Gorringe's Autumn Fine Sale 3rd October 2023
https://www.gorringes.co.uk/autumn-fine-auction-october-2023 Auction Preview You’ll be able to view the Lux Auction at the same time as well as the weekly House and Gardens sale, in total over a thousand lots, all being sold over two days at Gorringe’s.
https://www.gorringes.co.uk/autumn-fine-auction-october-2023
Auction Preview
You’ll be able to view the Lux Auction at the same time as well as the weekly House and Gardens sale, in total over a thousand lots, all being sold over two days at Gorringe’s.
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Gorringe’s<br />
<strong>Autumn</strong> <strong>Fine</strong> <strong>Sale</strong><br />
<strong>3rd</strong> <strong>October</strong> <strong>2023</strong><br />
1
2
65<br />
386<br />
244<br />
476
305
AUTUMN SALE<br />
Tuesday <strong>3rd</strong> <strong>October</strong><br />
10.00 am<br />
Philip Taylor - Partner<br />
+44 (0)1273 472503<br />
philipt@gorringes.co.uk<br />
15 North Street, Lewes, Sussex BN7 2PE<br />
Sally Taylor - Partner<br />
+44 (0)1273 472503<br />
sallyt@gorringes.co.uk<br />
VIEWING<br />
Friday 29th September 9.00-5.00<br />
Saturday 30th September 9.00-1.00<br />
Monday 2nd <strong>October</strong> 9.00-4.30<br />
BUYER’S PREMIUM<br />
25% + VAT<br />
payable on the hammer price of all lots<br />
IMPORTANT CHANGES TO OUR<br />
BIDDING PROCEDURE<br />
Please note that , owing to the recent introduction<br />
of Money Laundering Regulations, clients wishing to<br />
bid in this auction are likely to be asked to<br />
provide two forms of identification. This applies to<br />
both new and existing clients.<br />
Clifford Lansberry - Partner<br />
+44 (0)1273 472503<br />
clifford@gorringes.co.uk<br />
Dan Bray - Associate Partner<br />
+44 (0)1273 472503<br />
danb@gorringes.co.uk<br />
Roger Mead<br />
+44 (0)1273 472503<br />
rogerm@gorringes.co.uk<br />
David Holmes<br />
+44 (0)1273 472503<br />
davidh@gorringes.co.uk<br />
General Enquiries:<br />
Tel: 01273 472503<br />
clientservices@gorringes.co.uk<br />
Front cover: Lot 297<br />
Back cover: Lot 183<br />
Catalogues: £10 (£12.00 by post)<br />
Registered in England & Wales as a Limited Liability Partnership. Registration No. OC318535<br />
Gorringes is a trading name of Gorringes LLP
370
SALE NOTICES<br />
SALE SYMBOLS<br />
§ Artist’s resale right - 4% on the hammer price<br />
† VAT on the hammer price<br />
* Import tax of 5% on the hammer price<br />
BIDDING<br />
You may bid in the room, by commission bid, by telephone or live online. To register to bid in the room please visit the<br />
cashiers desk on the day of the sale. To leave a commission bid please use the online facility, telephone, email or fill out a<br />
bidding form. Bids must be received no later than 9 a.m. on the saleday.<br />
TELEPHONE BIDDING<br />
Telephone bids must be received no later than close of business on the 2nd of <strong>October</strong>.<br />
ONLINE BIDDING<br />
There are three online bidding platforms to choose from; thesaleroom.com, easylive.co.uk and invalauble.com. All have<br />
different additional charges on top of the hammer price and buyer’s premium.<br />
CONDITION REPORTS<br />
Rarely are things at auction in perfect condition so do satisfy yourself as to the condition of each lot. Condition reports<br />
are not printed in the catalogue. They are all available in the online catalogue at www.gorringes.co.uk. Please email if you<br />
require further information about a lot.<br />
VAT<br />
Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refunds<br />
documentation for hand-carried exports. In order to qualify for a VAT refund, your lots must be exported by a shipper<br />
and valid exportation documentation must be provided.<br />
PAYMENT TERMS<br />
Payment is required by Wednesday 10th of <strong>October</strong> by debit card, BACS, Worldpay and cash (subject to money laundering<br />
regulations). Please note we do not accept credit cards or American Express.<br />
PACKING, DELIVERY & SHIPPING<br />
Shipping can prove expensive so please ask us for a shipping quote before bidding. We aim to provide in-house packing<br />
where practical but high value and delicate items may well require a specialist. Overseas shipping is best provided by a<br />
shipper in order to access appropriate insurance cover. We can recommend local carriers, UK domestic carriers and<br />
International shipping specialists.<br />
BOOK A COLLECTION<br />
Collection is by appointment only. You need to book a collection time by 4pm the previous day. Visit the website or<br />
follow the link on your invoice to book a collection time. Purchases not collected within two weeks of the sale date<br />
will be held in storage and charged at the rate of £5+ VAT per lot per day. Please contact us if you require special<br />
arrangements to be made regarding storage.<br />
CONDITIONS OF SALE<br />
Visit www.gorringes.co.uk for full conditions of sale.
ORDER OF SALE<br />
Tuesday <strong>3rd</strong> <strong>October</strong> at 10.00am<br />
Miscellanea<br />
Bronzes and Metalware<br />
Ceramics and Glass<br />
Asian Works of Art<br />
Clocks, Carpets &<br />
Furniture<br />
1 - 27<br />
28 - 48<br />
49 - 159<br />
160 - 211<br />
Tuesday <strong>3rd</strong> <strong>October</strong> at 12.30pm<br />
Paintings and Prints<br />
Silver - 2.00pm approx<br />
Watches &<br />
Jewellery<br />
212 - 370<br />
371 - 417<br />
418 - 513<br />
8<br />
330
Miscellanea, Bronzes, Indian &<br />
European Ceramics & Works of<br />
Art<br />
Lots 1 - 48<br />
12<br />
9
Lot 1<br />
Indian / Royal Interest: VERNON & CO. Souvenir,<br />
The Imperial Visit to Delhi. Calcutta: Bombay,<br />
Vernon & Co, [1912]. the album with 85 individual<br />
gelatin silver prints of various sizes on 26 grey<br />
heavy card mounts, including a panorama of the<br />
Coronation Durbar on five sections, the larger prints<br />
mounted mostly one-per-page, others mounted<br />
in various patterns, each page with printed tissue<br />
interleaves bearing titles and the Vernon & Co.<br />
imprint. Original red calf gilt, the covers elaborately<br />
bordered in gilt, overall 40 x 52cm<br />
£2,000 - 3,000<br />
Sir William Wilson Hunter KCSI CIE (15 July<br />
1840 – 6 February 1900) was a Scottish historian,<br />
statistician, a compiler and a member of the Indian<br />
Civil Service.<br />
He is most known for The Imperial Gazetteer of<br />
India on which he started working in 1869, and<br />
which was eventually published in nine volumes<br />
in 1881, then fourteen, and later as a twenty-six<br />
volume set after his death.<br />
A record of the Coronation Durbar and the tour<br />
made by King George V and Queen Mary to Dehli<br />
in 1912. This copy was probably given to Sir William<br />
Wilson Hunter at Christmas, 1912, by Kumar Shri<br />
Ranjitsinhji, the Maharaja Jam Sahib of Nawanagar<br />
(1872-1933), one of the foremost cricket batsmen<br />
in England. Ranjitsinhji, as Maharaja and famous<br />
international cricketer, played his part in the Dehli<br />
celebrations.<br />
10
Lot 2<br />
° Indian Interest: CAXTON WORKS. Souvenir.<br />
‘Kathiawar Tour of His Excellency Sir George<br />
Sydenham Clarke, Governor of Bombay, 1910’, a<br />
leather bound album of photographs by Bourne<br />
& Shepherd, presentation copy to Sir William<br />
Hunter from Ranjitsinghi of Nawanagar, the<br />
album with 160 individual gelatin silver prints of<br />
various, the larger prints mounted mostly one-perpage,<br />
others mounted in various patterns, each<br />
page with printed interleaves bearing titles, with<br />
inscription dated 1911-1912 to W.S. Hunter Esq.<br />
from Ranjitsinghi of Nawanagor, Original red calf<br />
and cloth, sold with a Christmas card to Sir William<br />
Hunter from Thakore Sahib Sir Daulat Singh of<br />
Limbdi, Kathiawar, in original envelope postmarked<br />
1911, 47 x 37cm<br />
£1,500 - 2,000<br />
A fascinating record of the Kathiawar Tour of His<br />
Excellency Sir George Sydenham Clarke, Governor<br />
of Bombay in 1910.<br />
This copy was given to Sir William Wilson Hunter<br />
at Christmas, 1912, by Kumar Shri Ranjitsinhji, the<br />
Maharaja Jam Sahib of Nawanagar (1872-1933),<br />
one of the foremost cricket batsmen in England.<br />
Ranjitsinhji, as Maharaja and famous international<br />
cricketer, played his part in the Tours, and this copy<br />
was probably one of a few copies commissioned<br />
from Caxton Works. for presentation to celebrate the<br />
Tour.<br />
Sir William Wilson Hunter KCSI CIE (15 July<br />
1840 – 6 February 1900) was a Scottish historian,<br />
statistician, a compiler and a member of the Indian<br />
Civil Service.He is most known for The Imperial<br />
Gazetteer of India on which he started working in<br />
1869, and which was eventually published in nine<br />
volumes in 1881, then fourteen, and later as a<br />
twenty-six volume set after his death.<br />
11
Lot 3<br />
A very finely engineered scratch-built 5” gauge<br />
live steam model of a LNWR (London and<br />
North Western Railway) Jumbo 2-4-0 tender<br />
locomotive, No. 1045 ‘Whitworth’, constructed<br />
by an award winning model engineer and based<br />
on original Crewe drawings of the Whitworth Class<br />
(otherwise known as the Waterloo Class). The<br />
model has a specialist built copper boiler with<br />
injector and hand pump water feed with detailed<br />
brass cab fittings and a woodblock cab floor. The<br />
cylinders have the correct sloping slide valves and<br />
Allan straight link valve gear. The model is finished<br />
in satin finish black paint with accurately applied<br />
and finely finished authentic lining. A detailed<br />
brass number plate to the cab side and the LNWR<br />
shed plate is fitted to the rear edge of the cab<br />
roof. The exterior of the locomotive has extensive<br />
and accurately aligned rivetting. A large and<br />
comprehensive portfolio of the builder’s drawings<br />
and construction photographs are included together<br />
with the cylinder block patterns and a current boiler<br />
hydraulic test certificate dated 1/10/22, total length<br />
126cm<br />
£5,000 - 8,000<br />
Lot 4<br />
A pair of malachite veneered obelisks with<br />
stepped square bases, 12 x 12cm, 60cm high<br />
£800 - 1,200<br />
Lot 5<br />
A Jacques ebony and boxwood Staunton<br />
pattern chess set, kings 9cm, with loaded bases<br />
and a Victorian walnut folding chessboard, inlaid<br />
with parquetry banding, 44 x 39cm when open<br />
£600 - 800<br />
12
Lot 6<br />
An appliqué needlework panel, from<br />
‘Greystoke Castle’ depicting a hunting scene,<br />
worked by Lady Elizabeth Howard, Countess of<br />
Arundel, c.1640, 131cm x 72cm, oak framed<br />
£500 - 800<br />
Lot 7<br />
After Joseph Chinard (French 1756-<br />
1813). A French white marble bust of<br />
Juliette Récamier, 32cm wide, 24cm deep,<br />
63cm high<br />
£2,000 - 3,000<br />
Juliette Recamier was celebrated for her<br />
beauty and her many illustrious love affairs.<br />
Many artists portrayed her elegant looks but<br />
Chinard’s bust is still considered the most<br />
successful. A terracotta version is in the<br />
Getty Museum of Art. Another was recently<br />
exhibited at the New Orleans Museum of<br />
Art in “Jefferson’s America & Napoleon’s<br />
France” celebrating the Louisiana Purchase<br />
Bicentennial.<br />
13
Lot 8<br />
After the Antique. A late 19th century Italian carved<br />
white marble figure of Venus Anadyomene standing semidraped,<br />
her hands adjusting her hair, signed P.Tomasi, on<br />
integral naturalistic base, 30cm wide, 96cm high<br />
£3,000 - 5,000<br />
Venus Anadyomene (from Greek, «Venus Rising from the<br />
Sea») is one of the iconic representations of the goddess<br />
Venus (Aphrodite), made famous in a much-admired painting<br />
by Apelles, now lost, but described in Pliny›s Natural<br />
History, with the anecdote that the great Apelles employed<br />
Campaspe, a mistress of Alexander the Great, for his model.<br />
According to Athenaeus, the idea of Aphrodite rising from the<br />
sea was inspired by the courtesan Phryne, who, during the<br />
time of the festivals of the Eleusinia and Poseidonia, often<br />
swam nude in the sea.<br />
The subject never entirely disappeared in Western art,<br />
and revived greatly in the Italian Renaissance, with further<br />
boosts in the Baroque and Rococo, and in late 19th-century<br />
Academic painting.<br />
14
Lot 9<br />
An 18th century French<br />
carved white marble relief<br />
plaque, depicting a classical<br />
maiden holding a floral<br />
wreath above a burning heart,<br />
attended by cherubs, bearing<br />
incised signature Falconet and<br />
dated, 43cm wide, 57cm high<br />
£600 - 800<br />
Lot 10<br />
After the Antique. A pair of<br />
19th century white marble<br />
busts of Apollo and Diana,<br />
on grey marble columns with<br />
squared plinths, busts 57cm<br />
high, columns 121.5cm high<br />
£1,500 - 2,000<br />
15
Lot 11<br />
A late Victorian oak smoker’s<br />
cabinet modelled as a sentry<br />
box with a watercolour panel<br />
by Richard Simkin (1840-<br />
1926), with slatted pitched roof,<br />
the hinged front door with glass<br />
panel with original watercolour<br />
of a soldier of ‘The Seaforth<br />
Highlanders’ standing to attention,<br />
opening to reveal three drawers,<br />
each with flush fitting brass finger<br />
pulls, the sprung lock which locks<br />
when the door is pushed shut<br />
can only be opened by key, 12cm<br />
wide, 12cm deep, 26.5cm high<br />
£800 - 1,200<br />
16
Lot 12<br />
A 16th century Dutch carved<br />
oak model of a griffin rampant<br />
holding a shield, on domed base,<br />
23cm wide, 9cm deep, 60cm high<br />
£800 - 1,200<br />
17
Lot 13<br />
A pair of Louis XVI style ormolu and grey marble<br />
five light candelabra with scrolling branches and<br />
urn shaped stems on architectural plinths, 26cm<br />
wide, 63cm high<br />
£400 - 600<br />
Lot 14<br />
A pair of Louis XVI style ormolu mounted<br />
Samson powder blue vases mounted as table<br />
lamps, with ornate foliate scroll handles and<br />
rococo scroll feet, 27cm wide, 42cm high, overall<br />
incl. wood plinth 70cm high<br />
Lot 14A<br />
A graduated pair of 19th century Continental<br />
ormolu mounted mother of pearl pedestal<br />
bowls each modelled with birds perched upon<br />
the rim and rustic branches on fern and branch<br />
feet with reptiles, largest 23cm wide, 15cm high<br />
£1,500 - 2,000<br />
£600 - 800<br />
18
Lot 15<br />
Emmanuel Fremiet (French, 1824-1910).<br />
A gilt patinated bronze, St Michael and<br />
the dragon, signed in the naturalistic base,<br />
standing upon a red marble plinth, 34cm<br />
wide, 56cm high<br />
£1,000 - 1,500<br />
Lot 16<br />
After Auguste Moreau (French, 1834-1917). A<br />
bronze figure of a ballerina, bears signature in<br />
the bronze, on marble plinth, height 100cm.<br />
£1,000 - 1,500<br />
19
Lot 17<br />
A Mughal style miniature gouache painting<br />
depicting Miran Shah, son of the Central Asian<br />
conqueror Timur, 19th century, the figure of Miran<br />
Shah seated on a throne, visited by a dignitary,<br />
within multicoloured arabesque borders with<br />
reserves of calligraphy, the reverse with four line<br />
inscription within marbled borders, image 46.5 x<br />
29cm<br />
£800 - 1,200<br />
Lot<br />
Attri<br />
(Itali<br />
Dec<br />
of an<br />
two<br />
and<br />
CITE<br />
TTC<br />
24cm<br />
Lot 18<br />
An Indian gold damascened iron box, 19th<br />
century, decorated with a repeating design of<br />
flowers, leaves and tendrils, the domed cover also<br />
decorated on the interior, on four outswept feet,<br />
22.5cm wide, includes key<br />
Lot 19<br />
£300 - 500<br />
A Cairo ware silver and copper inlaid brass<br />
Qur’an stand, early 20th century, in Mamluk<br />
revival style, of hexagonal form decorated with kufic<br />
script, scrolling foliage, with a single hinged door to<br />
one side, 30.5cm high, 22.2cm wide<br />
£300 - 500<br />
20
Lot 20<br />
A Muller Freres Art Deco wrought iron and frosted<br />
pink glass table lamp, the domed shade moulded<br />
with flowers and scrolls, on beaded triangular stem<br />
with planished base, 28cm diameter, 30cm high<br />
£300 - 500<br />
Lot 22<br />
Attributed to Ugo Cipriani<br />
(Italian, 1887-1960). An Art<br />
Deco bronzed spelter group<br />
of an archer shooting at<br />
two antelopes, green onyx<br />
and black marble plinth,<br />
CITES Submission reference<br />
TTCVABWS, 82cm wide,<br />
24cm deep, 55cm high<br />
£400 - 600<br />
Lot 21<br />
J.B. Leonard. An Art<br />
Deco bronze model of<br />
a seagull, signed and<br />
stamped BRONZE 224,<br />
on black marble plinth,<br />
45cm wide, 23cm deep,<br />
65cm high<br />
£300 - 500<br />
21
Lot 23<br />
Philippe Matteau (Matto). An Art Deco bronze and<br />
marble group of three dancing pan pipers, on<br />
variegated green marble plinth with attribution plaque,<br />
80cm wide, 15cm deep, 40cm high<br />
£800 - 1,200<br />
Lot 24<br />
Alexandre Ouline (French, fl.1918-<br />
1940). An Art Deco bronzed<br />
terracotta sculpture, signed, 50cm<br />
wide, 15cm deep, 35cm high<br />
£300 - 500<br />
22
Lot 25<br />
Alexandre Kelety (French/Hungarian, 1874-1940).<br />
A French Art Deco bronze group of two tillermen,<br />
on black marble plinth, signed in the bronze, 47cm<br />
long, 17cm deep, 23cm high<br />
£400 - 600<br />
Lot 27<br />
Henri Fugère (1872-1944). An Art Deco<br />
silvered bronze figure of a nude dancer<br />
standing upon a tapered signed two tone<br />
marble plinth, 13cm wide, 39cm high<br />
£800 - 1,200<br />
Lot 26<br />
Johan Jussi Rickhard Mäntynen (Finnish, 1888-<br />
1978). A bronze model of a lynx, signed and dated<br />
1930 in the bronze, 29cm long, 22cm high<br />
£800 - 1,200<br />
23
Lot 28<br />
A Pilkingtons Royal Lancastrian lustre<br />
hexagonal jar and cover, by William S. Mycock,<br />
painted with red grapes and silver-green lustre<br />
vines, on a yellow to green graduated ground,<br />
impressed mark and model number 2800, silver<br />
lustre monogram above a small drawing of a galleon<br />
ship, 22cm high, cover damaged<br />
£300 - 400<br />
Lot 29<br />
Attributed to Peter Behrens (German, 1868-<br />
1940). An Art Nouveau pottery and copper<br />
overlaid vase by Marzi & Remy, Hohr,<br />
covered in a bronze coloured drizzled glaze,<br />
the copper foliate strap work mounts formerly<br />
gilded, impressed makers mark, 40cm high,<br />
some copper overlay lifting<br />
£300 - 500<br />
24
Lot 30<br />
Octave Larrieu (French, 1881-1965). An Art<br />
Deco pottery model of a panther, signed,<br />
covered in a semi translucent green glaze,<br />
27.5cm long<br />
£300 - 500<br />
Lot 31<br />
Armand Godard (French, 1824-1887). An Art<br />
Deco ceramic group of a reclining beauty<br />
with a kid, signed, impressed marks, 52.5cm<br />
wide<br />
£300 - 500<br />
Lot 32<br />
Georges Chauvel (French 1886-<br />
1962). An Art Deco ceramic figure<br />
of a sleeping Diana, signed,<br />
impressed marks, 41cm wide<br />
£300 - 500<br />
25
Lot 33<br />
Charles Vyse (1882-1971) - a Chelsea Pottery<br />
group, ‘The Madonna of World’s End Passage’,<br />
the underside inscribed with monograms CV,<br />
Chelsea and dated 1923, 25cm high<br />
£650 - 850<br />
Lot 34<br />
Charles Vyse (1882-1971) - a Chelsea Pottery<br />
figure, ‘The Balloon Woman’, the underside<br />
inscribed with monograms CV, Chelsea and dated<br />
1922; together with the original receipt dated 1st<br />
January, 1923 £6 6s, 22.5cm<br />
£350 - 450<br />
26
Lot 35<br />
Charles Vyse (1882-1971) - a Chelsea<br />
Pottery figure, ‘The Lavender Girl’,<br />
the hexagonal plinth underside inscribed<br />
with monograms CV, Chelsea and dated<br />
1921, 22.5cm high<br />
Lot 36<br />
£450 - 650<br />
Charles Vyse (1882-1971) - a Chelsea<br />
