27.02.2024 Views

Gorringe's Spring Fine Sale - 12th March 2024 starting 10am

This Spring sale has a number of lots with a connection to India. Philip has unearthed a rare copy of the scarce coloured edition of Emily Eden’s major work Portraits of the Princes and Peoples of India, 1844, one of just a handful of copies published in this particular format (Lot 16). From the same family descendants comes her album recording the voyage to India including eighteen watercolour sketches taken on board the naval frigate Jupiter and one of her journals written upon her return to England (Lots 17 & 19). A separate valuation found one of Arthur Devis’s depictions for ‘Arts, manufactures and agriculture of Bengal’ (Lot 201). A rare opportunity as many of these are now in public collections. Elsewhere a particularly large and detailed example of a John Frederick Herring farmyard scene is offered along with a smaller beautifully detailed oil of coach horses (lots 206 & 207). This sale also features a group of items relating to Winston Churchill and the sculptor Oscar Nemon including a maquette for ‘Married Love’, the depiction of Winston & Clem (Lots 5 to 11). Two iconic photographs of Churchill are also on offer as well as two chairs form his London home at 28 Hyde Park Gate. Elsewhere we have the usual offering of a wide range of silver, watches and jewellery along with an array of collectables and curiosities within the other departments. Enjoy the sale. www.gorringes.co.uk/calendar Viewing on: Friday 8th March: 9:00 AM - 5:00 PM Saturday 9th March: 9:00 AM - 1:00 PM Monday 11th March: 9:00 AM - 5.00 PM Tuesday 12th March: 8.30AM - 10AM The auction will start at 10.00 AM 15 North Street, Lewes, East Sussex BN6 2PE 01273 472503

This Spring sale has a number of lots with a connection to India. Philip has unearthed a rare copy of the scarce coloured edition of Emily Eden’s major work Portraits of the Princes and Peoples of India, 1844, one of just a handful of copies published in this particular format (Lot 16). From the same family descendants comes her album recording the voyage to India including eighteen watercolour sketches taken on board the naval frigate Jupiter and one of her journals written upon her return to England (Lots 17 & 19). A separate valuation found one of Arthur Devis’s depictions for ‘Arts, manufactures and agriculture of Bengal’ (Lot 201). A rare opportunity as many of these are now in public collections.

Elsewhere a particularly large and detailed example of a John Frederick Herring farmyard scene is offered along with a smaller beautifully detailed oil of coach horses (lots 206 & 207).

This sale also features a group of items relating to Winston Churchill and the sculptor Oscar Nemon including a maquette for ‘Married Love’, the depiction of Winston & Clem (Lots 5 to 11). Two iconic photographs of Churchill are also on offer as well as two chairs form his London home at 28 Hyde Park Gate.

Elsewhere we have the usual offering of a wide range of silver, watches and jewellery along with an array of collectables and curiosities within the other departments. Enjoy the sale.

www.gorringes.co.uk/calendar

Viewing on: Friday 8th March: 9:00 AM - 5:00 PM Saturday 9th March: 9:00 AM - 1:00 PM Monday 11th March: 9:00 AM - 5.00 PM Tuesday 12th March: 8.30AM - 10AM The auction will start at 10.00 AM

15 North Street, Lewes, East Sussex BN6 2PE
01273 472503

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Gorringe’s<br />

65<br />

<strong>Spring</strong> <strong>Fine</strong> <strong>Sale</strong><br />

<strong>12th</strong> <strong>March</strong> <strong>2024</strong><br />

476<br />

386<br />

386


201


22


SPRING SALE<br />

Tuesday <strong>12th</strong> <strong>March</strong><br />

10.00 am<br />

Philip Taylor - Partner<br />

+44 (0)1273 472503<br />

philipt@gorringes.co.uk<br />

15 North Street, Lewes, Sussex BN7 2PE<br />

Sally Taylor - Partner<br />

+44 (0)1273 472503<br />

sallyt@gorringes.co.uk<br />

VIEWING<br />

Friday 8th <strong>March</strong> 9.00-5.00<br />

Saturday 9th <strong>March</strong> 9.00-1.00<br />

Monday 11th <strong>March</strong> 9.00-4.30<br />

BUYER’S PREMIUM<br />

25% + VAT<br />

payable on the hammer price of all lots<br />

IMPORTANT CHANGES TO OUR<br />

BIDDING PROCEDURE<br />

Please note that , owing to the recent introduction<br />

of Money Laundering Regulations, clients wishing to<br />

bid in this auction are likely to be asked to<br />

provide two forms of identification. This applies to<br />

both new and existing clients.<br />

General Enquiries:<br />

Tel: 01273 472503<br />

Clifford Lansberry - Partner<br />

+44 (0)1273 472503<br />

clifford@gorringes.co.uk<br />

Dan Bray - Associate Partner<br />

+44 (0)1273 472503<br />

danb@gorringes.co.uk<br />

Roger Mead<br />

+44 (0)1273 472503<br />

rogerm@gorringes.co.uk<br />

David Holmes<br />

+44 (0)1273 472503<br />

davidh@gorringes.co.uk<br />

James Hancox<br />

+44 (0)1273 472503<br />

jamesh@gorringes.co.uk<br />

clientservices@gorringes.co.uk<br />

Cover: Lot 17<br />

Catalogues: £10 (£12.00 by post)<br />

Registered in England & Wales as a Limited Liability Partnership. Registration No. OC318535<br />

Gorringes is a trading name of Gorringes LLP


This sale includes several<br />

consignments from the Channel<br />

Islands.<br />

Under UK Import Laws duty is<br />

payable on the hammer price as<br />

follows;<br />

5% on items over 100 years old and<br />

works of art.<br />

20% on items under 100 years old.<br />

* Import tax of 5% on the<br />

hammer price<br />

** Import tax of 20% on the<br />

hammer price<br />

44129


SALE NOTICES<br />

SALE SYMBOLS<br />

§ Artist’s resale right - 4% on the hammer price<br />

† VAT on the hammer price<br />

* Import tax of 5% on the hammer price<br />

** Import tax of 20% on the hammer price<br />

BIDDING<br />

You may bid in the room, by commission bid, by telephone or live online. To register to bid in the room please visit the<br />

cashiers desk on the day of the sale. To leave a commission bid please use the online facility, telephone, email or fill out a<br />

bidding form. Bids must be received no later than 9 a.m. on the saleday.<br />

TELEPHONE BIDDING<br />

Telephone bids must be received no later than close of business on the 11th <strong>March</strong>.<br />

ONLINE BIDDING<br />

There are three online bidding platforms to choose from; thesaleroom.com, easylive.co.uk and invalauble.com. All have<br />

different additional charges on top of the hammer price and buyer’s premium.<br />

CONDITION REPORTS<br />

Rarely are things at auction in perfect condition so do satisfy yourself as to the condition of each lot. Condition reports<br />

are not printed in the catalogue. They are all available in the online catalogue at www.gorringes.co.uk. Please email if you<br />

require further information about a lot.<br />

VAT<br />

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refunds<br />

documentation for hand-carried exports. In order to qualify for a VAT refund, your lots must be exported by a shipper<br />

and valid exportation documentation must be provided.<br />

PAYMENT TERMS<br />

Payment is required by Wednesday 19th of <strong>March</strong> by debit card, BACS, Worldpay and cash (subject to money laundering<br />

regulations). Please note we do not accept credit cards or American Express.<br />

PACKING, DELIVERY & SHIPPING<br />

Shipping can prove expensive so please ask us for a shipping quote before bidding. We aim to provide in-house packing<br />

where practical but high value and delicate items may well require a specialist. Overseas shipping is best provided by a<br />

shipper in order to access appropriate insurance cover. We can recommend local carriers, UK domestic carriers and<br />

International shipping specialists.<br />

BOOK A COLLECTION<br />

Collection is by appointment only. You need to book a collection time by 4pm the previous day. Visit the website or<br />

follow the link on your invoice to book a collection time. Purchases not collected within two weeks of the sale date<br />

will be held in storage and charged at the rate of £5+ VAT per lot per day. Please contact us if you require special<br />

arrangements to be made regarding storage.<br />

CONDITIONS OF SALE<br />

Visit www.gorringes.co.uk for full conditions of sale.


