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GA053 | The Spring Auction Series

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156<br />

1132<br />

ARTIST UNKNOWN<br />

Terriers<br />

engraving<br />

published G P McQueen,<br />

1 August 1881, London<br />

with printed text on margin<br />

33 x 48cm<br />

$100–300<br />

1133<br />

JOHN GOULD (1804-1881)<br />

Spatula Variegata (Variegated<br />

Shoveller) and Anas Naevosa<br />

(Freckled Duck)<br />

two colour lithographs<br />

with printed text on margin<br />

35.5 x 45.5cm and 36 x 47.5cm<br />

$300–500<br />

1134<br />

HERBERT RABERABA<br />

(1921-1980)<br />

<strong>The</strong> Pool, Glen Helen<br />

watercolour<br />

signed lower right: Herbert Raberaba<br />

35 x 25cm<br />

$300–500<br />

1135<br />

AFTER P PAILLOU<br />

<strong>The</strong> Martin and <strong>The</strong> Otter<br />

two colour engravings<br />

engraved by P Mazel<br />

each with print text on margin<br />

28.5 x 46.5cm (each)<br />

$200–400<br />

1136<br />

HARDY WILSON (1881-1955)<br />

St John's Church, Camden,<br />

NSW and <strong>The</strong> Burdekin House,<br />

Macquarie Street, Sydney<br />

two lithographs<br />

each signed in print lower right<br />

32 x 24.5cm<br />

PROVENANCE<br />

Anthony Hordon Art Gallery, Sydney<br />

Private Collection, Melbourne<br />

$200–400<br />

1137<br />

DAVID COX JUNIOR<br />

(BRITISH, 1809-1885)<br />

Ightham Mote, Kent 1878<br />

watercolour on paper<br />

signed with initials, dated and titled<br />

lower left: DC jnr / Ightham Mote<br />

Kent / 1878<br />

24 x 33.5cm<br />

$300–500<br />

1138<br />

JAMES FAHEY<br />

(BRITISH, 1804-1885)<br />

Estuary of the Esk, Cumbria<br />

watercolour<br />

inscribed verso: Estuary of the Esk,<br />

<strong>The</strong> Estate of the Late James Fahey<br />

32 x 49 cm<br />

PROVENANCE<br />

<strong>The</strong> Robert Law Collection,<br />

Melbourne<br />

<strong>The</strong>nce by descent<br />

$400–600<br />

1139<br />

E FRASER<br />

Greyfriars, Edinburgh 1883<br />

watercolour<br />

signed, dated and titled<br />

lower right and left:<br />

E FRASER Greyfriars EDIN 83<br />

50 x 34.5cm<br />

PROVENANCE<br />

<strong>The</strong> Robert Law Collection,<br />

Melbourne<br />

<strong>The</strong>nce by descent<br />

$100–300<br />

1140<br />

ERNEST MARILLIER<br />

A <strong>Spring</strong> Sunset 1905<br />

watercolour<br />

signed and dated lower right:<br />

Ernest Marillier 1905<br />

titled verso: No 2 / A <strong>Spring</strong> Sunset<br />

18 x 26.5cm<br />

PROVENANCE<br />

<strong>The</strong> Robert Law Collection,<br />

Melbourne<br />

<strong>The</strong>nce by descent<br />

$200–400<br />

1141<br />

WILLIAM DALGLISH<br />

(1860-1909)<br />

Coastal Scene<br />

watercolour<br />

signed lower left: W Dalglish<br />

17 x 24.5cm<br />

PROVENANCE<br />

<strong>The</strong> Robert Law Collection,<br />

Melbourne<br />

<strong>The</strong>nce by descent<br />

$200–400<br />

1142<br />

HARRY CLAYTON ADAMS<br />

(1876-1956)<br />

Rouen<br />

watercolour<br />

signed and titled lower left:<br />

H Adams / Rouen<br />

26 x 37cm<br />

PROVENANCE<br />

<strong>The</strong> Robert Law Collection,<br />

Melbourne<br />

<strong>The</strong>nce by descent<br />

$200–400<br />

1143<br />

ENGLISH SCHOOL<br />

A Quiet Stream circa 1890<br />

watercolour<br />

28 x 45cm<br />

PROVENANCE<br />

<strong>The</strong> Robert Law Collection,<br />

Melbourne<br />

<strong>The</strong>nce by descent<br />

$200–400<br />

1144<br />

ALEXANDER BEJEAN<br />

After Picasso<br />

acrylic on board<br />

128.5 x 94.5cm<br />

$500–800<br />

1145<br />

ALEXANDER BEJEAN<br />

Hillside<br />

acrylic on paper<br />

signed lower left: Bejean<br />

40 x 49cm<br />

$200–400

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