Pottery figure, ‘The Tulip Woman’,<br />
the circular underside inscribed with<br />
monograms CV, Chelsea and dated<br />
1924, 26cm high<br />
Lot 37<br />
£450 - 650<br />
Charles Vyse (1882-1971) - a Chelsea<br />
Pottery group, ‘The Tug of war’, a<br />
rare allegorical subject, the underside<br />
inscribed with monograms CV, Chelsea<br />
and dated 1924, 26cm<br />
£2,500 - 3,500<br />
27
Lot 38<br />
Dame Lucie Rie D.B.E. (1902-1995),<br />
a stoneware conical bowl, of slightly<br />
elliptical form, off white glazed with<br />
manganese rim, impressed seal mark,<br />
20.1cm wide, 12cm high<br />
£1,500 - 2,000<br />
Lot 39<br />
Dame Lucie Rie D.B.E. (1902-1995) and Hans Coper (1920-1981), a pair of stoneware<br />
bowls and a third stoneware bowl by Dame Lucie Rie, the pair of bowls off-white<br />
glazed the interior and half the exterior, the lower half in a dark brown glaze, impressed<br />
seal marks,13cm diameter the single Rie bowl covered in a brown and white striped glaze<br />
and incised with lines to the exterior, impressed seal mark, 1.9cm diameter, 6.4cm high,<br />
all damaged<br />
£300 - 500<br />
28
Lot 40<br />
Dame Lucie Rie D.B.E. (1902-1995), a<br />
stoneware trumpet neck vase, covered in<br />
cream and dark brown spiral streaked glaze, the<br />
rim in pale blue and turquoise, impressed seal<br />
mark, 30.5cm (a.f)<br />
£300 - 500<br />
Lot 41<br />
Gabriele Koch (b.1948), a<br />
large hand built and burnished<br />
earthenware vase, of globe form,<br />
covered in black and white mottled<br />
glazes, approximately 42cm<br />
diameter, 40cm high<br />
£300 - 500<br />
29
Lot 42<br />
A Rene Lalique Inseparables<br />
opalescent glass desk timepiece,<br />
of square form, inset with the original<br />
Swiss eight day timepiece with<br />
Arabic numeral dial, moulded mark R<br />
LALIQUE, 11cm wide, small splinter<br />
chip to underside of one corner<br />
£1,000 - 1,500<br />
Lot 43<br />
A large Daum pâte-de-verre model of<br />
‘Appaloosa’ horse’s head, designed<br />
by Claude L’Hoste (1929-2009), limited<br />
edition no.92/200, moulded marks ‘Daum<br />
France and ‘L’Hoste’, 38cm high<br />
£300 - 500<br />
30
Lot 44<br />
A rare neo-classical enamel on<br />
copper vase, probably Vienna<br />
18th/19th century, painted to each<br />
side with figure scenes in the style of<br />
Angelica Kauffman within tooled gilt<br />
cartouches, on a Sevres style dark blue<br />
and gilt caillouté pattern ground, 31.5cm<br />
high, slight damage and enamelling<br />
imperfections<br />
£400 - 600<br />
Lot 45<br />
A pair of large Meissen figural bonbon<br />
dishes, 19th century, modelled as a lady<br />
and gentlemen in 18th century floral dress,<br />
each reclining and holding a basket, on a<br />
scrollwork base, crossed swords marks and<br />
incised model numbers 2863 and 2858,<br />
28.5cm wide<br />
£400 - 600<br />
31
Lot 46<br />
A large Meissen figure of a rearing stallion<br />
modelled by Eric Oehme, c.1949, signed,<br />
impressed crossed swords ‘Weiss’ and model<br />
no.S206, 50cm high<br />
£300 - 500<br />
Lot 47<br />
An English or Welsh slipware baking dish,<br />
late 18th/early 19th century, with cream trailed<br />
decoration on a brown ground, 46cm wide, two<br />
rim cracks<br />
£800 - 1,200<br />
Lot 48<br />
A pair of Chelsea porcelain groups<br />
of a shepherd and shepherdess,<br />
c.1760-65, the figure of the shepherd<br />
with two dogs and bagpipes by his feet,<br />
the shepherdess with a lamb and a<br />
ewe, both encrusted with flowers, gold<br />
anchor marks, approximately 29.5cm<br />
high, some restorations<br />
£400 - 600<br />
32
Asian Works of<br />
Art<br />
Lots 49-159<br />
52<br />
33
Lot 49<br />
A Japanese lacquer cabinet<br />
(shodana), Meiji period,<br />
finely decorated in gold and<br />
silver lacquer with trees<br />
and river landscapes, the<br />
upper section fitted with two<br />
sliding drawers above an<br />
arrangement of asymmetric<br />
shelves, a pair of cupboard<br />
doors and five short drawers,<br />
on a shaped plinth, 100.5cm<br />
wide, 41cm deep, 94cm high<br />
£4,000 - 5,000<br />
Lot 50<br />
A large Japanese Satsuma pottery<br />
koro and cover, Meiji period, painted<br />
to each side with hunting scenes, the<br />
globular body slide with a pair of elephant<br />
head handles, on three mythical beast<br />
mask feet, the pierced domed cover<br />
surmounted by the figure of Jurojin with<br />
a deer, six character gilt mark and eight<br />
character impressed mark, 36cm, some<br />
damage<br />
£300 - 500<br />
34
Lot 51<br />
A good Japanese tsuishu (carved red lacquer) four case inro,<br />
by Yosei, and a similar manju netsuke, 19th century, carved<br />
in high relief with immortals in a garden, the reverse with ladies<br />
playing Go beneath a pine tree, on a brocaded ground, with tsuishu<br />
and tsuio (red and yellow lacquer) scrollwork borders and a seal<br />
script signature ‘Yosei saku’ to one end, black lacquer interior,<br />
8.8cm, the manju carved in high relief with irises on a brocade<br />
ground, unsigned, 4.2cm, together with a silver ojime cast in relief<br />
with rocks, fungus and irises, engraved three character maker’s<br />
mark, 1.9cm<br />
£800 - 1,200<br />
Lot 52<br />
A fine Japanese silver wire cloisonné<br />
enamel ‘dragon’ vase, Meiji period, with fine<br />
silver wire work details including the individual<br />
scales of the dragon, on a midnight blue<br />
ground, 18.5cm<br />
£300 - 500<br />
Lot 53<br />
A Japanese Komai style mixed metal inlaid<br />
bronze dish, Meiji period, decorated with cranes<br />
by a river, within a fretwork border, Kyoto maker’s<br />
mark in gilt, 27.5cm diameter<br />
£1,000 - 1,500<br />
35
Lot 54<br />
A pair of Chinese wucai spiral lobed baluster<br />
vases and covers, Kangxi, c.1680, each painted<br />
with lines of flowers, leaves and tendrils, lotus<br />
petalled covers and borders, 32.5cm high, minor<br />
damage<br />
£2,000 - 3,000<br />
Lot 55<br />
Two large Chinese flambé glazed bottle vases,<br />
18th century, each covered in a purple streaked<br />
crimson red crackle-glaze, with mushroom<br />
coloured glaze to the rim and interior of the neck,<br />
black ink inscription to the unglazed base, 35.8cm<br />
and 34cm high, occasional tiny glaze flakes<br />
cf. a similarly shaped flambé vase in the Victoria<br />
& Albert Museum, London, accession no. C.405-<br />
1910, dated to the Qianlong period.<br />
£3,000 - 5,000<br />
36
Lot 56<br />
A large Chinese iron red<br />
enamelled ‘lotus pond’ dish,<br />
Wanli mark and possibly of the<br />
period, the centre and reverse<br />
border painted with ducks in a lotus<br />
pond, 30.5cm diameter<br />
£2,000 - 3,000<br />
37
Lot 57<br />
Twelve Chinese blue and white ‘Pagoda Riverscape’ tea bowls and saucers, Nanking<br />
Cargo, c.1750, the teabowls 7.5cm, the saucers 12cm diameter<br />
Provenance- bought directly by the vendor from Christie’s, Amsterdam sale of the Nanking<br />
cargo, Chinese export porcelain and gold, Hilton Hotel, Amsterdam 28th April – 2 May 1986,<br />
ex lot 5041.<br />
£800 - 1,200<br />
Lot 58<br />
Twelve Chinese blue and white ‘Peony and Pomegranate’ plates, Nanking Cargo,<br />
c.1750, 23cm diameter<br />
Provenance- bought directly by the vendor from Christie’s, Amsterdam sale of the Nanking<br />
cargo, Chinese export porcelain and gold, Hilton Hotel, Amsterdam 28th April – 2 May 1986,<br />
ex lot 3612<br />
£800 - 1,200<br />
38
Lot 59<br />
Twelve Chinese blue and white ‘Flying Geese’ bowls and saucer dishes, Nanking<br />
Cargo, c.1750, the bowls 11.5cm diameter and the saucer dishes 17.5cm diameter<br />
Provenance- bought directly by the vendor from Christie’s, Amsterdam sale of the Nanking<br />
cargo, Chinese export porcelain and gold, Hilton Hotel, Amsterdam 28th April – 2 May 1986,<br />
ex. Lot 2641<br />
£800 - 1,200<br />
Lot 60<br />
Twelve Chinese blue and white ‘Boatman and Six flower border’ plates, Nanking Cargo,<br />
c.1750, 23cm diameter<br />
Provenance- bought directly by the vendor from Christie’s, Amsterdam sale of the Nanking<br />
cargo, Chinese export porcelain and gold, Hilton Hotel, Amsterdam 28th April – 2 May 1986, ex<br />
lot 1680<br />
£600 - 800<br />
39
Lot 61<br />
Three Chinese blue and<br />
white ‘Leaping Boy’ middle<br />
size dishes, Nanking<br />
Cargo, c.1750, 25.5cm<br />
diameter<br />
Provenance- bought directly<br />
by the vendor from Christie’s,<br />
Amsterdam sale of the<br />
Nanking cargo, Chinese<br />
export porcelain and gold,<br />
Hilton Hotel, Amsterdam 28th<br />
April – 2 May 1986, half of lot<br />
4626.<br />
£300 - 400<br />
Lot 62<br />
A Chinese blue and white bullet-shaped<br />
teapot and cover, Nanking Cargo, c.1750,<br />
painted with willow and peony issuing from a<br />
terrace come on the rocky riverbank and with<br />
a scholars retreat beside a pine on a distant<br />
bank below a border of trellis pattern, 22.5cm<br />
across<br />
Provenance- as per lot 61 – 2 May 1986, ex<br />
lot 2058<br />
£200 - 300<br />
Lot 63<br />
Ten Chinese blue and<br />
white ‘Boatman and Six<br />
flower border’ plates,<br />
Nanking Cargo, c.1750,<br />
23cm diameter<br />
Provenance- bought<br />
directly by the vendor from<br />
Christie’s, Amsterdam<br />
sale of the Nanking cargo,<br />
Chinese export porcelain<br />
and gold, Hilton Hotel,<br />
Amsterdam 28th April – 2<br />
May 1986, the majority of<br />
lot 1674<br />
£500 - 700<br />
40
Lot 64<br />
A Chinese blue and white ‘Daoist<br />
immortals’ yen-yen vase, Kangxi<br />
period, the trumpet shaped neck painted<br />
with the Sanxing (three star gods); Fu, Lu<br />
and Shou and attendants, the baluster<br />
shaped body with four versions of Liu Hai<br />
dancing by the three legged toad, 46cm<br />
high, glaze losses to rim and edge of foot<br />
cf. a similar Kangxi blue and white yenyen<br />
vase from the Franks collection in<br />
the British Museum painted with Daoist<br />
immortals, accession No. Franks.277.+.<br />
£15,000 - 20,000<br />
Lot 65<br />
A Chinese blue and white porcelain<br />
circular plaque, possibly 17th century,<br />
finely painted with a fisherman in a river<br />
landscape scene, 6.2cm diameter, plaque<br />
broken and repaired, wood stand and<br />
damaged frame<br />
£800 - 1,200<br />
41
Lot 66<br />
A Chinese blue and white ‘Shou Lao’<br />
dish, Yongzheng period, painted with the<br />
immortal, a deer amid rock work and trees,<br />
with birds in the background, unglazed<br />
base, sprigging to the underside and an<br />
engraved to character collector’s mark,<br />
27.2cm diameter<br />
£300 - 400<br />
Lot 67<br />
A Chinese blue and white wine ewer and<br />
cover, Kangxi period, the pear-shaped body<br />
painted with antiques, the s-scroll handle and<br />
spout with ruyi shaped clouds, 13.8cm high,<br />
crack to base of handle<br />
cf. almost identical wine ewer in the Fries<br />
Museum, Netherlands.<br />
£300 - 400<br />
Lot 68<br />
A Chinese blue and white ‘dragon’ plate,<br />
Kangxi period, painted with confronting<br />
dragons amid scrolling clouds on a blue<br />
ground, similar blue banded border, sprigs to<br />
underside, double circle around a seal mark,<br />
engraved collector’s marks, 21cm diameter<br />
£200 - 300<br />
42
Lot 69<br />
A Chinese famille verte ‘lotus pond’ plate,<br />
Kangxi period, painted with a butterfly hovering by<br />
a lotus pond, within diaper and ribbon tied object<br />
borders, the reverse with double underglaze blue<br />
circle surrounding a twin fish mark, 27cm diameter,<br />
hairline crack<br />
£300 - 400<br />
Lot 70<br />
A Chinese flambé glazed lobed meiping, 18th<br />
century, of quatrelobed section, with a caramel<br />
glazed base, 29cm high, glaze chips<br />
£300 - 500<br />
Lot 71<br />
A Chinese Ming wucai porcelain Kaiseki<br />
dish, Chongzhen period c.1635, made<br />
for the Japanese market, painted with a<br />
monkey, a deer, rockwork, a peach tree, a<br />
bird and butterfly in flight, within polychrome<br />
chequered borders, apocryphal underglaze<br />
blue Chenghua six character mark, 20.5cm<br />
diameter<br />
Literature- a similar dish is published in<br />
‘Transitional Wares and Their Forerunners’ An<br />
exhibition presented by the Oriental Ceramics<br />
Society of Hong Kong at the Hong Kong<br />
Museum of Art in 1981 page 139, plate 162 in<br />
the catalogue.<br />
£800 - 1,200<br />
43
Lot 72<br />
A large Chinese Longquan celadon<br />
‘magnolia’ tripod censer, Ming<br />
dynasty, the compressed globular<br />
body incised with magnolia, on three<br />
animal mask feet, burnt orange ring to<br />
the unglazed base, 32cm wide, crazing<br />
and small cracks<br />
£600 - 800<br />
Lot 73<br />
A Chinese proto-celadon tripod ritual vessel, ding,<br />
Western Zhou dynasty/Spring & <strong>Autumn</strong> period,<br />
the compressed globular body incised with bands of<br />
pinpricks interspersed by two fins, the shoulder applied<br />
with a pair of twisted loop handles, on three tapering<br />
feet, the coiled construction visible on the interior,<br />
unglazed patch to the base, 22cm wide, 13.5cm high<br />
Provenance - the vendor bought this vessel in the 1990s<br />
from a dealer while living in Hong Kong.<br />
£2,000 - 3,000<br />
Lot 74<br />
A Chinese Longquan celadon fluted<br />
brush washer, Yuan dynasty, crackle<br />
to the glaze all over, burnt orange to the<br />
unglazed base, 11.3cm diameter, kintsugi<br />
style repair<br />
£300 - 500<br />
44
Lot 75<br />
A Chinese flambé glazed bottle vase,<br />
tianqiuping, 18th/19th, mounted as a lamp,<br />
31.5cm high excluding later lamp fitting, foot ground<br />
off<br />
£400 - 600<br />
Lot 76<br />
A 17th century Chinese blue and white jar, Shunzhi<br />
or Kangxi period, the short neck painted with lappets,<br />
the body with chrysanthemums amid scrolling tendrils<br />
on a blue ground, 21.5cm high, cracks and restoration<br />
to neck<br />
Provenance - the vendor acquired this jar from a dealer<br />
while living and working in Hong Kong in the 1990s.<br />
£400 - 600<br />
Lot 77<br />
A Chinese blue and white octagonal garden seat,<br />
18th/19th century, painted with lotus flowers and<br />
scrolling leaves and tendrils, 49cm high, broken and<br />
restored<br />
£300 - 500<br />
45
Lot 78<br />
A Chinese enamelled<br />
porcelain Mandarin<br />
pattern water bottle<br />
(guglet) and basin,<br />
Qianlong period, painted<br />
with court figures in a<br />
garden, basin 26cm<br />
diameter, bottle 23.5cm<br />
high<br />
£800 - 1,200<br />
Lot 79<br />
A Chinese buff pottery model of a<br />
horse, Han dynasty (206 BC-220<br />
AD) painted in red and white pigments,<br />
44cm long<br />
Provenance- the collection of the late<br />
prof. R.M. Hicks OBE.<br />
£150 - 250<br />
Lot 80<br />
A Chinese enamelled<br />
porcelain Mandarin<br />
pattern bowl, Qianlong<br />
period, the exterior painted<br />
with court figures in<br />
landscapes, within cellular<br />
borders reserved with<br />
flower sprigs, the interior<br />
with peony sprig and<br />
fleur-de-lys border, 29cm<br />
diameter<br />
£500 - 800<br />
46
Lot 81<br />
A graduated set of three<br />
Chinese famille rose mugs,<br />
Qianlong period, each<br />
painted with court figures,<br />
within underglaze blue floral<br />
borders, and with further<br />
reserves of landscapes<br />
within flower sprigs, 10.5cm -<br />
13.5cm high<br />
£300 - 500<br />
Lot 82<br />
A Chinese famille rose bottle vase, tianqiuping,<br />
Qianlong seal mark but Republic period, painted<br />
with peonies, other flowers, blossoming magnolia<br />
and butterflies in flight, 27cm high, restored<br />
£800 - 1,200<br />
Lot 83<br />
A Chinese blue and white ‘dragon’ vase,<br />
Wanli mark but later, painted with dragons<br />
amid scrolling clouds, the trumpet shaped<br />
neck applied with a pair of ruyi sceptre<br />
shaped handles, apocryphal six character<br />
mark, 31cm high, neck repaired<br />
£600 - 800<br />
47
Pro<br />
ant<br />
in th<br />
Lot 84<br />
A Chinese enamelled porcelain millefleur<br />
dish, late 19th/early 20th century, painted with<br />
the thousand flower design on a gilt ground,<br />
apocryphal four character Qianlong mark to base,<br />
floral sprigs around the border of the underside,<br />
24.2cm diameter, hairline cracks<br />
£300 - 500<br />
Lo<br />
A C<br />
Gu<br />
(18<br />
with<br />
pru<br />
pain<br />
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sgr<br />
re-g<br />
Lot 85<br />
A Chinese doucai ‘dragon’ deep bowl,<br />
19th century, the interior painted with a<br />
confronting five claw dragon chasing a<br />
flaming pearl, key work border, the exterior<br />
painted with two five claw dragons chasing a<br />
flaming pearl amid flames and above waves<br />
and a key-work foot, apocryphal underglaze<br />
blue Wanli mark, 28.2cm diameter, small chip<br />
and glaze losses to rim<br />
£400 - 600<br />
Lot 86<br />
An unusual Chinese gilded flambé baluster<br />
vase, 19th century, the streaked ox blood glaze<br />
gilt decorated with lotus flowers scrolling leaves and<br />
tendrils and shou characters, 41cm high<br />
£800 - 1,200<br />
48
Lot 87<br />
A Chinese yellow ground medallion bowl,<br />
Guangxu six character mark and of the period<br />
(1875-1908), the interior painted in underglaze blue<br />
with three goats in a landscape, the border with<br />
prunus and ribbon tied auspicious objects, the exterior<br />
painted with goats in landscapes to three medallions,<br />
interspersed by antiques, peonies and fruit on a<br />
sgraffito yellow ground, 15cm diameter, cracked and<br />
re-glued<br />
Provenance - the vendor acquired this bowl from an<br />
antiques dealer while living and working in Hong Kong<br />
in the 1990s.<br />
£600 - 800<br />
Lot 88<br />
A Chinese enamelled porcelain ‘eighteen luohan’<br />
vase, late 19th century, painted in an unusual<br />
colour palette with the figures of the eighteen luohan<br />
in a landscape, the neck applied with a pair of lion<br />
dog handles, the shoulder with chilong, 43.5cm high,<br />
crack to one side of vase<br />
£400 - 600<br />
Lot 89<br />
A pair of Chinese famille verte<br />
‘Sanxing’ vases and covers, 19th<br />
century, each well painted with the<br />
three star gods Fu, Lu and Shou,<br />
with a deer and boys in a landscape,<br />
underglaze blue double circle to base,<br />
31.5cm and 32cm high, some cracks<br />
£800 - 1,200<br />
49
Lot 90<br />
A pair of large Chinese<br />
crackle glaze famille rose<br />
‘Hundred Bird’ rouleau<br />
vases, late 19th century,<br />
each painted with a<br />
continuous scene of birds in<br />
a landscape amid rockwork<br />
and flowers, with a lower band<br />
of butterflies and fruit on a<br />
stippled ground, apocryphal<br />
Kangxi underglaze blue<br />
marks, 45cm high<br />
£1,000 - 1,500<br />
Lot 91<br />
A Chinese blue and white ‘dragon’<br />
dish, Kangxi mark, 19th century,<br />
finely painted with a central confronting<br />
dragon surrounding a flaming pearl,<br />
flanked by two further dragons amid<br />
clouds and flames, the underside<br />
with six character Kangxi mark within<br />
a double circle, surrounded by five<br />
bats, 36.5cm across, dish slightly<br />
misshapen<br />
£1,000 - 1,500<br />
50
Lot 92<br />
An unusual Chinese Ming style ‘dragon’<br />
jar, 20th century, decorated with three<br />
green glazed dragons on an anhua cloud<br />
and lappeted ground, apocryphal Wanli six<br />
character mark, 32cm high<br />
£200 - 300<br />
Lot 93<br />
A Chinese famille rose beaker vase, gu, late<br />
Qing / early Republic period finely painted<br />
with two pheasants amid rockwork and peonies,<br />
the central ‘bulb’ painted with two dragons amid<br />
flowers and scrolling tendrils, apocryphal six<br />
character seal mark to the base, 22cm high<br />
splinter chip to rim<br />
