A FILM BY PETER VOLKART - Reck Filmproduktion
A FILM BY PETER VOLKART - Reck Filmproduktion
A FILM BY PETER VOLKART - Reck Filmproduktion
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H O M M A G E À R A Y M O N D R O U S S E L<br />
A <strong>FILM</strong> <strong>BY</strong> <strong>PETER</strong> <strong>VOLKART</strong><br />
with_PAUL AVONDET<br />
SANDRA KÜNZI<br />
narrator_VOLKER RISCH<br />
BODO KRUMWIEDE<br />
cinematography_HANSUELI SCHENKEL<br />
compositing_<strong>VOLKART</strong>&<strong>VOLKART</strong><br />
PAUL AVONDET<br />
sound design_VOCO FAUXPAS<br />
sound mix_CHRISTIAN BEUSCH<br />
editing_HARALD & HERBERT<br />
producer_FRANZISKA RECK<br />
© 2005 RECK <strong>FILM</strong>PRODUKTION<br />
Unterstützt durch: Bundesamt für Kultur (EDI)<br />
Stadt und Kanton Zürich, Migros Kulturprozent re:view<br />
Familien-Vontobel-Stiftung, Dr. Adolf Streuli-Stiftung<br />
Ernst und Olga Gubler-Hablützel Stiftung, Volkart Stiftung<br />
Stiftung Birsig für Kunst und Kultur<br />
Friedrich-Jezler-Stiftung
HOMMAGE À RAYMOND ROUSSEL<br />
A F I L M B Y P E T E R V O L K A R T<br />
Fiction, 35mm, Deutsche Originalversion (s.t. français, english subtitles), 15 min, Switzerland 2005<br />
He was in the headlines for a brief period in the late 1920s:<br />
Igor Leschenko, the young physicist from Hermannstadt, whose bizarre<br />
experiments cast doubt upon the law of gravity. The debacle at the<br />
pataphysicist convention leads to a secret expedition to the point of<br />
zero gravity. Rare film documents of a hazardous journey beyond<br />
Zentropa through the Karfunkel archipelago.<br />
Will Leschenko ever find the Nanopol island?<br />
Igor Leschenko a brièvement fait les gros titres à la fin des années 20.<br />
Le jeune physicien d’Hermannstadt qui avait ébranlé la loi de la gravité avec<br />
ses expériences bizarres, c’est lui. La débâcle au congrès des pataphysiciens<br />
fut suivie d’une expédition secrète jusqu’au point d’anti-gravité.<br />
Des films documentaires rares retracent un voyage au-delà de Zentropa<br />
à travers l’archipel menaçant de Karfunkel.<br />
Igor Leschenko découvrira-t-il l’île Nanopol?<br />
Ende der 20er Jahre war er kurz in den Schlagzeilen:<br />
Igor Leschenko, der junge Physiker aus Hermannstadt, der mit seinen<br />
bizarren Experimenten das Gesetz der Schwerkraft ins Wanken bringt.<br />
Das Debakel am Kongress der Pataphysiker führt zu einer geheimen<br />
Expedition zum Antigravitätspunkt. Rare Filmdokumente einer Reise<br />
jenseits von Zentropa durch den bedrohlichen Karfunkel-Archipel.<br />
Wird Leschenko die Insel Nanopol je finden?<br />
(...) Volkart pays homage to both Raymond Roussel and Pataphysics and, in a<br />
certain way, continues where “The Young Eskimo” left off. With the difference<br />
that then a stranger reached the unfamiliar shores of this earth while here,<br />
on November 31, an expedition to unexplored regions in high latitudes begins.<br />
”But above all” the narrator asks, “what is this Leschenko doing in my head all this<br />
time?” – showing images half-“Zelig”, half-“Gizmo” of bizarre experiments made<br />
by the young physicist from Hermannstadt, pictures which are soon replaced by<br />
wild and empty landscapes and “temporarily nailed-together” futuristic cities,<br />
leaving us without any hope of ever arriving somewhere.<br />
Production and Worldrights:<br />
RECK <strong>FILM</strong>PRODUKTION<br />
Dienerstrasse 7, CH-8004 Zürich, Phone ++41 (0)1 241 37 63<br />
