MNS-Dec23-25

25 : 12 : 23 

Wishing all our readers and advertisers a very Merry Christmas! 

MG Alba Scots Trad Music Awards - p4 :: Skiddle Promoter Fund Opens - p10 

Winners of 2023 Scottish Jazz Awards 

celebrated at sparkling Glasgow ceremony 

The stars of Scotland’s 

burgeoning jazz scene 

were celebrated in early 

December at the 2023 

Scottish Jazz Awards. 

The Critics’ Choice Award celebrated the musician who received the most votes 

overall from the nominating panel and was picked up by vocalist Rachel Lightbody 

www.facebook.com/rachel.lightbody.9 

Hosted by multi-award winning musician Seonaid Aitkin, the sparkling ceremony 

took place at Glasgow’s Savings Bank and saw winners across six categories, 

including Rising Star, Vocalist, Instrumentalist, Band, Album and Critic’s Choice, 

honoured for their outstanding contributions to the genre. 

Over 3,000 votes were cast for the shortlisted nominees in each category, while 

the brand new Critics’ Choice Award was chosen by an esteemed panel of judges, 

including press and promoters from across the country. 

This year’s Rising Star winner, Kimberley Tessa is a Dundee-based multiinstrumentalist 

steadily making a name for herself within Scotland’s vibrant jazz 

scene. At just 21 years of age, her remarkable vocal talents, as well as her skill 

on the saxophone and flute, have grabbed the attention of peers and critics alike 

over the past year, earning her an enviable reputation as a musician to watch. 

Ewan Hastie, 2023’s Best Instrumentalist Award winner, has enjoyed an 

incredibly successful couple of years. The talented bassist and composer was 

named BBC Young Jazz Musician of the Year in 2022 and this year was awarded 

the Mark McKergow Prize for Jazz Improvisation. Already making his mark on the 

Scottish music scene and beyond, Ewan has performed with a number of the top 

musicians from all over the country and is on his way to becoming a defining 

force in the global jazz sphere. 

This year’s Best Vocalist Award was renamed in honour of the late jazz singer 

Fionna Duncan, who sadly passed away in 2022. Fionna made great contributions 

to the Scottish jazz scene with her impeccable vocals and infectious enthusiasm 

for the music. Last night saw Marianne McGregor take home the Best Vocalist 

title for the second time, recognised again for her powerful vocals, improvisation 

skills and pure, emotive work. 

The brilliant corto.alto, winners of the 2023 Best Band Award, are a Glasgowbased, 

genre-defying collective, known for pushing the boundaries of 

contemporary jazz. Their debut album, Bad With Names, was released in October 

of this year and was met with widespread acclaim, cementing their reputation as 

trailblazers in the fusion of jazz, electronica and experimental soundscapes. 

Matt Carmichael took home the prestigious Best Album Award for his record 

Marram, taking influence from the drama, moods and expansiveness of the 

coastal imagery of Scotland. A celebrated saxophonist and composer, Matt 

continues to move from strength to strength with his powerfully emotive blend of 

jazz and folk music. His second album, Marram perfectly blends the musician’s 

favourite aspects from both jazz and folk music styles. 

This year’s new Critics’ Choice Award celebrated the musician who received the 

most votes overall from the nominating panel and was picked up by vocalist 

Rachel Lightbody. Rachel has forged an impressive path for herself within the 

Scottish music scene. Her influences are immersed in a broad range of styles and 

sounds, creating her genre hopping and fluid approach to writing and interpreting 

music. She is the vocalist in Scottish jazz/soul ensemble Mama Terra whose 

music is focused on positivity and friendship. 

www.scottishmusiccentre.com 

Jill Rodger, Director of Glasgow Jazz Festival and Producer of the 

Scottish Jazz Awards, said: "The resounding success of the 2023 Scottish Jazz 

Awards is a testament to the talent, drive and innovation within the genre. The 

Scottish jazz scene continues to inspire and push boundaries, and I am 

continually in awe of the capabilities of our musicians. I would like to say a huge 

thank you to our attendees, voters, performers and our wonderful sponsors, 

without whom these awards would not be possible. A special mention must also 

go to our nominees and, of course, worthy winners – your incredible 

achievements continue to elevate the richness and diversity of Scotland’s musical 

landscape.” 

Music Officer at Creative Scotland, Clare Hewitt said: “The winners of this 

year’s Scottish Jazz Awards embody the vibrancy and inventiveness of Scotland’s 

jazz community. The enthusiasm of the public who chose these musicians from 

such a strong shortlist shows just how deeply their music is connecting with 

audiences. Warm congratulations to all the nominees and winners, and thank you 

to the sponsors of each award who have helped to make the evening possible. 

Special thanks to Glasgow Jazz Festival for producing such a celebratory event 

which gives Scottish jazz the spotlight it deserves at home and around the 

world.” 

Since their inception, The Scottish Jazz Awards have become a hallmark event on 

the Scottish cultural calendar, recognising and honouring contributions to the 

genre from some of Scotland’s finest vocalists and instrumentalists, while 

inspiring gifted newcomers to the scene. 

The Scottish Jazz Awards are produced as an independent event by the 

organisers of Glasgow Jazz Festival and supported by The National Lottery 

through Creative Scotland. 

www.jazzfest.co.uk 

www.twitter.com/GlasgowJazzFest 

www.facebook.com/glasgowjazzfest 

www.scottishmusiccentre.com www.facebook.com/scottishmusiccentre www.twitter.com/scottishmusic 

http://bit.ly/issuu-googleplay 

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page 2 

music news scotland 

www.birnamcd.com 

www.facebook.com/BirnamCD 

https://twitter.com/BirnamCD 


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music news scotland page 3 

Highland pupils marching to musical 

success thanks to bagpipe award 

Ullapool and 

Gairloch pupils are 

on the road to a 

life-time of piping 

success, thanks to 

an award of 

bagpipes, on loan 

from the Scottish 

Schools Pipes and 

Drums Trust. 

Piping Instructor Eddie Seaman comments: “We 

are incredibly grateful to SSPDT for the loan of 

bagpipes, which have been very well received by 

our pupils. Ullapool and Gairloch have a rich 

history of piping and Scottish music, and the 

contribution of bagpipes through the SSPDT’s 

lending initiative has been greatly valuable to its 

continuation." 

Alexandra Duncan, director of SSPDT says: “The 

idea is to give young players time to get to grips 

with the pipes and time to raise funds to buy 

their own set which cost upwards of £700.” 

The charity also runs a Music Enterprise Award 

scheme that helps young pipers raise funds so 

that they can afford their own set. By playing at 

weddings and other events, as well as busking 

and other enterprising activities, young pipers 

can soon raise the cash they need. 

Alex adds that the pipes and drums are very 

popular with youngsters, and help raise 

attainment as well as build resilience, teamwork 

and confidence. 

Twenty pupils at Ullapool and Gairloch High 

Schools and associated primary schools 

(Achiltibuie, Ullapool, Gairloch, Poolewe, and 

Bualnaluib) will benefit from the award. Pictured 

are some of the pupils with their new pipes. 

The Scottish Schools Pipes and Drums Trust is a 

registered charity promoting the playing of pipes 

and drums in Scottish state schools. The charity 

offers cash grants for tuition and other related 

band costs, free bagpipe and b-flat chanter 

loans, paid trainee internships, and organises 

the Scottish Schools Pipe Band Championships - 

the biggest schools piping competition in the 

world (10 March 2024). 

The Trust has helped to establish piping and 

drumming tuition in a number of schools in the 

Highlands, and would welcome teachers, parents 

and community groups to get in touch to discuss 

how SSPDT can support them to bring piping 

and drumming tuition to schools in their local 

area. Enquiries about funding and/or instrument 

loans can be made @ www.sspdt.org.uk 

www.sspdt.org.uk 

www.twitter.com/Piping4Pupils 

www.facebook.com/Piping4Pupils 

www.skerryvore.com 

tweet @ www.twitter.com/SKERRYVORE 

facebook @ www.facebook.com/skerryvore 

email news to :: musicnewsscotland@gmail.com

page 4 


Records number of votes cast for the very best Scottish 

folk music stars and organisations at 21st Trad Awards 

Watch the awards' coverage by BBC ALBA @ https://www.bbc.co.uk/iplayer/episode/m001t41n/na-trads-2023 

The esteemed 

winners of the 21st 

MG ALBA Scots 

Trad Music Awards 

were announced at a 

celebratory 

ceremony at 

Dundee’s Caird Hall 

recently. 