£200 - 300<br />
Lot 94<br />
A Chinese yellow ground ‘phoenix’ bowl, Daoguang mark and of<br />
the period (1821-50), the exterior painted with four different phoenixes<br />
amid exotic flowers, on a yellow ground, the interior and base turquoise<br />
glazed, six character iron red ‘Da Qing Daoguang nian zhi’ seal mark to<br />
the base, 20.5cm diameter, glaze discoloured inside<br />
£2,000 - 3,000<br />
51
Lot 95<br />
A pair of Chinese faux bamboo porcelain hat<br />
stands, late 19th century, each glazed in colours<br />
in imitation of bamboo tied with a bat and twin fish<br />
pendant, unmarked, 27cm high, small chip losses<br />
£600 - 800<br />
Lot 96<br />
A large Chinese ‘nine peach’ enamelled porcelain<br />
dish, Qianlong seal mark but 19th century, painted<br />
to the front with six peaches on blossoming branches,<br />
with two bats in flight to the centre, the reverse with<br />
three peaches on blossoming branches and two<br />
further bats to the border, apocryphal Qianlong iron<br />
red seal mark to base, wood stand, 40.2cm diameter,<br />
restored<br />
£800 - 1,200<br />
Lot 97<br />
A Chinese famille rose ‘pomegranate and<br />
bats’ vase, tianqiuping, Qianlong seal mark,<br />
late 19th/early 20th century, painted with<br />
five bats flying amid pomegranates, branches<br />
with pom-pom shaped flowers, the base with<br />
underglaze blue six character Qianlong seal<br />
mark on a turquoise ground, 35.8cm high<br />
£1,500 - 2,000<br />
52
Lot 98<br />
An unusual Chinese blue and white malletshaped<br />
vase, Yongzheng dedicatory inscription<br />
but later, painted with pheasants amid peonies and<br />
rock work, the underside with three seal marks and<br />
an inscription in a circle, 42cm high<br />
£800 - 1,200<br />
Lot 99<br />
A Chinese famille rose bowl, Jiaqing seal mark<br />
and of the period (1796-1820), painted with fruiting<br />
vines, bamboo and butterflies, underglaze blue six<br />
character seal mark, 10.7cm diameter, 6.3cm high,<br />
restored<br />
£400 - 600<br />
Lot 100<br />
A Chinese blue and white ‘mythical beasts’ vase,<br />
Kangxi six character mark but 19th century,<br />
painted with three different mythical beasts standing<br />
on rocks amid waves, flames to the sky on one side,<br />
32cm high<br />
£400 - 600<br />
53
Lot 101<br />
A Chinese turquoise ground enamelled<br />
porcelain teapot and cover, Jiaqing seal mark<br />
but Republic period, finely painted with lotus<br />
flowers scrolling tendrils and other flowers on a<br />
turquoise ground, 18cm spout to handle<br />
£600 - 800<br />
Lot 102<br />
A large Chinese Dehua blanc de chine figure of<br />
Guanyin, Republic period, He Chaozong mark<br />
within a double gourd, holding a sceptre in left<br />
hand, seated on a throne with four horse supports<br />
and a lotus petalled plinth, impressed maker’s<br />
mark, 45cm high, crack and chip to base<br />
£800 - 1,200<br />
Lot 103<br />
A Chinese wucai<br />
‘phoenix’ baluster vase,<br />
late 19th century, painted<br />
with a phoenix perched on<br />
rockwork amid flowers and<br />
bamboo, underglaze blue<br />
double circle to base, 35cm<br />
high<br />
£500 - 700<br />
54
Lot 104<br />
A pair of Chinese enamelled porcelain vases<br />
and covers, early 20th century, each painted<br />
with circular reserves of flowers, birds, wind<br />
chimes, dragon boat scenes, each applied with a<br />
pair of lion mask ring handles, the domed covers<br />
surmounted by lion-dog finials, 45cm high<br />
£1,500 - 2,000<br />
Lot 105<br />
A tall Chinese famille rose vase, late<br />
19th/early 20th century, painted with<br />
pheasants amid rock work, prunus,<br />
lingzhi fungus, a peach tree and insects,<br />
45.3cm high<br />
£600 - 800<br />
Lot 106<br />
A pair of large Chinese white crackle glaze<br />
vases, late 19th/early 20th century, each<br />
shoulder modelled with blossoming prunus<br />
branches, incised brown Chenghua nian zhi<br />
seal mark to base, 45.5cm high, one vase<br />
cracked<br />
£800 - 1,200<br />
55
Lot 107<br />
A Chinese Export gilt-decorated<br />
black lacquer games box, c.1830,<br />
decorated with figures amid<br />
pavilions and trees, the cover with a<br />
border of dragons, the interior fitted<br />
with an arrangement of lidded boxes<br />
and trays, on four lion paw feet,<br />
37.5cm wide<br />
£400 - 600<br />
Lot 108<br />
A pair of Chinese hongmu square<br />
stands, 19th century, the panelled<br />
and framed tops above shaped<br />
friezes inset with ruyi heads, on four<br />
moulded square legs, 41cm wide,<br />
48.5cm high, losses to frieze<br />
£800 - 1,200<br />
Lot 109<br />
A Chinese hongmu and porcelain<br />
plaque inset low stand, c.1900, the<br />
circular porcelain plaque painted with<br />
a four claw dragon, within a border<br />
of flower medallions on a green net<br />
ground with iron red floral border, the<br />
stand carved with bats and scrolling<br />
clouds, on four downswept legs<br />
joined by an x-shaped stretcher,<br />
approximately 36cm wide, 45cm high,<br />
loose joints<br />
£400 - 600<br />
56
Lot 110<br />
A Chinese hardwood small altar table,<br />
19th century, the rectangular framed<br />
panel top above a carved and pierced<br />
frieze decorated with taotie masks, clouds,<br />
phoenixes, bats and fruit, on square<br />
tapered legs with scrolled feet, 81cm wide,<br />
46.5cm deep, 80cm high<br />
£2,000 - 2,500<br />
Lot 111<br />
A Chinese huanghuali and hongmu<br />
low stand, 19th century, the rectangular<br />
framed panel top above a pierced frieze<br />
with archaistic scrolls above blind key fret,<br />
on four moulded square legs, 76cm wide,<br />
39cm deep, 42cm high, repairs and possible<br />
alterations<br />
£800 - 1,200<br />
Lot 112<br />
A Chinese hongmu scholar’s stand, late<br />
Qing dynasty, the rectangular top on scrolled<br />
end supports, 45.5cm wide, 25cm deep<br />
£500 - 700<br />
57
Lot 113<br />
A Chinese huanghuali two-tier picnic<br />
box, 17th / 18th century, the two<br />
sections and internal fitted tray with<br />
tielimu base panels, the corners of the<br />
cover and the two sections below lacking<br />
brass mounts, 29cm wide, 17.5cm high<br />
£5,000 - 7,000<br />
Lot 114<br />
A Chinese jumu kneehole desk, late Qing<br />
dynasty, fitted with an arrangement of thirteen<br />
drawers around a kneehole with foot rest bars,<br />
each side with a removable panel enclosing<br />
six further drawers, 94cm wide, 67cm deep,<br />
82.5cm high, restorations<br />
£800 - 1,200<br />
Lot 115<br />
A pair of Chinese walnut armchairs, 19th<br />
century, the backs with central panel carved<br />
in relief with a ruyi head and the character<br />
Shou, above a framed panelled seat and<br />
a pierced fretwork frieze, on four moulded<br />
square legs joined by stretchers<br />
£300 - 500<br />
58
Lot 116<br />
An impressive Chinese hongmu and<br />
mother of pearl inlaid dressing table, mid<br />
20th century, carved and pierced with a pair<br />
of phoenixes, peonies, deer and squirrels<br />
amid prunus, above two pairs of drawers, the<br />
table inlaid with the figures female immortals,<br />
a phoenix and a dragon amid clouds, above<br />
a single frieze drawer, on four mythical beast<br />
carved legs, 106cm wide, 69cm deep, 185cm<br />
high<br />
£1,500 - 2,000<br />
Lot 117<br />
A Chinese hardwood and<br />
mother-of-pearl inlaid<br />
longcase clock, mid 20th<br />
century, decorated with<br />
figures of Immortals in<br />
garden settings, rock work,<br />
bamboo, fruiting vines<br />
and other foliage, on four<br />
mystical beast head feet,<br />
212cm high<br />
£1,000 - 1,500<br />
Lot 118<br />
A Chinese hongmu and<br />
mother-of-pearl inlaid stool<br />
or stand, mid 20th century,<br />
decorated with butterflies,<br />
squirrels amid vines, 45.5cm<br />
wide, 33cm deep, 40.5cm<br />
high<br />
£300 - 500<br />
59
119<br />
120<br />
122<br />
121<br />
60
Lot 119<br />
A giant Chinese burrwood ‘lingzhi fungus’ brush<br />
rest, Qing dynasty, carved in relief with ruyi heads,<br />
on a tielimu shaped stand, total length including<br />
stand 69.5cm<br />
Lot 120<br />
£400 - 600<br />
A Chinese hardwood censer cover and a similar<br />
stand, late 19th/early 20th century, the domed<br />
pierced cover set with an agate cabochon,19cm, the<br />
stand 16cm wide<br />
Lot 121<br />
£150 - 250<br />
A Chinese boxwood ‘peony’ ruyi sceptre,<br />
19th/20th century, crisply carved with entwined<br />
flowering peony branches, 53.5cm long, small<br />
losses<br />
£300 - 500<br />
Lot 122<br />
A Chinese wood and soapstone inlaid circular<br />
screen panel, late Qing dynasty, depicting<br />
two sages and a boy crossing a bridge in a river<br />
landscape, 32cm diameter, warped and small losses<br />
£300 - 400<br />
123<br />
Lot 123<br />
A Chinese Ming style hongmu jardiniere stand,<br />
19th century, the rectangular framed panel top<br />
above a pierced key-work frieze, on four square<br />
moulded legs joined by shaped stretchers, 47cm<br />
wide, 34.5cm deep, 85cm high<br />
Lot 124<br />
£600 - 800<br />
A pair of Chinese hongmu tub-shaped<br />
armchairs, late 19th century, carved in imitation of<br />
bamboo shoots, the back interspersed by grape and<br />
vine splats, on four outswept legs<br />
£1,000 - 1,500 124<br />
61
Lot 126<br />
An early 20th century<br />
Chinese enamelled<br />
copper hand mirror<br />
with 18th/19th<br />
century Chinese pale<br />
celadon jade mounts,<br />
inserted with an oval<br />
jade plaque carved<br />
in relief with a ribbon<br />
tied Buddhist wheel<br />
emblem above waves,<br />
6.1cm wide, the handle<br />
mounted with a jade<br />
‘dragon’ belt hook,<br />
8.6cm long, total length<br />
23.5cm<br />
£400 - 600<br />
Lot 125<br />
A large Chinese pale celadon jade ‘dragon’ belt<br />
hook, 18th/19th century, typically carved and pierced<br />
with a chilong, dragon’s head terminal, 17.4cm long,<br />
crack to chilong<br />
£400 - 600<br />
Lot 127<br />
An early 20th century<br />
Chinese plated hand<br />
mirror with 18th/19th<br />
century jade mounts,<br />
the white jade oval<br />
plaque originally from a<br />
ruyi sceptre, carved in<br />
high relief with two sages<br />
and attendant in a rocky<br />
landscape with pine tree,<br />
the plaque 12.5cm across,<br />
the handle mounted with a<br />
pale celadon jade ‘dragon’<br />
belt hook, 12.5cm long,<br />
total length 25cm<br />
£800 - 1,200<br />
62
Lot 128<br />
A Chinese soapstone seated group of a luohan<br />
and a lion-dog, on a soapstone stand, 18th<br />
century, the group of greenish yellow tone, his<br />
robes inset with small stone cabochons, the<br />
separate creamy soapstone stand carved with<br />
gnarled tree roots and a book to one side, 11.5cm<br />
wide<br />
£600 - 800<br />
Lot 129<br />
A Chinese soapstone figure of a fisherman,<br />
17th/18th century, the standing figure holding a<br />
staff in his right hand and a fish suspended from<br />
his left hand, on a circular base, remnants of<br />
polychrome decoration, 15.2 cm high<br />
£800 - 1,200<br />
y<br />
,<br />
a<br />
ges<br />
ky<br />
ee,<br />
ross,<br />
ith a<br />
gon’<br />
g,<br />
1,200<br />
Lot 130<br />
A Chinese celadon jade carving of a<br />
finger citron, 20th century, the stone with<br />
occasional white and russet inclusions,<br />
12.5cm across<br />
£300 - 500<br />
63
Lot 131<br />
A Chinese soapstone group of<br />
a seated luohan and lion-dog,<br />
19th/20th century, the ascetic holding<br />
a leaf in his left hand, remnants of<br />
polychrome decoration, 12.5cm wide<br />
£500 - 700<br />
Lot 132<br />
A Chinese late Ming soapstone figure of<br />
a luohan, 17th century, seated wearing<br />
a Buddhist rosary and holding a fly whisk<br />
in his left hand, 18.5cm high, on a later<br />
rectangular plinth, restorations<br />
£600 - 800<br />
Lot 133<br />
An early 20th century Chinese hongmu stand and<br />
cover with a 17th/18th century pale white jade<br />
finial, the stand and cover designed for a fangding<br />
vessel, the jade finial carved in relief and open work<br />
with a dragon above waves, approximately 44cm high,<br />
the stand 19.5cm wide<br />
£400 - 600<br />
64
Lot 134<br />
A Chinese soapstone standing figure<br />
of Guanyin, 18th century, holding a<br />
scroll in her left hand, standing on a lotus<br />
base, later slate plinth, old inventory<br />
number in black ink ‘C.S.14’, 23.5cm, head<br />
reattached<br />
£300 - 500<br />
Lot 135<br />
A Chinese jade mounted gilt metal box and cover,<br />
19th century, the cover decorated with symbols of<br />
the eight immortals surrounding the pale celadon<br />
jade plaque pierced and carved with prunus blossom,<br />
the sides decorated with phoenixes and other birds,<br />
10.5cm wide<br />
£600 - 800<br />
Lot 136<br />
A Chinese celadon jade pouring<br />
vessel, yi, 17th/18th century, with<br />
incised keywork band below the rim, the<br />
C-shaped handle with dragon’s head<br />
surmount, the stone with brown and<br />
white mottling, 12.3cm across<br />
£500 - 800<br />
65
Lot 137<br />
A Chinese silver gilt and enamel jar and cover,<br />
mid 20th century, of lobed cylindrical form<br />
decorated with birds on flowering branches set<br />
with turquoise and coral cabochons, on a filigree<br />
work ground, the domed cover with ball and petal<br />
finial, stamped ‘silver’, 14cm high, tiny losses to<br />
enamel<br />
£600 - 800<br />
Lot 138<br />
A Chinese gilt bronze figure of a kneeling<br />
Bodhisattva, with remnants of polychrome<br />
decoration, on a brown patinated lotus throne,<br />
21.2cm high<br />
This figure is based upon a model originally made<br />
under Imperial commander in the early 15th<br />
century and given as diplomatic gifts to leading<br />
Tibetan religious figures. cf. Victoria & Albert<br />
Museum, London, accession no. 275&A-1898.<br />
£1,500 - 2,000<br />
Lot 139<br />
Two Chinese paktong ink<br />
boxes, early 20th century,<br />
each engraved with river<br />
landscape scenes, 8.5cm and<br />
9.5cm<br />
£300 - 400<br />
66
Lot 140<br />
A pair of Chinese cloisonné enamel vases,<br />
19th century with French gilt bronze lamp<br />
mounts, decorated with prunus, lotus, peonies<br />
and chrysanthemums on a turquoise key work<br />
ground, with French gilt bronze lamp mounts, total<br />
height 77cm, Chinese vases 34cm high<br />
£1,500 - 2,000<br />
Lot 141<br />
A Chinese cloisonné enamel vase, 19th century,<br />
decorated with figures in a river landscape with<br />
buildings on a blue ground, the neck with lotus<br />
flowers and scrolling leaves, 32.5cm high<br />
£800 - 1,200<br />
67
Lot 142<br />
A large Tibetan silver and parcel gilt butter lamp,<br />
syou deng, 19th century repousse decorated with<br />
the eight Buddhist emblems to the flared bowl, above<br />
a knopped stem decorated with other auspicious<br />
objects, on a petal lobed spreading foot, 30cm high<br />
£1,000 - 1,500<br />
Lot 143<br />
A Chinese paktong inscribed ink<br />
box, late 19th/early 20th century,<br />
engraved with an eighteen column<br />
inscription to the cover, 9.4cm wide<br />
£200 - 300<br />
Lot 144<br />
A pair of Chinese bronze vases, 17th century, of<br />
octagonal hourglass shape, with traces of gilding,<br />
19.8cm high<br />
£600 - 800<br />
68
Lot 145<br />
An unusual Chinese gold splashed censer,<br />
ding, Xuande mark, 17th/18th century, the<br />
tapering cylindrical body and pair of ear-shaped<br />
handles with gold splash decoration, on three<br />
squat cabriole feet, cast six character ‘Da Ming<br />
Xuande nian zhi’ mark to base, 10cm wide,<br />
7.5cm high<br />
£4,000 - 6,000<br />
Lot 146<br />
A Chinese gold splashed bronze censer,<br />
fangding, wood cover and stand, applied with a<br />
pair of rectangular loop handles, the pierced wood<br />
cover surmounted by a jade finial carved as two<br />
mandarin ducks, 14cm wide<br />
£1,200 - 1,600<br />
69
Lot 147<br />
A Chinese bronze censer,<br />
gui, archaistic Xuande seal<br />
mark, 18th/19th century, of<br />
compressed globular form, on a<br />
circular foot, cast four character<br />
mark, 20cm diameter<br />
£300 - 500<br />
Lot 148<br />
A pair of Chinese cloisonné<br />
enamel beaker vases, each<br />
decorated with leaf scrolls, ruyi<br />
heads, lotus flowers and lappets,<br />
each engraved to the edge of the<br />
foot with a single line four character<br />
mark ‘Qianlong nian zhi’, 17cm high<br />
£600 - 800<br />
Lot 149<br />
Two Chinese copper<br />
hand warmers, the<br />
largest signed ‘Zhang<br />
Mingqi’, 18th/19th<br />
century, the largest of<br />
oblong form engraved<br />
to one side with the<br />
Hundred Antiques, four<br />
character signature<br />
to base, 27cm wide<br />
(dented), the smaller<br />
hand warmer modelled<br />
as a lobed fruit, with<br />
flower and foliate pierced<br />
cover, 15cm cross,<br />
lacking part of handle<br />
£800 - 1,200<br />
70
Lot 150<br />
A Tibetan bronze figure of Amitayus, 18th/19th<br />
century seated in dhyanasana, on a lotus throne,<br />
base panel lacking, 17.5cm high<br />
£300 - 500<br />
Lot 151<br />
A Sino-Tibetan bronze group of<br />
Vajrasattva and consort, seated in<br />
dhyanasana on a lotus throne, indistinct<br />
mark to the front and engraved inscription<br />
to the rear of the base, 16cm high<br />
£2,000 - 3,000<br />
Lot 152<br />
A Tibetan gilt bronze figure of<br />
Vajrayogini, possibly 17th/18th century,<br />
the figure dancing on a figure, with<br />
separate aureole, 17cm high<br />
£600 - 800<br />
71
Lot 153<br />
A Chinese gilt bronze qilin scroll weight,<br />
17th/18th century, in recumbent pose, 7cm<br />
across<br />
£200 - 300<br />
Lot 154<br />
A Chinese fan leaf<br />
painting, 19th century,<br />
painted with a sage<br />
playing an instrument<br />
while a boy sleeps<br />
beside him in a<br />
mountainous landscape<br />
with waterfall, inscribed<br />
and with red seal mark,<br />
approximately 53cm<br />
wide, remounted<br />
£300 - 500<br />
Lot 155<br />
A set of thirteen Chinese pith paintings of birds perched on branches, Daoguang<br />
period (1821-50), each finely painted and with blue silk ribbon borders, images 19.5 x<br />
28.5cm, all later framed and mounted, with original empty brocade album cover inscribed<br />
and dated 1846<br />
£800 - 1,200<br />
72
Lot 156<br />
A Chinese painting on silk of a scholar<br />
recumbent on a daybed, 19th century, the<br />
figure holding a leaf in his right hand, a dog<br />
seated before him with a vase on a root wood<br />
table, image 26 x 23cm, in a huali wood frame,<br />
48 x 42cm<br />
£600 - 800<br />
Lot 157<br />
A Chinese ‘Tortures of Hell’ handscroll painting on paper, 19th century,<br />
with inscribed scenes of labour and torture, surmounted by a large section of<br />
calligraphy, paper laid on linen, some tears, 112.5cm x 130cm<br />
£250 - 350<br />
73
Lot 158<br />
A rare set of four<br />
Chinese polychrome<br />
soapstone appliqué<br />
work painted silk<br />
pictures, 18th century,<br />
each intricately<br />
decorated with scenes<br />
of figures in a courtyard<br />
with pavilions, plants<br />
or trees, in European<br />
ebonised pine frames,<br />
images 20.5 x 14cm,<br />
frames 25.5cm x 19.2cm<br />
£6,000 - 8,000<br />
Lot 159<br />
Two Chinese embroidered<br />
silk purses, 19th century,<br />
the first a drawstring purse<br />
(hebao), finely embroidered<br />
on gauze with antiques and<br />
auspicious objects on a<br />
cream silk background, the<br />
cord with rose quartz beads,<br />
13.8cm wide, the second<br />
finely worked in Beijing knot<br />
with grasshoppers amid<br />
foliage, 10.2cm<br />
£400 - 600<br />
74
CLOCKS, CARPETS<br />
& FURNITURE<br />
160-211<br />
211<br />
75
Lot 160<br />
Le Roy & Fils, Palais Royal, Paris. A late 19th<br />
century French miniature hour repeating<br />
carriage alarm clock with ormolu corinthian<br />
