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HALIBURTON SCHOOL OF THE ARTS - Fleming College

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tinuing Education and<br />

porate Training Office<br />

McRae Campus<br />

555 Bonaccord Street<br />

P. O. Box 4350<br />

Peterborough, ON<br />

K9J 7B1<br />

.888.269.6929<br />

ww.flemingcollege.ca<br />

GH LINDSAY COBOURG<br />

. This brochure is printed on FSC certified (Forest Stewardship Council) paper that is manufactured acid and<br />

ified printer. Using FSC certified paper saves not only trees, but water, energy, air emissions and solid waste.<br />

<strong>HALIBURTON</strong> <strong>SCHOOL</strong> <strong>OF</strong> <strong>THE</strong> <strong>ARTS</strong><br />

2012<br />

Course<br />

Calendar


• Art Courses<br />

• Art Certificates<br />

• Visual and Creative Arts Diploma<br />

Visual and Creative Arts Diploma (VCAD)<br />

<strong>Fleming</strong> <strong>College</strong> offers unique and flexible options for<br />

earning a diploma in the visual arts.<br />

We offer Certificates in:<br />

• Artist Blacksmith<br />

• Ceramics<br />

• Drawing & Painting<br />

• Digital Image Design<br />

• Fibre Arts<br />

• Glassblowing<br />

• Jewellery<br />

• Photo Arts<br />

• Sculpture<br />

See page 96 for more information<br />

or visit our website.<br />

hsta.ca


Welcome!<br />

Haliburton School of The Arts<br />

<strong>College</strong> Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2<br />

Courses and Programs<br />

Course Listings by Date . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4<br />

Expressive Arts – Ontario <strong>College</strong> Graduate Certificate . . . . . . . . . . . .9<br />

Expressive Arts Courses . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10<br />

Spring 2012 Program . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12<br />

Concentrated Study, Drawing and Painting . . . . . . . . . . . . . . .15<br />

HSTA at OCAD University . . . . . . . . . . . . . . . . . . . . . . . . . . . .16<br />

Summer 2012 Program . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20<br />

Fall 2012 Program . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76<br />

HSTA at McMichael Canadian Art Collection . . . . . . . . . . . . . .76<br />

Visual and Creative Arts Diploma (VCAD) . . . . . . . . . . . . . . . . . . . . .96<br />

Instructor Biographies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81<br />

General Information<br />

Bursaries and Scholarships . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .97<br />

Registration Form and Information . . . . . . . . . . . . . . . . . . . . . . . . . .98<br />

Refund Policy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .99<br />

FAQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .100<br />

Activities Schedule . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101<br />

Haliburton Sculpture Forest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101<br />

Art Talks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .102<br />

Entertainment – On Stage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .103<br />

1


2<br />

Sudbury<br />

4.5 hrs<br />

Huntsville<br />

Toronto<br />

2.5 hrs<br />

Get Creative this Year!<br />

Haliburton<br />

Peterborough<br />

1.5 hrs<br />

Dates<br />

The majority of courses are held in the summer months, with<br />

additional offerings in the fall and spring . The courses listed in<br />

this calendar are arranged seasonally from Spring to Fall 2012 .<br />

times<br />

Week-long courses: 9:00 am to 4:30 pm, Monday to Friday<br />

unless otherwise indicated . (Some courses are 6 days .)<br />

Saturday workshops: 9:00 am to 5:00 pm<br />

• Over 100 Full-time and Continuing Education programs<br />

in Business, Hospitality, Skilled Trades and Technology,<br />

Environmental and Natural Resource Sciences, Visual<br />

Arts, Education, Health and Wellness, and Law, Justice<br />

and Community Services .<br />

• Full-time students: over 6,000<br />

Part-time students: 10,000<br />

Alumni: 60,000<br />

• Campus Locations<br />

– Peterborough<br />

– Lindsay<br />

– Cobourg<br />

– Haliburton<br />

flemingcollege.ca<br />

toll-free 1-866-FLEMING<br />

(1-866-353-6464)<br />

Ottawa<br />

3.5 hrs<br />

Kingston<br />

3 hrs<br />

2012 promises to be an exciting year with a great blend of<br />

perennial favourites and exciting new offerings . In addition to<br />

an extensive and varied program in Haliburton, we're returning<br />

to Huntsville and will again offer courses at OCAD University in<br />

Toronto and the McMichael Canadian Art Collection in Kleinburg .<br />

Grass Lake Rd<br />

(Highland Wood Dr)<br />

Industrial Park Rd<br />

<strong>College</strong> Dr<br />

<strong>College</strong><br />

Cabins<br />

100 0 100 200 300 400 500 metres<br />

1<br />

21<br />

Haliburton Highlands<br />

Secondary School<br />

J D Hodgson<br />

Elementary School<br />

Locations<br />

Haliburton<br />

HSTA<br />

Highland St<br />

Sculpture<br />

Forest Trail<br />

Head<br />

Lake<br />

Rail's End<br />

Gallery<br />

118<br />

Norman A.<br />

Sisco Centre<br />

(Old Campus)<br />

York St<br />

SSFC<br />

Employment<br />

Resource<br />

Centre<br />

In order to accommodate changing registration levels and specific<br />

needs, precise room locations are determined the Thursday prior<br />

to the start of the course and are subject to change .<br />

Spring: Courses will be held at <strong>Fleming</strong>’s Haliburton Campus in<br />

the village of Haliburton . Additional offerings are available at the<br />

Ontario <strong>College</strong> of Art & Design University in Toronto in June .<br />

Summer: The majority of courses are held in the village of<br />

Haliburton, just 2½ hours north of Toronto and 3½ hours west<br />

of Ottawa at <strong>Fleming</strong>’s Haliburton Campus and the Haliburton<br />

Highlands Secondary School . Some classes are held at other<br />

venues within the village . A map featuring locations is available<br />

online and specific locations/room number of each course will<br />

be posted at the entrances of the <strong>Fleming</strong> Campus and the<br />

Haliburton Highlands Secondary . Outdoor signage and staff<br />

members will also help direct you .<br />

Courses will also be offered at the Waterloo Summit Centre for the<br />

Environment located in Huntsville, Ontario (see below) .<br />

Fall: Courses will be held at <strong>Fleming</strong>’s Haliburton Campus in the<br />

village of Haliburton and the McMichael Canadian Art Collection<br />

in Kleinburg .<br />

The Waterloo Summit Centre for the Environment located in<br />

Huntsville, Ontario, is part of the University of Waterloo. Nestled<br />

in Muskoka on the Canadian Shield, the Centre is a year-round<br />

research, teaching and community centre. The University is<br />

establishing itself as a high-profile research centre for ecology,<br />

climate change, tourism, land-use planning and local economic<br />

development. The Centre is centrally located, two hours north of<br />

Toronto and minutes from Algonquin and Arrowhead Provincial<br />

Parks. The Waterloo Summit Centre for the Environment is<br />

within walking distance of the shops and restaurants in beautiful<br />

downtown Huntsville.<br />

Maple St<br />

118


Dear Art Enthusiast,<br />

Welcome to the 2012 Haliburton School of The Arts summer calendar!<br />

We have a summer planned for you that is full of unique, creative<br />

courses delivered by some of the finest artists that Canada has to offer . If<br />

possible, this year could be our most exciting ever!<br />

Hot off the presses and between these pages you will find over 350<br />

courses to choose from . Whether you are enrolling in your first course<br />

with us or your 15th, we have courses that are well suited to your ability<br />

and talent . Nestled in the Haliburton Highlands, our school provides an<br />

environment that inspires and nurtures your creativity . Since 1967, Haliburton School of The Arts has<br />

been providing art courses in all mediums and at all levels . Our small class sizes provide students<br />

with a personalized, hands-on learning experience and all our courses are delivered by practicing,<br />

professional artists .<br />

Did you know that you are not only receiving an amazing experience when you create with us, but you<br />

are also earning a college credit when you successfully complete a week-long course? This means<br />

that not only will you leave Haliburton School of The Arts with a new or enhanced creative skill but<br />

you will also leave with a college credit . This credit can be applied toward our Visual and Creative Arts<br />

generalist option diploma . Full details are located on our website, www .hsta .ca or by calling us directly<br />

at 1-866-353-6464 ext . 3 .<br />

Haliburton School of The Arts is a wonderful place to learn, grow and create . I look forward to seeing<br />

you in the studios this summer!<br />

Yours in art,<br />

Sandra Dupret, Principal<br />

Haliburton School of The Arts<br />

<strong>Fleming</strong> <strong>College</strong><br />

Open House<br />

Saturday, April 14, 2012 • 9 am – 2 pm<br />

Experience what we have to offer!<br />

• Talk to <strong>Fleming</strong> faculty, staff, and students, and tour our<br />

fabulous campus .<br />

• See the studios, Great Hall, and classrooms.<br />

• Get information about accommodation options, and visit<br />

the village of Haliburton .<br />

• You may want to stroll through the Haliburton Sculpture<br />

Forest that surrounds the campus . See page 101 .<br />

There will be another Open House in the fall . Call us for the date if you are interested in visiting .<br />

3


4<br />

coUrse Listings<br />

hsta.ca 1.866.353.6464<br />

Expressive Arts<br />

by date<br />

EXPRESSIVE <strong>ARTS</strong><br />

ONTARIO COLLEGE GRADUATE CERTIFICATE PROGRAM<br />

April 23 to June 15, 2012 (page 9 – 11)<br />

Introduction to Expressive Arts Therapies . . .Fay Wilkinson<br />

Storytelling & Sandtray Therapy within the Expressive Arts<br />

. . . . . . . . . . . . . . . . Fay Wilkinson and Verity Barrett<br />

Exploration of Therapeutic Relationships . . . .Ed Hagedorn<br />

Expressive Arts – SoundWork & BodyPlay . . . . . . . . . . . . . .<br />

. . . . . . . . . . . . . . . . . . .Gary Diggins and Dorit Osher<br />

Expressive Arts – Wording Liminal Space . . .Gili Haimovich<br />

Planning Expressive Arts Experiences . . . . .Fay Wilkinson<br />

Expressive Arts Modalities . . . . . . . . . . . . . . . . . . . . . TBA<br />

Professional Issues with the Expressive Arts . . . . . . . . TBA<br />

courses at ocaD University in toronto<br />

June 4 to 8 (page 16)<br />

Collage & Mixed Media II . . . . . . . . . . . . . . . . . . . . . .Kal Honey<br />

Figurative Abstraction in Acrylic . . . . . . . . . . . . . . . .Brian Smith<br />

Fundamental Drawing . . . . . . . . . . . . . . . . . . . . . . . .Denis Cliff<br />

Illustrative Drawing & Painting . . . . . . . . . . . . . . .Marta Scythes<br />

Painting Light . . . . . . . . . . . . . . . . . . . . . . . . . . .Andrea Mossop<br />

June 11 to 15 (page 17)<br />

Acrylics – Fast & Forgiving . . . . . . . . . . . . . . . . . . . . .Denis Cliff<br />

Open Studio – Painting . . . . . . . . . . . . . . . . . . . . . . .Steve Rose<br />

Painting & Form Invention – Advanced . . . . . . . . . .Joanna Nash<br />

Portrait Painting . . . . . . . . . . . . . . . . . . . . . . . . . . . .Brian Smith<br />

spring 2012<br />

april 30 to may 4 (page 12)<br />

Blacksmithing – Open Studio . . . . . . . . . . . . . . . Rene Petitjean<br />

Collage & Acrylic Explorations . . . . . . . . . . . . . . . .Rose Pearson<br />

Landscape Painting – Working the Land . . . . . . . . . .Rod Prouse<br />

Painted Furniture & Accessories . . . . . . . . . . . . . . .Margot Miller<br />

Pottery – Teapot Design Techniques . . . . . .Jessica Steinhäusser<br />

may 7 to 11 (page 13)<br />

Acrylics – Non Objective I and Acrylics - Non Objective II<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lila Lewis Irving<br />

Machine Quilting . . . . . . . . . . . . . . . . . . . . .Maggie Vanderweit<br />

Mixing Media . . . . . . . . . . . . . . . . . . . . . . . .Ramune Luminaire<br />

Stained Glass, Stained Glass – Intermediate . . .Linda McGillivray<br />

Wire Sculpture – Large Scale . . . . . . . . . . . . . . . .Charles O'Neil<br />

may 12 to 20 (page 14)<br />

OHS Spinning Certificate Program – Level II<br />

… Elizabeth Abbott, Wendy E . Bateman, Harriet Boon,<br />

Louise Jackson, Karen Richens<br />

may 14 to 18 (page 14)<br />

Artistic Narrative Through Clay . . . . . . . . . . . . . . . . . April Gates<br />

may 21 to 25 (page 14)<br />

Artistic Narrative Through Assemblage . . . . . . . . . . . .Kal Honey<br />

may 14 to June 8 (page 15)<br />

Drawing & Painting – Advanced Individual Studies<br />

Concept, Process and Execution – Adv . Individual Studies<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Steve Rose<br />

Painting – Adv . Individual Studies . . . . . . . . . . . . .John Leonard<br />

Visual Arts – Adv . Individual Studies . . . . . . . . . .John Leonard<br />

Advanced Studies in and Across Disciplines . . . .V . Jane Gordon<br />

June 9 (pages 18 – 19)<br />

Art Clay Silver: Introductory Workshop . . . . . . . . . . .Sophia Tink<br />

Digital Cameras Made Easy . . . . . . . . . . . . . . Jenny Kirkpatrick<br />

Encaustic Painting Workshop . . . . . . . . . . . . . . . . .Susan Fisher<br />

Expressive Arts Through the Lens of Addiction Workshop<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sharon Benson<br />

Painted Floor Cloths Workshop . . . . . . . . . . . . . .Amanda Brittin<br />

Rustic Chair Workshop . . . . . . . . . . . . . . . . . .Maggie Longworth<br />

Wire Sculpture Workshop . . . . . . . . . . . . . . . . . . .Charles O'Neil<br />

June 18 to 22 (page 19)<br />

Expressive Arts – Practical Community Experiences<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fay Wilkinson<br />

Bursaries and Scholarships are available. See page 97.


sUmmer 2012<br />

June 25 to 29 (pages 20 – 21)<br />

Bird Carving – Beginner/Intermediate . . . . . . . . . . .John Leeder<br />

Glassblowing and Glassblowing II . . . . . . . . . . . . . . Robert Held<br />

Pastel Landscapes . . . . . . . . . . . . . . . . . . . . . .Margaret Ferraro<br />

Plein Air Painting . . . . . . . . . . . . . . . . . . . . . . . . . . .John Pryce<br />

Pottery – Altered Forms . . . . . . . . . . . . . . . . . . . . . . .Lisa Barry<br />

Watercolour Techniques – Basic . . . . . . . . . . . . . .Shelley Beach<br />

July 2 to 6 (pages 21 – 27)<br />

Acrylics – Intermediate/Advanced . . . . . . . . . .Marianne Broome<br />

Business for Artists . . . . . . . . . . . . . . . . . . . . . . . . . .Jim Blake<br />

Collage & Acrylic Explorations . . . . . . . . . . . . . . . . . . . .Jill Segal<br />

Contemporary Landscape Painting . . . . . . . . . . . .John Leonard<br />

Creativity in Writing . . . . . . . . . . . . . . . . . . . . . . . . . .Jane Bow<br />

Doll Making – Artistic Expression . . . . . . . . . . . . . .Kate Church<br />

Drawing with Ink & Colour . . . . . . . . . . . . . . . . . .Charles O'Neil<br />

Dyeing to Design . . . . . . . . . . . . . . . . . . . . . . . . . .Kim McBrien<br />

Felting on a Large Scale . . . . . . . . . . . . . . . . . . . . . .Sandi Luck<br />

Glassblowing and Glassblowing – Style & Form . . . . .Andy Kuntz<br />

Guitar – Folk, Country & Blues . . . . . . . . . . . . . . . Eve Goldberg<br />

Jewellery – Stone Setting: Beginner/Intermediate/Advanced<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Susan Watson Ellis<br />

Kids' Adventures in Animation . . . . . . . . . . . . . . . .Midori Nagai<br />

Kids' Under the Sea . . . . . . . . . . . . . . . . . . . Rebecca Reynolds<br />

Landscape Images in Fabric . . . . . . . . . . . . . . . . . . .Jane Selbie<br />

Lettering & Paper Arts . . . . . . . . . . . . .Judith Jaimet Bainbridge<br />

Life Drawing – Basics & Beyond . . . . . . . . . . . . . . . .Brian Smith<br />

Mosaics . . . . . . . . . . . . . . . . . . . . . . . . . .Annette Blady Van Mil<br />

Photography – Travel & Landscape . . . . . . . . . . . .Rob Stimpson<br />

Pottery – Beginners . . . . . . . . . . . . . . . . . . . . .Barbara Joy Peel<br />

Printmaking Without a Press . . . . . . . . . . . . . . . Victoria Cowan<br />

Remember, Reflect & Proceed with Purpose<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nora Zylstra Savage<br />

Sandal Making . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jon Gray<br />

Scottish Country Dancing – Intermediate and Advanced<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mike Turner<br />

Stain Painting – The Saturated Canvas . . . . . . . . . . . .Denis Cliff<br />

Stone Carving . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fred Hummel<br />

Totem Pole Carving and Totem Mask . . . . . . . . . . . . .Wayne Hill<br />

Watercolour Painting – Advanced . . . . . . . . . . . . . .Art Cunanan<br />

Watercolour Painting – Introduction . . . . . . . . . .Gary Chapman<br />

Youth Marionettes . . . . . . . . . . . . . . . . . . . . . . . . Judith Mason<br />

Youth/Teen Take the Stage . . . . . . . . . . . . . . .Leanne Schachow<br />

July 7 (pages 28 – 29)<br />

Earring Workshop . . . . . . . . . . . . . . . . . . . . . Susan Watson Ellis<br />

Glassblowing – Introductory Workshop . . . . . . . . . . . Terry Craig<br />

Knit a Cowl or Scarf Workshop . . . . . . . . . . . . . . .Glenna Harris<br />

Leather Braiding Workshop . . . . . . . . . . . . . . . . . . . . .Jon Gray<br />

Mosaic Window Workshop . . . . . . . . . . . . . . . . .Amanda Brittin<br />

Photoshop Workshop . . . . . . . . . . . . . . . . . .Michael Bainbridge<br />

Sheddings Workshop – The Stored Becomes Storied<br />

. . . . . . . . . . . . . . . . . . . . .Kate Church and Fay Wilkinson<br />

Sing! Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . Eve Goldberg<br />

Soap Making & Herbal Bath Workshop . . . . . . .Linda Lee Purvis<br />

Watercolour Florals Workshop . . . . . . . . . . . .Marianne Broome<br />

Wire Sculpture Workshop . . . . . . . . . . . . . . . . . . .Charles O'Neil<br />

July 9 to 13 (pages 30 – 37)<br />

Abstraction to Non Objective Painting . . . . . . . . . . . .Steve Rose<br />

Acrylics – Fast & Forgiving . . . . . . . . . . . . . . . . . . . . .Denis Cliff<br />

Acrylics & Mixed Media – Introductory . . .Annette Blady Van Mil<br />

Bird Carving . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jan Fitch<br />

Colour – Beyond Theory . . . . . . . . . . . . . . . . . . . . . . .Al Van Mil<br />

Creating Written Life Stories . . . . . . . . . . . . Nora Zylstra Savage<br />

Creative Choral Music . . . . . . . . . . . . . . . . . . . . . .Kiera Galway<br />

Creative Choral Music II . . . . . . . . . . . . . . . . . . . . . .Andy Rush<br />

Doll Making II – Artistic Expression . . . . . . . . . . . . .Kate Church<br />

Encaustic Painting . . . . . . . . . . . . . . . . . . . . . . . . .Susan Fisher<br />

Fabrics – Colours, Patterns & Painterly Effects . . . .Margot Miller<br />

Figure Sculpture . . . . . . . . . . . . . . . . . . . . . . . . . . Paul Portelli<br />

Glassblowing and Glassblowing II . . . . . . . . . . . . . . . Terry Craig<br />

Japanese Brush Painting I . . . . . . . . . . .Cassandra Wyszkowski<br />

Jewellery Casting . . . . . . . . . . . . . . . . . . . . . . . . . Michael Letki<br />

Kids' Get Creative . . . . . . . . . . . . . . . . . . . . . . . . Toni Calderone<br />

Kids' Zoom into Space . . . . . . . . . . . . Michele Karch Ackerman<br />

Knitting for Hands & Feet . . . . . . . . . . . . . . . . . . .Glenna Harris<br />

Life Drawing II . . . . . . . . . . . . . . . . . . . . . . . . . . .John Leonard<br />

Oil Painting – Introduction to Plein air . . . . . . . . .John Anderson<br />

Painting – Design & Composition . . . . . . . . . . Matthew Mancini<br />

Paper Sculpture & Collage . . . . . . . . . . . . . . . . . . . . .Suzi Dwor<br />

Photography – Creative Images . . . . . . . . . . . . . .Rob Stimpson<br />

Portrait Sketching & Development . . . . . . . . . . . . . .Brian Smith<br />

Pottery II . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Barbara Joy Peel<br />

Printmaking – Collagraph . . . . . . . . . . . . . . . . . . Victoria Cowan<br />

Stone Carving – Advanced . . . . . . . . . . . . . . . . . .Fred Hummel<br />

Stringed Instrument Immersion for Beginners<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bethany Houghton<br />

Textile Collage – Mixed Media . . . . . . . . . . . .Maggie Vanderweit<br />

Watercolour Drawing & Painting<br />

. . . . . . . . . . . . . . . . . .Maurice Snelgrove and Ross Monk<br />

Watercolour Painting – Big Sky Landscapes . . . . . . .Grant Fuller<br />

Weaving Basic Level I, Weaving Basic Level II . . .Ralph Johnston<br />

Wire Sculpture . . . . . . . . . . . . . . . . . . . . . . . . . . .Charles O'Neil<br />

Youth/Teen Metal Jewellery Arts . . . . . . . . . . Susan Watson Ellis<br />

Youth/Teen Movie Making & Animation<br />

. . . . . . . . . . . . . . . . . . . . .Tammy Rea and Martha Larsen<br />

July 14 (page 38)<br />

Alternative Mark Making Workshop . . . . . . . Rebecca Reynolds<br />

Digital Cameras Made Easy . . . . . . . . . . . . . . Jenny Kirkpatrick<br />

Drawing the Figure for Beginners Workshop . . . . . . .Steve Rose<br />

Expressive Painting Workshop . . . . . . . . . . . . . . . . . .Sue Miller<br />

Fascinator Workshop . . . . . . . . . . . . . . . . . . . . . .Karyn Gingras<br />

Felted Scarf Workshop . . . . . . . . . . . . . . . . . .Susan MacDonald<br />

Harp for Beginners Workshop . . . . . . . . . . . . .Maureen McKay<br />

Needlework Workshop . . . . . . . . . . . . . . . . . . . Jacqui Clarkson<br />

Rustic Chair Workshop . . . . . . . . . . . . . . . . . .Maggie Longworth<br />

Watercolour Greetings Workshop . . . . . . . . . . . . Marg McIntyre<br />

Zentangle ® Workshop . . . . . . . . . . . . . . . .Chari-Lynn Reithmeier<br />

Courses for Kids, Youth and Teens<br />

All course names for our younger artists start with either<br />

'Kids,' 'Youth' or 'Teen,' depending on the age requirement.<br />

See page 100 for more information.<br />

5


6<br />

July 16 to 20 (pages 40 – 46)<br />

Acrylic Collage & Yoga . . . . . . . . . . . . . . . . . . . . . . . . .Jill Segal<br />

Christmas – 5 Days of Christmas . . . . . . . . . . . . . .Darby Bayly,<br />

. . . . . . .Valerie Cowle, Sandi Luck, Erin Lynch, Don Taylor<br />

Creative Writing . . . . . . . . . . . . . . . . . . . . . . .Catherine Graham<br />

Fabric Collage Art Quilts . . . . . . . . . . . . . . . . . Marion Spanjerdt<br />

Fabric Printing – Photos, Screens & More . . . . . . . . Gunnel Hag<br />

Fundamental Drawing . . . . . . . . . . . . . . . . . . . . . . . .Denis Cliff<br />

Handbuilding Clay Sculpture . . . . . . . . . . . . . . . . . Paul Portelli<br />

Harp: Beginner/Intermediate . . . . . . . . . . . . . .Maureen McKay<br />

Illumination – Mediaeval & Modern . . .Judith Jaimet Bainbridge<br />

Improvisation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kerry Griffin<br />

Introduction to Expressive Arts Therapies . . . . . . .Fay Wilkinson<br />

Japanese Brush Painting II . . . . . . . . . . .Cassandra Wyszkowski<br />

Jewellery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael Letki<br />

Kids' Cartoons, Characters & Chaos . . . . . . . . .Laurie Rockman<br />

Kids' Fabulous Fractured Fables . . . . . . . . . . . . . .Ted Staunton<br />

Kiln Cast Glass . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sheila Mahut<br />

Landscape Creative Approaches . . . . . . . . . .Ramune Luminaire<br />

Mac Laptop – iCreate . . . . . . . . . . . . . . . . . . . . . . . .Tammy Rea<br />

Machine Knitting – Tips, Tricks & Techniques . . .Monika Stramglia<br />

Millinery – The Art of Hat Making . . . . . . . . . . . . .Karyn Gingras<br />

Musical Improvisation . . . . . . . . . . . . . . . . . . . . . . . .Larry Glatt<br />

Musical Instrument Construction . . . . . . . . . . . . . . .Philip Davis<br />

Non Objective Painting . . . . . . . . . . . . . . . . . . . . . . .Steve Rose<br />

Photoshop . . . . . . . . . . . . . . . . . . . . . . . . . .Michael Bainbridge<br />

Portfolio & Presentation . . . . . . . . . . . . . . . . . . . . .Kim McBrien<br />

Portrait Painting . . . . . . . . . . . . . . . . . . . . . . . . . . . .Brian Smith<br />

Pottery Throwing Camp – Intermediate/Advanced<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rene Petitjean<br />

Printmaking – Experimental . . . . . . . . . . . . . . Linda Kristen Blix<br />

Rustic Twig Open Studio . . . . . . . . . . . . . . . .Maggie Longworth<br />

Spinning . . . . . . . . . . . . . . . . . . . . . . . . . . .Wendy E . Bateman<br />

Stitched Imagery with Mixed Media . . . . . . . . . . . .Sylvia Naylor<br />

Water in Watercolour . . . . . . . . . . . . . . . . . . . . . . . .Grant Fuller<br />

Watercolour Techniques – Basic . . . . . . . . . . . . . .Marta Scythes<br />

Wire Sculpture – Large Scale . . . . . . . . . . . . . . . .Charles O'Neil<br />

Youth Archery & Fencing . . . . . . . . . . . . . . . . . .Brad Sherwood<br />

Youth/Teen Mixed Media Sculpture . . . . . . . . . .Amanda Brittin<br />

July 16 to 20 in Huntsville (page 47)<br />

Creative Writing . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jane Bow<br />

Knit a Cottage Blanket . . . . . . . . . . . . . . . . . . . . . Holly Groome<br />

Painting – Shades of Pale . . . . . . . . . . . . . . . . . .Andrea Mossop<br />

Photography – In Camera . . . . . . . . . . . . . . . . . . .Rob Stimpson<br />

Quilting – Radiating Strip Pieces . . . . . . . . . . . . . . .John Willard<br />

register early!<br />

Waiting until the last minute limits your choice of courses<br />

and may cause you unnecessary disappointment .<br />

See registration details on page 99 .<br />

July 21 (pages 48 – 49)<br />

Art & Soul Workshop . . . . . . . . . . . . . . . . . . . .Linda Lee Purvis<br />

Beaded Appliqué Workshop . . . . . . . . . . . . . . . .Pam Woodward<br />

Beaded Jewellery Workshop . . . . . . . . . . . . . . . .Amanda Brittin<br />

Bookbinding Workshop . . . . . . . . . . . . . . . . . . . . . . .Don Taylor<br />

Classical Guitar Workshop . . . . . . . . . . . . . . . . . . . . .Larry Glatt<br />

Fabric Printing – Irresistible Resists Workshop . . . . Gunnel Hag<br />

Point & Shoot Photography Made Easy . . . . . . Jenny Kirkpatrick<br />

Rock Balancing Workshop . . . . . . . . . . . . . . . . . . . Peter Riedel<br />

Wire Sculpture Workshop . . . . . . . . . . . . . . . . . . .Charles O'Neil<br />

July 23 to 27 (pages 49 – 56)<br />

Abstracted Interpretations of the Masters . . . . . . . . . .Denis Cliff<br />

Abstracting the Landscape in Acrylics . . . . . .Marianne Broome<br />

Book Arts Sampler . . . . . . . . . . . . . . . . . . . . . . . . . . .Don Taylor<br />

Chainsaw Sculpture . . . . . . . . . . . . . . . . . . . . Robbin Wenzoski<br />

Clown – Discovery of Your Persona . . . . . . . . . . .Helen Donnelly<br />

Creative Writing – Ignite Your Potential . . . . Nora Zylstra Savage<br />

Dolls, Masks & Puppets within the Expressive Arts<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fay Wilkinson<br />

Drawing & Painting Media Sampler . . . . . . . . . . Marg McIntyre<br />

Fiddle – Intermediate . . . . . . . . . . . . Cindy Thompson Butineau<br />

Figurative Abstraction in Acrylic . . . . . . . . . . . . . . . .Brian Smith<br />

Finger-Style Guitar Playing . . . . . . . . . . . . . . . . . . . . .Rick Fines<br />

Impressionism – Theory & Technique . . . . . . . . . .John Leonard<br />

Indigo & Shibori . . . . . . . . . . . . . . . . . . . . . . . . .Pam Woodward<br />

Iron & Glass Collaborations . . .Rene Petitjean and Andrew Kuntz<br />

Jewellery – Chasing & Repoussé<br />

– Introductory/Intermediate/Advanced . . . . . .Todd Jeffrey Ellis<br />

Kids’ Creatures . . . . . . . . . . . . . . . . . . . . . . . Shannon Partridge<br />

Kids’ in the Kitchen . . . . . . . . . . . . . . . . . .Jennifer Mykolyshyn<br />