The prestigious event saw 22 awards handed to a talented group of 

musicians, promoters, individuals and venues, who were honoured 

out of over 110 nominees for their valued contributions to Scottish 

music and culture. 

This year a record number of over 100,000 votes were cast by fans 

and followers of the traditional music scene, illustrating the escalating 

popularity and support the genre commands within Scotland and 

beyond. Over the past two decades, its expansion has captivated 

broader audiences with new festivals and more events year on year. 

Supported by Creative Scotland, the Trad Awards, or ‘Na Trads’, 

inaugurated in 2003, stand as a testament to the innovation and 

dedication of the individuals and organisations whose valuable 

contributions continue to enrich Scotland's vibrant musical landscape. 

Presented by Alistair Heather and Mary Ann Kennedy, the awards 

were broadcast live on BBC ALBA and can be watched back on BBC 

iPlayer. 

One of the country’s most recognised and accomplished fiddle players 

Duncan Chisholm won the award for Album of the Year, sponsored by 

Birnam CD, for his record Black Cuillin. Duncan’s seventh studio 

album to date, the beautiful body of work draws inspiration from the 

mountain wilderness on the Isle of Skye. 

Celebrated singer and multi-instrumentalist Julie Fowlis was honoured 

as Musician of the Year, sponsored by University of the Highlands and 

Islands. A well-kent face on the Scottish music scene, Julie has been 

singing, dancing and piping since she was a child and has released six 

solo albums to date, and a further eight with various musical groups. 

The talented Iona Fyfe was hailed Citty Finlayson Scots Singer of the 

Year, the award sponsored by Traditional Music and Song Association 

of Scotland, while acclaimed songstress Eilidh Cormack was named 

Gaelic Singer of the Year, sponsored by Highland Society of London. 

West Coast natives Trail West were named Live Act of the Year, 

sponsored by Gordon Duncan Memorial Trust. A band renowned for 

their energetic performances, Trail West have continued to rise in 

popularity over the past decade, from their modest roots as a fourpiece 

ceilidh band to a formidable live act, worthy of any festival 

stage. 

Scottish Dance Band of the Year, sponsored by National Association of 

Accordion and Fiddle Clubs was awarded to Iain MacPhail; Scottish 

Folk Band of the Year, sponsored by Threads of Sound was won by 

Blazin’ Fiddles, and Scottish Pipe Band of the Year, sponsored by 

National Piping Centre was awarded to The Peoples Ford Boghall and 

Bathgate Caledonia Pipe Band. 

Up and Coming Artist of the Year, sponsored by Royal Conservatoire 

of Scotland was awarded to Dunfermline siblings The Shands. The 

talented trio have been playing together since a young age and have 

their sights set on a bright, musical future. 

The Clearances Again by Donald Francis MacNeil and Skipinnish was 

named Original Work of the Year, sponsored by Musicians’ Union. The 

Iona Fyfe accepts the award for 

Scots Singer of the Year, sponsored by 

Traditional Music and Song Association 

www.facebook.com/ionafyfe 

Anna Massie, Jenna Reid and Kristen Harvie of Blazin’ Fiddles accept the award for 

Scottish Folk Band of the Year, presented by Barabra Collins of Threads of Sound (far left) 

www.facebook.com/blazinfiddles 

powerful protest song was penned in response to plans to ban inshore 

fishing and all marine activities, and was Isle of Vatersay fisherman 

Donald’s recording debut. 

The Gaitherin South Sessions in Glasgow was named Club of the Year, 

while The Tolbooth in Stirling took home the title for Venue of the 

Year. Event of the Year, sponsored by VisitScotland was awarded to 

Orkney Folk Festival. 

Community Project of the Year, sponsored by Traditional Arts and 

Culture Scotland, was awarded to Fèis Rois Ceilidh Trail for the 

organisation’s ongoing support of young musicians in the trad scene. 

BBC Radio Scotland’s Travelling Folk took home the prize for Trad 

Music in the Media, sponsored by Glasgow Caledonian University. 

Composer of the Year, sponsored by PRS for Music was named Heidi 

Talbot and Music Tutor of the Year, sponsored by Creative Scotland 

Youth Music Initiative, was awarded to Domhnall Bàn MacDonald. 

A new award was created this year in honour of the late, beloved folk 

writer and critic Sue Wilson. The Sue Wilson New Writer Award, 

sponsored by Songlines Magazine, was awarded to Angus MacPhail of 

The Oban Times. 

A number of special prizes were awarded, selected by a panel of 

esteemed industry judges, to those whose services to traditional 

music and culture have made significant impact. 

John Urquhart received the Services to Gaelic Award, sponsored by 

Bòrd na Gàidhlig; Donald Smith was presented with The Hamish 

Henderson Services to Traditional Music Award; while Frieda Morrison 

received The Janet Paisley Services to Scots Language Award, 

sponsored by Creative Scotland. 

A raft of industry awards which recognise those individuals and 

organisations who support the creative pipeline of the trad music 

sector were also awarded. 

Somhairle MacDonald was named Graphics Designer of the Year; 

Mhari McLeman of Shetland Folk Festival took home the title of 

Traditional Music Enabler of the Year; Euan Robertson Photography 

was awarded Photographer of the Year and Gary Craig of The Ceilidh 

Place was honoured as Venue Technician of the Year. 

The MG ALBA Scots Trad Music Awards champion top Scottish 

traditional musicians of all genres and this year’s ceremony both 

showcased and celebrated Scotland’s flourishing music scene in style. 

A host of incredible performances delighted the Dundee audience, 

with stand out sets from acclaimed Gaelic songstress Joy Dunlop and 

her band, Album of the Year winner Duncan Chisholm, legendary 

Skye folk-fusion group Peatbog Faeries and Scottish trad partystarters 

Mànran. 

Simon Thoumire, organiser of the MG ALBA Scots Trad Awards 

said: "I would like to extend my heartfelt thanks to everyone who 

contributed to making the 2023 ‘Na Trads’ such a resounding success. 

From the passionate audience members and all of our incredibly 

talented performers to everyone who voted and our generous 

sponsors and supporters, we truly couldn’t hold these awards without 

you. Congratulations to all the deserving award winners; your 

dedication and artistry continue to elevate and inspire the scene as a 

whole. 

“Our 21st year has felt like a coming of age and it’s been wonderful to 

celebrate this milestone with those across Scotland and beyond who 

share our love of Scottish traditional music and its profound cultural 

impact. The enduring appeal of our music is heartening to see, and 

I'm deeply grateful to be part of this vibrant community, celebrating 

the rich tapestry of our musical heritage while embracing new waves 

of creativity." 

Margaret Cameron, Director of Content at MG ALBA said: “After 

another outstanding year for Scottish Traditional music, this 21st year 

of the ‘Trads’ has to go down as one of the best ever. Each of the 

winners are to be congratulated for their tremendous commitment to 

their craft, and for once again raising the bar for Scottish traditional 

music both at home and abroad. 

“The MG ALBA team is delighted to be in a position to continue to 

sponsor the event and fund the BBC ALBA commissioned live 

programme showcasing Saturday’s awards ceremony. It’s clear the 

impact the awards have on the Scottish cultural scene, and we 

welcome the opportunity to celebrate our artists, amplify their 

successes and make the night available to our audiences.” 