ORDER OF SALE<br />

Tuesday <strong>12th</strong> <strong>March</strong> at 10.00am<br />

Miscellanea<br />

Bronzes and Metalware<br />

Ceramics and Glass<br />

Asian Works of Art<br />

Clocks, Carpets &<br />

Furniture<br />

1 - 51<br />

52 - 73<br />

74 - 131<br />

132 - 180<br />

Tuesday <strong>12th</strong> <strong>March</strong> at 12.30pm<br />

Paintings and Prints<br />

Silver - 2.45pm approx<br />

Watches &<br />

Jewellery<br />

181 - 334<br />

335 - 388<br />

389 - 508<br />

306<br />

8


Miscellanea<br />

Lots 1 - 51<br />

9<br />

9


1<br />

2<br />

3<br />

Lot 1<br />

Anthony Buckley (British, 1912-1993) A pair of<br />

framed black and white portrait photographs of<br />

Queen Elizabeth II and Prince Philip, each with<br />

the sitters signature reserved within a cartouche<br />

within the framing, photographs 51 x 39cm<br />

Lot 2<br />

£400 - 600<br />

A presentation photograph of King Edward VII<br />

when Prince of Wales inscribed in ink ‘To Earl<br />

Cowley from Edward POW’, 38 x 30cm<br />

£300 - 500<br />

4<br />

Lot 3<br />

Willy Rizzo (1928-2013), Rosella Hightower 1951,<br />

a gelatin silver print, printed later, signed on the<br />

back Rizzo and edition 1/8 in black ink verso, 78.5 x<br />

67cm, sheet overall 86 x 73.5cm,<br />

Lot 4<br />

£500 - 800<br />

Bert Stern (1929-2013). Marylin, Black Dior<br />

Dress, from The Last Sitting, 1962, Iris print 1994<br />

signed, inscribed and stamped, 81 x 56.8cm<br />

£2,500 - 3,500<br />

10


From a Private Collection, Westerham, Kent<br />

Lot 5<br />

Churchill, Winston S. (1874-1965) - Sir Winston<br />

Churchill at his easel in his studio at Chartwell, a<br />

black and white photograph, signed in ink by the<br />

photographer, Hans Wild (1912-1969). The image<br />

taken for the front cover of Life magazine, issued<br />

on 7th January, 1946. 50 x 39cm., within mount and<br />

oak frame<br />

5<br />

£1,000 - 1,500<br />

6<br />

Lot 6<br />

After Alfred Egerton Cooper (1883-1974) -<br />

“Profile for Victory-portrait of Sir Winston<br />

Churchill, seated half length’’, pencil, 35 x 29cm.<br />

The original work was painted for the Carlton Club<br />

in 1942 and exhibited at the Royal Academy in the<br />

following year.<br />

£150 - 200<br />

Lot 7<br />

Churchill, Winston S. (1874-1965) - Sir Winston<br />

Churchill studio photograph, an original black<br />

and white print, circa 1951, the reverse with<br />

photographer’s studio stamp - ‘’Vivienne’’ (Florence<br />

Vivienne Entwistle, née Mellish), (1889-1982), the<br />

mother-in-law of Sir Winston’s daughter Sarah, in<br />

leather backed silver frame, monogrammed W.S.C,<br />

the image 18.5 x 16cm<br />

£800 - 1,200<br />

7<br />

11


Lot 8<br />

Churchill, Winston S. (1874-1965) - A plaster<br />

maquette for Head of Sir Winston Churchill<br />

by Oscar Nemon (1906-1985), with brown<br />

patination, 15cm high, together with three original<br />

negatives from Nemon’s studio of the work in<br />

progress on the bust and black and white prints of<br />

same.<br />

Provenance: The Churchill family<br />

Lot 9<br />

£800 - 1,200<br />

Oscar Nemon (1906-1985) - A maquette for -<br />

“Married Love’’, depicting Sir Winston Churchill<br />

and Clementine Churchill, plaster with a<br />

verdigris patination, 39cm wide, 27cm high, raised<br />

on a shaped mahogany plinth.<br />

Note: Oscar Nemon (1906-1985) created a plaster<br />

maquette depicting Sir Winston Churchill and Lady<br />

Churchill seated on a bench, famously named<br />

‘Married Love,’ at the request of Lady Churchill, in<br />

1978. Impressed by Nemon’s earlier portrayal of<br />

her husband on Westerham Green, she remarked,<br />

‘This is how I see him and that is how I love him,’<br />

prompting her to sit for Nemon in her London<br />

residence. This allowed the sculptor to incorporate<br />

her likeness alongside her husband’s in the final<br />

sculpture. The full-size bronze versions of this<br />

sculpture can be found at Chartwell and in Kansas<br />

City, America.<br />

Lot 10<br />

£4,000 - 6,000<br />

Churchill, Winston S. (1874-1965) - From Sir<br />

Winston’s London home at 28, Hyde Park Gate -<br />

Two similar Louis XVI provincial open armchairs,<br />

the stained beech frames, upholstered in pale blue<br />

cotton velvet, raised on tapered, fluted legs, one a<br />

replacement, together with the Knight, Frank and<br />

Rutley property auction sales brochure for 28, Hyde<br />

Park Gate, dated 28th October, 1965, where the<br />

chairs are illustrated in the Study, the KFR Country<br />

Life page advert for the sale and three black white<br />

original press photographs showing events outside<br />

the property, including riders offering birthday wishes<br />

to celebrate Sir Winston’s 86th birthday<br />

£3,000 - 5,000<br />

Lot 11<br />

A collection of letters and other memorabilia<br />

regarding the unveiling of the Oscar Nemon<br />

(1906-1985) bronze statue of the seated figure of<br />

Sir Winston Churchill on The Green, Westerham<br />

by Baroness Spencer-Churchill and Sir Robert<br />

Menzies, Lord Warden of the Cinque Ports, on 23rd<br />

July 1969, comprising: correspondence between<br />

Major I M Calvocoressi (a trustee of the Winston<br />

Churchill Fund Westerham) and Lady Churchill’s<br />

private secretary, European ambassadors to<br />

The Court of St James’s, Lady Avon (wife of the<br />

former Prime Minister, Sir Anthony Eden), Lord<br />

Cornwallis (Lord Lieutenant of Kent) and Col. Sir<br />

Stuart Mallinson; two US press photographs of the<br />

Churchill and Soames families at the ceremony<br />

and another photograph of the statue; three Orders<br />

of Service for memorial services at Coventry<br />

Cathedral, Salisbury Cathedral and Westerham<br />

Parish Church; a metal plaque enamelled with<br />

Churchill’s coat-of-arms; and two centenary event<br />

programmes; a manuscript letter from Oscar<br />

Nemon, to Capt. Evans , dated 31.5.70 - ‘’Dear<br />

Capt. Evans,[Capt. R. Evans, Chairman of the<br />

Trustees of the Winston Churchill Fund-Westerham]<br />

Thank you for your letter. I thought my proposal was<br />

the best solution in the circumstances. So far there<br />

has been no plans for a copy, and I was merely<br />

seeking the freedom to make such a copy should<br />

the occasion arise.I am glad this meets with your<br />

approval. It is pleasant for me to hear that the statue<br />

is appreciated. Yours sincerely, Oscar Nemon’’; H.<br />

W. Thompson - ‘’Statue of ‘’Churchill 1874-1965,<br />

Westerham Green’’, pencil, signed and inscribed,<br />

28 x 17cm. and a 33rpm EP recording of Unveiling<br />

of Sir Winston Churchill’s statue at Westerham 23rd<br />

July, 1969.<br />

£250 - 350<br />

12


8<br />

10<br />

9<br />

11<br />

13


Lot 12<br />

A late 18th century Brussels Verdure<br />

figurative tapestry, depicting Royal lovers in<br />

a landscape with trees to the foreground and<br />

villa beyond. 332 x 254cm<br />

£5,000 - 7,000<br />

14


Lot 13<br />

A 19th century Italian<br />

scagliola plaque depicting<br />

travellers, shepherds and cattle<br />

drovers passing classical ruins,<br />

in a gilt gesso frame, 20 x 33cm<br />

£800 - 1,200<br />

Lot 14<br />

Orlandi Aristide, Via Sistina, a 19th<br />

century Italian micro-mosaic and<br />

specimen marble circular plaque,<br />

probably made for a table top, with central<br />

view of The Pantheon in Rome within two<br />

outer rings of specimen marble set into a<br />

slate base, signed to the underside, 35.5cm<br />

diameter<br />

£800 - 1,200<br />

Lot 15<br />

A 15th century Nottingham relief<br />

carved alabaster plaque of The<br />

Holy Family, The Virgin Mary and<br />

Joseph, holding an olive branch<br />

flanking the Christ Child, who stands<br />

holding a staff. Fragment piece with<br />

loss to bottom right and top left,<br />

where a small piece has been restuck,<br />

max 6.75in. x 6.5in.<br />

£3,000 - 5,000<br />

15


Lot 16<br />

° Emily Eden (1797-1869) - PORTRAITS OF THE<br />

PRINCES & PEOPLE OF INDIA. AN EXTREMELY<br />

RARE COPY OF THE BEST ISSUE. Hand coloured<br />

lithographed title mounted on card, list of plates and<br />

27 hand coloured lithographed plates, heightened<br />

with bodycolour and gum-Arabic, by Lowes-<br />

Dickinson after Eden, printed by Charles Hullmandel<br />

and mounted on 24 card mounts with ink borders<br />

ruled by hand and 24 leaves of commentary text,<br />

published by J. Dickinson & Son, London,1844, with<br />

letterpress titles and captions on paper mounted<br />

on each verso, each interleaved with blank guard<br />

sheets.<br />

Unbound, as issued, in original purple moroccoback<br />

and cloth portfolio, upper cover blocked in<br />

gilt ‘Hon.E.Eden’s India Part.1’ around an integral<br />

vignette illustration of a snake coiled around an egg.<br />

55.5 x 44.5cm. Not in Abbey.<br />

A scarce coloured edition of Emily Eden’s major<br />

work, one of just a handful of copies published<br />

in this particular format. Emily Eden, the seventh<br />

daughter of William Eden, first baron Auckland,<br />

accompanied her brother, George Eden, 1st Earl<br />

of Auckland (1784-1849), during his tenure as<br />

Governor-General of India from 1835 to 1842. A<br />

gifted amateur artist and writer, Eden documented<br />

her experiences in India through letters and an<br />

extensive collection of sketches. Upon her return<br />

to England in 1842, Eden privately arranged<br />

for the printing of her images as a portfolio of<br />

24 lithographs, known as “Portraits,” which was<br />

published in 1844 in four parts. While the majority<br />

of copies were issued without colouration, a select<br />

few, including the present edition, were beautifully<br />

hand-coloured. In addition to the “Portraits,” Eden’s<br />

journal, “Up the Country: Letters Written to her Sister<br />

from the Upper Provinces of India,” was published in<br />

1866.<br />

The “Portraits” by Eden feature detailed depictions<br />

and accompanying textual descriptions of various<br />

Indian rulers and their families, whom Lord<br />

Auckland encountered during his term in office.<br />

Initially residing in Calcutta, Lord Auckland and his<br />

entourage travelled through the Upper Provinces<br />

from October 1837 to February 1840, engaging<br />

with princely subjects. Notable individuals met and<br />

portrayed by Eden during this tour included the<br />

Maharaja Ranjit Singh, founder of the Sikh empire<br />

and ruler of the Punjab until his death in 1839, his<br />

second son, the Maharaja Sher Singh, ruler of the<br />

Punjab 1841-1843, the Raja of Nahun, the Raja<br />

of Patiala, and Raja Hira Singh, son of the Prime<br />

Minister of the Punjab. The richness and splendour<br />

of the Indian Princes are deftly captured in this fine<br />

work.<br />

Depictions also include servants attached to<br />

Government House, and their families, part of a<br />

12,000-strong retinue accompanying Lord Auckland<br />

and party up the country. There are additional<br />

depictions of figures that Emily Eden observed along<br />

the way - Pathans, Tibetans and others.<br />

£25,000-35,000<br />

16


17


Lot 17<br />

The Hon. Emily Eden (1797-1869) The Voyage to<br />

India, 1835-36. An album including eighteen<br />

watercolour sketches taken on board the naval<br />

frigate Jupiter, with scenery and figure studies taken<br />

in Funchal, Madeira (3), Rio de Janeiro (5), Cape<br />

Town (3), and India (1), and miscellaneous pencil<br />

sketches, several titled, ownership inscription on the<br />

front and back pastedowns ‘Edmund T. Drummond,<br />

Lyaston, Woodford Green.’<br />

Pencil and watercolour on paper sheets (15.8 x<br />

22.8cm.).<br />

The subjects include: The town of Funchal; An<br />

Indian girl; The bridge of the Jupiter; William<br />

Godolphin Osborne reading, ‘Heaving the Lead’;<br />

‘Captain Grey at his usual occupation; Cape Malays<br />

at Cape Town; Cape Town December 35’; Aqueduct<br />

Rio’; ‘Children Botanical Garden Rio’; ‘Lady & Her<br />

Slave at Rio’; ‘…Funchal. Daughter of the<br />

Governor’; and Nun at the Convent in Madeira<br />

October 1835’<br />

THE ARTIST - EMILY EDEN (1797-1869)<br />

The artist, novelist and sometime poet, Emily Eden,<br />

seventh daughter of William Eden, 1st Baron<br />

Auckland, accompanied her brother George Eden,<br />

1st Earl of Auckland during his tenure as Governor-<br />

General of India from 1836 to 1842. Acting as the de<br />

facto First Lady, alongside her unmarried brother,<br />

she documented their six-year residency in India<br />

through a journal published in 1866 (“Up the<br />

country”) and her correspondence published in 1872<br />

(“Letters from India”). Additionally, she displayed a<br />

passion for amateur artistry, producing a series of<br />

Indian sketches that were later refined into<br />

lithographs and published in 1844 as “Portraits of<br />

the Princes & People of India.” The majority of her<br />

original watercolours created in India were<br />

auctioned at Christie’s on 14th <strong>March</strong>, 1906, lot 98,<br />

comprising nearly 200 drawings, predominantly in<br />

colour, acquired by Quaritch for Lord Curzon, who<br />

later presented them to the Victoria Memorial Hall in<br />

Calcutta. Her lithographs, both coloured and<br />

uncoloured, are scarce, as are her original sketches.<br />

Apart from those housed in Kolkata, only one<br />

watercolour remains in the British Library, depicting<br />

“Four portrait heads of Dost Muhammad Khan and<br />

three members of his family’’, serving as a<br />

preliminary study for one of her lithographic plates.<br />

18


THE VOYAGE SKETCHBOOK<br />

The current sketchbook represents a valuable<br />

addition to her existing body of work, providing a<br />

modest visual documentation of the journey to India<br />

undertaken by the party. This journey is primarily<br />

documented through her published writings and<br />

some unpublished letters of her sister Fanny Eden.<br />

References to her sketching activities in these<br />

letters suggest the possibility of additional drawings<br />

and watercolors by Emily during the voyage, some<br />

of which may not have survived. For instance, in a<br />

letter dated December 12, 1835, she mentions<br />

having produced numerous sketches while at Rio,<br />

expressing intent to potentially send a book filled<br />

with them to someone who appreciates such works.<br />

However, she notes the difficulty of completing them<br />

satisfactorily due to the instability of the<br />

environment. Despite initial discomfort, she later<br />

attests to overcoming seasickness and continuing<br />

her artistic pursuits, alleviating some of her earlier<br />

unhappiness.<br />

The expedition led by the Governor-General,<br />

departed from Portsmouth aboard the naval frigate<br />

Jupiter, under the command of Captain Grey, on<br />

October 3, 1835, consisted of Emily, her sister<br />

Fanny, their nephew William Godolphin Osborne<br />

(Lord Auckland’s Military Secretary, captured in a<br />

notable watercolour by Emily within the album), six<br />

servants, and the physician, Dr. Drummond. Emily<br />

brought along her spaniel, Chance, evidenced by<br />

three pencil sketches likely depicting her beloved<br />

pet, while William accompanied them with his six<br />

greyhounds. Enduring a seasick ten days, they<br />

reached Madeira on Tuesday, October 13, as<br />

described in Emily’s letter of October 14, 1835,<br />

expressing admiration for the island’s beauty with its<br />

tropical allure, though remarking on its resemblance<br />

to a fantastical travel narrative. During their stay,<br />

they lodged with Mr. Stothard, a wine merchant in<br />

Funchal, and explored the local attractions, captured<br />

in three watercolour illustrations in the album, before<br />

continuing their journey to Rio de Janeiro on Friday,<br />

October 16. Crossing the equator on November 13,<br />

they arrived at the harbour in Rio de Janeiro three<br />

days later.<br />

They explored downtown Rio de Janeiro,<br />

documented in a panoramic brown wash drawing<br />

across two sheets depicting the renowned Lapa<br />

aqueduct district, as well as in a street scene. They<br />

also visited the acclaimed Botanical Gardens,<br />

captured in a sketch featuring three slave children.<br />

Emily’s letter dated November 17, 1835, describes<br />

their arrival in Rio de Janeiro, praising the beauty of<br />

the place despite initial doubts about the journey.<br />

The bustling harbour, filled with ships and adorned<br />

with flags, greeted them as they embarked on visits<br />

to local authorities. Despite the prevalent dirtiness of<br />

the town, it proved more engaging than their<br />

previous stop in Funchal. Notably, the majority of the<br />

population consisted of slaves, a fact that initially<br />

sparked surprise but soon became commonplace.<br />

They were hosted for an early dinner by the Admiral<br />

aboard the Dublin before setting off in hired<br />

carriages to explore the Botanical Gardens,<br />

surrounded by magnificent scenery. Captain Grey<br />

later led them on a memorable ride into the cooler<br />

Tijuca forest above the town, where they marveled<br />

at the natural beauty of the landscape, including<br />

clouds, mountains, trees, butterflies, and the overall<br />

atmosphere. This experience left them thoroughly<br />

enchanted. On November 21, they departed for the<br />

Cape.<br />

The frigate encountered a gale approximately one<br />

week after departing from Rio de Janeiro, but<br />

favourable winds swiftly propelled them to Table Bay<br />

in a mere twenty-three days. Emily’s letter of<br />

December 16, 1835, recounts their safe arrival in<br />

Cape Town on a Monday afternoon, where they<br />

settled in a satisfactory house despite being plagued<br />

by various insects and enduring intense heat until<br />

the afternoon. They enjoyed excursions into the<br />

19


countryside and indulged in fresh produce like new<br />

potatoes, peas, strawberries, and apricots. Despite<br />

feeling somewhat overwhelmed by visitors, they<br />

found solace in reconnecting with old acquaintances<br />

such as Lady C. Bell and Mrs. Wauchope, finding<br />

their time in Cape Town to be a much-needed<br />

respite before continuing their journey to Calcutta,<br />

their final destination. During their week in Cape<br />

Town, they produced only two watercolours and a<br />

pencil sketch, all seemingly depicting scenes from<br />

the Malay quarter. Departing for Calcutta on<br />

December 18, they embarked on a voyage lasting<br />

seventy-two days, finally sighting the shores of India<br />

on <strong>March</strong> 2 and arriving in Calcutta on <strong>March</strong> 4,<br />

1836, coinciding with Emily’s thirty-ninth birthday.<br />

In addition to the limited sketches documenting the<br />

various landfalls throughout the voyage, the album<br />

contains an array of watercolours and drawings<br />

portraying the daily activities aboard the Jupiter.<br />

These include numerous depictions of sailors<br />

engaged in their duties: manning the bridge,<br />

repairing sails and ropes, conducting depth<br />

soundings, and a detailed study of the Master,<br />

Captain Grey, utilizing his sextant. One watercolor<br />

captures a significant event in the Indian Ocean,<br />

occurring a few weeks after departing from Cape<br />

Town, when one of the ship’s masts broke.<br />

Described in Emily’s letter dated January 27, 1836,<br />

this incident unfolded suddenly during a calm and<br />

seemingly idyllic morning, highlighting the<br />

unpredictability of weather conditions near the<br />

equator. Despite the unexpected mishap, the crew’s<br />

swift and adept response showcased their capability<br />

in handling emergencies, with Captain Grey’s calm<br />

demeanour and quick thinking earning<br />

commendation.<br />

According to Emily’s correspondence, during the<br />

final voyage segment to India, another sketchbook<br />

was filled by the sailors. Describing this endeavor,<br />

Emily wrote, “I purchased an album at the Cape,<br />

designated as the ‘Jupiter’s Album,’ and extended<br />

invitations to all the officers to contribute to it. This<br />

idea appealed to their imaginations, prompting the<br />

entire ship’s company to engage in drawing. Many<br />

of them possessed varying degrees of drawing<br />

ability, and out of the twenty-four drawings<br />

submitted, at least ten were deemed quite<br />

commendable, with some being tolerable. Even the<br />

less skilled drawings were entertaining due to the<br />

20


considerable effort put forth by the midshipmen. This<br />

activity provided amusement for a span of ten days<br />

and greatly pleased Captain Grey.”<br />

PROVENANCE: 1842 - The Hon. Emily Eden (1797-<br />

1869);<br />

to her sister The Hon. Mary Drummond, née Eden;<br />

By descent in the Drummond family to Hilda<br />

Drummond,<br />

thence to Christina Grabham (Hilda’s daughter),<br />

thence private Collection Sussex.<br />

£25,000 - 35,000<br />

Lot 18<br />

° Eden, Emily - Letters from India, edited by<br />

her niece, 2 vols. 8vo, half calf, marbled boards,<br />

Richard Bentley, London, 1872; Dickinson, Violet<br />

(editor) - Miss Eden’s Letters, 8vo, blue cloth,<br />

Macmillan and Co., London, 1919; Trotter, Capt.<br />

L.J - Rulers of India: The Earl of Auckland, 8vo,<br />

blue cloth gilt lettered, with folding map, Clarendon<br />

Press, Oxford, 1893; Eden, Rev. Robert Allan -<br />

Some Historical Notes of the Eden Family, 8vo,<br />

vellum gilt, Blades, East & Blades, London, 1907;<br />

and [Eden, Franses?] - A Lady of Rank - The<br />

Glanville Family, 3 vols, 8vo, rebound quarter cloth,<br />

Henry Colburn, London, 1838 (8)<br />

£100 - 150<br />

21


Lot 19<br />

° Journal of Emily Eden (1797-1869), novelist and<br />

traveller; 1 January - 29 <strong>March</strong> 1828<br />

Paper book with marbled edges in a parchment<br />

binding, 18 x 12 cm, with label of the supplier J<br />

Bowen, wholesale stationer, 315 Oxford Street.<br />

The journal opens with Emily’s departure from a<br />

long stay with her sister Mrs Colvile at Langley Farm<br />

at Beckenham in Kent.<br />

The context for this brief period in her life was<br />

the fall of the government led for five months by<br />

Frederick John Robinson (1782-1859), first Viscount<br />

Goderich and first earl of Ripon, and the character<br />

of Goderich’s wife Sarah, often the butt of Emily’s<br />

acerbic comments.<br />

The journal contains a full record of Emily’s social<br />

engagements and cultural interests; on 18 January<br />

she visited the French theatre with Mrs Mildmay and<br />

Francis Baring: ‘The Lyceum is very prettily fitted up<br />

but except Perlet, the acting is very bad’; on the 28th<br />

‘Lady Grantham lent me her box at C[ovent] Garden,<br />

Mary went with me – saw Henry 4th – C[harles]<br />

Kemble’s Falstaff is a wonderful piece of acting – but<br />

the whole play acts very heavily.’ On 16 February<br />

‘we went in the evening to Mr Hay’s – saw some<br />

drawings of birds by a Mr Audebon’ [John James<br />

Audubon, 1785-1851, whose publication of Birds of<br />

America was largely financed by his visit to England<br />

between 1826 and 1829].<br />

Emily greatly admired Jane Austen, whose writing<br />

influenced her own fiction. At a performance by the<br />

pupils of the Royal Academy of Music on 7 <strong>March</strong>,<br />

Emily overheard a couple ‘settling how to break<br />

to her father their intention of marrying – it would<br />

have been an excellent scene for Miss Austen’.<br />

On 17 <strong>March</strong> she accompanied her nephew<br />

Charley D[rummond] to the studio of Gilbert Stuart<br />

Newton, to sit for one of the children in The vicar of<br />

Wakefield reconciling his wife to Olivia; the picture,<br />

commissioned by Lord Lansdowne, was exhibited at<br />

the Royal Academy later that year.<br />

At rear, in reverse: ‘List of books at Berkley, August<br />

1879, E Dickinson’ (2 pages)<br />

Loose within volume: ‘Directions for washing Piña<br />

Cloth’ (a luxury fabric made from the leaves of the<br />

pineapple plant, mostly in the Philippines); c1840<br />

19<br />

Very few of Emily Eden’s papers are in public<br />

collections: letters to two of her sisters are held<br />

at Durham University Library, letters to Lord<br />

Minto in the National Library of Scotland and to<br />

Lord Brougham at University College, London. In<br />

1919 her great-niece Violet Dickinson published<br />

extracts from her papers, including brief excerpts<br />

this Journal: Violet Dickinson, Miss Eden’s letters<br />

(London: MacMillan), 1919. The papers of her<br />

brother George Eden, Earl of Auckland (1784-1849)<br />

are held by the British Library.<br />

See our online listing for the full description<br />

Lot 20<br />

£250 - 350<br />

° Osborne, William Godolphin, Lord - The Court<br />

and Camp of Runjeet Sing. With an introductory<br />

sketch of the origin and rise of the Sihk state,<br />

8vo, original green blindstamped cloth gilt, with<br />

frontispiece and 15 lithographed plates, Henry<br />

Colburn, London, 1840<br />

Lot 21<br />

£600 - 900<br />

Late 18th century English School - Portrait of<br />

Sir William Eden, later 1st Baron Auckland,<br />

watercolour on card, 20 x 18cm. A sketch of the<br />

sitter verso.<br />

Note: Sir William was father to fourteen children,<br />

including Emily Eden and her brother George Eden,<br />

1st Earl of Auckland, the Governor-General of India<br />

(1836-1842)<br />

£150 - 200<br />

22


Lot 22<br />

20<br />

Lowes-Dickinson, after Emily Eden (1797-1869) -<br />

a hand-coloured lithograph - ‘’A Shootr-Suwar’’.<br />

Plate 20 from ‘’Portraits of the Princes and<br />

Peoples of India’’, published by J. Dickinson & Son,<br />

London, 1944, the plate commentary verso - ‘’This<br />

is the class of attendants on an Indian camp, whose<br />

services are of great value in carrying intelligence<br />

and dispatches. They will ride on their camels fifty or<br />

sixty miles a day, in an emergency’’, 30.5 x 36cm.<br />

22<br />

Note: The title is an anglicized form of the Hindi term<br />

shutur-savar, meaning ‘’camel rider’’.<br />

£400 - 700<br />

Lot 23<br />

° Brigade and General Orders Book, Bombay,<br />

1 <strong>March</strong> 1784 – 14 <strong>March</strong> 1785 118 paper folios,<br />

