Volume 29 Issue 2 | October & November 2023
With this issue we start a new rhythm of publication -- bimonthly, October, December, February April, June, and August. October/November is a chock-a-block two months for live music, new recordings, and news (not all of it bad). Inside: Christina Petrowska Quilico, collaborative artist honoured; Kate Hennig as Mama Rose; Global Toronto 2023 reviewed; Musical weavings from TaPIR to Xenakis at Esprit; Fidelio headlines an operatic fall; and our 24th annual Blue Pages directory of presenters. This and more.
With this issue we start a new rhythm of publication -- bimonthly, October, December, February April, June, and August. October/November is a chock-a-block two months for live music, new recordings, and news (not all of it bad). Inside: Christina Petrowska Quilico, collaborative artist honoured; Kate Hennig as Mama Rose; Global Toronto 2023 reviewed; Musical weavings from TaPIR to Xenakis at Esprit; Fidelio headlines an operatic fall; and our 24th annual Blue Pages directory of presenters. This and more.
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<strong>29</strong>02_Sept<strong>2023</strong>_cover.indd 1<br />
<strong>2023</strong>-09-27 9:45 AM<br />
NEW RELEASES<br />
<strong>Volume</strong> <strong>29</strong> No 1 | SEPTEMBER <strong>2023</strong><br />
ON OUR COVER<br />
VOLUME <strong>29</strong> NO 2<br />
OCTOBER & NOVEMBER <strong>2023</strong><br />
Christina Petrowska Quilico<br />
PHOTO: BO HUANG<br />
MUSIC! LISTINGS<br />
live and livestreamed<br />
STORIES<br />
profiles, previews<br />
and interviews<br />
RECORD REVIEWS<br />
and Listening Room<br />
BLUE PAGES<br />
(Presenter profiles)<br />
The award jurors stated that Christina Petrowska Quilico<br />
“has made an astonishing contribution to musical life in<br />
Canada.” As they remarked: “Christina is a champion of<br />
Canadian composers – and her pioneering dedication<br />
to Canadian female composers is especially noteworthy.<br />
She has helped to secure this period of Canadian music<br />
through her impressive catalogue of recordings, and<br />
further through the ripple effect of her many students.<br />
She is steadfast. She is legend.” See pg 16<br />
ACD2 2828<br />
The French spirit of the<br />
“Grand Siècle” shines<br />
through those pieces<br />
from Rameau, Francœur,<br />
Destouches, in a<br />
exceptional partnership<br />
between Arion Orchestre<br />
Baroque and the<br />
Versailles Baroque Music<br />
Center (CMBV).<br />
8 FOR OPENERS |<br />
All in the same storm<br />
STORIES & INTERVIEWS<br />
12 MUSIC THEATRE | Gypsy and<br />
more | JENNIFER PARR<br />
14 A WORLD VIEW | Light between<br />
the cracks - Small World<br />
Music’s GT23 | ANDREW TIMAR<br />
18<br />
16 IN CONVERSATION |<br />
Christina Petrowska Quilico |<br />
DAVID PERLMAN<br />
18 CLASSICAL AND BEYOND|<br />
Passing the torch: Mooredale’s<br />
Wonny Song | PAUL ENNIS<br />
<br />
“We are happy to<br />
share these works that<br />
represent the pinnacle of<br />
the French musical spirit”<br />
– Mathieu Lussier, Arion’s Director<br />
ACD2 2870<br />
The first ever<br />
written pieces for<br />
unaccompanied cello and<br />
original works inspired<br />
by them, performed by<br />
Cameron Crozman.<br />
“A chance to travel back to a<br />
time when music for solo cello<br />
was a brand-new idea.”<br />
– Cameron Crozman<br />
VISIT OUR<br />
WEBSITE<br />
thewholenote.com <strong>October</strong> & <strong>November</strong> <strong>2023</strong> | 5
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