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Plateau Magazine June-July 2023

This issue we feature women entrepreneurs with locally run businesses and cowgirls who are protecting local animals. We also highlight protecting the land and fields that are important for bees and butterflies pollination. And for the foodies, check out our feature on the Highlands Tavern. Get outdoors with this issue, with our interview on legendary hiker Jennifer Pharr Davis.

This issue we feature women entrepreneurs with locally run businesses and cowgirls who are protecting local animals. We also highlight protecting the land and fields that are important for bees and butterflies pollination. And for the foodies, check out our feature on the Highlands Tavern. Get outdoors with this issue, with our interview on legendary hiker Jennifer Pharr Davis.

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art seen<br />

The decades of studying and painting<br />

horses deepened her connection to all creatures,<br />

and she now paints a variety of animals,<br />

often interacting with one another.<br />

“At the heart of my animal paintings is the<br />

observation that all sentient species possess<br />

basic emotional similarities such as<br />

maternal love and commitment, exuberant<br />

expressions of their own energy, enjoyment<br />

of comfort and trustworthy touch, and,<br />

conversely, fear and a potential for great<br />

suffering.” With this observation came the<br />

responsibility she feels toward all animals,<br />

domestic and wild, which “for better or<br />

worse, live their lives at our discretion.”<br />

Although beautiful, Mase’s work is<br />

neither sweet nor sentimental. It hides<br />

nothing. For example, in With a Crow, the<br />

crow sitting on the horse’s back is far from<br />

beautiful or endearing, but it emanates an<br />

intelligence as if it knows something we do<br />

not. It makes us lean in and feel—no small<br />

thing in a world dulled by pain, loss and<br />

polarization. There is a universality to it,<br />

a truth: we are all connected, humans and<br />

animals alike, and it is our responsibility<br />

to take care of each other.<br />

Even as her animal paintings evolved,<br />

her process has remained consistent. She<br />

is drawn “to the physicality of paint itself—the<br />

way it plays on the surface of the<br />

substrate, the way it interacts and defines<br />

itself.” To start, she covers the entire canvas<br />

with red oxide, which adds warmth and<br />

dimension to the paint colors. “I love how<br />

bits of red will pop through and give the<br />

painting depth. I use primarily big brushes<br />

and sponges but also pencil to break up the<br />

canvas and pull it away from pure realism.<br />

I have such fun with that.”<br />

Mase’s enthusiasm for art has never<br />

waned, but her desire to travel eventually<br />

morphed into a desire to settle, and she<br />

planted roots right here on the plateau. For<br />

the last 32 years, Mase has been a resident<br />

of Scaly Mountain. She knew nothing of<br />

western North Carolina before she moved<br />

here, but it was love at first sight. Her<br />

husband had come to the plateau to help a<br />

friend, and his enthusiasm for the area intrigued<br />

her. She decided to see for herself,<br />

a decision that changed her life. “Coming<br />

up the switchbacks from Dillard, I felt like<br />

I was coming home. I knew I had found my<br />

place.” How lucky we are to have her. P<br />

Mase’s art is on exhibit at Ann Lea Fine Art<br />

Gallery in Cashiers. To learn more, visit<br />

www.maselucas.com.<br />

Brethren,<br />

36 x 36 Acrylic and<br />

Pencil on Canvas<br />

With a Crow,<br />

36 x 36 Acrylic and<br />

Pencil on Canvas<br />

52 | The<strong>Plateau</strong>Mag.com

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