column case, bevelled glass panels and unsigned<br />
movement, 5.25cm wide, 4.5cm deep, 9.5cm high<br />
£600 - 800<br />
Lot 161<br />
Le Roy & Fils, New Bond Street and Palais<br />
Royal. A late 19th century hour repeating<br />
carriage alarum clock with patent bottom<br />
winding the twin barrel movement wound from<br />
below via Le Roy’s patent (number 9501) integral<br />
winding key, 9.5cm wide, 8.5cm deep, 16cm high<br />
£600 - 900<br />
Lot 162<br />
An early 20th century French ormolu Grande<br />
Sonnerie alarum clock with enamelled Arabic<br />
dials and gorge case, movement striking on two<br />
blued steel gongs, 10cm wide, 9cm deep, 15.5cm<br />
high<br />
£600 - 800<br />
Lot 163<br />
Henri Jacot. A late 19th century French quarter<br />
repeating carriage clock, circa 1885, with ormolu<br />
and glass case with enamelled inner dial within a<br />
pierced foliate scroll border and movement striking<br />
on two blued steel gongs, Jacot mark, 10cm wide,<br />
8.5cm deep, 15.5cm high<br />
£800 - 1,200<br />
76
Lot 164<br />
A Jaeger-Le-Coultre for Hermes novelty<br />
ship’s porthole clock, circa 1955, in lacquered<br />
brass with gilt arabic dial, diameter 16.5cm<br />
£400 - 600<br />
Lot 165<br />
Hughes of London. A 19th century ebonised<br />
chiming bracket clock with domed rectangular case<br />
with elaborate cast brass caryatid scroll top handle,<br />
and arched brass dial with silvered Roman chapter<br />
ring, anchor escapement movement with foliate<br />
engraved backplate and pendulum, striking the hours<br />
on a single bell and chiming on eight bells, 27cm<br />
wide, 19cm deep, 45cm high<br />
£700 - 1,000<br />
Lot 166<br />
Viger à Paris. A Louis XVI ormolu mantel<br />
clock, surmounted with the figures of a King<br />
holding a spear and a Roman soldier holding<br />
aloft a lamb, standing above military trophies,<br />
on a stepped base with white marble plinth and<br />
turned feet, signed silk suspension countwheel<br />
movement numbered 1175, 28.5cm wide, 14cm<br />
deep, 36cm high<br />
£1,000 - 1,500<br />
77
Lot 167<br />
J. King of St<br />
Albans. A William IV<br />
mahogany bracket<br />
clock in architectural<br />
case with flower and<br />
scroll appliqué motifs<br />
and painted Roman<br />
dial, unsigned twin<br />
fusee movement with<br />
anchor escapement<br />
striking on a bell,<br />
33cm wide, 19cm<br />
deep, 48cm high<br />
£400 - 600<br />
Lot 168<br />
Bautte et Moynier. An early 19th century Swiss ormolu<br />
mounted mahogany lyre shaped mantel timepiece with<br />
enamelled Roman chapter ring and classical mask pendulum<br />
decorated with foliate motifs, timepiece 18cm wide, 8cm deep,<br />
40cm high, with plinth and dome 28cm wide, 45cm high<br />
£800 - 1,200<br />
78
Lot 169<br />
James Potts of London.<br />
A Regency mahogany<br />
cased regulator, the<br />
rectangular 11 inch<br />
silvered dial with Roman<br />
hours and Arabic minutes<br />
and seconds, unsigned<br />
four pillar movement with<br />
anchor escapement,<br />
case with fluted quarter<br />
columns and bracket<br />
feet, 183cm high<br />
£800 - 1,200<br />
Lot 170<br />
A Louis XV style brass mounted<br />
red boulle mantel clock on<br />
matching stand, with Britannia finial<br />
and hippocampi feet and enamelled<br />
Roman tablet dial, on serpentine<br />
stand with swept scrolling legs,<br />
79cm wide, overall 205cm high,<br />
clock without stand 105cm high<br />
£1,500 - 2,000<br />
79
Lot 171<br />
A Tabriz part silk burgundy ground carpet, the<br />
central lobed floral medallion within a conforming<br />
field and triple border, 293 x 195cm<br />
£800 - 1,200<br />
Lot 172<br />
A Kashan burgundy ground carpet, the lobed central<br />
floral medallion within a dense floral field and wide<br />
conforming border, 418 x 315cm<br />
£800 - 1,200<br />
Lot 173<br />
A Kazak rug, the central stepped lozenge<br />
medallion within a geometric field and wide<br />
conforming border, 278 x 189cm<br />
£400 - 600<br />
Lot 174<br />
A Kashan ivory ground carpet, the central oval<br />
medallion within a dense floral field and wide<br />
conforming border, 305 x 195cm<br />
£500 - 700<br />
80
Lot 175<br />
An early 17th century oak three tier<br />
buffet with mid tier drawer, turned column<br />
supports and stile feet, 88cm wide, 39cm<br />
deep, 119cm high<br />
£1,000 - 1,500<br />
Lot 176<br />
A late 17th century oak coffer, the front<br />
panels with egg and dart carving, with triple<br />
panel top and stile feet, 132cm wide, 48cm<br />
deep, 71cm high<br />
£500 - 800<br />
Lot 177<br />
A 17th century oak court cupboard with<br />
moulded top and two panelled doors over two<br />
further panelled doors on stile feet, 113cm<br />
wide, 50cm deep, 153cm high<br />
£600 - 900<br />
81
Lot 178<br />
An antique oak dresser,<br />
based on a 15th century<br />
French gothic model<br />
and very similar to an<br />
example in the Wallace<br />
Collection, with canted<br />
top and elaborate gothic<br />
carving to the main<br />
panels and drawer fronts<br />
incorporating armorials,<br />
with two cupboard<br />
doors and two mid<br />
section drawers over an<br />
understage with linenfold<br />
backing panels and plinth<br />
foot, 157cm wide, 56cm<br />
deep, 150cm high<br />
£1,800 - 2,000<br />
See The Wallace<br />
Collection F13<br />
Lot 179<br />
A mid 18th century oak dresser base, the raised<br />
back with a drawer to each end over three long<br />
drawers, on squared cabriole legs, 214cm wide,<br />
58cm deep, 91cm high<br />
£800 - 1,200<br />
82
Lot 180<br />
A Charles I carved oak court cupboard with<br />
later foliate scroll carving, central arched panel of<br />
flowers, flanked by panelled doors over a mid tier<br />
draw, and understage on stile feet, 121cm wide,<br />
43cm deep, 132cm high<br />
£1,500 - 2,000<br />
Lot 181<br />
A Queen Anne walnut toilet mirror with arched<br />
bevelled plate, fitted interior and serpentine base<br />
drawers, on bun feet, 43cm wide, 23cm deep, 86cm<br />
high<br />
£400 - 600<br />
Lot 182<br />
A Charles II oak armchair, of small proportions,<br />
monogrammed AM and dated 1682, the seat<br />
fitted with a side drawer, 49cm wide, 55cm deep,<br />
83cm high<br />
£500 - 800<br />
83
Lot 183<br />
A Queen Anne revival red<br />
lacquer settee with chinoiserie<br />
figure and landscape decoration<br />
in 18th century needlework<br />
upholstery, shepherd’s crook,<br />
arms, and shell kneed cabriole<br />
legs with pad feet, 121cm wide,<br />
57cm deep, 109cm high<br />
£800 - 1,200<br />
Lot 184<br />
A mid 18th century oak dresser<br />
base, with three long drawers and<br />
scrolling apron, on squared cabriole<br />
legs with pad feet, 225cm wide, 45cm<br />
deep, 80.5cm high<br />
£600 - 800<br />
Lot 185<br />
A Baroque Revival silvered and<br />
giltwood sunburst wall mirror<br />
with cherubs head’s decorations,<br />
78cm wide, 78cm high<br />
£400 - 600<br />
84
Lot 186<br />
A Hepplewhite style mahogany<br />
settee with shell carved gadrooned<br />
frame on cabriole legs, width 140cm,<br />
depth 64cm, height 97cm<br />
£800 - 1,200<br />
Lot 187<br />
A George III mahogany serpentine<br />
dressing chest fitted four graduated long<br />
drawers, the top drawer with leather lined<br />
slide and divided interior on bracket feet,<br />
95cm wide, 56cm deep, 82cm high<br />
£2,000 - 2,500<br />
Lot 188<br />
A George III mahogany chest on chest with<br />
dentil cornice and two short drawers over three<br />
graduated long drawers, a brushing slide and<br />
three further long drawers, on ogee feet, 130cm<br />
wide, 62cm deep, 186cm high<br />
£800 - 1,200<br />
85
Lot 189<br />
A Regency mahogany drum top library table,<br />
with burgundy leather skiver, four drawers and<br />
four dummy drawers with ivory escutcheons,<br />
76cm high, 127.5cm diameter. CITES Submission<br />
reference CGPYLZGX<br />
£800 - 1,200<br />
Lot 190<br />
A late 18th century Italian olive<br />
wood and parquetry commode,<br />
fitted four long drawers on<br />
tapered bracket feet, 118cm wide,<br />
56cm deep, 89cm high<br />
£2,000 - 2,500<br />
Lot 191<br />
A George III brass bound mahogany wine<br />
cooler of oval form, with brass loop handles<br />
and lead lining, on later stand with squared<br />
tapered legs and spade feet, 70 x 50cm, 49cm<br />
high, ex Earlsdon House<br />
£400 - 600<br />
86
Lot 192<br />
A Regency brass inset mahogany<br />
apothecary chest with two doors, enclosing<br />
a compartmented interior over a single deep<br />
draw all with recessed brass handles, includes<br />
some original glass bottles, and other fittings,<br />
35cm wide, 26cm deep, 58cm high<br />
£400 - 600<br />
Lot 193<br />
A Victorian teak campaign chest with press<br />
cupboard with two panelled doors enclosing a<br />
single shelf over two short and three graduated<br />
long drawers, on turned feet, 118cm wide, 53cm<br />
deep, 168cm high<br />
£700 - 1,000<br />
Lot 194<br />
An early Victorian pollard oak davenport<br />
with writing drawer, two slides and four side<br />
drawers, 56cm wide, 57cm deep, 88cm high<br />
£600 - 900<br />
87
Lot 195<br />
An early Victorian<br />
mahogany breakfront<br />
library bookcase with<br />
moulded cornice and four<br />
astragal glazed doors over<br />
four panelled doors, on plinth<br />
foot, 254cm wide, 53cm<br />
deep, 254cm high<br />
£1,000 - 1,500<br />
Lot 196<br />
A Vernis Martin style rosewood vitrine with<br />
ormolu mounts and single serpentine door,<br />
decorated with lovers in a landscape and rustic<br />
scenes, on cabriole legs, 128cm wide, 49cm<br />
deep, 193cm high<br />
£800 - 1,200<br />
Lot 197<br />
A nest of early Victorian Gillows specimen<br />
hardwood top quartetto tables with varying<br />
veneers to the tops including a chessboard, on<br />
turned underframe with slender turned stretchers,<br />
largest 59 x 41cm, 74cm high<br />
£3,000 - 5,000<br />
88
Lot 198<br />
A pair of late 19th<br />
century Louis XVI<br />
style marquetry inlaid<br />
kingwood vitrines with<br />
ormolu mounts, each with<br />
central floral marquetry<br />
inlaid door flanked by<br />
glazed side panels, on<br />
slender cabriole legs, 80cm<br />
wide, 37cm deep, 148cm<br />
high<br />
£2,000 - 3,000<br />
Lot 199<br />
An early 19th century Dutch walnut and<br />
marquetry metamorphic library steps<br />
chair with tablet cresting rail, scroll arms<br />
and caned seat, opening to create three<br />
steps, 59cm wide, 64cm deep, 90cm high<br />
£1,000 - 1,500<br />
Lot 200<br />
An early Victorian pollard oak<br />
occasional table with segmented<br />
octagonal top on tapered stem and<br />
petalled stepped circular base with fluted<br />
bun feet, 60.5cm wide, 61cm deep, 72cm<br />
high<br />
£1,500 - 2,000<br />
89
Lot 201<br />
An Edwardian inlaid satinwood display cabinet<br />
of D shaped form with central glazed door over an<br />
understage, on squared tapered legs, 110cm wide,<br />
45cm deep, 173cm high<br />
£2,000 - 2,500<br />
Lot 202<br />
A circular Blue John top table, second half 20th<br />
century, the radially-veneered top inset to a table<br />
base, Blue John panel diameter 39.5cm, housed in<br />
a table base 50cm diameter, 50cm high<br />
£1,500 - 2,000<br />
Lot 203<br />
A late Victorian Howard & Sons upholstered<br />
armchair, now with later golden velvet upholstery,<br />
on ring turned legs and fitted brass castors, 77cm<br />
wide, 93cm deep, 91cm high<br />
£600 - 800<br />
Lot 204<br />
A rare Ceylonese Arts & Crafts brass mounted<br />
teak dresser applied with foliate pierced brass<br />
mounts, some centered with a sunflower motif,<br />
246cm wide, 62cm deep, 199cm high<br />
£2,000 - 2,500<br />
90
Lot 206<br />
An early 20th<br />
century Arts<br />
& Crafts inlaid<br />
mahogany music<br />
cabinet, made by<br />
George Montague<br />
Ellwood and<br />
retailed by J.S.<br />
Henry of London,<br />
with shelved<br />
superstructure<br />
over a fall front<br />
enclosing sheet<br />
music shelves<br />
with ornate brass<br />
strap work hinges,<br />
on squared legs,<br />
stamped J.S. Henry<br />
on the back, 67cm<br />
wide, 40cm deep,<br />
172cm high<br />
£400 - 600<br />
Lot 205<br />
A French Louis XVI style marquetry<br />
inlaid vitrine with ormolu mounts,<br />
single central door enclosing glass<br />
shelves, on cabriole legs, 120cm<br />
wide, 44cm deep, 210cm high<br />
£1,500 - 2,000<br />
Lot 207<br />
A pair of Edwardian Sheraton revival marquetry inlaid satinwood card tables the D<br />
shaped folding top inlaid with vineous motifs, on squared tapered legs with spade feet,<br />
94cm wide, 41cm deep, 75cm high<br />
£2,000 - 2,500<br />
91
Lot 208<br />
A Winsor & Newton<br />
oak studio easel with<br />
cast brass plaque<br />
‘Studio Easel, Winsor &<br />
Newton, Ltd, London’,<br />
62cm wide, 64cm<br />
deep, 183cm high<br />
£800 - 1,200<br />
Lot 209<br />
A Liberty & Co. Arts<br />
& Crafts planished<br />
copper wall mirror<br />
decorated with stylised<br />
Tudor roses to the<br />
corners, interspaced<br />
with turquoise coloured<br />
Ruskin type plaques,<br />
69cm wide, 79cm high<br />
£400 - 600<br />
Lot 211<br />
A late 19th century Black<br />
Forest carved wood bear<br />
stick stand, with glass<br />
inset eyes and painted<br />
details, standing over a<br />
foliate carved drip tray,<br />
39cm wide, 45cm deep,<br />
93cm high<br />
£2,000 - 2,500<br />
Lot 210<br />
Émile Gallé (1846-1904). A marquetry tray with<br />
carved lizard handles, inlaid in various woods with<br />
a ruined abbey in a landscape, signed in marquetry<br />
Gallé, 49 x 44cm<br />
£400 - 600<br />
92
PAINTINGS & PRINTS<br />
212-370<br />
at 12.30pm<br />
232<br />
93
212<br />
213<br />
Lot 212<br />
Raja Jivan Ram (Indian, fl.1815-1840)<br />
Portrait of Major Bellingham-Smith, 11th<br />
Regiment of Light Dragoons (b.1790, d.1866)<br />
oil on canvas<br />
signed and dated 1826<br />
35 x 30cm<br />
£800 - 1,200<br />
Major Bellingham Smith. Father John and mother<br />
Elizabeth, Born Sept. 4, 1790 in Middlesex England.<br />
Served in India and was a member of the 11th Light<br />
Dragoons. Married to Priscilla Graham, died July 8,<br />
1866.<br />
Lot 213<br />
Circle of Arthur Devis (British, 1712-1787)<br />
Full length portrait of a gentleman, standing<br />
holding a cane<br />
oil on canvas<br />
42 x 33cm<br />
£500 - 800<br />
214<br />
94
215<br />
200<br />
d.<br />
t<br />
,<br />
800<br />
Lot 214<br />
Circle of John Hoppner (British, 1758-1810)<br />
Portrait of a Captain Matthew Smith RN (1763-<br />
1840)<br />
oil on canvas<br />
75 x 62cm<br />
Lot 215<br />
£600 - 800<br />
Attributed to John Russell, RA (English, 1745-<br />
1806)<br />
Portraits of General John Smith (b.1764), 2nd<br />
Regiment of Foot Guards, 2nd son of Colonel<br />
Smith, and Jane Smith (1765-1858)<br />
pastel on paper, a pair<br />
23 x 18.5cm<br />
Lot 216<br />
£300 - 400<br />
F. Baumann (German, 19th C.) after Sir Antony<br />
Van Dyck (1599-1641)<br />
Portrait of Charles I<br />
oil on canvas<br />
73 x 52cm<br />
£800 - 1,200 216<br />
95
217<br />
Lot 217<br />
Attributed to Allan Ramsay (Scottish, 1713-1784)<br />
Portraits of Samuel Waring and his spouse<br />
oil on canvas, a pair<br />
61 x 51cm<br />
Lot 218<br />
After Sir Peter Lely (English, 1618-1680)<br />
Portrait of Joceline Percy, 11th Earl of<br />
Northumberland<br />
oil on canvas<br />
55 x 44cm<br />
£4,000 - 6,000<br />
£1,000 - 1,500<br />
218<br />
Lot 219<br />
Michael Dahl (Swedish, 1659-1743)<br />
Portrait of Gilbert, 4th Earl of Coventry, full<br />
length in ermine trimmed ceremonial robes and<br />
holding a coronet<br />
oil on canvas<br />
signed<br />
243 x 147cm<br />
£6,000 - 8,000<br />
96
219<br />
97
221<br />
222<br />
Lot 220<br />
Follower of Jonathan Richardson (British,<br />
1665-1745)<br />
Portrait of a lady, half length, seated wearing a<br />
blue dress<br />
oil on canvas<br />
126 x 101cm<br />
Lot 221<br />
£1,000 - 1,500<br />
Attributed to Thomas Hudson (English, 1701-<br />
1779)<br />
Portrait of Miss Furneaux Pelham, standing<br />
half length wearing a lace trimmed gown and<br />
necklace with a pearl drop<br />
oil on canvas<br />
92 x 71cm<br />
£2,000 - 3,000<br />
220<br />
Lot 222<br />
Thomas Bardwell (British, 1704-1767)<br />
Portrait of a lady standing half length wearing<br />
a lace trimmed blue velvet dress draped with<br />
pearls, oil on canvas<br />
101 x 83cm<br />
£2,000 - 3,000<br />
98
224<br />
Lot 223<br />
After Bartolomé Esteban Murillo<br />
(Spanish, 1618-1682)<br />
Apotheosis of the Virgin<br />
oil on canvas<br />
109 x 86cm<br />
Lot 224<br />
£800 - 1,200<br />
After David Teniers the Younger<br />
(Flemish, 1610-1694)<br />
‘Kermesse, or Village fête with peasants<br />
dancing’<br />
oil on canvas<br />
54.5 x 65.5cm<br />
£800 - 1,000<br />
223<br />
99
225<br />
226<br />
Lot 225<br />
17th century Italian School<br />
Venus and Mars<br />
oil on canvas<br />
124 x 202cm<br />
£3,000 - 5,000<br />
Lot 226<br />
Manner of Hendrick Cornelisz Vroom (Dutch,<br />
1566-1640)<br />
Warships at sea, oil on canvas<br />
56 x 69cm<br />
Lot 227<br />
£500 - 700<br />
Mid 17th Century English School<br />
Christ before Pilate and Jewish leaders,<br />
including Joseph of Arimathea, with many of<br />
the figures holding scrolls on which are writings<br />
inscribed in both Hebrew and English.<br />
oil on canvas<br />
76 x 158cm<br />
Lot 228<br />
Mid 19th century Chinese School<br />
Whampoa Anchorage<br />
oil on canvas<br />
17 x 24.5cm<br />
£900 - 1,200<br />
£1,500 - 2,000<br />
100
227<br />
228<br />
101
229<br />
Lot 229<br />
James Gillray (English, 1756-1815) ‘’Farmer Giles and his wife showing off their daughter Betty to their<br />
Neighbours on her return from school’’,<br />
etching with original hand-colouring<br />
published by Hannah Humphrey, 1809, unframed, trimmed within the plate mark, 315 x 470mm. BM Satires<br />
11444<br />
Lot 230<br />
£120 - 160<br />
James Gillray (English, 1756-1815) Elements of Skating; ‘’Atitude! Attitude is everything’’; ‘’A fundamental<br />
error in the Art of Skating’’; ’’The Consequence of going before the Wind’’ and ‘’ Making the most of a<br />
passing Friend, in case of emergency’’<br />
a set a four hand-coloured etchings<br />
published by Hannah Humphrey, dated 1805, unframed, each approx. 255 x 362mm. BM Satires 10474,<br />
10475, 10476 and 10477<br />
Lot 231<br />
£300 - 500<br />
James Gillray (English, 1756-1815) ‘’Morning Promenade upon the Cliff, Brighton’’<br />
hand-coloured etching<br />
published by Hannah Humphrey, 1806, the image credited to Capt. J. Morse, a 50mm. 368 x 560mm. BM<br />
Satires 10638<br />
£200 - 300<br />
102
230<br />
231<br />
103
232<br />
Lot 232<br />
James Gillray (English, 1756-1815) ‘’The<br />
Theatrical Bubble; Being a new specimen of the<br />
astonishing powers of the great Politico-Punchinello<br />
in the art of Dramatic Puffing’’, dated 1805, 362 x<br />
264mm., BM Satires 1045<br />
‘’The Pic-nic Orchestra’’, dated 1802, trimmed, 255 x<br />
355mm. BM Satires 9921<br />
‘’A Squall’’ [and] ‘’A Calm’’, a pair, dated 1810, each<br />
265 x 365mm. BM Satires 11614 and 11615,<br />
hand-coloured etched caricatures, published by<br />
Hannah Humphrey - (4)<br />
£500 - 800<br />
Lot 233<br />
James Gillray (English, 1756-1815) ‘’A Pair of<br />
Polished Gentlemen’’, dated 1801, 355 x 260mm.<br />
BM Satires 9699<br />
‘’A Lyoness’’, [A caricature of Polly Lyon de Simon’s<br />
(née Goldsmid), wife of ‘’Baron’’ Lyon de Simons],<br />
dated 1801, 346 x 255mm. BM Satires 9758<br />
‘’Theatrical Mendicants relieved, have Pity upon all<br />
our Aches & Wants’’, dated 1809, 265 x 365mm. BM<br />
Satires 11413<br />
“Counsellor O.P, defender of our Theatric Liberties’’,<br />
dated 1809. 342 x 242mm. BM Satires 11430, -<br />
hand-coloured etched caricatures, published by<br />
Hannah Humphrey (4)<br />
