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Muse 2024

Marymount School Literary Arts Magazine

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MUSE XXXXII MARYMOUNT SCHOOL OF NEW YORK LITERARY ARTS MAGAZINE <strong>2024</strong><br />

MUSE


MUSE<br />

Marymount School Literary Arts Magazine<br />

Marymount School, 115 East 97th Street, New York, New York 10029


Editors<br />

XII<br />

XII<br />

XI<br />

XI<br />

XI<br />

XI<br />

Shirley Fernandez<br />

Gisselle Rodriguez<br />

Leah Backler Ogawa<br />

Calleigh Blyth<br />

Maya Kao-Gwin<br />

Meron Zerihun<br />

Staff<br />

X<br />

X<br />

X<br />

X<br />

X<br />

IX<br />

IX<br />

IX<br />

IX<br />

IX<br />

Chloe Brackett<br />

Phoebe Buzby Karzis<br />

Lucie Coeny<br />

Alex Harris<br />

Clarissa McCarthy<br />

Maia Denhoy<br />

Lara DeVera<br />

Katie Gaffigan<br />

Cassidy McGee<br />

Parker Skillman<br />

Moderators<br />

Elizabeth Davis<br />

Paloma Yannakakis<br />

Cover art: Calleigh Blyth<br />

Cover design: Maya Kao-Gwin<br />

Section page art: Calleigh Blyth<br />

Section page design: Maya Kao-Gwin


Letter from the Editor<br />

Thank you for opening the <strong>2024</strong> <strong>Muse</strong>. Each year, we look forward to curating<br />

the breathtaking talent of the Marymount student body. To every student<br />

who was brave enough to submit work to be included, we thank you. Your<br />

courage does not go unnoticed.<br />

Our organizing framework for this year’s edition is something fundamental—the<br />

elements: Air, Fire, Earth, and Water. These elements each represent a<br />

set of ideas, emotions, or tones. We have shared our understanding of each to<br />

encourage you, the viewer, to peruse the work in each section with these guided<br />

interpretations in mind.<br />

Air is playful, fresh, contemplative—an Air piece will leave you with a smile<br />

as you consider something new. The works in Fire are passionate, vibrant, and<br />

intense. Please do not be alarmed to find your work in Fire, as it is a testament<br />

to the power of your creation. A work in Earth is stable, strong, and rooted; it<br />

grounds the ungrounded and gives meaning to the mundane. Water is serene,<br />

reflective, and deep. Water can be the kiss of an ocean spray, or a wave ready<br />

to consume, and the works in the section reflect this range.<br />

Finally, we would like to thank everyone whose labor makes the <strong>Muse</strong> possible.<br />

This includes our moderators, Dr. Davis and Dr. Yannakakis, the dedicated<br />

editors and staff members, and you, the reader, for whom we make the <strong>Muse</strong>.<br />

The <strong>Muse</strong> is a celebration of the creative brilliance present throughout the Marymount<br />

student body, and we relish sharing it with all of you. We leave you to<br />

explore the elements!<br />

—Shirley Fernandez, Editor


Section I: Air<br />

10<br />

11<br />

12<br />

13<br />

14<br />

16<br />

17<br />

18<br />

20<br />

21<br />

22<br />

23<br />

24<br />

27<br />

28<br />

29<br />

30<br />

31<br />

32<br />

33<br />

Living Room, Noor Wilson..........................................................Photography<br />

In Pages Unread, Magnolia Butler........................................................Poetry<br />

Lavender Bees, Chloe Brackett...................................................Photography<br />

White Wings, Clarissa McCarthy............................................................Poetry<br />

The Gift of Music, Ava Bitar...................................................................Prose<br />

Excitement, Maria Naughton......................................................................Art<br />

Big Smile, Hannah Wu................................................................................Art<br />

Him and her, Shirley Fernandez..............................................................Prose<br />

Untitled, Yvonne Locatell-Harris.................................................................Art<br />

The Old Tire Swing, Clarissa McCarthy...............................................Poetry<br />

The Ballad of Mr. Bones (A Sestina), Emily Carbone......................Poetry<br />

Pick Your Poison, Chloe Brackett...............................................Photography<br />

How to Write a Personal Essay, Bebe Currie......................................Prose<br />

Sunlit Peaks, Noor Wilson...........................................................Photography<br />

The Illusion, Sofia Blankenbuehler..............................................................Art<br />

LaundroCat, Leah Backler Ogawa.........................................................Poetry<br />

Asbury Road, Naomi Soeda...................................................................Poetry<br />

Mountain and Moon, Alanna Barry..........................................................Art<br />

Solitary Stroll, Calleigh Blyth......................................................Photography<br />

Goodnight Kiss, Nora Heegan..............................................................Poetry


Section II: Fire<br />

36<br />

39<br />

40<br />

40<br />

41<br />

42<br />

45<br />

46<br />

47<br />

48<br />

50<br />

51<br />

52<br />

53<br />

54<br />

55<br />

56<br />

57<br />

58<br />

59<br />

60<br />

62<br />

63<br />

For your safety / Stand clear of the closing doors, please., Yvonne<br />

Locatell-Harris...........................................................................................Poetry<br />

Confusion, Sahana Seth...............................................................................Art<br />

Cardinal, Zoe Michael Daraviras............................................................Poetry<br />

The Taste of Memory, Yazmin Perez........................................................Art<br />

Catch, Slide, Push, Katie de Weerth.....................................................Poetry<br />

The Evil and Dark Diary of a Tortured Emo(tional) Boy, Norah<br />

Brennan.......................................................................................................Prose<br />

Thorns, Gemma Garbuio.............................................................................Art<br />

Lonesome, Calleigh Blyth.............................................................Photography<br />

Fallen Leaves and Cynicism, Julia Wasserberger................................Poetry<br />

Gallery: Dunya Artal.................................................................................Art<br />

It’s the Most Wonderful Time of the Year, Amelia Gioia...............Poetry<br />

Rivers Won’t Stop Running, Norah Brennan......................................Poetry<br />

Septober, Lucie Coeny..................................................................Photography<br />

The Humming of a Home, Winnie Newman.....................................Poetry<br />

Circular Indifference, Tess O’Donoghue.............................................Poetry<br />

City Storm, Chloe Brackett..........................................................Photography<br />

Something’s Wrong with Me?, Calleigh Blyth........................................Art<br />

THINGSHAVEGOTTENWEIRD, Lucie Coeny.......................................Art<br />

Red Leather Sketchbook, Calleigh Blyth..............................................Prose<br />

Flowers, Ava Campione...............................................................................Art<br />

Dog, Gisselle Rodriguez............................................................................Poetry<br />

Cityscape, Emilia McHugh..........................................................................Art<br />

Aug 15 and In the folds of the girls’ veil, Dunya Artal....................Poetry


Section III: Earth<br />

66<br />

67<br />

68<br />

69<br />

70<br />

71<br />

72<br />

73<br />

74<br />

76<br />

77<br />

80<br />

82<br />

83<br />

84<br />

86<br />

87<br />

88<br />

89<br />

90<br />

91<br />

92<br />

93<br />

Conecting Lines, Yazmin Perez..................................................................Art<br />

I Once Wished to be Seventeen, Cecilia McCarthy............................Poetry<br />

How I Learned to Be Proud to Be Dominican, Shirley Fernandez..Prose<br />

Untitled, Yvonne Locatell-Harris.................................................................Art<br />

Self Portrait, Emilia McHugh....................................................................Art<br />

Home, New Delhi, Sahana Seth............................................................Poetry<br />

The Stomach Bug, Gigi Goodwin.........................................................Poetry<br />

Rainshowers, Calleigh Blyth.......................................................................Art<br />

Gallery: The Forest for the Trees, Dunya Artal, Carolina McCool,<br />

Liesel Hightower, Yazmin Perez......................................................................Art<br />

Archway, Prishaa Shrimali............................................................Photography<br />

Grand-Quest for Grand-Parents, Chloe Brackett..............................Prose<br />

To the Buoy and Back, Gemma Garbuio...............................................Prose<br />

Wispy, Leah Backler Ogawa..........................................................Photography<br />

The Beat of My Feet, Annabella Parashac............................................Poetry<br />

Gallery: Yvonne Locatell-Harris............................................................Art<br />

In the Stillness of Snow, Alex Harris...................................................Poetry<br />

Trees, Dunya Artal........................................................................................Art<br />

Untitled, Yvonne Locatell-Harris.................................................................Art<br />

Metamorphosis, Christina Isom...........................................................Poetry<br />

Arrived, Eva Dec-Prat..................................................................................Art<br />

Dock, Emilia McHugh..................................................................................Art<br />

Palace, Alex Harris........................................................................Photography<br />

Sympathy for the Salted Slug, Chloe Brackett...................................Poetry


Section IV: Water<br />

96<br />

97<br />

98<br />

99<br />

100<br />

104<br />

105<br />

106<br />

108<br />

108<br />

109<br />

110<br />

112<br />

113<br />

114<br />

115<br />

116<br />

117<br />

118<br />

119<br />

Blue City of Sunshine, Sophia Morris.....................................................Art<br />

Surfing Pantoum, Julia Wasserberger...................................................Poetry<br />

Rain’s Reset, Ava Bitar..........................................................................Poetry<br />

Morning Glow, Nightime Grace, Aliyah Andre................................Poetry<br />

When I Grow Up, Alexandra Woo........................................................Poetry<br />

Embracing Change, Isabella Rosero....................................................Poetry<br />

Stairs of Blue, Alanna Barry......................................................................Art<br />

A Flood of Waters on the Earth, Bebe Currie...................................Poetry<br />

Inner Peace, Emily Carbone..................................................................Poetry<br />

The End of the World, Noor Wilson.........................................Photography<br />

The Mysteries That Lie Below, Sophia Rückriegel...........................Poetry<br />

Lament for the Old Lady (Acapulco), Sophia Rückriegel................Poetry<br />

What Sings in Me, Norah Brennan......................................................Poetry<br />

Self Portrait, Maria Naughton...................................................................Art<br />

Spiraling, Gemma Garbuio...................................................................Poetry<br />

My Enemy, Emma Wagner.....................................................................Poetry<br />

The Concert, Mia Tagore......................................................................Poetry<br />

Canal, Alex Harris........................................................................Photography<br />

Ritual and Life in Life, Yazmin Perez.................................................Poetry<br />

Feather, Meara Maulik................................................................................Art


Air<br />

Playful<br />

Contemplative<br />

Fresh<br />

New


Living Room<br />

Noor Wilson<br />

10 <strong>Muse</strong>


In Pages Unread<br />

Magnolia Butler<br />

Amidst life’s ceaseless swirl, I scarcely find<br />

The time to lose myself in pages turned;<br />

Since school, and work, and life are all combined,<br />

So many of my books I have not learned.<br />

In silence, savoring stories by myself<br />

With time to spare, my reading was robust.<br />

Now all possessions sit along my shelf,<br />

So lonely without me, collecting dust.<br />

But I remember hours, when I’d climb<br />

To enter realms where fiction’s magic gleams,<br />

A sanctuary found within the lines<br />

In words and vivid stories, my heart’s dreams.<br />

But when you close the page and shut the book,<br />

It leaves a longing for one final look.<br />

Air 11


Lavender Bees<br />

Chloe Brackett<br />

12 <strong>Muse</strong>


White Wings<br />

Clarissa McCarthy<br />

While I’m walking to the church,<br />

A butterfly stops me,<br />

Its fragile white wings<br />

Stark against my black mourning clothes.<br />

As it lightly flutters<br />

In its fleeting beauty of life,<br />

The weight of my heart anchors me<br />

To the ground.<br />

Does it know my heart suffers,<br />

Held between the doors<br />

Of heaven and earth?<br />

That I am missing someone<br />

Who loves me eternally?<br />

Yet as I haul myself forward, the butterfly follows, and<br />

Its whispers of hope bring light to my darkness.<br />

Though the one I mourn may be lost,<br />

And I survey the vacant field alone,<br />

The warmth of his hand on my shoulder remains.<br />

I reminisce about our early mornings<br />

Watching the abundant life surrounding us<br />

From the familiar wooden porch that my toes still hug.<br />

As I’m torn between past and present,<br />

The butterfly flutters along with me,<br />

Preserving his everlasting essence.<br />

Air 13


The Gift of Music<br />

Ava Bitar<br />

I<br />

skipped along the sidewalk next to my mom as the early December snow crunched under my<br />

bright pink boots. As we headed towards home, my head spun in the direction of a brightly<br />

lit glass window filled with an array of instruments of varying shapes and sizes. I pressed my<br />

five-year-old nose up against the glass as my mom named them violins, cellos, trumpets, flutes,<br />

and guitars. I pointed to the window and picked a small violin in the corner. I had seen the violin<br />

played before at the ballet or a Broadway show and was fixated on how so much sound came out<br />

of such a small wooden box. I pleaded with my mom with a solemn vow to practice every day, and<br />

to my surprise she gave in under the condition that I would have to commit to the instrument for<br />

five years. I agreed eagerly, not knowing that this challenge would change the next eleven years of<br />

my life. I beamed as we finished our walk home, cradling the small case like a brand new doll. That<br />

very week, I was signed up for music lessons at a local music conservatory.<br />