f.reck@bluewin.ch www.reckfilm.ch<br />
Distribution Switzerland:<br />
LOOK NOW!<br />
www.looknow.ch<br />
NZZ (Neue Zürcher Zeitung)<br />
89º 15´ north 113º 75´ east
AWARDS | FESTIVALS<br />
TERRA INCOGNITA A <strong>FILM</strong> <strong>BY</strong> <strong>PETER</strong> <strong>VOLKART</strong><br />
WINNER «BEST SHORT <strong>FILM</strong>»<br />
FESTIVAL INTERNATIONAL DES <strong>FILM</strong>S DU MONDE - MONTRÉAL 2005<br />
WINNER SWISS <strong>FILM</strong> PRIZE 2006<br />
«BEST SHORT <strong>FILM</strong>»<br />
WINNER «BEST SHORT FICTION <strong>FILM</strong>»<br />
FESTIVAL INTERNAZIONALE DEL CORTOMETRAGGIO DI SIENA 2005<br />
WINNER «BEST SHORT <strong>FILM</strong>»<br />
NOMINATION FOR MÉLIÈS D’OR (EUROPEAN FANTASTIC <strong>FILM</strong> FESTIVALS FEDERATION – EFFFF)<br />
SCIENCEPLUSFICTION – FESTIVAL INTERNAZIONALE DELLA FANTASCIENZA TRIESTE 2005<br />
WINNER «BEST SHORT <strong>FILM</strong>» PRIX SSA/SUISSIMAGE<br />
FESTIVAL INTERNATIONAL DU <strong>FILM</strong> FANTASTIQUE DE NEUCHÂTEL 2005<br />
WINNER «BEST SHORT <strong>FILM</strong>»<br />
«ZÜRCHER <strong>FILM</strong>PREIS 2005 – ZURICH <strong>FILM</strong> AWARD 2005»<br />
WINNER «BEST SHORT <strong>FILM</strong> – FIPA D’OR»<br />
FESTIVAL INTERNATIONAL FIPA BIARRITZ 2006 - FRANCE<br />
40. SOLOTHURNER <strong>FILM</strong>TAGE 2005 – SWITZERLAND PREMIERE<br />
58ÈME FESTIVAL INTERNATIONAL DU <strong>FILM</strong> DE LOCARNO 2005 SELECTION OFFICIELLE<br />
NEUCHÂTEL INTERNATIONAL FANTASTIC <strong>FILM</strong> FESTIVAL 2005 SHORT<strong>FILM</strong> COMPETITION<br />
FESTIVAL INTERNATIONAL DES <strong>FILM</strong>S DU MONDE 2005 – MONTRÉAL SELECTION OFFICIELLE<br />
FANTOCHE 5TH INTERNATIONAL ANIMATION FESTIVAL 2005 – BADEN-SWITZERLAND<br />
FESTIVAL INTERNACIONAL DE CINEMA DE CATALUNYA 2005 – SITGES-BARCELONA SELECTION OFFICIELLE<br />
CINÉMA TOUT ÉCRAN 2005 – GENEVA INTERNATIONAL SHORT<strong>FILM</strong> COMPETITION<br />
SCIENCEPLUSFICTION TRIESTE INTERNATIONAL SCIENCE FICTION FESTIVAL 2005 EUROPEAN FANTASTIC SHORT COMPETITION<br />
FESTIVAL INTERNAZIONALE DEL CORTOMETRAGGIO SIENA 2005 – ITALY INTERNATIONAL COMPETITION<br />
RESFEST DIGITAL <strong>FILM</strong> FESTIVAL 2005 – ZURICH-SWITZERLAND<br />
FESTIVAL INTERNATIONAL DE PROGRAMMES AUDIOVISUELS FIPA 2006 – BIARRITZ, FRANCE SELECTION OFFICIELLE<br />
MANCHESTER INTERNATIONAL SHORT <strong>FILM</strong> FESTIVAL 2006 INTERNATIONAL COMPETITION<br />
7TH JEONJU INTERNATIONAL <strong>FILM</strong> FESTIVAL 2006 – SEOUL-KOREA SELECTION OFFICIELLE<br />
FLICKERFEST 2006 – INTERNATIONAL SHORT<strong>FILM</strong> FESTIVAL – SYDNEY INTERNATIONAL COMPETITION<br />
FESTIVAL DU COURT MÉTRAGE DE CLERMONT-FERRAND 2006 INTERNATIONAL COMPETITION<br />
FESTIVAL PREMIERS PLANS D’ANGERS 2006 – ANGERS, FRANCE INTERNATIONAL SHORT<strong>FILM</strong> COMPETITION<br />
35TH INTERNATIONAL <strong>FILM</strong> FESTIVAL ROTTERDAM 2006 INTERNATIONAL SHORT<strong>FILM</strong> COMPETITION<br />
25TH VIPER INTERNATIONAL FESTIVAL FOR <strong>FILM</strong> VIDEO AND NEW MEDIA 2006 – BASEL INTERNATIONAL COMPETITION<br />
7TH FESTIVAL INTERNATIONALES DE JÓVENES REALIZADORES 2006 – GRANADA INTERNATIONAL COMPETITION<br />
SIGNES DU NUIT 2006, 4ème FESTIVAL INTERNATIONAL DU <strong>FILM</strong> COURT – PARIS, FRANCE<br />
4ème FESTIVAL INTERNATIONAL DU COURT METRAGE ABIDJAN FICA 2006 – ABIDJAN, CÔTE D’IVOIRE<br />
3RD INDIE LISBOA-LISBON INTERNATIONAL INDEPENDENT <strong>FILM</strong>FESTIVAL – LISSABON 2006 OFFICIAL COMPETITION<br />