Head of Music at Creative Scotland, Alan Morrison said: “With 

fans casting more votes than ever before, the 21st edition of the Trad 

Awards has proven yet again that Scotland’s traditional music is a 

treasure to be cherished the length and breadth of the country, from 

Orkney and Shetland to Boghall and Bathgate. It’s testament to the 

strength of the sector that rising stars such as Iona Fyfe, Eilidh 

Cormack and The Shands can share the same spotlight as groundbreaking 

musicians such as Duncan Chisholm, Julie Fowlis and Blazin’ 

Fiddles. Na Trads ensure that our rich heritage is passed on from 

generation to generation, keeping our indigenous languages alive, 

and so Creative Scotland offers special congratulations to the winners 

of our sponsored categories - Frieda Morrison, recipient of the Janet 

Paisley Services to Scots Language Award, and Domhnall Bàn 

MacDonald, the 2023 Music Tutor of the Year.” 

Lyn Donnelly, VisitScotland Senior Responsible Tourism 

Manager said: “VisitScotland is excited to continue its sponsorship of 

the Event of the Year category at the 2023 MG ALBA Scots Trad Music 

Awards. Scotland’s proud cultural heritage and communities are a 

huge part of what makes us unique as a visitor destination. With 

responsible tourism our key focus, we are committed to promoting 

and enhancing these for future generations. Our outstanding trad 

music scene offers visitors an extra layer of authenticity – something 

we know is important to them – and remains a thriving, exhilarating 

experience embraced by Scots of all ages.” 

Stuart Fleming, Senior Relationship Manager – NI & Scotland, 

PRS for Music said: “Congratulations to all the nominees and 

winners, including Heidi Talbot for taking home Composer of the Year 

supported by PRS for Music. This win is testament to your passion, 

creativity, and craft. We are delighted to continue our support of 

Hands Up for Trad and celebrate Scotland’s vibrant trad music 

community, who inspire us with their musical talent year after year.” 

As well as all category sponsors and the event’s headline sponsor, this 

year’s MG ALBA Scots Trad Music Awards took place with huge thanks 

to funding from Creative Scotland, The Northwood Trust and Dundee 

City Council. 

www.scotstradmusicawards.com 

Duncan Chisholm wins Album of the Year, 

sponsored by Birnam CD, 

for his album ‘Black Cuillin’ 

www.facebook.com/DuncanChisholmFiddle 



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page 6 


SCOTTISH MUSIC CENTRE ......... 

MEMBER SERVICES :: Foyer Event Space 

Event Space Enquiries @ www.scottishmusiccentre.com/event-space 

"The Scottish Music Centre's task is to champion the wealth of talent that abounds in Scotland's musical community" 

The Scottish Music Centre’s mission is 

to champion Scotland’s music: past, 

present and future and is a nationally 

and internationally recognised 

organisation at the heart of Scotland's 

music industry. Based in Glasgow's City 

Halls, we’re active across all music 

genres and engage with creative 

people of all ages and abilities. 

From preserving our 

music heritage with 

the ever-expanding 

archive to 

representing 

contemporary composers 

and musicians, we 

support, promote and 

champion the wealth of 

talent that abounds in 

Scotland’s music 

community. 

The Scottish Music 

Centre’s foyer space is 

available for use for 

events, seminars, 

workshops, acoustic 

performances and 

rehearsals. Located in the 

heart of Glasgow's 

bustling Merchant City, 

our bright and inviting 

space is an ideal choice 

for various gatherings. 

Whether you're planning a seminar, training workshop, meeting, or 

acoustic performance, we welcome you to explore the possibilities 

our foyer holds. With a seating capacity of 50, it provides an 

intimate yet vibrant setting. 

Often utilised by prominent Scottish music institutions including 

Live Music Now Scotland, Chamber Music Scotland and the Royal 

Conservatoire of Scotland, the Scottish Music Centre has been a 

host to inspiring open days, ground-breaking workshops and world 

class performances across every genre. 

Our foyer space events include our exclusive members' 

celebrations, album launches from the BubblyJocks, a creative 

new Scottish music group, and violist Katherine Wren of the 

RSNO, as well as community gatherings organised in association 

with the Musicians' Union, a key organisation in the musical 

landscape. 

In addition to serving as an events hub for the Scottish music 

industry, the Scottish Music Centre fosters a supportive community 

among its members. Members are publicly profiled on our website, 

featured on our social media channels and get a monthly edition of 

our exclusive member newsletter 'High Notes.’ 

Our extensive library and shop are made up of works by our 

members that are available for purchase and hire by the general 

public, leading to public performances by ensembles including The 

Glasgow Barons, The Tatton Singers and by Scotland’s leading 

orchestras, the Royal Scottish National Orchestra and the BBC 

Scottish Symphony Orchestra. Aside from this public venture, the 

SMC represents its members on an international platform through 

participation in Classical:NEXT, the European Music Council, and the 

International Association of Music Information Centres. 

Furthermore, we offer one-on-one assistance through in person 

check-ins, phone calls and emails with the SMC staff. The Scottish 

Music Centre has a dedicated Membership Officer who can 

communicate with you on a personal level and use their skills and 

expertise to help you to thrive within the Scottish music sector. 

SMC members can enjoy free access during office hours, for nonmembers 

please contact us for further information on hosting your 

event. 

To help us assist you with your event or if you would like to 

find out more about our membership, please get in touch via 

www.scottishmusiccentre.com/event-space 

or email: scottishmusiccentre@gmail.com 

The Scottish Music Centre currently supports in excess of 100 

composer, group/small business and corporate members 

To find out more about the benefits of SMC membership, visit 

www.scottishmusiccentre.com/services/membership-schemes/ 

For general enquiries please contact us on info@scottishmusiccentre.com 

www.scottishmusiccentre.com : www.twitter.com/scottishmusic : www.facebook.com/scottishmusiccentre 

"The Scottish Music Centre's task is to champion the wealth of talent that abounds in Scotland's musical community"


www.facebook.com/TMSAScotland www.twitter.com/TMSAScotland 

www.tmsa.scot 

www.deanowens.com 

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info@hittheroad.org.uk 

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info@glasgowmusiccitytours.com 

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page 8 


the mns collection …. 

mns musician profile ..... 

Aurora Engine 

Listen @ www.auroraengine.bandcamp.com 

Groundbreaking 

singersongwriter, 

composer and 

producer, 

Aurora Engine 

aka Deborah 

Shaw releases 

her album 

‘Secret Knock’ 

on 9 February. 

View all the MNS digital 

publications from links at 

www.musicnewsscotland.wordpress.com 

Originally from the north-east of England, 

Aurora Engine is "an ultra-cool artist" (The 

Scotsman) who has made her creative base 

in Scotland's capital city. Mixing progressive 

electronica alongside live harp and piano, 

while singing in her native Geordie-tinged 

dialect, Shaw explores topics such as her 

experience as a single mother, the porn 

industry, feminist themes, imaginary friends, 

miniaturists and drunken brawls on her 

forthcoming Creative Scotland funded album 

Secret Knock. 

2023 has been her best year yet, including 

scooping Single of the Week on BBC Radio 

Scotland's The Afternoon Show. 

The album launch party is at Edinburgh’s Wee 

Red Bar on 16 February with support from 

Mima Merrow. Previous live outings include a 

sold-out run at the Edinburgh Festival Fringe 

as part of the prestigious Made In Scotland 

programme, at Belladrum Tartan Heart 

Festival, on tour on the Isle of Mull and the 

Isle of Jura, the global 16 Days of Activism 

against Gender-based Violence and various 

tour dates across the UK. 

Her latest single is the self-produced, ‘Pink 

:: photo by Laurence Winram 

Noise’ which mostly features sounds collected 

using extended harp techniques - blending 

dreamy glissandos, multi-layering, 

soundboard percussion, enhanced with 

magical sounding audio effects, sculpting a 

beautiful, yet hazy sonic world. 

Deborah: “Pink Noise was written in 

response to my own battle with anxiety. I 

was seeking solace in counting and 

mathematics and listening to Pink Noise - the 

light verses are contrasted with heavy 

electronic choruses, mirroring the ebb and 

flow of our collective journey to manage 

mental health.” 

Shaw is in high demand as a composer and 

she’s Musician in Residence for environmental 

charity Earth In Common, MD for two choirs, 

and provides music-making activities for 

charities like Women’s Aid, Crisis, The 

Welcoming Charity and composes music for 

film and TV. 

