Run to the Light - Ivan Trevino

Ivan Trevino
RUN TO THE LIGHT
for wind band
Commissioned by The Eastman Wind Ensemble
for Eastman School of Music’s centennial celebration
©2022 by Ivan Trevino
IvanDrums.com

Program Notes
Run to the Light was written for Eastman School of Music’s centennial celebration. It was premiered by Eastman Wind
Ensemble on Oct. 19, 2022. The piece is dedicated to a thousand or so very special people in Victoria, Texas.
A newly hired band director at my high school had a diploma hanging up in his office.
“What’s that?” I asked.
“It’s from Eastman,” he said.
“What’s Eastman?” I asked again.
“It’s a music conservatory,” he said.
I left his office thinking to myself, “What’s a music conservatory?”
That was my junior year of high school, and that’s how foreign this whole classical music thing was to me. Fast forward
one year later. I auditioned at Eastman and got in. This was due in large part to this teacher, his guidance, and my own
luck that he took a job teaching music in small town Victoria, Texas, where I lived. Thank you again, Mr. Mikula.
When I told my mom I got accepted, she didn’t congratulate me. Well, of course she did, but not right away. The first
thing she said was “how are we going to pay for it?” My parents didn’t go to college, but are hard-working, smart
people who still make their living cutting hair. They did everything they could to make music part of my life. Paying for
college though, especially at a school like Eastman, was far beyond anything they had saved or planned for.
My parents put together whatever funds they could and did what everyone does in Texas during a time of need: they
organized a bar-b-cue benefit. It’s a go-fund me of sorts, but an in-person one with BBQ, beans, rice and all the fixings.
One of my dad’s regulars was a writer for the local paper and wrote a charming story about my parents, my
opportunity to attend Eastman, and about the upcoming BBQ benefit. Local restaurants donated food, and my parents
and an assembly line of volunteers served plates to friends, family and members of our community who showed up to
give their support and enjoy a hot meal. There was even an auction with one of those fast-talking auctioneers helping
the crowd bid on donated items.
My parents hosted this benefit for four summers, and each time, they raised $10,000 for my college tuition, with over
1,000 people attending each year. This is still incomprehensible to me. Meanwhile, Eastman provided me with a
generous yearly scholarship to ease the cost of tuition, which helped greatly. My journey to Eastman was looking more
and more possible, thanks in part to this scholarship, and of all things, BBQ. But we still weren’t quite there.
One day, Mary Lou Urban, an unassuming family friend of ours, walked into the barber shop to see my mom for her
regularly scheduled perm. This time, Mrs. Urban came in holding a small envelope with my mom’s name on it. Inside
was a gift: a personal check for $10,000. My mom cried, Mrs. Urban cried. But that’s not all. Each summer for four years,
she gave my mom a check for this same amount. Mrs. Urban is no longer with us, but what she did for me and my
family is unforgettable. My mom refers to her as my angel. I do too. Between the community’s support, Eastman’s
scholarship, Mrs. Urban’s gifts, and my parent's own hard work and sacrifice, I got to Eastman.
20 years later, I find myself at Eastman again, this time as a visiting teacher to step in for the one and only, Michael
Burritt, my former Eastman professor who is on a sabbatical leave. What an honor. I return with my beautiful wife,
Amanda, who I met on Gibbs St. when we were both students. This music is dedicated to all of the supporters in my
hometown community, Mr. Mikula, Mrs. Urban, my parents, and all of the people who helped me run to my light. I carry
them with me, in my teaching, composing and performing, and I hope this spirit of joy and gratitude shines through in
this music.
- Ivan Trevino
©2022 by Ivan Trevino
IvanDrums.com

Instrumentation
Piccolo
2 Flutes
2 Oboes
2 Bassoons
Contrabassoon
4 Bb Clarinets
Bass Clarinet
Contrabass Clarinet
Soprano Sax
Alto Sax
Tenor Sax
Baritone Sax
4 Trumpets in Bb
4 Horns in F
3 Trombones
Bass Trombone
Euphonium
Tuba
Featured Percussionist 1:
4.3 oct. marimba, multi-drum setup (mounted kick drum, kick drum w/ pedal, floor tom, two
toms, snare drum, hi-hats, crash cym.)
Featured Percussionist 2:
5.0 oct. marimba, multi-drum setup (mounted kick drum, floor tom, two toms, prepared
drum)
Perc. 1: xylo, snare drum
Perc. 2: xylo (can be shared w/ Perc. 1), glock
Perc. 3: vibes
Perc. 4: hi-hat, sus. cym.
Perc. 5: timpani (32, 29, 26, 23), multi-drum setup (shared w/ featured percussion)
©2022 by Ivan Trevino
IvanDrums.com