IMAGO YOUNG <strong>FILM</strong> FESTIVAL 2006 – FUNDÂO, PORUGAL INTERNATIONAL COMPETITION<br />
EUROPEAN MEDIA ARTS FESTIVAL EMAF 2006 – OSNABRÜCK, GERMANY<br />
FESTIVAL DE CANNES, CANNES 2006 – TOUS LES CINEMAS DU MONDE<br />
NEW DIRECTORS / NEW <strong>FILM</strong>S 2006 – <strong>FILM</strong> SOCIETY OF LINCOLN CENTER AND MUSEUM OF MODERN ART, NEW YORK CITY<br />
www.reckfilm.ch contact: f.reck@bluewin.ch
PRESS<br />
TERRA INCOGNITA A <strong>FILM</strong> <strong>BY</strong> <strong>PETER</strong> <strong>VOLKART</strong><br />
(...) Der Zürcher Peter Volkart erobert mit seinem Kurzfilm Terra<br />
Incognita die Herzen von Publikum und Fachwelt (...)<br />
Tages-Anzeiger, Zürich<br />
(...) Du côté des courts métrages, le premier prix est allé au remarquable Terra Incognita<br />
du Suisse Peter Volkart. Présenté en fin de semaine, cette œvre pataphysique avec collages<br />
hilarants et brillants racontait en folles images les experiences d’un jeune physicien<br />
au cours des années 20. (...)<br />
LE DEVOIR, Montréal<br />
(...) Le 1 er prix est allé à Terra Incognita, un film très marrant, réalisé par le Suisse<br />
Peter Volkart, dans lequel le spectateur est entraîné dans le monde de la pataphysique<br />
(...)<br />
LA PRESSE, Montréal<br />
(...) In Terra Incognita erweist Volkart dem französischen Schriftstelller Raymond<br />
Roussel eine Hommage und fährt in gewisser Weise dort fort, wo «Der junge Eskimo»,<br />
aufgehört hatte. Mit dem Unterschied, dass damals ein Fremdling an die unvertrauten<br />
Gestade dieser Erde geriet, während hier an einem 31. November der Aufbruch in<br />
deren unerforschte Regionen in hohen Breiten erfolgt. «Vor allem aber, was treibt dieser<br />
Leschenko die ganze Zeit in meinem Kopf?», fragt der Erzähler und zeigt Bilder, halb<br />
«Zelig», halb «Gizmo», von den bizarren Experimenten des jungen Physikers aus<br />
Hermannstadt, die bald von solchen wilder leerer Landschaften und «provisorisch<br />
zusammengenagelter» futuristischer Städte abgelöst werden, ohne dass wir doch hoffen<br />
dürfen,<br />
je irgendwo anzukommen.<br />
Neue Zürcher Zeitung, NZZ<br />
(...) Every once in a while I see a short film that amazes me and makes me wonder<br />
why short films aren't more available outside film festivals. Terra Incognita is one of<br />
those awesome films. What a nice treat! The atmosphere is very dreamy and that the<br />
film shares many aspects to the popular computer game Myst. Everything about this<br />
film is perfect. The set designs (in the case of the very few real sets) and the computergenerated<br />
decors are truly astonishing and they successfully immerse the spectators in<br />
a strange and unreal yet strangely familiar world where the laws of physics don't abide,<br />
thanks to the twisted mind of a scientist. The directing is brilliant. When I write capsule<br />
reviews I usually try to be objective but for very few films I can't. This is one of them.<br />
You literally need to contact your local film festival directors so that they include this<br />
film in their programs! The film is an homage to French novelist Raymond Roussel.<br />
There are no explicit references but rather many subtle and obscure links to his work.<br />
I'm not particularly familiar with his work and I'm not all that familiar either with pataphysics<br />
theories — who the heck in the world is? — yet this film turned out to be very<br />
fascinating and genuinely entertaining. A masterpiece! (...)<br />
IONCINEMA.com<br />
