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Your Commodore - Commodore Is Awesome

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FEATURE<br />

Above: Amanda Barry, put your clothes<br />

back on this instant!<br />

SEQUEL<br />

OR<br />

BUST!<br />

-Fe•'•<br />

6h o ya gonna call this time?"; "Noiltho ya gonna call?";<br />

here to save the world again"; "They're back to save the world";<br />

W<br />

the possibilities<br />

" T<br />

of crummy<br />

h<br />

by-lines<br />

e y<br />

are seemingly<br />

' r<br />

endless.<br />

e<br />

Yes,<br />

after five quiet years the Ghostbusters, heroes of the world's biggest-grossing<br />

comedy ever, are back. But for Columbia Pictures, eager fork box-office success<br />

to mop up the worry left by a string of flops, it hasn't been easy...<br />

In 1982 Ivan Reitman (currently one of Hollywood's hottest come .<br />

properties after success such as 'Legal Eagles', 'Screwballs', 'Stripes', 'Animal<br />

House' and 'Twins') pulled together 'Saturday Night Li*' star Bill Murray,<br />

'Blues Brothers' maestro Dan Aykroyd, talented actor/ writerldiectorl producer<br />

Harold Ramis and Academy Award darling Sigourney 'Aliert(s)' Weaver for<br />

a big-budget film comedy aboutfour psychic investigators who start a rather<br />

Ily exorcism business, Ghostbusters Inc. The fi<br />

d011ars lm, to wmake, h i cwent h on c to ogross s $220 t million, pretty much guaranteeing ..<br />

a sequel t w in eone nform t or y another, particularly in the light of Hollywood's current<br />

obsession<br />

m i<br />

with<br />

l<br />

Roman<br />

l i<br />

numerals<br />

o n<br />

('Friday 13th Part Ix', 'A Nightmare on Elm<br />

Street. VI', 'Batman II', 'Blade Runner II' (being filmed on the 'Batman' set),<br />

'AlienIV*(wits Arnold Schwarzeneggar and Sigourney Weaver already signed),<br />

'Spaceballs III: The Search for Spaceballs II' and 'Star Wars I: The Clone<br />

Wars' art%,all in the,pipeline). However after the worldwide furore of the first<br />

piepre's suCcess had died down, everything went quiet. Ex-Columbia Pictures<br />

head David Puttnam showed a noted lack of enthusiasm for 'Ghostbusters<br />

II', even to the point of considering making it with an all-new low-budget<br />

cast. Putinam's much-publicised enmity with star Bill Murray, the leader of<br />

the Ghostbusters, obviously didn't help, and it wasn't until late 1987, when<br />

Puttnam was deposed as studio boss, that 'Ghostbusters II' cropped up again.<br />

Puttnarn's replacement, a Hollywood power player named Dawn Steel, recalls<br />

it as "one of the first things we talked about" at her interview for the corporation's<br />

presidency. Not surprising, since it was obviously crucial to the ailing studio<br />

that the movie got made. Six flops in one year (1988) - including the anticipated<br />

smash success 'Punehline' (with Tom Hanks and 'Sally Field), which grossed<br />

only $21 million left Columbia Pictures with a lot of problems, both in<br />

financial terms and in the box-office credibility stakes.<br />

Despite the usual sure-fire success of sequels to big movies, the sheer volume<br />

of genre movies on the Summer market might just have left "Ghostbusters<br />

II' comfortably profitable but not, ultimately, a massive hit. Studio boss Steel<br />

called the movie "the most important sequel in the history of Columbia Pictures"<br />

and it's easy to see why. It was a predictable but necessary evil for the<br />

corporation; one requiring a big investment and, therefore, a big risk. The<br />

film had got to be made. The formula had to be repeated, The cast and crew<br />

from the original movie had to be involved. But how were they all going<br />

to be got together?<br />

The story of how it happened begins much like the plot of 'Ghostbusters<br />

II' itself, in which the protagonists of the original have left 'busting behind<br />

and gone back to some semblance of normal life. The same was true of most<br />

of the east and crew from 'Ghostbusters'• urray had appeared in several<br />

....<br />

Sixty Y O U R COMMODORE

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