Gorringe's Spring Fine Sale - 12th March 2024 starting 10am

Gorringe’s 

65 

Spring Fine Sale 

12th March 2024 

476 

386 

386

201

22

SPRING SALE 

Tuesday 12th March 

10.00 am 

Philip Taylor - Partner 

+44 (0)1273 472503 

philipt@gorringes.co.uk 

15 North Street, Lewes, Sussex BN7 2PE 

Sally Taylor - Partner 

+44 (0)1273 472503 

sallyt@gorringes.co.uk 

VIEWING 

Friday 8th March 9.00-5.00 

Saturday 9th March 9.00-1.00 

Monday 11th March 9.00-4.30 

BUYER’S PREMIUM 

25% + VAT 

payable on the hammer price of all lots 

IMPORTANT CHANGES TO OUR 

BIDDING PROCEDURE 

Please note that , owing to the recent introduction 

of Money Laundering Regulations, clients wishing to 

bid in this auction are likely to be asked to 

provide two forms of identification. This applies to 

both new and existing clients. 

General Enquiries: 

Tel: 01273 472503 

Clifford Lansberry - Partner 

+44 (0)1273 472503 

clifford@gorringes.co.uk 

Dan Bray - Associate Partner 

+44 (0)1273 472503 

danb@gorringes.co.uk 

Roger Mead 

+44 (0)1273 472503 

rogerm@gorringes.co.uk 

David Holmes 

+44 (0)1273 472503 

davidh@gorringes.co.uk 

James Hancox 

+44 (0)1273 472503 

jamesh@gorringes.co.uk 

clientservices@gorringes.co.uk 

Cover: Lot 17 

Catalogues: £10 (£12.00 by post) 

Registered in England & Wales as a Limited Liability Partnership. Registration No. OC318535 

Gorringes is a trading name of Gorringes LLP

This sale includes several 

consignments from the Channel 

Islands. 

Under UK Import Laws duty is 

payable on the hammer price as 

follows; 

5% on items over 100 years old and 

works of art. 

20% on items under 100 years old. 

* Import tax of 5% on the 

hammer price 

** Import tax of 20% on the 

hammer price 

44129

SALE NOTICES 

SALE SYMBOLS 

§ Artist’s resale right - 4% on the hammer price 

† VAT on the hammer price 

* Import tax of 5% on the hammer price 

** Import tax of 20% on the hammer price 

BIDDING 

You may bid in the room, by commission bid, by telephone or live online. To register to bid in the room please visit the 

cashiers desk on the day of the sale. To leave a commission bid please use the online facility, telephone, email or fill out a 

bidding form. Bids must be received no later than 9 a.m. on the saleday. 

TELEPHONE BIDDING 

Telephone bids must be received no later than close of business on the 11th March. 

ONLINE BIDDING 

There are three online bidding platforms to choose from; thesaleroom.com, easylive.co.uk and invalauble.com. All have 

different additional charges on top of the hammer price and buyer’s premium. 

CONDITION REPORTS 

Rarely are things at auction in perfect condition so do satisfy yourself as to the condition of each lot. Condition reports 

are not printed in the catalogue. They are all available in the online catalogue at www.gorringes.co.uk. Please email if you 

require further information about a lot. 

VAT 

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refunds 

documentation for hand-carried exports. In order to qualify for a VAT refund, your lots must be exported by a shipper 

and valid exportation documentation must be provided. 

PAYMENT TERMS 

Payment is required by Wednesday 19th of March by debit card, BACS, Worldpay and cash (subject to money laundering 

regulations). Please note we do not accept credit cards or American Express. 

PACKING, DELIVERY & SHIPPING 

Shipping can prove expensive so please ask us for a shipping quote before bidding. We aim to provide in-house packing 

where practical but high value and delicate items may well require a specialist. Overseas shipping is best provided by a 

shipper in order to access appropriate insurance cover. We can recommend local carriers, UK domestic carriers and 

International shipping specialists. 

BOOK A COLLECTION 

Collection is by appointment only. You need to book a collection time by 4pm the previous day. Visit the website or 

follow the link on your invoice to book a collection time. Purchases not collected within two weeks of the sale date 

will be held in storage and charged at the rate of £5+ VAT per lot per day. Please contact us if you require special 

arrangements to be made regarding storage. 

CONDITIONS OF SALE 

Visit www.gorringes.co.uk for full conditions of sale.

ORDER OF SALE 

Tuesday 12th March at 10.00am 

Miscellanea 

Bronzes and Metalware 

Ceramics and Glass 

Asian Works of Art 

Clocks, Carpets & 

Furniture 

1 - 51 

52 - 73 

74 - 131 

132 - 180 

Tuesday 12th March at 12.30pm 

Paintings and Prints 

Silver - 2.45pm approx 

Watches & 

Jewellery 

181 - 334 

335 - 388 

389 - 508 

306 

8

Miscellanea 

Lots 1 - 51 

9 

9

1 

2 

3 

Lot 1 

Anthony Buckley (British, 1912-1993) A pair of 

framed black and white portrait photographs of 

Queen Elizabeth II and Prince Philip, each with 

the sitters signature reserved within a cartouche 

within the framing, photographs 51 x 39cm 

Lot 2 

£400 - 600 

A presentation photograph of King Edward VII 

when Prince of Wales inscribed in ink ‘To Earl 

Cowley from Edward POW’, 38 x 30cm 

£300 - 500 

4 

Lot 3 

Willy Rizzo (1928-2013), Rosella Hightower 1951, 

a gelatin silver print, printed later, signed on the 

back Rizzo and edition 1/8 in black ink verso, 78.5 x 

67cm, sheet overall 86 x 73.5cm, 

Lot 4 

£500 - 800 

Bert Stern (1929-2013). Marylin, Black Dior 

Dress, from The Last Sitting, 1962, Iris print 1994 

signed, inscribed and stamped, 81 x 56.8cm 

£2,500 - 3,500 

10

From a Private Collection, Westerham, Kent 

Lot 5 

Churchill, Winston S. (1874-1965) - Sir Winston 

Churchill at his easel in his studio at Chartwell, a 

black and white photograph, signed in ink by the 

photographer, Hans Wild (1912-1969). The image 

taken for the front cover of Life magazine, issued 

on 7th January, 1946. 50 x 39cm., within mount and 

oak frame 

5 

£1,000 - 1,500 

6 

Lot 6 

After Alfred Egerton Cooper (1883-1974) - 

“Profile for Victory-portrait of Sir Winston 

Churchill, seated half length’’, pencil, 35 x 29cm. 

The original work was painted for the Carlton Club 

in 1942 and exhibited at the Royal Academy in the 

following year. 

£150 - 200 

Lot 7 

Churchill, Winston S. (1874-1965) - Sir Winston 

Churchill studio photograph, an original black 

and white print, circa 1951, the reverse with 

photographer’s studio stamp - ‘’Vivienne’’ (Florence 

Vivienne Entwistle, née Mellish), (1889-1982), the 

mother-in-law of Sir Winston’s daughter Sarah, in 

leather backed silver frame, monogrammed W.S.C, 

the image 18.5 x 16cm 

£800 - 1,200 

7 

11

Lot 8 

Churchill, Winston S. (1874-1965) - A plaster 

maquette for Head of Sir Winston Churchill 

by Oscar Nemon (1906-1985), with brown 

patination, 15cm high, together with three original 

negatives from Nemon’s studio of the work in 

progress on the bust and black and white prints of 

same. 

Provenance: The Churchill family 

Lot 9 

£800 - 1,200 

Oscar Nemon (1906-1985) - A maquette for - 

“Married Love’’, depicting Sir Winston Churchill 

and Clementine Churchill, plaster with a 

verdigris patination, 39cm wide, 27cm high, raised 

on a shaped mahogany plinth. 

Note: Oscar Nemon (1906-1985) created a plaster 

maquette depicting Sir Winston Churchill and Lady 

Churchill seated on a bench, famously named 

‘Married Love,’ at the request of Lady Churchill, in 

1978. Impressed by Nemon’s earlier portrayal of 

her husband on Westerham Green, she remarked, 

‘This is how I see him and that is how I love him,’ 

prompting her to sit for Nemon in her London 

residence. This allowed the sculptor to incorporate 

her likeness alongside her husband’s in the final 

sculpture. The full-size bronze versions of this 

sculpture can be found at Chartwell and in Kansas 

City, America. 

Lot 10 

£4,000 - 6,000 

Churchill, Winston S. (1874-1965) - From Sir 

Winston’s London home at 28, Hyde Park Gate - 

Two similar Louis XVI provincial open armchairs, 

the stained beech frames, upholstered in pale blue 

cotton velvet, raised on tapered, fluted legs, one a 

replacement, together with the Knight, Frank and 

Rutley property auction sales brochure for 28, Hyde 

Park Gate, dated 28th October, 1965, where the 

chairs are illustrated in the Study, the KFR Country 

Life page advert for the sale and three black white 

original press photographs showing events outside 

the property, including riders offering birthday wishes 

to celebrate Sir Winston’s 86th birthday 

£3,000 - 5,000 

Lot 11 

A collection of letters and other memorabilia 

regarding the unveiling of the Oscar Nemon 

(1906-1985) bronze statue of the seated figure of 

Sir Winston Churchill on The Green, Westerham 

by Baroness Spencer-Churchill and Sir Robert 

Menzies, Lord Warden of the Cinque Ports, on 23rd 

July 1969, comprising: correspondence between 

Major I M Calvocoressi (a trustee of the Winston 

Churchill Fund Westerham) and Lady Churchill’s 

private secretary, European ambassadors to 

The Court of St James’s, Lady Avon (wife of the 

former Prime Minister, Sir Anthony Eden), Lord 

Cornwallis (Lord Lieutenant of Kent) and Col. Sir 

Stuart Mallinson; two US press photographs of the 

Churchill and Soames families at the ceremony 

and another photograph of the statue; three Orders 

of Service for memorial services at Coventry 

Cathedral, Salisbury Cathedral and Westerham 

Parish Church; a metal plaque enamelled with 

Churchill’s coat-of-arms; and two centenary event 

programmes; a manuscript letter from Oscar 

Nemon, to Capt. Evans , dated 31.5.70 - ‘’Dear 

Capt. Evans,[Capt. R. Evans, Chairman of the 

Trustees of the Winston Churchill Fund-Westerham] 

Thank you for your letter. I thought my proposal was 

the best solution in the circumstances. So far there 

has been no plans for a copy, and I was merely 

seeking the freedom to make such a copy should 

the occasion arise.I am glad this meets with your 

approval. It is pleasant for me to hear that the statue 

is appreciated. Yours sincerely, Oscar Nemon’’; H. 

W. Thompson - ‘’Statue of ‘’Churchill 1874-1965, 

Westerham Green’’, pencil, signed and inscribed, 

28 x 17cm. and a 33rpm EP recording of Unveiling 

of Sir Winston Churchill’s statue at Westerham 23rd 

July, 1969. 

£250 - 350 

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8 

10 

9 

11 

13

Lot 12 

A late 18th century Brussels Verdure 

figurative tapestry, depicting Royal lovers in 

a landscape with trees to the foreground and 

villa beyond. 332 x 254cm 

£5,000 - 7,000 

14

Lot 13 

A 19th century Italian 

scagliola plaque depicting 

travellers, shepherds and cattle 

drovers passing classical ruins, 

in a gilt gesso frame, 20 x 33cm 

£800 - 1,200 

Lot 14 

Orlandi Aristide, Via Sistina, a 19th 

century Italian micro-mosaic and 

specimen marble circular plaque, 

probably made for a table top, with central 

view of The Pantheon in Rome within two 

outer rings of specimen marble set into a 

slate base, signed to the underside, 35.5cm 

diameter 

£800 - 1,200 

Lot 15 

A 15th century Nottingham relief 

carved alabaster plaque of The 

Holy Family, The Virgin Mary and 

Joseph, holding an olive branch 

flanking the Christ Child, who stands 

holding a staff. Fragment piece with 

loss to bottom right and top left, 

where a small piece has been restuck, 

max 6.75in. x 6.5in. 

£3,000 - 5,000 

15

Lot 16 

° Emily Eden (1797-1869) - PORTRAITS OF THE 

PRINCES & PEOPLE OF INDIA. AN EXTREMELY 

RARE COPY OF THE BEST ISSUE. Hand coloured 

lithographed title mounted on card, list of plates and 

27 hand coloured lithographed plates, heightened 

with bodycolour and gum-Arabic, by Lowes- 

Dickinson after Eden, printed by Charles Hullmandel 

and mounted on 24 card mounts with ink borders 

ruled by hand and 24 leaves of commentary text, 

published by J. Dickinson & Son, London,1844, with 

letterpress titles and captions on paper mounted 

on each verso, each interleaved with blank guard 

sheets. 

Unbound, as issued, in original purple moroccoback 

and cloth portfolio, upper cover blocked in 

gilt ‘Hon.E.Eden’s India Part.1’ around an integral 

vignette illustration of a snake coiled around an egg. 

55.5 x 44.5cm. Not in Abbey. 

A scarce coloured edition of Emily Eden’s major 

work, one of just a handful of copies published 

in this particular format. Emily Eden, the seventh 

daughter of William Eden, first baron Auckland, 

accompanied her brother, George Eden, 1st Earl 

of Auckland (1784-1849), during his tenure as 

Governor-General of India from 1835 to 1842. A 

gifted amateur artist and writer, Eden documented 

her experiences in India through letters and an 

extensive collection of sketches. Upon her return 

to England in 1842, Eden privately arranged 

for the printing of her images as a portfolio of 

24 lithographs, known as “Portraits,” which was 

published in 1844 in four parts. While the majority 

of copies were issued without colouration, a select 

few, including the present edition, were beautifully 

hand-coloured. In addition to the “Portraits,” Eden’s 

journal, “Up the Country: Letters Written to her Sister 

from the Upper Provinces of India,” was published in 

1866. 

The “Portraits” by Eden feature detailed depictions 

and accompanying textual descriptions of various 

Indian rulers and their families, whom Lord 

Auckland encountered during his term in office. 

Initially residing in Calcutta, Lord Auckland and his 

entourage travelled through the Upper Provinces 

from October 1837 to February 1840, engaging 

with princely subjects. Notable individuals met and 

portrayed by Eden during this tour included the 

Maharaja Ranjit Singh, founder of the Sikh empire 

and ruler of the Punjab until his death in 1839, his 

second son, the Maharaja Sher Singh, ruler of the 

Punjab 1841-1843, the Raja of Nahun, the Raja 

of Patiala, and Raja Hira Singh, son of the Prime 

Minister of the Punjab. The richness and splendour 

of the Indian Princes are deftly captured in this fine 

work. 

Depictions also include servants attached to 

Government House, and their families, part of a 

12,000-strong retinue accompanying Lord Auckland 

and party up the country. There are additional 

depictions of figures that Emily Eden observed along 

the way - Pathans, Tibetans and others. 

£25,000-35,000 

16

17

Lot 17 

The Hon. Emily Eden (1797-1869) The Voyage to 

India, 1835-36. An album including eighteen 

watercolour sketches taken on board the naval 

frigate Jupiter, with scenery and figure studies taken 

in Funchal, Madeira (3), Rio de Janeiro (5), Cape 

Town (3), and India (1), and miscellaneous pencil 

sketches, several titled, ownership inscription on the 

front and back pastedowns ‘Edmund T. Drummond, 

Lyaston, Woodford Green.’ 

Pencil and watercolour on paper sheets (15.8 x 

22.8cm.). 

The subjects include: The town of Funchal; An 

Indian girl; The bridge of the Jupiter; William 

Godolphin Osborne reading, ‘Heaving the Lead’; 

‘Captain Grey at his usual occupation; Cape Malays 

at Cape Town; Cape Town December 35’; Aqueduct 

Rio’; ‘Children Botanical Garden Rio’; ‘Lady & Her 

Slave at Rio’; ‘…Funchal. Daughter of the 

Governor’; and Nun at the Convent in Madeira 

October 1835’ 

THE ARTIST - EMILY EDEN (1797-1869) 

The artist, novelist and sometime poet, Emily Eden, 

seventh daughter of William Eden, 1st Baron 

Auckland, accompanied her brother George Eden, 

1st Earl of Auckland during his tenure as Governor- 

General of India from 1836 to 1842. Acting as the de 

facto First Lady, alongside her unmarried brother, 

she documented their six-year residency in India 

through a journal published in 1866 (“Up the 

country”) and her correspondence published in 1872 

(“Letters from India”). Additionally, she displayed a 

passion for amateur artistry, producing a series of 

Indian sketches that were later refined into 

lithographs and published in 1844 as “Portraits of 

the Princes & People of India.” The majority of her 

original watercolours created in India were 

auctioned at Christie’s on 14th March, 1906, lot 98, 

comprising nearly 200 drawings, predominantly in 

colour, acquired by Quaritch for Lord Curzon, who 

later presented them to the Victoria Memorial Hall in 

Calcutta. Her lithographs, both coloured and 

uncoloured, are scarce, as are her original sketches. 

Apart from those housed in Kolkata, only one 

watercolour remains in the British Library, depicting 

“Four portrait heads of Dost Muhammad Khan and 

three members of his family’’, serving as a 

preliminary study for one of her lithographic plates. 

18

THE VOYAGE SKETCHBOOK 

The current sketchbook represents a valuable 

addition to her existing body of work, providing a 

modest visual documentation of the journey to India 

undertaken by the party. This journey is primarily 

documented through her published writings and 

some unpublished letters of her sister Fanny Eden. 

References to her sketching activities in these 

letters suggest the possibility of additional drawings 

and watercolors by Emily during the voyage, some 

of which may not have survived. For instance, in a 

letter dated December 12, 1835, she mentions 

having produced numerous sketches while at Rio, 

expressing intent to potentially send a book filled 

with them to someone who appreciates such works. 

However, she notes the difficulty of completing them 

satisfactorily due to the instability of the 

environment. Despite initial discomfort, she later 

attests to overcoming seasickness and continuing 

her artistic pursuits, alleviating some of her earlier 

unhappiness. 

The expedition led by the Governor-General, 

departed from Portsmouth aboard the naval frigate 

Jupiter, under the command of Captain Grey, on 

October 3, 1835, consisted of Emily, her sister 

Fanny, their nephew William Godolphin Osborne 

(Lord Auckland’s Military Secretary, captured in a 

notable watercolour by Emily within the album), six 

servants, and the physician, Dr. Drummond. Emily 

brought along her spaniel, Chance, evidenced by 

three pencil sketches likely depicting her beloved 

pet, while William accompanied them with his six 

greyhounds. Enduring a seasick ten days, they 

reached Madeira on Tuesday, October 13, as 

described in Emily’s letter of October 14, 1835, 

expressing admiration for the island’s beauty with its 

tropical allure, though remarking on its resemblance 

to a fantastical travel narrative. During their stay, 

they lodged with Mr. Stothard, a wine merchant in 

Funchal, and explored the local attractions, captured 

in three watercolour illustrations in the album, before 

continuing their journey to Rio de Janeiro on Friday, 

October 16. Crossing the equator on November 13, 

they arrived at the harbour in Rio de Janeiro three 

days later. 

They explored downtown Rio de Janeiro, 

documented in a panoramic brown wash drawing 

across two sheets depicting the renowned Lapa 

aqueduct district, as well as in a street scene. They 

also visited the acclaimed Botanical Gardens, 

captured in a sketch featuring three slave children. 