Knitting Sweaters That Fit . . . . . . . . . . . . . . . . . . .Glenna Harris<br />

Musical Instrument Construction – Intermediate/Advanced<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Philip Davis<br />

Oil Painting – Plein Air Intermediate/Advanced . .John Anderson<br />

Painting – Black & White . . . . . . . . . . . . . . . . . .Andrea Mossop<br />

Painting & Form Invention – Advanced . . . . . . . . . .Joanna Nash<br />

Pastels – Intermediate . . . . . . . . . . . . . . . . . . .Margaret Ferraro<br />

Pottery – Image Transfer & Surface Techniques . . . . April Gates<br />

Quilting – Serendipity Strips & Curves . . . . . . . . . . .Elaine Quehl<br />

Sketchbook Sketching . . . . . . . . . . . . . . . . . . . . . . . Ruth Read<br />

Teen Archery & Fencing . . . . . . . . . . . . . . . . . . .Brad Sherwood<br />

Travel Writing & Photography . . . .Kate Pocock and Rob Stimpson<br />

Watercolour & Sumi-e-East Meets West . . .Cassandra Wyszkowski<br />

Watercolour Painting II – Landscapes . . . . . . . . .Gary Chapman<br />

Wire Jewellery . . . . . . . . . . . . . . . . . . . . . . . . . . . .Judy Feskun<br />

Wire Sculpture – The Human Form . . . . . . . . . . .Charles O'Neil<br />

Youth Stained Glass . . . . . . . . . . . . . . . . . . . . . . . . . . .Lia Howe<br />

Youth/Teen Build Your Own Skateboard Deck . . .Bryce Petersen<br />

July 23 to 27 in Huntsville (page 57)<br />

Acrylics & Mixed Media – Introductory and Intermediate<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . .Annette Blady Van Mil<br />

Life Drawing & Painting . . . . . . . . . . . . . . . . . . . . . .Steve Rose<br />

Sculpting, Modelling & Mould Making Techniques<br />

. . . . . . . . . . . . . . . . . . . . . . . . . .Brenda Wainman Goulet<br />

Sketchbook Journal . . . . . . . . . . . . . . . . . . .Ramune Luminaire<br />

Watercolour Basics & Beyond . . . . . . . . . . . . . . .Marta Scythes<br />

Watercolour with Wool – Felted Landscapes . . . Pam Carnochan


July 28 (pages 58 – 59)<br />

Acrylic Non Objective Abstract Workshop . . . .Marianne Broome<br />

Embroidery for Crazy Quilting Workshop . .Chari-Lynn Reithmeier<br />

Faux Food Workshop . . . . . . . . . . . . . . . . . . . . . . .Frances Key<br />

Glass Flamework Workshop . . . . . . . . . . . . . . . .Brad Sherwood<br />

Gourd Drum Making Workshop . . . . . . . . . . . . . . .John Proctor<br />

Painted Floor Cloths Workshop . . . . . . . . . . . . . .Amanda Brittin<br />

Painting – Flower Power Workshop . . . . . . . . . . .Andrea Mossop<br />

Step Dance Workshop . . . . . . . . . . . Cindy Thompson Butineau<br />

Textiles – Special FX Workshop . . . . . . . . . . . . . .Pam Woodward<br />

Ukulele Workshop . . . . . . . . . . . . . . . . . . . . . . . . Eve Goldberg<br />

Upholstery Workshop . . . . .Evelyn Bouma and Krystyna Czerska<br />

July 30 to august 3 (pages 59 – 65)<br />

Acrylics – Non Objective I . . . . . . . . . . . . . . . . . . Lila Lewis Iring<br />

Animals in Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jay Dampf<br />

Art Clay – Sliver/Gold . . . . . . . . . . . . . . . . . . . . . . . .Sophia Tink<br />

Bird Carving – Intermediate/Advanced . . . . . . . . .Bruce Lepper<br />

Blues Vocals & Song Writing . . . . . . . . . . . . . . . . . Suzie Vinnick<br />

Braided Mats . . . . . . . . . . . . . . . . . . . . . . . .Wendy E . Bateman<br />

Bronze Casting – Introductory . . . . . . . . . . . . . . .Stewart Smith<br />

Cultural Symbols & Creative Patterning . . . . . . . . . . . .Suzi Dwor<br />

Glass Slumping & Fusing . . . . . . . . . . . . . . . . . . .Heather Wood<br />

Inquiry for Artists . . . . . . . . . . . . . . . . . . . . . . . .V . Jane Gordon<br />

Kids' Metal Jewellery Arts . . . . . . . . . . . . . . . Susan Watson Ellis<br />

Kids’ Outdoor Art Adventures . . . . . . . . . . . . . . . .Paul Marshall<br />

Landscape of the Model . . . . . . . . . . . . . . . . . . . . .Joanna Nash<br />

Machine Knitting – Technique to Attire . . . . . Monika Stramaglia<br />

Oil Painting . . . . . . . . . . . . . . . . . . . . . . . . . . . .Andrea Mossop<br />

Open Studio – Painting . . . . . . . . . . . . . . . . . . . . . . .Steve Rose<br />

Paddle Making . . . . . . . . . . . . . . . . . . . . . . . . . . . . Russ Parker<br />

Painting Basics . . . . . . . . . . . . . . . . . . . . . . Shannon Partridge<br />

Painting Playfully . . . . . . . . . . . . . . . . Michele Karch Ackerman<br />

Pen & Ink and Colour . . . . . . . . . . . . . . . . . . . . . .Marta Scythes<br />

Photography – In Camera . . . . . . . . . . . . . . . . . .Elisabeth Feryn<br />

Pottery – Dinnerware . . . . . . . . . . . . . . . . . . . . . . . Bill Reddick<br />

Printmaking – Screen Monoprinting Plus . . . . Linda Kristen Blix<br />

Printmaking – Watercolour Monotype . . . . . . .Stephanie Rayner<br />

Processing Techniques for EXA Practitioners . . . . .Ed Hagedorn<br />

Silversmithing – Introductory/Intermediate/Advanced<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Todd Jeffrey Ellis<br />

Stringed Instrument Immersion – Intermediate<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bethany Houghton<br />

Surface Design for Quilters & Fibre Artists . . . . . . .Elaine Quehl<br />

Teen Stained Glass . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lia Howe<br />

Water Media Explorations . . . . . . . . . . . . . . . . . Nancy Newman<br />

Watercolour Abstraction . . . . . . . . . . . . . . . . . . . . . . .Denis Cliff<br />

Wire Sculpture – Home & Garden Décor . . . . . . . .Charles O'Neil<br />

Writing Children's Books . . . . . . . . . . . . . . . . . . . .Ted Staunton<br />

Youth/Teen Fabulous Faux Food . . . . . . . . . . . . . . .Frances Key<br />

July 30 to august 3 in Huntsville (page 66)<br />

Creative Writing – Giving Life to Your Story . . .Nora Zylstra Savage<br />

Painted Furniture & Accessories . . . . . . . . . . . . . . .Margot Miller<br />

Photography – Breaking the Rules . . . . . . . . . Jenny Kirkpatrick<br />

Trees . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ramune Luminaire<br />

Watercolour on Canvas . . . . . . . . . . . . . . . . . . . . . .Margot Snow<br />

august 6 to 10 (pages 67 – 73)<br />

Acrylics – Non Objective II . . . . . . . . . . . . . . . . .Lila Lewis Irving<br />

Artistic Explorations – Painting & Drawing . . . . . . . . . Jay Dampf<br />

Basketry by Nature . . . . . . . . . . . . . . . . . . . . . . . .Sheila Ziman<br />

Blacksmithing . . . . . . . . . . . . . . . . . . . . . . . . . . Rene Petitjean<br />

Creative Integration – Arts Across the Curriculum . .Judith Mason<br />

Embellished Textile Surface & Form . . . . . . . . . . . .Judith Dingle<br />

Encaustic Painting II . . . . . . . . . . . . . . . . . . . . . . .Susan Fisher<br />

Expressionism – Power, Passion & Paint . . . . . . . . . .Steve Rose<br />

Expressive Arts – Demystifying Art Materials . . . . .Fay Wilkinson<br />

Felt Lace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Diane Gonthier<br />

Glass Flamework and Glass Flamework II . . . . . .Brad Sherwood<br />

Jewellery – Chain Making: Beginner/Intermediate/Advanced<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Susan Watson Ellis<br />

Kids’ Craftabulous! . . . . . . . . . . . . . . . . . . . . . . . . . . .Erin Lynch<br />

Kids' Musical Jam . . . . . . . . . . . . . . . . . . . . . . . . . .Charlie Kert<br />

Kilt Making – Introductory . . . . . . . . . . . . . . Robert MacDonald<br />

Oil Painting & Collage . . . . . . . . . . . . . . . . . . . . . . . . . .Phil Irish<br />

Painting from the Model – Advanced . . . . . . . . . .John Leonard<br />

Plein Air Acrylics – Introductory . . . . . . . . . . . . .John Anderson<br />

Portraiture: Experimental Approaches . . . . . . . . . . .Kim Lee Kho<br />

Printmaking – Impasto Waterbase . . . . . . . . .Stephanie Rayner<br />

Quilts with Colour – Real Colour . . . . . . . . . . . . . . .John Willard<br />

Raku Advanced I . . . . . . . . . . . . . . . . . . . . . . . . Michael Sheba<br />

Rug Hooking – Traditional East Coast Primitive . . Donna Sproule<br />

Soapstone Carving . . . . . . . . . . . . . . . . . . . . . . . .John Sabourin<br />

Totem Pole Carving and Totem Mask . . . . . . . . . . . . .Wayne Hill<br />

Watercolour Painting – Experimental . . . . . . . . . . . . .Kal Honey<br />

Watercolour Painting – Intermediate . . . . . . . . . . .Marta Scythes<br />

Wire Jewellery II . . . . . . . . . . . . . . . . . . . . . .Dianne Karg Baron<br />

Wire Sculpture – Large Scale . . . . . . . . . . . . . . . .Charles O'Neil<br />

Youth Art – The Works! . . . . . . . . . . . . . . . . . . . . Marg McIntyre<br />

Youth/Teen Printmaking & Screenprinting . . . . . . . Elisha Barlow<br />

august 13 to 17 (pages 73 – 75)<br />

Acrylics & Mixed Media – Intermediate . . .Annette Blady Van Mil<br />

Encaustic Mixed Media & Collage . . . . . . . . . . . . . .Susan Fisher<br />

Figure in the Landscape . . . . . . . . . . . . . . . . . Matthew Mancini<br />

Glass Flamework and Glass Flamework II . . . . . .Brad Sherwood<br />

Iron Sculpture . . . . . . . . . . . . . . . . . . . . . . . . . . Rene Petitjean<br />

Kids' Handbuilding Pottery . . . . . . . . . . . . . . . . . . . . .Lisa Barry<br />

Kids' 'Oh Canada' . . . . . . . . . . . . . . . . Michele Karch Ackerman<br />

Kilt Making II . . . . . . . . . . . . . . . . . . . . . . . . Robert MacDonald<br />

Non Objective Painting II . . . . . . . . . . . . . . . . . . . . .Steve Rose<br />

Paint – Brush Up . . . . . . . . . . . . . . . . . . . . . . . . . . . .Al Van Mil<br />

Pottery – Understanding Glazes . . . . . . . . . . . . . Michael Sheba<br />

Purses, Handbags & Artful Totes . . . . . . . . . . . . . .Judith Dingle<br />

Watercolour Landscape Painting . . . . . . . . . . . . .Shelley Beach<br />

august 18 to 26 (page 75)<br />

OHS Spinning Certificate Program – Level V . . . . . .Beth Abbott,<br />

. . . . . . . . . .Wendy E . Bateman, Harriet Boon, Mara Lusis<br />

august 20 to 24 (page 75)<br />

Youth/Teen Pottery . . . . . . . . . . . . . . . . . . . . . . . . . . .Lisa Barry<br />

7


8<br />

FaLL 2012<br />

mcmichael canadian art collection (page 76)<br />

August 27 to 31<br />

Theory & Technique of the Group of Seven . . John Leonard<br />

September 3 to 7, 2012<br />

Acrylic Painting Techniques . . . . . . . . . . Marianne Broome<br />

September 10 to 14<br />

Contemporary Landscape Painting . . . . . . . . John Leonard<br />

September 17 to 21<br />

Contemporary Landscape Painting – Advanced II<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Leonard<br />

september 22 (page 77)<br />

Acrylic Stain Painting Workshop . . . . . . . . . . . . . .Shelley Beach<br />

Cake Decorating – Fondant Workshop . . . . . . . . .Jennifer Mayrl<br />

Mixed Media Collage Texture Workshop . . . . . . . . . .Valerie Kent<br />

Precious Metal Clay Enamelling Workshop . . .Shannon Kennedy<br />

Stained Glass Stepping Stones Workshop . .Wendy Laduarantaye<br />

Wire Sculpture Workshop . . . . . . . . . . . . . . . . . . .Charles O'Neil<br />

october 22 to 26 (page 78)<br />

Landscape Painting – Working the Land . . . . . . . . . .Rod Prouse<br />

Mixed Media Collage & Texture . . . . . . . . . . . . . . . . .Valerie Kent<br />

Stained Glass Lamp . . . . . . . . . . . . . . . . . . . . .Linda McGillivray<br />

Theatre: Setting the Scene . . . . . . . . . . . . . . . . . . .Frances Key<br />

Totem Pole Carving and Totem Mask . . . . . . . . . . . . .Wayne Hill<br />

Watercolour Painting – Advanced . . . . . . . . . . . . . .Art Cunanan<br />

november 3 (page 79)<br />

Artful Lettering Workshop . . . . . . . . . . .Judith Jaimet Bainbridge<br />

Chain Bracelet Workshop . . . . . . . . . . . . . . . Susan Watson Ellis<br />

Guitar Basics Workshop . . . . . . . . . . . . . . . . . . . . Eve Goldberg<br />

Knitting Boot Camp Workshop . . . . . . . . . . . . . . . .Kim McBrien<br />

Stained Glass Workshop . . . . . . . . . . . . . . . . . .Linda McGillivray<br />

november 10 (page 80)<br />

Art Clay Silver: Introductory Workshop . . . . . . . . . . .Sophia Tink<br />

Beaded Jewellery Workshop . . . . . . . . . . . . . . . .Amanda Brittin<br />

Christmas Ornaments – Folded Metal Workshop<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Todd Jeffery Ellis<br />

Felted Slippers . . . . . . . . . . . . . . . . . . . . . . . . . .Heidi Hudspith<br />

Finger Style Guitar Workshop . . . . . . . . . . . . . . . . . . .Rick Fines<br />

Sketching Workshop . . . . . . . . . . . . . . . . . . . . . .Marta Scythes<br />

open HoUse<br />

Saturday April 14, 2012<br />

See page 3 for more information.<br />

createit@hsta.ca<br />

Phone: 1.866.353.6464 or 705.457.1680<br />

Fax: 705 .457 .2255<br />

Mail: Box 839, Haliburton Ontario K0M 1S0<br />

Visual and Creative Arts Diploma (VCAD)<br />

Investigate our unique and flexible options for earning a diploma<br />

in the visual arts . Choose the learning path that’s right for you!<br />

See page 96 for more information or visit our website at<br />

www .hsta .ca .<br />

VCAD Credits: Within this calendar,<br />

foundation courses are indicated by a single asterisk (*),<br />

non-credit courses are indicated by a double asterisk (**),<br />

elective courses have no asterisk.<br />

art certificates<br />

The following certificates run from September to December:<br />

• Artist Blacksmith<br />

• Ceramics<br />

• Drawing & Painting<br />

• Fibre Arts<br />

• Photo Arts<br />

The following certificates run from January to April:<br />

• Digital Image Design<br />

• Glassblowing<br />

• Jewellery Arts<br />

• Sculpture<br />

For more information, call 1-866-353-6464<br />

(local 705-457-1680) or visit www .hsta .ca


Expressive Arts<br />

Expressive Arts Ontario <strong>College</strong> Graduate Certificate Program<br />

The Expressive Arts Certificate is an 8-credit Ontario <strong>College</strong><br />

Graduate Certificate program consisting of 4 mandatory courses<br />

and 4 elective courses . <strong>Fleming</strong>’s certificate can be achieved on<br />

a part-time basis (note Program Changes) or a full-time basis<br />

by attending the 8-week intensive format program in the spring .<br />

Individual course registrations will be considered in the 8-week<br />

program on March 26, 2012, dependent upon the complete<br />

program registration level and space availability .<br />

Program Highlights<br />

Through four mandatory and four elective courses, you will<br />

explore your own creativity and learn how to design and deliver<br />

expressive arts programming to people in a variety of circumstances<br />

. In addition, you will examine the theoretical and<br />

practical approaches to expressive arts as therapy, and learn how<br />

to protect yourself from burnout . Please see the course list below .<br />

<strong>Fleming</strong>’s post-graduate certificate in Expressive Arts is a helpful<br />

addition to the counselling, teaching, or ministry you currently<br />

offer others . As a teacher, artist, nurse, social worker, minister, or<br />

someone in a “caring” profession, you will benefit from knowing<br />

how to facilitate the development and transformation of the<br />

people in your care, through expressive arts .<br />

Why Choose <strong>Fleming</strong>?<br />

The Expressive Arts Certificate cannot be found elsewhere, in<br />

particular with the choice of studying full or part-time . We offer<br />

the certificate with this flexibility so professionals working with<br />

adults and children can fit this training into their busy schedules .<br />

Backed by the reputation of <strong>Fleming</strong> <strong>College</strong>’s Haliburton School<br />

of The Arts, and many enthusiastic instructors with experience<br />

in counselling therapies and/or the arts, you will benefit professionally<br />

and personally from your time spent in pursuit of this<br />

certificate . Fay Wilkinson is the on-site co-ordinator for the eightweek<br />

program .<br />

Minimum Admission Requirements: Human Service or Arts<br />

diploma/degree . Students that do not meet the formal academic<br />

requirements may be considered by alternate mature student<br />

admissions procedure .<br />

Fees and Additional Costs: Tuition and fees are *$1,595 .00 for<br />

the intensive 8-week program . (*Tuition and fees are subject<br />

to changes .) There is also a $120 material fee payable to the<br />

academic co-ordinator . Part-time students pay individual course<br />

registration fees of $299 .74 per course plus $15 material fee per<br />

course .<br />

How to Register<br />

Full-time students go to www .ontariocolleges .ca<br />

OCAS Code: EXA<br />

<strong>College</strong> Code: SSFL<br />

Campus Code: 4<br />

Part-time students pay individual course registration fees .<br />

Individual course registrations will be considered in the<br />

8-week program on March 26, 2012, dependent upon the<br />

complete program registration level and space availability .<br />

Mandatory Courses<br />

• Exploration of Therapeutic Relationships<br />

• Introduction to Expressive Arts<br />

• Planning Expressive Arts Experiences<br />

• Professional Issues with the Expressive Arts<br />

Elective Courses<br />

• Expressive Arts Modalities<br />

• Expressive Arts – SoundWork & BodyPlay<br />

• Expressive Arts – Wording Liminal Space<br />

• Storytelling & Sandtray Therapy within the Expressive Arts<br />

These offerings are also part of the 2012 summer part-time<br />

program:<br />

• Expressive Arts – Practical Community Experiences<br />

• Introduction to Expressive Arts Therapies<br />

• Dolls, Masks & Puppets within the Expressive Arts<br />

• Processing Techniques for Expressive Arts Practitioners<br />

• Expressive Arts – Demystifying Art Materials<br />

The following electives were offered in the past and can be<br />

applied to the Expressive Arts Certificate if you declared<br />

your intent to pursue the certificate on a part-time basis and<br />

completed the course(s) prior to 2005 . Note program changes<br />

indicated on this page .<br />

• Art Therapy – Expressing Childhood<br />

• Creative Explorations and Expression<br />

• Creative Spirit and the Symbolic Abstract<br />

• Exploring Expressive Arts Modalities<br />

• Expressive Arts – Play Therapy<br />

• Expressive Self-Portraiture<br />

• Freeing the Creative Spirit<br />

• Movement and Voice as Expressive Arts<br />

• Storytelling – Developing a Personal Mythology<br />

• Storytelling – The Art of Family Lore<br />

Program Changes: As a result of a program review, we are in the<br />

process of making some changes to the elective courses within<br />

the certificate . As of 2005, electives offered in the Expressive<br />

Arts Certificate are not eligible as credits toward the Visual and<br />

Creative Arts Diploma . Any of the courses listed above that were<br />

successfully completed prior to 2005 will be grandfathered as<br />

previously communicated and accepted as credits toward the<br />

Visual and Creative Arts Diploma .<br />

Accommodation: Limited shared accommodation is available in<br />

the school’s housekeeping cottages on a first-come, first-served<br />

basis . Cost: $113 (HST included) per week . Additional accommodation<br />

information is available from the school upon request .<br />

Dates: April 23 – June 15, 2012<br />

spring 2012<br />

9


10<br />

Introduction to Expressive Arts Therapies M<br />

COURSE CODE <strong>ARTS</strong>112 SECTION 41<br />

INSTRUCTOR Fay Wilkinson<br />

DATES April 23 – 27, 2012<br />

FEE $299 .74<br />

“Sitting quietly, doing nothing, spring comes and the grass<br />

grows by itself.” (Zenrin) . When we provide the right conditions<br />

for ourselves, we open the door to growth . Tapping into our<br />

creativity provides a natural source of imagery and energy to use<br />

for healing and personal expression . This course will introduce<br />

you to the theory and practice of the expressive arts . If you are<br />

working in the human service field, you will learn about the<br />

applicability of visual arts, music, writing, movement and theatre<br />

to your work settings . There will be a $15 material fee payable to<br />

the instructor<br />

Storytelling and Sandtray Therapy<br />

within the Expressive Arts E<br />

COURSE CODE <strong>ARTS</strong>1028 SECTION 41<br />

INSTRUCTOR Fay Wilkinson and Verity Barrett<br />

DATES April 30 – May 4, 2012<br />

FEE $299 .74<br />

Successful completion of Introduction to Expressive Arts Therapies<br />

is recommended prior to taking this course.<br />

This course is an introduction to the practice and theory of<br />

sandtray-worldplay therapy and the application of storytelling<br />

within the expressive arts . These modalities give voice to the<br />

internal and external worlds of both children and adults . They are<br />

tools with which to explore for example issues of loss, abuse, and<br />

self-esteem that can provide new perspectives on life experiences<br />

. This will be of interest to professionals working with children<br />

and adults in educational, health, recreation or therapeutic<br />

settings . There will be a $15 material fee payable to the instructor .<br />

eXpressiVe arts coUrses<br />

Please note: To register for these courses you must meet the admission requirements for the EXA Graduate Certificate Program.<br />

Details available on page 9.<br />

As a teacher, artist, nurse, social worker,<br />

minister, or someone in a “caring” profession,<br />

you will benefit from knowing how to facilitate<br />

the development and transformation of the<br />

people in your care, through expressive arts.<br />

Exploration of Therapeutic Relationships M<br />

COURSE CODE <strong>ARTS</strong>91 SECTION 41<br />

INSTRUCTOR Edward Hagedorn<br />

DATES May 7 – 11, 2012<br />

FEE $299 .74<br />

Please note: Successful completion of Introduction to Expressive<br />

Arts Therapies is recommended prior to taking this course.<br />

In this course you will explore various types of therapeutic<br />

relationships, as well as several important aspects of therapeutic<br />

relations in general . It will include experiential, demonstrated, and<br />

didactic learning methods . There will be ample opportunity for<br />

practice, discussion and feedback using role playing of the client,<br />

the expressive therapist, and the witness/observer . Some of these<br />

opportunities will occur in pairs, some in small groups, others in<br />

the full group . There will be an attempt to use the ‘here and now’<br />

experiences of the class/group member to highlight the important<br />

factors of therapeutic relationships . There will be a $15 material<br />

fee payable to the instructor .<br />

Expressive Arts – SoundWork & BodyPlay E<br />

COURSE CODE <strong>ARTS</strong>774 SECTION 41<br />

INSTRUCTOR Gary Diggins and Dorit Osher<br />

DATES May 14 – 18, 2012<br />

FEE $299 .74<br />

SoundWork: Designing and Facilitating Sonic Rituals . Whether<br />

we are creating a ceremony of celebration or a ritual to grieve a<br />

loss, SoundWork enables participants to drop out of the topside<br />

world of words in order to engage the images, feelings, and<br />

themes of the inner life . Sonic rituals can be jubilant or heartfelt,<br />

but are always in-depth . BodyPlay: Integrative Movement with<br />

drawing and journalling . We will use breath and structured<br />

improvisational dance to explore the different facets of our inner<br />

worlds of images, emotions, sensations and impulses . As we<br />

move between modalities suitable applications and populations<br />

will be discussed . There will be a $15 material fee payable to the<br />

instructor .<br />

The M or E symbol beside the course name indicates whether the course is Mandatory or Elective toward the Expressive Arts Certificate.<br />

These courses do not count towards <strong>Fleming</strong>’s Visual and Creative Arts Diploma.


Expressive Arts – Wording Liminal Space E<br />

COURSE CODE <strong>ARTS</strong>1606 SECTION 41<br />

INSTRUCTOR Gili Haimovich<br />

DATES May 21 – 25, 2012<br />

FEE $299 .74<br />

This experiential course provides an opportunity to explore<br />

writing-focused expressive arts . Instruction will involve an<br />

interdisciplinary approach that includes additional art modalities<br />

such as voice and music, movement and dance, visual arts and<br />

drama as they generate and support the writing process . Discover<br />

how the creative writing process teaches you to articulate inner<br />

sensations, emotions, and thoughts . Exploring a variety of art<br />

modalities in the realm of creative writing gives a fresh perspective<br />

on recurring themes and issues in our lives, and deepens<br />

our understanding of the metaphors and images that surround<br />

us . Writing-focused expressive arts are effective with a range of<br />

populations, from high functioning adults and children, to clients<br />

who are not native English speakers, to populations with different<br />

challenges, including those who are not highly verbal . A background<br />

in writing is not required . There will be a $15 material fee<br />

payable to the instructor .<br />

Planning Expressive Arts Experiences M<br />

COURSE CODE <strong>ARTS</strong>171 SECTION 41<br />

INSTRUCTOR Fay Wilkinson<br />

DATES May 28 – June 1, 2012<br />

FEE $299 .74<br />

Please note: Successful completion of Introduction to Expressive<br />

Arts Therapies is recommended prior to taking this course.<br />

Successful completion of Introduction to Expressive Arts Therapies<br />

is recommended prior to taking this course . This course will<br />

teach you to plan and lead expressive arts experiences for others .<br />

Instruction will address a broad spectrum of expressive arts experiences<br />

as well as present the theoretical tools for assessing what<br />

type of experiences might be appropriate for various individuals<br />

and populations. You will learn how music, movement, visual, and<br />

narrative arts can promote self-awareness and personal growth<br />

with various populations ranging from drug treatment facilities to<br />

nursing homes, daycares to prisons . There will be opportunities<br />

to experience leadership in the non-judgmental atmosphere of<br />

the student group . There will be a $15 material fee payable to the<br />

instructor .<br />

<strong>Fleming</strong> <strong>College</strong> & ISIS<br />

<strong>Fleming</strong> <strong>College</strong> is pleased to announce an affiliation with the International School for Interdisciplinary Studies, ISIS-Canada,<br />

in Toronto, Ontario (www .isis-canada .org) . ISIS-Canada is a certificate-granting training institute in intermodal expressive arts<br />

therapy . Students who graduate from ISIS-Canada can apply their credits towards an MA degree in Expressive Arts Therapy at<br />

the European Graduate School in Switzerland (www .egsuniversity .ch) .<br />

Graduates of <strong>Fleming</strong>’s Expressive Arts Certificate program will be granted the following should they choose to continue studies<br />

at ISIS:<br />

• credit for 100 studio hours in the ISIS program<br />

• the distinction of “Arts Specialization” on their ISIS certificate<br />

Working Together<br />

Expressive Arts Modalities E<br />

COURSE CODE <strong>ARTS</strong>436 SECTION 41<br />

INSTRUCTOR TBA<br />

DATES June 4 to 8, 2012<br />

FEE $299 .74<br />

This course provides an opportunity to interact with graduates<br />

of <strong>Fleming</strong>’s Expressive Arts Ontario <strong>College</strong> Graduate Certificate<br />