most leaves browned, some brittle and with<br />

occasional (but not extensive) losses, all repaired, in<br />

a buckram binding, 38 x 28cm<br />

Army order book of the East India Company,<br />

comprising general orders issued at Bombay<br />

between 2 <strong>March</strong> 1784 and 14 <strong>March</strong> 1785,<br />

compiled in the office of Thomas Marshall, Town<br />

Major, and containing orders relating to military<br />

administration including notices concerning<br />

appointments, movements of troops, postings,<br />

promotions, pay, disputes over precedence and<br />

sentences of the separate courts martial for<br />

European and native troops.<br />

See our online listing for the full description<br />

£400 - 600<br />

21<br />

23<br />

23


Lot 24<br />

§ William McMillan A.R.A. (1887-1997), a carved<br />

alabaster group ‘Swans’, 43cm wide, 18cm high<br />

£600 - 800<br />

Lot 25<br />

** A large section of Andaman Padauk burr wood<br />

of sculptural form, mounted on a stand, 148cm<br />

wide, 49cm high, overall 60cm high<br />

£400 - 600<br />

24


Lot 27<br />

* A Greek Apulian Red-<br />

Figured Hydria, 4th century<br />

BC, manner of the circle of<br />

the Darius and Underworld<br />

painters, decorated with<br />

a nude youth, possibly<br />

Dionysus, seated to the right,<br />

a wreath in his hair, next to a<br />

standing female with a box in<br />

her left hand and a fan in her<br />

right, vertical lines to the neck<br />

and a band of waves encircling<br />

the base, 34.5cm high, some<br />

restoration and cracks<br />

£3,000 - 5,000<br />

Lot 26<br />

** Karin Jonzen RBA ARBS (1914-<br />

1998), a terracotta group, ‘Couple<br />

embracing’, 20cm high<br />

£300 - 500<br />

25


Lot 28<br />

A George III Sheraton style<br />

marquetry inlaid satinwood tea<br />

caddy of octagonal form with foliate<br />

swag decoration and central cameo<br />

panel of classical figures, 20.5cm<br />

wide, 11.5cm deep, 13cm high<br />

£400 - 600<br />

Lot 29<br />

A Victorian silver mounted blond<br />

tortoiseshell tea caddy of octagonal form<br />

with loop handle and scrollwork decoration,<br />

the interior with single lid and later silver<br />

caddy spoon, 11.5cm wide, 8cm deep, 9cm<br />

high<br />

£300 - 400<br />

Lot 30<br />

A Regency mother of pearl<br />

inset tortoiseshell sarcophagus<br />

tea caddy with dense floral<br />

decoration to the lid and front,<br />

ivory banded interior with two<br />

tortoiseshell canisters and<br />

probably the original cut glass<br />

mixing bowl, on ivory ball feet,<br />

32cm wide, 17cm deep, 18.5cm<br />

high<br />

CITES Submission reference<br />

8Z5Z2L6B<br />

£500 - 800<br />

26


Lot 31<br />

A pair of Arts & Crafts cast iron and<br />

pierced brass firedogs, in the manner of<br />

Edward Spencer and the Artificers’ Guild,<br />

30cm wide, 56cm deep, 81cm high<br />

£400 - 600<br />

Lot 33<br />

After Charles Valton (French,<br />

1851-1819), a bronze model<br />

of a lunging Mastiff ‘Passez<br />

au Large’, on naturalistic base,<br />

signed in the bronze, 63cm wide,<br />

59cm high<br />

£500 - 800<br />

Lot 32<br />

A pair of Victorian style ormolu six<br />

light candelabra with rococo scroll<br />

extinguishers, scrolling branches and floral<br />

applied stems mounted with putti, on scroll<br />

feet, 66cm high<br />

£400 - 500<br />

Lot 34<br />

After Charles Valton (French, 1851-1819),<br />

a bronze group of two King Charles<br />

spaniels seated upon a cushion, signed in<br />

the bronze, 46cm wide, 42cm high<br />

£400 - 600<br />

27


Lot 35<br />

Pierre-Jules Mêne (French, 1810-<br />

1871), a 19th century French<br />

bronze model ‘Cheval à la Barrière<br />

No.1 Djinn’, standing beside a fence<br />

on a naturalistic oval base, signed in<br />

the bronze, 25cm wide, 10cm deep,<br />

19cm high<br />

£400 - 600<br />

Lot 36<br />

Pierre-Jules Mêne (French, 1810-<br />

1871), a 19th century French bronze<br />

group ‘Jument Et Son Poulain’, upon<br />

a naturalistic base, signed in the bronze,<br />

26.5cm wide, 12.5cm deep, 17cm high<br />

£400 - 600<br />

Lot 37<br />

After Ferdinand Pautrot (1832-<br />

1874), a bronze group of a<br />

spaniel and a hound chasing<br />

a pheasant, on naturalistic base<br />

with integral oval plinth, signed in<br />

the bronze, 63cm wide, 29cm high<br />

£400 - 600<br />

28


Lot 38<br />

A 19th century Grand Tour bronze bust<br />

of Apollo Belvedere, on a parcel gilt plinth,<br />

initialled SB and with SB founders mark,<br />

32cm high<br />

£400 - 600<br />

Lot 39<br />

Jean Bulio (French, 1827-1911), a<br />

19th century French bronze ‘Enfant<br />

Charmeur’ modelled as Cupid playing a<br />

violin whilst seated upon a rouge marble<br />

column, applied with ormolu roses and<br />

bronze lovebirds, 27cm wide, 89cm high<br />

£3,000 - 5,000<br />

29


Lot 40<br />

Robert Wyland (American,<br />

b.1956), a patinated bronze<br />

group ‘Dolphin Reef’, signed<br />

in the bronze and dated 1995,<br />

numbered 79/450, 81cm long,<br />

53cm deep, 45.5cm high, comes<br />

with a plate glass oval top, 130<br />

x 81cm<br />

£800 - 1,200<br />

Lot 41<br />

Mulaty, a Continental Arts & Craft wrought<br />

iron and marbled glass table lamp, in<br />

the manner of Edgar Brandt, the domed<br />

mushroom shade in yellow and orange<br />

speckled glass over a broad planished beaded<br />

base, 17cm diameter, 36cm high<br />

£300 - 400<br />

Lot 42<br />

Marty Font, a French Art Deco bronzed and black marble<br />

group of two prowling panthers, signed on the plinth, 68cm<br />

wide, 18cm high<br />

£600 - 800<br />

30


Lot 44<br />

Alexis Rudier (b.1925),<br />

An Art Deco silvered<br />

bronze figure of a nude<br />

acrobatic dancer, signed<br />

on the foot, standing upon<br />

a black marble plinth,<br />

overall 53cm high<br />

£1,200 - 1,500<br />

Lot 43<br />

Alexandre Kéléty<br />

(Hungarian, 1918-1940), a<br />

bronze head of a classical<br />

youth, signed in the bronze,<br />

foundry stamp Patrouilleu, on<br />

stepped black marble plinth,<br />

16cm wide, 26cm high<br />

£400 - 600<br />

Lot 45<br />

Max Le Verrier (1891-1973), a bronze<br />

car mascot ‘Isa’, modelled as a dancer in<br />

diaphanous robes, signed in the bronze, on<br />

green marble plinth, overall 11cm wide, 19cm<br />

high<br />

£300 - 400<br />

Lot 46<br />

Claude (Claude-Marie Devenet<br />

1851-1931), a pair of French<br />

Art Deco bronze bookends,<br />

modelled as smiling naked<br />

infants upon ledgers, signed in<br />

the bronze, 25cm high<br />

£600 - 800<br />

31


Lot 47<br />

Archibald Knox for Liberty & Co.,<br />

The Bollellin Shield, circa 1903,<br />

English pewter dish with central<br />

blue green enamelled plaque and<br />

outer scrolling foliage, numbered<br />

044, 26cm diameter<br />

Lot 48<br />

£300 - 500<br />

An Arts & Crafts brass picture<br />

frame, of rounded rectangular form,<br />

the top inset with three turquoise<br />

Ruskin style stones and housing<br />

a contemporary photo-lithographic<br />

print, 45cm wide, 57cm high<br />

£400 - 600<br />

Lot 49<br />

Pierre-Joseph Hugonnet<br />

(French, 1801-1885), an<br />

Art Deco bronze figure<br />

of a woodcutter standing<br />

with his foot braced against<br />

a tree trunk, a large axe in<br />

his hands, signed on the<br />

plinth, overall 104cm wide,<br />

20cm deep, 48cm high<br />

£800 - 1,000<br />

Lot 50<br />

Attributed to Michel Decoux, a French Art<br />

Deco chrome and marble clock garniture,<br />

the central clock of four glass design flanked<br />

by a model of a deer, clock 42cm wide, 35cm<br />

high, lamps 26.5cm<br />

£300 - 500<br />

Lot 51<br />

Attributed to John Pearson<br />

(1859-1930), an Arts and Crafts<br />

copper plaque, embossed,<br />

chased and planished with fruiting<br />

scrolling foliage, incised J.P 1894<br />

verso, 33 x 73cm<br />

£1,000 - 1,500<br />

32


European Ceramics & Glass<br />

Lots 52 - 73<br />

72


Lot 52<br />

A Wedgwood Fairyland lustre ‘Jumping<br />

Faun’ Lily tray, designed by Daisy<br />

Makeig Jones, c.1925, the interior<br />

decorated in the daylight palette pattern<br />

no. Z4968, the underside in green mottled<br />

lustre decorated in gilt with ‘Flight of<br />

Birds’ and the pebble and grass border,<br />

gilt printed mark ‘Wedgwood England’,<br />

apparently no pattern number, 23cm (9in.)<br />

diameter<br />

£1,200 - 1,800<br />

Lot 53<br />

Camille Tharaud (French,<br />

b.1878), two pairs of Art Deco<br />

porcelain bookends, c.1925,<br />

modelled as a pair of leaping<br />

rams and a pair of perching<br />

parrots, both with brown drizzled<br />

cream glaze, printed marks<br />

Tharaud, Limoges, France,<br />

13.5cm and 19cm high<br />

£300 - 500 Lot 54<br />

Three Venini multi coloured glass<br />

vessels, 1980’s, comprising a yellow<br />

honeycomb moulded vase, signed and<br />

dated 84, 16.5cm high, a red vase with<br />

black foot, signed and dated 85, 10.5cm<br />

high and a blue glass dish, signed and<br />

dated 84, 18.7cm diameter<br />

£400 - 600<br />

34


Lot 55<br />

A René Lalique ‘Sirene’<br />

opalescent glass dish (Coupe<br />

Trepied), moulded mark<br />

‘R.LALIQUE’, See Marcilhac<br />

no.376 p.290, 36.6cm diameter<br />

£3,000 - 4,000<br />

Lot 56<br />

§ Angus Suttie (1946-1993), a multi<br />

coloured glazed pottery toast rack, with<br />

five divisions, the central profile divider<br />

forming the handle, with zoomorphic forms to<br />

each end, unsigned, 17cm high<br />

£400 - 600<br />

Lot 57<br />

§ Angus Suttie (1946-1993), a multi coloured<br />

glazed earthenware vase, the bowl of<br />

the vessel supported by wrapped ribbons,<br />

unmarked, 7.5cm high, small chip loss<br />

£300 - 500<br />

35


Lot 58<br />

A pair of Italian blue and white maiolica<br />

albarellos, Savona, late 17th century, the<br />

first painted with the title ‘De Muccillag:~’ to<br />

a banner, with crest and recumbent figure,<br />

houses and a cherub, the second with the<br />

title ‘Hura * Comp ~’, a cherub holding a jar,<br />

a figure in 17th century dress, a galleon ship<br />

and a bird, each with a shield mark to the<br />

base, 21cm high, glaze losses, latter chipped<br />

£800 - 1,200<br />

Lot 60<br />

Lot 59<br />

A large French porcelain and ormolu mounted<br />

vase, late 19th century, painted with courting couples<br />

in landscapes with cherubs flying above them, signed<br />

L. Buonicourt, 74cm high, wear to gilding<br />

£600 - 800<br />

A Vienna porcelain plate, mid 19th century, painted with<br />

a titled figure scene ‘Ulysses raubtder Andromedre ihren<br />

Sohn’, within tooled gilt borders, underglaze blue shield mark,<br />

impressed numbers 82 and 46, the latter possibly for the year<br />

1846, 22.4cm diameter<br />

£400 - 600<br />

36


Lot 61<br />

A Meissen group of two terriers and<br />

a pug-dog, modelled by Kandler, 19th<br />

century, the dogs standing or seated on a<br />

naturalistic base with scrollwork borders,<br />

underglaze blue crossed swords mark,<br />

incised model number 2104, 14.5cm high,<br />

17cm across<br />

£500 - 700<br />

Lot 62<br />

A Meissen group of an old woman and her<br />

young lover, 19th century, the lady seated on<br />

a chair beside the figure of Cupid holding money<br />

removed from a chest of banknotes, underglaze<br />

blue crossed swords mark and incised model<br />

number A46, 14.5cm high, some restoration<br />

£300 - 400<br />

Lot 63<br />

An impressive French Sevres style porcelain and<br />

ormolu mounted pedestal vase, 19th century, finely<br />

painted with a courting couple and a begging dog in a<br />

garden setting, the reverse with a bouquet of flowers,<br />

within gilt floral cartouches, on a bleu-celeste ground, with<br />

Bacchus mask mounts, festoons of flowers, the square<br />

base with term figures to each corner above bacchanalian<br />

friezes, on four toupie feet, 46cm high<br />

£800 - 1,200<br />

37


Lot 64<br />

A Ralph Wood type<br />

creamware Toby jug of<br />

standard type, c.1790,<br />

seated in standard<br />

pose holding an ale jug,<br />

with a pipe beside his<br />

right leg, together with<br />

a stopper for the hat,<br />

25cm high<br />

£300 - 500<br />

Lot 65<br />

A Ralph Wood type<br />

creamware Toby jug of<br />

standard type, raising a<br />

glass to his lips, c.1790,<br />

decorated in pale translucent<br />

glazes, with a tobacco pipe<br />

resting to his right side,<br />

24.5cm high<br />

£500 - 700<br />

Lot 66<br />

A Staffordshire pearlware<br />

sailor Toby jug, c.1800-10,<br />

seated on a sea-chest, holding a<br />

cup in his right hand and a jug in<br />

his left, the base modelled with<br />

an anchor, 29.5cm high<br />

£400 - 600<br />

Lot 67<br />

A Staffordshire<br />

Prattware Toby jug,<br />

c.1790-1800, seated in<br />

standard pose holding a<br />

frothing beer mug, painted<br />

in semi-translucent ochre<br />

brown and green glazes,<br />

24.5cm high<br />

£200 - 300<br />

38


Lot 68<br />

A Ralph Wood type<br />

creamware Vicar and<br />

Moses group, c.1790,<br />

the two figures modelled<br />

standing in a pulpit reading<br />

a text, decorated in pale<br />

translucent glazes, label for<br />

Law, Foulsham and Cole,<br />

24.5cm high<br />

£200 - 300<br />

Lot 69<br />

A Ralph Wood group of St. George & The<br />

Dragon, c.1795, the figure of St George<br />

riding a horse while quelling a dragon<br />

beneath them, decorated in translucent and<br />

semi translucent glazes, 28.5cm high<br />

Lot 70<br />

£300 - 400<br />

A Staffordshire pearlware musical duet<br />

spill vase, c.1820, the figure of a gentleman<br />

playing the flute, the lady a mandolin with a<br />

calf, a cat and shells beside them, between<br />

a pink and blue enamelled cornucopia and<br />

waterfall, 23cm high<br />

£200 - 400<br />

39


Lot 71<br />

A near pair of Ralph Wood type figures<br />

of a Stag and Hind, c.1790, each<br />

modelled recumbent upon a naturalistic<br />

base, decorated in translucent glazes,<br />

hollow underside, 18.5 and 12.5cm high<br />

£600 - 800<br />

Lot 72<br />

A Staffordshire pearlware bull baiting<br />

group, of Obadiah Sherratt type,<br />

c.1830, the figure of a man holding a<br />

club and raising his hat aloft standing<br />

next to a chained bull flipping one terrier<br />

into the air, a second terrier standing and<br />

grasping the bull’s horn, on a serpentine<br />

shaped base with four downswept feet,<br />

24.5cm wide, 20.5cm high<br />

£800 - 1,200<br />

Lot 73<br />

A pair of Bow porcelain groups<br />

of Ceres and Juno, c.1758, the<br />

figure of Juno standing beside an<br />

eagle, the figure of Ceres holding a<br />

cornucopia beside a recumbent lion,<br />

anchor and dagger mark, both on a<br />

flower encrusted naturalistic base,<br />

21cm and 19cm high<br />

£350 - 450<br />

40


Asian Works of<br />

Art<br />

Lots 74-131<br />

83<br />

41


Lot 74<br />

A large Japanese Satsuma bowl by Taizan,<br />

Meiji period, the interior painted with a<br />

central dragon medallion surrounded by<br />

three phoenixes, the exterior with a band of<br />

flowers, florets and brocade, black enamelled<br />

six character mark ‘Da Nihon Taizan so’, with<br />

impressed mark ‘Taizan’, 30.5cm diameter<br />

£300 - 500<br />

Lot 75<br />

A pair of large Japanese Satsuma pottery<br />

‘Samurai’ vases, Meiji period, painted to each side<br />

with samurai in landscape reserves, with brocade<br />

pattern borders, gilt decorated with shi-shi and flowers,<br />

63.5cm high, one vase restored<br />

£800 - 1,200<br />

Lot 76<br />

Two Japanese Shibayama type inlaid<br />

panels, 19th century, each inlaid in wood,<br />

ivory and mother-of-pearl with an egret<br />

preening below willow branches and an eagle<br />

settling on a pine branch, the latter with four<br />

character signature to a rectangular plaque,<br />

60.5 x 42cm, minor losses<br />

CITES Submission reference XNPLXS1W<br />

£300 - 500<br />

42


Lot 77<br />

A pair of large Japanese<br />

black lacquer circular<br />

boxes and covers, Hokkai<br />

Bako, 19th century, each<br />

gilt-decorated with aoi mon<br />

emblematic of the Tokugawa<br />

family, 48.5cm high<br />

£1,500 - 2,000<br />

Lot 78<br />

A large Japanese silver wire cloisonné<br />

enamel circular plaque, Meiji period,<br />

decorated with the figure of Kwannon standing<br />

on the back of a dragon, four inscription<br />

character to the left with the symbol of a tripod<br />

censer incorporating two characters, 48.3cm<br />

diameter<br />

£300 - 500<br />

Lot 79<br />

A tall Japanese archaistic bronze octagonal<br />

vase, Meiji period, the ovoid body cast in relief with<br />

bird and flower mon, applied with a pair of scrollwork<br />

handles, the neck and spreading foot with lappets,<br />

72cm high, base panel lacking<br />

£400 - 600<br />

43


Lot 80<br />

A pair of large Japanese Kyoto cloisonné<br />

enamel hexagonal baluster vases, early 20th<br />

century, each decorated with panels of mythical<br />

beasts on multi-coloured grounds with brocade<br />

patterned borders and lappets to the neck, 62cm<br />

high<br />

£400 - 600<br />

Lot 81<br />

A massive Japanese<br />

midnight blue ground<br />

cloisonné enamel vase,<br />

Meiji period, decorated<br />

with chrysanthemums and<br />

prunus on a midnight blue<br />

ground, 89cm high<br />

£300 - 500<br />

Lot 82<br />

A Japanese gilt bronze ‘Samurai’ vase, early 20th<br />

century, later mounted as a lamp, cast and chased in<br />

high relief with a samurai on horseback traversing a river,<br />

the reverse with a cat amid foliage, the neck with a dragon<br />

holding a glass ‘jewel’, the base with birds above waves, cast<br />

maker’s seal mark to base, 36cm high excluding later light<br />

fitting<br />

£400 - 600<br />

44


Lot 83<br />

A Japanese bronze model of a<br />

rearing elephant standing on a ball,<br />

Meiji period, inset into a hardwood<br />

stand, with inset ivory tusks, engraved<br />

two character signature to ball, total<br />

height 48.5cm<br />

CITES Submission reference<br />

9NC2732Y<br />

Lot 84<br />

£300 - 500<br />

An unusual Chinese blue glazed two<br />

handled vase, the porcelain Qianlong<br />

period, the enamelled decoration early<br />

19th century English, the blue glazed<br />

rectangular baluster vase enamelled with<br />

butterflies and flowers in similar style to<br />

Mason’s ironstone vases of the 1820s,<br />

32cm high<br />

£300 - 500<br />

Lot 85<br />

Two Chinese sancai ‘dragon-fish’<br />

ridge tiles, Ming dynasty, on later<br />

wood stands, total height 35cm and<br />

37.5cm<br />

£400 - 600<br />

Lot 86<br />

A Chinese wucai ‘dragon and phoenix’<br />

bowl, Qianlong mark and possibly of<br />

the period, the exterior painted with red<br />

and green dragons, and phoenixes amid<br />

foliage, the upper border with the eight<br />

Buddhist emblems, the interior with a dragon<br />

medallion, six character seal mark to base,<br />

16cm diameter<br />

£600 - 800<br />

45


Lot 87<br />

A large Chinese famille rose ‘Magu’ dish,<br />

Yongzheng period, finely painted with the figure<br />

of Magu holding lingzhi fungus, with an attendant<br />

and a deer each carrying a peach, standing beside<br />

a plum tree, bamboo and rockwork, the broad rim<br />

decorated with six flower sprays, 37.2cm diameter,<br />

splinter chip to edge of foot<br />

cf. similar dishes and plates painted with the ‘magu’<br />

theme were commissioned by Augustus II (1670-<br />

1733), King of Poland and Elector of Saxony known<br />

as Augustus the Strong, Existing examples with old<br />

Dresden inventory are respectively in the Dresden<br />

collection, the Museum Boijmans Van Beuningen in<br />

Rotterdam and in the former Collection Ignazio Vok.<br />

A 39cm dish with the same design and inventory<br />

number was sold by Christie’s London, 30 April<br />

2015, lot 111<br />

£3,000 - 4,000<br />

Lot 88<br />

A Chinese blue and white ‘Antiques’ jar,<br />

Kangxi period, the two quatrefoil shaped<br />

reserves painted with antique furniture and<br />

objects, on a plum blossom and cracked ice blue<br />

ground, 20cm high, minor restoration to rim<br />

£600 - 800<br />

Lot 89<br />

A Chinese blue and white ‘Phoenix’<br />

baluster vase, Kangxi period, painted<br />

with phoenixes amid dense flowers and<br />

foliage, 34cm high, star crack to body<br />

£600 - 800<br />

46


Lot 90<br />

A Chinese susancai figure of a seated<br />

woman, Kangxi period, wearing robes<br />

decorated with Shou medallions and flowers,<br />

12cm high, some restoration<br />

£300 - 500<br />

Lot 91<br />

A Chinese enamelled Yixing pottery hexafoil<br />

shaped dish, Qianlong/Jiaqing period,<br />

painted in famille verte palette with pavilions<br />

in a mountainous river landscape scene, the<br />

underside painted with blue enamel flower<br />

sprigs, 14cm wide<br />

£500 - 800<br />

Lot 92<br />

A pair of Chinese polychrome pottery ritual tripod vessels and covers, ding, Han<br />

dynasty (202BC - 220AD), each painted in coloured pigments with archaic scrolls, with yellow<br />

painted borders, handles and three feet, 25cm across.<br />

Provenance- Sotheby’s, London, <strong>Fine</strong> Chinese and Korean Ceramics and Works of Art sale<br />

9th June 1992, Lot 86.<br />

£3,000 - 5,000<br />

47


Lot 93<br />

A Chinese pottery model of a granary, Han<br />

dynasty (202BC - 220AD), of banded cylindrical<br />

form, on three bear shaped feet, 29cm high<br />

Provenance- labels for Oriental Ceramic Society<br />

exhibition 1953 number 32, inscribed S C Coles.<br />

£3,000 - 5,000<br />

Lot 94<br />

Two Chinese stoneware vessels, Han dynasty<br />

(202BC - 220 AD), one jar with domed cover and turned<br />

finial, on a pierced foot, 16cm, the taller jar with ring<br />

turning to the baluster shaped body and two piercings to<br />

the foot, 16.5cm high<br />

Jar and cover with label for Bluetts, Marc Robert Centre<br />

1973<br />

£400 - 600<br />

Lot 95<br />

A Chinese Ming blue and white ‘scholars’<br />

jar, guan, Wanli period (1572-1620),<br />

painted with scholars in an interior playing<br />

weiqi (chess), a stringed instrument and<br />

holding a fan with waiting attendants, the<br />

shoulder with panels of ‘leiwen’ and ‘wan’<br />

centred by peonies, the lower register<br />

lappeted, unglazed base, later pewter<br />

mount to neck, 28.5cm high, broken around<br />

base and restuck<br />

£600 - 800<br />

48


Lot 96<br />

A Chinese Ming blue and white ‘lotus’<br />

hexagonal vase, Wanli period (1572-1620),<br />

painted with lotus scrolls, the shoulder with<br />

alternating panels of lotus flowers and trellis,<br />

22cm high, hexagonal wood stand, glaze chips<br />

cf. a very similar vase sold by Sotheby’s, Paris,<br />

Arts d’Asie sale, 16 June 2022, lot 211.<br />

£800 - 1,200<br />

Lot 97<br />

A Chinese blue and white ovoid jar and<br />

cover, Kangxi period, painted with panels<br />

of flowers, rockwork and river landscape<br />

scenes, above a band of scrolling flowers<br />

and repeating asters, unglazed base, 30.5cm<br />

high, broken with kintsugi repair<br />

£400 - 600<br />

Lot 98<br />

A Chinese wucai ‘pomegranate’ baluster vase,<br />

Transitional, Shunzhi period, c.1650, painted with<br />

pomegranate and fruiting branches, between underglaze blue<br />

lines, unglazed base, 29cm high, wood stand, small star crack<br />

This design bears similarities to transitional wucai vases<br />

decorated with the sanduo (Three Abundances).<br />

£400 - 600<br />

Lot 99<br />

A Chinese wucai ovoid vase and cover,<br />

Transitional, Shunzhi period, painted with<br />

auspicious objects and flowers, amid scrolls,<br />

between a waterfall, unglazed base, 39cm high,<br />

broken with kintsugi style repair<br />

£200 - 300<br />

49


Lot 100<br />

A Chinese wucai ‘rocks and blossom’<br />

vase, Transitional, Shunzhi period,<br />

painted with blossoming branches and<br />

bamboo amid rockwork, unglazed base,<br />

29cm high, cracked and restoration to neck<br />

£300 - 400<br />

Lot 102<br />

A Chinese yellow ground famille rose dish, late<br />

19th century, with unusual Western script ‘F.L’<br />

seal mark, painted with a phoenix and other birds<br />

amid foliage on a yellow ground, the blue ground<br />

border painted with further birds and flowers, the<br />

underside with unusual iron red ‘F.L’ seal mark,<br />

41cm diameter<br />

£400 - 600<br />

Lot 101<br />

A Chinese blue and white ‘Squirrel and vine’<br />

melon-shaped jar, Wanli period (1573-1619),<br />

painted with four squirrels amongst fruiting vines,<br />

between bands of stiff leaves on the shoulder and<br />

lower body, the short neck is decorated with a<br />

classical scroll band, 13.5cm high<br />

£600 - 800<br />

Lot 103<br />

A Chinese Yixing enamelled snuff<br />

bottle, 19th century, painted in blue<br />

enamels to each side with landscape<br />

scenes, the sides with foliage, single<br />

character mark to the base, 4.8cm high<br />

£300 - 500<br />

50


Lot 104<br />

A pair of Chinese famille rose saucer<br />

dishes, Yongzheng mark but first half<br />

19th century, each painted with ladies<br />

performing tricks on horseback in a<br />

garden with two dignitaries looking on<br />

from a balcony, 23.5cm diameter, one<br />

dish has a short hairline crack<br />

£600 - 800<br />

Lot 105<br />

A Chinese carved celadon glazed yen-yen vase,<br />

19th century, decorated with bamboo and other<br />

foliage, the neck with lappets, apocryphal Yongzheng<br />

seal mark to base, 42.5cm high, base drilled<br />

£500 - 700<br />

Lot 106<br />

A Chinese famille verte ‘black bird’<br />

bottle vase, Daoguang mark and of<br />

the period (1821-50), painted with a<br />

black bird perched on a branch amid<br />

foliage and blossom, iron red six<br />

character seal mark to the base within<br />

an underglaze blue double circle, 39cm<br />

high, neck restored<br />

£400 - 600<br />

Lot 107<br />

A Chinese wucai ‘ladies’ ovoid jar,<br />

19th century, painted with ladies<br />

holding fans or musical instruments<br />

in a garden setting with foliage and<br />

rockwork, unglazed base, 26.5cm high<br />

£400 - 600<br />

51


Lot 108<br />

A pair of Chinese enamelled porcelain ‘Buddhist<br />

lion’ joss stick holders, early 19th century, the<br />

lion resting a paw on a brocaded ball or a cub, on<br />

rectangular waisted stands painted in iron red and<br />

black enamel, 18.5cm high<br />

£300 - 400<br />

Lot 109<br />

A Chinese enamelled porcelain ‘dragon’ dish,<br />

Kangxi mark but 19th century, boldly painted<br />

to the centre with a five claw dragon chasing<br />

a flaming pearl on a mirror black ground, the<br />

underside decorated with blossom and flowers<br />

on a pale yellow ground, underglaze blue six<br />

character mark in a double circle to the base,<br />

39cm diameter, small splinter rim chip, rim ground<br />

off<br />

£2,000 - 3,000<br />

Lot 110<br />

A pair of Chinese gilt decorated blue ground cups,<br />

Qianlong mark but later, each gilt decorated with<br />

Chinese characters and foliage on a blue ground,<br />

7.8cm diameter, one cracked<br />

£500 - 700<br />

Lot 111<br />

A Chinese enamelled porcelain ‘double qilin’<br />

snuff bottle, Qianlong mark, 19th century, the qilin<br />

standing on a rocky outcrop amid waves, the borders<br />

decorated with polychrome clouds on a yellow<br />

ground, iron red mark to base, 4.2cm high<br />

£1,500 - 2,000<br />

52


Lot 112<br />

A Chinese Ge ware ‘arrow’ vase, hu, with crackled<br />

mushroom grey glaze, 18cm high<br />

£500 - 700<br />

Lot 113<br />

A large Chinese green crackle glazed snuff bottle,<br />

Daoguang mark and period, and three other 19th<br />

century porcelain snuff bottles, the large green<br />

crackle glaze snuff bottle with ten character inscription<br />

in underglaze blue to the base ‘Daoguang Wu Shen<br />

Nian’, with cyclical date for 1848, 8.5cm, two famille rose<br />

bottles, and a blue and white snuff bottle painted with a<br />

scholar and attendants, 5.2 - 5.8cm<br />

£300 - 500<br />

Lot 114<br />

A pair of Chinese enamelled porcelain ‘goldfish’<br />

bird feeders, Guangxu period, each painted with a<br />

goldfish and pond weed, 3.2cm high<br />

Lot 115<br />

£300 - 500<br />

A Chinese enamelled porcelain figure<br />

of a lady, Republic period, the standing<br />

figure of a lady wearing elaborate court<br />

robes, carrying a book with four character<br />

inscription, 31cm high, slight damage<br />

£400 - 600<br />

53


Lot 116<br />

A Chinese Canton decorated famille rose garden<br />

seat, 19th century, painted with court figures in<br />

interiors and gardens interspersed by pierced coin<br />

motifs, above insects, flowers and fruit, the four<br />

supports terminating in stylised pink enamelled bats,<br />

47cm high, broken and restored<br />

£300 - 500<br />

Lot 117<br />

A Chinese green jade box and cover, possibly Ming<br />

dynasty, of rectangular form with re-entrant corners, the<br />

cover carved in low relief with a circling dragon, 5.5cm wide<br />

£300 - 500<br />

Lot 119<br />

A 19th century Chinese<br />

amber ‘lion-dog’ seal and<br />

a 20th century soapstone<br />

seal, the amber seal 3.5cm<br />

high, the soapstone seal<br />

inscribed and with carved<br />

matrix, 7cm high<br />

£500 - 700<br />

Lot 118<br />

A Chinese celadon jade ‘quail’<br />

waterdropper, 18th / 19th<br />

century, carved in recumbent<br />

pose, with later metal fitting to the<br />

top, the stone with some russet<br />

inclusions, 11.4cm long<br />

£1,000 - 1,500<br />

54


Lot 120<br />

A Chinese pale celadon and russet jade figure of an<br />

old man, 18th / 19th century, holding a peach branch<br />

over his shoulder, 6.1cm high<br />

£200 - 300<br />

Lot 121<br />

* A Chinese white jade pendant, carved as a<br />

gourd, Qianlong period, with overlapping leaves<br />

and tendrils and a branch in open work, the stone of<br />

good even tone with a slight russet inclusion to the<br />

base, 8cm<br />

Provenance: The Baron George de Menasce<br />

collection; Roger Keverne Ltd, 22nd July, 1998<br />

Please note this lot attracts an additional import tax<br />

of 5% on the hammer price<br />

£800 - 1,200<br />

Lot 122<br />

A good Chinese pale celadon jade rectangular<br />

snuff bottle, 19th century, carved in high relief<br />

to each side with a six character inscription, the<br />

sides with a pair of lion mask ring handles, on a<br />

rectangular foot, the stone of good even tone, 6.9cm<br />

high<br />

£600 - 800<br />

55


Lot 123<br />

A Chinese bronze figure of a Daoist deity, late<br />

Ming, seated on a throne and holding a knotted<br />

cord in his right hand, the base with four supports,<br />

28cm high, on a carved hardwood ‘dragons chasing<br />

a flaming pearl’ stand, total height 35cm, losses to<br />

back of throne<br />

£1,000 - 1,500<br />

Lot 124<br />

A large Chinese archaistic bronze<br />

censer, gui, 17th century, cast in relief<br />

with taotie masks and fins on a leiwen<br />

ground, the pair of looped handles with<br />

zoomorphic heads, 24cm wide<br />

£400 - 600<br />

Lot 125<br />

A near pair of Chinese cloisonné enamel<br />

and gilt bronze jardinieres, 19th century,<br />

each of gourd form, the first decorated with<br />

coloured flowers on a trellis tomato red ground,<br />

the second with flowers and butterflies on a<br />

tomato red ground, the gilt bronze base with four<br />

elephant head feet, 20cm wide<br />

£800 - 1,200<br />

Lot 126<br />

A pair of Chinese purple ground<br />

cloisonné enamel circular boxes and<br />

covers, 19th century, each decorated<br />

with butterflies and flowers, with gilt<br />

bronze rims, 9.4cm diameter, small losses<br />

enamel<br />

£400 - 600<br />

56


Lot 127<br />

A Chinese bronze ‘lion-dog’ seal, Ming dynasty, the<br />

seated beast on a rectangular plinth, inscribed to the<br />

edge of the plinth ‘ji jan’, the eight character matrix base<br />

inscribed ‘Anxi jiangjun sina zhi yin’ (Seal of the General<br />

of Anxi and commander of cavalry), 6.1cm high<br />

Provenance - bought from Roger Keverne, 2nd <strong>March</strong><br />

2000 for £1800.<br />

£600 - 800<br />

Lot 128<br />

A Chinese bronze seated figure of<br />

Amitayus, probably 18th century,<br />

17.5cm high, surface pitted<br />

£1,000 - 1,500<br />

Lot 129<br />

An album of Chinese watercolours on rice paper, trades and customs of China, late 19th<br />

