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“We’re all happy, Maestro,” Mrs. Lyon pronounces brightly, but Sophia

watches her dig her long nails like claws deep into the pale yellow arm of

her sofa. “Positively blissful. Don’t you worry about us.”

Sophia says nothing. They have answered for her. She does not need to

speak. It is always a blessing and a relief to be spoken for. But they all stare

at her, waiting, until the quiet mounts to such a roar that she can hear time

crawl.

“I am happy, Mr. Semengelof. How could I be otherwise? I am fed, I am

housed, I am busy, I am loved.”

Her voice catches on the last word. She thinks of the bone hairbrush.

The stiff, stinking pig bristles. The black marks. The shaft of reeking hair.

She falls back on the familiar. She wraps herself in its comfort.

“I was made for him,” she finishes, the quaver in her voice

infinitesimally small.

“Do you lack for anything, Sophia? Or perhaps instead there is some

small displeasing item in whose removal you would rejoice?”

Sophia could tell him now. About the brush and the hair and the smell

and the dust on the ammonites in the stone knob on her dressing table

drawer. It almost seems as though he already knows, that he’s given her this

and only this chance to have it all done with.

She does not know why she lies. She only knows she cannot tell the

truth. They are hers. Her house. Her dressing table. Her ammonites. Her

hideous boar-brush. Her secrets to keep.

“No,” Sophia says smoothly. “Nothing.”

The music teacher sighs, a long exhale of sadness. But he seems

satisfied. He begins to play, and for a moment Sophia fully and truly thinks

she will die. The sound of it is a knife, if a knife could kiss, and the kiss

could turn the color of morning. There is no sense to the song. It crashes

and whispers and cajoles and weeps and admonishes and commands all at

once, without progression from one feeling to the next. Yet it contains a

perfection that is twin to pain.

Sophia does not die. The kiss and the knife and the color go on and on.

The man does not play music. The man is music.

As the song like pure starlight fills the room, Sophia slowly draws up

her knees to her chest, wraps her arms around her whole self, and begins to

rock back and forth. The three older women idly open their hostess gifts,

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