Program and to explore some of the ways they have incorporated<br />

their training into work with others . Labyrinths and mandalas<br />

are ancient and powerful tools to used centre, strengthen, and<br />

help us move out into the world They have also been used for<br />

contemplation, ritual, initiation, celebration and personal spiritual<br />

growth Centring exercises with breath, movement, colour, sound<br />

and words will lead you into the creation of a personal mandala,<br />

combining the ritual mandala of the East and the self-exploratory/<br />

expressive mandala of the West . The creation of both a personal<br />

and community labyrinth will provide further opportunities for self<br />

exploration and expressive arts experiences . There will be a $15<br />

material fee payable to the instructor .<br />

Professional Issues with the Expressive Arts M<br />

COURSE CODE <strong>ARTS</strong>183 SECTION 41<br />

INSTRUCTOR TBA<br />

DATES June 11 to 15, 2012<br />

FEE $299 .74<br />

Please note: Successful completion of Introduction to Expressive<br />

Arts Therapies and Exploration of Therapeutic Relationships<br />

is recommended prior to taking this course.<br />

It is important to recognize the parameters of utilizing expressive<br />

arts within the bounds of one’s training experience . How does one<br />

handle situations that are beyond the scope of our professional<br />

practice? What are the needs of cultural and racial minorities<br />

which can be appropriately integrated into the expressive arts?<br />

How do we handle burnout creatively? This course will cover<br />

ethical and professional issues which may arise as a result of<br />

using the expressive the expressive arts . There will be a $15<br />

material fee payable to the instructor .<br />

spring 2012<br />

11


12<br />

spring 2012<br />

apriL 30 to maY 4, 2012<br />

Blacksmithing – Open Studio<br />

COURSE CODE <strong>ARTS</strong>1726 SECTION 41<br />

INSTRUCTOR Rene Petitjean<br />

DATES April 30 – May 4, 2012<br />

FEE $392 .33 (includes $92 .59 material fee)<br />

Please note: This course is not suitable for beginners.<br />

This course is an excellent opportunity to challenge, explore, and<br />

expand upon your blacksmithing skills . The learning environment<br />

is an independent open studio format that is suitable for<br />

any subject matter and style of approach . Expand your visual<br />

language, technical skills, and artistic vocabulary in a safe and<br />

highly creative environment . Instruction will encourage creative<br />

design, content, and contemporary and traditional execution of<br />

your ideas . In addition there will be ongoing personal and group<br />

critiques as well as daily informal lectures on advanced techniques<br />

and processes .<br />

Collage & Acrylic Explorations<br />

COURSE CODE <strong>ARTS</strong>1004 SECTION 41<br />

INSTRUCTOR Rose Pearson<br />

DATES April 30 – May 4, 2012<br />

FEE $299 .74<br />

Please note: Not suitable for beginners, painting experience is<br />

required to participate.<br />

In this exciting process-oriented course you will learn to combine<br />

collage materials and acrylic paint as a means of personal visual<br />

expression and distinct visual vocabulary . With a creative spirit,<br />

you will be encouraged to explore and experiment with new<br />

concepts and ideas, using magazines, old paintings, oriental<br />

and stained papers, found objects, photographs, fabric, fibres,<br />

acrylic paint and anything else that you would like to adhere to<br />

your support surface . Composition and design principles will be<br />

addressed. You will benefit from individual attention and group<br />

dialogue . Personal creative expression and uniqueness will be<br />

encouraged . There will be a $30 material fee payable to the<br />

instructor .<br />

Landscape Painting – Working the Land<br />

COURSE CODE <strong>ARTS</strong>1540 SECTION 41<br />

INSTRUCTOR Rod Prouse<br />

DATES April 30 – May 4, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

This course is designed to assist you to move beyond the literal<br />

and develop a personal voice in painting the land . Explore ways<br />

to interpret landscape, distill the painting possibilities in a scene,<br />

and apply relevant principles of design and technique to the<br />

work . Analyze observed landscape and reconstruct it in paint with<br />

a mind to developing a unique style in this discipline . Using an<br />

analytical as well as a direct painterly response, one can refresh<br />

and personalize the landscape painting experience . Please note<br />

that this is not necessarily a plein air course or an exercise in<br />

studio abstraction, rather a selection of painting strategies with a<br />

goal to helping you develop . With this in mind, to be productive<br />

and versatile, work will be done in acrylics . There will be a $10<br />

material fee payable to the instructor .<br />

Painted Furniture & Accessories<br />

COURSE CODE <strong>ARTS</strong>1538 SECTION 41<br />

INSTRUCTOR Margot Miller<br />

DATES April 30 – May 4, 2012<br />

FEE $299 .74<br />

Cottage style, city slick or shabby chic . . . restyle, rework, recycle<br />

and upcycle your furniture or accessories with texture, pattern<br />

and colour to match your cottage, verandah, cabin or home . If<br />

there is an old favourite piece of furniture tucked away in your<br />

boathouse or garage that doesn’t fit the style of your rooms . . .<br />

transform it into a work of art . Design for your life style and<br />

budget! Experiment with faux finishes, stencils, hand painting,<br />

leaf prints, resists and finishing techniques on old tables, chairs,<br />

cabinets, lamps, chests, and more . Create vintage, refined<br />

romantic, cottage or retro-revival style. You will learn the tips<br />

and tricks of glazing for the sun soaked yellows of Provence and<br />

Tuscany, the tea stained battered look of vintage charm, the cool<br />

white wash of shabby chic or the layered depth of deep lacquers .<br />

Add buttons and bows for the MacKenzie-Childs look, birch bark<br />

and grape vine for a primitive Muskoka cottage style or a mosaic<br />

for a new table top . Instruction will accommodate all levels of skill .<br />

Furniture and accessories do not have to be stripped or under<br />

painted . There will be a $15 material fee payable to the instructor .<br />

Pottery – Teapot Design Techniques<br />

COURSE CODE <strong>ARTS</strong>1715 SECTION 41<br />

INSTRUCTOR Jessica Steinhäuser<br />

DATES April 30 – May 5, 2012 (6 days)<br />

FEE $359 .26 (includes $18 .52 initial material fee)<br />

Please note: This course is not suitable for beginners.<br />

Instruction and creative explorations will advance your skills in the<br />

construction of refined and complex clay forms – specifically the<br />

teapot . Process preferences will be developed in conjunction with<br />

design considerations . The relationship<br />

of function and aesthetic will<br />

be stressed whether your project is<br />

traditional, contemporary, sombre<br />

or whimsical . Creative emphasis<br />

will be placed on the individual<br />

elements of the teapot – spout,<br />

lid and handle, in this processoriented<br />

course . Additional clay<br />

will be available for purchase from<br />

the school at a cost of $20 per bag<br />

which includes glazing and firing .<br />

This is a 6 day course . Additional<br />

clay will be available for purchase<br />

from the school at a cost of $20 per<br />

bag, which includes glazing and<br />

firing .


maY 7 to 11, 2012<br />

Acrylics – Non Objective I<br />

COURSE CODE <strong>ARTS</strong>1267 SECTION 41<br />

INSTRUCTOR Lila Lewis Irving<br />

DATES May 7 – 11, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginner painters.<br />

Abstraction experience is not required.<br />

In this introductory course, you will learn the basic principles<br />

of non objective painting . No images allowed – non objective<br />

painting has a complete lack of subject matter . Boldness, individualism<br />

and experimentation will be encouraged, emphasizing<br />

shapes, values and colour .<br />

This course runs simultaneously with Acrylics – Non Objective<br />

II. Please clearly indicate which level you’re registering for.<br />

Acrylics – Non Objective II<br />

COURSE CODE <strong>ARTS</strong>1268 SECTION 41<br />

INSTRUCTOR Lila Lewis Irving<br />

DATES May 7 – 11, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. Experience<br />

in painting and design is required.<br />

Learn the principles of non-objective art and further develop your<br />

painting skills . Boldness and experimentation will be encouraged<br />

as you explore the infinite possibilities of arranging shapes and<br />

colours .<br />

This course runs simultaneously with Acrylics – Non Objective<br />

I. Please clearly indicate which level you’re registering for.<br />

Machine Quilting<br />

COURSE CODE <strong>ARTS</strong>1263 SECTION 41<br />

INSTRUCTOR Maggie Vanderweit<br />

DATES May 7 – 11, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. You must<br />

be comfortable with your sewing machine and have intermediate<br />

quilting skills and experience.<br />

Investigating machine quilting and finishing techniques for quilts,<br />

learn to use your sewing machine in a variety of ways to quilt,<br />

bind and embellish in original, personal patterns . Exercises will<br />

create a comfort level with a variety of threads . Bring tops you<br />

want help to complete or begin a new body of work . Explore an<br />

organic approach to intense art quilting lines and play with hoops,<br />

solubles and fusibles to create fabulous expressive pieces .<br />

Mixing Media<br />

COURSE CODE <strong>ARTS</strong>1262 SECTION 41<br />

INSTRUCTOR Ramune Luminaire<br />

DATES May 7 – 11, 2012<br />

FEE $299 .74<br />

Take time to experiment and explore . Expand your creative horizons<br />

by finding new ways to work with charcoal, graphite, pastel,<br />

paint, ink, simple printmaking techniques and collage . Instruction<br />

and experimentation will help you choose and use the best materials<br />

to suit your ideas, rather than feeling bound by one particular<br />

medium . It will also provide you with new ways of producing an<br />

image, and strategies for moving an idea along . This course is<br />

perfect for beginners who want to experiment and explore in a<br />

structured environment, as well as for more experienced artists<br />

looking for ways to re-invigorate their art practice . There will be a<br />

$20 material fee payable to the instructor .<br />

Stained Glass<br />

COURSE CODE <strong>ARTS</strong>211 SECTION 41<br />

INSTRUCTOR Linda McGillivray<br />

DATES May 7 – 11, 2012<br />

FEE $299 .74<br />

Stained glass is an exciting medium that uses a balance of light<br />

source and colour . Dramatic results can be achieved regardless<br />

of artistic capability or experience . In this course, basic history,<br />

design and techniques will be addressed, with an emphasis on<br />

skills and technique . Learn the copper foil method by making<br />

a sun catcher . The instructor will demonstrate the lead came<br />

method. You can expect to complete a third project of your<br />

choice: a small lamp, jewellery box, panel, clock, or other . If you<br />

have some previous experience, you will be encouraged to challenge<br />

yourself with a more complex project . There will be a $45<br />

material fee payable to the instructor . This fee will cover materials<br />

for the first two projects as well as the use of equipment, patterns<br />

and other related equipment . Additional tools, glass and supplies<br />

will be available at discounted prices .<br />

This course runs simultaneously with Stained Glass – Intermediate.<br />

Please clearly indicate which level you are registering for.<br />

Stained Glass – Intermediate<br />

COURSE CODE <strong>ARTS</strong>213 SECTION 41<br />

INSTRUCTOR Linda McGillivray<br />

DATES May 7 – 11, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Stained glass is an exciting medium that uses a balance of light<br />

source and colour . Dramatic results can be achieved regardless<br />

of artistic capability or experience . Look forward to challenging<br />

yourself in your use of glass, design and techniques . Take this<br />

opportunity to explore original design, three-dimensional projects,<br />

incorporate bevels into your project, and learn to repair a piece of<br />

broken stained glass . Students are welcome to use the instructor’s<br />

tools for a fee of $25 . Additional tools, glass and supplies will<br />

be available at discounted prices .<br />

This course runs simultaneously with Stained Glass. Please<br />

clearly indicate which level you are registering for.<br />

Wire Sculpture – Large Scale<br />

COURSE CODE <strong>ARTS</strong>415 SECTION 41<br />

INSTRUCTOR Charles O’Neil<br />

DATES May 7 – 11, 2012<br />

FEE $299 .74<br />

Project Title: Garden Heron<br />

Please note: This course requires extensive use of hand tools<br />

(wire cutters, pliers).<br />

Wire Sculpture is an exciting, project-specific expressive art form<br />

that can be enjoyed in your home, office or garden . This projectspecific<br />

course is suitable if you are interested in creating works<br />

on a larger scale . In preparation for this undertaking, you will be<br />

led step-by-step through a couple of smaller projects to establish<br />

a comfort level with the material in use . Then, you will design and<br />

create a large scale project, suitable for display in a garden or<br />

outdoor setting . There will be a $75 material fee payable to the<br />

instructor .<br />

spring 2012<br />

13


14<br />

maY 12 to 20, 2012<br />

OHS Spinning Certificate Program – Level II<br />

COURSE CODE <strong>ARTS</strong>338 SECTION 41<br />

INSTRUCTORS Elizabeth Abbott, Wendy E . Bateman,<br />

Harriet Boon, Louise Jackson, Karen Richens<br />

DATES May 12 – 20, 2012<br />

FEE $302 .88<br />

The Ontario Spinners’ Certificate Program is a<br />

six-level program developed by the Education<br />

Committee of the Ontario Handweavers and<br />

Spinners. This spring, the Haliburton School of<br />

The Arts will be offering Level II. It is our desire to continue this<br />

program for the next four levels if registration levels warrant it.<br />

Level II: In addition to class time, this course will require<br />

assignments to be completed and mailed to instructors over the<br />

following seven months for OHS certification . Course of Study:<br />

Sheep breed classification, wool grading, spinning wheels,<br />

wheel paper presentations, semi-worsted and worsted spinning,<br />

combing and preparation, colour study with thirty-step blending,<br />

mordanting and nature dyes . Class schedule will be posted when<br />

available . In addition to a $40 marking fee, there will be a material<br />

fee of approximately $50 payable to the treasurer of the class<br />

on the first day .<br />

My favourite place to be<br />

since 1973!<br />

– Wendy E. Bateman<br />

maY 14 to 19, 2012<br />

Artistic Narrative Through Clay<br />

COURSE CODE <strong>ARTS</strong>1732 SECTION 41<br />

INSTRUCTOR April Gates<br />

DATES May 14 – 19, 2012 (6 days)<br />

FEE $359 .26 (includes $18 .52 initial material fee)<br />

The intention of this course is to provide an opportunity to explore<br />

creativity and express ideas through the manipulation of clay .<br />

Basic skills and concepts will be introduced but playfulness,<br />

experimentation and narrative will be stressed as opposed to skills<br />

and specific techniques . The clay will be utilized as an artist’s<br />

tool rather than a means of developing a particular element of<br />

craftsmanship . Contemporary relevance, parallel references and<br />

personal interests will be researched, discussed and presented as<br />

you investigate your place within the context of current practice .<br />

Initial projects will be bisque and glaze fired . Subsequent pieces<br />

will not be fired during the course . Additional clay will be available<br />

for purchase at the school .<br />

maY 21 to 25, 2012<br />

Artistic Narrative Through Assemblage<br />

COURSE CODE <strong>ARTS</strong>1425 SECTION 41<br />

INSTRUCTOR Kal Honey<br />

DATES May 21 – 25, 2012<br />

FEE $299 .74<br />

The intention of this course is to provide an opportunity to<br />

explore creativity and express ideas through the use of a variety<br />

of found and low-tech materials . Basic skills and concepts will<br />

be introduced but playfulness, experimentation and narrative will<br />

be stressed as opposed to skills and specific techniques . The<br />

materials will be utilized as an artist’s tool rather than a means of<br />

developing a particular element of craftsmanship . Contemporary<br />

relevance, parallel references and personal interests will be<br />

researched, discussed and presented as you investigate your<br />

place within the context of current practice . There will be a $20<br />

material fee payable to the instructor .


CONCENTRATED STUDY<br />

Drawing & painting – Advanced Individual Studies<br />

We are pleased to offer this opportunity for personal and professional<br />

growth as you immerse yourself in a deeper investigation<br />

of drawing and painting . With an emphasis on conceptual as<br />

opposed to technical investigations, learning will consist of<br />

facilitated discoveries resulting from interactions between all<br />

artists – students and instructors alike . Experience dialogue<br />

on a professional to professional level with your instructor and<br />

understand that differences of opinion are not only accepted but<br />

viewed as learning tools . These shared interests and exchanges<br />

will contribute significantly to your development as an artist .<br />

To maintain academic rigour and provide an effective learning<br />

environment, admission is subject to assessment of suitability .<br />

Please submit the following information by April 11, 2012:<br />

• Colour images of work (min 6)<br />

• Artist statement and biography<br />

• C.V. including complete exhibition record<br />

• Details of relevant visual arts training and/or experience and<br />

related aesthetic experience if applicable<br />

• Your personal and professional goals as well as your reasons<br />

for wanting to attend<br />

Concept, Process & Execution<br />

– Advanced Individual Studies<br />

COURSE CODE <strong>ARTS</strong>1688 SECTION 41<br />

INSTRUCTOR Steve Rose<br />

DATES May 14 – 18, 2012<br />

FEE $299 .74<br />

Within this course you will be provided an opportunity to utilize<br />

the potential of personal intention in regard to your individual<br />

artistic practice . This will result in an investigation of complete<br />

concept, methodology and overall successful execution of your<br />

work . Emphasis will be placed an individual expression and the<br />

importance of the creative process over product . In addition to<br />

ongoing personal and group critiques there will be daily informal<br />

lectures on artists, art movements and related art history .<br />

Painting – Advanced Individual Studies<br />

COURSE CODE <strong>ARTS</strong>914 SECTION 41<br />

INSTRUCTOR John Leonard<br />

DATES May 21 – 25, 2012<br />

FEE $299 .74<br />

With an emphasis on conceptual as opposed to technical investigations,<br />

this course will provide an opportunity to expand your<br />

visual language, painting skills, and visual arts literacy . Instruction<br />

will encourage you to confront your own creative processes<br />

such as imagery, content, ideas, and manner of execution as you<br />

explore the painting medium of your choice . Individual attention<br />

and group dialogue will address your body of work, personal<br />

questions and challenges .<br />

Previous students of these courses are approved for participation<br />

and will not be required to engage in the detailed application and<br />

approval process again .<br />

Digital files will not be accepted .<br />

Mail to: <strong>Fleming</strong> <strong>College</strong>, Box 839, Haliburton, ON K0M 1S0<br />

Attention: Shelley Schell<br />

You may register for any or all of the four courses.<br />

Register for the courses you are interested in as soon as possible .<br />

Registrations are accepted prior to determination of acceptance .<br />

Full refunds will be issued if an application is deemed unsuitable .<br />

Admission is subject to assessment as detailed . In all courses,<br />

individual attention and group dialogue will address your body of<br />

work, personal questions and challenges .<br />

Feasibility of this program will be determined two weeks in<br />

advance of each course start .<br />

Please note: These courses are not suitable for beginners.<br />

Participation requires the completion of a post-secondary arts program or the equivalent experience.<br />

Admission is subject to assessment as detailed above.<br />

Visual Arts – Advanced Individual Studies<br />

COURSE CODE <strong>ARTS</strong>915 SECTION 41<br />

INSTRUCTOR John Leonard<br />

DATES May 28 – June 1, 2012<br />

FEE $299 .74<br />

With an emphasis on conceptual as opposed to technical investigations,<br />

this course will provide an opportunity to expand your<br />

visual language, painting skills, and visual arts literacy . Instruction<br />

will encourage you to confront your own creative processes<br />

such as imagery, content, ideas, and manner of execution as you<br />

explore the media of your choice . Individual attention and group<br />

dialogue will address your body of work, personal questions and<br />

challenges .<br />

Advanced Studies In and Across Disciplines<br />

COURSE CODE <strong>ARTS</strong>1212 SECTION 41<br />

INSTRUCTOR V . Jane Gordon<br />

DATES June 4 – 8, 2012<br />

FEE $299 .74<br />

With an emphasis on ideas rather than techniques, this course<br />

will provide an opportunity to realize the freedom of working<br />

without the spectre of biased judgement. You will be encouraged<br />

to confront your own creative processes through studies in<br />

traditional two dimensional media as well as digital photography,<br />

three dimensional work and installation contexts, including work<br />

that combines two or more of these disciplines .<br />

spring 2012<br />

15


16<br />

Haliburton School of The Arts at OCAD University!<br />

The Haliburton School of The Arts is pleased to be affiliated<br />

with the Ontario <strong>College</strong> of Art and Design University . Enjoy this<br />

urban perspective and experience from an exciting downtown<br />

location, around the corner from the Art Gallery of Ontario, and<br />

within walking distance of numerous galleries, museums, and<br />

theatres .<br />

These nine courses will be held at the Ontario <strong>College</strong> of Art<br />

and Design (OCAD) University in Toronto, Ontario.<br />

JUne 4 to 8 at ocaD UniVersitY<br />

Collage & Mixed Media II<br />

COURSE CODE <strong>ARTS</strong>1713 SECTION 41<br />

INSTRUCTOR Kal Honey<br />

DATES June 4 – 8, 2012<br />

FEE $299 .74<br />

Note: This course assumes a familiarity with values, colour<br />

systems and composition as well as some experience with<br />

collage. As such, it is not suitable for beginners.<br />

From the bold immediacy of appropriated media imagery to<br />

the nuanced subtlety of texture, colour and form – collage has<br />

the potential to say anything you want it to say . With inspiring<br />

and thought-provoking examples from 20th-century masters<br />

as well as current practitioners as starting points, this course<br />

will delve deeper into artistic ideas and issues via the medium<br />

of collage . Through challenging, open-ended exercises, you<br />

will be provided ample opportunity to develop your own directions<br />

in a collegial, supportive environment where it is safe<br />

to take the risks necessary for growth . Group and individual<br />

discussions will help clarify your artistic thinking, provide<br />

insight, and assist you to place your work in the context of<br />

contemporary practice . There will be a $20 material fee<br />

payable to the instructor .<br />

Figurative Abstraction in Acrylic<br />

COURSE CODE <strong>ARTS</strong>1168 SECTION 41<br />

INSTRUCTOR Brian Smith<br />

DATES June 4 – 8, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

With intermediate-to-advanced level instruction, this course<br />

will develop your ability to abstract from the human form . See<br />

shapes in the figure more clearly, develop more satisfying<br />

compositions that include the draped and undraped body,<br />

and develop a looser, freer approach to painting the figure .<br />

Fundamental Drawing<br />

COURSE CODE <strong>ARTS</strong>98 SECTION 41<br />

INSTRUCTOR Denis Cliff<br />

DATES June 4 – 8, 2012<br />

FEE $299 .74<br />

This course will make it easy for the uninitiated to fearlessly<br />

approach the process of drawing in a refreshing and creative<br />

environment. You will learn to work with an assortment of<br />

media in a variety of techniques . Exploration of light and<br />

shade, contour and gesture drawing will increase perception<br />

of form and space, line and tone as well as provide a basic<br />

understanding of expression . Subject matter will include indoor<br />

and outdoor material as well as a life model . Approaches to<br />

subject matter will be kept as simple as possible until you<br />

feel ready for more involvement . Creativity will be emphasized<br />

and special technique development will foster expression and<br />

creativity . Working with pencil, conte, crayon, ink, washes,<br />

charcoal and glue, among other media, you will enjoy individual,<br />

personalized instruction . The instructor will provide a<br />

relaxed, non-threatening environment conducive to overcoming<br />

frustrations and fears about the process of drawing . A life<br />

model will be utilized for a portion of this course .<br />

Illustrative Drawing & Painting<br />

COURSE CODE <strong>ARTS</strong>1259 SECTION 41<br />

INSTRUCTOR Marta Scythes<br />

DATES June 4 – 8, 2012<br />

FEE $299 .74<br />

This course will cover a range of illustration styles and<br />

techniques, using historical references for inspiration . A<br />

variety of surfaces and mediums will be used as you learn<br />

the steps involved in proceeding from idea to finished piece .<br />

Elements and principles of design will be explored through a<br />

logical progression to enable you to make informed choices of<br />

materials, technique and design . A variety of subjects will be<br />

studied such as botany, fashion, jewellery, architecture and the<br />

human figure .<br />

Painting Light<br />

COURSE CODE <strong>ARTS</strong>1278 SECTION 41<br />

INSTRUCTOR Andrea Mossop<br />

DATES June 4 – 8, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Turner’s dashing, daring sea, sky and weather scenes of 1840<br />

seem fresh and modern even to contemporary eyes . Learn to<br />

paint this magical quality of light, capturing the world as luminous<br />

movement in colour and gesture . In your choice of the<br />

naturalistically real or abstract image, you will employ J .M .W .<br />

Turner’s practice of layering . Build the texture of the painting<br />

through techniques of texturing, scraping, floating, scumbling,<br />

glazing, and wiping to balance translucent and opaque colour<br />

for effects of glow, opalescence and luminosity . Turner’s<br />

sketching methods will be employed to create large work in oil<br />

or acrylic . Explore contemporary applications for a personal<br />

and creative interpretation from Turner’s influence on Monet,<br />

the Impressionists and the Abstract Expressionists . Instruction<br />

is suited to acrylic and/or oil paints (no solvents) .


JUne 11 to 15 at ocaD UniVersitY<br />

Acrylics – Fast and Forgiving<br />

COURSE CODE <strong>ARTS</strong>3 SECTION 41<br />

INSTRUCTOR Denis Cliff<br />

DATES June 11 – 15, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for complete beginners.<br />

Discover the fascinating power of acrylic paint and its amazing<br />

potential . Imagine being able to cover your mistakes within<br />

minutes because of its fast drying properties . Enjoy the many<br />

processes that acrylics are suitable for and learn about the<br />

fabulous properties of this medium in a non-threatening<br />

environment, conducive to personal creative thinking. You will<br />

experience the medium in its full-strength, manufactured state as<br />

well as employ it as a stain with water added and then applied to<br />

unprimed canvas where it behaves like a watercolour with intense<br />

colour . Paint will also be used in flat, layered applications and<br />

in thick and textured processes that greatly enrich the surface .<br />

The instructor will bring some unique, personally developed<br />

experiences to the course and both traditional and abstract<br />

images can enhance your visual vocabulary and contribute to the<br />

enjoyment of the medium. You will benefit from close, personal<br />

attention and advice, in addition to learning from group critiques .<br />

Open Studio – Painting<br />

COURSE CODE <strong>ARTS</strong>1258 SECTION 41<br />

INSTRUCTOR Steve Rose<br />

DATES June 11 – 15, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

This course is an excellent opportunity to challenge, explore, and<br />

expand upon your personal art practice . The learning environment<br />

is an independent open studio format that is suitable for<br />

any subject matter and style of approach . Expand your visual<br />

language, painting skills, and artistic literacy in a safe and highly<br />

creative environment . Instruction will encourage creative imagery,<br />

content, and contemporary execution of your ideas . In addition<br />

there will be ongoing personal and group critiques as well as<br />

daily informal lectures on artists, art movements, and related art<br />

history .<br />

Painting & Form Invention – Advanced<br />

COURSE CODE <strong>ARTS</strong>1178 SECTION 41<br />

INSTRUCTOR Joanna Nash<br />

DATES June 11 – 15, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Competence in observational drawing as well as advanced level<br />

painting skills are required.<br />

This course emphasizes your individual work process and its<br />

connection to your personal motivation and painterly results .<br />

Individual research will explore your capacity to invent personal<br />

interpretations of the subject(s) of your choice, concrete or<br />

conceptual. You can work in any painting materials with which<br />

you are comfortable, and receive appropriate technical support<br />

when needed . This course proceeds with an emphasis on<br />

conceptual as opposed to technical investigations, and focuses<br />

on the relationship between form and content, process and<br />

product . Instruction begins with an obligatory group critique of<br />

2 to 5 existing works per participant . This helps your instructor<br />

intuit the strengths and weakness of your works, and accelerates<br />

the teaching and learning process . Ongoing critiques will<br />

enhance your visual language skills, technical know-how and<br />

general capacity to discuss painting . Instruction will address<br />

individual needs and themes applicable to the whole group .<br />

Teaching is supported by DVD’s as well as visual examples in<br />

slides and books. You are required to bring 2 to 5 pieces of your<br />

work . One day of optional life sketching .<br />

Portrait Painting<br />

COURSE CODE <strong>ARTS</strong>579 SECTION 41<br />

INSTRUCTOR Brian Smith<br />

DATES June 11 – 15, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. Painting<br />

experience is required to participate.<br />

This exciting portraiture painting course will develop your<br />

ability to capture the likeness of any model in any opaque paint<br />

medium . Since this is a non-media specific course, you may work<br />

in any opaque paint medium (gouache, acrylic, water-soluble<br />

oils, traditional oils without solvents) that you are comfortable<br />

with . Starting with an understanding of composition, value studies<br />

and monochromatic paintings, you will advance to expressive<br />

paintings of the model in a full palette . Works by a<br />

variety of artists will be discussed throughout the<br />

course .<br />

spring 2012<br />

17


18<br />

satUrDaY, JUne 9, 2012<br />

Art Clay Silver: Introductory Workshop**<br />

COURSE CODE <strong>ARTS</strong>758 SECTION 41<br />

INSTRUCTOR Sophia Tink<br />

DATES June 9, 2012<br />

FEE $97 .24<br />

Art Clay Silver is a metal clay medium that can be manipulated<br />

into virtually any shape that the artist desires . In this workshop<br />

you will have an opportunity to learn some basic techniques<br />

utilizing Art Clay Silver and create your very own one-of-a kind,<br />

99 .9% Pure Silver pendant or earrings . When fired, the organic<br />

binding agent burn away, leaving 99.9% Pure Silver. You will<br />

explore techniques such as: rolling clay, burnout methods<br />

using organic materials, appliqué, attaching findings, firing,<br />

and polishing . There will be a $68 material fee payable to the<br />

instructor .<br />

In recent travels, I have found myself<br />

getting down and up-close with nature<br />

and using my macro-photos to inspire<br />

new simplified graphic designs in my art.<br />

– Amanda Brittin<br />

Digital Cameras Made Easy**<br />

COURSE CODE <strong>ARTS</strong>700 SECTION 41<br />

INSTRUCTOR Jenny Kirkpatrick<br />

DATES June 9, 2012<br />

FEE $97 .24<br />

In this workshop you will learn how to operate your digital camera<br />

more effectively . Starting with a guided tour of buttons, dials<br />

and menus, you will look at the various control mechanisms on<br />

the camera and learn how each affects the overall operation of<br />

the camera. You will learn how to change image format, image<br />

resolution, exposure settings, white balance and ISO . By the end<br />

of the class, you’ll understand the importance of these and how<br />

they can affect the overall appearance of your images. You will<br />

also learn how to make a photo internet-ready so you can send<br />

images to your friends and colleagues more efficiently .<br />

Encaustic Painting Workshop**<br />

COURSE CODE <strong>ARTS</strong>1281 SECTION 41<br />

INSTRUCTOR Susan Fisher<br />

DATES June 9, 2012<br />

FEE $97 .24<br />

This introduction to encaustic painting techniques is suitable<br />

if you wish to have a preview before committing to a full length<br />

course or you are simply curious about the technique and merely<br />

want to ‘play’ for a day. You will be able to explore painting techniques<br />

after a demonstration of basic preparation procedures . All<br />

encaustic supplies, equipment and boards will be supplied. You<br />

can expect to complete 3 small works by the end of the workshop<br />

. There will be a $30 material fee payable to the instructor .<br />

Expressive Arts Through the Lens of Addiction<br />

Workshop**<br />

COURSE CODE <strong>ARTS</strong>1737 SECTION 41<br />

INSTRUCTOR Sharon Benson<br />

DATES June 9, 2012<br />

FEE $97 .24<br />

This experiential workshop is designed for those in the human<br />

services field or individuals seeking additional ways to deal with<br />

addictive behaviours . Learn how the expressive arts can assist<br />

recovering addicts reconnect with their emotions, their authentic<br />

selves, reaffirm life purpose and meaning, and elevate self<br />

esteem . Clients are often more responsive to this less verbal,<br />

non-threatening approach . Through art making, written word,<br />

movement and sound, you will explore ways to self-regulate,<br />

interrupt the addictive cycle, and reprogram destructive<br />

emotional patterns . There will be a $10 material fee payable to<br />

the instructor .<br />

Painted Floor Cloths Workshop**<br />

COURSE CODE <strong>ARTS</strong>405 SECTION 41<br />

INSTRUCTOR Amanda Brittin<br />

DATES June 9, 2012<br />

FEE $97 .24<br />

A floor cloth can be funky and whimsical or created to match<br />

interior decor. You will have complete freedom to design in your<br />

own personal style with lots of help from the instructor . Basic<br />

painting techniques such as colour-washing and stencilling will<br />

be taught in addition to more detailed hand-painting tips . This<br />

workshop is intended as a fun and stress-free day that results in a<br />

wonderful piece of art for underfoot . There will be a $35 material<br />

fee payable to the instructor .


