North American Graduate Programs in the Conservation of
North American Graduate Programs in the Conservation of
North American Graduate Programs in the Conservation of
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classes were taught by Victor von Reventlow, <strong>the</strong>n a member <strong>of</strong> <strong>the</strong> staff<br />
<strong>of</strong> <strong>the</strong> Metropolitan Museum. In 1980, upon completion <strong>of</strong> his <strong>in</strong>ternship<br />
at <strong>the</strong> Victoria and Albert Museum, program graduate Jonathan Thornton<br />
began his current teach<strong>in</strong>g at <strong>the</strong> department. Under Mr. Thornton, <strong>the</strong><br />
objects conservation curriculum has grown substantially <strong>in</strong> structure and<br />
breadth, particularly <strong>in</strong> decorative arts and picture frame conservation.<br />
Activities at <strong>the</strong> Art <strong>Conservation</strong> Department (clockwise from top left):<br />
Irene Briickle advis<strong>in</strong>g student Deborah L<strong>in</strong>n <strong>in</strong> <strong>the</strong> paper conservation laboratory;<br />
Paul Messier present<strong>in</strong>g a photograph conservation lecture to a<br />
group <strong>of</strong> students via video conference; Jonathan Thornton demonstrat<strong>in</strong>g<br />
historic doll mak<strong>in</strong>g technology to student Betsy Geiser; student Maria<br />
Curtis work<strong>in</strong>g on a panel pa<strong>in</strong>t<strong>in</strong>g; Dan Kushel demonstrat<strong>in</strong>g <strong>in</strong>frared<br />
equipment to student Sara Shpargel.<br />
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