Emily’s letter dated November 17, 1835, describes 

their arrival in Rio de Janeiro, praising the beauty of 

the place despite initial doubts about the journey. 

The bustling harbour, filled with ships and adorned 

with flags, greeted them as they embarked on visits 

to local authorities. Despite the prevalent dirtiness of 

the town, it proved more engaging than their 

previous stop in Funchal. Notably, the majority of the 

population consisted of slaves, a fact that initially 

sparked surprise but soon became commonplace. 

They were hosted for an early dinner by the Admiral 

aboard the Dublin before setting off in hired 

carriages to explore the Botanical Gardens, 

surrounded by magnificent scenery. Captain Grey 

later led them on a memorable ride into the cooler 

Tijuca forest above the town, where they marveled 

at the natural beauty of the landscape, including 

clouds, mountains, trees, butterflies, and the overall 

atmosphere. This experience left them thoroughly 

enchanted. On November 21, they departed for the 

Cape. 

The frigate encountered a gale approximately one 

week after departing from Rio de Janeiro, but 

favourable winds swiftly propelled them to Table Bay 

in a mere twenty-three days. Emily’s letter of 

December 16, 1835, recounts their safe arrival in 

Cape Town on a Monday afternoon, where they 

settled in a satisfactory house despite being plagued 

by various insects and enduring intense heat until 

the afternoon. They enjoyed excursions into the 

19

countryside and indulged in fresh produce like new 

potatoes, peas, strawberries, and apricots. Despite 

feeling somewhat overwhelmed by visitors, they 

found solace in reconnecting with old acquaintances 

such as Lady C. Bell and Mrs. Wauchope, finding 

their time in Cape Town to be a much-needed 

respite before continuing their journey to Calcutta, 

their final destination. During their week in Cape 

Town, they produced only two watercolours and a 

pencil sketch, all seemingly depicting scenes from 

the Malay quarter. Departing for Calcutta on 

December 18, they embarked on a voyage lasting 

seventy-two days, finally sighting the shores of India 

on March 2 and arriving in Calcutta on March 4, 

1836, coinciding with Emily’s thirty-ninth birthday. 

In addition to the limited sketches documenting the 

various landfalls throughout the voyage, the album 

contains an array of watercolours and drawings 

portraying the daily activities aboard the Jupiter. 

These include numerous depictions of sailors 

engaged in their duties: manning the bridge, 

repairing sails and ropes, conducting depth 

soundings, and a detailed study of the Master, 

Captain Grey, utilizing his sextant. One watercolor 

captures a significant event in the Indian Ocean, 

occurring a few weeks after departing from Cape 

Town, when one of the ship’s masts broke. 

Described in Emily’s letter dated January 27, 1836, 

this incident unfolded suddenly during a calm and 

seemingly idyllic morning, highlighting the 

unpredictability of weather conditions near the 

equator. Despite the unexpected mishap, the crew’s 

swift and adept response showcased their capability 

in handling emergencies, with Captain Grey’s calm 

demeanour and quick thinking earning 

commendation. 

According to Emily’s correspondence, during the 

final voyage segment to India, another sketchbook 

was filled by the sailors. Describing this endeavor, 

Emily wrote, “I purchased an album at the Cape, 

designated as the ‘Jupiter’s Album,’ and extended 

invitations to all the officers to contribute to it. This 

idea appealed to their imaginations, prompting the 

entire ship’s company to engage in drawing. Many 

of them possessed varying degrees of drawing 

ability, and out of the twenty-four drawings 

submitted, at least ten were deemed quite 

commendable, with some being tolerable. Even the 

less skilled drawings were entertaining due to the 

20

considerable effort put forth by the midshipmen. This 

activity provided amusement for a span of ten days 

and greatly pleased Captain Grey.” 

PROVENANCE: 1842 - The Hon. Emily Eden (1797- 

1869); 

to her sister The Hon. Mary Drummond, née Eden; 

By descent in the Drummond family to Hilda 

Drummond, 

thence to Christina Grabham (Hilda’s daughter), 

thence private Collection Sussex. 

£25,000 - 35,000 

Lot 18 

° Eden, Emily - Letters from India, edited by 

her niece, 2 vols. 8vo, half calf, marbled boards, 

Richard Bentley, London, 1872; Dickinson, Violet 

(editor) - Miss Eden’s Letters, 8vo, blue cloth, 

Macmillan and Co., London, 1919; Trotter, Capt. 

L.J - Rulers of India: The Earl of Auckland, 8vo, 

blue cloth gilt lettered, with folding map, Clarendon 

Press, Oxford, 1893; Eden, Rev. Robert Allan - 

Some Historical Notes of the Eden Family, 8vo, 

vellum gilt, Blades, East & Blades, London, 1907; 

and [Eden, Franses?] - A Lady of Rank - The 

Glanville Family, 3 vols, 8vo, rebound quarter cloth, 

Henry Colburn, London, 1838 (8) 

£100 - 150 

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Lot 19 

° Journal of Emily Eden (1797-1869), novelist and 

traveller; 1 January - 29 March 1828 

Paper book with marbled edges in a parchment 

binding, 18 x 12 cm, with label of the supplier J 

Bowen, wholesale stationer, 315 Oxford Street. 

The journal opens with Emily’s departure from a 

long stay with her sister Mrs Colvile at Langley Farm 

at Beckenham in Kent. 

The context for this brief period in her life was 

the fall of the government led for five months by 

Frederick John Robinson (1782-1859), first Viscount 

Goderich and first earl of Ripon, and the character 

of Goderich’s wife Sarah, often the butt of Emily’s 

acerbic comments. 

The journal contains a full record of Emily’s social 

engagements and cultural interests; on 18 January 

she visited the French theatre with Mrs Mildmay and 

Francis Baring: ‘The Lyceum is very prettily fitted up 

but except Perlet, the acting is very bad’; on the 28th 

‘Lady Grantham lent me her box at C[ovent] Garden, 

Mary went with me – saw Henry 4th – C[harles] 

Kemble’s Falstaff is a wonderful piece of acting – but 

the whole play acts very heavily.’ On 16 February 

‘we went in the evening to Mr Hay’s – saw some 

drawings of birds by a Mr Audebon’ [John James 

Audubon, 1785-1851, whose publication of Birds of 

America was largely financed by his visit to England 

between 1826 and 1829]. 

Emily greatly admired Jane Austen, whose writing 

influenced her own fiction. At a performance by the 

pupils of the Royal Academy of Music on 7 March, 

Emily overheard a couple ‘settling how to break 

to her father their intention of marrying – it would 

have been an excellent scene for Miss Austen’. 

On 17 March she accompanied her nephew 

Charley D[rummond] to the studio of Gilbert Stuart 

Newton, to sit for one of the children in The vicar of 

Wakefield reconciling his wife to Olivia; the picture, 

commissioned by Lord Lansdowne, was exhibited at 

the Royal Academy later that year. 

At rear, in reverse: ‘List of books at Berkley, August 

1879, E Dickinson’ (2 pages) 

Loose within volume: ‘Directions for washing Piña 

Cloth’ (a luxury fabric made from the leaves of the 

pineapple plant, mostly in the Philippines); c1840 

19 

Very few of Emily Eden’s papers are in public 

collections: letters to two of her sisters are held 

at Durham University Library, letters to Lord 

Minto in the National Library of Scotland and to 

Lord Brougham at University College, London. In 

1919 her great-niece Violet Dickinson published 

extracts from her papers, including brief excerpts 

this Journal: Violet Dickinson, Miss Eden’s letters 

(London: MacMillan), 1919. The papers of her 

brother George Eden, Earl of Auckland (1784-1849) 

are held by the British Library. 

See our online listing for the full description 

Lot 20 

£250 - 350 

° Osborne, William Godolphin, Lord - The Court 

and Camp of Runjeet Sing. With an introductory 

sketch of the origin and rise of the Sihk state, 

8vo, original green blindstamped cloth gilt, with 

frontispiece and 15 lithographed plates, Henry 

Colburn, London, 1840 

Lot 21 

£600 - 900 

Late 18th century English School - Portrait of 

Sir William Eden, later 1st Baron Auckland, 

watercolour on card, 20 x 18cm. A sketch of the 

sitter verso. 

Note: Sir William was father to fourteen children, 

including Emily Eden and her brother George Eden, 

1st Earl of Auckland, the Governor-General of India 

(1836-1842) 

£150 - 200 

22

Lot 22 

20 

Lowes-Dickinson, after Emily Eden (1797-1869) - 

a hand-coloured lithograph - ‘’A Shootr-Suwar’’. 

Plate 20 from ‘’Portraits of the Princes and 

Peoples of India’’, published by J. Dickinson & Son, 

London, 1944, the plate commentary verso - ‘’This 

is the class of attendants on an Indian camp, whose 

services are of great value in carrying intelligence 

and dispatches. They will ride on their camels fifty or 

sixty miles a day, in an emergency’’, 30.5 x 36cm. 

22 

Note: The title is an anglicized form of the Hindi term 

shutur-savar, meaning ‘’camel rider’’. 

£400 - 700 

Lot 23 

° Brigade and General Orders Book, Bombay, 

1 March 1784 – 14 March 1785 118 paper folios, 

most leaves browned, some brittle and with 

occasional (but not extensive) losses, all repaired, in 

a buckram binding, 38 x 28cm 

Army order book of the East India Company, 

comprising general orders issued at Bombay 

between 2 March 1784 and 14 March 1785, 

compiled in the office of Thomas Marshall, Town 

Major, and containing orders relating to military 

administration including notices concerning 

appointments, movements of troops, postings, 

promotions, pay, disputes over precedence and 

sentences of the separate courts martial for 

European and native troops. 

See our online listing for the full description 

£400 - 600 

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23 

23

Lot 24 

§ William McMillan A.R.A. (1887-1997), a carved 

alabaster group ‘Swans’, 43cm wide, 18cm high 

£600 - 800 

Lot 25 

** A large section of Andaman Padauk burr wood 

of sculptural form, mounted on a stand, 148cm 

wide, 49cm high, overall 60cm high 

£400 - 600 

24

Lot 27 

* A Greek Apulian Red- 

Figured Hydria, 4th century 

BC, manner of the circle of 

the Darius and Underworld 

painters, decorated with 

a nude youth, possibly 

Dionysus, seated to the right, 

a wreath in his hair, next to a 

standing female with a box in 

her left hand and a fan in her 

right, vertical lines to the neck 

and a band of waves encircling 

the base, 34.5cm high, some 

restoration and cracks 

£3,000 - 5,000 

Lot 26 

** Karin Jonzen RBA ARBS (1914- 

1998), a terracotta group, ‘Couple 

embracing’, 20cm high 

£300 - 500 

25

Lot 28 

A George III Sheraton style 

marquetry inlaid satinwood tea 

caddy of octagonal form with foliate 

swag decoration and central cameo 

panel of classical figures, 20.5cm 

wide, 11.5cm deep, 13cm high 

£400 - 600 

Lot 29 

A Victorian silver mounted blond 

tortoiseshell tea caddy of octagonal form 

with loop handle and scrollwork decoration, 

the interior with single lid and later silver 

caddy spoon, 11.5cm wide, 8cm deep, 9cm 

high 

£300 - 400 

Lot 30 

A Regency mother of pearl 

inset tortoiseshell sarcophagus 

tea caddy with dense floral 

decoration to the lid and front, 

ivory banded interior with two 

tortoiseshell canisters and 

probably the original cut glass 

mixing bowl, on ivory ball feet, 

32cm wide, 17cm deep, 18.5cm 

high 

CITES Submission reference 

8Z5Z2L6B 

£500 - 800 

26

Lot 31 

A pair of Arts & Crafts cast iron and 

pierced brass firedogs, in the manner of 

Edward Spencer and the Artificers’ Guild, 

30cm wide, 56cm deep, 81cm high 

£400 - 600 

Lot 33 

After Charles Valton (French, 

1851-1819), a bronze model 

of a lunging Mastiff ‘Passez 

au Large’, on naturalistic base, 

signed in the bronze, 63cm wide, 

59cm high 

£500 - 800 

Lot 32 

A pair of Victorian style ormolu six 

light candelabra with rococo scroll 

extinguishers, scrolling branches and floral 

applied stems mounted with putti, on scroll 

feet, 66cm high 

£400 - 500 

Lot 34 

After Charles Valton (French, 1851-1819), 

a bronze group of two King Charles 

spaniels seated upon a cushion, signed in 

the bronze, 46cm wide, 42cm high 

£400 - 600 

27

Lot 35 

Pierre-Jules Mêne (French, 1810- 

1871), a 19th century French 

bronze model ‘Cheval à la Barrière 

No.1 Djinn’, standing beside a fence 

on a naturalistic oval base, signed in 

the bronze, 25cm wide, 10cm deep, 

19cm high 

£400 - 600 

Lot 36 

Pierre-Jules Mêne (French, 1810- 

1871), a 19th century French bronze 

group ‘Jument Et Son Poulain’, upon 

a naturalistic base, signed in the bronze, 

26.5cm wide, 12.5cm deep, 17cm high 

£400 - 600 

Lot 37 

After Ferdinand Pautrot (1832- 

1874), a bronze group of a 

spaniel and a hound chasing 

a pheasant, on naturalistic base 

with integral oval plinth, signed in 

the bronze, 63cm wide, 29cm high 

£400 - 600 

28

Lot 38 

A 19th century Grand Tour bronze bust 

of Apollo Belvedere, on a parcel gilt plinth, 

initialled SB and with SB founders mark, 

32cm high 

£400 - 600 

Lot 39 

Jean Bulio (French, 1827-1911), a 

19th century French bronze ‘Enfant 

Charmeur’ modelled as Cupid playing a 

violin whilst seated upon a rouge marble 

column, applied with ormolu roses and 

bronze lovebirds, 27cm wide, 89cm high 

£3,000 - 5,000 

29

Lot 40 

Robert Wyland (American, 

b.1956), a patinated bronze 

group ‘Dolphin Reef’, signed 

in the bronze and dated 1995, 

numbered 79/450, 81cm long, 

53cm deep, 45.5cm high, comes 

with a plate glass oval top, 130 

x 81cm 

£800 - 1,200 

Lot 41 

Mulaty, a Continental Arts & Craft wrought 

iron and marbled glass table lamp, in 

the manner of Edgar Brandt, the domed 

mushroom shade in yellow and orange 

speckled glass over a broad planished beaded 

base, 17cm diameter, 36cm high 

£300 - 400 

Lot 42 

Marty Font, a French Art Deco bronzed and black marble 

group of two prowling panthers, signed on the plinth, 68cm 

wide, 18cm high 

£600 - 800 

30

Lot 44 

Alexis Rudier (b.1925), 

An Art Deco silvered 

bronze figure of a nude 

acrobatic dancer, signed 

on the foot, standing upon 

a black marble plinth, 

overall 53cm high 

£1,200 - 1,500 

Lot 43 

Alexandre Kéléty 

(Hungarian, 1918-1940), a 

bronze head of a classical 

youth, signed in the bronze, 

foundry stamp Patrouilleu, on 

stepped black marble plinth, 

16cm wide, 26cm high 

£400 - 600 

Lot 45 

Max Le Verrier (1891-1973), a bronze 

car mascot ‘Isa’, modelled as a dancer in 

diaphanous robes, signed in the bronze, on 

green marble plinth, overall 11cm wide, 19cm 

high 

£300 - 400 

Lot 46 

Claude (Claude-Marie Devenet 

1851-1931), a pair of French 

Art Deco bronze bookends, 

modelled as smiling naked 

infants upon ledgers, signed in 

the bronze, 25cm high 

£600 - 800 

31

Lot 47 

Archibald Knox for Liberty & Co., 

The Bollellin Shield, circa 1903, 

English pewter dish with central 

blue green enamelled plaque and 

outer scrolling foliage, numbered 

044, 26cm diameter 

Lot 48 

£300 - 500 

An Arts & Crafts brass picture 

frame, of rounded rectangular form, 

the top inset with three turquoise 

Ruskin style stones and housing 

a contemporary photo-lithographic 

print, 45cm wide, 57cm high 

£400 - 600 

Lot 49 

Pierre-Joseph Hugonnet 

(French, 1801-1885), an 

Art Deco bronze figure 

of a woodcutter standing 

with his foot braced against 

a tree trunk, a large axe in 

his hands, signed on the 

plinth, overall 104cm wide, 

20cm deep, 48cm high 

£800 - 1,000 

Lot 50 

Attributed to Michel Decoux, a French Art 

Deco chrome and marble clock garniture, 

the central clock of four glass design flanked 

by a model of a deer, clock 42cm wide, 35cm 

high, lamps 26.5cm 

£300 - 500 

Lot 51 

Attributed to John Pearson 

(1859-1930), an Arts and Crafts 

copper plaque, embossed, 

chased and planished with fruiting 

scrolling foliage, incised J.P 1894 

verso, 33 x 73cm 

£1,000 - 1,500 

32

European Ceramics & Glass 

Lots 52 - 73 

72

Lot 52 

A Wedgwood Fairyland lustre ‘Jumping 

Faun’ Lily tray, designed by Daisy 

Makeig Jones, c.1925, the interior 

decorated in the daylight palette pattern 

no. Z4968, the underside in green mottled 

lustre decorated in gilt with ‘Flight of 

Birds’ and the pebble and grass border, 

gilt printed mark ‘Wedgwood England’, 

apparently no pattern number, 23cm (9in.) 