The excitement coursed through my veins<br />

as I stepped through the front doors of the gigantic<br />

building. I could hear the echoes of a<br />

melody wafting through the echoing halls as I<br />

made the climb to the top floor to meet with my<br />

music teacher for the first time. Her calming<br />

voice and her kind demeanor eased my nerves.<br />

However, to my disappointment, I spent an<br />

hour learning how to stand correctly, how to<br />

hold my violin, and what each part of the instrument<br />

was called. I thought that playing<br />

the violin would mean jumping straight into a<br />

piece and getting carried away by the music.<br />

In my head, the reality of practice and time<br />

that went into playing an instrument was an<br />

afterthought. That night, I contemplated going<br />

back to that magical store and returning<br />

my once prized possession, but the echo of the<br />

promise I had made to my mother reverberated<br />

in my head. Weeks later, I was still learning<br />

posture and the strings of the violin. A, B, C, D,<br />

E, F, G were the notes that replayed in my mind<br />

until they no longer sounded like letters but a<br />

melody that was stuck in my brain like a stamp.<br />

Surprisingly, reading music came easier to me<br />

than reading numbers on a math worksheet or<br />

figuring out verbs and adjectives in English. As<br />

I read small notes on pages of music, my brain<br />

put songs together like pieces to a puzzle. Four<br />

weeks later I had moved onto the Twinkles, the<br />

first song in my Suzuki violin book. I was filled<br />

with anticipation at the prospect of finally playing<br />

a “real song.” My newfound success lit a fire<br />

within me to work even harder and to appreciate<br />

the joy that came from seeing my growth<br />

and achievement.<br />

On top of private lessons at the conservatory,<br />

I was also required to join a group lesson.<br />

Every Tuesday and Thursday after my lessons,<br />

I would head down the hall with kids from<br />

ages five to fifteen. Every week, each one of us<br />

would be told to perform a solo for the group.<br />

Week after week, I watched in awe as the older<br />

kids performed their complicated pieces with<br />

vibrato, key change, accidentals, and a smooth<br />

rhythm that could inspire a deep emotion in<br />

others. These kids intimidated me but also inspired<br />

me. I hoped that one day, when I played,<br />

14 <strong>Muse</strong>


I would put the same feeling in others that they<br />

put in me.<br />

When my day to perform finally came, I<br />

contemplated staying in bed under the safety<br />

of my covers. Social anxiety made interacting<br />

with others a stressful task, let alone performing<br />

for a group of strangers! Eye contact, speaking<br />

up in class, and even saying a friendly hello in<br />

the hallways were all social interactions I tended<br />

to avoid. Things like monsters, insects, and the<br />

dark were never as scary as meeting someone<br />

new for the first time or having the spotlight on<br />

me. As I stepped into the music room, a wave<br />

of nausea and fear pushed me back outside like<br />

a gust of wind and directed me to the bathroom<br />

where I planned to hide. Moments later,<br />

the door swung open as my mom rushed in to<br />

find me on the verge of<br />

tears. My mother helped<br />

me take deep breaths in<br />

and out, then took my<br />

hands in hers and said a<br />

prayer over me. With a<br />

renewed sense of peace,<br />

I stood in front of the<br />

group, ready to play. I<br />

“Week after week, I<br />

watched in awe as the<br />

older kids performed<br />

their complicated pieces.”<br />

took a deep breath in and out and began. My<br />

small hands began to shake, but the rhythm of<br />

the piano and the tune of “Twinkle, Twinkle<br />

Little Star” kept my feet planted into the floor<br />

like tree roots. Once I began, the nervous wave<br />

of fear was lifted from my stomach and swept<br />

away by my bow strokes as if I were a part of<br />

the song. Although the performance might not<br />

have been my best, I started to see music as a<br />

way to take myself out of my head and begin<br />

to overcome the hold that my anxiety had over<br />

me.<br />

At the age of twelve, I received the incredible<br />

opportunity to perform a playthrough of<br />

multiple pieces with a group of students my age<br />

at Carnegie Hall. This experience was far out<br />

of my comfort zone, and quite frankly, knowing<br />

how many people would be in the audience terrified<br />

me. However, as I scanned the multitude,<br />

my focus fell upon my grandfather sitting in the<br />

first row next to my parents with an expression<br />

of pure joy and pride to be seeing me play on<br />

stage. My grandpa had always loved classical<br />

music, and he was the main reason I developed<br />

a love for instruments. Days at his house were<br />

spent in pink tutus, twirling around, pretending<br />

my feet were ballet slippers on pointe, and<br />

dancing to the melodic rhythm of a symphony.<br />

His contagious laughter and beaming smile entertained<br />

our imaginations. As I stood on a stage<br />

that seemed to span for miles, all I could do was<br />

play as best I could, knowing that I would see a<br />

look of pride on his face no matter how well I<br />

performed. When he visited<br />

us, the routine of pulling out<br />

my violin and playing my latest<br />

piece had become a familiar<br />

one. As the years went by,<br />

he could be seen in the crowd<br />

of every recital and orchestra<br />

performance, supporting my<br />

triumphs and failures alike.<br />

Throughout my journey with stage fright and<br />

anxiety, he kept me centered and reminded me<br />

that playing the violin is a unique talent and gift<br />

meant to be shared with others. He showed me<br />

that being there for someone was the greatest<br />

gift you could give, and despite his age or his<br />

various health scares, he always showed up for<br />

my sisters and me, and his support meant the<br />

world.<br />

One of my last memories of my grandpa<br />

was during the pandemic, when he was one of<br />

the first to be critically ill with Covid. Over the<br />

phone I could hear his weak voice and shaky<br />

breathing. Our only option to say our goodbyes<br />

was over speakerphone while he lay alone in<br />

his hospital bed. The only way I knew how to<br />

Air 15


connect with him in his final moments was by<br />

playing one of his favorite pieces on my violin.<br />

Through the chaos and sadness that overwhelmed<br />

me, the music was a source of peace.<br />

Although I couldn’t see him at that moment,<br />

I visualized him, eyes closed, listening to every<br />

chord and note I played with a smile across his<br />

face.<br />

I still carry his words, memory, and joyful<br />

spirit with me while on stage for a recital<br />

or throughout an orchestra performance. My<br />

eleven years as a violinist have helped me overcome<br />

my anxiety and given me the confidence<br />

to play for others, which was always a dream.<br />

Healing from his absence has been difficult, but<br />

honoring his memory through my practice and<br />

performance has made it feel as though he has<br />

been with me through it all.<br />

Excitement<br />

Maria Naughton<br />

16 <strong>Muse</strong>


Big Smile<br />

Hannah Wu<br />

Air 17


Him and her<br />

Shirley Fernandez<br />

My name is Horemyokneigh Booklover, and I am different from everyone else. My parents<br />

died before I was born, and unfortunately, I was adopted by a CEO who never cared<br />

for me except by giving me all I ever wanted. When I was two, I renamed myself Horemyokneigh,<br />

The name of my favorite character from my favorite underground book series, Harpy<br />

Protter. Ever since I was conceived, I’ve just been different from other girls. I am interested in books<br />

and math, not makeup and nails like all the h—women around me, and they always exclude me<br />

because of it. Now, I own a used bookstore—Horemyokneigh’s Harpy Hovel. While other women<br />

are interested in being doctors or lawyers, I know owning a local bookstore in New Hork City is<br />

right for me.<br />

Every day, I wake up at 3pm with dark circles<br />

under my eyes from reading books all night,<br />

but the dark circles magically disappear as soon<br />

as someone looks into my blinding sky-bluehazel-lilac-amber<br />

orbs. Today, I am awakened<br />

from my slumber when the 7-foot-tall stack of<br />

books I sleep with falls on me again. The second<br />

I see the time, I start rushing to get ready<br />

and open my shop. I dodge my 15 cats, 2 dogs,<br />

18 squirrels, 3 penguins, 7 gorillas, 8 chimpanzees,<br />

23 hummingbirds, 8 dwarves, and 6 elephants<br />

and head to my closet. Animals love me<br />

so much that they follow me everywhere like I<br />

am a Disney princess. It’s so embarrassing and<br />

annoying! I finally make my way over to my industrial<br />

walk-in closet; I look at myself in the<br />

mirror and sigh as I notice the same dull face<br />

and figure staring back at me: cat eyeglasses,<br />

large, perky breasts, and curvy hips that makes<br />

my waist look even smaller than it already is. I<br />

hate how I look. My soft, pale, delicate skin, my<br />

long, curled eyelashes, my small button nose,<br />

and my red, plump lips fill me with despair. I<br />

check to see if I’ve grown from my stature of<br />

5’2”, but I’m disappointed when I see my petite<br />

self staring back. My friends make fun of me in<br />

the mornings because I always smell like vanilla,<br />

rose petals, and strawberries, and my thick<br />

caramel-blonde-brown hair falls along my back<br />

in smooth waves before I throw it in a messy<br />

bun for work. I’m just different from other<br />

women, so I refuse to have female friends now.<br />

After I put my hair up, I look around my<br />

apartment for clothes to wear. Since I’m just so<br />

different, I’m also a slob. My rumpled designer<br />

clothes are thrown everywhere. Oh no! My<br />

oversized limited edition Louis Vuitton cashmere<br />

sweater has a wrinkle! What am I supposed<br />

to wear now? A low-cut T-shirt that highlights<br />

my physique perfectly? No thanks! Diving<br />

into my massive pile of smelly Gucci socks, I<br />

find an unmatched pair that doesn’t work with<br />

my outfit. Perfect! After putting on my vintage<br />

paint-splattered (did I mention I dabble in art)<br />

Gucci cargo pants and my 24k gold sweatshirt,<br />

I walk out the door and embrace the fresh air.<br />

Before heading to my bookstore every day, I<br />

stop by my local Starlucks to grab a mud coffee.<br />

It’s different from what other women buy, but<br />

it’s the best drink ever—sour and salty sometimes,<br />

savory others—I can never get enough.<br />

As I’m paying, the guy taking my order looks at<br />

me weirdly—smiling, laughing, and winking—<br />

but that’s probably because I’m so petite and<br />

18 <strong>Muse</strong>


tiny—only 4’8”—and my hands are so small<br />

that the change he hands me back slips right<br />

out. Uwu! I’m so embarrassed. My small face<br />

lights up like a rose, and I waddle over to the<br />

counter to wait for my mud.<br />

When my drink finally arrives, I clumsily<br />

spill it all over myself. This is part of my routine<br />

at this point, so I pull out my portable closet and<br />

get ready to change in the private section of the<br />

Starlucks I own, but suddenly, the most handsome<br />

man I’ve ever seen walks up to me with a<br />

sexy snarl. He stands so close to me that we’re<br />

almost touching, and I almost spontaneously<br />

combust. Yes, I have asked doctors about it,<br />

and no, there’s no cure for setting aflame in<br />

the presence of hot guys. He towers over my<br />

3’7” frame, and his murky silver eyes are the<br />

same color as moldy fruit.<br />

He suddenly grabs me and<br />

says, “You—female. I demand<br />

you take me out to<br />

eat right now.”<br />

O EM GLOB! Is<br />

this it? Have I finally found<br />

my prince charming? I<br />

never thought an average,<br />

quirky girl like me would<br />

ever find love! My red face gets even redder as I<br />

agree to the date. Immediately, my prince grabs<br />

my messy bun and drags me out of the Starlucks,<br />

leaving my mud drink behind and taking<br />

me to Plebeians Should All Starve, the most<br />

luxurious restaurant in the city.<br />

In the restaurant, the man introduces himself<br />

as Joe, the alpha and protector of the Reddit<br />

Hentai server. So high profile! He has his<br />

legs splayed out, with one hairy foot on the<br />

table while the other stomps on my foot (his<br />

manly odor is so strong!). Because he’s an alpha,<br />

Joe tells me he can only eat raw meat and<br />

demands I enter the kitchen and fetch it for him<br />

“My soft, pale, delicate<br />

skin, my long, curled eyelashes,<br />

my small button<br />

nose, and my red, plump<br />

lips fill me with despair. ”<br />

now. I tell him I work in a bookstore, not the<br />

restaurant, and he shuts me up by grabbing me<br />

and informing me that women belong in the<br />

kitchen, and because of my negative canthal<br />

tilt, I am so genetically inferior that most people<br />

don’t even perceive my existence. He’s so<br />

well informed! I call my hummingbirds to fetch<br />

my prince his raw steak while we sit and get to<br />

know each other better.<br />

Joe continues serenading me with his pearls<br />

of wisdom: “Women should never leave the<br />

house unless their fathers or husbands give them<br />

written permission.” He has such a way with<br />

words. I never thought of it like that, but he is<br />

right! I’m so petite (2’9”), cute, and clumsy that<br />

I could never run a bookstore! Right then and<br />

there, I realize that what I think is my passion<br />

for taking care of books is<br />

really my womanly passion<br />

for caring for children. Joe<br />

is right! I should be having<br />

his children, not having a<br />

job. From my right sock, I<br />

pull out my spare engagement<br />

ring and propose<br />

to Joe. He pulls me up by<br />

the hair and grabs the ring<br />

instead, gently commenting, “Women should<br />

never take charge of anything. That’s what Andrew<br />

Hate and Hoe Rogan have taught me. I<br />

will breed you like the ugly cow you are.” I am<br />

so glad that a man has finally accepted me. The<br />

check comes, and he digs through my pockets<br />

for my wallet and pays. He really knows how to<br />

take charge! We leave, and he drags me out of<br />

the restaurant. Wedding bells ring in my ears<br />

and drown out the screams of the people in the<br />

background as my hummingbirds pluck their<br />

eyes out.<br />

The end.<br />

Air 19


Untitled<br />

Yvonne Locatell-Harris<br />

20 <strong>Muse</strong>


The Old Tire Swing<br />

Clarissa McCarthy<br />

I sometimes think about the old tire swing,<br />

The one that dangles down from the Darley oak.<br />

How he pushed me back and forth, with a fling;<br />

But now the old tire swing just sits and sulks.<br />

But now, I hear carols from the choir.<br />

I fear that right now I am not dreaming,<br />

Staring at a box and black attire.<br />

I want to go back to the old tire swing<br />

Where black rubber was the only black seen.<br />

My innocence was a double-edged sword.<br />

But now, I listen to the eulogy,<br />

Reaching for the old tire swing even more.<br />

Oh to sway so softly on the tire swing,<br />

So I would not worry about a single thing.<br />

Air 21


The Ballad of Mr. Bones (A Sestina)<br />

Emily Carbone<br />

My life begins when you walk in the room.<br />

Or, as she may joke with a smug little smile, it ends.<br />

Your wandering eyes may not pass me once throughout your time,<br />

But nonetheless, I wait lifelessly for a glance, or a word, something.<br />

Or I merely flash my comforting grimace at anyone lucky enough to see<br />

The hoarse whisper of life that I am.<br />

You don’t care enough to ask anyone what I am.<br />

I’m a solitary knight watching over the realm of the room<br />

I see the window, the bird, the living. You probably think I can’t, but I see.<br />

The wall is where my line of sight, where my freedom ends.<br />

Not that I can move. It’s a figure of speech. Something<br />

Like making quips helps me pass the time.<br />

In a different world, I see the run down pub performances all the time.<br />

I feel a gaze of love wash over my skin, over who I am.<br />

I feel wind whistling past my hair and sing at the top of my lungs to something.<br />

I kick off beaten up Converse at home, affectionately tap the posters in my room.<br />

I read books, treasuring ends and ends and ends.<br />

Ends that aren’t mine. Ends that I can see.<br />

I guess the truth is that I envy what I see.<br />

You throw your hours into passion, frivolous wastes of time,<br />

Losing yourselves in mazes of laughter, bonds with no ends.<br />

I’d like to squint my eyes while looking in dirty glass mirrors and see who I am.<br />

Or do my homework in a dimly lit room.<br />

Or wake up in fits of restless night terror, grasping for something.<br />

I want to feel the crowded heat of bands of people screaming for something.<br />

In my head it’s that band I want to see,<br />

The one you play all the time in the room.<br />

I can feel hours drip like the endless tap of maple streaming from a father’s little<br />

tree. All of the time.<br />

I don’t know which god to pray to for the strength to become who I think I am.<br />