Staging Suggestion
Back of hall - centered
walking path
to drums
Featured Perc. 2
marimba
Featured Perc. 1
marimba
mudra
drum
high
tom
Featured Perc. 2
drum setup
mounted
KD
sus.
cym.
mounted
KD
KD
+ pedal
Featured Perc. 1
drum setup
high
tom
med.
tom
floor
tom
hats
floor
tom
med.
tom
snare
Wind
Ensemble
Conductor

Score
RUN TO THE LIGHT
Piccolo
~ 148
with an us-against-the-world
type of vibe...
for wind band
Commssioned by The Eastman Wind Ensemble
Ivan Trevino
Flute 1
Flute 2
Oboe 1
4
Oboe 2
Bassoon 1
Bassoon 2
Contrabassoon
Clarinet in B 1
Clarinet in B 2
Clarinet in B 3
Clarinet in B 4
Bass Clarinet
Contrabass Clarinet
Soprano Sax
Alto Sax
Tenor Sax
Baritone Sax
Trumpet in B 1
Trumpet in B 2
Trumpet in B 3
Trumpet in B 4
Horn in F 1
Horn in F 2
Horn in F 3
Horn in F 4
Trombone 1
Trombone 2
Trombone 3
Bass Trombone
Euphonium
Tuba
Featured Perc. 1
Featured Perc. 2
Perc. 1
4
4
4
4
4
4
4
4
4
marimba
4
marimba
Perc. 2
4
Perc. 3
Perc. 4
Perc. 5
©2022 by Ivan Trevino
Edition 1

2
Picc.
11
RUN TO THE LIGHT
A
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
11
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
11
Perc. 1
11
Perc. 2
Perc. 3
Perc. 4
vibes
Perc. 5

RUN TO THE LIGHT
3
Picc.
20
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
20
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
20
Perc. 1
Perc. 2
Vib.
20
sim. feel
xylo
xylo
can be shared w Perc 1 (reverse side)
Perc. 4
Perc. 5

4
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
28
RUN TO THE LIGHT
B
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
28
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
Xyl.
Xyl.
Vib.
Perc. 4
28
28
softer but
maintaining
energy
softer but maintaining energy
softer but maintaining
energy
softer but maintaining energy
Perc. 5

RUN TO THE LIGHT
5
Picc.
Fl. 1
Fl. 2
Ob. 1
36
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
36
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
36
Xyl.
Xyl.
Vib.
36
Perc. 4
Perc. 5

6
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
44
3
3
RUN TO THE LIGHT
C
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
44
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
44
Xyl.
44
Xyl.
Vib.
Perc. 4
Perc. 5
hi-hats

RUN TO THE LIGHT
7
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
B Tpt. 4
52
52
3
3
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Hn. 1
Hn. 2
Hn. 3
cresc.
cresc.
cresc.
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
cresc.
cresc.
B. Tbn.
Euph.
cresc.
cresc.
Tuba
FP 1
FP 2
52
cresc.
cresc.
Xyl.
Xyl.
Vib.
52
cresc.
cresc.
cresc.
Perc. 4
cresc.
gradually open hats on accents
cresc.
Perc. 5

8
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
Xyl.
Xyl.
Vib.
Perc. 4
Perc. 5
60
60
60
3
3
60
RUN TO THE LIGHT
to drum setup
to drum setup
to sus. cym.
to snare drum
to glock
D
3
with boss-level epicness...
4
3
4
3
4
3
4
3
4
mounted KD + graduated toms
snare drum
sim. shape
3
glock
4
sus. cym.
timpani

Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
Perc. 1
Glk.
Vib.
Perc. 4
Timp.
RUN TO THE LIGHT
70
70
70
70
9

10
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
Perc. 1
Glk.
Vib.
Perc. 4
Timp.
RUN TO THE LIGHT
82
82
82
82