Regularly commissioned to produce exciting 

new work, Terre; an exploration of a 

composers' relationship with the natural 

world, was originally commissioned by Sound 

Scotland with the world premiere at 

SoundFestival in 2022 followed by a sold-out 

run at Edinburgh Festival Fringe as part of 

the prestigious Made In Scotland programme. 

ONEREN also commissioned Deb to compose 

music for Paisley Town Hall’s historic carillon 

(a unique keyboard instrument that consists 

of at least 23 bells, housed within the tallest 

of the two towers). 

www.auroraengine.com 

www.twitter.com/AuroraEngine 

www.facebook.com/auroraengine 



www.skerryvore.com/tour/ 

tour info @ www.skerryvore.com/tour/ 




page 10 


Skiddle And Ntia Launch Promoter Fund Bursary 

Scheme To Empower Emerging Event Organisers 

Apply for the Skiddle Promoter Fund @ https://forms.gle/PxpRtZFepFdQPshS8 — deadline 31 December 

Independent event ticketing outlet, 

Skiddle has launched its second 

bursary scheme of the year in 

partnership with the Night Time 

Industries Association (NTIA). 

The initiative, which follows their previous student-focused program in the 

summer, has been specially devised to aid emerging promoters looking to make 

their mark on the events scene in various cities and towns across Scotland. 

The Skiddle Promoter Fund - now open for applications - was announced during a 

live panel discussion at the most recent edition of Skiddle’s popular Industry 

Drop-in event in Glasgow. 

The Skiddle Industry Drop-in, held at Barras Art And Design (BAaD), was 

attended by influential figures representing Scotland’s live events sector and 

provided a platform for debating issues specific to Scotland's event scene. Some 

of those influential figures included Tom Joyes, General Manager of the 

Barrowland Ballroom, Jennifer Nimmo-Smith, Founder and Director of Electric 

Shores Publicity, MSP Pauline McNeill and Mike Grieve, Managing Director at 

Glasgow’s Sub Club. 

Ever committed to supporting the next generation of event planners, each 

applicant will be offered the opportunity to bid for a grant of up to £1000 which 

must be used to organise an event in Scotland during February or March 2024. 

Those who are successful will not only receive financial help but will also gain 

invaluable advice and tips from Skiddle’s experienced in-house team, on 

everything from launch strategies and marketing to key sales dates and more. 

Skiddle and the NTIA are urging those new to organising events in Scotland to 

apply now, to be in with a chance of getting their hands on funds to help bring 

their unique event ideas to life. The deadline for applications is on Hogmanay, 

Sunday 31 December 2023. 

Lisa Braithwaite, Senior Marketing Manager at Skiddle, said: 

“We are thrilled to announce our second Skiddle Promoter Fund initiative of the 

year, working in collaboration once again with the NTIA. 

“Scottish cities such as Glasgow, Edinburgh and Dundee are arguably some of the 

most exciting cultural destinations in the UK at present. These prolific places of 

music and art have provided us with a host of breakthrough names in recent 

times, who’ve helped to boost the Scottish nightlife scene and inspire ambitious, 

young event organisers to bring new ideas to the table. 

“Supporting new promoters is what Skiddle is all about, and we’re excited to see 

what concepts come out of this Scottish bursary scheme. The deadline is fast 

approaching so be sure to get in your application now to ensure you're in with a 

chance of getting some money to put towards your event.” 

Michael Kill, CEO of NTIA, added: 

“We're proud to endorse the Scottish Promoter Fund in collaboration with Skiddle, 

marking our continued support for the vibrant Scottish cultural scene.” 

“Cities like Glasgow, Edinburgh, and Dundee have been pivotal in nurturing 

breakthrough talent and shaping Scotland's dynamic nightlife.” 

“The NTIA in Scotland encourages aspiring event organisers to seize this 

opportunity. Apply now to the Scottish Promoter Fund and unlock the potential to 

bring fresh, exciting concepts to the forefront of Scotland's cultural landscape. “ 

The Skiddle Promoter Fund is now accepting applications, those who 

are chosen to receive the bursary will be contacted via email. 

www.skiddle.com 

www.ntia.co.uk 

www.twitter.com/skiddle 

www.facebook.com/skiddleuk 

www.krisdrever.bandcamp.com 

facebook @ www.facebook.com/krisdreversings 

tweet @ www.twitter.com/KrisDrever 



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page 12 


BBC Scotland unwraps festive schedule with Edith Bowman to 

lead countdown to the bells and lots of music on TV and radio 

As 2023 draws to a close BBC 

Scotland and BBC ALBA have 

a stocking full of festive 

goodies across television and 

radio to entertain audiences 

over the holidays. 

A traditional mix of musical treats, heart-warming and uplifting stories, laughs and 

festive warmth will be served up alongside opportunities for reflection, making 

BBC Scotland the perfect Christmas companion and the place to enjoy all the 

festive ‘feels’ – watch live or catch-up on iPlayer or BBC Sounds. 

Louise Thornton, head of commissioning for BBC Scotland said: “We’ve 

pulled together a selection box of programmes for audiences to enjoy over the 

festive holidays whatever their mood. As friends and families get together we 

hope to keep them company with a line-up across television and radio featuring 

some of the best talent Scotland has to offer.” 

Music will feature heavily in the schedules this year as BBC Scotland delves into 

the BBC Scotland archives with a a special compilation series to celebrate 30 

years of T in the Park which began in1994 and grew to become one of the UK’s 

most loved music festivals by revellers and artistes alike. Edith Bowman revisits 

stellar performances from hundreds of artists from around the world who took to 

the stage, braved the weather and experienced the legendary Scottish crowds and 

sing-a-longs. 

Roddy Hart presents ‘Christmas at the Quay’ and welcomes Texas for a festive 

show liberally sprinkled with hits and seasonal vibes. Joining the fun before a live 

audience at Pacific Quay will be Nati, a singer-songwriter who has built a huge 

online following of close to two million fans for her livestreamed performances. 

Terra Kin, winner of the BBC Introducing Scottish Act of the Year 2023 who blends 

jazz, ambient and folk sounds with a soulful vocal completes the sparkling line-up. 

‘Get the Tunes On’ provides the ultimate party playlist for the build-up to the 

bells. Featuring big hits, wee gems, dance bangers, traditional tracks and archive 

treasures this essential selection of class acts for Hogmanay will include 

contributions from a range of famous faces. Combining music and comedy this 

mixed tape will get the party started. 

Twenty years on from her triumphant Pop Idol win, Scottish singing sensation 

Michelle McManus reflects on her incredible rollercoaster career, revisiting iconic 

TV talent moments when Scots stars captured the hearts of the nation. In Michelle 

McManus: After All This Time (wt) this special documentary tells the story of how 

Baillieston barmaid Michelle became a record-breaking Scots chart-topper with her 

No.1 smash, All This Time. Michelle also meets global superstar - and former X 

Factor judge - Robbie Williams, TV presenter pal Kate Thornton and Scots singing 

sensation Susan Boyle who give their insights into the TV talent show 

phenomenon. As well as these key music industry movers and shakers, Michelle 

spends time with her parents, John and Helen who reflect on their daughter’s 

enduring success. The programme also checks in with Britain’s Got Talent and The 

Voice winners, Jai McDowell and Stevie McCrorie, as well as The X Factor’s 

Shereen Cutkelvin and Nicholas McDonald to find out where they are now 

following their fling with fame. 

The countdown to the bells sees Amy Irons host ‘Not Quite The End of Year 

Show’ with a mix of chat and music on the BBC Scotland channel. Special guests 

will join Amy to take a look back at Scotland’s highlights of the year from the 

worlds of music, film, TV and Sport. 

Edith Bowman leads the charge into 2024 with ‘Hogmanay 2023’ with a host of 

special guests joining her to bring in the new year. The iconic firing of the gun 

from the Edinburgh Castle ramparts, and the city’s amazing firework display 

soundtracked by the BBC Scottish Symphony Orchestra will feature as well as 

music from Skerryvore, the band born out of the Scottish islands who have 

become a global phenomenon and the fresh but traditionally-infused sounds of the 

Kinnaris Quintet, influenced by Scottish and Irish folk music. Shereen 

Cutkelvin also gives a poignant performance of Auld Lang Syne. 