If I had lips to part, I might plead to you for an end.<br />

22 <strong>Muse</strong>


But I don’t. So I am stuck in the waiting room for credits or “The End.”<br />

Do you think the party ends with a favor? A bunch of hard candies, or something?<br />

I long for the ground or skies to tell me who I am.<br />

It seems I’ve forgotten. The only things I know are the things I see.<br />

In my coat pocket I find rose colored petals of time.<br />

Is it possible for me to ever leave this room?<br />

Something happens to me that I don’t think you can see.<br />

You hate how the end emanates off of me like the stink of rotten time.<br />

And when the lights are off, I am only my rattling bones in this drafty room.<br />

Pick Your Poison<br />

Chloe Brackett<br />

Air 23


How to Write a Personal Essay<br />

Bebe Currie<br />

Guidance XI<br />

May 2023<br />

Types of Common App Personal Essays & Example Introductions:<br />

As you begin the great quest of the famed Common App Essay, take a look at these wonderful<br />

examples from past students. There are many different approaches to a personal essay. There are<br />

many common app prompts; however, note that you may also write about any topic you please.<br />

Let’s clear up some misconceptions: you do not have to have experienced hardship to write a good<br />

college essay. After all, most students at elite colleges have not experienced hardship and come directly<br />

from a private school education, just like all of you. Adversity comes in all shapes and sizes.<br />

You may not have systems of oppression working against you, but you all experienced the trials and<br />

tribulations of sophomore year chemistry. So when beginning this essay, try to imagine times when<br />

you struggled with something, big or small, and you persevered by working hard or even formed a<br />

new perspective.<br />

Before we break down the different kinds of essays, there are many tips and tricks to use along the<br />

way:<br />

• Use Descriptive Language: Don’t say “time is running out.” Instead say, “I looked at the<br />

white, ticking clock, with its bright red second hand racing around in a circle.” It doesn’t matter<br />

whether the colors of the clock are relevant to the story or whether such a description adds to<br />

the message of your essay.<br />

• Be Dramatic: Don’t just describe what is going on; describe how it made you feel. Don’t say,<br />

“I was sad.” Say, “I felt like my whole world was caving in.”<br />

Now, you want to think about your introduction. You must have a compelling hook and set the<br />

scene for the story you are telling. The examples below do a great job of catching the reader’s interest<br />

and setting up their essays by using three of our favorite approaches: The Niche Metaphor,<br />

The Philosopher, and The First World Problem.<br />

The Niche Metaphor: Think about yourself and your journey: Is captaining the soccer team<br />

like being a train conductor? Or a war general leading your teammates into battle? Is Taylor Swift<br />

your guardian angel, leading you through the blunders of calculus? See, it’s not really about you,<br />

24 <strong>Muse</strong>


necessarily, but how outlandish of an analogy you can make about your life. The more unique<br />

the metaphor, the better. This student did an excellent job demonstrating how noodles helped her<br />

reexamine her life relationships.<br />

Slurp! The noodles, with their snakelike bodies, slither on my tongue and down my throat. The<br />

steamy broth envelops my nostrils, and I feel at home again. I twirl the noodles, counting one, two,<br />

three, four, sliding down my fork. Every day after school, I microwave my cup of noodles for 3 minutes.<br />

I punch in the digits on the screen, shining green beacons of light in my day. As I devour my<br />

snack, broth rolls down my chin, forming intersecting pathways. Here, sitting at my dining room<br />

table, I am at peace. The noodles encircle my fork, spinning around in perpetual circles. But not<br />

all things last forever.<br />

Last spring, my best friend of seventeen years moved to Wisconsin. Suddenly, our simple days<br />

of laughter and inside jokes evaporated. For a while, I was lost, with only the painkillers of Face-<br />

Time and Snapchat to ease my sorrows. As our contact withered, I became more heartbroken each<br />

day. Then one day, I came to the realization that my relationship with my friend is like my daily<br />

cup of noodles. It seems, in those fifteen minutes you eat them, that they are the most wonderful<br />

guiding light in your life, the one thing bringing you joy. You wish there were a bottomless cup<br />

of noodles, that you could sit and slurp them up forever. The truth is, a cup of noodles, and one<br />

friend, should not be your only source of joy, and when you finish your serving, you should find<br />

nourishment from a variety of snacks and activities. After my friend moved away, I learned how to<br />

find joy with myself, my family, and my other friends, as well as diversifying my snack repertoire.<br />

The Philosopher: One important aspect to focus on is the things that make you unique. This<br />

approach could be about a niche activity you do or an unusual perspective, a hot take, if you will,<br />

on something. Highlight your differences: in identity, philosophy, perspective. Sometimes, your<br />

experiences themselves are not unique enough, so you must explain your unique ideas, ones that<br />

will set you apart from other students. This student wrote about her hatred for the beloved holiday<br />

of Christmas, doing an excellent job of demonstrating her unique perspective in a way that people<br />

will understand. It does not matter if this perspective comes across as privileged or pessimistic, as<br />

long as the reader can see where you are coming from. Colleges want to see how you think, not<br />

what you’re thinking about.<br />

Nietzsche said, “What is tradition? A higher authority which one obeys, not because it commands<br />

what is useful to us, but because it commands.” I have always hated Christmas. People<br />

masking their miseries under garlands and bright artificial lights. A sad excuse for “joy to the<br />

world,” if you ask me. Call me the Grinch. Put me on the naughty list. Fill my stocking with coal.<br />

See if I care.<br />

My mother spends the first Saturday of December filling the kitchen with flour, eggshells, sprinkles,<br />

and thick pasty frosting from dawn till dusk. She makes snowman sugar cookies that look like<br />

Frosty has walked through the slush pools on the streets of New York one day after a snowstorm.<br />

She burns her snickerdoodles and constructs, if you can call it constructing, gingerbread houses<br />

that would flunk every residential building code requirement. My siblings excitedly await the week<br />

Air 25


end after Thanksgiving when we deck our halls in garlands, wreaths, lights, and of course the odd<br />

tradition someone came up with of putting a big dying plant in the living room. And what is the<br />

point? People feel this obligation to contribute to this excessive holiday despite the ruckus it may<br />

cause in their households. The cookies sit on the counter getting stale for the next month and the<br />

tree will be thrown on the curb by December 26th, heading to the Department of Sanitation.<br />

Gifts, or rather, disappointments wrapped in bedazzled paper, have never produced any serotonin<br />

in my brain. I figured out that Santa wasn’t real pretty quickly. He got me Golden Gooses two<br />

sizes too small two years in a row and the wrong American Girl Doll, so clearly it must have been<br />

my parents, barely glancing at my neatly written letters to Santa. When Christmas, and therefore<br />

Santa’s visit, was postponed to December 30th because of our vacation to the Bahamas in third<br />

grade, I knew, definitively, that there was no such thing as the Ole Saint Nick. My parents just<br />

didn’t want to pack an extra suitcase.<br />

People say that Christmas “brings out the best in people.” To me, though, it’s always been<br />

this surface-level facade of goodness. I think it’s all a waste of time if everyone’s holiday cheer turns<br />

to New Year’s depression come January. No one seems to understand how I could possibly hate<br />

Christmas. As I’ve reflected on it, I think that my distaste for the beloved celebration represents a<br />

deeper resentment for the loneliness that comes from holding a rare perspective.<br />

The First World Problem: Unfortunately, not many Marymount students have experienced<br />

detrimental trauma in their lives. What one must do, if they have not had a troubled childhood,<br />

is paint a picture describing how slightly difficult experiences were just as traumatic and impactful<br />

as real trauma. This student, like many of you, has not experienced a great deal of difficulty in<br />

her life. However, she tells a story of a smaller kind of hardship, and because of her emotional<br />

language, it is just as moving.<br />

“You’re doing this just to make me miserable!” I screamed, slamming my bedroom door and<br />

running to the safe haven of my pillow. I wanted to pack my things and run away or set my backpack<br />

on fire in protest. As I wallowed in my melancholy and irritation, tears gushing down my hot<br />

cheeks, I understood firsthand what it meant to have FOMO — fear of missing out. Three days<br />

before Memorial Day weekend, my parents broke the news. I was sitting at the dining room table,<br />

innocently enjoying my afternoon snack. Their monotone voices filled my ears and sent a shiver<br />

down my spine. I shut my eyes and covered my ears, like a child, trying to un-hear and un-understand<br />

the words washing over me. Instead of venturing to Molly’s grandparent’s lake house for the<br />

long weekend, I had to stay home and prepare for next week’s SAT.<br />

I have always had a strong sense of fairness, of right and wrong. On that lonely way home from<br />

school that Friday, while Molly, Lola, and Ella were swept away to paradise, I understood what it<br />

means to be utterly wronged, to have your hopes and dreams ripped away from you. I was Sisyphus<br />

watching the boulder roll down the mountain once again. Arriving home, I wondered when my<br />

eternal turmoil would end. What I didn’t understand then was how transformative it would turn<br />

out to be, working through that horrible feeling and miserable weekend. As hard as it was for me<br />

to imagine, I would come to be thankful for my parents’ decision.<br />

26 <strong>Muse</strong>


Sunlit Peaks<br />

Noor Wilson<br />

Air 27


The Illusion<br />

Sofia Blankenbuehler<br />

28 <strong>Muse</strong>


LaundroCat<br />

Leah Backler Ogawa<br />

I once saw Bat in a laundromat.<br />

He chased Rat who ran under a mat.<br />

But lo and behold Bat just wanted to chat.<br />

But since Rat lay flat, as flat as a gnat<br />

Bat decided to leave.<br />

But as it so happens, the owner of the flat<br />

Was none other than the marvelous Cat.<br />

Now Cat hated to see Bat so unhappy with Rat<br />

So Cat walked over and had a quick spat<br />

With Rat about Bat who came to chat.<br />

Over they went with a little tip-tap,<br />

Bat and Cat went over and sat with Rat,<br />

Who had now come out from under the mat.<br />

So in a circle they all sat flat<br />

And befriended each other over a hat.<br />

Air 29


Asbury Road<br />

Naomi Soeda<br />

Beautiful<br />

are the sounds the sunlit cornfields make<br />

upon the mischievous movement of 4 little kids<br />

as we briskly cut through<br />

the once terrifying rules<br />

made by our worried mothers,<br />

trying to keep us out of the blissful green and gold.<br />

Beautiful<br />

is the collection of windy marks<br />

etched upon the blistering black driveway,<br />

telling stories of the first day we no longer relied<br />

on two extra wheels for comfort,<br />

racing each other at sunset,<br />

our wheels turning hastily<br />

as if the vanishing sun behind the hill<br />

were our true destination.<br />

Beautiful<br />

are the soaring softballs<br />

reaching up to the warm summer skies<br />

during our family softball games in the front yard<br />

that feel to me like running the bases<br />

in Yankee Stadium,<br />

the warm rays of the LeRoy sun<br />

mimicking the bright floodlights of an arena.<br />

Beautiful<br />

are these memories<br />

that reappear every 12 hopeful months,<br />

stored up in an indestructible box,<br />

waiting<br />

until the next time I see<br />

Asbury Road.<br />

30 <strong>Muse</strong>


Mountain and Moon<br />

Alanna Barry<br />

Air 31


Solitary Stroll<br />

Calleigh Blyth<br />

32 <strong>Muse</strong>


Goodnight Kiss<br />

Nora Heegan<br />

In the sky, the pink meets the gold,<br />

And as the sun sinks down, a story begins to brew.<br />

Orange and pink, a warm embrace,<br />

A gentle exit, the day’s last memory.<br />

As daylight fades, the sun kisses us goodbye.<br />

Colors splash, a painting so grand.<br />

In the silence of the sun’s sweet farewell,<br />

Embrace the quiet as the sun reaches the horizon.<br />

Air 33


Fire<br />

Passionate<br />

Intense<br />

Vibrant<br />

Powerful


36 <strong>Muse</strong>


For your safety / Stand clear of the closing doors, please.<br />

Yvonne Locatell-Harris<br />

Please stand away from the platform edge.<br />

This morning I walked onto a crowded train<br />

Stand clear of the closing doors, please.<br />

To find a presumably homeless man asleep;<br />

Taking up three and a half seats.<br />

The New York City Police Department would like to remind you<br />

And his empty wheelchair; blocking the walkway.<br />

That backpacks and other large containers<br />

Are subject to random search by the police.<br />

Above him, the space for advertisement was occupied<br />

Thanks for riding with us.<br />

By an MTA sign that said: “Don’t be someone’s subway story.”<br />

Ladies and Gentlemen,<br />

We are delayed because of train traffic ahead of us.<br />

I almost laughed.<br />

We apologize for any inconvenience<br />

Not because this man was a ‘bad subway story.’<br />

Thank you for your patience.<br />

He was only, I assume, seeking momentary shelter<br />

From the weather and the harassment of police officers.<br />

Fire 37


Please offer your seat to passengers with disabilities<br />

Or to those who are elderly or pregnant<br />

Avert your eyes<br />

If you can bear it.<br />

You’ll be standing up for what’s right.<br />

Thank you.<br />

Of course, the irony itself<br />

For your safety,<br />

Was in the cruelty of seeing the situation as ironic.<br />

Please do not block or hold the car doors<br />

While the train is in the station<br />

The New York City Subway has no shortage of homeless people,<br />

Most of whom struggle even more during this time of year.<br />

And please do not lean against the doors.<br />

The mayor’s response has been to send out more cops.<br />

The New York City Police Department<br />

Would like to remind you<br />

Who are essentially untrained in de-escalation.<br />

To keep your belongings in sight<br />

And stay aware of your surroundings<br />

Who are not mental health professionals.<br />

If you see something suspicious<br />

In the station or on the train<br />

To harass people for the crime of being homeless.<br />

Tell a police officer or an MTA employee.<br />

Thanks for riding with us.<br />

38 <strong>Muse</strong>


To remove them from the only safe and warm place available.<br />

This is an accessible station.<br />

To think of them as “someone’s subway story”<br />

As you exit, please be careful<br />

To dehumanize them.<br />

Of the gap between the platform and the train.<br />

Rationalize the privilege of ignoring your problems.<br />

Thank you for riding with MTA New York City Transit.<br />

Confusion<br />

Sahana Seth<br />

Fire 39


Cardinal<br />

Zoe Michael Daraviras<br />

I never knew that your heart could try to leave your body, like a fish desperate to<br />

be pulled out of the water into the unknown, the salty rush of the wind has never<br />

pushed me forward; I never had faith in things like this until my legs left my head<br />

and followed my heart, tethered to that soaring red embodiment of all I want back.<br />