/ early 20th century, approximately sixty two sheets of illustrations with inscriptions, huali wood<br />

boards with incised inscription, 35.2 x 23.2cm, losses and tears to most pages<br />

£300 - 500<br />

57


Lot 130<br />

A Chinese chestnut-ground<br />

‘nine dragon’ robe, jifu, 19th<br />

century, finely embroidered<br />

with nine claw dragons chasing<br />

flaming pearls, amid clouds,<br />

bats and auspicious objects,<br />

above scrolling waves with<br />

peonies and lingzhi fungus,<br />

horseshoe shaped cuffs,<br />

approximately 150cm long,<br />

tears and losses<br />

£1,000 - 1,500<br />

Lot 131<br />

A Tibetan embroidered silk<br />

‘vajra’ panel, 17th / 18th<br />

century, worked in Beijing<br />

knot on a pale brown ground,<br />

later trimmed and lined, total<br />

size 32cm square, faded and<br />

stained<br />

£400 - 600<br />

58


CLOCKS, CARPETS<br />

& FURNITURE<br />

132-180<br />

157<br />

59


Lot 132<br />

Kentish & Haynes of<br />

London, a George III<br />

ebonised eight day<br />

bracket clock in arched<br />

case with silvered dial,<br />

with strike / silent and<br />

subsidiary date dial,<br />

twin fusee movement<br />

with verge escapement,<br />

engraved backplate and<br />

bob pendulum, 28.5cm<br />

wide, 19.5cm deep,<br />

40cm high<br />

£800 - 1,200<br />

Lot 133<br />

A late Victorian Georgian style ebonised eight<br />

day chiming bracket clock with eight bells /<br />

Westminster selector dial and slow / fast adjustment<br />

at 12 o’clock, movement with winged hourglass<br />

makers stamp, numbered 1464, striking on a gong<br />

and chiming on eight bells, 34cm wide, 24cm deep,<br />

51cm high<br />

£600 - 800<br />

Lot 134<br />

Bothamley of Boston, a Regency brass<br />

inset mahogany hour repeating bracket<br />

clock in plain architectural ebony strung case,<br />

with painted Roman dial and brass ball feet,<br />

unsigned twin fusee eight day movement<br />

striking on a bell, 30cm wide, 17cm deep,<br />

47cm high<br />

£500 - 700<br />

Lot 135<br />

An Edwardian golden oak eight day bracket<br />

clock with strike / silent and slow / fast selector<br />

dials, unsigned twin fusee movement striking on a<br />

single gong, 28cm wide, 19cm deep, 36cm high<br />

£400 - 600<br />

60


Lot 136<br />

A 19th century French ormolu and<br />

Sevres style porcelain clock garniture,<br />

with Japy Freres eight day movement<br />

striking on a bell, accompanied by a pair<br />

of near matching three light candelabra<br />

clock 19cm wide, 15cm deep, 37cm high<br />

candelabra 19cm wide, 30.5cm high<br />

£500 - 800<br />

Lot 137<br />

Brocot & Delettrez of Paris, a 19th century<br />

French ormolu mantel clock modelled as a<br />

classical beauty reclining against a globe and<br />

holding a scroll with astronomical motifs, eight day<br />

movement stamped for the maker and numbered<br />

8664, on original giltwood plinth, 50cm wide, 34cm<br />

high<br />

£400 - 600<br />

Lot 138<br />

An Edwardian marquetry<br />

inlaid mahogany eight day<br />

chiming bracket clock with<br />

chime / silent, slow / fast, eight<br />

bells / Westminster subsidiary<br />

selector dials, movement<br />

chiming on eight bells and<br />

striking on five gongs,<br />

unsigned but numbered 1471,<br />

32cm wide, 27cm deep, 55cm<br />

high<br />

£400 - 600<br />

Lot 139<br />

Johann Baptist Beha (1815-1898), a mid 19th<br />

century Black Forest ebonised and boulle work<br />

cuckoo clock with cuckoo door to the hood and<br />

eight day movement with two bellows to the top and<br />

gong on the back door, 32cm wide, 20cm deep,<br />

47cm high<br />

£400 - 600<br />

61


Lot 140<br />

Dold of Brighton, a Regency mahogany<br />

wall timepiece with painted Roman dial,<br />

brass bezel and small drop to case, single<br />

fusee movement with tapered backplate and<br />

fixed pendulum, signed to the dial, 26cm wide,<br />

27cm high<br />

Lot 141<br />

£300 - 500<br />

James Robinson of Well Close Square,<br />

a George III black japanned eight day<br />

longcase clock, the 30cm arched brass<br />

dial with ship automaton, figural seasons<br />

spandrels, subsidiary seconds and date<br />

aperture, the case with chinoiserie decoration<br />

to the front and plain sides, five pillar<br />

movement with anchor escapement, 49cm<br />

wide, 24cm deep, 223cm high<br />

Lot 142<br />

£500 - 800<br />

Gulielmus Warren of London, a George III<br />

walnut cased eight day longcase clock, the<br />

30cm arched brass dial with numerals over<br />

the moonphase, subsidiary seconds and date<br />

aperture, unsigned movement with anchor<br />

escapement, 55cm wide, 236cm high<br />

£1,500 - 2,000<br />

62


Lot 143<br />

An antique Caucasian geometric rug, with divided<br />

field of S motifs 255 x 210cm<br />

£700 - 1,000<br />

Lot 144<br />

An early 20th century Kirman blue ground<br />

carpet, with central medallion and field of foliate<br />

motifs, multi bordered 425 x 325cm<br />

£2,000 - 3,000<br />

Lot 145<br />

A Turkoman Tekke carpet, 19th century, with field<br />

of octagons on a brick red ground 360 x 230cm<br />

£800 - 1,200<br />

Lot 146<br />

A Kashan carpet with central medallion on a foliate<br />

red ground, multi bordered, 430 x 315cm<br />

£400 - 600<br />

63


Lot 147<br />

A Persian oversize Sultanabad Mahal carpet,<br />

with dense field of foliate motifs on a brown<br />

ground, multi bordered, 596 x 343cm<br />

£2,000 - 3,000<br />

Lot 148<br />

An antique Bidjar carpet with central<br />

medallion on a russet ground, multi<br />

bordered, 365 x 185cm<br />

£400 - 600<br />

Lot 149<br />

A Tabriz brick red ground gallery carpet with<br />

field of foliate motifs on a russet ground, multi<br />

bordered, 575 x 300cm<br />

£1,800 - 2,200<br />

Lot 150<br />

An antique Bidjar Wagireh rug with<br />

central stylised field depicting waterbirds<br />

and trees around a lake, within stylised<br />

floral borders, 163 x 150cm<br />

£500 - 800<br />

64


Lot 151<br />

An Heriz red ground<br />

medallion rug with triple<br />

medallions on a brick red<br />

ground, multi bordered,<br />

280 x 137cm<br />

£1,000 - 1,500<br />

Lot 152<br />

An Azeriabiajan<br />

Kurdish Genge<br />

antique runner, with<br />

diagonal stripes of<br />

geometric motifs, 296<br />

x 104cm<br />

£700 - 1,000<br />

Lot 154<br />

A pair of 20th century Chinese carved<br />

marble garden statues modelled as Dogs<br />

of Fo, each with weathered finish, 22cm<br />

wide, 31cm deep, 54cm high<br />

£800 - 1,200<br />

Lot 153<br />

A pair of 20th century<br />

Chinese bronze garden<br />

models of cranes,<br />

140cm and 157cm high<br />

£400 - 600<br />

65


Lot 155<br />

An 18th century Dutch walnut<br />

bowfront chest, with moulded top and<br />

four graduated long drawers, on shaped<br />

bracket feet, 89cm wide, 57cm deep,<br />

84cm high<br />

£500 - 800<br />

Lot 156<br />

A George I figured walnut bureau, the fall<br />

enclosing an arrangement of pigeon-holes and<br />

short drawers over a well, above two short and<br />

two graduated long drawers, on bracket feet,<br />

96cm wide, 52cm deep, 101cm high<br />

£700 - 1,000<br />

Lot 157<br />

A set of three 18th century Continental carved<br />

wood figures of Saints, holding a cross, a bible<br />

and a sword, largest 17cm wide, 58cm high<br />

£1,000 - 1,500<br />

Lot 158<br />

A 19th century<br />

carved pine figure<br />

of St. Jerome<br />

reading from the<br />

bible with a lion at<br />

his feet, 32cm wide,<br />

79cm high<br />

£1,500 - 2,000<br />

66


Lot 159<br />

A 17th century French carved walnut triptych panel, formed<br />

from several associated sections, with central armorial flanked<br />

by figures of Adam & Eve, bordered by panels of saints, 121cm<br />

wide, 37cm high<br />

Lot 160<br />

£600 - 800<br />

A William and Mary cushion framed<br />

lacquer pier mirror, the shaped crest<br />

decorated with a chinoiserie river<br />

landscape scene, the arched cushion<br />

moulded surround with phoenixes flowers<br />

and figures, period two part bevelled mirror<br />

plate, 51cm wide, 151cm high<br />

£3,000 - 5,000<br />

Lot 161<br />

An Anglo-Chinese padouk wood bureau,<br />

the fall enclosing pigeon-holes and short<br />

drawers over a frieze drawer, two short and<br />

two long drawers, on bracket feet, 83cm<br />

wide, 49cm deep, 96cm high<br />

£2,000 - 3,000<br />

67


Lot 162<br />

A George II red<br />

walnut side chair, with<br />

upholstered back and<br />

seat, with ornately carved<br />

scrolling apron and front<br />

cabriole legs with scroll<br />

feet, 64cm wide 73cm<br />

deep, 99cm high<br />

£300 - 500<br />

Lot 164<br />

Lot 163<br />

A George II style mahogany wing<br />

armchair, upholstered in beige dralon,<br />

on acanthus kneed cabriole legs with<br />

claw and ball feet, 93cm wide, 86cm<br />

deep, 114cm high<br />

A George III brass bound mahogany<br />

cellaret of octagonal form, with brass loop<br />

handles, divided lead lined interior and<br />

squared tapered legs, fitted brass castors<br />

66cm wide, 49cm deep, overall 69cm high<br />

£500 - 700<br />

£2,000 - 3,000<br />

Lot 165<br />

A mid 18th century Louis XV style giltwood<br />

settee with upholstered shaped back and scroll<br />

arms, on scroll carved underframe with cabriole<br />

legs and scroll feet, 156cm wide, 82cm deep,<br />

86cm high<br />

£400 - 600<br />

68


Lot 166<br />

A pair of Regency brass<br />

inset rosewood and<br />

ebonised card tables with<br />

D shaped tops, the friezes<br />

applied with twin lion and<br />

arrow motifs, on spiral<br />

fluted baluster stems and<br />

downswept legs with brass<br />

dolphin caps and castors,<br />

91cm wide, 45cm deep,<br />

75cm high<br />

£3,500 - 4,500<br />

Lot 167<br />

A Regency rosewood folio or architect’s desk,<br />

the rectangular top with rising and ratchetting<br />

twin flaps, allowing adjustment of angles in two<br />

directions, over two glazed brass grilled doors<br />

enclosing adjustable shelves, on plinth foot, 108cm<br />

wide, 69cm deep, 81cm high<br />

£1,000 - 1,500<br />

Lot 168<br />

A late 19th century French<br />

ormolu mounted marquetry card<br />

table with serpentine folding top<br />

opening to reveal a circular pale<br />

green skiver, on tapered cabriole<br />

legs, 89cm wide, 44cm deep,<br />

78cm high<br />

£500 - 700<br />

Lot 169<br />

A 19th century Chinese hongmu altar table with rectangular inset top<br />

and vineous carved underframe, on squared tapered legs with stylised<br />

paw feet, 176cm wide, 50cm deep, 83cm high<br />

£600 - 800<br />

69


Lot 170<br />

A Victorian figured<br />

walnut secretaire<br />

Wellington chest<br />

with five long and<br />

two dummy drawers<br />

enclosing pigeonholes<br />

and drawers,<br />

flanked to the left by a<br />

locking side bar, 59cm<br />

wide, 41cm deep,<br />

121cm high<br />

£600 - 800<br />

Lot 171<br />

A Victorian marquetry inlaid burr walnut<br />

side cabinet of bowfront form, with ormolu<br />

mounts and two panelled doors inlaid with<br />

shield shaped cartouches of musical trophies,<br />

flanked by columns, on plinth foot, 112cm<br />

wide, 48cm deep, 104cm high<br />

£1,200 - 1,600<br />

Lot 172<br />

A large Victorian style sofa in the<br />

manner of Howard & Sons, with<br />

faded velvet upholstery, on turned<br />

golden oak legs, fitted brass castors<br />

stamped Howard & Sons, 240cm<br />

wide, 92cm deep, 85cm high<br />

£800 - 1,200<br />

Lot 173<br />

A set of four 19th century<br />

Italian giltwood wall mirrors<br />

of cartouche shape with<br />

pierced scrollwork tops and<br />

metal receivers for candle<br />

branches to the base, 48cm<br />

wide, 83cm high<br />

£1,200 - 1,800<br />

70


Lot 174<br />

A Continental marquetry inlaid<br />

serpentine bombé commode, fitted three<br />

long drawers, on scroll legs, 130cm wide,<br />

54cm deep, 94cm high<br />

£600 - 800<br />

Lot 175<br />

A Victorian marquetry inlaid figured walnut<br />

credenza of breakfront form with two panelled doors<br />

divided by corinthian columns and flanked by bowed<br />

glazed doors, on turned feet, 194cm wide, 49cm<br />

deep, 108cm high<br />

£1,000 - 1,500<br />

Lot 176<br />

A Louis XVI style kingwood semanier with<br />

rouge marble top and seven long drawers, on<br />

cabriole legs, 103cm wide, 44cm deep, 162cm<br />

high<br />

£400 - 600<br />

71


Lot 177<br />

In the manner of Edwards and Roberts, an<br />

Edwardian marquetry inlaid mahogany tray<br />

top etagere, of oval form, with glass tray top over<br />

a marquetry scrollwork panel, mid tier and brass<br />

galleried understage, 82cm wide, 47cm deep, 87cm<br />

high<br />

£600 - 800<br />

Lot 178<br />

A circular Blue John top table, second half<br />

20th century, the radially veneered top inset to<br />

a table base, Blue John panel diameter 39.5cm,<br />

housed in a table base 50cm diameter, 50cm high<br />

£1,000 - 1,500<br />

Lot 179<br />

In the manner of Archibald Knox, a Scottish Arts<br />

& Crafts planished copper overmantel, with shelf<br />

pediment over three Scottish rose motifs and arched<br />

plate flanked by blue Ruskin stone style floral<br />

capped stylised sunflowers, 92cm wide, 65cm high<br />

£1,200 - 1,800<br />

Lot 180<br />

A pair of Venini for Murano glass drop<br />

chandeliers, each with seven tiers of concentric<br />

spiral fluting spear shaped drops, suspended from<br />

a gilt metal frame, 150cm high, 50cm diameter<br />

£700 - 1,000<br />

72


PAINTINGS & PRINTS<br />

181-334<br />

at 12.30pm<br />

206<br />

73


181<br />

182<br />

183<br />

183<br />

74


184<br />

Lot 181<br />

After Thomas Beach (English, 1738-1806)<br />

Three quarter length portrait of Lewis Dymoke<br />

Grosvenor Tregonwell (1758-1832), the Founder<br />

of Bournemouth, wearing the uniform of a<br />

Captain in the Dorset Yeomanry<br />

oil on canvas, 46 x 37cm<br />

Lot 182<br />

£400 - 600<br />

Late 18th century English School<br />

Half length portrait of a young lady, seated with<br />

her arm resting upon a table<br />

oil on canvas<br />

74 x 64cm<br />

£500 - 800<br />

Lot 183<br />

Attributed to Allan Ramsay (Scottish, 1713-1784)<br />

Portraits of Samuel Waring and his spouse<br />

oils on canvas, a pair<br />

61 x 51cm<br />

Lot 184<br />

£1,000 - 1,500<br />

English School c.1770<br />

Portraits of members of the Burgoyne family<br />

oils on canvas (3)<br />

each with various inscriptions and annotations<br />

verso, ovals, unsigned<br />

largest 31 x 25cm<br />

£400 - 600<br />

Lot 185<br />

Thomas Williams of Barbados (19th C.)<br />

Portrait of a British army officer wearing a red<br />

uniform jacket and medals<br />

oil on canvas<br />

inscribed verso and dated Barbados Octr 1840<br />

27.5 x 22cm<br />

185<br />

£500 - 800<br />

75


186<br />

188<br />

Lot 186<br />

After Leonardo Guzzardi (Italian, active 1798-<br />

1800)<br />

Full length portrait of Rear Admiral Horatio<br />

Nelson (1758-1805), standing gesturing to the<br />

Battle of the Nile beyond<br />

oil on canvas<br />

signed and dated 1799, 59 x 41cm<br />

£500 - 800<br />

Provenance: These rooms, 6th June, 1989, lot 2507<br />

Lot 187<br />

Attributed to John Wollaston (British, 1738-1775)<br />

Portrait of a gentleman<br />

oil on canvas, 90 x 76cm<br />

£800 - 1,200<br />

187<br />

Lot 188<br />

Circle of Willem Wissing (Dutch, 1656-1687)<br />

Half length portrait of a lady wearing a pearl<br />

necklace, red drapery beside her and a<br />

landscape beyond<br />

oil on canvas, 51 x 38cm<br />

£1,000 - 1,500<br />

76


Lot 189<br />

Attributed to Pieter Nason (Dutch, 1612-1688)<br />

Portrait of a noble woman wearing a pearl set crown and elaborate embroidered dress<br />