Over a hundred students from the Royal Conservatoire of Scotland are 

partnering with BBC Scotland and performing the music for ‘Christmas 

Celebration’, presented by Sally Magnusson on Christmas Eve, and Reflections at 

the Quay on Christmas morning. The music for both programmes was recorded at 

Sherbrooke Mosspark Parish Church in Pollokshields, Glasgow, where the 

congregational carols were accompanied by ten RCS brass players. There will also 

be Christmas songs from the Senior Chamber Choir, and from the 55 strong 

Junior Conservatoire Choir accompanied by a strings and wind orchestra. Also 

appearing in both programmes will be Scottish folk singer Emily Smith, an RCS 

graduate, with Jamie McClennan and Aaron Jones. 

Over on BBC ALBA December kicked off with a line-up of musical extravaganzas 

including live coverage of Na Trads (catch-up on iPlayer), where Scottish 

traditional music’s finest claim coveted awards and provide a toe-tapping treat for 

all. 

As 2024 beckons, the party continues with Iain Spanish Mackay uncovering the 

enchantment of ‘Scotland’s Festivals’, welly boots and all, in Scotland’s Festivals 

and Cathy MacDonald and Niall Iain Macdonald welcome the New Year live 

with a host of friends and plenty of dancing at this year’s Cèilidh na Bliadhn’ 

Ùire celebrations. 

The revelry extends into the new year, and an exclusive backstage pass to Peat & 

Diesel’s meteoric rise is granted on the 1 and 2 January. 

Cathy MacDonald and Niall Iain Macdonald welcome the New Year live 

with a host of friends and plenty of dancing at this year’s Cèilidh na Bliadhn’ 

Ùire celebrations. 

BBC Radio Scotland ….. 

Over on BBC Radio Scotland there’s a festive mix of music and chat to keep 

listeners company over the holidays. 

In the acclaimed Billy Sloan meets…. series, Billy is joined by the driving force 

behind The Who, guitarist and songwriter Pete Townshend on the 50th 

anniversary reissue of the band’s classic album “Who’s Next”. The album started 

as the follow up to the band’s rock opera Tommy, but as Pete explains this 

“Lifehouse” concept album faltered for many reasons, with some tracks penned 

for that turning up on “Who’s Next”. He talks about his 50 years in The Who, 

playing Scotland in the early days, his thoughts now of his former band mates 

Keith Moon and John Entwistle and his rocky relationship with singer Roger 

Daltrey, and how his expensive obsession with sailing means he’s not giving the 

band up any time soon. 

‘Life Tracks’ returns for a new series over the festive period with a host of new 

Scottish celebrities picking the music that has helped their lives. In each 

programme, the celebrity shares a wide range of musical influences with the 

audience - from the songs and artists that inspire to key albums, memorable gigs 

and guilty pleasures. The opening episode features actor, Greg McHugh, who 

wrote and starred in Gary: Tank Commander, and has had roles in other television 

series including Fresh Meat, The A Word and Guilt. Actor and comedian, Elaine C. 

Smith, who is currently in Two Doors Down takes a spin through the sounds that 

matter to her most while Jack Docherty, whose credits include Scot Squad 

completes the series line-up. 

Grant Stott’s Christmas Collective is a Christmas Eve cracker. Grant chooses 

four fabulous years in British pop history and selects the cream of the crop from 

their Christmas Top Tens. Packed full of festive favourites and Christmas bangers 

with some favourite seasonal songs; from Bing Crosby to the Bee Gees, Madonna 

to Mariah Carey, Wizard to Wings and much more. 

Get last minute gift-wrapping done on Christmas Eve with a ‘Christmas Classics’ 

soundtrack. Join presenter and tenor Jamie MacDougall and the BBC Scottish 

Symphony Orchestra for this ever-popular Christmas Classics concert. The BBC 

SSO invites you to an evening of Christmas orchestral magic. Enjoy instantly 

recognisable melodies of Yuletide carols and festive songs, all wrapped up in the 

luxurious sound of a live orchestra with conductor Roderick Dunk. 

The BBC Scottish Symphony Orchestra serves up the perfect Christmas day 

feast accompaniment with ‘Christmas at the Movies’. Expect the sumptuous 

sounds of Hollywood’s Golden Age, John Williams blockbusters, Disney favourites 

and the occasional surprise in this traditional festive fixture. Hosted by singer and 

presenter Jamie MacDougall with conductor Roderick Dunk. 

Bryan Burnett takes over with ‘Get it On at Christmas’ with a selection of 

Christmas music chosen by listeners. 

Kick off Hogmanay in the wonderful company of Hazel Irvine as shares her 2023 

highlights. Hazel Irvine’s 2023 Round-Up features a sprinkling of special guests, 

nestled between some of her favourite songs. 

Runrig: A Celebration documents the impact Runrig has had on Scottish music, 

culture and the Gaelic language since they first arrived on the Skye music scene 

50 years ago in 1973. Charting their rise to fame and success, we hear from band 

members past and present about their favourite memories, moments and music. 

Some of Runrig’s biggest fans also join in the conversation and share how much 

the band has shaped their lives. 

The Hogmanay party on BBC Radio Scotland starts with Grant Stott’s 

Hogmanay Vinyl Collective before handing over to Bryan Burnett for a special 

live Get it On….Through the Bells. Bryan will be on hand to play audience 

requests to take us in to 2024. 

Across television and radio BBC Scotland will be serving audiences a mix of 

programming to bring extra fizz to the yuletide celebrations and to start the New 

Year with a bang. 

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page 14 


Folk singer Christine Kydd joins forces 

with Maggie’s choir for charity release 

‘Staying On’ and ‘Wishin on a Winter Star’ is available @ https://christinekydd.bandcamp.com/ and on other streaming platforms 

Stalwart of the Scottish folk scene 

and celebrated vocalist Christine 

Kydd has unveiled a set of touching 

winter releases in aid of the 

cancer support charity Maggie’s. 

‘Staying On’ and ‘Wishin on a Winter Star’ were released 7 

December and feature Just Sing choir, based at Maggie’s 

Dundee. 

The self-penned songs are Christine’s first new material in 

four years, during which time the beloved singer has lived 

with, and survived, head and neck cancer. 

Christine has undergone extensive treatment in recent years 

and received unwavering and invaluable support from 

Maggie’s along the way. Now in recovery, the singer was determined 

to give back to the charity, raise awareness and 

work with the amazing Maggie’s Centre singers. 

Staying On was inspired by a project Christine attended at 

Maggie’s called ‘Where, Now?’. Moved by the people she met 

and the experiences of cancer she shared and heard, Christine 

sat down to write a song full of gratitude. Christine’s 

spell-binding vocals are at the core of this captivating track. 

She lovingly weaves a story of determination and appreciation, 

which slowly builds before welcoming a rousing chorus 

of voices, creating a heartwarming musical moment. 

Christine wrote the hopeful Wishin on a Winter Star to a traditional 

French tune. An ode to finding peace, the gentle 

track with its bright piano accompaniment, has a sparkly, 

festive feel to it which is sure to inspire a moment of contemplation 

in its listeners. 

A trio of exceptional trad talent also features on the tracks in 

the form of Gaelic vocalist and songwriter Rachel Walker, 

musician, composer and producer Angus Lyon and fiddle 

player Gavin Marwick. Fellow cancer survivors Rachel and 

Artwork image for ‘Staying On’. 

Original glass craftwork by Gallus Glass. 

www.facebook.com/gallusglass 

Christine Kydd with ‘Just Sing’ choir members 

Gavin donated their time to the project. Folk singer songwriter 

Andy Shanks also lends his vocals on Staying On. 

Christine Kydd said: “I was really keen to release some 

new music in aid of Maggie’s Dundee and I was delighted 

when they asked if the Just Sing choir could be involved. The 

project is not only about my recovery and wanting to give 

something back, but about doing something uplifting with the 

singers, all of whom, including staff from NHS Tayside and 

the University of Dundee School of Medicine, are impacted by 

cancer in various ways. 