Nella sezione European Fantastic Short, tra le novità di questa edizione 2005, è stato<br />
premiato all’unanimità il cortometraggio Terra Incognita di Peter Volkart. Il cortometraggio<br />
svizzero ha ricevuto il premio assegnato al miglior cortometraggio fantastico europeo<br />
– in collaborazione con l’European Fantastic Film Festivals Federation – "perchè in<br />
grado – ha concluso la Giuria – di costruire un immaginario fantastico attraverso la<br />
dimensione del viaggio, con un raffinato gusto grafico e un linguaggio sperimentale,<br />
che combina materiale di repertorio in forma di finto<br />
documentario con una trama narrativa originale e un sottile umorismo".<br />
IH Magazine, Settimanale di Cultura, Italia<br />
www.reckfilm.ch contact: f.reck@bluewin.ch
PRESS<br />
TERRA INCOGNITA A <strong>FILM</strong> <strong>BY</strong> <strong>PETER</strong> <strong>VOLKART</strong><br />
(...) Ce film de 18 minutes chrono est un petit chef d'œuvre, et je<br />
pèse mes mots. Dédié aux écrits de Raymond Roussel, ce voyage aux confins du globe<br />
a un charme fou. En le voyant, on a l'impression de partager avec les aventuriers de l'époque<br />
une expédition dans l'antarctique au temps de Charcot, voir même de vivre en<br />
direct un roman du Jules Verne, l'humour en plus. Car les scènes sont émaillées de<br />
clins d'œil appuyés au cinéma de Jeunet («La Cité des enfants perdus», en particulier).<br />
Un bijou, vous dis-je.<br />
Courier de l'ouest, Angers-France (...)<br />
Courier de l'ouest, Angers-France<br />
(...) Intensiver im Gedächtnis haften bleibt schon Peter Volkarts "Terra Incognita", der als<br />
bester Schweizer Kurzfilm des letzten Jahres ausgezeichnet wurde und durch seinen<br />
Einfallsreichtum besticht. Wie Volkart im Stile von Woody Allens "Zelig" eine<br />
Dokumentation über einen Wissenschaftler fingiert, der in den 20er Jahre des letzten<br />
Jahrhunderts zu einem sagenhaften Ort in der Arktis aufgebrochen sein soll, ist einfach<br />
hinreißend. Brillant werden alte Wochenschauaufnahmen, Fotos und<br />
Zeitungsschlagzeilen kopiert, von stupendem Detailreichtum und feinem Witz sind die<br />
ins surreale verschobenen Bilderfindungen und grenzenlos die Fabulierfreude Volkarts,<br />
der in rund 20 Minuten eine ganze Legion von Abenteuer- und Entdeckerfilmen verpackt.<br />
Da gibt’s kaum einen Dialog, aber zu hören und zu sehen wie der trockene sachliche<br />
Ton des Erzählers die aberwitzigen oder auch abgründigen, durch Farbbearbeitung fast<br />
auf schwarzweiß reduzierten Bilder kontrastiert, ist ein pures Vergnügen. In jeder<br />
Einstellung dieses unerschöpflich reichen Kleinods, das zum mehrmaligen Sehen einlädt,<br />
sieht und spürt man die Sorgfalt und die grenzenlose Liebe zum Kino, mit der<br />
Volkart "Terra Incognita" gedreht hat. (...)<br />
Walter Gasperi, Kultur-online.net<br />
Cinema - Il regista svizzero Peter Volkart vince il Siena Short Film Festival<br />
Miete successi il piccolo film Terra incognita<br />
Terra incognita ha vinto il X Festival internazionale del cortometraggio di Siena. Il<br />
Festival si è svolto dal 18 al 26 novembre e il piccolo film svizzero di Peter Volkart ha<br />
ottenuto il premio speciale per la fiction: «Per la ricchezza delle immagini utilizzate con<br />
grande ironia e inventività e per l’utilizzo di tecniche miste, ben calibrate assieme – si<br />
legge nella motivazione della giuria -. Ottimamente gestita l’integrazione di immagini di<br />
archivio nell’universo del regista». Terra incognita, già passato al festival di Locarno<br />