Rustic Chair Workshop**<br />

COURSE CODE <strong>ARTS</strong>546 SECTION 41<br />

INSTRUCTOR Maggie Longworth<br />

DATES June 9, 2012<br />

FEE $97 .24<br />

Imagine a great chair in just one day! With step-by-step instruction<br />

and a kit, you will build either an Adirondack style chair<br />

measuring 40"h x 23"w x 23"d or a Tub style chair with a<br />

bentwood back measuring 36"h x 23"w x 23"d . These are both<br />

good basic chair designs, requiring no previous experience. You’ll<br />

easily be able to create additional unique and charming rustic<br />

chairs on your own using a variety of woods . Tag Alder will be<br />

utilized and supplied for this project . There will be an $85 material<br />

fee payable to the instructor .<br />

Wire Sculpture Workshop**<br />

COURSE CODE <strong>ARTS</strong>416 SECTION 41<br />

INSTRUCTOR Charles O’Neil<br />

DATES June 9, 2012<br />

FEE $97 .24<br />

Project Title: 3 ft . Heron<br />

Please note: This course requires the use of simple hand tools<br />

(wire cutters, pliers).<br />

Wire sculpture is an exciting and expressive art form . In this<br />

workshop you will receive step-by-step instruction to successfully<br />

create your project . With a variety of wires (steel, copper, galvanized)<br />

this creation is designed for indoor or garden use, and will<br />

be a great addition to any setting . There will be a $40 material fee<br />

payable to the instructor .<br />

VCAD Credits: Within this calendar,<br />

foundation courses are indicated by a single asterisk (*),<br />

non-credit courses are indicated by a double asterisk (**),<br />

elective courses have no asterisk.<br />

See page 96 for more information.<br />

JUne 18 to 22, 2012<br />

Expressive Arts – Practical Community ExperiencesE COURSE CODE <strong>ARTS</strong>1728 SECTION 41<br />

INSTRUCTOR Fay Wilkinson<br />

DATES June 18 – 22, 2012<br />

FEE $299 .74<br />

Please note: To register for this course you must meet the<br />

admission requirements for the EXA Graduate Certificate.<br />

Details available on page 9.<br />

This course is an elective credit toward <strong>Fleming</strong> <strong>College</strong>’s Expressive<br />

Arts Certificate. It is not an elective credit toward <strong>Fleming</strong><br />

<strong>College</strong>’s Visual and Creative Arts Diploma.<br />

This course provides supervised practical experience for expressive<br />

arts facilitators. You will spend half of each day discussing,<br />

designing and debriefing your program and half of each day delivering<br />

your program in various community locations in Haliburton<br />

County, including two long-term care homes . This is an exciting<br />

and unique opportunity for facilitators to build confidence in<br />

the delivery of expressive arts experiences, with guidance from<br />

the instructor and input from other students . Wherever possible<br />

students with be matched with their area of interest . Students will<br />

be responsible for their transport to community locations . There<br />

will be a $25 material fee payable to the instructor .<br />

This is all wonderfully new to me.<br />

I will come back again to continue<br />

my artistic play.<br />

– Cathy Cassel<br />

spring 2012<br />

19


20<br />

sUmmer 2012<br />

JUne 25 to 29, 2012<br />

Bird Carving – Beginner/Intermediate<br />

COURSE CODE <strong>ARTS</strong>1614 SECTION 41<br />

INSTRUCTOR John Leeder<br />

DATES June 25 – 29, 2012<br />

FEE $299 .74<br />

Project Title: Life-size Cedar Waxwing<br />

Learn and develop bird carving, texturing and painting techniques<br />

. While much of the carving will be done with power<br />

carving tools, instruction will be available if you prefer to work<br />

with a knife for general shaping . Feather detailing will be<br />

accomplished with power and wood burning tools . Instruction<br />

in applying acrylic paints will enable you to render the plumage<br />

and unique markings of the project bird . Instruction is suited for<br />

beginners and will provide interesting opportunities for intermediate<br />

and advanced carvers as well . There will be a $30 material<br />

fee payable to the instructor .<br />

Glassblowing<br />

COURSE CODE <strong>ARTS</strong>101 SECTION 41<br />

INSTRUCTOR Robert Held<br />

DATES June 25 – 29, 2012<br />

FEE $486 .78 (includes $187 .04 material fee)<br />

As a beginning student, you will discover the art of glassblowing<br />

using traditional techniques that date back 2000 years! These<br />

methods are still used today by the world’s leading vessel makers<br />

and glass sculptors . Glass is first melted in a furnace at 2100<br />

degrees Fahrenheit, at which time you learn how to gather the<br />

molten material on the end of a steel blowpipe to form it into<br />

vases, bowls, paperweights, goblets and sculpture. You will also<br />

have an opportunity to participate in discussions on equipment,<br />

safety, history and current trends in glass . With a maximum of<br />

12 students in the studio, you will have ample opportunity for<br />

hands-on learning . There will be a $10 material fee payable to the<br />

instructor .<br />

This course will run simultaneously with Glassblowing II.<br />

Please clearly indicate which level you are registering for.<br />

Glassblowing II<br />

COURSE CODE <strong>ARTS</strong>103 SECTION 41<br />

INSTRUCTOR Robert Held<br />

DATES June 25 – 29, 2012<br />

FEE $486 .78 (includes $187 .04 material fee)<br />

Please note: This course is not suitable for beginners. This<br />

course will focus on advanced hot forming and decorating<br />

techniques.<br />

Learn techniques for vessel making, including vases, bowls,<br />

goblets and stemware, as well as solid sculpture and hot bit work .<br />

There will be demonstrations on advanced colouring techniques<br />

and studio production methods . With an emphasis on design,<br />

you will set up your own personal project goals. You will have an<br />

opportunity to participate in discussions about modern studio<br />

design and equipment construction, as well as glass as a contemporary<br />

art form . With a maximum of 12 students in the studio,<br />

you will have ample opportunity for hands-on learning . There will<br />

be a $10 material fee payable to the instructor .<br />

This course will run simultaneously with Glassblowing. Please<br />

clearly indicate which level you are registering for.<br />

Pastel Landscapes<br />

COURSE CODE <strong>ARTS</strong>1182 SECTION 41<br />

INSTRUCTOR Margaret Ferraro<br />

DATES June 25 – 29, 2012<br />

FEE $299 .74<br />

With an overview of materials and the creation of a sample book<br />

of pastel techniques, you will discover how versatile and forgiving<br />

the medium of pastel really is . Colour theory, plein air, studio<br />

work, and composition as it specifically applies to landscape,<br />

will be studied and applied . Many examples will be shown<br />

and discussed in order to reinforce methods and techniques .<br />

Instruction will provide a strong foundation in pastel application,<br />

and enable you to work independently on site, or in the studio .<br />

Through exposure to many pastel works, you will also gain an<br />

understanding of how to analyze techniques used .<br />

Plein Air Painting<br />

COURSE CODE <strong>ARTS</strong>349 SECTION 41<br />

INSTRUCTOR John Pryce<br />

DATES June 25 – 29, 2012<br />

FEE $299 .74<br />

Please note: Given the degree of independent work, this course<br />

is not suitable for absolute beginners.<br />

This outdoor painting course will introduce you to the process of<br />

direct painting in nature . Individual expression will be encouraged,<br />

as you become familiar with the specific requirements of<br />

plein air painting . While painting basics will be discussed, instruction<br />

will deal more with interpreting what you see and feel in<br />

being a part of the environment . Painting on-location hones your<br />

powers of observation and helps to create a very personal style of<br />

interpreting nature . Classes will consist of a short group discussion<br />

each morning, followed by a day of painting, with individual<br />

attention from the instructor. You are welcome to work in acrylic<br />

or oil medium . Please be prepared to work outdoors .<br />

VCAD Credits: Within this calendar,<br />

foundation courses are indicated by a single asterisk (*),<br />

non-credit courses are indicated by a double asterisk (**),<br />

elective courses have no asterisk.


Pottery – Altered Forms<br />

COURSE CODE <strong>ARTS</strong>1727 SECTION 41<br />

INSTRUCTOR Lisa Barry<br />

DATES June 25 – 30, 2012 (6 days)<br />

FEE $359 .26 (includes $18 .52 initial material fee)<br />

Please note: This course is not suitable for beginners. Wheel<br />

throwing experience is required.<br />

Discover techniques that will enable you to use the pottery wheel<br />

as a tool for making a wide variety of hand built forms . Learn how<br />

to make oval, square and altered forms on and off of the wheel .<br />

Explore stacking forms, cutting thrown pieces and creating a<br />

variety of shapes and objects . Demonstrations will include objects<br />

such as: butter dishes, teapots, cups, bowls and vase forms .<br />

There will be an emphasis on playing with the material as well as<br />

some collaborative work and critical discussions . Additional clay<br />

will be available for purchase from the school at a cost of $20 per<br />

bag, which includes glazing and firing . There will be a $5 material<br />

fee payable to the instructor .<br />

Watercolour Techniques – Basic<br />

COURSE CODE <strong>ARTS</strong>255 SECTION 41<br />

INSTRUCTOR Shelley Beach<br />

DATES June 25 – 29, 2012<br />

FEE $299 .74<br />

Discover the beauty of the wonderful medium of watercolour . In<br />

an easy, relaxed class atmosphere, learn about different types of<br />

paper, brushes and paints through discussion and demonstration .<br />

These are the foundation upon which you will base your further<br />

knowledge and skills. You will also benefit from some basic<br />

drawing and composition instruction . Colour mixing, watercolour<br />

washes and several painting techniques will also be covered .<br />

Daily demonstrations and continuous feedback will complement<br />

the course .<br />

JULY 2 to 6, 2012<br />

Acrylics – Intermediate/Advanced<br />

COURSE CODE <strong>ARTS</strong>1270 SECTION 41<br />

INSTRUCTOR Marianne Broome<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

This exciting course will provide inspiration through different<br />

approaches to acrylic painting while you develop your own<br />

personal style . It is a highly instructive course with lots of fun built<br />

in . Techniques for loose representational landscapes and glowing<br />

realistic florals will be part of daily demonstrations . Instruction will<br />

also touch on the abstraction of representational subject matter .<br />

Many tips will be given on how to get the most out of the versatile<br />

acrylic paints, with and without the addition of different mediums,<br />

and using different tools . Topics covered will include different<br />

colour palettes, selecting and cropping reference material,<br />

composition and perspective, soft blending and expressive brushwork,<br />

the importance of values and harmony, adding texture,<br />

painting alla prima, impasto techniques, glazing and much more .<br />

In a friendly, relaxed atmosphere with lots of one-on-one attention<br />

you will incorporate these skills into your own paintings using the<br />

reference pictures provided or your own photos . There will be a<br />

$20 material fee payable to the instructor .<br />

Business for Artists*<br />

COURSE CODE BUSN99 SECTION 41<br />

INSTRUCTOR Jim Blake<br />

DATES July 2 – 7, 2012 (6 days)<br />

9:00am to 5:00pm daily<br />

FEE $283 .95<br />

Through discussion, examples and practical application, this<br />

course addresses the many aspects of business practices that<br />

apply to visual artists and artisans . Sound business practices<br />

ensure that more time and resources exist for artistic production .<br />

Knowing how to research and work with legal rights and responsibilities,<br />

financial structures, copyright, contractual obligations,<br />

ethics and negotiation skills, enables the student to engage in<br />

their chosen practice with improved management of time and<br />

money which are critical to survival and success . Through a<br />

combination of theory and practice, this course also examines the<br />

ways in which artists can assess the market, promote their work,<br />

and price it appropriately according to specific venues . Students<br />

will explore the processes required for responding to a call for<br />

submissions, commissions, and writing grant proposals .<br />

Collage & Acrylic Explorations<br />

COURSE CODE <strong>ARTS</strong>1004 SECTION 42<br />

INSTRUCTOR Jill Segal<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

Please note: Not suitable for beginners, painting experience is<br />

required to participate.<br />

In this exciting process-oriented course you will learn to combine<br />

collage materials and acrylic paint as a means of personal visual<br />

expression and distinct visual vocabulary . With a creative spirit,<br />

you will be encouraged to explore and experiment with new<br />

concepts and ideas, using magazines, old paintings, oriental<br />

and stained papers, found objects, photographs, fabric, fibres,<br />

acrylic paint and anything else that you would like to adhere to<br />

your support surface . Composition and design principles will be<br />

addressed. You will benefit from individual attention and group<br />

dialogue . Personal creative expression and uniqueness will be<br />

encouraged . There will be a $30 material fee payable to the<br />

instructor .<br />

JULY 2012<br />

21


22<br />

Contemporary Landscape Painting<br />

COURSE CODE <strong>ARTS</strong>686 SECTION 41<br />

INSTRUCTOR John Leonard<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

This course will cover both the theory and the techniques of<br />

modern landscape painting, as you work in the medium of your<br />

choice. You will examine contemporary developments in art<br />

to enable you to use your creativity and self-expression in the<br />

development of a personal approach and the advancement of<br />

the conceptual level of your work . This course is primarily for<br />

those with some previous painting experience who would like to<br />

advance their skills and knowledge of contemporary landscape<br />

painting .<br />

Creativity in Writing<br />

COURSE CODE <strong>ARTS</strong>1508 SECTION 41<br />

INSTRUCTOR Jane Bow<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

The powerful force of story beckons to all of us . Bring your<br />

characters to life in the story that is yours to tell . Working with a<br />

seasoned writer who uses a variety of techniques to access the<br />

creative source, you will free yourself to connect with the energies<br />

that fuel your stories, banishing self-censorship . Learning to<br />

develop characters, plots, points of view, and shaping your story<br />

in a constructive, supportive atmosphere is fun! Enjoy the experience,<br />

and go home with a project well on its way . Beginning and<br />

experienced writers of fiction, creative non- fiction, memoir and<br />

poetry can benefit over and over from this course . There will be a<br />

$5 material fee payable to the instructor .<br />

Doll Making – Artistic Expression<br />

COURSE CODE <strong>ARTS</strong>1276 SECTION 41<br />

INSTRUCTOR Kate Church<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

Doll making is an engaging and exciting art form . Instruction<br />

will consist of a basic step-by-step method of construction and<br />

design with an emphasis on skills and technique. You will learn to<br />

use polymer clay to create heads, hands and feet, be introduced<br />

to pattern making for designing and sewing cloth bodies and<br />

costumes, and learn a basic method of building a wire armature<br />

to bring support, movement and expression to your dolls . Two<br />

projects will be completed . The first project is a learning/practice<br />

piece to introduce and explore basic methods and use of materials<br />

. The final project will be designing your own doll, employing<br />

your new skills and techniques, while learning to enrich and<br />

direct your curiosity, style and inventiveness. You will be required<br />

to bring a sewing machine that is in good working order . Exciting<br />

results can be achieved regardless of experience . There will be a<br />

$50 material fee payable to the instructor .<br />

Drawing with Ink & Colour<br />

COURSE CODE <strong>ARTS</strong>1031 SECTION 41<br />

INSTRUCTOR Charles O’Neil<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

The art of pen and ink will be explored through a series of<br />

exercises designed to improve observational skills, composition,<br />

value range, and technique . The element of colour will be introduced<br />

with water-based paints and washes such as watercolour,<br />

gouache, and more . These techniques will add variety and<br />

interest to completed works . Design, composition and colour<br />

theory will be addressed throughout the course .<br />

Dyeing to Design<br />

COURSE CODE <strong>ARTS</strong>1707 SECTION 41<br />

INSTRUCTOR Kim McBrien<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

Please note: Basic knitting skills (cast on, knit, purl, bind off)<br />

are required to participate. Dyeing experience is not required –<br />

all levels welcome.<br />

Make knitting projects truly unique by learning to design your<br />

own colourwork and knit it with your own custom dyed yarn .<br />

Learn how to dye a full colour wheel and how to use those colours<br />

in your own colourwork design . Investigate a variety of knitted<br />

colourwork techniques and how best to use them . Techniques will<br />

be applied to the design, dyeing and beginning stages of knitting<br />

a small colourwork project . There will be a $65 material fee<br />

payable to the instructor .<br />

Felting on a Large Scale<br />

COURSE CODE <strong>ARTS</strong>1706 SECTION 41<br />

INSTRUCTOR Sandi Luck<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Experience with wet felting is recommended.<br />

Learn to create fine lightweight drapeable fabric and work with<br />

wool fibres mixed with exotics such as silk and alpaca . Create a<br />

series of two-dimensional samples incorporating different fibres<br />

and materials . Design and create yardage or finished projects of<br />

your choice such as vest, cape or shawl . There will be a basic<br />

$20 material fee, plus an additional fee of approximately $20 per<br />

project depending on materials used . These fees are payable to<br />

the instructor .<br />

Superb learning facility surrounded by<br />

nature. I thoroughly enjoyed my first<br />

experience here.<br />

– Debbie Brittain


Glassblowing<br />

COURSE CODE <strong>ARTS</strong>101 SECTION 42<br />

INSTRUCTOR Andrew Kuntz<br />

DATES July 2 – 6, 2012<br />

FEE $486 .78 (includes $187 .04 material fee)<br />

As a beginning student, you will discover the art of glassblowing<br />

using traditional techniques that date back 2000 years! These<br />

methods are still used today by the world’s leading vessel makers<br />

and glass sculptors . Glass is first melted in a furnace at 2100<br />

degrees Fahrenheit, at which time you learn how to gather the<br />

molten material on the end of a steel blowpipe to form it into<br />

vases, bowls, paperweights, goblets and sculpture. You will also<br />

have an opportunity to participate in discussions on equipment,<br />

safety, history and current trends in glass . With a maximum of<br />

12 students in the studio, you will have ample opportunity for<br />

hands-on learning . There will be a $10 material fee payable to the<br />

instructor .<br />

This course will run simultaneously with Glassblowing Style &<br />

Form. Please clearly indicate which level you are registering for.<br />

Glassblowing – Style & Form<br />

COURSE CODE <strong>ARTS</strong>657 SECTION 41<br />

INSTRUCTOR Andrew Kuntz<br />

DATES July 2 – 6, 2012<br />

FEE $486 .78 (includes $187 .04 material fee)<br />

Please note: This course is not suitable for beginners.<br />

As an experienced glassblower you will be challenged with the<br />

exploration of advanced techniques such as bit working, stems<br />

and feet, handles, spouts, cane work, and goblet making, using<br />

more advanced colour applications . Cold working techniques<br />

will also be covered . Instruction and practice will be augmented<br />

with a visual presentation, printed material, studio safety, and<br />

regular discussions of work in progress . With a maximum of<br />

12 students in the studio, you will have ample opportunity for<br />

hands-on learning . There will be a $10 material fee payable to the<br />

instructor .<br />

This course will run simultaneously with Glassblowing. Please<br />

clearly indicate which level you are registering for.<br />

Guitar – Folk, Country & Blues<br />

COURSE CODE <strong>ARTS</strong>1241 SECTION 41<br />

INSTRUCTOR Eve Goldberg<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginner guitar<br />

players. The ability to play basic chords is required.<br />

This class for advanced-beginner and intermediate guitar players<br />

will improve skills in folk, country, and blues styles . An overview<br />

of North American roots music and some of the musicians who<br />

have influenced it will also be included . Starting with a few simple<br />

songs, you will learn a variety of accompaniment techniques,<br />

including country strumming, bass runs, alternating thumb,<br />

basic finger picking, and how to pick out melodies . Learn basic<br />

theory for folk guitar, how to transpose songs from one key to<br />

another, and how to figure out chords for songs you’d like to sing .<br />

A course book with the words and chords to the songs covered<br />

in the classes will be available for future reference . Instruction<br />

will enable you to play guitar in several different keys and styles<br />

and you will gain a repertoire of songs to enjoy and share with<br />

friends and family . There will be a $25 material fee payable to the<br />

instructor .<br />

Please note: These three skill levels will run simultaneously.<br />

Please clearly indicate which level you are<br />

registering for.<br />

Jewellery – Stone Setting: Beginner<br />

COURSE CODE <strong>ARTS</strong>1492 SECTION 41<br />

INSTRUCTOR Susan Watson Ellis<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

Instruction will enable you to fabricate bezels for round,<br />

oval, or free form cabochons from sterling silver. You will<br />

design a simple ring, pendant, or pin forms on which to<br />

attach your bezels in order to set your stones in finished<br />

jewellery pieces of your own design . The material fee will<br />

vary with individual projects .<br />

Jewellery – Stone Setting: Intermediate<br />

COURSE CODE <strong>ARTS</strong>1493 SECTION 41<br />

INSTRUCTOR Susan Watson Ellis<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Instruction will enable you to fabricate bezels for round,<br />

oval, or free form faceted stones from sterling silver. You<br />

will learn to cut a bearing for the stone into the bezel using<br />

stone setting burrs and the flex shaft machine. You will also<br />

design a jewellery form to mount your bezel on . Once the<br />

form is completed you will set your stone using an electric<br />

hammer . Polishing will complete your unique jewellery<br />

creation . The material fee will vary with individual projects .<br />

Jewellery – Stone Setting: Advanced<br />

COURSE CODE <strong>ARTS</strong>1494 SECTION 41<br />

INSTRUCTOR Susan Watson Ellis<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Instruction will enable you to form complex settings for<br />

your cabochon and faceted stones such as basket, prong,<br />

crown, and tapered as well as multiple stone designs. You<br />

will be encouraged to use critical thinking to problem solve<br />

in these advanced setting designs . The material fee will vary<br />

with individual projects .<br />

JULY 2012<br />

23


24<br />

Kids’ Adventures in Animation**<br />

COURSE CODE <strong>ARTS</strong>1724<br />

INSTRUCTOR Midori Nagai<br />

DATES July 2 – 6, 2012<br />

FEE $97 .80<br />

SECTION 41: 1:00 – 4:30pm, 5 – 7 years old<br />

SECTION 42: 9:00 – 12 Noon, 8 – 10 years old<br />

Explore the amazing world of animation . By creating a simple<br />

movie with objects you will begin to understand the concepts<br />

of animation . Then using clay, you will create a character and a<br />

simple story . Stop-motion animation will also be created . Easy,<br />

step-by-step instruction will be provided and creativity encouraged.<br />

You will work individually and in small groups. When the<br />

course is finished, your clay character and a DVD with the movies<br />

will go home with you . Some of the best animation in the world<br />

will be shown during the week and the course will finish up with<br />

a short film festival of your work . There will be a $20 material fee<br />

payable to the instructor .<br />

Kids’ Under the Sea**<br />

COURSE CODE <strong>ARTS</strong>1424<br />

INSTRUCTOR Rebecca Reynolds<br />

DATES July 2 – July 6, 2012<br />

FEE $97 .80<br />

SECTION 41: 9:00 – 12 Noon, 5 – 7 years old<br />

SECTION 42: 1:00 – 4:30pm, 8 – 10 years old<br />

Plunge into an underwater art adventure! In this week of watery<br />

wonderful fun, you’ll be creating colourful creatures of the deep,<br />

like huge tropical fish and dangly jellyfish to hang from the ceiling!<br />

Hop onboard a yellow submarine to explore the mysteries found<br />

beneath the waves . Then you’ll end the week by diving into a<br />

party on the bottom of the sea! There will be a $20 material fee<br />

payable to the instructor .<br />

Landscape Images in Fabric<br />

COURSE CODE <strong>ARTS</strong>409 SECTION 41<br />

INSTRUCTOR Jane Selbie<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

This course will encourage you to discover your own unique<br />

style of fabric layering and teach you to observe and interpret<br />

the subtleties in nature . The technique follows basic painting<br />

principles by retranslating printed and solid coloured fabric to<br />

create Canadian landscapes. You will start with the beginning<br />

steps of the fabric layering technique and progress through to<br />

detailed works as you explore the nuances of each scene . The<br />

work is fine so good sharp, pointed scissors are a must . Everyone<br />

is a beginner! If you have dabbled in painting, quilting, or want<br />

to learn to translate the beauty and detail of nature through the<br />

medium of fabric, you will find that even your beginning pieces<br />

will be successful . There will be a $20 material fee payable to the<br />

instructor .<br />

Lettering & Paper Arts<br />

COURSE CODE <strong>ARTS</strong>1709 SECTION 41<br />

INSTRUCTOR Judith Jaimet Bainbridge<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

Lettering and paper arts have remarkable application potential,<br />

both decorative and functional . Design and make four styles of<br />

books/cards and an origami box, write haiku poems and letter<br />

them in an italic hand, and carve eraser stamps to create a<br />

unique expression on your visually and verbally creative projects .<br />

There will be a $30 material fee payable to the instructor .<br />

Life Drawing – Basics & Beyond<br />

COURSE CODE <strong>ARTS</strong>1502 SECTION 41<br />

INSTRUCTOR Brian Smith<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

Drawing the human figure has always been the cornerstone of<br />

artistic training – but it also creates fear in the inexperienced<br />

artist . This beginner-to-intermediate course begins with simple<br />

“stick-figure” style gesture drawings, progressing to well observed<br />

contour line drawings, and culminates in renderings of the figure<br />

made full and round by the observation of light and shadow .<br />

Mosaics<br />

COURSE CODE <strong>ARTS</strong>136 SECTION 41<br />

INSTRUCTOR Annette Blady Van Mil<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

By definition, a mosaic is a surface decoration made by inlaying<br />

small pieces of coloured glass, stone or tile to produce a pattern<br />

or image . In this course you will discover the unusual, creative,<br />

innovative and fun world of mosaics . Gain an appreciation of<br />

the history and techniques of mosaics and, by blending traditional<br />

and modern techniques, you will create some amazing<br />

works of art! Basic techniques will be taught through hands-on<br />

demonstrations . Turn your broken tiles, chipped china, cracked<br />

pots, smashed glass, old buttons and mirrors into masterpieces .<br />

By learning the mosaic technique, you will make the ordinary<br />

extraordinary! All skill levels will benefit from this course . There<br />

will be a $20 material fee payable to the instructor .<br />

Photography – Travel & Landscape<br />

COURSE CODE <strong>ARTS</strong>701 SECTION 41<br />

INSTRUCTOR Rob Stimpson<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. To<br />

participate in this course, knowledge of where the camera<br />

controls are located (i.e. menu, white balance, f-stops, ISO,<br />

etc) and how the camera works (i.e. f-stops and shutter speeds)<br />

is essential. Instruction can benefit traditional and point and<br />

shoot cameras but is best suited to DSLR cameras.<br />

Our travels and journeys take us to places we never may visit<br />

again . On these trips we all want to document where we have<br />

been and, for the most part, capture a sense of place . The<br />

camera becomes our voice through our visual interpretation of the<br />

landscape . In this course you will learn how to create an effective<br />

photo essay that becomes your own personal interpretation of the<br />

places you visit. Good photographs are made, not just taken. You<br />

will learn how to create an image, not just take a picture . Through<br />

the use of simple techniques, discover how to take an effective<br />

portrait of people in the outdoors, how to enhance your landscape<br />

images, add emotion to your pictures and how to get the most out<br />

of the tools you have. You will spend time wandering through the<br />

village and surrounding areas looking for places of interest where<br />

you create your visual interpretation of the landscape . Through<br />

assignments, critiques of your work and slideshows, you will learn<br />

what it takes to be a more effective photographer . This course will<br />

help you to move out of your comfort zone as well as introduce<br />

you to new challenges with travel and landscape photography .<br />

Assignments are designed based on you knowing the fundamentals<br />

. Both digital and film cameras are welcome in this course .<br />

There will be a $5 material fee payable to the instructor .