“It’s been a great way to say thank you to my dentist Jane, 

the maxillofacial department at Ninewells, the Dundee Dental 

Hospital, and all the staff, family, friends and others who 

have helped along the way. I would also like to remind folks 

of the importance of dentists to us all in detecting cancers. In 

my case, I am lucky they caught it in time”. 

“Recording and releasing the material been a joyful process 

and even though I’m still in recovery, it has been so meaningful 

being back doing what I love and a new and fun experience 

for the choir members. 

“I’m a cancer survivor but I think the sentiment of Staying 

On speaks to all of us – the song is about being grateful for 

just being alive and celebrating the fact we are all here and 

trying to make the best of the great gift of life. Wishin on a 

Winter Star is a song of real hope that I think is perfect for 

this time of year. I hope it brings others a sense of promise 

for the future, all while raising money for a wonderful cause.” 

Annie Long, Fundraising Manager at Maggie’s Dundee, 

said: “We are so grateful to Christine for choosing Maggie’s 

Dundee to benefit from the sales of her beautiful songs. The 

Maggie’s centre in Dundee sees over 15,000 people from 

Tayside, Angus and North East Fife each year. Our beautiful 

centre, designed by Frank Gehry, is there for people who 

have been diagnosed with cancer, and those who care about 

them. We provide a warm, welcoming place where you can 

meet people who are experiencing the same things you are, 

find support groups specific to your needs and get advice and 

information from our professional staff. 

“Coming to Maggie’s can help to make positive changes to 

your lifestyle. Our psychological and emotional support has 

been shown to significantly reduce anxiety and depression. 

No appointment needed and our support is free. Please call 

us on 01382 632999 or visit us at www.maggiescentres.org.” 

One member of the choir said: I wanted to say just how 

much I enjoyed the whole experience. Two things came to 

mind during the recording session: nothing had prepared me 

for the thrill I felt while recording these pieces of music, having 

never been in a recording studio before. And, I also realised 

that what we were recording could potentially last a lifetime, 

forever even! That’s why I found it to be such a special 

experience.” 

Another member added: “As a member of the Just Sing 

Choir, it was exciting to have the opportunity to sing with 

Christine Kydd. Following several rehearsal sessions the 

pièce de résistance was going to the recording studio. Never 

imagined I would have been standing in a recording studio in 

front of a mic with headphones on participating in the making 

of a CD. A wonderful experience.” 

A veteran of the folk world, Christine grew up musically in 

the vibrant Edinburgh scene and her varied music career has 

taken her to stages and venues around the world. Her many 

accolades include two Scots Singer of the Year nominations 

and an induction into the Scottish Traditional Music Hall of 

Fame. 

Regarded as an artist of empathy, range and passion, Christine’s 

love of both traditional and contemporary song shines 

through all that she does as a singer, choir director, voice 

coach, teacher and folklorist. Christine is set to tour the UK 

with Fiona Ross in April and May 2024. 

Christine’s new material was recorded at Gran’s House Studio 

in Biggar and Stage 2000 in Dundee over a period of 

around a year during her recovery. 

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£3.2million worth of funded activities took place in a year of 

rebuilding traditional Gaelic arts activities throughout Scotland 

After a year of rebuilding its 

programme of activities after 

Covid, arts organisation, Fèisean 

nan Gàidheal recently released 

its annual report which announced 

it funded over £3.2 million worth 

of activities and supported almost 

100 FTE jobs for 2022-23. 

Fèisean nan Gàidheal (FnG) supports tuition-based Fèisean 

across Scotland which offer tuition in traditional Gaelic arts 

to thousands of young people every year. FnG also organises 

a range of traditional music and Gaelic language teaching 

programmes in schools throughout Scotland as well as 

running the annual Blas Festival in partnership with The 

Highland Council, and a range of activities to enrich the 

Gaelic language skills of young people. 

Its annual conference is an opportunity for voluntary 

committees, staff and tutors to gather and take part in 

workshops and information sessions. The organisation’s 

annual report, published during the conference in Nairn, 

gives an account of the work supported during 2022-23 

which reached over 89,000 participants, tutors and 

musicians, audience members and volunteers. 

Fèisean nan Gàidheal was pleased to welcome Jenny Gilruth 

MSP, Cabinet Secretary for Education and Skills, to the 

conference. 

Jenny Gilruth, Cabinet Secretary for Education and 

Skills said: “It was a pleasure to attend the annual Fèisean 

nan Gàidheal conference and learn about the impressive 

range of activities they deliver. Gaelic is a significant part of 

Scotland’s culture and the organisation has a remarkable 

record of celebrating the richness of the language and 

passing this on to young people through music, song and 

drama. Fèisean nan Gàidheal is an excellent example of 

commitment, innovation and progress and this was clearly 

on display at their conference.” 

The report details the range of work carried out by FnG, 

including: 

· Fèisgoil, the formal education strand of FnG, delivered 

2,724 Blasad Gàidhlig Gaelic language lessons for 2,760 

learners, employing 22 tutors in 32 schools within Falkirk, 

Glasgow City, Argyll & Bute, Dundee, West Dunbartonshire, 

South Ayrshire West Ayrshire and East Ayrshire. 

· Youth Music Initiative (YMI) tuition in all Highland 

Jenny Gilruth, Cabinet Secretary for Education and Skills, addressing the conference whre she said: “Gaelic is a significant 

part of Scotland’s culture and the organisation has a remarkable record of celebrating the richness of the 

language and passing this on to young people through music, song and drama.“ 

www.facebook.com/JennyGilruthMSP/ 

Council primary schools once more, as part of a funding 

agreement with High Life Highland; 39 tutors worked with 

167 schools, with 4,334 school pupils taking part in 1,874 

sessions. 

· A new Gaelic song tuition programme, Seinn, took place 

throughout Uist and Barra as part of a new agreement with 

Comhairle nan Eilean Siar, where 2 tutors worked in 6 

schools, with 418 children taking part in 486 sessions, with a 

new Gaelic song resource being created 

· The second instalment of the multi-arts inter-island 

project funded directly by The Scottish Government, Treòir | 

Voar | Virr, took place in 39 island schools with 27 artists 

delivering 400 sessions to 763 pupils using ‘Lost Songs’ as 

the inspiration for the work carried out. A new resource 

booklet featuring 75 songs was created, over 50 of them 

Gaelic and the others a mixture of Shetland and Orkney 

dialects. 

· Còmhla, an event for refugees, took place in June, with 

families from Ukraine and Syria in attendance. 

· Oide, its online tuition service now has over 280 music 

lessons available with over 1,400 having used the service 

regularly in the past year. 

· £35,177 was awarded to 40 projects, with a total value 

of £81,189, through the Tasgadh grants scheme, on behalf 

of Creative Scotland. The fund supports artists and 

organisations to create, perform and tour work with a 

particular focus on Scottish traditional music, storytelling 

and dance 

Anna Murray, Fèisean nan Gàidheal’s Chair 

commented: “I was pleased to present Fèisean nan 

Gàidheal’s Annual Report for 2022-23, a year into which we 

put a lot of energy rebuilding the Fèis movement, supporting 

a large number of volunteers to begin offering regular work 

again following the Covid pandemic. Additional Covid 

recovery funding received from Creative Scotland during the 

year was extremely helpful in ensuring access for young 

people to cultural activities and additional employment 

opportunities for artists. We are grateful to them, Bòrd na 

Gàidhlig and all the organisations which supported our 

work.” 

Fèisean nan Gàidheal’s Chief Executive, Arthur 

Cormack, added: “Fèisean nan Gàidheal exists primarily to 

support and develop local Fèisean aiming to ensure everyone 

can access and enjoy experiences in the traditional arts and 

Gaelic culture. We recognise and value the role and 

immense contribution of volunteers in organising and 

delivering programmes of tuition and our development team 

worked closely with Fèisean to ensure they had the 

necessary support to continue their work and in many cases 

restart their classes and Fèisean.” 

Other topics discussed at the conference included good 

practice in the use of Gaelic at Fèisean, climate change, 

alterations to the PVG scheme as well as open Q&A sessions. 