The Taste of Memory<br />

Yazmin Perez<br />

40 <strong>Muse</strong>


Catch, Slide, Push<br />

Katie de Weerth<br />

We catch, we slide, and we push together.<br />

Our exhaustion is never cause to quit<br />

because we know that we must be better.<br />

We show up regardless of the weather.<br />

Eight girls, one boat—a family that’s close knit.<br />

We catch, we slide, and we push together.<br />

We throw up and collapse for our pleasure.<br />

We smile in pain as blood fills our spit,<br />

because we know that we must be better.<br />

Regattas are our biggest endeavor.<br />

Seven minutes—we race, do we win it?<br />

We catch, we slide, and we push together.<br />

The shoes in our boat are our fetters,<br />

locked in with the girls on our team, we commit,<br />

because we know that we must be better.<br />

As we row, the boat feels like a feather.<br />

Gliding across glass,<br />

we catch, we slide, and we push together,<br />

because we know that we must be better.<br />

Fire 41


The Evil and Dark Diary of a Tortured Emo(tional) Boy<br />

Norah Brennan<br />

Dear Diary or whatever,<br />

My name is Drystan Monwoe, and I am 17 miserable years old. Yeah, I just said that. Whatever.<br />

Once, a long time ago, I was a bright young boy, and I had a bright future. But unfortunately<br />

for myself, and for the happiness of this story, brightness hurts my eyes. I prefer the dark. I prefer<br />

the dark because nothing in life has gone right for me. And because nothing has gone right for me, I<br />

became an emo.<br />

My first misfortune: I have younger siblings—three of them, if you can believe it. What on earth<br />

were my parents thinking? It’s like they did it on purpose, just to annoy me. In addition to that misery,<br />

I have to attend school. School. My parents pay for me to attend school. (We Are All) Friends<br />

Academy is such a pretentious, prodigious waste of my time. On top of attending school and having<br />

a family, I also have to socialize with others. Like at dinner parties. Or birthday parties. Or when I<br />

walk my dog, Fluffy. Anyways, as you can see, everything in my life is dreadfully unfair, and I don’t<br />

understand why I have to bear these burdens. Their weight on my shoulders turned me to the dark<br />

side. My friends say that I’m like a real-life Anakin Skywalker. And I don’t deny it. These days, my<br />

clothes are as black as my heart. Because I see the world for how it truly is.<br />

Fake.<br />

I hate everything and it’s all lies. My old “friends” were backstabbing liars who put on fake<br />

personas to help their climb up the never-ending social ladder that dictates all of teenage life. Like I<br />

said before, school is worthless, although sometimes it is fun to torment my teachers with my emo back<br />

talk because they just don’t get me, okay? But anyways, whatever. Everything is cursed. I just want to<br />

live with the freedom to make creepy, dark drawings of a monochromatic vampire (real art questions<br />

truth) in my basement all day. Or whatever.<br />

My point is, society is flawed, and we need to fight against it.<br />

At least I fight back against society, I am always fighting back. How? I wear black drainpipe<br />

skinny jeans with edgy rips. My hair is dyed an unnatural onyx black, and I added a neon green stripe<br />

because what does my dumb Quaker school know about presentability anyway. My chunky bangs<br />

hide my face because nobody deserves the pleasure of seeing my emotions—that’s private. My skin<br />

has turned chalky and translucent because I shy away from the sun (it burns). The only light my<br />

face ever sees is the glare of my computer screen as I surf my niche internet subgroups (r/whysociety-<br />

42 <strong>Muse</strong>


isouttogetyou, r/everythingwrongwithAmerica’sschool system, r/whyorganizedsportsplotconformity)<br />

to chat with strangers about the dreadful unfairness of my life. And my eyes…they burn with the<br />

darkness of my secrets and with the Kohl’s eyeliner that seeps through my waterline. Or whatever.<br />

I’m doing all of this to be exactly what society is least expecting. I keep them on their toes so that<br />

they never know what I’m going to do next—fishnet gloves? A purple stripe? A dog collar choker?<br />

Murder?<br />

Anyway, enough about appearance—all that B.S. is what society forces you to care about. I care<br />

about what’s inside me, about what lies within my tortured, dark soul. And I like to keep that dark<br />

soul educated about the unfairness of society. Some people are surprised that I’ve read Das Kapital,<br />

but I don’t even think it’s a big deal at all. Every functioning and intelligent member of society should<br />

educate themselves instead of blindly following the propaganda that modern politicians shove down<br />

our throats. SHEEP. Society is full of sheep. They conform and allow themselves to be silenced, and<br />

they do nothing. Like little sheep. But whatever.<br />

Because the revolution is here, and the revolution is now. Fight BACK. My friends and I plan to<br />

storm the US capitol while playing songs from Hamilton, the musical. We should all be communist,<br />

I proclaim. And if anyone tries to argue against me, I’ll just turn up “Hell Hath No Fury” in my<br />

new apple headphones to an ear splitting volume and drown out their puny arguments. Blah Blah<br />

Blah... Blah blah Baaa Baaa SHEEP. Sounds like someone doesn’t care about poor people! But I<br />

do. I care. And my parents kinda care, I guess. Every year they donate $100 to the Salvation Army<br />

out of the six-figure salary that they make on Wall Street. Or whatever.<br />

Anyways, enough about politics. More about me. As that one song goes: “I walk a lonely road,<br />

the only one that I have ever known. Don’t know where it goes, but it’s only me and I walk alone.”<br />

And it’s true, I walk alone. Sometimes I feel like I’m crazy because I prefer to sit in the dark alleyway<br />

corner and feed my albino street rat, Lord Edgar Death, brioche crumbs instead of attending my<br />

family dinners. But songs like that make me feel seen, like I’m not alone in being alone. Sometimes I<br />

write slam poetry to try to verbally convey all of these unconventional and explosive feelings I have,<br />

these feelings that I’m not like other people. Or maybe, that other people are not like me. Whatever.<br />

Here is one for you now:<br />

It is called Paradoxically Compliant—Ode of the Sheep (Minion Edition).<br />

(To the tune of the minions song)<br />

Ba Ba Ba, Ba Ba Ba Ba Ba Baaaaaa<br />

(Song fades into sheep sounds now)<br />

Ba ba ba Baaa, Baaa, SHEEP.<br />

Minions, opinions, where did we all go wrong?<br />

Fire 43


Baaa—sheep.<br />

We lie in a heap, feet dark like a lark,<br />

The scars in my heart are stark.<br />

Minion’s opinions.<br />

Do they have them? Opinions? You’re a minion.<br />

But MOO MOO—I am Gru.<br />

I stand above, black ripped gloves,<br />

I step on you all with my hooves.<br />

Clomp, clomp, stomp—love.<br />

Where is love? Does it rise above<br />

This darkness in my heart?<br />

The beat of the drum is a mark—<br />

Ba bum, ba bum, ba bum, ba baaa baaa sheep.<br />

You are all sheep,<br />

You follow blindly, kindly, down these winding roads of<br />

Death, destruction, conduction, eruption—<br />

When does it end?<br />

Aren’t I enough for you, Mom?<br />

I thought the umbilical cord tied us together forever.<br />

Whatever.<br />

I’m a bit embarrassed about that, but it’s just my diary I’m writing to now so I don’t mind sharing<br />

the parts of my twisted, dark soul that might scare people away. That’s all I have for tonight, but<br />

I’ll be back with more morose melancholy on the morrow.<br />

Sorrows,<br />

Drystan Monwoe<br />

44 <strong>Muse</strong>


Thorns<br />

Gemma Garbuio<br />

Fire 45


Lonesome<br />

Calleigh Blyth<br />

46 <strong>Muse</strong>


Fallen Leaves and Cynicism<br />

Julia Wasserberger<br />

I could’ve been cynical.<br />

So filled with anguish that<br />

My heart snapped like tree branches,<br />

Plagued with the destructive curse of autumn.<br />

Julie London’s sultry voice on the record player,<br />

My heart beating rhythmically in tune like the<br />

Wings of the hummingbird when it is courted by its mate.<br />

You think I am a tempest.<br />

You think I am temperamental.<br />

Sure footed and stubborn.<br />

Did you know that I have been thirteen for four years now?<br />

From the first indications of fall, from the first chill that enters my bones.<br />

From the first smell of the rotting leaves, rich with the resolute nature of change.<br />

I change.<br />

I could’ve been cynical.<br />

When the days feel longer, when the wind whips my eyes<br />

Until my tears are pools and frozen ponds.<br />

Maybe it’s because the sky darkens prematurely now.<br />

Or because my favorite jacket will no longer suffice.<br />

Or maybe it’s the stain of you leaving that haunts my autumn days.<br />

Crows flying in formation overhead, their wings in unnerving synchronicity.<br />

Julie London’s alluring voice on the record player.<br />

When it skips, I feed the needle again and again.<br />

I am a tempest.<br />

I am temperamental.<br />

But one thing I am not, is cynical.<br />

I will not let my grief turn me into you.<br />

Fire 47


Gallery:<br />

Dunya Artal


It’s the Most Wonderful Time of the Year<br />

Amelia Gioia<br />

It’s the most wonderful time of the year!<br />

White flakes landing gently on cold, young tongues.<br />

Warm small ones with holly jolly twinkling<br />

and repeating great grandma’s recipes.<br />

It’s the most wonderful time<br />

for the same smiles to gather<br />

around the forest green lights<br />

and proudly sing of His birth.<br />

It’s the wonderful<br />

cedar scented flame<br />

commanding my senses<br />

and masking Her scent.<br />

It is the<br />

reminder<br />

this time is<br />

not the same.<br />

It is<br />

the time<br />

when we<br />

lost Her.<br />

50 <strong>Muse</strong>


Rivers Won’t Stop Running<br />

Norah Brennan<br />

They’d tell me it’s fine, but they couldn’t.<br />

Light once bright now fallen dim,<br />

Her mind has become what it shouldn’t.<br />

Her tongue grows sharp, spitting venom she wouldn’t,<br />

And mournful too—all truths now grim.<br />

They’d tell me it’s fine, but they couldn’t.<br />

I was supposed to see her, but I didn’t.<br />

What would I say to my empty kin?<br />

Her mind has become what it shouldn’t.<br />

Her memories drift away in current,<br />

The river always raging—she drowns to swim.<br />

They’d tell me it’s fine, but they couldn’t.<br />

She dwells on what is lost and on what wasn’t,<br />

Blind to the torture she forces on him—<br />

Her mind has become what it shouldn’t.<br />

So away she roams into a world of what isn’t,<br />

Torn mind from body, limb from limb.<br />

They’d tell me it’s fine, but I know they couldn’t,<br />

Her mind is gone—all has become what it shouldn’t.<br />

Fire 51


Septober<br />

Lucie Coeny<br />

52 <strong>Muse</strong>


The Humming of a Home<br />

Winnie Newman<br />

The faint breeze brushed through the air,<br />

Pushing along the sound of the wind chimes.<br />

Absent the roar of the city, my senses awoke.<br />

The quiet of the country, moving at its own rhythm.<br />

The hum of the radiator,<br />

The trill of the phone on the wall.<br />

Laughter of the neighbors, a crescendo of joy<br />

Punctuated by the chirping of chickadees.<br />

Book pages being flipped without a care,<br />

The heavy winter jackets being zipped,<br />

Clock ticking away on the wall,<br />

Dim buzz of an unwatched sitcom,<br />

An orchestra of more than noise,<br />

Sounds that created cadence,<br />

Music to my ears.<br />

Fire 53


Circular Indifference<br />

Tess O’Donoghue<br />

Otis is his name,<br />

known throughout Acapulco for his ferocity and his power.<br />

From the deepest, darkest depths of the sea, sirens hear residents’ wails for help,<br />

but stop their ears and swim away as his winds roar faster,<br />

reach 205 miles per hour, and do not stop.<br />

Charybdis has met her match, and Otis will keep spinning.<br />

As I read the headline, my head is spinning,<br />

but I pass through my day, and I do not hear his name.<br />

No one bothers to listen to the victims’ stories–the kind that stick in your head–or<br />

stop<br />

and think about the damage he has caused. 3,000 people have lost power,<br />

and the world keeps turning faster and faster;<br />

corporations filling the atmosphere with fossil fuels have yet to offer help.<br />

In Southern California, there are similar cries for help.<br />

Fires consume the forests like bears emerging from hibernation, spinning<br />

with dizziness and hunger as they recover from their fast.<br />

The orange haze fills the sky, its dangers too numerous to name.<br />

Valiant firefighters, like David battling Goliath, summon all their power.<br />

It may take days, weeks, months to quell the flames, but they do not stop.<br />

When will all of these disasters stop?<br />

Gaia is crying out to us for help.<br />

Scientists tell us that we have the power<br />

to change course and navigate to greener waters. But the earth keeps spinning,<br />

and ignorant institutions refuse to name<br />

themselves as reasons she is crumbling faster.<br />

In Libya, Hermes struggles to keep up as the waves come in faster and faster,<br />

Each wave is overcome by the next, an animal chasing its prey; it cannot be<br />

stopped.<br />

Record rainfall ravages coasts and sends more victims to mass graves than anybody<br />

could name.<br />

Survivors fish for boats and bodies but can do little to help<br />

those lost to the waters. The survivors are left heartbroken and helpless and<br />

54 <strong>Muse</strong>


spinning<br />

with anger at authorities who should have maintained the dams but instead abused<br />

their power.<br />

Ignorant institutions that clutch the reigns of power<br />

keep failing to act. They send us back as our planet deteriorates faster and faster.<br />

But as long as Mother Earth keeps spinning,<br />

we will never stop<br />

draining her resources, as if taking more and more could ever help.<br />

We reject our responsibility, ignoring the consequences we’ll never name.<br />

Will we remember the names of those we’ve lost and left without power<br />

to resist the storms? I can’t help but wonder as disasters come in faster and faster:<br />

What if the whole world stopped spinning?<br />

City Storm<br />

Chloe Brackett<br />

Fire 55


Something’s Wrong with Me?<br />

Calleigh Blyth<br />

56 <strong>Muse</strong>


THINGSHAVEGOTTENWEIRD<br />

Lucie Coeny<br />

Fire 57


Red Leather Sketchbook<br />

Calleigh Blyth<br />

Reaching down into the bin next to my desk, I pull up the red leather sketchbook and place<br />

it on the table in front of me. Memories of all the places I’ve been with the sketchbook flow<br />

into my brain. Home, Marymount, San Francisco, and Oxford are just some of the locations<br />

in my journey these past two years that I’ve traveled with this sketchbook. Flipping through<br />

its pages, I relive a basic roadmap of all my adventures since the spring of 2022.<br />