Pottery – Beginners<br />

COURSE CODE <strong>ARTS</strong>175 SECTION 41<br />

INSTRUCTOR Barbara Joy Peel<br />

DATES July 2 – 7, 2012 (6 days)<br />

FEE $359 .26 (includes $18 .52 initial material fee)<br />

Instruction in this course will be delivered at the beginner level of<br />

wheel throwing . There will be demonstrations on cylinders, bowls,<br />

plates, glaze techniques and the firing process . The development<br />

of your own personal style and the encouragement of artistic<br />

license will prevail . One bisque and one glaze fire will be accomplished<br />

during the course . Should you be inspired and enthusiastic<br />

upon completion of this course, you would be capable of<br />

taking Pottery II . Note: This course is 6 days . Additional clay will<br />

be available for purchase from the school at a cost of $20 per<br />

bag, which includes glazing and firing . A beginner’s tool kit may<br />

be purchased from the school at a cost of approximately $15 .<br />

Please inform the school if you require one .<br />

Printmaking Without a Press<br />

COURSE CODE <strong>ARTS</strong>1251 SECTION 41<br />

INSTRUCTOR Victoria Cowan<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

Daily life is very demanding, you don’t have much space at home<br />

or perhaps you feel you haven’t developed drawing skills . Still,<br />

you want to find a way to make beautiful images, simply, at home<br />

– images that could grace a hand-made card, as well as bring<br />

you personal pleasure . Printmaking without a press is economical<br />

and easy . Learn skills that can be developed on your own, with<br />

inexpensive and non toxic materials . There will be a $20 material<br />

fee payable to the instructor .<br />

On the Saturday following the courses, students are invited<br />

to participate in a demonstration at the Haliburton Highland<br />

Games, and in an afternoon Scottish Country Dance.<br />

These courses will run simultaneously. Please clearly indicate<br />

which level you are registering for.<br />

Scottish Country Dancing – Intermediate<br />

COURSE CODE <strong>ARTS</strong>193 SECTION 41<br />

INSTRUCTOR Michael Turner<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

An important part of this course is improving the 5 basic steps<br />

while also mastering new ones . Equally important are the<br />

opportunities to ‘polish’ many common formations (such as<br />

reels, poussettes, allemandes, promenades and corner figures),<br />

to phrase these formations more accurately, cover within the<br />

set more effectively, and enhance the smooth flow from one<br />

formation to the next . Some less common formations will also<br />

be introduced and practiced, such as Rondel, and Bourrel . A<br />

general sense of fun is encouraged, and sociability is enhanced<br />

through dancing with others of different skill levels for part of<br />

each day . As increased musical knowledge usually promotes<br />

better and more enjoyable dancing, one class period each day<br />

is devoted to exploring the music of Scottish Country Dancing .<br />

This musical focus includes fitting the steps to the music, and<br />

fitting the formations to the phrases . Glimpses into the history<br />

of the music, the dance, and the Royal Scottish Country Dance<br />

Society are included throughout . Care is given to warm-ups and<br />

cool-downs each day to preserve good health for all .<br />

Remember, Reflect & Proceed with Purpose<br />

COURSE CODE <strong>ARTS</strong>1660 SECTION 41<br />

INSTRUCTOR Nora Zylstra Savage<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

Create a mini life review utilizing your present values and beliefs<br />

as a basis for discovery . No matter what life stage or milestone<br />

you are at, or have just passed, this writing process helps you to<br />

explore your past experiences, your current life and to choose<br />

what’s next . Life reviews, or life reflections, may include your<br />

ideals, values, insights, family traditions, passions, life lessons,<br />

special moments, and future hopes and dreams . Through writing<br />

exercises, prompts, and reflection, you will write short vignettes<br />

or stories about significant events, turning-points or decisions in<br />

your life. You will also write about important people and how they<br />

have influenced you . It’s a time for reflection, writing, sharing and<br />

receiving oral feedback in a sensitive and positive environment .<br />

A time to understand your past, acknowledge the present and<br />

create new possibilities for your future .<br />

Sandal Making<br />

COURSE CODE <strong>ARTS</strong>1694 SECTION 41<br />

INSTRUCTOR Jon Gray<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

Learn the techniques of leather craft and sandal design as you<br />

create a pair of leather sandals made to fit your foot . Additionally<br />

you will explore different techniques to cut and shape leather .<br />

There will be a $100 material fee payable to the instructor .<br />

Scottish Country Dancing – Advanced<br />

COURSE CODE <strong>ARTS</strong>192 SECTION 41<br />

INSTRUCTOR Michael Turner<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

The dance technique offered in this class includes modifying<br />

basic steps for unusual movements, dancing smoothly from one<br />

type of step to another, and expanding the repertoire of travelling<br />

and setting steps to include Highland, ancient and modern<br />

variants . New formations will be introduced as well as unusual<br />

variations of more common ones . At this level, you should<br />

already be able to dance virtually all traditional dances after only<br />

a quick briefing . New challenges will be offered through recently<br />

composed dances arising within this tradition, keeping it fresh<br />

and alive. Some attention will be given to dance notation. You are<br />

especially encouraged to develop your visual imagination of the<br />

dance patterns and to increase your sensitivity to the beauty and<br />

intricate designs of this flowing artform . Teamwork is essential,<br />

and you will be challenged to initiate and respond to movement<br />

through subtle cues, to master the art of recovery from mistakes,<br />

to realize the important link between relaxation and competence,<br />

to learn more and more to enhance the joy of confident<br />

participation, not just for yourself, but for others as well . The<br />

musical focus at this level includes learning to understand and<br />

recognize the different types of dance tunes, including proper<br />

reels, hornpipes, Scotch Measures, polkas, single, double and<br />

triple jigs, marches, strathspeys, waltzes, slow airs, and songs .<br />

Deeper historical insights into both the music and dance serve to<br />

heighten enjoyment and interest . Advanced dancers will already<br />

know the benefit of warming up and cooling down, and will<br />

participate in these exercises on a regular basis .<br />

JULY 2012<br />

25


26<br />

Stain Painting – The Saturated Canvas<br />

COURSE CODE <strong>ARTS</strong>292 SECTION 41<br />

INSTRUCTOR Denis Cliff<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

The staining process is an acrylic equivalent to watercolour and<br />

can lead to some stunning visual effects using intense brilliant<br />

colour, subdued subtle colour or a mixture of both . A recent<br />

addition to the techniques available to artists, stain is created<br />

by adding water and/or medium to acrylic paints and applying<br />

it to an unprimed canvas . This course will deal with a variety<br />

of methods of application including wet-on-wet, wet-on-dry,<br />

graduated overlays, flat applications, mixture combinations and<br />

stains in conjunction with undiluted acrylic . These applications<br />

can be made with either representational or non-representational<br />

images . The process has wonderful properties of blending<br />

and spreading that produce very exciting results . No previous<br />

experience in painting is necessary to benefit from this amazing<br />

technical and aesthetic resource . If you have previous experience,<br />

you will have an opportunity to deal with this new technique<br />

at your own personal skill level . Exploration of the process will<br />

be encouraged in a non-threatening environment where you will<br />

receive personal assistance and critiques as well as being able to<br />

join in group discussions and critiques .<br />

Stone Carving<br />

COURSE CODE <strong>ARTS</strong>328 SECTION 41<br />

INSTRUCTOR Fred Hummel<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

Please note: You must be able to carry stone weighing up to 30<br />

lbs.<br />

This course will provide instruction in traditional sculptural<br />

methods, such as the use of point, toothed and flat chisels,<br />

specialized rasps for final shaping, and a variety of techniques<br />

for proper use with various types of stone . If you are working at<br />

a beginner skill level you will receive instruction in traditional<br />

hand-tool methods . Ample assistance will be available in developing<br />

subject matter . Practical applications will be the primary<br />

emphasis, supported by some theory. You can expect to complete<br />

a small sculpture during the course . If desired, you will also<br />

receive a brief introduction to stone sculpture using power tools .<br />

Minimal amounts of time will be available if you would like to use<br />

the power tools as availability of electricity and compressed air<br />

will impose some limitation on the number of students who can<br />

work in this area simultaneously . If you are working at a beyondbeginner<br />

level of skill, you will be challenged with more advanced<br />

work . If you wish to subscribe to this area, it is recommended<br />

that you have some power tools or be prepared to buy them<br />

as only limited loan/demonstration tools are available for use .<br />

The instructor will have a small assortment of tools (including<br />

sandbags) on hand that may be purchased at reasonable prices .<br />

The instructor will also have his own master set of professional<br />

tools, including power tools, and these will be demonstrated in<br />

hands-on sessions as part of the instruction . Whether beginner<br />

or experienced, you can expect to work in a non-competitive,<br />

light-hearted atmosphere . A selection of stone will be available for<br />

purchase on site . Questions may be directed to Fred Hummel at<br />

fwhummel@sympatico .ca .<br />

These courses run simultaneously. Please clearly indicate<br />

which course you’re registering for.<br />

Totem Mask<br />

COURSE CODE <strong>ARTS</strong>1256 SECTION 41<br />

INSTRUCTOR Wayne Hill<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

In this course you will be instructed on how to design and<br />

carve a West Coast totem moon mask . Working handson<br />

and side-by-side with other carvers you will learn the<br />

traditional processes needed to produce the best results .<br />

A short lesson on history and traditions will provide an<br />

understanding of totemism and the social implications of<br />

this medium . There will be a $25 material fee payable to the<br />

instructor .<br />

Totem Pole Carving<br />

COURSE CODE <strong>ARTS</strong>354 SECTION 41<br />

INSTRUCTOR Wayne Hill<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

In this course you will be instructed on how to design and<br />

carve your own four foot totem pole . Working hands-on<br />

and side-by-side with other carvers you will learn the<br />

traditional processes needed to produce the best results . A<br />

short lesson on history and traditions will give you a better<br />

understanding of totemism and the social implications of<br />

this medium . There will be a $50 material fee payable to the<br />

instructor .<br />

A fantastic school and an<br />

amazing opportunity to learn,<br />

create and become inspired!<br />

– Ian Miller


Watercolour Painting – Advanced<br />

COURSE CODE <strong>ARTS</strong>248 SECTION 41<br />

INSTRUCTOR Art Cunanan<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. It is<br />

imperative that participants have had at least three previous<br />

watercolour courses prior to participating.<br />

At an advanced level of interaction, you will explore traditional<br />

and experimental techniques in watercolour painting . Instruction<br />

will be provided on composition and design and the course is<br />

geared to sharpen skills and enhance personal interpretation .<br />

Learn how to make a contour painting, how to layer washes until<br />

they get the right value and how to use local and colour values to<br />

make strong statements . Sessions on compositions will include<br />

directing the eye with edges, placing darks and other colours,<br />

and advice on handling patterns and loosening painting style .<br />

Learn by demonstration and critique and benefit from individual<br />

attention. You will have an opportunity to enjoy some on-location<br />

painting, weather permitting .<br />

Watercolour Painting – Introduction<br />

COURSE CODE <strong>ARTS</strong>252 SECTION 41<br />

INSTRUCTOR Gary Chapman<br />

DATES July 2 – 6, 2012<br />

FEE $299 .74<br />

This course will stimulate you, inspire you onward and open the<br />

door to the fun and magic of watercolour painting . From day one,<br />

you will be creating images of misty landscapes, distant hills and<br />

clearing skies . A painting a day is not beyond expectations and all<br />

of this will take place in a relaxed, non-intimidating atmosphere .<br />

All the basic steps of watercolour wet-in-wet painting will be<br />

explained and demonstrated . As well, you will be encouraged to<br />

free up your creative spirit in order to take these newly acquired<br />

skills into paintings that evoke feelings or emotions . This course<br />

invites newcomers to the watercolour medium . In addition,<br />

painters equipped with the basics will be shown gateways into<br />

the next stage of their creative journey . Instruction will take place<br />

strictly in a studio environment .<br />

Youth Marionettes**<br />

COURSE CODE <strong>ARTS</strong>1739 SECTION 41<br />

INSTRUCTOR Judith Mason<br />

DATES July 2 – 6, 2012<br />

FEE $191 .76<br />

Please note: This course is suitable for youth from 11 to 13<br />

years of age.<br />

Explore ideas, follow your imagination, design, and create your<br />

own marionette – human, animal, a mix of both, or something<br />

absolutely different . The sky’s the limit! Add lots of objects or<br />

materials that allow your puppet’s personality to form . Using<br />

old clothing, newspapers, nylons, wool, paint, and wood, you’ll<br />

construct heads, facial features, and bodies and then assemble<br />

all the various parts and pieces . Bring your marionette to life by<br />

attaching the mechanisms and strings to manipulate its movement<br />

. Hey, why not build a puppet theatre at the same time,<br />

design some sets and create a performance? There will also be<br />

opportunities to watch some short clips of professional puppeteers<br />

staging amazing performances . There will be a $5 material<br />

fee payable to the instructor .<br />

Youth/Teen Take the Stage**<br />

COURSE CODE <strong>ARTS</strong>1205 SECTION 41<br />

INSTRUCTOR Leanne Schachow<br />

DATES July 2 – 6, 2012<br />

FEE $213 .86<br />

Please note: This course is suitable for youth and teens from<br />

11 to 18 years of age.<br />

Let your dramatic imagination run wild! This introductory acting<br />

course is designed to enhance your communication skills, build<br />

personal confidence when speaking in front of a group, and<br />

encourage your creative ideas to be revealed in a supportive<br />

environment . Learn effective vocal and movement techniques for<br />

the stage through character-building, storytelling, and laugh-outloud<br />

improvisational activities . The role of the actor, director, stage<br />

manager, and creative designer will be discussed and you will<br />

have the opportunity to play out these roles . Working together,<br />

we will perform a one-act play for an audience at the end of the<br />

week, showing off our love for the stage . Ultimately, let’s take<br />

the stage and have some fun! There will be a $15 material fee<br />

payable to the instructor .<br />

JULY 2012<br />

27


28<br />

satUrDaY, JULY 7, 2012<br />

Earring Workshop**<br />

COURSE CODE <strong>ARTS</strong>396 SECTION 41<br />

INSTRUCTOR Susan Watson Ellis<br />

DATES July 7, 2012<br />

FEE $97 .24<br />

From the dawn of time, ears have been a focal point for decoration,<br />

ranging from a simple stud to complex chandelier styles of<br />

earrings . This workshop will provide a brief history of design and<br />

enough practical skill to create your own works of art . Traditional<br />

earring styles and attachments such as studs, hoops, shepherd’s<br />

hooks, and lever backs will be explored . Create your own unique<br />

designs using your imagination and new found skills . There will<br />

be a $50 material fee payable to the instructor .<br />

Glassblowing – Introductory Workshop**<br />

COURSE CODE <strong>ARTS</strong>466 SECTION 41<br />

INSTRUCTOR Terry Craig<br />

DATES July 7, 2012<br />

FEE $186 .54 (includes an $80 material fee)<br />

In this workshop, you will be introduced to the exciting world of<br />

hot glasswork to create fascinating paperweights using traditional<br />

tools and techniques dating back 2000 years! These methods<br />

are still used today by the world’s leading vessel makers and<br />

glass sculptors . Glass is first melted in a furnace to 2100 degrees<br />

Fahrenheit upon which time you will then learn how to gather<br />

the molten material on the end of a steel blowpipe to form it<br />

into a one-of-a-kind paperweight . Safe practices will be continually<br />

emphasized throughout the workshop . This is an excellent<br />

introduction to the intrigue of hot glasswork . There will be a $5<br />

material fee payable to the instructor .<br />

Knit a Cowl or Scarf Workshop**<br />

COURSE CODE <strong>ARTS</strong>1679 SECTION 41<br />

INSTRUCTOR Glenna Harris<br />

DATES July 7, 2012<br />

FEE $97 .24<br />

Please note: This workshop isn’t suitable for absolute beginners.<br />

Some previous knitting experience is required.<br />

Whether you want to revive your love of knitting with a simple<br />

project, or you’re a just-beyond-beginner looking for a refresher,<br />

this workshop will be helpful and motivating. You’ll<br />

begin with a simple project of your choice: either<br />

a scarf worked flat, or a cowl worked in the round .<br />

Instruction will cover how to read a pattern, knit,<br />

purl, basic cables, and how to select yarn for various<br />

projects .<br />

Leather Braiding Workshop**<br />

COURSE CODE <strong>ARTS</strong>1703 SECTION 41<br />

INSTRUCTOR Jon Gray<br />

DATES July 7, 2012<br />

FEE $97 .24<br />

Learn the basics of leather work through creating an appliqué<br />

braided leather bracelet or dog collar . This introduction to the<br />

techniques of cutting, punching, braiding and finishing leather<br />

can also be used to create beautiful and functional objects<br />

such as belts and guitar straps . There will be a $40 material fee<br />

payable to the instructor .<br />

Mosaic Window Workshop**<br />

COURSE CODE <strong>ARTS</strong>1515 SECTION 41<br />

INSTRUCTOR Amanda Brittin<br />

DATES July 7, 2012<br />

FEE $97 .24<br />

Work with a rainbow of colour; nipping vibrant stained glass into<br />

mosaic tessarae and creating window art suitable for garden<br />

or home . Bring a small window (in a frame, approx 12x24” or<br />

similar) or other clear glass project and learn how to design and<br />

make either an abstract or image-based piece . Adhesives and<br />

grouts will be discussed and you will take home grout materials<br />

to use once the project has cured . Please note that this project<br />

requires good hand strength and uses adhesives that may be<br />

unsuitable for those with allergic sensitivity to silicone . This<br />

workshop will take place outside under a tent . There will be a $10<br />

material fee payable to the instructor .


Photoshop Workshop**<br />

COURSE CODE <strong>ARTS</strong>1753 SECTION 41<br />

INSTRUCTOR Michael Bainbridge<br />

DATES July 7, 2012<br />

FEE $97 .24<br />

Please note: Basic Windows skills are essential and required.<br />

Restore, enhance or completely alter existing images . Work with<br />

layers, add special effects, filters and selected actions to manipulate<br />

your photos . Instruction is also suitable for users of the<br />

Elements version of Photoshop . Photos will not be taken during<br />

the workshop – please bring your own digital images .<br />

Sheddings Workshop – The Stored Becomes Storied**<br />

COURSE CODE <strong>ARTS</strong>1680 SECTION 41<br />

INSTRUCTOR Kate Church and Fay Wilkinson<br />

DATES July 7, 2012<br />

FEE $97 .24<br />

Are you challenged by sorting and letting go of creative clutter<br />

and perceived treasures you have collected over the years?<br />

Perhaps your need for an uncluttered space is battling with your<br />

emotional attachments to ‘things’ . Did you know that in addition<br />

to snakes, many creatures shed as a means to grow, maintain<br />

health, and reduce stress? Taking a leaf out of the book of the<br />

natural world, this playful and unusual workshop will have you<br />

bring a shoebox of ‘stuff’ that has been gathering dust . Using<br />

the contents of your box, you will learn how to design a simple,<br />

artful way to sort, discard, cherish, and transform . With guidance<br />

your created art piece, using elements from your box, will be a<br />

remembrance of your first shed . Rather than dreading or avoiding<br />

this process of letting go, you may experience relief and liberation<br />

. This may mark the beginning of your shedding journey – the<br />

stored becomes storied . There will be a $15 material fee payable<br />

to the instructor .<br />

Your instructors have been going through this ‘shedding’<br />

process in a collaborative way for several months. Blog address<br />

sheddings.wordpress.com .<br />

Sing! Workshop**<br />

COURSE CODE <strong>ARTS</strong>1200 SECTION 41<br />

INSTRUCTOR Eve Goldberg<br />

DATES July 7, 2012<br />

FEE $97 .24<br />

No matter what you’ve been told before, you can learn to sing! If<br />

you think you can’t carry a tune in a bucket, or if you would just<br />

like to become a little more confident in your singing, you’ll enjoy<br />

this workshop . Through vocal exercises, rounds, games, and<br />

simple folk songs, explore your voice in a supportive, fun environment.<br />

You’ll come away from the day with a few new songs, some<br />

tips and tricks for improving your sense of pitch and rhythm, and<br />

a renewed confidence your own voice . No experience necessary .<br />

There will be a $5 material fee payable to the instructor .<br />

register early!<br />

Waiting until the last minute limits your choice of courses<br />

and may cause you unnecessary disappointment .<br />

See registration details on page 99 .<br />

Love the course! It was organized fun and<br />

I love the feeling you get at the end of<br />

the week! A sense of accomplishment.<br />

– Camina Harrison-Cheryl<br />

Soap Making & Herbal Bath Workshop**<br />

COURSE CODE <strong>ARTS</strong>902 SECTION 41<br />

INSTRUCTOR Linda Lee Purvis<br />

DATES July 7, 2012<br />

FEE $97 .24<br />

This workshop will equip you with the skills to create your own<br />

natural body care products from a wide variety of easily obtained<br />

ingredients . With an introduction to pure essential oils, herbs,<br />

spices, and healthful properties of grains, oils, and other pantry<br />

goods, plus numerous handouts and reference materials, you<br />

will gain an extensive understanding of how to create your own<br />

recipes and healthful products . Learn how to make cold process<br />

soap from scratch, melt and pour soaps, create bath bombs, bath<br />

salts, milks, oils, massage oils, herbal bath bags, body powders,<br />

decorative and presentation ideas, and more . Enjoy this fun-filled,<br />

fragrant day . Please note that the cold process soap component<br />

will be done in demonstration format, however, a cured sample<br />

of the soap, and a kit to reproduce the recipe will be provided .<br />

All other projects are hands-on . There will be a $60 material fee<br />

payable to the instructor .<br />

Watercolour Florals Workshop**<br />

COURSE CODE <strong>ARTS</strong>595 SECTION 41<br />

INSTRUCTOR Marianne Broome<br />

DATES July 7, 2012<br />

FEE $97 .24<br />

Demonstrations and step by step instruction will encourage you<br />

to explore many techniques to achieve a bright, realistic floral<br />

painting . Instruction will cover glazing, gentle washes backgrounds,<br />

values, depth, harmony and much more in a relaxed<br />

atmosphere, with personal attention and encouragement . Reference<br />

materials will be available or you are welcome to paint from<br />

your own . All skill levels can be accommodated .<br />

Wire Sculpture Workshop**<br />

COURSE CODE <strong>ARTS</strong>416 SECTION 42<br />

INSTRUCTOR Charles O’Neil<br />

DATES July 7, 2012<br />

FEE $97 .24<br />

Project Title: Tree Forms on Stone<br />

Please note: This course requires the use of simple hand tools<br />

(wire cutters, pliers).<br />

Wire sculpture is an exciting and expressive art form . In this<br />

workshop you will receive step-by-step instruction to successfully<br />

create your project . With a variety of wires (steel, copper, galvanized)<br />

this creation is designed for indoor or garden use, and will<br />

be a great addition to any setting . There will be a $25 material fee<br />

payable to the instructor .<br />

JULY 2012<br />

29


30<br />

JULY 9 to 13, 2012<br />

Abstraction to Non-Objective Painting<br />

COURSE CODE <strong>ARTS</strong>1079 SECTION 41<br />

INSTRUCTOR Steve Rose<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

This course is designed to take you into the realm of non-objective<br />

painting, whether you are an experienced or novice painter .<br />

Starting with a number of warm up exercises and projects,<br />

subject matter will gradually be reduced until you are painting<br />

with no subject at all. You will be encouraged to work on your own<br />

projects or the instructor can assign topics and/or approaches for<br />

you and your work . Non-objective painting can be challenging<br />

but the skills learned and the added freedom of expression would<br />

benefit any art practice .<br />

Acrylics – Fast and Forgiving<br />

COURSE CODE <strong>ARTS</strong>3 SECTION 42<br />

INSTRUCTOR Denis Cliff<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for complete beginners.<br />

Discover the fascinating power of acrylic paint and its amazing<br />

potential . Imagine being able to cover your mistakes within<br />

minutes because of its fast drying properties . Enjoy the many<br />

processes that acrylics are suitable for and learn about the<br />

fabulous properties of this medium in a non-threatening environment,<br />

conducive to personal creative thinking. You will experience<br />

the medium in its full-strength, manufactured state as well<br />

as employ it as a stain with water added and then applied to<br />

unprimed canvas where it behaves like a watercolour with intense<br />

colour . Paint will also be used in flat, layered applications and in<br />

thick and textured processes that greatly enrich the surface . The<br />

instructor will bring some unique, personally developed experiences<br />

to the course and both traditional and abstract images can<br />

enhance your visual vocabulary and contribute to the enjoyment<br />

of the medium. You will benefit from close, personal attention and<br />

advice, in addition to learning from group critiques .<br />

Acrylics & Mixed Media – Introductory<br />

COURSE CODE <strong>ARTS</strong>1175 SECTION 41<br />

INSTRUCTOR Annette Blady Van Mil<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Learn methods and techniques using acrylics paints and acrylic<br />

products that will start you on an exciting journey of discovery .<br />

You will be encouraged to work in a variety of formats, using<br />

traditional painting materials and fluid acrylics, as well as heavy<br />

body paints with collage . While technique will remain an important<br />

aspect, emphasis will be placed on experimentation, building<br />

a personal style and colour sense, choosing subject matter, and<br />

open in-class discussions about the work produced .<br />

A great chance to be immersed in<br />

something new in a highly creative<br />

environment.<br />

– Stew Wallace<br />

Bird Carving<br />

COURSE CODE <strong>ARTS</strong>873 SECTION 41<br />

INSTRUCTOR Jan Fitch<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Project Title: Half or Life-size Eastern Screech Owl – Red Phase<br />

(Please inform instructor of your size choice)<br />

Individual instruction on anatomy, carving and painting techniques<br />

will be provided, accommodating beginning to advanced<br />

level carvers . The first two days will be spent painting a resin<br />

study bird created from the instructor’s original carving . In<br />

gaining an understanding of the bird’s structure prior to carving,<br />

you will learn feathering, blending and edging techniques to<br />

achieve the soft look of the bird . The remaining three days will<br />

be spent shaping the basswood cutout, creating feather groups<br />

and applying various forms of texturing . Instruction on mounting<br />

the bird into habitat will also be given . There will be a $50 to $60<br />

material fee payable to the instructor depending on your project<br />

size .<br />

Colour – Beyond Theory<br />

COURSE CODE <strong>ARTS</strong>1295 SECTION 41<br />

INSTRUCTOR Al Van Mil<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

How do you simplify colour and make it work for you? This course<br />

teaches you to use colour effectively in all mediums . If you love<br />

colour, but the colour wheel has always turned you off, or if you<br />

want to know more about how to work with colour, but the theory<br />

overwhelms you, then this course is for you . Learning the easy<br />

fundamentals of the colour field will give you the freedom to<br />

express yourself without hesitation. You will gain new confidence<br />

in creating powerful and dynamic colour combinations with a<br />

simpler understanding of all those tints, tones and shades . In this<br />

interactive course, a series of lectures, demos, and projects will<br />

take you to new levels of colour artistry . Individual attention will<br />

enable you to apply and develop these new skills .<br />

Creating Written Life Stories<br />

COURSE CODE <strong>ARTS</strong>57 SECTION 41<br />

INSTRUCTOR Nora Zylstra Savage<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

This hands-on course will provide you with the opportunity to<br />

continue writing your life stories and enhance your own writing<br />

style . New multimedia exercises and writing techniques will be<br />

presented and practiced. You will write, share and receive oral<br />

feedback in a sensitive and positive environment . This is a great<br />

chance to explore and further develop creative writing skills and<br />

techniques using your own personal stories as source material .<br />

Why wait until it is too late? Put it in writing!<br />

Please note: For those wanting to start writing their memoirs or<br />

life stories this course will accommodate those participants as<br />

well.


Creative Choral Music<br />

COURSE CODE <strong>ARTS</strong>58 SECTION 41<br />

INSTRUCTOR Kiera Galway<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Enjoy this opportunity to experience the pure joy of the collective<br />

voice in song! If you are a singer with little or no choral experience<br />

or you have not sung beyond the limits of your shower, this is the<br />

course for you. You will explore choral music genres including<br />

folk music from around the world, First Nations songs, African<br />

and Asian chant, vocal jazz, and spirituals . Sessions will include a<br />

holistic blend of improvisation, intonation, warm up, reading, and<br />

ear training exercises . The goal of this course is to free creativity<br />

and vocal flexibility, while getting acquainted with a variety of<br />

legitimate choral techniques. You will go home with a wealth of<br />

new repertoire and a renewed sense of creativity and energy .<br />

There will be a $25 material fee payable to the instructor .<br />

Creative Choral Music II<br />

INSTRUCTOR Andy Rush<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Please note the division of vocal sections and ensure you are<br />

registering appropriately. This course will run simultaneously<br />

with Creative Choral Music and the students of both courses<br />

will enjoy singing time together every day with both conductors.<br />

For the experienced choral musician, this course will focus on<br />

singing in harmony, modifying and perfecting arrangements,<br />

creating an ensemble, and community performance . In addition<br />

to learning a limited varied repertoire and developing it<br />

to performance standard, instruction and discussion will also<br />

address improvising, creating harmonies, moving, sharing stories<br />

from our own varied choirs, creating musical accompaniment,<br />

sharing music, listening to choral music examples, and modifying<br />

arrangements to suit the ensemble’s skills . Learn to take care of<br />

your voice by learning more about vocal hygiene and warming<br />

up. You will have the opportunity to perform at various venues<br />

around the school . There will be a $25 material fee payable to the<br />

instructor .<br />

Creative Choral Music II -Alto<br />

COURSE CODE <strong>ARTS</strong>1305 SECTION 41<br />

Creative Choral Music II – Bass<br />

COURSE CODE <strong>ARTS</strong>1307 SECTION 41<br />

Creative Choral Music II – Soprano<br />

COURSE CODE <strong>ARTS</strong>1304 SECTION 41<br />

Creative Choral Music II – Tenor<br />

COURSE CODE <strong>ARTS</strong>1306 SECTION 41<br />

Doll Making II – Artistic Expression<br />

COURSE CODE <strong>ARTS</strong>1485 SECTION 41<br />

INSTRUCTOR Kate Church<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

This course is designed to further develop skills and practice in<br />

the art of doll making . Learn to solve construction problems, gain<br />

experience and ability with materials, and enrich your personal<br />

process . Instruction will include daily demonstrations and<br />

practice sessions . There will be a $50 material fee payable to the<br />

instructor .<br />

Encaustic Painting<br />

COURSE CODE <strong>ARTS</strong>89 SECTION 41<br />

INSTRUCTOR Susan Fisher<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginning painters.<br />

You should have a basic knowledge of colour theory and some<br />

previous painting skills. Encaustic experience is not required.<br />

The art of encaustic painting was practiced by Ancient Greeks,<br />

Romans and Egyptians as many as 2500 years ago and is still<br />

practised today . The term encaustic denotes the use of wax as<br />

an artistic medium . The combination of pigment, beeswax and<br />

varnishes creates beautifully luminous paintings . Once a lost art,<br />

it is gaining more and more popularity and recognition . Many<br />

contemporary artists are exploring the versatility of the medium<br />

and applying the techniques to a wide variety of artistic genres:<br />

landscape, abstraction, collage and printmaking to name a few .<br />

As a newcomer to the medium you will learn basic techniques<br />

and formulae as well as how to prepare your own supports . The<br />

course includes a brief history of encaustic and frequent class<br />

discussions . Skills and techniques acquired in this course will<br />

enable you to apply encaustic techniques to your own personal<br />

painting style . Safety procedures will be emphasized at all times .<br />

There will be a $100 material fee payable to the instructor .<br />

JULY 2012<br />

31


32<br />

Fabrics – Colour, Patterns & Painterly Effects<br />

COURSE CODE <strong>ARTS</strong>1730 SECTION 41<br />

INSTRUCTOR Margot Miller<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Create fabulous fabric while exploring colour, pattern and texture .<br />

Learn the techniques of hand painting, fluid wash, leaf/botanical<br />

prints, discharge, marking and stamping, all ideal surface embellishment<br />

for shawls, scarves, sarongs, decorative accent pieces,<br />

or works on canvas . Learn to experiment with the versatility of<br />

these wonderful water based, environmentally friendly dyes .<br />

They’re ideal for using full strength, allowing strong brilliant colour<br />

for printing or diluted, for soft and subtle shades and hues – all<br />

well suited for fashion, interiors or fine art . There will be a strong<br />

emphasis on experimenting with colour mixing, pattern, textures<br />

and overlays, will provide an opportunity to combine many<br />

learned techniques with a new range of expressive skills . Let<br />

loose with colour and pattern to encourage self-expression and<br />

artistic freedom . There will be a $15 material fee payable to the<br />

instructor .<br />

Figure Sculpture<br />

COURSE CODE <strong>ARTS</strong>282 SECTION 41<br />

INSTRUCTOR Paul Portelli<br />

DATES July 9 – 13, 2012<br />

FEE $310 .85 (includes $11 .11 initial material fee)<br />

This course will introduce you to a dynamic approach of<br />

constructing figurative sculpture . With a model present you will<br />

explore traditional techniques that will aid you in a quick and<br />

thorough understanding of anatomy, volume, mass proportion<br />

and dynamic movement of the human body . Instruction will<br />

emphasize the development of skills and tactile awareness in<br />

conjunction with your own intuitive and expressive abilities to<br />

communicate through the language of form . Skills learned will<br />

enable you to produce many pieces of work during the course .<br />

This course is suited to individuals who would like to strengthen<br />

their powers of perception . If you are a doctor, dentist, architect,<br />

engineer, painter, potter, animator or you would simply like to see<br />

more with every look, you will benefit from this course .<br />

Please note: Completed works may be retained and processed<br />

to a permanent state through firing or casting processes. These<br />

processes will not be offered during this course. Additional clay<br />

will be available for purchase from the school at a cost of $12<br />

per bag, unfired.<br />

The best. HSTA does it best – great<br />

staff, excellent faculty, superior<br />

facility.<br />

– Callie Archer<br />

Glassblowing<br />

COURSE CODE <strong>ARTS</strong>101 SECTION 43<br />

INSTRUCTOR Terry Craig<br />

DATES July 9 – 13, 2012<br />

FEE $486 .78 (includes $187 .04 material fee)<br />

As a beginning student, you will discover the art of glassblowing<br />

using traditional techniques that date back 2000 years! These<br />

methods are still used today by the world’s leading vessel makers<br />

and glass sculptors . Glass is first melted in a furnace at 2100<br />

degrees Fahrenheit, at which time you learn how to gather the<br />

molten material on the end of a steel blowpipe to form it into<br />

vases, bowls, paperweights, goblets and sculpture. You will also<br />

have an opportunity to participate in discussions on equipment,<br />

safety, history and current trends in glass . With a maximum of<br />

12 students in the studio, you will have ample opportunity for<br />

hands-on learning . There will be a $10 material fee payable to the<br />

instructor .<br />

This course will run simultaneously with Glassblowing II.<br />

Please clearly indicate which level you are registering for.<br />

Glassblowing II<br />

COURSE CODE <strong>ARTS</strong>103 SECTION 42<br />

INSTRUCTOR Terry Craig<br />

DATES July 9 – 13, 2012<br />

FEE $486 .78 (includes $187 .04 material fee)<br />

Please note: This course is not suitable for beginners. This<br />

course will focus on advanced hot forming and decorating<br />

techniques.<br />

Learn techniques for vessel making, including vases, bowls,<br />

goblets and stemware, as well as solid sculpture and hot bit work .<br />

There will be demonstrations on advanced colouring techniques<br />

and studio production methods . With an emphasis on design,<br />

you will set up your own personal project goals. You will have an<br />

opportunity to participate in discussions about modern studio<br />

design and equipment construction, as well as glass as a contemporary<br />

art form . With a maximum of 12 students in the studio,<br />

you will have ample opportunity for hands-on learning . There will<br />

be a $10 material fee payable to the instructor .<br />

This course will run simultaneously with Glassblowing. Please<br />

clearly indicate which level you are registering for.


