />

paid to concepts <strong>and</strong> solving problems, <strong>the</strong> underlying <strong>the</strong>ory <strong>and</strong><br />

pro<strong>of</strong>s <strong>of</strong> important results are also included. This sequence is not<br />

restricted to students enrolled in <strong>the</strong> LSA Honors Program.<br />

Content: <strong>To</strong>pics include vector algebra <strong>and</strong> vector functions; analytic<br />

geometry <strong>of</strong> planes, surfaces, <strong>and</strong> solids; functions <strong>of</strong> several<br />

variables <strong>and</strong> partial differentiation, maximum-minimum problems;<br />

line, surface, <strong>and</strong> volume integrals <strong>and</strong> applications; vector fields<br />

<strong>and</strong> integration; curl, divergence, <strong>and</strong> gradient; Green's Theorem<br />

<strong>and</strong> Stokes' Theorem. Additional topics may be added at <strong>the</strong> discretion<br />

<strong>of</strong> <strong>the</strong> instructor.<br />

Alternatives: MATH 215 (Calculus III) is a less <strong>the</strong>oretical course<br />

which covers <strong>the</strong> same material. MATH 255 (Applied Honors Calc.<br />

III) is an applications-oriented honors course which covers much <strong>of</strong><br />

<strong>the</strong> same material.<br />

Subsequent Courses: MATH 216 (Intro. <strong>To</strong> Differential Equations),<br />

MATH 286 (Honors Differential Equations) or MATH 217<br />

(Linear Algebra).<br />

MATH 289. Problem Seminar.<br />

(1). (BS). May be repeated for credit.<br />

Background <strong>and</strong> Goals: One <strong>of</strong> <strong>the</strong> best ways to develop<br />

ma<strong>the</strong>matical abilities is by solving problems using a variety <strong>of</strong><br />

methods. Familiarity with numerous methods is a great asset to <strong>the</strong><br />

developing student <strong>of</strong> ma<strong>the</strong>matics. Methods learned in attacking a<br />

specific problem frequently find application in many o<strong>the</strong>r areas <strong>of</strong><br />

ma<strong>the</strong>matics. In many instances an interest in <strong>and</strong> appreciation <strong>of</strong><br />

ma<strong>the</strong>matics is better developed by solving problems than by hear-


106 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

ing formal lectures on specific topics. The student has an opportunity<br />

to participate more actively in his/her education <strong>and</strong> development.<br />

This course is intended for superior students who have exhibited<br />

both ability <strong>and</strong> interest in doing ma<strong>the</strong>matics, but it is not<br />

restricted to Honors students. This course is excellent preparation<br />

for <strong>the</strong> Putnam competition.<br />

Content: Students <strong>and</strong> one or more faculty <strong>and</strong> graduate student<br />

assistants will meet in small groups to explore problems in many<br />

different areas <strong>of</strong> ma<strong>the</strong>matics. Problems will be selected according<br />

to <strong>the</strong> interests <strong>and</strong> background <strong>of</strong> <strong>the</strong> students.<br />

Alternatives: none<br />

Instructor: Derksen, Harm<br />

MATH 295. Honors Ma<strong>the</strong>matics I.<br />

Prior knowledge <strong>of</strong> first year calculus <strong>and</strong> permission <strong>of</strong> <strong>the</strong> Honors<br />

advisor. (4). (MSA). (BS). (QR/1). May not be repeated for credit.<br />

No credit granted to those who have completed or are enrolled in<br />

MATH 185. F.<br />

Background <strong>and</strong> Goals: MATH 295-296-395-396 is <strong>the</strong> most<br />

<strong>the</strong>oretical <strong>and</strong> dem<strong>and</strong>ing Honors calculus sequence. The emphasis<br />

is on concepts, problem solving, as well as <strong>the</strong> underlying <strong>the</strong>ory<br />

<strong>and</strong> pro<strong>of</strong>s <strong>of</strong> important results. It provides an excellent background<br />

for advanced courses in ma<strong>the</strong>matics. The expected background<br />

is high school trigonometry <strong>and</strong> algebra (previous calculus<br />

not required, but helpful). This sequence is not restricted to students<br />

enrolled in <strong>the</strong> LSA Honors program. MATH 295-296 may be<br />

substituted for any MATH 451 requirement. MATH 296 <strong>and</strong> 395<br />

may be substituted for any MATH 513 requirement.<br />

Content: Axioms <strong>of</strong> <strong>the</strong> real numbers, completeness <strong>and</strong> connectedness<br />

in <strong>the</strong> real line. Functions <strong>of</strong> a real variable, limits <strong>and</strong> continuity,<br />

uniform continuity, extreme <strong>and</strong> intermediate value <strong>the</strong>orems,<br />

differentiation, integration, <strong>the</strong> fundamental <strong>the</strong>orem <strong>of</strong> calculus,<br />

Taylor's <strong>the</strong>orem with remainder.<br />

Alternatives: MATH 156 (Applied Honors Calc II), MATH 175<br />

(Combinatorics <strong>and</strong> Calculus) <strong>and</strong> MATH 185 (Honors Anal. Geom.<br />

<strong>and</strong> Calc. I) are alternative Honors courses.<br />

Subsequent Courses: MATH 296 (Honors Ma<strong>the</strong>matics II).<br />

Instructor: Boyarchenko, Dmitriy<br />

MEMS (Medieval <strong>and</strong> Early Modern<br />

Studies)<br />

MEMS 110 / HISTORY 110. Medieval, Renaissance, <strong>and</strong><br />

Reformation Europe.<br />

(4). (SS). May not be repeated for credit.<br />

Starting in <strong>the</strong> sixth century <strong>and</strong> moving quickly through to <strong>the</strong> sixteenth<br />

century, this course <strong>of</strong>fers students an accessible <strong>and</strong> entertaining<br />

introduction to <strong>the</strong> fitfull process by which <strong>the</strong> inhabitants <strong>of</strong><br />

Europe began to see <strong>the</strong>mselves as “Europeans,” as <strong>the</strong> bearers <strong>of</strong><br />

a Western civilization. We will begin with <strong>the</strong> transformation <strong>of</strong> <strong>the</strong><br />

pagan world into a Christian one, <strong>and</strong> we will end with <strong>the</strong><br />

European discovery <strong>of</strong> new worlds. On <strong>the</strong> journey between <strong>the</strong>se<br />

points, you will learn <strong>the</strong> key <strong>the</strong>mes <strong>of</strong> European history as well as<br />

Europe’s place in <strong>the</strong> wider world. In addition, by working with<br />

primary sources, you will gain essential preparation for more advanced<br />

courses, learning to think, debate, <strong>and</strong> write like a historian.<br />

Course Requirements:<br />

There will be a midterm <strong>and</strong> a final exam, which test your underst<strong>and</strong>ing<br />

<strong>of</strong> <strong>the</strong> broader <strong>the</strong>mes, as well as two, short writing assignments<br />

based on primary sources.<br />

Instructor: Fancy, Hussein Anwar<br />

MEMS 210 / HISTORY 210. Early Middle Ages, 300-1100.<br />

(4). (SS). May not be repeated for credit. F.<br />

Section 001 — Issues in Race & Ethnicity.<br />

The course covers <strong>the</strong> period when <strong>the</strong> first true 'Europe' was born.<br />

It covers <strong>the</strong> disintegration <strong>of</strong> <strong>the</strong> Roman Empire in <strong>the</strong> western<br />

Mediterranean, <strong>and</strong> <strong>the</strong> development <strong>of</strong> successor states in northwestern<br />

Europe, like <strong>the</strong> 'barbarian' monarchies, <strong>and</strong> <strong>the</strong> multiethnic<br />

empires <strong>of</strong> Charlemagne <strong>and</strong> <strong>the</strong> Ottonians up to 1000. Main<br />

<strong>the</strong>mes are <strong>the</strong> development <strong>of</strong> new kinds <strong>of</strong> community among<br />

European people (Christian monasticism, feudalism, ethnic solidarity),<br />

new economic systems, <strong>and</strong> relations with <strong>the</strong> earliest Islamic<br />

states <strong>and</strong> with <strong>the</strong> Byzantine empire.<br />

Instructor: Squatriti, Paolo<br />

MENAS (Middle Eastern <strong>and</strong> North<br />

African Studies)<br />

MENAS 244 / AAPTIS 244 / HISTORY 244 / HJCS 244 /<br />

JUDAIC 244. The Arab-Jewish Conflict in <strong>the</strong> Middle East, c.<br />

1880 to <strong>the</strong> Present.<br />

(4). (SS). (R&E). May not be repeated for credit.<br />

For over a hundred years Arabs <strong>and</strong> Jews have been engaged in<br />

what is arguably <strong>the</strong> world's most long-lasting, bitter, <strong>and</strong> intractable<br />

dispute.<br />

This conflict has engendered five interstate wars (1948, 1956,<br />

1967, 1973, <strong>and</strong> 1982) <strong>and</strong> innumerable low-intensity clashes. As a<br />

source <strong>of</strong> daily media attention, United Nations resolutions, impassioned<br />

global debate, <strong>and</strong> Great Power rivalry, <strong>the</strong> Arab-Israeli conflict<br />

has no equal. Despite persistent interventions by <strong>the</strong> United<br />

States, Europe, <strong>and</strong> <strong>the</strong> United Nations, no resolution is in sight.<br />

This course assesses <strong>the</strong> origins, dynamics, <strong>and</strong> <strong>the</strong> amazing, chameleon-like<br />

persistence <strong>of</strong> Arab-Jewish conflict over some five generations.<br />

• How did <strong>the</strong> rivalry begin?<br />

• What historical, legal, <strong>and</strong> moral arguments does each side<br />

marshal to justify its position?<br />

• What has been <strong>the</strong> role <strong>of</strong> <strong>the</strong> United States?<br />

• What does <strong>the</strong> conflict say about <strong>the</strong> nature <strong>of</strong> truth <strong>and</strong> morality<br />

in <strong>the</strong> modern world?<br />

• And what does <strong>the</strong> future hold?<br />

Intended Audience:<br />

This course welcomes students from all backgrounds — including<br />

those who have no prior knowledge <strong>of</strong> <strong>the</strong> conflict, students who by<br />

personal background or interest already know a good deal, <strong>and</strong> all<br />

those who fall between <strong>the</strong>se poles.<br />

Instructor: Lieberman, Victor B<br />

MODGREEK (Modern Greek)<br />

Modern Greek courses cover language, literature, <strong>and</strong> culture, <strong>of</strong>fering<br />

a systematic introduction to <strong>the</strong> Greek world <strong>of</strong> <strong>the</strong> last ten<br />

centuries, <strong>and</strong> especially to its contemporary social reality <strong>and</strong> intellectual<br />

achievement. As part <strong>of</strong> a liberal arts education, <strong>the</strong>y promote<br />

<strong>the</strong> contextual study, both local <strong>and</strong> global, <strong>of</strong> contemporary<br />

Greek culture, placing particular emphasis on literary studies, critical<br />

<strong>the</strong>ory, cultural politics, ethnicity, <strong>and</strong> diaspora (especially<br />

Greek-American).<br />

Courses in English. Our courses explore <strong>the</strong> Greek world from<br />

late antiquity to <strong>the</strong> present, with special emphasis on Greek society<br />

<strong>of</strong> <strong>the</strong> past 200 years. Classes in English introduce students to<br />

Greek culture, travel literature about Greece, Greek literature in<br />

translation, <strong>and</strong> diaspora experiences including <strong>the</strong> Greek American,<br />

all <strong>of</strong> which fulfill distribution requirements for undergraduate degrees.<br />

• 214 INTRODUCTION TO MODERN GREEK CULTURE examines<br />

cultural, religious, social, <strong>and</strong> political trends as reflected in literature,<br />

music, folklore, popular culture, <strong>and</strong> ideology.


• 318 GREEK-AMERICAN CULTURE explores questions <strong>of</strong> ethnicity,<br />

race, gender, <strong>and</strong> social class in <strong>the</strong> United States over <strong>the</strong><br />

last two centuries as reflected in Greek-American history <strong>and</strong><br />

culture<br />

• 325 ATHENS PRESENT AND PAST studies A<strong>the</strong>ns as a “palimpsest,”<br />

a surface that has been scraped <strong>and</strong> reused again <strong>and</strong><br />

again, beginning with <strong>the</strong> Acropolis in <strong>the</strong> heart <strong>of</strong> <strong>the</strong> city, <strong>and</strong><br />

exp<strong>and</strong>ing outward<br />

• 340 TRAVELS TO GREECE examines <strong>the</strong> literature <strong>of</strong> modern<br />

travel to Greece <strong>and</strong> <strong>the</strong> issues it raises about antiquity, modernity,<br />

ethnography, o<strong>the</strong>rness, orientalism, <strong>and</strong> Western identity.<br />

• 350 TOPICS IN MODERN GREEK<br />

Section subtitled "Greek Myth in Film" examines <strong>the</strong> mutually<br />

reinforcing overlap <strong>of</strong> myth, literature, <strong>and</strong> cinema. The movies<br />

have nei<strong>the</strong>r ancient columns nor mythical monsters but <strong>the</strong>y<br />

show how fate can still turn us all into w<strong>and</strong>ering, questioning<br />

Greeks.<br />

Courses in Modern Greek Language Instruction.<br />

• ELEMENTARY FIRST-YEAR MODERN GREEK 101-102 is designed<br />

for students with no previous exposure to <strong>the</strong> language<br />

as well as for students with some basic underst<strong>and</strong>ing <strong>of</strong><br />

Modern Greek.<br />

• MODERN GREEK CONVERSATION 105 aims to help students<br />

speak basic Greek. It is designed for beginners who know how<br />

to read but can barely speak<br />

• SECOND-YEAR MODERN GREEK 201-202 assumes familiarity<br />

with <strong>the</strong> basics <strong>of</strong> reading, writing, <strong>and</strong> speaking<br />

• MODERN GREEK CONVERSATION 205 aims to give confidence<br />

in <strong>the</strong> ability to h<strong>and</strong>le many speaking situations <strong>and</strong> topics.<br />

• THIRD-YEAR MODERN GREEK 301-302 builds on <strong>the</strong> language<br />

skills acquired in <strong>the</strong> first two years <strong>of</strong> study<br />

• MODERN GREEK CONVERSATION II 305 emphasizes selfexpression<br />

in conversational Greek. The course touches on<br />

challenging aspects <strong>of</strong> <strong>the</strong> language, such as idioms <strong>and</strong><br />

phrases, <strong>the</strong> language <strong>of</strong> <strong>the</strong> media, <strong>and</strong> fast <strong>and</strong> furious conversations<br />

on current events.<br />

MODGREEK 101. Elementary Modern Greek.<br />

(4). May not be repeated for credit. No credit granted to those who<br />

have completed MODGREEK 500 or 501. F.<br />

Section 001. This course introduces students to modern Greek<br />

language <strong>and</strong> culture, emphasizing all forms <strong>of</strong> communication:<br />

speaking, listening, reading, <strong>and</strong> writing. Upon completion, students<br />

will be able to hold spontaneous conversations using simple<br />

sentences in Greek on everyday topics, grasp <strong>the</strong> subject <strong>of</strong> television<br />

<strong>and</strong> radio shows, read for practical information, <strong>and</strong> write on<br />

familiar topics. They will also underst<strong>and</strong> basic elements <strong>of</strong> Greek<br />

culture, especially as it relates to communication <strong>and</strong> <strong>the</strong> nature <strong>of</strong><br />

topics. They will also underst<strong>and</strong> basic elements <strong>of</strong> Greek culture,<br />

especially as it relates to communication <strong>and</strong> <strong>the</strong> nature <strong>of</strong> relations<br />

between people. In class, we will focus on two things. First, we will<br />

be giving students a basic but solid knowledge <strong>of</strong> grammatical<br />

structures <strong>and</strong> syntax. Second, students will develop a functional<br />

vocabulary <strong>and</strong> engage in conversational activities that invite <strong>the</strong>m<br />

to talk <strong>the</strong>ir way through a range <strong>of</strong> everyday situations. Through<br />

conversational exercises students will become familiar with Greek<br />

intonation patterns <strong>and</strong> learn to imitate native pronunciation.<br />

Course Requirements:<br />

Outside class, reading <strong>and</strong> writing will be <strong>the</strong> core <strong>of</strong> homework<br />

assignments.<br />

Instructor: Margomenou, Despina<br />

MODGREEK 214. Introduction to Modern Greek Culture.<br />

(3). (SS). May not be repeated for credit. Taught in English.<br />

Section 001. Discover Greece, a country with a long history <strong>and</strong><br />

vibrant present. Famed for its antiquity, Greece has been adapting<br />

rapidly to a changing world. Two hundred years ago it was a backwater<br />

<strong>of</strong> <strong>the</strong> Ottoman Empire <strong>and</strong> a favorite stop for European<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 107<br />

travelers in <strong>the</strong> Mediterranean. As time passed, venerated traditions<br />

submitted to modern ways, so that today Greece seems indistinguishable<br />

from any o<strong>the</strong>r modern country, on <strong>the</strong> surface at least.<br />

Yet Greeks have <strong>the</strong>ir own history <strong>and</strong> ways. This course acquaints<br />

students with breakthrough moments in that history <strong>and</strong> key features<br />

<strong>of</strong> Greek society <strong>and</strong> culture. Sources are stories, films,<br />

poems, dances, music, art, newspaper articles, <strong>and</strong> historical archives.<br />

Course Requirements:<br />

Students are expected to attend lectures, participate in discussions,<br />

write commentaries on readings, <strong>and</strong> take a midterm <strong>and</strong> final<br />

exam.<br />

Instructor: Leontis, Artemis S<br />

MUSICOL (Music History <strong>and</strong><br />

Musicology)<br />

It is possible for LSA students to elect a concentration program in<br />

Theatre or Music, <strong>and</strong> <strong>the</strong>se programs are described in <strong>the</strong> LSA<br />

Bulletin. In addition, Theatre courses <strong>and</strong> Music courses are frequently<br />

elected by LSA students not concentrating in ei<strong>the</strong>r Music<br />

or Theatre. All courses in Music History/Musicology, Composition,<br />

<strong>and</strong> Music Theory are electable for LSA credit; some but not all<br />

Theatre <strong>and</strong> Drama courses are available for LSA credit. Some <strong>of</strong><br />

<strong>the</strong>se courses can be used in an area distribution plan. LSA students<br />

may elect music PERFORMANCE courses for degree credit,<br />

but this credit counts toward <strong>the</strong> maximum twenty non-LSA credit<br />

hours that can be applied toward an LSA degree.<br />

Courses in Theatre, Music History/Musicology, Composition, Music<br />

Theory, <strong>and</strong> Performing <strong>Arts</strong> Technology are listed in <strong>the</strong> Time<br />

Schedule under <strong>the</strong> School <strong>of</strong> Music, Theatre & Dance.<br />

MUSICOL 123. Introduction to Popular Music.<br />

(3). (HU). May not be repeated for credit. F.<br />

This course <strong>of</strong>fers a broad survey <strong>of</strong> 20th-century popular music,<br />

exploring a diverse set <strong>of</strong> genres <strong>and</strong> musical artists from <strong>the</strong> Tin<br />

Pan Alley era to <strong>the</strong> present. The course places <strong>the</strong> musical conventions,<br />

key performers, <strong>and</strong> aes<strong>the</strong>tic shifts that mark <strong>the</strong> history<br />

<strong>of</strong> popular music in social, cultural, technological, <strong>and</strong> musical context.<br />

Designed to develop listening <strong>and</strong> analytical skills, <strong>the</strong> course<br />

aims to help students to underst<strong>and</strong>, describe, interpret, <strong>and</strong> write<br />

about popular music.<br />

Instructor: Garrett, Charles Hiroshi<br />

MUSICOL 345. History <strong>of</strong> Music.<br />

NON-MUS ONLY. (3). (HU). May not be repeated for credit.<br />

History <strong>of</strong> European music from <strong>the</strong> Middle Ages through <strong>the</strong><br />

Baroque.<br />

Instructor: Mengozzi, Stefano<br />

NURS (Nursing)<br />

NURS 220 / WOMENSTD 220. Perspectives in Women's<br />

Health.<br />

(3). (SS). (R&E). May not be repeated for credit.<br />

Section 001. In this course we will examine women's health<br />

issues, across <strong>the</strong> lifespan, from feminist <strong>and</strong> sociocultural perspectives.<br />

We will explore <strong>the</strong> social construction <strong>of</strong> women's health <strong>and</strong><br />

well-being <strong>and</strong> <strong>the</strong> influence <strong>of</strong> gender dynamics on sexuality, reproductive<br />

options, health care alternatives, <strong>and</strong> risk for physical<br />

<strong>and</strong> mental illness. Attention will be paid to historical, economic,<br />

<strong>and</strong> socio-cultural factors which influence <strong>the</strong> physical <strong>and</strong> psychological<br />

well-being <strong>of</strong> women.<br />

Instructor: Low, Lisa Kane


108 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

PAT (Performing <strong>Arts</strong> Technology)<br />

It is possible for LSA students to elect a concentration program in<br />

Theatre or Music, <strong>and</strong> <strong>the</strong>se programs are described in <strong>the</strong> LSA<br />

Bulletin. In addition, Theatre courses <strong>and</strong> Music courses are frequently<br />

elected by LSA students not concentrating in ei<strong>the</strong>r Music<br />

or Theatre. All courses in Music History/Musicology, Composition,<br />

<strong>and</strong> Music Theory are electable for LSA credit; some but not all<br />

Theatre <strong>and</strong> Drama courses are available for LSA credit. Some <strong>of</strong><br />

<strong>the</strong>se courses can be used in an area distribution plan. LSA students<br />

may elect music PERFORMANCE courses for degree credit,<br />

but this credit counts toward <strong>the</strong> maximum twenty non-LSA credit<br />

hours that can be applied toward an LSA degree.<br />

Courses in Theatre, Music History/Musicology, Composition, Music<br />

Theory, <strong>and</strong> Performing <strong>Arts</strong> Technology are listed in <strong>the</strong> Time<br />

Schedule under <strong>the</strong> School <strong>of</strong> Music, Theatre & Dance.<br />

PAT 201. Introduction to Computer Music.<br />

Consent <strong>of</strong> instructor required. PER.INSTR. (3). May not be repeated<br />

for credit.<br />

Performing <strong>Arts</strong> Technology is an interdisciplinary subject bringing<br />

computers <strong>and</strong> o<strong>the</strong>r technologies to <strong>the</strong> service <strong>of</strong> musical expression.<br />

This course is an introduction to electronic musical instruments,<br />

MIDI, <strong>and</strong> digital audio systems. Students create several original<br />

compositions for presentation <strong>and</strong> discussion. The aes<strong>the</strong>tics <strong>of</strong><br />

electroacoustic composition are discussed through study <strong>of</strong> selected<br />

repertoire.<br />

PAT 201 is <strong>the</strong> gateway course into <strong>the</strong> PAT <strong>of</strong>ferings. It fulfills <strong>the</strong><br />

composition requirement <strong>of</strong> <strong>the</strong> Music Concentration <strong>and</strong> can fulfill<br />

an elective in <strong>the</strong> Music Minor.<br />

Instructor: Furr, Jennifer Blair<br />

PHIL (Philosophy)<br />

Philosophy is <strong>the</strong> systematic study <strong>of</strong> questions any thoughtful<br />

human being faces concerning <strong>the</strong> nature <strong>of</strong> knowledge, reality,<br />

thought, <strong>and</strong> value.<br />

• What is valuable <strong>and</strong> what is value?<br />

• What gives thought <strong>and</strong> language meaning?<br />

• What is truth, <strong>and</strong> how can we know it?<br />

Philosophy cuts across o<strong>the</strong>r academic disciplines by examining<br />

<strong>the</strong>ir concepts, methods, <strong>and</strong> presuppositions. The main value <strong>of</strong><br />

philosophy lies in its contribution to a liberal arts education. It can,<br />

however, also provide excellent preparation for a wide variety <strong>of</strong><br />

pr<strong>of</strong>essions (notably, law), because <strong>of</strong> <strong>the</strong> training it provides in<br />

rigorous thinking <strong>and</strong> incisive <strong>and</strong> clear writing.<br />

Philosophy Introductions<br />

There are several ways to begin <strong>the</strong> study <strong>of</strong> philosophy. Perhaps<br />

<strong>the</strong> most natural way is to take an introductory course. These come<br />

in several varieties.<br />

• The approach through philosophical problems. One sort <strong>of</strong> introductory<br />

course consists in a survey <strong>of</strong> traditional <strong>and</strong> contemporary<br />

philosophical problems, ranging over a wide range <strong>of</strong><br />

areas on philosophy, such as metaphysics, epistemology, ethics<br />

<strong>and</strong> religion. PHIL 181 <strong>and</strong> 232 are such courses, as are most<br />

sections <strong>of</strong> PHIL 202 <strong>and</strong> <strong>the</strong> Honors Introduction, PHIL 297.<br />

• The topical approach. Ano<strong>the</strong>r natural way to approach philosophy<br />

is to connect your interest in <strong>the</strong> subject to interests<br />

you already have — in natural science, <strong>the</strong> mind <strong>and</strong> psychology,<br />

religion, <strong>and</strong> <strong>the</strong> fine arts. For this reason, <strong>the</strong> Department<br />

<strong>of</strong>fers a variety <strong>of</strong> topical courses. These include first-year<br />

seminars, under PHIL 196; courses in <strong>the</strong> 15x-series; <strong>and</strong> PHIL<br />

262, 319, 320, 322, 340, <strong>and</strong> 365. The Department also <strong>of</strong>fers<br />

first-year seminars on a variety <strong>of</strong> topics, under PHIL 196.<br />

• The approach through ethics. The Department <strong>of</strong>fers a variety<br />

<strong>of</strong> introductory courses devoted to topics in moral philosophy.<br />

These include PHIL 160, 162, 224, 240, 355, 356, <strong>and</strong> 359,<br />

courses that <strong>of</strong>ten overlap with issues in economics, law, <strong>and</strong><br />

political science. These courses do not have prerequisites.<br />

• The historical approach. Ano<strong>the</strong>r type <strong>of</strong> introductory course is<br />

<strong>the</strong> historically oriented introduction, which traces <strong>the</strong> development<br />

<strong>of</strong> philosophical thought through a series <strong>of</strong> major figures<br />

(such as Plato, Aristotle, Descartes, Hume, or Kant). PHIL 234<br />

<strong>and</strong> some sections <strong>of</strong> PHIL 181, 202, <strong>and</strong> 297 are taught in this<br />

way.<br />

Students interested in becoming acquainted with philosophy should<br />

decide for <strong>the</strong>mselves which sort <strong>of</strong> introduction suits <strong>the</strong>m best.<br />

Logic Introductions<br />

The Department <strong>of</strong>fers a number <strong>of</strong> introductions to reasoning <strong>and</strong><br />

logic, which can be an important tool in philosophy.<br />

See <strong>the</strong> link for "Techniques <strong>and</strong> <strong>To</strong>ols <strong>of</strong> Philosophy" here:<br />

www.lsa.umich.edu/philosophy/undergraduate.<br />

• PHIL 180 is an introduction to logic at an elementary level; it is<br />

designed both to improve critical reasoning skills <strong>and</strong> to provide<br />

an introduction to formal logic. It is <strong>of</strong>ten taught using computer-assisted<br />

instruction<br />

• PHIL 303 (which counts toward <strong>the</strong> BS <strong>and</strong> MSA requirements)<br />

is <strong>the</strong> Department's basic introduction to formal or symbolic<br />

logic. It is taught by faculty, in a combination lecture/discussion<br />

format.<br />

• PHIL 305 (which counts toward QR/1) is an introduction to a<br />

wide variety <strong>of</strong> formal methods, some formal logic among<br />

<strong>the</strong>m, that have philosophical applications.<br />

• PHIL 296 (BS, MSA, QR/1), for Honors students, is faster-paced<br />

than PHIL 303 <strong>and</strong> covers a wider variety <strong>of</strong> topics. It is taught<br />

by faculty <strong>and</strong> does not divide into sections.<br />

• PHIL 414 (BS, QR/1) is an advanced course in formal logic. The<br />

course is taught by faculty <strong>and</strong> does not divide into sections.<br />

Non-Concentrators<br />

One frequent motivation for incorporating philosophy into a program<br />

<strong>of</strong> study whose main focus lies elsewhere is <strong>the</strong> fact that philosophy<br />

deals with <strong>the</strong> methods <strong>and</strong> fundamental concepts that figure<br />

in most o<strong>the</strong>r areas <strong>of</strong> human intellectual interest. Thus <strong>the</strong><br />

combination <strong>of</strong> philosophy with ano<strong>the</strong>r field can enrich <strong>the</strong> study<br />

<strong>of</strong> that subject by encouraging reflections on its procedures <strong>and</strong><br />

comparisons with <strong>the</strong> procedures <strong>of</strong> o<strong>the</strong>r disciplines. For this reason<br />

philosophy can be usefully combined <strong>the</strong> virtually any o<strong>the</strong>r<br />

program <strong>of</strong> study. Such combinations can shed light not only on <strong>the</strong><br />

procedures <strong>of</strong> <strong>the</strong> o<strong>the</strong>r field but on those <strong>of</strong> philosophy itself. Thus<br />

students committed to philosophy should seriously consider combining<br />

it with <strong>the</strong> study <strong>of</strong> some o<strong>the</strong>r field as well.<br />

Philosophy may be combined with o<strong>the</strong>r areas in various ways. One<br />

is to take a full concentration program in philosophy along with a<br />

concentration in ano<strong>the</strong>r field. Ano<strong>the</strong>r is to take just those philosophy<br />

courses that deal with one's primary interest. For example,<br />

a science concentrator might wish to take a sequence <strong>of</strong> courses<br />

leading to advanced work in <strong>the</strong> philosophy <strong>of</strong> science (e.g., a general<br />

introduction, PHIL 155, 320, or 322, followed by PHIL 381 or<br />

383, followed by one or more 400-level courses in philosophy <strong>of</strong><br />

science). Or a student interested in <strong>the</strong> ethics might take a general<br />

introduction, PHIL 160, 355, 356, or 359, followed by PHIL 361,<br />

366, or 367, followed by one or more 400-level courses in <strong>the</strong> area.<br />

Or a student interested in <strong>the</strong> mind <strong>and</strong> psychology might take<br />

PHIL 156 or 340, followed by PHIL 345, followed by selected 400level<br />

courses. There are many o<strong>the</strong>r such possibilities.<br />

Yet ano<strong>the</strong>r is to take a variety <strong>of</strong> courses in philosophy in separate<br />

areas, as a way <strong>of</strong> getting a broad <strong>and</strong> general view <strong>of</strong> <strong>the</strong> various<br />

styles <strong>of</strong> intellectual endeavor. Such a selection may be linked with<br />

an ongoing project, or it might just be a way <strong>of</strong> broadening your<br />

horizons <strong>and</strong> seeing what <strong>the</strong>re is in <strong>the</strong> world to think about. As<br />

before, even for people not concentrating or minoring in philosophy,<br />

<strong>the</strong> best thing to do in exploring what <strong>the</strong> Department has to


<strong>of</strong>fer is to talk to a concentration advisor. They will be more than<br />

happy to make suggestions about various possible combinations <strong>of</strong><br />

interests <strong>and</strong> fields. For additional information about <strong>the</strong> Department’s<br />

programs, see<br />

www.lsa.umich.edu/philosophy/undergraduate.<br />

PHIL 153. Philosophy <strong>and</strong> <strong>the</strong> <strong>Arts</strong>.<br />

Students are strongly advised not to take more than two Philosophy<br />

Introductions. (3). (HU). May not be repeated for credit. Students<br />

are strongly advised not to take more than two Philosophy Introductions.<br />

A philosophical investigation <strong>of</strong> <strong>the</strong> nature <strong>and</strong> value <strong>of</strong> several <strong>of</strong><br />

<strong>the</strong> major arts, with emphasis on how philosophical questions concerning<br />

<strong>the</strong>se arts arise from <strong>the</strong> concerns <strong>of</strong> artists, appreciators,<br />

critics, <strong>and</strong> art historians.<br />

PHIL 155. The Nature <strong>of</strong> <strong>Science</strong>.<br />

Students are strongly advised not to take more than two Philosophy<br />

Introductions. (3). (HU). May not be repeated for credit.<br />

Section 001. In <strong>the</strong> long human attempt to underst<strong>and</strong> nature,<br />

modern science is arguably our most successful <strong>and</strong> sophisticated<br />

endeavor, one that has revealed that reality is very different from<br />

how we perceive it. However, investigation into <strong>the</strong> nature <strong>of</strong> scientific<br />

knowledge uncovers a deep tension or instability between two<br />

fundamental beliefs about science: (i) scientific claims are justified<br />

empirically through observation <strong>and</strong> experiment; (ii) science discovers<br />

<strong>the</strong> true nature <strong>of</strong> <strong>the</strong> universe. Because <strong>of</strong> (i), scientific<br />

conclusions are especially objective, secure, <strong>and</strong> trustworthy, but<br />

taking (i) seriously seems to contradict (ii) by limiting scientific investigation<br />

to what is at least indirectly observable. On <strong>the</strong> o<strong>the</strong>r<br />

h<strong>and</strong>, taking (ii) seriously seems to weaken <strong>the</strong> objectivity that scientific<br />

conclusions enjoy when secured by empirical evidence.<br />

What, <strong>the</strong>n, is it about <strong>the</strong> nature <strong>of</strong> science that confers epistemic<br />

authority on scientific opinion, <strong>and</strong> what are <strong>the</strong> scope <strong>and</strong> limits <strong>of</strong><br />

that authority? In trying to answer <strong>the</strong>se questions, we will investigate<br />

concepts like causality, law <strong>of</strong> nature, explanation <strong>and</strong> prediction,<br />

<strong>and</strong> confirmation by experiment.<br />

Instructor: Sax, Greg M<br />

PHIL 158. Philosophy <strong>and</strong> Narrative.<br />

Students are strongly advised not to take more than two Philosophy<br />

Introductions. (3). (HU). May not be repeated for credit. Students<br />

are strongly advised not to take more than two Philosophy Introductions.<br />

Section 001. In this class we will use work in contemporary analytic<br />

philosophy to help us explore <strong>the</strong> philosophical questions<br />

raised by several works <strong>of</strong> short fiction. Students will gain an appreciation<br />

<strong>of</strong> <strong>the</strong> richness <strong>and</strong> difficulty <strong>of</strong> philosophical problems<br />

while also learning about ways in which we can make progress on<br />

such problems. The novelists we will read include Jane Austen,<br />

Fyodor Dostoevsky, Franz Kafka, Herman Melville, Leo <strong>To</strong>lstoy, <strong>and</strong><br />

Richard Wright. Alongside <strong>the</strong>ir work we will also read a wide range<br />

<strong>of</strong> analytic philosophers writing on freedom, determinism, responsibility,<br />

morality, personal identity, mortality, <strong>and</strong> knowledge <strong>of</strong> o<strong>the</strong>r<br />

minds.<br />

PHIL 160. Moral Principles <strong>and</strong> Problems.<br />

(4). (HU). May not be repeated for credit.<br />

Section 001. Life presents us with many questions <strong>and</strong> choices<br />

with moral dimensions, <strong>and</strong> coming to grips with <strong>the</strong>se questions<br />

requires underst<strong>and</strong>ing as well as motivation or feeling. Moral philosophy<br />

is an area <strong>of</strong> inquiry dedicated to promoting such underst<strong>and</strong>ing.<br />

Moral philosophers seek to develop <strong>the</strong> concepts <strong>and</strong><br />

principles needed to underst<strong>and</strong> <strong>the</strong> nature <strong>and</strong> <strong>the</strong> origin <strong>of</strong> our<br />

fundamental values, how (if at all) <strong>the</strong>se values might be justified,<br />

<strong>and</strong> what implications <strong>the</strong>y might have for how we should live our<br />

lives — as individuals, as groups or societies, <strong>and</strong> as co-inhabitants<br />

<strong>of</strong> <strong>the</strong> earth. The lecture portion <strong>of</strong> this course provides a systematic<br />

introduction to <strong>the</strong> concepts <strong>and</strong> principles <strong>of</strong> moral philosophy,<br />

<strong>and</strong> also to <strong>the</strong> dominant traditions in Western moral thought. The<br />

discussion sections will each have a sustained focus on a particular<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 109<br />

domain <strong>of</strong> contemporary moral concern. The overarching goal <strong>of</strong><br />

<strong>the</strong> lecture <strong>and</strong> sections, taken toge<strong>the</strong>r, is to give students <strong>the</strong> resources<br />

<strong>the</strong>y need to analyze difficult <strong>and</strong> controversial moral issues,<br />

to think about <strong>the</strong>se issues in clear <strong>and</strong> critical ways, <strong>and</strong> to<br />

challenge <strong>and</strong> develop <strong>the</strong>ir own moral views. Throughout, an<br />

effort will be made to tie <strong>the</strong>oretical questions to <strong>the</strong> actual questions<br />

we face in daily life, <strong>and</strong> to draw upon insights about morality<br />

arising from research done in o<strong>the</strong>r disciplines, such as psychology,<br />

social <strong>and</strong> political <strong>the</strong>ory, anthropology, <strong>and</strong> decision <strong>the</strong>ory <strong>and</strong><br />

game <strong>the</strong>ory.<br />

Individual Discussion <strong>To</strong>pics by Section:<br />

Sections led by Warren Herold (004 & 005) Obligation & Conflict:<br />

In <strong>the</strong>se discussion sections we will consider three questions.<br />

First, we will ask about <strong>the</strong> nature <strong>and</strong> extent <strong>of</strong> our moral obligations<br />

to o<strong>the</strong>r people. What obligations do we have to <strong>the</strong> least<br />

well-<strong>of</strong>f members <strong>of</strong> society? What obligations do we have to future<br />

generations? Second, we will ask about our moral obligations to<br />

non-human animals. Is it wrong to eat meat or perform scientific<br />

experiments on non-human animals? Third, we will ask about our<br />

moral obligations to natural objects. Do we have an obligation to<br />

save species, protect ecosystems, or preserve natural environments?<br />

After introducing <strong>the</strong>se three questions, we will examine<br />

<strong>the</strong> conflicts which <strong>the</strong>se categories <strong>of</strong> obligation produce, <strong>and</strong> we<br />

will consider <strong>the</strong> extent to which <strong>the</strong>y place constraints on our right<br />

to promote our own interests. Throughout <strong>the</strong> academic term, emphasis<br />

will be placed on <strong>the</strong> development <strong>of</strong> critical thinking <strong>and</strong><br />

writing skills. Students will learn how to read, analyze, <strong>and</strong> critically<br />

assess philosophical arguments, as well as to construct <strong>and</strong> communicate<br />

philosophical arguments <strong>of</strong> <strong>the</strong>ir own.<br />

Sections led by Annette Bryson (008 & 009) Controlling life<br />

<strong>and</strong> death: Is it wrong to clone a human? How about to selectively<br />

replace portions <strong>of</strong> a human's genetic makeup? Could genetic engineering<br />

go too far? Is it ever wrong to use prenatal screening for<br />

<strong>the</strong> purpose <strong>of</strong> selective abortion? What about to control for disease<br />

or disability? For gender or eye color? <strong>To</strong> deliberately create disabled<br />

children? What is a disability anyway? Is it wrong to willfully<br />

terminate a healthy pregnancy? What is a healthy pregnancy? What<br />

are some morally relevant implications <strong>of</strong> artificial insemination or<br />

in vitro fertilization? Is euthanasia ever permissible? Is <strong>the</strong>re a morally<br />

relevant difference between purposefully killing someone <strong>and</strong><br />

deliberately letting her die? Our goal will be to examine potential<br />

answers to <strong>the</strong>se questions using <strong>the</strong>oretical tools acquired in class<br />

readings <strong>and</strong> lectures, with <strong>the</strong> aim <strong>of</strong> formulating informed answers<br />

<strong>of</strong> our own.<br />

Class Format:<br />

Lecture/Discussion. The discussion sections will each have a sustained<br />

focus on a particular domain <strong>of</strong> contemporary moral concern.<br />

Instructor: Railton, Peter A<br />

PHIL 180. Introductory Logic.<br />

(3). May not be repeated for credit. Credit is granted for only one<br />

<strong>of</strong> PHIL 180 or 201. F, W, Su.<br />

Section 001. Our overarching aim will be to learn to distinguish<br />

good arguments from bad arguments, <strong>and</strong> <strong>the</strong>reby improve both<br />

our critical thinking skills <strong>and</strong> our capacity to construct successful<br />

arguments. In a good argument, <strong>the</strong> premises <strong>of</strong>fer good reasons<br />

to believe <strong>the</strong> conclusion — in <strong>the</strong> best case, if <strong>the</strong> premises are<br />

true <strong>the</strong>n <strong>the</strong> conclusion has to be true. We will develop techniques<br />

for evaluating <strong>the</strong> quality <strong>of</strong> arguments. We will examine <strong>the</strong> content<br />

<strong>of</strong> reasoning in everyday contexts. We will also consider some<br />

common kinds <strong>of</strong> defective arguments including informal fallacies:<br />

superficially compelling but bad forms <strong>of</strong> reasoning.<br />

Course Requirements:<br />

Assignments will include weekly problem sets, <strong>and</strong> computer-aided<br />

study <strong>and</strong> st<strong>and</strong>ardized exams.<br />

Instructor: Belot, Gordon


110 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

PHIL 181. Philosophical Issues: An Introduction.<br />

(3). (HU). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in PHIL 182, 202, 231,<br />

232, 234, or 297. F, W, Sp, Su.<br />

Section 001.<br />

Free Will: We take ourselves to be capable <strong>of</strong> genuinely free choice<br />

<strong>and</strong> action, <strong>and</strong> we also believe that what is most worthwhile in life<br />

— pursuit <strong>of</strong> <strong>the</strong> good <strong>and</strong> real happiness — requires such freedom.<br />

When free, nothing makes one act as one does, <strong>and</strong> it follows that<br />

one could have done o<strong>the</strong>r than what one actually did.<br />

Three Fatalist Arguments<br />

Philosophers have worried that, if true, certain claims about <strong>the</strong><br />

universe make freedom impossible. Consider two logical principles<br />

about <strong>the</strong> future: (1) ei<strong>the</strong>r you will eat an egg salad s<strong>and</strong>wich for<br />

lunch tomorrow or you won’t; <strong>the</strong>refore (2) your statement about<br />

<strong>the</strong> future, “I will eat an egg salad s<strong>and</strong>wich” is ei<strong>the</strong>r true or it is<br />

false. Suppose it is true. Then you will eat egg salad tomorrow. But,<br />

it also seems to follow that you can do nothing else tomorrow, for,<br />

absurdly, that would make today’s true statement false. On <strong>the</strong><br />

o<strong>the</strong>r h<strong>and</strong>, if today’s statement is false, it seems to follow for <strong>the</strong><br />

same reasons that you cannot under any circumstances eat egg<br />

salad tomorrow. Whe<strong>the</strong>r tomorrow’s egg salad is necessary or impossible,<br />

you will have no freedom in <strong>the</strong> matter.<br />

Or consider belief in an omniscient being like God. If God is all<br />

knowing, <strong>the</strong>n she knows what you will freely do before you do it.<br />

But if she already knows that you will lunch on egg salad tomorrow,<br />

<strong>the</strong>n it must be <strong>the</strong> case that you have egg salad tomorrow; o<strong>the</strong>rwise,<br />

absurdly, she knows what you will do, but she is wrong. Yet,<br />

if you must have egg salad no matter what, <strong>the</strong>n you will have no<br />

freedom in <strong>the</strong> matter.<br />

Finally, consider <strong>the</strong> belief that every event occurs because <strong>of</strong> prior<br />

causes that determine it in strict accord with <strong>the</strong> laws <strong>of</strong> nature.<br />

Given its causes, <strong>the</strong>n, each event must happen precisely as it<br />

does. Humans are parts <strong>of</strong> <strong>the</strong> universe, so each act is determined<br />

by its causes to occur just as it does. The laws <strong>of</strong> nature, <strong>the</strong>n, prevent<br />

one from being able to do anything o<strong>the</strong>r than what one actually<br />

does. Again, one never acts freely.<br />

That’s philosophy; reasonable assumptions lead us into startling dilemmas:<br />

ei<strong>the</strong>r freedom is an impossible illusion or universal causation,<br />

omniscience, <strong>and</strong> future truth are. The aim <strong>of</strong> <strong>the</strong> class is, if<br />

possible, to get us out <strong>of</strong> <strong>the</strong>se perplexities through careful examination<br />

<strong>of</strong> our beliefs <strong>and</strong> inferences. But, what if that isn't possible,<br />

<strong>and</strong> reason compels us to deny that we are free? Would real happiness<br />

be impossible? The class concludes with an investigation <strong>of</strong><br />

<strong>the</strong> nature <strong>and</strong> importance <strong>of</strong> happiness.<br />

Instructor: Sax, Greg M<br />

PHIL 196. First Year Seminar.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (HU). May not be repeated for credit.<br />

This course is designed to provide first-year students with an intensive<br />

introduction to philosophy in a seminar format. The content<br />

varies, depending on <strong>the</strong> instructor.<br />

Section 003 — Reasoning with R<strong>and</strong>.<br />

In this seminar students can harness an interest in Ayn R<strong>and</strong>'s novels<br />

or argumentative works (i.e., "Objectivism") for a ride into <strong>the</strong><br />

world <strong>of</strong> philosophy (or, vice versa). R<strong>and</strong> seeks to support an impressively<br />

wide-ranging set <strong>of</strong> philosophical conclusions, <strong>and</strong> to apply<br />

<strong>the</strong>m systematically to many important practical issues. She argues,<br />

for instance, that all human knowledge rests on a few basic<br />

certainties (akin to "foundationalism"), that <strong>the</strong> external world, <strong>and</strong><br />

even moral facts, exist independently <strong>of</strong> any views about <strong>the</strong>m<br />

(akin to "realism"), that <strong>the</strong> meaning <strong>of</strong> a word or concept depends<br />

on vastly more than its so-called definition (akin to "holism"), that<br />

one's own rational life is <strong>the</strong> proper fundamental st<strong>and</strong>ard <strong>of</strong> moral<br />

value (akin to "egoism"), <strong>and</strong> that private property <strong>and</strong> minimal<br />

government regulation form <strong>the</strong> best social system (akin to "capitalist<br />

libertarianism"). While her arguments for <strong>the</strong>se conclusions<br />

are interesting <strong>and</strong> may seem initially attractive, <strong>the</strong>y invite many<br />

serious criticisms <strong>and</strong> defenses. We will examine <strong>the</strong>m, <strong>and</strong> consider<br />

alternative arguments (sometimes supplementary, sometimes<br />

opposed) on <strong>the</strong> same topics from philosophers ancient (e.g.,<br />

Aristotle), modern (e.g., Kant), <strong>and</strong> contemporary (e.g., Daniel<br />

Dennett <strong>and</strong> Robert Nozick).<br />

Instructor: Lorm<strong>and</strong>, Eric P<br />

PHIL 202. Introduction to Philosophy.<br />

(3). (HU). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in PHIL 181, 182, 231,<br />

232, 234, or 297.<br />

This course introduces students to philosophy through an examination<br />

<strong>of</strong> some central philosophical problems. <strong>To</strong>pics might include<br />

some <strong>of</strong> <strong>the</strong> following:<br />

• Are minds immaterial spirits, or are minds brains <strong>and</strong> hence<br />

nothing but complex physical objects?<br />

• If human actions are causally determined by heredity <strong>and</strong> environment,<br />

is <strong>the</strong>re any moral responsibility?<br />

• Is abortion, or euthanasia, or suicide, morally permissible?<br />

• Is <strong>the</strong> nature <strong>and</strong> extent <strong>of</strong> our moral obligations determined by<br />

our feelings, self-interest, social convention, Divine comm<strong>and</strong>s,<br />

or something else?<br />

• What are <strong>the</strong> reasons for preferring one kind <strong>of</strong> social, political,<br />

<strong>and</strong> economic organization to ano<strong>the</strong>r?<br />

• Are <strong>the</strong>re good reasons for believing that God exists? How do<br />

we know that anything exists, o<strong>the</strong>r than ourselves? Some sections<br />

focus on major historical figures, e.g., Plato, Aristotle,<br />

Descartes, Hume, <strong>and</strong> Kant; o<strong>the</strong>rs focus on writings <strong>of</strong> twentieth<br />

century philosophers.<br />

Course Requirements:<br />

Requirements usually include a number <strong>of</strong> short, critical papers.<br />

Class Format:<br />

The course is taught in sections <strong>of</strong> 25 students, which should allow<br />

for ample discussion.<br />

PHIL 230 / ASIAN 230 / RELIGION 230. Introduction to<br />

Buddhism.<br />

(4). (HU). May not be repeated for credit.<br />

Over <strong>the</strong> course <strong>of</strong> its long history, Buddhism has been <strong>the</strong> most<br />

influential <strong>and</strong> widely practiced religion in Asia. Beginning in India<br />

2500 years ago, it eventually spread to China, Korea, Japan, Tibet,<br />

<strong>and</strong> Mongolia, <strong>and</strong> to Sri Lanka <strong>and</strong> throughout Sou<strong>the</strong>ast Asia.<br />

More recently it has spread to Europe <strong>and</strong> <strong>the</strong> Americas.<br />

This course is an introduction to <strong>the</strong> major <strong>the</strong>mes in Buddhist<br />

thought <strong>and</strong> practice. Beginning with <strong>the</strong> early teachings associated<br />

with <strong>the</strong> historical Buddha, <strong>the</strong> course will go on to consider <strong>the</strong><br />

development <strong>of</strong> <strong>the</strong> tradition across Asia. The readings for <strong>the</strong><br />

course will consist entirely <strong>of</strong> Buddhist texts in translation.<br />

Course Requirements:<br />

• Attendance at lecture <strong>and</strong> participation in discussion section<br />

(25%)<br />

• Four two-page papers (25%)<br />

• Midterm examination (25%)<br />

• Final examination (25%)<br />

Instructor: Ahn, Juhn Young<br />

PHIL 232. Problems <strong>of</strong> Philosophy.<br />

(4). (HU). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in PHIL 181, 182, 202,<br />

231, 234, or 297.<br />

Section 001. This course will provide an introduction to some fundamental<br />

philosophical problems drawn from a variety <strong>of</strong> branches<br />

<strong>of</strong> philosophy.


