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In <strong>20</strong>19, the Esmé <strong>Quartet</strong> became HSBC Winner<br />
of the Festival d’Aix-en-Provence, also taking first<br />
prize at the 55th Possehl Music Prize in Lubeck.<br />
The <strong>Quartet</strong>’s debut CD, featuring works by<br />
Ludwig van Beethoven, Unsuk Chin and Frank<br />
Bridge released in early <strong>20</strong><strong>20</strong> by Alpha Classics,<br />
won a 5-star review from Diapason d’Or and was<br />
named one of the best classical albums of <strong>20</strong><strong>20</strong><br />
by WQXR Radio in New York. In October of that<br />
year, the Esmé <strong>Quartet</strong> also received the Hans<br />
Gal Prize of the German Academy of Sciences<br />
and Literature in Mainz and the Villa Musica<br />
Foundation.<br />
Highlights of the <strong>20</strong>22/23 season included<br />
extensive tours of America and Japan as well as<br />
invitations to London’s Wigmore Hall, Stuttgart’s<br />
Liederhalle and the Teatro Vittoria in Turin, in<br />
addition to three concerts at the <strong>20</strong>23 Hong Kong<br />
Arts Festival. One of these concerts featured the<br />
solo concerto Absolute Jest for string quartet and<br />
orchestra by John Adams, accompanied by the<br />
venerable Hong Kong Philharmonic Orchestra.<br />
The four musicians, who are bound by many years<br />
of friendship, have studied <strong>with</strong> Heime Muller<br />
(Artemis <strong>Quartet</strong>) in Lubeck and <strong>with</strong> Oliver Wille<br />
(Kuss <strong>Quartet</strong>) in Hanover. They also received<br />
important artistic impulses from Gunter Pichler<br />
(Alban Berg <strong>Quartet</strong>), Alfred Brendel, Eberhard<br />
Feltz, Andras Keller (Keller <strong>Quartet</strong>), Christoph<br />
Poppen and Jonathan Brown (Cuarteto Casals).<br />
In its concerts, the Esmé <strong>Quartet</strong>, whose name<br />
is derived from medieval French and means<br />
“beloved,” is celebrated for its spellbinding<br />
dynamics, stylistically assured interpretations and<br />
perfect ensemble playing, which has also aroused<br />
the interest of many renowned guest artists—as<br />
demonstrated most recently by their collaboration<br />
<strong>with</strong> Eckart Runge, the long-time cellist of the<br />
Artemis <strong>Quartet</strong>.<br />
ABOUT YEKWON SUNWOO<br />
<strong>Yekwon</strong> <strong>Sunwoo</strong> has been hailed for his<br />
“unfailingly consistent excellence” (International<br />
Piano) and celebrated as “a pianist who<br />
commands a comprehensive technical arsenal<br />
that allows him to thunder <strong>with</strong>out breaking<br />
a sweat” (Chicago Tribune). A powerful and<br />
virtuosic performer, he also, in his own words,<br />
“strives to reach for the truth and pure beauty<br />
in music.”<br />
The first Korean Gold medallist of the Van<br />
Cliburn International Piano Competition,<br />
<strong>Yekwon</strong>’s 23/24 season includes appearances<br />
<strong>with</strong> the Macao, Armenian, Kalamazoo & Victoria<br />
Symphonies, Slovak Philharmonic, Orchestre<br />
de Chambre de Paris as well as a US tour <strong>with</strong><br />
the Esmé String <strong>Quartet</strong>.<br />
In previous seasons, he has performed as soloist<br />
<strong>with</strong> the Munich Philharmonic and Valery Gergiev,<br />
Royal Danish Orchestra <strong>with</strong> Thomas Søndergård,<br />
Fort Worth and Tucson Symphonies, Washington<br />
Chamber Orchestra, Baltimore Symphony<br />
Orchestra, Houston Symphony, National Orchestra<br />
of Belgium, Sendai Philharmonic and Royal<br />
Scottish National Orchestra amongst others.<br />
Recital appearances include Carnegie Hall,<br />
Wigmore Hall, Elbphilharmonie, Salle Cortot,<br />
Hong Kong Arts Festival and a tour of Japan. An<br />
avid chamber musician, <strong>Yekwon</strong>’s collaborators<br />
include Benjamin Beilman, Linus Roth, Andrei<br />
Ionita, Sebastian Bohren, Isang Enders, Tobias<br />
Feldmann, Gary Hoffman, Anne-Marie McDermott<br />
and the Jerusalem and Brentano <strong>Quartet</strong>s. He has<br />
also toured Costa Rica, Guatemala and Panama<br />
<strong>with</strong> the Kumho Asiana Cultural Foundation and<br />
performed at Chamber Music of Lincoln Center’s<br />
Inside Chamber Music Lectures.<br />
In addition to the Cliburn Gold Medal, <strong>Yekwon</strong><br />
won first prizes at the <strong>20</strong>15 International German<br />
Piano Award, the <strong>20</strong>14 Vendome Prize held at<br />
the Verbier Festival, the <strong>20</strong>13 Sendai International<br />
Music Competition and the <strong>20</strong>12 William Kapell<br />
International Piano Competition.<br />
Born in Anyang, South Korea, <strong>Yekwon</strong> began<br />
learning the piano at the age of 8 and made<br />
his recital and orchestral debuts in Seoul at 15.<br />
His teachers include Seymour Lipkin, Robert<br />
McDonald, Richard Goode and Bernd Goetzke.<br />
In <strong>20</strong>17, Decca Gold released Cliburn Gold<br />
<strong>20</strong>17 two weeks after <strong>Yekwon</strong> was awarded<br />
the Gold Medal and includes his awardwinning<br />
performances of Ravel’s La Valse and<br />
Rachmaninov’s Second Piano Sonata. In <strong>20</strong><strong>20</strong><br />
<strong>Yekwon</strong> went on to release his first studio album<br />
for Decca Universal Music Korea featuring an all<br />
Mozart programme. His second album featuring<br />
Rachmaninov solo works was released in<br />
September <strong>20</strong>23.