DOWNLOAD the Educator's Guide here - Mendel Art Gallery
DOWNLOAD the Educator's Guide here - Mendel Art Gallery
DOWNLOAD the Educator's Guide here - Mendel Art Gallery
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Identity and Land<br />
W<strong>here</strong> we are born, w<strong>here</strong> we grow up, and<br />
w<strong>here</strong> we move to—whe<strong>the</strong>r by choice or<br />
circumstance—all influence who we become.<br />
In his essay for <strong>the</strong> exhibition catalogue, Neal<br />
McLeod discusses how a lifestyle of hunting,<br />
trapping, fishing, ga<strong>the</strong>ring plants, and <strong>the</strong><br />
changing rhythms of <strong>the</strong> seasons sustained <strong>the</strong><br />
livelihood of Indigenous peoples; land, humans,<br />
and animals were deeply intertwined. When a<br />
dam built in <strong>the</strong> Qu’Appelle Valley resulted in<br />
flooding, <strong>the</strong> landscape was forever altered,<br />
and by extension so too were <strong>the</strong> peoples of<br />
<strong>the</strong> region. For more information, McLeod’s<br />
interviews with elders and knowledge keepers<br />
from <strong>the</strong> valley can be accessed at www.<br />
mendel.ca/henderson, read in <strong>the</strong> exhibition<br />
catalogue, or previewed in <strong>the</strong> exhibition.<br />
14<br />
James Henderson, The Marsh, 1918, oil on canvas.<br />
Collection of James Lanigan.<br />
The Marsh, by James Henderson, depicts <strong>the</strong><br />
marsh at <strong>the</strong> end of Pasqua Lake before <strong>the</strong><br />
building of <strong>the</strong> dam in Fort Qu’Appelle in 1943<br />
caused extensive flooding. Prior to this flooding<br />
<strong>the</strong> marsh was a traditional Indigenous hunting<br />
area and was also used by settlers for <strong>the</strong> same<br />
purpose. This is a contested issue today and<br />
negotiations are still under way to compensate<br />
members of <strong>the</strong> Pasqua reserve for <strong>the</strong> flooding.