Colorful stickers litter the bright front cover.<br />

An illustration of Tintin and his dog, Snowy,<br />

riding in a fantastical shark submarine is situated<br />

on the right side of my book. It was obtained<br />

in Sausalito, a tiny city next to San Francisco,<br />

on the same trip I got the book it’s placed upon.<br />

There are two stickers above the submarine: a<br />

cat holding a change purse and a pot of succulents.<br />

I love cats; after all, I do have three,<br />

but I don’t exactly have the greatest history<br />

with succulents, as represented by my dead one<br />

on this very desk. I got both of these from my<br />

friend Hannah, who I first met at Marymount.<br />

She gave me the cat one at school, along with a<br />

few other stickers she offered to give away. She<br />

gave me the succulent one when she and Alex,<br />

another one of my friends, first came over to<br />

my house. It was the first time they had seen<br />

me since my fifteenth birthday, so both of them<br />

gave me a present as a surprise. It made me<br />

incredibly glad because I was worried that the<br />

two of them wouldn’t enjoy coming because<br />

commuting to Long Island is such a hassle.<br />

That day was one of the highlights of my summer<br />

before Sophomore year since I found out<br />

that coming to Long Island for a day isn’t actually<br />

a burden to my new friends. Various other<br />

stickers from games, musicals, books, and films<br />

I hold fond memories of highlight just a few of<br />

the interests I’ve had since freshman year.<br />

As I start to skim through the pages of the<br />

book, I spot illustrations and comments filling<br />

each page. Many of my old drawings could be<br />

considered cringeworthy, like this really awkward<br />

charcoal study I did that smudged all over<br />

the opposite page, but as I progress through the<br />

book, I can see the noticeable improvement in<br />

my abilities. About halfway through, I drew this<br />

sideways study of Lady with Hat and Feather<br />

Boa by Gustav Klimt, arguably my favorite artist<br />

ever. The waxiness of the pencils makes the<br />

page so smooth to the touch when I glide my<br />

palm across the page.<br />

I flip forward in time, passing through<br />

months of my life in an instant. Landing on<br />

pages of pure text, I reread my old notes from<br />

the Marymount Oxford trip last year. Shakespeare,<br />

Samuel Johnson, and Oscar Wilde are<br />

just some of the names I recognize from my<br />

words immediately. I can visualize the tiny upstairs<br />

dining room I sat in as I penned on each<br />

of these pages. When I close my eyes, I breathe<br />

in the scent of the Corpus Christi kitchens that<br />

permeated my cohort’s classroom. The very<br />

same classroom where my friendship with Lye<br />

blossomed into what it is today. On the following<br />

page are the shriveled remnants of the flower I<br />

picked from the gardens at Anne Hathaway’s<br />

cottage in Stratford-upon-Avon. I remember<br />

sending a picture of it to Lye to sustain our rit-<br />

58 <strong>Muse</strong>


ual of flower picking at Oxford. That moment<br />

at Stratford was when I knew I needed to maintain<br />

this new friendship, and those small flower<br />

remains bring me so much joy each time I see<br />

them.<br />

With only a few pages remaining, my fingers<br />

linger on each sheet until my eyes look towards<br />

my following creations. It is almost bittersweet<br />

to let go of the sketchbook that has traveled beside<br />

me for such a significant chapter in my life.<br />

I fell in love with new media and artists, I assimilated<br />

into a new environment, and I made<br />

new friends. Even though I ran out of pages in<br />

this sketchbook, I know that I can always start<br />

a new one. And so, I pull out a pristine new<br />

Moleskine sketchbook out of my bin and start<br />

placing stickers on its blank cover.<br />

Flowers<br />

Ava Campione<br />

Fire 59


Dog<br />

Gisselle Rodriguez<br />

I clung to you like a wounded dog,<br />

Whimpering, begging for the hurt to stop.<br />

By some act of good faith,<br />

Or a miracle sent from above,<br />

You decided to take me in.<br />

You fed me,<br />

Dressed my wounds,<br />

And gave me a home,<br />

A place where I could sleep<br />

And finally feel safe.<br />

My weary heart was at ease for a while,<br />

And I spent most of my days with you,<br />

By your side from the sun’s awakening<br />

To its final leave at night.<br />

I was so happy.<br />

Tail-wagging and contented barks<br />

Became newly familiar gestures to me.<br />

Gone were the torturous times of isolation,<br />

Of pain.<br />

You once told me,<br />

With a smile on your face<br />

And a treat in your hand,<br />

That there is nothing purer than the love of a dog,<br />

A creature with so much devotion and affection to give.<br />

I believed you wholeheartedly.<br />

Yes, I am the loyal dog who loves you!<br />

Won’t you praise me?<br />

Won’t you love me, too?<br />

You never answered.<br />

60 <strong>Muse</strong>


To think that a dog such as myself<br />

Could ever be worthy of such care<br />

Was so naive of me.<br />

So pathetic.<br />

You turned ugly.<br />

I found myself shackled by a rusty chain<br />

To a cold, metal pole,<br />

Outside and alone.<br />

When I howled for you<br />

In the unending dark of the night,<br />

You ignored my cries.<br />

I sat in the blaring heat of the sun.<br />

I sat in the soul-numbing beating of the rain.<br />

I waited while the earth was blanketed by white.<br />

I waited while blades of grass peeked out from their hiding.<br />

All of this<br />

I did for you,<br />

The sole owner of my being<br />

Who would never again give me a second thought.<br />

I had hoped that somehow,<br />

You would return to your former self,<br />

The kind soul who took in the miserable mutt<br />

Lying pitifully before your feet.<br />

But,<br />

No matter what,<br />

I know I’ll come back to you.<br />

I always do.<br />

Fire 61


Cityscape<br />

Emilia McHugh<br />

62 <strong>Muse</strong>


Aug 15 and In the folds of the girls’ veil<br />

Dunya Artal<br />

Aug 15<br />

How sweet were the days when we strolled in our alleys of pain<br />

In alleys of pain lined with trees with broken branches<br />

We, the Afghan girls, yearn for the fruits of knowledge from the trees of our alleys<br />

We yearn for knowledge from the dust-covered leaves of these alleys<br />

But today, they do not see us as human<br />

They do not see that we are the parched daughters of the oceans of knowledge<br />

They chained the books and pens in our hearts<br />

The oppressors sealed and broke every window of hope for knowledge<br />

On August 15th, I broke more than a thousand times<br />

Because I am a girl, I now sit in the corner of my dark room<br />

And far from my books, pen, and school.<br />

The sun rose, but our new story is the color of our veil–<br />

The story fell asleep and disappeared in the folds of the girls’ veil<br />

A long sleep remained.<br />

O Afghan girl! Come, tear this veil, and let your story be known!<br />

Come and write the final chapter of this tale, heroic Afghan girl!<br />

In the folds of the girls’ veil<br />

from the twisted branches of trees<br />

from the layers of our invisible hopes<br />

from the sharp mountains full of darkness<br />

from the place with a dark sky in full day<br />

from the society with no place for me<br />

from the society with no book, no art<br />

in the day that feels like night<br />

from imagining we have rights but not having them<br />

I passed all these and came<br />

I came to tear the veil<br />

I tear it, with all my knowledge<br />

Fire 63


64


Earth<br />

Rooted<br />

Stable<br />

Strong<br />

Growing<br />

65


Connecting Lines<br />

Yazmin Perez<br />

66 <strong>Muse</strong>


I Once Wished to be Seventeen<br />

Cecilia McCarthy<br />

At eight years old, I yearned to be seventeen,<br />

To have my own room and earn a spot on varsity;<br />

I dreamed of being like the big girls and wished away the green.<br />

I once craved the world’s secrets, to see the unseen,<br />

But now a woman, I ache for those youthful days of simplicity.<br />

At eight years old, I yearned to be seventeen.<br />

In youth, imagination reigned supreme; in my invented nations, I ruled as the queen.<br />

I rode my wooden coffee table as a surfboard through the rough sea.<br />

I dreamed of being like the big girls and wished away the green.<br />

Today, I miss being a dolphin, an astronaut, or the director of a movie scene.<br />

I now long for lingering laughter rooted in true authenticity.<br />

At eight years old, I yearned to be seventeen.<br />

I reminisce about my absentminded doodles on the walls, tables, and TV screen,<br />

Now, I reflect on the carefree days of childhood levity.<br />

I dreamed of being like the big girls and wished away the green.<br />

Youth is a cherry blossom: fleeting, beautiful, serene.<br />

I’ll endlessly chase its fresh sensation, attempting to replicate the memory.<br />

At eight years old, I yearned to be seventeen;<br />

I dreamed of being like the big girls and wished away the green.<br />

Earth 67


How I Learned to Be Proud to Be Dominican<br />

Shirley Fernandez<br />

In my previous school, located on the edge of Manhattan heading into the Bronx, it was always<br />

easy to find other Dominican students, but my relationship with Dominican culture had always<br />

been tumultuous at best. While I was often encouraged to partake in dance, language, and gastronomy,<br />

I was unwilling. I figured being in a Dominican environment was enough for me, and I<br />

didn’t put any effort into being an active participant in my culture. I was okay with being ignorant.<br />

I was so excited to finally enter Marymount.<br />

I was ready to be in a real high school setting,<br />

just like on TV and in movies. However, they<br />

don’t tell you how it feels to enter these elite<br />

institutions as a racial minority. I found myself<br />

dropping tidbits of Dominican culture without<br />

realizing it: gesturing with my lips, sancocho,<br />

and saying dique every other sentence. But to<br />

my classmates, I may as well have been sharing<br />

stories about living on the moon and eating<br />

alien soup, given how unfamiliar they were with<br />

Dominican culture. My classmates responded<br />

with question after question. They were harmless,<br />

but whenever someone asked me about my<br />

hair or about how I spoke, it only served as a<br />

reminder of how different I was from my classmates.<br />

Gradually, I shied away from the questions,<br />

hoping to draw less attention to myself<br />

and my differences.<br />

A conversation with my younger sister, who<br />

was still in a primarily Hispanic middle school<br />

at the time, helped me change my cowardly<br />

ways. One day, she recalled talking with her<br />

classmates about their love for mondongo, sancocho,<br />

and casabe. Listening, I realized that if I<br />

tried to talk about these foods to my classmates,<br />

I would have to constantly pause and explain<br />

myself. However, if I didn’t share my culture<br />

and educate those around me; I would actually<br />

be passing on that duty to the next Dominican<br />

girl who attends Marymount. The questions<br />

wouldn’t go away because I had avoided them.<br />

Slowly but surely, I started embracing the<br />

questions so a younger student would not have<br />

to go through the embarrassment of feeling<br />

alienated like I did. Now, recognizing my responsibility,<br />

I was less ashamed of who I was<br />

and flaunted my culture. No longer afraid of<br />

being asked questions, I donned big hoops and<br />

bracelets of mal del ojo, the eye-catching accessories<br />

proudly proclaiming my heritage. I<br />

felt more confident in myself now that I wasn’t<br />

ashamed to be different.<br />

Remarkably, I noticed that I too needed to<br />

become more familiar with my culture, that I<br />

had a lot to learn before I could instruct others.<br />

Attending Marymount gave me a new perspective<br />

on my own culture, and I became more<br />

curious about it. Whereas before, I wasn’t as<br />

interested in the rituals and cultural traditions<br />

of weddings, funerals, dress, or food, I now noticed<br />

these differences and asked about them.<br />

I actively started to learn Spanish grammar<br />

and idiomatic expressions and asked my mom<br />

to teach me about Dominican dishes. I discovered<br />

the history of the Dominican Republic<br />

and its independence. I pushed myself to learn<br />

bachata, salsa, and merengue and truly enjoyed<br />

swinging my hips. I refused to let the unknown<br />

stay unknown; I learned where the gaps in my<br />

cultural knowledge lay and finally sought to fill<br />

those gaps. This thirst for knowledge continues<br />

68 <strong>Muse</strong>


to shape me in all parts of my life, whether it be<br />

academically, socially, or otherwise. Even when<br />

I think I have mastered a subject, I recognize<br />

that there is always more to know. Pushing myself<br />

out of my comfort zone and being open<br />

about my culture, I grew as a person, and while<br />

I wouldn’t like to reexperience the phase of being<br />

ashamed of my culture, I love how now, I<br />

am proud to be Dominican.<br />

Untitled<br />

Yvonne Locatell-Harris<br />

Earth 69


Self Portrait<br />

Emilia McHugh<br />

70 <strong>Muse</strong>


Home, New Delhi<br />

Sahana Seth<br />

The roar of the hustle and bustle.<br />

The aroma of the perfect pani-puri,<br />

The lively spirit of the majestic market,<br />

Full of vibrant, colorful stalls,<br />

The chaotic murmurs of people bargaining.<br />

Diyas light up every corner as the celebration begins,<br />

A festival of light: Deepawali.<br />

We watch the patakas blossom in the sky,<br />

Each so bright it blinds the darkness.<br />

While the loud, rhythmic Punjabi tunes play,<br />

Friends and family joyfully dance and sing.<br />

We chitter chatter around the dinner table,<br />

And gobble my Nani’s home-cooked chicken biryani,<br />

Made from rich spices from all around the country,<br />

Which I could smell from miles away.<br />

Oh, how much do I miss<br />

Home.<br />

Earth 71


The Stomach Bug<br />

Gigi Goodwin<br />

There is a bug that lives in my stomach;<br />

His domain is the size of my guts.<br />

The bug eats what I eat and drinks what I drink;<br />

He’s even allergic to peanuts.<br />

The bug hibernates like a bear<br />

And sleeps most weeks.<br />

But every so often,<br />

I can hear him wake up.<br />

He moans and groans<br />

So loud my tummy shakes.<br />

I can feel his morning grouchiness<br />

With all the shivers and aches.<br />

When the bug is awake,<br />

He rejects every piece of food.<br />

I’ll throw up fruits and veggies.<br />

Ginger ale is my only escape.<br />

But my classmates tell me the bug isn’t real.<br />

They say that it’s all a lie.<br />

Adults told me to call the sickness that, so I am not scared.<br />

They think that gastroenteritis would make me cry.<br />

What about the chicken that makes spots on my skin?<br />

Is she not friends with the bug?<br />

Is my nose not winning the race he is running?<br />

Wow. Now I really need a hug.<br />

But why would they tell me this?<br />

Why wouldn’t they tell me the truth?<br />

Next I’m gonna find out that Santa isn’t real,<br />

And that there is no fairy to take my wiggly tooth.<br />

At what point will they stop sheltering me from reality?<br />

Who decides at what point I’m enabled to grow?<br />

This deception can’t last forever—<br />

But when should children know?<br />

72 <strong>Muse</strong>


When should I know that there is no bug in my stomach?<br />

Am I growing up too fast?<br />

Do these lies keep me naïve?<br />

Or do they make my childhood last?<br />

Rainshowers<br />

Calleigh Blyth<br />

Earth 73


Gallery: The Forest for the Trees<br />

Dunya Artal<br />

Liesl Hightower<br />

74<br />

Carolina McCool


Yazmin Perez<br />

75


“Pull quote here”<br />

Archway<br />

Prishaa Shrimali<br />

76 <strong>Muse</strong>


Grand-Quest for Grand-Parents<br />

Chloe Brackett<br />

It was a perfectly fine afternoon. I wildly flung open the door to my apartment, coming back<br />

from school, and greeted my family before happily making my way over to the TV where I<br />

could watch SpongeBob SquarePants. I was a mere third grader at this time, so of course Sponge-<br />