The following topics will be discussed:<br />

1. determinism, free will, <strong>and</strong> moral responsibility;<br />

2. arguments for <strong>and</strong> against <strong>the</strong> existence <strong>of</strong> God;<br />

3. skepticism about knowledge <strong>of</strong> <strong>the</strong> material world;<br />

4. egoism, altruism, <strong>and</strong> <strong>the</strong> nature <strong>of</strong> moral obligation; <strong>and</strong><br />

5. <strong>the</strong> ethics <strong>of</strong> belief <strong>and</strong> <strong>the</strong> nature <strong>of</strong> faith.<br />

The course also seeks to develop, through written work <strong>and</strong> intensive<br />

discussion, skills in critical reasoning <strong>and</strong> argumentative writing.<br />

Course Requirements:<br />

There will be two required papers <strong>and</strong> two exams.<br />

Intended Audience:<br />

The course is open to students from all areas <strong>of</strong> <strong>the</strong> University. No<br />

previous work in philosophy is assumed. First term undergraduates<br />

are welcome.<br />

Class Format:<br />

The course has two hours <strong>of</strong> lecture <strong>and</strong> two hours <strong>of</strong> discussion<br />

section each week.<br />

Instructor: Loeb, Louis E<br />

PHIL 240. Environmental Ethics.<br />

(3). (HU). May not be repeated for credit.<br />

Section 001. Why is it wrong to destroy <strong>the</strong> environment or<br />

cause harm to non-human species? Is it wrong simply because it is<br />

essential for <strong>the</strong> well-being <strong>of</strong> future human generations, or because<br />

<strong>the</strong> environment has intrinsic moral value? Since its emergence<br />

in <strong>the</strong> 1970s, environmental ethics has posed a serious challenge<br />

to traditional anthropocentric approaches that assume <strong>the</strong><br />

moral superiority <strong>of</strong> human beings. We will discuss <strong>the</strong> nature <strong>of</strong><br />

this challenge, as well as some <strong>of</strong> its implications. Some <strong>of</strong> <strong>the</strong><br />

questions to be investigated are:<br />

• How are traditional ethical <strong>the</strong>ories such as consequentialism<br />

<strong>and</strong> deontology transformed by <strong>the</strong> assumption that nonhuman<br />

species as well as whole ecosystems can have intrinsic<br />

value?<br />

• How should <strong>the</strong> moral worth <strong>of</strong> an ecosystem <strong>and</strong> that <strong>of</strong> individual<br />

beings be balanced?<br />

• Why would it seem acceptable to kill rats but not dogs? Do<br />

humans have different obligations towards different species,<br />

<strong>and</strong> if so, what is <strong>the</strong>ir source?<br />

Class Format:<br />

This course will be taught as a sophomore seminar formatted for<br />

20 students.<br />

Instructor: Aarnio, Maria Agafia<br />

PHIL 296. Honors Introduction to Logic.<br />

Honors students or permission <strong>of</strong> instructor. (3). (MSA). (BS).<br />

(QR/1). May not be repeated for credit. Credit is granted for only<br />

one <strong>of</strong> PHIL 296 or 303.<br />

Section 001. This is a course in modern symbolic logic. The idea<br />

is to use a symbolic language to examine such logical properties<br />

<strong>and</strong> relations as valid argument, consistency <strong>and</strong> inconsistency, <strong>and</strong><br />

logical truth.<br />

The text will be Richard Jeffrey, Formal Logic: Its Scope <strong>and</strong> Limits<br />

(4th edition).<br />

Course Requirements:<br />

There will be two in-class exams <strong>and</strong> a final exam. Homework will<br />

be assigned weekly. The grade will be based on <strong>the</strong> exams, except<br />

that <strong>the</strong> quality <strong>of</strong> <strong>the</strong> homework may be used to decide borderline<br />

cases. Attendance is important, <strong>and</strong> may be counted in determining<br />

grades.<br />

Instructor: Gibbard, Allan F<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 111<br />

PHIL 297. Honors Introduction to Philosophy.<br />

Honors students or permission <strong>of</strong> instructor. (3). (HU). May not be<br />

repeated for credit. No credit granted to those who have completed<br />

or are enrolled in PHIL 181, 182, 202, 231, 232, or 234.<br />

Section 001. There are some questions that all <strong>of</strong> us should ask<br />

ourselves before we die, <strong>and</strong> many <strong>of</strong> <strong>the</strong>m are philosophical. In<br />

this course we will pick out several <strong>of</strong> <strong>the</strong> most pressing <strong>of</strong> <strong>the</strong>se<br />

questions, <strong>and</strong> try to answer <strong>the</strong>m as best we can: Are all (or<br />

almost all) <strong>of</strong> us actually leading grossly immoral lives? Are <strong>the</strong>re<br />

any absolute or objective facts about what sort <strong>of</strong> lives we should<br />

lead in <strong>the</strong> first place? If so, how could we ever come to know<br />

<strong>the</strong>se facts — or any o<strong>the</strong>r facts for that matter? And even if we<br />

could, how could we be responsible for <strong>the</strong> lives we lead, if <strong>the</strong><br />

physical world we live in is governed by nothing but chance <strong>and</strong><br />

necessity? Are we not just a bunch <strong>of</strong> oddly organized clumps <strong>of</strong><br />

particles, generated by accident in a godless, meaningless universe?<br />

Readings will be drawn from a mix <strong>of</strong> historical <strong>and</strong> contemporary<br />

authors, such as Plato, Aristotle, Descartes, Hume, Kant,<br />

Nietzsche, Frankfurt, <strong>and</strong> Singer.<br />

This course will be taught by Mat<strong>the</strong>w Evans, who joins <strong>the</strong><br />

Department Fall 11 as Associate Pr<strong>of</strong>essor.<br />

PHYSICS (Physics)<br />

Introductory Physics. The Physics Department <strong>of</strong>fers four introductory<br />

course sequences: PHYSICS 135/235, PHYSICS 140/240<br />

<strong>and</strong> PHYSICS 160/260. The Physics Department discourages students<br />

from changing sequences midstream, so it is important that<br />

students choose <strong>the</strong> first course <strong>of</strong> a physics sequence with care.<br />

Prospective engineers <strong>and</strong> physical science students should elect<br />

PHYSICS 140/240 because concentration programs in <strong>the</strong>se areas<br />

require <strong>the</strong> PHYSICS 140/240 sequence. Prospective life science<br />

students <strong>and</strong> those interested in <strong>the</strong> health pr<strong>of</strong>essions are strongly<br />

encouraged to elect PHYSICS 135/235. However, <strong>the</strong>y should be<br />

aware that Physics 135/235, 140/240 may not be appropriate for<br />

<strong>the</strong>ir beginning Physics sequence at <strong>Michigan</strong>. Students who have<br />

not had calculus may prefer to take <strong>the</strong> PHYSICS 125/126 sequence.<br />

Students in this situation are encouraged to speak to an<br />

advisor about <strong>the</strong>ir physics options.<br />

Students who enjoy solving problems <strong>and</strong> who have had physics in<br />

high school are encouraged to take <strong>the</strong> Honors physics sequence,<br />

PHYSICS 160/260. This sequence takes a thoroughly modern approach<br />

to both mechanics <strong>and</strong> electricity & magnetism. PHYSICS<br />

160/260 is <strong>the</strong> preferred sequence for students interested in any<br />

science concentration, especially physics. Students do not need to<br />

be enrolled in <strong>the</strong> LSA Honors Program to sign up for PHYSICS<br />

160/260.<br />

Department <strong>of</strong> Physics Waitlist Policy.<br />

For multi-sectioned introductory physics courses (PHYSICS<br />

135/235/136/236 <strong>and</strong> PHYSICS 140/240/141/241), overrides will be<br />

managed by <strong>the</strong> Physics Student Services Office. <strong>To</strong> add yourself to<br />

<strong>the</strong> waitlist, please bring a current copy <strong>of</strong> your class schedule to<br />

2464 R<strong>and</strong>all Lab. All efforts will be made to enroll you in a course<br />

that fits with your current schedule that day. If <strong>the</strong> Office is unable<br />

to enroll you in a class, all available sections that fit with your<br />

schedule will be noted, <strong>and</strong> you will be contacted by email once a<br />

seat opens up. For all o<strong>the</strong>r physics courses: when <strong>the</strong> course has<br />

filled to capacity, an electronic waitlist will open on Wolverine<br />

Access. Overrides will be issued at <strong>the</strong> discretion <strong>of</strong> <strong>the</strong> Physics<br />

Department.<br />

Once classes begin, overrides will be issued through permission <strong>of</strong><br />

<strong>the</strong> Instructor by <strong>the</strong> Physics Student Services Office. Students<br />

have 48 hours to register for <strong>the</strong> course once permission is issued.<br />

Please contact <strong>the</strong> Physics Student Services Office, 2464 R<strong>and</strong>all<br />

Lab, physics.sso@umich.edu, 734-764-5539, with questions or concerns.


112 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

PHYSICS 106. Everyday Physics.<br />

(3). (NS). (BS). May not be repeated for credit. It is recommended<br />

that School <strong>of</strong> Education students take PHYSICS 420.<br />

This course examines everyday phenomena <strong>and</strong> current technology<br />

in terms <strong>of</strong> physical concepts <strong>and</strong> laws. The subjects examined are<br />

wide ranging <strong>and</strong> <strong>the</strong> discussion focuses on discovering common<br />

underlying <strong>the</strong>mes.<br />

PHYSICS 110. From Alchemy through Quarks: The Search<br />

for a Unified Underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong> Natural Universe.<br />

(3). (BS). May not be repeated for credit.<br />

We discuss mankind's effort to achieve a unified underst<strong>and</strong>ing <strong>of</strong><br />

our natural universe, from <strong>the</strong> earliest attempts to <strong>the</strong> great recent<br />

progress <strong>of</strong> unifying weak, electromagnetic <strong>and</strong> perhaps strong interactions<br />

into one force. At <strong>the</strong> same time we cover <strong>the</strong> search for<br />

<strong>the</strong> fundamental constituents <strong>of</strong> matter, now thought to be quarks<br />

<strong>and</strong> leptons.<br />

PHYSICS 112. Cosmology: The <strong>Science</strong> <strong>of</strong> <strong>the</strong> Universe.<br />

Although no science courses are required, high school physics<br />

would be helpful. Enrollment restricted to first-year students, including<br />

those with sophomore st<strong>and</strong>ing. (3). (NS). (BS). May not be<br />

repeated for credit. F.<br />

• What else is <strong>the</strong>re in <strong>the</strong> universe besides stars?<br />

• Why do we think <strong>the</strong>re was a big bang?<br />

• How big is a galaxy <strong>and</strong> how might <strong>the</strong>y have formed?<br />

This course provides answers to such questions, stressing conceptual<br />

underst<strong>and</strong>ing <strong>and</strong> simple calculational problem solving.<br />

Instructor: Freese, Ka<strong>the</strong>rine<br />

PHYSICS 116. From Quarks to Cosmos.<br />

(3). (NS). (BS). (QR/1). May not be repeated for credit.<br />

This course introduces <strong>the</strong> modern underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong> physical<br />

universe. We discuss <strong>the</strong> elementary particles that constitute <strong>the</strong><br />

building blocks for all matter, <strong>and</strong> we discuss <strong>the</strong> hot dense beginnings<br />

<strong>of</strong> <strong>the</strong> universe known as <strong>the</strong> big bang. We convey <strong>the</strong> deep<br />

connection between <strong>the</strong> physics <strong>of</strong> <strong>the</strong> subatomic domain, <strong>and</strong> <strong>the</strong><br />

physics <strong>of</strong> <strong>the</strong> cosmos.<br />

Instructor: Larsen, Finn<br />

PHYSICS 135. Physics for <strong>the</strong> Life <strong>Science</strong>s I.<br />

MATH 115, 120, 185, or 295. Students should elect PHYSICS 136<br />

concurrently. (4). (NS). (BS). (QR/1). May not be repeated for<br />

credit. No credit granted to those who have completed or are enrolled<br />

in PHYSICS 125, 140 or 160.<br />

Life is a physical process, limited <strong>and</strong> enabled by <strong>the</strong> same laws <strong>of</strong><br />

nature that govern <strong>the</strong> inanimate world. This course is <strong>the</strong> first <strong>of</strong> a<br />

two-course introduction to <strong>the</strong> physics <strong>of</strong> life.<br />

PHYSICS 135 is divided into three main topics. The course begins<br />

with <strong>the</strong> mechanics <strong>of</strong> life; how organisms support <strong>the</strong>mselves<br />

against <strong>the</strong> pull <strong>of</strong> gravity, <strong>and</strong> how <strong>the</strong>y apply forces to move<br />

<strong>the</strong>mselves around. After this, you will learn about energy <strong>and</strong> how<br />

its flow enables <strong>the</strong> assembly <strong>and</strong> activity <strong>of</strong> life. The final third <strong>of</strong><br />

<strong>the</strong> course examines life’s media, air <strong>and</strong> water, <strong>and</strong> explores how<br />

<strong>the</strong> behaviors <strong>of</strong> fluids influence life.<br />

PHYSICS 135 students should elect PHYSICS 136 (lab).<br />

Course Requirements:<br />

The course grade is based on homework, three evening examinations,<br />

class performance <strong>and</strong> a final examination.<br />

Intended Audience:<br />

PHYSICS 135 <strong>and</strong> 235 is <strong>the</strong> best introductory physics sequence for<br />

students planning concentrations in any <strong>of</strong> <strong>the</strong> life sciences, as well<br />

as students planning to pursue medicine, kinesiology, or <strong>the</strong> health<br />

sciences as a pr<strong>of</strong>ession.<br />

Instructor: Melnichuk, Mike<br />

PHYSICS 136. Physics for <strong>the</strong> Life <strong>Science</strong>s Laboratory I.<br />

Concurrent election with PHYSICS 135 is strongly recommended.<br />

(1). (NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in PHYSICS 127, 141 or<br />

161.<br />

PHYSICS 136 is a two-hour weekly laboratory designed to accompany<br />

PHYSICS 135. This lab introduces students to experimental<br />

methods in science. Students make observations, analyze <strong>the</strong>ir data<br />

<strong>and</strong> compare <strong>the</strong>ir results to predictions based on <strong>the</strong>ory. The<br />

course material is focused on underst<strong>and</strong>ing <strong>the</strong> principles <strong>of</strong> classical<br />

mechanics.<br />

Course Requirements: Students are graded on in-class performance<br />

<strong>and</strong> laboratory reports submitted at <strong>the</strong> end <strong>of</strong> each lab period.<br />

Students are expected to complete 10 experiments in this<br />

course.<br />

Intended Audience: This laboratory is intended for students interested<br />

in <strong>the</strong> life sciences <strong>and</strong> who are taking <strong>the</strong> PHYSICS 135/<br />

235 course sequence.<br />

Class Format: Two hours a week in a laboratory classroom. There<br />

are ten stations in <strong>the</strong> classroom, <strong>and</strong> students work in groups <strong>of</strong><br />

two.<br />

PHYSICS 140. General Physics I.<br />

MATH 115, 120, 185 or 295. Students should elect PHYSICS 141<br />

concurrently. (4). (NS). (BS). (QR/1). May not be repeated for<br />

credit. No credit granted to those who have completed or are enrolled<br />

in PHYSICS 125, 135, 139 or 160.<br />

PHYSICS 140 students should elect PHYSICS 141 (lab).<br />

PHYSICS 140 <strong>of</strong>fers an introduction to classical mechanics, <strong>the</strong><br />

physics <strong>of</strong> motion. <strong>To</strong>pics include: vectors, linear motion, projectiles,<br />

relative velocity <strong>and</strong> acceleration, circular motion, Newton's<br />

laws, particle dynamics, work <strong>and</strong> energy, linear momentum,<br />

torque, angular momentum, gravitation, planetary motion, fluid<br />

statics <strong>and</strong> dynamics, simple harmonic motion, waves <strong>and</strong> sound.<br />

PHYSICS 140 students should elect PHYSICS 141 (lab).<br />

Course Requirements:<br />

Student performance is evaluated using a combination <strong>of</strong> homework<br />

assignments, class participation, three evening examinations<br />

<strong>and</strong> a final examination.<br />

Intended Audience:<br />

PHYSICS 140 is <strong>the</strong> first <strong>of</strong> a three-term sequence in general physics<br />

consisting <strong>of</strong> PHYSICS 140, 240 <strong>and</strong> 340. This sequence is primarily<br />

for students in <strong>the</strong> physical sciences <strong>and</strong> engineering. Life<br />

science <strong>and</strong> pre-health students are encouraged to take PHYSICS<br />

135 <strong>and</strong> 235. Students with a strong interest in physics <strong>and</strong> a solid<br />

preparation in high school physics may wish to consider PHYSICS<br />

160 <strong>and</strong> 260.<br />

PHYSICS 141. Elementary Laboratory I.<br />

Concurrent election with PHYSICS 140 or 160 is strongly recommended.<br />

(1). (NS). (BS). May not be repeated for credit. No credit<br />

granted to those who have completed or are enrolled in PHYSICS<br />

127, 136 or 161.<br />

One two-hour period <strong>of</strong> laboratory work each week designed to accompany<br />

PHYSICS 140.<br />

Class Format:<br />

One two-hour period <strong>of</strong> laboratory work each week<br />

PHYSICS 160. Honors Physics I.<br />

MATH 115, 120, 185 or 295. Students should elect PHYSICS 161 or<br />

141 concurrently. (4). (NS). (BS). (QR/1). May not be repeated for<br />

credit. No credit granted to those who have completed or are enrolled<br />

in PHYSICS 125, 135 or 140.<br />

Did you take an AP physics class in high school?<br />

Do you want to explore physics in new ways?


Then <strong>the</strong> PHYSICS 160 <strong>and</strong> 260 sequence is for you!<br />

PHYSICS 160 covers <strong>the</strong> fundamental principles <strong>of</strong> mechanics using<br />

a modern perspective. It emphasizes <strong>the</strong> applicability <strong>of</strong> <strong>the</strong>se laws<br />

in systems ranging from binary stars to nuclear collisions. This class<br />

will be different, <strong>and</strong> more interesting, than any physics course you<br />

have taken yet.<br />

The goals <strong>of</strong> <strong>the</strong> course are:<br />

1. Application <strong>of</strong> fundamental principles to a wide range <strong>of</strong> systems<br />

i.e., from nuclei to stars (unify mechanics)<br />

2. Integrate contemporary physics (atomic models <strong>of</strong> matter, relativistic<br />

dynamics)<br />

3. Engage students in physical modeling (idealization, approximation,<br />

assumptions, estimation)<br />

4. Integrate computational physics (now a partner <strong>of</strong> <strong>the</strong>ory <strong>and</strong><br />

experiment) into problem solving<br />

Intended Audience:<br />

For students who are interested in a science concentration, especially<br />

physics, this is <strong>the</strong> class that you should take.<br />

PHYSICS 161. Honors Introductory Mechanics Lab.<br />

Concurrent election with PHYSICS 160 strongly recommended. (1).<br />

(NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in PHYSICS 127, 136 or<br />

141.<br />

PHYSICS 161 is a three-hour weekly laboratory designed to accompany<br />

PHYSICS 160. This lab introduces students to <strong>the</strong> core concepts<br />

<strong>of</strong> physics, namely careful observations, both quantitative <strong>and</strong><br />

qualitative, followed by comparison with appropriate ma<strong>the</strong>matical<br />

models that serve as <strong>the</strong> basis for descriptive interpretation. Course<br />

material is focused on developing a good underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong> concepts<br />

<strong>and</strong> principles <strong>of</strong> Newtonian mechanics while providing sophisticated<br />

experiments for demonstrating <strong>the</strong> validity <strong>of</strong> <strong>the</strong>se fundamental<br />

paradigms. The analytical techniques require high school<br />

level algebra <strong>and</strong> some familiarity with statistical measures <strong>of</strong> significance,<br />

procedures common to any scientific, technical, or medical<br />

area <strong>of</strong> inquiry. Although not an academic requirement, it is assumed<br />

that <strong>the</strong> students will have some basic skills in using a computer<br />

at <strong>the</strong> level <strong>of</strong> a word processing program or similar application<br />

task.<br />

Intended audience: This course is aimed at students with a<br />

strong intellectual interest in physics who are likely to major in <strong>the</strong><br />

physical sciences.<br />

Course Requirements: Students are graded on in-class performance<br />

<strong>and</strong> laboratory reports submitted at <strong>the</strong> end <strong>of</strong> each lab period.<br />

Short web-based quizzes are used to encourage students to<br />

prepare for each class by reading <strong>the</strong> lab manual.<br />

Class Format: Three hours per week in a lab classroom. Taught<br />

by <strong>the</strong> Faculty Lab Coordinator.<br />

POLISH (Polish)<br />

The department teaches <strong>the</strong> languages, literatures, <strong>and</strong> cultures <strong>of</strong><br />

<strong>the</strong> Slavic nations. The curriculum provides <strong>the</strong> language training<br />

prerequisite to specialization in a variety <strong>of</strong> careers (e.g., government,<br />

diplomacy, international trade, teaching), <strong>and</strong> <strong>of</strong>fers an enriching<br />

cultural <strong>and</strong> linguistic background to non-concentrators, especially<br />

those interested in <strong>the</strong> ethnic heritage <strong>of</strong> <strong>the</strong> Slavic peoples.<br />

Courses in English. The department <strong>of</strong>fers a series <strong>of</strong> courses in<br />

English translation designed to survey <strong>the</strong> Slavic literatures <strong>and</strong> cultures<br />

for concentrators in Russian <strong>and</strong> Polish <strong>and</strong> for nonconcentrators.<br />

These courses include:<br />

• RUSSIAN 231, 241, 322, 346, 347, 348, 357, 358, 360, 361,<br />

365, 382, 450, 460, 461, 462, 463, 464, 472, 476, 477, 478,<br />

479, 485;<br />

• SLAVIC 151, 210, 225, 240, 250, 270, 281, 290, 312, 313, 315,<br />

316, 435, 470, 481, 487, 490;<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 113<br />

• POLISH 214, 314, 325, 326, 432;<br />

• CZECH 315, 480, 483, 484<br />

The Polish Program at <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong> is considered one<br />

<strong>of</strong> <strong>the</strong> strongest, possibly <strong>the</strong> strongest, Polish programs in <strong>the</strong><br />

country. Language courses are <strong>the</strong> core, with <strong>of</strong>ferings including<br />

First, Second, Third, <strong>and</strong> Fourth Year Polish. U-M is thus <strong>the</strong> only<br />

American university to <strong>of</strong>fer four levels <strong>of</strong> Polish every year. It also<br />

<strong>of</strong>fers on a regular basis Polish literature survey courses, as well as<br />

courses on Polish drama, novel, film, <strong>and</strong> popular culture. People <strong>of</strong><br />

Polish heritage form <strong>the</strong> fourth largest ethnic group in <strong>the</strong> state <strong>of</strong><br />

<strong>Michigan</strong>, <strong>and</strong> a great number <strong>of</strong> students at <strong>the</strong> University <strong>of</strong><br />

<strong>Michigan</strong> have Polish roots. The strength <strong>of</strong> <strong>the</strong> program has been<br />

possible thanks to intensive cooperation with <strong>the</strong> Center <strong>of</strong> Russian,<br />

East European, <strong>and</strong> Eurasian Studies. The Center actively supports<br />

Polish activities across <strong>the</strong> campus <strong>and</strong> helps coordinate a large<br />

network <strong>of</strong> faculty that include in <strong>the</strong>ir teaching <strong>and</strong> research different<br />

aspects <strong>of</strong> Polish culture. The Polish program also benefits<br />

from <strong>the</strong> activities <strong>of</strong> <strong>the</strong> Copernicus Endowment, most notably its<br />

annual Copernicus Lectures delivering leading Polish scholars, artists,<br />

writers, <strong>and</strong> public figures.<br />

POLISH 121. First-Year Polish.<br />

(4). May not be repeated for credit. May not be repeated for credit.<br />

No credit granted to those who have completed or are enrolled in<br />

POLISH 123. F.<br />

Introductory course presenting basic grammatical information <strong>and</strong><br />

vocabulary. Course is geared toward active language use through<br />

oral drills <strong>and</strong> conversational practice. Conversations <strong>and</strong> discussions<br />

include a cultural component to familiarize students with both<br />

Polish language <strong>and</strong> culture.<br />

Instructor: Pasek, Ewa Maria<br />

POLSCI (Political <strong>Science</strong>)<br />

Political science is <strong>the</strong> systematic study <strong>of</strong> governmental <strong>and</strong> political<br />

structures, processes, <strong>and</strong> policies. This study uses institutional,<br />

quantitative, <strong>and</strong> philosophical approaches. The field is highly<br />

diverse, ranging across political <strong>the</strong>ory, comparative government,<br />

international relations, American government, public policy, <strong>and</strong><br />

research methods. Political scientists concentrate on public opinion<br />

<strong>and</strong> voting, organized political behavior, governmental institutions,<br />

studies <strong>of</strong> single countries, comparisons across countries <strong>and</strong> relations<br />

among countries. The field addresses both normative <strong>and</strong><br />

empirical concerns.<br />

Roster <strong>of</strong> POLSCI subfields <strong>and</strong> courses:<br />

• American 111, 300, 310, 311, 312, 313, 314, 315, 316, 317,<br />

318, 319, 320, 321, 322, 323, 324, 326, 327, 329, 330, 331,<br />

332, 333, 334, 335, 380, 385, 410, 432, 482, 484, 486, 496<br />

• Comparative 140, 336, 337, 338, 339, 340, 341, 342, 343, 344,<br />

345, 346, 347, 348, 349, 350, 351, 352, 353, 354, 355, 356,<br />

357, 358, 359, 382, 387, 395, 396, 397, 451, 497<br />

• Methods 381, 391, 488, 490, 499<br />

• Theory 101, 301, 302, 306, 307, 308, 309, 400, 401, 402, 403,<br />

404, 405, 406, 407, 408, 409, 495<br />

• World 160, 360, 361, 363, 364, 365, 368, 369, 370, 371, 372,<br />

379, 462, 463, 498<br />

Waitlist Policy for <strong>the</strong> Political <strong>Science</strong> Department<br />

Students are strongly encouraged to use <strong>the</strong> waitlist for any closed<br />

Political <strong>Science</strong> course. Students should register on <strong>the</strong> waitlist<br />

according to <strong>the</strong>ir preferred section AND attend <strong>the</strong> first class.<br />

Overrides will be issued automatically, in waitlist order (unless a<br />

pr<strong>of</strong>essor asks for a different process in a particular course) up to<br />

<strong>the</strong> first day <strong>of</strong> class by <strong>the</strong> department as space becomes available.<br />

Students are notified by e-mail <strong>and</strong> given three days to use<br />

<strong>the</strong> override; <strong>the</strong> seat may go to an alternate student on <strong>the</strong> waitlist<br />

if <strong>the</strong> override is allowed to expire. Students should remember<br />

that for cross-listed courses, <strong>the</strong>ir waitlist position as seen on<br />

Wolverine Access is relative to <strong>the</strong> unit under which <strong>the</strong>y are enrolled.<br />

Unused overrides may result in <strong>the</strong> student being removed


114 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

from <strong>the</strong> waitlist completely. No overrides will be issued automatically<br />

after <strong>the</strong> first day <strong>of</strong> classes. Students (waitlisted or not) must<br />

attend <strong>the</strong> first class <strong>and</strong> obtain an override from <strong>the</strong> instructor or<br />

GSI.<br />

<strong>Michigan</strong> in Washington Program<br />

The MIW program <strong>of</strong>fers an opportunity each year for 45-50<br />

undergraduates from any major to spend a semester (Fall or<br />

Winter) in Washington. The program provides a chance for students<br />

to combine coursework with an internship that reflects each<br />

student’s particular area <strong>of</strong> interest (such as American politics, international<br />

studies, history, <strong>the</strong> arts, public health, economics, <strong>the</strong><br />

media, <strong>the</strong> environment <strong>and</strong> science <strong>and</strong> technology).<br />

The application deadline for Winter 2012 <strong>and</strong> early admission for<br />

Fall 2012 will be Friday, September 30, 2011.<br />

POLSCI 101. Introduction to Political Theory.<br />

Primarily for first <strong>and</strong> second year students. (4). (SS). May not be<br />

repeated for credit. F, W, Sp.<br />

Section 001. This course is a primarily chronological introduction<br />

to a selection <strong>of</strong> major <strong>and</strong> some minor works in Western political<br />

<strong>the</strong>ory. The texts we read are (mostly) old, but <strong>the</strong> questions<br />

should be familiar: How should we live, <strong>and</strong> what rules should govern<br />

our collective life? Those are, roughly, <strong>the</strong> questions <strong>of</strong> <strong>the</strong><br />

good life <strong>and</strong> justice. How should we go about pursuing our goals?<br />

That is <strong>the</strong> question <strong>of</strong> political action. Finally, why do we disagree<br />

when we answer those questions? That’s <strong>the</strong> question <strong>of</strong> ideology.<br />

Course Requirements:<br />

Assignments include regular reading questions, short papers, writing<br />

on a course blog, <strong>and</strong> optional group work.<br />

Class Format:<br />

The course uses various interactive technologies, <strong>and</strong> a laptop is<br />

recommended but not required.<br />

Instructor: LaVaque-Manty, Mika<br />

POLSCI 111. Introduction to American Politics.<br />

Primarily for fist <strong>and</strong> second year students. (4). (SS). May not be<br />

repeated for credit.<br />

Section 001. This course is an introduction to American politics,<br />

with an emphasis on <strong>the</strong> Constitution, <strong>the</strong> electoral process <strong>and</strong><br />

political participation, <strong>and</strong> <strong>the</strong> decision-making process in Congress,<br />

<strong>the</strong> executive branch, <strong>and</strong> <strong>the</strong> federal courts. We will use <strong>the</strong>ories<br />

<strong>of</strong> politics, as well as historical <strong>and</strong> current events, to develop an<br />

underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong> structures <strong>and</strong> processes <strong>of</strong> our government.<br />

Course Requirements:<br />

Your grade will be based on exams, participation in discussion section,<br />

<strong>and</strong> assignments from your GSI.<br />

Class Format:<br />

In addition to two lectures per week, you will meet twice a week in<br />

a discussion section led by a GSI. In <strong>the</strong>se sections you will have<br />

<strong>the</strong> opportunity to discuss <strong>the</strong> readings, ask any questions you<br />

might have about lectures or readings, <strong>and</strong> address topics in more<br />

depth than <strong>the</strong> lectures permit.<br />

Instructor: Shipan, Charles R<br />

POLSCI 140. Introduction to Comparative Politics.<br />

Primarily for first- <strong>and</strong> second-year students. (4). (SS). May not be<br />

repeated for credit. F, W.<br />

An introductory survey <strong>of</strong> <strong>the</strong> governments <strong>and</strong> politics <strong>of</strong> several<br />

contemporary societies in Europe, Asia, Africa, <strong>and</strong> Latin America.<br />

Instructor: Markovits, Andrei S<br />

POLSCI 160. Introduction to World Politics.<br />

(4). (SS). May not be repeated for credit. F, W, Su.<br />

Section 001. This course provides an introduction to <strong>the</strong> analysis<br />

<strong>of</strong> world politics. It focuses on <strong>the</strong>ories used to explain international<br />

<strong>and</strong> domestic politics central to world politics in its full generality.<br />

The evidence for such <strong>the</strong>ories lies in patterns <strong>of</strong> behavior over<br />

time, although extensive examples <strong>and</strong> cases will be presented<br />

both to illuminate <strong>the</strong> concepts <strong>of</strong> <strong>the</strong> <strong>the</strong>ories <strong>and</strong> to help <strong>the</strong> student<br />

see how <strong>the</strong>ories try to explain individual events.<br />

The course begins with an introduction to world politics. Six principles<br />

focus our attention on <strong>the</strong> key things we need to know to underst<strong>and</strong><br />

why events happen in world politics. The first part <strong>of</strong> <strong>the</strong><br />

course presents <strong>and</strong> explains <strong>the</strong>se six principles. The second third<br />

uses <strong>the</strong>se principles to explain why war occurs, how states prepare<br />

for <strong>the</strong> possibility <strong>of</strong> war, <strong>and</strong> <strong>the</strong> consequences <strong>of</strong> war afterwards.<br />

The final third <strong>of</strong> <strong>the</strong> course addresses issues in international political<br />

economy <strong>and</strong> o<strong>the</strong>r issues. Specific issues <strong>of</strong> trade, monetary<br />

affairs, finance, <strong>the</strong> environment, <strong>and</strong> human rights are covered in<br />

this third. The course ends by examining why <strong>the</strong> state system<br />

dominates world politics.<br />

Instructor: Morrow, James D<br />

PORTUG (Portuguese)<br />

Placement Tests<br />

Students who intend to continue a language begun in high school<br />

or ano<strong>the</strong>r college or university must take <strong>the</strong> Placement Test to<br />

determine <strong>the</strong> language course in which <strong>the</strong>y should enroll. Please<br />

note that students may not take <strong>the</strong> Portuguese placement test<br />

more than one time. <strong>To</strong> schedule a Portuguese placement test with<br />

<strong>the</strong> instructor, please contact <strong>the</strong> RLL main <strong>of</strong>fice at (734)<br />

764-5344 for more information.<br />

Language Requirement<br />

Students who demonstrate a fourth-term pr<strong>of</strong>iciency are certified to<br />

have fulfilled <strong>the</strong> LSA language requirement. O<strong>the</strong>r students are<br />

placed in courses according to <strong>the</strong>ir demonstrated degree <strong>of</strong> competence<br />

<strong>and</strong> satisfy <strong>the</strong> LSA language requirement by successful<br />

completion <strong>of</strong> FRENCH 232, ITALIAN 232, PORTUG 232, SPANISH<br />

232, or <strong>the</strong> equivalent. Students with previous background in or<br />

exposure to a Romance language are encouraged to continue study<br />

<strong>of</strong> that language through <strong>the</strong> freshman <strong>and</strong> sophomore years. The<br />

language requirement cannot be satisfied by out-<strong>of</strong>-residence credit<br />

which is elected after <strong>the</strong> student has begun degree enrollment in<br />

LSA.<br />

Override Policy<br />

www.lsa.umich.edu/rll/langinstruct/overrides.html<br />

Attendance Policy<br />

A student who misses ei<strong>the</strong>r <strong>of</strong> <strong>the</strong> first two meetings <strong>of</strong> any course<br />

<strong>of</strong>fered by <strong>the</strong> Department <strong>of</strong> Romance Languages may be dropped<br />

from <strong>the</strong> course for non-attendance.<br />

PORTUG 101. Elementary Portuguese.<br />

(4). May not be repeated for credit. No credit granted to those who<br />

have completed or are enrolled in PORTUG 100 or 415. F.<br />

PORTUG 101 is <strong>of</strong>fered only in <strong>the</strong> Fall Academic Term.<br />

Elementary Portuguese is designed to introduce students to <strong>the</strong><br />

language <strong>and</strong> culture <strong>of</strong> Brazil.<br />

Our focus is on <strong>the</strong> development <strong>of</strong> students' ability to underst<strong>and</strong><br />

spoken <strong>and</strong> written Portuguese, <strong>and</strong> be able to speak <strong>and</strong> write it<br />

<strong>the</strong>mselves, developing <strong>the</strong>ir four language skills so <strong>the</strong>y can communicate,<br />

underst<strong>and</strong> what's said, speak, read <strong>and</strong> write in everyday<br />

practical situations.<br />

Our course is content-based, incorporating grammar in a functional<br />

use <strong>of</strong> language through listening, speaking, reading, <strong>and</strong> writing<br />

tasks. Vocabulary <strong>and</strong> structures are practiced in class through<br />

communicative activities, stressing listening <strong>and</strong> speaking.<br />

Au<strong>the</strong>ntic materials from Brazilian websites are used to develop<br />

reading comprehension skills. Videos <strong>and</strong> Internet treasure hunts<br />

introduce students to contemporary Brazilian life <strong>and</strong> culture,<br />

heightening <strong>the</strong>ir cultural awareness <strong>and</strong> listening skills.


<strong>To</strong> help you learn Portuguese, on C<strong>To</strong>ols we've uploaded:<br />

• Video clips introducing new structures for each chapter<br />

• Vocabulary practice material;<br />

• In addition, you'll have access to a few short films.<br />

Required materials: The Ponto de Encontro text <strong>and</strong> workbook, a<br />

dictionary, <strong>and</strong> a grammar book.<br />

Highly recommended: 501 verbs.<br />

Sold at MI Book <strong>and</strong> Supply.<br />

Course Requirements:<br />

Homework involves completing daily activities on <strong>the</strong> workbook,<br />

completing audio-visual based tasks on C-tools, writing short notes,<br />

<strong>and</strong> researching on <strong>the</strong> Internet for au<strong>the</strong>ntic material to complete<br />

<strong>the</strong> treasure hunts.<br />

Evaluation criteria: Regular attendance is crucial for progress. Grading<br />

is based on regular attendance, class participation — asking <strong>and</strong><br />

answering questions in Portuguese, initiating discussion, role playing,<br />

<strong>and</strong> o<strong>the</strong>r situational activities — homework assignments (to<br />

prepare for in-class work, <strong>and</strong> tests), quizzes, Internet research, a<br />

midterm, a group cultural project presented in class, two brief<br />

essays, two speaking tests, <strong>and</strong> a final examination.<br />

By <strong>the</strong> end <strong>of</strong> <strong>the</strong> academic term — depending on how actively you<br />

participated in class, <strong>and</strong> completed <strong>the</strong> homework — we hope<br />

you'll have a fair listening comprehension skill level, enough vocabulary,<br />

<strong>and</strong> a basic knowledge <strong>of</strong> <strong>the</strong> fundamental elements <strong>of</strong><br />

Portuguese grammatical structure, to be able to underst<strong>and</strong> <strong>and</strong><br />

participate enthusiastically in basic conversational situations.<br />

Instructor: Fedrigo, Niedja C<br />

PSYCH (Psychology)<br />

Undergraduate courses in psychology give students an opportunity<br />

to learn what research has shown about:<br />

• how behavior is motivated;<br />

• how people perceive, learn, <strong>and</strong> think;<br />

• how individuals differ from one ano<strong>the</strong>r;<br />

• how personality develops from infancy to maturity <strong>and</strong> is expressed<br />

by behavior; <strong>and</strong><br />

• how interpersonal factors affect human relationships in <strong>the</strong><br />

home, on <strong>the</strong> job, <strong>and</strong> in <strong>the</strong> community.<br />

The curriculum in psychology is intended to enhance one's underst<strong>and</strong>ing<br />

<strong>of</strong> behavioral science <strong>and</strong> <strong>of</strong> oneself <strong>and</strong> o<strong>the</strong>rs in terms <strong>of</strong><br />

concepts developed by study. <strong>To</strong> that end, we <strong>of</strong>fer three concentrations:<br />

in Psychology; in Brain, Behavior <strong>and</strong> Cognitive <strong>Science</strong>;<br />

<strong>and</strong> in Neuroscience. <strong>To</strong> help you focus your studies around your<br />

particular set <strong>of</strong> interests, we <strong>of</strong>fer ten Curriculum Guides (lists<br />

<strong>of</strong> recommended courses for students interested in a particular field<br />

<strong>of</strong> study).<br />

Psychology Waitlist Procedure (beginning Fall 2009)<br />

All sections <strong>of</strong> all undergraduate courses have a waitlist (except<br />

courses that are “Instructor Consent,” First-Year Seminars, <strong>and</strong><br />

Independent Studies). Being on a waitlist does not guarantee a<br />

spot in <strong>the</strong> class. After <strong>the</strong> Early Registration period, <strong>the</strong> Department<br />

will provide permission to register as seats become available<br />

in classes using <strong>the</strong> following guidelines:<br />

1. Upper level courses — seats will be <strong>of</strong>fered to senior concentrators<br />

(85+ credits), <strong>the</strong>n junior concentrators (55-84 credits),<br />

<strong>the</strong>n sophomore concentrators (25-54 credits), <strong>the</strong>n nonconcentrators.<br />

BBCS <strong>and</strong> Neuroscience students will be given<br />

priority for BBCS/Neuroscience eligible courses.<br />

2. Breadth courses — seats will be <strong>of</strong>fered first to concentrators<br />

by class rank, <strong>the</strong>n all o<strong>the</strong>rs in waitlist order.<br />

3. 100-200 level courses — waitlist order with freshmen <strong>and</strong><br />

sophomore students receiving priority.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 115<br />

During Early Registration, permissions will expire 2 days from <strong>the</strong>ir<br />

assignment.<br />

Students may add <strong>the</strong>mselves to waitlists until <strong>the</strong> end <strong>of</strong> <strong>the</strong> day<br />

prior to <strong>the</strong> drop/add deadline.<br />

IT IS CRITICAL THAT STUDENTS ATTEND CLASSES FROM THE<br />

BEGINNING OF THE TERM. EVEN THOUGH STUDENTS ARE<br />

REGISTERED OFFICIALLY FOR A COURSE, THE DEPARTMENT MAY<br />

REQUEST THAT THEY BE DISENROLLED IF THEY DO NOT ATTEND<br />

INITIAL CLASSES.<br />

All sections <strong>of</strong> courses meet from <strong>the</strong> first day <strong>of</strong> classes, even if<br />

<strong>the</strong> discussion or lab section is scheduled before <strong>the</strong> first lecture.<br />

Students must attend class from <strong>the</strong> beginning <strong>of</strong> <strong>the</strong> term or risk<br />

being dropped from <strong>the</strong> class.<br />

Some instructors will choose to close <strong>the</strong> class on <strong>the</strong> first day <strong>of</strong><br />

<strong>the</strong> term so that all enrollment requires permission. If <strong>the</strong> enrollment<br />

has not reached <strong>the</strong> posted maximum, instructors will have a<br />

process for admitting students who have been attending class.<br />

Questions about enrollment <strong>and</strong> permission to register should be<br />

sent to psych.saa@umich.edu.<br />

PSYCH 111. Introduction to Psychology.<br />

(4). (SS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in PSYCH 112, 114, or<br />

115. PSYCH 111 may not be included in a concentration plan in<br />

Psychology. Students in PSYCH 111 are required to spend five<br />

hours outside <strong>of</strong> class participating as subjects in research projects.<br />

F, W, Sp, Su.<br />

Section 030. Designed to introduce students to <strong>the</strong> major topics<br />

studied by psychologists including sensation, perception, learning,<br />

motivation, physiological <strong>and</strong> cultural bases <strong>of</strong> behavior, development,<br />

personality, <strong>and</strong> social psychology.<br />

Instructor: Grayson, Carla Elena<br />

Section 060. An introduction to psychology as a broad survey<br />

course which explores <strong>the</strong> various <strong>the</strong>oretical bases for <strong>the</strong> underst<strong>and</strong>ing<br />

<strong>of</strong> human behavior. Students will learn about <strong>the</strong> biological<br />

processes <strong>of</strong> behavior, sensation <strong>and</strong> perception, learning <strong>and</strong><br />

memory as well as examine <strong>the</strong> <strong>the</strong>ories <strong>of</strong> personality, psychopathology,<br />

cognitive <strong>and</strong> social development. Practical applications<br />

<strong>and</strong> contemporary topics will also be explored.<br />

Course Requirements:<br />

Course Requirements include three non-cumulative exams (multiple<br />

choice <strong>and</strong> short answer) <strong>and</strong> three applied written assignments <strong>of</strong><br />

3-5 pages in length.<br />

Class Format:<br />

This is a lecture only format course.<br />

Instructor: Schreier, Shelly Gail-Zeff<br />

Section 070. Psychology is <strong>the</strong> study <strong>of</strong> thought <strong>and</strong> behavior. It<br />

can help you underst<strong>and</strong> yourself <strong>and</strong> o<strong>the</strong>rs, <strong>and</strong> is relevant to<br />

health, education, business, <strong>and</strong> law. This course will survey <strong>the</strong><br />

field. We will overview neuroscience <strong>and</strong> its relationship to behavior<br />

<strong>and</strong> thought, sensation, perception, consciousness, learning, memory,<br />

thinking, intelligence, motivation, emotion, health <strong>and</strong> behavior,<br />

development across <strong>the</strong> life span, social cognition, social behavior,<br />

personality, mental disorders, <strong>and</strong> psychological treatments. At<br />

<strong>the</strong> end <strong>of</strong> <strong>the</strong> course students should know key findings about<br />

<strong>the</strong>se topics, as well as how to evaluate purported facts about<br />

psychology.<br />

The cost <strong>of</strong> new versions <strong>of</strong> <strong>the</strong> two required textbooks is over<br />

$100, but less expensive used versions <strong>and</strong> electronic versions <strong>of</strong><br />

<strong>the</strong> texts are available.<br />

Course Requirements:<br />

Evaluation is based on web submitted assignments, quizzes, <strong>and</strong><br />

three multiple choice exams.


116 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

Class Format:<br />

Students will attend lecture twice per week, as well as a discussion<br />

section once per week.<br />

Instructor: Perlmutter, Marion<br />

Section 090. This course will provide a broad overview <strong>of</strong><br />

psychology by introducing <strong>the</strong> major concepts, terminology, <strong>and</strong> research<br />

methods <strong>of</strong> <strong>the</strong> field. We will explore exciting topics such as<br />

perception, decision-making, emotion, learning, memory, <strong>and</strong> motivation.<br />

Among o<strong>the</strong>r things, we’ll examine how aspects <strong>of</strong> <strong>the</strong> mind<br />

develop in children, how <strong>the</strong>y differ across people <strong>and</strong> cultures, <strong>and</strong><br />

how psychological knowledge can be used to improve <strong>the</strong> quality <strong>of</strong><br />

our lives.<br />

There is one textbook for this course <strong>and</strong> <strong>the</strong>re are used copies<br />

available for less than $100.<br />

Course Requirements:<br />

Although <strong>the</strong>re are no exams in this course, <strong>the</strong>re will be unannounced<br />

quizzes <strong>and</strong> several 4-5 page papers. This is to emphasize<br />

critical thinking ra<strong>the</strong>r than just memorization. You will learn how to<br />

locate, read, <strong>and</strong> evaluate psychological research so that you’ll begin<br />

to ask "What's <strong>the</strong> evidence?" when encountering a statement,<br />

a valuable skill for any major. Assignments will also help you apply<br />

psychological findings to everyday life in order to gain a better underst<strong>and</strong>ing<br />

<strong>of</strong> yourself <strong>and</strong> o<strong>the</strong>rs.<br />

Class Format:<br />

Each class will integrate lecture, discussion, <strong>and</strong> in-class activities/<br />

demonstrations.<br />

Instructor: Burson, Aleah Suzanne<br />

PSYCH 112. Introduction to Psychology as a Natural <strong>Science</strong>.<br />

(4). (NS). (BS). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in PSYCH 111, 114, 115,<br />

or 116. PSYCH 112 may not be included in a concentration plan in<br />

Psychology. Students in PSYCH 112 are required to spend five<br />

hours outside <strong>of</strong> class participating as subjects in research projects.<br />

Psychology is <strong>the</strong> study <strong>of</strong> <strong>the</strong> mind that is our common <strong>and</strong> unique<br />

inheritance as human beings. It is an exciting field, where our underst<strong>and</strong>ing<br />

<strong>of</strong> ourselves is constantly examined, challenged, <strong>and</strong><br />

extended. The goals <strong>of</strong> this course are:<br />

1. to introduce you to scientific models <strong>of</strong> human thought, feeling,<br />

<strong>and</strong> behavior<br />

2. to apply <strong>the</strong>se models to underst<strong>and</strong> better your own mind <strong>and</strong><br />

behavior <strong>and</strong> those <strong>of</strong> o<strong>the</strong>rs<br />

3. to develop intermediate-level academic skills.<br />

Major topics include:<br />

• <strong>the</strong> origins <strong>of</strong> mind, neurons <strong>and</strong> what <strong>the</strong>y do<br />

• how we adapt to <strong>the</strong> world around us<br />

• how we remember (<strong>and</strong> why we sometimes misremember)<br />

• how we think<br />

• why we have feelings<br />

• how we are influenced by o<strong>the</strong>rs<br />

• how <strong>the</strong> mind can break down<br />

• how we can help ourselves<br />

Academic skills include <strong>the</strong> abilities:<br />

• to follow an editorial style (APA 6)<br />

• to write an informative synopsis <strong>of</strong> a research article<br />

• to conduct effective library research online<br />

• to identify <strong>and</strong> articulate psychological explanations.<br />

Course Requirements:<br />

Assessment will take <strong>the</strong> form <strong>of</strong> written assignments, unannounced<br />

quizzes, <strong>and</strong> possibly public speaking. There are no exams<br />

in this class. Participation in <strong>the</strong> Psychology subject pool is required<br />

for course credit.<br />

Instructor: Malley, Brian<br />

PSYCH 120. First-Year Seminar in Psychology as a Social<br />

<strong>Science</strong>.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (SS). May not be repeated for credit. May<br />

not be included in a concentration plan in Psychology.<br />

A small seminar, which will introduce entering students to <strong>the</strong> topic<br />

<strong>of</strong> Psychology <strong>and</strong> issues which are important in <strong>the</strong> field <strong>of</strong><br />

psychology. Through this seminar, students will be able to develop<br />

an underst<strong>and</strong>ing <strong>of</strong> how various <strong>the</strong>ories <strong>and</strong> applications <strong>of</strong> <strong>the</strong><br />

discipline <strong>of</strong> psychology may be helpful in underst<strong>and</strong>ing <strong>the</strong> world.<br />

Section 001 — Education as Social Justice.<br />

This course will explore <strong>the</strong> connection between education/learning<br />

<strong>and</strong> issues <strong>of</strong> social justice. We will consider <strong>the</strong> ways in which <strong>the</strong><br />

structure <strong>of</strong> American education systematically discriminates<br />

against racial, gender, religious, <strong>and</strong> social class groups. The class<br />

will also examine <strong>the</strong> impact <strong>of</strong> this discrimination on social, academic,<br />

<strong>and</strong> psychological development.<br />

Instructor: Rowley, Stephanie J<br />

Section 002 — Intelligence <strong>and</strong> Self-Control: Implications<br />

for Success in <strong>College</strong> <strong>and</strong> Beyond.<br />

It takes “smarts” to get into college, especially selective institutions<br />

such as Mb><strong>the</strong> University <strong>of</strong> <strong>Michigan</strong>. But many smart students<br />

also engage in stupid behavior, at times putting <strong>the</strong>ir college <strong>and</strong><br />

life dreams at risk. In this course, we will attempt to come to grips<br />

with this conundrum. This course aims to develop your knowledge<br />

<strong>of</strong> what intelligence is <strong>and</strong> isn’t <strong>and</strong> what predicts academic<br />

achievement in addition to various life outcomes. In this class you<br />

will be exposed to traditional approaches to <strong>the</strong> study <strong>of</strong> intelligence,<br />

in addition to <strong>the</strong>ories dealing with how people can generate<br />

foolish behavior even though <strong>the</strong>y may seem to be “intelligent” in<br />

o<strong>the</strong>r respects. We will <strong>the</strong>n focus on approaches to strategic selfcontrol<br />

as a way <strong>of</strong> bridging <strong>the</strong> divide between intelligence <strong>and</strong><br />

foolishness.<br />

Course Requirements:<br />

Students will be evaluated based on attendance, constructive participation,<br />

leading discussion, pop quizzes, <strong>and</strong> a cumulative exam.<br />

Instructor: Ybarra, Oscar<br />

Section 003 — What Makes Life Worth Living?.<br />

This first-year seminar for Honors students addresses <strong>the</strong> topic <strong>of</strong><br />

what makes life worth living. The course will draw on psychology as<br />

well as allied work in philosophy, political science, organizational<br />

studies, public health, <strong>and</strong> education. The course will entail a discussion<br />

format; readings from original sources; out-<strong>of</strong>-class exercises;<br />

a service learning project; <strong>and</strong> class presentations by students<br />

at <strong>the</strong> end <strong>of</strong> <strong>the</strong> academic term on topics <strong>of</strong> <strong>the</strong>ir own<br />

choosing.<br />

Intended Audience:<br />

First-year Honors students<br />

Class Format:<br />

First-year seminar for Honors students; discussion format<br />

Instructor: Park, Nansook<br />

Section 004 — Psychological Perspectives on <strong>College</strong><br />

Experience.<br />

When people leave <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong> upon graduation, in<br />

what ways are <strong>the</strong>y different from when <strong>the</strong>y began? How does<br />

university life influence your marriage, your income, <strong>and</strong> most importantly<br />

(for this course) your thinking skills? How can you change<br />

<strong>the</strong> way you proceed through <strong>the</strong> university (from choosing your<br />

major, courses, <strong>and</strong> sleep habits) that can improve your chances<br />

for learning <strong>and</strong> success?<br />

The primary goal <strong>of</strong> this course is to learn about <strong>the</strong> psychology <strong>of</strong><br />

learning <strong>and</strong> thinking in <strong>the</strong> context <strong>of</strong> <strong>the</strong> university.<br />

• How long do your memories last?