diameter 

£1,200 - 1,800 

Lot 53 

Camille Tharaud (French, 

b.1878), two pairs of Art Deco 

porcelain bookends, c.1925, 

modelled as a pair of leaping 

rams and a pair of perching 

parrots, both with brown drizzled 

cream glaze, printed marks 

Tharaud, Limoges, France, 

13.5cm and 19cm high 

£300 - 500 Lot 54 

Three Venini multi coloured glass 

vessels, 1980’s, comprising a yellow 

honeycomb moulded vase, signed and 

dated 84, 16.5cm high, a red vase with 

black foot, signed and dated 85, 10.5cm 

high and a blue glass dish, signed and 

dated 84, 18.7cm diameter 

£400 - 600 

34

Lot 55 

A René Lalique ‘Sirene’ 

opalescent glass dish (Coupe 

Trepied), moulded mark 

‘R.LALIQUE’, See Marcilhac 

no.376 p.290, 36.6cm diameter 

£3,000 - 4,000 

Lot 56 

§ Angus Suttie (1946-1993), a multi 

coloured glazed pottery toast rack, with 

five divisions, the central profile divider 

forming the handle, with zoomorphic forms to 

each end, unsigned, 17cm high 

£400 - 600 

Lot 57 

§ Angus Suttie (1946-1993), a multi coloured 

glazed earthenware vase, the bowl of 

the vessel supported by wrapped ribbons, 

unmarked, 7.5cm high, small chip loss 

£300 - 500 

35

Lot 58 

A pair of Italian blue and white maiolica 

albarellos, Savona, late 17th century, the 

first painted with the title ‘De Muccillag:~’ to 

a banner, with crest and recumbent figure, 

houses and a cherub, the second with the 

title ‘Hura * Comp ~’, a cherub holding a jar, 

a figure in 17th century dress, a galleon ship 

and a bird, each with a shield mark to the 

base, 21cm high, glaze losses, latter chipped 

£800 - 1,200 

Lot 60 

Lot 59 

A large French porcelain and ormolu mounted 

vase, late 19th century, painted with courting couples 

in landscapes with cherubs flying above them, signed 

L. Buonicourt, 74cm high, wear to gilding 

£600 - 800 

A Vienna porcelain plate, mid 19th century, painted with 

a titled figure scene ‘Ulysses raubtder Andromedre ihren 

Sohn’, within tooled gilt borders, underglaze blue shield mark, 

impressed numbers 82 and 46, the latter possibly for the year 

1846, 22.4cm diameter 

£400 - 600 

36

Lot 61 

A Meissen group of two terriers and 

a pug-dog, modelled by Kandler, 19th 

century, the dogs standing or seated on a 

naturalistic base with scrollwork borders, 

underglaze blue crossed swords mark, 

incised model number 2104, 14.5cm high, 

17cm across 

£500 - 700 

Lot 62 

A Meissen group of an old woman and her 

young lover, 19th century, the lady seated on 

a chair beside the figure of Cupid holding money 

removed from a chest of banknotes, underglaze 

blue crossed swords mark and incised model 

number A46, 14.5cm high, some restoration 

£300 - 400 

Lot 63 

An impressive French Sevres style porcelain and 

ormolu mounted pedestal vase, 19th century, finely 

painted with a courting couple and a begging dog in a 

garden setting, the reverse with a bouquet of flowers, 

within gilt floral cartouches, on a bleu-celeste ground, with 

Bacchus mask mounts, festoons of flowers, the square 

base with term figures to each corner above bacchanalian 

friezes, on four toupie feet, 46cm high 

£800 - 1,200 

37

Lot 64 

A Ralph Wood type 

creamware Toby jug of 

standard type, c.1790, 

seated in standard 

pose holding an ale jug, 

with a pipe beside his 

right leg, together with 

a stopper for the hat, 

25cm high 

£300 - 500 

Lot 65 


creamware Toby jug of 

standard type, raising a 

glass to his lips, c.1790, 

decorated in pale translucent 

glazes, with a tobacco pipe 

resting to his right side, 

24.5cm high 

£500 - 700 

Lot 66 

A Staffordshire pearlware 

sailor Toby jug, c.1800-10, 

seated on a sea-chest, holding a 

cup in his right hand and a jug in 

his left, the base modelled with 

an anchor, 29.5cm high 

£400 - 600 

Lot 67 

A Staffordshire 

Prattware Toby jug, 

c.1790-1800, seated in 

standard pose holding a 

frothing beer mug, painted 

in semi-translucent ochre 

brown and green glazes, 

24.5cm high 

£200 - 300 

38

Lot 68 


creamware Vicar and 

Moses group, c.1790, 

the two figures modelled 

standing in a pulpit reading 

a text, decorated in pale 

translucent glazes, label for 

Law, Foulsham and Cole, 

24.5cm high 

£200 - 300 

Lot 69 

A Ralph Wood group of St. George & The 

Dragon, c.1795, the figure of St George 

riding a horse while quelling a dragon 

beneath them, decorated in translucent and 

semi translucent glazes, 28.5cm high 

Lot 70 

£300 - 400 

A Staffordshire pearlware musical duet 

spill vase, c.1820, the figure of a gentleman 

playing the flute, the lady a mandolin with a 

calf, a cat and shells beside them, between 

a pink and blue enamelled cornucopia and 

waterfall, 23cm high 

£200 - 400 

39

Lot 71 

A near pair of Ralph Wood type figures 

of a Stag and Hind, c.1790, each 

modelled recumbent upon a naturalistic 

base, decorated in translucent glazes, 

hollow underside, 18.5 and 12.5cm high 

£600 - 800 

Lot 72 

A Staffordshire pearlware bull baiting 

group, of Obadiah Sherratt type, 

c.1830, the figure of a man holding a 

club and raising his hat aloft standing 

next to a chained bull flipping one terrier 

into the air, a second terrier standing and 

grasping the bull’s horn, on a serpentine 

shaped base with four downswept feet, 

24.5cm wide, 20.5cm high 

£800 - 1,200 

Lot 73 

A pair of Bow porcelain groups 

of Ceres and Juno, c.1758, the 

figure of Juno standing beside an 

eagle, the figure of Ceres holding a 

cornucopia beside a recumbent lion, 

anchor and dagger mark, both on a 

flower encrusted naturalistic base, 

21cm and 19cm high 

£350 - 450 

40

Asian Works of 

Art 

Lots 74-131 

83 

41

Lot 74 

A large Japanese Satsuma bowl by Taizan, 

Meiji period, the interior painted with a 

central dragon medallion surrounded by 

three phoenixes, the exterior with a band of 

flowers, florets and brocade, black enamelled 

six character mark ‘Da Nihon Taizan so’, with 

impressed mark ‘Taizan’, 30.5cm diameter 

£300 - 500 

Lot 75 

A pair of large Japanese Satsuma pottery 

‘Samurai’ vases, Meiji period, painted to each side 

with samurai in landscape reserves, with brocade 

pattern borders, gilt decorated with shi-shi and flowers, 

63.5cm high, one vase restored 

£800 - 1,200 

Lot 76 

Two Japanese Shibayama type inlaid 

panels, 19th century, each inlaid in wood, 

ivory and mother-of-pearl with an egret 

preening below willow branches and an eagle 

settling on a pine branch, the latter with four 

character signature to a rectangular plaque, 

60.5 x 42cm, minor losses 

CITES Submission reference XNPLXS1W 

£300 - 500 

42

Lot 77 

A pair of large Japanese 

black lacquer circular 

boxes and covers, Hokkai 

Bako, 19th century, each 

gilt-decorated with aoi mon 

emblematic of the Tokugawa 

family, 48.5cm high 

£1,500 - 2,000 

Lot 78 

A large Japanese silver wire cloisonné 

enamel circular plaque, Meiji period, 

decorated with the figure of Kwannon standing 

on the back of a dragon, four inscription 

character to the left with the symbol of a tripod 

censer incorporating two characters, 48.3cm 

diameter 

£300 - 500 

Lot 79 

A tall Japanese archaistic bronze octagonal 

vase, Meiji period, the ovoid body cast in relief with 

bird and flower mon, applied with a pair of scrollwork 

handles, the neck and spreading foot with lappets, 

72cm high, base panel lacking 

£400 - 600 

43

Lot 80 

A pair of large Japanese Kyoto cloisonné 

enamel hexagonal baluster vases, early 20th 

century, each decorated with panels of mythical 

beasts on multi-coloured grounds with brocade 

patterned borders and lappets to the neck, 62cm 

high 

£400 - 600 

Lot 81 

A massive Japanese 

midnight blue ground 

cloisonné enamel vase, 

Meiji period, decorated 

with chrysanthemums and 

prunus on a midnight blue 

ground, 89cm high 

£300 - 500 

Lot 82 

A Japanese gilt bronze ‘Samurai’ vase, early 20th 

century, later mounted as a lamp, cast and chased in 

high relief with a samurai on horseback traversing a river, 

the reverse with a cat amid foliage, the neck with a dragon 

holding a glass ‘jewel’, the base with birds above waves, cast 

maker’s seal mark to base, 36cm high excluding later light 

fitting 

£400 - 600 

44

Lot 83 

A Japanese bronze model of a 

rearing elephant standing on a ball, 

Meiji period, inset into a hardwood 

stand, with inset ivory tusks, engraved 

two character signature to ball, total 

height 48.5cm 


9NC2732Y 

Lot 84 

£300 - 500 

An unusual Chinese blue glazed two 

handled vase, the porcelain Qianlong 

period, the enamelled decoration early 

19th century English, the blue glazed 

rectangular baluster vase enamelled with 

butterflies and flowers in similar style to 

Mason’s ironstone vases of the 1820s, 

32cm high 

£300 - 500 

Lot 85 

Two Chinese sancai ‘dragon-fish’ 

ridge tiles, Ming dynasty, on later 

wood stands, total height 35cm and 

37.5cm 

£400 - 600 

Lot 86 

A Chinese wucai ‘dragon and phoenix’ 

bowl, Qianlong mark and possibly of 

the period, the exterior painted with red 

and green dragons, and phoenixes amid 

foliage, the upper border with the eight 

Buddhist emblems, the interior with a dragon 

medallion, six character seal mark to base, 

16cm diameter 

£600 - 800 

45

Lot 87 

A large Chinese famille rose ‘Magu’ dish, 

Yongzheng period, finely painted with the figure 

of Magu holding lingzhi fungus, with an attendant 

and a deer each carrying a peach, standing beside 

a plum tree, bamboo and rockwork, the broad rim 

decorated with six flower sprays, 37.2cm diameter, 

splinter chip to edge of foot 

cf. similar dishes and plates painted with the ‘magu’ 

theme were commissioned by Augustus II (1670- 

1733), King of Poland and Elector of Saxony known 

as Augustus the Strong, Existing examples with old 

Dresden inventory are respectively in the Dresden 

collection, the Museum Boijmans Van Beuningen in 

Rotterdam and in the former Collection Ignazio Vok. 

A 39cm dish with the same design and inventory 

number was sold by Christie’s London, 30 April 

2015, lot 111 

£3,000 - 4,000 

Lot 88 

A Chinese blue and white ‘Antiques’ jar, 

Kangxi period, the two quatrefoil shaped 

reserves painted with antique furniture and 

objects, on a plum blossom and cracked ice blue 

ground, 20cm high, minor restoration to rim 

£600 - 800 

Lot 89 

A Chinese blue and white ‘Phoenix’ 

baluster vase, Kangxi period, painted 

with phoenixes amid dense flowers and 

foliage, 34cm high, star crack to body 

£600 - 800 

46

Lot 90 

A Chinese susancai figure of a seated 

woman, Kangxi period, wearing robes 

decorated with Shou medallions and flowers, 

12cm high, some restoration 

£300 - 500 

Lot 91 

A Chinese enamelled Yixing pottery hexafoil 

shaped dish, Qianlong/Jiaqing period, 

painted in famille verte palette with pavilions 

in a mountainous river landscape scene, the 

underside painted with blue enamel flower 

sprigs, 14cm wide 

£500 - 800 

Lot 92 

A pair of Chinese polychrome pottery ritual tripod vessels and covers, ding, Han 

dynasty (202BC - 220AD), each painted in coloured pigments with archaic scrolls, with yellow 

painted borders, handles and three feet, 25cm across. 

Provenance- Sotheby’s, London, Fine Chinese and Korean Ceramics and Works of Art sale 

9th June 1992, Lot 86. 

£3,000 - 5,000 

47

Lot 93 

A Chinese pottery model of a granary, Han 

dynasty (202BC - 220AD), of banded cylindrical 

form, on three bear shaped feet, 29cm high 

Provenance- labels for Oriental Ceramic Society 

exhibition 1953 number 32, inscribed S C Coles. 

£3,000 - 5,000 

Lot 94 

Two Chinese stoneware vessels, Han dynasty 

(202BC - 220 AD), one jar with domed cover and turned 

finial, on a pierced foot, 16cm, the taller jar with ring 

turning to the baluster shaped body and two piercings to 

the foot, 16.5cm high 

Jar and cover with label for Bluetts, Marc Robert Centre 

1973 

£400 - 600 

Lot 95 

A Chinese Ming blue and white ‘scholars’ 

jar, guan, Wanli period (1572-1620), 

painted with scholars in an interior playing 

weiqi (chess), a stringed instrument and 

holding a fan with waiting attendants, the 

shoulder with panels of ‘leiwen’ and ‘wan’ 

centred by peonies, the lower register 

lappeted, unglazed base, later pewter 

mount to neck, 28.5cm high, broken around 

base and restuck 

£600 - 800 

48

Lot 96 

A Chinese Ming blue and white ‘lotus’ 

hexagonal vase, Wanli period (1572-1620), 

painted with lotus scrolls, the shoulder with 

alternating panels of lotus flowers and trellis, 

22cm high, hexagonal wood stand, glaze chips 

cf. a very similar vase sold by Sotheby’s, Paris, 

Arts d’Asie sale, 16 June 2022, lot 211. 

£800 - 1,200 

Lot 97 

A Chinese blue and white ovoid jar and 

cover, Kangxi period, painted with panels 

of flowers, rockwork and river landscape 

scenes, above a band of scrolling flowers 

and repeating asters, unglazed base, 30.5cm 

high, broken with kintsugi repair 

£400 - 600 

Lot 98 

A Chinese wucai ‘pomegranate’ baluster vase, 

Transitional, Shunzhi period, c.1650, painted with 

pomegranate and fruiting branches, between underglaze blue 

lines, unglazed base, 29cm high, wood stand, small star crack 

This design bears similarities to transitional wucai vases 

decorated with the sanduo (Three Abundances). 

£400 - 600 

Lot 99 

A Chinese wucai ovoid vase and cover, 

Transitional, Shunzhi period, painted with 

auspicious objects and flowers, amid scrolls, 

between a waterfall, unglazed base, 39cm high, 

broken with kintsugi style repair 

£200 - 300 

49

Lot 100 

A Chinese wucai ‘rocks and blossom’ 

vase, Transitional, Shunzhi period, 

painted with blossoming branches and 

bamboo amid rockwork, unglazed base, 

29cm high, cracked and restoration to neck 

£300 - 400 

Lot 102 

A Chinese yellow ground famille rose dish, late 

19th century, with unusual Western script ‘F.L’ 

seal mark, painted with a phoenix and other birds 

amid foliage on a yellow ground, the blue ground 

border painted with further birds and flowers, the 

underside with unusual iron red ‘F.L’ seal mark, 

41cm diameter 

£400 - 600 

Lot 101 

A Chinese blue and white ‘Squirrel and vine’ 

melon-shaped jar, Wanli period (1573-1619), 

painted with four squirrels amongst fruiting vines, 

between bands of stiff leaves on the shoulder and 

lower body, the short neck is decorated with a 

classical scroll band, 13.5cm high 

£600 - 800 

Lot 103 

A Chinese Yixing enamelled snuff 

bottle, 19th century, painted in blue 

enamels to each side with landscape 

scenes, the sides with foliage, single 

character mark to the base, 4.8cm high 

£300 - 500 

50

Lot 104 

A pair of Chinese famille rose saucer 

dishes, Yongzheng mark but first half 

19th century, each painted with ladies 

performing tricks on horseback in a 

garden with two dignitaries looking on 

from a balcony, 23.5cm diameter, one 

dish has a short hairline crack 

£600 - 800 

Lot 105 

A Chinese carved celadon glazed yen-yen vase, 

19th century, decorated with bamboo and other 

foliage, the neck with lappets, apocryphal Yongzheng 

seal mark to base, 42.5cm high, base drilled 

£500 - 700 

Lot 106 

A Chinese famille verte ‘black bird’ 

bottle vase, Daoguang mark and of 

the period (1821-50), painted with a 

black bird perched on a branch amid 

foliage and blossom, iron red six 

character seal mark to the base within 

an underglaze blue double circle, 39cm 

high, neck restored 

£400 - 600 

Lot 107 

A Chinese wucai ‘ladies’ ovoid jar, 

19th century, painted with ladies 

holding fans or musical instruments 

in a garden setting with foliage and 

rockwork, unglazed base, 26.5cm high 

£400 - 600 

51

Lot 108 

A pair of Chinese enamelled porcelain ‘Buddhist 

lion’ joss stick holders, early 19th century, the 

lion resting a paw on a brocaded ball or a cub, on 

rectangular waisted stands painted in iron red and 

black enamel, 18.5cm high 

£300 - 400 

Lot 109 

A Chinese enamelled porcelain ‘dragon’ dish, 

Kangxi mark but 19th century, boldly painted 

to the centre with a five claw dragon chasing 

a flaming pearl on a mirror black ground, the 

underside decorated with blossom and flowers 

on a pale yellow ground, underglaze blue six 

character mark in a double circle to the base, 

39cm diameter, small splinter rim chip, rim ground 

off 

£2,000 - 3,000 

Lot 110 

A pair of Chinese gilt decorated blue ground cups, 

Qianlong mark but later, each gilt decorated with 

Chinese characters and foliage on a blue ground, 

7.8cm diameter, one cracked 

£500 - 700 

Lot 111 

A Chinese enamelled porcelain ‘double qilin’ 

snuff bottle, Qianlong mark, 19th century, the qilin 

standing on a rocky outcrop amid waves, the borders 

decorated with polychrome clouds on a yellow 

ground, iron red mark to base, 4.2cm high 

£1,500 - 2,000 

52

Lot 112 

A Chinese Ge ware ‘arrow’ vase, hu, with crackled 

mushroom grey glaze, 18cm high 

£500 - 700 

Lot 113 

A large Chinese green crackle glazed snuff bottle, 

Daoguang mark and period, and three other 19th 

century porcelain snuff bottles, the large green 

crackle glaze snuff bottle with ten character inscription 

in underglaze blue to the base ‘Daoguang Wu Shen 

Nian’, with cyclical date for 1848, 8.5cm, two famille rose 

bottles, and a blue and white snuff bottle painted with a 

scholar and attendants, 5.2 - 5.8cm 

£300 - 500 

Lot 114 

A pair of Chinese enamelled porcelain ‘goldfish’ 

bird feeders, Guangxu period, each painted with a 

goldfish and pond weed, 3.2cm high 

Lot 115 

£300 - 500 

A Chinese enamelled porcelain figure 

of a lady, Republic period, the standing 

figure of a lady wearing elaborate court 

robes, carrying a book with four character 

inscription, 31cm high, slight damage 

£400 - 600 

53

Lot 116 

A Chinese Canton decorated famille rose garden 

seat, 19th century, painted with court figures in 

interiors and gardens interspersed by pierced coin 

motifs, above insects, flowers and fruit, the four 

supports terminating in stylised pink enamelled bats, 

47cm high, broken and restored 

£300 - 500 

Lot 117 

A Chinese green jade box and cover, possibly Ming 

dynasty, of rectangular form with re-entrant corners, the 

cover carved in low relief with a circling dragon, 5.5cm wide 

£300 - 500 

Lot 119 

A 19th century Chinese 

amber ‘lion-dog’ seal and 

a 20th century soapstone 

seal, the amber seal 3.5cm 

high, the soapstone seal 

inscribed and with carved 

matrix, 7cm high 

£500 - 700 

Lot 118 

A Chinese celadon jade ‘quail’ 

waterdropper, 18th / 19th 

century, carved in recumbent 

pose, with later metal fitting to the 

top, the stone with some russet 

inclusions, 11.4cm long 

£1,000 - 1,500 

54

Lot 120 

A Chinese pale celadon and russet jade figure of an 

old man, 18th / 19th century, holding a peach branch 

over his shoulder, 6.1cm high 

£200 - 300 

Lot 121 

* A Chinese white jade pendant, carved as a 

gourd, Qianlong period, with overlapping leaves 

and tendrils and a branch in open work, the stone of 

good even tone with a slight russet inclusion to the 

base, 8cm 

Provenance: The Baron George de Menasce 

collection; Roger Keverne Ltd, 22nd July, 1998 

Please note this lot attracts an additional import tax 

of 5% on the hammer price 

£800 - 1,200 

Lot 122 

A good Chinese pale celadon jade rectangular 

snuff bottle, 19th century, carved in high relief 

to each side with a six character inscription, the 

sides with a pair of lion mask ring handles, on a 

rectangular foot, the stone of good even tone, 6.9cm 

high 

£600 - 800 

55

Lot 123 

A Chinese bronze figure of a Daoist deity, late 

Ming, seated on a throne and holding a knotted 

cord in his right hand, the base with four supports, 

28cm high, on a carved hardwood ‘dragons chasing 

a flaming pearl’ stand, total height 35cm, losses to 

back of throne 

£1,000 - 1,500 

Lot 124 

A large Chinese archaistic bronze 

censer, gui, 17th century, cast in relief 

with taotie masks and fins on a leiwen 

ground, the pair of looped handles with 

zoomorphic heads, 24cm wide 

£400 - 600 

Lot 125 

A near pair of Chinese cloisonné enamel 

and gilt bronze jardinieres, 19th century, 

each of gourd form, the first decorated with 

coloured flowers on a trellis tomato red ground, 

the second with flowers and butterflies on a 

tomato red ground, the gilt bronze base with four 

elephant head feet, 20cm wide 

£800 - 1,200 

Lot 126 

A pair of Chinese purple ground 

cloisonné enamel circular boxes and 

covers, 19th century, each decorated 

with butterflies and flowers, with gilt 

bronze rims, 9.4cm diameter, small losses 

enamel 

£400 - 600 

56

Lot 127 

A Chinese bronze ‘lion-dog’ seal, Ming dynasty, the 

seated beast on a rectangular plinth, inscribed to the 

edge of the plinth ‘ji jan’, the eight character matrix base 

inscribed ‘Anxi jiangjun sina zhi yin’ (Seal of the General 

of Anxi and commander of cavalry), 6.1cm high 

Provenance - bought from Roger Keverne, 2nd March 

2000 for £1800. 