Bob Squarepants was my beloved show; that afternoon, I was graced with the episode in which his<br />

grandmother came to visit. I still remember seeing her in all her glory: her weathered, porous<br />

face, with thick round glasses and bright pink lips; her purple hair, with its plush tufts; and her<br />

little green dress, with pink ruffled accents. She would come to SpongeBob’s home with freshly<br />

baked cookies and sweaters knitted with love. It was a beautiful sight to behold. When Sponge-<br />

Bob was sobbing on the floor, Grandma SquarePants held him with her oddly noodle-like arms,<br />

comforting him and giving him kisses. Indeed, Grandma SquarePants set my standards high.<br />

That night at the dinner table, I turned to my parents and inquired as to the whereabouts of my<br />

freshly baked cookies and knitted sweaters. Then it dawned on me— “mother, father: do I even<br />

have grandparents?”<br />

Technically speaking, I do have grandparents.<br />

However, two of them are six feet underground,<br />

and I rarely see the two who are still<br />

around. From what I have observed, grandparents<br />

are the family members who are always<br />

proud of their grandchildren, and there’s this<br />

unspoken alliance between them; for example,<br />

you can rely on your them to heroically come<br />

to your defense from your parents’ reprimands,<br />

then watch your grandparents effectively reprimand<br />

them in return. They share with you the<br />

untold stories of your parents’ early years, and<br />

you realize the hypocrisy– how dare my parents<br />

tell me not to do foolish things when they did<br />

them before me? With the leisurely hours your<br />

grandparents have, they have time to listen to<br />

all the stories about your day. Alas, this is my hypothetical<br />

scenario if I did have grandparents.<br />

In reality, I never got to hear about my parents<br />

when they were kids, and there was never any<br />

elderly wisdom or praise for me. When I was<br />

younger, I always felt like I was missing out.<br />

I’ve always had a distant relationship with<br />

my paternal grandmother–– in fact, I’ve only<br />

seen her maybe five times in my life, although<br />

five times might be a little generous. She never<br />

showed interest in seeing me, and she never<br />

came to visit. One time, I went to Texas for her<br />

birthday, and I gave her a birthday card I made<br />

by hand. It showcased my mediocre seven-yearold<br />

artistic talent, but it was made with love. I<br />

remember gently placing my favorite sparkly<br />

stickers on the envelope and carefully drawing<br />

little doodles. I presented it to her.<br />

She threw the card away. This demolished<br />

my young heart, since the masterpiece I poured<br />

my soul into was disregarded. From then on,<br />

I stopped making intricate holiday cards for<br />

her, and we lost contact over the years. A few<br />

months ago, my father planned a trip to Texas<br />

to help her out. I wanted to join, to rejoice<br />

in whatever dubious delights Texas had to offer,<br />

but more importantly I wanted to visit my<br />

grandmother, whom I hadn’t seen for quite<br />

some time. Thanks to my incredible persuasive<br />

abilities, my parents—who at first thought seeing<br />

her would trouble me– eventually relented.<br />

I told myself I was going to visit my grand-<br />

Earth 77


mother for closure, though I’m not really sure<br />

what I was searching for—what closure did<br />

I need? I never knew her. Maybe I wanted a<br />

final acknowledgement of our relationship.<br />

Maybe I am delusional. When my father and I<br />

landed in Texas, we drove to the nursing home<br />

in an obnoxiously red pick-up truck. There my<br />

grandmother was, seated at a table in the lobby,<br />

drinking wine with other elderly women.<br />

She was getting old and losing her memory,<br />

so I expected to be greeted as a stranger as<br />

I walked up to her. Instead, she said hello. My<br />

father introduced himself and then introduced<br />

me to her friends as his daughter. Afterwards,<br />

my grandmother said hello to him, and then<br />

introduced me to her friends as her granddaughter:<br />

she remembered me! At least that<br />

was my initial reaction. When I thought about<br />

it later, I noticed she never<br />

referred to me as Chloe,<br />

and she only seemed to<br />

briefly acknowledge I was<br />

her granddaughter after<br />

my father mentioned it. I<br />

contemplated. Maybe it<br />

is because of her old age<br />

that she had forgotten who<br />

I am. Maybe I am still<br />

delusional.<br />

My maternal grandfather has been living<br />

in Hong Kong. I have seen him maybe a dozen<br />

times in my life. Since my mom is originally<br />

from Hong Kong, she enjoys visiting her<br />

homeland during summer vacation, and while<br />

we are there, we might stop by for an abnormally<br />

dull dinner with her dad. I’ve never had<br />

a close relationship with him either, possibly<br />

because he primarily speaks in Chinese and<br />

lives across the world—or perhaps it is because<br />

our personalities are quite distinct, since he<br />

grew up in a different world than me, hence<br />

his incredibly traditional and formal demeanor.<br />

As a blunt Chinese man, his words could<br />

often be soul-crushing, which my younger self<br />

took to heart. I subtly distanced myself from<br />

him. After the pandemic, travel to China was<br />

“The concept of<br />

family is diverse and<br />

can extend beyond<br />

blood relation.”<br />

restricted, so my family could not go to Hong<br />

Kong to visit my maternal family for some<br />

time. The distance between us grew, but my<br />

grandfather still has my contact in his phone,<br />

since he used to call me on New Year’s. He<br />

doesn’t call me anymore these days.<br />

Every year in middle school, we had a neat<br />

little performance in the springtime. The day<br />

of the show was called “grandparents and<br />

special friends day.” Since my grandparents<br />

were never a part of my life, it was essentially<br />

just “special friends day” for me. That’s what<br />

I told my cello teacher, Ms. Jahn. I was a little<br />

sad since I did not get the experience of the<br />

“grandparents” part. When the day came,<br />

despite the obnoxious spotlights above that<br />

were obstructing my vision, I saw Ms. Jahn in<br />

the audience. I didn’t have to stand on stage<br />

staring at vacant seats before<br />

me. After the recital,<br />

I wandered over to the<br />

audience to thank her for<br />

coming to see me. That’s<br />

when a child came up to<br />

me and asked, “Oh, is that<br />

your grandmother?” to<br />

which I responded, “Nah,<br />

this is actually my cello<br />

teacher.” The kid was confused–<br />

“where is your grandma, then?” I stood<br />

there, essentially looking like a catfish with my<br />

mouth gaping wide and my eyes awkwardly<br />

staring. That was a fantastic question that I did<br />

not know how to answer. After what felt like<br />

an eternal moment of intense gawking, the kid<br />

simply left to return to her grandparents. As I<br />

continued making my way over to Ms. Jahn, I<br />

acknowledged the obvious fact that we looked<br />

nothing alike.<br />

Later that week, I had cello class on Friday<br />

as I usually did. Despite making irrelevant<br />

comments throughout the class, or accidentally<br />

playing the wrong notes and then leading it<br />

into a transition of some obscure pop culture<br />

song, often Meglovania, she tolerated me. The<br />

highest form of honor I could receive was her<br />

78 <strong>Muse</strong>


generous praise and affirmations any time I<br />

played particularly well. When I did especially<br />

great, she would even let me take a sticker.<br />

Granted, the stickers are for all her students,<br />

but I liked to think that I was special. One<br />

time, my mother invited her and her boyfriend<br />

to have dinner with us. At the table, while my<br />

mother and Ms. Jahn were conversing, I introduced<br />

myself to her boyfriend, Mr. Bob, who<br />

told me that he’s heard a lot about me from<br />

Ms. Jahn and that he was excited to meet me.<br />

I was indeed flattered, for I had not realized<br />

Ms. Jahn spoke so highly of me, despite all<br />

the times I annoyed her. I got along well with<br />

Mr. Bob, who is quite the amusing fellow, and<br />

he was very blunt, but also kind. He told me<br />

about his childhood, stories of Ms. Jahn, and<br />

shared his elderly wisdom. It felt like a family<br />

dinner.<br />

From then on, Ms. Jahn would invite me<br />

to holiday cello festivals, which were for much<br />

younger kids whose miniscule cellos I would<br />

be towering over, but she said it would be fun<br />

to have me there. One day when the music<br />

school was closed, she invited me to her home<br />

to have a cello lesson. When I arrived, I was<br />

kindly greeted by both Ms. Jahn and Mr. Bob,<br />

and he offered me a warm cup of tea, or rather<br />

he placed an array of various teas before<br />

me and let me choose, before hurrying to the<br />

kitchen to let the tea kettle boil. As I unpacked<br />

my cello, I noticed the Christmas cards I sent<br />

them every year were taped up on their walls.<br />

After the lesson, I was brought cookies that<br />

Ms. Jahn baked herself, and she handed me<br />

a pair of socks that had little cello designs<br />

on them as a late birthday gift. Nowadays, I<br />

continue to have my weekly cello lessons with<br />

her, and she listens to me talk about my school<br />

day while I unpack my cello, as she offers her<br />

wisdom from her ages of experience. Recently,<br />

I have been invited to come over to Ms. Jahn’s<br />

home this Thanksgiving to play cello with her,<br />

and afterwards bake pies with Mr. Bob.<br />

The concept of family is diverse and can<br />

extend beyond blood relation. Ms. Jahn may<br />

not share any of my DNA or look like me, yet<br />

she has shown more interest in my life than<br />

any biological grandparent has. When I walk<br />

with Ms. Jahn, people will sometimes ask if I<br />

am her grandchild. If I were younger, I would<br />

pay undue attention to the difference in our<br />

looks and probably judge the person’s eyesight.<br />

How could they possibly perceive a granddaughter-grandmother<br />

relation? Where is the<br />

correlation between us? Do I seem Canadian<br />

to them? I am not a moose! Now that I’m<br />

older, I realize Grandma Squarepants actually<br />

looks very distinct from her grandson– she has<br />

always been a sea-sponge, while he has always<br />

been a dish-sponge. Grandma Squarepants is<br />

still Spongebob’s beloved grandmother, even<br />

if they look different, because family is a more<br />

complex concept than mere similarity in looks.<br />

I have found family outside blood relation, and<br />

Ms. Jahn compensates as the grandmother figure<br />

I’ve always yearned for. So, to answer the<br />

question of my youngling self, who wondered<br />

if I even had grandparents: maybe I don’t<br />

have the grandparents in the traditional sense,<br />

but I have Ms. Jahn and Mr. Bob, who care for<br />

me, and I’m content with that.<br />

Earth 79


To the Buoy and Back<br />

Gemma Garbuio<br />

My brain became crowded with fear as I struggled to fit my legs and thread my arms<br />

into the snug loops of my brand-new navy blue Speedo swimsuit. Now clinging to my<br />

skin, the suit made a weak attempt at containing the swirl of emotions churning within<br />

me. Already in the kitchen, my Dad was waiting for me as if this were our everyday routine. The<br />

wooden stairs that led me to him creaked with each step, a steady metronome for the sounds of<br />

the chirping birds outside. He handed me a banana and my favorite blue and white striped towel,<br />

tossed the car key from his left hand to his right, and then gestured towards the door.<br />