• What factors influence how well <strong>and</strong> for how long you will learn<br />

information?<br />

• How will your thinking change as you progress through <strong>the</strong><br />

university?<br />

• Are some people better at learning than o<strong>the</strong>rs?<br />

• How much does effort/practice play a role in how much you<br />

learn?<br />

• How do alcohol, drugs, anxiety, sleep, hormones, etc., affect<br />

how well you learn <strong>and</strong> think?<br />

At <strong>the</strong> same time, we will evaluate in considerable detail <strong>the</strong> implications<br />

<strong>of</strong> <strong>the</strong> psychology <strong>of</strong> learning <strong>and</strong> thinking for our own<br />

learning <strong>and</strong> thinking (<strong>and</strong>, perhaps, <strong>of</strong> one's students <strong>and</strong> children<br />

if one becomes a teacher or parent). Thus, we will systematically<br />

examine through both empirical group projects <strong>and</strong> class activities<br />

<strong>and</strong> discussions, how what we might know about learning might<br />

mean for ourselves.<br />

As a secondary goal, we will consider how <strong>the</strong> university as a whole<br />

works, <strong>and</strong> how university policies <strong>and</strong> university life affect you.<br />

If we are truly successful in this course, you will have a fairly sizable<br />

body <strong>of</strong> knowledge about <strong>the</strong> psychology <strong>of</strong> thinking <strong>and</strong><br />

learning, you will have learned to critically read <strong>and</strong> evaluate research<br />

on <strong>the</strong> psychology <strong>of</strong> thinking <strong>and</strong> learning, <strong>and</strong> you might<br />

even become better thinkers <strong>and</strong> learners. At <strong>the</strong> same time, you<br />

will underst<strong>and</strong> something about <strong>the</strong> university <strong>and</strong> how it works.<br />

Instructor: Shah, Priti R<br />

Section 005 — Law <strong>and</strong> Psychology.<br />

This seminar will study <strong>the</strong> relationship between law <strong>and</strong> psychology<br />

within a general framework. We will examine a number <strong>of</strong> real<br />

cases that have been covered by <strong>the</strong> popular press (e.g., <strong>the</strong> trial<br />

<strong>of</strong> Lorena Bobbitt) as well as some fictional accounts (e.g.,<br />

Grisham's A Time to Kill) with regard to how <strong>the</strong> law defines <strong>the</strong><br />

limits <strong>of</strong> personal responsibility. We will also discuss <strong>the</strong> psychological<br />

import <strong>of</strong> legal issues such as <strong>the</strong> insanity defense, <strong>and</strong> battered<br />

wife syndrome. Each student will write a weekly commentary as<br />

well as a "closing argument" that will be presented to <strong>the</strong> class for<br />

one <strong>of</strong> <strong>the</strong> cases under consideration.<br />

Course Requirements:<br />

Each student will write a weekly commentary as well as a "closing<br />

argument" that will be presented to <strong>the</strong> class for one <strong>of</strong> <strong>the</strong> cases<br />

under consideration.<br />

Instructor: Pachella, Robert G<br />

Section 006 — Psychological Perspectives on Political Life.<br />

In this seminar, we will discuss <strong>the</strong> psychology <strong>of</strong> public opinion,<br />

voting, leadership, <strong>and</strong> media coverage <strong>of</strong> elections. Examples <strong>of</strong><br />

pertinent questions include:<br />

• Do citizens vote in self-interested ways?<br />

• Or are o<strong>the</strong>r, more symbolic aspects more important?<br />

• <strong>To</strong> what extent do environmental characteristics influence one’s<br />

political behavior?<br />

• And does a c<strong>and</strong>idate’s race or gender matter?<br />

In seeking answers to such questions, we will rely upon scholarship<br />

in psychology, political science, sociology, history, <strong>and</strong> geography.<br />

Students will approach <strong>the</strong>se issues via readings, class discussion,<br />

<strong>and</strong> written assignments. Students will also gain basic experience<br />

with social scientific empirical methods as a result <strong>of</strong> collaborating<br />

in an original survey data collection project.<br />

Course Requirements:<br />

Students will be evaluated on semi-weekly response papers (2<br />

pages each), a research project <strong>and</strong> write-up, <strong>and</strong> participation.<br />

Class Format:<br />

Seminar<br />

Instructor: Rabinowitz, Joshua Louis<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 117<br />

Section 007 — Psychological Dimensions <strong>of</strong> Leadership.<br />

What are <strong>the</strong> individual characteristics, behavior or circumstances<br />

that determine a leader’s ability to be effective? This seminar explores<br />

<strong>the</strong>se questions <strong>and</strong> o<strong>the</strong>rs by studying several approaches<br />

to underst<strong>and</strong>ing leadership in organizational contexts. We will explore<br />

psychological perspectives on leadership with a focus on application.<br />

We will use real <strong>and</strong> fictional cases to examine leadership,<br />

<strong>and</strong> examine concepts fur<strong>the</strong>r in class exercises <strong>and</strong> discussions.<br />

The goal for <strong>the</strong> course is to enable each student to:<br />

• Underst<strong>and</strong> <strong>and</strong> explain psychological <strong>the</strong>ories related to leadership,<br />

including trait approaches; leader behavior <strong>and</strong> attitudes;<br />

charismatic leadership; contingency <strong>and</strong> situational approaches;<br />

leader’s sources <strong>of</strong> power <strong>and</strong> influence tactics; <strong>and</strong><br />

ethics in leadership.<br />

• Develop skills in diagnosing organizational problems, identifying<br />

<strong>and</strong> applying relevant concepts <strong>and</strong> <strong>the</strong>ories.<br />

Class Format:<br />

Seminar. Instruction will be delivered by lecture, experiential exercises,<br />

<strong>and</strong> discussions.<br />

Instructor: Wierba, Elizabeth E<br />

PSYCH 121. First-Year Seminar in Psychology as a Natural<br />

<strong>Science</strong>.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (NS). (BS). May not be repeated for<br />

credit. May not be included in a concentration plan in Psychology.<br />

A small seminar which will introduce entering students to <strong>the</strong> topic<br />

<strong>of</strong> Psychology <strong>and</strong> issues which are important in <strong>the</strong> field <strong>of</strong><br />

psychology. Through this seminar, students will be able to develop<br />

an underst<strong>and</strong>ing <strong>of</strong> how various <strong>the</strong>ories <strong>and</strong> applications <strong>of</strong> <strong>the</strong><br />

discipline <strong>of</strong> psychology may be helpful in underst<strong>and</strong>ing <strong>the</strong> world.<br />

Section 001 — Evolution <strong>of</strong> Cognition.<br />

This interdisciplinary seminar will explore <strong>the</strong> nature <strong>of</strong> conscious<br />

<strong>and</strong> unconscious mental processes in various types <strong>of</strong> human cognition<br />

<strong>and</strong> action, including perception, memory, thinking, <strong>and</strong> behavior<br />

broadly construed. We will take an eclectic approach in our exploration,<br />

encompassing points <strong>of</strong> view found in disciplines such as<br />

psychology, neurophysiology, artificial intelligence, philosophy, <strong>and</strong><br />

medical practice. Both normal <strong>and</strong> altered states <strong>of</strong> consciousness<br />

(e.g., sleep, dreaming, meditation, hypnosis, <strong>and</strong> hallucination) will<br />

be considered from <strong>the</strong>se perspectives.<br />

Course Requirements:<br />

Grades will be determined by student performance on in-class quizzes,<br />

short written essay exercises, final term paper, <strong>and</strong> class discussion.<br />

Intended Audience:<br />

No special prior academic background is required for taking <strong>the</strong><br />

course, o<strong>the</strong>r than <strong>the</strong> abilities to think clearly <strong>and</strong> deeply as well as<br />

to competently read, write, <strong>and</strong> speak English prose.<br />

Instructor: Meyer, David E<br />

PSYCH 122 / SOC 122 / UC 122. Intergroup Dialogues.<br />

(2). May be repeated for a maximum <strong>of</strong> 4 credits. May not be used<br />

as a prerequisite for, or included in a concentration plan in Psychology.<br />

Interested students must fill out an online request at<br />

www.igr.umich.edu. Due to high dem<strong>and</strong>, students who do not attend<br />

<strong>the</strong> mass meeting on <strong>the</strong> first day <strong>of</strong> class will be dropped<br />

from <strong>the</strong> course. If you have questions, please contact Rebecca<br />

Grekin (phone: 936-1875; e-mail: rgrekin@umich.edu).<br />

Section 002. Students will examine psychological, historical, <strong>and</strong><br />

sociological materials which address each group's experiences, <strong>and</strong><br />

learn about issues facing <strong>the</strong> groups in contemporary society. The<br />

goal is to create a setting in which students will engage in open<br />

<strong>and</strong> constructive dialogue, learning, <strong>and</strong> exploration. The second<br />

goal is to actively identify alternative resolutions <strong>of</strong> intergroup con-


118 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

flicts. Different term-long sections <strong>of</strong> this course focus on different<br />

identity groups (for example, recent dialogues have considered<br />

white people/people <strong>of</strong> color; Blacks/Jews; lesbians, gay men,<br />

bisexuals, <strong>and</strong> heterosexuals; white women/women <strong>of</strong> color;<br />

Blacks/Latinos/as; men/women; etc.). Once registered, please go<br />

to www.igr.umich.edu to fill out a dialogue placement form. Two<br />

course packs are also required.<br />

Questions regarding this course should be directed to:<br />

The Intergroup Relations Program<br />

(734) 936-1875, 3000 <strong>Michigan</strong> Union.<br />

Instructor: Gurin, Patricia Y<br />

PSYCH 211. Project Outreach.<br />

Prior or concurrent enrollment in an introductory Psychology<br />

course. (3). (EXPERIENTIAL). May be repeated for a maximum <strong>of</strong> 6<br />

credits. May be elected more than once in <strong>the</strong> same term. Credits<br />

may not be included in a concentration plan in Psychology. This<br />

course may only be repeated if a different section is selected. All<br />

sections <strong>of</strong> Outreach count as an experiential lab for <strong>the</strong> Psychology<br />

concentration; <strong>the</strong>y do not count as a lab for <strong>the</strong> Biopsychology <strong>and</strong><br />

Cognitive <strong>Science</strong>s concentration. Offered m<strong>and</strong>atory credit/no<br />

credit.<br />

All sections <strong>of</strong> Outreach count as an experiential lab for <strong>the</strong> Psychology<br />

concentration; <strong>the</strong>y do not count as a lab for <strong>the</strong> Biopsychology<br />

<strong>and</strong> Cognitive <strong>Science</strong>s concentration.<br />

The purpose <strong>of</strong> Project Outreach is to allow students to learn about<br />

<strong>the</strong>mselves <strong>and</strong> psychology by becoming involved in community<br />

settings. Outreach students engage in real work in <strong>the</strong> community,<br />

designed to meet community needs. Because all sections <strong>of</strong> Project<br />

Outreach — PSYCH 211 are for 3 credits (on a credit/no credit basis),<br />

<strong>the</strong> academic requirements for <strong>the</strong> course are uniform across<br />

all sections (except Exploring Careers, Section 005) <strong>and</strong> include<br />

four hours <strong>of</strong> fieldwork placement, one hour <strong>of</strong> discussion section,<br />

<strong>and</strong> one hour <strong>of</strong> lecture each week; in <strong>the</strong> Careers section, students<br />

learn about <strong>the</strong>mselves in relationship to future potential careers,<br />

<strong>and</strong> explore <strong>the</strong> social-psychological contexts in which work occurs.<br />

Attendance at your section is m<strong>and</strong>atory. Readings, a midterm project,<br />

<strong>and</strong> a final exam will be assigned. The Graduate Student Instructor<br />

for each section may state additional section requirements<br />

in class.<br />

See course website (www.sitemaker.umich.edu/projectoutreach)<br />

for more information.<br />

Section 001 — Working with Preschool Children. Students<br />

will work with children ages 2-5 in community preschools <strong>and</strong> daycare<br />

centers. These placements <strong>of</strong>fer h<strong>and</strong>s-on experiences with a<br />

diverse group <strong>of</strong> children <strong>and</strong> <strong>the</strong> lecture series explores a variety<br />

<strong>of</strong> topics that influence child development. The placement sites vary<br />

in terms <strong>of</strong> <strong>the</strong> populations <strong>the</strong>y serve, including “at-risk” children,<br />

children with specials needs, <strong>and</strong> children <strong>of</strong> international families<br />

with English as a second language.<br />

Section 002 — Work with School-Age Children. School-Age<br />

Children provides students with exciting opportunities to explore issues<br />

facing children <strong>and</strong> adolescents in <strong>the</strong> community. Students<br />

work with children in a number <strong>of</strong> ways, including mentoring <strong>and</strong><br />

tutoring. Some <strong>of</strong> <strong>the</strong> service opportunities include:<br />

1. Big Sibs — Build a one-on-one relationship with a child in need<br />

<strong>of</strong> guidance through Big Sibs. This opportunity allows for indepth<br />

interaction as <strong>the</strong> student <strong>and</strong> his/her little sib participate<br />

in free or low-cost educational <strong>and</strong> fun activities in <strong>the</strong> community.<br />

2. Neurokids — Neurokids is a great program in which students<br />

from <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong> teach neuroscience to 4th <strong>and</strong><br />

5th grade classes in Ann Arbor <strong>and</strong> Ypsilanti. Anyone can do it,<br />

so don't worry about having knowledge <strong>of</strong> <strong>the</strong> subject or teaching<br />

experience. You can help design lesson plans based around<br />

h<strong>and</strong>s-on activities, make props for <strong>the</strong> demonstrations, film<br />

our classroom time, improve our website, <strong>and</strong> even innovate<br />

<strong>the</strong> program. Neurokids is a lot <strong>of</strong> fun <strong>and</strong> incredibly rewarding.<br />

If you want to learn more about Neurokids, check out our website<br />

for photos, videos, past lesson plans, <strong>and</strong> more:<br />

www.umichneurokids.com<br />

3. 826 <strong>Michigan</strong> Tutoring — 826 <strong>Michigan</strong> <strong>of</strong>fers a tutoring<br />

program at a middle school in Ypsilanti. Volunteers go after<br />

school <strong>and</strong> work individually with <strong>the</strong> students. This is a great<br />

way to directly impact a student’s life! www.826michigan.org/<br />

Students complete 40 hours <strong>of</strong> service total at one <strong>of</strong> <strong>the</strong> volunteer<br />

placements. Students also attend lectures concerning issues related<br />

to school-age children in society.<br />

Students enrolled in this section are asked to undergo a criminal<br />

background check. If you have any concerns about this, please<br />

contact project.outreach@umich.edu.<br />

Section 003 — Juvenile <strong>and</strong> Criminal Justice. Designed to<br />

provide students with experience in <strong>and</strong> knowledge <strong>of</strong> <strong>the</strong> criminal<br />

justice system. The field placements match students with juveniles<br />

or adults in a number <strong>of</strong> placement settings in <strong>the</strong> criminal justice<br />

system. The lecture series is intended to expose students to a wide<br />

variety <strong>of</strong> issues relevant to juvenile delinquency <strong>and</strong> criminality. It<br />

is our hope that you will not only learn about <strong>the</strong> system but also<br />

have <strong>the</strong> opportunity to reach out to juveniles <strong>and</strong> adult <strong>of</strong>fenders<br />

<strong>and</strong> have a positive impact on <strong>the</strong>ir lives.<br />

Section 004 — Health, Illness <strong>and</strong> Society. Help patients <strong>and</strong><br />

families in medical facilities, community health clinics, elderly residential<br />

settings <strong>and</strong> community crisis centers. Opportunities include<br />

<strong>of</strong>fering empathy, emotional <strong>and</strong> practical support, in <strong>the</strong> context <strong>of</strong><br />

supervised care, <strong>and</strong> education. Work with a wide range <strong>of</strong> populations<br />

including children, adults, <strong>and</strong> <strong>the</strong> elderly. Learn about a variety<br />

<strong>of</strong> contemporary topics related to <strong>the</strong> field <strong>of</strong> health care <strong>and</strong><br />

health promotion.<br />

Students enrolled in this section are asked to undergo a<br />

criminal background check. If you have any concerns about<br />

this, please contact project.outreach@umich.edu.<br />

Section 005 — Exploring Careers. Students explore how <strong>the</strong>ir<br />

underst<strong>and</strong>ings <strong>of</strong> <strong>the</strong>mselves, <strong>the</strong>ir interests, <strong>the</strong>ir values, <strong>and</strong><br />

<strong>the</strong>ir skills relate to ideas about a college major <strong>and</strong> career possibilities.<br />

The aims <strong>of</strong> this section are tw<strong>of</strong>old:<br />

1. to provide students with a psychological perspective on <strong>the</strong> development<br />

<strong>of</strong> career identity <strong>and</strong> decision-making processes<br />

<strong>and</strong><br />

2. to encourage <strong>the</strong> development <strong>of</strong> <strong>the</strong> skills needed to identify<br />

career options, become familiar with occupational resources,<br />

<strong>and</strong> to practice job or internship search strategies.<br />

PSYCH 225 / WOMENSTD 225. Psychology <strong>of</strong> Human<br />

Sexuality.<br />

(3). May not be repeated for credit.<br />

This course is a broad introduction to a variety <strong>of</strong> facets <strong>of</strong> human<br />

sexuality <strong>and</strong> <strong>the</strong> intersections <strong>of</strong> sexuality <strong>and</strong> gender. We will examine<br />

constructs such as attitudes toward one's body, casual sex,<br />

consensually non-monogamous relationships, sadomasochism, <strong>and</strong><br />

sex <strong>and</strong> disability. We will specifically take time to answer questions<br />

generated by <strong>the</strong> class about sexuality issues.<br />

Course Requirements:<br />

Methods <strong>of</strong> evaluation will include multiple choice exams <strong>and</strong> a<br />

critical thinking journal.<br />

Intended Audience:<br />

This course is intended for first-year students <strong>and</strong> has no prerequisites.<br />

Class Format:<br />

The course involves lectures (many by guest speakers), <strong>and</strong> discussion<br />

sections.<br />

Instructor: Conley, Terri


PSYCH 242 / LING 209. Language <strong>and</strong> Human Mind.<br />

(4). (ID). May not be repeated for credit.<br />

This course is designed to introduce students to <strong>the</strong> “cognitive<br />

revolution” <strong>and</strong> its impact on <strong>the</strong> contemporary study <strong>of</strong> language.<br />

The course reviews <strong>the</strong> Chomskyan shift away from speech behavior<br />

or “languages” as <strong>the</strong> object <strong>of</strong> inquiry to <strong>the</strong> experimental <strong>and</strong><br />

<strong>the</strong>oretical study <strong>of</strong> <strong>the</strong> cognitive mechanisms underlying our<br />

unique human capacity for language, <strong>the</strong> exercise <strong>of</strong> which permeates<br />

virtually every aspect <strong>of</strong> human life, including what you are<br />

now doing! In every household, all <strong>of</strong> <strong>the</strong> children, barring pathology<br />

— but none <strong>of</strong> <strong>the</strong> dogs, cats or o<strong>the</strong>r organisms (nor <strong>the</strong> inanimate<br />

objects!) — acquire <strong>the</strong> language spoken (or signed) by<br />

<strong>the</strong> adults. There is some biological property <strong>of</strong> humans that makes<br />

this feat possible.<br />

• What do we know when we know a language?<br />

• What does it mean to say that humans have an innate capacity<br />

for language?<br />

• Why has this innateness claim generated so much contentious<br />

debate?<br />

• How do languages differ, <strong>and</strong> why?<br />

• How is it that you are now scanning text with your visual system,<br />

<strong>and</strong> converting little squiggles you perceive into meanings?<br />

• What is a meaning?<br />

• Given that you can perform this squiggle-to-meaning conversion,<br />

how does your converter work?<br />

• How do speakers <strong>of</strong> sign languages (again, humans but not<br />

dogs) convert moving h<strong>and</strong> shapes into meaning?<br />

Isn’t it true that <strong>the</strong> conversion to meaning you are now performing<br />

allows your mind to now know what my mind is now thinking? That<br />

is, through this process aren’t you acquiring knowledge <strong>of</strong> my<br />

thoughts, (<strong>the</strong>reby facilitating educated guesses as to what this<br />

course <strong>and</strong> <strong>the</strong>se Pr<strong>of</strong>s. will be like?) or is that crazy talk about<br />

“mind reading”?<br />

Course Requirements:<br />

Homework, quizzes, class participation, final exam<br />

Intended Audience:<br />

Freshmen <strong>and</strong> sophomores interested in Linguistics <strong>and</strong> Psychology<br />

as cognitive science.<br />

Instructor: Epstein, Samuel D<br />

PUBPOL (Public Policy)<br />

Courses in Public Policy are listed in <strong>the</strong> Time Schedule under <strong>the</strong><br />

Gerald R. Ford School <strong>of</strong> Public Policy.<br />

PUBPOL 250 / CMPLXSYS 250. Social Systems, Energy, <strong>and</strong><br />

Public Policy.<br />

(3). (QR/1). May not be repeated for credit.<br />

Energy is an incredibly complex topic by virtue <strong>of</strong> <strong>the</strong> inter-linkages<br />

<strong>of</strong> science, technology, public policy, economics, <strong>and</strong> human behaviors.<br />

This course will examine all aspects <strong>of</strong> energy: supply <strong>and</strong><br />

dem<strong>and</strong>, technical <strong>and</strong> social, with a concerted look at <strong>the</strong> natural<br />

place <strong>of</strong> social science (behavior, pricing, externalities, social<br />

norms) in <strong>the</strong> energy sphere.<br />

Every aspect <strong>of</strong> present-day society depends on <strong>the</strong> continuing<br />

availability <strong>of</strong> clean, affordable, flexible, secure, <strong>and</strong> safe energy resources.<br />

Yet nearly 90% <strong>of</strong> our current energy needs are met by<br />

fossil fuels. Our reliance on fossil fuels has led to declining supplies,<br />

rising prices, global climate change, <strong>and</strong> security concerns. The current<br />

global energy economy is not sustainable. The technological<br />

challenges are formidable; but <strong>the</strong>y cannot be considered solutions<br />

without considering <strong>the</strong> human <strong>and</strong> social behavioral side <strong>of</strong> energy<br />

dem<strong>and</strong>.<br />

The quest for solutions to "The Energy Problem" is dominated by<br />

technology "fixes". The visions <strong>of</strong> practical technological fixes,<br />

whe<strong>the</strong>r electricity energy generation, oil exploration <strong>and</strong> extrac-<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 119<br />

tion, pollution mitigation, automobile fuel efficiency <strong>and</strong> alternatives<br />

to combustion engines, etc., necessarily build on what we know today<br />

<strong>and</strong> presume that we can achieve in a couple <strong>of</strong> decades or so,<br />

through sufficient R&D, an energy supply-dem<strong>and</strong> balance that fulfills<br />

a wide range <strong>of</strong> incompatible requirements — cheap, environmentally<br />

benign, politically secure, unconstrained supply, convenient,<br />

<strong>and</strong> safe. While we expect technology to come to our energyrescue<br />

<strong>and</strong> support our established patterns <strong>of</strong> economic growth<br />

<strong>and</strong> energy-intensive lifestyles, we tend to expect very little from<br />

<strong>the</strong> human <strong>and</strong> social behavioral side <strong>of</strong> energy use <strong>and</strong> dem<strong>and</strong>.<br />

In some ways <strong>the</strong> Energy Problem is yet ano<strong>the</strong>r version <strong>of</strong> C.P.<br />

Snow's Two Cultures — parallel technology <strong>and</strong> social cultures with<br />

little mutual underst<strong>and</strong>ing <strong>and</strong> rare cross-over exchange.<br />

The Complex Systems view would hold that society <strong>and</strong> Energy<br />

technologies have coevolved through <strong>the</strong> actions <strong>of</strong> individual<br />

agents (inventors, scientists, entrepreneurs, financiers, writers,<br />

politicians, kings <strong>and</strong> queens, dictators, <strong>and</strong> statesman), learning,<br />

adapting, selecting, exchanging information, <strong>and</strong> interacting<br />

through transactions <strong>of</strong> many kinds. At every stage, <strong>the</strong> social, economic,<br />

<strong>and</strong> technological systems were tightly coupled. It is not<br />

possible to underst<strong>and</strong> Energy Problems without framing <strong>the</strong>m in a<br />

systems context.<br />

Course Requirements:<br />

Two midterm exams, a Final Exam, graded homework assignments,<br />

<strong>and</strong> a term project.<br />

Intended Audience:<br />

Freshmen <strong>and</strong> Sophomores interested in energy <strong>and</strong> complex systems.<br />

Class Format:<br />

3 hours <strong>of</strong> lecture per week.<br />

Instructor: Salmeen, Irving T<br />

RCARTS (RC Fine <strong>Arts</strong>)<br />

Most seats in RC courses are reserved for RC students.<br />

RCARTS 285. Photography.<br />

(4). (CE). May not be repeated for credit.<br />

Section 001. An introduction to <strong>the</strong> medium <strong>of</strong> photography from<br />

<strong>the</strong> perspective <strong>of</strong> <strong>the</strong> artist. It includes an overview <strong>of</strong> photography’s<br />

role in <strong>the</strong> arts, <strong>the</strong> development <strong>of</strong> an underst<strong>and</strong>ing <strong>of</strong> visual<br />

literacy <strong>and</strong> self-expression as <strong>the</strong>y relate to <strong>the</strong> photographic<br />

medium, <strong>and</strong> <strong>the</strong> development <strong>of</strong> basic technical skills in black <strong>and</strong><br />

white <strong>and</strong> color photography. A visual emphasis is maintained in<br />

both presentation <strong>and</strong> course work, <strong>and</strong> <strong>the</strong> students work with <strong>the</strong><br />

medium towards a goal <strong>of</strong> personal expression. There will be a studio<br />

fee.<br />

Instructor: Hannum, Michael B<br />

RCARTS 286. Sculpture.<br />

(4). (CE). May not be repeated for credit.<br />

Section 001. This studio sculpture course approaches sculpture<br />

through a variety <strong>of</strong> accessible techniques <strong>and</strong> projects that do not<br />

require a great deal <strong>of</strong> specialized training. This course will introduce<br />

students to <strong>the</strong> art-making practices <strong>of</strong> wide variety <strong>of</strong> artists,<br />

with a special focus on artists broadly categorized as “self-taught,”<br />

as opposed to trained fine artists. The purpose <strong>of</strong> this orientation is<br />

to provide students with an opportunity to as directly as possible<br />

tap <strong>the</strong>ir creativity <strong>and</strong> expressive potential, <strong>and</strong> to encourage students<br />

to engage <strong>the</strong>ir own unique perspectives, interests, <strong>and</strong> talents,<br />

in <strong>the</strong> art-making process. Projects range from simple assemblage<br />

sculptures to environmental <strong>and</strong> installation works, <strong>and</strong> will<br />

emphasize working with our h<strong>and</strong>s <strong>and</strong> basic tools, <strong>and</strong> using when<br />

possible readily available, found, <strong>and</strong> recycled materials. This<br />

course will require an open mind, an ability to collaborate <strong>and</strong> work<br />

with o<strong>the</strong>rs, a willingness to get your h<strong>and</strong>s dirty, <strong>and</strong> perhaps a<br />

little dumpster diving.<br />

Instructor: Wright, Jason M


120 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

RCARTS 287. Printmaking.<br />

(4). (CE). May not be repeated for credit.<br />

Through practical studio experience, lectures, demonstrations, <strong>and</strong><br />

collaborative activities <strong>the</strong> student will be introduced to <strong>the</strong> art <strong>and</strong><br />

history <strong>of</strong> printmaking. The course will focus on creating original<br />

prints, exploring images, visual ideas, <strong>and</strong> <strong>the</strong> possibilities <strong>of</strong> selfexpression.<br />

Emphasis will be placed on linoleum cut, woodblock,<br />

<strong>and</strong> screen printing techniques. Field trips to area museums <strong>and</strong><br />

gallery exhibitions will be part <strong>of</strong> <strong>the</strong> class experience. Approximately<br />

eight projects will be assigned. A sketchbook/notebook is<br />

required. There is a studio lab fee.<br />

Instructor: Cressman, Joel L<br />

RCARTS 288. Beginning Drawing.<br />

(4). (CE). May not be repeated for credit.<br />

Section 001. Drawing is <strong>the</strong> most basic <strong>of</strong> art skills <strong>and</strong> is at <strong>the</strong><br />

core <strong>of</strong> <strong>the</strong> creative process. The study <strong>and</strong> practice <strong>of</strong> drawing can<br />

be an enriching experience giving one insight into what artists do<br />

<strong>and</strong> have done over time. It is a common denominator for us all —<br />

at some point in our lives it came naturally. Introduction to Drawing<br />

aims to rediscover that natural impulse. We will explore traditional<br />

<strong>and</strong> contemporary approaches with an emphasis on eye/h<strong>and</strong> coordination<br />

<strong>and</strong> creative expression. Basic techniques <strong>and</strong> methods will<br />

be covered through work with still life, <strong>the</strong> figure <strong>and</strong> <strong>the</strong> imagination.<br />

The goal is to foster confidence <strong>and</strong> skill in underst<strong>and</strong>ing<br />

what we see <strong>and</strong> how to creatively transfer that underst<strong>and</strong>ing<br />

onto <strong>the</strong> two-dimensional drawing surface. There is a studio lab<br />

fee.<br />

Instructor: Wright, Jason M<br />

RCARTS 289. Ceramics.<br />

(4). (CE). May not be repeated for credit.<br />

Section 001. This course presents basic problems in forming clay;<br />

throwing <strong>and</strong> h<strong>and</strong>building techniques; testing, preparing, <strong>and</strong> applying<br />

glazes; stacking <strong>and</strong> firing kilns; <strong>and</strong> operating a ceramics<br />

studio. Students are required to learn <strong>the</strong> complete ceramic process,<br />

<strong>and</strong> <strong>the</strong> assumption <strong>of</strong> studio responsibilities <strong>and</strong> regular class<br />

attendance are m<strong>and</strong>atory. The <strong>the</strong>ory, practice, <strong>and</strong> history <strong>of</strong> ceramics<br />

are integral parts <strong>of</strong> this study <strong>and</strong> are used to encourage<br />

individual sensitivity to <strong>the</strong> material.<br />

Instructor: Tremel, Kathleen M<br />

RCCORE (RC Core Courses)<br />

Most seats in RC courses are reserved for RC students.<br />

RCCORE 100. First Year Seminar.<br />

SWC Writing Assessment. Only first-year students, including those<br />

with sophomore st<strong>and</strong>ing, may pre-register for First-Year Seminars.<br />

All o<strong>the</strong>rs need permission <strong>of</strong> instructor. (4). (FYWR). May not be<br />

repeated for credit.<br />

An introductory course taken by all Residential <strong>College</strong>. Theme,<br />

readings, <strong>and</strong> methodology vary, but <strong>the</strong> common purpose <strong>of</strong> all<br />

Seminars is to introduce students to <strong>the</strong> intellectual life <strong>of</strong> <strong>the</strong><br />

University <strong>and</strong> encourage <strong>the</strong>m to become active <strong>and</strong> responsible in<br />

<strong>the</strong> learning process. Oral <strong>and</strong> written skills are stressed; students<br />

write frequent essays based on class readings <strong>and</strong> group discussions.<br />

RCHUMS (RC Humanities)<br />

Most seats in RC courses are reserved for RC students.<br />

RCHUMS 236 / SAC 236. The Art <strong>of</strong> <strong>the</strong> Film.<br />

(4). (HU). May not be repeated for credit.<br />

Section 001. This course examines <strong>the</strong> dramatic <strong>and</strong> psychological<br />

effects <strong>of</strong> <strong>the</strong> elements <strong>and</strong> techniques used in film making <strong>and</strong><br />

television, <strong>and</strong> some <strong>of</strong> <strong>the</strong> salient developments in film's artistic<br />

<strong>and</strong> technological history. This course provides students with <strong>the</strong><br />

basic tools <strong>and</strong> methods for film appreciation <strong>and</strong> study. Students<br />

write five two — page exercises, a seven-page analysis <strong>of</strong> a current<br />

movie, <strong>and</strong> a final exam.<br />

SAC 236 is a pre-requisite course for SAC concentrators, <strong>the</strong>refore,<br />

we have instituted a policy <strong>of</strong> a rolling enrollment as <strong>of</strong> this academic<br />

term, Fall 2006. While <strong>the</strong>re will only be a limited number <strong>of</strong><br />

spots open for seniors, juniors, <strong>and</strong> sophomores, <strong>the</strong> majority <strong>of</strong><br />

<strong>the</strong> spots will continue to open throughout <strong>the</strong> course <strong>of</strong> <strong>the</strong> summer<br />

for incoming freshman ONLY. At <strong>the</strong> end <strong>of</strong> <strong>the</strong> summer, <strong>the</strong><br />

final remaining spots will open for all class levels.<br />

Instructor: Cohen, Hubert I<br />

RCHUMS 250. Chamber Music.<br />

(1 - 2). (CE). May be repeated for a maximum <strong>of</strong> 8 credits. May be<br />

elected more than once in <strong>the</strong> same term. Offered m<strong>and</strong>atory<br />

credit/no credit.<br />

Section 001. All students interested in participating in small instrumental<br />

ensembles may enroll for one or two credit hours at <strong>the</strong><br />

discretion <strong>of</strong> <strong>the</strong> instructor. Audition is required for placement in<br />

ensembles. Every student must register for RCHUMS 250.001;<br />

those who fulfill <strong>the</strong> requirements for two hours <strong>of</strong> credit will be enrolled<br />

for RCHUMS 250.002 as well. For one credit hour, students<br />

must participate in one ensemble; for two credit hours, in two or<br />

more ensembles. The weekly one-hour long rehearsal times will be<br />

set after <strong>the</strong> auditions within <strong>the</strong> given time-slots on Wolverine<br />

Access according to <strong>the</strong> student schedules. Additionally, students<br />

must participate in class activities, which may include master<br />

classes, in-class performances, run-out concerts, etc. Responsibilities<br />

include 3-4 hours <strong>of</strong> weekly practice <strong>and</strong> one weekly rehearsal/<br />

coaching per credit; attendance, punctuality <strong>and</strong> commitment are<br />

m<strong>and</strong>atory. The end-<strong>of</strong>-<strong>the</strong>-year performance is required for all ensembles.<br />

Course may be used to satisfy <strong>the</strong> RC <strong>Arts</strong> Practicum Requirement.<br />

Students are advised to sign up early in order to facilitate<br />

a timely audition <strong>and</strong> ensemble assignment.<br />

Instructor: Ervamaa, Katri Maria<br />

RCHUMS 251. <strong>To</strong>pics in Music.<br />

(4). (HU). May be repeated for a maximum <strong>of</strong> 12 credits. May be<br />

elected more than once in <strong>the</strong> same term.<br />

Section 001 — Music <strong>and</strong> <strong>the</strong> World Wars.<br />

The goal <strong>of</strong> this course is to explore <strong>the</strong> vast array <strong>of</strong> reactions to<br />

<strong>the</strong> two World Wars as expressed through art music. We will begin<br />

by surveying <strong>the</strong> cultural climate leading up to World War I, <strong>and</strong><br />

from <strong>the</strong>re explore not only <strong>the</strong> music that was written during <strong>the</strong><br />

World Wars, but also music from <strong>the</strong> inter-war <strong>and</strong> post-war periods.<br />

We will look both at works that address <strong>the</strong>mes <strong>of</strong> war explicitly<br />

<strong>and</strong> also those which take a more indirect, <strong>and</strong> even cryptic,<br />

approach. The course will provide social <strong>and</strong> historical context for<br />

each <strong>of</strong> <strong>the</strong> works explored, with <strong>the</strong> hope <strong>of</strong> illuminating <strong>the</strong> <strong>of</strong>ten<br />

ambiguous messages <strong>of</strong> <strong>the</strong> composers <strong>and</strong> considering <strong>the</strong> underlying<br />

moral questions <strong>the</strong>y raise. Composers to be studied include<br />

Benjamin Britten, Carl Orff, Dmitri Shostakovich, Richard Strauss,<br />

Arthur Honegger, <strong>and</strong> o<strong>the</strong>rs.<br />

Instructor: Kohler, Andrew Samuel<br />

RCHUMS 252. <strong>To</strong>pics in Musical Expression.<br />

(2 - 4). (CE). May be repeated for a maximum <strong>of</strong> 12 credits. May be<br />

elected more than once in <strong>the</strong> same term.<br />

Section 001 — Chinese Instrumental Music Ensemble.<br />

This is a performance course on Chinese instrumental music. Students<br />

will be given individual lessons (15 minutes per session) on<br />

Chinese musical instruments, which include but are not limited to<br />

<strong>the</strong> erhu (fiddle), dizi (flute), pipa (lute), <strong>and</strong> percussion. Students<br />

will learn not only basic techniques in playing <strong>the</strong> instruments<br />

which are provided, but also st<strong>and</strong>ard compositions <strong>of</strong> <strong>the</strong> repertory.<br />

Once <strong>the</strong> students have mastered <strong>the</strong> basic techniques, <strong>the</strong>y<br />

will start to rehearse toge<strong>the</strong>r <strong>and</strong> prepare for an end-<strong>of</strong>-<strong>the</strong> term<br />

concert.<br />

Course Requirements:<br />

Students will be evaluated by <strong>the</strong>ir attendance, <strong>the</strong>ir learning <strong>of</strong><br />

performance techniques <strong>and</strong> repertory, <strong>and</strong> performance at <strong>the</strong><br />

end-<strong>of</strong>-<strong>the</strong> term concert.


RCHUMS 253. Choral Ensemble.<br />

(1). (CE). May be repeated for credit. Offered m<strong>and</strong>atory credit/no<br />

credit.<br />

Section 001. Group rehearses twice weekly <strong>and</strong> prepares a <strong>the</strong>matic<br />

concert <strong>of</strong> music. Vocal skills, sight singing, <strong>and</strong> basic musicianship<br />

are stressed. No prerequisites, but a commitment to <strong>the</strong><br />

group <strong>and</strong> a dedication to musical growth within <strong>the</strong> term are required.<br />

No audition necessary.<br />

RCHUMS 259. Musical Improvisation.<br />

(4). (CE). May be elected twice for credit.<br />

Section 001. This course will utilize improvisation (not genrespecific)<br />

as <strong>the</strong> catalyst for creating <strong>and</strong> performing music. Because<br />

improvisation is a performance-based medium, <strong>the</strong> prospective student<br />

must be reasonably comfortable performing on an instrument<br />

or voice. Everyone will be expected to improvise during each class<br />

<strong>and</strong> in a variety <strong>of</strong> settings including solo, chamber <strong>and</strong> large-group<br />

work. The instructor will lead <strong>the</strong> class in various scenarios, structures<br />

<strong>and</strong> forms designed to stimulate creative <strong>and</strong> listening skills.<br />

Throughout <strong>the</strong> term, students will also work on self-directed solo<br />

<strong>and</strong> group projects. We will listen to recorded works during every<br />

meeting, <strong>and</strong> several listening exams will be given throughout <strong>the</strong><br />

term. The final exam will include a concert <strong>of</strong> improvised music in<br />

<strong>the</strong> East Quad Auditorium. Three concert reports will also be required.<br />

Students must provide <strong>the</strong>ir own instruments, which may be<br />

acoustic, electric, found <strong>and</strong>/or vocal. Those using electric instruments<br />

will need to provide <strong>the</strong>ir own amplification. Laptops <strong>and</strong><br />

turntables are welcome.<br />

Instructor: Kirschenmann, Mark Steven<br />

RCHUMS 280 / ENGLISH 245 / THTREMUS 211. Introduction<br />

to Drama <strong>and</strong> Theatre.<br />

(3). (HU). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in RCHUMS 281.<br />

Section 001. The course aims to introduce students to <strong>the</strong> power<br />

<strong>and</strong> variety <strong>of</strong> <strong>the</strong>atre, <strong>and</strong> to help <strong>the</strong>m underst<strong>and</strong> <strong>the</strong> processes<br />

which go toward making a production. Five to seven plays will be<br />

subjects <strong>of</strong> special study, chosen to cover a wide range <strong>of</strong> style <strong>and</strong><br />

content, but interest will not be confined to <strong>the</strong>se.<br />

Required Texts: available at <strong>the</strong> Shaman Drum <strong>and</strong> on reserve at<br />

<strong>the</strong> Shapiro:<br />

• The Essential Theatre, Oscar Brockett<br />

• Waiting for Godot, Samuel Beckett<br />

• The Piano Lesson, August Wilson<br />

• The Heidi Chronicles, Wendy Wasserstein<br />

• Dream on Monkey Mountain, Derek Walcott<br />

Online:<br />

• Oedipus Rex, Sophocles<br />

• Romeo <strong>and</strong> Juliet, William Shakespeare<br />

• <strong>and</strong> o<strong>the</strong>r online readings as assigned<br />

Course Objectives:<br />

1. <strong>To</strong> determine what "<strong>the</strong>atre" <strong>and</strong> "drama" have meant at different<br />

times in history <strong>and</strong> what <strong>the</strong>y mean now, <strong>and</strong> to do so by<br />

examining l<strong>and</strong>mark plays in <strong>the</strong>ir <strong>the</strong>atrical <strong>and</strong> social contexts.<br />

2. <strong>To</strong> gain a fundamental underst<strong>and</strong>ing <strong>of</strong> how each <strong>of</strong> <strong>the</strong> <strong>the</strong>atre's<br />

constituent arts (acting, directing, design, playwriting,<br />

architecture) contributes to <strong>the</strong> making <strong>of</strong> a <strong>the</strong>atrical whole.<br />

3. <strong>To</strong> develop a sense <strong>of</strong> how <strong>the</strong>atre is a discipline without clear<br />

boundaries <strong>and</strong> how o<strong>the</strong>r practices intersect with <strong>and</strong> shape<br />

<strong>the</strong>atrical performance.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 121<br />

Course Requirements:<br />

Three papers are required plus a final examination.<br />

Class Format:<br />

Each student will attend two lectures weekly, plays a two-hour<br />

meeting in section each week; <strong>the</strong> latter will be used for questions,<br />

discussions, exploration <strong>of</strong> texts, <strong>and</strong> o<strong>the</strong>r exercises. Students will<br />

be required to attend two or more <strong>the</strong>atre performances, chosen<br />

from those available in Ann Arbor.<br />

Instructor: Westlake, EJ<br />

RCHUMS 282. Drama Interpretation I: Actor <strong>and</strong> Text.<br />

(4). (CE). May not be repeated for credit.<br />

Section 001 — Image <strong>of</strong> <strong>the</strong> American Family.<br />

In this four credit drama course students will explore major<br />

American plays <strong>of</strong> <strong>the</strong> 20th century through <strong>the</strong> process <strong>of</strong> text<br />

analysis through performance. We will work on plays by major<br />

writers such as Arthur Miller, Tennessee Williams, Lorraine Hansberry,<br />

Sam Shepard <strong>and</strong> <strong>To</strong>ny Kushner. For each play we will discuss<br />

dramaturgical background, script <strong>and</strong> character analysis <strong>and</strong><br />

put scenes on <strong>the</strong>ir feet for constructive critique. Written assignments<br />

will center on a journal which will include a series <strong>of</strong> actor's<br />

explorations <strong>of</strong> motivations <strong>and</strong> actions. Students will also be responsible<br />

for writing critiques <strong>of</strong> two productions. The course culminates<br />

in a public performance <strong>of</strong> a cutting <strong>of</strong> a major play, most<br />

likely <strong>To</strong>ny Kushner's "Angels in America" in <strong>the</strong> Keene Theater.<br />

Instructor: Mendel<strong>of</strong>f, Ka<strong>the</strong>rine<br />

RCHUMS 291. The Experience <strong>of</strong> <strong>Arts</strong> <strong>and</strong> Ideas in <strong>the</strong> Nineteenth<br />

Century.<br />

(4). (HU). May not be repeated for credit.<br />

The nineteenth century was marked not only by revolutionary<br />

changes in society but by artistic revolution. By <strong>the</strong> beginning <strong>of</strong><br />

<strong>the</strong> twentieth century <strong>the</strong> conventions <strong>of</strong> style <strong>and</strong> subject matter<br />

<strong>of</strong> virtually every major art form — painting, music, dance, <strong>and</strong> literature<br />

— had been radically altered <strong>and</strong> <strong>the</strong> role <strong>of</strong> <strong>the</strong> artist in<br />

society had been radically redefined. This interdisciplinary course<br />

will examine some <strong>of</strong> <strong>the</strong>se changes <strong>and</strong> <strong>of</strong>fer an introduction to<br />

major movements in European art <strong>and</strong> cultural history <strong>of</strong> <strong>the</strong> nineteenth<br />

century — Romanticism, Realism, Impressionism, <strong>and</strong> Symbolism<br />

— by analyzing <strong>and</strong> comparing representative works <strong>of</strong> literature,<br />

dance, music, <strong>and</strong> <strong>the</strong> visual arts. Among possible works<br />

studied will be paintings by Delacroix, Courbet, Manet, Degas,<br />

Monet, <strong>and</strong> Van Gogh, novels by Zola, Brontë, <strong>and</strong> Flaubert, music<br />

<strong>of</strong> Berlioz <strong>and</strong> Debussy, <strong>and</strong> ballets <strong>of</strong> Perrot <strong>and</strong> Bournonville.<br />

We'll be asking some <strong>of</strong> <strong>the</strong> following kinds <strong>of</strong> questions:<br />

• What is <strong>the</strong> revolution <strong>of</strong> style <strong>and</strong> subject matter brought<br />

about by Romantic art?<br />

• How do Coralli <strong>and</strong> Perrot's ballet Giselle <strong>and</strong> <strong>the</strong> Symphonie<br />

Fantastique <strong>of</strong> Berlioz reflect <strong>the</strong>se changes <strong>and</strong> <strong>the</strong> new attitude<br />

<strong>of</strong> <strong>the</strong> artist towards himself <strong>and</strong> his art?<br />

• Can we find similar aims in certain realist novels <strong>of</strong> Zola <strong>and</strong> <strong>the</strong><br />

realist painting <strong>of</strong> Courbet <strong>and</strong> Manet?<br />

• Can we compare <strong>the</strong> revolution in <strong>the</strong> structure <strong>and</strong> subject<br />

matter <strong>of</strong> painting brought about by <strong>the</strong> Impressionist <strong>and</strong><br />

Symbolist painters to <strong>the</strong> revolution in form brought to music by<br />

Debussy?<br />

• What can we learn about <strong>the</strong> evolving view <strong>of</strong> women's place in<br />

society by comparing <strong>the</strong> portrayal <strong>of</strong> women in paintings by<br />

Ber<strong>the</strong> Morisot <strong>and</strong> Edouard Manet <strong>and</strong> <strong>the</strong> portrayal <strong>of</strong> women<br />

in literature by Ibsen <strong>and</strong> Edith Wharton?<br />

These <strong>and</strong> o<strong>the</strong>r questions will be considered by Beth Genné <strong>and</strong><br />

class.<br />

Instructor: Genné, Beth


122 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

RCLANG (RC Languages)<br />

Most seats in RC courses are reserved for RC students.<br />

RCLANG 190. Intensive French I.<br />

(8). May not be repeated for credit. No credit granted to those who<br />

have completed or are enrolled in FRENCH 100, 101, 102, or 103.<br />

Pass/Fail with Narrative Evaluation.<br />

Section 001. The goal <strong>of</strong> <strong>the</strong> course is to provide <strong>the</strong> student<br />

with a basic but solid knowledge <strong>of</strong> French grammatical structures<br />

<strong>and</strong> syntax, a limited functional vocabulary, extensive practice in<br />

speaking <strong>and</strong> writing, a familiarity with French sound <strong>and</strong> intonation<br />

patterns, as well as an elementary knowledge <strong>of</strong> French culture.<br />

Upon completion <strong>of</strong> this course, students<br />

• should be able to underst<strong>and</strong> simple, non-edited text <strong>and</strong> oral<br />

passages <strong>of</strong> medium length without reference tools<br />

• should to be able to sustain an elementary conversation with a<br />

native speaker<br />

• should to be able to communicate effectively in writing on general<br />

topics.<br />

Course Requirements:<br />

Attendance is required both in <strong>the</strong> lectures <strong>and</strong> <strong>the</strong> discussions.<br />

Students must attend co-curricular activities at least three times a<br />

week, more if judged necessary.<br />

In order to receive credits for <strong>the</strong> course, students must pass <strong>the</strong><br />

final exam, which tests <strong>the</strong> four skills: writing, speaking, reading,<br />

<strong>and</strong> listening.<br />

Class Format:<br />

This course meets two hours a day, four days a week, <strong>and</strong> covers<br />

in one term <strong>the</strong> equivalent <strong>of</strong> a first year non-intensive college<br />

course.<br />

The lecture component introduces vocabulary <strong>and</strong> grammatical<br />

structures in a situational context with a cultural perspective. In <strong>the</strong><br />

discussions, students meet in small groups for intensive practice <strong>of</strong><br />

<strong>the</strong> material with a strong emphasis on speaking.<br />

Instructor: Anderson-Burack, Carolyn<br />

RCLANG 191 / GERMAN 191. Intensive German I.<br />

(8). May not be repeated for credit. No credit granted to those who<br />

have completed or are enrolled in GERMAN 100, 101, 102, or 103.<br />

Conducted in German. Pass/Fail with Narrative Evaluation.<br />

Section 001. Intensive German I covers <strong>the</strong> first year <strong>of</strong> German<br />

language study in one academic term. The goal <strong>of</strong> this course is to<br />

provide students with a basic but solid knowledge <strong>of</strong> grammatical<br />

structures <strong>and</strong> syntax, a functional vocabulary, familiarity with intonation<br />

patterns <strong>and</strong> native pronunciation, <strong>and</strong> practice in speaking<br />

<strong>and</strong> writing. At <strong>the</strong> end <strong>of</strong> German Intensive I, students can underst<strong>and</strong><br />

au<strong>the</strong>ntic <strong>and</strong> literary texts appropriate to <strong>the</strong> level <strong>and</strong> short<br />

spoken passages without glossed vocabulary, <strong>the</strong>y can write an essay<br />

or short story without <strong>the</strong> aid <strong>of</strong> a dictionary, <strong>and</strong> <strong>the</strong>y can converse<br />

on a range <strong>of</strong> general topics. This course, like all RC German<br />

language courses, is conducted in German, so students quickly become<br />

accustomed to using German for daily activities. Students in<br />

RCLANG 191 have many opportunities to gain facility with <strong>the</strong> language<br />

by speaking with more advanced learners <strong>and</strong> teachers in<br />

<strong>the</strong> program in informal settings, such as RC German lunch tables<br />

<strong>and</strong> c<strong>of</strong>fee hours. In addition, <strong>the</strong>y are introduced to web activities<br />

<strong>and</strong> films to help <strong>the</strong>m explore aspects <strong>of</strong> German language <strong>and</strong><br />

culture.<br />

RCLANG 191 in <strong>the</strong> Fall academic term is intended for students who<br />

have had HS German, who place below GERMAN 231. In <strong>the</strong> Winter<br />

academic term, <strong>the</strong> course is geared to students who have little or<br />

no prior exposure to <strong>the</strong> language.<br />

Instructor: Hegman Shier, Janet Hegman<br />

RCLANG 193 / RUSSIAN 103. Intensive First-Year Russian.<br />

(8). May not be repeated for credit. May not be repeated for credit.<br />

Credit is granted from only one course among RUSSIAN 103, 111,<br />

123, or RCLANG 193. No credit is granted to those who have completed<br />

or are enrolled in RUSSIAN 101 or 102.<br />

Section 001. No previous knowledge <strong>of</strong> Russian is required or<br />

assumed.<br />

This course is designed to introduce students to Russian language<br />

<strong>and</strong> culture through a variety <strong>of</strong> reading, listening, writing <strong>and</strong><br />

speaking activities, all aimed at <strong>the</strong> development <strong>of</strong> intermediate<br />

communicative competence. It provides students with a basic, but<br />

solid knowledge <strong>of</strong> grammar <strong>and</strong> syntax, a functional vocabulary,<br />

familiarity with basic intonational patterns <strong>and</strong> pronunciation, <strong>and</strong><br />

practice in speaking, reading, writing, listening, as well as an elementary<br />

knowledge <strong>of</strong> Russian culture.<br />

Upon completion <strong>of</strong> this course, students should be able to: underst<strong>and</strong><br />

simple written texts or short spoken passages without <strong>the</strong> aid<br />

<strong>of</strong> a dictionary; satisfy most immediate writing needs in <strong>the</strong> form <strong>of</strong><br />

notes <strong>and</strong> brief personal correspondence; <strong>and</strong> carry on a short,<br />

elementary conversation, dealing with survival situations, asking<br />

<strong>and</strong> answering questions, speaking in complete sentences, <strong>and</strong> creating<br />

with <strong>the</strong> language (Intermediate Low pr<strong>of</strong>iciency on <strong>the</strong><br />