Fèisean nan Gàidheal’s Annual Report is available, in Gaelic 

and English, @ www.feisean.org/en/annual-reports/ 

www.feisean.org 

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page 18 


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Project Smok :: album - 'The Outset' 

Released 19 January @ on all streaming platforms 

The Outset is the highly 

anticipated second album 

from Glasgow-based neo-trad 

band Project Smok, set for 

release on Friday 19 January 

on all streaming platforms. 

Comprising the formidable talents of Ali Levack (whistle and 

pipes), Ewan Baird (bodhràn), Pablo Lafuente (guitar), and 

featuring Duncan Lyall as a guest musician and producer, 

The Outset marks a significant development in the trio’s 

dynamic sound and is sure to bolster their already enviable 

reputation. 

The skilfully layered body of work builds on the genrebending 

style the group is well-known for, applying yet more 

new-age pop and electronic influences to their lively and 

intricate compositions. 

The album’s opening track, Cathcart sets the tone for the 

record as a whole, its enticing melody and irresistible 

rhythms drawing listeners in. Ali’s inimitable dexterity on the 

whistle shines alongside Pablo’s nuanced guitar riffs, both 

supported by the driving beat of Euan’s bodhràn. 

1984 was the first single to be taken from the album – out 

on 15 December – and exudes a sense of elation, effortlessly 

balancing a feeling of calm with a vibrant surge of energy. 

While The Outset is an instrumental album, the resonant 

purity of the whistle on this track brings the essence of a 

sweet vocal harmony. 

The Outset, the album’s title track, has an introspective yet 

optimistic feel, building in tempo, depth and momentum 

throughout. Meaning the start or beginning of something 

new, The Outset is a fitting name to encapsulate the band’s 

overall vision for this latest body of 

work, as they build on their rising 

success and incorporate more 

refined pop and electronic 

elements to their overall sound. 

Ali Laveck of Project Smok 

said: 

“We could not be prouder of how this album has turned out. 

It feels like a big leap from our previous releases and truly 

represents how we want Project Smok to be heard today. We 

last released an album in February 2020 and have done 

extensive touring since then, so we felt it was time to have 

something new out there, to showcase the direction in which 

we feel our sound is going. 

“Working with Duncan Lyall on the record has been a brilliant 

experience, it has been great to utilise and learn from his 

wealth of knowledge. We hope our listeners are as happy 

with the outcome as we are, we can’t wait for everyone to 

hear it!” 

Having already become a recognised household name in the 

traditional music scene, bringing together an array of musical 

aspects, instrumental virtuosity, blistering drive, infectious 

rhythm and delicate sensitivity, Project Smok boast 

nominations for Best Up and Coming Artist at the MG ALBA 

Scots Trad Music Awards 2018 and the Belhaven Bursary for 

Innovation at the same awards in 2019. 

The Outset was recorded at GloWorm Studios in Glasgow 

using all analogue gear by engineer Euan Burton. It was 

mixed by Scott Wood at OakRidge Studios. 

The album is set for release on Friday 19 January on all 

streaming platforms. It is available to purchase in physical 

form from Friday 22 December at projectsmok.com 

www.projectsmok.com 

www.facebook.com/projectsmok 

www.projectsmok.bandcamp.com 

Torridon :: single - 'I Wanna Know' 

Out Now on all streaming platforms @ https://torridon.ffm.to/iwannaknow 

Highland folk rock 

ensemble, 

Torridon, is thrilled 

to reveal that their 

latest single, "I 

Wanna Know," has 

been released. 

Torridon have been making 

waves across the Scottish music 

scene, captivating audiences at 

a string of sold-out gigs across 

the country including Belladrum, 

The Gathering, Aden, Tunes by 

The Dunes and the MacMoray 

Festivals. Further afield, the 

band have taken its music to the 

likes of Italy and France with 

several successful performances 

throughout Europe. 

"I Wanna Know" marks 

the commencement of 

the band's 20thanniversary 

celebration 

and stands as the 

inaugural single from 

their eagerly awaited 

follow-up album to the 2019, "Break the 

Chains." The album featured the charttopping 

"Highland Girl," which has been 

streamed over one million times across 

various platforms. 

Renowned for their charismatic live shows, 

Torridon's "I Wanna Know" promises to be a 

folk-rock gem that will have toes tapping and 

hands clapping. This track is the first written by 

Michael Macmillan, the accordionist, keyboardist, 

and lead vocalist for the band. "I Wanna Know" 

tells a love story, inspired by an interaction 

witnessed by the band at a gig in Tarbert. 

Michael watched as a young boy was captivated 

by a girl in the crowd embodying Michael's quest 

for his ultimate partner and has been lauded by 

Torridon frontman & founder Kenny Smith as 

"rivalling Highland Girl." 

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Michael said of the single’s release: “To have it 

recorded and released is a great feeling too, it 

feels like a very small part of history — 

something my two daughters can pull out at 

parties in years to come for a laugh! But I must 

give all the credit to the rest of the band. 

Everyone really dug deep and took a step out of 

their comfort zones to make this track what it is, 

and without their encouragement, openness, and 

support I would never have had the confidence 

to finish the words.” 

The new single is available to download and 

stream worldwide on Spotify, Apple Music, and 

YouTube. 

www.torridonlive.com 

www.twitter.com/TorridonLive 

www.facebook.com/Torridonband


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page 20 


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Atlantic Road Trip :: album - 'ONE' 

Released - out now @ https://atlanticroadtrip.bandcamp.com/album/one 

'ONE' is the debut 

recording of the transcontinental 

collective 

Atlantic Road Trip. 

The album is out now on Chicago based label 

Calligram Records, and features Chad McCullough 

(Trumpet - USA), Paul Towndrow (Alto Saxophone, 

Flute, Whistles - Scotland), Miro Herak (Vibraphone - 

Slovakia/Holland), Alyn Cosker (Drums - Scotland), 

and Conor Murray (Bass - Ireland) 

Chicago-based trumpeter Chad McCullough first met 

Slovakian vibraphonist Miro Herak in 2009 at the 

Banff Center for the Arts, a catalyst for creativity 

under the direction of trumpeter Dave Douglas. The 

two became great friends and frequent collaborators, 

touring throughout Belgium and Holland with 

numerous projects. 

Shortly before the pandemic they reached out to 

Scottish alto saxophonist Paul Towndrow, another 

longtime associate of Herak’s who is also heard here 

on traditional whistles and flute. Scottish drummer 

Alyn Cosker and Irish bassist Conor Murray complete 

the international ensemble. “We stayed in close 

contact throughout the pandemic and even remotely 

recorded a set for the 2021 Glasgow Jazz Festival,” 

remembers McCullough. The following year, Atlantic 

Road Trip toured the UK, Netherlands, and Belgium. 

Returning to Scotland in 2023, they managed to find 

the time in their busy touring schedule to record One. 

Collaboration is at the heart of One. “Musical projects 

and endeavours which are truly and successfully 

collaborative are hard to come by,” muses Towndrow. 

“You need to be on the same page as your coconspirators, 

and if not, acceptance and compromise 

should feel as natural a part of the creative process as 

anything else. With Atlantic Road Trip, I feel that 

we’ve found that balance.” Herak concurs, adding that 

“I knew Chad and Paul quite well not only musically 

but also personally… I had no doubt this would be a 

very inspiring endeavor and that proved true beyond 

my expectations.” 

The music on One is rich and varied, distilling Scottish 

and Slovakian folks traditions and blending them with 

a modern jazz aesthetic. “In Scotland there is an 

evolving musical tradition built not only around its 

indigenous music, but also around those who seek to 

collaborate across styles, genres, and continents,” 

comments Towndrow. His poetic “Pale Ale (Pale Ale/ 

Dr. Jones Never Saw It Coming)” epitomizes this 

approach, reveling in its Gaelic roots in the opening 

reel with plaintive whistle and earthy bodhrán before 

seamlessly shifting into post-Coltrane improvisation. 

“White Cart Water” uses similar elements to 

completely different effect, accentuating the 

translucent beauty of whistle, vibraphone and trumpet 

over arco bass and delicate cymbal work. 