£600 - 800 

Lot 128 

A Chinese bronze seated figure of 

Amitayus, probably 18th century, 

17.5cm high, surface pitted 

£1,000 - 1,500 

Lot 129 

An album of Chinese watercolours on rice paper, trades and customs of China, late 19th 

/ early 20th century, approximately sixty two sheets of illustrations with inscriptions, huali wood 

boards with incised inscription, 35.2 x 23.2cm, losses and tears to most pages 

£300 - 500 

57

Lot 130 

A Chinese chestnut-ground 

‘nine dragon’ robe, jifu, 19th 

century, finely embroidered 

with nine claw dragons chasing 

flaming pearls, amid clouds, 

bats and auspicious objects, 

above scrolling waves with 

peonies and lingzhi fungus, 

horseshoe shaped cuffs, 

approximately 150cm long, 

tears and losses 

£1,000 - 1,500 

Lot 131 

A Tibetan embroidered silk 

‘vajra’ panel, 17th / 18th 

century, worked in Beijing 

knot on a pale brown ground, 

later trimmed and lined, total 

size 32cm square, faded and 

stained 

£400 - 600 

58

CLOCKS, CARPETS 

& FURNITURE 

132-180 

157 

59

Lot 132 

Kentish & Haynes of 

London, a George III 

ebonised eight day 

bracket clock in arched 

case with silvered dial, 

with strike / silent and 

subsidiary date dial, 

twin fusee movement 

with verge escapement, 

engraved backplate and 

bob pendulum, 28.5cm 

wide, 19.5cm deep, 

40cm high 

£800 - 1,200 

Lot 133 

A late Victorian Georgian style ebonised eight 

day chiming bracket clock with eight bells / 

Westminster selector dial and slow / fast adjustment 

at 12 o’clock, movement with winged hourglass 

makers stamp, numbered 1464, striking on a gong 

and chiming on eight bells, 34cm wide, 24cm deep, 

51cm high 

£600 - 800 

Lot 134 

Bothamley of Boston, a Regency brass 

inset mahogany hour repeating bracket 

clock in plain architectural ebony strung case, 

with painted Roman dial and brass ball feet, 

unsigned twin fusee eight day movement 

striking on a bell, 30cm wide, 17cm deep, 

47cm high 

£500 - 700 

Lot 135 

An Edwardian golden oak eight day bracket 

clock with strike / silent and slow / fast selector 

dials, unsigned twin fusee movement striking on a 

single gong, 28cm wide, 19cm deep, 36cm high 

£400 - 600 

60

Lot 136 

A 19th century French ormolu and 

Sevres style porcelain clock garniture, 

with Japy Freres eight day movement 

striking on a bell, accompanied by a pair 

of near matching three light candelabra 

clock 19cm wide, 15cm deep, 37cm high 

candelabra 19cm wide, 30.5cm high 

£500 - 800 

Lot 137 

Brocot & Delettrez of Paris, a 19th century 

French ormolu mantel clock modelled as a 

classical beauty reclining against a globe and 

holding a scroll with astronomical motifs, eight day 

movement stamped for the maker and numbered 

8664, on original giltwood plinth, 50cm wide, 34cm 

high 

£400 - 600 

Lot 138 

An Edwardian marquetry 

inlaid mahogany eight day 

chiming bracket clock with 

chime / silent, slow / fast, eight 

bells / Westminster subsidiary 

selector dials, movement 

chiming on eight bells and 

striking on five gongs, 

unsigned but numbered 1471, 

32cm wide, 27cm deep, 55cm 

high 

£400 - 600 

Lot 139 

Johann Baptist Beha (1815-1898), a mid 19th 

century Black Forest ebonised and boulle work 

cuckoo clock with cuckoo door to the hood and 

eight day movement with two bellows to the top and 

gong on the back door, 32cm wide, 20cm deep, 

47cm high 

£400 - 600 

61

Lot 140 

Dold of Brighton, a Regency mahogany 

wall timepiece with painted Roman dial, 

brass bezel and small drop to case, single 

fusee movement with tapered backplate and 

fixed pendulum, signed to the dial, 26cm wide, 

27cm high 

Lot 141 

£300 - 500 

James Robinson of Well Close Square, 

a George III black japanned eight day 

longcase clock, the 30cm arched brass 

dial with ship automaton, figural seasons 

spandrels, subsidiary seconds and date 

aperture, the case with chinoiserie decoration 

to the front and plain sides, five pillar 

movement with anchor escapement, 49cm 

wide, 24cm deep, 223cm high 

Lot 142 

£500 - 800 

Gulielmus Warren of London, a George III 

walnut cased eight day longcase clock, the 

30cm arched brass dial with numerals over 

the moonphase, subsidiary seconds and date 

aperture, unsigned movement with anchor 

escapement, 55cm wide, 236cm high 

£1,500 - 2,000 

62

Lot 143 

An antique Caucasian geometric rug, with divided 

field of S motifs 255 x 210cm 

£700 - 1,000 

Lot 144 

An early 20th century Kirman blue ground 

carpet, with central medallion and field of foliate 

motifs, multi bordered 425 x 325cm 

£2,000 - 3,000 

Lot 145 

A Turkoman Tekke carpet, 19th century, with field 

of octagons on a brick red ground 360 x 230cm 

£800 - 1,200 

Lot 146 

A Kashan carpet with central medallion on a foliate 

red ground, multi bordered, 430 x 315cm 

£400 - 600 

63

Lot 147 

A Persian oversize Sultanabad Mahal carpet, 

with dense field of foliate motifs on a brown 

ground, multi bordered, 596 x 343cm 

£2,000 - 3,000 

Lot 148 

An antique Bidjar carpet with central 

medallion on a russet ground, multi 

bordered, 365 x 185cm 

£400 - 600 

Lot 149 

A Tabriz brick red ground gallery carpet with 

field of foliate motifs on a russet ground, multi 

bordered, 575 x 300cm 

£1,800 - 2,200 

Lot 150 

An antique Bidjar Wagireh rug with 

central stylised field depicting waterbirds 

and trees around a lake, within stylised 

floral borders, 163 x 150cm 

£500 - 800 

64

Lot 151 

An Heriz red ground 

medallion rug with triple 

medallions on a brick red 

ground, multi bordered, 

280 x 137cm 

£1,000 - 1,500 

Lot 152 

An Azeriabiajan 

Kurdish Genge 

antique runner, with 

diagonal stripes of 

geometric motifs, 296 

x 104cm 

£700 - 1,000 

Lot 154 

A pair of 20th century Chinese carved 

marble garden statues modelled as Dogs 

of Fo, each with weathered finish, 22cm 


£800 - 1,200 

Lot 153 

A pair of 20th century 

Chinese bronze garden 

models of cranes, 

140cm and 157cm high 

£400 - 600 

65

Lot 155 

An 18th century Dutch walnut 

bowfront chest, with moulded top and 

four graduated long drawers, on shaped 

bracket feet, 89cm wide, 57cm deep, 

84cm high 

£500 - 800 

Lot 156 

A George I figured walnut bureau, the fall 

enclosing an arrangement of pigeon-holes and 

short drawers over a well, above two short and 

two graduated long drawers, on bracket feet, 


£700 - 1,000 

Lot 157 

A set of three 18th century Continental carved 

wood figures of Saints, holding a cross, a bible 

and a sword, largest 17cm wide, 58cm high 

£1,000 - 1,500 

Lot 158 

A 19th century 

carved pine figure 

of St. Jerome 

reading from the 

bible with a lion at 

his feet, 32cm wide, 

79cm high 

£1,500 - 2,000 

66

Lot 159 

A 17th century French carved walnut triptych panel, formed 

from several associated sections, with central armorial flanked 

by figures of Adam & Eve, bordered by panels of saints, 121cm 


Lot 160 

£600 - 800 

A William and Mary cushion framed 

lacquer pier mirror, the shaped crest 

decorated with a chinoiserie river 

landscape scene, the arched cushion 

moulded surround with phoenixes flowers 

and figures, period two part bevelled mirror 

plate, 51cm wide, 151cm high 

£3,000 - 5,000 

Lot 161 

An Anglo-Chinese padouk wood bureau, 

the fall enclosing pigeon-holes and short 

drawers over a frieze drawer, two short and 

two long drawers, on bracket feet, 83cm 


£2,000 - 3,000 

67

Lot 162 

A George II red 

walnut side chair, with 

upholstered back and 

seat, with ornately carved 

scrolling apron and front 

cabriole legs with scroll 

feet, 64cm wide 73cm 

deep, 99cm high 

£300 - 500 

Lot 164 

Lot 163 

A George II style mahogany wing 

armchair, upholstered in beige dralon, 

on acanthus kneed cabriole legs with 

claw and ball feet, 93cm wide, 86cm 


A George III brass bound mahogany 

cellaret of octagonal form, with brass loop 

handles, divided lead lined interior and 

squared tapered legs, fitted brass castors 

66cm wide, 49cm deep, overall 69cm high 

£500 - 700 

£2,000 - 3,000 

Lot 165 

A mid 18th century Louis XV style giltwood 

settee with upholstered shaped back and scroll 

arms, on scroll carved underframe with cabriole 

legs and scroll feet, 156cm wide, 82cm deep, 

86cm high 

£400 - 600 

68

Lot 166 

A pair of Regency brass 

inset rosewood and 

ebonised card tables with 

D shaped tops, the friezes 

applied with twin lion and 

arrow motifs, on spiral 

fluted baluster stems and 

downswept legs with brass 

dolphin caps and castors, 

91cm wide, 45cm deep, 

75cm high 

£3,500 - 4,500 

Lot 167 

A Regency rosewood folio or architect’s desk, 

the rectangular top with rising and ratchetting 

twin flaps, allowing adjustment of angles in two 

directions, over two glazed brass grilled doors 

enclosing adjustable shelves, on plinth foot, 108cm 


£1,000 - 1,500 

Lot 168 

A late 19th century French 

ormolu mounted marquetry card 

table with serpentine folding top 

opening to reveal a circular pale 

green skiver, on tapered cabriole 

legs, 89cm wide, 44cm deep, 

78cm high 

£500 - 700 

Lot 169 

A 19th century Chinese hongmu altar table with rectangular inset top 

and vineous carved underframe, on squared tapered legs with stylised 

paw feet, 176cm wide, 50cm deep, 83cm high 

£600 - 800 

69

Lot 170 

A Victorian figured 

walnut secretaire 

Wellington chest 

with five long and 

two dummy drawers 

enclosing pigeonholes 

and drawers, 

flanked to the left by a 

locking side bar, 59cm 

wide, 41cm deep, 

121cm high 

£600 - 800 

Lot 171 

A Victorian marquetry inlaid burr walnut 

side cabinet of bowfront form, with ormolu 

mounts and two panelled doors inlaid with 

shield shaped cartouches of musical trophies, 

flanked by columns, on plinth foot, 112cm 


£1,200 - 1,600 

Lot 172 

A large Victorian style sofa in the 

manner of Howard & Sons, with 

faded velvet upholstery, on turned 

golden oak legs, fitted brass castors 

stamped Howard & Sons, 240cm 


£800 - 1,200 

Lot 173 

A set of four 19th century 

Italian giltwood wall mirrors 

of cartouche shape with 

pierced scrollwork tops and 

metal receivers for candle 

branches to the base, 48cm 


£1,200 - 1,800 

70

Lot 174 

A Continental marquetry inlaid 

serpentine bombé commode, fitted three 

long drawers, on scroll legs, 130cm wide, 

54cm deep, 94cm high 

£600 - 800 

Lot 175 

A Victorian marquetry inlaid figured walnut 

credenza of breakfront form with two panelled doors 

divided by corinthian columns and flanked by bowed 

glazed doors, on turned feet, 194cm wide, 49cm 


£1,000 - 1,500 

Lot 176 

A Louis XVI style kingwood semanier with 

rouge marble top and seven long drawers, on 

cabriole legs, 103cm wide, 44cm deep, 162cm 

high 

£400 - 600 

71

Lot 177 

In the manner of Edwards and Roberts, an 

Edwardian marquetry inlaid mahogany tray 

top etagere, of oval form, with glass tray top over 

a marquetry scrollwork panel, mid tier and brass 

galleried understage, 82cm wide, 47cm deep, 87cm 

high 

£600 - 800 

Lot 178 

A circular Blue John top table, second half 

20th century, the radially veneered top inset to 

a table base, Blue John panel diameter 39.5cm, 

housed in a table base 50cm diameter, 50cm high 

£1,000 - 1,500 

Lot 179 

In the manner of Archibald Knox, a Scottish Arts 

& Crafts planished copper overmantel, with shelf 

pediment over three Scottish rose motifs and arched 

plate flanked by blue Ruskin stone style floral 

capped stylised sunflowers, 92cm wide, 65cm high 

£1,200 - 1,800 

Lot 180 

A pair of Venini for Murano glass drop 

chandeliers, each with seven tiers of concentric 

spiral fluting spear shaped drops, suspended from 

a gilt metal frame, 150cm high, 50cm diameter 

£700 - 1,000 

72

PAINTINGS & PRINTS 

181-334 

at 12.30pm 

206 

73

181 

182 

183 

183 

74

184 

Lot 181 

After Thomas Beach (English, 1738-1806) 

Three quarter length portrait of Lewis Dymoke 

Grosvenor Tregonwell (1758-1832), the Founder 

of Bournemouth, wearing the uniform of a 

Captain in the Dorset Yeomanry 

oil on canvas, 46 x 37cm 

Lot 182 

£400 - 600 

Late 18th century English School 

Half length portrait of a young lady, seated with 

her arm resting upon a table 

oil on canvas 

74 x 64cm 

£500 - 800 

Lot 183 

Attributed to Allan Ramsay (Scottish, 1713-1784) 

Portraits of Samuel Waring and his spouse 

oils on canvas, a pair 

61 x 51cm 

Lot 184 

£1,000 - 1,500 

English School c.1770 

Portraits of members of the Burgoyne family 

oils on canvas (3) 

each with various inscriptions and annotations 

verso, ovals, unsigned 

largest 31 x 25cm 

£400 - 600 

Lot 185 

Thomas Williams of Barbados (19th C.) 

Portrait of a British army officer wearing a red 

uniform jacket and medals 

oil on canvas 

inscribed verso and dated Barbados Octr 1840 

27.5 x 22cm 

185 

£500 - 800 

75

186 

188 

Lot 186 

After Leonardo Guzzardi (Italian, active 1798- 

1800) 

Full length portrait of Rear Admiral Horatio 

Nelson (1758-1805), standing gesturing to the 

Battle of the Nile beyond 

oil on canvas 

signed and dated 1799, 59 x 41cm 

£500 - 800 

Provenance: These rooms, 6th June, 1989, lot 2507 

Lot 187 

Attributed to John Wollaston (British, 1738-1775) 

Portrait of a gentleman 


£800 - 1,200 

187 

Lot 188 

Circle of Willem Wissing (Dutch, 1656-1687) 

Half length portrait of a lady wearing a pearl 

necklace, red drapery beside her and a 

landscape beyond 


£1,000 - 1,500 

76

Lot 189 

Attributed to Pieter Nason (Dutch, 1612-1688) 

Portrait of a noble woman wearing a pearl set crown and elaborate embroidered dress 

oil on canvas 

80 x 63cm 

189 

£6,000 - 8,000 

77

190 

Lot 190 

Attributed to Valentin Lefèvre (Flemish 1637- 

1677) after Jacopo Robusti called Tintoretto 

(Italian, 1518-1594) 

Piscina Probatica (or The Probatic Pool) 

oil on canvas 

the original painted for the Church of San Rocco, 

Venice, 1559, 

32 x 43cm, sold with a copy of the engraving by 

Lefevre 

£1,500 - 2,000 

Lefèvre made study-copies after the works of 

sixteenth-century Venetian painters, and especially 

those of Paulo Veronese and Tintoretto. Lefèvre also 

executed another version of the Piscina probatica by 

Tintoretto, although this reveals numerous variant 

details (Musée des Beaux-Arts, Poitiers, inv. no. 

948.52.1). 

Lot 191 

Francesco Gilbert after Antonio Correggio (1489- 

1534) 

‘The Mystic Marriage of St Catherine of 

Alexandria’ 

oil on canvas 

27 x 23cm 

Lot 192 

After David Teniers the Younger (1610-1690) 

‘The Gipsy Madonna’ 

oil on canvas 

42 x 38cm 

Lot 193 

£300 - 500 

£400 - 600 

F. Heufell 

Portrait of a gentleman architect or sculptor, 

half length holding a figure of Cupid and a set of 

dividers, a statue of Plenty showing beyond 

oil on canvas 


£500 - 700 

78

191 

192 

194 

193 

Lot 194 

After Jacob van Ruisdael (Dutch, 1629-1682) 

‘Une tempete sur le bord des Digues de la 

Hollande’ 

oil on canvas 

99 x 139cm 

£2,000 - 3,000 

The original painting hangs in the Louvre. During 

his visit in September, 1802, M.J. Turner made a 

drawing of the painting into his sketchbook, which is 

now in the British Museum. 

79

195 

196 

197 

198 

80

199 

Lot 195 

Manner of Philip Wouwerman 

(Haarlem, 1619-1668) 

A hawking party setting out 

oil on wooden panel 

27 x 20cm 

Lot 196 

£1,000 - 1,500 

Manner of Philip Wouwerman 

(Haarlem, 1619-1668) 

A military encampment with 

soldiers buying beer from a 

maid 

oil on wooden panel 

30 x 25.5cm 

£1,500 - 2,000 200 

Lot 197 

18th century French / Dutch School 

Judith with the head of Holofernes 

oil on panel 

23.5 x 17.5cm 

Lot 198 

£400 - 600 

19th century Continental School 

17th century style still life of flowers in a vase 

upon a ledge 

oil on canvas laid on board 

87 x 74cm 

£400 - 600 

Lot 199 

Flemish School 

Extensive pastoral landscape with figures on 

their way to market 

oil on canvas 

63 x 147cm 

Lot 200 

£600 - 800 

Manner of Thomas Stringer (English, 1722-1790) 

A gentleman, groom and chestnut horse in a 

landscape 

oil on canvas 

49 x 60cm 

£400 - 600 

81

201 

Lot 201 

Arthur William Devis (British, 1762-1822) 

’The Weavers’ 

oil on canvas 

44 x 59.5cm 

£5,000 - 8,000 

Painted in Bengal in 1792, as part of 26 studies 

illustrating the ‘’Arts, manufactures and agriculture of 

Bengal’’. 