oil on canvas<br />

80 x 63cm<br />

189<br />

£6,000 - 8,000<br />

77


190<br />

Lot 190<br />

Attributed to Valentin Lefèvre (Flemish 1637-<br />

1677) after Jacopo Robusti called Tintoretto<br />

(Italian, 1518-1594)<br />

Piscina Probatica (or The Probatic Pool)<br />

oil on canvas<br />

the original painted for the Church of San Rocco,<br />

Venice, 1559,<br />

32 x 43cm, sold with a copy of the engraving by<br />

Lefevre<br />

£1,500 - 2,000<br />

Lefèvre made study-copies after the works of<br />

sixteenth-century Venetian painters, and especially<br />

those of Paulo Veronese and Tintoretto. Lefèvre also<br />

executed another version of the Piscina probatica by<br />

Tintoretto, although this reveals numerous variant<br />

details (Musée des Beaux-Arts, Poitiers, inv. no.<br />

948.52.1).<br />

Lot 191<br />

Francesco Gilbert after Antonio Correggio (1489-<br />

1534)<br />

‘The Mystic Marriage of St Catherine of<br />

Alexandria’<br />

oil on canvas<br />

27 x 23cm<br />

Lot 192<br />

After David Teniers the Younger (1610-1690)<br />

‘The Gipsy Madonna’<br />

oil on canvas<br />

42 x 38cm<br />

Lot 193<br />

£300 - 500<br />

£400 - 600<br />

F. Heufell<br />

Portrait of a gentleman architect or sculptor,<br />

half length holding a figure of Cupid and a set of<br />

dividers, a statue of Plenty showing beyond<br />

oil on canvas<br />

signed and dated 1728, 96 x 92cm<br />

£500 - 700<br />

78


191<br />

192<br />

194<br />

193<br />

Lot 194<br />

After Jacob van Ruisdael (Dutch, 1629-1682)<br />

‘Une tempete sur le bord des Digues de la<br />

Hollande’<br />

oil on canvas<br />

99 x 139cm<br />

£2,000 - 3,000<br />

The original painting hangs in the Louvre. During<br />

his visit in September, 1802, M.J. Turner made a<br />

drawing of the painting into his sketchbook, which is<br />

now in the British Museum.<br />

79


195<br />

196<br />

197<br />

198<br />

80


199<br />

Lot 195<br />

Manner of Philip Wouwerman<br />

(Haarlem, 1619-1668)<br />

A hawking party setting out<br />

oil on wooden panel<br />

27 x 20cm<br />

Lot 196<br />

£1,000 - 1,500<br />

Manner of Philip Wouwerman<br />

(Haarlem, 1619-1668)<br />

A military encampment with<br />

soldiers buying beer from a<br />

maid<br />

oil on wooden panel<br />

30 x 25.5cm<br />

£1,500 - 2,000 200<br />

Lot 197<br />

18th century French / Dutch School<br />

Judith with the head of Holofernes<br />

oil on panel<br />

23.5 x 17.5cm<br />

Lot 198<br />

£400 - 600<br />

19th century Continental School<br />

17th century style still life of flowers in a vase<br />

upon a ledge<br />

oil on canvas laid on board<br />

87 x 74cm<br />

£400 - 600<br />

Lot 199<br />

Flemish School<br />

Extensive pastoral landscape with figures on<br />

their way to market<br />

oil on canvas<br />

63 x 147cm<br />

Lot 200<br />

£600 - 800<br />

Manner of Thomas Stringer (English, 1722-1790)<br />

A gentleman, groom and chestnut horse in a<br />

landscape<br />

oil on canvas<br />

49 x 60cm<br />

£400 - 600<br />

81


201<br />

Lot 201<br />

Arthur William Devis (British, 1762-1822)<br />

’The Weavers’<br />

oil on canvas<br />

44 x 59.5cm<br />

£5,000 - 8,000<br />

Painted in Bengal in 1792, as part of 26 studies<br />

illustrating the ‘’Arts, manufactures and agriculture of<br />

Bengal’’.<br />

The artist, who was both the son and pupil of the<br />

renowned portrait painter Arthur Devis (c.1711-<br />

1787), accompanied an expedition to the East<br />

Indies in 1784 as a draughtsman. He gained<br />

notable recognition for his work in India from 1785<br />

to 1795, primarily for his portraits, also producing a<br />

notable series of thirty artworks depicting the ‘arts,<br />

manufactures, and agriculture of Bengal’.<br />

Six of Devis’s Indian genre pictures are now in<br />

British public collections; they are:- ‘’A Blacksmith’s<br />

Shop beside Village Dwellings in Bengali’, oil on<br />

panel, 44.5 60cm, Victoria and Albert Museum;<br />

‘’Assayer at Work in the Mint, Calcutta’’, oil on<br />

panel, 47 x 38cm, The Ashmolean Museum; ‘’Carpet<br />

Weaver, Patna’’, oil on canvas, 44 x 60cm, British<br />

Library, ‘’Potter Engaged in Throwing a Pot on a<br />

Wheel’’, oil on canvas, 43.5 x 59cm, British Library;<br />

‘’Scene in a Brazier’s Shop in Bengal’’, oil on teak<br />

panel, 45 x 61cm, Victoria and Albert Museum; and<br />

‘’Stamping Coinage in the Mint Calcutta’’, oil on<br />

canvas, 44.5 x 60cm.<br />

Provenance: Purchased by the current owners<br />

at Sotheby’s, 21st <strong>March</strong>, 1979, (catalogue front<br />

cover).<br />

Lot 202<br />

Thomas Rowlandson (British, 1756-1827)<br />

A cripple and child<br />

ink and watercolour on paper, 28 x 21cm<br />

£600 - 800<br />

82


Lot 204<br />

William Henry Hunt (British, 1790-1864)<br />

‘The King’s Mews, now Trafalgar Square’<br />

watercolour on paper<br />

20.5 x 37.5cm<br />

204<br />

£400 - 600<br />

Provenance: Bonhams, 21st January, 1999, the In<br />

and Out sale at The Naval & Military Club.<br />

Lot 203<br />

John Kay (British, 1742-1826)<br />

A collection of 61 characters<br />

etchings<br />

largest 26 x 20cm<br />

See online for a full list of the plates.<br />

202<br />

£400 - 600<br />

203<br />

83


205<br />

Lot 205<br />

Attributed to John Frederick<br />

Herring Sr. (British, 1795-1865)<br />

Shooting snipe and pheasant<br />

oils on canvas, a pair, 31 x 40cm<br />

£1,200 - 1,800<br />

Lot 206<br />

John Frederick Herring Sr.<br />

(British, 1795-1865)<br />

A Farmyard in Winter<br />

oil on canvas<br />

signed and dated 1857<br />

65 x 110cm<br />

£8,000 - 12,000<br />

Lot 207<br />

John Frederick Herring Sr.<br />

(British, 1795-1865)<br />

Carriage horses and groom<br />

oil on canvas<br />

signed and dated 1833, 36 x<br />

48cm<br />

£3,000 - 5,000<br />

84


206<br />

207<br />

85


208<br />

Lot 208<br />

Samuel Palmer (English, 1805-<br />

1881)<br />

A landscape at sunset; a cloud<br />

study; a landscape<br />

pencil and watercolour<br />

inscribed in pencil<br />

9.5 x 19cm<br />

£1,500 - 2,000<br />

209<br />

Lot 209<br />

Paul Sandby RA (English, 1725-<br />

1809)<br />

A sportsman with his dogs<br />

talking with two country girls in a<br />

landscape<br />

watercolour<br />

Sabin Galleries Ltd label verso<br />

52 x 68cm<br />

£400 - 600<br />

Lot 210<br />

George Bryant Campion (1796-<br />

1870)<br />

‘Eton College chapel from the<br />

river’<br />

watercolour<br />

Walker’s Galleries label verso<br />

26 x 42cm<br />

£300 - 500<br />

210<br />

86


Lot 211<br />

Attributed to Giovanni Schranz<br />

(Maltese, 1794-1882)<br />

A Private First Rate Man O’ War<br />

entering Valetta harbour<br />

oil on canvas<br />

36 x 57cm<br />

£300 - 500<br />

Provenance: Sotheby’s Marine sale,<br />

3rd June, 1986, lot 117.<br />

Lot 212<br />

William Henry Stopford (Irish, 1842-<br />

1890)<br />

“The guardship, probably H.M.S.<br />

Revenge, in the River Lee, Cork’’<br />

watercolour<br />

signed<br />

54 x 81cm<br />

£350 - 550<br />

211<br />

Provenance: Sotheby’s, Marine sale,<br />

3rd June, 1986, lot 1.<br />

Lot 213<br />

William Edward Atkins (British,<br />

1842-1910)<br />

The Royal yacht Victoria & Albert<br />

(II), with Queen Victoria aboard,<br />

departing from Portsmouth<br />

Harbour<br />

watercolour<br />

signed<br />

35 x 52cm<br />

£400 - 600<br />

212<br />

213<br />

87


214<br />

Lot 214<br />

Lieutenant Leopold G. Heath for<br />

the Hydrographic Office<br />

Hong Kong as seen from the<br />

anchorage of HMS Iris, 1846<br />

set of three steel engravings<br />

three panoramic views with<br />

locations identified, numbered<br />

1696a, b and c, Hydrographic Office<br />

of the Admiralty, 1847 [but later]<br />

visible sheet 22 x 79cm<br />

£400 - 600<br />

215<br />

The earliest Admiralty survey of<br />

Hong Kong harbour was carried<br />

out in 1841. This set of three<br />

panoramas was commissioned as a<br />

companion to the survey, drawn by<br />

Lieutenant (later Admiral) Leopold<br />

Heath in 1846 and published in<br />

1847. Taken from a vantage point<br />

aboard HMS Iris anchored centrally<br />

in the harbour they combine to<br />

form an overlapping 360-degree<br />

panorama of the harbour, one of the<br />

very earliest (and among the most<br />

important) delineations of the town<br />

and harbour.<br />

Lot 215<br />

Follower of George Chinnery<br />

(English, 1774-1852)<br />

Scene on the Horan Canal near<br />

Canton, c.1850<br />

oil on metal panel<br />

50 x 75cm<br />

£2,000 - 3,000<br />

Lot 216<br />

Henriette Hermione Gudin<br />

(French, 1825-1876)<br />

Fire on the coast<br />

oil on canvas<br />

signed<br />

36 x 48cm<br />

£400 - 600<br />

216<br />

88


Lot 217<br />

After George Chambers<br />

(British, 1803-1840)<br />

‘The Capture of Bagur’<br />

oil on canvas<br />

bears J.W. Carmichael signature<br />

60 x 83cm<br />

£400 - 600<br />

Provenance: Sotheby’s Marine<br />

sale, 3rd July, 1986, lot 136.<br />

Lot 218<br />

Hubert Thornley (William<br />

Anslow Thornley) (fl.1859-<br />

1898)<br />

Shipping at anchor, Mont St.<br />

Michel in the distance<br />

oil on canvas<br />

signed<br />

40 x 60cm<br />

£400 - 600<br />

217<br />

Lot 219<br />

Hubert Thornley (William<br />

Anslow Thornley) (fl.1859-<br />

1898)<br />

Hay barges and other<br />

shipping off the coast<br />

oil on canvas<br />

signed<br />

40 x 60cm<br />

£400 - 600<br />

218<br />

219<br />

89


220<br />

Lot 220<br />

Hubert Thornley (William Anslow<br />

Thornley) (fl.1859-1898)<br />

Fisherfolk along the coast at Whitby by<br />

day and night<br />

oils on canvas, a pair<br />

signed<br />

35 x 30cm<br />

£700 - 1,000<br />

221<br />

Lot 221<br />

Hubert Thornley (William Anslow<br />

Thornley) (fl.1859-1898)<br />

Beached ship on the shore near<br />

Whitby<br />

oil on canvas<br />

signed<br />

30 x 40cm<br />

£400 - 600<br />

Lot 222<br />

William Howard (British, 1800-1850)<br />

Twickenham viewed from the river<br />

oil on canvas<br />

signed<br />

75 x 125cm<br />

£800 - 1,200<br />

222<br />

90


Lot 223<br />

* Sir Edward Coley Burne-Jones,<br />

Bt; A.R.A; R.W.S. (British, 1883-<br />

1898)<br />

Head of a girl, possibly Maria<br />

Zambaco<br />

pencil on paper<br />

13.5 x 10.5cm<br />

£6,000 - 9,000<br />

Provenance: Sotheby’s 15th July,<br />

2008<br />

223<br />

Lot 224<br />

* John Robert Wildman (fl.1823-<br />

1839)<br />

Family portraits of young girls<br />

pencil and sanguine chalk on paper<br />

(6)<br />

each signed<br />

each 46 x 39cm<br />

£800 - 1,200<br />

224<br />

91


Lot 225<br />

* Lord Frederic Leighton PRA<br />

(British, 1830-1896)<br />

Study for Lachrymae<br />

charcoal and chalk on grey<br />

paper<br />

26.5 x 23cm<br />

£10,000 - 15,000<br />

Provenance: Exhibited Royal<br />

Academy, Winter exhibition,<br />

1897; Christie’s 29th June,<br />

1925, lot 42; Sotheby’s 14th<br />

July, 2016<br />

225<br />

Lot 226<br />

Frederick Cowie (British,<br />

fl.1845-1870)<br />

‘The Conquering Hero’<br />

oil on canvas<br />

78 x 129cm<br />

£500 - 700<br />

226<br />

92


227<br />

Lot 227<br />

Johannes Engel Masurel (Dutch,<br />

1826-1915)<br />

Still lifes of a Copper kettle and<br />

vegetables and Dead game in a pantry<br />

oils on wooden panel, a pair<br />

signed<br />

22 x 24.5cm<br />

£400 - 600<br />

Lot 228<br />

Jan Evert Morel II (Dutch, 1835-1905)<br />

Figures in an open landscape<br />

oil on oak panel<br />

signed<br />

22 x 32cm<br />

£400 - 600<br />

228<br />

Lot 229<br />

Heinrich Steinike (German, 1825-1909)<br />

Extensive mountain lake landscape<br />

oil on canvas<br />

signed<br />

87 x 124cm<br />

£700 - 900<br />

229<br />

93


Lot 230<br />

Edith Hume (English, 1843-<br />

1906)<br />

‘The Canary’s Funeral’<br />

oil on canvas<br />

signed<br />

45 x 76cm<br />

£400 - 600<br />

230<br />

Lot 231<br />

Arthur James Stark<br />

(English, 1831-1902)<br />

Farm scene with figures<br />

and oxen<br />

oil on canvas<br />

signed and dated 1869<br />

59 x 90cm<br />

£400 - 600<br />

Lot 232<br />

Luigi Napoleone Grady<br />

(Italian, 1860-1949)<br />

Beauty wearing a<br />

diaphanous gown<br />

oil on canvas<br />

signed and inscribed Milano<br />

78 x 56cm<br />

£400 - 600<br />

231<br />

Lot 233<br />

Georges Croegaert<br />

(Belgian, 1848-1923)<br />

A Beauty, Paris 1883<br />

oil on panel<br />

signed and dated 1883<br />

23 x 17cm<br />

£600 - 800<br />

232<br />

233<br />

94


Lot 234<br />

Sydney Percy Kendrick (English, 1874-1955)<br />

‘Gathering Daffodils’<br />

oil on canvas<br />

signed<br />

55 x 40cm<br />

234<br />

£500 - 700<br />

235<br />

Lot 235<br />

Sydney Percy Kendrick (1874-1955)<br />

‘Gathering Harebells’<br />

oil on canvas<br />

signed<br />

60 x 45cm<br />

£500 - 700<br />

Lot 236<br />

Sophie Gengembre Anderson (English, 1823-<br />

1903)<br />

A Classical Beauty<br />

oil on canvas<br />

signed<br />

35 x 29.5cm<br />

£1,000 - 2,000<br />

236<br />

95


Lot 237<br />

Pierre Carrier-Belleuse (French, 1851-1932)<br />

Portrait of a young ballerina seated upon a<br />

couch, holding a letter<br />

pastel<br />

signed and dated 1890<br />

99 x 71cm<br />

£4,000 - 6,000<br />

96


Lot 238<br />

Charles Joshua Chaplin<br />

(French, 1825-1891)<br />

Portrait of a young beauty<br />

holding a bouquet of flowers<br />

oil on canvas<br />

signed<br />

45 x 37cm<br />

Lot 239<br />

£400 - 600<br />

Jules-Charles Aviat (French,<br />

1844-1931)<br />

‘Henriette’<br />

pastel on paper<br />

signed and dated 1892<br />

53 x 44cm<br />

Lot 240<br />

£400 - 600<br />

Late 19th Century French<br />

School<br />

Seated female nude holding a<br />

seashell<br />

oil on canvas<br />

78 x 98cm<br />

£800 - 1,200<br />

238<br />

239<br />

240<br />

97


241<br />

241<br />

242<br />

244<br />

243<br />

98


Lot 241<br />

Henry Stacy Marks R.A., (British,<br />

1829-1898)<br />

Kookaburra & Scarlet Crested<br />

Cockatoo<br />

watercolour and gouache (2)<br />

monogrammed<br />

14 x 9cm & 17 x 9cm<br />

Lot 242<br />

£400 - 600<br />

Henry Stacy Marks R.A., (British,<br />

1829-1898)<br />

Two cockatoos<br />

watercolour<br />

monogrammed, label verso,24 x 15cm<br />

Lot 243<br />

£400 - 600<br />

Henry Stacy Marks R.A., (British,<br />

1829-1898)<br />

Blue and Yellow Macaw and Hyacinth<br />

Macaw<br />

watercolour (2)<br />

monogrammed, each 17.5 x 7cm<br />

£400 - 600<br />

Lot 244<br />

Neville William Cayley (Australian,<br />

1886-1950)<br />

Study of a Cookaburra on a branch<br />

watercolour<br />

signed, 56 x 39.5cm<br />

£400 - 600<br />

245<br />

Lot 245<br />

Eugene Remy Maes (Belgian, 1849-<br />

1931)<br />

Chickens sheltering from the snow in<br />

winter<br />

oil on panel<br />

signed, 35 x 25.5cm<br />

£600 - 900<br />

Lot 246<br />

Sidney Eastlake (British, late 19th<br />

century)<br />

‘The Conway’<br />

oil on canvas<br />

signed, 50 x 76cm<br />

£300 - 500<br />

246<br />

99


Lot 247<br />

* Simeon Soloman (British, 1840-1905)<br />

Head of a woman<br />

sanguine chalk<br />

monogrammed and dated 1890<br />

35 x 28.5cm<br />

£6,000 - 9,000<br />

Provenance: Sotheby’s 15th July, 2008, lot 9<br />

100


248<br />

Lot 248<br />

Thomas Bryant Brown<br />

(Exh.1906-1909)<br />

Venice at twilight<br />

oil on canvas<br />

signed and dated 1908<br />

61 x 92cm<br />

£5,000 - 7,000<br />

Lot 249<br />

Morten Müller (Norwegian,<br />

1828-1911)<br />

Woodmen in a forest clearing<br />

oil on canvas<br />

signed<br />

40 x 62cm<br />

£300 - 500<br />

249<br />

101


251<br />

251<br />

250<br />

Lot 250<br />

James Jacques Tissot (French, 1836-1902)<br />

‘Mavourneen’, [Wentworth 31]<br />

drypoint etching on laid paper, 1877<br />

signed in the plate with artist’s stamp, label verso for<br />

the Arthur Jeffress Gallery of Davies Street, London,<br />

catalogue number 27<br />

19 x 10.75cm<br />

£2,000 - 3,000<br />

Lot 251<br />

Alfred Fontville de Breanski Jr. (1877-1957)<br />

Temple Lock on the Thames and Abingdon on<br />

Thames<br />

oil on canvas, a pair<br />

signed<br />

30.5 x 40.5cm<br />

£700 - 1,000<br />

252<br />

102


Lot 252<br />

Gabriel Loppé (French,<br />

1825-1913)<br />

Mont Blanc from Chamonix<br />

oil on panel<br />

signed, inscribed verso<br />

26 x 19.5cm, unframed<br />

Lot 253<br />

£800 - 1,200<br />

William Logsdail (English,<br />

1859-1944)<br />

‘Il Buon Padre’<br />

oil on canvas<br />

signed<br />

62 x 51cm<br />

Lot 254<br />

£3,000 - 5,000<br />

Williams Logsdail (English,<br />

1859-1944)<br />

‘San Michiele, Venice’<br />

oil on mill board<br />

signed and dated 1901<br />

24 x 35cm<br />

£1,500 - 2,000<br />

253<br />

254<br />

103


Lot 255<br />

Edward Radford (English, 1831-1920)<br />

‘Fortunes’<br />

oil on canvas<br />

signed<br />

29 x 34cm<br />

£4,000 - 6,000<br />

Lot 257<br />

George Gregory (British, 19th C.)<br />

Highland cattle in a landscape<br />

oil on canvas<br />

signed<br />

20 x 29cm<br />

£400 - 600<br />

Lot 256<br />

Arthur Wardle (British, 1864-1947)<br />

‘Cheek’<br />

oil on canvas<br />

signed<br />

40 x 50cm<br />

£600 - 900<br />

Lot 258<br />

Lionel Edwards (English, 1878-1966)<br />

‘Snowballing the stagecoach’<br />

watercolour<br />

signed in pencil<br />

49 x 38cm<br />

£500 - 800<br />

104


256<br />

257<br />

258<br />

105


259<br />

260<br />

106


262<br />

Lot 259<br />

§ Montague Dawson (English, 1895-1973)<br />

‘Rough Weather’<br />

gouache on card<br />

signed, 43.5 x 63cm<br />

Lot 260<br />

Charles Napier Hemy (British, 1841-1917)<br />

‘St Anthony Point, Falmouth’<br />

oil on board<br />

signed and dated 1901, 45 x 68cm<br />

261<br />

£2,000 - 2,500<br />

£1,000 - 1,500<br />

Lot 261<br />

Thomas Rose Miles (British, 1844-1916)<br />

‘Return of the Shanklin life boat, Isle of Wight’<br />

oil on canvas<br />

signed, 90 x 75cm<br />

Lot 262<br />

£1,000 - 1,500<br />

J.W. Beaufort (fl. circa 1920-30)<br />

Portrait of three Scottish children in a drawing<br />

room, all wearing Cameron tartan kilts<br />

oil on canvas<br />

signed and dated 1930<br />

87 x 125cm<br />

£300 - 500<br />

Lot 263<br />

Attributed to J.W. Beaufort (fl. circa 1920-30)<br />

Full length portrait of a boy standing beside a<br />

collie<br />

oil on canvas<br />

121 x 91cm<br />

263<br />

£300 - 500<br />

107


264<br />

Lot 264<br />

Archibald Thorburn (British, (1860-<br />

1935)<br />

Mallard in winter<br />

gouache and watercolour<br />

signed<br />

24 x 34cm<br />

£2,000 - 3,000<br />

Lot 265<br />

T. Rozenchild-Paulin (c.1930)<br />

‘Oberon’<br />

oil on canvas<br />

signed and dated 1935<br />

99 x 80cm<br />

£300 - 500<br />

265<br />

108


Lot 266<br />

§ Gwendolen Beatrice White<br />

(British, 1904-1981)<br />

The Seven Ages of Man Casket<br />

whitewood with stained and gilt<br />

gesso decoration<br />

32.5 x 11 x 7.5cm<br />

Lot 267<br />

£700 - 1,000<br />

§ Gwendolen Beatrice White<br />

(British, 1904-1981)<br />

The Greensleeves Triptych<br />

whitewood with stained and gilt<br />

gesso decoration<br />

33cm wide, 3cm deep, 48cm high<br />

CITES Submission reference<br />

6ESP61NC<br />

£800 - 1,200<br />

This piece was chosen for a<br />

National Gold Medal award at The<br />

School of Art, The Polytechnic,<br />

(309 Regent Street, London - now<br />

the University of Westminster) in<br />

1914.<br />

Gwen White’s work was featured<br />

in The Studio circa 1916.<br />

Lot 268<br />

Gwendolen Beatrice White<br />

(British, 1904-1981) & Others<br />

Paintings on woodwork<br />

whitewood with stained and gilt<br />

gesso decoration<br />

Bookmarks, small pots, matchbox<br />

holders, a mirror, etc. (12)<br />

£200 - 300<br />

266<br />

267<br />

268<br />

109


Lot 269<br />

§ Alfred Egerton Cooper RBA (British,<br />

1883-1974)<br />

Epsom Derby Day<br />

oil on board<br />

initialled<br />

40 x 50cm<br />

Lot 270<br />

£3,000 - 4,000<br />

Garnet Ruskin Wolseley (English,<br />

1884-1967)<br />

Portrait of a lady wearing a lace cap<br />

oil on canvas<br />

signed<br />

59 x 48cm<br />

£500 - 800<br />

110


Lot 271<br />

*§ Sir William Russell Flint. R.S.W; P.R.W.S; R.A<br />

(1880-1969)<br />

‘The Bay of Winds, Gruinard, Ross-shire’<br />

watercolour<br />

signed<br />

50 x 67cm<br />

£15,000 - 20,000<br />

