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Roz-Roz 4.0, The Annual Cultural Magazine of IIT G 2024

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22 OCT 2023 23 OCT 2023

24 OCT 2023

Being just the second edition

of celebrations, there

was an overwhelming response

to the dance workshop.

After 2 days of us gearing up

with our grooves, we were ready

to captivate the floor.

Starting with a bow to Lord

Ganesh as per as ritual, we performed

a delightful Aarti to Ma

Amba.

This was immediately followed

by the formation of long

lines by the attendees awaiting

for their portions of Prasad. The

resulting sugar rush didn’t take

too long to kick in.

The celebrations started with

a dance flash mob showcase by

the organising team, which was

enough for everyone to join in.

The colourful chaniya cholis

twirling, within the concentric

circles that were created, were

further adorned by the coordinated

swaying of hands.The beats

echoed through the festive air, and

the dance floor transformed into

a vibrant tapestry of shared zeal.

With each new song, came a

faster, more intense pace, accompanied

by dashing, stepping onto

each other’s toes and the constant

hustle to keep up.

‘It’s all part of the fun!’ were

usually the words our Gujarati

friends chanted, when we’d step

out to catch our breath only to be

roped back in.

As the evening progressed,

each participant contributed their

unique flair to the traditional Garba

steps.

Standing still for a moment, it

sunk in how people irrespective of

which corner of the country they

were from, all shared the same

infectious energy, reminding everyone

that in the grand dance of

life, diversity is not a challenge

but a harmonious rhythm that we

create together.

By Aditi Yogesh

Everyone who was here

for the Navratri holidays

must have come across

this poster at least once.

Enclosed within gold-adorned

borders, the words “Brahmaputra

Hostel presents Ramleela

stood out boldly even from a distance.

Once the poster had caught

someone’s attention, it was difficult

for a curious passerby to resist

squinting at the details. So that’s

how my friend and I ended up in

front of the illuminated entrance

of the Brahmaputra Hostel.

Reaching the venue, we were

instructed to leave our shoes outside

and directed to the cricket

ground within the hostel. In the

clearing, several blankets were set

out for the audience, and a handful

of chairs for the more important

audience. The stage was lit in

the glow of the spotlight. A depiction

from the life of Lord Rama is

projected in the background as if

a sneak peek for what’s to come.

On the side of the stage, there were

microphones for the voice actors

and a few guys hunched in front

of a laptop, probably responsible

for the audiovisuals. We could

already tell that it was going to

be a hit.

The blankets were semi-filled,

but every moment scores of people

were being ushered in. Once

we sat down, the waiting game

began. Anyone who has been to

a concert or any other live performance

knows exactly what it

feels like- as the seconds drag on

to eternity and you feel yourself

age with every passing breath. It’s

universal knowledge that things

never begin in time, not at least

one hour has passed from the

time mentioned in the poster, and

sometimes could be more. There

were a bunch of guys in saffron

scarves reassuring everyone that it

would be any moment then.

So it did, and it was worth

all the patience. The show commenced

with a brief lamp-lighting

ceremony amidst hollers of the

crowd chanting Jai Shree Ram.

The first scene had all the lights

dimmed slowly, except for one

spotlight focused on a dying Shravan

Kumar lying on the ground.

The narration in the background

announced the arrival of King

Dashrath and the entire scene

unfolded.

Throughout the whole play,

the actors and voice actors did

their part well. Every role was

played by a Brahmaputra Hostel

resident including the female

parts and much to their credit, it

was done wonderfully. The audience

cheered at the exact right

moments and held their breath in

scenes of gravity, the atmosphere

was charged with the echoes of the

sacred name. It’s safe to say every

Indian kid has grown up reading,

watching, and listening to the

tale of Ramayana. The play didn’t

bring any major revelations, but

somehow it managed to hit that

sweet spot between nostalgia and

pride of one’s cultural heritage.

By Medha Paul

41 42

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