The artist, who was both the son and pupil of the 

renowned portrait painter Arthur Devis (c.1711- 

1787), accompanied an expedition to the East 

Indies in 1784 as a draughtsman. He gained 

notable recognition for his work in India from 1785 

to 1795, primarily for his portraits, also producing a 

notable series of thirty artworks depicting the ‘arts, 

manufactures, and agriculture of Bengal’. 

Six of Devis’s Indian genre pictures are now in 

British public collections; they are:- ‘’A Blacksmith’s 

Shop beside Village Dwellings in Bengali’, oil on 

panel, 44.5 60cm, Victoria and Albert Museum; 

‘’Assayer at Work in the Mint, Calcutta’’, oil on 

panel, 47 x 38cm, The Ashmolean Museum; ‘’Carpet 

Weaver, Patna’’, oil on canvas, 44 x 60cm, British 

Library, ‘’Potter Engaged in Throwing a Pot on a 

Wheel’’, oil on canvas, 43.5 x 59cm, British Library; 

‘’Scene in a Brazier’s Shop in Bengal’’, oil on teak 

panel, 45 x 61cm, Victoria and Albert Museum; and 

‘’Stamping Coinage in the Mint Calcutta’’, oil on 

canvas, 44.5 x 60cm. 

Provenance: Purchased by the current owners 

at Sotheby’s, 21st March, 1979, (catalogue front 

cover). 

Lot 202 

Thomas Rowlandson (British, 1756-1827) 

A cripple and child 

ink and watercolour on paper, 28 x 21cm 

£600 - 800 

82

Lot 204 

William Henry Hunt (British, 1790-1864) 

‘The King’s Mews, now Trafalgar Square’ 

watercolour on paper 

20.5 x 37.5cm 

204 

£400 - 600 

Provenance: Bonhams, 21st January, 1999, the In 

and Out sale at The Naval & Military Club. 

Lot 203 

John Kay (British, 1742-1826) 

A collection of 61 characters 

etchings 

largest 26 x 20cm 

See online for a full list of the plates. 

202 

£400 - 600 

203 

83

205 

Lot 205 

Attributed to John Frederick 

Herring Sr. (British, 1795-1865) 

Shooting snipe and pheasant 

oils on canvas, a pair, 31 x 40cm 

£1,200 - 1,800 

Lot 206 

John Frederick Herring Sr. 

(British, 1795-1865) 

A Farmyard in Winter 

oil on canvas 

signed and dated 1857 

65 x 110cm 

£8,000 - 12,000 

Lot 207 

John Frederick Herring Sr. 

(British, 1795-1865) 

Carriage horses and groom 

oil on canvas 

signed and dated 1833, 36 x 

48cm 

£3,000 - 5,000 

84

206 

207 

85

208 

Lot 208 

Samuel Palmer (English, 1805- 

1881) 

A landscape at sunset; a cloud 

study; a landscape 

pencil and watercolour 

inscribed in pencil 

9.5 x 19cm 

£1,500 - 2,000 

209 

Lot 209 

Paul Sandby RA (English, 1725- 

1809) 

A sportsman with his dogs 

talking with two country girls in a 

landscape 

watercolour 

Sabin Galleries Ltd label verso 

52 x 68cm 

£400 - 600 

Lot 210 

George Bryant Campion (1796- 

1870) 

‘Eton College chapel from the 

river’ 

watercolour 

Walker’s Galleries label verso 

26 x 42cm 

£300 - 500 

210 

86

Lot 211 

Attributed to Giovanni Schranz 

(Maltese, 1794-1882) 

A Private First Rate Man O’ War 

entering Valetta harbour 

oil on canvas 

36 x 57cm 

£300 - 500 

Provenance: Sotheby’s Marine sale, 

3rd June, 1986, lot 117. 

Lot 212 

William Henry Stopford (Irish, 1842- 

1890) 

“The guardship, probably H.M.S. 

Revenge, in the River Lee, Cork’’ 

watercolour 

signed 

54 x 81cm 

£350 - 550 

211 

Provenance: Sotheby’s, Marine sale, 

3rd June, 1986, lot 1. 

Lot 213 

William Edward Atkins (British, 

1842-1910) 

The Royal yacht Victoria & Albert 

(II), with Queen Victoria aboard, 

departing from Portsmouth 

Harbour 

watercolour 

signed 

35 x 52cm 

£400 - 600 

212 

213 

87

214 

Lot 214 

Lieutenant Leopold G. Heath for 

the Hydrographic Office 

Hong Kong as seen from the 

anchorage of HMS Iris, 1846 

set of three steel engravings 

three panoramic views with 

locations identified, numbered 

1696a, b and c, Hydrographic Office 

of the Admiralty, 1847 [but later] 

visible sheet 22 x 79cm 

£400 - 600 

215 

The earliest Admiralty survey of 

Hong Kong harbour was carried 

out in 1841. This set of three 

panoramas was commissioned as a 

companion to the survey, drawn by 

Lieutenant (later Admiral) Leopold 

Heath in 1846 and published in 

1847. Taken from a vantage point 

aboard HMS Iris anchored centrally 

in the harbour they combine to 

form an overlapping 360-degree 

panorama of the harbour, one of the 

very earliest (and among the most 

important) delineations of the town 

and harbour. 

Lot 215 

Follower of George Chinnery 

(English, 1774-1852) 

Scene on the Horan Canal near 

Canton, c.1850 

oil on metal panel 

50 x 75cm 

£2,000 - 3,000 

Lot 216 

Henriette Hermione Gudin 

(French, 1825-1876) 

Fire on the coast 

oil on canvas 

signed 

36 x 48cm 

£400 - 600 

216 

88

Lot 217 

After George Chambers 

(British, 1803-1840) 

‘The Capture of Bagur’ 

oil on canvas 

bears J.W. Carmichael signature 

60 x 83cm 

£400 - 600 

Provenance: Sotheby’s Marine 

sale, 3rd July, 1986, lot 136. 

Lot 218 

Hubert Thornley (William 

Anslow Thornley) (fl.1859- 

1898) 

Shipping at anchor, Mont St. 

Michel in the distance 

oil on canvas 

signed 

40 x 60cm 

£400 - 600 

217 

Lot 219 

Hubert Thornley (William 

Anslow Thornley) (fl.1859- 

1898) 

Hay barges and other 

shipping off the coast 

oil on canvas 

signed 

40 x 60cm 

£400 - 600 

218 

219 

89

220 

Lot 220 

Hubert Thornley (William Anslow 

Thornley) (fl.1859-1898) 

Fisherfolk along the coast at Whitby by 

day and night 

oils on canvas, a pair 

signed 

35 x 30cm 

£700 - 1,000 

221 

Lot 221 

Hubert Thornley (William Anslow 

Thornley) (fl.1859-1898) 

Beached ship on the shore near 

Whitby 

oil on canvas 

signed 

30 x 40cm 

£400 - 600 

Lot 222 

William Howard (British, 1800-1850) 

Twickenham viewed from the river 

oil on canvas 

signed 

75 x 125cm 

£800 - 1,200 

222 

90

Lot 223 

* Sir Edward Coley Burne-Jones, 

Bt; A.R.A; R.W.S. (British, 1883- 

1898) 

Head of a girl, possibly Maria 

Zambaco 

pencil on paper 

13.5 x 10.5cm 

£6,000 - 9,000 

Provenance: Sotheby’s 15th July, 

2008 

223 

Lot 224 

* John Robert Wildman (fl.1823- 

1839) 

Family portraits of young girls 

pencil and sanguine chalk on paper 

(6) 

each signed 

each 46 x 39cm 

£800 - 1,200 

224 

91

Lot 225 

* Lord Frederic Leighton PRA 

(British, 1830-1896) 

Study for Lachrymae 

charcoal and chalk on grey 

paper 

26.5 x 23cm 

£10,000 - 15,000 

Provenance: Exhibited Royal 

Academy, Winter exhibition, 

1897; Christie’s 29th June, 

1925, lot 42; Sotheby’s 14th 

July, 2016 

225 

Lot 226 

Frederick Cowie (British, 

fl.1845-1870) 

‘The Conquering Hero’ 

oil on canvas 

78 x 129cm 

£500 - 700 

226 

92

227 

Lot 227 

Johannes Engel Masurel (Dutch, 

1826-1915) 

Still lifes of a Copper kettle and 

vegetables and Dead game in a pantry 

oils on wooden panel, a pair 

signed 

22 x 24.5cm 

£400 - 600 

Lot 228 

Jan Evert Morel II (Dutch, 1835-1905) 

Figures in an open landscape 

oil on oak panel 

signed 

22 x 32cm 

£400 - 600 

228 

Lot 229 

Heinrich Steinike (German, 1825-1909) 

Extensive mountain lake landscape 

oil on canvas 

signed 

87 x 124cm 

£700 - 900 

229 

93

Lot 230 

Edith Hume (English, 1843- 

1906) 

‘The Canary’s Funeral’ 

oil on canvas 

signed 

45 x 76cm 

£400 - 600 

230 

Lot 231 

Arthur James Stark 

(English, 1831-1902) 

Farm scene with figures 

and oxen 

oil on canvas 


59 x 90cm 

£400 - 600 

Lot 232 

Luigi Napoleone Grady 

(Italian, 1860-1949) 

Beauty wearing a 

diaphanous gown 

oil on canvas 

signed and inscribed Milano 

78 x 56cm 

£400 - 600 

231 

Lot 233 

Georges Croegaert 

(Belgian, 1848-1923) 

A Beauty, Paris 1883 

oil on panel 


23 x 17cm 

£600 - 800 

232 

233 

94

Lot 234 

Sydney Percy Kendrick (English, 1874-1955) 

‘Gathering Daffodils’ 

oil on canvas 

signed 

55 x 40cm 

234 

£500 - 700 

235 

Lot 235 

Sydney Percy Kendrick (1874-1955) 

‘Gathering Harebells’ 

oil on canvas 

signed 

60 x 45cm 

£500 - 700 

Lot 236 

Sophie Gengembre Anderson (English, 1823- 

1903) 

A Classical Beauty 

oil on canvas 

signed 

35 x 29.5cm 

£1,000 - 2,000 

236 

95

Lot 237 

Pierre Carrier-Belleuse (French, 1851-1932) 

Portrait of a young ballerina seated upon a 

couch, holding a letter 

pastel 


99 x 71cm 

£4,000 - 6,000 

96

Lot 238 

Charles Joshua Chaplin 

(French, 1825-1891) 

Portrait of a young beauty 

holding a bouquet of flowers 

oil on canvas 

signed 

45 x 37cm 

Lot 239 

£400 - 600 

Jules-Charles Aviat (French, 

1844-1931) 

‘Henriette’ 

pastel on paper 


53 x 44cm 

Lot 240 

£400 - 600 

Late 19th Century French 

School 

Seated female nude holding a 

seashell 

oil on canvas 

78 x 98cm 

£800 - 1,200 

238 

239 

240 

97

241 

241 

242 

244 

243 

98

Lot 241 

Henry Stacy Marks R.A., (British, 

1829-1898) 

Kookaburra & Scarlet Crested 

Cockatoo 

watercolour and gouache (2) 

monogrammed 

14 x 9cm & 17 x 9cm 

Lot 242 

£400 - 600 


1829-1898) 

Two cockatoos 

watercolour 

monogrammed, label verso,24 x 15cm 

Lot 243 

£400 - 600 


1829-1898) 

Blue and Yellow Macaw and Hyacinth 

Macaw 

watercolour (2) 

monogrammed, each 17.5 x 7cm 

£400 - 600 

Lot 244 

Neville William Cayley (Australian, 

1886-1950) 

Study of a Cookaburra on a branch 

watercolour 

signed, 56 x 39.5cm 

£400 - 600 

245 

Lot 245 

Eugene Remy Maes (Belgian, 1849- 

1931) 

Chickens sheltering from the snow in 

winter 

oil on panel 

signed, 35 x 25.5cm 

£600 - 900 

Lot 246 

Sidney Eastlake (British, late 19th 

century) 

‘The Conway’ 

oil on canvas 

signed, 50 x 76cm 

£300 - 500 

246 

99

Lot 247 

* Simeon Soloman (British, 1840-1905) 

Head of a woman 

sanguine chalk 

monogrammed and dated 1890 

35 x 28.5cm 

£6,000 - 9,000 

Provenance: Sotheby’s 15th July, 2008, lot 9 

100

248 

Lot 248 

Thomas Bryant Brown 

(Exh.1906-1909) 

Venice at twilight 

oil on canvas 


61 x 92cm 

£5,000 - 7,000 

Lot 249 

Morten Müller (Norwegian, 

1828-1911) 

Woodmen in a forest clearing 

oil on canvas 

signed 

40 x 62cm 

£300 - 500 

249 

101

251 

251 

250 

Lot 250 

James Jacques Tissot (French, 1836-1902) 

‘Mavourneen’, [Wentworth 31] 

drypoint etching on laid paper, 1877 

signed in the plate with artist’s stamp, label verso for 

the Arthur Jeffress Gallery of Davies Street, London, 

catalogue number 27 

19 x 10.75cm 

£2,000 - 3,000 

Lot 251 

Alfred Fontville de Breanski Jr. (1877-1957) 

Temple Lock on the Thames and Abingdon on 

Thames 

oil on canvas, a pair 

signed 

30.5 x 40.5cm 

£700 - 1,000 

252 

102

Lot 252 

Gabriel Loppé (French, 

1825-1913) 

Mont Blanc from Chamonix 

oil on panel 

signed, inscribed verso 

26 x 19.5cm, unframed 

Lot 253 

£800 - 1,200 

William Logsdail (English, 

1859-1944) 

‘Il Buon Padre’ 

oil on canvas 

signed 

62 x 51cm 

Lot 254 

£3,000 - 5,000 

Williams Logsdail (English, 

1859-1944) 

‘San Michiele, Venice’ 

oil on mill board 


24 x 35cm 

£1,500 - 2,000 

253 

254 

103

Lot 255 

Edward Radford (English, 1831-1920) 

‘Fortunes’ 

oil on canvas 

signed 

29 x 34cm 

£4,000 - 6,000 

Lot 257 

George Gregory (British, 19th C.) 

Highland cattle in a landscape 

oil on canvas 

signed 

20 x 29cm 

£400 - 600 

Lot 256 

Arthur Wardle (British, 1864-1947) 

‘Cheek’ 

oil on canvas 

signed 

40 x 50cm 

£600 - 900 

Lot 258 

Lionel Edwards (English, 1878-1966) 

‘Snowballing the stagecoach’ 

watercolour 

signed in pencil 

49 x 38cm 

£500 - 800 

104

256 

257 

258 

105

259 

260 

106

262 

Lot 259 

§ Montague Dawson (English, 1895-1973) 

‘Rough Weather’ 

gouache on card 

signed, 43.5 x 63cm 

Lot 260 

Charles Napier Hemy (British, 1841-1917) 

‘St Anthony Point, Falmouth’ 

oil on board 


261 

£2,000 - 2,500 

£1,000 - 1,500 

Lot 261 

Thomas Rose Miles (British, 1844-1916) 

‘Return of the Shanklin life boat, Isle of Wight’ 

oil on canvas 


Lot 262 

£1,000 - 1,500 

J.W. Beaufort (fl. circa 1920-30) 

Portrait of three Scottish children in a drawing 

room, all wearing Cameron tartan kilts 

oil on canvas 


87 x 125cm 

£300 - 500 

Lot 263 

Attributed to J.W. Beaufort (fl. circa 1920-30) 

Full length portrait of a boy standing beside a 

collie 

oil on canvas 

121 x 91cm 

263 

£300 - 500 

107

264 

Lot 264 

Archibald Thorburn (British, (1860- 

1935) 

Mallard in winter 

gouache and watercolour 

signed 

24 x 34cm 

£2,000 - 3,000 

Lot 265 

T. Rozenchild-Paulin (c.1930) 

‘Oberon’ 

oil on canvas 


99 x 80cm 

£300 - 500 

265 

108

Lot 266 

§ Gwendolen Beatrice White 

(British, 1904-1981) 

The Seven Ages of Man Casket 

whitewood with stained and gilt 

gesso decoration 

32.5 x 11 x 7.5cm 

Lot 267 

£700 - 1,000 

§ Gwendolen Beatrice White 

(British, 1904-1981) 

The Greensleeves Triptych 





6ESP61NC 

£800 - 1,200 

This piece was chosen for a 

National Gold Medal award at The 

School of Art, The Polytechnic, 

(309 Regent Street, London - now 

the University of Westminster) in 

1914. 

Gwen White’s work was featured 

in The Studio circa 1916. 