ACTFL scale). The socio-cultural knowledge acquired should enable<br />

students to function successfully in Russian printed <strong>and</strong> spoken<br />

language.<br />

Required textbooks <strong>and</strong> materials:<br />

1. Textbook: Lubensky, Sophia et al. both Nachalo: Book 1 <strong>and</strong><br />

Book 2. 2nd ed. New York: McGraw Hill, 2001.<br />

2. Workbook for Nachalo: Book 1 <strong>and</strong> Book 2.<br />

3. 2 Listening Comprehension CDs (1 for each book), accompanying<br />

<strong>the</strong> textbook.<br />

Recommended, but not required:<br />

1. The Russian Reference Grammar: Core Grammar in Functional<br />

Context by J. Watzke, J.Sweigert, Jr., Kendall/Hunt1997, ISBN<br />

0-7872-4467-8.<br />

2. Russian-English, English-Russian Dictionary by Katzner.<br />

3. Video <strong>and</strong> video guide for Book 1 <strong>and</strong> Book 2 (o<strong>the</strong>rwise available<br />

through ctools.umich.edu <strong>and</strong> for optional purchase at<br />

bookstores).<br />

4. A set <strong>of</strong> audio CDs that accompanies both workbooks containing<br />

lab assignments for homework (o<strong>the</strong>rwise available through<br />

course website at: ctools.umich.edu <strong>and</strong> for optional purchase<br />

at bookstores).<br />

Course Requirements:<br />

Three hours <strong>of</strong> co-curricular conversational activities (Russian<br />

tables <strong>and</strong> teas), weekly vocabulary quizzes, biweekly tests <strong>and</strong> a<br />

final written <strong>and</strong> oral exam.<br />

Intended Audience:<br />

Recommended for students wishing to make rapid but solid progress<br />

in Russian <strong>and</strong> for students planning to concentrate in Russian<br />

or REES. No previous knowledge <strong>of</strong> Russian is required or assumed.<br />

Class Format:<br />

Morning lectures are devoted to grammar practice, while in <strong>the</strong><br />

afternoon section <strong>the</strong> students work on all four <strong>of</strong> <strong>the</strong>ir language<br />

skills <strong>and</strong> develop vocabulary.<br />

Instructor: Makin, Alina Udalchenko<br />

RCLANG 194. Intensive Spanish I.<br />

(8). May not be repeated for credit. No credit granted to those who<br />

have completed or are enrolled in SPANISH 100, 101, 102, or 103.<br />

Pass/Fail with Narrative Evaluation.<br />

Section 001. The goal <strong>of</strong> this course is to provide a basic but<br />

solid knowledge <strong>of</strong> Spanish morphology <strong>and</strong> syntax, functional vocabulary,<br />

<strong>and</strong> practice in speaking <strong>and</strong> writing. The lecture gives a


thorough introduction to Spanish grammatical structures as used in<br />

cultural contexts. In <strong>the</strong> afternoon, students meet in small discussion<br />

groups for intensive practice <strong>of</strong> <strong>the</strong> material. Upon completion<br />

<strong>of</strong> this course students can underst<strong>and</strong> simple, non-edited written<br />

texts without <strong>the</strong> aid <strong>of</strong> a dictionary <strong>and</strong> oral passages <strong>of</strong> medium<br />

length, <strong>and</strong> can also initiate <strong>and</strong> sustain a general conversation with<br />

a native speaker. In all or most linguistic areas, students may<br />

achieve <strong>the</strong> equivalent <strong>of</strong> intermediate-high rating in <strong>the</strong> ACTFL<br />

scale.<br />

Instructor: Lopéz-Cotin, Olga Maria<br />

RCLANG 195 / LATIN 195. Intensive Latin I.<br />

(8). May not be repeated for credit.<br />

Section 001. During this term, students will learn <strong>the</strong> essential<br />

morphological, grammatical, <strong>and</strong> syntactical structures <strong>of</strong> Latin, <strong>and</strong><br />

will build a basic vocabulary <strong>of</strong> <strong>the</strong> language. Through readings <strong>and</strong><br />

discussion students will become acquainted with significant aspects<br />

<strong>of</strong> Roman history <strong>and</strong> culture.<br />

Class Format:<br />

This course meets for two hours per day <strong>and</strong> covers in one academic<br />

term <strong>the</strong> equivalent <strong>of</strong> two terms at <strong>the</strong> level <strong>of</strong> a nonintensive<br />

first-year collegiate course.<br />

Instructor: Soter, Gina Marie<br />

RCLANG 196 / ASIANLAN 129. Intensive Japanese I.<br />

Consent <strong>of</strong> instructor required. (10). May not be repeated for<br />

credit. No credit granted to those who have completed or are enrolled<br />

in ASIANLAN 124, 125, 126, or 127.<br />

Section 001. This course is designed for you to learn Novice (beginning)-level<br />

Japanese language in an intensive, semi-immersion<br />

setting. It is "intense" because we will study a normally two-term<br />

amount <strong>of</strong> materials in one academic term. It is "semi-immersion"<br />

in that in our classroom we constantly simulate au<strong>the</strong>ntic communicative<br />

interactions with speakers <strong>of</strong> Japanese, <strong>and</strong> will use <strong>the</strong> target<br />

language as much as possible while minimizing <strong>the</strong> use <strong>of</strong><br />

English. Through extensive communication practice in classroom<br />

activities, we will work on developing all four skills (listening, speaking,<br />

reading, <strong>and</strong> writing, using hiragana, katakana <strong>and</strong> 177 kanji)<br />

along with cultural underst<strong>and</strong>ing. You will learn to acquire a sentence-level<br />

comm<strong>and</strong> in limited topics around everyday life for college<br />

students. Most course-related activities are collaborative in<br />

nature. You are also required to attend minimum three hours <strong>of</strong> cocurricular<br />

activities, such as <strong>the</strong> Lunch Tables <strong>and</strong> Conversation<br />

Tables, per week. (No prior knowledge in Japanese is assumed; if<br />

you have studied Japanese before, <strong>the</strong> instructor's permission is<br />

required).<br />

Instructor: Sato, Tetsuya<br />

RCLANG 290. Intensive French II.<br />

RCLANG 190. (8). (Lang Req). May not be repeated for credit. No<br />

credit granted to those who have completed or are enrolled in<br />

FRENCH 230, 231, or 232. Pass/Fail with Narrative Evaluation.<br />

This course, which meets two hours a day, four days a week, covers<br />

in one term <strong>the</strong> equivalent <strong>of</strong> a second year non-intensive college<br />

course. The goal <strong>of</strong> <strong>the</strong> course is to bring students to a level <strong>of</strong><br />

pr<strong>of</strong>iciency defined as <strong>the</strong> ability to communicate with some ease, if<br />

not perfectly, with a native speaker <strong>of</strong> French, in spoken <strong>and</strong> written<br />

language, <strong>and</strong> to underst<strong>and</strong> <strong>the</strong> general meaning <strong>and</strong> most<br />

details <strong>of</strong> a French text, written or spoken (lecture) <strong>of</strong> a nontechnical<br />

nature <strong>and</strong> <strong>of</strong> general interest. The lecture component <strong>of</strong><br />

<strong>the</strong> course is devoted to a thorough review <strong>and</strong> an expansion <strong>of</strong><br />

grammatical concepts <strong>and</strong> to <strong>the</strong> development <strong>of</strong> reading <strong>and</strong> listening<br />

skills. Exposure to primary source materials (current event<br />

magazines or newspapers) <strong>and</strong> to texts <strong>of</strong> cultural <strong>and</strong> literary<br />

value develops reading ability <strong>and</strong> vocabulary. Listening skills are<br />

trained in informal conversational exchanges <strong>and</strong> in lectures on<br />

French contemporary issues. The discussion sections, which meet<br />

in small groups, emphasize <strong>the</strong> development <strong>of</strong> speaking skills<br />

through extensive practice in analyzing <strong>and</strong> discussing current top-<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 123<br />

ics. Writing skills are refined through composition assignments that<br />

provide students <strong>the</strong> opportunity to improve <strong>the</strong> accuracy <strong>and</strong> expressiveness<br />

<strong>of</strong> <strong>the</strong>ir style. This course includes individual diagnosis<br />

<strong>of</strong> each student’s pronunciation with a personalized prescription for<br />

exercises. At <strong>the</strong> end <strong>of</strong> <strong>the</strong> term, <strong>the</strong> Pr<strong>of</strong>iciency Exam evaluates<br />

<strong>the</strong> level <strong>of</strong> performance in communicative skills achieved by each<br />

student. Attendance is required both in <strong>the</strong> lectures <strong>and</strong> in <strong>the</strong> discussions.<br />

Students must attend co-curricular activities at least three<br />

times a week, more if judged necessary. In order to receive full<br />

credits, students must pass <strong>the</strong> French Pr<strong>of</strong>iciency Exam which<br />

tests <strong>the</strong> four skills: writing, speaking, reading, <strong>and</strong> listening.<br />

Instructor: Butler-Borruat, Dominique M<br />

RCLANG 291 / GERMAN 291. Intensive German II.<br />

RCLANG 191/GERMAN 191, GERMAN 102, 103, or 221. (8). (Lang<br />

Req). May not be repeated for credit. No credit granted to those<br />

who have completed or are enrolled in GERMAN 230, 231, or 232.<br />

Pass/Fail with Narrative Evaluation.<br />

Intensive German II covers all <strong>of</strong> second-year German in one academic<br />

term. The goals <strong>of</strong> <strong>the</strong> course are to exp<strong>and</strong> vocabulary, to<br />

improve communication skills, <strong>and</strong> to master grammatical structures<br />

<strong>and</strong> syntax to <strong>the</strong> level <strong>of</strong> competency that meets advanced<br />

intermediate st<strong>and</strong>ards for pr<strong>of</strong>iciency. One hour <strong>of</strong> class develops<br />

essay writing <strong>and</strong> oral communication skills, focusing on autobiographical<br />

<strong>and</strong> literary texts about <strong>the</strong> major events in 20 th - <strong>and</strong> 21 st -<br />

Century German cultural history. The second hour is devoted to in<br />

depth study <strong>and</strong> practice <strong>of</strong> grammar; it is aimed at developing<br />

students' ability to apply correct forms <strong>and</strong> syntax <strong>and</strong> be aware <strong>of</strong><br />

stylistic nuances even when using <strong>the</strong> language spontaneously.<br />

Through engagement with course materials, including films <strong>and</strong><br />

o<strong>the</strong>r visual <strong>and</strong> performance texts, <strong>and</strong> through interaction with<br />

teachers <strong>and</strong> classmates both in formal <strong>and</strong> informal contexts, students<br />

develop speaking, aural comprehension, <strong>and</strong> writing skills. By<br />

<strong>the</strong> end <strong>of</strong> <strong>the</strong> term, students are able to underst<strong>and</strong> <strong>the</strong> content <strong>of</strong><br />

texts <strong>and</strong> lectures <strong>of</strong> a non-technical nature <strong>and</strong> <strong>of</strong> general interest,<br />

<strong>and</strong> to communicate with some ease with a native speaker, in spoken<br />

<strong>and</strong> written language. Though training for study abroad or<br />

work abroad are not course objectives, per se, students are <strong>of</strong>ten<br />

well qualified to do ei<strong>the</strong>r after completion <strong>of</strong> this course.<br />

Instructor: Hegman Shier, Janet Hegman<br />

RCLANG 294. Intensive Spanish II.<br />

RCLANG 194. (8). (Lang Req). May not be repeated for credit. No<br />

credit granted to those who have completed or are enrolled in<br />

SPANISH 230, 231, or 232. Pass/Fail with Narrative Evaluation.<br />

RCLANG 294 is a second-year intensive course designed to achieve<br />

pr<strong>of</strong>iciency in Spanish. The lecture component emphasizes underst<strong>and</strong>ing<br />

<strong>of</strong> advanced grammatical structures <strong>and</strong> syntax, whereas<br />

<strong>the</strong> discussion is devoted to <strong>the</strong> critical analysis <strong>of</strong> au<strong>the</strong>ntic texts<br />

addressing issues relevant to Hispanic experiences in <strong>the</strong> United<br />

States. Through <strong>the</strong>ir interaction with <strong>the</strong> text <strong>and</strong> instructors, both<br />

in formal <strong>and</strong> informal contexts, students develop <strong>the</strong>ir speaking,<br />

aural comprehension, <strong>and</strong> writing skills. By <strong>the</strong> end <strong>of</strong> <strong>the</strong> term,<br />

students are able to read journalistic or academic prose with ease<br />

as well as write essays <strong>of</strong> an academic nature with a minimum <strong>of</strong><br />

English interference.<br />

Instructor: Rodriguez, Maria I<br />

RCLANG 314. Accelerated Review-Spanish.<br />

(4). May not be repeated for credit. Pass/Fail with Narrative Evaluation.<br />

Section 001. This course is designed for students with a fairly extensive<br />

background in Spanish who have already taken <strong>the</strong> equivalent<br />

<strong>of</strong> three/four terms <strong>of</strong> language but still need fur<strong>the</strong>r reinforcement<br />

in two or more linguistic areas <strong>and</strong> are too advanced for<br />

second year intensive. The main focus <strong>of</strong> this class is <strong>the</strong> discussion<br />

<strong>of</strong> primary source materials <strong>of</strong> a literary, cultural <strong>and</strong> political<br />

nature pertaining to <strong>the</strong> Spanish-speaking world, as well as <strong>the</strong> review<br />

<strong>of</strong> advanced grammar. Students work towards pr<strong>of</strong>iciency in


124 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

listening <strong>and</strong> reading comprehension, language structure, <strong>and</strong><br />

composition.<br />

Instructor: Espinoza-Pino, Christhian C<br />

RELIGION (Religion)<br />

RELIGION 121 / ACABS 121. Introduction to <strong>the</strong> Tanakh /<br />

Old Testament.<br />

(3). (HU). May not be repeated for credit.<br />

This course is designed to introduce <strong>the</strong> student to <strong>the</strong> modern<br />

study <strong>of</strong> <strong>the</strong> Old Testament or Tanakh. This collection <strong>of</strong> texts is<br />

studied both as cultural vestige <strong>of</strong> <strong>the</strong> ancient Near East <strong>and</strong> as a<br />

foundational document to Western thought. Lectures <strong>and</strong> readings<br />

focus on <strong>the</strong> development <strong>of</strong> ancient Israel's literature, religion, <strong>and</strong><br />

history, as well as on <strong>the</strong> roles <strong>of</strong> those central to <strong>the</strong> formation<br />

<strong>and</strong> maintenance <strong>of</strong> early Israelite traditions: <strong>the</strong> priest, king,<br />

prophet, <strong>and</strong> sage.<br />

Instructor: Schmidt, Brian B<br />

RELIGION 201 / AAPTIS 200 / ACABS 200 / HJCS 200.<br />

Introduction to World Religions: Near Eastern.<br />

(4). (HU). May not be repeated for credit. F.<br />

Religions <strong>of</strong> <strong>the</strong> Book: Judaism, Christianity, <strong>and</strong> Islam.<br />

Section 001. This course serves two main functions:<br />

• <strong>the</strong> first <strong>of</strong> <strong>the</strong>se is to provide an introductory sense <strong>of</strong> what is<br />

involved in <strong>the</strong> academic study <strong>of</strong> religion;<br />

• <strong>the</strong> second, which will occupy almost <strong>the</strong> whole term, is to discuss<br />

<strong>the</strong> major religious traditions <strong>of</strong> <strong>the</strong> Near East, with emphasis<br />

on <strong>the</strong> development <strong>and</strong> major structures <strong>of</strong> Judaism,<br />

Christianity, <strong>and</strong> Islam.<br />

The course will keep two foci in view: one will have to do with <strong>the</strong><br />

historical development <strong>of</strong> <strong>the</strong>se religious traditions, <strong>the</strong>ir sacred<br />

texts, <strong>and</strong> major personalities; <strong>the</strong> second will involve a comparative<br />

view <strong>of</strong> <strong>the</strong>se traditions by analyzing <strong>the</strong>ir sense <strong>of</strong> <strong>the</strong> sacred<br />

in space, time, <strong>and</strong> text, <strong>the</strong>ir views on holy people.<br />

Course Requirements:<br />

Writing for <strong>the</strong> course typically involves an essay, a short response<br />

paper, a midterm, <strong>and</strong> a final exam.<br />

Intended Audience:<br />

This is an introductory course: it is not necessary for students to<br />

have any previous experience in <strong>the</strong> study <strong>of</strong> religion.<br />

Instructor: Knysh, Alex<strong>and</strong>er D<br />

RELIGION 230 / ASIAN 230 / PHIL 230. Introduction to<br />

Buddhism.<br />

(4). (HU). May not be repeated for credit.<br />

Over <strong>the</strong> course <strong>of</strong> its long history, Buddhism has been <strong>the</strong> most<br />

influential <strong>and</strong> widely practiced religion in Asia. Beginning in India<br />

2500 years ago, it eventually spread to China, Korea, Japan, Tibet,<br />

<strong>and</strong> Mongolia, <strong>and</strong> to Sri Lanka <strong>and</strong> throughout Sou<strong>the</strong>ast Asia.<br />

More recently it has spread to Europe <strong>and</strong> <strong>the</strong> Americas.<br />

This course is an introduction to <strong>the</strong> major <strong>the</strong>mes in Buddhist<br />

thought <strong>and</strong> practice. Beginning with <strong>the</strong> early teachings associated<br />

with <strong>the</strong> historical Buddha, <strong>the</strong> course will go on to consider <strong>the</strong><br />

development <strong>of</strong> <strong>the</strong> tradition across Asia. The readings for <strong>the</strong><br />

course will consist entirely <strong>of</strong> Buddhist texts in translation.<br />

Course Requirements:<br />

• Attendance at lecture <strong>and</strong> participation in discussion section<br />

(25%)<br />

• Four two-page papers (25%)<br />

• Midterm examination (25%)<br />

• Final examination (25%)<br />

Instructor: Ahn, Juhn Young<br />

RELIGION 246 / ANTHRCUL 246. Anthropology <strong>of</strong> Religion.<br />

(4). May not be repeated for credit.<br />

Section 001. An introduction to basic problems faced by religions<br />

<strong>and</strong> by <strong>the</strong> study <strong>of</strong> religion. Drawing on case studies from around<br />

<strong>the</strong> world, <strong>the</strong> course examines different ways people have confronted<br />

questions such as how one deals with an invisible world,<br />

what happens after death, why do bad things happen to good people,<br />

what makes life worth living, how can one obtain wealth <strong>and</strong><br />

power. The emphasis will be on comparison, showing how very different<br />

traditions have dealt with <strong>the</strong> same or similar problems. In<br />

<strong>the</strong> process <strong>of</strong> examining <strong>the</strong>se issues, <strong>the</strong> course also raises questions<br />

about <strong>the</strong> difficulties involved in studying o<strong>the</strong>r people's most<br />

strongly held values <strong>and</strong> beliefs, <strong>and</strong> <strong>the</strong> relations between tolerance<br />

<strong>and</strong> faith.<br />

Instructor: Keane, Webb<br />

RELIGION 270 / ACABS 270 / HJCS 270 / JUDAIC 270.<br />

Introduction to Rabbinic <strong>Literature</strong>.<br />

(3). (HU). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in HJCS 470 or JUDAIC<br />

470 or HJCS 570 or ACABS 570 or JUDAIC 570. Taught in English.<br />

Taught in English. All materials will be provided in English translation.<br />

In this course, we will explore <strong>the</strong> history <strong>and</strong> substance <strong>of</strong> rabbinic<br />

writing on three levels. First, we will talk about <strong>the</strong> rabbinic literary<br />

enterprise within <strong>the</strong> broad cultural, historical <strong>and</strong> religious context<br />

<strong>of</strong> <strong>the</strong> Roman <strong>and</strong> Byzantine eras. Second, we will examine <strong>the</strong><br />

many genres <strong>of</strong> rabbinic literature <strong>and</strong> literature <strong>and</strong> consider <strong>the</strong><br />

sages — <strong>the</strong> elite group <strong>of</strong> Jewish intellectuals who created this<br />

corpus. Finally, we will trace <strong>the</strong> way in which subsequent generations<br />

have gradually shaped <strong>the</strong>se texts to <strong>the</strong>ir current format <strong>and</strong><br />

endowed <strong>the</strong>m with <strong>the</strong>ir exalted status.<br />

Course Requirements:<br />

Grades will be based on participation, a short <strong>and</strong> long paper, midterm,<br />

<strong>and</strong> a final.<br />

Class Format:<br />

The course will combine lectures <strong>and</strong> reading sessions <strong>of</strong> rabbinic<br />

texts (all material will be provided in English translation).<br />

Instructor: Eliav, Yaron Z<br />

RELIGION 280 / ACABS 221. Jesus <strong>and</strong> <strong>the</strong> Gospels.<br />

(4). (HU). May not be repeated for credit.<br />

Section 001. The course focuses on <strong>the</strong> founder <strong>of</strong> Christianity,<br />

Jesus son <strong>of</strong> Joseph (Joshua bar-Yosef), as an historical character.<br />

By examining all extant historical sources (Jewish, Christian, <strong>and</strong><br />

Pagan), <strong>the</strong> course <strong>of</strong>fers a critical reconstruction <strong>of</strong> <strong>the</strong> major<br />

stages <strong>of</strong> <strong>the</strong> life <strong>and</strong> deeds <strong>of</strong> <strong>the</strong> prophet from Nazareth, from his<br />

birth under Herod <strong>the</strong> Great to his death <strong>and</strong> crucifixion under Pontius<br />

Pilate, within <strong>the</strong> diverse world <strong>of</strong> Second Temple Judaism. The<br />

course also explores <strong>the</strong> way in which <strong>the</strong> figure <strong>of</strong> Jesus has been<br />

reinterpreted over <strong>the</strong> centuries within <strong>the</strong> Christian, Jewish, <strong>and</strong><br />

Muslim traditions, as well as his numerous portraits in <strong>the</strong> arts, involving<br />

<strong>the</strong> students in a multimedia experience <strong>of</strong> <strong>the</strong>ater, fine<br />

arts, <strong>and</strong> music (Gospel music, <strong>and</strong> operas like Amahl <strong>and</strong> <strong>the</strong> Night<br />

Vision by Menotti as well as musicals like Jesus Christ Superstar <strong>and</strong><br />

Godspell). Particular emphasis is placed on a detailed analysis <strong>of</strong><br />

<strong>the</strong> many movies on Jesus, from Zecca-Noguet (1905) to DeMille<br />

(1927), Ray (1961), Pasolini (1966), Scorsese (1988), <strong>and</strong> Gibson<br />

(2004).<br />

Course Requirements:<br />

The course grade will be based upon daily assignments <strong>and</strong> attendance;<br />

midterm(s) <strong>and</strong> final exam.<br />

Class Format:<br />

The format <strong>of</strong> <strong>the</strong> course consists <strong>of</strong> two lectures per week by <strong>the</strong><br />

instructor <strong>and</strong> a weekly discussion session conducted by a GSI.<br />

Instructor: Boccaccini, Gabriele


RUSSIAN (Russian)<br />

The department teaches <strong>the</strong> languages, literatures, <strong>and</strong> cultures <strong>of</strong><br />

<strong>the</strong> Slavic nations. The curriculum provides <strong>the</strong> language training<br />

prerequisite to specialization in a variety <strong>of</strong> careers (e.g., government,<br />

diplomacy, international trade, teaching), <strong>and</strong> <strong>of</strong>fers an enriching<br />

cultural <strong>and</strong> linguistic background to non-concentrators, especially<br />

those interested in <strong>the</strong> ethnic heritage <strong>of</strong> <strong>the</strong> Slavic peoples.<br />

Courses in English. The department <strong>of</strong>fers a series <strong>of</strong> courses in<br />

English translation designed to survey <strong>the</strong> Slavic literatures <strong>and</strong> cultures<br />

for concentrators in Russian <strong>and</strong> Polish <strong>and</strong> for nonconcentrators.<br />

These courses include:<br />

• RUSSIAN 231, 241, 322, 346, 347, 348, 357, 358, 360, 361,<br />

365, 382, 450, 460, 461, 462, 463, 464, 472, 476, 477, 478,<br />

479, 485;<br />

• SLAVIC 151, 210, 225, 240, 250, 270, 281, 290, 312, 313, 315,<br />

316, 435, 470, 481, 487, 490;<br />

• POLISH 214, 314, 325, 326, 432;<br />

• CZECH 315, 480, 483, 484<br />

RUSSIAN 101. First-Year Russian.<br />

(5). May not be repeated for credit. May not be repeated for credit.<br />

No credit granted to those who have completed or are enrolled in<br />

RUSSIAN 103/RCLANG 193 or RUSSIAN 123.<br />

In this course, students are introduced to <strong>the</strong> basics <strong>of</strong> Russian<br />

pronunciation, reading, writing, <strong>and</strong> grammar. The course begins<br />

with an intensive study <strong>of</strong> <strong>the</strong> Russian sound system <strong>and</strong> orthographic<br />

rules (<strong>the</strong> alphabet <strong>and</strong> correct spelling). The course structure<br />

provides a balanced approach, integrating vocabulary with<br />

functionally based grammar explanations. The course is supplemented<br />

by video shows <strong>and</strong> cultural materials. Students who intend<br />

to concentrate in Russian Language <strong>and</strong> <strong>Literature</strong> or in Russian<br />

<strong>and</strong> East European Studies might consider taking <strong>the</strong> intensive<br />

class, RUSSIAN 103.<br />

Textbook: Nachalo I. (Second Edition)<br />

Instructor: Rogovyk, Svitlana<br />

RUSSIAN 103 / RCLANG 193. Intensive First-Year Russian.<br />

(8). May not be repeated for credit. May not be repeated for credit.<br />

Credit is granted from only one course among RUSSIAN 103, 111,<br />

123, or RCLANG 193. No credit is granted to those who have completed<br />

or are enrolled in RUSSIAN 101 or 102.<br />

Section 001. No previous knowledge <strong>of</strong> Russian is required or assumed.<br />

This course is designed to introduce students to Russian language<br />

<strong>and</strong> culture through a variety <strong>of</strong> reading, listening, writing <strong>and</strong><br />

speaking activities, all aimed at <strong>the</strong> development <strong>of</strong> intermediate<br />

communicative competence. It provides students with a basic, but<br />

solid knowledge <strong>of</strong> grammar <strong>and</strong> syntax, a functional vocabulary,<br />

familiarity with basic intonational patterns <strong>and</strong> pronunciation, <strong>and</strong><br />

practice in speaking, reading, writing, listening, as well as an elementary<br />

knowledge <strong>of</strong> Russian culture.<br />

Upon completion <strong>of</strong> this course, students should be able to: underst<strong>and</strong><br />

simple written texts or short spoken passages without <strong>the</strong> aid<br />

<strong>of</strong> a dictionary; satisfy most immediate writing needs in <strong>the</strong> form <strong>of</strong><br />

notes <strong>and</strong> brief personal correspondence; <strong>and</strong> carry on a short,<br />

elementary conversation, dealing with survival situations, asking<br />

<strong>and</strong> answering questions, speaking in complete sentences, <strong>and</strong> creating<br />

with <strong>the</strong> language (Intermediate Low pr<strong>of</strong>iciency on <strong>the</strong><br />

ACTFL scale). The socio-cultural knowledge acquired should enable<br />

students to function successfully in Russian printed <strong>and</strong> spoken<br />

language.<br />

Required textbooks <strong>and</strong> materials:<br />

1. Textbook: Lubensky, Sophia et al. both Nachalo: Book 1 <strong>and</strong><br />

Book 2. 2nd ed. New York: McGraw Hill, 2001.<br />

2. Workbook for Nachalo: Book 1 <strong>and</strong> Book 2.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 125<br />

3. 2 Listening Comprehension CDs (1 for each book), accompanying<br />

<strong>the</strong> textbook.<br />

Recommended, but not required:<br />

1. The Russian Reference Grammar: Core Grammar in Functional<br />

Context by J. Watzke, J.Sweigert, Jr., Kendall/Hunt1997, ISBN<br />

0-7872-4467-8.<br />

2. Russian-English, English-Russian Dictionary by Katzner.<br />

3. Video <strong>and</strong> video guide for Book 1 <strong>and</strong> Book 2 (o<strong>the</strong>rwise available<br />

through ctools.umich.edu <strong>and</strong> for optional purchase at<br />

bookstores).<br />

4. A set <strong>of</strong> audio CDs that accompanies both workbooks containing<br />

lab assignments for homework (o<strong>the</strong>rwise available through<br />

course website at: ctools.umich.edu <strong>and</strong> for optional purchase<br />

at bookstores).<br />

Course Requirements:<br />

Three hours <strong>of</strong> co-curricular conversational activities (Russian<br />

tables <strong>and</strong> teas), weekly vocabulary quizzes, biweekly tests <strong>and</strong> a<br />

final written <strong>and</strong> oral exam.<br />

Intended Audience:<br />

Recommended for students wishing to make rapid but solid progress<br />

in Russian <strong>and</strong> for students planning to concentrate in<br />

Russian or REES. No previous knowledge <strong>of</strong> Russian is required or<br />

assumed.<br />

Class Format:<br />

Morning lectures are devoted to grammar practice, while in <strong>the</strong><br />

afternoon section <strong>the</strong> students work on all four <strong>of</strong> <strong>the</strong>ir language<br />

skills <strong>and</strong> develop vocabulary.<br />

Instructor: Makin, Alina Udalchenko<br />

RUSSIAN 225. Russian for Heritage Speakers I.<br />

Native or near-native speaker or permission <strong>of</strong> instructor. (3). (Lang<br />

Req). May not be repeated for credit.<br />

Improvement <strong>of</strong> oral <strong>and</strong> written language skills <strong>of</strong> heritage speakers,<br />

emphasizing correct <strong>and</strong> diversified use <strong>of</strong> language <strong>and</strong> addressing<br />

individual grammatical difficulties. Readings from major<br />

authors <strong>and</strong> screening <strong>of</strong> film adaptations <strong>of</strong> Russian literature.<br />

Discussion <strong>of</strong> various cultural topics.<br />

Textbook: Russian for Russians<br />

Instructor: Shkolnik, Nina<br />

SAC (Screen <strong>Arts</strong> <strong>and</strong> Cultures)<br />

The primary goal <strong>of</strong> <strong>the</strong> Department <strong>of</strong> Screen <strong>Arts</strong> & Cultures is to<br />

provide students with high quality instruction in <strong>the</strong> history, <strong>the</strong>ory,<br />

aes<strong>the</strong>tics, <strong>and</strong> technique <strong>of</strong> moving image media in its historical<br />

<strong>and</strong> emergent forms. We also believe that a significant element <strong>of</strong><br />

creative practice in <strong>the</strong> field, broadly conceived, is extremely important<br />

both to student's underst<strong>and</strong>ing <strong>of</strong> media <strong>and</strong> to making <strong>the</strong>ir<br />

knowledge marketable post-graduation.<br />

The curriculum in Screen <strong>Arts</strong> <strong>and</strong> Cultures provides an integrated<br />

program <strong>of</strong> courses in <strong>the</strong> history, aes<strong>the</strong>tics, <strong>the</strong>ory, <strong>and</strong> techniques<br />

<strong>of</strong> film <strong>and</strong> moving image electronic media (television, single<br />

camera video, digital). Emphasis is placed on a liberal arts<br />

sequence that provides students with a solid foundation for underst<strong>and</strong>ing<br />

how film <strong>and</strong> electronic-based visual media arise out <strong>of</strong><br />

varied cultural, historical, social, <strong>and</strong> technological circumstances.<br />

Screen Studies<br />

The Screen Studies mission is to advance <strong>the</strong> knowledge <strong>and</strong> underst<strong>and</strong>ing<br />

<strong>of</strong> all forms <strong>of</strong> <strong>the</strong> moving image media, from film,<br />

television, <strong>and</strong> video to emergent digital forms, <strong>and</strong> courses stress<br />

<strong>the</strong> importance <strong>of</strong> underst<strong>and</strong>ing international or global contexts.<br />

The Screen Studies curriculum is based on <strong>the</strong> premise that a<br />

broadly based education in <strong>the</strong> moving image gives our graduate<br />

an advantages an advantage when entering <strong>the</strong>ir chosen pr<strong>of</strong>ession,<br />

<strong>the</strong> film industry, or graduate school.<br />

SAC 190, 232, 236, 245, 272, 309, 320, 330, 340, 351, 352, 353,


126 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

355, 361, 365, 366, 367, 368, 372, 375, 376, 380, 381, 422, 440,<br />

441, 442, 451, 455, 460, 461, 470, 480, 485, 490, 499, 500.<br />

Production<br />

Production courses in <strong>the</strong> Department <strong>of</strong> Screen <strong>Arts</strong> & Cultures are<br />

integrated into <strong>the</strong> students study <strong>of</strong> <strong>the</strong> history, aes<strong>the</strong>tics <strong>and</strong><br />

<strong>the</strong>ory <strong>of</strong> <strong>the</strong> moving image. A wide variety <strong>of</strong> courses are <strong>of</strong>fered<br />

in all phases <strong>and</strong> genres <strong>of</strong> production. Courses are <strong>of</strong>fered in film,<br />

video, television <strong>and</strong> digital arts. The program is oriented to teach<br />

all genres including dramatic narrative, documentary as well as experimental<br />

<strong>and</strong> personal work. Students are expected to master<br />

fundamental production techniques as <strong>the</strong>y apply to <strong>the</strong>ir conceptual<br />

goals.<br />

SAC 290, 300, 301, 302, 306, 400, 401, 402, 404, 406.<br />

Screenwriting<br />

SAC 310, 410, 423, 427.<br />

Television Writing<br />

SAC 311, 411.<br />

Screen <strong>Arts</strong> <strong>and</strong> Cultures (SAC) Waitlist Policy:<br />

1. Students who wish to obtain an override, must get permission<br />

from <strong>the</strong> instructor <strong>of</strong> <strong>the</strong> course.<br />

2. Screen <strong>Arts</strong> <strong>and</strong> Cultures (SAC) concentrators will be given<br />

preference on <strong>the</strong> waitlist over non-SAC students.<br />

3. Waitlist priority will be at <strong>the</strong> discretion <strong>of</strong> <strong>the</strong> instructor.<br />

Once a permission is issued, students will have three business days<br />

to register for <strong>the</strong> course. If a student does not use <strong>the</strong> class permission<br />

before it expires, <strong>the</strong> next student chosen by <strong>the</strong> instructor<br />

will be given permission..<br />

It is critical that students attend classes from <strong>the</strong> beginning <strong>of</strong> <strong>the</strong><br />

term. The department may drop a student from a course if <strong>the</strong> student<br />

does not attend <strong>the</strong> first course meeting. If a student plans to<br />

miss <strong>the</strong> first course meeting, arrangements must be APPROVED by<br />

<strong>the</strong> instructor in ADVANCE.<br />

SAC 236 / RCHUMS 236. The Art <strong>of</strong> <strong>the</strong> Film.<br />

(4). (HU). May not be repeated for credit.<br />

Section 001. This course examines <strong>the</strong> dramatic <strong>and</strong> psychological<br />

effects <strong>of</strong> <strong>the</strong> elements <strong>and</strong> techniques used in film making <strong>and</strong><br />

television, <strong>and</strong> some <strong>of</strong> <strong>the</strong> salient developments in film's artistic<br />

<strong>and</strong> technological history. This course provides students with <strong>the</strong><br />

basic tools <strong>and</strong> methods for film appreciation <strong>and</strong> study. Students<br />

write five two — page exercises, a seven-page analysis <strong>of</strong> a current<br />

movie, <strong>and</strong> a final exam.<br />

SAC 236 is a pre-requisite course for SAC concentrators, <strong>the</strong>refore,<br />

we have instituted a policy <strong>of</strong> a rolling enrollment as <strong>of</strong> this academic<br />

term, Fall 2006. While <strong>the</strong>re will only be a limited number <strong>of</strong><br />

spots open for seniors, juniors, <strong>and</strong> sophomores, <strong>the</strong> majority <strong>of</strong><br />

<strong>the</strong> spots will continue to open throughout <strong>the</strong> course <strong>of</strong> <strong>the</strong> summer<br />

for incoming freshman ONLY. At <strong>the</strong> end <strong>of</strong> <strong>the</strong> summer, <strong>the</strong><br />

final remaining spots will open for all class levels.<br />

Instructor: Cohen, Hubert I<br />

SCAND (Sc<strong>and</strong>inavian Studies)<br />

The study <strong>of</strong> Sc<strong>and</strong>inavian provides insight into <strong>the</strong> cultural heritage<br />

<strong>of</strong> <strong>the</strong> modern social democracies <strong>of</strong> Sweden, Norway, Denmark,<br />

Finl<strong>and</strong>, <strong>and</strong> Icel<strong>and</strong>. <strong>To</strong> a degree out <strong>of</strong> proportion to <strong>the</strong>ir<br />

relatively small size, <strong>the</strong>se countries have made important contributions<br />

to Western civilization, from <strong>the</strong> Vikings with <strong>the</strong>ir seamanship<br />

<strong>and</strong> arts, to <strong>the</strong> pioneers <strong>of</strong> modern drama — Ibsen <strong>and</strong> Strindberg<br />

— <strong>and</strong> from <strong>the</strong> social welfare state <strong>and</strong> <strong>the</strong> ombudsman to discoveries<br />

in physics <strong>and</strong> medicine. These countries today rank high in<br />

<strong>the</strong> attainment <strong>of</strong> quality <strong>of</strong> life goals <strong>of</strong> <strong>the</strong> post-industrial society<br />

<strong>and</strong> <strong>of</strong>fer interesting comparisons for o<strong>the</strong>r industrial <strong>and</strong> third<br />

world societies.<br />

The Sc<strong>and</strong>inavian program <strong>of</strong>fers courses that take <strong>the</strong> pan-<br />

Sc<strong>and</strong>inavian view in literature, history, society, <strong>and</strong> <strong>the</strong> arts plus<br />

those that focus in depth on Swedish language <strong>and</strong> literature. Work<br />

at <strong>the</strong> University <strong>of</strong> Uppsala during a junior year abroad program<br />

fur<strong>the</strong>r enhances students' opportunity for graduate study, careers<br />

in teaching, international business, or global organizations.<br />

Department <strong>of</strong> Germanic Languages <strong>and</strong> <strong>Literature</strong>s<br />

Waitlist Policy<br />

From <strong>the</strong> first day <strong>of</strong> registration until <strong>the</strong> last business day before<br />

<strong>the</strong> first day <strong>of</strong> classes, a member <strong>of</strong> <strong>the</strong> GLL staff will monitor enrollments<br />

<strong>and</strong> note any waitlisted courses that have spaces available.<br />

When available, a member <strong>of</strong> <strong>the</strong> GLL staff will issue an override<br />

for each open space in a waitlisted course in <strong>the</strong> order <strong>of</strong> <strong>the</strong><br />

waitlist. The overrides issued will have an expiration date <strong>of</strong> 48<br />

hours (including weekends). If <strong>the</strong> student does not accept <strong>the</strong><br />

override within that time frame, it will expire. This will allow <strong>the</strong><br />

staff member to <strong>of</strong>fer <strong>the</strong> space to <strong>the</strong> next eligible student on <strong>the</strong><br />

waitlist, who will <strong>the</strong>n have 48 hours to enroll. If all students on a<br />

given waitlist have been given an opportunity to enroll, but do not<br />

do so, a member <strong>of</strong> <strong>the</strong> GLL staff will ask <strong>the</strong> Registrar's Office to<br />

drop <strong>the</strong>m from said waitlist. This will allow <strong>the</strong> class to reopen for<br />

registration. Once classes begin, no overrides will be issued for<br />

closed courses without <strong>the</strong> consent <strong>of</strong> <strong>the</strong> instructor for <strong>the</strong> course.<br />

S/he has final authority on whe<strong>the</strong>r or not to issue overrides.<br />

SCAND 103. Elementary Swedish.<br />

(4). May not be repeated for credit. No credit granted to those who<br />

have completed or are enrolled in SCAND 100.<br />

Section 001. For students with little or no previous knowledge <strong>of</strong><br />

Swedish, this course provides a basic introduction to Swedish vocabulary<br />

<strong>and</strong> grammar, with <strong>the</strong> emphasis placed on developing<br />

communicative skills. Extensive practice in listening, speaking,<br />

reading, <strong>and</strong> writing. The students will be evaluated on <strong>the</strong> basis <strong>of</strong><br />

class participation, assignments, <strong>and</strong> tests. The teacher is a native<br />

speaker from Sweden.<br />

Instructor: Gull, Maria E<br />

SCAND 331. Introduction to Sc<strong>and</strong>inavian Civilization.<br />

(3). (HU). May not be repeated for credit. Taught in English.<br />

Section 001. A survey <strong>of</strong> <strong>the</strong> artistic, intellectual, political, social,<br />

<strong>and</strong> literary traditions <strong>of</strong> Sc<strong>and</strong>inavia from <strong>the</strong> Viking Age to <strong>the</strong><br />

present.<br />

Instructor: Eriksson, Johanna Ulrika<br />

SI (School <strong>of</strong> Information)<br />

Courses in <strong>the</strong> School <strong>of</strong> Information are listed in <strong>the</strong> Schedule <strong>of</strong><br />

Classes under <strong>the</strong> School <strong>of</strong> Information.<br />

SI 110 / SOC 110. Introduction to Information Studies.<br />

(4). (SS). May not be repeated for credit.<br />

Provides <strong>the</strong> foundational knowledge necessary to begin to address<br />

<strong>the</strong> key issues associated with <strong>the</strong> Information Revolution. Issues<br />

range from <strong>the</strong> <strong>the</strong>oretical (what is information <strong>and</strong> how do<br />

humans construct it?), to <strong>the</strong> cultural (is life on <strong>the</strong> screen a qualitatively<br />

different phenomenon from experiences with earlier distance-shrinking<br />

<strong>and</strong> knowledge-building technologies such as<br />

telephones?), to <strong>the</strong> practical (what are <strong>the</strong> basic architectures <strong>of</strong><br />

computing <strong>and</strong> networks?).<br />

SI 182 / EECS 182. Building Applications for Information<br />

Environments.<br />

(4). (MSA). (BS). May not be repeated for credit. F, W.<br />

Fundamental programming skills in <strong>the</strong> context <strong>of</strong> end-user s<strong>of</strong>tware<br />

applications using a high-level language, such as Ruby or<br />

Python. Rapid design <strong>of</strong> a variety <strong>of</strong> information-oriented applications<br />

to ga<strong>the</strong>r, analyze, transform, manipulate, <strong>and</strong> publish data.<br />

Applications drawn from statistics, pattern matching, social computing<br />

<strong>and</strong> computer games.


<strong>Welcome</strong> to EECS 182, an exciting new course that is specially designed<br />

to teach introductory programming skills in a novel way to<br />

students with interests in a variety <strong>of</strong> fields. The course is jointly<br />

designed by faculty in Computer <strong>Science</strong> <strong>and</strong> School <strong>of</strong> Information<br />

to appeal to students considering <strong>the</strong> new interdisciplinary concentration<br />

in LSA, called Informatics. It should also be a very attractive<br />

course for students who have interests in o<strong>the</strong>r concentrations <strong>and</strong><br />

need an exposure to programming that <strong>the</strong>y can make use <strong>of</strong> in<br />

day-to-day work. You can sign up for <strong>the</strong> course as ei<strong>the</strong>r EECS 182<br />

or SI 182. The new concentration deals with design <strong>and</strong> analysis <strong>of</strong><br />

information systems in various fields, including life sciences, social<br />

networks, statistics, computer science, etc. It will have four tracks,<br />

Computational Life <strong>Science</strong>s, Social Computing, Information Analysis,<br />

<strong>and</strong> Computational Informatics. EECS 182 will usually draw on<br />

applications with broad applicability from <strong>the</strong>se domains. EECS 182<br />

uses a higher-level language, Python, which is a wonderful language<br />

for writing quick mashups or prototyping solutions quickly.<br />

Python is a very popular language <strong>and</strong> is used at many companies,<br />

including Yahoo <strong>and</strong> Google! See www.python.org for more information<br />

about <strong>the</strong> language.<br />

Specifically, we designed <strong>the</strong> course keeping in mind <strong>the</strong> technology<br />

skills students will need throughout <strong>the</strong>ir careers. The one<br />

thing that you will likely encounter over <strong>and</strong> over during your undergraduate<br />

degree, when you pursue advanced degrees, <strong>and</strong> once<br />

you are working is complex data that needs to be analyzed, understood,<br />

<strong>and</strong> visualized.<br />

While you can do a lot with a spreadsheet, most <strong>of</strong> <strong>the</strong> interesting<br />

data is never quite in <strong>the</strong> right format. Sometimes, before you can<br />

work with data, you have to "clean it up", transform it, or even<br />

check it for errors. Often, this manipulation <strong>of</strong> data requires a series<br />

<strong>of</strong> tedious manual steps — <strong>and</strong> sometimes you have to repeat <strong>the</strong><br />

steps over <strong>and</strong> over again for each new data set with which you are<br />

working.<br />

This is where programming comes in — programming is a simple<br />

way for you to describe a series <strong>of</strong> steps to <strong>the</strong> computer <strong>and</strong> <strong>the</strong>n<br />

sit back <strong>and</strong> watch as <strong>the</strong> computer happily does your task over<br />

<strong>and</strong> over without making a mistake. As a result, you can turn your<br />

focus to exploring <strong>and</strong> interpreting <strong>the</strong> data instead <strong>of</strong> laboring over<br />

manual editing.<br />

Automation <strong>of</strong> <strong>the</strong>se mundane tasks requires some programming<br />

skills. It isn't necessary to be a "super programmer" — just to have<br />

an ability to learn <strong>and</strong> apply <strong>the</strong> basics. These basics are useful for<br />

writing a macro in a spreadsheet, data visualization script, interactive<br />

web page, or game to run on your cell phone.<br />

EECS 182 has been designed for students with no prior programming<br />

experience. We will learn <strong>the</strong> basics <strong>of</strong> programming taking<br />

our time to underst<strong>and</strong> <strong>the</strong> basic concepts <strong>of</strong> programming <strong>and</strong> revisiting<br />

topics as necessary. Weekly assignments will be key, as<br />

<strong>the</strong>y will provide a venue for applying programming concepts. We<br />

will look at a number <strong>of</strong> data applications <strong>and</strong> use our programming<br />

skills to manipulate, transform, <strong>and</strong> visualize <strong>the</strong> data from multiple<br />

sources <strong>and</strong> application domains. If you want to take more advanced<br />

s<strong>of</strong>tware development courses, EECS 182 is a solid introduction<br />

to programming <strong>and</strong> will prepare you for <strong>the</strong> more advanced<br />

courses in EECS. And, if this is <strong>the</strong> only programming<br />

course you ever take, you will be pretty h<strong>and</strong>y with data <strong>and</strong> visualization<br />

for <strong>the</strong> rest <strong>of</strong> your career.<br />

Two o<strong>the</strong>r introductory programming courses, besides EECS 182,<br />

are EECS 183 <strong>and</strong> ENGR 101. All <strong>the</strong> three courses should prepare<br />

a student for subsequent courses in most fields. The primary difference<br />

is in <strong>the</strong> style <strong>of</strong> teaching, target audience, <strong>and</strong> in <strong>the</strong> choice<br />

<strong>of</strong> programming languages. ENGR 101 is oriented toward engineering<br />

students. It teaches C++ <strong>and</strong> MATLAB <strong>and</strong> focuses on engineering-oriented<br />

problem solving. EECS 183 is a course for nonengineering<br />

students, that uses C++; many students in EECS 183<br />

intend to go for a Computer <strong>Science</strong> degree <strong>and</strong> <strong>the</strong> applicationdomain<br />

for problem solving is <strong>of</strong>ten oriented towards computer scientists.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 127<br />

There are no pre-requisites for <strong>the</strong> course so anyone should be able<br />

to register until <strong>the</strong> course fills up. The course is capped at 50 students.<br />

If you find <strong>the</strong> course is filled, be sure to put yourself on <strong>the</strong><br />

wait list. Often, we are able to accommodate students from <strong>the</strong><br />

wait list during <strong>the</strong> first two weeks <strong>of</strong> <strong>the</strong> class.<br />

Textbook:<br />

The following textbook is required for <strong>the</strong> course:<br />

• John M. Zelle. Python Programming: An Introduction to Computer<br />

<strong>Science</strong>, Franklin, Beedle & Associates, Inc. 2003, ISBN:<br />

1887902996. beedle.com/99-6.html<br />

In addition, <strong>the</strong>re are several online resources, including complete<br />

books, that you will find useful <strong>and</strong> we will refer to from time to<br />

time:<br />

• How to Think Like a Computer Scientist: Learning with Python,<br />

by Allen Downey, Jeffrey Ekner, Chris Meyers. This is a good introductory<br />

text that uses Python to present basic ideas <strong>of</strong> computer<br />

science <strong>and</strong> programming. It's especially recommended if<br />

you don't have a lot <strong>of</strong> programming experience <strong>and</strong> a good<br />

thing to skim even if you do. Freely available online.<br />

• Python for Newbies, by David Borowitz. A short tutorial that<br />

goes through <strong>the</strong> basics <strong>of</strong> Python that only assumes a bit <strong>of</strong><br />

programming experience.<br />

• Learn Python in 10 Minutes, by Poromenos. An even shorter tutorial<br />

that covers Python's syntax quickly for those with a fair<br />

amount <strong>of</strong> programming experience.<br />

• Python Tutorial, by Guido Van Rwum. This is <strong>the</strong> st<strong>and</strong>ard tutorial<br />

reference by <strong>the</strong> inventor <strong>of</strong> Python. It's aimed at people<br />

who have previous programming experience.<br />

• The NumPy package for scientific computing<br />

• Python 2D plotting library: Matplotlib/pylab library for generating<br />

various types <strong>of</strong> 2D plots.<br />

Part <strong>of</strong> your grade requires you to find an interesting python module<br />

<strong>and</strong> talk about it in <strong>the</strong> class. You can find one list <strong>of</strong> modules<br />

at docs.python.org/lib/ <strong>and</strong> at docs.python.org/modindex.html. You<br />

are not restricted to talking about modules in <strong>the</strong>se sets however.<br />

If you find an interesting module, share it with <strong>the</strong> class.<br />

Grading<br />

• Homeworks [including mini-projects <strong>and</strong> projects): 50%<br />

• Exams: 40%<br />

• Class participation <strong>and</strong> python module presentation: 10%<br />

Instructor: Prakash, Atul<br />

SLAVIC (Slavic Languages <strong>and</strong><br />

<strong>Literature</strong>s)<br />

The department teaches <strong>the</strong> languages, literatures, <strong>and</strong> cultures <strong>of</strong><br />

<strong>the</strong> Slavic nations. The curriculum provides <strong>the</strong> language training<br />

prerequisite to specialization in a variety <strong>of</strong> careers (e.g., government,<br />

diplomacy, international trade, teaching), <strong>and</strong> <strong>of</strong>fers an enriching<br />

cultural <strong>and</strong> linguistic background to non-concentrators, especially<br />

those interested in <strong>the</strong> ethnic heritage <strong>of</strong> <strong>the</strong> Slavic peoples.<br />

Courses in English. The department <strong>of</strong>fers a series <strong>of</strong> courses in<br />

English translation designed to survey <strong>the</strong> Slavic literatures <strong>and</strong> cultures<br />

for concentrators in Russian <strong>and</strong> Polish <strong>and</strong> for nonconcentrators.<br />

These courses include:<br />

• RUSSIAN 231, 241, 322, 346, 347, 348, 357, 358, 360, 361,<br />

365, 382, 450, 460, 461, 462, 463, 464, 472, 476, 477, 478,<br />

479, 485;<br />

• SLAVIC 151, 210, 225, 240, 250, 270, 281, 290, 312, 313, 315,<br />

316, 435, 470, 481, 487, 490;<br />

• POLISH 214, 314, 325, 326, 432;<br />

• CZECH 315, 480, 483, 484


128 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

SLAVIC 151. First Year Seminar.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (4). (FYWR). May not be repeated for credit.<br />

Designed to introduce entering students to aspects <strong>of</strong> culture in<br />

Eastern Europe, Russia <strong>and</strong> Eurasia by analyzing <strong>the</strong> complex processes<br />

which define "culture" <strong>and</strong> "ethnicity" in <strong>the</strong> areas where<br />

"West meets East." <strong>To</strong>pics vary according to <strong>the</strong> interests <strong>of</strong> <strong>the</strong> instructors.<br />

Whatever <strong>the</strong>ir subject matter, first-year seminars emphasize<br />

critical thinking through class discussions <strong>and</strong> thorough<br />

practice in introductory composition.<br />

Section 001 — Prague: The Magic City.<br />

Prague, <strong>the</strong> capital <strong>of</strong> <strong>the</strong> Czech Republic, belongs to those European<br />

cities that fascinate as unique historical amalgams whose<br />

composition defies disciplinary boundaries. The course traces Prague’s<br />

history, culture, architecture, <strong>the</strong> symbiosis <strong>of</strong> ethnic groups<br />

within its walls, <strong>and</strong> its current spirit. <strong>To</strong>pics include Prague as: a<br />

medieval city; <strong>the</strong> center <strong>of</strong> religious reformation; <strong>the</strong> center <strong>of</strong> arts<br />

