07.01.2024 Views

Program(me) & surprises by Lamena Lahgo

My 2024/2025 artistic program with a cycle of works on the artist Daniel Gillies and another on the artist Lewis Tan, a surprise that some have been waiting for since 2016, and various announcements. Two years plenty of arts !

My 2024/2025 artistic program with a cycle of works on the artist Daniel Gillies and another on the artist Lewis Tan, a surprise that some have been waiting for since 2016, and various announcements.
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<strong>Program</strong>(<strong>me</strong>)<br />

& Surprises<br />

La<strong>me</strong>na <strong>Lahgo</strong>


Photography (previous page) :<br />

“Matin Bru<strong>me</strong>ux”<br />

By Teklal Neguib<br />

Martinique - 2010<br />

La<strong>me</strong>na <strong>Lahgo</strong> :<br />

Known too as Teklal Neguib and Talulah Naakre, Teklal Neguib is a<br />

writer, poet, artist and the for<strong>me</strong>r EIC/founder of L.ART en Loire<br />

(average c. 100 000 read./issue//2013-2018).<br />

Published in various magazines such as Internet Poetry, Minorites,<br />

Artefact, Queen Mob’s Teahouse, BonjourPoesie, Bloganozart,<br />

lorem_ipsum, L.ART en Loire/Céréales & Tubercules, VoiceIn<br />

Journal, and books (MACRO an anthology of image macro, The<br />

Twitter biography of Matthew Britton), so<strong>me</strong> of her art was part of<br />

the online exhibition “Listen Audioselfies !” a group show curated <strong>by</strong><br />

May Waver, and part of the exhibition “Nature insolite en ville” (group<br />

show, curated <strong>by</strong> Ville de Saint Nazaire, L’Atelier).


Summary<br />

-<br />

Sommaire<br />

Surprise<br />

Cycle Daniel Gillies<br />

Cycle Lewis Tan<br />

Various


Surprise<br />

I am beginning with the surprise as I know a lot of you have been<br />

waiting for it since 2016.<br />

So as you have guessed, the surprise is … a new magazine is coming !<br />

As L.ART en Loire, it will be a bilingual mag of artistic expression<br />

(french and english), with various types of arts (poetry, short story,<br />

essay, photography, painting, video).<br />

It will be a shorter mag than the for<strong>me</strong>r one (30/50 pages maximum),<br />

but I hope to publish it one per month (we can dream).<br />

If you are an artist, you could submit your work in the sa<strong>me</strong><br />

conditions as L.ART en Loire.<br />

A call for work will be publish as soon as I buy InDesign (probably<br />

february/march).<br />

If you don’t know the for<strong>me</strong>r magazine, you can read so<strong>me</strong> of the<br />

remaining issues here (4 L.ART en Loire & 1 Céréales & Tubercules) :<br />

https://www.yumpu.com/user/l.artenloire<br />

It’s the official account of L.ART en Loire.<br />

You will discover the na<strong>me</strong> of the new mag in the following weeks,<br />

through a mixed piece of art, with a poem that will hide the na<strong>me</strong>…<br />

You could try to guess the new na<strong>me</strong>…<br />

The mag will be published on the yumpu page.


Cycle Daniel Gillies<br />

My work on this cycle will fall within the sa<strong>me</strong> type of work I did<br />

about Shia Labeouf, during the years 2014-2016, and which has<br />

beco<strong>me</strong> my introduction of <strong>me</strong>tamodernism in the<br />

francophone/french area.<br />

But it will be a little different, as Daniel Gillies doesn’t seem to place<br />

his work under a cultural theory, and I will first study his work as an<br />

actor (through two of his characters).<br />

The work I will do will be part of both his cycle and the cycle<br />

Resilience, whose first ele<strong>me</strong>nt is my analysis of the film “Zulu” from<br />

Jérô<strong>me</strong> Salle “Zulu une histoire de résilience”. This analysis studied<br />

the (failed or successful) resilience of the two main protagonists and<br />

the question of the one of the South African society.<br />

For the mo<strong>me</strong>nt, I am translating the Zulu article in English (it was<br />

written in French). The day I will publish it, it will <strong>me</strong>an the Daniel<br />

Gillies cycle is initiated.<br />

In that part I will study Elijah Mickaelson, the rest of the family and<br />

their processes of resilience in the first article and Mandrake from<br />

“Coming Ho<strong>me</strong> in the Dark” in the second article. The second is my<br />

main target to be honest.<br />

If I can, I would like to make a “travel story in the art of Daniel Gillies”,<br />

as he seems to be a multidisciplinary artist. When I write that type of<br />

article, I consider the artist as a foreign country I am visiting /<br />

discovering (hence the notion of travel story) and wanting to share<br />

with others as a sort of a tour guide in the art of an artist. During my<br />

discovery I try to distinguish 2 or 3 main questions in the art and then<br />

I work on them in the article. To understand more the purpose of that<br />

type of article, I will translate in english “Récit de voyage dans l’art


métamoderniste de Shia Labeouf”, I wrote in 2014, and I will publish it<br />

on the Yumpu page.<br />

Moreover, I am very interested in Daniel Gillies new tv series “Sight<br />

Unseen” because of its purpose. As you can have guessed, I am<br />

passionate about resilience, trauma, etc.<br />

I have decided to make two bonuses for this cycle. The first vocation<br />

of the bonuses is to answer that question : in which role I would like<br />

to watch the actor I am studying ?<br />

After a ti<strong>me</strong> of reflexion, I write a novel, whose main character is the<br />