Provenance: Christie’s, London, 26th October, 2000,<br />

lot 144<br />

Note: Flint commented on his watercolours of<br />

sands and figures - on sands, ‘’In my opinion,<br />

technically the most difficult of all forms of watercolour<br />

painting and the purest. I might be asked<br />

why and the answer would be that these subjects<br />

are essentially the most delicate, direct and subtle<br />

of all. Any heaviness, any fumbling, any muddiness<br />

of colour would ruin them. I claim that there is far<br />

more in them than meets even the most professional<br />

eyes, and I unashamedly confess to amusement at<br />

imitators’ efforts’’<br />

(See W. Russell Flint, More than Shadows, London,<br />

1943, p.34<br />

111


272<br />

273<br />

Lot 272<br />

§ Eliot Hodgkin (English, 1905-<br />

1987)<br />

Study of six feathers<br />

tempera on card<br />

signed and dated 15.11.71 and<br />

inscribed verso<br />

10.75 x 15.25cm<br />

Lot 273<br />

£2,000 - 3,000<br />

Stuart Park (Scottish, 1862-1933)<br />

Red and white roses upon a ledge<br />

oil on canvas<br />

signed<br />

oval, 50 x 75cm, in ornate giltwood<br />

frame<br />

£500 - 800<br />

112


274<br />

Lot 274<br />

* Philip Wilson Steer (British, 1860-1942)<br />

‘The Red Bridge, Ironbridge’<br />

oil on canvas<br />

signed and dated 1910<br />

76 x 107cm<br />

Lot 275<br />

* Birger Simonsson (Swedish, 1883-1938)<br />

Landscape<br />

oil on board<br />

initialled<br />

45 x 55cm<br />

£6,000 - 9,000<br />

£300 - 500 275<br />

113


276<br />

277<br />

278<br />

114


Lot 276<br />

279<br />

§ James Cresser Tarr (British, 1905-1970)<br />

‘Monday’<br />

tempera on board<br />

artist label verso, 55 x 74cm<br />

£1,500 - 2,000<br />

280<br />

281<br />

Lot 277<br />

Irene Klestova (Russian, 1908-1989)<br />

‘Roses and dew’<br />

oil on board<br />

signed, Stacy Marks label verso, 23 x 18cm<br />

Lot 278<br />

Irene Klestova (Russian, 1908-1989)<br />

‘Roses in a blue Sevres vase’<br />

oil on board<br />

signed, Stacy Marks label verso, 23 x 18cm<br />

Lot 279<br />

£500 - 800<br />

£500 - 800<br />

* Alexander Archipenko (Ukrainian, 1887-1964)<br />

Reclining female nude<br />

pencil on paper<br />

signed, 39 x 33cm<br />

Lot 280<br />

Countess Ginette de Malet Roquefort (1903-<br />

1967)<br />

Still life of flowers in a vase<br />

oil on canvas board<br />

signed and dated ‘67<br />

60 x 50cm<br />

£300 - 500<br />

£300 - 500<br />

Lot 281<br />

Countess Ginette de Malet Roquefort (French,<br />

1903-1967)<br />

‘The Byzantine Madonna’<br />

oil on card<br />

initialled<br />

26.5 x 20.5cm<br />

Lot 282<br />

£300 - 500<br />

Countess Ginette de Malet Roquefort (French,<br />

1903-1967)<br />

‘Le Poins’<br />

oil on card<br />

20.5 x 27cm<br />

282<br />

£300 - 500<br />

115


283<br />

285<br />

Lot 283<br />

William Lee Hankey (British, 1869-1952)<br />

‘Winterton, Norfolk’<br />

oil on canvas<br />

signed, 51 x 60cm<br />

£600 - 800<br />

284<br />

Lot 284<br />

§ Frank O. Salisbury (English, 1874-<br />

1962)<br />

Study of Reynolds angels<br />

oil on canvas<br />

28.5 x 44cm<br />

£400 - 600<br />

Lot 285<br />

§ Frank O. Salisbury (English, 1874-<br />

1962)<br />

Portrait of a bride<br />

oil on canvas<br />

signed and dated 1934, 73 x 60cm<br />

£800 - 1,200<br />

286<br />

Lot 286<br />

Sauveur Terracciano (Algerian, 1908-<br />

1991)<br />

‘Port d’Amsterdam’<br />

oil on canvas<br />

signed, Salon des Independence 1973<br />

Exhibition label verso, 54 x 65cm<br />

£400 - 600<br />

116


287<br />

288<br />

289<br />

Lot 287<br />

Josselin Reginald Courtenay<br />

Bodley (British 1893-1974)<br />

Watermill in France<br />

oil on canvas<br />

signed<br />

60 x 48cm<br />

Lot 288<br />

£500 - 800<br />

Josselin Reginald Courtenay<br />

Bodley (British 1893-1974)<br />

‘La Sapramons’<br />

oil on canvas<br />

signed, exhibition label<br />

54 x 44cm<br />

£400 - 600<br />

290<br />

Lot 289<br />

Josselin Reginald Courtenay<br />

Bodley (British 1893-1974)<br />

Riverside houses<br />

oil on canvas<br />

signed and dated 1935, remnant<br />

of exhibition label verso<br />

53 x 37cm<br />

Lot 290<br />

£400 - 600<br />

Josselin Reginald Courtenay<br />

Bodley (British 1893-1974)<br />

‘Mouguere ...’<br />

oil on canvas<br />

signed with exhibition label verso<br />

45 x 37cm<br />

£300 - 500<br />

Lot 291<br />

Josselin Reginald Courtenay<br />

Bodley (British 1893-1974)<br />

‘Charente 1949’<br />

oil on canvas<br />

signed and dated<br />

90 x 120cm<br />

291<br />

£600 - 800<br />

117


Lot 292<br />

§ Cecil Rochfort D’Oyly-John<br />

(British, 1906-1993)<br />

‘Corner of Santa Margarita’<br />

oil on canvas<br />

signed<br />

45 x 65cm<br />

£1,000 - 1,500<br />

292<br />

Lot 293<br />

§ Cecil Rochfort D’Oyly-John<br />

(British, 1906-1993)<br />

‘Cassis, near St Tropez, French<br />

Riviera’<br />

oil on canvas<br />

signed<br />

34 x 70cm<br />

£1,500 - 2,000<br />

293<br />

Lot 294<br />

§ Cecil Rochfort D’Oyly-John<br />

(English, 1906-1993)<br />

‘St Tropez, 7pm, S of France’<br />

oil on canvas<br />

signed and titled verso<br />

44 x 64cm<br />

£1,200 - 1,800<br />

294<br />

118


Lot 295<br />

§ Cecil Rochfort D’Oyly-John<br />

(English, 1906-1993)<br />

Fishing boats along the<br />

Mediterranean coast<br />

oil on board<br />

signed<br />

33 x 69cm<br />

£600 - 800<br />

295<br />

Lot 296<br />

§ Jean Fous (French, 1901-1971)<br />

Parisian street scene with artists at<br />

work and the domes of the Sacré<br />

Coeur<br />

gouache on card<br />

signed<br />

48 x 63cm<br />

£400 - 600<br />

Lot 297<br />

Norman Ackroyd (English, b.1938)<br />

‘Dock’ (East India Dock) 1962<br />

etching and aquatint printed in<br />

colours, on wove<br />

signed in pencil, titled and numbered<br />

19/75<br />

45 x 59.5cm<br />

£300 - 500<br />

296<br />

297<br />

119


Lot 298<br />

§ Michael Ayrton (British,<br />

1921-1975)<br />

‘Giovanni’<br />

oil on canvas<br />

signed, Hanover Gallery label<br />

verso<br />

48 x 68cm<br />

Lot 299<br />

£3,000 - 5,000<br />

§ Lord Paul Ayshford Methuen<br />

R.A. (English, 1886-1974)<br />

‘St Paul’s from across The<br />

Thames’<br />

oil on canvas<br />

signed, exhibited Royal<br />

Academy 1965<br />

63 x 76cm<br />

£800 - 1,200<br />

120


Lot 300<br />

§ Noel Georges<br />

Bouvard (French,<br />

1912-1975)<br />

Gondola and sailing<br />

ship off the Doges<br />

Palace, Venice<br />

oil on canvas<br />

signed<br />

49 x 64cm<br />

£3,000 - 5,000<br />

Lot 301<br />

§ Noel Georges<br />

Bouvard (French,<br />

1912-1975)<br />

‘A cool evening,<br />

Venice’<br />

oil on canvas<br />

signed<br />

50 x 60cm<br />

£1,500 - 2,000<br />

121


302<br />

303<br />

304<br />

305<br />

306<br />

122


Lot 302<br />

§ Raymond Campbell (English, b.1956)<br />

Still life of claret, cheese and grapes upon a<br />

ledge with delft tiles beyond<br />

oil on canvas<br />

signed<br />

45 x 60cm<br />

Lot 303<br />

§ Raymond Campbell (English, 1956-)<br />

‘Chateau Pavie 1985’<br />

oil on board<br />

signed<br />

59 x 28cm<br />

Lot 304<br />

£700 - 900<br />

£400 - 600<br />

§ Raymond Campbell (English, b.1956)<br />

Still life of a green glass roemer and fruit upon<br />

a table top<br />

oil on canvas<br />

signed<br />

40 x 30cm<br />

£300 - 500<br />

Lot 305<br />

§ Raymond Campbell (English, b.1956)<br />

‘Louis Jabot 1994 Chardonnay’<br />

oil on panel<br />

signed<br />

50 x 40cm<br />

Lot 306<br />

Raymond Campbell (English, b.1956)<br />

‘1985 Vintage Krug Champagne’<br />

oil on panel<br />

signed<br />

40 x 30cm<br />

Lot 307<br />

307<br />

£500 - 700<br />

£700 - 900<br />

§ Graham Sutherland (English, 1903-1980)<br />

‘81 Pink rock study with sun’, original study<br />

from Graham Sutherland’s sketchbooks, c.1970<br />

watercolour, pen and ink, pencil<br />

Goldmark Gallery label verso<br />

22 x 34.5cm<br />

£1,500 - 2,000<br />

123


Lot 308<br />

§ Laurence Stephen Lowry<br />

RBA RA (1887-1976)<br />

‘Crime Lake’<br />

offset lithograph in colours,<br />

1972, on wove paper<br />

signed in pencil, from the<br />

edition of 500, printed by Max<br />

Jaffe, Vienna, published by the<br />

Adam Collection Ltd., with the<br />

<strong>Fine</strong> Art Trade Guild blindstamp<br />

46 x 61cm<br />

£2,000 - 3,000<br />

308<br />

Lot 309<br />

Laurence Stephen Lowry<br />

RBA RA (1887-1976)<br />

Street Scene<br />

limited edition print of 850<br />

signed in pencil and<br />

blindstamped by the <strong>Fine</strong> Art<br />

Trade Guild, published by the<br />

Adam collection, printed by<br />

Chorley and Pickersgill<br />

25 x 20cm<br />

£600 - 800<br />

309<br />

Lot 310<br />

Gabriel Bellocq (French,<br />

1920-1999)<br />

Orange Sky and Between<br />

Fields<br />

pastel on paper, a pair<br />

signed<br />

11.5 x 15cm<br />

£400 - 600<br />

310<br />

124


312<br />

Lot 311<br />

§ David Tindle R.A. (British, b.1932)<br />

Objects before a mirrored cabinet<br />

oil on canvas<br />

inscribed ‘To Rebecca’<br />

74 x 46cm<br />

311<br />

£500 - 800<br />

Lot 312<br />

§ Sir Kyffin Williams (Welsh, 1918-2006)<br />

‘Blind Man’<br />

oil on canvas<br />

initialled<br />

68 x 50cm<br />

£5,000 - 7,000<br />

Lot 313<br />

§ Pablo Picasso (Spanish, 1881-1973)<br />

Minotaure caressant une femme, from: La Suite<br />

Vollard<br />

etching<br />

1933, on Montval laid paper, signed in pencil, from<br />

the edition of 260, published by A. Vollard, Paris,<br />

1939,, 29 x 36cm<br />

£700 - 900<br />

313<br />

125


314<br />

315<br />

316<br />

126


Lot 314<br />

§ Victor Pasmore CH CBE, (British, 1908-<br />

1998)<br />

‘Points of Contact No.19 - 1973’<br />

screenprint in colours<br />

monogrammed and dated ‘73, 14/70, printed<br />

by Kelpra Studio<br />

56 x 39.5cm<br />

£800 - 1,200<br />

Lot 315<br />

§ Sir Terry Frost RA (British, 1915-2003)<br />

‘Black Sun Dipper, 1997’ (Kemp 153)<br />

screenprint in colours, 1997, on wove<br />

signed in pencil, 98/125, printed by<br />

Coriander Studio, London, co-published by<br />

Innocent <strong>Fine</strong> Art, Bristol, Anderson O’Day,<br />

London and Coriander Studio, London, with<br />

full margins<br />

86.5 x 46cm<br />

£800 - 1,200<br />

317<br />

Lot 316<br />

Jana Nicole (American, 1967-)<br />

‘Les Circus Des Enfants’<br />

collage and mixed media<br />

59 x 59cm<br />

£1,500 - 2,000<br />

Lot 317<br />

§ Nicola Simbari (Italian, 1927-2012)<br />

Circus musicians<br />

oil on canvas<br />

signed<br />

69 x 79cm<br />

£2,000 - 3,000<br />

318<br />

Lot 318<br />

§ Nicola Simbari (Italian, 1927-2012), a<br />

bronze ‘Reclining woman’, signed and<br />

dated ‘71, 52.5cm wide, 18cm deep, 16cm<br />

high, on a black plinth<br />

£2,000 - 3,000<br />

Lot 319<br />

*§ Nicola Simbari (Italian, 1927-2012)<br />

‘Pagazza Che Dorme’<br />

oil on canvas<br />

signed<br />

96 x 129cm<br />

£2,000 - 3,000<br />

319<br />

127


Lot 320<br />

§ Rosemary Sarah Welch<br />

(English, b.1946)<br />

Horses crossing a stream<br />

oil on canvas<br />

signed<br />

65 x 100cm, unframed<br />

£1,200 - 1,800<br />

Lot 321<br />

Rosemary Sarah Welch<br />

(English, 1946-)<br />

Harnessing the horses<br />

oil on canvas<br />

signed<br />

60 x 75cm<br />

£400 - 600<br />

Lot 322<br />

§ Anthony W. Gross (English,<br />

1905 -1984)<br />

‘Provence’, figures outside a<br />

hardware shop<br />

watercolour and ink on paper<br />

signed and dated ‘31<br />

32 x 49.5cm<br />

£1,200 - 1,800<br />

128


Lot 323<br />

§ Mali Morris (English, b.1945)<br />

‘A walk through the village’<br />

acrylic on canvas<br />

inscribed and dated 1990 verso<br />

65.5 x 84cm<br />

£1,000 - 1,500<br />

Lot 324<br />

§ Alan Davie (British, 1920-2014)<br />

‘Opus O.1241A Cosmographic structures<br />

no.24’<br />

oil on panel<br />

signed, Gimpel Fils label verso number 7796<br />

31 x 38cm<br />

£1,000 - 1,500<br />

Lot 325<br />

§ Sir Roger de Grey, P.R.A. (English, 1918-<br />

1995)<br />

‘Damme, Belgium’<br />

oil on canvas<br />

signed<br />

91 x 90cm<br />

£1,500 - 2,000<br />

129


Lot 326<br />

§ Fred Yates (English, 1922-<br />

2008)<br />

Soldier in his bedroom<br />

oil on board<br />

unsigned<br />

101 x 84cm<br />

£2,500 - 3,000<br />

Lot 327<br />

§ Fred Yates (English, 1922-2008)<br />

Couple in bed<br />

oil on board<br />

39 x 42cm<br />

£700 - 1,000<br />

130


Lot 328<br />

§ Donald McIntyre (Scottish,<br />

1923-2009)<br />

Scottish coastal landscape<br />

oil on board<br />

signed<br />

53 x 87cm<br />

£2,000 - 3,000<br />

Lot 329<br />

§ Fred Cuming (English, 1930-<br />

2022)<br />

‘Cap Feret’<br />

oil on board<br />

signed, Jonleigh Gallery label<br />

verso<br />

19.5 x 24.5cm<br />

£600 - 800<br />

Lot 330<br />

§ Margaret Traherne (English,<br />

1919-2006)<br />

‘Cherry Blossom’<br />

oil on canvas<br />

signed<br />

63 x 75cm<br />

£300 - 500<br />

131


Lot 331<br />

§ Sir Terry Frost R.A.,<br />

(British, 1915-2003)<br />

‘The Alhambra’, [Kemp<br />

62]<br />

lithograph on BFK Rives<br />

1972<br />

signed in pencil and<br />

dated ‘72, 45/65 in<br />

pencil, printed at<br />

Emil Matthieu Atelier,<br />

published by Leslie<br />

Waddington Prints,<br />

London<br />

68 x 82cm<br />

£600 - 800<br />

Lot 332<br />

§ Damien Hirst<br />

(British, b.1965)<br />

Untitled Gold Gift<br />

Spot, 2008<br />

screenprint in colours<br />

with gold glitter, on wove<br />

paper<br />

signed, numbered<br />

51/100 and dedicated<br />

‘for Jane, Damien xxx’<br />

in pencil (there were<br />

also 10 artist’s proofs),<br />

published by Other<br />

Criteria, London<br />

56 x 76cm, sheet overall<br />

75 x 95cm<br />

£3,000 - 5,000<br />

132


Lot 333<br />

Dame Elisabeth Frink R.A<br />

(English, 1930-1993)<br />

‘Birdman’<br />

lithograph<br />

signed in pencil and dated<br />

‘65, 42/50<br />

55 x 68cm<br />

£500 - 800<br />

Lot 334<br />

§ Dame Barbara<br />

Hepworth (English, 1903-<br />

1975)<br />

Sun and Water (from the<br />

Aegean Suite)<br />

lithograph printed in<br />

colours, 1971,<br />

signed in pencil and<br />

numbered 6/60, on wove<br />

paper, co-published by<br />

Curwen Studio, London and<br />

Christies Contemporary<br />

Art, London, with their<br />

blindstamps, with margins<br />

76 x 54cm<br />

£1,500 - 2,000<br />

133


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SILVER & VERTU<br />

At approx. 2.00pm.<br />

335 - 388<br />

367<br />

135


Lot 335<br />

A George II silver coffee pot and hinged cover<br />

with turned finial, William Williams I, of tapering<br />

form, with later wooden handle, London, 1744,<br />

height 24.5cm, gross weight 27.4oz.<br />

Lot 336<br />

£400 - 600<br />

A good pair of late George I silver lighthouse<br />

casters, by William Spackman, with demi fluted<br />

bases, banded girdle and turned finials, London,<br />

1726, height 17cm, 20oz (a.f.)<br />

Lot 337<br />

£500 - 700<br />

A George II silver cruet stand, with three<br />

matching graduated casters, by Samuel Wood,<br />

with ring handle, on fluted pad feet, London, 1747,<br />

height 22.5cm, together with a glass bottle and two<br />

lids, 40.5oz.<br />

Lot 338<br />

£700 - 900<br />

A pair of late George II silver small sauce boats,<br />

by Robert Albin Cox, with cut rims and flying scroll<br />

handles, London, 1756, length 12.8cm, 5.9oz.<br />

Lot 339<br />

£150 - 250<br />

A George III silver oval meat dish, by William<br />

Fountain, with gadrooned border and engraved<br />

crest, London, 1802, 39.4cm, 48.4oz.<br />

£500 - 700<br />

Lot 340<br />

A George II silver baluster mug, by David<br />

Willaume II, later decorated with continuous<br />

countryside scene with hares and game birds,<br />

with leaf capped handle, London, 1741, height<br />

13cm, 14.6oz.<br />

Lot 341<br />

£300 - 400<br />

A George III engraved silver oval tea caddy, by<br />

Thomas Daniell, decorated with garlands and two<br />

oval cartouches, one with entwined hearts, London,<br />

1779, width 12.4cm, 12.9oz, no key.<br />

Lot 342<br />

£500 - 700<br />

A George III silver tankard by W & J Priest, with<br />

hinged domed cover of baluster form, with banded<br />

girdle and pierced scroll thumbpiece, London, 1766,<br />

height 20.1cm, 28.3oz.<br />

Lot 343<br />

£600 - 800<br />

A George III silver hip flask, by Peter & Ann<br />

Bateman, of oval form, with removable cup base<br />

and screw cap, London, 1797, 17.8cm, 11.1oz.<br />

Lot 344<br />

£300 - 400<br />

A George III silver salver, by John Mewburn, of<br />

shaped circular form with gadrooned border and<br />

engraved crest, on three tapering feet, London,<br />

1809, 26.4cm, 22.4oz.<br />

£400 - 600<br />

Lot 345<br />

A George III demi fluted silver oval tea caddy<br />

by Andrew Fogelberg & Stephen Gilbert, with<br />

engraved monogram, the hinged domed cover with<br />

ring handle, no key, London, 1789, height 12.6cm,<br />

18.5oz.<br />

£800 - 1,200<br />

136


335<br />

336<br />

337<br />

338<br />

339<br />

340<br />

341<br />

342<br />

343<br />

344<br />

345<br />

137


Lot 346<br />

Duke of Brunswick Service: A set of six early<br />

Victorian silver dinner plates by John Mortimer<br />

& John Samuel Hunt, with shell and scroll borders<br />

and cast with the Arms of Brunswick below a Ducal<br />

crown, three engraved ‘Mortimer & Hunt, London’<br />

and four numbered 311, 1840, 26.8cm, 122.3oz.<br />

William, 8th Duke of Brunswick (1806-1844) was the<br />

second son of the Black Duke of Brunswick, and at<br />

his death, a ward of the Prince Regent of England.<br />

His elder brother succeeded as Duke, but was<br />

deposed by the Revolution of 1830; William stepped<br />

in as Regent, then from 1831 as Duke of Brunswick.<br />

He ruled the Duchy until his death in 1884, when<br />

the senior branch of the House of Guelph became<br />

extinct.<br />

Lot 347<br />

£4,000 - 6,000<br />

Duke of Brunswick service: An early Victorian<br />

silver serving plate by John Mortimer & John<br />

Samuel Hunt, with shell and scroll borders and cast<br />

twice with the Arms of Brunswick below a Ducal<br />

crown, engraved ‘Mortimer & Hunt, London’ and<br />

numbered 312, London, 1840, 31cm, 32.9oz, en<br />

suite to previous lot.<br />

Lot 348<br />

£700 - 1,000<br />

A pair of George III silver goblets, by Robert &<br />

Samuel Hennel, later embossed with continuous<br />

farmyard scenes, London, 1802, 20.2cm, 23.2cm.<br />

Lot 349<br />

£400 - 600<br />

An early Victorian silver rectangular ‘castle top’<br />

vinaigrette, depicting Abbotsford House, by<br />

Edward Smith, Birmingham, 1840, 42mm.<br />

Lot 350<br />

£400 - 600<br />

A mid 18th century Irish silver rose bowl, by<br />

Robert Calderwood, with reeded border, on<br />

stepped circular foot, Dublin, c.1760, diameter<br />

21.4cm, 19.8oz.<br />

£1,000 - 1,500<br />

Lot 351<br />

A set of three George III Scottish Provincial<br />

silver Old English shell pattern toddy ladles,<br />

by John Keith, Banff, circa 1795-1800, together<br />

with an early Victorian Scottish Provincial fiddle<br />

and shell pattern toddy ladle.by Robert Keay II,<br />

Perth, circa 1840, 15.7cm & 15.2cm, 3.9oz.<br />

Lot 352<br />

£200 - 300<br />

A harlequin part canteen of silver fiddle and<br />

thread pattern flatware, comprising eight table<br />

forks, London, 1830/1, twelve dessert forks and<br />

seven dessert spoons, George Adams, London,<br />

1845, six egg spoons, George Adams, London,<br />

1870, a pair of sauce ladles, London, 1829 and six<br />

table spoons, London, 1848/9 Elizabeth Eaton &<br />

George Adams, 82.2oz.<br />

Lot 353<br />

£400 - 600<br />

Two pairs of early 19th century silver mounted<br />

wine coasters, one pair by John Roberts & Co,<br />

Sheffield, 1810, the other Thomas & John Settle,<br />

Sheffield, 1821, all with gadrooned borders,<br />

diameters 15.8cm, all with turned wooden bases.<br />

Lot 354<br />

£600 - 800<br />

A late William IV/early Victorian silver pyriform<br />

four piece tea and coffee service, by The<br />

Barnards, with floral finials, on four scroll feet,<br />

London, 1836/8, coffee pot 24.3cm, gross weight<br />

70oz.<br />

CITES Submission reference HB8CE3EA<br />

Lot 355<br />

£1,000 - 1,500<br />

A George III silver coffee pot and hinged cover<br />

with turned finial, maker R?, of tapering form,<br />