<strong>and</strong> science, but also alchemy <strong>and</strong> black magic, in <strong>the</strong> early modern<br />

times; an architectural project <strong>of</strong> <strong>the</strong> baroque period; a center <strong>of</strong><br />

<strong>the</strong> Czech nationalist revival; a center <strong>of</strong> music; <strong>the</strong> city <strong>of</strong> Jews;<br />

<strong>and</strong> last but not least — <strong>the</strong> showcase <strong>of</strong> modernism in <strong>the</strong> twentieth<br />

century. We will read literature inspired by Prague, including<br />

Neruda, Kafka, <strong>and</strong> Apollinaire; study visual documents; <strong>and</strong> watch<br />

films including Paul Wegener’s Golem.<br />

Instructor: <strong>To</strong>man, Jindrich<br />

Section 002 — Yiddish Love Stories.<br />

Did young Jewish men <strong>and</strong> women fall in love in <strong>the</strong> old days?<br />

What was <strong>the</strong> place <strong>of</strong> love in traditional Jewish society? How did<br />

ideas about love, romance, <strong>and</strong> marriage change with time?<br />

We will address <strong>the</strong>se <strong>and</strong> o<strong>the</strong>r important questions about Jewish<br />

life by looking closely at a series <strong>of</strong> stories written in Yiddish in <strong>the</strong><br />

19th <strong>and</strong> 20th centuries in Russia, Pol<strong>and</strong>, <strong>and</strong> America. We will<br />

explore <strong>the</strong> ways Yiddish writers portrayed romantic feelings, study<br />

<strong>the</strong>ir literary techniques <strong>and</strong> devices, <strong>and</strong> create our own interpretations<br />

<strong>of</strong> <strong>the</strong>ir works. We will read <strong>and</strong> discuss stories by <strong>the</strong> classic<br />

authors <strong>of</strong> Yiddish literature — Mendele Moykher Sforim, Sholem<br />

Aleichem, <strong>and</strong> Y.L. Peretz — as well as by <strong>the</strong>ir younger followers<br />

<strong>and</strong> opponents, including Dovid Bergelson, Sholem Asch, Y. Singer,<br />

Rokhl Korn, Kadya Molodowsky. We will also look at visual representations<br />

<strong>of</strong> love in art <strong>and</strong> cinema.<br />

Instructor: Krutikov, Mikhail<br />

Section 003 — DUI (Discourse Under <strong>the</strong> Influence): An<br />

Introduction to Narratology.<br />

How does a literary text draw us into <strong>the</strong> mind <strong>of</strong> a character who<br />

is dramatically different from both <strong>the</strong> author <strong>and</strong> <strong>the</strong> reader, yet<br />

relatable <strong>and</strong> believable? How does <strong>the</strong> world seen through that<br />

mind compare to our own? Narratology, or <strong>the</strong> study <strong>of</strong> narrative<br />

structure, considers <strong>the</strong> devices writers use to manipulate how we<br />

perceive <strong>the</strong> worlds represented in words. In this seminar, we will<br />

examine especially striking instances <strong>of</strong> this manipulation: novels,<br />

poems, <strong>and</strong> essays in which a rational, calculating author convinces<br />

us that we are seeing <strong>the</strong> world through <strong>the</strong> eyes <strong>of</strong> an intoxicated<br />

speaker. Intoxication has been <strong>and</strong> remains a useful tool for<br />

authors looking to shake <strong>the</strong> reliability <strong>of</strong> <strong>the</strong>ir narrative, providing<br />

both a social context <strong>and</strong> a cognitive (or cognitively impaired)<br />

model for doing so, <strong>and</strong> in Russian, Polish, <strong>and</strong> Czech literatures it<br />

has been employed to powerful effect in <strong>the</strong> service <strong>of</strong> cultural <strong>and</strong><br />

political critiques. We will probe <strong>the</strong>se texts for clues about how<br />

writers use intoxication to heighten <strong>the</strong> comedy <strong>of</strong> basically tragic<br />

stories. We will also discuss <strong>the</strong> unrestrained commentaries <strong>the</strong>se<br />

writers provide on national habits, social <strong>and</strong> cultural shortcomings,<br />

<strong>and</strong> personal dreams. Readings will include dazzling works by<br />

Bohumil Hrabal, Venedikt Er<strong>of</strong>eev, Jerzy Pilch, Dorota Masłowska,<br />

<strong>and</strong> o<strong>the</strong>rs, as well as major contributions to narrative <strong>the</strong>ory.<br />

Class Format:<br />

Seminar<br />

Instructor: Pal<strong>of</strong>f, Benjamin B<br />

Section 004 — The Russian Rogue's Progress.<br />

No knowledge <strong>of</strong> Russian or background in Russian literature required.<br />

This course examines Russian picaresque humor, satire, fantasy,<br />

<strong>and</strong> science fiction in <strong>the</strong> 19th <strong>and</strong> 20th centuries surveyed against<br />

<strong>the</strong> background <strong>of</strong> world literature <strong>and</strong> folklore. Readings include<br />

Gogol’s Dead Souls, Ehrenburg’s Julio Jurenitj; A.N. <strong>To</strong>lstoy’s<br />

Garin’s Death Ray; Il’f <strong>and</strong> Petrov’s Twelve Chairs, Bulgakov’s The<br />

Master <strong>and</strong> Margarita, Babel’s My First Fee, <strong>and</strong> more.<br />

Course Requirements:<br />

Grade based on papers, midterm reports, <strong>and</strong> final essay.<br />

Intended Audience:<br />

No knowledge <strong>of</strong> Russian or background in Russian literature<br />

required.<br />

Class Format:<br />

Lectures, students’ presentations, <strong>and</strong> discussion.<br />

Instructor: Ronen, Omry<br />

Section 005 — Short Fiction from <strong>the</strong> South Slavic Cultural<br />

Space.<br />

This course introduces students to <strong>the</strong> best in modern <strong>and</strong> contemporary<br />

short fiction by writers who created in <strong>the</strong> cultural space <strong>of</strong><br />

what only two decades ago used to be Yugoslavia. The course materials<br />

were written by 20th-century authors <strong>and</strong> include short stories<br />

<strong>and</strong> short novels that deal with a wide variety <strong>of</strong> <strong>the</strong>mes <strong>and</strong><br />

are set in <strong>the</strong> span <strong>of</strong> over a century. Some <strong>of</strong> our readings explore<br />

<strong>the</strong> legacy <strong>of</strong> <strong>the</strong> Ottoman Empire, Communism, or <strong>the</strong> 1990s civil<br />

wars <strong>and</strong> <strong>the</strong> country’s dissolution; some present <strong>the</strong> conflict <strong>of</strong><br />

love <strong>and</strong> social ethics, while o<strong>the</strong>rs deal with vampires!<br />

Students will have an opportunity to develop <strong>the</strong>ir reading <strong>and</strong> writing<br />

skills, as well as to learn about <strong>the</strong> history, politics <strong>and</strong> literature<br />

<strong>of</strong> <strong>the</strong> space whose specificity will only be an introduction into <strong>the</strong><br />

exploration <strong>of</strong> broader <strong>and</strong> more universal topics.<br />

Course Requirements:<br />

Active class participation, three 3-page papers, <strong>and</strong> a final 5-7-page<br />

paper. Participation in class is strongly encouraged! Please do not<br />

hesitate to make your unique contribution to class discussions <strong>and</strong><br />

ask whatever interests you.<br />

Instructor: Aleksić, Tatjana<br />

Section 006 — Monument <strong>and</strong> Memory.<br />

The monument is a characteristic form <strong>of</strong> public memory, yet <strong>the</strong><br />

relationship between monument <strong>and</strong> memory is fraught <strong>and</strong> complex.<br />

• Do societies remember <strong>the</strong> past through monuments, or do<br />

monuments free societies from <strong>the</strong> burden <strong>of</strong> memory?<br />

• What special challenges characterize <strong>the</strong> remembrance <strong>of</strong><br />

traumatic pasts?<br />

• Is violence against monuments a violence against memory, or a<br />

form <strong>of</strong> memory in its own right?<br />

• Are some events impossible to monumentalize?<br />

This seminar explores <strong>the</strong> aes<strong>the</strong>tics, rhetorics, politics <strong>and</strong> social<br />

practices <strong>of</strong> <strong>the</strong> monument, drawing upon case studies from <strong>the</strong><br />

rich, vibrant, <strong>and</strong> contested monument cultures <strong>of</strong> <strong>the</strong> Yugoslav<br />

successor states, but also paying attention to questions emerging in<br />

contexts closer to home.<br />

Intended Audience:<br />

First-Year Students<br />

Class Format:<br />

Seminar<br />

Instructor: Herscher, Andrew H


SLAVIC 225. <strong>Arts</strong> <strong>and</strong> Cultures <strong>of</strong> Central Europe.<br />

(3). (HU). (R&E). May not be repeated for credit.<br />

Section 001 — Issues in Race & Ethnicity.<br />

The course is an introduction to <strong>the</strong> rich cultures <strong>of</strong> <strong>the</strong> peoples <strong>of</strong><br />

Central Europe (Croats, Czechs, Hungarians, Jews, Poles, Serbs,<br />

<strong>and</strong> Slovaks) seen against <strong>the</strong> background <strong>of</strong> two world wars,<br />

communism <strong>and</strong> its recent disintegration. Culturally vibrant, Central<br />

Europe reveals <strong>the</strong> tragic destiny <strong>of</strong> twentieth-century civilization<br />

which gave rise to two totalitarian systems: fascism <strong>and</strong> communism.<br />

The course will outline <strong>the</strong> ethnic complexities <strong>of</strong> <strong>the</strong> region,<br />

with special attention to Jewish culture <strong>and</strong> its tragic destruction<br />

during <strong>the</strong> Holocaust. The traumatic effects <strong>of</strong> <strong>the</strong> war <strong>and</strong> <strong>of</strong> ideological<br />

coercion on <strong>the</strong> civilian population will be documented by<br />

contemporary films. The course will examine <strong>the</strong> fate <strong>of</strong> culture<br />

under totalitarianism <strong>and</strong> study subterfuges used by novelists,<br />

dramatists, <strong>and</strong> artists to circumvent political control <strong>and</strong> censorship.<br />

Students will:<br />

• read works by Kafka, Milosz, Kundera, <strong>and</strong> Havel;<br />

• see movies by Kadar, Wajda, <strong>and</strong> Kieślowski;<br />

• become acquainted with Czech <strong>and</strong> Polish avant-garde art <strong>and</strong><br />

music <strong>and</strong> <strong>the</strong> unique cultural atmosphere <strong>of</strong> Central European<br />

cities: Vienna, Prague, Budapest, <strong>and</strong> Warsaw.<br />

Instructor: <strong>To</strong>man, Jindrich<br />

SOC (Sociology)<br />

Sociology is <strong>the</strong> study <strong>of</strong> social relationships structures. It focuses<br />

on relations among people, groups, organizations, classes, cultures,<br />

<strong>and</strong> society. Sociology explores <strong>and</strong> analyzes issues vital to our personal<br />

lives, communities, society, <strong>and</strong> <strong>the</strong> world. The curriculum in<br />

sociology is designed to provide students with an underst<strong>and</strong>ing <strong>of</strong><br />

<strong>the</strong> social character <strong>of</strong> human life <strong>and</strong> <strong>of</strong> <strong>the</strong> impact <strong>of</strong> varying<br />

forms <strong>of</strong> social organization on human affairs. Students are introduced<br />

to <strong>the</strong> methods by which such knowledge is obtained <strong>and</strong> to<br />

<strong>the</strong> applications <strong>of</strong> sociological knowledge. Students considering sociology<br />

as a concentration are encouraged to speak with a sociology<br />

academic advisor.<br />

SOC 100. Introduction to Sociology.<br />

Restricted to first-year students, sophomores, <strong>and</strong> juniors. (Prerequisites<br />

enforced at registration.) Juniors <strong>and</strong> seniors electing an introductory<br />

course are strongly encouraged to elect SOC 300, although<br />

<strong>the</strong>re is limited space available for upper-level students in<br />

SOC 100 <strong>and</strong> 102 in semesters in which SOC 300 is not <strong>of</strong>fered.<br />

(4). (SS). May not be repeated for credit. No credit granted to students<br />

who have completed or are enrolled in SOC 102, 105, 195, or<br />

300. May not be included in a Sociology concentration plan.<br />

Section 001. Sociology may be defined simply as <strong>the</strong> study <strong>of</strong><br />

human groups or <strong>the</strong> study <strong>of</strong> human social arrangements, but sociology<br />

is also a perspective, a set <strong>of</strong> methods, a canon <strong>of</strong> literature,<br />

<strong>and</strong> an ongoing conversation about <strong>the</strong> patterns, probabilities,<br />

principles, <strong>and</strong> processes that characterize society.<br />

This course will be divided into three sections:<br />

1. an introduction to sociology as a discipline <strong>and</strong> mindset via<br />

Allan Johnson’s book, The Forest <strong>and</strong> <strong>the</strong> Trees;<br />

2. <strong>the</strong> history <strong>of</strong> sociology, its key figures, <strong>and</strong> <strong>the</strong> major concepts<br />

that have occupied <strong>the</strong> field over <strong>the</strong> past century <strong>and</strong> a half;<br />

<strong>and</strong><br />

3. an introduction to ten key issues addressed by contemporary<br />

sociology: class, race, gender, sexuality, religion, education,<br />

health care, crime, <strong>the</strong> media, <strong>and</strong> <strong>the</strong> environment.<br />

Course Requirements:<br />

Students will demonstrate <strong>the</strong>ir learning through three noncumulative<br />

tests, a research paper written in stages, <strong>and</strong> participation<br />

in discussion sections <strong>and</strong> lecture.<br />

Class Format:<br />

Lecture <strong>and</strong> Discussion sections<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 129<br />

Instructor: McGinn, Terence James<br />

SOC 102. Introduction to Sociology: Special <strong>To</strong>pics.<br />

Restricted to first-year students, sophomores, <strong>and</strong> juniors. (Prerequisites<br />

enforced at registration.) Juniors <strong>and</strong> seniors electing an introductory<br />

course are strongly encouraged to elect SOC 300, although<br />

<strong>the</strong>re is limited space available for upper-level students in<br />

SOC 100 <strong>and</strong> 102 in semesters in which SOC 300 is not <strong>of</strong>fered.<br />

(4). (SS). May be repeated for a maximum <strong>of</strong> 8 credits. No credit<br />

granted to students who have completed or are enrolled in SOC<br />

100, 105, 195, or 300. May not be included in a Sociology concentration<br />

plan.<br />

Section 001 — Social Inequality.<br />

Contemporary Social Issues will be taught through <strong>the</strong> lens <strong>of</strong> social<br />

stratification <strong>and</strong> inequality. Social stratification is a cornerstone<br />

topic in <strong>the</strong> field, <strong>and</strong> is central to underst<strong>and</strong>ing <strong>the</strong> social forces<br />

that generate <strong>and</strong> perpetuate inequalities among individuals <strong>and</strong><br />

groups in every society. While most people are aware that some<br />

individuals are rich <strong>and</strong> powerful while o<strong>the</strong>rs are not, <strong>the</strong>re is less<br />

recognition <strong>of</strong> <strong>the</strong> systems <strong>of</strong> social stratification that shape how<br />

much wealth, power <strong>and</strong> prestige different people hold. Stratification<br />

systems also influence people’s educational attainment, working<br />

lives, health, <strong>and</strong> opportunities for a better life for <strong>the</strong>mselves<br />

or <strong>the</strong>ir children, among o<strong>the</strong>r crucial outcomes. In this course we<br />

will examine some <strong>of</strong> <strong>the</strong> key <strong>the</strong>oretical frameworks that sociologists<br />

have used to explain social stratification <strong>and</strong> inequality, as well<br />

as looking at <strong>the</strong> evidence for levels <strong>and</strong> trends <strong>of</strong> inequality in <strong>the</strong><br />

United States <strong>and</strong> o<strong>the</strong>r parts <strong>of</strong> <strong>the</strong> world. We will focus on <strong>the</strong><br />

systems <strong>of</strong> class <strong>and</strong> status that structure society, as well as o<strong>the</strong>r<br />

axes <strong>of</strong> social inequalities, particularly race, ethnicity <strong>and</strong> gender.<br />

Instructor: Burgard, Sarah Andrea<br />

Section 020 — Power, Politics <strong>and</strong> Religion.<br />

Through a dynamic mix <strong>of</strong> lectures, discussion <strong>and</strong> films, students<br />

will become familiar with core sociological phenomena: Power, Politics<br />

<strong>and</strong> Religion. We will explore <strong>the</strong>se sociological "problems" (<strong>and</strong><br />

<strong>the</strong> relationship between <strong>the</strong>m) in modern society through an examination<br />

<strong>of</strong> issues such as class, status <strong>and</strong> taste; culture wars,<br />

religious conflicts <strong>and</strong> violence; nationalism <strong>and</strong> civil religion; secularization<br />

<strong>and</strong> <strong>the</strong> rise <strong>of</strong> religious fundamentalism; <strong>and</strong> gender <strong>and</strong><br />

race in politics <strong>and</strong> religion. <strong>To</strong> illustrate what can sometimes seem<br />

to be overly abstract concepts, we will consult newspaper articles,<br />

ad campaigns <strong>and</strong> videoclips <strong>and</strong> make ample reference to contemporary<br />

American debates <strong>and</strong> controversies such as <strong>the</strong> "John 3:16"<br />

ads in <strong>the</strong> 2011 Super Bowl, Mel Gibson’s Passion <strong>of</strong> <strong>the</strong> Christ <strong>and</strong><br />

Dan Brown's Da Vinci Code, <strong>and</strong> <strong>the</strong> opposition to <strong>the</strong> opening <strong>of</strong><br />

an Islamic Center in <strong>the</strong> vicinity <strong>of</strong> <strong>the</strong> 9/11 memorial.<br />

Instructor: Zubrzycki, Genevieve<br />

Section 101 — Power, Politics <strong>and</strong> Religion.<br />

Through a dynamic mix <strong>of</strong> lectures, discussion <strong>and</strong> films, students<br />

will become familiar with core sociological phenomena: Power, Politics<br />

<strong>and</strong> Religion. We will explore <strong>the</strong>se sociological "problems" (<strong>and</strong><br />

<strong>the</strong> relationship between <strong>the</strong>m) in modern society through an examination<br />

<strong>of</strong> issues such as class, status <strong>and</strong> taste; culture wars,<br />

religious conflicts <strong>and</strong> violence; nationalism <strong>and</strong> civil religion; secularization<br />

<strong>and</strong> <strong>the</strong> rise <strong>of</strong> religious fundamentalism; <strong>and</strong> gender <strong>and</strong><br />

race in politics <strong>and</strong> religion. <strong>To</strong> illustrate what can sometimes seem<br />

to be overly abstract concepts, we will consult newspaper articles,<br />

ad campaigns <strong>and</strong> videoclips <strong>and</strong> make ample reference to contemporary<br />

American debates <strong>and</strong> controversies such as <strong>the</strong> "John 3:16"<br />

ads in <strong>the</strong> 2011 Super Bowl, Mel Gibson’s Passion <strong>of</strong> <strong>the</strong> Christ <strong>and</strong><br />

Dan Brown's Da Vinci Code, <strong>and</strong> <strong>the</strong> opposition to <strong>the</strong> opening <strong>of</strong><br />

an Islamic Center in <strong>the</strong> vicinity <strong>of</strong> <strong>the</strong> 9/11 memorial.<br />

Instructor: Zubrzycki, Genevieve


130 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

SOC 105. First Year Seminar in Sociology.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (SS). May not be repeated for credit. No<br />

credit granted to students who have completed or are enrolled in<br />

SOC 100, 102, 195, or 300. May not be included in a Sociology concentration<br />

plan.<br />

An introduction to <strong>the</strong> discipline <strong>of</strong> sociology via examination <strong>of</strong><br />

topical social issues.<br />

Section 001 — Globalization, Culture, <strong>and</strong> Social Change.<br />

This course will give students a basic underst<strong>and</strong>ing <strong>of</strong> some <strong>of</strong> <strong>the</strong><br />

most important concepts in <strong>the</strong> social sciences: globalization, culture,<br />

<strong>and</strong> social change. The class will focus on <strong>the</strong> concept <strong>of</strong> culture,<br />

<strong>the</strong> diversity <strong>of</strong> cultures, <strong>the</strong> ways in which cultures influence<br />

each o<strong>the</strong>r through globalization, <strong>and</strong> <strong>the</strong> ways cultures change<br />

across time. We will consider how social change occurs <strong>and</strong> <strong>the</strong><br />

<strong>the</strong>ories <strong>of</strong> ordinary people about <strong>the</strong> causes <strong>and</strong> consequences <strong>of</strong><br />

change. The class will examine globalization, culture, <strong>and</strong> social<br />

change through case studies <strong>of</strong> <strong>the</strong> lives <strong>of</strong> actual <strong>and</strong> fictional individuals,<br />

families, <strong>and</strong> communities.<br />

Instructor: Thornton, Arl<strong>and</strong> D<br />

Section 002 — Transforming America: Immigrants Then<br />

<strong>and</strong> Now.<br />

That America is a nation <strong>of</strong> immigrants is one <strong>of</strong> <strong>the</strong> most common,<br />

yet truest, statements. In this course we will survey a vast range <strong>of</strong><br />

<strong>the</strong> American immigrant experiences: that <strong>of</strong> <strong>the</strong> Irish, Germans,<br />

Jews, Italians, Blacks, Puerto Ricans, Mexicans, Cubans, Koreans,<br />

<strong>and</strong> Japanese. Immigration to America can be broadly understood<br />

as consisting <strong>of</strong> four major waves: <strong>the</strong> first one, that which consisted<br />

<strong>of</strong> Northwest Europeans who immigrated up to <strong>the</strong> mid-19th<br />

century; <strong>the</strong> second one, that which consisted <strong>of</strong> Sou<strong>the</strong>rn <strong>and</strong><br />

Eastern Europeans at <strong>the</strong> end <strong>of</strong> <strong>the</strong> 19th century <strong>and</strong> beginning <strong>of</strong><br />

<strong>the</strong> 20th; <strong>the</strong> third one, <strong>the</strong> movement from <strong>the</strong> South to <strong>the</strong> North<br />

<strong>of</strong> Black Americans <strong>and</strong> Mexicans precipitated by two World Wars;<br />

<strong>and</strong> <strong>the</strong> fourth one, from 1965 on, is still ongoing in <strong>the</strong> present, <strong>of</strong><br />

immigrants mostly from Latin America <strong>and</strong> Asia. At all times, our<br />

effort will be to underst<strong>and</strong> <strong>the</strong> immigrant past <strong>of</strong> <strong>the</strong>se ethnic<br />

groups, both for what it tells us about <strong>the</strong> past as well as <strong>the</strong>ir present<br />

<strong>and</strong> possible future.<br />

Course Requirements:<br />

The written requirements for this class consist <strong>of</strong> two written, inclass<br />

exams (one essay <strong>and</strong> some short answers) plus a book review<br />

(about 8 pages long) <strong>of</strong> a social science book on an immigrant/ethnic/racial<br />

group <strong>of</strong> <strong>the</strong> student’s choice.<br />

Instructor: Pedraza, Silvia<br />

Section 003 — Social Justice, Identity, Diversity <strong>and</strong> Community.<br />

This seminar will explore a wide range <strong>of</strong> issues on social justice,<br />

social identity <strong>and</strong> intergroup relations, community, <strong>and</strong> everyday<br />

politics <strong>and</strong> democracy. It will examine <strong>the</strong> possibilities for building<br />

community across race, gender, class, sexual orientation <strong>and</strong> religion<br />

as students explore <strong>the</strong>ir own racial <strong>and</strong> o<strong>the</strong>r social group<br />

identities.<br />

• How do we have constructive conversations <strong>and</strong> dialogue about<br />

our different perspectives, beliefs, experiences, <strong>and</strong> backgrounds?<br />

• How do we develop <strong>the</strong> practice <strong>of</strong> civic engagement along with<br />

<strong>the</strong> skills <strong>of</strong> boundary-crossing to build vibrant communities <strong>and</strong><br />

a strong democracy in our schools, neighborhoods, cities, <strong>and</strong><br />

governments?<br />

• <strong>To</strong> what extent do <strong>the</strong> American ideals <strong>and</strong> its democratic principles<br />

continue to provide a bond for our society in <strong>the</strong> face <strong>of</strong><br />

growing social divisions <strong>and</strong> inequalities?<br />

Course Requirements:<br />

All students are expected to participate actively in class discussions,<br />

read carefully, <strong>and</strong> write extensively. Students will observe <strong>and</strong> par-<br />

ticipate in a number <strong>of</strong> engaging intergroup dialogue exercises <strong>and</strong><br />

community-based activities.<br />

Intended Audience:<br />

Students from diverse backgrounds are encouraged to enroll in this<br />

seminar, bringing personal experience <strong>and</strong> perspective to enrich <strong>the</strong><br />

discussion <strong>of</strong> <strong>the</strong>oretical readings.<br />

Instructor: Schoem, David<br />

SOC 110 / SI 110. Introduction to Information Studies.<br />

(4). (SS). May not be repeated for credit.<br />

Provides <strong>the</strong> foundational knowledge necessary to begin to address<br />

<strong>the</strong> key issues associated with <strong>the</strong> Information Revolution. Issues<br />

range from <strong>the</strong> <strong>the</strong>oretical (what is information <strong>and</strong> how do humans<br />

construct it?), to <strong>the</strong> cultural (is life on <strong>the</strong> screen a qualitatively<br />

different phenomenon from experiences with earlier distanceshrinking<br />

<strong>and</strong> knowledge-building technologies such as telephones?),<br />

to <strong>the</strong> practical (what are <strong>the</strong> basic architectures <strong>of</strong> computing<br />

<strong>and</strong> networks?).<br />

SOC 122 / PSYCH 122 / UC 122. Intergroup Dialogues.<br />

(2). May be repeated for a maximum <strong>of</strong> 4 credits. May not be included<br />

in a concentration in Psychology or Sociology.<br />

Interested students must fill out an online request at<br />

www.igr.umich.edu. Due to high dem<strong>and</strong>, students who do not attend<br />

<strong>the</strong> mass meeting on <strong>the</strong> first day <strong>of</strong> class will be dropped<br />

from <strong>the</strong> course. If you have questions, please contact Rebecca<br />

Grekin (phone: 936-1875; e-mail: rgrekin@umich.edu).<br />

Section 002. Students will examine psychological, historical, <strong>and</strong><br />

sociological materials which address each group's experiences, <strong>and</strong><br />

learn about issues facing <strong>the</strong> groups in contemporary society. The<br />

goal is to create a setting in which students will engage in open<br />

<strong>and</strong> constructive dialogue, learning, <strong>and</strong> exploration. The second<br />

goal is to actively identify alternative resolutions <strong>of</strong> intergroup conflicts.<br />

Different term-long sections <strong>of</strong> this course focus on different<br />

identity groups (for example, recent dialogues have considered<br />

white people/people <strong>of</strong> color; Blacks/Jews; lesbians, gay men, bisexuals,<br />

<strong>and</strong> heterosexuals; white women/women <strong>of</strong> color;<br />

Blacks/Latinos/as; men/women; etc.). Once registered, please go<br />

to www.igr.umich.edu to fill out a dialogue placement form. Two<br />

course packs are also required.<br />

Questions regarding this course should be directed to:<br />

The Intergroup Relations Program, (734) 936-1875, 3000 <strong>Michigan</strong><br />

Union.<br />

Instructor: Gurin, Patricia Y<br />

SOC 195. Honors Introduction to Sociology.<br />

Open to first- <strong>and</strong> second-year students admitted to <strong>the</strong> LSA Honors<br />

Program. O<strong>the</strong>r first- <strong>and</strong> second-year students with a minimum<br />

GPA <strong>of</strong> 3.2 may enroll with permission. (4). (SS). May not be repeated<br />

for credit. No credit granted to students who have completed<br />

or are enrolled in SOC 100, 102, 105, or 300. May not be included<br />

in a Sociology concentration plan.<br />

Section 001. This course is designed specifically to introduce you<br />

to <strong>the</strong> field <strong>of</strong> sociology through <strong>the</strong> study <strong>of</strong> two societies that are<br />

<strong>of</strong> deep concern to us at <strong>the</strong> moment, one because we live in it <strong>and</strong><br />

<strong>the</strong> o<strong>the</strong>r because we fight in it: namely, <strong>the</strong> American <strong>and</strong> Iraqi<br />

societies. The purpose <strong>of</strong> <strong>the</strong> course is to gain insight into how to<br />

approach <strong>and</strong> analyze sociologically <strong>the</strong> American <strong>and</strong> Iraqi societies<br />

that are alternately portrayed as being structurally <strong>and</strong> culturally<br />

very different from one ano<strong>the</strong>r on <strong>the</strong> one h<strong>and</strong>, yet very similar<br />

to one ano<strong>the</strong>r on <strong>the</strong> o<strong>the</strong>r.<br />

Instructor: Göçek, Fatma Müge


SOC 210. Elementary Statistics.<br />

Sociology concentrators should elect this course during <strong>the</strong>ir<br />

sophomore year. Honors concentrators should enroll in SOC 210,<br />

STATS 250 (350) or its equivalent prior to beginning <strong>the</strong> Honors<br />

course sequence in <strong>the</strong> winter term <strong>of</strong> <strong>the</strong> junior year. (4). (MSA).<br />

(BS). (QR/1). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in STATS 100, 250<br />

(350), 280, 311, 405, or 412, or ECON 404 or 405, or IOE 265.<br />

Section 001. In this course we will study <strong>the</strong> basic concepts <strong>and</strong><br />

techniques <strong>of</strong> quantitative data analysis. We will also learn some<br />

statistical computing skills using Stata s<strong>of</strong>tware. While <strong>the</strong>re will be<br />

an emphasis on statistical techniques as <strong>the</strong>y are used by social<br />

scientists, <strong>the</strong> course will provide <strong>the</strong> foundation needed for statistical<br />

analysis in many fields. A second important goal <strong>of</strong> <strong>the</strong> course<br />

is to teach you to be an informed consumer <strong>of</strong> social science research<br />

that uses statistical methods. By <strong>the</strong> end <strong>of</strong> <strong>the</strong> course you<br />

should have <strong>the</strong> background to evaluate many <strong>of</strong> <strong>the</strong> research<br />

claims made in academic work <strong>and</strong> public discourse. We will not<br />

use math beyond basic algebra, <strong>and</strong> you do not need previous statistical<br />

computing experience. Fur<strong>the</strong>rmore, you need not be a<br />

"math-oriented" person to do well in this course. Students who<br />

apply good study skills — consistently attending class <strong>and</strong> lab meetings,<br />

reading assigned texts, <strong>and</strong> doing all assigned work on time<br />

— can expect to do well in <strong>the</strong> course. The lab sessions will be used<br />

to discuss problems encountered in <strong>the</strong> lectures <strong>and</strong> homework assignments<br />

<strong>and</strong> to develop statistical computing skills.<br />

Course Requirements:<br />

Grades will be based on in-class exams <strong>and</strong> homework assignments.<br />

Instructor: Barber, Jennifer S<br />

SOC 260 / CMPLXSYS 260. Tipping Points, B<strong>and</strong>wagons <strong>and</strong><br />

Cascades: From Individual Behavior to Social Dynamics.<br />

(3). May not be repeated for credit.<br />

In this class, we examine how interdependent behaviors <strong>of</strong> individuals<br />

can lead to some surprising <strong>and</strong> unexpected social outcomes.<br />

We will explore both <strong>the</strong>oretical models <strong>and</strong> empirical applications<br />

<strong>of</strong> social dynamics, including sexual networks <strong>and</strong> marriage<br />

markets, <strong>the</strong> formation <strong>and</strong> transformation <strong>of</strong> neighborhoods, <strong>the</strong><br />

success or failure <strong>of</strong> social movements, <strong>and</strong> <strong>the</strong> diffusion <strong>of</strong> innovation.<br />

There are many situations in which how we behave depends on <strong>the</strong><br />

behavior <strong>of</strong> o<strong>the</strong>rs. We can be influenced by our friends <strong>and</strong> also by<br />

complete strangers. Social influence may be trivial <strong>and</strong> fleeting, or<br />

enduring <strong>and</strong> highly consequential. For example, whom a person<br />

dates or marries depends on both her attraction to potential suitors<br />

as well as <strong>the</strong> characteristics <strong>and</strong> preferences <strong>of</strong> <strong>the</strong> competition.<br />

Similarly, racially integrated neighborhoods <strong>of</strong>ten end up completely<br />

segregated due to <strong>the</strong> domino effect produced by <strong>the</strong> out-migration<br />

<strong>of</strong> a few less tolerant whites. In this class, we examine how interdependent<br />

behaviors <strong>of</strong> individuals can lead to some surprising <strong>and</strong><br />

unexpected social outcomes. We will explore both <strong>the</strong>oretical models<br />

<strong>and</strong> empirical applications <strong>of</strong> social dynamics, including sexual<br />

networks <strong>and</strong> marriage markets, <strong>the</strong> formation <strong>and</strong> transformation<br />

<strong>of</strong> neighborhoods, <strong>the</strong> success or failure <strong>of</strong> social movements, <strong>and</strong><br />

<strong>the</strong> diffusion <strong>of</strong> innovation.<br />

Course Requirements:<br />

During <strong>the</strong> academic term, students will be required to write three<br />

short papers <strong>and</strong> complete a set <strong>of</strong> laboratory exercises. Student<br />

participation counts for a significant portion <strong>of</strong> <strong>the</strong> total grade.<br />

The students will write three 5-10 page papers for <strong>the</strong> class. They<br />

will also complete a series <strong>of</strong> lab exercises that are designed to illustrate<br />

<strong>the</strong> various applications <strong>of</strong> interdependent behavior that we<br />

discuss in class (e.g., networks, prisoner's dilemma, tipping points,<br />

etc.) Students will learn basic programming skills in <strong>the</strong> lab. They<br />

will also build simple, virtual worlds, <strong>and</strong> <strong>the</strong>n using those worlds to<br />

perform different experiments about <strong>the</strong> relationship between individual<br />

behavior <strong>and</strong> social dynamics.<br />

Intended Audience:<br />

Freshmen <strong>and</strong> sophomores.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 131<br />

Class Format:<br />

The course includes both a seminar <strong>and</strong> lab component: 3 hour<br />

seminar for first five weeks, <strong>the</strong>n 1.5 hour seminar <strong>and</strong> 1.5 hour lab<br />

per week for <strong>the</strong> remaining ten weeks.<br />

Instructor: Bruch, Elizabeth Eve<br />

SOC 389. Practicum in Sociology.<br />

(2 - 4). (EXPERIENTIAL). May be repeated for a maximum <strong>of</strong> 8<br />

credits. May be elected more than once in <strong>the</strong> same term. A combined<br />

total <strong>of</strong> eight credits <strong>of</strong> SOC 321, 324, 389, 394, 395, <strong>and</strong><br />

396 may be counted toward a concentration in Sociology. A maximum<br />

<strong>of</strong> four credits <strong>of</strong> SOC 389 may be included in a concentration<br />

plan in sociology. Offered m<strong>and</strong>atory credit/no credit.<br />

SOC 389, Project Community, is a service-learning course. Prior to<br />

registering, all students must view <strong>the</strong> web for site time requirements<br />

at: ginsberg.umich.edu/projectcommunity/courseinfo.html.<br />

Students enrolled in SOC 389 are responsible for regular attendance<br />

in a weekly seminar as well as participation at a designated<br />

community service site each week. In addition, students will complete<br />

weekly readings <strong>and</strong> reflective journal assignments, a midterm<br />

assignment, <strong>and</strong> a final paper/project. If you have questions,<br />

contact Project Community (pcinfo@umich.edu). In your email,<br />

please give <strong>the</strong> name <strong>and</strong> number <strong>of</strong> <strong>the</strong> section about which you<br />

are inquiring.<br />

Section 100 — Education: Thurston Elementary.<br />

In this section, Project Community volunteers will meet during <strong>the</strong><br />

school day to assist teachers <strong>and</strong> staff with students at Thurston<br />

Elementary School, a K-5 Ann Arbor public elementary school. Volunteers<br />

will spend some <strong>of</strong> <strong>the</strong>ir time assisting lunch staff with elementary<br />

students during <strong>the</strong>ir lunch <strong>and</strong> recess. Volunteers eat with<br />

<strong>the</strong> students at lunch <strong>and</strong> <strong>the</strong>n accompany <strong>the</strong>m to lunch recess<br />

where <strong>the</strong>y help engage <strong>the</strong> students in fun, healthy, <strong>and</strong> safe outside<br />

recess activities. Most <strong>of</strong> <strong>the</strong> volunteers’ time will be spent assisting<br />

teachers in <strong>the</strong> classrooms with specific students, small<br />

groups, or even circulating to assist <strong>the</strong> whole class with projects<br />

<strong>and</strong> work. Volunteers may help with a variety <strong>of</strong> activities in <strong>the</strong><br />

classrooms, such as reading, math, science experiments, <strong>and</strong> art<br />

projects. Volunteers who have special interests or skills, such as<br />

sports <strong>and</strong> games leadership, music, art or foreign language abilities,<br />

are encouraged to share <strong>the</strong>se with Thurston students.<br />

Students will be expected at site approximately four hours each<br />

week, (not including 10 minute drive time each way). Site times are<br />

from 9:00am-3:00pm, Monday-Friday. Students enrolled in Project<br />

Community who have valid driver’s licenses are able to check out<br />

vehicles through <strong>the</strong> Ginsberg Center in order to transport <strong>the</strong>mselves<br />

to site. Carpooling among students in <strong>the</strong> same section is<br />

encouraged. Transportation is coordinated through <strong>the</strong> section facilitator<br />

<strong>and</strong> <strong>the</strong> Ginsberg Transportation Coordinator.<br />

Section 101 — Education: Pittsfield Elementary.<br />

In this section, students will work with children at Pittsfield Elementary<br />

School in Ann Arbor. Primarily students will be placed in a<br />

classroom, under <strong>the</strong> direction <strong>of</strong> that room’s teacher. Their responsibilities<br />

may include: running reading groups, working with<br />

groups <strong>of</strong> children on class projects, math tutoring, <strong>and</strong> one-on-one<br />

instruction with children experiencing difficulty with <strong>the</strong> schoolwork.<br />

Opportunities are also available for students who want to utilize<br />

Spanish-speaking skills (Pittsfield Elementary is home to a significant<br />

Spanish-speaking population), or to work in <strong>the</strong> media center<br />

with small groups <strong>of</strong> students on computers or media activities.<br />

Students interested in <strong>the</strong>se specific opportunities should convey<br />

this information to <strong>the</strong>ir facilitator on <strong>the</strong> first day <strong>of</strong> class.<br />

Students will be required at site for 4 hours each week between<br />

8:48am-3:42pm, Monday-Friday. Students enrolled in Project<br />

Community who have valid driver’s licenses are able to check out<br />

vehicles through <strong>the</strong> Ginsberg Center in order to transport <strong>the</strong>mselves<br />

to site. Carpooling among students in <strong>the</strong> same section is


132 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

encouraged. Transportation is coordinated through <strong>the</strong> section facilitator<br />

<strong>and</strong> <strong>the</strong> Ginsberg Transportation Coordinator.<br />

Section 102 — Education: America Reads.<br />

This section is intended for students earning work-study hours as<br />

America Reads tutors. The class will explore <strong>the</strong> current dilemmas<br />

facing <strong>the</strong> U.S. educational system, teach students to critically reflect<br />

on <strong>the</strong>ir regular interactions with elementary youth, <strong>and</strong> relate<br />

site experiences to <strong>the</strong> text material. The tutors will be asked to assess<br />

what <strong>the</strong>y observe in <strong>the</strong>ir community work, what could be<br />

improved to create more effective learning environments, <strong>and</strong> how<br />

<strong>the</strong>se changes could be made.<br />

NOTE: Participation in this section is by override only.<br />

Overrides are given by Kristi Fenrich (klynnf@umich.edu),<br />

Director <strong>of</strong> America Reads, when a tutor applicant is hired.<br />

Students with work-study should apply to be a tutor at:<br />

ginsberg.umich.edu/americareads/.<br />

Students enrolled in this section <strong>of</strong> SOC 389 are responsible for<br />

regular attendance in a weekly seminar concurrent with participation<br />

as America Reads tutors. In addition, students will complete<br />

weekly readings <strong>and</strong> reflective journal assignments, a midterm assignment,<br />

<strong>and</strong> a final paper/project.<br />

Students enrolled in Project Community who have valid driver’s licenses<br />

are able to check out vehicles through <strong>the</strong> Ginsberg Center<br />

in order to transport <strong>the</strong>mselves to site. Carpooling among students<br />

in <strong>the</strong> same section is encouraged. Transportation is coordinated<br />

through <strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation<br />

Coordinator.<br />

Section 103 — Education: Latino Family Services.<br />

Latino Family Services (LFS) is a community agency that provides<br />

<strong>and</strong> coordinates comprehensive human services to residents <strong>of</strong><br />

Wayne County with a particular emphasis on its Latino residents.<br />

Students in this section will be working with Latino Family Services<br />

in Detroit to assist students (K-11th grade) in an after-school program<br />

focused on academic assistance, mentoring, <strong>and</strong> recreational<br />

activities.<br />

Students will be expected at site one day each week. Site times are<br />

Mondays-Thursdays from 2:30-7:00pm (includes driving time), with<br />

some Friday options as well. Please allow ample driving time (approximately<br />

1 hour each way). Students enrolled in Project Community<br />

who have valid driver’s licenses are able to check out vehicles<br />

through <strong>the</strong> Ginsberg Center in order to transport <strong>the</strong>mselves<br />

to site. Carpooling among students in <strong>the</strong> same section is encouraged.<br />

Transportation is coordinated through <strong>the</strong> section facilitator<br />

<strong>and</strong> <strong>the</strong> Ginsberg Transportation Coordinator.<br />

Section 106 — Education: Center for Educational Outreach.<br />

In this section, Project Community volunteers will meet during <strong>the</strong><br />

scheduled hours below to assist teachers <strong>and</strong> staff with tutoring<br />

<strong>and</strong> mentoring. The Ann Arbor Public Schools Rising Scholars program<br />

focuses on advanced placement preparation <strong>and</strong> tutoring with<br />

a focus on grades 9-10. The <strong>College</strong> Corps program is a combined<br />

group <strong>of</strong> Monroe middle <strong>and</strong> high school student’s grades 6-12.<br />

Volunteers will spend <strong>the</strong>ir time providing students with academic<br />

assistance <strong>and</strong> college preparation. They will also be trained to facilitate<br />

fun <strong>and</strong> engaging workshops that relate to college access<br />

<strong>and</strong> awareness.<br />

Schedules vary based upon <strong>the</strong> school site as shown below<br />

Rising Scholars<br />

• Skyline High: Mondays, Wednesdays or Fridays from 10AM –<br />

12PM<br />

• Huron High: Monday-Friday from 9:30 AM- 10:35 AM<br />

• Pioneer High School: Mondays-Fridays 1PM – 3:30PM<br />

<strong>College</strong> Corps<br />

• Monroe Middle School: Thursdays from 1:30PM – 5PM<br />

Students will be expected to stay <strong>the</strong> entire duration on whatever<br />

day(s) <strong>the</strong>y choose to participate. Students enrolled in Project<br />

Community who have valid driver's licenses are able to check out<br />

vehicles through <strong>the</strong> Ginsberg Center in order to transport <strong>the</strong>mselves<br />

to site. Carpooling among students in <strong>the</strong> same section is<br />

encouraged. Transportation is coordinated through <strong>the</strong> section facilitator<br />

<strong>and</strong> <strong>the</strong> Ginsberg Transportation Coordinator.<br />

NOTE: Participation in this section is by override-only. Students<br />

interested in enrolling should email Michael Turner, Outreach<br />

Coordinator for <strong>the</strong> Center for Educational Outreach, at<br />

mlturner@umich.edu, or call 734-763-7192. Students will be asked<br />

to complete a short application. If <strong>the</strong> section is a fit, an override<br />

will be processed, giving student permission to enroll in <strong>the</strong> section.<br />

If you have questions, contact Project Community<br />

(pcinfo@umich.edu). In your email, please give <strong>the</strong> name <strong>and</strong><br />

number <strong>of</strong> <strong>the</strong> section about which you are inquiring.<br />

Section 107 — Education: Burns Park Elementary.<br />

Students will work in Burns Park Elementary, a school very close to<br />

<strong>the</strong> U-M campus, with students who have difficulties with reading,<br />

writing <strong>and</strong> math due to at-risk factors, special education qualification,<br />

or cultural/language difficulties. They will work one-on-one,<br />

with small groups, or with whole classrooms <strong>of</strong> children from kindergarten<br />

to fifth grade on basic skills <strong>and</strong> school habits. Project<br />

Community students in this setting serve as role-models <strong>and</strong> mentors<br />

as well as being tutors to <strong>the</strong> students. There are also opportunities<br />

for students with bi-lingual skills. The school population is<br />

culturally diverse <strong>and</strong> has a large number <strong>of</strong> involved parents.<br />

Students will be expected at site for 4 hours each week. Site times<br />

are between 9:00am-3:30pm, Monday-Friday. The site would prefer<br />

students to do two 2-hour shifts, but one long shift can be accommodated.<br />

Also, <strong>the</strong> site would prefer not to have volunteers<br />

11:30am-12:30pm daily, if avoidable. Students enrolled in Project<br />

Community who have valid driver’s licenses are able to check out<br />

vehicles through <strong>the</strong> Ginsberg Center in order to transport <strong>the</strong>mselves<br />

to site. Carpooling among students in <strong>the</strong> same section is<br />

encouraged. Transportation is coordinated through <strong>the</strong> section facilitator<br />

<strong>and</strong> <strong>the</strong> Ginsberg Transportation Coordinator. However,<br />

since <strong>the</strong> school is so close to U-M central campus that many students<br />

in this section may choose to walk or bike to <strong>the</strong> site.<br />

Section 108 — Education: Carrot Way Community Center.<br />

Students in this section will help to develop <strong>and</strong> implement children’s<br />

programs at residentially-located community centers with<br />

Avalon Housing, an affordable housing organization in Ann Arbor.<br />

During <strong>the</strong> after-school program, students will help <strong>the</strong> young residents<br />

<strong>of</strong> <strong>the</strong> Avalon community (ranging K-8th grade) with homework,<br />

<strong>and</strong> <strong>the</strong>n participate in an outdoor walk or arts & crafts activity.<br />

Opportunities are also available for students to take initiative<br />

with o<strong>the</strong>r programming interests. The participating children go to<br />

school in <strong>the</strong> Ann Arbor Public School system.<br />

Students in this section are expected to be at site once a week. The<br />

after-school program runs from 3:30-6:30pm Monday-Thursday,<br />

with priority given to having volunteer coverage on Tuesdays-<br />

Thursdays. Students will need to sign up for <strong>the</strong>ir regularly scheduled<br />

volunteer day on <strong>the</strong> first day <strong>of</strong> class. Students may need to<br />

attend an initial orientation that will be scheduled at <strong>the</strong> beginning<br />

<strong>of</strong> <strong>the</strong> term. <strong>To</strong> allow time for traveling to <strong>and</strong> from site, students<br />

should be available 3:00-7:00pm on <strong>the</strong>ir selected day <strong>of</strong> service.<br />

Students enrolled in Project Community who have valid driver’s licenses<br />

are able to check out vehicles through <strong>the</strong> Ginsberg Center<br />

in order to transport <strong>the</strong>mselves to site. Carpooling among students<br />

in <strong>the</strong> same section is encouraged. Transportation is coordinated<br />

through <strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation<br />

Coordinator.<br />

Section 111 — Education: Ann Arbor Public School Elementary<br />

After School Program.<br />

Participants in this section will work with elementary school students<br />

at one <strong>of</strong> several schools in Ann Arbor. Students will primarily<br />

assist in facilitating after-school games, art activities <strong>and</strong> o<strong>the</strong>r rec-


eational programs with <strong>the</strong> children. Students will also assist in <strong>the</strong><br />

after-school homework club with reading, arithmetic, <strong>and</strong> o<strong>the</strong>r assignments.<br />

The Ann Arbor Public Schools afterschool child care operates from<br />

3:15pm – 6:00pm (Ann Arbor Open @ Mack 2:30pm — 6:00pm)<br />

Monday-Friday. Students are responsible for volunteering once per<br />

week. Additionally, <strong>the</strong>y will be expected to spend some time outside<br />

<strong>of</strong> <strong>the</strong>ir regularly scheduled shift planning an activity for <strong>the</strong><br />

children, under <strong>the</strong> supervision <strong>of</strong> <strong>the</strong> site staff. This may include<br />

science projects, non-competitive gym games, <strong>and</strong> characterbuilding<br />

activities.<br />

Students should allow for driving time, beginning at 3:00pm (2:15<br />

Ann Arbor Open @ Mack) on <strong>the</strong> days <strong>the</strong>y volunteer. Students enrolled<br />

in Project Community who have valid driver’s licenses are<br />

able to check out vehicles through <strong>the</strong> Ginsberg Center in order to<br />

transport <strong>the</strong>mselves to site. Carpooling among students in <strong>the</strong><br />

same section is encouraged. Transportation is coordinated through<br />

<strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation Coordinator.<br />

Students in this section must pass a State <strong>of</strong> <strong>Michigan</strong> background<br />

check run by Ann Arbor Public Schools. Any student who thinks he<br />

or she may not be eligible to participate should choose ano<strong>the</strong>r section.<br />

Section 112 — Education: Peace Neighborhood Center.<br />

Students in this section will work with K-5 students as Afterschool<br />

Program Assistants for <strong>the</strong> Peace Neighborhood Center REACH<br />

Afterschool Tutoring Program located at <strong>the</strong> Maple Meadows Community<br />

Center in Ann Arbor. Peace Neighborhood Center<br />

(www.peaceneighborhoodcenter.org) is a local non-pr<strong>of</strong>it whose<br />

mission is to provide programs for children, families, <strong>and</strong> individuals<br />

who are affected by social <strong>and</strong> economic problems. Students will<br />

assist with tutoring <strong>and</strong> with o<strong>the</strong>r activities as determined by <strong>the</strong><br />

Peace Center staff.<br />

Students are responsible for volunteering on Mondays <strong>and</strong><br />

Wednesdays from 4:00pm-6:30 pm. Students should allow for driving<br />

time, beginning at 3:30pm on <strong>the</strong> days <strong>the</strong>y volunteer. Students<br />

enrolled in Project Community who have valid driver’s licenses are<br />

able to check out vehicles through <strong>the</strong> Ginsberg Center in order to<br />

transport <strong>the</strong>mselves to site. Carpooling among students in <strong>the</strong><br />

same section is encouraged. Transportation is coordinated through<br />

<strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation Coordinator.<br />

Section 113 — Education: Clague Middle School.<br />

Students in this section will be placed at Clague Middle School to<br />

work with students in Reading, as well as Language <strong>Arts</strong>, <strong>Science</strong>,<br />

American History, Social Studies, <strong>and</strong> Math. They will be in <strong>the</strong><br />

classroom at <strong>the</strong> same time as a classroom teacher <strong>and</strong> will be under<br />

her/his supervision.<br />

Site times occur during school hours, 8am-3pm, <strong>and</strong> will be arranged<br />

with <strong>the</strong> liaison from Clague Middle School. Students should<br />

plan to be at site for two, 2-hour shifts each week, in addition to<br />

travel time. Students enrolled in Project Community who have valid<br />

driver’s licenses are able to check out vehicles through <strong>the</strong> Ginsberg<br />

Center in order to transport <strong>the</strong>mselves to site. Carpooling among<br />

students in <strong>the</strong> same section is encouraged. Transportation is coordinated<br />

through <strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation<br />

Coordinator.<br />

Section 115 — Education: Urban Debate.<br />

Participants in this section will work with high school students <strong>and</strong><br />

teachers to support <strong>and</strong> facilitate debate teams in Detroit schools.<br />