£500 - 700<br />
104
Lot 234<br />
James Gillray (English, 1756-1815) ‘’Half<br />
Natural’’, [Mr. Lumley Skeffington, fop and<br />
playwright], 255 x 184mm. BM Satires 9440;<br />
‘’A Burgess of Warwick Lane’’, [Mr. John Burgess,<br />
M.D., whose health was too weak for general<br />
practice], dated 1795, 255 x 165mm. BM Satires<br />
8717;<br />
‘’A Bouquet of the last Century’’, dated 1802, 258<br />
x 203mm. BM Satires 9907;<br />
‘’Lordly Elevation’’, dated 1802, 270 x 215mm,<br />
BM Satires 9905;<br />
‘’A view of the Pier [altered from Peer] of<br />
Scarborough’’, dated 1807, 210 x 260mm. BM<br />
Satires 10790;<br />
‘’The Dandy’’, dated 1810, 218 x 270mm. BM<br />
Satires 11595 and<br />
‘’Racehorse with jockey up’’ dated circa 1810,<br />
204 x 268. BM 1868.0808.13399 [where it is<br />
described as ‘’Jockey’’ and that, according to a<br />
pencil note, the plate was suppressed]<br />
hand-coloured etched caricatures, published by<br />
Hannah Humphrey (7)<br />
£500 - 700<br />
233<br />
234<br />
105
235 236<br />
Lot 235<br />
James Gillray (English, 1756-1815) ‘’Clearing a<br />
Five-Bar-Gate’’, dated 1805, 265 x 358mm. BM<br />
Satires 10481;<br />
‘’The Sound of the Horn!- or, the Danger of Riding<br />
an Old Hunter’’, dated 1807, 250 x 355mm. BM<br />
Satires 10803;<br />
‘’The Military Caricaturist’’- ‘’his Satires are as keen<br />
as the Back of a Rasor; and having but Three Ideas<br />
in the World, two of them are borrowed & the Third,<br />
nobody would own’’, [Presumed to mocking the<br />
amateur satirist, General Davies, as retribution for<br />
having slighted Gillray], dated 1799, 345 x 250mm.<br />
BM Satires 9442;<br />
‘’A Slice of Glo’ster Cheese’’, [a portrait of Prince<br />
William Frederick, the son of the Duke of Gloucester<br />
and Edinburgh], dated 1795, the image within an<br />
oval border, 255 x 130mm. BM Satires 8716 and<br />
‘’Patern-Staff. Weymouth 1797’’, dated 1797, 250 x<br />
165mm. BM Satires 9070,<br />
hand-coloured etched caricatures, published by<br />
Hannah Humphrey (5)<br />
£300 - 500<br />
Lot 236<br />
James Gillray (English, 1756-1815) ‘’The Bulstrode<br />
Siren’’ [Mrs. Elizabeth Billington, who was famous<br />
for her size as she was for her musical ability,<br />
depicted serenading the Duke of Portland, with<br />
whom she lived with, at his mansion at Bulstrode],<br />
dated 1803, 355 255mm. BM Satires 10168;<br />
‘’Pylades & Orestes’’, [portraying William IV, Prince<br />
of Orange, as Orestes and his private Secretary,<br />
Count Nassalin, as Pylades], dated 1797, 360 x<br />
265mm. BM Satires 9065 and<br />
‘’a Newmaket-Hill Character,’’[Lt. Col. George Leigh,<br />
portrayed on horseback], dated 1804, 240 x 196mm.<br />
BM Satires 10298,<br />
hand-coloured etched caricatures, published by<br />
Hannah Humphrey (3)<br />
£250 - 350<br />
106
237<br />
Lot 237<br />
James Gillray (English, 1756-1815) ‘’Matins at<br />
D-wn-ng College Cambridge’’, dated 1810, 341 x<br />
244mm. BM Satires 11591;<br />
‘’a Petty-Professor of Modern-History, brought to<br />
Light’’, dated 1810, the image within an oval border,<br />
350 x 260mm. BM Satires 11590;<br />
‘’Progress of the Toilet’’ - ‘’The Stays’’, ‘’The Wig’’<br />
[and] ‘’Dress Completed’’, a set of three, [The trio<br />
satirizing the fashions of the period, which dictated<br />
how the shapes of women should be accentuated<br />
to imitate artistic depictions of femininity], dated<br />
1810, each approximately 275 x 215mm. BM Satires<br />
11608 11609 11610; and<br />
‘’Grace, Fashion, and Manners. From the Life’’,<br />
dated [c.1810], published by George Humphrey, 260<br />
x 200mm. BM 1851.0901.1271,<br />
hand-coloured etched caricatures, published by<br />
Hannah Humphrey (6)<br />
£300 - 400<br />
Lot 238<br />
238<br />
James Gillray (English, 1756-1815) ‘’Bond Street,<br />
Three o’clock’’, undated, 255 x 165mm;<br />
‘’Waltzer au Mouchoir’’, dated 1800, 220 x 177mm<br />
BM Satires 9583 and<br />
‘’Oh! Listen to the Voice of Love’’, dated 1799, 227 x<br />
192mm. BM Satires 9450,<br />
hand-coloured etched caricatures, published by<br />
Hannah Humphrey (3)<br />
£100 - 150<br />
107
239<br />
Lot 239<br />
James Gillray (English, 1756-1815) ‘’Les<br />
Invisibles’’ and ‘’La Wales. Le Bon Genre’’, each<br />
dated 1810, each 243 x 315mm. BM Satires 11612<br />
and 11613;<br />
‘’A County Concert, or , an Evenings Entertainment<br />
in Sussex’’, dated 1798, 260 x 362 BM Satires 9306<br />
and<br />
‘’Monstrosities of 1799, Scene. Kensington<br />
Gardens’’, dated 1799, 258 x 357mm. BM Satires<br />
9454,<br />
hand-coloured etched caricatures, published by<br />
Hannah Humphrey (4)<br />
£300 - 500<br />
Lot 240<br />
James Gillray (English, 1756-1815) ‘’A Great Man<br />
on the Turf, or, Sir Solomon in all his Glory’’, dated<br />
1803, 332 x 224, BM Satires 10164; ‘’Diana returned<br />
from the Chace’’, dated 1802, 360 x 250mm, BM<br />
Satires 9908;<br />
‘’Playing in Parts’’, dated 1801, 258 x 362mm. BM<br />
Satires 9766 and<br />
‘’Ars-musical’, dated 1800, 258 x 355mm. BM<br />
Satires 9586,<br />
hand-coloured etched caricatures, published by<br />
Hannah Humphrey (4)<br />
£300 - 500<br />
108
241<br />
Lot 241<br />
James Gillray (English, 1756-1815) “A Cockney<br />
& his Wife going to Wycombe’’ dated 1805, 255 x<br />
360, BM Satires 10471 and<br />
‘’Palemon and Lavinia, He saw her charming,<br />
but he saw not half The Charms her downcast<br />
Modesty concealed’’, dated 1805, 263 x 364. BM<br />
Satires 10480,<br />
hand-coloured etched caricatures, published by<br />
Hannah Humphrey (2)<br />
£200 - 300<br />
240<br />
109
242<br />
243<br />
110
Lot 242<br />
James Gillray (English, 1756-1815) ‘’Two-<br />
Penny Whist’’, dated 1796, 232 x 343mm. BM<br />
Satires 8885;<br />
‘’A Decent Story’’, dated 1795, 230 x 303mm.<br />
BM Satires 8753;<br />
‘’Push Pin’’, dated 1797, 242 x 310mm. BM<br />
Satires 9082 and<br />
‘’Cymon & Iphigenia’’,[1796], 240 x 272mm.<br />
Wright & Evans 422,<br />
hand-coloured etched caricatures, published<br />
by Hannah Humphrey (4)<br />
£300 - 400<br />
Lot 243<br />
James Gillray (English, 1756-1815)<br />
‘’Company shocked at a Lady getting up to<br />
Ring the Bell’’, dated 1804, 255 x 380mm.<br />
BM Satires 10303;<br />
‘’A broad hint at not meaning to Dance’’,<br />
dated 1804, 252 x 380mm. BM Satires<br />
10302;<br />
‘’gentle Manners, with affections mild, In Wit<br />
a Man. Simplicity a Child’’, dated 1798, 260 x<br />
176mm. BM Satires 9288;<br />
After RF [Sir Robert Frankland] - ‘’A view<br />
of Newmarket Heath; taken from Davis’s<br />
Straights’’, dated 1807, 222 x 195. BM<br />
Satires 10789;<br />
After I.L.R - ‘’an Old Encore, at the Opera’’,<br />
dated 1803, 245 x 195mm. BM Satires<br />
10159 and Thomas Rowlandson (1756-1827)<br />
‘’A Portrait’’, [ a caricature of The Duke of<br />
Cumberland], dated 1812, 268 x 213mm. BM<br />
Satires 11924,<br />
hand-coloured etched caricatures, published<br />
by Hannah Humphrey (6)<br />
Lot 244<br />
£500 - 700<br />
James Gillray (English, 1756-1815) ‘’The<br />
Reception in Holland’’, dated 1799, 263 x<br />
368mm. BM Satires 9414;<br />
‘’The Orangerie; or, the Dutch Cupid<br />
reposing, after the fatigues of Planting’’.<br />
‘’Vide. The Visions in Hampton Bower’’, dated<br />
1796, 257 x 358. BM Satires 8822 and<br />
‘’Connoisseurs examining a collection of<br />
George Morland’’, dated 1807, 382 x 310mm.<br />
BM Satires 10791<br />
hand-coloured etched caricatures, published<br />
by Hannah Humphrey (3)<br />
£1,500 - 2,000<br />
244<br />
243<br />
111
245<br />
Lot 245<br />
James Gillray (English, 1756-1815) ’’How to Ride<br />
with Elegance thro’ the Streets’’ dated 1800, 320 x<br />
250mm. BM Satires 9560;<br />
‘’The Three Mr. Wiggins’’, dated 1803, 320 x<br />
220mm; BM Satires 10163A;<br />
‘’Sandwich-Carrots! dainty Sandwich-Carrots’’,<br />
dated 1796, 365 x 258mm. BM Satires 8886 and<br />
‘’Govenor Wall’s Ghost!’’, dated 1802, 365 x 264.<br />
BM Satires 9911,<br />
hand-coloured etched caricatures, published by<br />
Hannah Humphrey (4)<br />
Lot 246<br />
£400 - 600<br />
James Gillray (English, 1756-1815) “and would’st<br />
thou turn the vile Reproach on me?’’ - dated 1807,<br />
242 x 340mm. BM Satires 10802; ‘’Miss, I have a<br />
Monstrous Crow to pluck with you’’ dated 1794,<br />
240 x 290mm. BM Satires 8557 and, After Robert<br />
Frankland 1794 -1849 - ‘’Billy the Gamekeeper. -<br />
W.S’’, dated 1810. BM Satires 11592, hand-coloured<br />
etched caricatures, published by Hannah Humphrey<br />
(3)<br />
£250 - 350<br />
246<br />
Lot 247<br />
James Gillray (English, 1756-1815) ‘’The Gout’’,<br />
dated 1799, 258 x 355mm. BM Satires 9448;<br />
‘‘Punch cures the Gout, the Colic, and the Tisick’’,<br />
dated 1799, 253 x 355mm. BM Satires 9449;<br />
‘’Advantages of wearing Muslin Dresses! - dedicated<br />
to the serious attention of the Fashionable Ladies<br />
of Great Britain’’, dated 1802, 260 x 360mm. BM<br />
Satires 9933 and<br />
‘’Venus attired by the Graces’’, dated 1800, 240 x<br />
350mm. BM Satires 9587<br />
hand-coloured etched caricatures, published by<br />
Hannah Humphrey (4)<br />
£4,000 - 6,000<br />
112
247<br />
247<br />
113
248<br />
Lot 248<br />
James Gillray (English, 1756-1815) ‘’Mary of<br />
Buttermere, Sketch’d from Life, July, 1800’’, dated<br />
1802, 320 x 240mm. hand-coloured etching,<br />
published by Hannah Humphrey and<br />
An untitled etching of a Mounted Officer, undated,<br />
but possibly 1799, 204 x 224mm. See BM<br />
1851.0901.1139.,(2)<br />
Lot 249<br />
£300 - 500<br />
James Gillray (English, 1756-1815) ‘’The Graces<br />
in a high wind, - a Scene taken from Nature, in<br />
Kensington Gardens’’, dated 1810, 255 x 354mm,<br />
[A satire on Regency style costumes made of fine<br />
muslim, which, in a strong breeze hugged the<br />
outline of the body, leaving little to imagination]. BM<br />
Satires 11593;<br />
‘’Venus a la Coquille; or, the Swan-sea Venus’’,<br />
dated 1809, 262 x 368mm. BM Satires 11405<br />
and four (of five) caricatures based on sketches<br />
by Gillray’s friend and amateur caricaturist, the<br />
Reverend John Sneyd, - ‘’Taking Physick’’, dated<br />
1800, 261 x 195. BM Satires 9584, ‘’Gentle Emetic’’;<br />
‘’Breaking a vein’’ and ‘’Charming-well again’’, all<br />
dated 1804, each approx. 260 x 198mm. BM Satires<br />
10304, 10306, 10307,<br />
hand-coloured etched caricatures, published by<br />
Hannah Humphrey (6)<br />
£700 - 1,000<br />
251<br />
Lot 250<br />
James Gillray (English, 1756-1815) ‘’Germans<br />
Eating Sour-Krout’’, dated 1803, 263 x 365. BM<br />
Satires 10170;<br />
‘’German Luxury, or, Repos a l’ Allemande’’, dated<br />
1800, 238 x 315mm. BM Satires 9510;<br />
‘’A Little Music, or, the Delights of Harmony’’, dated<br />
1810, 265 x 365mm. BM Satires 9932,<br />
hand-coloured etched caricatures, published by<br />
Hannah Humphrey (4)<br />
Lot 251<br />
£800 - 1,200<br />
James Gillray (English, 1756-1815) ‘’A Bravura Air<br />
Mandane’’, dated 1801, 360 x 257mm. BM Satires<br />
9765, and<br />
‘’Mother-Goose, of Oxford’’, dated 1807, 330 x<br />
247mm, BM 10788,<br />
two unframed hand-coloured etched caricatures,<br />
published by Hannah Humphrey<br />
£150 - 200<br />
114
249<br />
250<br />
115
252<br />
Lot 252<br />
James Gillray (English, 1756-1815) ‘’Metallic-<br />
Tractors’’, dated 1801, 250 x 345mm. BM Satires<br />
9761 [Dr. Elisha Perkins (1741-1799), was an<br />
American quack doctor and the inventor of a pair<br />
of electrified metallic tractors said to cure diseases.<br />
His son, Benjamin, advertised the ‘’cure’’ in various<br />
periodicals between 1798 and 1802. The cartoon<br />
depicts Dr. Perkins applying his invention to the<br />
boils on the nose of a citizen, possibly intended to<br />
represent John Bull. The lean detached physician<br />
is contrasted with the stout and highly distressed<br />
patient undergoing ‘’therapy’’]<br />
‘’Anacreontick’s in full song’’, dated 1801, 250 x<br />
322mm. BM Satires 9764<br />
‘’Contemplations upon a Coronet’’, dated 1797, 365<br />
x 255. BM Satires 9074 and<br />
‘’The Marraige of Cupid & Psyhe’’, dated 1797, oval,<br />
260 max x 310mm max. BM Satires 9076,<br />
hand-coloured etched caricatures, published by<br />
Hannah Humphrey (4)<br />
£500 - 800<br />
254<br />
Lot 253<br />
James Gillray (English, 1756-1815) A complete<br />
set of seven etchings relating to the weather -<br />
‘’Delicious Weather’’; ‘’Dreadful-Hot-Weather’’; ‘’Sad<br />
Sloppy Weather’’; ‘’Raw-Weather’’; ‘’<strong>Fine</strong> Bracing<br />
Weather’’; ‘’Windy Weather’’and ‘’Very Slippy<br />
Weather’’, dated 1808, each 257 x 207mm. BM<br />
Satires 11094; 11095;,11096; 11097; 11098; 11100<br />
and 11099;<br />
‘’Posting in Scotland’’ [and] ‘’Posting in Ireland’’,<br />
after C. Lorraine- Smith, ‘’Hald your Haund Mun,<br />
hald your haund! en troth mun: e’n gin you may<br />
mind yoursel you’ll just make Muckle Laird coupeing<br />
his creels’’ and ‘’Forward immediately your Honour;<br />
But sure a’nt I waiting for the Girl with the Poker,<br />
just to give this Mare a burn your Honour, it’s just<br />
to make her start your Honour’’, dated 1805, each<br />
approximately 305 x 405mm. (2) BM Satires 10479<br />
& 10478. [A somewhat xenophobic and patronising<br />
English view of the perils of traveling in the<br />
‘’backward’’ realms of Scotland and Ireland]<br />
‘’Maecenas in pursuit of the <strong>Fine</strong> Arts’’, dated1808.<br />
262 x 202mm. BM Satires 11076<br />
“An Old Maid on a Journey’’, dated 1804, 260 x<br />
388mm. BM Satires 10300 and<br />
‘’Fortune-Hunting’’, dated 1804, 260 x 387. BM<br />
Satires 10301.Twelve hand-coloured etched<br />
caricatures, published by Hannah Humphrey (12)<br />
£1,200 - 1,600<br />
116
253<br />
Lot 254<br />
James Gillray (English, 1756-1815) ‘’The Welch<br />
Tandem’’ dated 1801, 260 x 364mm. BM Satires<br />
9760 [A satirical portrait of Sir Watkin Williams<br />
Wynn, the leading squire of North Wales, known as<br />
‘the Prince of Wales’, and his two brothers, Charles<br />
and Henry Watkin, portrayed in a chaise, pulled by<br />
three flatulent goats]<br />
‘’George a’ Cock-horse’’, dated 1796, 345 x 274mm.<br />
BM Satires 8889<br />
‘’Wide-Awake’’ and ‘’Fast-Asleep’’, a pair, each<br />
1806, each 247 x 206mm BM Satires 10644 and<br />
10645 and<br />
‘’Comfort to the Corns’’, dated 1800, 265 x 200mm.<br />
BM Satires 9585,<br />
Five hand-coloured etched caricatures, published by<br />
Hannah Humphrey (5)<br />
£400 - 600<br />
253<br />
117
257<br />
Lot 255<br />
James Gillray (English, 1756-1815) ‘’Dilettante-<br />
Theatricals;-or-a Peep, at the Green Room. -vide.<br />
Pic Nic-Orgies’’, dated 1803, 315 x 495mm. BM<br />
Satires 10169;<br />
‘’Blowing up the PIC NICS:-or-Harlequin Quixote<br />
attacking the Puppets. Vide Tottenham Street<br />
Pantomime’’, dated 1802, 348 x 250mm, BM Satires<br />
9916 and<br />
‘’A Peep at Christies;-or-Tally-ho, & Nimeney-<br />
Pimmeney taking the Morning Lounge’’, dated 1796,<br />
355 x 252mm. BM Satires 8888<br />
hand-coloured etched caricatures, published by<br />
Hannah Humphrey (3)<br />
£400 - 600<br />
Lot 256<br />
James Gillray (English, 1756-1815) Eight hand<br />
coloured etched caricatures, all published by<br />
Hannah Humphrey -<br />
‘’The Cockney-Sportmen’’; a set of four etchings -<br />
‘’Marking game’’; ‘’Shooting Flying’’; ‘’Re-charging’’<br />
and ‘’Finding a Hare’’, dated 1800, each approx. 245<br />
x 340mm. BM Satires 1038, 1039, 6911 and 1041;<br />
‘’The Guardian Angel’’, dated 1805, 380 x 265mm.<br />
BM Satires 10389; -<br />
‘’Oh! that this too too solid flesh would melt’’,<br />
inscribed - Designed for the Shakespeare gallery,<br />
dated 1791, 200 x 190mm. BM Satires 8013<br />
‘’Hounds Throwing Off’’ and ‘’Hounds Finding’’, each<br />
dated 1800, each 250 x 350mm. BM Satires 9589<br />
and 9590 (8)<br />
£800 - 1,200<br />
118
255<br />
255<br />
Lot 257<br />
James Gillray (English, 1756-1815) ‘’The<br />
Cow-Pock-or-The Wonderful Effects of the New<br />
Inoculations! vide the Publication of ye Anti Vaccine<br />
Society, published in London und Paris’’, dated<br />
1802, 255 x 360mm. [An anti-vaccination caricature<br />
showing Edward Jenner administering his antismallpox<br />
injections with post procedure patients<br />
sprouting various bovine appendages] BM Satires<br />
9924<br />
“Scientific Researches! New Discoveries in<br />
Pneumaticks!-or-an Experimental Lecture on the<br />
Power of Air’’, dated 1802, 247 x 350mm. BM<br />
Satires 9923;<br />
‘’The great South Sea Caterpillar, transformed into a<br />
Bath Butterfly’’, dated 1795, 350 x 244. BM Satires<br />
8718 and<br />
‘’A Cognoscenti contemplating ye Beauty of ye<br />
Antique’’, dated 1801, 350 x 250mm. BM Satires<br />
9753,<br />
hand-coloured etched caricatures, published by<br />
Hannah Humphrey - (4)<br />
£500 - 800<br />
256<br />
119
258<br />
Lot 258<br />
James Baker Pyne (British, 1800-1870)<br />
Beach scene with fisherfolk around a<br />
jetty<br />
oil on canvas<br />
signed<br />
86 x 133cm<br />
£1,200 - 1,500<br />
259<br />
Lot 259<br />
Samuel Jackson (British, 1830-1904)<br />
Avon landscape; View from<br />
Shirehampton looking towards Clifton<br />
watercolour<br />
22 x 29.5cm<br />
£400 - 600<br />
Lot 260<br />
Samuel Jackson (British, 1830-1904)<br />
Horsemen surveying Clifton Gorge,<br />
Cook’s Folly & the Severn Estuary<br />
watercolour<br />
Heather Jackson label verso<br />
13.5 x 16.5cm<br />
£300 - 500<br />
260<br />
120
261<br />
Lot 261<br />
Henry Brittan Willis (British, 1810-1884)<br />
The Pond in the Meadow<br />
oil on canvas<br />
100 x 124cm<br />
Lot 262<br />
£3,000 - 5,000<br />
Attributed to John Wilson Carmichael<br />
(British, 1799-1868)<br />
‘Off Dover’<br />
oil on panel<br />
50 x 62cm<br />
£800 - 1,200<br />
262<br />
121
263<br />
265<br />
122
Lot 263<br />
H.J. Williams (English, 19th C.)<br />
A harvest field with farm workers,<br />
children, a dog and a figure on<br />
horseback with a windmill in the<br />
distance<br />
oil on canvas<br />
52.5 x 89cm<br />
£1,200 - 1,800<br />
Lot 264<br />
English School circa 1850<br />
Landscape with mountain stream,<br />
cottage, bridge and figures on a<br />
track<br />
oil on panel<br />
44 x 53cm<br />
Lot 265<br />
£400 - 600<br />
Sir Edwin Henry Landseer R.A.<br />
(1802-1873)<br />
‘A retriever, with pheasant in his<br />
mouth - unfinished’<br />
watercolour<br />
monogrammed and dated 1827<br />
19.5 x 25cm, Ex. Collection The Duke<br />
of Bedford<br />
Lot 266<br />
£1,200 - 1,800<br />
After Sir Edwin Henry Landseer, R.A.<br />
(1802-1873)<br />
King Charles Spaniels (‘The<br />
Cavalier’s Pets’)<br />
oil on canvas<br />
70 x 90cm<br />
£400 - 600<br />
264<br />
266<br />
Lot 267<br />
Thomas Rose Miles (British, 1844-<br />
1916)<br />
Ship in a rough sea at sunset<br />
oil on canvas<br />
20.5 x 40.5cm<br />
£400 - 600<br />
267<br />
123
268<br />
Lot 268<br />
Jolail (Italian, 19th Century)<br />
The Gulf of Pozzuoli<br />
oil on canvas<br />
signed<br />
45 x 81.5cm<br />
Lot 269<br />
£3,000 - 5,000<br />
William Huggins (English, 1820-1884)<br />
Portrait of the artist’s mother<br />
oil on canvas<br />
signed and dated 1862<br />
100 x 75cm<br />
Lot 270<br />
£800 - 1,200<br />
Edmond Jean-Baptiste Tschaggeny<br />
(Belgian, 1818-1873)<br />
Cattle drover and cows beside a stream<br />
oil on wooden panel<br />
monogrammed<br />
28 x 21cm<br />
£400 - 600<br />
269<br />
124
271<br />
Lot 271<br />
270<br />
Theude Grönland (German, 1817-1876)<br />
Still life of sweet peas, fruit and two<br />
white mice<br />
oil on wooden panel<br />
signed and dated 1843<br />
29 x 39cm<br />
£3,000 - 5,000<br />
Lot 272<br />
Jean-Louis van Kuyck , (Belgian, 1821-<br />
1871)<br />
Stable interior, with grooms horses, a<br />
dog and chickens<br />
oil on canvas<br />