marks rubbed, height 25cm, gross weight 25.6 oz.<br />

£400 - 600<br />

138


346<br />

347<br />

348<br />

350<br />

349<br />

351<br />

352<br />

353<br />

354<br />

355<br />

139


Lot 356<br />

An early Victorian ornate silver gilt cream jug,<br />

by George Ivory, decorated with mask, garlands of<br />

flowers and cupids, London, 1845, height 13.6cm,<br />

11.9oz.<br />

Lot 357<br />

£300 - 400<br />

A Victorian ornate silver entree dish and cover<br />

with ram’s head handle, by John Samuel Hunt<br />

(Hunt & Roskell ex. Storr & Mortimer), of cusped<br />

circular form, with shell and scroll borders and shell<br />

handles, London, 1865, 33cm over handles, 59.4oz.<br />

Lot 358<br />

£1,000 - 1,500<br />

An early Victorian silver oval pedestal two<br />

handled sauce tureen, by Creswick & Co,<br />

with reeded borders and foliate ring handle,<br />

Sheffield,1848, width over handles 28cm, 21.8oz.<br />

Lot 359<br />

£300 - 400<br />

A Victorian engraved silver melon shaped coffee<br />

pot and cover with melon finial, by William<br />

Hunter, on four scroll feet, London, 1847, height<br />

24.4cm, gross weight 27.2oz.<br />

CITES Submission reference Y1TEMWCY<br />

Lot 360<br />

£400 - 600<br />

A late Victorian demi fluted silver circular punch<br />

bowl, by Goldsmiths & Silversmiths Co. Ltd., on<br />

pedestal foot, London, 1893 diameter 32cm, 42.6oz.<br />

Lot 361<br />

£600 - 800<br />

A late Victorian silver gilt two handled vase<br />

shaped presentation trophy cup, maker C?,<br />

with engraved inscription, relating to Edward<br />

Biddell, coming of age, London, 1884, the later<br />

matched cover with pineapple finial, Goldsmiths &<br />

Silversmiths Co. Ltd, London, 1912, 39.5cm, 41.1oz.<br />

£600 - 800<br />

Lot 362<br />

An early Victorian Scottish silver pyriform four<br />

piece tea and coffee service by William Marshall,<br />

with applied foliate scroll decoration, on circular foot,<br />

Edinburgh, 1837/8, coffee pot 30.3cm, gross weight<br />

79oz.<br />

CITES Submission reference Z4LSL9CG<br />

Lot 363<br />

£1,200 - 1,500<br />

A Victorian embossed silver pyriform hot water<br />

ewer, by Martin, Hall & Co, decorated with flowers,<br />

fruit and scrolls, on pedestal foot, Sheffield, 1865,<br />

height 31.6cm, gross weight 21.8oz.<br />

CITES Submission reference V7KAR72D<br />

Lot 364<br />

£400 - 600<br />

ROYAL INTEREST: A cased Victorian textured<br />

silver collapsible travelling cup, by Brownett &<br />

Rose, with later engraved inscription, ‘Presented<br />

By Her Royal & Imperial Highness The Duchess<br />

of Saxe Coburg & Gotha Duchess of Edinburgh<br />

to Alleyne Alfred Baron Boxall, in memory of<br />

His Royal Highness The Late Duke Alfred Son of<br />

Her Majesty Queen Victoria February 3rd, 1901’,<br />

the top section with applied circular plaque and<br />

engraved ‘Alfred 6th August, 1859’ below a coronet,<br />

London, 1855, open height 71mm, 149 grams.<br />

Lot 365<br />

£300 - 500<br />

ROYAL INTEREST: A good ornate Victorian<br />

Teniers style silver ewer with hinged cover<br />

by Frederick Elkington, embossed in relief with<br />

continuous scene of figures at various pursuits with<br />

a background of fruiting vines, the hinged cover<br />

and spout surmounted with youths, the interior with<br />

engraved inscription. ‘Henry Peverill Le Mesurier.<br />

From Their Royal Highnesses The Princes Philip<br />

and Augustus of Saxe Coburg Gotha As A Friendly<br />

Souvenir of their Sport with him in India, 1873’,<br />

Birmingham, 1873, 22.5cm, 28.8oz.<br />

£2,000 - 3,000<br />

140


357<br />

356<br />

358<br />

359<br />

360<br />

361<br />

362<br />

363<br />

364<br />

365<br />

141


Lot 366<br />

An ornate late Victorian silver mounted cut glass<br />

claret jug, by Charles Edwards, of ovoid form,<br />

with mask spot and foliate scroll decoration, the<br />

hinged cover with turned finial, London, 1889, height<br />

34.1cm.<br />

Lot 367<br />

£600 - 800<br />

An Edwardian Hanau silver free-standing<br />

model of a baying stag, the detachable head with<br />

engraved inscription, import marks for John George<br />

Piddington, London, 1902, height 20.5cm, 25.7cm.<br />

Lot 368<br />

£600 - 800<br />

An ornate Victorian silver hot water jug, by<br />

Elkington & Co, of bulbous form, with embossed<br />

foliate decoration and applied winged figures,<br />

London, 1898, 40cm, gross weight 41.5oz.<br />

CITES Submission reference UF9517NZ<br />

Lot 369<br />

£700 - 900<br />

A late Victorian demi fluted wrythened silver<br />

water jug, by Mappin & Webb, with engraved<br />

inscription relating to ‘First Prize Grand Standard<br />

Stakes, Lagos Races, 1894’, faintly engraved with<br />

horse racing scene with palm trees, on circular foot,<br />

Sheffield, 1894, height 25cm, 33.5oz.<br />

Lot 370<br />

£500 - 700<br />

A part canteen of Victorian silver fiddle pattern<br />

flatware, by George Adams, with engraved crest,<br />

comprising twelve table spoons, twelve dessert<br />

spoons, ten teaspoons, twelve dessert forks, twelve<br />

table forks and one sauce ladle, London, 1857/8,<br />

together with two earlier silver teaspoons, 105.6oz.<br />

£1,000 - 1,500<br />

Lot 371<br />

A Victorian engraved silver octagonal four piece<br />

silver tea and coffee service, by William Robert<br />

Smily, with engraved inscriptions, and foliate scroll<br />

decoration, London, 1843, gross weight 72.8oz.<br />

CITES Submission reference<br />

Lot 372<br />

£1,200 - 1,600<br />

A late Victorian embossed silver presentation<br />

tyg, by John Newton Mappin, with foliate<br />

decoration and engraved inscription relating to ‘The<br />

Lagos Cup, 1895’, London, 1895, height 19.1cm,<br />

28.1oz.<br />

Lot 373<br />

£400 - 600<br />

A large Edwardian repousse silver rose bowl,<br />

by Carrington & Co, with foliate scroll decoration,<br />

London, 1908, diameter 30.8cm, 42.2oz.<br />

Lot 374<br />

£400 - 600<br />

A late Victorian novelty parcel gilt silver cigar<br />

cutter, modelled as a bottle, the hinged section<br />

enamelled with a head of a dog, Chester, 1888,<br />

maker’s mark rubbed, 50mm.<br />

Lot 375<br />

A late Victorian silver two handled rounded<br />

rectangular tea tray, by Goldsmiths &<br />

Silversmiths Co. Ltd, with gadrooned foliate<br />

border, 67.4cm over handles, London, 1900,<br />

110.7oz.<br />

£200 - 300<br />

£1,500 - 2,000<br />

142


367<br />

366<br />

368<br />

370<br />

369<br />

371<br />

372<br />

373<br />

374<br />

375<br />

143


Lot 376<br />

A George V Arts & Crafts Liberty & Co silver<br />

and enamel oval pill box, with hinged cover,<br />

Birmingham, 1929, the cover enamelled with a<br />

moonlit landscape scene with lake, 44mm.<br />

Lot 377<br />

£150 - 200<br />

A late 19th / early 20th century continental<br />

silver mounted wooden processional crucifix,<br />

with beaded border and applied figural busts and<br />

roundels, wooden pole missing, 44.7cm.<br />

Lot 378<br />

£350 - 450<br />

A George V pierced silver circular pedestal bowl<br />

by Mappin & Webb, Sheffield, 1927, diameter<br />

23.7cm, 23.3oz.<br />

Lot 379<br />

£320 - 360<br />

An Edwardian silver four branch, five light<br />

Corinthian column candelabrum, by James<br />

Deakin & Sons, with vine leaf decorated column, on<br />

stepped square base, Sheffield, 1909, height 61cm,<br />

weighted base, arms 63.3oz.<br />

Lot 380<br />

£600 - 800<br />

A 20th century Portuguese/Spanish embossed<br />

silver charger, with geometric and scroll decoration<br />

and central mask, stamped 916 twice, maker’s mark<br />

HA with flower, diameter 36cm, 25.4oz, numbered<br />

2853.<br />

£400 - 600<br />

Lot 381<br />

A pair of Edwardian silver two branch, three<br />

light Corinthian column candelabra, by William<br />

Hutton & Sons, with acanthus scroll arms and<br />

beaded borders, on stepped square bases, London,<br />

1906, height 56.7cm, bases weighted, arms only<br />

60.64oz.<br />

Lot 382<br />

£1,000 - 2,000<br />

A pair of Elizabeth II Scottish silver free standing<br />

models of a stag and doe, by Hamilton & Inches,<br />

Edinburgh, 2001/2002, height 10.9cm, 13.9oz.<br />

Lot 383<br />

£300 - 500<br />

A modern complete canteen of Queen Elizabeth<br />

II silver Old English feather edge pattern cutlery<br />

for twelve, by James Dixon & Sons, comprising<br />

twelve pairs of fish eaters, twelve soup spoons,<br />

four table/serving spoons, twelve dessert forks,<br />

twelve dessert spoons, twelve tea and twelve coffee<br />

spoons, twelve table forks, twelve silver handled<br />

table knives, twelve silver handled dessert knives<br />

and a five piece silver handled carving set, Sheffield,<br />

1972, weighable silver 128.1oz, housed in a wooden<br />

canteen.<br />

Lot 384<br />

£3,000 - 4,000<br />

A 20th century Peruvian Camusso 925 sterling<br />

six piece tea and coffee service, of pyriform, with<br />

foliate decorated borders, comprising a teapot,<br />

coffee pot, cream jug, lidded sugar bowl, tea strainer<br />

on stand and a two handled tea tray, 62.9cm over<br />

handles, gross weight 137.2oz.<br />

£1,200 - 1,800<br />

Lot 385<br />

A pair of Elizabeth II cast silver novelty<br />

condiments, each modelled as a seated teddy<br />

bear, maker’s JM over MG, London, 1997/8, 73mm,<br />

gross 16.2oz.<br />

£260 - 280<br />

144


376<br />

377<br />

378<br />

381<br />

379<br />

380<br />

382<br />

383<br />

384<br />

385<br />

145


Lot 386<br />

A pair of George V silver two<br />

branch, three light candelabra,<br />

by Eugene Leclere, with engraved<br />

inscription and tapering octagonal<br />

stems, on circular foot, Sheffield, 1930,<br />

height 49cm, weighted, arms weight<br />

52.1oz.<br />

£400 - 600<br />

Lot 387<br />

An Elizabeth II modernist silver<br />

paperweight by Adrian Gerald<br />

Benney, of rectangular form, with<br />

segmental decoration, inscribed<br />

‘OAP10’, London, 1982, 10.2cm,<br />

7.5oz.<br />

Lot 388<br />

£150 - 200<br />

An Elizabeth II graduated suite of<br />

three novelty silver condiments,<br />

modelled as penguins, by William<br />

Comyns & Sons Ltd, the larger<br />

mustard pot and small salt and<br />

pepperette, with cabochon eyes,<br />

London, 1964, tallest 71mm, gross<br />

weight 10oz.<br />

£300 - 400<br />

387<br />

388<br />

386<br />

146


WATCHES, COINS & JEWELLERY<br />

389-508<br />

508


389<br />

390<br />

391<br />

392<br />

393<br />

394<br />

Lot 389<br />

A George III 18ct gold hunter pocket watch by<br />

Abraham Samuel, together with a 15ct gold<br />

albert and base metal key, with Arabic dial and<br />

signed movement with diamond set cock, case<br />

diameter 52mm, gross weight 92.7 grams, chain<br />

20cm, 12.3 grams.<br />

Lot 390<br />

£600 - 800<br />

A George III engine turned 18ct gold open face<br />

pocket watch, by Young & Sons, Newcastle on<br />

Tyne, with Roman dial and diamond set cock, the<br />

signed movement numbered 8517, case diameter<br />

44mm, gross weight 92.1 grams.<br />

Lot 391<br />

£600 - 800<br />

A George V 9ct gold J.W. Benson keyless lever<br />

half hunter pocket watch, with Roman dial and<br />

subsidiary seconds, case diameter 48mm, gross<br />

weight 95.2 grams, on a black fabric albert.<br />

£400 - 600<br />

Lot 392<br />

A George V J.W. Benson 9ct gold open face<br />

keyless pocket watch, with a 9ct gold curb link<br />

albert, the pocket watch with Roman dial and case<br />

back inscription GR 1937 beneath a coronet, case<br />

diameter 47mm, gross weight 72.3 grams, albert<br />

44cm, 37.5 grams.<br />

Lot 393<br />

£400 - 600<br />

A 1920’s 18ct white gold Cartier Tank Cintree<br />

(7 lignes model) manual wind wrist watch, with<br />

later 1970’s movement, with rectangular Roman<br />

dial and facetted sapphire set winding crown, case<br />

diameter 20mm, case back numbered 36185, on<br />

associated leather strap, gross weight 21.3 grams<br />

Lot 394<br />

£1,000 - 1,500<br />

A gentleman’s 2002 stainless steel Tudor<br />

Oysterdate Automatic Chrono Time ‘Big Block’<br />

panda dial wrist watch, serial no. B775923, on a<br />

stainless steel Tudor bracelet, with box and papers<br />

and guarantee, case diameter 40mm.<br />

£4,000 - 6,000<br />

148


395<br />

396<br />

397<br />

398<br />

399<br />

400<br />

401<br />

Lot 395<br />

A gentleman’s 1956 stainless steel British<br />

Military Issue Omega RAF Pilot’s manual wind<br />

white dial wrist watch, with Arabic dial and blued<br />

steel hands, the case back engraved A.M. 6B/159<br />

over 3887/56, movement c.30T2 (early 1940’s<br />

movement), on later associated strap, case diameter<br />

36mm.<br />

Lot 396<br />

£1,000 - 1,500<br />

A George V 9ct gold Rolex manual wind wrist<br />

watch, lacking winding crown and strap, the<br />

sunburst Arabic dial with subsidiary seconds and<br />

case back with engraved initials, import marks for<br />

Glasgow, 1926, case diameter 30mm, gross weight<br />

19.9 grams.<br />

Lot 397<br />

£300 - 500<br />

A lady’s modern stainless steel Omega<br />

Constellation quartz wrist watch, on a stainless<br />

steel Omega bracelet, case diameter 26mm, no box<br />

or papers.<br />

£400 - 600<br />

Lot 398<br />

A lady’s modern silver gilt Must de Cartier<br />

Vermail quartz wrist watch, on a Must de Cartier<br />

strap, case diameter 30mm, with Cartier box.<br />

Lot 399<br />

£300 - 400<br />

A lady’s 18ct gold Cartier Ellipse manual wind<br />

wrist watch, numbered 670812000, signed Cartier,<br />

Paris, on a Cartier leather strap, with 18ct gold<br />

deployment clasp, no box or papers.<br />

Lot 400<br />

£500 - 700<br />

A lady’s modern 18k and diamond chip set<br />

Longines quartz octagonal wrist watch, on a twin<br />

strand cultured pearl and diamond chip set bracelet<br />

with 750 clasp, 16cm, gross weight 17.4 grams.<br />

Lot 401<br />

£300 - 500<br />

A lady’s 19ct gold Patek Philippe manual wind<br />

square dial wrist watch, inside case numbered<br />

4457 over 2785244, on a later strap.<br />

£2,500 - 3,500<br />

149


402<br />

403<br />

404<br />

405<br />

406<br />

407<br />

Lot 402<br />

A lady’s late 1970’s/early<br />

1980’s stainless steel and<br />

gold Rolex Oyster Perpetual<br />

wrist watch, with yellow dial and<br />

baton numerals, case diameter<br />

24mm, model no. 6719, serial<br />

no. 5895*** on a stainless steel<br />

and gold Rolex bracelet, no box<br />

or papers.<br />

£1,000 - 1,500<br />

Lot 403<br />

A lady’s modern Swiss 14k<br />

gold and diamond set manual<br />

wind oval wrist watch, on<br />

integral 14k gold bracelet, case<br />

diameter 23mm, 16cm, gross<br />

weight 38 grams.<br />

£1,200 - 1,500<br />

Lot 404<br />

A lady’s modern stainless<br />

steel and gold plated Omega<br />

Constellation quartz wrist watch,<br />

on a steel and gold plated Omega<br />

bracelet, with mother of pearl dial,<br />

case diameter 23mm, with Omega<br />

pouch, no papers.<br />

Lot 405<br />

£300 - 500<br />

A lady’s 1990 18ct gold and<br />

diamond set Rolex Oyster<br />

Perpetual Datejust wrist watch,<br />

the blue dial with diamond dot<br />

markers and diamond set bezel, on<br />

an 18ct gold Rolex bracelet, with<br />

deployment clasp, model number<br />

69138, serial number E113078,<br />

with certificate, spare links and<br />

Rolex box.<br />

£4,000 - 6,000<br />

Lot 406<br />

A gentleman’s 2004 stainless<br />

steel Rolex Oyster Perpetual<br />

Explorer wrist watch, model no.<br />

M114270, serial no. F293391,<br />

case diameter 35mm, with Rolex<br />

box, guarantee and papers and<br />

a Mappin & Webb service receipt<br />

date 28/10/2022.<br />

Lot 407<br />

£4,000 - 6,000<br />

A lady’s 1980’s stainless<br />

steel and gold Rolex Oyster<br />

Perpetual Datejust wrist watch,<br />

with mother of pearl dial and<br />

diamond dot markers and bezel,<br />

on a Rolex steel and gold bracelet,<br />

model no.6917, serial no.7549904,<br />

with box.<br />

£1,500 - 2,000<br />

150


408<br />

409<br />

410<br />

411<br />

412<br />

413<br />

414<br />

415<br />

416<br />

417<br />

418<br />

419<br />

420<br />

Lot 408<br />

British gold coins, William IV<br />

sovereign 1833, <strong>Fine</strong>/Very <strong>Fine</strong><br />

Lot 409<br />

£400 - 600<br />

British gold coins, George IV<br />

sovereign 1826, <strong>Fine</strong>/Very <strong>Fine</strong><br />

Lot 410<br />

£400 - 600<br />

British gold coins, George III<br />

sovereign 1820, good <strong>Fine</strong> or<br />

better<br />

Lot 411<br />

£400 - 600<br />

British gold coins, George IV<br />

sovereign 1822, minute nicks,<br />

otherwise good <strong>Fine</strong><br />

Lot 412<br />

£400 - 600<br />

British gold coins, Queen Anne<br />

guinea 1712, <strong>Fine</strong> or better<br />

£400 - 600<br />

Lot 413<br />

Gold coins, Louis XVIII 20 Francs<br />

London Mint, 1815R, probably<br />

demounted at the 12 o’clock<br />

position, otherwise good VF<br />

Lot 414<br />

£300 - 400<br />

British gold coins, William<br />

and Mary two guineas, 1694/3,<br />

edge nicks and wear, scratched<br />

initials below bust, otherwise<br />

good F (S3424)<br />

Lot 415<br />

£1,000 - 1,500<br />

British gold coins, Victoria<br />

sovereign 1857 C over blundered<br />

T, <strong>Fine</strong><br />

Lot 416<br />

£400 - 600<br />

British gold coins, George III<br />

sovereign 1795, good VF<br />

£400 - 600<br />

Lot 417<br />

Gold coins, Austrian Empire,<br />

Franz I one ducat 1830A, good<br />

EF<br />

Lot 418<br />

£300 - 500<br />

Gold coins, French Empire, 20<br />

francs 1815 A, demounted at the<br />

1 to 2 o’clock position otherwise<br />

good <strong>Fine</strong><br />

Lot 419<br />

£200 - 300<br />

Gold coins, German states,<br />

Prussia, Frederick William<br />

III, one Frederick d’Or 1797A,<br />

demounted at the 8 o’clock<br />

position otherwise good <strong>Fine</strong><br />

Lot 420<br />

£350 - 450<br />

British Gold coins, George III<br />

sovereign 1820, good fine<br />

£350 - 450<br />

151


Lot 421<br />

A 19th century engraved gold<br />

and inset cameo agate set oval<br />

locket, on a fine link gold chain,<br />

the cameo carved with the bust<br />

of a lady to sinister, locket 25mm,<br />

chain 44cm, gross weight 9.3<br />

grams.<br />

Lot 422<br />

£250 - 350<br />

A Victorian gold, single stone<br />

part drilled natural saltwater<br />

pearl and rose cut diamond chip<br />

set stick pin, 73mm, gross weight<br />

2.1 grams, with accompanying<br />

Gem & Pearl Laboratory report<br />

dated 22nd Nov. 2022.<br />

Lot 423<br />

£1,000 - 1,500<br />

An antique gold and silver,<br />

sapphire and rose cut diamond<br />

cluster set dress ring, size K,<br />

gross weight 5.5 grams.<br />

Lot 424<br />

£500 - 700<br />

A Victorian engraved gold,<br />

white coral and turquoise<br />

cluster set tassel drop brooch,<br />

width 45mm, gross weight 12.5<br />

grams.<br />

Lot 425<br />

£300 - 400<br />

A late Victorian gold and silver,<br />

black opal and diamond cluster<br />

bar brooch, set with central<br />

octagonal cut opal and bordered<br />

by old round and rose cut<br />

diamonds, 44mm, gross weight<br />

7.1 grams.<br />

£400 - 600<br />

Lot 426<br />

A George III gold and two colour<br />

enamel set navette shaped<br />

mourning ring, verso with<br />

engraved inscription, ‘E Udal, ob.<br />

26 <strong>March</strong>, 1785, at 23’, the shank<br />

engraved ‘J Udal, ob. 20 Dec, 1784<br />

at 63’, size R/S, gross weight 4.7<br />

grams<br />

CITES Submission reference<br />

MFD9LPN4<br />

Lot 427<br />

£250 - 350<br />

An early 20th century 18ct<br />

gold, diamond and millegrain<br />

set seed pearl circular cluster<br />

ring, the round cut stone weighing<br />

approximately 0.80ct, size P, gross<br />

weight 4.1 grams.<br />

Lot 428<br />

£800 - 1,200<br />

A Victorian single strand<br />

graduated natural saltwater<br />

pearl necklace, with seed pearl<br />

and enamel set gold clasp,<br />

(a.f.), 116cm, gross weight 19.12<br />

grams, with accompanying Gem &<br />

Pearl Laboratory report dated 15th<br />

<strong>March</strong>, 2022.<br />

Lot 429<br />

£2,000 - 3,000<br />

An antique high carat gold, black<br />

enamel and collet set cushion<br />

cut sapphire set ‘poison’ ring,<br />

the stone set in a raised central<br />

hinged compartment, with carved<br />

black enamelled shoulders, the<br />

stone measuring approximately<br />