Lot 268 

Gwendolen Beatrice White 

(British, 1904-1981) & Others 

Paintings on woodwork 



Bookmarks, small pots, matchbox 

holders, a mirror, etc. (12) 

£200 - 300 

266 

267 

268 

109

Lot 269 

§ Alfred Egerton Cooper RBA (British, 

1883-1974) 

Epsom Derby Day 

oil on board 

initialled 

40 x 50cm 

Lot 270 

£3,000 - 4,000 

Garnet Ruskin Wolseley (English, 

1884-1967) 

Portrait of a lady wearing a lace cap 

oil on canvas 

signed 

59 x 48cm 

£500 - 800 

110

Lot 271 

*§ Sir William Russell Flint. R.S.W; P.R.W.S; R.A 

(1880-1969) 

‘The Bay of Winds, Gruinard, Ross-shire’ 

watercolour 

signed 

50 x 67cm 

£15,000 - 20,000 

Provenance: Christie’s, London, 26th October, 2000, 

lot 144 

Note: Flint commented on his watercolours of 

sands and figures - on sands, ‘’In my opinion, 

technically the most difficult of all forms of watercolour 

painting and the purest. I might be asked 

why and the answer would be that these subjects 

are essentially the most delicate, direct and subtle 

of all. Any heaviness, any fumbling, any muddiness 

of colour would ruin them. I claim that there is far 

more in them than meets even the most professional 

eyes, and I unashamedly confess to amusement at 

imitators’ efforts’’ 

(See W. Russell Flint, More than Shadows, London, 

1943, p.34 

111

272 

273 

Lot 272 

§ Eliot Hodgkin (English, 1905- 

1987) 

Study of six feathers 

tempera on card 

signed and dated 15.11.71 and 

inscribed verso 

10.75 x 15.25cm 

Lot 273 

£2,000 - 3,000 

Stuart Park (Scottish, 1862-1933) 

Red and white roses upon a ledge 

oil on canvas 

signed 

oval, 50 x 75cm, in ornate giltwood 

frame 

£500 - 800 

112

274 

Lot 274 

* Philip Wilson Steer (British, 1860-1942) 

‘The Red Bridge, Ironbridge’ 

oil on canvas 


76 x 107cm 

Lot 275 

* Birger Simonsson (Swedish, 1883-1938) 

Landscape 

oil on board 

initialled 

45 x 55cm 

£6,000 - 9,000 

£300 - 500 275 

113

276 

277 

278 

114

Lot 276 

279 

§ James Cresser Tarr (British, 1905-1970) 

‘Monday’ 

tempera on board 

artist label verso, 55 x 74cm 

£1,500 - 2,000 

280 

281 

Lot 277 

Irene Klestova (Russian, 1908-1989) 

‘Roses and dew’ 

oil on board 

signed, Stacy Marks label verso, 23 x 18cm 

Lot 278 

Irene Klestova (Russian, 1908-1989) 

‘Roses in a blue Sevres vase’ 

oil on board 

signed, Stacy Marks label verso, 23 x 18cm 

Lot 279 

£500 - 800 

£500 - 800 

* Alexander Archipenko (Ukrainian, 1887-1964) 

Reclining female nude 

pencil on paper 


Lot 280 

Countess Ginette de Malet Roquefort (1903- 

1967) 

Still life of flowers in a vase 

oil on canvas board 

signed and dated ‘67 

60 x 50cm 

£300 - 500 

£300 - 500 

Lot 281 

Countess Ginette de Malet Roquefort (French, 

1903-1967) 

‘The Byzantine Madonna’ 

oil on card 

initialled 

26.5 x 20.5cm 

Lot 282 

£300 - 500 

Countess Ginette de Malet Roquefort (French, 

1903-1967) 

‘Le Poins’ 

oil on card 

20.5 x 27cm 

282 

£300 - 500 

115

283 

285 

Lot 283 

William Lee Hankey (British, 1869-1952) 

‘Winterton, Norfolk’ 

oil on canvas 


£600 - 800 

284 

Lot 284 

§ Frank O. Salisbury (English, 1874- 

1962) 

Study of Reynolds angels 

oil on canvas 

28.5 x 44cm 

£400 - 600 

Lot 285 

§ Frank O. Salisbury (English, 1874- 

1962) 

Portrait of a bride 

oil on canvas 


£800 - 1,200 

286 

Lot 286 

Sauveur Terracciano (Algerian, 1908- 

1991) 

‘Port d’Amsterdam’ 

oil on canvas 

signed, Salon des Independence 1973 

Exhibition label verso, 54 x 65cm 

£400 - 600 

116

287 

288 

289 

Lot 287 

Josselin Reginald Courtenay 

Bodley (British 1893-1974) 

Watermill in France 

oil on canvas 

signed 

60 x 48cm 

Lot 288 

£500 - 800 



‘La Sapramons’ 

oil on canvas 

signed, exhibition label 

54 x 44cm 

£400 - 600 

290 

Lot 289 



Riverside houses 

oil on canvas 

signed and dated 1935, remnant 

of exhibition label verso 

53 x 37cm 

Lot 290 

£400 - 600 



‘Mouguere ...’ 

oil on canvas 

signed with exhibition label verso 

45 x 37cm 

£300 - 500 

Lot 291 



‘Charente 1949’ 

oil on canvas 

signed and dated 

90 x 120cm 

291 

£600 - 800 

117

Lot 292 

§ Cecil Rochfort D’Oyly-John 

(British, 1906-1993) 

‘Corner of Santa Margarita’ 

oil on canvas 

signed 

45 x 65cm 

£1,000 - 1,500 

292 

Lot 293 


(British, 1906-1993) 

‘Cassis, near St Tropez, French 

Riviera’ 

oil on canvas 

signed 

34 x 70cm 

£1,500 - 2,000 

293 

Lot 294 


(English, 1906-1993) 

‘St Tropez, 7pm, S of France’ 

oil on canvas 

signed and titled verso 

44 x 64cm 

£1,200 - 1,800 

294 

118

Lot 295 


(English, 1906-1993) 

Fishing boats along the 

Mediterranean coast 

oil on board 

signed 

33 x 69cm 

£600 - 800 

295 

Lot 296 

§ Jean Fous (French, 1901-1971) 

Parisian street scene with artists at 

work and the domes of the Sacré 

Coeur 

gouache on card 

signed 

48 x 63cm 

£400 - 600 

Lot 297 

Norman Ackroyd (English, b.1938) 

‘Dock’ (East India Dock) 1962 

etching and aquatint printed in 

colours, on wove 

signed in pencil, titled and numbered 

19/75 

45 x 59.5cm 

£300 - 500 

296 

297 

119

Lot 298 

§ Michael Ayrton (British, 

1921-1975) 

‘Giovanni’ 

oil on canvas 

signed, Hanover Gallery label 

verso 

48 x 68cm 

Lot 299 

£3,000 - 5,000 

§ Lord Paul Ayshford Methuen 

R.A. (English, 1886-1974) 

‘St Paul’s from across The 

Thames’ 

oil on canvas 

signed, exhibited Royal 

Academy 1965 

63 x 76cm 

£800 - 1,200 

120

Lot 300 

§ Noel Georges 

Bouvard (French, 

1912-1975) 

Gondola and sailing 

ship off the Doges 

Palace, Venice 

oil on canvas 

signed 

49 x 64cm 

£3,000 - 5,000 

Lot 301 

§ Noel Georges 

Bouvard (French, 

1912-1975) 

‘A cool evening, 

Venice’ 

oil on canvas 

signed 

50 x 60cm 

£1,500 - 2,000 

121

302 

303 

304 

305 

306 

122

Lot 302 

§ Raymond Campbell (English, b.1956) 

Still life of claret, cheese and grapes upon a 

ledge with delft tiles beyond 

oil on canvas 

signed 

45 x 60cm 

Lot 303 

§ Raymond Campbell (English, 1956-) 

‘Chateau Pavie 1985’ 

oil on board 

signed 

59 x 28cm 

Lot 304 

£700 - 900 

£400 - 600 


Still life of a green glass roemer and fruit upon 

a table top 

oil on canvas 

signed 

40 x 30cm 

£300 - 500 

Lot 305 


‘Louis Jabot 1994 Chardonnay’ 

oil on panel 

signed 

50 x 40cm 

Lot 306 

Raymond Campbell (English, b.1956) 

‘1985 Vintage Krug Champagne’ 

oil on panel 

signed 

40 x 30cm 

Lot 307 

307 

£500 - 700 

£700 - 900 

§ Graham Sutherland (English, 1903-1980) 

‘81 Pink rock study with sun’, original study 

from Graham Sutherland’s sketchbooks, c.1970 

watercolour, pen and ink, pencil 

Goldmark Gallery label verso 

22 x 34.5cm 

£1,500 - 2,000 

123

Lot 308 

§ Laurence Stephen Lowry 

RBA RA (1887-1976) 

‘Crime Lake’ 

offset lithograph in colours, 

1972, on wove paper 

signed in pencil, from the 

edition of 500, printed by Max 

Jaffe, Vienna, published by the 

Adam Collection Ltd., with the 

Fine Art Trade Guild blindstamp 

46 x 61cm 

£2,000 - 3,000 

308 

Lot 309 

Laurence Stephen Lowry 

RBA RA (1887-1976) 

Street Scene 

limited edition print of 850 

signed in pencil and 

blindstamped by the Fine Art 

Trade Guild, published by the 

Adam collection, printed by 

Chorley and Pickersgill 

25 x 20cm 

£600 - 800 

309 

Lot 310 

Gabriel Bellocq (French, 

1920-1999) 

Orange Sky and Between 

Fields 

pastel on paper, a pair 

signed 

11.5 x 15cm 

£400 - 600 

310 

124

312 

Lot 311 

§ David Tindle R.A. (British, b.1932) 

Objects before a mirrored cabinet 

oil on canvas 

inscribed ‘To Rebecca’ 

74 x 46cm 

311 

£500 - 800 

Lot 312 

§ Sir Kyffin Williams (Welsh, 1918-2006) 

‘Blind Man’ 

oil on canvas 

initialled 

68 x 50cm 

£5,000 - 7,000 

Lot 313 

§ Pablo Picasso (Spanish, 1881-1973) 

Minotaure caressant une femme, from: La Suite 

Vollard 

etching 

1933, on Montval laid paper, signed in pencil, from 

the edition of 260, published by A. Vollard, Paris, 

1939,, 29 x 36cm 

£700 - 900 

313 

125

314 

315 

316 

126

Lot 314 

§ Victor Pasmore CH CBE, (British, 1908- 

1998) 

‘Points of Contact No.19 - 1973’ 

screenprint in colours 

monogrammed and dated ‘73, 14/70, printed 

by Kelpra Studio 

56 x 39.5cm 

£800 - 1,200 

Lot 315 

§ Sir Terry Frost RA (British, 1915-2003) 

‘Black Sun Dipper, 1997’ (Kemp 153) 

screenprint in colours, 1997, on wove 

signed in pencil, 98/125, printed by 

Coriander Studio, London, co-published by 

Innocent Fine Art, Bristol, Anderson O’Day, 

London and Coriander Studio, London, with 

full margins 

86.5 x 46cm 

£800 - 1,200 

317 

Lot 316 

Jana Nicole (American, 1967-) 

‘Les Circus Des Enfants’ 

collage and mixed media 

59 x 59cm 

£1,500 - 2,000 

Lot 317 

§ Nicola Simbari (Italian, 1927-2012) 

Circus musicians 

oil on canvas 

signed 

69 x 79cm 

£2,000 - 3,000 

318 

Lot 318 

§ Nicola Simbari (Italian, 1927-2012), a 

bronze ‘Reclining woman’, signed and 

dated ‘71, 52.5cm wide, 18cm deep, 16cm 

high, on a black plinth 

£2,000 - 3,000 

Lot 319 

*§ Nicola Simbari (Italian, 1927-2012) 

‘Pagazza Che Dorme’ 

oil on canvas 

signed 

96 x 129cm 

£2,000 - 3,000 

319 

127

Lot 320 

§ Rosemary Sarah Welch 

(English, b.1946) 

Horses crossing a stream 

oil on canvas 

signed 

65 x 100cm, unframed 

£1,200 - 1,800 

Lot 321 

Rosemary Sarah Welch 

(English, 1946-) 

Harnessing the horses 

oil on canvas 

signed 

60 x 75cm 

£400 - 600 

Lot 322 

§ Anthony W. Gross (English, 

1905 -1984) 

‘Provence’, figures outside a 

hardware shop 

watercolour and ink on paper 

signed and dated ‘31 

32 x 49.5cm 

£1,200 - 1,800 

128

Lot 323 

§ Mali Morris (English, b.1945) 

‘A walk through the village’ 

acrylic on canvas 

inscribed and dated 1990 verso 

65.5 x 84cm 

£1,000 - 1,500 

Lot 324 

§ Alan Davie (British, 1920-2014) 

‘Opus O.1241A Cosmographic structures 

no.24’ 

oil on panel 

signed, Gimpel Fils label verso number 7796 

31 x 38cm 

£1,000 - 1,500 

Lot 325 

§ Sir Roger de Grey, P.R.A. (English, 1918- 

1995) 

‘Damme, Belgium’ 

oil on canvas 

signed 

91 x 90cm 

£1,500 - 2,000 

129

Lot 326 

§ Fred Yates (English, 1922- 

2008) 

Soldier in his bedroom 

oil on board 

unsigned 

101 x 84cm 

£2,500 - 3,000 

Lot 327 

§ Fred Yates (English, 1922-2008) 

Couple in bed 

oil on board 

39 x 42cm 

£700 - 1,000 

130

Lot 328 

§ Donald McIntyre (Scottish, 

1923-2009) 

Scottish coastal landscape 

oil on board 

signed 

53 x 87cm 

£2,000 - 3,000 

Lot 329 

§ Fred Cuming (English, 1930- 

2022) 

‘Cap Feret’ 

oil on board 

signed, Jonleigh Gallery label 

verso 

19.5 x 24.5cm 

£600 - 800 

Lot 330 

§ Margaret Traherne (English, 

1919-2006) 

‘Cherry Blossom’ 

oil on canvas 

signed 

63 x 75cm 

£300 - 500 

131

Lot 331 

§ Sir Terry Frost R.A., 

(British, 1915-2003) 

‘The Alhambra’, [Kemp 

62] 

lithograph on BFK Rives 

1972 


dated ‘72, 45/65 in 

pencil, printed at 

Emil Matthieu Atelier, 

published by Leslie 

Waddington Prints, 

London 

68 x 82cm 

£600 - 800 

Lot 332 

§ Damien Hirst 

(British, b.1965) 

Untitled Gold Gift 

Spot, 2008 

screenprint in colours 

with gold glitter, on wove 

paper 

signed, numbered 

51/100 and dedicated 

‘for Jane, Damien xxx’ 

in pencil (there were 

also 10 artist’s proofs), 

published by Other 

Criteria, London 

56 x 76cm, sheet overall 

75 x 95cm 

£3,000 - 5,000 

132

Lot 333 

Dame Elisabeth Frink R.A 

(English, 1930-1993) 

‘Birdman’ 

lithograph 

signed in pencil and dated 

‘65, 42/50 

55 x 68cm 

£500 - 800 

Lot 334 

§ Dame Barbara 

Hepworth (English, 1903- 

1975) 

Sun and Water (from the 

Aegean Suite) 

lithograph printed in 

colours, 1971, 


numbered 6/60, on wove 

paper, co-published by 

Curwen Studio, London and 

Christies Contemporary 

Art, London, with their 

blindstamps, with margins 

76 x 54cm 

£1,500 - 2,000 

133

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SILVER & VERTU 

At approx. 2.00pm. 

335 - 388 

367 

135

Lot 335 

A George II silver coffee pot and hinged cover 

with turned finial, William Williams I, of tapering 

form, with later wooden handle, London, 1744, 

height 24.5cm, gross weight 27.4oz. 

Lot 336 

£400 - 600 

A good pair of late George I silver lighthouse 

casters, by William Spackman, with demi fluted 

bases, banded girdle and turned finials, London, 

1726, height 17cm, 20oz (a.f.) 

Lot 337 

£500 - 700 

A George II silver cruet stand, with three 

matching graduated casters, by Samuel Wood, 

with ring handle, on fluted pad feet, London, 1747, 

height 22.5cm, together with a glass bottle and two 

lids, 40.5oz. 

Lot 338 

£700 - 900 

A pair of late George II silver small sauce boats, 

by Robert Albin Cox, with cut rims and flying scroll 

handles, London, 1756, length 12.8cm, 5.9oz. 

Lot 339 

£150 - 250 

A George III silver oval meat dish, by William 

Fountain, with gadrooned border and engraved 

crest, London, 1802, 39.4cm, 48.4oz. 

£500 - 700 

Lot 340 

A George II silver baluster mug, by David 

Willaume II, later decorated with continuous 

countryside scene with hares and game birds, 

with leaf capped handle, London, 1741, height 

13cm, 14.6oz. 

Lot 341 

£300 - 400 

A George III engraved silver oval tea caddy, by 

Thomas Daniell, decorated with garlands and two 

oval cartouches, one with entwined hearts, London, 

1779, width 12.4cm, 12.9oz, no key. 

Lot 342 

£500 - 700 

A George III silver tankard by W & J Priest, with 

hinged domed cover of baluster form, with banded 

girdle and pierced scroll thumbpiece, London, 1766, 

height 20.1cm, 28.3oz. 

Lot 343 

£600 - 800 

A George III silver hip flask, by Peter & Ann 

Bateman, of oval form, with removable cup base 

and screw cap, London, 1797, 17.8cm, 11.1oz. 

Lot 344 

£300 - 400 

A George III silver salver, by John Mewburn, of 

shaped circular form with gadrooned border and 

engraved crest, on three tapering feet, London, 

1809, 26.4cm, 22.4oz. 

£400 - 600 

Lot 345 

A George III demi fluted silver oval tea caddy 

by Andrew Fogelberg & Stephen Gilbert, with 

engraved monogram, the hinged domed cover with 

ring handle, no key, London, 1789, height 12.6cm, 

18.5oz. 

£800 - 1,200 

136

335 

336 

337 

338 

339 

340 

341 

342 

343 

344 

345 

137

Lot 346 

Duke of Brunswick Service: A set of six early 

Victorian silver dinner plates by John Mortimer 

& John Samuel Hunt, with shell and scroll borders 

and cast with the Arms of Brunswick below a Ducal 

crown, three engraved ‘Mortimer & Hunt, London’ 

and four numbered 311, 1840, 26.8cm, 122.3oz. 

William, 8th Duke of Brunswick (1806-1844) was the 

second son of the Black Duke of Brunswick, and at 

his death, a ward of the Prince Regent of England. 

His elder brother succeeded as Duke, but was 

deposed by the Revolution of 1830; William stepped 

in as Regent, then from 1831 as Duke of Brunswick. 

He ruled the Duchy until his death in 1884, when 

the senior branch of the House of Guelph became 

extinct. 

Lot 347 

£4,000 - 6,000 

Duke of Brunswick service: An early Victorian 

silver serving plate by John Mortimer & John 

Samuel Hunt, with shell and scroll borders and cast 

twice with the Arms of Brunswick below a Ducal 

crown, engraved ‘Mortimer & Hunt, London’ and 

numbered 312, London, 1840, 31cm, 32.9oz, en 

suite to previous lot. 

Lot 348 

£700 - 1,000 

A pair of George III silver goblets, by Robert & 

Samuel Hennel, later embossed with continuous 

farmyard scenes, London, 1802, 20.2cm, 23.2cm. 

Lot 349 

£400 - 600 

An early Victorian silver rectangular ‘castle top’ 

vinaigrette, depicting Abbotsford House, by 

Edward Smith, Birmingham, 1840, 42mm. 

Lot 350 

£400 - 600 

A mid 18th century Irish silver rose bowl, by 

Robert Calderwood, with reeded border, on 

stepped circular foot, Dublin, c.1760, diameter 

21.4cm, 19.8oz. 

£1,000 - 1,500 

Lot 351 

A set of three George III Scottish Provincial 

silver Old English shell pattern toddy ladles, 

by John Keith, Banff, circa 1795-1800, together 

with an early Victorian Scottish Provincial fiddle 

and shell pattern toddy ladle.by Robert Keay II, 

Perth, circa 1840, 15.7cm & 15.2cm, 3.9oz. 

Lot 352 

£200 - 300 

A harlequin part canteen of silver fiddle and 

thread pattern flatware, comprising eight table 

forks, London, 1830/1, twelve dessert forks and 

seven dessert spoons, George Adams, London, 

1845, six egg spoons, George Adams, London, 

1870, a pair of sauce ladles, London, 1829 and six 

table spoons, London, 1848/9 Elizabeth Eaton & 

George Adams, 82.2oz. 

Lot 353 

£400 - 600 

Two pairs of early 19th century silver mounted 

wine coasters, one pair by John Roberts & Co, 

Sheffield, 1810, the other Thomas & John Settle, 

Sheffield, 1821, all with gadrooned borders, 

diameters 15.8cm, all with turned wooden bases. 

Lot 354 

£600 - 800 

A late William IV/early Victorian silver pyriform 

four piece tea and coffee service, by The 

Barnards, with floral finials, on four scroll feet, 

London, 1836/8, coffee pot 24.3cm, gross weight 

70oz. 

CITES Submission reference HB8CE3EA 

Lot 355 

£1,000 - 1,500 

A George III silver coffee pot and hinged cover 

with turned finial, maker R?, of tapering form, 

marks rubbed, height 25cm, gross weight 25.6 oz. 

£400 - 600 

138

346 

347 

348 

350 

349 

351 

352 

353 

354 

355 

139

Lot 356 

An early Victorian ornate silver gilt cream jug, 

by George Ivory, decorated with mask, garlands of 

flowers and cupids, London, 1845, height 13.6cm, 

11.9oz. 