Picc.
Fl. 1
Fl. 2
94
RUN TO THE LIGHT
11
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
94
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
94
to marimba
Perc. 1
94
Glk.
Vib.
Perc. 4
Timp.
to featured perc 1. drum setup

12
Picc.
Fl. 1
107
RUN TO THE LIGHT
E
a dreamy soundscape...
Fl. 2
Ob. 1
4
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
Perc. 1
Glk.
107
107
107
4
4
4
4
4
4
4
4
4
4
4
marimba
Perc. 3
Perc. 4
Perc. 5

Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
123
F
RUN TO THE LIGHT
13
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
123
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
123
Perc. 1
123
Glk.
Perc. 3
Perc. 4
Perc. 5

14
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
138
RUN TO THE LIGHT
G
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
B Tpt. 4
138
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
solo
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
138
Perc. 1
138
Glk.
Perc. 3
Perc. 4
Perc. 5

Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
B Tpt. 4
152
152
RUN TO THE LIGHT
sub.
cresc.
H
like a joyful Sigur Ros song that builds...
15
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
cresc.
soli
soli
soli
soli
Tbn. 3
B. Tbn.
Euph.
Tuba
cresc.
FP 1
FP 2
152
Perc. 1
152
Glk.
Perc. 3
Perc. 4
Perc. 5
hats open on accents

16
RUN TO THE LIGHT
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
164
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
164
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
Perc. 1
164
164
Glk.
Perc. 3
Perc. 4
Perc. 5

Picc.
Fl. 1
172
RUN TO THE LIGHT
I
17
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
172
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
172
FP 2
Perc. 1
172
Glk.
Perc. 3
Perc. 4
improvise variations at end of phrases
Perc. 5
drum setup
graduated drums

18
RUN TO THE LIGHT
Picc.
Fl. 1
179
cresc.
Fl. 2
Ob. 1
cresc.
cresc.
Ob. 2
Bsn. 1
cresc.
cresc.
Bsn. 2
C. Bn.
B Cl. 1
3 3
3 3
B Cl. 2
B Cl. 3
3 3
3 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
3 3
3 3
T. Sx.
B. Sx.
B Tpt. 1
179
3 3
3 3
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
179
FP 2
Perc. 1
179
Xyl.
3 3
3 3
Perc. 3
Perc. 4
Perc. 5
add kick drum w/ foot

Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
187
187
RUN TO THE LIGHT
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3 3
3 3 3 3
3
J
19
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
Perc. 1
Xyl.
Perc. 3
Perc. 4
Perc. 5
187
187
3 3
3 3
(on rim)

20
Picc.
Fl. 1
Fl. 2
Ob. 1
195
RUN TO THE LIGHT
3 3 3 3
3 3 3 3
3 3 3
3
Ob. 2
Bsn. 1
3 3 3
3 3 3
3
3
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
3 3
3 3
3 3
3 3
B Cl. 3
3 3
3 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
3 3
3 3
3 3
3 3
T. Sx.
3 3
3 3
B. Sx.
B Tpt. 1
B Tpt. 2
195
3 3 3
3 3 3 3
3
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
195
FP 2
Perc. 1
Xyl.
Vib.
Perc. 4
195
3 3
3 3
3 3
3 3
Perc. 5

Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
203
RUN TO THE LIGHT
3 3
3 3
3 3
3 3 3 3
3 3 3 3
3 3 3
3 3 3
3
3
3 3 3
3
3 3
3 3
3 3
K
with quiet energy...
start on top note
& trill down
21
B Cl. 4
B. Cl.
3 3
3 3
Cb. Cl.
S. Sx.
A. Sx.
3 3
3 3
T. Sx.
3 3
3 3
B. Sx.
B Tpt. 1
B Tpt. 2
203
3 3 3
3 3 3 3
3
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
203
FP 2
Perc. 1
Xyl.
Vib.
Perc. 4
203
3 3
3 3
3 3
3 3
to xylo
to sus. cym.
Perc. 5
to timp.

