AnnuAL rePOrt 2011 - Winchester College
AnnuAL rePOrt 2011 - Winchester College
AnnuAL rePOrt 2011 - Winchester College
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“<br />
This is the physicality of a relationship,<br />
friendship, suffering, passion and love<br />
– whatever it may be. It’s an emotional<br />
physicality. Drama is a very special<br />
way of nurturing and easing people<br />
through emotional growing up.”<br />
drAMAtIC<br />
InnoVAtIons<br />
sIMon<br />
tAYLor<br />
Until recently the inspirational<br />
Head of Drama at <strong>Winchester</strong>,<br />
Simon Taylor, has been a key driver<br />
of the QEII Theatre over two decades.<br />
Personifying the significance of<br />
drama to the School, he reflects on<br />
his achievements and the recent<br />
donations from parents that provided<br />
new seating for the theatre.<br />
simon taylor has been an energetic promoter<br />
of drama at <strong>Winchester</strong>. he jokes that he still has<br />
to fend off parents pointing the finger at the man<br />
who diverted their son from a potentially lucrative<br />
banking career to walking the boards or directing,<br />
but this is an occupational hazard for such an<br />
enthusiastic advocate of the dramatic arts. Partly<br />
because drama is not on the <strong>Winchester</strong> curriculum,<br />
‘the appetite for theatre is extraordinary compared<br />
to other schools I know well.’<br />
recognising the generous donations from<br />
parents for the QeII theatre’s new seating, simon<br />
admits he probably did not push hard enough for<br />
greater investment in its ageing infrastructure,<br />
but is very confident that drama flourished under<br />
his watch. extra height – the only way the theatre<br />
can realistically expand within space-constrained<br />
grounds – would allow larger sets to be ‘flown’<br />
in, while other innovations would help. But he<br />
also has an expert’s wariness of state-of-the-art<br />
theatres where drama may become secondary to<br />
the gloss of big production values. simon invokes<br />
the aromas of the QeII theatre, identifying a mix of<br />
sweat, make-up and scorched dust from the lights.<br />
Brand new theatres ‘won’t make good productions.<br />
What makes good productions is work on text and<br />
movement and the relationship between director<br />
and his cast and the whole spirit and ethos of<br />
what he is doing.’<br />
16 WINCHESTER COLLEGE<br />
ANNUAL REPORT <strong>2011</strong><br />
17