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Windward Review Vol 21 (2023): Myths and Hauntings

"Myths and Hauntings" brings attention to the intimate connection between mythology, story, haunting and human history(s). With contributions from around the US and beyond, Myths and Hauntings is a collection made to empower creators beyond spaces and cultural prescriptions of beliefs. The pieces in the volume expand, negate, shock, and bring warmth to a stark world of narrative history(s). As a modern creative publication, we are pleased to showcase creators that have put their whole selves into their work. What emerges is an embodiment of cultural myths, hauntings, and more, 2023.

"Myths and Hauntings" brings attention to the intimate connection between mythology, story, haunting and human history(s). With contributions from around the US and beyond, Myths and Hauntings is a collection made to empower creators beyond spaces and cultural prescriptions of beliefs. The pieces in the volume expand, negate, shock, and bring warmth to a stark world of narrative history(s). As a modern creative publication, we are pleased to showcase creators that have put their whole selves into their work. What emerges is an embodiment of cultural myths, hauntings, and more, 2023.

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Her husb<strong>and</strong> had taken to death like a rabid dog. Then he had taken<br />

an amphora to the skull, shards of glass filling his hair, one large shard<br />

piercing his eye socket. She’d had to push it further down, further in, until<br />

all motion ceased. For him, she held no pity or regret. If only she could.<br />

Perhaps, perhaps. Perhaps if her husb<strong>and</strong> still remained dead it<br />

would have been easier for their family. Perhaps ending his shade had been<br />

a mistake. Perhaps the soldiers could have used him, just as her family could<br />

have used the money earned from turning him over. Perhaps, perhaps.<br />

If only, if only. If only she’d kept the family dagger on her person<br />

at all times. If only she’d assured her daughter that death was different for<br />

everyone. If only she’d concealed the way seeing her child that way hurt. If<br />

only, if only.<br />

When her daughter’s time came, she lingered for more than a year.<br />

Her daughter had been raised with more control. She would not be like her<br />

father. Silent dignity. She fumbled through her remaining days, quiet as<br />

possible for the dead, struggling to help with household chores, delicately<br />

gumming her porridge after acquiescing to the teeth extraction. Her formerly<br />

graceful fingers now worked tirelessly, nailless <strong>and</strong> clumsily, at the<br />

loom all through the night. Clunk, clunk, clunk. Neither the woman nor her<br />

son could bring themselves to tell her daughter that although she had no<br />

need for sleep, they did.<br />

She was found, stretched on the kline, slumber eternally peaceful,<br />

dagger holding her mouth firmly shut, fresh red already beginning to turn<br />

brown, neatly pooled on the shroud she’d woven for herself. If only.<br />

Perhaps, perhaps. Perhaps her son would be different. Perhaps his<br />

own indifference would keep him from his sister’s fate. Perhaps he would<br />

one day stop shuffling through the gates of the cemetery to sit at her table<br />

with those empty eyes. Perhaps.<br />

Gently, the woman began to sing a lullaby, one she hadn’t sung since<br />

her son was old enough to walk. It took several repetitions but eventually<br />

his attention focused on her <strong>and</strong> he stood from her table.<br />

If only, if only. If only she could imagine his staggering stance that<br />

of a toddler learning to walk, a young man learning to hold his drink. If only.<br />

Gently, slowly, the woman led her son’s mortal shade to its resting<br />

place, still singing his lullaby, their own private ekphora.<br />

47

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