signed<br />
79 x 109cm<br />
Lot 273<br />
£600 - 800<br />
Florence Fitzgerald (British, 1857-1927)<br />
‘The Squirrel’<br />
oil on canvas<br />
signed<br />
39 x 54cm<br />
£300 - 500<br />
272<br />
273<br />
125
274<br />
275<br />
Lot 274<br />
William Henry Mander (British, 1850-1922)<br />
‘Falls on the Llugy in Low Capel Curig, N. Wales,<br />
<strong>Autumn</strong>’<br />
oil on canvas<br />
signed and dated ‘08<br />
76 x 51cm<br />
£2,000 - 3,000<br />
Lot 275<br />
English School c.1890<br />
Portrait of a British Naval Officer<br />
oil on canvas<br />
74 x 62cm<br />
£500 - 800<br />
Lot 276<br />
Daniel Sherrin (British, 1868-1940)<br />
‘Among the heather’<br />
oil on canvas<br />
signed<br />
76 x 50cm<br />
£400 - 600<br />
276<br />
126
277<br />
Lot 277<br />
Henry H. Parker (British, 1858-<br />
1930)<br />
‘At Culham on Thames’ and<br />
‘The River Wey, near Ripley,<br />
Surrey’<br />
oil on canvas, a pair<br />
signed and inscribed verso<br />
30 x 45cm<br />
£1,000 - 1,500<br />
277<br />
Lot 278<br />
After Benjamin Constant<br />
(Swiss, 1845-1902)<br />
‘On the lookout, distant view of<br />
the Sahara’<br />
oil on canvas<br />
71 x 101cm<br />
£2,000 - 2,500<br />
278<br />
127
279<br />
279<br />
280<br />
Lot 279<br />
Harry T. Hine (British, 1845-1941)<br />
Fighting cocks<br />
watercolours, a near pair<br />
signed and dated 1906 / 1907<br />
23 x 17cm and 24.5 x 17cm<br />
Lot 280<br />
Harry T. Hine (British, 1845-1941)<br />
Fighting cocks<br />
watercolour<br />
signed and dated 1907<br />
25 x 32cm<br />
Lot 281<br />
£600 - 800<br />
£300 - 500<br />
David Farquarson A.R.A., A.R.S.A.,<br />
R.S.W. (Scottish, 1839-1907)<br />
‘A Field Road’<br />
oil on canvas<br />
signed and dated 1877 and inscribed<br />
with the title verso<br />
76 x 51cm<br />
£500 - 700<br />
281<br />
128
282<br />
Lot 282<br />
Hubert Thornley (fl.1859-1898)<br />
Beached merchant ship unloading the<br />
hold with figures on the shore at sunset<br />
oil on canvas<br />
signed<br />
40 x 60cm<br />
Lot 283<br />
Hubert Thornley (fl.1859-1898)<br />
Moonlit Dutch harbour scene<br />
oil on canvas<br />
signed<br />
34 x 29cm<br />
£1,000 - 1,500<br />
£800 - 1,200<br />
283<br />
129
284<br />
Lot 284<br />
Marie-Édouard Adam (French,<br />
1847–1929<br />
‘The barque Ifafa leaving Le Havre’<br />
oil on canvas<br />
signed and dated 1881<br />
60 x 90cm<br />
£1,000 - 1,200<br />
285<br />
285<br />
Lot 285<br />
Harold Wyllie (British, 1880-1975)<br />
‘The building of the Queen<br />
Elizabeth at Clydebank 1935, and<br />
‘The Brig, Martin sailing through<br />
the Needles’<br />
watercolours, a pair<br />
signed, 17 x 37cm<br />
Lot 286<br />
£800 - 1,200<br />
William Adolphus Knell (British,<br />
1801-1875)<br />
Billowy Skies<br />
oil on board<br />
signed, 19.5 x 14cm<br />
£500 - 800<br />
130
287<br />
Lot 287<br />
Attributed to Charles Gregory<br />
RWS (English, 1849-1920)<br />
‘The barque Cambria’<br />
oil on canvas<br />
35 x 52cm<br />
286<br />
£750 - 850<br />
Lot 288<br />
Adolphus Knell (British, 1860-<br />
1890)<br />
Steam tug towing a warship into<br />
harbour at sunset<br />
oil on wooden panel<br />
signed,<br />
15.5 x 20.5cm<br />
£700 - 1,000<br />
288<br />
Lot 289<br />
Edwin Ellis (English, 1841-1895)<br />
Near Whitby<br />
oil on board<br />
artists label verso dated 1870<br />
22 x 29.5cm<br />
£400 - 600<br />
289<br />
131
290<br />
Lot 290<br />
Albert Goodwin (English, 1845-1932)<br />
‘The House of Circe; “Thou hast<br />
given them a drink of the dry wine”’<br />
watercolour<br />
signed and dated 1919<br />
34 x 46cm<br />
Lot 291<br />
£800 - 1,200<br />
Albert Goodwin (English, 1845-1932)<br />
‘Ilfracombe’<br />
watercolour<br />
monogrammed and dated 90<br />
24.5 x 25cm<br />
£600 - 800<br />
291<br />
132
292<br />
Lot 292<br />
Arthur Wardle (British, 1864-1949)<br />
‘Midday rest’<br />
watercolour<br />
signed<br />
43 x 64.5cm<br />
£3,000 - 5,000<br />
Lot 293<br />
Follower of Walter Crane RWS (1845-1915)<br />
frontispiece for The Well of Loneliness by<br />
Radclyffe Hall<br />
ink and watercolour on grey paper<br />
inscribed verso<br />
22 x 16.5cm<br />
£800 - 1,200<br />
293<br />
133
294<br />
295<br />
Lot 294<br />
James Montgomery Flagg (American, 1877-<br />
1960)<br />
Portrait of Kathleen Parkhurst in The Pirates of<br />
Penzance, D’Oyly Carte Opera Company<br />
oil on canvas<br />
signed and dated 1936<br />
126 x 100cm<br />
Lot 295<br />
£3,000 - 5,000<br />
James Elder Christie (Scottish, 1847-1914)<br />
Portrait of Richard Carte (1808-1891), English<br />
flute-maker, flautist and composer<br />
oil on canvas<br />
monogrammed and dated ‘85<br />
34 x 24cm<br />
£800 - 1,200<br />
296<br />
Lot 296<br />
Helen Donald-Smith (1880-1930)<br />
Portrait of a girl wearing a blue dress standing<br />
upon an armchair<br />
oil on canvas<br />
signed and dated ‘91, 110 x 85cm<br />
£500 - 800<br />
134
297<br />
Lot 297<br />
Robert Polhill Bevan (British, 1865-1925)<br />
Study for The Bayhorse, Tattersall’s, 1921 (Paul<br />
Mellon Bequest - Yale Centre for British Art)<br />
pencil and watercolour<br />
inscribed verso<br />
29 x 23.5cm<br />
£12,000 - 18,000<br />
The subject matter of cab-yards, mews and horse<br />
sales in London was suggested to Bevan by Walter<br />
Sickert .<br />
For a related work see Christie’s sale Lot 100, 28<br />
Nov 2000.<br />
135
298<br />
300<br />
299<br />
Lot 298<br />
Louis Bosworth Hurt<br />
(British, 1856-1929)<br />
‘In Glen Falloch, Perthshire’<br />
oil on canvas board<br />
signed and titled by the artist<br />
verso<br />
32 x 47cm<br />
Lot 299<br />
£400 - 600<br />
Sydney Watts White (British,<br />
fl.1892-1917)<br />
Portrait of Antony Barton<br />
oil on canvas<br />
signed and dated 1945<br />
35 x 29.5cm<br />
Lot 300<br />
£500 - 800<br />
Follower of William Grant<br />
Stevenson RSA (1849-1919)<br />
Golfing scene near the<br />
coast, probably St Andrews<br />
oil on canvas<br />
signed and indistinctly dated<br />
..84<br />
50 x 75cm<br />
£400 - 600<br />
301<br />
136
302<br />
Lot 301<br />
Karl Keinke (German, b.1852)<br />
‘The Bather’<br />
oil on canvas<br />
signed with artist label verso<br />
52 x 72.5cm<br />
£800 - 1,200<br />
Lot 302<br />
Emil Barbarini (Austrian,<br />
1855-1933)<br />
Street scene with figures<br />
beside a flower seller<br />
oil on wooden panel<br />
signed<br />
26 x 39cm<br />
Lot 303<br />
£1,500 - 2,000<br />
William Percy French (Irish,<br />
1854-1920)<br />
Coastal landscape at sunset<br />
watercolour<br />
initialled<br />
17 x 25cm<br />
£1,000 - 1,500<br />
303<br />
137
304<br />
305<br />
Lot 304<br />
§ Forrest Hewit (British, 1870-<br />
1956)<br />
‘The Calico Printers Ball,<br />
1887’<br />
oil on canvas<br />
signed with exhibition label<br />
verso<br />
121 x 161cm<br />
Lot 305<br />
£2,000 - 3,000<br />
Charles Ginner NEA ROI<br />
ARWS (English, 1878-1952)<br />
Landscape with trees, lake<br />
and house beyond<br />
ink and watercolour<br />
inscribed verso stating from the<br />
artist presenting it to Ethelbert<br />
White<br />
26 x 36cm<br />
£1,000 - 2,000<br />
138
Lot 306<br />
§ Sir Gerald Festus Kelly RA,<br />
KCVO, PRA (British, 1879-1972)<br />
Portrait of Mademoiselle Gabby<br />
Aumont<br />
oil on canvas<br />
inscribed verso<br />
44 x 37cm<br />
£3,000 - 5,000<br />
Lot 307<br />
Sir William Orpen RA RHA RWS<br />
(British, 1878-1931)<br />
‘A Break for a Smoke’<br />
pencil, pen, red ink and watercolour<br />
New Grafton Gallery 1977 Exhibition<br />
label verso<br />
25 x 33cm<br />
£600 - 800<br />
306<br />
307<br />
139
308<br />
Lot 308<br />
§ Samuel John Lamorna Birch, RA,<br />
RWS, RWA (British, 1869-1955)<br />
‘Old Boleigh’<br />
oil on board<br />
signed, exhibited at the RA 1933<br />
33 x 40cm<br />
Lot 309<br />
£2,000 - 3,000<br />
Sydney Carter (South African, 1874-<br />
1945)<br />
‘A Cape Town Avenue’<br />
oil on board<br />
signed and inscribed verso<br />
62 x 80cm<br />
£800 - 1,200<br />
309<br />
140
Lot 310<br />
310<br />
William Heath Robinson (British, 1872-1944)<br />
‘The landing of the expedition up the River<br />
Wemb to discover & secure a site for the present<br />
exhibition’<br />
pen, ink and monochrome watercolour<br />
signed and inscribed ‘Bystander’, 37 x 27cm<br />
£500 - 700<br />
311<br />
Lot 311<br />
§ Sir Herbert James Gunn RA PRP RSW<br />
(Scottish, 1893-1964)<br />
Portrait of Silvanus Nicol, The President of the<br />
British Wood Pulp Association from 1947-1949<br />
oil on canvas<br />
signed, 90 x 70cm<br />
Lot 312<br />
£1,000 - 1,500<br />
Sydney Horne Shepherd (English, 1909-1993)<br />
Portrait of the artist’s wife<br />
oil on canvas<br />
75 x 59cm<br />
£700 - 900 312<br />
141
313<br />
314<br />
142
Lot 313<br />
§ Eric Slater (English, 1896-<br />
1963)<br />
‘Seaford Head’<br />
woodcut in colours<br />
signed in pencil<br />
25.5 x 35cm<br />
£500 - 700<br />
Lot 314<br />
Robert Anning Bell RA RWS<br />
(British, 1863-1933)<br />
Shrouded figures seated in a<br />
landscape<br />
oil on canvas<br />
signed and dated 1922<br />
75 x 126cm<br />
£1,500 - 2,000<br />
Lot 315<br />
Christopher Richard Wynne<br />
Nevinson A.R.A. (British, 1889-<br />
1946)<br />
Portrait of a young lady<br />
oil on canvas<br />
signed and dated 19..<br />
58 x 42cm<br />
315<br />
£4,000 - 6,000<br />
143
316<br />
Lot 316<br />
§ Marcel Gromaire (French, 1892-1971)<br />
Harvesters with a cathedral beyond<br />
mixed media<br />
signed and dated 1954<br />
38 x 47cm<br />
Lot 317<br />
£800 - 1,200<br />
§ Austin Osman Spare (British, 1886-1956)<br />
Two grotesques<br />
pencil on paper<br />
25 x 19cm<br />
£1,500 - 2,000<br />
317<br />
144
Lot 318<br />
Noel Georges Bouvard (French,<br />
1912-1975)<br />
Venetian canal scenes<br />
oil on canvas, a pair<br />
signed<br />
27 x 35cm<br />
£2,000 - 3,000<br />
318<br />
Lot 319<br />
§ Laurence Stephen Lowry,<br />
RBA, RA (British, 1887-1976)<br />
‘An Industrial Town’<br />
offset lithograph<br />
signed in pencil, numbered<br />
478/500<br />
43.5 x 59cm, visible sheet 47 x<br />
62cm<br />
£800 - 1,200<br />
319<br />
145
320<br />
321<br />
Lot 320<br />
§ Gerald A. Cooper (British 1898-1975)<br />
‘Peonies, Tulips and Iris’<br />
oil on board<br />
signed, 1962 Stacy Marks label verso<br />
75 x 62cm<br />
Lot 321<br />
£1,500 - 2,500<br />
Raymond Campbell (English, b.1956)<br />
1982 Moet & Chandon with strawberries and<br />
grapes<br />
oil on canvas<br />
signed<br />
40cm x 30cm<br />
£700 - 900<br />
322<br />
Lot 322<br />
Albert de Belleroche (English, 1864-1944)<br />
‘Femme nue dans la Campagne’<br />
oil on canvas<br />
signed<br />
79 x 62cm<br />
£800 - 1,200<br />
146
Lot 323<br />
§ Albert Williams (English, 1922-2010)<br />
Summer flowers in a vase upon a ledge<br />
oil on canvas<br />
signed<br />
75 x 60cm<br />
£1,000 - 1,500<br />
323 324<br />
Lot 324<br />
§ Albert Williams (English, 1922-2010)<br />
Winter flowers in a Clarice Cliff vase<br />
oil on canvas<br />
signed<br />
65 x 55cm<br />
£600 - 800<br />
Lot 325<br />
§ Jeffrey Pratt (British, b.1940)<br />
Caribbean mother and child on the seashore, a<br />
sketch of Indian women verso<br />
oil on board<br />
signed<br />
62 x 39cm<br />
£1,000 - 1,500<br />
325<br />
147
326<br />
327<br />
Lot 326<br />
§ Scottie Wilson (Scottish 1888-1972)<br />
Two birds and flowering tree<br />
watercolour<br />
signed<br />
34 x 47cm<br />
£500 - 700<br />
328<br />
Lot 327<br />
§ Sir Roger de Grey, P.R.A. (English,<br />
1918-1995)<br />
‘The Canal, Marennes, 1989’<br />
oil on canvas<br />
signed, 121 x 101cm<br />
£1,200 - 1,500<br />
Lot 328<br />
§ Edward Hersey (British, b.1948)<br />
Cattle in pasture<br />
oil on board<br />
signed and dated ’85<br />
40 x 50cm<br />
£500 - 700<br />
329<br />
Lot 329<br />
§ Felix Kelly (English, 1916-1994)<br />
‘Prior Park, Bath’<br />
oil on board<br />
signed, Lefevre Gallery label verso<br />
27.5 x 37.5cm<br />
£2,000 - 3,000<br />
148
330<br />
Lot 330<br />
§ Edward Seago (British, 1910-1974)<br />
St Mark’s Piazza, Venice<br />
watercolour<br />
signed in pencil<br />
37 x 26cm<br />
£3,000 - 5,000<br />
149
Lot 331<br />
§ Cecil Rochfort D’Oyly-<br />
John (1906–1993)<br />
‘Night fishermen off coast<br />
at La Napoule near Cannes<br />
S of France’<br />
oil on canvas<br />
signed<br />
25 x 35cm<br />
£400 - 600<br />
331<br />
Lot 332<br />
§ Cecil Rochfort D’Oyly<br />
John (British, 1906-1993)<br />
French Mediterranean<br />
scene<br />
oil on board<br />
signed<br />
24 x 30cm, unframed<br />
£400 - 600<br />
332<br />
Lot 333<br />
§ Cecil Rochfort D’Oyly<br />
John (British, 1906-1993)<br />
‘Venice, a side street off the<br />
Grand Canal near the Place<br />
Marco’<br />
oil on canvas<br />
signed<br />
35 x 70cm<br />
£1,500 - 2,000<br />
333<br />
150
334<br />
335<br />
Lot 334<br />
§ Cecil Rochfort D’Oyly John<br />
(British, 1906-1993)<br />
‘South Beach’, Durban<br />
oil on board<br />
signed with artists label verso giving the<br />
address as Studio Cottage<br />
35.5 x 45.5cm<br />
£500 - 800<br />
After World War II D’Oyly John moved<br />
back to South Africa with his wife Joan.<br />
They moved to Durban and literally built<br />
their own house on Cowies HIll, in the<br />
Rondavel style, and named it ‘Studio<br />
Cottage’.<br />
See Kelleway & Mayhew - D’Oyly-John<br />
Living In The Sun, 2012 for further<br />
details of Studio Cottage<br />
Lot 335<br />
§ Cecil Rochfort D’Oyly John<br />
(British, 1906-1993)<br />
‘Villefranche, South of France’<br />
oil on canvas<br />
signed,43 x 58cm, unframed<br />
Lot 336<br />
£600 - 800<br />
§ Cecil Rochfort D’Oyly John<br />
(British, 1906-1993)<br />
Portrait of a the artist’s wife Joan,<br />
wearing a straw hat<br />
oil on board,signed<br />
52 x 42cm<br />
£1,000 - 1,500<br />
See Kelleway & Mayhew - D’Oyly-John<br />
Living In The Sun, page 20 for another<br />
portrait of Joan.<br />
336<br />
151
Lot 337<br />
§ Cecil Rochfort D’Oyly John<br />
(British, 1906-1993)<br />
Mediterranean harbour scene<br />
oil on board<br />
signed<br />
50 x 60cm<br />
£800 - 1,200<br />
337<br />
Lot 338<br />
§ Cecil Rochfort D’Oyly John<br />
(British, 1906-1993)<br />
Between Biarritz and St Jean de Lux<br />
oil on board<br />
signed<br />
49 x 75cm<br />
£800 - 1,200<br />
See Kelleway & Mayhew - D’Oyly-John<br />
Living In The Sun, page 50 for a similar<br />
work<br />
338<br />
Lot 339<br />
§ Cecil Rochfort D’Oyly John<br />
(British, 1906-1993)<br />
Portofino<br />
oil on board<br />
signed<br />
47 x 72.5cm<br />
£1,500 - 2,000<br />
339<br />
152
340<br />
Lot 340<br />
§ Cecil Rochfort D’Oyly John<br />
(English, 1906–1993)<br />
Fishing boats, South of France<br />
oil on canvas<br />
signed, sold with D’Oyly John’s<br />
passport and a palette knife from<br />
his studio<br />
40 x 50cm<br />
£800 - 1,200<br />
Lot 341<br />
§ Cecil Rochfort D’Oyly John<br />
(English, 1906–1993)<br />
French Mediterranean town<br />
square with flower seller<br />
oil on canvas<br />
signed, 42 x 52cm<br />
£1,000 - 1,500<br />
341<br />
153
Lot 342<br />
§ Antoine Blanchard (French,<br />
1910-1988)<br />
‘Boulevard’<br />
oil on canvas<br />
signed<br />
33 x 46cm<br />
£2,000 - 3,000<br />
342<br />
Lot 343<br />
§ Antoine Blanchard (French,<br />
1910-1988)<br />
‘By coach in the rain’<br />
oil on canvas<br />
signed<br />
32 x 46cm<br />
£2,000 - 3,000<br />
343<br />
Lot 344<br />
§ Antoine Blanchard (French,<br />
1910-1988)<br />
‘The Embankment by the Louvre’<br />
oil on canvas<br />
signed<br />
33 x 46cm<br />
£2,000 - 3,000<br />
344<br />
154
Lot 345<br />
Hayward Veal (Australian, 1913-<br />
1968)<br />
French harbour scene<br />
oil on canvas<br />
signed<br />
40 x 51cm<br />
£500 - 800<br />
345<br />
Lot 346<br />
Walter John Beauvais (1942-1998)<br />
Beach scene<br />
oil on canvas<br />
signed<br />
49 x 75cm<br />
£400 - 600<br />
346<br />
Lot 347<br />
§ David Cobb (British, 1921-2014)<br />
Night Action, Falklands Islands,<br />
1982<br />
oil on board<br />
signed<br />
30 x 45cm<br />
£400 - 600<br />
347<br />
155
Lot 348<br />
§ Mary Fedden OBE R.A. PPRWA (1915-2012)<br />
Portrait of Professor Robert Donington, playing the Viola de Gamba<br />
oil on canvas<br />
signed and dated 1948<br />
60 x 50cm<br />
£10,000 - 15,000<br />
Robert Donington (1907-1990) was educated at St Paul’s School, London, and studied at the University<br />
of Oxford. His expert knowledge of early instruments and the interpretation of pre-classical music owed<br />
much to a period of study with Arnold Dolmetsch at Haslemere, Surrey. He was appointed OBE in the 1979<br />
Birthday Honours.<br />
In the late 1940’s Donington shared a studio with his friend Julian Trevelyan. Here he met Mary Fedden and<br />
although already married became enamoured with her. By repute in an effort to cool his pursuit of Mary his<br />
wife encouraged him to commission work from her and thus place their relationship on a more professional<br />
basis. Mary painted his portrait as well as a view of Robert’s holiday home, a converted fishermans’ hut at<br />
Cadgwith. He also acquired a further work from her; ‘The Lion and the Lamb’. As history records regardless<br />
of Robert’s affections, Mary married Julian.<br />
156
Lot 349<br />
§ Mary Fedden OBE R.A. PPRWA (1915-2012)<br />
Fishermen’s hut at Cadgwith<br />
oil on canvas<br />
signed and dated 1948<br />
50 x 40cm<br />
£15,000 - 20,000<br />
157
Lot 349<br />
§ Mary Fedden OBE R.A. PPRWA (1915-2012)<br />
‘The Lion and the lamb’<br />
oil on canvas<br />
signed and dated 1950<br />
62 x 74cm<br />
£20,000 - 30,000<br />
158
351 352<br />
Lot 351<br />
§ Sherree Valentine Daines (1959-)<br />
Portrait of a young lady<br />
oil on canvas<br />
signed and dated ‘85<br />
40.5 x 30cm, unframed<br />
Lot 352<br />
§ Sherree Valentine Daines (1959-)<br />
Seated female nude<br />
oil on board<br />
initialled<br />
55 x 43cm<br />
Lot 353<br />
§ Peter Howell (British b.1932)<br />
Racehorse with jockey up<br />
oil on canvas<br />
signed<br />
60 x 50cm<br />
£500 - 800<br />
£1,000 - 1,500<br />
£400 - 600<br />
353<br />
159
355<br />
354<br />
356<br />
160
Lot 354<br />
§ Eileen Cooper O.B.E., R.A. (British, b.1953)<br />
Crouching figure<br />
oil on formica<br />
128 x 94.5cm<br />
Lot 355<br />
Roy Lichtenstein (American, 1923-1997)<br />
‘GRRRRRRRRRRR!!’ 1965<br />
offset colour lithograph on wove paper<br />
signed in ink, 70 x 58cm<br />
Lot 356<br />
357<br />
£2,000 - 3,000<br />
£800 - 1,200<br />
A set of six porcelain plates made by Wedgwood<br />
for the National Art Collection Fund, 1992,<br />
‘Garden Plate’ by Patrick Heron,<br />
‘Passed the Tangerine Test’ by Bruce McLean,<br />
‘Fabula’ by Eduardo Paolozzi,<br />
‘The Green Man’ by John Piper,<br />
‘Demonstrations’ by Peter Blake,<br />
‘Ipanema’ by Patrick Caulfield,<br />
printed marks, limited edition of 500, in a series<br />
of six designs commissioned by the National Art<br />
Collections Fund and Wedgwood, with certificates<br />
and each boxed, each 31cm diameter (6)<br />
£600 - 800<br />
Lot 357<br />
§ Josef Herman OBE RA (Polish/British, 1911-<br />
2000)<br />
‘Mother and child’<br />
mixed media<br />
Boundary Gallery label verso dating the work to<br />
1955/56<br />
22 x 14cm<br />
Lot 358<br />
Fabian Perez (Argentinian, b.1967)<br />
‘Venice’<br />
watercolour on paper<br />
signed<br />
34 x 34cm<br />
358<br />
£400 - 600<br />
£1,000 - 1,500<br />
161
Lot 359<br />
§ Rowland Hilder (1905-1993)<br />
‘Thames Misty Morning’<br />
watercolour<br />
signed<br />
27 x 36.5cm<br />
£1,000 - 1,500<br />
359<br />
Lot 360<br />
§ Rowland Hilder (1905-1993)<br />
‘Oast Houses, Kent’<br />
watercolour<br />
Everard Read Gallery label verso<br />
35 x 51.5cm<br />
£800 - 1,200<br />
360<br />
Lot 361<br />
§ Olivier Camen (French, b.1964)<br />
‘Vivien Leigh - Waterloo Bridge’, 2015<br />