Delving into his Slovakian 

heritage, Herak offers new 

interpretations of the 

traditional folks songs 

“Hore Haj, Dolu Haj” and 

“Kopala Studienku, 

Pozerala do nej.”* The 

latter is the basis of the 

Slovak national anthem. Herak’s contemplative 

introduction recalls the origins of his arrangement, a 

solo vibraphone performance at Carnegie Hall. “Hore 

Haj,” says Herak, “is a Slovak traditional song about 

inequality between the rich upper class and the 

common man and calls for an action in the fight 

against it.” The band intertwines Slavic dance rhythms 

with Scottish flute and contemporary jazz harmony in 

this upbeat, optimistic anthem for the common man. 

With his fiery opener “The Other Fulton Street,” 

McCullough gives a nod to his adopted Chicago home 

and the Fulton Street Collective, a frequent outlet for 

McCullough’s many creative projects. In sharp 

contrast, his lovely, lyrical ballad “Auburn” draws 

inspiration from the iconic science fiction writer H. 

Beam Piper to imagine the end of the world. In 

Atlantic Road Trip’s hands it ends with neither a bang 

or a whimper, but rather with quiet dignity and 

expansive beauty. 

Hard on the heels of the release of One, Atlantic Road 

Trip will launch their first U.S. tour, a three-week long 

excursion featuring the premier of Over Mountain, 

Under Sky, a newly commissioned work for big band 

and string orchestra. The musicians look forward to 

bringing their collaborative efforts to new audiences 

both in person and through the release of One. “Music 

comes to life when cultural ideas are shared, 

explored, and given the opportunity to evolve and find 

a place in the hearts and minds of the audience as 

well as the people who create it,” relates Towndrow. 

“What happens when people are allowed the freedom 

to move, travel, exchange ideas, adapt and grow? 

How can we bring our diverse ideas together in a way 

that cuts to the heart of our shared experience as 

humans? I hope the music on One will invite the 

listener to reflect on these questions as we have done 

in creating it.” 

www.atlanticroadtrip.net 

www.twitter.com/AtlanticRdTrip 

www.facebook.com/AtlanticRoadTripBand 

The Autumn 1904 :: single - 'The City' 

Out Now @ www.lastnightfromglasgow.com + available on all platforms 

After working with Twin Atlantic and Gun producer, Liam 

McCluskey for over a year and mastering with Delgado’s 

supremo Paul Savage at Chem 19 the Autumn 1904 

album “Tales of Innocence”, is set for release on Last 

Night from Glasgow records in February next year. 

First track off the album is this dance/rock hybrid “The City”, drawing favourable industry 

comparisons with other 80’s indie stalwarts Echo and the Bunnymen and Teardrop Explodes. 

Big Dish / Horse Keyboard player, Allan Dumbreck’s original band, Autumn 1904 were 

Edinburgh based when they recorded the BBC Radio 1 John 

Peel session from which “The City” is drawn. Dumbreck 

states “this track always got people going right from the 

start, I remember the Peel roadshow gig, John himself was 

still at the decks throughout the set and started rocking out 

when we played it” 

Autumn 1904 is a post-punk indie-rock band formed in 1982 

in Edinburgh by Allan Dumbreck (keyboards) and Ross Thom 

(guitar). The band originally became a five-piece (Billy 

Bowie – bass, Keith Falconer – drums, Billy Leslie – vocals) but grew in early 1983 (taking 

on two female vocalists, Indira Sharma and Lisa Cameron). 

Autumn 1904 were part of the DIY indie-rock movement in Edinburgh in the early to mid 

1980’s, they worked alongside The Wild Indians, Finitribe (originally Gallery Macabre) and 

Goodbye Mr MacKenzie, often performing together or attending each other’s shows. 

In February 1984 the band performed at the John Peel Roadshow at Edinburgh University 

and afterwards were invited to record a BBC Radio 1 John Peel session which was broadcast 

three times on the Peel show. The session was produced by Dale Griffin, former drummer 

with Mott the Hoople. They were immediately courted by 11 major record and publishing 

companies. In March 1984 their song “I heard Catherine Sing” featured on the Deadbeat 

magazine compilation album “Deadbeat 1”. Internal tensions and health issues over the 

summer of 1984 held up development and caused Sharma and Cameron to leave the band. 

The band first split in January 1985 with Thom, Bowie and Falconer going on to form The 

Crows with former members of First Priority, including future Glasgow Cathouse / Garage 

promoter Donald McLeod MBE. Dumbreck and Leslie reformed the band working throughout 

1985 occasionally with Shirley Manson (Goodbye Mr McKenzie / Garbage) standing in on 

vocals. This line-up lasted until November 1985 when the band split again. Dumbreck went 

on to work with Scottish groups The Big Dish, Horse and Thrum. Later working extensively 

in music education setting up the music department at UWS where Jim Prime (Deacon Blue) 

and Paul McGeechan (Love and Money) joined the staff team. 

In 2021, the original five members agreed to re-master / re-record the original material 

from their studio recordings for release. Work began with producer Liam McCluskey (Twin 

Atlantic, Gun). Approaching Ian Smith in 2022 at independent record label Last Night from 

Glasgow for advice, he offered to release the album on the label. The final masters include a 

lead vocal by Tippi from label-mates The Hedrons (The Blessing) and a number of fresh 

recordings of material written in 1982-83 but never previously recorded. 

www.autumn1904.co.uk 

www.facebook.com/Autumnnineteenofour/ 

www.lastnightfromglasgow.com 



:: a MNS business profile feature 

The Radio Rooms :: Tweedmouth, Berwick-Upon-Tweed. TD15 2AW :: www.facebook.com/theradiorooms :: www.radiorooms.co.uk :: info@radiorooms.co.uk 

:: The Radio Rooms is an independent grassroots venue and 

event space that was created in March 2019 in Berwick-Upon- 

Tweed - serving north Northumberland and the Scottish Borders we 

are the main platform for new and up and 

coming artists in the area, and strive to create a 

safe and inclusive space for everyone. 

Our recently renovated space is designed around a collection of vintage 

radios ranging from the 1920s onwards, and we place an emphasis on 

quality and local products throughout our bar and kitchen. 

The Radio Rooms host a variety of quality performances, gigs and events 

throughout the year and our space is also available for private events such 

as weddings, birthday parties and corporate events. We can help you plan, 

organise and host your perfect event - from weddings to lectures; birthdays 

to plays. Our knowledgeable team can help with decor, music, audio and 

lighting equipment, food and drink, entertainment; and any other detail to 

ensure a brilliant time is had by all. 

Here are some of our quality small business suppliers: Bari Tea (Alnwick), 

Fentimans (Hexham), Giacopazzi's (Eyemouth), Hepple Gin (Morpeth), Holy 

Island Gin (Holy Island), The Kelso Gin Company (Kelso), Left Field 

Kombucha (Eyemouth), Tempest (Galashiels). 

Our openings hours are 4pm to late, Friday, Saturday and Sunday - 

extended hours in the summer, please check the Event Listings on our 

website and Facebook page to see what is happening every week. For 

booked events we can open at any time you wish, just drop us an email if 

you have any questions! Email: info@radiorooms.co.uk 

www.radiorooms.co.uk 

www.facebook.com/theradiorooms 

The Radio Rooms is an 

independent grassroots venue, 

serving north Northumberland and 

the Scottish Borders

page 22 


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ADVERTISE IN OUR 

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PUBLICATIONS 

MUSIC NEWS Scotland - GIGguide - FESTIVALS! 

For details email Carol: carol.musicnewsscotland@gmail.com

ADVERTISE IN OUR WEEKLY 

DIGITAL EDITIONS OF …... 

MUSIC NEWS Scotland 

Scotland’s weekly digital music newspaper with all the latest news from the Scottish music scene 

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Our weekly gig guide giving a comprehensive snapshot of live music in every corner of the country 

MNS FESTIVALS! 

Our weekly look at Scotland’s music festivals with the latest news and a full listings for the year 

To advertise with MUSIC NEWS Scotland 

For details email Carol : carol.musicnewsscotland@gmail.com 

Read all our digital publications from links @

MNS-Dec23-25

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