Japanese Brush Painting I<br />

COURSE CODE <strong>ARTS</strong>114 SECTION 41<br />

INSTRUCTOR Cassandra Wyszkowski<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

This unique course, which is suitable for the beginner or the<br />

‘seasoned’ painter, is designed to introduce you to the discipline<br />

of Japanese painting (known as Sumi-e), which is a water-based<br />

medium . Emphasis will be on various brush techniques, light and<br />

shade to achieve depth, brush control that develops spontaneous<br />

expression and effective simplicity in composition skills. You will<br />

paint a variety of subjects and will receive your own copy of each<br />

lesson, ten in all . This is a very intensive course providing a firm<br />

foundation for any future painting medium or artistic pursuit .<br />

Discover and learn the four paragons – the Bamboo, the Japanese<br />

Orchid, the Chrysanthemum and the Plum Tree . Oriental<br />

philosophy as related to painting will add an interesting flavour to<br />

this exciting course . Many other subjects for painting are pursued<br />

to keep creativity flowing . Japanese poetry ‘Haiku’ which is the<br />

‘kissing cousin’ of Sumi-e, along with beautiful, flowing music, will<br />

underpin the learning process by adding a delightful, peaceful<br />

atmosphere . This course is also suitable for potters and fabric<br />

painters who wish to beautify their work with expressive brush<br />

strokes . There will be a material fee of approximately $35 payable<br />

to the instructor .<br />

Jewellery Casting<br />

COURSE CODE <strong>ARTS</strong>119 SECTION 41<br />

INSTRUCTOR Michael Letki<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Using the ancient lost wax casting process to make jewellery<br />

opens the door to a fascinating world where an almost unlimited<br />

variety of three-dimensional forms and textures can be created .<br />

The tiniest details, textures and forms will be faithfully reproduced<br />

. Learn how virtually anyone with a shoebox of tools can<br />

do this at home! You will work on several pieces with emphasis<br />

placed on appropriate design for the methods, quality of<br />

workmanship and finishing techniques. You are welcome in this<br />

course whether you are working at a beginner or intermediate<br />

level of skill . There will be a $25 material fee payable to the<br />

instructor .<br />

Kids’ Get Creative**<br />

COURSE CODE <strong>ARTS</strong>1311<br />

INSTRUCTOR Toni Caldarone<br />

DATES July 9 – 13, 2012<br />

FEE $97 .80<br />

SECTION 41: 1:00 – 4:30pm, 5 – 7 years old<br />

SECTION 42: 9:00 – 12 Noon, 8 – 10 years old<br />

Summer’s here and so is fun! Learn, create and join your classmates<br />

in experimenting in lots of 1, 2, and 3D works of art . From<br />

Picasso and Matisse to Van Gogh, you’ll learn about some of our<br />

old masters through beautiful art books and then experiment<br />

using some of their techniques . From basic drawing techniques<br />

where you’ll make one-dimensional flat drawings look three<br />

dimensional, to innovative experiments using acrylic and watercolour<br />

paints, pastels and more to make your unique 2-D and 3-D<br />

art creations . There’ll be lots for you to learn, lots for you to create<br />

and most of all, lots of fun for you and your friends! There will be<br />

a $20 material fee payable to the instructor .<br />

Kids’ Zoom into Space**<br />

COURSE CODE <strong>ARTS</strong>1609<br />

INSTRUCTOR Michele Karch Ackerman<br />

DATES July 9 – 13, 2012<br />

FEE $97 .80<br />

SECTION 41: 9:00 – 12 Noon, 5 – 7 years old<br />

SECTION 42: 1:00 – 4:30pm, 8 – 10 years old<br />

Pack your interplanetary passports and get ready to blast off into<br />

space! Come join us for a week of imagination and fun as we<br />

zoom off to the tiny planet of Robot World . Create your very own<br />

wacky spaceship, stuffed planet and then flex those drawing<br />

muscles as you make a pop-up robot comic book . Make robot<br />

friends and laugh yourself silly in this zany week of spacey robot<br />

fun! There will be a $20 material fee payable to the instructor .<br />

JULY 2012<br />

33


34<br />

Knitting for Hands & Feet<br />

COURSE CODE <strong>ARTS</strong>1670 SECTION 41<br />

INSTRUCTOR Glenna Harris<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. Some<br />

knitting experience as well as experience reading and interpreting<br />

knitting patterns is required.<br />

Mittens, gloves, and socks – small projects like these are always<br />

practical to wear, but also exciting to make . Discover how to<br />

create these accessories, including skills like working ribbing,<br />

basic cables, working in the round on small circumferences,<br />

turning a heel on a sock, and sewing up toes and mitten tops .<br />

You will complete at least one mitten and one sock over the<br />

course of the week, and learn how to complete full pairs while at<br />

home if they are not completed during the course .<br />

Life Drawing II<br />

COURSE CODE <strong>ARTS</strong>126 SECTION 41<br />

INSTRUCTOR John Leonard<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

This comprehensive course is intended to extend previous<br />

training or experience in drawing from the model . Take this<br />

opportunity to fill the gaps in your previous learning experiences<br />

. Instruction in gesture, contour and shading techniques<br />

is included as well as methods of dealing with foreshortening,<br />

perspective in the figure, anatomy, portraiture, use of media and<br />

other issues to arise in the process. You will be encouraged to<br />

develop individual creativity and self-expression as you explore<br />

the exhibition, meaning, content, context, intention, format,<br />

complexity, design and composition of life drawings .<br />

Oil Painting – Introduction to Plein Air<br />

COURSE CODE <strong>ARTS</strong>596 SECTION 41<br />

INSTRUCTOR John Anderson<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

This course is designed to engage you in the fundamental<br />

aspects of painting with oils . Exploring the idea of landscape<br />

painting as an artistic and creative endeavour will be stressed .<br />

The language of paint will be developed through mark making,<br />

colour, form, texture and composition . Through the understanding<br />

of these issues and with individual instruction, you will<br />

develop confidence in your own painting ability . This course is<br />

suitable whether you have limited painting and drawing experience<br />

or if you are a more experienced painter planning to expand<br />

your capabilities and further develop your skills. You are invited to<br />

work with oil paint in an environment that encourages individual<br />

freedom and expression . Weather permitting, the majority of<br />

class time will be held outdoors . There will be a $10 material fee<br />

payable to the instructor .<br />

Painting – Design & Composition<br />

COURSE CODE <strong>ARTS</strong>1695 SECTION 41<br />

INSTRUCTOR Matthew Mancini<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Explore the principles of design and composition, and their<br />

application towards the creation of meaningful works of art .<br />

Based on traditional drawing and oil painting techniques, you will<br />

learn how light and dark, color, line, organizations of elements,<br />

geometry and perspective have the ability to create unity and<br />

control the viewer’s response to, and interaction with art . Though<br />

intuition of the artist plays a large role in the creation of a work<br />

of art, a thorough understanding of the elements of design and<br />

composition will serve to provide clarity and coherence while<br />

creating a sense of variety in your work. You will begin with simple<br />

exercises that investigate these principles and progress to a more<br />

formal arrangement for a single project involving the landscape,<br />

the figure, or still life objects . Gain invaluable insight into the<br />

steps necessary to create and articulate your ideas through to the<br />

completion of harmonious works of art .


Paper Sculpture & Collage<br />

COURSE CODE <strong>ARTS</strong>1147 SECTION 41<br />

INSTRUCTOR Suzi Dwor<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Work with a variety of papers, including rice, mulberry, washi,<br />

and watercolour papers in a non-traditional way to create two-and<br />

three-dimensional works of art . Explore colour, texture, patterning,<br />

design and the physical properties of paper and its relationship<br />

to other media such as paint, wax resist, and a variety of drawing<br />

materials. You will tear, weave, wrap, layer, stamp, paint, make<br />

marks, and continue to experiment with your supplies . Experiment<br />

with collage, assemblage, fibre techniques on paper, and<br />

learn 30 ways to manipulate paper . Projects include a book cover,<br />

paper garment (as wall art), abstract collages, and self-directed<br />

explorations . This is a very exciting and rich experimental mixed<br />

media class for beginners and experienced artists . There will be a<br />

$40 material fee payable to the instructor .<br />

Photography – Creative Images<br />

COURSE CODE <strong>ARTS</strong>918 SECTION 41<br />

INSTRUCTOR Rob Stimpson<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Please note: Instruction can benefit traditional and point and<br />

shoot cameras but is best suited to DSLR cameras.<br />

Good photographs are made, not just taken . They are created .<br />

Learn how to create an image, not just take a picture . We all have<br />

pre-conceived ideas about how something should look, and that<br />

is what we photograph . If you want to be creative you must cast<br />

aside these pre-conceptions and look at things differently . Visual<br />

mediums rely on many factors to make the image created effective<br />

. In this course you will examine what those factors are how to<br />

make them work for your imagery . Demonstrations and lectures<br />

involving other mediums will also help you formulate new ideas in<br />

creating images with your camera . This course can accommodate<br />

both film and digital photography . There will be a $5 material fee<br />

payable to the instructor .<br />

Portrait Sketching and Development<br />

COURSE CODE <strong>ARTS</strong>326 SECTION 41<br />

INSTRUCTOR Brian Smith<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

This exciting and in-depth portraiture course will develop your<br />

ability to capture the likeness of any model . Starting from a simple<br />

anatomical understanding of the elements of the face through<br />

to proportion and expression, you will be challenged to look for<br />

and isolate the unique features that identify each of us . As well<br />

as posing for each other, you will complete a self-portrait and also<br />

work with a professional model . Works by a variety of artists will<br />

be discussed throughout the course . Each student will be asked<br />

to participate by sitting for a few short portrait poses during the<br />

week .<br />

VCAD Credits: Within this calendar,<br />

foundation courses are indicated by a single asterisk (*),<br />

non-credit courses are indicated by a double asterisk (**),<br />

elective courses have no asterisk.<br />

Pottery II<br />

COURSE CODE <strong>ARTS</strong>179 SECTION 41<br />

INSTRUCTOR Barbara Joy Peel<br />

DATES July 9 – 14, 2012 (6 days)<br />

FEE $359 .26 (includes $18 .52 initial material fee)<br />

Please note: This course is not suitable for beginners. Pottery<br />

– Beginners or equivalent wheel work experience is required<br />

to participate. Instruction in this course is delivered at an<br />

intermediate level of skill.<br />

Instruction in this course is delivered at an intermediate level of<br />

skill . Through the use of demonstrations, critiques and much<br />

time spent on the wheel, you will develop a better understanding<br />

of the form and function of clay . There will be demonstrations of<br />

throwing techniques including cylinders, bowls, plates, lidded<br />

pieces and vases. You will also experience glaze mixing, loading<br />

and firing kilns . There will be one bisque fire and one glaze fire<br />

accomplished during the course . Additional clay will be available<br />

for purchase from the school at a cost of $20 per bag, which<br />

includes glazing and firing .<br />

Printmaking – Collagraph<br />

COURSE CODE <strong>ARTS</strong>422 SECTION 41<br />

INSTRUCTOR Victoria Cowan<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Collagraph prints are known for their richness and great range of<br />

colour, texture and line . Because the plate is built up by gluing<br />

materials to a support, no previous drawing skill is required, just a<br />

sense of play and lots of interesting scraps . The course will begin<br />

with a brief overview of printmaking, as well as an examination of<br />

actual prints and examples from books . After making the plates,<br />

you will print your images and explore how adding elements with<br />

Japanese paper and/or hand colouring, and layering images all<br />

contribute to unique and exciting work. You will be able to work<br />

at your own pace and scale, to experiment with a large variety of<br />

textures and colour, and make work to suit your specific needs,<br />

all in a supportive environment geared to enjoyment . There will<br />

be a $20 material fee payable to the instructor .<br />

JULY 2012<br />

35


36<br />

Stone Carving – Advanced<br />

COURSE CODE <strong>ARTS</strong>325 SECTION 41<br />

INSTRUCTOR Fred Hummel<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. You must<br />

be able to carry stone weighing up to 30 lbs.<br />

This course will explore and address specific issues and challenges<br />

related to advanced stone carving . Discussions and<br />

hands-on course content will include such carving techniques as<br />

drapery, hair textures, and facial features . Investigate light and<br />

shadow using various textural techniques to address contour,<br />

depth and tone through shading . A selection of stone will be<br />

available for purchase on site . The use of the Polar Grinder, as<br />

a sculpting tool, will be available . Questions may be directed to<br />

Fred Hummel at fwhummel@sympatico .ca .<br />

Stringed Instrument Immersion for Beginners<br />

COURSE CODE <strong>ARTS</strong>923 SECTION 41<br />

INSTRUCTOR Bethany Houghton<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

This course provides the unique opportunity, whether you have<br />

little or no previous musical experience, to learn to play a violin,<br />

viola or cello. You’ll be immersed in an effective study of the<br />

violin family as a whole . Learn how to play your instrument as<br />

well as its maintenance requirements . Instruction will include<br />

study of theory, history, listening techniques, fiddling and classical<br />

performance etiquette . The very basics of the Suzuki method and<br />

music reading skills will be included . Please bring your instrument<br />

if you have one . If not, they will be available to rent . Violin:<br />

$30, Viola: $35, Cello: $50 . There will also be a material fee of<br />

$10 payable to the instructor .<br />

These courses run simultaneously. Please clearly indicate<br />

which level you are registering for.<br />

Weaving – Basic Level I<br />

COURSE CODE <strong>ARTS</strong>261 SECTION 41<br />

INSTRUCTOR Ralph Johnston<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

This course introduces you to the 4 harness floor loom, developing<br />

basic set-up and weaving skills . Instruction is suitable for<br />

beginner weavers, or novice weavers who want to focus on good<br />

basic weaving skills. You will be guided step-by-step through<br />

warping, setting up a loom, and weaving, with the opportunity<br />

to play with colour and design along the way . Instruction will<br />

address individual skill levels, and give suggestions for fine<br />

tuning technique and efficiency as your skills develop . The goal<br />

is to set up and weave two projects during the week – a set of<br />

hot mats/potholders, and your choice of either a) placemats or<br />

runner, or b) a scarf . Materials will be provided by the instructor<br />

for purchase, although you may bring 4/8 cotton, mop cotton,<br />

2/8 cotton, or scarf yarn of your own if you wish . A half day<br />

loom maintenance and tuning-up session is included to help<br />

you understand how looms work, and how to have them work<br />

well for you. You may bring your own 4 harness floor loom, or<br />

use one of the school’s . Please indicate upon registration if you<br />

require a loom . There will be a $35 material fee payable to the<br />

instructor . Material fees for the second project will depend on<br />

materials used .<br />

Textile Collage – Mixed Media<br />

COURSE CODE <strong>ARTS</strong>1545 SECTION 41<br />

INSTRUCTOR Maggie Vanderweit<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Please note: Basic sewing skills are recommended.<br />

Explore ways to prepare a completely original “distressed canvas”<br />

as a ground, then create, stencil, stamp, glue and layer with all<br />

kinds of paints, ink, paper, medium and gesso onto the canvas .<br />

Spend a day creating beautiful stamps with a variety of simple<br />

materials to use in the collages and other future work. You will be<br />

able to complete 5 to 10 unique and creative wall hangings . Try to<br />

think of stories you wish to tell with your art. You are required to<br />

bring a sewing machine in good working order .<br />

Watercolour – Drawing & Painting<br />

COURSE CODE <strong>ARTS</strong>949 SECTION 41<br />

INSTRUCTOR Maurice Snelgrove and Ross Monk<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Please note: Basic drawing and watercolour skills are highly<br />

recommended.<br />

This unique course will place great emphasis on individual attention<br />

to help you experience the joy and spontaneity of watercolour<br />

painting . This is a studio/plein air painting course, designed to<br />

loosen up your approach to landscape painting . Learn how to<br />

interpret what you see and how to use light, colour and contrast<br />

to make your paintings come alive . Drawing will be stressed as an<br />

important aspect of painting . Flexibility and variety of approaches<br />

to subject matter, media and techniques will be encouraged .<br />

Instruction will include daily demonstrations .<br />

Weaving – Basic Level II<br />

COURSE CODE <strong>ARTS</strong>751 SECTION 41<br />

INSTRUCTOR Ralph Johnston<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Weaving – Basic or the ability to set up a loom and weave<br />

with a minimum of direction is required.<br />

This course introduces basic 4 harness weaves such as twills,<br />

herringbones, and texture weaves – the base almost all weaving<br />

is built on . Weave a patchwork sampler (to become a runner<br />

or made into throw cushions) that uses varied threadings and<br />

treadlings to create remarkably different weaves, and that<br />

will become a valuable reference for future weaving . From<br />

this you’ll design a second project of your choice using one<br />

or more weaves for a small project (e .g . scarf, runner) to be<br />

completed during the course, or weave a detailed sample for a<br />

larger project to complete on your own (jacket fabric, blanket,<br />

upholstery, or other .) Being hands-on, with instruction geared<br />

to individual abilities and interests, this course is a great way to<br />

expand your treadling dexterity and familiarity with weaves . A<br />

half day loom maintenance and tuning-up session is included<br />

to help you understand how looms work and how to have them<br />

work well for you . Materials to weave the sampler will be available<br />

for purchase from the instructor but if you have cottons,<br />

wools, or other yarns that you would like to use for your second<br />

project please bring them. You may bring your own 4 harness<br />

floor loom, or use one of the school’s . Please indicate upon<br />

registration if you require a loom . There will be a $50 material<br />

fee payable to the instructor . Material fees for the second<br />

project will depend on the material used .


Watercolour Painting – Big Sky Landscape<br />

COURSE CODE <strong>ARTS</strong>1665 SECTION 41<br />

INSTRUCTOR Grant Fuller<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. Instruction<br />

is suitable for intermediate painters with a basic knowledge<br />

of materials and watercolour washes.<br />

Learn to paint realistic landscapes featuring dramatic skies . One<br />

painting will be completed each day and will include one or more<br />

of these subjects: distant buildings, ponds and reflections, fields,<br />

trees and hillsides . Photo reference will be provided and offer<br />

additional landscape features such as winter and mountains .<br />

Step by step demonstration will guide you through all the stages<br />

of creating a finished work . Instruction will address learning to<br />

design the picture, draw the subject, work on wet paper, and mix<br />

colours to create depth and lighting . Everyone will work at their<br />

own comfort level as less experienced painters can follow the<br />

demonstration very closely while veteran artists will explore the<br />

design possibilities to their liking .<br />

Wire Sculpture<br />

COURSE CODE <strong>ARTS</strong>269 SECTION 41<br />

INSTRUCTOR Charles O’Neil<br />

DATES July 9 – 13, 2012<br />

FEE $299 .74<br />

Please note: This course requires extensive use of hand tools<br />

(wire cutters, pliers).<br />

Wire sculpture is an exciting, expressive art form that can be<br />

functional, decorative or both! This course will introduce you<br />

to the aesthetics, materials, tools and techniques used in the<br />

creation of wire sculptures. You will then be encouraged to design<br />

and create an original wire sculpture, in a scale of your choosing .<br />

There will be a $45 material fee payable to the instructor .<br />

Youth/Teen Metal Jewellery Arts**<br />

COURSE CODE <strong>ARTS</strong>1291 SECTION 41<br />

INSTRUCTOR Susan Watson Ellis<br />

DATES July 9 – 13, 2012<br />

FEE $213 .86<br />

Please note: This course is suitable for youth and teens 11 to<br />

18 years of age.<br />

You will be surprised at how easy it is to create things as intricate<br />

looking as the king’s or twist chain . Learn these techniques and<br />

other skills to create current jewellery styles . Cut, saw, form and<br />

decorate various metals into unique creations after mastering<br />

the basics . As skills increase, you will start to develop your own<br />

designs for bracelets, cuffs, pendants, earrings, rings, key rings<br />

or chains . Decorate and personalize with beads, marbles, and<br />

tumbled stones . There will be a $45 material fee payable to the<br />

instructor .<br />

Youth/Teen Movie Making & Animation**<br />

COURSE CODE <strong>ARTS</strong>1114 SECTION 41<br />

INSTRUCTOR Tammy Rea and Martha Larsen<br />

DATES July 9 – 13, 2012<br />

FEE $213 .86<br />

Please note: This course is suitable for youth and teens from<br />

11 to 18 years of age.<br />

Learn how to tell and show a good video story . From writing a<br />

script, creating a storyboard and shotlist, using a video camera<br />

and digitally editing your movie, you’ll produce a DVD – and have<br />

your movie screened at the Friday afternoon Film Festival – all<br />

in just 5 days . The final product will be a DVD collection of the<br />

movies . Previous experience is not required . All equipment will be<br />

provided . Many videos from past courses have been finalists at<br />

the Toronto International Children’s Film Festival . There will be a<br />

$20 material fee payable to the instructor .<br />

No profanity or violence will be allowed. The instructors reserve<br />

the right to not screen a video at Friday’s Festival if these<br />

boundaries are not maintained.<br />

JULY 2012<br />

37


38<br />

satUrDaY, JULY 14, 2012<br />

Alternative Mark Making Workshop**<br />

COURSE CODE <strong>ARTS</strong>1701 SECTION 41<br />

INSTRUCTOR Rebecca Reynolds<br />

DATES July 14, 2012<br />

FEE $97 .24<br />

In this fun and playful workshop, you are encouraged to explore<br />

different ways of mark making to breathe new life into your art<br />

practice . Learn about and study the work of various contemporary<br />

artists who have pushed the boundaries of drawing, such as<br />

Cy Twombley, Arturo Herrera and Vik Muniz . Their art will then<br />

inspire your own creative journey as you try unexpected drawing<br />

techniques, use unconventional drawing materials, and challenge<br />

yourself in how you think about drawing in general . Add<br />

new tricks to your artist toolbox while creating in a supportive<br />

learning environment . There will be a $5 material fee payable to<br />

the instructor .<br />

Digital Cameras Made Easy**<br />

COURSE CODE <strong>ARTS</strong>700 SECTION 42<br />

INSTRUCTOR Jenny Kirkpatrick<br />

DATES July 14, 2012<br />

FEE $97 .24<br />

In this workshop you will learn how to operate your digital camera<br />

more effectively . Starting with a guided tour of buttons, dials<br />

and menus, you will look at the various control mechanisms on<br />

the camera and learn how each affects the overall operation of<br />

the camera. You will learn how to change image format, image<br />

resolution, exposure settings, white balance and ISO . By the end<br />

of the class, you’ll understand the importance of these and how<br />

they can affect the overall appearance of your images. You will<br />

also learn how to make a photo internet-ready so you can send<br />

images to your friends and colleagues more efficiently .<br />

Drawing the Figure for Beginners Workshop**<br />

COURSE CODE <strong>ARTS</strong>899 SECTION 41<br />

INSTRUCTOR Steve Rose<br />

DATES July 14, 2012<br />

FEE $97 .24<br />

Working from the human figure is fun, challenging, and very<br />

rewarding. You do not have to be a natural at drawing. Skills can<br />

be taught, encouraged and built upon . Utilizing both nude and<br />

costumed models, you will learn about gesture, contour, design,<br />

proportion and composition . Experiment with a variety of media<br />

and techniques that will energize your creative self . This class is<br />

an asset for anyone interested in sculpture or portraiture .<br />

Expressive Painting Workshop**<br />

COURSE CODE <strong>ARTS</strong>1738 SECTION 41<br />

INSTRUCTOR Sue Miller<br />

DATES July 14, 2012<br />

FEE $97 .24<br />

Suited to all artistic levels from beginner to advanced, this workshop<br />

will appeal to artists interested in non-traditional art, but the<br />

principals learned can also apply to representational work . Using<br />

music and other exercises to clear the objective mind, you will be<br />

exposed to a new way of approaching painting and experience<br />

the liberating feeling of breaking out of the traditional realm and<br />

combating fears . Instruction is process oriented to guide you<br />

away from being attached to outcome, break through creative<br />

barriers, and move toward developing your own unique, intuitive<br />

style of self-expression on canvas or other surfaces . Working in<br />

oils or acrylics, explore colour mixing and various techniques<br />

such as loose washes, thick palette knife application and mark<br />

making with other tools. Your efforts will produce a piece of<br />

work that demonstrates the process of pushing your creative<br />

boundaries!<br />

Fascinator Workshop**<br />

COURSE CODE <strong>ARTS</strong>1681 SECTION 41<br />

INSTRUCTOR Karyn Gingras<br />

DATES July 14, 2012<br />

FEE $97 .24<br />

With the recent Royal Wedding, there has been a lot of media<br />

coverage of the fascinator, also referred to as “whimsy” or<br />

cocktail hat . It’s one of the most exciting trends in millinery . The<br />

beauty of the fascinator is that there are no rules . Anything goes<br />

and anyone can build their own . Design and assemble several<br />

types of fascinators, including building a base, and embellish<br />

with a variety of materials . Basically anything you envision on a<br />

headpiece, can work . In addition to creating a piece from the very<br />

beginning, it is also suggested that some reworked vintage hats<br />

have elements that can be used to create something new and<br />

magical! Please feel free to contact the instructor prior to the class<br />

with any special requests or questions . karyn@lilliputhats .com .<br />

There will be an approximate material fee of $20 to $40 per<br />

piece, depending upon materials chosen .<br />

Felted Scarf Workshop**<br />

COURSE CODE <strong>ARTS</strong>1742 SECTION 41<br />

INSTRUCTOR Susan MacDonald<br />

DATES July 14, 2012<br />

FEE $97 .24<br />

Create a unique one-of-a-kind, show stopping work of art with<br />

a little fibre, a little silk, some soap and water, and a few simple<br />

processes . Learn about an ancient craft that’s fashionably at<br />

home in this modern world. Your project can be adapted to make<br />

a scarf, neck warmer, tube/ring scarf, table runner, bed end or<br />

virtually whatever you can image . Plan soak, poke, and prod your<br />

way to a unique felted creation . There will be a $25 material fee<br />

payable to the instructor .