The moment had come, and I couldn’t escape<br />

it. It was time for my first day of junior lifeguard<br />

training, and the thought of completing<br />

the distance swim through the vigorous waves<br />

of the ocean weighed heavily on my mind. My<br />

reluctance formed an invisible force that held<br />

my feet to the floor, making it nearly impossible<br />

to move forward. Nevertheless, I made my<br />

way to the garage, guided by the words of encouragement<br />

from my Dad, and I settled into<br />

my familiar, soft, brown, leather seat. As the car<br />

and I both hummed with anticipation, the gray<br />

sky and misty air began to paint a bleak scene<br />

outside. The what-ifs terrorized me as the car<br />

pulled out of the driveway and onto the road.<br />

Would I be strong enough to handle the surf ? Could I<br />

learn the necessary skills to keep people safe? Would I<br />

crack under the pressure?<br />

Around 10 minutes later, the grassy dunes<br />

seamlessly replaced the fleeting glimpses of trees<br />

along the road. My heart started to race, and as<br />

I pushed open the car door, an overwhelming<br />

feeling of dread filled my insides. Hesitantly, I<br />

stepped out onto the cold, wet sand, which clung<br />

to my toes with every uncertain step. Each set<br />

of waves pummeled the shoreline, taunting the<br />

nervous faces dotted along the beach. Junior<br />

lifeguards of all ages and backgrounds packed<br />

onto the shore. I joined my group, group 10,<br />

where I noticed a few familiar faces in a sea of<br />

80 <strong>Muse</strong><br />

unknowns. Three lifeguards, all dressed in red<br />

swimsuits, stood with our group. Their confident<br />

presence provided a sense of reassurance,<br />

which was abruptly interrupted by circulating<br />

whispers and pointing fingers.<br />

The lifeguards attempted to quiet our concerns<br />

as they guided us to the ocean’s edge.<br />

However, a bright orange buoy that bobbed<br />

far beyond the crashing waves caught my attention.<br />

Despite its distance, it seemed to stare<br />

back at me, sending a shiver down my spine.<br />

Suddenly, the lifeguards’ loud voices grabbed<br />

my attention, diverting my gaze back to them.<br />

“High knees into the water,” one yelled. The<br />

other two guards promptly followed his instructions,<br />

showing us exactly what to do.“Now, put<br />

your arms above your head, clasp them together,<br />

and dive!” In a matter of seconds, the two<br />

demonstrating guards appeared unharmed beyond<br />

the wave break, signaling for the group to<br />

follow. While my mind urgently called for me to<br />

run into the ocean, I found myself paralyzed,<br />

questioning my capability as I watched those<br />

next to me gather their courage and leap headfirst<br />

into the water. I stood firmly grounded in<br />

place, held back by my own fear, until a reassuring<br />

hand on my left shoulder gently loosened<br />

the grip of the emotional anchor that held me<br />

down. With newfound ease, my legs relaxed,<br />

and I was able to turn and face the lifeguard


who stood behind me. In that pivotal moment,<br />

she shared eight simple yet powerful words that<br />

would redefine my next course of action: “You<br />

can do this. I believe in you.”<br />

I joined the rush as determination replaced<br />

my apprehension, freeing my feet from the<br />

sand. When I dove under the first approaching<br />

wave, I let my body embrace the cool and salty<br />

ocean water. The lifeguard’s words played in<br />

my head over and over again. You can do this.<br />

I believe in you. You can do this. I believe in you.<br />

You can do this. I believe in you. Her words became<br />

a lifeline to me as I used them to propel me<br />

forward. Quickly, time became irrelevant, my<br />

surroundings peripheral,<br />

and each stroke automatic.<br />

Out of breath, I peered<br />

from the water to see a<br />

huddle near the fluorescent<br />

buoy, which was now only<br />

an arm’s reach away. As I<br />

stretched out to touch it,<br />

I felt an immediate sense<br />

of accomplishment surge<br />

through the water; this was<br />

as much of a personal achievement as it was a<br />

collaborative one.<br />

The once daunting waves cheered us back<br />

to the beach, making each push easier. The sun<br />

broke through the clouds and turned the gray<br />

sky blue. Its rays warmed my back as I made<br />

my final kicks to the shore. Emerging one by<br />

one, we were greeted by our fellow junior lifeguards’<br />

applause and the encouraging smiles<br />

from our instructors. Any previous nerves had<br />

washed from our faces, and we were all beaming<br />

with pride. During the commotion, I turned<br />

to the buoy, and a sense of satisfaction streamed<br />

through me. I thought to myself, I want to do<br />

this forever.<br />

Five years from that memorable day, the<br />

excited giggles still echoed through the air. As<br />

I supervised the new generation of lifeguards,<br />

“I found myself paralyzed,<br />

questioning my capability<br />

as I watched those next to<br />

me gather their courage<br />

and leap headfirst into the<br />

water.”<br />

I couldn’t help feeling proud, knowing they<br />

would soon complete their first buoy swim. As<br />

each kid entered the water, I vigilantly scanned<br />

the beach and noticed a single straggler. As I<br />

approached her, I embraced the opportunity to<br />

be a guiding figure for this young girl just as<br />

that one lifeguard had been for me. Now, kneeling<br />

beside her, I was instantly reminded of my<br />

younger self, as her eyes reflected the same familiar<br />

look of distress I had once worn. I knew<br />

how she felt, and I knew it was my turn to share<br />

the exact eight words that empowered me<br />

when I was in her position. After a deep breath,<br />

I told her, “You can do this. I believe in you.”<br />

And with those words, she<br />

took off. I watched her dive<br />

bravely into the oncoming<br />

waves, her perseverance<br />

shattering through her initial<br />

fear.<br />

Soon, the group returned<br />

to shore, and their<br />

smiles and laughter replaced<br />

the anxiety that just<br />

minutes ago choked the<br />

beach. This swim will soon become a memory<br />

for them, just as it did for me. I watched<br />

the juniors disperse after a quick two hours of<br />

instructing. Many returned to the water, while<br />

others laid towels in the sand or ran into their<br />

parents’ cars. As I climbed up the lifeguard<br />

stand, I recognized the little girl I had helped to<br />

the buoy earlier that morning. I couldn’t resist<br />

the urge to sprint over to her, and we shared<br />

a victorious high-five. As I congratulated her<br />

again, I reflected on the incredible similarities<br />

in our shared experience. Walking away, I felt<br />

confident in the enduring power of encouragement.<br />

I knew we’d both finished our distance<br />

swims with the ability to tackle future challenges<br />

with courage and pass on this confidence to<br />

others, creating a ripple effect of support and<br />

self-belief.<br />

Earth 81


Wispy<br />

Leah Backler Ogawa<br />

82 <strong>Muse</strong>


The Beat of My Feet<br />

Annabella Paraschac<br />

Usually, my run is set to the tune of the beat,<br />

But today, my airpods lay hidden and unfound.<br />

With a sigh for the silence I have to withstand,<br />

I set off with an unplanned rhythm.<br />

Music muffles my breath and heart’s race,<br />

A barrier between my mind and body.<br />

Yet, with each stride, the echo of my heart’s pound<br />

Drums a resonant thump, which weaves into my pace.<br />

The crunch of my sneakers hitting the gravel,<br />

Once jarring, now sends inviting vibrations, urging me forward.<br />

I can tell from the sway of the trees in the wind<br />

That, in the absence of music,<br />

The world begins its own beat.<br />

Earth 83


84


Gallery: Yvonne Locatell-Harris<br />

85


In the Stillness of Snow<br />

Alex Harris<br />

As the last tiny flakes of the snow storm fell,<br />

I slowly opened the heavy porch door,<br />

Stepping barefoot into the frigid white powder,<br />

A gentle stillness filling the air.<br />

After the endless whooshing of the strong wind,<br />

And the constant soft crackling of the fireplace,<br />

The stillness was quiet as a pause in time.<br />

Struggling snowflakes sauntered past,<br />

Filling all the crevices they could -<br />

The window, the door, the branches, and now my face,<br />

Though they were cold, I remained still,<br />

To feel the slight pinch as they landed,<br />

To feel the warmth within myself.<br />

86 <strong>Muse</strong>


Trees<br />

Dunya Artal<br />

Earth 87


Untitled<br />

Yvonne Locatell-Harris<br />

88 <strong>Muse</strong>


Metamorphosis<br />

Christina Isom<br />

How did I get trapped in here?<br />

Once I lunched on lollipops, now I sit in a shell.<br />

In this shell, I should grow and prepare for a career.<br />

Who I am, am becoming, and will be: It’s all unclear.<br />

I break down, liquid streaking my face; I feel unwell.<br />

How did I get trapped in here?<br />

Soon, I relax. There’s no need for tears.<br />

I take my time and absorb the nutrients expelled by<br />

My shell. I develop, grow, and prepare for my career.<br />

I outgrow the chrysalis that helped me cohere.<br />

I hang on, reluctant, but then leave my shell<br />

Frail and vulnerable. How did I get trapped out here?<br />

My path is uncertain, and I’m filled with fear.<br />

I can’t figure it out, so in solitude, I dwell.<br />

I sit and reflect on how I’ve grown and prepared for my career.<br />

What am I, who? It was supposed to be clear.<br />

I’m uncertain about how to excel in this new shell.<br />

Why did I get trapped here, in this big, wide sphere?<br />

I must fly, thrive, and survive in this new shell out here.<br />

Earth 89


Arrived<br />

Eva Dec-Prat<br />

90 <strong>Muse</strong>


Dock<br />

Emilia McHugh<br />

Earth 91


Palace<br />

Alex Harris<br />

92 <strong>Muse</strong>


Sympathy for the Salted Slug<br />

Chloe Brackett<br />

Slugs<br />

are<br />

snails<br />

who<br />

lug<br />

no shell.<br />

People spare snails;<br />

they have stylish shells–<br />

dainty swirls of porcelain.<br />

But the slug doesn’t. He is naked,<br />

seeming to carry no physical burden.<br />

Yet no dignity or shell shields the salt,<br />

and words are salt.The richness of his flabs<br />

and glistening residue, all those words, all absorbed amongst his slimes.<br />

If only he had the eyes to see himself. He survived the fury of the asteroids.<br />

He needs to be moist, but he sheds no tears. Snails hibernate, but slugs<br />

don’t shy away. Like Icarus, the moths fly towards the light and their wings burn.<br />

And bees, I wish they could sting more times than once. Bees sting and<br />

moths burn and they all die. Slugs do nothing but mind their own business.<br />

And then they die.<br />

A woman salts the slug,<br />

Salt poured forth like a plague of hail.<br />

He was snacking on a lone<br />

Decaying cabbage in her garden,<br />

Molding into the humble soil.<br />

The cabbage wouldn’t have been served for dinner<br />

Anyways. I hope the slug enjoyed his last meal.<br />

He slogs around and leaves his scent<br />

So he can find his way to his family.<br />

If he ever makes it back, that is.<br />

He could have lived up to 6 years,<br />

Yet you had the audacity to salt.<br />

It is all your fault.<br />

27,000 teeth,<br />

But he never bites back.<br />

Earth 93


94


Water<br />

Serene<br />

Reflective<br />

Introspective<br />

Deep<br />

95


Blue City of Sunshine<br />

Sophia Morris<br />

96 <strong>Muse</strong>


Surfing Pantoum<br />

Julia Wasserberger<br />

Pruney palms slice through deep waters.<br />

My gap-toothed grin lets in gallons of salt.<br />

My father is a mere freckle on the horizon.<br />

Oh, how I want him to see me get this wave.<br />

My gap-toothed grin lets in gallons of salt.<br />

Two glances behind me, one to the shoreline.<br />

Oh, how I want him to see me get this wave.<br />

Squinted pupils scope the depth of its peak.<br />

Two glances behind me, one to the shoreline.<br />

Bodies align like puzzle pieces along the drop-in.<br />

Squinted pupils scope the depth of its peak.<br />

I mimic the motions of those around me.<br />

My body aligns like a puzzle piece at the drop-in.<br />

The noonday sun illuminates my board.<br />

I replicate the motions of those around me.<br />

The crest is a looming shadow yonder.<br />

The noonday sun illuminates my board like lightning.<br />

My body eases as it lets itself get carried by the breaker,<br />

And the crest is a looming shadow yonder.<br />

Can he see me from the beach?<br />

My body eases as it lets itself get carried by the breaker,<br />

But up the board goes, as I slip into the frothy swell.<br />

Can he see me from the beach?<br />

I leap back to my board as the set waves roll in.<br />

The board goes up, and I slip into the frothy swell.<br />

I must make it past the break so I can breathe.<br />

I leap back to my board as the set waves roll in.<br />

All I want is to make him proud.<br />

I make it past the break, and I can breathe.<br />

I hope he sees me, a freckle on the horizon,<br />

And that he surges with pride<br />

As my pruney palms slice through deep waters.<br />

Water 97


Rain’s Reset<br />

Ava Bitar<br />

The droplets on the window, the puddle at my toes,<br />

A gentle tapping on my window,<br />

A rhythm I’ve memorized,<br />

A soothing lullaby.<br />

I could stand outside all day long,<br />

Rain falling down my cheeks,<br />

Washing away the imperfections<br />

Of my day,<br />

Clearing them from view,<br />

Hitting the reset button,<br />

Washing them away.<br />

98 <strong>Muse</strong>


Morning Glow, Nightime Grace<br />

Aliyah Andre<br />

Bathed in morning’s birth, breaking through the sun, a black mother sits,<br />

Sipping her tea with grace. Her beauty shines in the soft sunlight’s rays.<br />

Woven through time, in every line in her face, her beauty blooms.<br />

Her grace takes flight–A black mother’s beauty, a morning’s gentle invite.<br />

As the sunlight retreats, her beauty glows under the stars.<br />

In the timeless hours, her beauty persists.<br />

Her smile gleams in the moonlight, her presence aglow<br />

In the hushed night. Her beauty whispers just right.<br />

Morning or night, her beauty, a timeless force,<br />

Her radiant energy, a testament to strength and grace.<br />

A black mother’s beauty, timeless.<br />

A black mother’s beauty, priceless.<br />

Water 99


When I Grow Up<br />

Alexandra Woo<br />

|| When I grow up When was the research paper due? I’ll be old enough to ||<br />

|| do what I want without Mama or Daddy’s permission I’m so excited for Anna’s ||<br />

|| party on Saturday! I’ll be an adult so I can do all the things I’m not allowed to do ||<br />

|| and I’ll have so much freedom! I have to ask Mama if I can stay at school late to ||<br />

|| work on my project with my friends… Mama and Daddy say that college will ||<br />

|| be some of my most fun and happy years of my life I have sports practice at ||<br />

|| five tonight and I’ll meet my best friends for life and I’ll stay best friends with ||<br />

|| everyone I’m friends with right now I don’t want to go take my math test ||<br />

|| and I’ll continue to get As in every single one of my classes Do I need to walk ||<br />

|| the dog when I get home? and I’ll go out every night and eat junk food every day ||<br />

|| and the best part is that I’ll be completely on my own! Has the homework been ||<br />

|| posted for today? I will not be stressed anymore because Future Me has already ||<br />

|| figured out the best ways to not be stressed I don’t want to tell Daddy my ||<br />

|| science grade… and Future Me will be so cool because she’ll get to buy the ||<br />

|| clothes she wants, the food she wants, and she’ll get to decorate her dorm however she ||<br />

|| wants! I want to stay up late tonight but Mama will never let me ||<br />

|| Future Me will be like all of the cool characters on TV How much screen time ||<br />

|| have I used today? like Liv Rooney and Alex Russo and Hannah Montana ||<br />

100 <strong>Muse</strong>


|| Wait, why is my classmate crying? and everyone will love me like everyone ||<br />

|| loves Disney. She must have gotten a bad grade on that science test. ||<br />

|| Future Me will go to an amazing college and she will be the smartest person in the classroom ||<br />

|| I wish I could be just as smart as the girl over there and she will have the best ||<br />

|| greatest strongest bestest confidence ever Maybe the girl crying wishes she ||<br />

|| was as smart as her too and nothing will ever stop her! Ever! ||<br />

__________________________________________________________________<br />

________ - ______________ --___________+++______________=___________<br />

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=<br />

./,/.,./-=-\\”\;\;’.,/.,.```\\`’`\~~~./../”;;\][\[{{}{,.?