Lot 357 

£300 - 400 

A Victorian ornate silver entree dish and cover 

with ram’s head handle, by John Samuel Hunt 

(Hunt & Roskell ex. Storr & Mortimer), of cusped 

circular form, with shell and scroll borders and shell 

handles, London, 1865, 33cm over handles, 59.4oz. 

Lot 358 

£1,000 - 1,500 

An early Victorian silver oval pedestal two 

handled sauce tureen, by Creswick & Co, 

with reeded borders and foliate ring handle, 

Sheffield,1848, width over handles 28cm, 21.8oz. 

Lot 359 

£300 - 400 

A Victorian engraved silver melon shaped coffee 

pot and cover with melon finial, by William 

Hunter, on four scroll feet, London, 1847, height 

24.4cm, gross weight 27.2oz. 

CITES Submission reference Y1TEMWCY 

Lot 360 

£400 - 600 

A late Victorian demi fluted silver circular punch 

bowl, by Goldsmiths & Silversmiths Co. Ltd., on 

pedestal foot, London, 1893 diameter 32cm, 42.6oz. 

Lot 361 

£600 - 800 

A late Victorian silver gilt two handled vase 

shaped presentation trophy cup, maker C?, 

with engraved inscription, relating to Edward 

Biddell, coming of age, London, 1884, the later 

matched cover with pineapple finial, Goldsmiths & 

Silversmiths Co. Ltd, London, 1912, 39.5cm, 41.1oz. 

£600 - 800 

Lot 362 

An early Victorian Scottish silver pyriform four 

piece tea and coffee service by William Marshall, 

with applied foliate scroll decoration, on circular foot, 

Edinburgh, 1837/8, coffee pot 30.3cm, gross weight 

79oz. 

CITES Submission reference Z4LSL9CG 

Lot 363 

£1,200 - 1,500 

A Victorian embossed silver pyriform hot water 

ewer, by Martin, Hall & Co, decorated with flowers, 

fruit and scrolls, on pedestal foot, Sheffield, 1865, 

height 31.6cm, gross weight 21.8oz. 

CITES Submission reference V7KAR72D 

Lot 364 

£400 - 600 

ROYAL INTEREST: A cased Victorian textured 

silver collapsible travelling cup, by Brownett & 

Rose, with later engraved inscription, ‘Presented 

By Her Royal & Imperial Highness The Duchess 

of Saxe Coburg & Gotha Duchess of Edinburgh 

to Alleyne Alfred Baron Boxall, in memory of 

His Royal Highness The Late Duke Alfred Son of 

Her Majesty Queen Victoria February 3rd, 1901’, 

the top section with applied circular plaque and 

engraved ‘Alfred 6th August, 1859’ below a coronet, 

London, 1855, open height 71mm, 149 grams. 

Lot 365 

£300 - 500 

ROYAL INTEREST: A good ornate Victorian 

Teniers style silver ewer with hinged cover 

by Frederick Elkington, embossed in relief with 

continuous scene of figures at various pursuits with 

a background of fruiting vines, the hinged cover 

and spout surmounted with youths, the interior with 

engraved inscription. ‘Henry Peverill Le Mesurier. 

From Their Royal Highnesses The Princes Philip 

and Augustus of Saxe Coburg Gotha As A Friendly 

Souvenir of their Sport with him in India, 1873’, 

Birmingham, 1873, 22.5cm, 28.8oz. 

£2,000 - 3,000 

140

357 

356 

358 

359 

360 

361 

362 

363 

364 

365 

141

Lot 366 

An ornate late Victorian silver mounted cut glass 

claret jug, by Charles Edwards, of ovoid form, 

with mask spot and foliate scroll decoration, the 

hinged cover with turned finial, London, 1889, height 

34.1cm. 

Lot 367 

£600 - 800 

An Edwardian Hanau silver free-standing 

model of a baying stag, the detachable head with 

engraved inscription, import marks for John George 

Piddington, London, 1902, height 20.5cm, 25.7cm. 

Lot 368 

£600 - 800 

An ornate Victorian silver hot water jug, by 

Elkington & Co, of bulbous form, with embossed 

foliate decoration and applied winged figures, 

London, 1898, 40cm, gross weight 41.5oz. 

CITES Submission reference UF9517NZ 

Lot 369 

£700 - 900 

A late Victorian demi fluted wrythened silver 

water jug, by Mappin & Webb, with engraved 

inscription relating to ‘First Prize Grand Standard 

Stakes, Lagos Races, 1894’, faintly engraved with 

horse racing scene with palm trees, on circular foot, 

Sheffield, 1894, height 25cm, 33.5oz. 

Lot 370 

£500 - 700 

A part canteen of Victorian silver fiddle pattern 

flatware, by George Adams, with engraved crest, 

comprising twelve table spoons, twelve dessert 

spoons, ten teaspoons, twelve dessert forks, twelve 

table forks and one sauce ladle, London, 1857/8, 

together with two earlier silver teaspoons, 105.6oz. 

£1,000 - 1,500 

Lot 371 

A Victorian engraved silver octagonal four piece 

silver tea and coffee service, by William Robert 

Smily, with engraved inscriptions, and foliate scroll 

decoration, London, 1843, gross weight 72.8oz. 


Lot 372 

£1,200 - 1,600 

A late Victorian embossed silver presentation 

tyg, by John Newton Mappin, with foliate 

decoration and engraved inscription relating to ‘The 

Lagos Cup, 1895’, London, 1895, height 19.1cm, 

28.1oz. 

Lot 373 

£400 - 600 

A large Edwardian repousse silver rose bowl, 

by Carrington & Co, with foliate scroll decoration, 

London, 1908, diameter 30.8cm, 42.2oz. 

Lot 374 

£400 - 600 

A late Victorian novelty parcel gilt silver cigar 

cutter, modelled as a bottle, the hinged section 

enamelled with a head of a dog, Chester, 1888, 

maker’s mark rubbed, 50mm. 

Lot 375 

A late Victorian silver two handled rounded 

rectangular tea tray, by Goldsmiths & 

Silversmiths Co. Ltd, with gadrooned foliate 

border, 67.4cm over handles, London, 1900, 

110.7oz. 

£200 - 300 

£1,500 - 2,000 

142

367 

366 

368 

370 

369 

371 

372 

373 

374 

375 

143

Lot 376 

A George V Arts & Crafts Liberty & Co silver 

and enamel oval pill box, with hinged cover, 

Birmingham, 1929, the cover enamelled with a 

moonlit landscape scene with lake, 44mm. 

Lot 377 

£150 - 200 

A late 19th / early 20th century continental 

silver mounted wooden processional crucifix, 

with beaded border and applied figural busts and 

roundels, wooden pole missing, 44.7cm. 

Lot 378 

£350 - 450 

A George V pierced silver circular pedestal bowl 

by Mappin & Webb, Sheffield, 1927, diameter 

23.7cm, 23.3oz. 

Lot 379 

£320 - 360 

An Edwardian silver four branch, five light 

Corinthian column candelabrum, by James 

Deakin & Sons, with vine leaf decorated column, on 

stepped square base, Sheffield, 1909, height 61cm, 

weighted base, arms 63.3oz. 

Lot 380 

£600 - 800 

A 20th century Portuguese/Spanish embossed 

silver charger, with geometric and scroll decoration 

and central mask, stamped 916 twice, maker’s mark 

HA with flower, diameter 36cm, 25.4oz, numbered 

2853. 

£400 - 600 

Lot 381 

A pair of Edwardian silver two branch, three 

light Corinthian column candelabra, by William 

Hutton & Sons, with acanthus scroll arms and 

beaded borders, on stepped square bases, London, 

1906, height 56.7cm, bases weighted, arms only 

60.64oz. 

Lot 382 

£1,000 - 2,000 

A pair of Elizabeth II Scottish silver free standing 

models of a stag and doe, by Hamilton & Inches, 

Edinburgh, 2001/2002, height 10.9cm, 13.9oz. 

Lot 383 

£300 - 500 

A modern complete canteen of Queen Elizabeth 

II silver Old English feather edge pattern cutlery 

for twelve, by James Dixon & Sons, comprising 

twelve pairs of fish eaters, twelve soup spoons, 

four table/serving spoons, twelve dessert forks, 

twelve dessert spoons, twelve tea and twelve coffee 

spoons, twelve table forks, twelve silver handled 

table knives, twelve silver handled dessert knives 

and a five piece silver handled carving set, Sheffield, 

1972, weighable silver 128.1oz, housed in a wooden 

canteen. 

Lot 384 

£3,000 - 4,000 

A 20th century Peruvian Camusso 925 sterling 

six piece tea and coffee service, of pyriform, with 

foliate decorated borders, comprising a teapot, 

coffee pot, cream jug, lidded sugar bowl, tea strainer 

on stand and a two handled tea tray, 62.9cm over 

handles, gross weight 137.2oz. 

£1,200 - 1,800 

Lot 385 

A pair of Elizabeth II cast silver novelty 

condiments, each modelled as a seated teddy 

bear, maker’s JM over MG, London, 1997/8, 73mm, 

gross 16.2oz. 

£260 - 280 

144

376 

377 

378 

381 

379 

380 

382 

383 

384 

385 

145

Lot 386 

A pair of George V silver two 

branch, three light candelabra, 

by Eugene Leclere, with engraved 

inscription and tapering octagonal 

stems, on circular foot, Sheffield, 1930, 

height 49cm, weighted, arms weight 

52.1oz. 

£400 - 600 

Lot 387 

An Elizabeth II modernist silver 

paperweight by Adrian Gerald 

Benney, of rectangular form, with 

segmental decoration, inscribed 

‘OAP10’, London, 1982, 10.2cm, 

7.5oz. 

Lot 388 

£150 - 200 

An Elizabeth II graduated suite of 

three novelty silver condiments, 

modelled as penguins, by William 

Comyns & Sons Ltd, the larger 

mustard pot and small salt and 

pepperette, with cabochon eyes, 

London, 1964, tallest 71mm, gross 

weight 10oz. 

£300 - 400 

387 

388 

386 

146

WATCHES, COINS & JEWELLERY 

389-508 

508

389 

390 

391 

392 

393 

394 

Lot 389 

A George III 18ct gold hunter pocket watch by 

Abraham Samuel, together with a 15ct gold 

albert and base metal key, with Arabic dial and 

signed movement with diamond set cock, case 

diameter 52mm, gross weight 92.7 grams, chain 

20cm, 12.3 grams. 

Lot 390 

£600 - 800 

A George III engine turned 18ct gold open face 

pocket watch, by Young & Sons, Newcastle on 

Tyne, with Roman dial and diamond set cock, the 

signed movement numbered 8517, case diameter 

44mm, gross weight 92.1 grams. 

Lot 391 

£600 - 800 

A George V 9ct gold J.W. Benson keyless lever 

half hunter pocket watch, with Roman dial and 

subsidiary seconds, case diameter 48mm, gross 

weight 95.2 grams, on a black fabric albert. 

£400 - 600 

Lot 392 

A George V J.W. Benson 9ct gold open face 

keyless pocket watch, with a 9ct gold curb link 

albert, the pocket watch with Roman dial and case 

back inscription GR 1937 beneath a coronet, case 

diameter 47mm, gross weight 72.3 grams, albert 

44cm, 37.5 grams. 

Lot 393 

£400 - 600 

A 1920’s 18ct white gold Cartier Tank Cintree 

(7 lignes model) manual wind wrist watch, with 

later 1970’s movement, with rectangular Roman 

dial and facetted sapphire set winding crown, case 

diameter 20mm, case back numbered 36185, on 

associated leather strap, gross weight 21.3 grams 

Lot 394 

£1,000 - 1,500 

A gentleman’s 2002 stainless steel Tudor 

Oysterdate Automatic Chrono Time ‘Big Block’ 

panda dial wrist watch, serial no. B775923, on a 

stainless steel Tudor bracelet, with box and papers 

and guarantee, case diameter 40mm. 

£4,000 - 6,000 

148

395 

396 

397 

398 

399 

400 

401 

Lot 395 

A gentleman’s 1956 stainless steel British 

Military Issue Omega RAF Pilot’s manual wind 

white dial wrist watch, with Arabic dial and blued 

steel hands, the case back engraved A.M. 6B/159 

over 3887/56, movement c.30T2 (early 1940’s 

movement), on later associated strap, case diameter 

36mm. 

Lot 396 

£1,000 - 1,500 

A George V 9ct gold Rolex manual wind wrist 

watch, lacking winding crown and strap, the 

sunburst Arabic dial with subsidiary seconds and 

case back with engraved initials, import marks for 

Glasgow, 1926, case diameter 30mm, gross weight 

19.9 grams. 

Lot 397 

£300 - 500 

A lady’s modern stainless steel Omega 

Constellation quartz wrist watch, on a stainless 

steel Omega bracelet, case diameter 26mm, no box 

or papers. 

£400 - 600 

Lot 398 

A lady’s modern silver gilt Must de Cartier 

Vermail quartz wrist watch, on a Must de Cartier 

strap, case diameter 30mm, with Cartier box. 

Lot 399 

£300 - 400 

A lady’s 18ct gold Cartier Ellipse manual wind 

wrist watch, numbered 670812000, signed Cartier, 

Paris, on a Cartier leather strap, with 18ct gold 

deployment clasp, no box or papers. 

Lot 400 

£500 - 700 

A lady’s modern 18k and diamond chip set 

Longines quartz octagonal wrist watch, on a twin 

strand cultured pearl and diamond chip set bracelet 

with 750 clasp, 16cm, gross weight 17.4 grams. 

Lot 401 

£300 - 500 

A lady’s 19ct gold Patek Philippe manual wind 

square dial wrist watch, inside case numbered 

4457 over 2785244, on a later strap. 

£2,500 - 3,500 

149

402 

403 

404 

405 

406 

407 

Lot 402 

A lady’s late 1970’s/early 

1980’s stainless steel and 

gold Rolex Oyster Perpetual 

wrist watch, with yellow dial and 

baton numerals, case diameter 

24mm, model no. 6719, serial 

no. 5895*** on a stainless steel 

and gold Rolex bracelet, no box 

or papers. 

£1,000 - 1,500 

Lot 403 

A lady’s modern Swiss 14k 

gold and diamond set manual 

wind oval wrist watch, on 

integral 14k gold bracelet, case 

diameter 23mm, 16cm, gross 

weight 38 grams. 

£1,200 - 1,500 

Lot 404 

A lady’s modern stainless 

steel and gold plated Omega 

Constellation quartz wrist watch, 

on a steel and gold plated Omega 

bracelet, with mother of pearl dial, 

case diameter 23mm, with Omega 

pouch, no papers. 

Lot 405 

£300 - 500 

A lady’s 1990 18ct gold and 

diamond set Rolex Oyster 

Perpetual Datejust wrist watch, 

the blue dial with diamond dot 

markers and diamond set bezel, on 

an 18ct gold Rolex bracelet, with 

deployment clasp, model number 

69138, serial number E113078, 

with certificate, spare links and 

Rolex box. 

£4,000 - 6,000 

Lot 406 

A gentleman’s 2004 stainless 

steel Rolex Oyster Perpetual 

Explorer wrist watch, model no. 

M114270, serial no. F293391, 

case diameter 35mm, with Rolex 

box, guarantee and papers and 

a Mappin & Webb service receipt 

date 28/10/2022. 

Lot 407 

£4,000 - 6,000 

A lady’s 1980’s stainless 

steel and gold Rolex Oyster 

Perpetual Datejust wrist watch, 

with mother of pearl dial and 

diamond dot markers and bezel, 

on a Rolex steel and gold bracelet, 

model no.6917, serial no.7549904, 

with box. 

£1,500 - 2,000 

150

408 

409 

410 

411 

412 

413 

414 

415 

416 

417 

418 

419 

420 

Lot 408 

British gold coins, William IV 

sovereign 1833, Fine/Very Fine 

Lot 409 

£400 - 600 

British gold coins, George IV 

sovereign 1826, Fine/Very Fine 

Lot 410 

£400 - 600 

British gold coins, George III 

sovereign 1820, good Fine or 

better 

Lot 411 

£400 - 600 

British gold coins, George IV 

sovereign 1822, minute nicks, 

otherwise good Fine 

Lot 412 

£400 - 600 

British gold coins, Queen Anne 

guinea 1712, Fine or better 

£400 - 600 

Lot 413 

Gold coins, Louis XVIII 20 Francs 

London Mint, 1815R, probably 

demounted at the 12 o’clock 

position, otherwise good VF 

Lot 414 

£300 - 400 

British gold coins, William 

and Mary two guineas, 1694/3, 

edge nicks and wear, scratched 

initials below bust, otherwise 

good F (S3424) 

Lot 415 

£1,000 - 1,500 

British gold coins, Victoria 

sovereign 1857 C over blundered 

T, Fine 

Lot 416 

£400 - 600 

British gold coins, George III 

sovereign 1795, good VF 

£400 - 600 

Lot 417 

Gold coins, Austrian Empire, 

Franz I one ducat 1830A, good 

EF 

Lot 418 

£300 - 500 

Gold coins, French Empire, 20 

francs 1815 A, demounted at the 

1 to 2 o’clock position otherwise 

good Fine 

Lot 419 

£200 - 300 

Gold coins, German states, 

Prussia, Frederick William 

III, one Frederick d’Or 1797A, 

demounted at the 8 o’clock 

position otherwise good Fine 

Lot 420 

£350 - 450 

British Gold coins, George III 

sovereign 1820, good fine 

£350 - 450 

151

Lot 421 

A 19th century engraved gold 

and inset cameo agate set oval 

locket, on a fine link gold chain, 

the cameo carved with the bust 

of a lady to sinister, locket 25mm, 

chain 44cm, gross weight 9.3 

grams. 

Lot 422 

£250 - 350 

A Victorian gold, single stone 

part drilled natural saltwater 

pearl and rose cut diamond chip 

set stick pin, 73mm, gross weight 

2.1 grams, with accompanying 

Gem & Pearl Laboratory report 

dated 22nd Nov. 2022. 

Lot 423 

£1,000 - 1,500 

An antique gold and silver, 

sapphire and rose cut diamond 

cluster set dress ring, size K, 

gross weight 5.5 grams. 

Lot 424 

£500 - 700 

A Victorian engraved gold, 

white coral and turquoise 

cluster set tassel drop brooch, 

width 45mm, gross weight 12.5 

grams. 

Lot 425 

£300 - 400 

A late Victorian gold and silver, 

black opal and diamond cluster 

bar brooch, set with central 

octagonal cut opal and bordered 

by old round and rose cut 

diamonds, 44mm, gross weight 

7.1 grams. 

£400 - 600 

Lot 426 

A George III gold and two colour 

enamel set navette shaped 

mourning ring, verso with 

engraved inscription, ‘E Udal, ob. 

26 March, 1785, at 23’, the shank 

engraved ‘J Udal, ob. 20 Dec, 1784 

at 63’, size R/S, gross weight 4.7 

grams 


MFD9LPN4 

Lot 427 

£250 - 350 

An early 20th century 18ct 

gold, diamond and millegrain 

set seed pearl circular cluster 

ring, the round cut stone weighing 

approximately 0.80ct, size P, gross 

weight 4.1 grams. 

Lot 428 

£800 - 1,200 

A Victorian single strand 

graduated natural saltwater 

pearl necklace, with seed pearl 

and enamel set gold clasp, 

(a.f.), 116cm, gross weight 19.12 

grams, with accompanying Gem & 

Pearl Laboratory report dated 15th 

March, 2022. 