nella sezione Pardi di domani, è un cortometraggio sulla patafisica, la scienza delle<br />
soluzioni immaginarie.<br />
Varese News, Italia<br />
www.reckfilm.ch contact: f.reck@bluewin.ch
Raymond Roussel:<br />
writer, dandy, chess player,<br />
pistol champion and millionaire<br />
Roussel on the road...<br />
Novels and books by Raymond Roussel :<br />
La Vue (1902)<br />
Imressions d’Afrique (1910)<br />
Locus Solus (1914)<br />
Pouissière de Soleil (1926)<br />
Nouvelles Impressions d’Afrique (1915-26)<br />
RAYMOND ROUSSEL<br />
«Le plus grand magnétiseur des temps moderne» _André Breton<br />
Only a small group of enthusiasts were aware of the “oeuvres” of the<br />
French writer Raymond Roussel (1877 – 1933) during his lifetime.<br />
There is hardly any author who is so unrecognized, yet at the same<br />
time so legendary as Raymond Roussel. His influence on later writers<br />
is enormous. Some of his admirers include Raymond Queneau,<br />
Georges Perec, Boris Vian and Marcel Duchamp. André Breton<br />
called him “the greatest magnetizer of modern times”.<br />
«The president of the Republic of Dreams» _Louis Aragon<br />
Raymond Roussel was a great dandy, chess player, pistol champion<br />
and millionaire, but also an extraordinary eccentric and a neurotic<br />
addicted to barbiturates.<br />
At the age of 19, he had a decisive experience: everything he wrote<br />
seemed to be surrounded by rays of light, so he closed the shutters<br />
to keep the light from shining out onto the street. His intention was to<br />
set all of humanity into a state of illuminated amazement – in one<br />
single blow. He was terribly disappointed when his book was<br />
published and this phenomenon did not occur.<br />
”For me, the power of imagination is everything˜ _Raymond Roussel<br />
From that moment on he would try to chase down these radiant hours<br />
of happiness. In “Impressions of Africa” he creates his imaginary<br />
Africa and becomes the discoverer of new worlds. A narrative filled<br />
with meticulous details. In his novel “Locus Solus”, the history of a<br />
genius inventor, he becomes the builder of fantastic machines and a<br />
visionary architect. Raymond Roussel, this fanatic of imagination,<br />
had no intention of merging literature with vulgar reality.<br />
Together with Marcel Duchamp, Alfred Jarry and Franz Kafka,<br />
Roussel is one of the great Pataphysicists, a representative of<br />
the “science of imaginary solutions”.<br />
”It’s true. Man is a microcosm – I am my world˜ _Ludwig Wittgenstein<br />
In his search for peace and seclusion, he has the most luxurious<br />
“recreational vehicle” of his times built for him. In this peculiar<br />
vehicle, he crosses Europe, drives all the way to Asia Minor. But on<br />
the way he never leaves his living room on wheels. Exotic countries<br />
are not the least bit interesting to this poet with an exotic imagination<br />
all his own. He kept his curtains closed and all he wanted was to be<br />
able to work in peace. His inner world was perfectly enough for him.<br />
In 1933, Raymond Roussel’s journey ends. Financially ruined,<br />
he dies from an overdose of barbiturates in a hotel in Palermo.<br />
Terra Incognita is an homage to Raymond Roussel. The references to<br />
him are never direct, however. The film is a web woven from almost<br />
invisible threads and finely constructed references which link<br />
Roussel’s life and work with the film Terra Incognita.