role in question. I need to precise that it’s not fanfiction (I don’t work<br />

that type of writings). They are true novels in themselves, and to be<br />

honest, these novels could be totally independent of the actor in<br />

question.<br />

Furthermore, these novels are too part of my own artistic work, so<br />

they are under my artistic questionings, which main one is : which is<br />

the place of the human/human being in our modern society ?<br />

In the end, the role created through the novel can be so<strong>me</strong>ti<strong>me</strong>s<br />

surprising.<br />

In an extension of the Daniel Gillies Cycle, I will continue the<br />

Resilience cycle <strong>by</strong> working on the two villains of the film “Crimson<br />

Peak”, and the main characters of “We need to talk about Kevin”.<br />

Analysis of the processes of resilience<br />

in the Mickaelson family<br />

“The Originals”<br />

tv<br />

series<br />

Analysis of Madrake “Coming Ho<strong>me</strong> in the Dark” film<br />

Travel story in the art of Daniel Gillies<br />

Analysis of the processes of resilience<br />

of the various characters in the new tv<br />

series<br />

Bonuses : 1 or 2 novels<br />

(hypothetically for the mo<strong>me</strong>nt)<br />

“Sight Unseen”<br />

(hypothetically, as I need it to<br />

be shown in France)<br />

tv<br />

series<br />

Analysis of two villains “Crimson Peak” film<br />

Analysis of the main characters “We need to talk about Kevin” film


Cycle Lewis Tan<br />

I was supposed to work on this cycle two years ago in 2022. Sadly<br />

because of important health problems, I was unable to do, but now I<br />

feel better I will work on it.<br />

Once the Daniel Gillies Cycle is finished, I will write my articles on<br />

Lewis Tan.<br />

The project on Lewis Tan cycle includes a “travel story in the art of<br />

Lewis Tan”, whose main the<strong>me</strong>s of study will be emotions, body<br />

expression and identity. In 2022, I have planned to write a part<br />

questioning Lewis Tan as a <strong>me</strong>tamodernist artist (or not). But with my<br />

health problems I forgot what I projected to write about that section<br />

of the article. So this part is abandoned.<br />

Two year ago I was supposed to make a review of one of his films but<br />

I am not sure it will always be interessing when I work on it. So we<br />

will see…<br />

On the other hand, I have lined up an article about martial art films<br />

and their power of resilience for the cycle of the sa<strong>me</strong> na<strong>me</strong>.<br />

As bonuses (in the sa<strong>me</strong> conditions as the Daniel Gillies Cycle), two<br />

novels are envisioned. And as I think he could play very well the<br />

proganist in one of my personnal novel, I will precise it when I<br />

publish it.<br />

Lastly, I am interested <strong>by</strong> 2/3 artists from his entourage. I will try to<br />

contact them for an interview for the new mag. We will see if I<br />

manage, but their art is inspiring.<br />

Travel story in the art of Lewis Tan<br />

Article about martial art films and resilience<br />

2 novels as bonuses 1 personnal novel as role of protagonist<br />

2/3 artists from his entourage


Various<br />

Each week, on sunday, I publish on my yumpu account the archives of<br />

my various works (artistic creations, articles from L.ART en<br />

Loire/Minorites/etc., poetry, art …).<br />

I hope I will manage to write my article about Hemingway. I have tried<br />

to work on it since my pregnancy in 2008, but to be honest, with ba<strong>by</strong>,<br />

L.ART en Loire, and life, I never managed to focus on it. It’s what we<br />

call in french my “Arlésienne” 1<br />

As soon as I buy InDesign, I will publish a poetry collection (in<br />

French) I wrote in 2010/2011. A publishing house approached <strong>me</strong><br />

years ago, but because of L.ART en Loire I never pursued it.<br />

Instead, you will discover it freely on yumpu.<br />

I will release the audio french version of my articles in English<br />

(/French ?), as I know so<strong>me</strong> of you learn your french with my work. I<br />

precise that I have a remaining west south french accent (from<br />

Tarbes/Toulouse).<br />

For the mo<strong>me</strong>nt, I make all my artistic work freely. It’s an important<br />

point for <strong>me</strong>. And the mag will be free for everyone too (as were<br />

L.ART en Loire and Créréales & Tubercules). I consider important for<br />

all to access culture and artistic works. With the previous mag, we<br />

managed as we were read <strong>by</strong> all social classes even the more down. I<br />

refuse people in difficult financial conditions (ho<strong>me</strong>less people, poor,<br />

persons in indebtedness, etc.) to use 40€ (the cost price of an issue<br />

of L.ART en Loire) in an art magazine. Keep your money and read it<br />

freely !<br />

1 From the expression “jouer l’arlésienne”<br />

definition : https://www.afraleigh.org/articles/94462-jouer-l-arlesienne


If you want to contact <strong>me</strong>, my official accounts :<br />

-twitter/x : https://twitter.com/teklalneguib<br />

-threads : https://www.threads.net/@la<strong>me</strong>nalahgotn<br />

-instagram : https://www.instagram.com/la<strong>me</strong>nalahgotn/

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