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2023 Emerging Contemporaries Catalogue

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Ross Wortham<br />

Sturt School for Wood<br />

Ross spent the past 20 years in the community<br />

services sector and found the craft of woodwork<br />

and fine furniture making later in life. Now, after a<br />

year of intensive study at the Sturt School for Wood<br />

in Mittagong NSW, Ross is proud to call himself a<br />

designer and maker of wooden objects. His focus is<br />

on traditional joinery and arts and crafts ideals. His<br />

work stresses the inherent beauty of the material,<br />

the importance of nature as inspiration, and the<br />

value of simplicity, utility, and sustainability. Ross is<br />

also influenced by the Japanese worldview of ‘Wabi-<br />

Sabi’, which sees beauty in that which is “imperfect,<br />

impermanent, and incomplete”, such as the wood<br />

and natural materials he chooses to work with.<br />

The ‘Gadi bench’ is made from a single bookmatched<br />

piece of American Black Walnut, paying<br />

homage to the iconic century-old telephone table,<br />

and showing a deep respect for the ever-strong<br />

dovetail joint with over 100 hours dedicated to the<br />

dovetails throughout the piece. The legs are splayed<br />

and tapered at two different angles and joined using<br />

traditional mortis and tenons with wooden buttons<br />

attaching the legs to the base allowing for movement<br />

and to ensure it is stable and strong enough to last<br />

for generations. The cushion was a collaboration with<br />

Sydney-based fabric designer Julie Paterson and<br />

is made with natural raw linen and screen printed<br />

by hand. This bench provides a lovely entry table,<br />

occasional chair or even a chaise lounge.<br />

Image: Ross Wortham, Gadi Bench, 2022. Photo: Ashley Mackevicius.

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