Currently debate teams in Detroit schools are experiencing difficulty<br />

with budget-cuts <strong>and</strong> short staffing, curtailing important educational<br />

opportunities for students to learn public speaking, taking<br />

both sides <strong>of</strong> an issue, <strong>and</strong> vital research skills. Students in this<br />

class will have <strong>the</strong> opportunity to make a difference in <strong>the</strong> lives <strong>of</strong><br />

high school kids by allowing urban debate teams compete <strong>and</strong><br />

grow. Students with a strong interest in debate are encouraged to<br />

register.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 133<br />

Students will be expected at site once a week; <strong>the</strong> exact times <strong>and</strong><br />

days to be determined at <strong>the</strong> beginning <strong>of</strong> <strong>the</strong> term. Students will<br />

work out a specific meeting time <strong>and</strong> day <strong>of</strong> <strong>the</strong> week with <strong>the</strong>ir<br />

coordinating teacher shortly after registering for <strong>the</strong> class. Students<br />

enrolled in Project Community who have valid driver’s licenses are<br />

able to check out vehicles through <strong>the</strong> Ginsberg Center in order to<br />

transport <strong>the</strong>mselves to site. Carpooling among students in <strong>the</strong><br />

same section is encouraged. Transportation is coordinated through<br />

<strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation Coordinator.<br />

Section 200 — Public Health: UM Hospital.<br />

Students in this section will participate in community service learning<br />

within <strong>the</strong> University Health Systems, with locations on <strong>and</strong> <strong>of</strong>f<br />

campus. Medical experience is not needed, but students will need<br />

to be comfortable initiating interactions with patients. Students will<br />

assist patients <strong>and</strong> hospital staff as appropriate. On nursing floors,<br />

tasks might include visiting with patients, transporting patients, answering<br />

call lights, joining families in waiting areas, <strong>and</strong> responding<br />

to floor staff or patient needs. In special units such as <strong>the</strong> Emergency<br />

area, Rehab, Burn, <strong>the</strong> Cardiovascular Center <strong>and</strong> o<strong>the</strong>rs,<br />

volunteer tasks will vary according to need. Some students may be<br />

placed within C.S. Mott Children's Hospital or <strong>the</strong> Women's Hospital<br />

where placements include Pediatric neuro-rehabilitation, Pediatric<br />

occupational physical <strong>the</strong>rapy, cancer treatment playroom, <strong>and</strong><br />

bedside visiting <strong>and</strong> comfort. Overall, <strong>the</strong> hospital staff is very supportive<br />

<strong>of</strong> <strong>the</strong> program <strong>and</strong> will provide orientation sessions to help<br />

you learn more about your individual placement. An important asset<br />

is a sense <strong>of</strong> ease <strong>and</strong> warmth with o<strong>the</strong>rs as well as <strong>the</strong> ability<br />

to initiate discussion <strong>and</strong> laughter. In addition, students should be<br />

prepared to observe <strong>and</strong> think critically about <strong>the</strong> experiences <strong>of</strong><br />

patients within this health care system.<br />

Students will be expected at site for 40 hours <strong>of</strong> service over <strong>the</strong><br />

course <strong>of</strong> <strong>the</strong> term <strong>and</strong> will also be expected to attend <strong>the</strong> necessary<br />

orientation(s) at <strong>the</strong> beginning <strong>of</strong> <strong>the</strong> academic term. Weekly<br />

site times will be established at <strong>the</strong> interview with UMHS Volunteer<br />

Services.<br />

NOTE: First-year students may not volunteer at <strong>the</strong> hospital during<br />

<strong>the</strong>ir first semester because <strong>of</strong> Volunteer Services policy, so <strong>the</strong>y<br />

may not enroll in this section <strong>of</strong> Project Community.<br />

NOTE: Participation in this section is by override only. Students<br />

should contact <strong>the</strong> Project Community <strong>of</strong>fice at pcinfo@umich.edu<br />

for permission to register. Seats are limited. As <strong>of</strong> March 7th a list<br />

will be made <strong>of</strong> interested students. An e-mail will be sent out <strong>the</strong><br />

week <strong>of</strong> March 23rd to confirm interest in taking this course. On<br />

April 4th overrides will be processed. After permission has been<br />

given, names will be sent to UMHS Volunteer Services, so please be<br />

sure <strong>of</strong> your commitment to taking this course when requesting an<br />

override.<br />

Project Community will send you an e-mail verification, if you will<br />

be issued an override. After you receive this verification, you must<br />

go online to www.med.umich.edu/volunteer to complete <strong>the</strong> volunteer<br />

application <strong>and</strong> checklist. Any questions about this packet<br />

should be directed to UMHS Volunteer Services at<br />

umhs.volunteer@umich.edu.<br />

All <strong>of</strong> <strong>the</strong> materials must be completed before your interview with<br />

UMHS. Any student with an incomplete application packet will be<br />

asked to reschedule his or her appointment. Pro<strong>of</strong> <strong>of</strong> mumps, measles<br />

<strong>and</strong> rubella (MMR) vaccination MUST be provided at <strong>the</strong> time<br />

<strong>of</strong> <strong>the</strong> interview. In your email verification from Project Community,<br />

you will be given details on how to arrange your interview with<br />

UMHS. All interviews MUST be arranged between August<br />

1st-19th.<br />

NOTE: If <strong>the</strong> above procedures for contacting <strong>the</strong> hospital are not<br />

followed BEFORE THE FIRST DAY OF CLASS, you will be asked to<br />

drop <strong>the</strong> class.<br />

Section 202 — Public Health: Sunrise Senior Living.<br />

Students in this section will work with elderly adults at <strong>the</strong> Sunrise<br />

Senior Living Community in Ann Arbor. Students may be matched


134 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

with a resident in order to develop a relationship <strong>and</strong> identify a<br />

common area <strong>of</strong> interest to explore toge<strong>the</strong>r. Students may also<br />

work as a group to set up <strong>and</strong> participate in activities with some <strong>of</strong><br />

<strong>the</strong> residents at Sunrise.<br />

Students will be expected at site for 3 hours each week. Site time is<br />

flexible <strong>and</strong> can be arranged around <strong>the</strong> student's schedule.<br />

*PLEASE NOTE* The dress code for Sunrise Senior Living is<br />

nice/casual wear, except for on Fridays when volunteers can wear<br />

jeans. Students enrolled in Project Community who have valid<br />

driver’s licenses are able to check out vehicles through <strong>the</strong> Ginsberg<br />

Center in order to transport <strong>the</strong>mselves to site. Carpooling among<br />

students in <strong>the</strong> same section is encouraged. Transportation is coordinated<br />

through <strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation<br />

Coordinator.<br />

Section 203 — Public Health: HIV/AIDS Resource Center.<br />

Students in this section will focus on HIV/AIDS education through<br />

community outreach, bar outreach, testing, <strong>and</strong> <strong>of</strong>fice coverage,<br />

coordinated by <strong>the</strong> HIV/AIDS Resource Center (HARC) in Ypsilanti<br />

(representing all <strong>of</strong> Washtenaw, Jackson, Lenawee, <strong>and</strong> Livingston<br />

counties). Students will have a choice to volunteer with an outreach<br />

van that is located throughout <strong>the</strong> Ann Arbor/Ypsilanti community<br />

several times a week, in <strong>the</strong> <strong>of</strong>fice, or at <strong>the</strong> testing clinic. Students<br />

are encouraged to get a TB <strong>and</strong> Hepatitis B vaccination, but it is not<br />

required. Please note: Students who volunteer with <strong>the</strong> outreach<br />

van are responsible for meeting it at its locations.<br />

Students will be expected at site for at least 4 hours each week.<br />

Site times are generally 9am-5pm Monday-Friday with additional<br />

evening <strong>and</strong> weekend hours available to be negotiated with <strong>the</strong><br />

site. Students enrolled in Project Community who have valid driver’s<br />

licenses are able to check out vehicles through <strong>the</strong> Ginsberg Center<br />

in order to transport <strong>the</strong>mselves to site. Carpooling among students<br />

in <strong>the</strong> same section is encouraged. Transportation is coordinated<br />

through <strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation<br />

Coordinator.<br />

NOTE: All students registering for this section will be screened by<br />

<strong>the</strong> facility during training. Any student who is not serious about<br />

<strong>the</strong>ir interest in volunteering at HARC should choose ano<strong>the</strong>r section.<br />

NOTE: Students participating in this section MUST attend a 1-day<br />

HARC volunteer orientation <strong>and</strong> training on a Saturday TBD from<br />

8am-5pm. Students who are unable to attend this training will be<br />

unable to participate in this section.<br />

Section 204 — Public Health: Shelter Association <strong>of</strong> Washtenaw<br />

County — Homeless Outreach.<br />

The Shelter Association <strong>of</strong> Washtenaw County (SAWC), located in<br />

Ann Arbor <strong>and</strong> housed in <strong>the</strong> Robert J. Delonis Center, is dedicated<br />

to serving adult individuals experiencing homelessness by addressing<br />

basic human needs — such as emergency shelter, food,<br />

healthcare <strong>and</strong> clothing while assisting <strong>the</strong>m in <strong>the</strong>ir effort to establish<br />

or increase income, save money <strong>and</strong> find sustainable housing.<br />

Over 1300 individuals are served at <strong>the</strong> SAWC each year.<br />

Students in this section will work with <strong>the</strong> Shelter Association to assist<br />

in one or several <strong>of</strong> <strong>the</strong>ir programs (e.g., Residential Program,<br />

Non Residential Program, Warming Center, etc.). Students are generally<br />

involved in nearly every aspect <strong>of</strong> <strong>the</strong> Shelter's services, including<br />

serving breakfast to residents, <strong>of</strong>fering resources & information<br />

to clients, etc. More importantly, as student volunteers you<br />

will help to create a safe <strong>and</strong> caring environment where listening<br />

empa<strong>the</strong>tically <strong>and</strong> talking to <strong>the</strong> clients are at <strong>the</strong> core <strong>of</strong> <strong>the</strong> clients'<br />

<strong>and</strong> volunteer experience alike.<br />

Students will be expected to volunteer on site for an average <strong>of</strong><br />

four hours each week. Most shifts are scheduled in 4-hour blocks<br />

(except for <strong>the</strong> "Breakfast" <strong>and</strong> "Front Door" shifts, which are two<br />

hours in length); all shifts run between 6:00am-11:00pm. Times<br />

can be arranged according to <strong>the</strong> students' schedules. Students enrolled<br />

in Project Community who have valid driver’s licenses are<br />

able to check out vehicles through <strong>the</strong> Ginsberg Center in order to<br />

transport <strong>the</strong>mselves to site. Carpooling among students in <strong>the</strong><br />

same section is encouraged. Transportation is coordinated through<br />

<strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation Coordinator.<br />

NOTE: In order to participate in <strong>the</strong> program, students<br />

must attend m<strong>and</strong>atory volunteer orientation on a date<br />

TBD, historically a Saturday morning. You must give <strong>the</strong> facilitator<br />

your email address on <strong>the</strong> first day <strong>of</strong> class in order to receive<br />

training information. Students who are unable to attend <strong>the</strong> training<br />

will be unable to participate in this section.<br />

Section 205 — Public Health: SOS — After School Program<br />

for Homeless Children.<br />

Students in this section will assist with an After School Tutoring<br />

program <strong>of</strong>fered by SOS Community Services. This program takes<br />

place on Thursdays from 3:30 p.m. to 6 p.m. Students will be tutors<br />

<strong>and</strong> mentors in an after-school program for children (ranging<br />

from 1st to 8th grade) who are homeless or whose families are participating<br />

in services for homeless families at agencies throughout<br />

Washtenaw County. Students will work with <strong>the</strong> participants on a<br />

one-to-one basis with homework <strong>and</strong> recreational activities. SOS<br />

Community Services provides <strong>the</strong> children participating in this program<br />

with transportation to <strong>and</strong> from <strong>the</strong> tutoring site. Students in<br />

this section will also serve as "van riders," <strong>and</strong> will supervise <strong>the</strong><br />

children during <strong>the</strong> "pick up" <strong>and</strong> "drop <strong>of</strong>f" routes.<br />

A SOS orientation <strong>and</strong> training is required for this course.<br />

The designated time for this is TBD.<br />

Students enrolled in Project Community who have valid driver’s licenses<br />

are able to check out vehicles through <strong>the</strong> Ginsberg Center<br />

in order to transport <strong>the</strong>mselves to site. Carpooling among students<br />

in <strong>the</strong> same section is encouraged. Transportation is coordinated<br />

through <strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation<br />

Coordinator.<br />

NOTE: All students registering for this section will have a criminal<br />

background check <strong>and</strong> a DHS Child Abuse Registry background<br />

check run by <strong>the</strong> facility. Any student who thinks he or she may not<br />

be eligible to participate should choose ano<strong>the</strong>r section.<br />

Section 207 — Public Health: Ozone House: Teen Shelter.<br />

Students in this section will work with Ozone House in Ann Arbor as<br />

crisis-line volunteers. Ozone House provides services for runaway,<br />

homeless, <strong>and</strong> at-risk youth <strong>and</strong> <strong>the</strong>ir families.<br />

<strong>To</strong> participate in this section, students must attend a m<strong>and</strong>atory<br />

orientation session <strong>and</strong> complete an application for<br />

legal purposes. The orientation will be in September (TBA).<br />

After attending orientation, each SOC 389 student must complete<br />

40 hours <strong>of</strong> intensive training to be eligible to be a crisis line volunteer.<br />

During this training, volunteers will learn crisis-intervention<br />

skills. If you do not complete all training sessions, you will<br />

not be able to volunteer at Ozone House. The training sessions<br />

will take place in September (TBD).<br />

After training is completed, students in this section will be expected<br />

at site for one 3- or 4-hour shift each week. The possible shifts are<br />

9:00am-1:00pm, 1:00-5:00pm, or 5:00-8:00pm, Monday-Friday (no<br />

5:00-8:00pm shift on Fridays). Students are also asked to make a 6<br />

month commitment to Ozone House. Students enrolled in Project<br />

Community who have valid driver’s licenses are able to check out<br />

vehicles through <strong>the</strong> Ginsberg Center in order to transport <strong>the</strong>mselves<br />

to site. Carpooling among students in <strong>the</strong> same section is<br />

encouraged. Transportation is coordinated through <strong>the</strong> section facilitator<br />

<strong>and</strong> <strong>the</strong> Ginsberg Transportation Coordinator.<br />

NOTE: All students registering for this section will have a background<br />

check run by <strong>the</strong> facility. Any student who thinks he or she<br />

may not be eligible to participate should choose ano<strong>the</strong>r section.<br />

Section 208 — Public Health: Health Ambassadors.<br />

This course will give interested students an opportunity to work as<br />

Health Ambassadors as part <strong>of</strong> <strong>the</strong> program Project Healthy<br />

Schools. This will help students gain experience in community pro-


grams in <strong>the</strong> public health field. Project Healthy Schools, a community/University<br />

<strong>of</strong> <strong>Michigan</strong> collaborative, is an educational <strong>and</strong> environmental<br />

program that was created to prevent childhood obesity<br />

by increasing 6th grade students' awareness <strong>of</strong> healthy eating <strong>and</strong><br />

<strong>the</strong> value <strong>of</strong> physical activity. The core hours will come from teaching<br />

fun, h<strong>and</strong>s-on activities in a 6th grade classroom. Additional<br />

hours may include any combination <strong>of</strong> <strong>the</strong> following: assisting with<br />

physical education alternative activities (Pilates, yoga, strength<br />

training, etc.), participating in school health promotion campaigns<br />

such as making milk mustaches with students during lunch, attending<br />

interesting educational health seminars, <strong>and</strong>/or assisting with<br />

health screenings.<br />

Students must complete 35 hours <strong>of</strong> community service outside<br />

classroom time. Part <strong>of</strong> this time is incorporated into one m<strong>and</strong>atory<br />

three hour training session on a date in September TBD. Students<br />

will also need to be able to have ONE day (Monday through<br />

Friday) available every week from 11am-12:30pm to teach sessions<br />

in a 6th grade classroom (15 hours). There will be additional PE<br />

Classes, health screenings, health promotion events <strong>and</strong> seminars<br />

to reach 35 hours. Please note that most opportunities for additional<br />

hours will take place during <strong>the</strong> school day.<br />

**You may teach two classes per week to have a consistent schedule<br />

<strong>and</strong> achieve 30 hours <strong>of</strong> activity. Please indicate if you prefer to<br />

teach once or twice per week in your submission essay.**<br />

Students enrolled in Project Community who have valid driver’s licenses<br />

are able to check out vehicles through <strong>the</strong> Ginsberg Center<br />

in order to transport <strong>the</strong>mselves to site. Carpooling among students<br />

in <strong>the</strong> same section is encouraged. Transportation is coordinated<br />

through <strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation<br />

Coordinator.<br />

Enrollment in this class is by override only. You must be a<br />

sophomore, junior or senior to apply for this class. Interested students<br />

must type a short essay (no longer than one page) explaining<br />

why <strong>the</strong>y wish to participate in this program. In addition, please indicate<br />

your class status (sophomore, etc.), whe<strong>the</strong>r or not you have<br />

a driver’s license, <strong>and</strong> if you are interested in teaching one or two<br />

days per week. All essays should be emailed to Lindsey Mitchell<br />

(lseyfert@umich.edu). The first round <strong>of</strong> essays is due no later than<br />

April 7th, 2010 at 5:00pm. If you are interested after that date<br />

please e-mail Lindsey to see if seats are still available. Overrides<br />

will be given based on <strong>the</strong> quality <strong>of</strong> essays received.<br />

Section 210 — Public Health: University Living with Senior<br />

Adults.<br />

Students in this section will serve with University Living (UL), an assisted/independent<br />

living community focused on life-long learning.<br />

Volunteers will engage with <strong>the</strong> residents by supporting <strong>and</strong>/or facilitating<br />

group activities, outings, <strong>and</strong> meal times. Students will<br />

also develop personal relationships with senior residents at UL<br />

through one-on-one conversations <strong>and</strong> personalized activities<br />

(walks, games, exercise, reading, etc.) based on <strong>the</strong> resident’s interests.<br />

Students will volunteer at University-Living for 3-4 hours each week<br />

(excluding drive time) during a regularly scheduled shift. Schedules<br />

will be determined at <strong>the</strong> beginning <strong>of</strong> <strong>the</strong> term based on each student’s<br />

availability. An orientation date is TBA (at a time that is convenient<br />

for <strong>the</strong> students <strong>and</strong> <strong>the</strong> site coordinator). Students enrolled<br />

in Project Community who have valid driver’s licenses are<br />

able to check out vehicles through <strong>the</strong> Ginsberg Center in order to<br />

transport <strong>the</strong>mselves to site. Carpooling among students in <strong>the</strong><br />

same section is encouraged. Transportation is coordinated through<br />

<strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation Coordinator.<br />

Section 211 — Public Health: Veterans Hospital-Ann Arbor.<br />

The Veterans Affairs Healthcare System proudly serves veterans in<br />

<strong>Michigan</strong> <strong>and</strong> northwest Ohio at its main medical center in Ann<br />

Arbor or any one <strong>of</strong> its o<strong>the</strong>r three community based outpatient<br />

clinics. Students in this section will work with veterans in various<br />

areas <strong>of</strong> <strong>the</strong> V.A. hospital. Some possibilities include but are not<br />

limited to bingo programs, patient ambassador, assisting patients in<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 135<br />

<strong>the</strong> cafeteria, <strong>and</strong> greeting <strong>and</strong> transporting patients. Students will<br />

be placed based on interest, scheduling, <strong>and</strong> shift availability. Mornings,<br />

afternoons, <strong>and</strong> evenings are available Monday thru Saturday.<br />

Times can be arranged according to <strong>the</strong> students' schedules. The<br />

VA Hospital <strong>of</strong> Ann Arbor is located at 2215 Fuller Road, near North<br />

Campus. Students enrolled in Project Community who have valid<br />

driver’s licenses are able to check out vehicles through <strong>the</strong> Ginsberg<br />

Center in order to transport <strong>the</strong>mselves to site. Carpooling among<br />

students in <strong>the</strong> same section is encouraged. Transportation is coordinated<br />

through <strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation<br />

Coordinator. Due to <strong>the</strong> proximity <strong>of</strong> <strong>the</strong> hospital to campus,<br />

taking ei<strong>the</strong>r <strong>the</strong> AATA or <strong>the</strong> M-Bus is also an encouraged option.<br />

In order to participate, all students will need to fill out a volunteer<br />

application <strong>and</strong> attend a m<strong>and</strong>atory training with Voluntary Services<br />

staff at <strong>the</strong> V.A. at <strong>the</strong> beginning <strong>of</strong> <strong>the</strong> semester (time TBD).<br />

Section 212 — Public Health: Ypsilanti Health Initiative.<br />

Students in this section will work with <strong>the</strong> Ypsilanti Health Initiative,<br />

a student-initiated program to make healthy foods more accessible<br />

<strong>and</strong> more affordable to lower-income families in Ypsilanti. YHI <strong>of</strong>fers<br />

a three-part program: health education workshops, subsidized<br />

grocery shopping trips, <strong>and</strong> exercise help.<br />

Students will be expected to participate in site-related activities for<br />

approximately 3-4 hours per week, including drive time. All students<br />

are required to participate in <strong>the</strong> primary health-workshops<br />

program on Saturday afternoons from 2:30-4 p.m. in Ypsilanti. Additionally,<br />

students will complete <strong>and</strong> additional 1-2 hours per week<br />

outside <strong>the</strong> primary health-workshops program. Options include<br />

workshop planning, exercise instruction, gardening assistance, personalized<br />

diet research, nutritional consulting, information ga<strong>the</strong>ring,<br />

newsletter writing, cooking demonstrations, grocery shopping<br />

assistance, <strong>and</strong> many more. We encourage creativity <strong>and</strong> innovation,<br />

<strong>and</strong> we enthusiastically support new ideas <strong>and</strong> projects. This<br />

section is recommended for students with initiative <strong>and</strong> passion.<br />

Students enrolled in Project Community who have valid driver’s licenses<br />

are able to check out vehicles through <strong>the</strong> Ginsberg Center<br />

in order to transport <strong>the</strong>mselves to site. Carpooling among students<br />

in <strong>the</strong> same section is encouraged. Transportation is coordinated<br />

through <strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation<br />

Coordinator.<br />

NOTE: Participation in this section is by override-only.<br />

Students interested in enrolling should email<br />

yhivolunteercoordinators@umich.edu.<br />

In your email briefly explain why you want to enroll in this course,<br />

what skills or interest you have that you think may be beneficial to<br />

<strong>the</strong> program, <strong>and</strong> what you are hoping to learn. Please include your<br />

UMID# <strong>and</strong> your uniqname in your email. If <strong>the</strong> section is a fit, an<br />

override will be processed, giving student permission to enroll in<br />

<strong>the</strong> section.<br />

Section 300 — Gender <strong>and</strong> Sexuality: Femtors.<br />

In this section, undergraduate women volunteer as feminist mentors<br />

(“femtors”) to work with girls at local area middle schools as<br />

part <strong>of</strong> <strong>the</strong> "It's Great to Be a Girl" program. The “It’s Great to Be a<br />

Girl” program was designed by Carole Lapidos <strong>and</strong> Sally Wisotzkey<br />

as a continuance <strong>of</strong> <strong>the</strong>ir “Raising Strong <strong>and</strong> Confident Daughters”<br />

workshop for parents. The co-founders’ hope was to provide adolescent<br />

girls with positive women role models to help <strong>the</strong>m through<br />

<strong>the</strong>ir tumultuous middle school years. Chosen femtors organize <strong>and</strong><br />

facilitate workshops over <strong>the</strong> course <strong>of</strong> ten weeks to build <strong>the</strong> confidence<br />

<strong>and</strong> exp<strong>and</strong> <strong>the</strong> knowledge <strong>of</strong> <strong>the</strong> girls. The four major areas<br />

addressed are friendship, teasing <strong>and</strong> harassment, body image,<br />

<strong>and</strong> dream building. This program is a great opportunity for women<br />

interested in providing mentorship to a diverse population. Women<br />

<strong>of</strong> color are strongly encouraged to apply.<br />

Students will be expected at site from 2:00–5:00pm on Tuesdays.<br />

(Please allow an additional 20 minutes each way for transportation.)<br />

Students enrolled in Project Community who have valid<br />

driver’s licenses are able to check out vehicles through <strong>the</strong> Ginsberg


136 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

Center in order to transport <strong>the</strong>mselves to site. Carpooling among<br />

students in <strong>the</strong> same section is encouraged. Transportation is coordinated<br />

through <strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation<br />

Coordinator.<br />

NOTE: Femtors will be required to attend training that will occur on<br />

campus during <strong>the</strong> first 3 meetings.<br />

NOTE: Participation in this section is by override only. Students<br />

should contact Carole Lapidos directly at (734) 668-7402 or<br />

carolelap@aol.com for permission to register, <strong>and</strong> for additional information<br />

about <strong>the</strong> Femtors program.<br />

In fall 2011, a second “pilot” site, <strong>the</strong> ECO Girls project, will be<br />

added to section 300. The ECO Girls mission is to foster environmental<br />

awareness <strong>and</strong> stewardship, ecological literacy, cultural<br />

education, friendship building, self-confidence, <strong>and</strong> leadership skills<br />

for elementary <strong>and</strong> middle school girls in urban sou<strong>the</strong>astern <strong>Michigan</strong>.<br />

Femtors wishing to participate in <strong>the</strong> Eco Girls site along with<br />

<strong>the</strong>ir regular “It’s Great <strong>To</strong> Be A Girl!” service responsibilities may<br />

do so for an extra section 300 course credit, totaling 4 credits in<br />

all. In addition to <strong>the</strong>ir regular training <strong>and</strong> assignments, Femtors<br />

who elect to work with ECO Girls will meet with <strong>the</strong> ECO Girls for<br />

weekend activity sessions approximately twice a month at <strong>the</strong> Ann<br />

Arbor YMCA or <strong>the</strong> Center for Afroamerican <strong>and</strong> African Studies on<br />

campus. For more information contact Pr<strong>of</strong>essor Tiya Miles<br />

tiya@umich.edu.<br />

Section 302 — Gender <strong>and</strong> Sexuality: Girls on <strong>the</strong> Run.<br />

Girls on <strong>the</strong> Run (GOTR) is a healthy living program for girls in<br />

grades 3-5 <strong>and</strong> 6-8. The program combines training for a 3-mile<br />

walk/run with a fun <strong>and</strong> innovative life skills curriculum. The lessons<br />

are built around movement <strong>and</strong> running related games. The<br />

topics discussed during <strong>the</strong> lessons include body image, healthy<br />

habits, peer relationships <strong>and</strong> community involvement. The program's<br />

mission is to educate <strong>and</strong> prepare girls for a lifetime <strong>of</strong> selfrespect<br />

<strong>and</strong> healthy living.<br />

Students in this section will learn to be coaches/mentors to young<br />

women in <strong>the</strong> community at coach's training (date to be announced).<br />

Students in this section will have <strong>the</strong> opportunity to become<br />

certified in CPR. In <strong>the</strong> late fall (date TBD) coaches <strong>and</strong> <strong>the</strong><br />

girls will participate in <strong>the</strong> New Balance Girls on <strong>the</strong> run 5K (3-mile)<br />

run toge<strong>the</strong>r. Project Community students in this section will go to<br />

<strong>the</strong>ir designated site on Tuesdays <strong>and</strong> Thursdays from approximately<br />

4-5:30pm, (not including driving time). Sites are located in<br />

Ann Arbor, Saline, Dexter, Chelsea, <strong>and</strong> Ypsilanti. Students enrolled<br />

in Project Community who have valid driver’s licenses are able to<br />

check out vehicles through <strong>the</strong> Ginsberg Center in order to transport<br />

<strong>the</strong>mselves to site. Carpooling among students in <strong>the</strong> same<br />

section is encouraged. Transportation is coordinated through <strong>the</strong><br />

section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation Coordinator.<br />

This section is override-only. <strong>To</strong> participate in this section,<br />

please fill out <strong>the</strong> Girls on <strong>the</strong> Run Volunteer Application<br />

(www.girlson<strong>the</strong>runsemi.org/documents/volunteerappl.pdf); please<br />

send <strong>the</strong> completed application to Lisa Gizzi, <strong>the</strong> GOTR Program<br />

Coordinator, at lisa@girlson<strong>the</strong>runsemi.org (indicate you’re interest<br />

in Project Community, send your UMID #, <strong>and</strong> Cc<br />

esteps@umich.edu). Once <strong>the</strong> application is received, an override<br />

will be processed.<br />

Section 304 — Gender <strong>and</strong> Sexuality: Planned Parenthood.<br />

Students in this section will volunteer with Planned Parenthood’s<br />

Public Advocacy department. Students will assist Planned Parenthood<br />

Affiliates <strong>of</strong> <strong>Michigan</strong> staff in efforts to ensure broad access to<br />

reproductive health care information <strong>and</strong> services. Students will be<br />

involved in community outreach, grassroots organizing, <strong>and</strong> public<br />

affairs programs. Specific tasks will include assisting at visibility <strong>and</strong><br />

awareness events, working with coalition partners, organizing <strong>the</strong><br />

public around legislative issues <strong>and</strong> more. Educational objectives<br />

will include detailed knowledge <strong>of</strong> sexual health, community assessment,<br />

grassroots organizing techniques, <strong>and</strong> action planning.<br />

No previous experience is necessary, but students should be open-<br />

minded <strong>and</strong> enthusiastic about service that contributes to Planned<br />

Parenthood’s mission <strong>and</strong> philosophy.<br />

Students will be expected at site every Tuesday from 9:00 a.m. –<br />

1:00 p.m. Students enrolled in Project Community who have valid<br />

driver’s licenses are able to check out vehicles through <strong>the</strong> Ginsberg<br />

Center in order to transport <strong>the</strong>mselves to site. Carpooling among<br />

students in <strong>the</strong> same section is encouraged. Transportation is coordinated<br />

through <strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation<br />

Coordinator.<br />

NOTE: Participation in this section is by override-only. Students interested<br />

in enrolling should email Lindsay Maas, Senior Field Organizer<br />

<strong>of</strong> Planned Parenthood Affiliates <strong>of</strong> <strong>Michigan</strong>, at:<br />

Lindsay.Maas@ppmchoice.org or call her at 734-926-4842.<br />

Students will be asked to participate in a short interview. If <strong>the</strong> section<br />

is a fit, an override will be processed, giving student permission<br />

to enroll in <strong>the</strong> section.<br />

Section 401 — Criminal Justice: Juvenile Detention Center<br />

— Recreation.<br />

Students in this section will work at <strong>the</strong> Washtenaw Detention Center,<br />

a facility for teens awaiting placement or release. Students will<br />

provide structured leisure time through both educational <strong>and</strong> recreational<br />

activities. Theater, music, athletic, confidence building,<br />

educational <strong>and</strong>/or art activities may be incorporated. In <strong>the</strong> past,<br />

we have also held debates, health <strong>and</strong> nutrition seminars, <strong>and</strong> sessions<br />

on job seeking skills. Students in this section provide positive<br />

role models <strong>and</strong> interactions for <strong>the</strong> youth, much like a Big Bro<strong>the</strong>r<br />

or Big Sister.<br />

Students will be expected to go to site Mondays 3:30-6:30pm, (this<br />

includes driving time). Students enrolled in Project Community who<br />

have valid driver’s licenses are able to check out vehicles through<br />

<strong>the</strong> Ginsberg Center in order to transport <strong>the</strong>mselves to site.<br />

Carpooling among students in <strong>the</strong> same section is encouraged.<br />

Transportation is coordinated through <strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong><br />

Ginsberg Transportation Coordinator.<br />

NOTE: Students must be at least 18 years old to participate in this<br />

section, due to volunteer requirements at <strong>the</strong> site.<br />

NOTE: All students registering for this section will have a background<br />

check run by <strong>the</strong> facility. Any student who thinks he or she<br />

may not be eligible to participate should choose a section in ano<strong>the</strong>r<br />

program area.<br />

Section 402 — Criminal Justice: Prison-Creative Writing.<br />

Students in this section will work in teams to lead creative writing<br />

workshops at <strong>the</strong> Gus Harrison South Correctional Facility in Adrian<br />

on a weekly basis. The facility is a minimum-security prison that<br />

houses adult male prisoners. At <strong>the</strong> prison, students will help inmates<br />

enhance <strong>the</strong>ir writing skills <strong>and</strong> creatively communicate <strong>the</strong>ir<br />

ideas. Students will be required to submit weekly creative writing<br />

assignments as well as fulfill o<strong>the</strong>r course requirements. In addition,<br />

<strong>the</strong> group will complete an anthology <strong>of</strong> inmate writing at <strong>the</strong><br />

end <strong>of</strong> <strong>the</strong> semester that will be distributed to <strong>the</strong> participants at<br />

<strong>the</strong> prison. No previous experience is necessary.<br />

Students will be expected to go to site on Tuesday evenings 5:30-<br />

9:30pm, (includes driving time). Students enrolled in Project Community<br />

who have valid driver’s licenses are able to check out vehicles<br />

through <strong>the</strong> Ginsberg Center in order to transport <strong>the</strong>mselves<br />

to site. Carpooling among students in <strong>the</strong> same section is encouraged.<br />

Transportation is coordinated through <strong>the</strong> section facilitator<br />

<strong>and</strong> <strong>the</strong> Ginsberg Transportation Coordinator.<br />

NOTE: Students must be at least 18 years old to participate in this<br />

section, due to volunteer requirements at <strong>the</strong> site.<br />

NOTE: All students registering for this section will have a background<br />

check run by <strong>the</strong> facility. Any student who thinks he or she<br />

may not be eligible to participate should choose a section in ano<strong>the</strong>r<br />

program area.


Section 403 — Criminal Justice: Prison-Debate.<br />

Students in this section will work in teams to lead a debate club at<br />

<strong>the</strong> Gus Harrison Correctional Facility – South in Adrian on a weekly<br />

basis. The facility is a minimum-security prison that houses adult<br />

male prisoners. At <strong>the</strong> prison, students will organize a weekly debate<br />

about a current topic, <strong>the</strong> goal <strong>of</strong> which is to streng<strong>the</strong>n communication<br />

skills <strong>and</strong> knowledge <strong>of</strong> current issues <strong>of</strong> both <strong>the</strong> students<br />

<strong>and</strong> <strong>the</strong> inmates. No previous debate experience is necessary.<br />

Students will be expected at site on Wednesday evenings 5:30-9:30<br />

pm (includes driving time). Students enrolled in Project Community<br />

who have valid driver’s licenses are able to check out vehicles<br />

through <strong>the</strong> Ginsberg Center in order to transport <strong>the</strong>mselves to<br />

site. Carpooling among students in <strong>the</strong> same section is encouraged.<br />

Students enrolled in Project Community who have valid driver’s licenses<br />

are able to check out vehicles through <strong>the</strong> Ginsberg Center<br />

in order to transport <strong>the</strong>mselves to site. Carpooling among students<br />

in <strong>the</strong> same section is encouraged. Transportation is coordinated<br />

through <strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation<br />

Coordinator.<br />

NOTE: Students must be at least 18 years old to participate in this<br />

section, due to volunteer requirements at <strong>the</strong> site.<br />

NOTE: All students registering for this section will have a background<br />

check run by <strong>the</strong> facility. Any student who thinks he or she<br />

may not be eligible to participate should choose a section in ano<strong>the</strong>r<br />

program area.<br />

Section 404 — Criminal Justice: Jail (Men)-Creative<br />

Writing.<br />

Students in this section will work at <strong>the</strong> Washtenaw County Jail, a<br />

facility for adult <strong>of</strong>fenders, located in Ann Arbor approximately 10<br />

minutes from campus. This section will be conducting creative writing<br />

seminars for male inmates in minimum-security blocks. No former<br />

creative writing experience is necessary, just enthusiasm <strong>and</strong><br />

an open mind! Students will be expected to bring <strong>and</strong> share ideas<br />

to plan <strong>and</strong> facilitate <strong>the</strong> creative writing workshops.<br />

Students will be expected at site 6:15-8:15pm on Mondays. Students<br />

must allow for driving time, beginning at 5:45pm on Mondays.<br />

Groups that arrive late to <strong>the</strong> facility may not be allowed to<br />

enter. Students enrolled in Project Community who have valid<br />

driver’s licenses are able to check out vehicles through <strong>the</strong> Ginsberg<br />

Center in order to transport <strong>the</strong>mselves to site. Carpooling among<br />

students in <strong>the</strong> same section is encouraged. Transportation is coordinated<br />

through <strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation<br />

Coordinator.<br />

NOTE: Students must be at least 18 years old to participate in this<br />

section, due to volunteer requirements at <strong>the</strong> site.<br />

NOTE: All students registering for this section will have a background<br />

check run by <strong>the</strong> facility. Any student who thinks he or she<br />

may not be eligible to participate should choose a section in ano<strong>the</strong>r<br />

program area.<br />

Section 405 — Criminal Justice: Jail (Women)-Creative<br />

Writing.<br />

Students in this section will work at <strong>the</strong> Washtenaw County Jail, a<br />

facility for adult <strong>of</strong>fenders, located in Ann Arbor approximately 10<br />

minutes from campus. This section will be conducting creative writing<br />

seminars for female inmates in minimum-security blocks. No<br />

former creative writing experience is necessary, just enthusiasm<br />

<strong>and</strong> an open mind! Students will be expected to bring <strong>and</strong> share<br />

ideas to plan <strong>and</strong> facilitate <strong>the</strong> creative writing workshops.<br />

Students will be expected at site 6:30-8:30 p.m. on Tuesdays. Students<br />

must allow for driving time, beginning at 5:45pm on Tuesdays.<br />

Groups that arrive late to <strong>the</strong> facility may not be allowed to<br />

enter. Students enrolled in Project Community who have valid<br />

driver’s licenses are able to check out vehicles through <strong>the</strong> Ginsberg<br />

Center in order to transport <strong>the</strong>mselves to site. Carpooling among<br />

students in <strong>the</strong> same section is encouraged. Transportation is coor-<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 137<br />

dinated through <strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation<br />

Coordinator.<br />

NOTE: Students must be at least 18 years old to participate in this<br />

section, due to volunteer requirements at <strong>the</strong> site.<br />

NOTE: All students registering for this section will have a background<br />

check run by <strong>the</strong> facility. Any student who thinks he or she<br />

may not be eligible to participate should choose a section in ano<strong>the</strong>r<br />

program area.<br />

Section 406 — Criminal Justice: Jail (Men)-Multicultural<br />

Dialogue.<br />

Students in this section work at <strong>the</strong> Washtenaw County Jail examining<br />

<strong>the</strong> construction <strong>of</strong> race <strong>and</strong> class <strong>and</strong> how it is manifested in<br />

society through dialogue with inmates. This section is designed to<br />

take a look at Asian American, African American, European American,<br />

Hispanic/Latino(a), <strong>and</strong> Native American social groups present<br />

in <strong>the</strong> United States. Students will critically evaluate how racial<br />

groups are represented in American society <strong>and</strong> <strong>the</strong>re intersection<br />

with socioeconomic class. Some questions we will address are:<br />

• How was race <strong>and</strong> class constructed in <strong>the</strong> United States?<br />

• How is <strong>the</strong> construction maintained?<br />

• What can we do as individuals to combat inaccurate representations<br />

<strong>of</strong> cultural groups in this country?<br />

An important component <strong>of</strong> this course includes participation <strong>and</strong><br />

facilitation <strong>of</strong> a weekly in-service class located at <strong>the</strong> Washtenaw<br />

County Jail. Students will be required to lead discussions on race<br />

<strong>and</strong> class with male inmates at <strong>the</strong> facility. We believe that issues<br />

<strong>of</strong> race <strong>and</strong> class are pertinent issues that affect everyone. It is <strong>the</strong><br />

intention <strong>of</strong> this course to create an environment that will embrace<br />

various viewpoints <strong>and</strong> seek to provide a deeper underst<strong>and</strong>ing <strong>of</strong><br />

ourselves <strong>and</strong> o<strong>the</strong>rs. The success <strong>of</strong> <strong>the</strong> course depends upon<br />

each individual's participation <strong>and</strong> willingness to be open, honest,<br />

<strong>and</strong> engaged in course materials <strong>and</strong> discussion.<br />

Students will be expected at site 6:00-8:00pm on Tuesdays. Students<br />

must allow for driving time, beginning at 5:30pm on<br />

Tuesdays. Groups that arrive late to <strong>the</strong> facility may not be allowed<br />

to enter. Students enrolled in Project Community who have valid<br />

driver’s licenses are able to check out vehicles through <strong>the</strong> Ginsberg<br />

Center in order to transport <strong>the</strong>mselves to site. Carpooling among<br />

students in <strong>the</strong> same section is encouraged. Transportation is coordinated<br />

through <strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation<br />

Coordinator.<br />

NOTE: Students must be at least 18 years old to participate in this<br />

section, due to volunteer requirements at <strong>the</strong> site.<br />

NOTE: All students registering for this section will have a background<br />

check run by <strong>the</strong> facility. Any student who thinks he or she<br />

may not be eligible to participate should choose a section in ano<strong>the</strong>r<br />

program area.<br />

Section 407 — Criminal Justice: Jail (Women)-Multicultural<br />

Dialogue.<br />

Students in this section work at <strong>the</strong> Washtenaw County Jail examining<br />

<strong>the</strong> construction <strong>of</strong> race <strong>and</strong> class <strong>and</strong> how it is manifested in<br />

society through dialogue with inmates. This section is designed to<br />

take a look at Asian American, African American, European American,<br />

Hispanic/Latino(a), <strong>and</strong> Native American social groups present<br />

in <strong>the</strong> United States. Students will critically evaluate how racial<br />

groups are represented in American society <strong>and</strong> <strong>the</strong>re intersection<br />

with socioeconomic class. Some questions we will address are: How<br />

was race <strong>and</strong> class constructed in <strong>the</strong> United States? How is <strong>the</strong><br />

construction maintained? What can we do as individuals to combat<br />

inaccurate representations <strong>of</strong> cultural groups in this country? An<br />

important component <strong>of</strong> this course includes participation <strong>and</strong> facilitation<br />

<strong>of</strong> a weekly in-service class located at <strong>the</strong> Washtenaw County<br />

Jail. Students will be required to lead discussions on race <strong>and</strong> class<br />

with female inmates at <strong>the</strong> facility. We believe that issues <strong>of</strong> race<br />

<strong>and</strong> class are pertinent issues that affect everyone. It is <strong>the</strong> intention<br />

<strong>of</strong> this course to create an environment that will embrace vari-


138 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

ous viewpoints <strong>and</strong> seek to provide a deeper underst<strong>and</strong>ing <strong>of</strong> ourselves<br />

<strong>and</strong> o<strong>the</strong>rs. The success <strong>of</strong> <strong>the</strong> course depends upon each<br />

individual's participation <strong>and</strong> willingness to be open, honest, <strong>and</strong><br />

engaged in course materials <strong>and</strong> discussion.<br />

Students will be expected at site 6:30-8:30 p.m. on Mondays. Students<br />

must allow for driving time, beginning at 5:45pm on Mondays.<br />

Groups that arrive late to <strong>the</strong> facility may not be allowed to<br />

enter. Students enrolled in Project Community who have valid<br />

driver’s licenses are able to check out vehicles through <strong>the</strong> Ginsberg<br />

Center in order to transport <strong>the</strong>mselves to site. Carpooling among<br />

students in <strong>the</strong> same section is encouraged. Transportation is coordinated<br />

through <strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation<br />

Coordinator.<br />

NOTE: Students must be at least 18 years old to participate in this<br />

section, due to volunteer requirements at <strong>the</strong> site.<br />

NOTE: All students registering for this section will have a background<br />

check run by <strong>the</strong> facility. Any student who thinks he or she<br />

may not be eligible to participate should choose a section in ano<strong>the</strong>r<br />

program area.<br />

Section 602 — Organizing for Social Justice: Community<br />

Organizing.<br />

Students in this section work with a community organization where<br />

<strong>the</strong>y will participate in education <strong>and</strong> organizing work to help address<br />

quality <strong>of</strong> life <strong>and</strong> social justice concerns through organizing<br />

<strong>and</strong> activism. In <strong>the</strong> Fall 2011 term we will partner with <strong>the</strong> Restaurant<br />

Opportunities Center-<strong>Michigan</strong> (ROC-MI) <strong>and</strong> <strong>the</strong>ir affiliated<br />

COLORS Hospitality Opportunities for Workers Institute that includes<br />

vocational training, a social enterprise that fosters worker<br />

ownership, <strong>and</strong> promotion <strong>of</strong> urban agriculture <strong>and</strong> healthy food<br />

systems.<br />

ROC-MI is an affiliate <strong>of</strong> ROC-United, a national restaurant workers'<br />

organization with more than 6,000 members across <strong>the</strong> country,<br />

that focuses on improving opportunities for advancement in <strong>the</strong> industry<br />

through workplace justice campaigns that combine organizing<br />

<strong>and</strong> litigation, promoting 'high-road' <strong>and</strong> sustainable business<br />

practices, <strong>and</strong> research <strong>and</strong> public policy work. This program emphasizes<br />

making change at a systemic level <strong>and</strong> developing a <strong>the</strong>ory<br />

<strong>and</strong> practice <strong>of</strong> community organizing <strong>and</strong> civic engagement. All<br />

students will gain a solid introduction to <strong>the</strong> <strong>the</strong>ory <strong>and</strong> practice <strong>of</strong><br />

community organizing.<br />

Students may be asked to participate in a number <strong>of</strong> activities, including<br />

outreach, leadership development, <strong>and</strong> organizing with restaurant<br />

workers, orientations for new members <strong>and</strong> political education<br />

classes, <strong>and</strong> facilitating workshops or meetings, <strong>and</strong> protests.<br />

Familiarity with <strong>the</strong> cities <strong>of</strong> Detroit or Dearborn, experience in restaurant<br />

work <strong>and</strong>/or pr<strong>of</strong>iciency in a second language (Spanish,<br />

Arabic, French) would be assets but are by no means required for<br />

participation in this section.<br />

Students are responsible for completing four hours <strong>of</strong> site-related<br />

work per week (at times available in a student’s schedule). Students<br />

enrolled in Project Community who have valid driver’s licenses<br />

are able to check out vehicles through <strong>the</strong> Ginsberg Center<br />

in order to transport <strong>the</strong>mselves to site. Carpooling among students<br />

in <strong>the</strong> same section is encouraged. Transportation is coordinated<br />

through <strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation<br />

Coordinator.<br />

NOTE: Participation in this section is by override only. Students<br />

should contact Joe Galura (jgalura@umich.edu) for<br />

permission to register. In your email, please indicate for which<br />

section you are seeking an override.<br />

Students enrolled in SOC 389 are responsible for regular attendance<br />

in a weekly seminar as well as participation in site work each<br />

week. In addition, students will complete weekly readings <strong>and</strong> reflective<br />

journal assignments, a midterm assignment, <strong>and</strong> a final<br />

paper/project.<br />

If you have general questions, contact Project Community<br />

(pcinfo@umich.edu). In your email, please give <strong>the</strong> name <strong>and</strong><br />

number <strong>of</strong> <strong>the</strong> section about which you are inquiring.<br />

Section 603 — Organizing for Social Justice: The Young<br />

People's Project-MI.<br />

The mission <strong>of</strong> <strong>the</strong> Young People's Project is to use math literacy as<br />

a tool to develop young leaders <strong>and</strong> organizers who radically<br />

change <strong>the</strong> quality <strong>of</strong> education <strong>and</strong> life in <strong>the</strong>ir communities so<br />

that all children have <strong>the</strong> opportunity to reach <strong>the</strong>ir full human potential<br />

(typp.org).<br />

Students in this seminar will be introduced to <strong>the</strong> background,<br />

pedagogy <strong>and</strong> current status <strong>of</strong> The Young People’s Project in<br />

<strong>Michigan</strong> (YPP-MI) <strong>and</strong> across <strong>the</strong> county during a two-day retreat<br />

with YPP-MI staff. During <strong>the</strong>ir training <strong>the</strong>y will have <strong>the</strong> opportunity<br />

to choose <strong>and</strong> begin exploring an area <strong>of</strong> focus for <strong>the</strong>ir project<br />

work for <strong>the</strong> organization locally. YPP-MI works most closely with 6<br />

local school districts college students are training high school students<br />

to be math literacy workers (MLW) <strong>and</strong> facilitate after school<br />

math workshops with middle <strong>and</strong>/or elementary school students in<br />

<strong>the</strong>ir community. Project Community students will develop a project<br />

that will support this foundational work <strong>and</strong> expose <strong>the</strong>m to an area<br />

<strong>of</strong> focus that is <strong>of</strong> greatest interest to <strong>the</strong>m.<br />

Example areas <strong>of</strong> focus for project development (projects<br />

are not limited to <strong>the</strong> following <strong>and</strong>/or could cover more<br />

than one category):<br />

• Funding: Grant Writing & Donation Seeking<br />

• Event Planning (for students, families, community partners,<br />

etc.)<br />

• Community Organizing: developing/sustaining neighbor circles<br />

in YPP-MI communities<br />

• Research, Evaluation & Assessment<br />

• Web development & networking<br />

• Youth Organizing: work directly with high school Math Literacy<br />

Workers (MLW) on issues <strong>of</strong> <strong>the</strong>ir self interest <strong>College</strong> Math<br />

Literacy Worker (CMLW) support: assist CMLW in training <strong>and</strong><br />

mentoring high school MLW<br />

The Young People's Project sees math literacy work as a new phase<br />

<strong>of</strong> <strong>the</strong> civil rights movement — a way <strong>of</strong> empowering minority <strong>and</strong><br />

working class students to dem<strong>and</strong> <strong>the</strong> kind <strong>of</strong> high quality education<br />

<strong>the</strong>y need for real economic opportunity in 21st century. YPP<br />

focuses on organizing to bring about change at a systemic level,<br />

building on <strong>the</strong> community organizing tradition embodied in <strong>the</strong> civil<br />

rights movement's Freedom Schools. Our approach to this work is<br />

inspired <strong>and</strong> informed by <strong>the</strong> Young Peoples' Project (YPP) partner<br />

<strong>of</strong> Bob Moses' Algebra Project, a unique syn<strong>the</strong>sis <strong>of</strong> four elements:<br />

an experiential approach to math learning; a liberationist classroom<br />

pedagogy; <strong>the</strong> use <strong>of</strong> college-age students as trainers, <strong>and</strong> high<br />

school students as facilitators for middle school student math workshops<br />

<strong>and</strong> activities; <strong>and</strong> an organizing approach to building student,<br />

parent, teacher <strong>and</strong> community commitment to improving <strong>the</strong><br />

quality <strong>of</strong> math education.<br />

Students enrolled in Project Community who have valid driver’s licenses<br />

are able to check out vehicles through <strong>the</strong> Ginsberg Center<br />

in order to transport <strong>the</strong>mselves to site. Carpooling among students<br />

in <strong>the</strong> same section is encouraged. Transportation is coordinated<br />

through <strong>the</strong> section facilitator <strong>and</strong> <strong>the</strong> Ginsberg Transportation<br />

Coordinator.<br />

NOTE: In order to participate in <strong>the</strong> program, students must attend<br />

a m<strong>and</strong>atory training, which will take place before classes start in<br />

late August/early September (exact time TBD). Students are responsible<br />

for participating at a designated community site four<br />

hours per week. Site times are Mondays <strong>and</strong> Wednesdays from<br />

2:30-5:30pm (including drive time). Additionally, students will be<br />

required to meet 1 hour/ week with a YPP Leadership Team member<br />

who will be supervising <strong>and</strong> supporting <strong>the</strong>ir project.