Harp for Beginners Workshop**<br />

COURSE CODE <strong>ARTS</strong>1699 SECTION 41<br />

INSTRUCTOR Maureen McKay<br />

DATES July 14, 2012<br />

FEE $97 .24<br />

This is an excellent opportunity to be introduced to this beautiful<br />

instrument and to basic playing techniques as you learn a Celtic<br />

tune or two . No previous musical experience is necessary . Harps<br />

are available for rental at $20 for the day, and there is a $10<br />

material fee payable to the instructor .<br />

Needlework Workshop**<br />

COURSE CODE <strong>ARTS</strong>1676 SECTION 41<br />

INSTRUCTOR Jacqui Clarkson<br />

DATES July 14, 2012<br />

FEE $97 .24<br />

Experience a variety of techniques as you stitch a raised scallop<br />

shell that rests in a circle of stitches, all of this is surrounded by<br />

a Bargello wreath . Develop your own colour scheme which will<br />

enhance the graduated colour and textures . Finishing techniques<br />

will also be included . There will be a $25 material fee payable to<br />

the instructor .<br />

Rustic Chair Workshop**<br />

COURSE CODE <strong>ARTS</strong>546 SECTION 42<br />

INSTRUCTOR Maggie Longworth<br />

DATES July 14, 2012<br />

FEE $97 .24<br />

Imagine a great chair in just one day! With step-by-step instruction<br />

and a kit, you will build either an Adirondack style chair<br />

measuring 40"h x 23"w x 23"d or a Tub style chair with a<br />

bentwood back measuring 36"h x 23"w x 23"d . These are both<br />

good basic chair designs, requiring no previous experience. You’ll<br />

easily be able to create additional unique and charming rustic<br />

chairs on your own using a variety of woods . Tag Alder will be<br />

utilized and supplied for this project . There will be an $85 material<br />

fee payable to the instructor .<br />

Watercolour Greetings Workshop**<br />

COURSE CODE <strong>ARTS</strong>690 SECTION 41<br />

INSTRUCTOR Margaret McIntyre<br />

DATES July 14, 2012<br />

FEE $97 .24<br />

Through the popular step-by-step instruction style, learn simple,<br />

elegant watercolour techniques and designs that are ideal to<br />

use for greeting cards, bookmarks, and more . Watercolour<br />

landscapes, sea creatures and floral designs will be created .<br />

You will leave feeling relaxed and accomplished, with a greater<br />

appreciation for the watercolour medium . No drawing skills or<br />

previous watercolour experience is required . There will be a $20<br />

material fee payable to the instructor . This fee covers all materials<br />

required .<br />

Zentangle ® Workshop**<br />

COURSE CODE <strong>ARTS</strong>1592 SECTION 41<br />

INSTRUCTOR Chari-Lynn Reithmeier<br />

DATES July 14, 2012<br />

FEE $97 .24<br />

Zentangle ® is an easy to learn and relaxing method of creating<br />

beautiful images from repetitive pattern. You will be introduced<br />

to the history and language of the art form and learn step-by-step<br />

how to construct many ‘Tangles’ (Tangles are patterns) . Instruction<br />

will develop the ability to use Zentangle in your daily life, as<br />

a meditative art form, jump start your creativity, enhance your<br />

journal, incorporate into your other art projects, or simply for fun!<br />

There will be a $25 material fee payable to the instructor .<br />

JULY 2012<br />

39


40<br />

JULY 16 to 20, 2012<br />

Acrylic Collage & Yoga<br />

COURSE CODE <strong>ARTS</strong>1500 SECTION 41<br />

INSTRUCTOR Jill Segal<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

This exciting process oriented course, invites you to an exploration<br />

of acrylic painting and collage, combined with the experience<br />

of gentle yoga and meditation. You will be introduced to Gentle<br />

Kripalu Yoga, which facilitates connection to your body, relaxation,<br />

self awareness and self-compassion . It calms the mind and<br />

allows you to connect with your authentic ‘Creative Self’ . From<br />

this ‘centred place’, you will have the opportunity to explore your<br />

creativity and experience the joy of self expression in a fun filled,<br />

non-judgmental environment. You will be encouraged to experiment<br />

with new concepts and ideas, combining fluid acrylic paint,<br />

watercolour crayons and acrylic mediums with magazine pictures,<br />

oriental and stained papers, found natural objects, photographs<br />

and anything else that you would like to adhere to your support<br />

surface. You will benefit from individual attention and group<br />

dialogue . Personal expression and uniqueness will be encouraged<br />

. There will be a $20 material fee payable to the instructor .<br />

Christmas – The 5 Days of Christmas<br />

COURSE CODE <strong>ARTS</strong>1740 SECTION 41<br />

INSTRUCTORS See below<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Stockings, cards and gift tags, ornaments and a place to keep<br />

particularly treasured pieces . . . Each day will present a different<br />

project, instructed by a different instructor . The variety of projects<br />

provides an opportunity to sample a number of techniques and<br />

work with a range of materials . There is no experience required in<br />

any of the techniques .<br />

There will be a $94 material fee payable to the various instructors<br />

throughout the week . See the student material list for more<br />

details .<br />

Felted Stocking with Sandi Luck – Learn the process of wet<br />

felting a 3 dimensional object as you create a Christmas stocking<br />

from wool fibre . Add yarns, ribbons and fabric during the felting<br />

process to create a unique decoration that can be stuffed with<br />

goodies from Santa or hung from the mantel .<br />

Holiday Cards & Gift Tags with Darby Bayly – Create unique,<br />

personal holiday cards and tags utilizing techniques such as<br />

relief carved block printing (you’ll have the opportunity to carve<br />

2 unique stamps to take home), paper collage, simple hand<br />

stitching, stamping, and envelope folding .<br />

Wire, Beaded & Image Transfer Ornaments with Erin Lynch<br />

– Begin with making unique ornaments for your tree or home<br />

using hand tools and wire . Finished pieces can be embellished<br />

and personalized with beads and ribbons . Continued instruction<br />

will be devoted to making image transfer decorations . Learn the<br />

technique through demonstration, and then create your own<br />

decorations on wood and polymer clay .<br />

Stained Glass Ornaments with Valerie Cowle – Explore stained<br />

glass techniques while creating at least three stained glass<br />

Christmas ornaments using the copper foil method . From pattern<br />

and glass selection, through cutting, grinding, fitting, foiling and<br />

soldering, all aspects of basic processes are covered .<br />

Display Storage Box with Don Taylor – Create a glass fronted box<br />

for display and safe storage of treasured mementos . Assemblage<br />

and collage techniques will be discussed with the intention of<br />

being completed at home following the course .<br />

Creative Writing<br />

COURSE CODE <strong>ARTS</strong>61 SECTION 41<br />

INSTRUCTOR Catherine Graham<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

This course will help you gain access to and develop your inner<br />

voice . Learn how to tap into your own creativity and strengthen<br />

your writing skills in a supportive workshop environment . Topics<br />

include: good beginning, character, dialogue, plot, description<br />

and point of view . Step by step, you will experience the various<br />

components of the writing process; generating ideas/subject<br />

matter, first draft, the writing workshop, the art of revision and the<br />

final draft . This course can be taken repeatedly by new writers of<br />

fiction, creative non-fiction, and memoir, as well as experienced<br />

writers who want to refresh and expand their skills .<br />

Fabric Collage Art Quilts<br />

COURSE CODE <strong>ARTS</strong>1666 SECTION 41<br />

INSTRUCTOR Marion Spanjerdt<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Please note: Experience with free-motion machine stitching<br />

and quilting will be an asset. If a beginner, please develop your<br />

basic skills before you come to the course.<br />

Indulge your love of fabrics, colour, pattern and texture through<br />

an intense but engaging process . Enjoy the freedom of cutting,<br />

layering and stitching a wide range of fabrics into mixed media<br />

art quilts, experimenting with a variety of collage techniques .<br />

Visual ideas, samples and design sources are discussed and<br />

made available at the beginning of each project, and different<br />

approaches to composition are demonstrated . Layering and<br />

arranging cut shapes, fragmented pattern, prints and sheers,<br />

including cutwork with painting, distressing, gilding, stamping<br />

and stenciling, combined with hand- and free-motion machine<br />

embroidery, will allow you to create rich and varied textiles . See<br />

how small separately stitched collages can evolve into a cohesive<br />

quilt by assembling the related components, which are then<br />

further embellished and unified . This may include lace-like<br />

fragments using water soluble stabilizer . Miscellaneous materials<br />

and techniques are incorporated to enrich the surface or create<br />

bold textural contrast to give your quilts textural appeal . Discover,<br />

with colour being our most expressive tool, how vibrant colour<br />

can be employed to add emphasis, excitement and surprise, or<br />

used with restraint to create subtle moods with delicate tones and<br />

shades. You are required to bring a reliable sewing machine in<br />

good working order . There will be a $20 material fee payable to<br />

the instructor .


Fabric Printing – Photos, Screens & More<br />

COURSE CODE <strong>ARTS</strong>1692 SECTION 41<br />

INSTRUCTOR Gunnel Hag<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Discover how to transfer photos onto fabric and print fabrics with<br />

fine, detailed imagery . Learn how to mix and match your own<br />

colour palette using environmentally friendly Colour Vie fabric<br />

pigments. You’ll create artwork for screen printing, making your<br />

own experimental and emulsion screens, and also experiment<br />

with visual textures on fabric . Three different techniques for<br />

transferring photos directly onto cloth will be explored . There will<br />

be a $65 material fee payable to the instructor .<br />

Fundamental Drawing<br />

COURSE CODE <strong>ARTS</strong>98 SECTION 42<br />

INSTRUCTOR Denis Cliff<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

This course will make it easy for the uninitiated to fearlessly<br />

approach the process of drawing in a refreshing and creative<br />

environment. You will learn to work with an assortment of media<br />

in a variety of techniques . Exploration of light and shade, contour<br />

and gesture drawing will increase perception of form and space,<br />

line and tone as well as provide a basic understanding of expression<br />

. Subject matter will include indoor and outdoor material as<br />

well as a life model . Approaches to subject matter will be kept<br />

as simple as possible until you feel ready for more involvement .<br />

Creativity will be emphasized and special technique development<br />

will foster expression and creativity . Working with pencil, conté,<br />

crayon, ink, washes, charcoal and glue, among other media, you<br />

will enjoy individual, personalized instruction . The Instructor will<br />

provide a relaxed, non-threatening environment conducive to<br />

overcoming frustrations and fears about the process of drawing . A<br />

life model will be utilized for a portion of this course .<br />

Handbuilding Clay Sculpture<br />

COURSE CODE <strong>ARTS</strong>108 SECTION 41<br />

INSTRUCTOR Paul Portelli<br />

DATES July 16 – 20, 2012<br />

FEE $310 .85 (includes $11 .11 initial material fee)<br />

This course will introduce you to imaginative and unusual<br />

alternatives to sculpting and handbuilding clay . Emphasis will be<br />

put on sculpting both decorative and functional pieces as well<br />

as figurative work. You will have the opportunity to sculpt directly<br />

from the model . Anatomy and composition will also be examined .<br />

Learn techniques and tricks used to create illusions in clay .<br />

Personal creativity will be emphasized, as you are encouraged to<br />

work with many new techniques in a high-energy good-humoured<br />

atmosphere . Additional clay will be available for purchase from<br />

the school at a cost of $12 per bag, unfired . Please Note: Pieces<br />

will not be fired during this course .<br />

Harp: Beginner/Intermediate<br />

COURSE CODE <strong>ARTS</strong>1674 SECTION 41<br />

INSTRUCTOR Maureen McKay<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

In this harp immersion course you will learn or review the<br />

fundamentals of harp technique, and apply these to playing<br />

several Celtic tunes in a relaxed and inspiring environment . At the<br />

first class, students will be placed into beginner and intermediate<br />

groups so that each person receives instruction at their level of<br />

skill development . In addition to individual and group instruction,<br />

the course will foster an appreciation for the rich history<br />

of harp playing, and will provide practical tips on maintenance<br />

of the harp . Instruction will include opportunities to experience<br />

ensemble playing, an introduction to arranging music for the<br />

harp, the fun of improvisation and composition at the harp, and<br />

guidance with accompanying other instruments . If you own a<br />

harp you are encouraged to bring it . Harps will be properly and<br />

securely stored . There will be some harps available for rent at<br />

$40 for the week, and there will be a $10 material fee payable to<br />

the instructor .<br />

Illumination – Mediaeval & Modern<br />

COURSE CODE <strong>ARTS</strong>1526 SECTION 41<br />

INSTRUCTOR Judith Jaimet Bainbridge<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Learn to design and paint 5 styles of mediaeval and modern<br />

decorated capitals, using archival materials . This art form is<br />

ideally suited to cards, framed gifts, artwork, manuscript books<br />

and more . There will be a $35 material fee payable to the<br />

instructor .<br />

Improvisation<br />

COURSE CODE <strong>ARTS</strong>322 SECTION 41<br />

INSTRUCTOR Kerry Griffin<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

To improvise: to act spontaneously, to think on one’s feet, to<br />

exercise creative thinking and action. An ability of great value<br />

whether employed on the stage, at home, in the classroom or in<br />

the boardroom . This course will introduce you to the fundamental<br />

principles of performing improvisation . Utilizing games and<br />

theatre exercises, you will be introduced to the basic rules that<br />

improvisers follow when performing without a script . Learn how<br />

to play with others and become more confident and outgoing . No<br />

improv or theatre experience is necessary to enjoy this course,<br />

but you will be required to perform with, and for, your classmates .<br />

More than just fun, improvisation introduces participants to the<br />

concepts of focus, spontaneity, teamwork, listening, building on<br />

ideas, risk taking and creativity . It is an inspiring and active way to<br />

get in touch with personal creativity, enhance personal communication<br />

skills and be creative within a group .<br />

Introduction to Expressive Arts Therapies M<br />

COURSE CODE <strong>ARTS</strong>112 SECTION 42<br />

INSTRUCTOR Fay Wilkinson<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Please note: To register for this course you must meet the<br />

admission requirements for the EXA Graduate Certificate.<br />

Details available on page 9.<br />

This course is a mandatory credit toward <strong>Fleming</strong> <strong>College</strong>’s<br />

Expressive Arts Certificate. It is not a mandatory credit toward<br />

<strong>Fleming</strong> <strong>College</strong>’s Visual and Creative Arts Diploma.<br />

“Sitting quietly, doing nothing, spring comes and the grass<br />

grows by itself.” (Zenrin) . When we provide the right conditions<br />

for ourselves, we open the door to growth . Tapping into our<br />

creativity provides a natural source of imagery and energy to use<br />

for healing and personal expression . This course will introduce<br />

you to the theory and practice of the expressive arts . If you are<br />

working in the human service field, you will learn about the<br />

applicability of visual arts, music, writing, movement and theatre<br />

to your work settings . There will be a $15 material fee payable to<br />

the instructor .<br />

JULY 2012<br />

41


42<br />

Japanese Brush Painting II<br />

COURSE CODE <strong>ARTS</strong>115 SECTION 41<br />

INSTRUCTOR Cassandra Wyszkowski<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. Japanese<br />

Brush Painting I or training in Japanese Brush Painting,<br />

particularly the four paragons (the Bamboo, the Plum, the<br />

Orchid and the Chrysanthemum) is required.<br />

Instructional emphasis will be on more advanced brush techniques,<br />

continuing concentration on gradation of tones, the<br />

manipulation of contrasting values, further use of the black<br />

and white disciplined brush strokes and an introduction to the<br />

use of colour and simplified colour theory . This course will help<br />

to reinforce Level I, with group demonstrations and individual<br />

instruction . Colourful florals, such as the big bold blue iris,<br />

landscape elements, such as birch trees and rocks, fruit, such as<br />

grapes with big expressive leaves and vines, are just some of the<br />

subjects covered . Excitement will build as delightful dragonflies<br />

and butterflies lead you on to explore further the poetic painting<br />

of Sumi-e with ten new lessons as well as a review of Level I<br />

where necessary . Flowing, gentle music will enhance the learning<br />

process that emphasizes spontaneous yet controlled painting of<br />

Sumi-e with watercolour .<br />

Jewellery<br />

COURSE CODE <strong>ARTS</strong>117 SECTION 41<br />

INSTRUCTOR Michael Letki<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Fabulous jewellery can be made using simple techniques . As a<br />

beginner, you will be introduced to these methods and be encouraged<br />

to use them creatively to make brooches, earrings, pendants<br />

and rings in sterling silver and other materials . If you are working<br />

at a more experienced level, you will have an opportunity to<br />

explore new ideas – particularly on surface treatments, practice<br />

your skills and work on your own projects with the guidance of the<br />

instructor . The work of current jewellery artists will be shown and<br />

an information session dealing with supplies, sources and pricing<br />

will be held. You are welcome to bring your own materials and<br />

tools but supplies will also be available from the instructor . There<br />

will be a $25 material fee payable to the instructor .<br />

Kids’ Cartoons, Characters & Chaos**<br />

COURSE CODE <strong>ARTS</strong>692<br />

INSTRUCTOR Laurie Rockman<br />

DATES July 16 – 20, 2012<br />

FEE $97 .80<br />

SECTION 41: 9:00 – 12 Noon, 5 – 7 years old<br />

SECTION 42: 1:00 – 4:30pm, 8 – 10 years old<br />

Imagine! and create your own cartoon characters and creatures .<br />

Learn how to draw funny faces, bodies, animals, aliens, backgrounds<br />

and props, and have your characters do funny actions!<br />

You’ll also learn to draw caricatures of your favourite people<br />

and create humorous scenes with captions. You’ll use a variety<br />

of artist’s materials and tools to work on and complete a new<br />

project each day . There will be a $20 material fee payable to the<br />

instructor .<br />

The creative mind<br />

is never bored!<br />

– Laurie Rockman<br />

Kids’ Fabulous Fractured Fables**<br />

COURSE CODE <strong>ARTS</strong>1525<br />

INSTRUCTOR Ted Staunton<br />

DATES July 16 – 20, 2012<br />

FEE $97 .80<br />

SECTION 41: 1:00 – 4:30pm, 5 – 7 years old .<br />

SECTION 42: 9:00 – 12 Noon, 8 – 10 years old<br />

Have a wonderfully wacky week as you concoct a “fractured” fairy<br />

tale, script it, draw pictures, add music and record it to CD, with<br />

copies for everyone . Words, music, pictures, performing: imagine<br />

it all! There will be a $12 material fee payable to the instructor .<br />

Kiln Cast Glass<br />

COURSE CODE <strong>ARTS</strong>1757 SECTION 41<br />

INSTRUCTOR Sheila Mahut<br />

DATES July 16 – 20, 2012<br />

FEE $504 .62 (includes $204 .88 material fee)<br />

This course is an introduction to the fascinating process of<br />

forming glass in a kiln . Learn to make a high temperature plaster<br />

mould, into which hot glass will flow and slowly cool . These<br />

colourful glass sculptures will be finished by sandblasting or<br />

grinding and polishing . Experience the transformation!<br />

Landscape – Creative Approaches<br />

COURSE CODE <strong>ARTS</strong>1627 SECTION 41<br />

INSTRUCTOR Ramune Luminaire<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Experience this innovative approach to the classic subject of<br />

landscape . Instruction will emphasize various and creative ways<br />

of collecting and recording information, as well as developing<br />

and expanding ideas . Using innovative techniques for gathering<br />

and recording material outside, combined with time to explore<br />

and experiment in the studio, plus a hint of inner landscape, you<br />

will be guided toward a very personal response to the landscape .<br />

Days will combine time spent outside on location with time in the<br />

studio. You are welcome to work in any medium: watercolour,<br />

acrylic, pastel and/or mixed media . Bring your own materials and<br />

you will be encouraged to experiment and explore with materials<br />

provided by the instructor . This course is suitable for experienced,<br />

inexperienced and would-be artists alike . There will be a $10<br />

material fee payable to the instructor .<br />

Mac Laptop – iCreate<br />

COURSE CODE <strong>ARTS</strong>1050 SECTION 41<br />

INSTRUCTOR Tammy Rea<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Please note: You must provide your own Mac laptop computer<br />

of this course.<br />

As a Mac laptop owner you have iPhoto, iTunes, iMovie, iDVD,<br />

iWeb and Garageband . Discover what you can do with these<br />

programs and what they can do together . Explore the many<br />

functions and options of your operating system . Learn to organize<br />

your files and manage your email and contacts . Import, store<br />

and enhance your photos with iPhoto . In addition, create slides<br />

shows, calendars and photo albums, which you can then have<br />

professionally printed . Edit video clips, add titles, transitions,<br />

effects, and audio using iMovie . Compose original scores and<br />

voice over with Garageband . Put everything together in iMovie,<br />

and then output the final video onto a personally designed DVD .<br />

Be as unique and artistic as you like with your productions!


Machine Knitting – Tips, Tricks & Techniques<br />

COURSE CODE <strong>ARTS</strong>1600 SECTION 41<br />

INSTRUCTOR Monika Stramaglia<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Spend some time ‘playing’ with your machine, taking advantage<br />

of what the machine does best, to produce interesting and<br />

creative fabric for garments, scarves, shawls, and more . Any<br />

single bed machine from the LK100, LK150, , Brother KX350,<br />

Bond, to all of the metal bed machines are welcome in this<br />

course, suitable for beginner and intermediate knitters, as well<br />

as anyone who wants to explore their machines’ many capabilities<br />

. Instruction will address short-row techniques, entrelac,<br />

weaving, lace, as well as basic techniques for casting on and off,<br />

hems, edges, and button bands. You are encouraged to practice<br />

many techniques and explore their uses in your projects. You<br />

will be required to bring your own knitting machine, in good<br />

working order . Please contact the school for assistance if you do<br />

not own a machine . There will be a $50 material fee payable to<br />

the instructor . Additionally, yarns will be available for purchase,<br />

ranging from $10 to $100 depending upon materials and projects<br />

chosen .<br />

Millinery – The Art of Hat Making<br />

COURSE CODE <strong>ARTS</strong>516 SECTION 41<br />

INSTRUCTOR Karyn Gingras<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Please note: Basic cutting and sewing skills are required to<br />

participate in this course.<br />

This course is an introduction to the basic millinery technique of<br />

hand blocking. You will enjoy the rare opportunity to make use<br />

of vintage wooden hat blocks, or moulds . These vintage wood<br />

moulds provide a fascinating visual history of different hat styles<br />

of the 20th century . Learn hand blocking techniques for both<br />

felt and straw materials, as well as assembly and embellishment<br />

practices to create a unique, one-of-a-kind hat . Retro or contemporary,<br />

classic, or funky, it’s up to you . Please bring a reliable<br />

sewing machine that is in good working order . There will be a<br />

material fee of $45 to $70 per hat payable to the instructor .<br />

Musical Improvisation<br />

COURSE CODE <strong>ARTS</strong>1693 SECTION 41<br />

INSTRUCTOR Larry Glatt<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Please note: Some skill on an instrument and the ability to read<br />

music will be helpful but is not necessary.<br />

Instruments, voices and percussion will blend in this exploration<br />

of individual musical personalities . We carry within ourselves a<br />

feeling for special sounds that resonate with us . Sometimes there<br />

is a moment of recognition when we hear music and there is an<br />

immediate connection on a deep level . A sound heard in childhood<br />

can have the power to transport the listener through time .<br />

Enjoy individual and group listening and improvisation experiences<br />

designed to help you understand and connect with your<br />

musical source . Gain a better understanding of your own musical<br />

personality and some insight into where you should go next with<br />

your music .<br />

Musical Instrument Construction<br />

COURSE CODE <strong>ARTS</strong>141 SECTION 41<br />

INSTRUCTOR Philip Davis<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

This course will introduce the principles, materials and methods<br />

of stringed instrument construction . Through hands-on work, as<br />

well as lectures and demonstrations, you will progress through<br />

the first steps of construction of your own guitar or violin . Formal<br />

lectures will focus on acoustics, glues and gluing, grading and<br />

selection of materials, tools, tool maintenance, bending, forms<br />

and moulds . Time is limited but progress can be made in<br />

mastering the skills to advance rough cut wood toward a good,<br />

working violin or guitar . By the end of the first course you can<br />

expect to have the instrument sides bent and assembled on<br />

moulds as well as the backs and tops shaped to smooth outer<br />

archings . The course welcomes and challenges beginners to<br />

woodworking and enthusiastic musicians as well as experienced<br />

craftspeople . There will be a $20 material fee payable to the<br />

instructor . Violin and guitar materials are available for purchase<br />

from the instructor at a cost of approximately $120 per instrument<br />

. Returning students continuing projects will be accommodated<br />

at their current level of project development .<br />

JULY 2012<br />

43


44<br />

Non-Objective Painting<br />

COURSE CODE <strong>ARTS</strong>500 SECTION 41<br />

INSTRUCTOR Steve Rose<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginner painters.<br />

Learn the difference between abstract and non-objective painting .<br />

You will utilize your knowledge of depth, shape, form and contrast<br />

in the exciting technique of non-objective painting . Instruction<br />

will assist you to paint in a free, expressive way and open up new<br />

creative paths . Techniques from this class will translate into a<br />

freer and looser expression of your style in all of your work .<br />

Photoshop<br />

COURSE CODE <strong>ARTS</strong>1752 SECTION 41<br />

INSTRUCTOR Michael Bainbridge<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Please note: Basic Windows skills are essential and required.<br />

Ansel Adams said, “The negative is comparable to the composer’s<br />

score and the print to its performance .” The ability to digitally<br />

manipulate images provides vast opportunities that range from<br />

simple correction of imperfections to highly artistic applications<br />

and results . Restore, enhance or completely alter existing image .<br />

Learn the basics of choosing appropriate file types and options for<br />

web or print, and complete digital manipulation techniques using<br />

advanced tools, selective application of effects and filters, masks,<br />

and layers . Taking photographs is not part of the instruction –<br />

please bring your own digital images .<br />

Portfolio and Presentation*<br />

COURSE CODE <strong>ARTS</strong>967 SECTION 41<br />

INSTRUCTOR Kim McBrien<br />

DATES July 16 – 19, 2012 (4 days)<br />

9:00am to 4:00pm daily<br />

FEE $132 .51<br />

Students will develop the processes and support material for<br />

use in presenting and promoting their work to interested clients,<br />

prospective galleries, juries and other audiences . Applying the<br />

skills developed in the Visual Documentation course, they will<br />

create image portfolios, as well as write curriculum vitae, artist’s<br />

statements and related documents with professional style and<br />

content . Visual impact in presentation materials will be considered<br />

through experimentation with colour systems, typography,<br />

layout, and image sequencing . Students will use word processing<br />

and image adjustment software to develop both print and digital<br />

versions of their portfolios and presentations .<br />

Portrait Painting<br />

COURSE CODE <strong>ARTS</strong>579 SECTION 42<br />

INSTRUCTOR Brian Smith<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. Painting<br />

experience is required to participate.<br />

This exciting portraiture painting course will develop your ability to<br />

capture the likeness of any model in any opaque paint medium .<br />

Since this is a non- media specific course, you may work in<br />

any opaque paint medium (gouache, acrylic, water-soluble oils,<br />

traditional oils without solvents) that you are comfortable with .<br />

Starting with an understanding of composition, value studies and<br />

monochromatic paintings, you will advance to expressive paintings<br />

of the model in a full palette . Works by a variety of artists will<br />

be discussed throughout the course .<br />

Pottery Throwing Camp – Intermediate/Advanced<br />

COURSE CODE <strong>ARTS</strong>735 SECTION 41<br />

INSTRUCTOR Rene Petitjean<br />

DATES July 16 – 20, 2012<br />

FEE $314 .55 (includes $14 .81 initial material fee)<br />

Please note: This course is not suitable for beginners.<br />

Have you ever wished you could spend several days just focusing<br />

on increasing your throwing skills? Do you feel that you have<br />

hit the wall in terms of being able to throw . . .more efficiently,<br />

bigger pieces, more consistently, looser pots, tighter pots? This<br />

course will encourage and challenge you to learn new throwing<br />

techniques, increase your throwing skills, and practice, practice,<br />

practice . Throwing is a physical skill . It requires proper technique,<br />

good tools, and proper care of your body . Through a series of<br />

demonstrations, specific exercises, class discussions, inspirational<br />

videos, and lots of wheel time, you will have the opportunity<br />

to increase your throwing skill as well as develop a personal practice<br />

of pot-making . A pug-mill will be available to make reclaiming<br />

clay as easy as possible . It is not the intent of this course to cover<br />

glazing and firing . One bisque firing may be done to ease the<br />

transport of ‘trophy pots’ . A limber sense of humour and a willingness<br />

to cut pots in half will make the week much more enjoyable .<br />

Additional clay is available for purchase from the school at a cost<br />

of $16 per bag .