8mm by 7mm, size S, gross weight<br />

11.4 grams.<br />

Lot 430<br />

£1,000 - 1,500<br />

A George III 22ct gold and two<br />

colour enamel mourning band,<br />

inscribed ‘Mary Powell OB. 12<br />

Mar, 1809’, London, 1808, size P,<br />

gross weight 4.7 grams.<br />

£250 - 350<br />

Lot 431<br />

A 19th century gold and silver,<br />

single stone natural saltwater<br />

part drilled button pearl and<br />

rose and round cut diamond<br />

cluster set pendant brooch, the<br />

central pearl measuring 9.4mm-<br />

10.1mm x 8.6mm and bordered by<br />

small round cut and larger rose cut<br />

diamonds, 21mm, gross weight<br />

8.7 grams, with accompanying<br />

Gem & Pearl Laboratory report<br />

dated 8th Sept. 2023.<br />

Lot 432<br />

£4,000 - 6,000<br />

A late 19th century single strand<br />

graduated natural saltwater<br />

pearl necklace, with a French<br />

18ct white gold and millegrain<br />

set diamond marquise shaped<br />

clasp, 43cm, gross weight 12.08<br />

grams, with accompanying Gem &<br />

Pearl Laboratory report dated 7th<br />

July, 2023.<br />

Lot 433<br />

£3,000 - 5,000<br />

A large gold mounted oval cut<br />

citrine set pendant, 39mm by<br />

29mm, gross weight 27.3 grams.<br />

Lot 434<br />

£300 - 500<br />

A late Victorian gold and seed<br />

pearl set necklace, lacking drop,<br />

with crescent and foliate cluster<br />

motifs, 34cm, gross weight 24.3<br />

grams.<br />

Lot 435<br />

£800 - 1,200<br />

A Victorian gold, ruby, sapphire,<br />

split pearl and diamond cluster<br />

set butterfly brooch, with safety<br />

chain, width 33mm, gross weight<br />

6.3 grams.<br />

£300 - 400<br />

152


424<br />

423<br />

422<br />

421<br />

425<br />

426<br />

427<br />

428<br />

429<br />

430<br />

431<br />

432<br />

434<br />

435<br />

433<br />

153


Lot 436<br />

An 18ct gold, sapphire and<br />

diamond cluster ring, the central<br />

round cut sapphire bordered by<br />

old round cut diamonds, size M,<br />

gross weight 3 grams.<br />

Lot 437<br />

£500 - 800<br />

A George V 18ct gold and<br />

solitaire diamond gypsy set<br />

ring, the oval cushion cut stone<br />

measuring approximately 8.7mm<br />

by 8.2mm, with a depth of 4.9mm,<br />

hallmarked for Chester, 1922, size<br />

M, gross weight 7.4 grams.<br />

Lot 438<br />

£1,000 - 1,500<br />

A 19th century gold and lapis<br />

lazuli set intaglio ring, with lion’s<br />

paw shoulders and matrix carved<br />

with family crest below a coronet,<br />

size K/L, gross weight 8.8 grams.<br />

Lot 439<br />

£500 - 700<br />

A 1960’s 18ct white gold and<br />

diamond cluster set floral spray<br />

brooch, 41mm, gross weight 9.9<br />

grams.<br />

Lot 440<br />

£300 - 400<br />

A Victorian style gold, silver and<br />

rose cut diamond cluster set<br />

starburst brooch, 38mm, gross<br />

weight 7.7 grams.<br />

£300 - 400<br />

Lot 441<br />

A 19th century gold, two colour<br />

enamel and graduated multi<br />

gem set ‘Regard’ half hoop ring,<br />

size L, gross weight 3.3g rams.<br />

Lot 442<br />

£300 - 500<br />

An Edwardian gold and<br />

graduated nine stone round cut<br />

sapphire set bar brooch, with<br />

round cut diamond set spacers,<br />

61mm, gross weight 7.3 grams.<br />

Lot 443<br />

£500 - 700<br />

A Victorian gold, enamel and<br />

rose cut diamond set oval<br />

locket, the front decorated with<br />

Reynold’s Angel, with star above,<br />

overall 44mm, gross weight 17.3<br />

grams.<br />

Lot 444<br />

£300 - 400<br />

A Belle Epoque gold and<br />

platinum, emerald, pearl, ruby<br />

and diamond cluster set drop<br />

pendant brooch, of scrolling<br />

form, now lacking bale and brooch<br />

attachment, 40mm, gross weight<br />

6.9 grams, in fitted gilt tooled<br />

leather case.<br />

Lot 445<br />

£400 - 600<br />

A late Victorian gold, silver and<br />

diamond cluster set trembleuse<br />

floral spray brooch, 58mm, gross<br />

weight 12.7 grams, in a Carrington<br />

& Co fitted gilt tooled leather box.<br />

£400 - 600<br />

Lot 446<br />

A Victorian gold and silver, three<br />

stone sapphire and diamond<br />

cluster set double crescent bar<br />

brooch, 42mm, gross weight 6.1<br />

grams.<br />

Lot 447<br />

£250 - 350<br />

A 19th century gold, silver<br />

and diamond cluster set twin<br />

hearts ring, with ribbon bow<br />

surmounted, the two main<br />

pear cut stones measuring<br />

approximately 7.2mm in length<br />

and bordered by eight cut<br />

diamonds, size H, gross weight<br />

3.8 grams.<br />

Lot 448<br />

£500 - 700<br />

An Edwardian gold and<br />

diamond cluster set starburst<br />

brooch, 30mm, gross weight 5.3<br />

grams.<br />

Lot 449<br />

£300 - 400<br />

An 18ct white gold and gypsy<br />

set solitaire diamond ring, the<br />

stone weighing approximately<br />

1.35ct, with an approximate<br />

estimated colour and clarity of I/J<br />

and I1, size U, gross weight 9.7<br />

grams.<br />

Lot 450<br />

£600 - 800<br />

A 19th century continental gilt<br />

metal and turquoise cabochon<br />

set banded agate scent bottle,<br />

with suspension chain, the hinged<br />

cap with bust finial, 69mm.<br />

£120 - 150<br />

154


436<br />

437<br />

438<br />

439<br />

440<br />

441<br />

442<br />

443<br />

444<br />

445<br />

446<br />

447<br />

448<br />

450<br />

449<br />

155


Lot 451<br />

An 18ct gold ruby and diamond cluster ring, the<br />

central old mine cut diamond flanked by two rubies<br />

and bordered with small collet set diamonds, size<br />

N/O, gross weight 5.1 grams<br />

Lot 452<br />

£800 - 1,200<br />

An Edwardian 15ct gold, seed pearl and citrine<br />

graduated double drop necklace, set with four<br />

round cut citrines and twenty seed pearls, overall<br />

40cm, gross weight 8.6 grams.<br />

Lot 453<br />

£300 - 500<br />

A late Victorian gold, graduated amethyst and<br />

diamond cluster set crescent brooch, 33mm, with<br />

safety chain, gross weight 6.9 grams.<br />

Lot 454<br />

£400 - 600<br />

A modern 18ct gold and three stone diamond<br />

set ring, the three round brilliant cut stones with a<br />

combined weight of 1.00ct, size R, gross weight 4<br />

grams.<br />

Lot 455<br />

£400 - 600<br />

A mid 20th century platinum and diamond<br />

cluster set ring, of spiralling design, the central<br />

stone measuring approximately 6.6mm by 5.8mm,<br />

shank cut, size approx. E, gross weight 6.1 grams.<br />

Lot 456<br />

£500 - 800<br />

A pair of engraved gold mounted spectacles,<br />

with double hinged arms, unmarked, arm length<br />

11.1cm, with oval carrying case applied with a<br />

coronet crest.<br />

£400 - 600<br />

Lot 457<br />

A Belle Epoque gold and silver, round and rose<br />

cut diamond cluster set pendant necklace, of<br />

scrolling design, 44cm, gross weight 9.3 grams.<br />

Lot 458<br />

£500 - 700<br />

A modern 18ct gold and fifty nine stone round<br />

brilliant cut diamond set line bracelet, the stones<br />

approximately 2.mm in diameter, 18.3mm, gross<br />

weight 13.4 grams.<br />

Lot 459<br />

£1,000 - 1,500<br />

An early 20th century gold (tests as 18ct), two<br />

colour enamel and spilt pearl set bracelet, with<br />

square and figure of eight shaped links, 18cm, gross<br />

weight 17.1 grams, with safety chain, in Parkes of<br />

London fitted gilt tooled leather box.<br />

Lot 460<br />

£800 - 1,200<br />

An 18ct white gold, platinum and three stone<br />

diamond set ring, the central stone diameter<br />

approximately 4.7mm, size Q/R, gross weight 4.2<br />

grams.<br />

Lot 461<br />

£600 - 800<br />

A gold and platinum, ruby and millegrain set<br />

diamond flower head cluster ring, size P, gross<br />

weight 2.7 grams.<br />

Lot 462<br />

£500 - 800<br />

An early to mid 20th century 18ct gold, platinum<br />

and graduated five diamond set half hoop ring,<br />

the central stone diameter approximately 5.1mm,<br />

size Q, gross weight 3.4 grams.<br />

£700 - 1,000<br />

156


451<br />

453<br />

452<br />

454<br />

455<br />

456<br />

457<br />

458<br />

459<br />

461<br />

460<br />

462<br />

157


Lot 463<br />

A mid to late 20th century Cartier 18ct gold<br />

barrel shaped key ring, with suspension chain<br />

and engraved inscription, ‘FD LOVE MH’, signed<br />

and numbered 02179?, 14 grams, in fitted Cartier<br />

gilt tooled leather box.<br />

Lot 464<br />

£700 - 1,000<br />

A 1920’s/1930’s 18ct gold, platinum and<br />

millegrain set nine stone diamond cluster ring,<br />

the central stone diameter approximately 4.7mm,<br />

size N, gross weight 3.8 grams.<br />

Lot 465<br />

£300 - 500<br />

An early 20th century 18ct white gold, platinum<br />

and millegrain set old cut diamond cluster ring,<br />

of ovoid shape, with four stone diamond set split<br />

shoulders, size P, gross weight 4.2 grams.<br />

Lot 466<br />

£800 - 1,200<br />

A gold and solitaire diamond set ring, the round<br />

cut stone measuring 6.3mm in diameter, with a<br />

depth of 4.2mm, size K/L, gross weight 2.9 grams.<br />

Lot 467<br />

£600 - 800<br />

A George V engine turned silver gilt and black<br />

enamel compact, of tonneau form, with inset<br />

watercolour on ivory, depicting a dancing lady,<br />

signed Marcy, import marks for Mappin & Webb,<br />

London, 1923,52mm, with back suspension cord.<br />

CITES Submission reference CWH419JN<br />

Lot 468<br />

£120 - 150<br />

An early to mid 20th century gold and silver, pale<br />

pink topaz and millegrain set diamond cluster<br />

bar brooch, 72mm, gross weight 8.5 grams.<br />

£400 - 600<br />

Lot 469<br />

An Edwardian gold and Essex crystal oval fob<br />

pendant, commemorating the 1903 Paris-Madrid<br />

car race, organised by the Automobile Club de<br />

France, the car depicted suggested to be car 99,<br />

the Mercedes driven by Henri Rougie, who finished<br />

11th, (the race was abandoned after day one due<br />

to eleven fatalities), engraved verso ‘No.99 Paris-<br />

Madrid, 1903’, 16mm.<br />

Lot 470<br />

£1,000 - 1,500<br />

A lady’s 1920’s silver gilt and two colour enamel<br />

combination compact/aide memoir, import<br />

marks for Cohen & Charles, of ovoid form, with<br />

triple compartment interior, no date letter, 82mm,<br />

suspended from a black cord, with tassel.<br />

Lot 471<br />

£250 - 350<br />

A white gold and solitaire diamond set ring,<br />

the stone weighing approximately 1.30ct, with an<br />

estimated colour and clarity of J/K and VS1/VS2,<br />

size Q/R, gross weight 4.1 grams.<br />

Lot 472<br />

£1,500 - 2,000<br />

A modern 18ct white gold and single stone oval<br />

cut aquamarine set ring, with six stone diamond<br />

set shoulders, size O, gross weight 7 grams.<br />

Lot 473<br />

£300 - 500<br />

A Belle Epoque gold and platinum, emerald<br />

and round cut diamond cluster set elliptical<br />

bar brooch, the borders with rose cut diamonds,<br />

the central cluster with square cut emerald and<br />

terminals with two shaped cut emeralds, 63mm,<br />

gross weight 5.2 grams.<br />

£300 - 400<br />

158


464<br />

463<br />

465<br />

466<br />

467<br />

469<br />

468<br />

471<br />

470<br />

472<br />

473<br />

159


Lot 474<br />

A 1990’s part textured 18ct gold and collet set<br />

single stone diamond ring by Leo De Vroomen,<br />

with six stone diamond set shoulders, retailed<br />

by Boodle & Dunthorne, size P, gross weight 8.7<br />

grams, with Boodle & Dunthorne box.<br />

Lot 475<br />

£1,000 - 1,500<br />

A modern 18ct gold and twenty six round<br />

brilliant cut diamond set line bracelet, the stones<br />

approximately 3.2mm in diameter, 18cm, gross<br />

weight 20.7 grams.<br />

Lot 476<br />

£2,000 - 3,000<br />

A cased Edwardian 9ct gold, amethyst and seed<br />

pearl cluster set double drop pendant necklace,<br />

46cm, gross weight 4.6 grams.<br />

Lot 477<br />

£300 - 500<br />

A modern bespoke 18ct white gold and<br />

graduated gypsy set five stone coloured<br />

diamond set ring, with colours ranging from faint<br />

yellow to deep orange, size U, gross weight 14.4<br />

grams.<br />

Lot 478<br />

£1,500 - 2,000<br />

A modern Chopard 18ct white gold and diamond<br />

set ‘Happy Spirit’ heart shape pendant, on a<br />

Chopard 18ct white gold double strand fine link<br />

chain, signed and numbered 2411203 79/5648,<br />

pendant width 32mm, chain 59cm, gross weight,<br />

27.9 grams, with Chopard box.<br />

Lot 479<br />

£1,200 - 1,500<br />

A 1990’s 18ct gold, sapphire and diamond<br />

cluster brooch, modelled as a swan, set with<br />

graduated round cut sapphires and round and<br />

trapeze cut diamonds, maker’s mark COLJ, height<br />

33mm, width 40mm, gross weight 8.3 grams.<br />

£200 - 300<br />

Lot 481<br />

A late 20th century French 18ct gold and single<br />

stone hexagonal cut citrine set dress ring, with<br />

amethyst and diamond chip set setting, makers<br />

mark C&E?, size I/J, gross weight, 17.4 grams.<br />

Lot 482<br />

£500 - 800<br />

A modern pair of 18ct white gold and six stone<br />

diamond set line drop earrings, 22mm, gross<br />

weight 4.4 grams.<br />

Lot 483<br />

£300 - 400<br />

A 1960’s Kutchinsky 18ct gold, ruby and<br />

diamond cluster set double fern clip brooch,<br />

signed and hallmarked for London, 1964, 67mm,<br />

gross weight 38.5 grams.<br />

Lot 484<br />

£2,000 - 3,000<br />

A lady’s 18ct gold and eight stone diamond set<br />

manual wind cocktail, the dial inscribed Cartier,<br />

on integral tapered gold bracelet set with eight<br />

round cut stones, the watch case back 776149 A<br />

and a separate set of four engraved numbers 5963,<br />

7.5cm, gross weight 48.9 grams (hinged cover for<br />

dial now missing), dial diameter 11mm, no box or<br />

papers.<br />

Lot 485<br />

£2,000 - 3,000<br />

A modern 18ct gold and graduated five stone<br />

princess cut diamond set half hoop ring, the<br />

central stone measuring 4.3mm by 4.7mm, with a<br />

depth of 3.3mm, size H, gross weight 3.8 rams.<br />

Lot 486<br />

£600 - 800<br />

A platinum and single stone diamond set ring,<br />

with baguette cut diamond set shoulders, the<br />

round cut stone weighing approximately 6.80ct, with<br />

an estimated colour and clarity of L/M and I1/I2, size<br />

S, gross weight 6.6 grams.<br />

£10,000 - 15,000<br />

Lot 480<br />

A modern 9ct gold and diamond chip set line<br />

bracelet, 17.5cm, gross weight 7.2 grams.<br />

£300 - 400<br />

160


475<br />

474<br />

477<br />

476<br />

478<br />

479<br />

480<br />

481<br />

482<br />

483<br />

484<br />

485<br />

486<br />

161


Lot 487<br />

A modern 18ct white gold and facetted oval cut<br />

blue topaz set dress ring, with diamond chip set<br />

border and shoulders, size L, gross weight 5.2<br />

grams.<br />

Lot 488<br />

£300 - 500<br />

A modern Italian Gucci 18ct white gold and<br />

diamond chip cluster set couture band, with<br />

pierced initials, size N, gross weight 8.2 grams, with<br />

Gucci box.<br />

Lot 489<br />

A pair of 375 white gold and facetted square cut<br />

blue topaz set drop earrings, with diamond chip<br />

set borders, 13mm, gross weight 5.1 grams.<br />

Lot 490<br />

A modern 18ct white gold and seven stone<br />

round brilliant cut diamond set half hoop ring,<br />

each stone diameter approximately 3.3mm, size J,<br />

gross weight 4.7 grams.<br />

Lot 491<br />

£400 - 600<br />

Lot 496<br />

£200 - 300<br />

Lot 497<br />

£500 - 700<br />

A modern platinum and nine stone diamond set<br />

square cluster ring, with ten stone diamond set<br />

shoulders, size M, gross weight 7.8 gram.<br />

Lot 492<br />

£400 - 600<br />

A large pair of gold and ruby chip set hoop<br />

earrings, one stone missing, diameter 48mm, gross<br />

weight 12 grams.<br />

Lot 493<br />

A modern 18ct gold and single stone cushion<br />

cut amethyst set dress ring, with ten stone<br />

round brilliant cut diamond set shoulders, size<br />

N, gross weight 10.1 grams.<br />

Lot 494<br />

£300 - 500<br />

Lot 500<br />

£500 - 700 Lot 501<br />

A modern 750 white gold and single stone<br />

emerald cut aquamarine set dress ring, with one<br />

side flanked by four small round cut diamonds, size<br />

L, gross weight 7.6 grams.<br />

Lot 495<br />

£300 - 400<br />

A 20th century Egyptian gold and multi gem set<br />

dress ring, of domed form and set with thirteen<br />

various stones, size K, gross weight 10.7 grams.<br />

£300 - 500<br />

A pair of Art Deco Marzo platinum?, jadeite disc,<br />

coral and diamond set drop earrings, signed,<br />

59mm, gross weight 6.2 grams.<br />

£800 - 1,200<br />

A modern 18ct white gold and solitaire marquise<br />

cut diamond set ring, with crossover shoulders,<br />

the stone measuring approximately 10mm by<br />

5.5mm, with a depth of 3.2mm, size K, gross weight<br />

7 grams.<br />

Lot 498<br />

£500 - 700<br />

A modern 18ct white gold and collet set forty<br />

seven stone round brilliant cut diamond set line<br />

bracelet, 18.5cm, gross weight 34.8 grams.<br />

Lot 499<br />

£1,500 - 2,000<br />

A modern Italian Bulgari 18ct white gold B. Zero1<br />

ring, size H, 8.4 grams.<br />

£300 - 500<br />

An 18ct white gold and single stone blue green<br />

cabochon tourmaline set ring, size K, gross<br />

weight 11.4 grams.<br />

£300 - 400<br />

A modern pair of 750 white gold and two colour<br />

diamond cluster dress ring, set with black and<br />

colourless stones, size M, gross weight 10.1 grams.<br />

£600 - 800


487<br />

488<br />

489<br />

492<br />

490<br />

491<br />

493<br />

496<br />

494<br />

495<br />

497<br />

498<br />

499<br />

500<br />

501


Lot 502<br />

A modern Cartier 18ct white gold and diamond<br />

line choker necklace, with Cartier box and<br />

certificate dated 14/3/03, the necklace set with<br />

one hundred and forty one claw set round brilliant<br />

cut diamonds with an approximate total weight<br />

of 8.15cts, hallmarked and stamped 750, signed<br />

Cartier and numbered R09082, 37.5cm.<br />

Lot 503<br />

£8,000 - 10,000<br />

A modern Chopard 18ct white gold and four<br />

stone diamond chip cluster set band, signed<br />

and numbered 82/3789, size K/L, gross weight 7.8<br />

grams.<br />

Lot 504<br />

£300 - 500<br />

A modern Chopard 18ct white gold ‘Happy<br />

Floating’ diamond ring, makers mark GA, size K,<br />

gross weight 11.3 grams, with Chopard pouch.<br />

Lot 505<br />

£300 - 500<br />

A pair of French Cartier three colour 18ct gold<br />

interwoven hoop ear clips, signed and numbered<br />

03074, 21mm, 11 grams, with twin compartment<br />

Cartier box.<br />

£800 - 1,200<br />

Lot 506<br />

A modern 18ct white gold and round brilliant cut<br />

nine stone diamond set cluster ring, the centre<br />

stone weighing approximately 1.05cts, with an<br />

estimated colour and clarity of G/H and VS1/VS2,<br />

the total diamond weight approximately estimated as<br />

2.89cts, size R, gross weight 6.4 grams.<br />

Lot 507<br />

£3,000 - 4,000<br />

A good platinum or white gold set single<br />

stone diamond ring, with two stone baguette<br />

cut diamond set shoulders, the round brilliant<br />

cut stone weighing approximately 3.40ct, with an<br />

estimated colour and clarity of H/I and VVS, size O,<br />

gross weight 4.7 grams.<br />

Lot 508<br />

£15,000 - 20,000<br />

A modern Cartier 750 white gold and four stone<br />

gypsy set diamond ‘Love’ bangle, signed and<br />

numbered OD 1642, interior 60mm, gross weight 36<br />

grams, with Cartier box.<br />

£3,000 - 4,000


502<br />

503<br />

504<br />

505<br />

506<br />

507<br />

508


Auctioneers Since 1929<br />

<strong>Fine</strong> <strong>Sale</strong>s in <strong>2024</strong><br />

Summer<br />

25 June<br />

(Entries by 4 June)<br />

<strong>Spring</strong><br />

12 <strong>March</strong><br />

(Entries by 20 February)<br />

Winter<br />

10 December<br />

(Entries by 19 November)<br />

Autumn<br />

1 October<br />

(Entries by 10 September)<br />

If you have something special that are you considering selling<br />

now is a great time to contact us for an auction estimate<br />

166<br />

Gorringe’s Lewes<br />

15 North Street, Lewes<br />

East Sussex BN7 2PE<br />

clientservices@gorringes.co.uk<br />

gorringes.co.uk<br />

Gorringe’s Tunbridge Wells<br />

Grosvenor House, Grosvenor Park<br />

Tunbridge Wells, Kent TN1 2BF


167


168<br />

Gorringe’s Tuesday <strong>12th</strong> <strong>March</strong> <strong>2024</strong>

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