This section is override only. Please contact Alex<strong>and</strong>ra Tracy at<br />

aletracy@umich.edu. If this section is a good fit, students will <strong>the</strong>n<br />

have <strong>the</strong> override processed.<br />

SPANISH (Spanish)<br />

Placement Tests<br />

Students who intend to continue a language begun in high school<br />

or ano<strong>the</strong>r college or university must take <strong>the</strong> Placement Test to<br />

determine <strong>the</strong> language course in which <strong>the</strong>y should enroll. Please<br />

note that students may not take <strong>the</strong> Spanish placement test more<br />

than one time. Students must check with <strong>the</strong> Course Coordinator<br />

for any exceptions to <strong>the</strong> Placement Test level. For more information,<br />

visit <strong>the</strong> department website,<br />

www.lsa.umich.edu/rll/langinstruct/placementtest.html<br />

Language Requirement<br />

Students who demonstrate a fourth-term pr<strong>of</strong>iciency are certified to<br />

have fulfilled <strong>the</strong> LSA language requirement. O<strong>the</strong>r students are<br />

placed in courses according to <strong>the</strong>ir demonstrated degree <strong>of</strong> competence<br />

<strong>and</strong> satisfy <strong>the</strong> LSA language requirement by successful<br />

completion <strong>of</strong> FRENCH 232, ITALIAN 232, PORTUG 232, SPANISH<br />

232, or <strong>the</strong> equivalent. Students with previous background in or<br />

exposure to a Romance language are encouraged to continue study<br />

<strong>of</strong> that language through <strong>the</strong> freshman <strong>and</strong> sophomore years. The<br />

language requirement cannot be satisfied by out-<strong>of</strong>-residence credit<br />

which is elected after <strong>the</strong> student has begun degree enrollment in<br />

LSA.<br />

Override Policy<br />

www.lsa.umich.edu/rll/langinstruct/overrides.html<br />

Attendance Policy<br />

A student who misses ei<strong>the</strong>r <strong>of</strong> <strong>the</strong> first two meetings <strong>of</strong> any course<br />

<strong>of</strong>fered by <strong>the</strong> Department <strong>of</strong> Romance Languages may be dropped<br />

from <strong>the</strong> course for non-attendance.<br />

Spanish Curricular Changes effective Fall 2011<br />

Information about Spanish curricular changes, effective Fall 2011,<br />

can be found here: www.lsa.umich.edu/rll/concminors/spanish.html<br />

SPANISH 100. Intensive Elementary Spanish.<br />

No prior instruction in Spanish language OR placement <strong>of</strong> SPANISH<br />

101. (Prerequisites enforced at registration.) Students with any<br />

prior study <strong>of</strong> Spanish must take <strong>the</strong> Placement Test. May not be<br />

repeated for credit. No credit granted to those who have completed<br />

SPANISH 101, 102, 103, 111 or 112, or RCLANG 194.<br />

A student who misses ei<strong>the</strong>r <strong>of</strong> <strong>the</strong> first two meetings <strong>of</strong> any course<br />

<strong>of</strong>fered by <strong>the</strong> Department <strong>of</strong> Romance Languages may be dropped<br />

from <strong>the</strong> course for non-attendance.<br />

The first year <strong>of</strong> college Spanish equivalent to SPANISH 101 <strong>and</strong><br />

102 taught in one term.<br />

This course does not meet <strong>the</strong> threshold for pr<strong>of</strong>iciency for <strong>the</strong><br />

Residential <strong>College</strong>.<br />

SPANISH 101. Elementary Spanish.<br />

No prior Spanish language or placement <strong>of</strong> SPANISH 101. (Prerequisites<br />

enforced at registration.) Students with any prior study <strong>of</strong><br />

Spanish must take <strong>the</strong> Placement Test. (4). May not be repeated<br />

for credit. No credit granted to those who have completed or are<br />

enrolled in SPANISH 100, 111 or 112, or RCLANG 194.<br />

The first part <strong>of</strong> an introduction to <strong>the</strong> Spanish language <strong>and</strong> culture;<br />

task- <strong>and</strong> content-based approach integrates grammar in a<br />

functional use through listening, speaking, reading, <strong>and</strong> writing.<br />

Language use encouraged through communicative activities ra<strong>the</strong>r<br />

than a sequence <strong>of</strong> linguistic units. Videos, audio cassettes, <strong>and</strong><br />

computer materials incorporated.<br />

Course description <strong>and</strong> objectives: SPANISH 101 is designed to<br />

introduce you to <strong>the</strong> Spanish language <strong>and</strong> <strong>the</strong> many facets <strong>of</strong> <strong>the</strong><br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 139<br />

culture. In this course you will develop your ability to communicate<br />

satisfactorily in Spanish in everyday practical situations while acquiring<br />

some <strong>of</strong> <strong>the</strong> skills necessary for effective reading <strong>and</strong> writing<br />

in Spanish. The course focuses on <strong>the</strong> introduction <strong>and</strong> development<br />

<strong>of</strong> <strong>the</strong> four language skills necessary for interpersonal<br />

communication in Spanish: listening, writing, reading, <strong>and</strong> speaking<br />

<strong>and</strong> cultural topics will be integrated in every chapter.<br />

Section 021 is a Comprehensive Studies Program (CSP) section<br />

<strong>and</strong> requires CSP permission to enroll.<br />

Course coordinator: Michelle Orecchio, orecchio@umich.edu<br />

Course Requirements:<br />

Evaluation criteria: Regular attendance is essential. Participation<br />

in class includes asking <strong>and</strong> answering questions in Spanish, initiating<br />

discussion, role playing, <strong>and</strong> o<strong>the</strong>r situational activities. The final<br />

grade is based on class participation, journal entries, homework<br />

assignments, a cultural skit, unit exams, one oral exam, <strong>and</strong> a final<br />

exam (listening portion <strong>and</strong> written portion).<br />

Intended Audience:<br />

For students with little or no previous study <strong>of</strong> Spanish. Students<br />

with prior instruction in Spanish should take <strong>the</strong> placement test before<br />

enrolling.<br />

SPANISH 103. Review <strong>of</strong> Elementary Spanish.<br />

RCLANG 154. Assignment <strong>of</strong> SPANISH 103 by placement test. <strong>College</strong><br />

or university transfer students with any prior study <strong>of</strong> Spanish<br />

must take <strong>the</strong> Placement Test. (Prerequisites enforced at registration.)<br />

Only placement score <strong>and</strong> not language coursework completed<br />

at a previous school will determine placement. (4). May not<br />

be repeated for credit. No credit granted to those who have completed<br />

or are enrolled in SPANISH 100, 102, 111 or 112, or RCLANG<br />

194.<br />

Course coordinator:<br />

Kristina Primorac-Waggoner, kprimora@umich.edu<br />

Please note that SPANISH 103 section 031 in Fall 2011 is a Comprehensive<br />

Studies Program (CSP) section.<br />

Course Objectives: Introduction to <strong>the</strong> Spanish language <strong>and</strong> culture.<br />

Task- <strong>and</strong> content-based approach integrates grammar in a<br />

functional use through listening, speaking, reading, <strong>and</strong> writing.<br />

Language use encouraged through communicative activities ra<strong>the</strong>r<br />

than a sequence <strong>of</strong> linguistic units. Learning strategies <strong>and</strong> cultural<br />

awareness are also important objectives <strong>of</strong> <strong>the</strong> course.<br />

Goals: Students completing SPANISH 103 will know about different<br />

sociocultural norms, acting with awareness <strong>of</strong> such differences;<br />

speak in short spontaneous conversations involving everyday topics,<br />

observing basic courtesy requirements; underst<strong>and</strong> <strong>the</strong> gist <strong>of</strong><br />

one-way communication such as radio <strong>and</strong> television; read for practical<br />

information; write simple correspondence <strong>and</strong> short compositions<br />

on familiar topics, with good control <strong>of</strong> basic sentence structure.<br />

Course Requirements:<br />

Work Requirements/Evaluation Criteria: Regular attendance<br />

essential. Students must participate actively in a student centered<br />

communicative environment. Grade based on participation, homework<br />

assignments, in-class work, three unit exams, an oral exam,<br />

cultural presentation, journals, composition <strong>and</strong> a final written<br />

exam.<br />

Intended Audience:<br />

SPANISH 103 is a first year language class for students who are<br />

considered to be High beginners. This means that instead <strong>of</strong> covering<br />

first year material in two semesters (SPANISH 101 <strong>and</strong> 102)<br />

students take only one semester <strong>of</strong> first year Spanish before entering<br />

<strong>the</strong> intermediate level (SPANISH 231). Admittance into <strong>the</strong><br />

course is by placement exam recommendation or permission <strong>of</strong> <strong>the</strong><br />

coordinator only.<br />

Transfer students should take <strong>the</strong> placement exam to determine<br />

which course is most appropriate for <strong>the</strong>ir needs.


140 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

SPANISH 231. Second-Year Spanish.<br />

SPANISH 100, 102 or 103 with a grade <strong>of</strong> C- or higher; or RCLANG<br />

194; or assignment <strong>of</strong> SPANISH 231 by placement test. <strong>College</strong> or<br />

university transfer students with any prior study <strong>of</strong> Spanish must<br />

take <strong>the</strong> Placement Test. Only <strong>the</strong> placement score <strong>and</strong> not language<br />

coursework completed at a previous school will determine<br />

placement. (Prerequisites enforced at registration.) (4). May not be<br />

repeated for credit. No credit granted to those who have completed<br />

SPANISH 112, 230, or RCLANG 294 or 314.<br />

This course is designed to improve <strong>the</strong> speaking, listening, reading,<br />

<strong>and</strong> writing skills <strong>of</strong> students <strong>and</strong> to provide insight into <strong>the</strong> literature<br />

<strong>and</strong> culture <strong>of</strong> Spanish-speaking people. Meant to integrate<br />

<strong>and</strong> extend earlier learning, SPANISH 231 is intended to provide<br />

students with <strong>the</strong> timely opportunity — <strong>and</strong> challenge — <strong>of</strong> transforming<br />

<strong>the</strong>mselves into truly active, thinking language users.<br />

Course grade is based on a series <strong>of</strong> quizzes <strong>and</strong> exams (written<br />

<strong>and</strong> oral) designed to assess ability to read, write, <strong>and</strong> underst<strong>and</strong><br />

spoken Spanish, plus periodic written work <strong>and</strong> oral class participation.<br />

SPANISH 232. Second-Year Spanish, Continued.<br />

SPANISH 231 with a grade <strong>of</strong> C- or better, or RCLANG 254; or assignment<br />

by Placement Test. <strong>College</strong> or university transfer students<br />

with any prior study <strong>of</strong> Spanish must take <strong>the</strong> Placement Test. (Prerequisites<br />

enforced at registration.) Only placement score <strong>and</strong> not<br />

language coursework completed at a previous school will determine<br />

placement. (4). (Lang Req). May not be repeated for credit. No<br />

credit granted to those who have completed SPANISH 112 or 230;<br />

or RCLANG 294 or 314.<br />

Continuation <strong>of</strong> SPANISH 231. Certain sections are devoted to readings<br />

in specialized topics.<br />

The principal aim <strong>of</strong> both <strong>the</strong> topics <strong>and</strong> non-topics courses is to<br />

acquire a more pr<strong>of</strong>ound underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong> history, politics, society,<br />

culture, customs, <strong>and</strong> literature <strong>of</strong> <strong>the</strong> Hispanic world through<br />

listening, writing, reading, <strong>and</strong> speaking activities in Spanish. At <strong>the</strong><br />

same time, students develop <strong>the</strong> language tools, both grammatical<br />

functions <strong>and</strong> vocabulary, necessary to discuss issues <strong>of</strong> relevance<br />

to Hispanic culture <strong>and</strong> to analyze <strong>the</strong>se situations while expressing<br />

<strong>the</strong>ir own personal opinions, reactions, conclusions, <strong>and</strong> possible<br />

outcomes to hypo<strong>the</strong>tical situations. Therefore, <strong>the</strong> practice <strong>and</strong><br />

application <strong>of</strong> grammatical features <strong>and</strong> vocabulary are integrated<br />

into <strong>the</strong> content <strong>of</strong> <strong>the</strong> course, <strong>and</strong> students are expected to formally<br />

study <strong>and</strong> practice <strong>the</strong>se structures individually through <strong>the</strong><br />

explanations provided in <strong>the</strong> textbook <strong>and</strong> <strong>the</strong> practice activities assigned<br />

as homework. Materials include newspaper articles, cultural<br />

readings, videos, short lectures, listening comprehension activities,<br />

<strong>and</strong> computer materials.<br />

TEXTS for non-topics sections:<br />

Required:<br />

Más allá de las palabras: Mastering Intermediate Spanish<br />

Includes: Mastering Intermediate Spanish Book 2 (blue book) <strong>and</strong><br />

workbook/lab manual<br />

Course Requirements: Work requirements/evaluation criteria for<br />

non-topics sections: Regular attendance crucial. Participation in<br />

class includes asking <strong>and</strong> answering questions, initiating discussion,<br />

role playing, <strong>and</strong> o<strong>the</strong>r situational activities. Grade based on oral<br />

participation, homework assignments, in-class work, compositions,<br />

exams, <strong>and</strong> a final written <strong>and</strong> oral exam.<br />

Important note regarding SPANISH 232: Sections 043-059 are<br />

special topics sections. Please review <strong>the</strong> specific course descriptions<br />

before registering.<br />

232 TOPICS Website:<br />

sitemaker.umich.edu/spanish232topics/232_special_topics<br />

Section 043, 054, 056 — Art, Fashion, <strong>and</strong> Design in Spain.<br />

Note <strong>To</strong> Students: Important: Please, note that this is a topic<br />

course <strong>and</strong> is different to <strong>the</strong> regular SPANISH 232 course. Check<br />

<strong>the</strong> syllabus <strong>of</strong> <strong>the</strong> course at:<br />

sitemaker.umich.edu/spanish232topics/232_special_topics_home<br />

The aim <strong>of</strong> this course is to provide a good underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong><br />

history, art, culture, customs, fashion <strong>and</strong> design <strong>of</strong> Spain through<br />

listening, writing, reading, <strong>and</strong> speaking activities in Spanish. <strong>To</strong><br />

accomplish this goal we will review specific topics, including <strong>the</strong><br />

main Spanish painters, architectural l<strong>and</strong>marks, urbanism, current<br />

fashion designers, jewelry, sculpture, clothing complements, <strong>and</strong><br />

traditional dresses, in <strong>the</strong> context <strong>of</strong> Spanish History. These topics<br />

will guide students to underst<strong>and</strong> <strong>the</strong> role <strong>of</strong> art in Spanish society<br />

<strong>and</strong> everyday life.<br />

We will read a number <strong>of</strong> texts illustrated by hundreds <strong>of</strong> pictures,<br />

watch video clips <strong>and</strong> movies, listen to music <strong>and</strong> have an organized<br />

visit to <strong>the</strong> University Museum.<br />

Instructor: Camara Eguinoa, Elena A<br />

Section 045 — Culture, Society <strong>and</strong> Music in Spanish.<br />

Note <strong>To</strong> Students: Important: Please, note that this is a topic<br />

course <strong>and</strong> is different to <strong>the</strong> regular SPANISH 232 course. Check<br />

<strong>the</strong> syllabus <strong>of</strong> <strong>the</strong> course at:<br />

sitemaker.umich.edu/spanish232topics/232_special_topics_home<br />

The purpose <strong>of</strong> this topic course is to provide students with a better<br />

underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong> music, culture, <strong>and</strong> society <strong>of</strong> <strong>the</strong> Hispanic<br />

world. The great importance <strong>of</strong> music in a society will be taken into<br />

account to underst<strong>and</strong> ancient <strong>and</strong> modern societies <strong>and</strong> cultural<br />

practices presenting <strong>and</strong> exploring <strong>the</strong> idea <strong>of</strong> musical expressions<br />

as powerful forms <strong>of</strong> cultural identity. The course will give students<br />

an overview <strong>of</strong> <strong>the</strong> Hispanic world through popular music, musicians,<br />

musical forms <strong>and</strong> styles, dances <strong>and</strong> traditional musical instruments<br />

from different countries.<br />

Instructor: De La <strong>To</strong>rre, Mariela Isabel<br />

Section 047, 048, 051 — Hispanic Women Who Made<br />

History.<br />

Note <strong>To</strong> Students: Important: Please, note that this is a topic<br />

course <strong>and</strong> is different to <strong>the</strong> regular SPANISH 232 course. Check<br />

<strong>the</strong> syllabus <strong>of</strong> <strong>the</strong> course at:<br />

sitemaker.umich.edu/spanish232topics/232_special_topics_home<br />

This course will provide an overview <strong>of</strong> <strong>the</strong> Hispanic world through<br />

<strong>the</strong> experiences <strong>of</strong> several key women that have had relevance in<br />

different Hispanic countries that lived in critical time periods. The<br />

course purpose is to provide students with a better underst<strong>and</strong>ing<br />

<strong>of</strong> <strong>the</strong> Hispanic world <strong>and</strong> its women through listening, writing,<br />

reading, <strong>and</strong> speaking activities in Spanish.<br />

A variety <strong>of</strong> Hispanic women will be presented. Each woman studied<br />

will serve to contextualize o<strong>the</strong>r <strong>the</strong>mes that relate to <strong>the</strong> history,<br />

politics, culture <strong>and</strong> society <strong>of</strong> <strong>the</strong> country studied. Several<br />

supporting materials will be used such as movies, music <strong>and</strong> literature<br />

in order to give students a broad point <strong>of</strong> view. Students are<br />

encouraged to actively participate in class. Every day we will discuss<br />

issues <strong>of</strong> relevance to <strong>the</strong> course topics <strong>and</strong> <strong>the</strong> students will<br />

be expressing <strong>the</strong>ir own personal opinions, reactions, conclusions,<br />

<strong>and</strong> possible outcomes <strong>of</strong> hypo<strong>the</strong>tical situations. Therefore, <strong>the</strong><br />

practice <strong>and</strong> application <strong>of</strong> grammatical features <strong>and</strong> vocabulary is<br />

integrated into <strong>the</strong> content <strong>of</strong> <strong>the</strong> course, <strong>and</strong> students are expected<br />

to formally study <strong>and</strong> practice <strong>the</strong>se structures individually<br />

through <strong>the</strong> explanations provided in <strong>the</strong> texts <strong>and</strong> <strong>the</strong> practice activities<br />

assigned as homework.<br />

Instructor: Larrotiz, Isabel


Section 049, 053 — Contemporary History <strong>of</strong> Spain through<br />

Music <strong>and</strong> Cinema.<br />

Note <strong>To</strong> Students: Important: Please, note that this is a topic<br />

course <strong>and</strong> is different to <strong>the</strong> regular SPANISH 232 course. Check<br />

<strong>the</strong> syllabus <strong>of</strong> <strong>the</strong> course at:<br />

sitemaker.umich.edu/spanish232topics/232_special_topics_home<br />

The aim <strong>of</strong> this course will be to provide students with <strong>the</strong> underst<strong>and</strong>ing<br />

<strong>of</strong> <strong>the</strong> Spanish contemporary history <strong>and</strong> its consequences<br />

in creating a new culture <strong>and</strong> life style. By studying <strong>the</strong> events, students<br />

will get to know, not only <strong>the</strong> political changes <strong>of</strong> a country<br />

but also how history is represented through <strong>the</strong> cinema <strong>and</strong> <strong>the</strong><br />

music; <strong>and</strong> how <strong>the</strong>se two artistic representations play an important<br />

role in <strong>the</strong> life <strong>of</strong> <strong>the</strong> people. With this information <strong>the</strong> students<br />

will be able to produce <strong>the</strong>ir opinions about <strong>the</strong> past, present <strong>and</strong><br />

future <strong>of</strong> Spain <strong>and</strong> apply this knowledge to fur<strong>the</strong>r topics related to<br />

<strong>the</strong> present political situation in different countries.<br />

Instructor: De Los Santos Plata, Juan C<br />

Section 055, 057, 059 — Readings from Argentina, Chile,<br />

<strong>and</strong> Peru.<br />

Note <strong>To</strong> Students: Important: Please, note that this is a topic<br />

course <strong>and</strong> is different to <strong>the</strong> regular SPANISH 232 course. Check<br />

<strong>the</strong> syllabus <strong>of</strong> <strong>the</strong> course at:<br />

sitemaker.umich.edu/spanish232topics/232_special_topics_home<br />

If you enjoy reading literature, join us to discover its unique power<br />

to explore <strong>the</strong> culture <strong>of</strong> <strong>the</strong>se countries through <strong>the</strong> eyes <strong>of</strong> selected<br />

authors. O<strong>the</strong>r written <strong>and</strong> visual texts will be incorporated.<br />

Readings, class discussions <strong>and</strong> group or individual written projects<br />

will give <strong>the</strong> opportunity for intensive use <strong>of</strong> <strong>the</strong> language to fur<strong>the</strong>r<br />

develop your ability to perform at a higher level <strong>of</strong> pr<strong>of</strong>iciency in<br />

<strong>the</strong> different skills (reading, writing, speaking, listening <strong>and</strong> culture).<br />

Instructor: González, Raquel N<br />

STATS (Statistics)<br />

Effective Fall 2010 STATS 350 has been renumbered to STATS 250.<br />

The content has not changed. If you have any questions, please<br />

contact statstudentservices@umich.edu.<br />

Effective Fall 2011, <strong>the</strong> distribution designation for STATS 250<br />

changed from NS to MSA. The course will be counted as MSA for<br />

students who enter <strong>the</strong> <strong>College</strong> in Fall 2011 <strong>and</strong> beyond. Students<br />

electing <strong>the</strong> course Fall 2011 <strong>and</strong> beyond, but whose first term <strong>of</strong><br />

enrollment in <strong>the</strong> <strong>College</strong> was prior to Fall 2011, may count <strong>the</strong><br />

credits toward NS distribution.<br />

Statistics WAITLIST POLICY<br />

www.stat.lsa.umich.edu/waitlist.html<br />

STATS 125. Games, Gambling <strong>and</strong> Coincidences.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (MSA). (BS). (QR/1). May not be repeated<br />

for credit.<br />

Emphasizes problem solving <strong>and</strong> modeling related to games, gambling<br />

<strong>and</strong> coincidences, touching on many fundamental ideas in discrete<br />

probability, finite Markov chains, dynamic programming <strong>and</strong><br />

game <strong>the</strong>ory.<br />

Instructor: Keener, Robert W<br />

STATS 250. Introduction to Statistics <strong>and</strong> Data Analysis.<br />

(4). (MSA). (BS). (QR/1). May not be repeated for credit. No credit<br />

granted to those who have completed or are enrolled in ECON 404<br />

or 405, IOE 265, or STATS 280, 400 or 412.<br />

Effective Fall 2010, STATS 350 has been renumbered to STATS<br />

250. The content has not changed. If you have any questions,<br />

please contact statstudentservices@umich.edu. Effective Fall 2011,<br />

<strong>the</strong> distribution designation for STATS 250 changed from NS to<br />

MSA. The course will be counted as MSA for students who enter <strong>the</strong><br />

<strong>College</strong> in Fall 2011 <strong>and</strong> beyond. Students electing <strong>the</strong> course Fall<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 141<br />

2011 <strong>and</strong> beyond, but whose first term <strong>of</strong> enrollment in <strong>the</strong> <strong>College</strong><br />

was prior to Fall 2011, may count <strong>the</strong> credits toward NS distribution.<br />

In this course students are introduced to <strong>the</strong> concepts <strong>and</strong> applications<br />

<strong>of</strong> statistical methods <strong>and</strong> data analysis. Examples <strong>of</strong> applications<br />

are drawn from virtually all academic areas <strong>and</strong> some attention<br />

is given to statistical process control methods.<br />

Course Requirements:<br />

Course evaluation is based on a combination <strong>of</strong> two examinations,<br />

a final examination, weekly homework, <strong>and</strong> lab participation.<br />

Intended Audience:<br />

STATS 250 has no prerequisite <strong>and</strong> has been elected by students<br />

whose ma<strong>the</strong>matics background includes only high school algebra.<br />

Class Format:<br />

The course format includes lectures (3 hours per week) <strong>and</strong> a laboratory<br />

(1.5 hours per week). The laboratory section deals with <strong>the</strong><br />

computational aspects <strong>of</strong> <strong>the</strong> course <strong>and</strong> provides a forum for review<br />

<strong>of</strong> lecture material. For this purpose, students are introduced<br />

to <strong>the</strong> use <strong>of</strong> a statistical analysis-computer package.<br />

THEORY (Music Theory)<br />

It is possible for LSA students to elect a concentration program in<br />

Theatre or Music, <strong>and</strong> <strong>the</strong>se programs are described in <strong>the</strong> LSA<br />

Bulletin. In addition, Theatre courses <strong>and</strong> Music courses are frequently<br />

elected by LSA students not concentrating in ei<strong>the</strong>r Music<br />

or Theatre. All courses in Music History/Musicology, Composition,<br />

<strong>and</strong> Music Theory are electable for LSA credit; some but not all<br />

Theatre <strong>and</strong> Drama courses are available for LSA credit. Some <strong>of</strong><br />

<strong>the</strong>se courses can be used in an area distribution plan. LSA students<br />

may elect music PERFORMANCE courses for degree credit,<br />

but this credit counts toward <strong>the</strong> maximum twenty non-LSA credit<br />

hours that can be applied toward an LSA degree.<br />

Courses in Theatre, Music History/Musicology, Composition, Music<br />

Theory, <strong>and</strong> Performing <strong>Arts</strong> Technology are listed in <strong>the</strong> Time<br />

Schedule under <strong>the</strong> School <strong>of</strong> Music, Theatre & Dance.<br />

THEORY 135. Intro Music Theory Music Theory Major.<br />

THTR MAJORS. (3). May be repeated for credit.<br />

Course leads to THEORY 236.<br />

Instructor: Goltz-Taylor, Jennifer E<br />

THEORY 137. Intro Mus Theory.<br />

No previous formal training in music <strong>the</strong>ory only basic underst<strong>and</strong>ing<br />

<strong>of</strong> musical notation. (3). (HU). May not be repeated for credit.<br />

Course leads to THEORY 138.<br />

Instructor: Mead, Andrew W<br />

THTREMUS (Theatre <strong>and</strong> Drama)<br />

It is possible for LSA students to elect a concentration program in<br />

Theatre or Music, <strong>and</strong> <strong>the</strong>se programs are described in <strong>the</strong> LSA Bulletin.<br />

In addition, Theatre courses <strong>and</strong> Music courses are frequently<br />

elected by LSA students not concentrating in ei<strong>the</strong>r Music or Theatre.<br />

All courses in Music History/Musicology, Composition, <strong>and</strong> Music<br />

Theory are electable for LSA credit; some but not all Theatre<br />

<strong>and</strong> Drama courses are available for LSA credit. Some <strong>of</strong> <strong>the</strong>se<br />

courses can be used in an area distribution plan. LSA students may<br />

elect music PERFORMANCE courses for degree credit, but this credit<br />

counts toward <strong>the</strong> maximum twenty non-LSA credit hours that can<br />

be applied toward an LSA degree.<br />

Courses in Theatre, Music History/Musicology, Composition, Music<br />

Theory, <strong>and</strong> Performing <strong>Arts</strong> Technology are listed in <strong>the</strong> Time<br />

Schedule under <strong>the</strong> School <strong>of</strong> Music, Theatre & Dance.


142 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

THTREMUS 101. Introduction to Acting I.<br />

Consent <strong>of</strong> instructor required. Open to non-concentrators. Consent<br />

<strong>of</strong> instructor required. (3). (CE). May not be repeated for credit.<br />

This course is designed as a general introduction to <strong>the</strong> fundamental<br />

skills <strong>of</strong> acting in <strong>the</strong> <strong>the</strong>atre. It involves discussion <strong>and</strong> practical<br />

work, including <strong>the</strong>atre games, warm-up, monologue, <strong>and</strong> scene<br />

work. Some papers <strong>and</strong> selected reading.<br />

Brief, informal interview required for admission to all sections. Sign<br />

up for interview at:<br />

www.music.umich.edu/departments/<strong>the</strong>atre/act101php.<br />

If you miss <strong>the</strong> interview, come to <strong>the</strong> first class in <strong>the</strong> fall <strong>and</strong> you<br />

will be admitted as space is available. Overrides will not be issued<br />

until <strong>the</strong> second class in September; you cannot register this semester.<br />

THTREMUS 211 / ENGLISH 245 / RCHUMS 280. Introduction<br />

to Drama <strong>and</strong> Theatre.<br />

(3). (HU). May not be repeated for credit. No credit granted to<br />

those who have completed or are enrolled in RCHUMS 281.<br />

Section 001. The course aims to introduce students to <strong>the</strong> power<br />

<strong>and</strong> variety <strong>of</strong> <strong>the</strong>atre, <strong>and</strong> to help <strong>the</strong>m underst<strong>and</strong> <strong>the</strong> processes<br />

which go toward making a production. Five to seven plays will be<br />

subjects <strong>of</strong> special study, chosen to cover a wide range <strong>of</strong> style <strong>and</strong><br />

content, but interest will not be confined to <strong>the</strong>se.<br />

Required Texts: available at <strong>the</strong> Shaman Drum <strong>and</strong> on reserve at<br />

<strong>the</strong> Shapiro:<br />

• The Essential Theatre, Oscar Brockett<br />

• Waiting for Godot, Samuel Beckett<br />

• The Piano Lesson, August Wilson<br />

• The Heidi Chronicles, Wendy Wasserstein<br />

• Dream on Monkey Mountain, Derek Walcott<br />

Online:<br />

• Oedipus Rex, Sophocles<br />

• Romeo <strong>and</strong> Juliet, William Shakespeare<br />

• <strong>and</strong> o<strong>the</strong>r online readings as assigned<br />

Course Objectives:<br />

1. <strong>To</strong> determine what "<strong>the</strong>atre" <strong>and</strong> "drama" have meant at different<br />

times in history <strong>and</strong> what <strong>the</strong>y mean now, <strong>and</strong> to do so by<br />

examining l<strong>and</strong>mark plays in <strong>the</strong>ir <strong>the</strong>atrical <strong>and</strong> social contexts.<br />

2. <strong>To</strong> gain a fundamental underst<strong>and</strong>ing <strong>of</strong> how each <strong>of</strong> <strong>the</strong> <strong>the</strong>atre's<br />

constituent arts (acting, directing, design, playwriting, architecture)<br />

contributes to <strong>the</strong> making <strong>of</strong> a <strong>the</strong>atrical whole.<br />

3. <strong>To</strong> develop a sense <strong>of</strong> how <strong>the</strong>atre is a discipline without clear<br />

boundaries <strong>and</strong> how o<strong>the</strong>r practices intersect with <strong>and</strong> shape<br />

<strong>the</strong>atrical performance.<br />

Course Requirements:<br />

Three papers are required plus a final examination.<br />

Class Format:<br />

Each student will attend two lectures weekly, plays a two-hour<br />

meeting in section each week; <strong>the</strong> latter will be used for questions,<br />

discussions, exploration <strong>of</strong> texts, <strong>and</strong> o<strong>the</strong>r exercises. Students will<br />

be required to attend two or more <strong>the</strong>atre performances, chosen<br />

from those available in Ann Arbor.<br />

Instructor: Westlake, EJ<br />

THTREMUS 277. History <strong>of</strong> Dress.<br />

Permission <strong>of</strong> instructor. (3). May not be repeated for credit.<br />

A slide survey course, which traces <strong>the</strong> history <strong>of</strong> dress from ancient<br />

times through <strong>the</strong> present day, with an emphasis in <strong>the</strong> societies<br />

that produced particular manners <strong>and</strong> styles <strong>of</strong> dress <strong>and</strong> <strong>the</strong>ir<br />

relationship to one ano<strong>the</strong>r.<br />

Instructor: Hahn, Jessica M<br />

UC (University Courses)<br />

The University Courses Division is a small academic unit that is administered<br />

by <strong>the</strong> LSA Dean's Office <strong>and</strong> used to house undergraduate<br />

courses that do not readily fit under any specific departmental<br />

banner. Sponsored by <strong>the</strong> college ra<strong>the</strong>r than by individual<br />

departments or programs, <strong>the</strong>se courses may be taught by members<br />

<strong>of</strong> <strong>the</strong> faculty in any academic unit on <strong>the</strong> Ann Arbor campus,<br />

including colleges outside <strong>of</strong> LSA. A number <strong>of</strong> non-LSA course <strong>of</strong>ferings<br />

have been approved by <strong>the</strong> LSA Curriculum Committee for<br />

crosslisting in <strong>the</strong> UC Division, thus allowing LSA students completing<br />

those courses to earn LSA credits toward <strong>the</strong>ir degree.<br />

The University Courses Division is also <strong>the</strong> home <strong>of</strong> courses for<br />

<strong>Michigan</strong> Learning Communities, <strong>the</strong> Undergraduate Research<br />

Opportunity Program, <strong>and</strong> o<strong>the</strong>r special initiatives in undergraduate<br />

education. In addition, <strong>the</strong> UC Division has been a place where experimental<br />

<strong>and</strong> interdisciplinary courses are developed. After a<br />

course has been <strong>of</strong>fered successfully for a few terms, a home is ordinarily<br />

found in a traditional academic unit, <strong>and</strong> <strong>the</strong> UC listing is<br />

dropped.<br />

First-Year Seminars. The Dean’s Office administers <strong>the</strong> FYS<br />

Program. The UC Division houses several First-Year Seminars each<br />

term (taught by emeriti <strong>and</strong> non-LSA faculty). These unique low enrollment<br />

classes (maximum <strong>of</strong> 20 students) are open to all first-year<br />

students. They are intended to facilitate deeper learning through<br />

more active participation <strong>and</strong> increased opportunities for interaction<br />

between student <strong>and</strong> teacher as well as dialogue among students.<br />

Students not only experience a stimulating introduction to <strong>the</strong> intellectual<br />

life <strong>of</strong> <strong>the</strong> University through engaging subject matter; some<br />

may discover a subject <strong>the</strong>y wish to pursue in fur<strong>the</strong>r courses. It is<br />

hoped that students who take a seminar will find in it a sense <strong>of</strong> intellectual<br />

<strong>and</strong> social community that will ease <strong>the</strong> transition to a<br />

large university.<br />

All First-Year Seminars can be used to complete part <strong>of</strong> <strong>the</strong><br />

<strong>College</strong>'s Area Distribution requirements: Humanities (UC 150);<br />

Social <strong>Science</strong>s (UC 151); Natural <strong>Science</strong>s (UC 152); <strong>and</strong> Interdisciplinary<br />

(UC 154).<br />

Sophomore Year Initiative. The Dean’s Office also administers<br />

<strong>the</strong> Sophomore Year Initiative, a set <strong>of</strong> courses <strong>and</strong> activities whose<br />

goal is to help sophomores map <strong>the</strong> <strong>College</strong> curriculum <strong>and</strong> explore<br />

<strong>the</strong> terrain <strong>of</strong> <strong>the</strong> liberal arts. Sophomore Initiative courses focus on<br />

<strong>the</strong> analytical skills <strong>and</strong> competencies essential to success in any<br />

career. They provide discipline-specific <strong>and</strong> multi-disciplinary investigations<br />

<strong>of</strong> natural science, social science, <strong>and</strong> humanities approaches<br />

to issues, <strong>and</strong> <strong>of</strong>fer students rich opportunities to discover<br />

<strong>the</strong>ir intellectual passions while developing mastery in critical thinking<br />

<strong>and</strong> problem solving.<br />

UC 102. <strong>Michigan</strong> Community Scholars Program:<br />

The Student in <strong>the</strong> University.<br />

<strong>Michigan</strong> Community Scholars Program participant. (1). May not be<br />

repeated for credit. F. Offered m<strong>and</strong>atory credit/no credit.<br />

Section 001. This course will provide students with an opportunity<br />

to critically review <strong>the</strong>ir role in <strong>the</strong> university <strong>and</strong> as a <strong>Michigan</strong><br />

Community Scholars Program participant. It will allow students to<br />

consider <strong>the</strong> expectations <strong>of</strong> <strong>the</strong>ir university experience within a<br />

framework <strong>of</strong> <strong>the</strong>oretical perspectives. It is hoped that students will<br />

develop a broad underst<strong>and</strong>ing <strong>of</strong> what <strong>the</strong>ir university experience<br />

can include <strong>and</strong> how <strong>the</strong>y can shape it to realize <strong>the</strong>ir academic potential<br />

<strong>and</strong> intellectual development. The course will focus on <strong>the</strong><br />

transition from high school to college, access to faculty, identity issues,<br />

critical thinking, social justice, <strong>and</strong> community service learning.<br />

The issues <strong>and</strong> challenges <strong>of</strong> living <strong>and</strong> working in a multicultural<br />

society will be examined. The large group discussions will focus<br />

on student perceptions, relevant research, <strong>and</strong> university resources.<br />

The small group discussions will focus on <strong>the</strong> readings <strong>and</strong><br />

areas <strong>of</strong> practical concern. This course is open only to students in<br />

<strong>the</strong> <strong>Michigan</strong> Community Scholars Program.<br />

Instructor: Woods, Wendy Ann


UC 104. Introduction to Research.<br />

Participant in <strong>Michigan</strong> Research Community. (1). May not be repeated<br />

for credit. F.<br />

This seminar is a one-credit course required for all first-year students<br />

enrolled in <strong>the</strong> <strong>Michigan</strong> Research Community. Our primary<br />

goal is to prepare you to embark on your year-long research project<br />

by introducing you to research ethics <strong>and</strong> exposing you to a<br />

variety <strong>of</strong> different research methodologies employed in disciplines<br />

across campus. We will also examine <strong>the</strong> building blocks for critical<br />

thinking skills through reading assignments <strong>and</strong> classroom activities.<br />

Students will also learn how to read pr<strong>of</strong>essional journal articles,<br />

formulate questions, <strong>and</strong> how to evaluate arguments <strong>and</strong> evidence.<br />

There will also be small group activities that focus on team<br />

work <strong>and</strong> <strong>the</strong> oral communication skills necessary to be successful<br />

in <strong>the</strong> classroom, research lab, <strong>and</strong> work place. Assignments will<br />

include selected articles from academic journals, short writing assignments,<br />

small group presentations, <strong>and</strong> writing a research abstract<br />

for your research project.<br />

Instructor: Bass, Chris Kae<br />

UC 105. Health <strong>Science</strong>s Scholars Program: Perspectives on<br />

Health <strong>and</strong> Health Care.<br />

Restricted to students enrolled in <strong>the</strong> Health <strong>Science</strong>s Scholars Program.<br />

(2). (ID). May not be repeated for credit.<br />

Provides an overview <strong>of</strong> major current health <strong>and</strong> health care issues.<br />

Students exchange ideas <strong>and</strong> experiences with faculty from a<br />

broad spectrum <strong>of</strong> health-related fields. Faculty engage students in<br />

consideration <strong>of</strong> <strong>the</strong> cultural, political, socioeconomic, <strong>and</strong> personal<br />

dimensions <strong>of</strong> health as well as <strong>the</strong> options <strong>and</strong> issues facing those<br />

who manage, provide, <strong>and</strong> evaluate healthcare. This is <strong>the</strong> first <strong>of</strong><br />

two core courses for students in <strong>the</strong> Health <strong>Science</strong> Scholars<br />

Program.<br />

Instructor: Barnosky, Andrew R<br />

UC 107. Women in <strong>Science</strong> <strong>and</strong> Engineering Residence<br />

Program Seminar.<br />

(1). May not be repeated for credit.<br />

The Women in <strong>Science</strong> <strong>and</strong> Engineering Residence Program Seminar<br />

is a required one-credit course for all first-year students enrolled<br />

in <strong>the</strong> WISE RP. Through a combination <strong>of</strong> short lectures <strong>and</strong><br />

classroom activities this course will expose students to <strong>the</strong> intellectual<br />

life at <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong> <strong>and</strong> what it means to pursue a<br />

liberal arts education. Selected faculty members will share <strong>the</strong>ir current<br />

research with students as well as <strong>the</strong>ir career paths <strong>and</strong> pr<strong>of</strong>essional<br />

development. In addition, students will learn <strong>the</strong> building<br />

blocks for critical thinking skills through reading assignments <strong>and</strong><br />

classroom activities. Students will also learn how to read pr<strong>of</strong>essional<br />

journal articles, formulate questions, <strong>and</strong> how to evaluate arguments<br />

<strong>and</strong> evidence. There will also be small group activities that<br />

focus on team work <strong>and</strong> <strong>the</strong> oral communication skills necessary to<br />

be successful in <strong>the</strong> classroom, research lab, <strong>and</strong> work place. Assignments<br />

will include selected articles from academic journals,<br />

short writing assignments, <strong>and</strong> small group presentations. There<br />

will be a longer final paper based on an interview with a U-M faculty<br />

in an area <strong>of</strong> study that interests you.<br />

Instructor: Bass, Chris Kae<br />

UC 122 / PSYCH 122 / SOC 122. Intergroup Dialogues.<br />

(2). May be repeated for a maximum <strong>of</strong> 4 credits.<br />

Interested students must fill out an online request at<br />

www.igr.umich.edu. Due to high dem<strong>and</strong>, students who do not attend<br />

<strong>the</strong> mass meeting on <strong>the</strong> first day <strong>of</strong> class will be dropped<br />

from <strong>the</strong> course. If you have questions, please contact Rebecca<br />

Grekin (phone: 936-1875; e-mail: rgrekin@umich.edu).<br />

Section 002. Students will examine psychological, historical, <strong>and</strong><br />

sociological materials which address each group's experiences, <strong>and</strong><br />

learn about issues facing <strong>the</strong> groups in contemporary society. The<br />

goal is to create a setting in which students will engage in open<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 143<br />

<strong>and</strong> constructive dialogue, learning, <strong>and</strong> exploration. The second<br />

goal is to actively identify alternative resolutions <strong>of</strong> intergroup conflicts.<br />

Different term-long sections <strong>of</strong> this course focus on different<br />

identity groups (for example, recent dialogues have considered<br />

white people/people <strong>of</strong> color; Blacks/Jews; lesbians, gay men,<br />

bisexuals, <strong>and</strong> heterosexuals; white women/women <strong>of</strong> color;<br />

Blacks/Latinos/as; men/women; etc.). Once registered, please go<br />

to www.igr.umich.edu to fill out a dialogue placement form. Two<br />

course packs are also required.<br />

Questions regarding this course should be directed to:<br />

The Intergroup Relations Program, (734) 936-1875, 3000 <strong>Michigan</strong><br />

Union.<br />

Instructor: Gurin, Patricia Y<br />

UC 145 / CICS 101 / GEOG 145. Introduction to International<br />

Studies.<br />

(3). (SS). May not be repeated for credit. Meets <strong>the</strong> geography requirement<br />

for public teacher certification in <strong>the</strong> School <strong>of</strong> Education.<br />

This interdisciplinary course explores <strong>the</strong> historical, cultural, political,<br />

economic, <strong>and</strong> technological factors that drive global interdependence.<br />

Using case studies <strong>and</strong> historical examples, <strong>the</strong> course<br />

examines <strong>the</strong> ways in which people, goods, diseases, <strong>and</strong> natural<br />

resources have flowed across political <strong>and</strong> cultural borders over <strong>the</strong><br />

course <strong>of</strong> human history.<br />

Intended Audience:<br />

This class has no prerequisite <strong>and</strong> it is open to all <strong>Michigan</strong> undergraduates.<br />

It can be used as a “gateway” course to explore <strong>the</strong><br />

many options in area <strong>and</strong> international studies that are available<br />

through our academic departments <strong>and</strong> pr<strong>of</strong>essional schools. It is a<br />

core course for <strong>the</strong> international studies concentration.<br />

Instructor: Farnsworth, Bradley D<br />

UC 151. First-Year Social <strong>Science</strong> Seminar.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (SS). May not be repeated for credit.<br />

Designed to introduce entering students to <strong>the</strong> intellectual life <strong>of</strong><br />

<strong>the</strong> university in a small course taught by an experienced member<br />

<strong>of</strong> <strong>the</strong> faculty. <strong>To</strong>pics vary according to <strong>the</strong> interests <strong>of</strong> <strong>the</strong> instructors.<br />

Whatever <strong>the</strong>ir subject matter, first-year seminars emphasize<br />

critical thinking through class discussion <strong>and</strong> regular practice in<br />

writing.<br />

Section 001 — Psychology <strong>of</strong> Interpersonal Relationships.<br />

What were <strong>the</strong> social, economic, geopolitical <strong>and</strong> personal psychological<br />

conditions in 1943 that would result in an 18-year old<br />

freshman leaving college <strong>and</strong> going <strong>of</strong>f to spend <strong>the</strong> next three<br />

years fighting with <strong>the</strong> U.S. Army in Europe <strong>and</strong> liberating Dachau?<br />

What led up to 1943 <strong>and</strong> how did this series <strong>of</strong> historical events become<br />

a part <strong>of</strong> <strong>the</strong> life <strong>of</strong> American youth <strong>and</strong> continue to affect<br />

that generation's (your gr<strong>and</strong>parents) behavior after World War II<br />

<strong>and</strong> through today? What do we know from 30 years <strong>of</strong> research on<br />

<strong>the</strong> nature <strong>of</strong> obedience that resulted in both self-sacrifice <strong>and</strong> <strong>the</strong><br />

Holocaust? These questions will be explored using <strong>the</strong> resources <strong>of</strong><br />

historical works, novels, films, <strong>and</strong> personal documents. Each student<br />

will interview a member <strong>of</strong> that generation, preferably a<br />

gr<strong>and</strong>parent or surrogate, with armed services experience during<br />

<strong>the</strong> war <strong>and</strong> write a psycho-history <strong>of</strong> <strong>the</strong>ir subject's experiences<br />

<strong>and</strong> its consequences for <strong>the</strong>ir lives <strong>and</strong> times.<br />

Instructor: Menlo, Allen<br />

Section 002 — Human Sexuality, Gender Issues.<br />

Issues <strong>of</strong> human sexuality <strong>and</strong> gender are explored from many perspectives<br />

including historical, cross-cultural, religious, <strong>and</strong> physiological.<br />

All people are sexual throughout <strong>the</strong>ir lives, although <strong>the</strong><br />

expression <strong>of</strong> our sex <strong>and</strong> gender is one <strong>of</strong> <strong>the</strong> most diverse <strong>and</strong><br />

controversial areas in personal <strong>and</strong> public arenas. The diversities <strong>of</strong><br />

biological sex, gender identity, gender roles, sexual orientation,<br />

sexual identity, <strong>and</strong> sexual behavior <strong>and</strong> <strong>the</strong> interplay among <strong>the</strong>m


144 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

are presented <strong>and</strong> reinforced through readings, exercises, videos,<br />

guest speakers, <strong>and</strong> weekly written assignments. We will discuss<br />

sexual difficulties such as infertility, STDs, sexual dysfunction, <strong>and</strong><br />

sexual victimization along with prevention <strong>and</strong> treatment strategies.<br />

We will examine social <strong>and</strong> political issues such as civil rights for<br />

sexual minorities, sex <strong>and</strong> <strong>the</strong> law, date rape, pornography, <strong>the</strong> impact<br />

<strong>of</strong> AIDS, public <strong>and</strong> private morality.<br />

Issues especially relevant for students are explored, including:<br />

• choice <strong>of</strong> sexual partners <strong>and</strong> behaviors<br />

• <strong>the</strong> influence <strong>of</strong> drugs, alcohol, <strong>and</strong> smoking on sexual function<br />

<strong>and</strong> sexual decision-making<br />

• sexual values <strong>and</strong> religious attitudes toward sex, <strong>and</strong><br />

• <strong>the</strong> wide range <strong>of</strong> possible lifestyles from celibacy to polyamory<br />

to paraphilias.<br />

Course Requirements:<br />

The course requires access to <strong>the</strong> Internet <strong>and</strong> uses a variety <strong>of</strong><br />

Web-based resources <strong>and</strong> communication modes, as well as a textbook<br />

<strong>and</strong> readings from various journals. Weekly short papers <strong>and</strong><br />

a semester project are required. Opportunities for help with developing<br />

presentation skills are available.<br />

Instructor: Mayes, Frances L<br />

Section 003 — Medicine <strong>and</strong> <strong>the</strong> Media from Hippocrates<br />

through Grey's Anatomy.<br />

We study <strong>the</strong> development <strong>of</strong> medicine as a science <strong>and</strong> how <strong>the</strong><br />

perception <strong>of</strong> it has been changed through <strong>the</strong> media. Students explore<br />

<strong>the</strong>ir own beliefs about medicine through literature such as<br />

The House <strong>of</strong> God, The Intern Blues, The Double Helix <strong>and</strong> movies<br />

<strong>and</strong> television series such as <strong>the</strong> Story <strong>of</strong> Louis Pasteur, The<br />

Hospital, Medic, Ben Casey, Marcus Welby, M.D., ER, <strong>and</strong> Saint<br />

Elsewhere, as well as more recent <strong>of</strong>ferings such as John Q, House,<br />

<strong>and</strong> Grey's Anatomy. Much <strong>of</strong> <strong>the</strong> course focuses on <strong>the</strong> discussion<br />

<strong>of</strong> ethical issues <strong>and</strong> <strong>the</strong> crystallization <strong>of</strong> students' own beliefs<br />

about medicine in <strong>the</strong> 20th century.<br />

Instructor: Hobbs, Raymond<br />

Section 005 — <strong>Science</strong> <strong>and</strong> Practice <strong>of</strong> Dentistry.<br />

Students will examine <strong>the</strong> development <strong>of</strong> dentistry from its origins<br />

to its present status as a scientifically-driven health care discipline.<br />

Students will evaluate critically how science has influenced <strong>the</strong> development<br />

<strong>of</strong> dentistry as a discipline for <strong>the</strong> past century <strong>and</strong> explore<br />

how emerging scientific disciplines are likely to change <strong>the</strong><br />

practice <strong>of</strong> dentistry in <strong>the</strong> next millennium.<br />

Please attend every session if possible. If you are unable to attend<br />

a class, please email me beforeh<strong>and</strong>. This is not a lecture course<br />

with a final written exam. Students will be expected to participate<br />

in class discussions, ask questions, <strong>and</strong> <strong>of</strong>fer opinions.<br />

Instructor: Taichman, Russell S<br />

UC 152. First-Year Natural <strong>Science</strong> Seminar.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (NS). (BS). May not be repeated for<br />

credit.<br />

Designed to introduce entering students to <strong>the</strong> intellectual life <strong>of</strong><br />

<strong>the</strong> university in a small course taught by an experienced member<br />

<strong>of</strong> <strong>the</strong> faculty. <strong>To</strong>pics vary according to <strong>the</strong> interests <strong>of</strong> <strong>the</strong> instructors.<br />

Whatever <strong>the</strong>ir subject matter, first-year seminars emphasize<br />

critical thinking through class discussion <strong>and</strong> regular practice in<br />

writing.<br />

Section 001 — Biology <strong>of</strong> Human Disease.<br />

This seminar examines <strong>the</strong> biological foundations, cellular manifestations,<br />

<strong>and</strong> clinical expressions <strong>of</strong> a variety <strong>of</strong> human diseases.<br />

Through a series <strong>of</strong> interactive lectures, discussions, problem solving,<br />

<strong>and</strong> student case presentations, students will build a knowledge<br />

base to support future studies in <strong>the</strong> biological <strong>and</strong> health sciences.<br />

Intended Audience:<br />

The course is intended for any student interested in human diseases.<br />

Basic knowledge <strong>of</strong> anatomy <strong>and</strong> histology is desirable but<br />

not required.<br />

Class Format:<br />

Seminar<br />

Instructor: Flint, Andrew<br />

UC 154. First-Year Interdisciplinary Seminar.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (ID). May not be repeated for credit.<br />

Designed to introduce entering students to <strong>the</strong> intellectual life <strong>of</strong><br />

<strong>the</strong> university in a small course taught by an experienced member<br />

<strong>of</strong> <strong>the</strong> faculty. <strong>To</strong>pics vary according to <strong>the</strong> interests <strong>of</strong> <strong>the</strong> instructors.<br />

Whatever <strong>the</strong>ir subject matter, first-year seminars emphasize<br />

critical thinking through class discussion <strong>and</strong> regular practice in<br />

writing.<br />

Section 001 — Life <strong>and</strong> Living: Thinking Inside <strong>and</strong> Outside<br />

<strong>the</strong> Box.<br />

Indeed this is <strong>the</strong> age <strong>of</strong> scientific discovery! With each passing<br />

day, knowledge in <strong>the</strong> life sciences is increasing exponentially in<br />

many areas, including stem cell biology, patterns <strong>of</strong> birth defects,<br />

