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AHJ, Vol. 5 No. 3, Summer 1976

AHJ, Vol. 5 No. 3, Summer 1976

AHJ, Vol. 5 No. 3, Summer 1976

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A NOTE<br />

OF APPRECIATION<br />

I have been a subscriber to either Harp News or The<br />

American Harp Journal since 1952, and- a professional<br />

harpist for even longer. On the day the Journal arrives,<br />

in spite of the best of resolutions, all activities cease<br />

until I have read it from cover to cover. My practicing<br />

schedule is shot, dinner is forgotten, and the children<br />

are neglected. When one does not live in a large musical<br />

centre, nor have contact with other harpists often, one<br />

becomes starved for news of the harp world and its inhabitants.<br />

I am interested to read of the people I knew years<br />

ago as students, or of harpists I have met professionally<br />

over the years. The articles about Mr. Grandjany bring<br />

back many fond memories. And I read of younger<br />

harpists whom I have neither met nor heard, but<br />

who seem from the programs they play to be immensely<br />

talented and capable.<br />

I have found the Journal and Harp News to be of<br />

invaluable assistance in many areas, and I use them both<br />

as reference sources frequently. Much of the new music<br />

I have found in the past few years has been reviewed<br />

first in the Journal. The chamber music and solo recital<br />

programs listed for the American Harp Society Conferences<br />

have provided me with ideas for concerts of<br />

my own. The historical material on the harp published<br />

in Harp News and The American Harp Journal is of a<br />

highly specialized nature, and not to be found elsewhere.<br />

Many aspects of teaching have been explored in<br />

articles by authors using a variety of approaches.<br />

A warm thanks, to the editors of The American Harp<br />

Journal and its predecessor, Harp News.<br />

Donna Hossack<br />

RELIGIOUS MUSIC<br />

Harp is a beautiful addition to a religious service. We<br />

need your suggestions concerning harp music or music<br />

with harp parts which can be used in religious<br />

services. When we have more from you, we will have<br />

lists to share. This way harpists will have more opportunities<br />

for performance. Please help.<br />

Joy Hujsak, Chairman, Religious Music Committee<br />

8732 <strong>No</strong>ttingham Place<br />

La Jolla, Calif. 92037<br />

CARLOS SALZEDO FILM<br />

A color motion picture of Carlos Salzedo has been<br />

reproduced on 8 mm film and will be available at the<br />

Conference in Albuquerque.<br />

Although this is a silent, amateur film, one is able<br />

to see how Salzedo played the harp. He plays portions<br />

of three numbers. Also included are scenes at the beach<br />

in Camden, Maine, showing the islands and Sherman<br />

Point.<br />

Jacques Salzedo has generously made this film available<br />

to the American Harp Society and all profits will<br />

go to the Society.<br />

The Young Artists Fund<br />

Young harpists are invited to give recitals under the<br />

auspices of the American Harp Society. A tour of cities<br />

in which there are Chapters can be arranged and this<br />

offers a fine opportunity for the young artist. Please<br />

direct inquiries to Mrs. Elizabeth Hamburger, 3352<br />

Longridge Ave., Sherman Oaks, CA 91403.<br />

The following guidelines for these concerts have been<br />

adopted by the Board of Directors:<br />

1. The Society will pay a fee of $100.00 per concert<br />

to the performing harpist.<br />

2. The Society will pay transportation expenses of<br />

the harpist.<br />

3. The Chapter will assume all other expenses.<br />

4. The Chapter will retain the profits from the concert,<br />

but it is suggested that a portion of the profit<br />

over $100.00 be returned to the Young Artists<br />

Fund.<br />

5. The Board of Directors or the Executive Committee<br />

will act on each request individually,<br />

taking into account the practicality of the proposal<br />

and the funds available.<br />

6. All applications must include the following: A list<br />

of qualifications with supportive material including<br />

a sample program, recommendations, and a<br />

tape of not less than 40 minutes duration.<br />

7. All harpists participating in the program must be<br />

members of the American Harp Society.<br />

28<br />

AMERICAN HARP JOURNAL

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