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DOWNLOAD the Educator's Guide here - Mendel Art Gallery

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Curators and Researchers as<br />

Professional <strong>Art</strong> Detectives<br />

This is <strong>the</strong> first exploration of this magnitude<br />

into <strong>the</strong> life and work of James Henderson. The<br />

exhibition curators wanted to bring toge<strong>the</strong>r<br />

as much of his vast body of work in one<br />

location as possible. In addition to celebrating<br />

Henderson’s prolific career, curators also sought<br />

to examine <strong>the</strong> attitudes of <strong>the</strong> time and <strong>the</strong><br />

impact of his legacy today. This process required<br />

much research over several years from myriad<br />

sources. The result of all this research is an<br />

expansive, inclusive, and remarkable exhibition.<br />

• Substantial new information was discovered,<br />

both fascinating and at times contradictory.<br />

(Touring groups will explore this more fully.)<br />

• T<strong>here</strong> are some exhibition and<br />

archival records, and many anecdotal<br />

remembrances about <strong>the</strong> man.<br />

• No personal journals, diaries, or letters<br />

were found that could give an impression<br />

of his thoughts and ambitions.<br />

• A few quotes from newspaper articles written<br />

about him during or after his life offer some<br />

glimpse into his opinions on art and society.<br />

• Owners of Henderson’s paintings were<br />

sought out. Some readily contributed<br />

works for <strong>the</strong> project, and o<strong>the</strong>rs had to be<br />

convinced about <strong>the</strong> merits of parting with<br />

<strong>the</strong>ir treasures for loan to <strong>the</strong> exhibition.<br />

• T<strong>here</strong> are many more works known<br />

to be in existence that could not<br />

be included in <strong>the</strong> show.<br />

• Curators travelled to places that<br />

Henderson lived and worked, including<br />

Scotland, to piece toge<strong>the</strong>r his life.<br />

• Family photos were revealed<br />

after much word-of-mouth.<br />

• Longtime residents in <strong>the</strong> Qu’Appelle<br />

Valley helped to situate <strong>the</strong> actual locations<br />

that Henderson painted in <strong>the</strong> valley<br />

and provide a history of <strong>the</strong> area.<br />

• Interviews with surviving family members and<br />

acquaintances of <strong>the</strong> subjects in Henderson’s<br />

portraits of Indigenous peoples clarify <strong>the</strong>ir<br />

names and provide a valuable oral history.<br />

• Connections to significant historical figures<br />

abound, including portraits of Chief Sitting<br />

Bull who battled at <strong>the</strong> Little Big Horn River,<br />

Chief Crowfoot who was <strong>the</strong> head chief<br />

of <strong>the</strong> Blackfoot Confederacy and had a<br />

prominent role in Treaty 7 negotiations,<br />

and Honorable Hugh Richardson who<br />

presided over <strong>the</strong> trial of Louis Riel.

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