T H E F U T U R E O F L I G H T N E S S<br />
By Peter P. Schneider<br />
There are no charter flights to Nanopol. Which is very strange, really. It’s a place that everyone<br />
would like to go to! Because the appeal of Nanopol, on the far side of the 75th parallel,<br />
is that there is no gravity there. The researcher Leschenko dares to journey there on his own.<br />
He hopes that by finding the point of zero gravity in Nanopol, he will be rehabilitated. His<br />
career as a scientist had come to an abrupt end when he was defamed as a swindler by jealous<br />
professional colleagues during the Congress of Pataphysicists and was subsequently<br />
expelled from the Academy.<br />
His stumbling block had been his genius: in a spectacular self-test, he overcame the earth’s<br />
gravity and managed to walk up the wall of a room. Another time, he made himself disappear<br />
entirely: body and soul could not possibly be lighter than when you actually make them<br />
disappear.<br />
Igor Leschenko may be a bold dreamer, but he does not fantasize. He succeeds in turning<br />
whatever he wishes into reality. All the way to the bitter end – to his self-elimination. In<br />
Nanopol he disappears into an unknown parallel universe – terra incognita. He doesn’t<br />
disappear into higher spheres, but dives into a wormhole, into the dark depths of the earth.<br />
He poses the question, „Isn’t home that place where I have not yet been?" as he once noted<br />
in his diary during his travels. Leschenko arrives where he always had wanted to be.<br />
For a fleeting moment, pure uncertainty and lightness rule – the end.<br />
But then we see the body of the scientist sitting in a run-down den. The scenery appears<br />
somewhat dismal, but Leschenko himself is quite relaxed and not unhappy. There is just one<br />
little thing which this figure in an armchair must get rid of in order to discard all earthly<br />
weight: that Leschenko in his head. A kind nurse helps him. Her injection sends waves of<br />
beautiful music through Leschenko. Through her needle, even old shellac discs release their<br />
melodies.<br />
Peter Volkart discovered the story of the pataphysicist Igor Leschenko through film footage<br />
and photographs which he found by pure coincidence in archives. This strange fellow really<br />
fascinated him. With a patient and loving meticulousness he gathered biographic fragments<br />
about this man from Hermannstadt. Fragments which he had left scattered throughout<br />
half of the world over the course of more than half a century of existence. Slowly these<br />
treasures of photos and film sequences were pieced together into the life story of a romantic<br />
eccentric. A personality as peculiar as he was fearless, who follows his highest goals –<br />
his happiness, really – and, in the course of doing so, experiences peculiar encounters: with<br />
the nightlife in Novosuburbia, with a city on high stilts, with the offshore entertainment centre<br />
Morphopolis or with the island of Subotika and its dwarves who feed themselves through<br />
a funnel on their heads.<br />
Any gaps in this reconstructed life portrait which may have existed between the photos and<br />
films that he found were carefully bridged by Peter Volkart – with subtle colored scenes<br />
made in a décor which he designed himself. With their patina, they perfectly emulate the<br />
world of the scientist, explorer and inventor Leschenko. Volkart „befriended“ Leschenko,<br />
became a scientific expert in the area of Leschenko. In the course of time, he stumbled onto<br />
some peculiar documents which provided him with many a amusing moment, but which<br />
made him doubt his own sanity from time to time. Did these worlds that Leschenko researched,<br />
that he documented with his pictures, really exist? Are the documents he found real?<br />
And should we spectators believe the unbelievable?