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AnnuAL rePOrt 2011 - Winchester College

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“<br />

This is the physicality of a relationship,<br />

friendship, suffering, passion and love<br />

– whatever it may be. It’s an emotional<br />

physicality. Drama is a very special<br />

way of nurturing and easing people<br />

through emotional growing up.”<br />

drAMAtIC<br />

InnoVAtIons<br />

sIMon<br />

tAYLor<br />

Until recently the inspirational<br />

Head of Drama at <strong>Winchester</strong>,<br />

Simon Taylor, has been a key driver<br />

of the QEII Theatre over two decades.<br />

Personifying the significance of<br />

drama to the School, he reflects on<br />

his achievements and the recent<br />

donations from parents that provided<br />

new seating for the theatre.<br />

simon taylor has been an energetic promoter<br />

of drama at <strong>Winchester</strong>. he jokes that he still has<br />

to fend off parents pointing the finger at the man<br />

who diverted their son from a potentially lucrative<br />

banking career to walking the boards or directing,<br />

but this is an occupational hazard for such an<br />

enthusiastic advocate of the dramatic arts. Partly<br />

because drama is not on the <strong>Winchester</strong> curriculum,<br />

‘the appetite for theatre is extraordinary compared<br />

to other schools I know well.’<br />

recognising the generous donations from<br />

parents for the QeII theatre’s new seating, simon<br />

admits he probably did not push hard enough for<br />

greater investment in its ageing infrastructure,<br />

but is very confident that drama flourished under<br />

his watch. extra height – the only way the theatre<br />

can realistically expand within space-constrained<br />

grounds – would allow larger sets to be ‘flown’<br />

in, while other innovations would help. But he<br />

also has an expert’s wariness of state-of-the-art<br />

theatres where drama may become secondary to<br />

the gloss of big production values. simon invokes<br />

the aromas of the QeII theatre, identifying a mix of<br />

sweat, make-up and scorched dust from the lights.<br />

Brand new theatres ‘won’t make good productions.<br />

What makes good productions is work on text and<br />

movement and the relationship between director<br />

and his cast and the whole spirit and ethos of<br />

what he is doing.’<br />

16 WINCHESTER COLLEGE<br />

ANNUAL REPORT <strong>2011</strong><br />

17

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