\\ I don’t even want to look at my schedule for tomorrow. //<br />

// Mom and Dad say that college<br />

life-changing \\<br />

will be<br />

\\ Sports practice tonight is my only saving grace right now //<br />

\\ and the happiest time of my life but who are my<br />

friends right now //<br />

// What does she actually think of me? \\<br />

\\ and who will remain my friends when I leave? //<br />

// That Calculus test next period will be the death of me. \\<br />

\\ Will I still have the energy to keep on<br />

trying? //<br />

// I need to walk the dog to get some bad energy out. \\<br />

\\ Will I have the energy to keep<br />

going<br />

and going<br />

and going? //<br />

// Do I even know what I want? How do I know what I want? Will I ever know what I want? \\<br />

\\ The future is scary, I think. //<br />

// I’m scared. \\<br />

\\ I want Future Me to be proud of the decisions I’m making right now so<br />

that she can look back to this time, laugh, and say that the hard work I’m putting in is for a<br />

good purpose. //<br />

102 <strong>Muse</strong>


I just want to sleep early for once. \\<br />

\\ I want Future Me to truly be grateful that the college process is over<br />

when she ends up wherever it will be that she ends up going to. //<br />

// They posted more homework?! \\<br />

\\ Maybe she’ll be like Liv Rooney, Alex Russo and Hannah Montana: //<br />

// Wait, why is my classmate crying? \\<br />

\\ a role model to her younger sister and friends. //<br />

// She’s probably stressed about school and the process too. \\<br />

\\ Will my new peers and classmates<br />

like<br />

me<br />

institution? //<br />

at that new<br />

// I wish I was as put together as that girl over there. \\<br />

\\ Will I be able to make Past Me proud? //<br />

// Maybe we are all just pretending to be put together, because who can actually be at a<br />

time like this? \\<br />

// Maybe. Probably. Hopefully? \\<br />

/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\<br />

Water 103


Embracing Change<br />

Isabella Rosero<br />

As autumn paints the sky into a canvas full of gray,<br />

Daylight fades faster, and we mourn days unsurpassed,<br />

For sunlight dwindles as the sun’s rays waltz away.<br />

The warmth of the summer sun cannot stay<br />

As it makes way for autumn’s chilling blast<br />

As autumn paints the sky into a canvas full of gray.<br />

Evening shadows stretch and begin their display,<br />

Followed by the harvest moon and the golden glow it will cast,<br />

For sunlight dwindles as the sun’s rays waltz away.<br />

The leaves begin their steady sway,<br />

Creating a carpet of vibrant hues that is quite vast,<br />

As autumn paints the sky into a canvas full of gray.<br />

But with this change, we will cradle autumn days<br />

And make the most of the day’s forecast,<br />

For sunlight dwindles as the sun’s rays waltz away.<br />

As summer begins to fade away,<br />

We will embrace the new season while it lasts<br />

As autumn paints the sky into a canvas full of gray,<br />

For sunlight dwindles as the sun’s rays waltz away.<br />

104 <strong>Muse</strong>


Stairs of Blue<br />

Alanna Barry<br />

Water 105


A Flood of Waters on the Earth<br />

Bebe Currie<br />

You used to run circles around the rain.<br />

Dancing in the deluge, you stomped in puddles, because back then<br />

You rejected the covenant, in a bright jacket you<br />

Stomped your patterned boots on dark, drenched sidewalks when everyone else was<br />

away,<br />

Inside the Ark, hiding from the flood.<br />

Inside, just like you are now.<br />

The city is flooding again, now,<br />

And all the doors and windows are shut from the rain,<br />

That has turned New York into a ghost town. A flood<br />

Of water, broken umbrellas, debris, a memory of yourself, then<br />

Full of joy, and it’s rushing down the street, washing away.<br />

You’re sitting, inside, not stomping, sitting, wishing the flood also took you,<br />

Took you back into that memory when you did not fear water, nor God, when you<br />

Did not care about wet skin or hair or shivers, only the now,<br />

The present moment, tap-dancing to the rhythm of the rain, until your parents<br />

pulled you away<br />

Back inside, as you are today, shoveling the rain<br />

Out of your basement. It keeps rushing in, and your parents are afraid that ever<br />

thing will then<br />

Be wet and ruined because of the flood.<br />

And you almost want to give in, to surrender to the flood,<br />

Let it roll over you, let it seep into your skin and envelop you.<br />

And even if you grew out of your boots, you can put on a less colorful jacket than<br />

The one you had before. Your dad is yelling at you now,<br />

Telling you not to go outside. He forgot to understand the beauty of rain.<br />

But he gives up, too, grumbling about how the rebellion of adolescence will go<br />

away.<br />

106 <strong>Muse</strong>


And outside, you find that your ability to stomp and smile has not gone away<br />

So you will walk through the downpour and you will swim through the flood<br />

And remember the gentle greeting of rain<br />

Drops on your skin. Alone in the street, you<br />

Are making snow angels in the stream now,<br />

Even if it will leave no imprint, then<br />

At least you tried making one at all. Then<br />

It’s almost as if Noah, too, had enough of the Ark and went away<br />

From the angels and the covenant, and just as you do now,<br />

He decided to go for a swim in the flood.<br />

Wet hair and wet clothes are not the worst conditions of humanity, you<br />

Think, and wonder why everyone grew up and chose to fear the rain.<br />

So if Noah, then, swam in the flood,<br />

Would God wash him away, or do the same to you?<br />

Or would He be glad now, because you learned, again, to love the rain?<br />

Water 107


Inner Peace<br />

Emily Carbone<br />

When your loafers are stained with daily muck,<br />

and your hands are scabbed over with papercuts you don’t remember getting,<br />

this is when the leaves of your afternoon tea, or the cards on your desk, will tell you<br />

that the whispers of the house mean well.<br />

And that it is not you who controls the motives of the grass.<br />

It was not you who broke the stoplight this morning,<br />

or you who told your mother to be mad today,<br />

or you who wrote the wrong answers on your math test.<br />

Perhaps that last one was you, but the duck that glides on the pond<br />

and the rays of sun hitting the corner window<br />

still beam at you placidly nonetheless.<br />

The End of the World<br />

Noor Wilson<br />

108 <strong>Muse</strong>


The Mysteries That Lie Below<br />

Sophia Rückriegel<br />

Beneath the surface, mysteries below<br />

Await in the endless blue, a realm one can explore.<br />

In depths where wonders tend to grow.<br />

Turquoise shimmers in the sun’s warm, golden glow,<br />

Covering a deeper, darker, living world to adore.<br />

Beneath the surface, mysteries below.<br />

The ocean’s song – usually soothing, soft, and slow,<br />

But at certain times, powerful, unveiling its roar<br />

In depths where wonders tend to grow.<br />

When one sees its beauty, curiosity does bestow,<br />

So adventure awaits, and one wishes to implore.<br />

Beneath the surface, mysteries below.<br />

A little girl walks along the beach, watching the wind blow,<br />

And wonders what she could find beyond the shore.<br />

In depths where wonders tend to grow.<br />

Blonde ringlets flash, caught by the undertow,<br />

Pulled out to sea where waves lash forevermore.<br />

Beneath the surface, mysteries below.<br />

In depths where wonders tend to grow.<br />

Water 109


Lament for the Old Lady (Acapulco)<br />

Sophia Rückriegel<br />

On October 25, 2023, Acapulco, Mexico, was ravaged by Hurricane Otis. Acapulco<br />

was a former playground of the rich and famous in the 1960s and 1970s. The city<br />

and its infrastructure have decayed over many decades due to the lack of global tourism,<br />

as tourists have opted to travel to newer tourist destinations in Mexico.<br />

Once young, beautiful, and refined,<br />

she flaunted her unparalleled beauty<br />

and the natural curves of her coastal vistas.<br />

They admired her sparkle with envy<br />

and they came from wide and far.<br />

Everyone wanted to be seen with her<br />

Sun-loungers and party seekers<br />

came for the margaritas and the mariachis<br />

and the discos decked in strobe lights.<br />

They danced the night away in her embrace,<br />

waking to the best huachinango in the world.<br />

She was cheap but desirable.<br />

Everyone wanted to come<br />

soak up her humid rays<br />

and frolic in her sparkling warm waters.<br />

They came from wide and far,<br />

enjoying all she had to offer.<br />

But as she aged, the crowds were not too kind.<br />

Her edges softened and sagged.<br />

Her glamor faded.<br />

Her movements shaky.<br />

She was no longer so friendly.<br />

Or a safe bet.<br />

Or as beautiful.<br />

They came from wide and far<br />

for one last time<br />

and moved on.<br />

110 <strong>Muse</strong>


And so it was for forty years.<br />

She grew old<br />

and felt neglected.<br />

She weakened<br />

and she limped.<br />

But her crystal blue eyes still sparkled if you stopped to look.<br />

The old lady has now been undone,<br />

fractured by torrential forces<br />

that split her light and curves wide open,<br />

upending millions,<br />

hurled from the jaws of a violent night.<br />

They mourned the loss of the Old Lady<br />

and her drowned mariners<br />

and wrecked hotels<br />

from wide and far.<br />

It will take time for them to come again.<br />

Water 111


What Sings in Me<br />

Norah Brennan<br />

I’m sorry I could never tell you<br />

Inadequacy deprives the translation—<br />

That moment of clarity, fresh spring water trickling under my skin,<br />

That beacon of gold shining through thunderous skies,<br />

Is most certainly, yet unwillingly, mine forever to keep.<br />

So instead, I whisper it to the willows as they weep,<br />

And they dance with my secrets! Drunk on new feeling—<br />

Alive with novelty, spun in wondrous spirit.<br />

I couldn’t do that for you.<br />

I’d have to rip my heart open for it to bleed where you could see it,<br />

Naked and dripping scarlet wine, writing blood over tortured words.<br />

No—it wouldn’t sound right.<br />

It would beat out of rhythm, it would sputter and still before you could understand.<br />

But maybe, for a moment, you would hear,<br />

And you would know.<br />

You would feel that cold spring water as it trickles down your spine,<br />

You would breathe that sweet wind and dance with those leaves,<br />

You would sleep in that bed, be warmed by that glowing candle.<br />

But likely, you would not.<br />

You would walk on, not stopping to see.<br />

In a place where land is only dirt,<br />

And silence makes you free.<br />

And I would keep my foreign lands, my worlds of reverie<br />

Tucked safe within my heart, softly singing to me.<br />

112 <strong>Muse</strong>


Self Portrait<br />

Maria Naughton<br />

Water 113


Spiraling<br />

Gemma Garbuio<br />

Always bound up into crafted styles,<br />

A weak attempt at control.<br />

They scream at the flatiron’s heat,<br />

“Let us be wild and free.”<br />

Unleashed, they fall into a cascade of sun rays,<br />

A radiant tale whirled in warmth,<br />

A tangled golden crown perfectly placed,<br />

A heat-kissed illusion, a woven dance of wavy lines.<br />

Organic beauty unfurls with each unique formation,<br />

Mimicking the sand’s gentle sway.<br />

Soft, unruly strands,<br />

Storytellers of the breeze’s hushed secrets,<br />

Patterned like tree rings, they trace back time.<br />

Beneath the soil’s cradle, roots interlace.<br />

Overhead, the leaves rustle like pages,<br />

Twist and turn in nature’s outline.<br />

114 <strong>Muse</strong>


My Enemy<br />

Emma Wagner<br />

I beat myself up like a soldier in my own civil war.<br />

I kill them. I torture and make them disappear.<br />

I melt them away with my shiny new weapon.<br />

It turns them straight, long, and soft.<br />

But all this torture starts to get old.<br />

My arm is tired, and my hands are sore.<br />

My hair is shattered, fried, and dry.<br />

So I take care of their wounds, wash and cleanse them,<br />

Applying oil and gel,<br />

As I face myself, before the mirror.<br />

A slight smile looks back at me.<br />

The burning smell fades away.<br />

The piercing sound of my weapon is switched off.<br />

My hair becomes big, bouncy, and beautiful.<br />

My hands scrunch my hair instead, creating each curl anew.<br />

Water 115


The Concert<br />

Mia Tagore<br />

Night slowly approaches as the stars start jumping.<br />

Through the train’s window, the scenery starts to change.<br />

The train rumbles past the lights<br />

That begin to flicker by the moment.<br />

My headphones guide the music<br />

To my ears, filling them full of joy.<br />

The feeling of joy<br />

Warms me inside, and with a jump<br />

The warmth starts to melt as the music<br />

Slowly descends and the train’s course changes.<br />

As it comes to a halt, the moment<br />

Has arrived to see the new station’s lights.<br />

Off the train, I’m on the street, headed to the stadium full of light.<br />

I walk away from my day with all its work and stress toward joy.<br />

I’m swept up in a stream of people, but I am calm in the moment.<br />

Once inside, my excitement blends with other hearts jumping<br />

To the sound that begins to change.<br />

Growing louder as the excitement builds to meet the music.<br />

We are ready to welcome the artists and their music.<br />

The whole audience is brought together looking at the light<br />

On stage and the big screen revealing the images change,<br />

For the anticipated artists’ arrival, we have awaited with joy.<br />

Everyone screams, rising from their seats and jumping.<br />

When the artists begin to sing, we are all in the moment.<br />

Spectacular movement surrounds me at all moments.<br />

Full of lights, dancing, smoke, and colour, the music<br />

Connects me with everyone else as our hearts jump<br />

To the sound and lights,<br />

Putting a big smile of joy<br />

On my face as my mood and body undergo a change.<br />

Each song plays, captivating, and changing<br />

116 <strong>Muse</strong>


The entire audience by connecting us for the moment.<br />

The artists have brought us real joy,<br />

Creating, dancing, and performing amazing music<br />

For everyone to enjoy, bringing lots of light<br />

Into everyone’s day, making everyone jump.<br />

And if this performance changes and unites us through music<br />

In this one moment, then the artists have shone a light<br />

That jumps from person to person, filling them with joy.<br />

Canal<br />

Alex Harris<br />

Water 117


Ritual and Life in Life<br />

Yazmin Perez<br />

Ritual<br />

When you do assignments for English and Art classes use a white board<br />

Let your idea roam free in a white 2D surface<br />

Use a black dry erase marker when disrupting the white space<br />

The free space and idea are now complete opposites<br />

In some way the idea is 3D on a 2D surface<br />

If you don’t know what to write<br />

Think like a fencer doing a double lunge<br />

Approach your board with the marker at hand<br />

Take a stab at it but pause for a quick second<br />

Use the momentum to take another stab at it<br />

The thing about writing and fencing is that you should always follow through<br />

Whatever movement you had in mind in the beginning should be finished<br />

You can retreat afterwards<br />

But you change your mind and one second becomes two<br />

Your opponent gets the advantage and strikes<br />

Now by now you need a break<br />

Too much planning is also not good<br />

Take a sip of water or coffee<br />

A cool transparent drink or a warm drink with a rich aroma<br />

Take a sip of one drink<br />

Get distracted by the tall plant in between the two cups<br />

Remember that you nourished this plant and trimmed the dying leaves<br />

Take a sip of the other drink<br />

Walk back and realize that you have been standing this entire time<br />

And now try to write or sketch<br />

Life in Life<br />

I felt out of place<br />

Like a whiteboard leaning on a TV<br />

Like the mixed taste of water and coffee<br />

And the unsettling feeling in your stomach that it creates<br />

Like realizing time passes and things change even when you pay no mind<br />

The mundanity of life is comforting<br />

118 <strong>Muse</strong>


But it’s better to enjoy time passing by with creativity and love<br />

Than to just let it pass<br />

So at the end of the ritual I remind myself to witness<br />

The life in life<br />

Feather<br />

Meara Maulik<br />

Water 119


Students submit their work either directly to editors or moderators or via email to the <strong>Muse</strong>’s<br />

collective account. Our writing, photography, and art staff review submissions anonymously.<br />

Pieces are evaluated and, when selected, edited and sometimes revised. Editors design the<br />

master layout, and editors and staff work together to place and arrange accepted pieces. We<br />

start from scratch each year, so every issue of the <strong>Muse</strong> has a unique layout and cover.<br />

The <strong>2024</strong> <strong>Muse</strong>, Vol. XXXII, is published using InDesign (19.0.1) on MacBook Airs with a<br />

print run of five hundred copies. Paper specifications for interior pages are 4/4 80# gloss<br />

text. The cover is printed on 4/4 12 pt. C1S and is perfect bound. The font used throughout<br />

the magazine is Baskerville.<br />

Produced at Red & White Graphics, 229 Wyckoff Street, Brooklyn, NY 11217. Red & White<br />

Graphics works with many non-profits, religious organizations and schools in producing<br />

their promotional and educational resources. (718) 422-1510

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