Volume 29 Issue 4 | February & March 2024
Leah Roseman pandemic podcaster par excellence; Alison Mackay scrutinizes staircases for Tafelmusik; big choir, small orchestra in Dame Jane Glover's TSO Messiah; Dion(ysus) gets set to rock at Coalmine; the Sudbury /Toronto Jazz trail from an even more northerly point of view; breves are the backstory; and more.
Leah Roseman pandemic podcaster par excellence; Alison Mackay scrutinizes staircases for Tafelmusik; big choir, small orchestra in Dame Jane Glover's TSO Messiah; Dion(ysus) gets set to rock at Coalmine; the Sudbury /Toronto Jazz trail from an even more northerly point of view; breves are the backstory; and more.
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“Dazzling,<br />
robust, and<br />
edgy”(Musicweb International)<br />
FANTASTICUS:<br />
BIRTH OF THE<br />
BAROQUE<br />
Directed by Spanish violinist<br />
Lina Tur Bonet<br />
Feb 2–4, <strong>2024</strong><br />
Jeanne Lamon Hall, Trinity-St. Paul’s Centre<br />
Experience an evening of pure brilliance<br />
featuring the guest direction of the<br />
incomparable Lina Tur Bonet. Just as the<br />
17th century saw a surge of innovation,<br />
Lina’s magnetic presence on stage infuses<br />
each note with an innovative fervor that<br />
captures the essence of this era, delivering<br />
a performance that resonates with the spirit<br />
of experimentation and creativity.<br />
tafelmusik.org/fantasticus<br />
Lina Tur Bonet<br />
“Perpetually<br />
fabulous”<br />
(Boston Globe)<br />
PASSIONS<br />
REVEALED<br />
Aisslinn Nosky,<br />
guest director & violin<br />
Does music truly have the power to stir our<br />
emotions? The “perpetually fabulous” (Boston<br />
Globe) Canadian violinist Aisslinn Nosky returns<br />
to direct a program revealing the peaks and<br />
valleys of the human emotional landscape.<br />
Feb 23–25, <strong>2024</strong><br />
Jeanne Lamon Hall, Trinity-St. Paul’s Centre<br />
tafelmusik.org/passions<br />
Aisslinn Nosky
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