mixed media on canvas<br />
This work was included in the 2015<br />
‘Olivier Camen Solo Exhibition’, and<br />
reproduced in the catalogue page 10<br />
100 x 130cm<br />
£1,000 - 1,500<br />
361<br />
162
Lot 362<br />
§ Sir Kyffin Williams (Welsh, 1918-2006)<br />
‘Blind Man’<br />
oil on canvas<br />
initialled<br />
68 x 50cm<br />
£15,000 - 20,000<br />
163
363<br />
Lot 363<br />
§ Donald McIntyre R.I.<br />
R.Cam.A. S.M.A. (Scottish<br />
1923-2009)<br />
‘Cottages by the sea’<br />
acrylic on board<br />
signed, 1999 Thackeray Gallery<br />
label verso<br />
50 x 75cm<br />
Lot 364<br />
£4,000 - 6,000<br />
§ John Lowrie Morrison,<br />
[Jolomo] O.B.E (Scottish<br />
1948-)<br />
‘Lakeside cottage’<br />
oil on board<br />
signed ‘’Jolomo’’<br />
40 x 40cm<br />
£1,500 - 2,000<br />
364<br />
164
366<br />
365<br />
Lot 365<br />
§ Sir Terry Frost (British, 1915-2003)<br />
‘Newlyn Rhythm’<br />
etching, 1995<br />
signed in pencil, titled and numbered 2/80<br />
55 x 35cm<br />
£400 - 600<br />
Lot 366<br />
§ Fred Yates (English, 1922-2008)<br />
‘Tubbies’<br />
oil on board<br />
inscribed verso, 34 x 26.5cm<br />
£800 - 1,200<br />
Exhibited Fred Yates, A Second Exhibition of Paintings,<br />
Europa Gallery, Sutton, December 1991<br />
165
Lot 367<br />
§ Fred Cuming B.A. (British, 1930-2022)<br />
West Pier, Brighton<br />
oil on board<br />
signed<br />
41 x 28.5cm<br />
£1,500 - 2,000<br />
Lot 368<br />
§ Simon Palmer (British, b.1956)<br />
‘Glyndebourne’<br />
watercolour<br />
signed<br />
59 x 41cm<br />
£2,000 - 3,000<br />
166
Lot 369<br />
§ John Piper (British, 1903-1992)<br />
‘Moyrus, Connemara’<br />
Indian ink, bodycolour, grey and umber washes and<br />
pencil<br />
signed in pen and ink lower right, titled and dated<br />
II.IX.69 in pencil<br />
36 x 54cm<br />
£3,000 - 5,000<br />
167
Lot 370<br />
§ Philip Dunn (English, b.1945)<br />
‘Peace in our time’<br />
acrylic on canvas<br />
signed, 120 x 89cm<br />
£2,000 - 3,000<br />
168
SILVER & VERTU<br />
At approx. 2.00pm.<br />
371 - 417<br />
398<br />
169
371<br />
372<br />
Lot 371<br />
A James I silver seal top spoon, by William<br />
Cawdell, London, 1605, 16.8cm, 47 grams.<br />
NB: William Cawdell was the maker of the<br />
celebrated Titchborne spoons,<br />
Lot 372<br />
£2,000 - 3,000<br />
A 17th/18th century Scandinavian silver spoon,<br />
with engraved scroll decoration to the handle and<br />
initialled R.O.D. to the spoon terminal, maker’s mark<br />
stamped twice, PR? conjoined, 17.4cm, 26 grams.<br />
Lot 373<br />
£400 - 600<br />
A George II silver salver, by John Robinson II,<br />
of shaped circular form, with later engraved initials<br />
and engraved scroll decoration, on three hoof feet,<br />
London 1745, 32.6cm, 29.4oz.<br />
Lot 374<br />
£400 - 600<br />
A mid 18th century provincial silver tankard,<br />
by John Langlands I, with domed cover and<br />
scroll thumbpiece, the body with banded girdle and<br />
engraved initials to the handle, Newcastle, circa<br />
1760 (no date letter), height 18.9cm, 25.4oz.<br />
£800 - 1,200<br />
Lot 375<br />
An early George III silver chamberstick, by<br />
Ebenezer Coker, with gadrooned borders and<br />
engraved crest, on three fluted feet, London, 1768,<br />
with associated snuffer, diameter 15.3cm, 12.2oz.<br />
Lot 376<br />
£300 - 400<br />
A George II silver snuffers stand, by John Cafe,<br />
of waisted form, with engraved crest and inscription,<br />
London, 1758, 20.9cm, 10.8oz.<br />
Lot 377<br />
£200 - 300<br />
A George III provincial silver two handled<br />
pedestal cup, by Langlands & Robertson, with<br />
engraved initials, Newcastle, 1781, height 13.3cm,<br />
9.5oz.<br />
Lot 378<br />
£200 - 300<br />
A George III provincial silver two handled<br />
pedestal cup, with engraved monogram, marks<br />
rubbed, possibly 1792, 14.8cm, 10.1cm, 10oz.<br />
£200 - 300<br />
170
373<br />
374<br />
376<br />
375<br />
377<br />
378<br />
171
Lot 379<br />
A Victorian and later matched silver gilt part<br />
canteen of dessert cutlery by Francis Higgins II<br />
& III, with fruiting vine handles and decoration and<br />
engraved crest or monogram, comprising twelve<br />
spoons, London, 1875, (one 1877) and seven pairs<br />
of knives(loaded handles) and forks, London, 1905,<br />
43.5oz.<br />
Lot 380<br />
£800 - 1,200<br />
A 19th century Chinese silver mug, makers<br />
mark LC?, with dragon handle and embossed with<br />
continuous battle scene, with engraved inscription<br />
‘Shanghai Volunteer Corps, Mounted Rangers<br />
Cup Won By Trooper F. Evans F.L. at the Spring ?<br />
Meeting, 1860?’, height 17cm, 16.2oz.<br />
Lot 381<br />
£800 - 1,200<br />
A cased set of four late George III embossed and<br />
engraved parcel gilt silver Hanovarian pattern<br />
serving spoons, William Chawner II?, London,<br />
1817, 22cm, 9.1oz.<br />
Lot 382<br />
£250 - 350<br />
A George III silver baluster pint mug, by Peter &<br />
Ann Bateman, with acanthus leaf capped handle,<br />
London, 1796, overstruck maker’s mark, 13.6cm,<br />
12.5oz.<br />
£300 - 400<br />
Lot 383<br />
A 19th century Austro-Hungarian 800 standard<br />
silver gilt, jewelled and enamelled rectangular<br />
singing bird box automaton, decorated with<br />
foliage and birds, on four dragon feet, maker’s mark,<br />
KT, in fitted box with later key, width 10.2cm.<br />
Lot 384<br />
£1,800 - 2,200<br />
A George III silver tankard, with whistle? handle,<br />
by John King, of baluster form, with pierced<br />
thumbpiece and domed cover, London, 1776,<br />
21.7cm, 27.9oz.<br />
Lot 385<br />
£800 - 1,000<br />
A Victorian silver three piece melon shaped<br />
tea set, by Charles Reily & George Storer,<br />
with engraved foliate scroll decoration, London,<br />
1844, gross 45.7oz. CITES Submission reference<br />
4EX5AG5K<br />
Lot 386<br />
£400 - 600<br />
A Victorian silver inverted pear shaped three<br />
piece tea set by John Wellby, with embossed<br />
foliate scroll decoration and engraved initial,<br />
London, 1864, gross weight 55.5oz. CITES<br />
Submission reference L9TNUDXS<br />
Lot 387<br />
£800 - 1,200<br />
A matched canteen of early 19th century silver<br />
fiddle pattern flatware for twelve, comprising<br />
twelve each of the following, table spoons, dessert<br />
spoons, teaspoons, table forks and dessert forks,<br />
various dates and makers, 98.7oz.<br />
£1,500 - 2,000<br />
172
380<br />
379<br />
381<br />
382<br />
383<br />
384<br />
385<br />
386<br />
387<br />
173
Lot 392<br />
A Victorian silver gilt circular inkstand, by<br />
Robert Hennell III, with single mounted glass well<br />
and decorated with applied frog, mask and Staff of<br />
Hermes, London, 1858, base diameter 21cm, base<br />
14.7oz.<br />
Lot 393<br />
£500 - 700<br />
A good ornate Victorian parcel gilt silver<br />
chamberstick with extinguisher by George Fox,<br />
with mask decorated sconce. mask and figural long<br />
handle and decorated with gothic scrolls, London,<br />
1860, 31.7cm, 14.2oz, in original fitted case.<br />
£800 - 1,200<br />
388<br />
Lot 388<br />
An Edwardian embossed silver novelty trinket<br />
box, modelled as a dressing table with raised<br />
back, on cabriole legs, by William Comyns,<br />
the pierced and scroll raised back decorated with<br />
two figures in a landscape, with windmill beyond,<br />
London, 1902, width 15cm, gross weight 9.9oz.<br />
Lot 389<br />
£300 - 400<br />
An early Victorian three piece Scottish silver<br />
inverted pear shaped tea set by Leonard<br />
Urquhart, embossed with floral decoration,<br />
Edinburgh, 1843, gross weight 52.3oz. CITES<br />
Submission reference BK1SZJGP<br />
Lot 390<br />
£500 - 700<br />
An ornate pair of early Victorian silver<br />
candlesticks by Creswick & Co, with waisted<br />
stems and foliate scroll decoration, on shaped<br />
circular bases, Sheffield, 1840, 28.6cm, weighted.<br />
Lot 391<br />
£400 - 600<br />
An ornate pair of Victorian silver gilt dwarf<br />
candlesticks, by John Wilmin Figg, with foliate<br />
scroll and bird decoration on pierced octagonal foot,<br />
London, 1867, height 16.2cm, 15oz.<br />
£400 - 600<br />
Lot 394<br />
A matched pair of late 19th/early 20th century<br />
silver two branch, three light candelabrum, with<br />
scroll arms, on beaded square bases, Hawksworth,<br />
Eyre & Co, one Sheffield, 1881, the other Sheffield,<br />
1901, height 49cm, weighted, arms only 61.6oz<br />
(a.f.).<br />
Lot 395<br />
£1,500 - 2,000<br />
A large Victorian silver mounted cut glass scent<br />
bottle, by George Brace, with monogrammed cap,<br />
London, 1878, 28cm, in fitted leather case.<br />
Lot 396<br />
£300 - 400<br />
An ornate pair of Edwardian silver candlesticks,<br />
by Walker & Hall, with fixed sconces, waisted<br />
knopped stems and foliate scroll decoration, on<br />
shaped circular bases, Sheffield, 1902, height<br />
32.9cm, weighted.<br />
Lot 397<br />
£500 - 700<br />
A pair of Victorian silver chambersticks and<br />
extinguishers, by Charles Thomas Fox and<br />
George Fox, with beaded borders, London, 1853,<br />
base diameter 15.2cm, 24.4oz (a.f.).<br />
£400 - 600<br />
174
390<br />
389<br />
391<br />
392<br />
393<br />
395 394<br />
396<br />
397<br />
175
Lot 401<br />
A 1930’s Art Deco Mappin & Webb silver plated<br />
cocktail shaker designed by Keith Murray,<br />
numbered W28721, together with six Mappin &<br />
Webb silver plated coupes, numbered W27876,<br />
shaker 25.2cm, coupes 11.8cm.<br />
Lot 402<br />
£300 - 500<br />
A George V silver and tortoiseshell pique<br />
mounted carriage timepiece, by William Comyns,<br />
with Arabic dial, on bun feet, London, 1911, 10cm.<br />
Lot 403<br />
£400 - 600<br />
An Edwardian embossed silver rose bowl,<br />
by Walker & Hall, with embossed foliate band,<br />
Sheffield, 1901, diameter 20.7cm, 21.3oz.<br />
£400 - 600<br />
398<br />
Lot 398<br />
Boer War/Scouting Interest: A silver model of<br />
Lord Baden Powell in uniform, holding a rifle,<br />
on horseback, early 20th century, on an ebonised<br />
plinth base, apparently unmarked, overall height<br />
49.5cm.<br />
Lot 399<br />
£3,000 - 5,000<br />
An Edwardian repousse silver rose bowl, by<br />
Daniel & John Welby, with fluted and foliate<br />
decoration, London, 1905, diameter 26.3cm, 37oz.<br />
Lot 400<br />
£600 - 800<br />
An Edwardian silver pedestal fruit bowl, with<br />
pierced border and pierced circular foot, by<br />
James Dixon & Sons, Sheffield, 1909, diameter<br />
25.5cm, 25.2oz.<br />
£400 - 600<br />
Lot 404<br />
A late Victorian silver two handled trophy cup,<br />
with horse racing inscription relating to the<br />
South Down Hunt Point to Point, by James<br />
Deakin & Sons, Sheffield, 1895, height 22cm, 39oz,<br />
on ebonised plinth base.<br />
Lot 405<br />
£300 - 500<br />
An Edwardian garniture of three panelled silver<br />
baluster vases by William Comyns, London, 1909<br />
& 1911, largest 23.1cm, 35.8oz.<br />
Lot 406<br />
£500 - 700<br />
A late Victorian demi fluted silver four piece<br />
tea and coffee set, by Wakely & Wheeler, with<br />
engraved inscription, Sheffield, 1899, gross weight<br />
57.7oz. CITES Submission references SYSHJ9HV<br />
& MPQC7V3C<br />
£600 - 800<br />
176
399<br />
400<br />
401<br />
402<br />
404<br />
403<br />
405<br />
406<br />
177
Lot 407<br />
A cased set of twelve Norwegian silver gilt and<br />
polychrome enamel coffee spoons, retailed by<br />
Tiffany & Co, import marks for Birmingham, 1924,<br />
10.5cm,<br />
Lot 408<br />
£150 - 200<br />
A George V silver oval two handled tea tray, by<br />
James Dixon & Sons, with engraved crest and<br />
gadrooned border, Sheffield, 1927, 66.8cm, over<br />
handles, 96.1oz.<br />
Lot 409<br />
£1,200 - 1,500<br />
A set of six George VI silver mugs, by Mappin<br />
& Webb, with scroll handles, London, 1946, height<br />
11.4cm, 60.9oz.<br />
Lot 410<br />
£600 - 800<br />
A pair of George V Asprey & Co pierced silver<br />
serving spoons, with dolphin handles and circular<br />
bowls, London, 1914, 24.2cm, 6.3oz, in original<br />
Asprey & Co fitted box.<br />
Lot 411<br />
£300 - 400<br />
A pair of George VI silver two branch three light<br />
candelabra by George Howson, with reeded<br />
branches and tapering stems, on foliate scroll<br />
decorated bases, Sheffield, 1949, height 45.8cm,<br />
weight, arms weight gross 61.8oz.<br />
Lot 412<br />
£1,000 - 1,500<br />
A George V Omar Ramsden planished silver<br />
shallow bowl, with wavy banded girdle engraved<br />
inscription relating to ‘The Gas, Light and Coke<br />
Company at Barking Road’, on four scroll feet,<br />
London, 1929, overall diameter 19.5cm, 17.6oz.<br />
Lot 413<br />
£800 - 1,200<br />
A George V rectangular silver cigar box, by<br />
Deakin & Francis, with engraved inscription and<br />
crest, Birmingham, 1927, 30.4cm.<br />
£200 - 300<br />
414<br />
Lot 414<br />
An almost complete canteen of modern<br />
Christofle silver plated and Chinese brown<br />
lacquer Talisman pattern cutlery for eight,<br />
designed by Bernard Yot, comprising eight each<br />
of the following, fish knives and forks, soup spoons,<br />
dessert spoons, table and dessert forks, table<br />
and dessert knives and coffee spoons, with one<br />
sauce ladle, four teaspoons and pair of servers, the<br />
handles stamped ‘Laque de Chine’.<br />
Lot 415<br />
£800 - 1,200<br />
A mid 20th century Italian Buccelatti sterling<br />
silver four piece tea set, of fluted ovoid form, gross<br />
weight 95.7oz.<br />
Lot 416<br />
£1,500 - 2,000<br />
A late 19th/early 20th century Arts & Crafts<br />
silver pedestal soup tureen with cover and<br />
ladle, by The Birmingham Guild of Handicrafts,<br />
of planished circular form, with curved studwork<br />
handles, diameter 20.6cm, 35.9oz, stamped B.G.H.<br />
Lot 417<br />
£400 - 600<br />
A part canteen of George V and later silver<br />
flatware by Walker & Hall, comprising six of the<br />
following, table forks, dessert forks, soup spoons,<br />
table spoon and dessert spoons and three sauce<br />
ladles, Sheffield, 1930, 1949 & 1960, 63.5oz.<br />
£800 - 1,200<br />
178
407<br />
408<br />
409<br />
411<br />
410<br />
412<br />
415<br />
413<br />
417<br />
416<br />
179
WATCHES & JEWELLERY<br />
At approx. 2.15pm<br />
418-513<br />
432
419<br />
418<br />
Lot 418<br />
A late Victorian 18ct gold open faced keyless<br />
lever pocket watch, by J. Arnold Lake of Camden<br />
Town, with Roman dial and subsidiary seconds,<br />
case diameter 47mm, gross weight 97.6 grams,<br />
together with a 9ct gold albert, 40cm, 21.7 grams.<br />
£1,000 - 1,500<br />
Lot 419<br />
An early 20th century engraved 18ct gold and<br />
pink guilloche enamel Patek Philippe keyless fob<br />
watch, with Roman dial and chapter ring, no. 81113,<br />
cased diameter 31mm, gross weight 32 grams.<br />
£500 - 700<br />
420<br />
Lot 420<br />
An early 18th century pair cased gilt metal<br />
keywind verge pocket watch by Thomas<br />
Tompion & Edward Banger, with Roman dial, the<br />
signed movement with pierced and mask engraved<br />
cock and numbered 3229?, outer case diameter<br />
61mm.<br />
£1,200 - 1,800<br />
181
421<br />
422<br />
423<br />
424<br />
425<br />
426<br />
Lot 421<br />
A lady’s 18ct gold Jaeger LeCoultre Voguematic<br />
automatic rectangular wrist watch, on an<br />
associated Middle Eastern gold mesh link<br />
bracelet, with baton and pyramid numerals, case<br />
diameter 22mm, overall length 18.5cm, gross weight<br />
43.4 grams.<br />
Lot 422<br />
£1,000 - 1,500<br />
A gentleman’s early 1940’s Omega 9ct gold<br />
manual wind wrist watch, with Arabic dial,<br />
movement c.30SCT2, case diameter 33mm, gross<br />
weight 32.2 grams, on a later strap.<br />
Lot 423<br />
£600 - 800<br />
A gentleman’s stainless steel Cartier rectangular<br />
quartz wrist watch, with Roman dial and cabochon<br />
set winding grown, the case back numbered 252975<br />
PL over 2715, on a leather strap with Cartier<br />
deployment clasp, with Cartier box.<br />
£1,000 - 1,500<br />
Lot 424<br />
A gentleman’s WWI silver Rolex Officer’s trench<br />
manual wind wrist watch, with Arabic dial, red<br />
twelve and subsidiary seconds, the inner case back<br />
numbered 645953, import marked for London, 1915.<br />
Lot 425<br />
£600 - 800<br />
A 1920’s 18ct white gold Cartier Tank Cintree<br />
(7 lignes model) manual wind wrist watch, with<br />
rectangular Roman dial and facetted sapphire set<br />
winding crown, case diameter 20mm, numbered<br />
36185, gross weight 21.3 grams.<br />
Lot 426<br />
£4,000 - 6,000<br />
A gentleman’s 1950’s 18ct gold Patek Philippe<br />
Calatrava manual wind wrist watch, on an<br />
integral Patek Philippe 18ct gold bark bracelet,<br />
reference 3537 dimensions: 33mm, gross weight<br />
67.9 grams, in Charles Greig box, Patek Philippe<br />
retailer (South Africa) where the watch was<br />
purchased.<br />
£5,000 - 7,000<br />
182
427<br />
428<br />
429<br />
430<br />
431<br />
432<br />
Lot 427<br />
A gentleman’s 1960’s stainless steel Heuer<br />
Autavia automatic chronograph wrist watch, with<br />
red sweep seconds, two subsidiary dials and date<br />
aperture, lacking one button, movement c.12, case<br />
diameter 41mm, damaged strap with Heuer buckle.<br />
Lot 428<br />
£1,500 - 2,000<br />
A gentleman’s stainless steel and gold Santos<br />
De Cartier automatic wrist watch, with Roman<br />
dial, date aperture and cabochon set winding crown,<br />
on a stainless steel and gold Cartier bracelet.<br />
Lot 429<br />
£1,200 - 1,500<br />
A gentleman’s modern stainless steel Cartier 21<br />
Chronograph quartz wrist watch, on a stainless<br />
steel Cartier bracelet, the case with cabochon set<br />
winding crown and back numbered 93724PL, case<br />
diameter 38mm, with Cartier style box.<br />
£800 - 1,200<br />
Lot 430<br />
A gentleman’s late 1940’s 18ct gold Omega<br />
manual wind wrist watch, with baton and Arabic<br />
numerals and subsidiary seconds, movement c.265,<br />
case diameter 34mm, on associated leather strap.<br />
Lot 431<br />
£800 - 1,000<br />
A gentleman’s early 1960’s 18ct gold Omega<br />
automatic dress wrist watch of shaped square<br />
form, with baton numerals, movement c.671, case<br />
diameter 31mm, on associated leather strap.<br />
Lot 432<br />
£800 - 1,000<br />
A gentleman’s modern ceramic and stainless<br />
steel Chanel J12 GMT Automatic black dial wrist<br />
watch, the case back numbered I.G. 12933, case<br />
diameter 41mm, with Chanel box.<br />
£500 - 700<br />
183
433<br />
434<br />
435<br />
436<br />
437<br />
438<br />
Lot 433<br />
A lady’s modern stainless steel Must de Cartier<br />
21 quartz wrist watch, on a stainless steel<br />
Cartier bracelet, with Roman chapter ring and<br />
cabochon set winding crown, case diameter 28mm,<br />
with Cartiet box.<br />
Lot 434<br />
£400 - 600<br />
A lady’s modern Cartier 18k gold quartz wrist<br />
watch, on associated leather strap and buckle,<br />
with Roman dial and cabochon set winding crown,<br />
the case back numbered 881003 10901, with Cartier<br />
pouch.<br />
Lot 435<br />
£800 - 1,000<br />
A modern Must de Cartier steel and gold plated<br />
quartz travelling timepiece, with cabochon set<br />
winder and Roman chapter ring, case diameter<br />
56mm.<br />
£300 - 400<br />
Lot 436<br />
A gentleman’s modern 18ct white gold Ebel<br />
manual wind dress wrist watch, a gift to Sir<br />
Geoffrey William Tuttle by the Emir of Kuwait,<br />
with lapis lazuli dial, on a mesh link 18ct white gold<br />
bracelet, overall length 18.5cm, gross weight 73.7<br />
grams.<br />
Lot 437<br />
£2,000 - 3,000<br />
A lady’s early 1970’s 18ct gold Rolex Oyster<br />
Perpetual Datejust wrist watch, with diamond<br />
dot numerals, on an 18ct gold Rolex bracelet,<br />
with deployment clasp, model no. 6824, serial no.<br />
3244***, case diameter 31mm, with Rolex box.<br />
Lot 438<br />
£6,000 - 8,000<br />