Lot 429 

£2,000 - 3,000 

An antique high carat gold, black 

enamel and collet set cushion 

cut sapphire set ‘poison’ ring, 

the stone set in a raised central 

hinged compartment, with carved 

black enamelled shoulders, the 

stone measuring approximately 

8mm by 7mm, size S, gross weight 

11.4 grams. 

Lot 430 

£1,000 - 1,500 

A George III 22ct gold and two 

colour enamel mourning band, 

inscribed ‘Mary Powell OB. 12 

Mar, 1809’, London, 1808, size P, 


£250 - 350 

Lot 431 

A 19th century gold and silver, 

single stone natural saltwater 

part drilled button pearl and 

rose and round cut diamond 

cluster set pendant brooch, the 

central pearl measuring 9.4mm- 

10.1mm x 8.6mm and bordered by 

small round cut and larger rose cut 

diamonds, 21mm, gross weight 

8.7 grams, with accompanying 

Gem & Pearl Laboratory report 

dated 8th Sept. 2023. 

Lot 432 

£4,000 - 6,000 

A late 19th century single strand 

graduated natural saltwater 

pearl necklace, with a French 

18ct white gold and millegrain 

set diamond marquise shaped 

clasp, 43cm, gross weight 12.08 

grams, with accompanying Gem & 

Pearl Laboratory report dated 7th 

July, 2023. 

Lot 433 

£3,000 - 5,000 

A large gold mounted oval cut 

citrine set pendant, 39mm by 


Lot 434 

£300 - 500 

A late Victorian gold and seed 

pearl set necklace, lacking drop, 

with crescent and foliate cluster 

motifs, 34cm, gross weight 24.3 

grams. 

Lot 435 

£800 - 1,200 

A Victorian gold, ruby, sapphire, 

split pearl and diamond cluster 

set butterfly brooch, with safety 

chain, width 33mm, gross weight 

6.3 grams. 

£300 - 400 

152

424 

423 

422 

421 

425 

426 

427 

428 

429 

430 

431 

432 

434 

435 

433 

153

Lot 436 

An 18ct gold, sapphire and 

diamond cluster ring, the central 

round cut sapphire bordered by 

old round cut diamonds, size M, 

gross weight 3 grams. 

Lot 437 

£500 - 800 

A George V 18ct gold and 

solitaire diamond gypsy set 

ring, the oval cushion cut stone 

measuring approximately 8.7mm 

by 8.2mm, with a depth of 4.9mm, 

hallmarked for Chester, 1922, size 

M, gross weight 7.4 grams. 

Lot 438 

£1,000 - 1,500 

A 19th century gold and lapis 

lazuli set intaglio ring, with lion’s 

paw shoulders and matrix carved 

with family crest below a coronet, 

size K/L, gross weight 8.8 grams. 

Lot 439 

£500 - 700 

A 1960’s 18ct white gold and 

diamond cluster set floral spray 

brooch, 41mm, gross weight 9.9 

grams. 

Lot 440 

£300 - 400 

A Victorian style gold, silver and 

rose cut diamond cluster set 

starburst brooch, 38mm, gross 


£300 - 400 

Lot 441 

A 19th century gold, two colour 

enamel and graduated multi 

gem set ‘Regard’ half hoop ring, 

size L, gross weight 3.3g rams. 

Lot 442 

£300 - 500 

An Edwardian gold and 

graduated nine stone round cut 

sapphire set bar brooch, with 

round cut diamond set spacers, 


Lot 443 

£500 - 700 

A Victorian gold, enamel and 

rose cut diamond set oval 

locket, the front decorated with 

Reynold’s Angel, with star above, 

overall 44mm, gross weight 17.3 

grams. 

Lot 444 

£300 - 400 

A Belle Epoque gold and 

platinum, emerald, pearl, ruby 

and diamond cluster set drop 

pendant brooch, of scrolling 

form, now lacking bale and brooch 

attachment, 40mm, gross weight 

6.9 grams, in fitted gilt tooled 

leather case. 

Lot 445 

£400 - 600 

A late Victorian gold, silver and 

diamond cluster set trembleuse 

floral spray brooch, 58mm, gross 

weight 12.7 grams, in a Carrington 

& Co fitted gilt tooled leather box. 

£400 - 600 

Lot 446 

A Victorian gold and silver, three 

stone sapphire and diamond 

cluster set double crescent bar 


grams. 

Lot 447 

£250 - 350 

A 19th century gold, silver 

and diamond cluster set twin 

hearts ring, with ribbon bow 

surmounted, the two main 

pear cut stones measuring 

approximately 7.2mm in length 

and bordered by eight cut 

diamonds, size H, gross weight 

3.8 grams. 

Lot 448 

£500 - 700 

An Edwardian gold and 

diamond cluster set starburst 


grams. 

Lot 449 

£300 - 400 

An 18ct white gold and gypsy 

set solitaire diamond ring, the 

stone weighing approximately 

1.35ct, with an approximate 

estimated colour and clarity of I/J 

and I1, size U, gross weight 9.7 

grams. 

Lot 450 

£600 - 800 

A 19th century continental gilt 

metal and turquoise cabochon 

set banded agate scent bottle, 

with suspension chain, the hinged 

cap with bust finial, 69mm. 

£120 - 150 

154

436 

437 

438 

439 

440 

441 

442 

443 

444 

445 

446 

447 

448 

450 

449 

155

Lot 451 

An 18ct gold ruby and diamond cluster ring, the 

central old mine cut diamond flanked by two rubies 

and bordered with small collet set diamonds, size 

N/O, gross weight 5.1 grams 

Lot 452 

£800 - 1,200 

An Edwardian 15ct gold, seed pearl and citrine 

graduated double drop necklace, set with four 

round cut citrines and twenty seed pearls, overall 

40cm, gross weight 8.6 grams. 

Lot 453 

£300 - 500 

A late Victorian gold, graduated amethyst and 

diamond cluster set crescent brooch, 33mm, with 

safety chain, gross weight 6.9 grams. 

Lot 454 

£400 - 600 

A modern 18ct gold and three stone diamond 

set ring, the three round brilliant cut stones with a 

combined weight of 1.00ct, size R, gross weight 4 

grams. 

Lot 455 

£400 - 600 

A mid 20th century platinum and diamond 

cluster set ring, of spiralling design, the central 

stone measuring approximately 6.6mm by 5.8mm, 

shank cut, size approx. E, gross weight 6.1 grams. 

Lot 456 

£500 - 800 

A pair of engraved gold mounted spectacles, 

with double hinged arms, unmarked, arm length 

11.1cm, with oval carrying case applied with a 

coronet crest. 

£400 - 600 

Lot 457 

A Belle Epoque gold and silver, round and rose 

cut diamond cluster set pendant necklace, of 

scrolling design, 44cm, gross weight 9.3 grams. 

Lot 458 

£500 - 700 

A modern 18ct gold and fifty nine stone round 

brilliant cut diamond set line bracelet, the stones 

approximately 2.mm in diameter, 18.3mm, gross 


Lot 459 

£1,000 - 1,500 

An early 20th century gold (tests as 18ct), two 

colour enamel and spilt pearl set bracelet, with 

square and figure of eight shaped links, 18cm, gross 

weight 17.1 grams, with safety chain, in Parkes of 

London fitted gilt tooled leather box. 

Lot 460 

£800 - 1,200 

An 18ct white gold, platinum and three stone 

diamond set ring, the central stone diameter 

approximately 4.7mm, size Q/R, gross weight 4.2 

grams. 

Lot 461 

£600 - 800 

A gold and platinum, ruby and millegrain set 

diamond flower head cluster ring, size P, gross 


Lot 462 

£500 - 800 

An early to mid 20th century 18ct gold, platinum 

and graduated five diamond set half hoop ring, 

the central stone diameter approximately 5.1mm, 

size Q, gross weight 3.4 grams. 

£700 - 1,000 

156

451 

453 

452 

454 

455 

456 

457 

458 

459 

461 

460 

462 

157

Lot 463 

A mid to late 20th century Cartier 18ct gold 

barrel shaped key ring, with suspension chain 

and engraved inscription, ‘FD LOVE MH’, signed 

and numbered 02179?, 14 grams, in fitted Cartier 

gilt tooled leather box. 

Lot 464 

£700 - 1,000 

A 1920’s/1930’s 18ct gold, platinum and 

millegrain set nine stone diamond cluster ring, 

the central stone diameter approximately 4.7mm, 

size N, gross weight 3.8 grams. 

Lot 465 

£300 - 500 

An early 20th century 18ct white gold, platinum 

and millegrain set old cut diamond cluster ring, 

of ovoid shape, with four stone diamond set split 

shoulders, size P, gross weight 4.2 grams. 

Lot 466 

£800 - 1,200 

A gold and solitaire diamond set ring, the round 

cut stone measuring 6.3mm in diameter, with a 

depth of 4.2mm, size K/L, gross weight 2.9 grams. 

Lot 467 

£600 - 800 

A George V engine turned silver gilt and black 

enamel compact, of tonneau form, with inset 

watercolour on ivory, depicting a dancing lady, 

signed Marcy, import marks for Mappin & Webb, 

London, 1923,52mm, with back suspension cord. 

CITES Submission reference CWH419JN 

Lot 468 

£120 - 150 

An early to mid 20th century gold and silver, pale 

pink topaz and millegrain set diamond cluster 

bar brooch, 72mm, gross weight 8.5 grams. 

£400 - 600 

Lot 469 

An Edwardian gold and Essex crystal oval fob 

pendant, commemorating the 1903 Paris-Madrid 

car race, organised by the Automobile Club de 

France, the car depicted suggested to be car 99, 

the Mercedes driven by Henri Rougie, who finished 

11th, (the race was abandoned after day one due 

to eleven fatalities), engraved verso ‘No.99 Paris- 

Madrid, 1903’, 16mm. 

Lot 470 

£1,000 - 1,500 

A lady’s 1920’s silver gilt and two colour enamel 

combination compact/aide memoir, import 

marks for Cohen & Charles, of ovoid form, with 

triple compartment interior, no date letter, 82mm, 

suspended from a black cord, with tassel. 

Lot 471 

£250 - 350 

A white gold and solitaire diamond set ring, 

the stone weighing approximately 1.30ct, with an 

estimated colour and clarity of J/K and VS1/VS2, 

size Q/R, gross weight 4.1 grams. 

Lot 472 

£1,500 - 2,000 

A modern 18ct white gold and single stone oval 

cut aquamarine set ring, with six stone diamond 

set shoulders, size O, gross weight 7 grams. 

Lot 473 

£300 - 500 

A Belle Epoque gold and platinum, emerald 

and round cut diamond cluster set elliptical 

bar brooch, the borders with rose cut diamonds, 

the central cluster with square cut emerald and 

terminals with two shaped cut emeralds, 63mm, 


£300 - 400 

158

464 

463 

465 

466 

467 

469 

468 

471 

470 

472 

473 

159

Lot 474 

A 1990’s part textured 18ct gold and collet set 

single stone diamond ring by Leo De Vroomen, 

with six stone diamond set shoulders, retailed 

by Boodle & Dunthorne, size P, gross weight 8.7 

grams, with Boodle & Dunthorne box. 

Lot 475 

£1,000 - 1,500 

A modern 18ct gold and twenty six round 

brilliant cut diamond set line bracelet, the stones 

approximately 3.2mm in diameter, 18cm, gross 


Lot 476 

£2,000 - 3,000 

A cased Edwardian 9ct gold, amethyst and seed 

pearl cluster set double drop pendant necklace, 

46cm, gross weight 4.6 grams. 

Lot 477 

£300 - 500 

A modern bespoke 18ct white gold and 

graduated gypsy set five stone coloured 

diamond set ring, with colours ranging from faint 

yellow to deep orange, size U, gross weight 14.4 

grams. 

Lot 478 

£1,500 - 2,000 

A modern Chopard 18ct white gold and diamond 

set ‘Happy Spirit’ heart shape pendant, on a 

Chopard 18ct white gold double strand fine link 

chain, signed and numbered 2411203 79/5648, 

pendant width 32mm, chain 59cm, gross weight, 

27.9 grams, with Chopard box. 

Lot 479 

£1,200 - 1,500 

A 1990’s 18ct gold, sapphire and diamond 

cluster brooch, modelled as a swan, set with 

graduated round cut sapphires and round and 

trapeze cut diamonds, maker’s mark COLJ, height 

33mm, width 40mm, gross weight 8.3 grams. 

£200 - 300 

Lot 481 

A late 20th century French 18ct gold and single 

stone hexagonal cut citrine set dress ring, with 

amethyst and diamond chip set setting, makers 

mark C&E?, size I/J, gross weight, 17.4 grams. 

Lot 482 

£500 - 800 

A modern pair of 18ct white gold and six stone 

diamond set line drop earrings, 22mm, gross 


Lot 483 

£300 - 400 

A 1960’s Kutchinsky 18ct gold, ruby and 

diamond cluster set double fern clip brooch, 

signed and hallmarked for London, 1964, 67mm, 


Lot 484 

£2,000 - 3,000 

A lady’s 18ct gold and eight stone diamond set 

manual wind cocktail, the dial inscribed Cartier, 

on integral tapered gold bracelet set with eight 

round cut stones, the watch case back 776149 A 

and a separate set of four engraved numbers 5963, 

7.5cm, gross weight 48.9 grams (hinged cover for 

dial now missing), dial diameter 11mm, no box or 

papers. 

Lot 485 

£2,000 - 3,000 

A modern 18ct gold and graduated five stone 

princess cut diamond set half hoop ring, the 

central stone measuring 4.3mm by 4.7mm, with a 

depth of 3.3mm, size H, gross weight 3.8 rams. 

Lot 486 

£600 - 800 

A platinum and single stone diamond set ring, 

with baguette cut diamond set shoulders, the 

round cut stone weighing approximately 6.80ct, with 

an estimated colour and clarity of L/M and I1/I2, size 

S, gross weight 6.6 grams. 

£10,000 - 15,000 

Lot 480 

A modern 9ct gold and diamond chip set line 

bracelet, 17.5cm, gross weight 7.2 grams. 

£300 - 400 

160

475 

474 

477 

476 

478 

479 

480 

481 

482 

483 

484 

485 

486 

161

Lot 487 

A modern 18ct white gold and facetted oval cut 

blue topaz set dress ring, with diamond chip set 

border and shoulders, size L, gross weight 5.2 

grams. 

Lot 488 

£300 - 500 

A modern Italian Gucci 18ct white gold and 

diamond chip cluster set couture band, with 

pierced initials, size N, gross weight 8.2 grams, with 

Gucci box. 

Lot 489 

A pair of 375 white gold and facetted square cut 

blue topaz set drop earrings, with diamond chip 

set borders, 13mm, gross weight 5.1 grams. 

Lot 490 

A modern 18ct white gold and seven stone 

round brilliant cut diamond set half hoop ring, 

each stone diameter approximately 3.3mm, size J, 


Lot 491 

£400 - 600 

Lot 496 

£200 - 300 

Lot 497 

£500 - 700 

A modern platinum and nine stone diamond set 

square cluster ring, with ten stone diamond set 

shoulders, size M, gross weight 7.8 gram. 

Lot 492 

£400 - 600 

A large pair of gold and ruby chip set hoop 

earrings, one stone missing, diameter 48mm, gross 

weight 12 grams. 

Lot 493 

A modern 18ct gold and single stone cushion 

cut amethyst set dress ring, with ten stone 

round brilliant cut diamond set shoulders, size 

N, gross weight 10.1 grams. 

Lot 494 

£300 - 500 

Lot 500 

£500 - 700 Lot 501 

A modern 750 white gold and single stone 

emerald cut aquamarine set dress ring, with one 

side flanked by four small round cut diamonds, size 

L, gross weight 7.6 grams. 

Lot 495 

£300 - 400 

A 20th century Egyptian gold and multi gem set 

dress ring, of domed form and set with thirteen 

various stones, size K, gross weight 10.7 grams. 

£300 - 500 

A pair of Art Deco Marzo platinum?, jadeite disc, 

coral and diamond set drop earrings, signed, 


£800 - 1,200 

A modern 18ct white gold and solitaire marquise 

cut diamond set ring, with crossover shoulders, 

the stone measuring approximately 10mm by 

5.5mm, with a depth of 3.2mm, size K, gross weight 

7 grams. 

Lot 498 

£500 - 700 

A modern 18ct white gold and collet set forty 

seven stone round brilliant cut diamond set line 

bracelet, 18.5cm, gross weight 34.8 grams. 

Lot 499 

£1,500 - 2,000 

A modern Italian Bulgari 18ct white gold B. Zero1 

ring, size H, 8.4 grams. 

£300 - 500 

An 18ct white gold and single stone blue green 

cabochon tourmaline set ring, size K, gross 


£300 - 400 

A modern pair of 750 white gold and two colour 

diamond cluster dress ring, set with black and 

colourless stones, size M, gross weight 10.1 grams. 

£600 - 800

487 

488 

489 

492 

490 

491 

493 

496 

494 

495 

497 

498 

499 

500 

501

Lot 502 

A modern Cartier 18ct white gold and diamond 

line choker necklace, with Cartier box and 

certificate dated 14/3/03, the necklace set with 

one hundred and forty one claw set round brilliant 

cut diamonds with an approximate total weight 

of 8.15cts, hallmarked and stamped 750, signed 

Cartier and numbered R09082, 37.5cm. 

Lot 503 

£8,000 - 10,000 

A modern Chopard 18ct white gold and four 

stone diamond chip cluster set band, signed 

and numbered 82/3789, size K/L, gross weight 7.8 

grams. 

Lot 504 

£300 - 500 

A modern Chopard 18ct white gold ‘Happy 

Floating’ diamond ring, makers mark GA, size K, 

gross weight 11.3 grams, with Chopard pouch. 

Lot 505 

£300 - 500 

A pair of French Cartier three colour 18ct gold 

interwoven hoop ear clips, signed and numbered 

03074, 21mm, 11 grams, with twin compartment 

Cartier box. 

£800 - 1,200 

Lot 506 

A modern 18ct white gold and round brilliant cut 

nine stone diamond set cluster ring, the centre 

stone weighing approximately 1.05cts, with an 

estimated colour and clarity of G/H and VS1/VS2, 

the total diamond weight approximately estimated as 

2.89cts, size R, gross weight 6.4 grams. 

Lot 507 

£3,000 - 4,000 

A good platinum or white gold set single 

stone diamond ring, with two stone baguette 

cut diamond set shoulders, the round brilliant 

cut stone weighing approximately 3.40ct, with an 

estimated colour and clarity of H/I and VVS, size O, 


Lot 508 

£15,000 - 20,000 

A modern Cartier 750 white gold and four stone 

gypsy set diamond ‘Love’ bangle, signed and 

numbered OD 1642, interior 60mm, gross weight 36 

grams, with Cartier box. 

£3,000 - 4,000

502 

503 

504 

505 

506 

507 

508

Auctioneers Since 1929 

Fine Sales in 2024 

Summer 

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10 December 

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If you have something special that are you considering selling 

now is a great time to contact us for an auction estimate 

166 

Gorringe’s Lewes 

15 North Street, Lewes 

East Sussex BN7 2PE 

clientservices@gorringes.co.uk 

gorringes.co.uk 

Gorringe’s Tunbridge Wells 

Grosvenor House, Grosvenor Park 

Tunbridge Wells, Kent TN1 2BF

167

168 

Gorringe’s Tuesday 12th March 2024

Gorringe's Spring Fine Sale - 12th March 2024 starting 10am

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