22
RUN TO THE LIGHT
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
Perc. 1
212
4
6
4
212
6
4
6
4
6
212
4
212
6
6
start on top note
& trill down
start on top note
& trill down
start on top note
& trill down
4
4
4
4
4
4
4
4
4
4
in rudimental style
4
improvise outlined rhythm
mudra drum
Perc. 2
4
4
Perc. 3
Perc. 4
Perc. 5

Picc.
Fl. 1
Fl. 2
Ob. 1
222
6
RUN TO THE LIGHT
L
4
cresc.
cresc.
cresc.
23
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
4
6
4
6
4
222
6
4
6
4
222
4
4
4
4
4
4
4
4
4
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Perc. 1
222
6
4
cresc.
Perc. 2
4
4
Perc. 3
Perc. 4
Perc. 5

24
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
Perc. 1
230
4
6
4
6
4
230
6
4
6
4
230
230
6
6
RUN TO THE LIGHT
4
4
4
4
4
4
4
4
4
4
4
start on top note
& trill down
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Perc. 2
4
4
Perc. 3
Perc. 4
Perc. 5

Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
238
238
238
238
sus. cym.
RUN TO THE LIGHT
M
drum setup
choke
with a Beyoncé
Homecoming
type of vibe...
KD, SD, half-open hats, crash
improv in half-time backbeat style
timp.
xylo
25

26
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
246
RUN TO THE LIGHT
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
246
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
246
FP 2
Xyl.
Glk.
Vib.
Perc. 4
246
Timp.

Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
254
RUN TO THE LIGHT
N
27
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
254
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
254
improvised groove
in break-beat style
FP 2
Xyl.
Glk.
Vib.
Perc. 4
254
Timp.

28
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
262
RUN TO THE LIGHT
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
262
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
262
FP 2
Xyl.
Glk.
Vib.
Perc. 4
262
Timp.

Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
270
RUN TO THE LIGHT
29
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
270
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
Xyl.
270
270
to marimba
to marimba
Glk.
Vib.
Perc. 4
snare drum
to xylo
Timp.

30
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
278
RUN TO THE LIGHT
O
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
278
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
278
Perc. 1
278
Perc. 2
Perc. 3
Perc. 4
Perc. 5

Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
287
P
RUN TO THE LIGHT
3
3
31
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
287
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
287
Perc. 1
287
Perc. 2
Perc. 3
Perc. 4
Perc. 5

32
RUN TO THE LIGHT
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
296
3
3
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
296
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
Perc. 1
Perc. 2
Perc. 3
296
296
xylo can be shared w Perc 1 (reverse side)
Perc. 4
Perc. 5
hi-hats

RUN TO THE LIGHT
33
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
304
304
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
3
3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
Xyl.
Xyl.
Vib.
Perc. 4
Perc. 5
304
304
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
gradually open hats on accents

34
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
Xyl.
Xyl.
Vib.
Perc. 4
Perc. 5
Q
RUN TO THE LIGHT
even more epicness...
312
3
4
3
4
3
4
312
3
4
3
4
312
to drum setup
to drum setup
312
to snare drum
snare drum
sim. shape
3
glock
to glock
4
to sus. cym.
sus. cym.

Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
Perc. 1
Glk.
Vib.
Perc. 4
Perc. 5
RUN TO THE LIGHT
323
323
323
323
35

36
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
Perc. 1
Glk.
Vib.
Perc. 4
Perc. 5
335
335
335
335
RUN TO THE LIGHT
R

Picc.
Fl. 1
Fl. 2
347
RUN TO THE LIGHT
dim.
dim.
dim.
37
Ob. 1
Ob. 2
dim.
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
dim.
B Cl. 3
B Cl. 4
B. Cl.
dim.
dim.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
dim.
dim.
B Tpt. 1
347
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
dim.
Tuba
FP 1
FP 2
347
to marimba
Perc. 1
347
Glk.
Vib.
Perc. 4
Perc. 5

38
Picc.
Fl. 1
Fl. 2
360
RUN TO THE LIGHT
Ob. 1
Ob. 2
Bsn. 1
Bsn. 2
C. Bn.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B. Cl.
Cb. Cl.
S. Sx.
A. Sx.
T. Sx.
B. Sx.
B Tpt. 1
360
B Tpt. 2
B Tpt. 3
B Tpt. 4
Hn. 1
Hn. 2
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
Tbn. 3
B. Tbn.
Euph.
Tuba
FP 1
FP 2
Perc. 1
360
360
Perc. 2
Perc. 3
Perc. 4
Perc. 5