A gentleman’s early 1970’s stainless steel Rolex<br />
Oyster Perpetual Datejust, on a stainless steel<br />
Rolex bracelet, the grey dial with baton numerals<br />
and date aperture, model no. 1603, serial no.<br />
2216***.<br />
£2,000 - 3,000<br />
184
439<br />
440<br />
441<br />
442<br />
443<br />
444<br />
Lot 439<br />
A lady’s early 1970’s stainless steel Rolex Oyster<br />
Perpetual Datejust wrist watch, set with after<br />
market? diamonds, with turquoise coloured dial,<br />
diamond dot markers and outer ring and diamond<br />
set bezel, model no. 6916?, serial no. 3022***,<br />
movement c.2030.<br />
Lot 440<br />
£2,500 - 3,000<br />
A gentleman’s early 1970’s stainless steel Rolex<br />
Oysterdate Precision manual wind wrist watch,<br />
on a stainless steel Rolex bracelet, the silvered<br />
dial with baton numerals and date aperture, model<br />
no. 6694, serial no. 2398***, bracelet ref. 7835/0.<br />
Lot 441<br />
£1,000 - 1,500<br />
A gentleman’s 2004 stainless steel Rolex Oyster<br />
Perpetual Date Explorer II wrist watch, on a<br />
stainless steel Rolex bracelet, model no.16570,<br />
serial no. F451***, case diameter 40mm, with Rolex<br />
box and guarantee.<br />
£5,000 - 7,000<br />
Lot 442<br />
A gentleman’s 2005 stainless steel Rolex<br />
Oyster Perpetual Sea Dweller wrist watch, on a<br />
stainless steel Rolex bracelet, with black dial, dot<br />
markers and date aperture, model no. 16600, serial<br />
no. D598***, with Rolex box.<br />
Lot 443<br />
£8,000 - 10,000<br />
A gentleman’s early 1970’s stainless steel midsize<br />
Rolex Oyster Speedking precision wrist<br />
watch, on a stainless steel Rolex bracelet, with<br />
baton numerals, model no. 6430, serial no. 2363***,<br />
case diameter 31mm.<br />
Lot 444<br />
£1,000 - 1,200<br />
A gentleman’s 2004 stainless steel Rolex Oyster<br />
Perpetual Air-King precision wrist watch, on a<br />
stainless steel Rolex bracelet, with salmon dial<br />
and baton and quarterly Arabic numerals, model no.<br />
14000M, serial no. F448***.<br />
£2,000 - 3,000<br />
185
Lot 445<br />
A 19th century gold and micro mosaic tassel<br />
drop pendant, the central panel decorated with<br />
a dove, the back with glazed panel, 82mm, gross<br />
weight 10 grams.<br />
Lot 446<br />
£300 - 400<br />
An antique gold, silver and graduated three<br />
stone diamond set ring, with diamond chip<br />
spacers and diamond chip set shoulders,<br />
with carved settings, the central stone weighing<br />
approximately 1.00ct, size K/L, gross 3.6 grams.<br />
Lot 447<br />
£1,500 - 2,000<br />
An early 19th century gold mounted graduated<br />
foil backed oval cut garnet set choker necklace,<br />
lacking central drop and safety chain, 36cm, gross<br />
weight 26 grams.<br />
Lot 448<br />
£400 - 600<br />
A late 18th/early 19th gilt metal mounted intaglio<br />
agate set swivelling fob seal, carved with the<br />
bust of Edmond Halley with the comet, 47mm, in<br />
original box.<br />
Lot 449<br />
£200 - 300<br />
A George III Royal Presentation gold mounted<br />
and garnet set oval pendant, with inset miniature<br />
portrait of a gentleman to dexter, verso engraved<br />
‘The Gift of Queen Charlotte to E. Whitfield,<br />
1770, overall 29mm, gross weight 3.8 grams CITES<br />
Submission reference 4A6TBT6P<br />
Lot 450<br />
£300 - 400<br />
A 19th century gold, cabochon garnet and rose<br />
cut diamond set cluster target pendant, with<br />
central star motif, overall 43mm, gross weight 9.2 g.<br />
Lot 451<br />
£300 - 500<br />
A pair of early 19th century silver, rose cut<br />
diamond and baroque pearl set drop earrings,<br />
with later? peg and butterfly mounts, 25mm, pearl<br />
diameter approx. 9mm and 8.7mm, gross 5.4 grams.<br />
£500 - 700<br />
Lot 452<br />
A cased Edwardian gold, turquoise and split<br />
pearl set necklace, set with round and oval cut<br />
turquoise of varying colours, 38cm, gross weight<br />
15.5 grams.<br />
Lot 453<br />
£300 - 400<br />
A Georgian gold, silver and rose cut diamond<br />
cluster set dress ring, with old round cut diamond<br />
set shoulders, size N, gross weight 3.1 grams with<br />
original box.<br />
Lot 454<br />
£600 - 800<br />
An early Victorian gold and rose cut diamond<br />
set Essex crystal oval ring, depicting a seated dog<br />
with raised paw, size J, gross weight 6.5 grams.<br />
Lot 455<br />
£400 - 600<br />
A mid 20th century platinum and single stone<br />
diamond ring, with six stone diamond chip<br />
set shoulders, the round cut stone weighing<br />
approximately 3.20ct, size M, gross weight 3.4<br />
grams.<br />
Lot 456<br />
£8,000 - 10,000<br />
A Victorian white gold and diamond cluster set<br />
star burst pendant, on a later sterling chain,<br />
pendant 32mm, gross weight 6.4 grams.<br />
Lot 457<br />
£400 - 600<br />
A Georgian, gold, silver and paste set cluster<br />
ring, of flower head form, with carved shoulders,<br />
size L, gross weight 4.7 grams, in original box.<br />
Lot 458<br />
£200 - 300<br />
An Edwardian white gold rose cut diamond<br />
and enamel set Waterloo commemorative<br />
sweethearts brooch, modelled as an eagle, with<br />
cabochon set eye, 22mm, gross weight 6.7 grams,<br />
in fitted case.<br />
£300 - 400<br />
186
445<br />
447<br />
446<br />
448<br />
449<br />
450<br />
451<br />
452<br />
455<br />
453<br />
454<br />
456<br />
457<br />
458<br />
187
Lot 459<br />
An Art Deco 18k white gold, emerald and<br />
diamond set square cluster dress ring, with<br />
shaped cut sapphire set shoulders, (a.f.), the<br />
emerald measuring approximately 10mm by 8.7mm,<br />
with a depth of 6.5mm, misshapen shank, gross<br />
weight 5.8 grams.<br />
Lot 460<br />
£2,000 - 3,000<br />
A 1920’s white gold, amethyst, diamond and<br />
cultured pearl set drop pendant necklace, with<br />
bale of foliate design, the emerald cut amethyst<br />
measuring 24mm by 18mm, with a depth of<br />
13.9mm, overall 51cm, gross weight 12.8 grams.<br />
Lot 461<br />
£1,000 - 1,500<br />
An Art Deco platinum, diamond and sapphire set<br />
rectangular cluster ring, the central oval cushion<br />
cut diamond measuring approximately 5.5mm by<br />
4.9mm, with a depth of 3.2mm and bordered by two<br />
concentric bands of round brilliant cut diamonds<br />
and shaped cut sapphires (shank misshapen, gross<br />
weight 3.8 grams.<br />
Lot 462<br />
£1,500 - 2,000<br />
A pair of 1920’s platinum?, single stone pear<br />
cut amethyst and millegrain round cut diamond<br />
set drop ear clips, with diamond chip set bale,<br />
amethyst length approximately 22mm, overall<br />
40mm, gross weight 11.5 grams.<br />
Lot 463<br />
£800 - 1,200<br />
A modern platinum, singe stone oval cut<br />
sapphire and two stone oval cut diamond set<br />
ring, the sapphire measuring approximately 7.3mm<br />
by 4.5mm, the diamonds approximately 5.7mm by<br />
4.mm and 5.9mm by 4mm, size L, gross 6.5 grams.<br />
£1,000 - 1,500<br />
Lot 465<br />
An Edwardian gold and diamond cluster set<br />
pierced up-finger ring, with a pierced millegrain<br />
setting, size K, gross weight 4.8 grams.<br />
Lot 466<br />
£400 - 600<br />
An Art Deco platinum and single stone diamond<br />
set ring, with six stone graduated baguette cut<br />
diamond set shoulders, the central stone weighing<br />
approximately 3.20ct, with an estimated colour and<br />
clarity of I1/I2, size H, gross weight 4.8 grams.<br />
Lot 467<br />
£10,000 - 15,000<br />
An Art Deco, round cut diamond and rectangular<br />
cut sapphire cluster bar brooch, set with twelve<br />
diamonds and nine sapphires in a millegrain setting,<br />
72mm, gross weight 6.1 grams.<br />
Lot 468<br />
£400 - 600<br />
An 18ct white gold and thirteen stone round<br />
brilliant cut diamond set three quarter eternity<br />
ring, size I, gross weight 4.1 grams.<br />
Lot 469<br />
£800 - 1,000<br />
A late Victorian 15ct gold, two stone oval black<br />
opal and seed pearl cluster set drop pendant,<br />
57mm, gross weight 5 grams.<br />
Lot 470<br />
£300 - 400<br />
A late 19th/early 20th century French 18ct gold<br />
and silver rose cut diamond and multi gem set<br />
spiral hinged bangle, maker’s mark E. Freres with<br />
a ram?, gross weight 21.3 grams.<br />
£600 - 800<br />
Lot 464<br />
A modern 18ct gold, sapphire and diamond set<br />
quatrefoil shaped cluster ring, with a millegrain<br />
setting and diamond set shoulders, size N/O, gross<br />
weight 4.3 grams.<br />
£1,200 - 1,500<br />
188
460<br />
461<br />
459<br />
462<br />
463<br />
464<br />
465<br />
467<br />
466<br />
469<br />
468<br />
470<br />
189
Lot 471<br />
A mid 20th century Italian textured 18ct gold,<br />
ruby, emerald and diamond cluster set bracelet,<br />
each of the eleven clusters set with four stones,<br />
19cm, gross weight 70 grams.<br />
Lot 472<br />
£1,500 - 2,000<br />
A Georg Jensen planished sterling silver and<br />
cabochon blue quartz set necklace, design no. 4,<br />
with five foliate pendants, 41cm, 1933-1944 mark.<br />
Lot 473<br />
£600 - 800<br />
An early 19th century, gold and oval cut foil<br />
backed amethyst set pendant, with old cut<br />
diamond set border and closed back setting,<br />
30mm, gross weight 11.8 grams.<br />
Lot 474<br />
£400 - 600<br />
A modern 18k white gold and diamond cluster<br />
set necklace, with interwoven motif, 50cm, gross<br />
weight 26.4 grams.<br />
Lot 475<br />
£1,000 - 1,500<br />
A modern Italian Bulgari 18ct white gold and<br />
pave set diamond pendant, on a Bulgari 18ct<br />
white gold mounted chord necklet, pendant<br />
45mm, gross weight 24.7 grams.<br />
Lot 476<br />
£800 - 1,000<br />
A modern Italian Bulgari 18ct gold pierced oval<br />
ring, with ring shoulders, size M, 11.5 grams.<br />
£400 - 600<br />
Lot 477<br />
A modern white gold and pave set diamond and<br />
sapphire set ribbon bow brooch, set with round<br />
cut diamonds and round and square cut sapphires,<br />
width 55mm, 23.9 grams.<br />
Lot 478<br />
£600 - 800<br />
A modern white gold and round and baguette cut<br />
diamond cluster set ribbon bow brooch, width<br />
39mm, gross weight 9.4 grams.<br />
Lot 479<br />
£400 - 600<br />
An early 20th century pierced gold and<br />
graduated round cut diamond cluster set<br />
brooch, of rectangular form, 41mm, gross weight 10<br />
grams.<br />
Lot 480<br />
£1,000 - 1,500<br />
A late Victorian single strand graduated<br />
natural saltwater pearl necklace, with six stone<br />
old round cut diamond set silver and gold<br />
rectangular clasp, with accompanying Gem &<br />
Pearl Laboratory report dated 25th August, <strong>2023</strong>,<br />
largest pearl diameter 7.7mm, smallest 4mm, length<br />
41cm, gross weight 18.47grams.<br />
Lot 481<br />
£5,000 - 7,000<br />
A late 19th century Swiss 18ct gold and<br />
polychrome enamelled suite of jewellery,<br />
retailed by E. Meister, Zurich, comprising a<br />
bracelet with three circular enamelled panels set<br />
with small diamonds and two oval links enamelled<br />
with flowers, stamped E.M. 750, with Meister box,<br />
a pendant necklace with enamelled panel set with<br />
small diamonds, the chain set with gold spheres<br />
and cultured pearls, stamped Z.C. 750 and a pair of<br />
drop ear clips, stamped 750 Italy, bracelet, 18.5cm,<br />
necklace 73cm, ear clips, 43mm, gross weight 189.6<br />
grams.<br />
£8,000 - 12,000<br />
190
471<br />
472<br />
474<br />
473<br />
475<br />
477<br />
476<br />
481<br />
478<br />
479<br />
480<br />
191
Lot 482<br />
A modern 18ct white gold and diamond cluster<br />
set hinged bangle, the diamonds in a hexagonal<br />
setting, wit a estimated total weight of 6.20ct, interior<br />
diameter 57mm, gross weight 41.2 grams.<br />
Lot 483<br />
£3,000 - 4,000<br />
A modern pair of Cartier three colour 18ct gold<br />
Trinity earrings, signed and numbered 967840,,<br />
23mm, 17.3 grams, no box.<br />
Lot 484<br />
£800 - 1,000<br />
An attractive late 20th century 18k white gold,<br />
ruby, sapphire, emerald and diamond set<br />
bracelet, set with eleven alternating geometric<br />
clusters, 19.5cm, gross weight 78.5 grams, with a<br />
Mappin & Webb box.<br />
Lot 485<br />
£3,000 - 5,000<br />
A modern 18ct gold, ruby and diamond cluster<br />
openwork hinged bangle, with serpent head<br />
style terminals and set with square, baguette and<br />
cabochon rubies and round brilliant and trapeze cut<br />
diamonds, interior diameter 54mm, gross weight<br />
68.8 grams.<br />
Lot 486<br />
£4,000 - 6,000<br />
A large modern 18ct gold and single emerald cut<br />
ruby set pendant, bordered by three concentric<br />
bands of round brilliant cut diamonds, with<br />
diamond set bale, the total diamond weight<br />
approximately 3.70ct, overall 57mm, gross weight<br />
32.4 grams.<br />
£3,000 - 4,000<br />
Lot 487<br />
A modern gold, ruby and diamond cluster dress<br />
ring, of octagonal form and set with round brilliant<br />
cut diamonds and trapeze cut rubies, tests as 18k,<br />
size L/M, gross weight 6.8 grams.<br />
Lot 488<br />
£800 - 1,000<br />
A modern 18ct gold and three row ruby and<br />
diamond cluster set pierced domed dress ring,<br />
size P/Q, gross weight 8.3 grams.<br />
Lot 489<br />
£400 - 600<br />
A modern Italian Versace 18ct gold and half<br />
cultured pearl set dress ring, with round brilliant<br />
cut diamond set shoulders, size J/K, gross weight<br />
13.4 grams.<br />
Lot 490<br />
£800 - 1,000<br />
A modern pair of Cartier 18ct white gold and<br />
rock crystal set Myst earrings, signed and<br />
numbered 938923, 13mm, gross weight 13 gram,<br />
with Cartier box.<br />
Lot 491<br />
£500 - 700<br />
A French Cartier 18ct gold key chain, signed and<br />
indistinctly numbered 5cm, 8 grams, with Cartier<br />
box.<br />
£400 - 600<br />
192
483<br />
482<br />
484<br />
485<br />
486<br />
487<br />
488<br />
489<br />
490<br />
491<br />
193
Lot 492<br />
A Le Must De Cartier three colour 18ct gold<br />
Trinity ring, signed and numbered 66 0 5183 N,<br />
size U, 11.2 grams, with Cartier box.<br />
Lot 493<br />
£500 - 700<br />
A modern Cartier 18ct gold and pave set<br />
diamond heart shaped ring, signed and numbered<br />
D58987 51, size K/L, gross weight 3.5 grams, with<br />
Cartier box.<br />
Lot 494<br />
£500 - 700<br />
A modern Cartier 18ct white gold and diamond<br />
cluster set Panthere Maillon band, signed and<br />
numbered 994807, size P, gross weight 13.8 grams.<br />
Lot 495<br />
£1,500 - 2,000<br />
A modern three colour 18ct gold Cartier Russian<br />
triple bangle, signed and numbered B46436, 30.6<br />
grams, with Cartier box.<br />
Lot 496<br />
£1,000 - 1,500<br />
A modern gold, ruby and diamond set oval<br />
cluster ring, the central diamond bordered by<br />
brilliants and oval and round cut rubies, tests as 18k,<br />
size Q, gross weight 6.9 grams.<br />
Lot 497<br />
£1,200 - 1,500<br />
A modern Cartier 18ct white gold Trinity ring,<br />
signed and numbered CT6283, size U, 12.3 grams,<br />
with Cartier box.<br />
Lot 498<br />
£600 - 800<br />
A modern Cartier single strand Tahitian pearl<br />
necklace, with 18ct gold and pave set diamond<br />
spherical clasp, signed and numbered 710277,<br />
largest pearl diameter approx. 12.4mm, smallest<br />
approx. 9.4mm, gross weight 67.8 grams, with<br />
Cartier box.<br />
£1,000 - 1,500<br />
Lot 499<br />
A modern heavy Tiffany & Co 18ct gold shaped<br />
bangle, exterior diameter 65mm, 82.2 grams, no<br />
box.<br />
Lot 500<br />
£4,000 - 6,000<br />
An early to mid 20th century French Van Cleef<br />
& Arpels 18ct gold and diamond set oval<br />
cluster dress ring, the centre cushion shaped old<br />
European cut stone weighing approximately 2.20ct,<br />
with an estimated colour and clarity of L/M and VVS,<br />
bordered by sixteen eight cut diamonds and outer<br />
border set with seventeen early/modern brilliant cut<br />
diamonds, total weight approximately 1.20ct, shank<br />
interior faintly signed ‘Van Cleef’, size O, gross<br />
weight 5.1 grams.<br />
Lot 501<br />
£8,000 - 12,000<br />
A mid 20th century 18ct white gold, moonstone<br />
and diamond cluster set bracelet, 17.5cm, gross<br />
weight 44.2 grams.<br />
Lot 502<br />
£1,200 - 1,500<br />
A modern Cartier part textured 18ct white gold<br />
openwork band, signed and numbered J 85682,<br />
size J, 11.3 grams, with Cartier box.<br />
Lot 503<br />
£700 - 1,000<br />
A modern 18ct gold Cartier Tank Francaise band,<br />
signed and numbered DQ 6899, size U, 12.5 grams,<br />
with Cartier box.<br />
Lot 504<br />
£600 - 800<br />
A modern Cartier 18ct white gold segmental<br />
band, signed and numbered IN 3864, size I, 14.7<br />
grams, with Cartier box.<br />
£500 - 700<br />
194
492<br />
493<br />
494<br />
495<br />
496<br />
497<br />
499<br />
498<br />
500<br />
501<br />
502<br />
503<br />
504<br />
195
Lot 505<br />
A fine pair of Graf platinum and 18ct white gold<br />
set cushion modified brilliant cut natural fancy<br />
yellow diamond ear studs, both signed, with<br />
accompanying GIA report for one diamond dated<br />
18/7/2003, stating the stone to weigh 2.46ct with a<br />
clarity of VS1, also with a 2005 insurance valuation<br />
stating a total diamond weight of 4.98 carats with a<br />
clarity of VS1 & VS2, gross weight 5.5 grams.<br />
Lot 506<br />
£45,000 - 55,000<br />
An impressive modern 18ct gold and cut<br />
cornered rectangular modified brilliant cut<br />
natural fancy yellow single stone diamond<br />
ring, each shoulder set with nine round brilliant cut<br />
diamonds, with accompanying GIA report dated<br />
21/4/2006, stating the stone to weigh 4.13ct, with a<br />
clarity of SI2, size K, gross weight 4.7 grams.<br />
Lot 507<br />
£40,000 - 60,000<br />
A single strand graduated oval amber bead<br />
necklace, 110cm, gross weight 163 grams,<br />
largest bead approximately 32mm by 26mm,<br />
smallest bead approximately 11mm by 9mm.<br />
Lot 508<br />
A modern 18ct gold Cartier Juste Un Clou<br />
bangle, signed, 10 grams.<br />
Lot 509<br />
£800 - 1,200<br />
£800 - 1,200<br />
A modern Cartier 18ct white gold and diamond<br />
cluster set bracelet, of ribbed form, with nine<br />
bands of round brilliant cut stones, signed and<br />
numbered D96285, 16.8cm, gross 57.7 grams, with<br />
Cartier box.<br />
£3,000 - 4,000<br />
Lot 510<br />
A 1920’s platinum and millegrain set single<br />
stone emerald cut diamond and sapphire set<br />
rectangular cluster ring, the central diamond<br />
measuring approximately 7mm by 5.5mm, with<br />
a depth of 3.4mm and bordered by shaped cut<br />
sapphires and diamond set shoulders, size G/H,<br />
gross weight 4.3 grams.<br />
Lot 511<br />
£2,000 - 3,000<br />
A French Chanel 18ct white gold and sapphire<br />
‘eternity’ ring, set with seven various cut stones<br />
including square, oval, round and triangular, signed<br />
and numbered 9F839, size M, gross weight 17.2<br />
grams.<br />
Lot 512<br />
£600 - 800<br />
A fine Belle Époque Cartier silver, gold, diamond<br />
and guilloche enamel mounted ‘Mignonette’<br />
timepiece, on an agate plinth base, the Roman<br />
dial with millegrain set rose cut diamond hour and<br />
minute hands and white beaded enamelled border,<br />
each side panel set with a single rose cut diamond,<br />
indistinct marks to border edge, in original Cartier<br />
gilt tooled leather carrying case (lacking handle),<br />
with key, height 58mm.<br />
Lot 513<br />
£4,000 - 6,000<br />
A good 1920’s French Cartier black onyx, enamel<br />
and 18ct gold circular pocket watch, with engine<br />
turned sunburst Roman dial, blued steel hands<br />
and gold pendant, the gold and enamelled bezel<br />
ring with four screws at 12,3,6 & 9, numbered 9622<br />
and 8508, case diameter 49mm, in a later modern<br />
carrying case.<br />
£1,000 - 1,500<br />
196
505<br />
513<br />
506<br />
507<br />
508<br />
509<br />
510<br />
512<br />
511<br />
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