<strong>and</strong> <strong>the</strong> phenomena <strong>of</strong> aging, dying <strong>and</strong> death. This new information,<br />

while important to human health, surfaces <strong>the</strong> complex <strong>and</strong><br />

intertwining issues <strong>of</strong> ethics <strong>and</strong> values that will be <strong>of</strong> special consideration<br />

in this seminar. Each <strong>of</strong> <strong>the</strong> daily learning modules <strong>and</strong><br />

discussion topics laid out in a course “blueprint” is designed to exp<strong>and</strong><br />

current thinking <strong>and</strong> personal experiences on <strong>the</strong> “risks <strong>and</strong><br />

benefits” between world <strong>of</strong> scientific discovery <strong>and</strong> its impact on<br />

human health <strong>and</strong> society.<br />

Biological Perspectives. The “organizational plan” <strong>of</strong> <strong>the</strong> human<br />

body serves as a keystone as we probe <strong>the</strong> interplay <strong>of</strong> genes,<br />

cells, morphogenesis, <strong>and</strong> <strong>the</strong> environment in which we live. Myriad<br />

biological advances will be considered, including such examples as:<br />

1. Birth defects <strong>and</strong> population patterns<br />

2. Phenomena <strong>of</strong> aging, dying, <strong>and</strong> death<br />

3. Stem cells in biology <strong>and</strong> health<br />

This last topic alone opens up a world <strong>of</strong> biological concepts <strong>and</strong><br />

principles that can influence our underst<strong>and</strong>ing <strong>of</strong> how <strong>the</strong> human<br />

body — YOUR human body — is shaped prior to birth <strong>and</strong> throughout<br />

life. Thus, "life inside <strong>the</strong> box."<br />

Ethical <strong>and</strong> Societal Perspectives. However stimulating "life inside<br />

<strong>the</strong> box" may be, that is not <strong>the</strong> whole story! In <strong>the</strong> excitement<br />

<strong>of</strong> so many dramatic scientific advances over <strong>the</strong> last ten years, efforts<br />

to underst<strong>and</strong> <strong>the</strong> ethical implications have not kept pace. It is<br />

vital that researchers <strong>and</strong> clinicians be aware <strong>of</strong> <strong>and</strong> sensitive to <strong>the</strong><br />

legal, cultural, <strong>and</strong> societal issues spawned by <strong>the</strong>ir work. What is<br />

society (nationally <strong>and</strong> internationally) asking for on principles <strong>and</strong><br />

policies that should be in place to guide fur<strong>the</strong>r research <strong>and</strong> application<br />

<strong>of</strong> such discoveries? Addressing this question focuses our attention<br />

on those environmental events occurring outside biology<br />

laboratories <strong>and</strong> outside our own human bodies. Thus, "life outside<br />

<strong>the</strong> box.”<br />

Examples <strong>of</strong> key experiences in UC 154 include: open sharing<br />

<strong>of</strong> ideas <strong>and</strong> information on issues <strong>and</strong> priorities in biological <strong>and</strong><br />

health care research; open class discussions on readings from a select<br />

text <strong>and</strong> from select case studies; <strong>and</strong> open sharing <strong>of</strong> ideas on<br />

strategies for information collection <strong>and</strong> assessment needed to<br />

guide <strong>the</strong> preparation <strong>of</strong> a required research paper on a topic <strong>of</strong> a<br />

student’s own interest as related to <strong>the</strong> course scope.<br />

Instructor: Burdi, Alphonse R


UC 163. Biotechnology <strong>and</strong> Human Values.<br />

First-year students only. (4). (NS). (BS). May not be repeated for<br />

credit.<br />

Section 001 — Biotechnology <strong>and</strong> Human Values.<br />

Teaches a basic vocabulary in biotechnology <strong>and</strong> exposes students<br />

to <strong>the</strong> breadth <strong>of</strong> biotechnology <strong>and</strong> its impact on our daily lives.<br />

<strong>To</strong>pics cover a broad range <strong>of</strong> applications in genetics, molecular<br />

diagnostics, molecular imaging, <strong>and</strong> clinical devices. A key additional<br />

component is to investigate human values issues — such as<br />

ethical questions <strong>and</strong> cost effectiveness — arising from <strong>the</strong>se technologies.<br />

Instructor: Putnam, Andrew James<br />

UC 210. Perspectives on Careers in Medicine <strong>and</strong> Health<br />

Care.<br />

Consent <strong>of</strong> instructor required. (4). May not be repeated for credit.<br />

A number <strong>of</strong> health care pr<strong>of</strong>essionals visit <strong>the</strong> class <strong>and</strong> share <strong>the</strong>ir<br />

educational <strong>and</strong> pr<strong>of</strong>essional experiences. Students become acquainted<br />

with <strong>the</strong> prerequisites for pr<strong>of</strong>essional <strong>and</strong> graduate<br />

schools <strong>and</strong> spend time with dental, medical, osteopathic, nursing,<br />

<strong>and</strong> public health students. We consider problems facing <strong>the</strong> health<br />

pr<strong>of</strong>essions in <strong>the</strong> 21st century: problems <strong>of</strong> health care delivery;<br />

<strong>the</strong> high cost <strong>of</strong> medical care <strong>and</strong> prescription drugs; <strong>and</strong> <strong>the</strong> effects<br />

on <strong>the</strong> uninsured (43 million plus people) <strong>and</strong> <strong>the</strong> underinsured.<br />

We discuss issues related to malpractice <strong>and</strong> death <strong>and</strong><br />

dying.<br />

A course pack containing <strong>the</strong> syllabus is required.<br />

The class meets on-campus Monday 3-5 <strong>and</strong> on Thursday 7-9 p.m.<br />

at 2130 Dorset Rd, Ann Arbor. Dorset Rd. is about a mile from<br />

campus; a map showing where 2130 Dorset is located (about one<br />

mile from U-M Central Campus) is easily accessible from Google<br />

Maps or by contacting <strong>the</strong> instructor. Students are responsible for<br />

<strong>the</strong>ir own transportation to <strong>the</strong> first Thursday evening session,<br />

when rides will be arranged for <strong>the</strong> remainder <strong>of</strong> <strong>the</strong> term. Students<br />

who will have conflicts with <strong>the</strong> Thursday evening meeting should<br />

not enroll in <strong>the</strong> class, for <strong>the</strong> work we do on Thursday evenings is<br />

essential to <strong>the</strong> successful completion <strong>of</strong> <strong>the</strong> course work <strong>and</strong> is not<br />

available in a text book.<br />

Course Requirements:<br />

Students are expected to respond in writing <strong>and</strong> in class to visitors,<br />

to reading materials, <strong>and</strong> to films. All students are responsible for<br />

taking definite steps toward <strong>the</strong> development <strong>of</strong> <strong>the</strong>ir own goals<br />

through a self-inventory <strong>of</strong> <strong>the</strong>ir values, skills, <strong>and</strong> interests, <strong>and</strong><br />

through a term paper exploring a possible career direction. Evaluation<br />

is based on class attendance <strong>and</strong> participation in discussions<br />

<strong>and</strong> <strong>the</strong> completion <strong>of</strong> all reading <strong>and</strong> writing assignments.<br />

Intended Audience:<br />

This course is intended for students considering a career in a health<br />

pr<strong>of</strong>ession <strong>and</strong> designed to help <strong>the</strong>m acquire perspectives to facilitate<br />

<strong>the</strong>ir decision-making process.<br />

Instructor: Zorn, Frances B<br />

UC 250. Sophomore Humanities Seminar.<br />

Completion <strong>of</strong> FYWR. (3). (HU). May not be repeated for credit.<br />

Taught by a regular faculty member. Course content focuses on<br />

central topics <strong>and</strong> <strong>the</strong>ories in <strong>the</strong> disciplines <strong>and</strong> introduces students<br />

to <strong>the</strong> teaching <strong>and</strong> practicing <strong>of</strong> critical reading, in addition<br />

to <strong>and</strong> in correlation with <strong>the</strong> heavy emphasis on writing. The<br />

course also includes practice in <strong>the</strong> skills <strong>of</strong> verbal presentation <strong>and</strong><br />

discussion; critical thinking is emphasized <strong>and</strong> practiced.<br />

Section 001 — The Cultures <strong>of</strong> Basketball.<br />

In this course we will study <strong>the</strong> game <strong>of</strong> basketball — its nuts <strong>and</strong><br />

bolts (what is a "pick <strong>and</strong> roll"? What is a point guard? What is a<br />

"pick-up" game? And how do you get in one?), <strong>and</strong> history (where<br />

did <strong>the</strong> game originate? What was its early amateur <strong>and</strong> pr<strong>of</strong>essional<br />

history?).<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 145<br />

What about basketball outside <strong>of</strong> institutional contexts? Did players<br />

always make so much money? What about <strong>the</strong> evolution <strong>of</strong> <strong>the</strong><br />

National Basketball Association, <strong>the</strong> Women's National Basketball<br />

Association, <strong>and</strong> international competition? What role has <strong>the</strong> media<br />

played in <strong>the</strong> history <strong>of</strong> <strong>the</strong> game? Are <strong>the</strong>re aes<strong>the</strong>tic <strong>and</strong> cultural<br />

meanings (what is <strong>the</strong> nature <strong>of</strong> play? <strong>of</strong> games? <strong>of</strong> sports?<br />

Can we speak <strong>of</strong> basketball as beautiful? As art? What is <strong>the</strong> relationship<br />

between rules <strong>and</strong> creativity? Between individual <strong>and</strong> collective<br />

activity?), <strong>and</strong> social <strong>and</strong> political dimensions (what roles to<br />

race <strong>and</strong> class play in shaping <strong>the</strong> game <strong>and</strong> its culture? And what<br />

role does <strong>the</strong> game play in shaping attitudes about race <strong>and</strong> class?<br />

What about international politics <strong>and</strong> its relationship to <strong>the</strong> game?<br />

How does a consideration <strong>of</strong> gender affect our view <strong>of</strong> <strong>the</strong> game<br />

<strong>and</strong> its culture, <strong>and</strong> vice-versa?).<br />

The course will include some <strong>of</strong> <strong>the</strong> following:<br />

1. h<strong>and</strong>s-on experience in <strong>the</strong> gym or (wea<strong>the</strong>r permitting) playground,<br />

viewing <strong>of</strong> media <strong>and</strong> instructional clips<br />

2. histories <strong>of</strong> <strong>the</strong> game<br />

3. memoirs authored by famous players (such as those by Bob<br />

Cousy, Oscar Robertson, Magic Johnson <strong>and</strong> Larry Bird, Michael<br />

Jordan, <strong>and</strong> o<strong>the</strong>rs) <strong>and</strong> not so famous players (Pat Conroy <strong>and</strong><br />

Ira Berkow)<br />

4. editorial commentary (whe<strong>the</strong>r book-length, such as Darcy<br />

Frey's The Last Shot or in blog form such as freedarko.com)<br />

5. fiction (“Hoosiers”, “He Got Game”) <strong>and</strong> non-fiction film<br />

(“Rebound: The Legend <strong>of</strong> Earl "The Goat" Manigault”).<br />

Course Requirements:<br />

Course will also involve regular informal, brief response papers as<br />

well as a midterm <strong>and</strong> final paper.<br />

Instructor: Colás, Santiago<br />

UC 275. Global Intercultural Experience for Undergraduates.<br />

Consent <strong>of</strong> instructor required. (1 - 2). (EXPERIENTIAL). May be<br />

elected twice for credit. Continuing Course. Y grade can be reported<br />

at end <strong>of</strong> <strong>the</strong> first-term to indicate work in progress. At <strong>the</strong><br />

end <strong>of</strong> <strong>the</strong> second term, <strong>the</strong> final grade is posted for both term’s<br />

elections. Offered m<strong>and</strong>atory credit/no credit.<br />

Section 001. Global Intercultural Experience for Undergraduates<br />

(GIEU) is an interdisciplinary experiential introduction to intercultural<br />

learning that prepares diverse undergraduate students from<br />

various colleges for field experience interactions, <strong>and</strong> <strong>the</strong>n helps<br />

students bring <strong>the</strong>se experiences back to campus in socially <strong>and</strong><br />

academically productive ways. It is a series <strong>of</strong> concentrated seminars<br />

<strong>of</strong> orientation, debriefing, <strong>and</strong> symposium.<br />

Instructor: Routenberg, Robin Rifka<br />

WOMENSTD (Women's Studies)<br />

WOMENSTD 100. Gender <strong>and</strong> Women's Lives in U.S.<br />

Society.<br />

(2). May not be repeated for credit. Offered m<strong>and</strong>atory credit/no<br />

credit.<br />

Section 001. An innovative introduction to contemporary debates<br />

on gender <strong>and</strong> women's issues. In this course you will be an active<br />

member <strong>of</strong> an eleven-week small discussion group, led by one or<br />

two advanced student facilitators. <strong>To</strong>ge<strong>the</strong>r, your group will explore<br />

<strong>and</strong> discuss a range <strong>of</strong> topics in an environment that we hope will<br />

be challenging, stimulating, open, supportive <strong>and</strong> exciting. Through<br />

reading, journal writing, discussion <strong>and</strong> experimental exercises, you<br />

will learn about how gender is experienced <strong>and</strong> lived in our complex<br />

society. This class will not meet <strong>the</strong> first week <strong>of</strong> class —<br />

Wednesday, Sept. 8. Students must attend mass meeting <strong>the</strong> second<br />

week <strong>of</strong> class, Wednesday, Sept. 15.<br />

Instructor: Hassinger, Jane A


146 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

WOMENSTD 151. Social <strong>Science</strong> Seminars on Women <strong>and</strong><br />

Gender.<br />

Enrollment restricted to first-year students, including those with<br />

sophomore st<strong>and</strong>ing. (3). (SS). May not be repeated for credit.<br />

This course serves to introduce diverse topics on women <strong>and</strong><br />

gender, is interdisciplinary in nature.<br />

Section 001 — Food <strong>and</strong> Gender in Asian American<br />

Communities.<br />

This course fulfills <strong>the</strong> Contemporary Communities requirement for<br />

Asian/Pacific Isl<strong>and</strong>er American Studies Minors.<br />

This first-year seminar introduces students to historical <strong>and</strong> contemporary<br />

issues <strong>of</strong> Asians in America, through <strong>the</strong> lens <strong>of</strong> food <strong>and</strong><br />

culture. We will examine how foodways <strong>of</strong>ten shape gender roles,<br />

labor, power dynamics, <strong>and</strong> Asian American identity. Focusing on<br />

Chinese, Japanese, Filipino, Korean, Indian, <strong>and</strong> Vietnamese American<br />

communities, we will explore how "Food is our only common<br />

language."<br />

Course Requirements:<br />

Assignments include journals, midterm exam, <strong>and</strong> term project.<br />

Class Format:<br />

First-year seminar<br />

Instructor: Lawsin, Emily P<br />

Section 003 — Women, Islam, <strong>and</strong> Modernity.<br />

This class explores <strong>the</strong> lives <strong>of</strong> Muslim women in <strong>the</strong> Middle East,<br />

Asia, <strong>and</strong> Africa. We will read contemporary ethnographic case<br />

studies to underst<strong>and</strong> what challenges <strong>the</strong>y pose to <strong>the</strong>ories <strong>of</strong><br />

gender, social change, <strong>and</strong> globalization.<br />

Instructor: Rinaldo, Rachel A<br />

WOMENSTD 220 / NURS 220. Perspectives in Women's<br />

Health.<br />

(3). (SS). (R&E). May not be repeated for credit. (Gender <strong>and</strong><br />

Health).<br />

Section 001. In this course we will examine women's health issues,<br />

across <strong>the</strong> lifespan, from feminist <strong>and</strong> sociocultural perspectives.<br />

We will explore <strong>the</strong> social construction <strong>of</strong> women's health <strong>and</strong><br />

well-being <strong>and</strong> <strong>the</strong> influence <strong>of</strong> gender dynamics on sexuality, reproductive<br />

options, health care alternatives, <strong>and</strong> risk for physical<br />

<strong>and</strong> mental illness. Attention will be paid to historical, economic,<br />

<strong>and</strong> socio-cultural factors which influence <strong>the</strong> physical <strong>and</strong> psychological<br />

well-being <strong>of</strong> women.<br />

Instructor: Low, Lisa Kane<br />

WOMENSTD 225 / PSYCH 225. Psychology <strong>of</strong> Human<br />

Sexuality.<br />

(3). May not be repeated for credit.<br />

This course is a broad introduction to a variety <strong>of</strong> facets <strong>of</strong> human<br />

sexuality <strong>and</strong> <strong>the</strong> intersections <strong>of</strong> sexuality <strong>and</strong> gender. We will examine<br />

constructs such as attitudes toward one's body, casual sex,<br />

consensually non-monogamous relationships, sadomasochism, <strong>and</strong><br />

sex <strong>and</strong> disability. We will specifically take time to answer questions<br />

generated by <strong>the</strong> class about sexuality issues.<br />

Course Requirements:<br />

Methods <strong>of</strong> evaluation will include multiple choice exams <strong>and</strong> a<br />

critical thinking journal.<br />

Intended Audience:<br />

This course is intended for first-year students <strong>and</strong> has no prerequisites.<br />

Class Format:<br />

The course involves lectures (many by guest speakers), <strong>and</strong> discussion<br />

sections.<br />

Instructor: Conley, Terri<br />

WOMENSTD 240 / AMCULT 240. Introduction to Women's<br />

Studies.<br />

(4). (HU). (R&E). May not be repeated for credit.<br />

Section 001. This course provides an introduction to <strong>the</strong> feminist<br />

scholarship about women <strong>and</strong> gender. We explore how women’s<br />

lives differ across social categories such as race, class, sexual orientation,<br />

<strong>and</strong> age, with an emphasis on women in <strong>the</strong> United States<br />

today. Readings are drawn from both <strong>the</strong> humanities <strong>and</strong> social sciences<br />

to familiarize students with key questions, <strong>the</strong>oretical tools,<br />

<strong>and</strong> issues within Women’s Studies. A variety <strong>of</strong> topics are covered,<br />

including: violence against women; women <strong>and</strong> work; reproductive<br />

justice.<br />

Course Requirements:<br />

The course grade is based on short written assignments, a group<br />

project, exams, <strong>and</strong> participation in discussion.<br />

Instructor: Cole, Elizabeth Ruth<br />

WOMENSTD 253. Special <strong>To</strong>pics.<br />

(3 - 4). May be repeated for a maximum <strong>of</strong> 7 credits. A maximum<br />

<strong>of</strong> seven credits <strong>of</strong> WOMENSTD 252 <strong>and</strong> 253 may be counted<br />

toward graduation.<br />

This course takes up a single topic <strong>of</strong> a very specific or contemporary<br />

nature.<br />

Section 001 — Japanese Women: The Working Life in a<br />

Culture <strong>of</strong> Cuteness.<br />

All readings are in English.<br />

This course looks at <strong>the</strong> social, economic, <strong>and</strong> political factors influencing<br />

women’s lives in postwar Japan. We will investigate <strong>the</strong> historical<br />

diversity in <strong>the</strong> operations <strong>of</strong> gender in social <strong>and</strong> cultural life<br />

through an interdisciplinary approach drawing on anthropological<br />

studies, history, literature, <strong>and</strong> popular culture. Some <strong>of</strong> <strong>the</strong> figures<br />

we will meet include entertainers such as bar hosts <strong>and</strong> hostesses,<br />

OLs (<strong>of</strong>fice ladies), shufu (housewives), activists <strong>and</strong> politicians,<br />

factory workers, <strong>and</strong> shojo (young women).<br />

Instructor: Abe, Hideko<br />

WOMENSTD 270. Gender <strong>and</strong> <strong>the</strong> Law.<br />

(4). (SS). May not be repeated for credit.<br />

Section 001. This course explores contemporary legal response<br />

to gender inequality in <strong>the</strong> U.S., with particular attention to <strong>the</strong><br />

ways that feminists have tried to use law for social change. <strong>To</strong>pics<br />

may include:<br />

• equal protection under <strong>the</strong> U.S. constitution<br />

• sex <strong>and</strong> race discrimination on <strong>the</strong> job<br />

• pay equity<br />

• sexual harassment (<strong>of</strong> both men <strong>and</strong> women)<br />

• abortion<br />

• pornography<br />

• rape<br />

• domestic violence<br />

• women as lawyers<br />

• immigration<br />

We will study debates among feminists over <strong>the</strong>se legal strategies<br />

as well as <strong>the</strong> ways that women’s racial <strong>and</strong> ethnic identities make<br />

a difference in <strong>the</strong> law.<br />

Instructor: Kirkl<strong>and</strong>, Anna R<br />

WOMENSTD 293 / AMCULT 293. 20th Century Writing by<br />

Women <strong>of</strong> Color.<br />

(3). (HU). May not be repeated for credit.<br />

Section 001. For well over a century women <strong>of</strong> color have been<br />

writing <strong>the</strong>mselves into U.S. history, continuously redefining <strong>the</strong>ir<br />

political, cultural, <strong>and</strong> social locations within <strong>the</strong> discourses <strong>of</strong><br />

American identity. Their refusal to remain silent observers <strong>of</strong> history<br />

has resulted in a body <strong>of</strong> work — poems, essays, novels, <strong>and</strong> short


stories — that helps us to underst<strong>and</strong> <strong>the</strong> ways in which ethnic, racial,<br />

class, gender, <strong>and</strong> sexual differences shape our conceptions <strong>of</strong><br />

American identity. In this class, we will explore <strong>the</strong> narrative practices<br />

<strong>of</strong> Latinas, African American, Native American, <strong>and</strong> Asian<br />

American women, paying special attention to <strong>the</strong> ways in which<br />

<strong>the</strong>ir writing has given voice to <strong>the</strong>ir differential locations within <strong>the</strong><br />

discourses <strong>of</strong> American identity. We will explore <strong>the</strong> cultural, linguistic,<br />

<strong>and</strong> familial traditions that have informed <strong>the</strong>ir respective<br />

approaches to feminism, antiracism, <strong>and</strong> oppositional politics.<br />

Instructor: Mendoza, Victor Roman<br />

WOMENSTD 295 / AMCULT 295. Sexuality in Western<br />

Culture.<br />

(4). (SS). May not be repeated for credit.<br />

Section 001. This course is an introduction to major concepts in<br />

<strong>the</strong> history <strong>and</strong> anthropology <strong>of</strong> sexuality, as well as an historical<br />

survey <strong>of</strong> important trends in <strong>the</strong> social organization <strong>of</strong> gender <strong>and</strong><br />

sexuality in Western Culture beginning with ancient Greece. We<br />

continue through ancient Judaism <strong>and</strong> early Christianity, medieval<br />

courtly love, <strong>and</strong> 19th-century Engl<strong>and</strong> <strong>and</strong> America. The last part<br />

<strong>of</strong> <strong>the</strong> course deals with 20th-century sexual modernism, ending<br />

with <strong>the</strong> Sexual Revolution <strong>and</strong> <strong>the</strong> backlash against it.<br />

Instructor: Newton, Es<strong>the</strong>r<br />

WRITING (Sweetl<strong>and</strong> Center for<br />

Writing)<br />

The Sweetl<strong>and</strong> Center for Writing aims to help writers become<br />

more confident, skilled, <strong>and</strong> knowledgeable about writing <strong>and</strong> <strong>the</strong><br />

subjects <strong>the</strong>y write about. Sweetl<strong>and</strong> faculty <strong>and</strong> peer tutors supplement<br />

formal writing instruction in <strong>the</strong> Writing Workshop, Peer<br />

Tutoring Center, <strong>and</strong> <strong>the</strong> Online Writing Lab (OWL).<br />

• Writing Workshop <strong>of</strong>fers free half-hour one-on-one sessions<br />

with University writing instructors for students who want feedback<br />

on <strong>the</strong>ir writing. Make an appointment on our website,<br />

www.lsa.umich.edu/sweetl<strong>and</strong>/, or just walk into 1310 North<br />

Quad.<br />

• The Sweetl<strong>and</strong> Center for Writing also operates three Peer<br />

Tutoring Centers, G219 Angell Hall, 1136 Shapiro Undergraduate<br />

Library, <strong>and</strong> <strong>the</strong> Lloyd Hall Writing Center, where students<br />

can get writing help on a walk-in basis. Students may also<br />

submit <strong>the</strong>ir writing electronically via Sweetl<strong>and</strong>’s Online Writing<br />

Lab where <strong>the</strong>y will receive feedback on <strong>the</strong>ir writing within 72<br />

hours or Sweetl<strong>and</strong>’s Synchronous Online Writing Lab where<br />

<strong>the</strong>y will receive online feedback electronically in real time.<br />

Sweetl<strong>and</strong> Center for Writing Waitlist Policy<br />

Students who want to be admitted to a closed WRITING course<br />

should add <strong>the</strong>mselves to <strong>the</strong> waitlist. Once a seat is available, students<br />

will receive permission to register via email. Once class permission<br />

is granted, students will have 48 hours to register for <strong>the</strong><br />

class. If students do not register within 48 hours, <strong>the</strong>y lose <strong>the</strong>ir<br />

place on <strong>the</strong> waitlist <strong>and</strong> <strong>the</strong> next priority student will be issued<br />

permission to register.<br />

Students are notified based upon a variety <strong>of</strong> criteria depending<br />

upon which class <strong>the</strong>y have waitlisted.<br />

1. WRITING 100: Students waitlisted for WRITING 100 who have<br />

a higher number <strong>of</strong> credit hours <strong>and</strong> have not yet fulfilled <strong>the</strong>ir<br />

First-Year Writing Requirement, will be given priority. All o<strong>the</strong>r<br />

students will be notified based on <strong>the</strong>ir position on <strong>the</strong> waitlist.<br />

2. WRITING 400: Students waitlisted for WRITING 400 will be<br />

admitted based on class st<strong>and</strong>ing, with seniors given priority.<br />

Depending on <strong>the</strong> class topic, students on <strong>the</strong> waitlist may be<br />

given preference based on academic departments (i.e., students<br />

within a social science field may be admitted into <strong>the</strong> social<br />

science section over a student within a science field). All<br />

o<strong>the</strong>r students will be notified based on <strong>the</strong>ir position on <strong>the</strong><br />

waitlist.<br />

COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 147<br />

3. O<strong>the</strong>r WRITING Courses: Waitlisted students will be notified<br />

based upon <strong>the</strong>ir position on <strong>the</strong> waitlist.<br />

Please note: It is department policy that students MUST attend<br />

<strong>the</strong> first two class meetings or notify <strong>the</strong> instructor that <strong>the</strong>y will be<br />

absent. Failure to do so may result in <strong>the</strong> student being dropped<br />

from <strong>the</strong> course.<br />

WRITING 100. Transition to <strong>College</strong> Writing.<br />

(3). May be repeated for a maximum <strong>of</strong> 6 credits. Offered m<strong>and</strong>atory<br />

credit/no credit.<br />

This course emphasizes an intensive one-on-one approach to<br />

teaching writing, including frequent student-teacher conferences. It<br />

addresses key features <strong>of</strong> college writing including: analysis in addition<br />

to summary; revision for focus <strong>and</strong> clarity; development <strong>and</strong><br />

generation <strong>of</strong> ideas; <strong>and</strong> style built on a solid grasp <strong>of</strong> conventions<br />

<strong>of</strong> grammar <strong>and</strong> punctuation. Students gain confidence for writing<br />

assignments typical <strong>of</strong> college classes. Activities include discussion<br />

<strong>and</strong> analysis <strong>of</strong> readings, explanation <strong>and</strong> modeling <strong>of</strong> writing<br />

strategies <strong>and</strong> techniques, along with peer review workshops.<br />

YIDDISH (Yiddish)<br />

Yiddish arose nearly a thous<strong>and</strong> years ago in Western Europe,<br />

flourished for centuries in Eastern Europe, <strong>and</strong> was brought to <strong>the</strong><br />

U.S. <strong>and</strong> elsewhere by immigrants who built a rich cultural life with<br />

it. At <strong>Michigan</strong>, Yiddish is a vibrant language. We learn its idioms<br />

<strong>and</strong> grammar, read its literary treasures, <strong>and</strong> explore its centrality<br />

to modern Jewish life.<br />

Yiddish courses are <strong>of</strong>fered at U-M under two different sets <strong>of</strong><br />

numbers, Judaic Studies <strong>and</strong> Yiddish, by <strong>the</strong> Jean & Samuel Frankel<br />

Center for Judaic Studies <strong>and</strong> <strong>the</strong> Department <strong>of</strong> Germanic<br />

Languages & <strong>Literature</strong>s, respectively.<br />

There is no concentration in Yiddish, but students can select<br />

courses from <strong>the</strong> beginning level, YIDDISH 101-102, through 301-<br />

302, as well as a Yiddish literature course in English translation<br />

(JUDAIC 333).<br />

Department <strong>of</strong> Germanic Languages <strong>and</strong> <strong>Literature</strong>s Waitlist<br />

Policy<br />

From <strong>the</strong> first day <strong>of</strong> registration until <strong>the</strong> last business day before<br />

<strong>the</strong> first day <strong>of</strong> classes, a member <strong>of</strong> <strong>the</strong> GLL staff will monitor enrollments<br />

<strong>and</strong> note any waitlisted courses that have spaces available.<br />

When available, a member <strong>of</strong> <strong>the</strong> GLL staff will issue an override<br />

for each open space in a waitlisted course in <strong>the</strong> order <strong>of</strong> <strong>the</strong><br />

waitlist. The overrides issued will have an expiration date <strong>of</strong> 48<br />

hours (including weekends). If <strong>the</strong> student does not accept <strong>the</strong><br />

override within that time frame, it will expire. This will allow <strong>the</strong><br />

staff member to <strong>of</strong>fer <strong>the</strong> space to <strong>the</strong> next eligible student on <strong>the</strong><br />

waitlist, who will <strong>the</strong>n have 48 hours to enroll. If all students on a<br />

given waitlist have been given an opportunity to enroll, but do not<br />

do so, a member <strong>of</strong> <strong>the</strong> GLL staff will ask <strong>the</strong> Registrar's Office to<br />

drop <strong>the</strong>m from said waitlist. This will allow <strong>the</strong> class to reopen for<br />

registration. Once classes begin, no overrides will be issued for<br />

closed courses without <strong>the</strong> consent <strong>of</strong> <strong>the</strong> instructor for <strong>the</strong> course.<br />

S/he has final authority on whe<strong>the</strong>r or not to issue overrides.<br />

YIDDISH 101 / JUDAIC 101. Elementary Yiddish I.<br />

(4). May not be repeated for credit. No credit granted to those who<br />

have completed or are enrolled in JUDAIC 431 or YIDDISH 431.<br />

Graduate students elect JUDAIC 431 or YIDDISH 431. F.<br />

<strong>Welcome</strong> to Beginning Yiddish!<br />

This course <strong>of</strong>fers you <strong>the</strong> opportunity to learn <strong>the</strong> basics <strong>of</strong> Yiddish<br />

grammar <strong>and</strong> to acquire basic reading, writing, speaking <strong>and</strong> listening<br />

skills. You will learn to talk about yourself <strong>and</strong> your interests,<br />

surroundings, friends, <strong>and</strong> family. You will also learn about <strong>the</strong> history,<br />

sociology <strong>and</strong> culture <strong>of</strong> Yiddish <strong>and</strong> how Jewish life <strong>of</strong> <strong>the</strong><br />

past centuries is reflected in <strong>the</strong> language. You will become acquainted<br />

with simple Yiddish texts from various times <strong>and</strong> places —<br />

a poem from a Yiddish children’s textbook published in New York in


148 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

<strong>the</strong> 1930s, Yiddish folksongs that have been sung in Eastern<br />

Europe for many, many years, stories from a school book used in<br />

our days in some haredi schools in Israel, <strong>and</strong> more. Games <strong>and</strong><br />

audio-visual materials will enhance <strong>the</strong> learning process!<br />

Grading: Classroom Work: 30%, Quizzes & Homework: 30%, <strong>and</strong><br />

Exams: 40%<br />

As you can see from <strong>the</strong> grading system, active classroom participation<br />

is very important, as are daily homework assignments —<br />

always due on <strong>the</strong> next class.<br />

I am always happy to meet with you to discuss any questions or<br />

concerns you may have about <strong>the</strong> class, or to give you additional<br />

help that you might need with <strong>the</strong> Yiddish alphabet, reading skills<br />

or anything else you feel you would benefit from.


COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 149<br />

MILITARY OFFICER EDUCATION PROGRAMS<br />

Credit
 toward
 graduation
 from
 LSA.
 The
 <strong>College</strong>
 <strong>of</strong>
 <strong>Literature</strong>,
 <strong>Science</strong>,
<br />

<strong>and</strong>
<strong>the</strong>
<strong>Arts</strong>
does
not
grant
credit
toward
graduation
for
any
courses
<strong>of</strong>‐<br />

fered
 through
 <strong>the</strong>
 Officer
 Education
 Program
 except
 for
 those
 courses
<br />

AERO (Aerospace <strong>Science</strong>)<br />

AERO 101. Air Force <strong>To</strong>day I.<br />

(1). May not be repeated for credit. Not for credit toward LSA degree.<br />

F.<br />

Examines <strong>the</strong> growth <strong>and</strong> development <strong>of</strong> <strong>the</strong> United States Air<br />

Force; covers Presidential, Secretary <strong>of</strong> Defense <strong>and</strong> JCS roles in<br />

<strong>the</strong> defense posture, <strong>and</strong> <strong>the</strong> national <strong>and</strong> U.S. military strategic<br />

concepts; studies <strong>the</strong> Air Force contribution to strategic <strong>of</strong>fensive<br />

<strong>and</strong> defensive <strong>and</strong> General Purpose Forces <strong>and</strong> Air Force supporting<br />

forces. Compares <strong>the</strong> dynamics <strong>and</strong> interaction <strong>of</strong> all U.S. military<br />

forces in <strong>the</strong> General Purpose role <strong>and</strong> <strong>the</strong>ir cooperative efforts in<br />

<strong>the</strong> national security posture.<br />

Instructor: Welch, Philip Lee<br />

MILSCI (Military <strong>Science</strong>)<br />

MILSCI 101. Introduction to Officership.<br />

(1). May not be repeated for credit. Not for credit toward LSA degree.<br />

Develops an underst<strong>and</strong>ing <strong>of</strong> <strong>the</strong> U.S. Army. Introduces <strong>the</strong> critical<br />

military leadership skills used by <strong>the</strong> Officer Corps <strong>of</strong> <strong>the</strong> Army.<br />

<strong>To</strong>pics include: customs <strong>and</strong> traditions <strong>of</strong> <strong>the</strong> service, organization<br />

<strong>of</strong> <strong>the</strong> Army, <strong>and</strong> <strong>the</strong> <strong>of</strong>ficer corps' role in <strong>the</strong> service <strong>of</strong> <strong>the</strong> country.<br />

Students have <strong>the</strong> opportunity to participate in various military<br />

skills training such as rappelling, l<strong>and</strong> navigation, orienteering,<br />

briefing techniques, <strong>and</strong> physical fitness classes. There is no obligation<br />

to <strong>the</strong> military associated with this class.<br />

Instructor: Stevenson, Philip C<br />

which
 are
 cross‐listed
 in
 o<strong>the</strong>r
 academic
 units
 (effective
 September
 1,
<br />

1971).
 These
 latter
 courses
 count
 as
 non‐LSA
 course
 work
 if
 <strong>the</strong>
 cross‐<br />

listed
<strong>of</strong>fering
falls
outside
LSA
academic
departments
or
programs.
<br />

NAVSCI (Naval <strong>Science</strong>)<br />

NAVSCI 101. Introduction to Naval <strong>Science</strong>.<br />

(2). May not be repeated for credit. Not for credit toward LSA degree.<br />

F.<br />

An introductory look at <strong>the</strong> organizational structure <strong>of</strong> <strong>the</strong> naval<br />

service. Attention is concentrated on leadership <strong>and</strong> management<br />

principles as <strong>the</strong>y apply to <strong>the</strong> naval service <strong>and</strong> <strong>the</strong> shipboard organization.<br />

Additional subjects to be covered are military justice,<br />

<strong>and</strong> Navy policies <strong>and</strong> procedures.<br />

Instructor: Doman, Joseph William


150 / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011


COLLEGE OF LITERATURE, SCIENCE, AND THE ARTS / 151


<strong>Welcome</strong> to <strong>Michigan</strong>! 1<br />

LSA Academics at Orientation 1<br />

Before You Arrive on Campus 1<br />

During Orientation 1<br />

F i r s t - Y e a r C o u r s e G u i d e<br />

F a l l A c a d e m i c T e r m 2 0 1 1<br />

April 14, 2011<br />

Chemistry Placement 1<br />

Math Placement 1<br />

Language Placement 1<br />

AP Credit 1<br />

Academic Integrity 2<br />

Examples <strong>of</strong> Academic Misconduct 2<br />

Cheating 2<br />

Plagiarism 2<br />

Unacceptable Collaboration 2<br />

Falsification <strong>of</strong> Data, Records, <strong>and</strong> Official Documents 2<br />

Aiding <strong>and</strong> Abetting Dishonesty 2<br />

Unauthorized or Malicious Interference / Tampering<br />

with Computer Property 2<br />

Classroom Disturbances 2<br />

University Resources on Academic Integrity 2<br />

Graduation Requirements 3<br />

THE DEGREES 3<br />

COMMON REQUIREMENTS FOR ALL LSA DEGREES 3<br />

Credits 3<br />

Writing Requirements 3<br />

Quantitative Reasoning (QR) 3<br />

Race <strong>and</strong> Ethnicity (R&E) 3<br />

BACHELOR OF ARTS AND BACHELOR OF SCIENCE<br />

REQUIREMENTS 3<br />

Language Requirement 3<br />

Concentration 4<br />

Academic Minors 4<br />

Area Distribution 4<br />

BACHELOR IN GENERAL STUDIES REQUIREMENTS 4<br />

Important Policies for New Students 5<br />

A Cautionary Note on Waitlists 5<br />

Course Load 5<br />

Adding <strong>and</strong> Dropping Courses: Weeks 1-3 5<br />

Adding Courses: Weeks 4-9 5<br />

Dropping Courses: Weeks 4-9 5<br />

Adding <strong>and</strong> Dropping Courses: Weeks 10+ 5<br />

Pass/Fail <strong>and</strong> Credit/No Credit 5<br />

Policy on Class Attendance 5<br />

Writing Requirements 7<br />

First-Year Writing Requirement 7<br />

Upper-Level Writing Requirement 7<br />

First-Year Area Distribution Courses 8<br />

Humanities (HU) 8<br />

Social <strong>Science</strong> (SS) 9<br />

Natural <strong>Science</strong> (NS) 10<br />

Ma<strong>the</strong>matical <strong>and</strong> Symbolic Analysis (MSA) 11<br />

Creative Expression (CE) 11<br />

Interdisciplinary (ID) 12<br />

Quantitative Reasoning Requirement 13<br />

Race & Ethnicity Requirement 14<br />

Less Commonly Taught Languages 15<br />

Foreign <strong>Literature</strong> <strong>and</strong> Culture Courses in English<br />

Translation 19<br />

Introduction <strong>To</strong> Course Listing Notations 20<br />

Key to Course Listings 20


ii / FIRST-YEAR COURSE GUIDE, FALL ACADEMIC TERM 2011<br />

Course Descriptions<br />

AAPTIS (Arabic, Armenian, Persian, Turkish, <strong>and</strong><br />

Islamic Studies) 21<br />

AAS (Afroamerican <strong>and</strong> African Studies) 24<br />

ACABS (Ancient Civilizations <strong>and</strong> Biblical Studies) 26<br />

AMCULT (American Culture) 27<br />

Anthropology 33<br />

ANTHRARC (Anthropology, Archaeological) 33<br />

ANTHRBIO (Anthropology, Biological) 34<br />

ANTHRCUL (Anthropology, Cultural) 34<br />

AOSS (Atmospheric, Oceanic <strong>and</strong> Space <strong>Science</strong>s) 35<br />

ARMENIAN (Armenian Studies) 36<br />

ARTDES (Art & Design) 36<br />

Asian Languages <strong>and</strong> Cultures 37<br />

ASIAN (Asian Studies) 37<br />

ASIANLAN (Asian Languages) 39<br />

ASTRO (Astronomy) 42<br />

BIOLOGY (Biology) 43<br />

BIOPHYS (Biophysics) 46<br />

CHEM (Chemistry) 46<br />

CICS (International <strong>and</strong> Comparative Studies) 49<br />

Classical Studies 49<br />

CLARCH (Classical Archaeology) 49<br />

CLCIV (Classical Civilization) 49<br />

CMPLXSYS (Complex Systems) 50<br />

COMM (Communication Studies) 51<br />

COMP (Music Composition) 52<br />

COMPLIT (Comparative <strong>Literature</strong>) 52<br />

CSP (Comprehensive Studies Program) 53<br />

DUTCH (Dutch <strong>and</strong> Flemish Studies) 53<br />

ECON (Economics) 54<br />

EDUC (Education) 55<br />

EECS (Electrical Engineering <strong>and</strong> Computer <strong>Science</strong>) 55<br />

ELI (English Language Institute) 57<br />

ENGLISH (English Language <strong>and</strong> <strong>Literature</strong>) 57<br />

ENSCEN (Environmental <strong>Science</strong>s <strong>and</strong> Engineering) 70<br />

ENVIRON (Program in <strong>the</strong> Environment) 71<br />

FRENCH (French) 74<br />

GEOG (Geography) 76<br />

GEOSCI (Geological <strong>Science</strong>s) 77<br />

GERMAN (German) 81<br />

GREEK (Greek) 85<br />

GTBOOKS (Great Books) 85<br />

HISTART (History <strong>of</strong> Art) 86<br />

HISTORY (History) 87<br />

HJCS (Hebrew <strong>and</strong> Jewish Cultural Studies) 94<br />

HONORS (Honors Program) 95<br />

ITALIAN (Italian) 96<br />

JUDAIC (Judaic Studies) 96<br />

LACS (Latin American <strong>and</strong> Caribbean Studies) 98<br />

LATIN (Latin) 98<br />

LHSP (Lloyd Hall Scholars Program) 100<br />

LING (Linguistics) 100<br />

MATH (Ma<strong>the</strong>matics) 102<br />

MEMS (Medieval <strong>and</strong> Early Modern Studies) 106<br />

MENAS (Middle Eastern <strong>and</strong> North African Studies) 106<br />

MODGREEK (Modern Greek) 106<br />

MUSICOL (Music History <strong>and</strong> Musicology) 107<br />

NURS (Nursing) 107<br />

PAT (Performing <strong>Arts</strong> Technology) 108<br />

PHIL (Philosophy) 108<br />

PHYSICS (Physics) 111<br />

POLISH (Polish) 113<br />

POLSCI (Political <strong>Science</strong>) 113<br />

PORTUG (Portuguese) 114<br />

PSYCH (Psychology) 115<br />

PUBPOL (Public Policy) 119<br />

Residential <strong>College</strong><br />

RCARTS (RC Fine <strong>Arts</strong>) 119<br />

RCCORE (RC Core Courses) 120<br />

RCHUMS (RC Humanities) 120<br />

RCLANG (RC Languages) 122<br />

RELIGION (Religion) 124<br />

RUSSIAN (Russian) 125<br />

SAC (Screen <strong>Arts</strong> <strong>and</strong> Cultures) 125<br />

SCAND (Sc<strong>and</strong>inavian Studies) 126<br />

SI (School <strong>of</strong> Information) 126<br />

SLAVIC (Slavic Languages <strong>and</strong> <strong>Literature</strong>s) 127<br />

SOC (Sociology) 129<br />

SPANISH (Spanish) 139<br />

STATS (Statistics) 141<br />

THEORY (Music Theory) 141<br />

THTREMUS (Theatre <strong>and</strong> Drama) 141<br />

UC (University Courses) 142<br />

WOMENSTD (Women's Studies) 145<br />

WRITING (Sweetl<strong>and</strong> Center for Writing) 147<br />

YIDDISH (Yiddish) 147<br />

Military Officer Education Programs<br />

AERO (Aerospace <strong>Science</strong>) 149<br />

MILSCI (Military <strong>Science</strong>) 149<br />

NAVSCI (Naval <strong>Science</strong>) 149


The Regents <strong>of</strong> <strong>the</strong><br />

University <strong>of</strong> <strong>Michigan</strong><br />

Julia Donovan Darlow, Ann Arbor<br />

Laurence B. Deitch, Bingham Farms<br />

Denise Ilitch, Bingham Farms<br />

Olivia P. Maynard, Goodrich<br />

Andrea Fischer Newman, Ann Arbor<br />

Andrew C. Richner, Grosse Pointe Park<br />

S. Martin Taylor, Grosse Pointe Farms<br />

Ka<strong>the</strong>rine E. White, Ann Arbor<br />

Mary Sue Coleman, President, ex <strong>of</strong>ficio<br />

Nondiscrimination Policy Notice<br />

The University <strong>of</strong> <strong>Michigan</strong>, as an equal opportunity/affirmative action employer, complies with all applicable<br />

federal <strong>and</strong> state laws regarding nondiscrimination <strong>and</strong> affirmative action. The University <strong>of</strong> <strong>Michigan</strong> is<br />

committed to a policy <strong>of</strong> equal opportunity for all persons <strong>and</strong> does not discriminate on <strong>the</strong> basis <strong>of</strong> race,<br />

color, national origin, age, marital status, sex, sexual orientation, gender identity, gender expression, disability,<br />

religion, height, weight, or veteran status in employment, educational programs <strong>and</strong> activities, <strong>and</strong> admissions.<br />

Inquiries or complaints may be addressed to:<br />

The Senior Director for Institutional Equity, <strong>and</strong> Title IX/Section 504/ADA Coordinator,<br />

Office <strong>of</strong> Institutional Equity,<br />

2072 Administrative Services Building,<br />

Ann Arbor, <strong>Michigan</strong> 48109-1432,<br />

734-763-0235, TTY 734-647-1388.<br />

For o<strong>the</strong>r University <strong>of</strong> <strong>Michigan</strong> information call 734-764-1817.<br />

hr.umich.edu/oie/ndpolicy.html<br />

Campus Safety Statement<br />

Each year, <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong> prepares a “Campus Safety H<strong>and</strong>book.” The report includes detailed<br />

information on campus safety <strong>and</strong> security policies, procedures, <strong>and</strong> programs, including information on:<br />

emergency services, security telephone numbers, sexual assault policy, stalking laws, h<strong>and</strong>ling obscene phone<br />

calls, sexual harassment policy, dealing with workplace violence <strong>and</strong> threats, police agencies, health services,<br />

counseling services, safe transportation after dark, safety tips, <strong>and</strong> alcohol <strong>and</strong> drug policies <strong>and</strong> programs.<br />

The report also includes statistics concerning crimes on campus. If you would like to receive a complete<br />

copy, please call <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong> Department <strong>of</strong> Public Safety at (734) 763-3434<br />

(www.police.umich.edu).<br />

Accreditation Statement<br />

The University <strong>of</strong> <strong>Michigan</strong> is accredited by <strong>the</strong> Higher Learning Commission <strong>of</strong> <strong>the</strong> North Central Association<br />

<strong>of</strong> <strong>College</strong>s <strong>and</strong> School, 30 North LaSalle Street, Suite 2400, Chicago, Illinois 60602-2504. Phone: (800) 621-7440;<br />

(312) 263-0456; Fax: (312) 263-7462<br />

The Computer <strong>Science</strong> program is accredited by <strong>the</strong> Computing Accreditation Commisssion <strong>of</strong> <strong>the</strong><br />

Accreditation Board for Engineering <strong>and</strong> Technology (ABET), 111 Market Place, Suite 1050, Baltimore, MD<br />

21202-4012, telephone (410) 347-7700.<br />

Copyright © 2011 The Regents <strong>of</strong> <strong>the</strong> University <strong>of</strong> <strong>Michigan</strong>, Ann Arbor, MI 48109 USA


Fall Term<br />

2011<br />

Registration September 2,<br />

Friday<br />

Last day to disenroll from term without<br />

fees<br />

Classes begin; Disenrollment <strong>and</strong><br />

registration fees begin to apply<br />

Last day<br />

to withdraw (100% tuition waiver less<br />

disenrollment <strong>and</strong> registration fees)<br />

for tuition adjustment for a reduced<br />

academic load<br />

for regular drop/add (no "W" for drop)<br />

Pass/fail deadline<br />

Authorization needed to drop or add;<br />

"W" posted for drops<br />

September 5,<br />

Monday<br />

September 6,<br />

Tuesday<br />

September 26,<br />

Monday<br />

Beginning<br />

September 27,<br />

Tuesday<br />

Deadline to finish incompletes October 3,<br />

Monday<br />

Last day to withdraw from all classes<br />

with a 50% tuition waiver<br />

October 17,<br />

Monday<br />

Begin full fees for students who withdraw October 18,<br />

Tuesday<br />

Last day for approved late drop/add November 11,<br />

Friday<br />

Classes end December 13,<br />

Tuesday<br />

Study days December 14,<br />

Wednesday<br />

December 17-18,<br />

Saturday-Sunday<br />

Examination period December 15-16,<br />

Thursday-Friday<br />

December 19-22,<br />

Monday-Thursday<br />

No Classes Labor Day Holiday:<br />

September 5,<br />

Monday<br />

Recess Fall Study Break:<br />

October 17-18<br />

Monday-Tuesday<br />

Thanksgiving Recess:<br />

November 23 (5:00<br />

p.m.), Wednesday<br />

through November 28<br />

(8:00 a.m.), Monday<br />

Tuition Payments August 31 (5:00 p.m.),<br />

Wednesday<br />

Commencement December 18,<br />

Sunday<br />

LSA Academic Calendar, 2011-12<br />

Winter Term<br />

2012<br />

January 3,<br />

Tuesday<br />

January 3,<br />

Tuesday<br />

January 4,<br />

Wednesday<br />

January 24,<br />

Tuesday<br />

Beginning<br />

January 25,<br />

Wednesday<br />

January 31,<br />

Tuesday<br />

February 14,<br />

Tuesday<br />

February 15,<br />

Wednesday<br />

March 16,<br />

Friday<br />

April 17,<br />

Tuesday<br />

April 18,<br />

Wednesday<br />

April 21-22,<br />

Saturday-Sunday<br />

April 19-20,<br />

Thursday-Friday<br />

April 23-26<br />

Monday-Thursday<br />

Martin Lu<strong>the</strong>r King,<br />

Jr. Birthday<br />

University Symposia<br />

(no regular classes):<br />

January 16<br />

Monday<br />

Mid-Winter Recess:<br />

February 25 (12:00<br />

noon), Saturday<br />

through March 5 (8:00<br />

a.m.), Monday<br />

January 4 (5:00 p.m.),<br />

Wednesday<br />

April 28,<br />

Saturday<br />

University Honors Convocation March 18,<br />

Sunday<br />

April 30,<br />

Monday<br />

April 30,<br />

Monday<br />

May 1,<br />

Tuesday<br />

May 14,<br />

Monday<br />

Spring Term<br />

2012<br />

Beginning<br />

May 15,<br />

Tuesday<br />

October 1,<br />

Monday<br />

May 21,<br />

Monday<br />

May 22,<br />

Tuesday<br />

June 1,<br />

Friday<br />

June 18 (5:00 p.m.),<br />

Monday<br />

June 19-20,<br />

Tuesday-Wednesday<br />

June 21-22,<br />

Thursday-Friday<br />

Memorial Day<br />

Holiday:<br />

May 28,<br />

Monday<br />

April 30 (5:00 p.m.),<br />

Monday<br />

Summer Term<br />

2012<br />

June 26,<br />

Tuesday<br />

June 26,<br />

Tuesday<br />

June 27,<br />

Wednesday<br />

July 10,<br />

Tuesday<br />

Beginning<br />

July 11,<br />

Wednesday<br />

October 1,<br />

Monday<br />

July 17,<br />

Tuesday<br />

July 18,<br />

Wednesday<br />

July 27,<br />

Friday<br />

August 14 (5:00 p.m.),<br />

Tuesday<br />

August 15,<br />

Wednesday<br />

August 16-17,<br />

Thursday-Friday<br />

Independence Day<br />

Holiday:<br />

July 4,<br />

Wednesday<br />

June 30 (5:00 p.m.),<br />

Saturday<br />

Spring/Summer<br />

Term 2012<br />

April 30,<br />

Monday<br />

April 30,<br />

Monday<br />

May 1,<br />

Tuesday<br />

May 21,<br />

Monday<br />

Beginning<br />

May 22,<br />

Tuesday<br />

October 1,<br />

Monday<br />

June 11,<br />

Monday<br />

June 12,<br />

Tuesday<br />

July 6,<br />

Friday<br />

August 14 (5:00 p.m.),<br />

Tuesday<br />

August 15,<br />

Wednesday<br />

August 16-17,<br />

Thursday-Friday<br />

Memorial Day<br />

Holiday:<br />

May 28,<br />

Monday<br />

Independence Day<br />

Holiday:<br />

July 4,<br />

Wednesday<br />

April 30 (5:00 p.m.),<br />

Monday

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