Printmaking – Experimental<br />

COURSE CODE <strong>ARTS</strong>1619 SECTION 41<br />

INSTRUCTOR Linda Kristin Blix<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Discover printmaking techniques that focus on creating excitement<br />

and fun . Screen monoprinting, a unique and popular<br />

process that satisfies those who love to boldly paint and offers<br />

the surprise element of printmaking, will be the cornerstone<br />

of instruction . Many other easy, yet spectacular printmaking<br />

techniques will also be explored . These will include relief printing<br />

using butter-soft material, four colour prints on Styrofoam,<br />

creating textures using gadgets, monotypes without a press,<br />

and collagraphs using simple found materials . The course will<br />

conclude with the opportunity to combine techniques or use<br />

your favourite for your own creative expression . All materials will<br />

be provided, but you may bring materials you wish to collage or<br />

incorporate as you discover the joy of printmaking! There will be<br />

an $80 material fee payable to the instructor .<br />

Rustic Twig Open Studio<br />

COURSE CODE <strong>ARTS</strong>1717 SECTION 41<br />

INSTRUCTOR Maggie Longworth<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Learn new or develop existing skills in this project-based, open<br />

studio format opportunity . Come with a project in mind or be<br />

inspired by many reference images and complete a project or<br />

projects as time and skills allow . Previous experience is helpful<br />

but not vital . Explore the endless possibilities of rustic twig work .<br />

There will be a material fee of approximately $35 payable to the<br />

instructor .<br />

Spinning<br />

COURSE CODE <strong>ARTS</strong>334 SECTION 41<br />

INSTRUCTOR Wendy E . Bateman<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Whether you are pursuing a new interest or hoping to upgrade<br />

existing spinning skills, you will benefit from this course . Instruction<br />

will take into consideration individual skill levels . The basics<br />

of spinning, including fibre preparation, spinning equipment<br />

and maintenance, various spinning methods, colour and fibre<br />

blending will be covered . Instruction includes understanding yarn<br />

construction and controlling colour effects . There will be a $40<br />

material fee payable to the instructor .<br />

Stitched Imagery with Mixed Media<br />

COURSE CODE <strong>ARTS</strong>1257 SECTION 41<br />

INSTRUCTOR Sylvia Naylor<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

This course is intended to help you expand your creativity as you<br />

learn to develop and embellish your art work with a combination<br />

of free-motion machine embroidery and mixed media . In a<br />

relaxed atmosphere you will have the opportunity to experiment<br />

with colouring media such as transfer dyes, fabric paints and<br />

crayons . This will include stamping, resists and monoprints .<br />

You will be encouraged to develop ideas in collage with painted<br />

papers, and appliqué with a variety of fabrics to include solubles,<br />

fusibles, and organzas . Demonstrations, instructions and individual<br />

critiques will increase awareness of colour, texture, pattern<br />

and shape . Inspiration for the projects and/or samples will come<br />

from the urban and natural landscape . Work can be developed<br />

either in a realistic way or in a more abstract approach. You may<br />

develop your skills through exercises and/or work on a project<br />

of your choice . Samples and digital images will help you to see<br />

how imagery can be developed . Emphasis is on developing your<br />

personal skills at your own pace. You will be required to bring a<br />

reliable sewing machine in good working order . Please also bring<br />

an instructional manual if the machine is not totally familiar to<br />

you . Each year some changes are made to exercises in order to<br />

challenge returning students .<br />

JULY 2012<br />

45


46<br />

How do you find staff who always<br />

seem happy?<br />

– Katherine Elliott<br />

Water in Watercolour<br />

COURSE CODE <strong>ARTS</strong>997 SECTION 41<br />

INSTRUCTOR Grant Fuller<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. A familiarity<br />

with basic materials is sufficient to participate.<br />

This course will investigate the subject matter of water in the<br />

landscape . Techniques will apply to lakes, rivers, waterfalls,<br />

crashing waves and reflections . Reference material will be<br />

provided but you are welcome to bring your own as well .<br />

Watercolour Techniques – Basic<br />

COURSE CODE <strong>ARTS</strong>255 SECTION 42<br />

INSTRUCTOR Marta Scythes<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Discover the beauty of the wonderful medium of watercolour . In<br />

an easy, relaxed class atmosphere, learn about different types of<br />

paper, brushes and paints through discussion and demonstration .<br />

These are the foundation upon which you will base your further<br />

knowledge and skills. You will also benefit from some basic<br />

drawing and composition instruction . Colour mixing, watercolour<br />

washes and several painting techniques will also be covered .<br />

Daily demonstrations and continuous feedback will complement<br />

the course .<br />

Wire Sculpture – Large Scale<br />

COURSE CODE <strong>ARTS</strong>415 SECTION 42<br />

INSTRUCTOR Charles O’Neil<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Project Title: Garden Heron<br />

Please note: This course requires extensive use of hand tools<br />

(wire cutters, pliers).<br />

Wire Sculpture is an exciting, project-specific expressive art form<br />

that can be enjoyed in your home, office or garden . This projectspecific<br />

course is suitable if you are interested in creating works<br />

on a larger scale . In preparation for this undertaking, you will be<br />

led step-by-step through a couple of smaller projects to establish<br />

a comfort level with the material in use . Then, you will design and<br />

create a large scale project, suitable for display in a garden or<br />

outdoor setting . There will be a $75 material fee payable to the<br />

instructor .<br />

Youth Archery & Fencing**<br />

COURSE CODE <strong>ARTS</strong>1522 SECTION 41<br />

INSTRUCTOR Brad Sherwood<br />

DATES July 16 – 20, 2012<br />

FEE $191 .76<br />

Please note: This course is suitable for youth from 11 to 13<br />

years of age.<br />

Fencing and archery are two distinct arts that develop mental<br />

focus, physical coordination, patience, discipline and technical<br />

skill . This course will introduce you to both activities in a safe and<br />

enjoyable way . In the morning you will learn basics of fencing<br />

– footwork, techniques and rules . In the afternoon, archery will<br />

involve proper shooting technique, bow knowledge and care .<br />

Through demonstrations, coaching, games and friendly competition,<br />

you will have the opportunity to develop an appreciation and<br />

ability in these disciplines . There will be a $25 material fee for<br />

equipment rental payable to the instructor .<br />

Youth/Teen Mixed Media Sculpture**<br />

COURSE CODE <strong>ARTS</strong>1682 SECTION 41<br />

INSTRUCTOR Amanda Brittin<br />

DATES July 16 – 20, 2012<br />

FEE $213 .86<br />

Please note: This course is suitable for youth and teens from<br />

11 to 18 years of age.<br />

Explore a variety of sculptural materials and techniques . Working<br />

with everything from colourful mosaic glass to plaster and<br />

foamboard, from concrete and wood to wire, learn to develop<br />

your design concepts into three-dimensional pieces . Practical<br />

issues such as the stability of forms and bringing 2-D sketches to<br />

life will be covered and your personal creativity encouraged . Bring<br />

your sketchbook with some rudimentary sculpture ideas to use as<br />

a beginning point and enjoy a great week of sculptural art . There<br />

will be a $35 material fee payable to the instructor .


HUntsViLLe<br />

JULY 16 to 20 in HUntsViLLe<br />

Creative Writing<br />

COURSE CODE <strong>ARTS</strong>61 SECTION 48<br />

INSTRUCTOR Jane Bow<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

This course will help you gain access to and develop your inner<br />

voice . Learn how to tap into your own creativity and strengthen<br />

your writing skills in a supportive workshop environment . Topics<br />

include: good beginning, character, dialogue, plot, description<br />

and point of view . Step by step, you will experience the various<br />

components of the writing process; generating ideas/subject<br />

matter, first draft, the writing workshop, the art of revision and the<br />

final draft . This course can be taken repeatedly by new writers of<br />

fiction, creative non-fiction, and memoir, as well as experienced<br />

writers who want to refresh and expand their skills .<br />

Knit a Cottage Blanket<br />

COURSE CODE <strong>ARTS</strong>1733 SECTION 48<br />

INSTRUCTOR Holly Groome<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Learn knitting basics while creating and completing a cozy<br />

cottage blanket/throw . Instruction will enable you to cast on, knit,<br />

purl and cast off . Colour and design will be discussed, as well as<br />

how to use techniques learned to other simple knitted projects .<br />

There will be a $50 material fee payable to the instructor .<br />

Painting – Shades of Pale<br />

COURSE CODE <strong>ARTS</strong>1161 SECTION 48<br />

INSTRUCTOR Andrea Mossop<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

With emphasis on simplified shapes, this course is excellent<br />

for both painters and craft image designers (quilt, rug hooking,<br />

stained glass) . Whether a beginner or experienced student, you<br />

will learn about light and how to mix and use a range of pale<br />

colours and soft chromatic greys to create luminosity in your<br />

painting . Through these quiet tints, gain greater expressive power<br />

with tonal subtlety . Also discover a simple process of extracting<br />

the essence of form from realist subjects for this sophisticated<br />

colour palette. You may work in either acrylics or oil paint but<br />

please no solvents .<br />

Photography – In Camera<br />

COURSE CODE <strong>ARTS</strong>1690 SECTION 48<br />

INSTRUCTOR Rob Stimpson<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Good photographs are made, not just taken . Learn how to create<br />

an image, not just take a picture . The modern digital camera has<br />

many tools to help with the creative process . Understanding and<br />

using these tools will help you produce more visually dynamic<br />

photographs . Learn to make consistently better images through<br />

hands-on interactive work with your camera controls in the classroom,<br />

daily practical field trips, and in-depth reviews and critique<br />

sessions . Instruction will address digital photography techniques<br />

specifically . Post production possibilities may be discussed but<br />

will not be undertaken or applied in this course. You are required<br />

to bring digital SLR camera with manual functions . This course<br />

will not have access to a computer lab. You will be required to<br />

save and sort your images, whether on your laptop in class or<br />

by performing this task elsewhere in the evening and bringing<br />

images back to class for critique .<br />

Quilting – Radiating Strip Pieces<br />

COURSE CODE <strong>ARTS</strong>186 SECTION 48<br />

INSTRUCTOR John Willard<br />

DATES July 16 – 20, 2012<br />

FEE $299 .74<br />

Please note: Sewing skills are essential to participate in this<br />

course.<br />

This course is based on an innovative method of combining<br />

long wedge-shaped strips, which are then manipulated to<br />

produce dramatic and startling patterns from a central point .<br />

Spectacular effects are achieved by juxtaposing 4 or 5 dramatically<br />

diverse fabrics . Although strong, bright colours achieve the<br />

most powerful effects, a softer palette works equally well . The<br />

results are spectacular bedcovers, wall hangings or tablecloths .<br />

You will be required to bring your own reliable sewing machine<br />

in good working order . Students who have taken this course previously<br />

will be accommodated at an appropriate level of skill and<br />

challenge .<br />

JULY 2012<br />

47


48<br />

satUrDaY, JULY 21, 2012<br />

Art & Soul Workshop**<br />

COURSE CODE <strong>ARTS</strong>1549 SECTION 41<br />

INSTRUCTOR Linda Lee Purvis<br />

DATES July 21, 2012<br />

FEE $97 .24<br />

Discover more about yourself, your path, and your personality<br />

through this innovative approach to self-discovery . By stimulating<br />

creative energies that lie within, begin to define your unrealized<br />

potentials in various aspects of your life through a variety of<br />

artistic activities, thus optimizing the ability to act upon, and fulfill<br />

unclaimed goals . A certified self-actualization coach will guide<br />

you through playful, process-based exercises, utilizing various<br />

artistic media, to coax insightful clues from within . These will<br />

inform how best to channel one’s efforts in order to actualize<br />

one’s life by design . Instruction is suited to all levels of artistic<br />

ability . There will be a $30 material fee payable to the instructor .<br />

Beaded Appliqué Workshop**<br />

COURSE CODE <strong>ARTS</strong>1309 SECTION 41<br />

INSTRUCTOR Pamela Woodward<br />

DATES July 21, 2012<br />

FEE $97 .24<br />

Succumb to the allure of beading on fabric . As a surface decoration,<br />

beading can add colour, texture, light, and a fabulous 3rd<br />

dimension to your textile projects. You will learn basic beading<br />

stitches that can be used in formal or organic approaches to your<br />

work . Many ideas and techniques will be shared . Imagine, all of<br />

your supplies will fit in a shoebox! There will be a $25 material fee<br />

payable to the instructor .<br />

Beaded Jewellery Workshop**<br />

COURSE CODE <strong>ARTS</strong>728 SECTION 41<br />

INSTRUCTOR Amanda Brittin<br />

DATES July 21, 2012<br />

FEE $97 .24<br />

Please note: This workshop is suitable for students from 12 years<br />

to adult.<br />

Choosing from a large variety of materials – colourful glass, wood,<br />

and semi-precious stones, wire, and metal plate – you will find it<br />

fun, easy and inexpensive to create beautiful jewellery . Instruction<br />

suits both beginner and advanced skill levels as you will design<br />

and create individual pieces with the instructor’s guidance .<br />

These may include smaller items such as earrings and rings, to<br />

more intricate work – such as wire-wrapped stone pendants and<br />

hammered wire and copper or brass elements . It will be possible<br />

to create several pieces of jewellery in this one-day workshop;<br />

everything from bracelets to rings, pendants and necklaces to<br />

earrings . The material fee will vary with individual projects .<br />

Bookbinding Workshop**<br />

COURSE CODE <strong>ARTS</strong>1517 SECTION 41<br />

INSTRUCTOR Don Taylor<br />

DATES July 21, 2012<br />

FEE $97 .24<br />

The Moleskin travel journal, made famous by some of history’s<br />

great explorers and now much imitated, set the bar for high<br />

functioning portable notebooks . Learn how to bind your own<br />

in this workshop . All the secrets and features of the Moleskin<br />

notebook will be revealed: rounded corners, elastic strap and best<br />

of all, the famous gusseted pocket for collecting business cards,<br />

botanical samples or other critical bits. You’ll wonder how you<br />

ever managed without it . There will be a $20 material fee payable<br />

to the instructor .<br />

Classical Guitar Workshop**<br />

COURSE CODE <strong>ARTS</strong>1702 SECTION 41<br />

INSTRUCTOR Larry Glatt<br />

DATES July 21, 2012<br />

FEE $97 .24<br />

Learn the basics of classical guitar technique: sitting position, left<br />

and right hand position, and the rudiments of good tone production<br />

. Instruction is not suited for advanced classical players but it<br />

is intended for those with some guitar skill. You will be required<br />

to bring a functional nylon string guitar . Music reading is an asset<br />

but not required .<br />

Fabric Printing – Irresistible Resists Workshop**<br />

COURSE CODE <strong>ARTS</strong>1700 SECTION 41<br />

INSTRUCTOR Gunnel Hag<br />

DATES July 21, 2012<br />

FEE $97 .24<br />

Discover many different paths to the same goal: gorgeous cloth .<br />

Experiment with a variety of tools and ingredients to create an<br />

exciting range of patterns and texture on fabric . Not only will you<br />

learn novel techniques for tied, stamped and pole wrap resists,<br />

you will also use soy wax and flour to create gorgeous fabrics with<br />

exquisite colour and complexity . Truly irresistible! There will be a<br />

$25 material fee payable to the instructor .<br />

Point & Shoot Photography Made Easy**<br />

COURSE CODE <strong>ARTS</strong>1556 SECTION 41<br />

INSTRUCTOR Jenny Kirkpatrick<br />

DATES July 21, 2012<br />

FEE $97 .24<br />

Point and shoot cameras tend to be underestimated but are<br />

capable of taking great shots! Instruction will provide a brief overview<br />

of what your point and shoot camera can do (“Wow – I didn’t<br />

know my camera could do that”) and once you have explored the<br />

buttons, menus and switches you will be given mini assignments<br />

to practice your new found technical skill . Techniques that are<br />

sometimes associated with the more complex DSLRs can be used<br />

with these great little cameras – learn how much technology is<br />

packed your camera and how to produce well executed images .<br />

There will be an opportunity to view and critique a selection of<br />

some of images taken during the workshop . Please note there will<br />

be no digital manipulation involved .


Rock Balancing Workshop**<br />

COURSE CODE <strong>ARTS</strong>1572 SECTION 41<br />

INSTRUCTOR Peter Riedel<br />

DATES July 21, 2012<br />

FEE $97 .24<br />

Rock balancing is becoming established as a category of creative<br />

activity, like music, painting or sculpture . Motives vary from an<br />

activity as meditation, art, recreation, exercise, occupation or as<br />

creative play or exhibitionism . Through demonstration, visual aids<br />

and practical hands-on techniques you will learn to manually<br />

and visually recognize possibilities of balance . Discover that it<br />

requires sensitivity, poise, physical coordination and concentration<br />

with a steady hand and patience . Rock balancing is an act<br />

of recognizing the smallest features on the surface of a stone: its<br />

shapes, angles, degrees of smoothness or roughness, flats and<br />

indentations . It is a visual and tactile labour, the marrying of stone<br />

surfaces into connection with each other in order to pursue new<br />

structures and shapes . Gain insight into how to match, marry and<br />

balance rocks of varying sizes to create sculptures of magic and<br />

mystery . Balance is a hidden quality, both in nature and in life . It<br />

is a quality often found only through reflection and exploration .<br />

Creating ephemeral configurations of stone as they defy gravity is<br />

a totally engaging act .<br />

Wire Sculpture Workshop**<br />

COURSE CODE <strong>ARTS</strong>416 SECTION 43<br />

INSTRUCTOR Charles O’Neil<br />

DATES July 21, 2012<br />

FEE $97 .24<br />

Project Title: Song Bird Plant Spike<br />

Please note: This course requires the use of simple hand tools<br />

(wire cutters, pliers).<br />

Wire sculpture is an exciting and expressive art form . In this<br />

workshop you will receive step-by-step instruction to successfully<br />

create your project . With a variety of wires (steel, copper, galvanized)<br />

this creation is designed for indoor or garden use, and will<br />

be a great addition to any setting . There will be a $25 material fee<br />

payable to the instructor .<br />

JULY 23 to 27, 2012<br />

Abstracted Interpretations of the Masters<br />

COURSE CODE <strong>ARTS</strong>1581 SECTION 41<br />

INSTRUCTOR Denis Cliff<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Discover how to use the works of master artists as a starting<br />

point for the development of exciting new works that interpret the<br />

original ideas of famous painters and bring them into a territory<br />

of your own . Begin by choosing your own sources for these<br />

paintings and bring those reproduction favourites to the course .<br />

These choices could be made from any period of art history<br />

that is of particular interest to you . From these choices, you will<br />

make paintings by abstracting elements to reconfigure them into<br />

completely or partially new kinds of work . This will be achieved<br />

by various methods such as reconstructing the overall design, the<br />

rhythm and movement, the choices of colour, the type of shapes,<br />

the uses of line, the amount and character of texture, and other<br />

such manipulations of the ingredients of the original work. You<br />

will be working from your own choices and the variety of interpretations<br />

from this will be inspiring to all participants . Individual<br />

instruction and assistance will play a large role in the success<br />

of your efforts and group discussions and critiques will help you<br />

develop new directions for your work .<br />

Abstracting the Landscape in Acrylics<br />

COURSE CODE <strong>ARTS</strong>1668 SECTION 41<br />

INSTRUCTOR Marianne Broome<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Learn to simplify and extract the essential information from a<br />

reference photo or actual scene to create an abstracted version<br />

on canvas . While working with the elements of design and choice<br />

of colour palette, the emphasis will be on composition and value<br />

relationships . Texture and collage items will be incorporated<br />

where relevant to provide an interesting foundation and different<br />

techniques will be explored for layering, glazing and enhancing<br />

these elements . Reference images will be available and please<br />

also bring your own . Instruction is suited to beginners or experienced<br />

painters . There will be a $20 material fee payable to the<br />

instructor .<br />

JULY 2012<br />

49


50<br />

Book Arts Sampler<br />

COURSE CODE <strong>ARTS</strong>618 SECTION 41<br />

INSTRUCTOR Don Taylor<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

This course is an opportunity to work in a wide variety of<br />

bookbinding styles – from lightly structured Japanese bindings<br />

in some of the most beautiful papers in the world, to a Medieval<br />

binding in wooden boards and leather . In between you’ll try your<br />

hand at paste papers, a travel diary with flexible cover, and a<br />

perfect little jewellery box . Learn skills that will enhance a wide<br />

range of your creative endeavours . There will be a material fee of<br />

$30 payable to the instructor .<br />

Chainsaw Sculpture<br />

COURSE CODE <strong>ARTS</strong>1081 SECTION 41<br />

INSTRUCTOR Robbin Wenzoski<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Learn how to create carvings/sculptures with a specialized carving<br />

chainsaw . Safety aspects of this skill as well as the maintenance<br />

of a safe, properly working carving chainsaw will be emphasized .<br />

You will be encouraged to complete at least one carving during<br />

the course . Instruction will provide the knowledge and skills<br />

needed to create chainsaw carvings whether you are a hobbyist<br />

or considering this as a career . Techniques are also suitable for<br />

hand carvers as they dramatically speed the process of getting<br />

to the fine sculpture stage . The carving chainsaws now available<br />

are very safe and lightweight, increasing the manageability of this<br />

technique . If you have your own carving chainsaw it can be used<br />

when deemed safe and appropriate by the instructor . Various<br />

models of carving saws will be available for rent at a cost of $150<br />

per week, or if you are bringing your own saw a $25 fee for gas/oil<br />

and other parts, payable to the instructor . There will be a material<br />

fee of $40 payable to the Instructor . This fee will cover the 2 logs<br />

required for 2 projects .<br />

Clown – The Discovery of Your Persona<br />

COURSE CODE <strong>ARTS</strong>1044 SECTION 41<br />

INSTRUCTOR Helen Donnelly<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for those solely seeking<br />

a focus on birthday/corporate clowning.<br />

Tune into your impulses through this exciting physical theatre<br />

tradition! This is a gentle guide to revealing the clown within .<br />

Learn the basics of clown and physical theatre by focusing on<br />

impulses and being present in the world of play . Honesty, real<br />

connection and discovery of the ridiculous will be celebrated .<br />

What is unique about you, and how that translates into the world<br />

of clown is a personal journey that requires integrity and the<br />

ability to take delight in the process . Noses and hats provided will<br />

be worn during the course and costuming will be explored . There<br />

will be a $10 material fee payable to the instructor .<br />

A week at the HSTA is<br />

re-energizing and inspiring. There<br />

is always something new to try.<br />

– Dianne Borg<br />

Creative Writing – Ignite Your Potential<br />

COURSE CODE <strong>ARTS</strong>706 SECTION 41<br />

INSTRUCTOR Nora Zylstra Savage<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Get inspired – Get REALLY inspired. Whether you’re a novice or<br />

professional, fiction or non-fiction writer, these writing exercises<br />

and styles will inspire . This hands-on high energy course provides<br />

an encouraging, safe space for discovering different writing styles<br />

and techniques which could include: dialogue, story components,<br />

personal narratives, poetry, essays, perspectives and journal<br />

entries. You will have fun responding to numerous multimedia<br />

writing prompters and stimuli . Experiment with writing tools such<br />

as clustering, mind mapping, rapid writing and short-shorts . Let<br />

these triggers be a starting point for expanding your writing horizons<br />

and creativity . There will be time to share and get positive<br />

feedback on your work . Prepare to have fun!<br />

Dolls, Masks & Puppets within the Expressive Arts E<br />

COURSE CODE <strong>ARTS</strong>1586 SECTION 41<br />

INSTRUCTOR Fay Wilkinson<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Please note: To register for this course you must meet the<br />

admission requirements for the EXA Graduate Certificate.<br />

Details available on page 9.<br />

This course is an elective credit toward <strong>Fleming</strong> <strong>College</strong>’s<br />

Expressive Arts Certificate. It is not an elective credit toward<br />

<strong>Fleming</strong> <strong>College</strong>’s Visual and Creative Arts Diploma.<br />

At minimum, successful completion of Introduction to Expressive<br />

Arts Therapies is recommended.<br />

Enjoy a perfect combination of technique and application . Explore<br />

a variety of construction techniques including: simple doll shapes<br />

with and without an armature; full and half masks including<br />

‘body’ masks; hand, rod and shadow puppets; plus simple marionettes.<br />

You will then design an expressive arts experience for<br />

the population you work with, or want to work with, that integrates<br />

one of these forms with another modality, for example movement,<br />

spoken word, or visual art . There will be a $25 material fee<br />

payable to the instructor<br />

Drawing & Painting Media Sampler<br />

COURSE CODE <strong>ARTS</strong>1507 SECTION 41<br />

INSTRUCTOR Margaret McIntyre<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

This is a great drawing and painting sampler course suited to all<br />

abilities . In an easy, relaxed classroom atmosphere you will create<br />

artworks using a variety of mediums such as pencil, watercolour,<br />

acrylics and soft pastels . Each day, using the step-by-step instruction<br />

style, a new medium, technique, colour theory, composition<br />

or design element will be introduced . The basic elements and<br />

principles of art will be incorporated into the lessons . In addition<br />

to creating artworks using the step-by-step method, you will be<br />

given an opportunity each day to create your own artwork using<br />

the newly introduced technique and design element in the ‘artist<br />

choice’ time slot . All your materials are included in your Instructor<br />

fee . There is nothing extra required to purchase . There will be a<br />

$50 material fee payable to the instructor .


egister early!<br />

Waiting until the last minute limits your choice of courses<br />

and may cause you unnecessary disappointment .<br />

See registration details on page 99 .<br />

Fiddle – Intermediate<br />

COURSE CODE <strong>ARTS</strong>1505 SECTION 41<br />

INSTRUCTOR Cindy Thompson Butineau<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. Students<br />

must have the ability to read simple notation. Approximately 2<br />

yrs note reading is recommended.<br />

This course is designed to provide advanced-beginner and intermediate<br />

fiddle/violin players the opportunity to further develop<br />

and improve skills . Starting with a few simple tunes you will<br />

quickly be immersed into a wide range of exciting Canadian fiddle<br />

repertoire including waltzes, jigs, reels, two-steps and strathspeys .<br />

Each piece of music will be discussed, detailing bowing strategies,<br />

recognizing rhythm patterns, implementing ornamentation<br />

and possible variations . Note reading and playing by ear will both<br />

be emphasized with your comfort level being recognized . This<br />

course will address how to play more ‘musically’ by exploring<br />

phrasing, shaping, dynamics, and accenting . Instruction will also<br />

include technique strategies to improve tone, bow control, speed,<br />

sound, and more precise intonation . Different fiddle styles, such<br />

as Irish and Cape Breton, and the stylistic nuances that make<br />

them sound so unique, will also be explored . Adding introductions<br />

and endings to tunes, playing in different keys, practicing<br />

scales, listening techniques, practice methods and basic back-up<br />

fiddle will also be studied . Please bring your own instrument .<br />

There will be a $20 material fee payable to the instructor .<br />

Figurative Abstraction in Acrylic<br />

COURSE CODE <strong>ARTS</strong>1168 SECTION 42<br />

INSTRUCTOR Brian Smith<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

With intermediate-to-advanced level instruction, this course will<br />

develop your ability to abstract from the human form . See shapes<br />

in the figure more clearly, develop more satisfying compositions<br />

that include the draped and undraped body, and develop a<br />

looser, freer approach to painting the figure .<br />

Finger – Style Guitar Playing<br />

COURSE CODE <strong>ARTS</strong>303 SECTION 41<br />

INSTRUCTOR Rick Fines<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. Basic<br />

knowledge of chords and some simple right hand patterns is<br />

required.<br />

Using examples from blues and folk traditions, you will study<br />

some of the techniques used to enhance and put more expression<br />

into your guitar playing . Learn exercises to strengthen your<br />

right hand and learn more about moving bass patterns, chord<br />

inversions and accompaniment. You will do a lot of playing in<br />

class and spend some time listening to great guitar players from<br />

various traditional styles . The ability to read music is not necessary<br />

as standard notation will not be used .<br />

Impressionism – Theory and Technique<br />

COURSE CODE <strong>ARTS</strong>111 SECTION 41<br />

INSTRUCTOR John Leonard<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

This course will cover both the theory and techniques of Impressionism<br />

. Examine the developments in Art History that led to<br />

Impressionism and the style of painting related to it. You will be<br />

encouraged to develop a personal and effective approach to this<br />

beautiful style of painting. You may work in oils or acrylics. While<br />

beginners are welcome, this course is especially suited to those<br />

with some painting experience and/or art background .<br />

Indigo & Shibori<br />

COURSE CODE <strong>ARTS</strong>1302 SECTION 41<br />

INSTRUCTOR Pamela Woodward<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

For centuries indigo has been used around the world to produce<br />

wonderful blue fabrics . Freshly dyed or worn and faded, it<br />

displays a distinct personality among dyes . This course will<br />

enable you to produce fabrics dyed a variety of shades of blue,<br />

with multiple patterns achieved through Japanese resist techniques<br />

of clamping, stitching, and binding, known as shibori . The<br />

history and culture of indigo will also be explored . There will be a<br />

$45 material fee payable to the instructor .<br />

JULY 2012<br />

51


52<br />

Iron & Glass Collaborations**<br />

COURSE CODE <strong>ARTS</strong>1756 SECTION 41<br />

INSTRUCTOR Andrew Kuntz and Rene Petitjean<br />

DATES July 23 – 28, 2012 (6 days)<br />

FEE $699 .52<br />

This course is a unique opportunity to unite hot glass and forged<br />

iron . The combination of these processes provides remarkable<br />

creative and imaginative possibilities, both decorative and functional<br />

. Spend 3 days in each studio creating the components that<br />

will become your final piece . To determine project feasibility, it is<br />

imperative that you present a sketch prior to the course . Details<br />

are provided on the student material list . Previous experience in<br />

one or both studio areas is helpful but not required .<br />

These courses will run simultaneously. Please clearly<br />

indicate which level you are registering for.<br />

Jewellery – Chasing & Repoussé: Introductory<br />

COURSE CODE <strong>ARTS</strong>1662 SECTION 41<br />

INSTRUCTOR Todd Jeffrey Ellis<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Learn basic chasing and repoussé techniques through<br />

the traditional methods of pitch bowl and punches. You<br />

will also learn basic chasing tool making to enhance your<br />

jewellery . Please note that you are required to bring your<br />

own silver – 4” x 4”x .80mm . Copper can be substituted<br />

to decrease expense . There will be an $85 material fee<br />

payable to the instructor .<br />

Jewellery – Chasing & Repoussé: Intermediate<br />

COURSE CODE <strong>ARTS</strong>1663 SECTION 41<br />

INSTRUCTOR Todd Jeffrey Ellis<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Continue to develop your skill though the use of traditional<br />

and contemporary elements to your own designs . Existing<br />

skills will be enhanced by instruction in fine tool making<br />

and exploration of design possibilities . There will be an<br />

$85 material fee payable to the instructor .<br />

Jewellery – Chasing & Repoussé: Advanced<br />

COURSE CODE <strong>ARTS</strong>1664 SECTION 41<br />

INSTRUCTOR Todd Jeffrey Ellis<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

As an advanced student you are invited to bring a current<br />

or planned project and with support and guidance, further<br />

develop skills . A variety of techniques can be explored<br />

including application on hollow forms . There will be an<br />

$85 material fee payable to the instructor .<br />

Kids’ Creatures**<br />

COURSE CODE <strong>ARTS</strong>1751<br />

INSTRUCTOR Shannon Partridge<br />

DATES July 23 – 27, 2012<br />

FEE $97 .80<br />

SECTION 41: 1:00 – 4:30pm 5 – 7 years old<br />

SECTION 42: 9:00 – 12 Noon 8 – 10 years old<br />

Animals are the theme as you explore different art mediums and<br />

techniques while working in two and three dimensions . Working<br />

from tangible and imaginative sources you’ll learn more about<br />

animals, while getting creative and developing confidence in your<br />

ability to make art . Start with drawing fundamentals, expand to<br />

projects using multimedia, and conclude with sculpture! There<br />

will be a $20 material fee payable to the instructor .<br />

Kids’ in the Kitchen**<br />

COURSE CODE <strong>ARTS</strong>560<br />

INSTRUCTOR Jennifer Mykolyshyn<br />

DATES July 23 – 27, 2012<br />

FEE $97 .80<br />

SECTION 41: 9:00 – 12 Noon, 5 – 7 years old<br />

SECTION 42: 1:00 – 4:30pm, 8 – 10 years old<br />

Please note: This course is not suitable for children with food<br />

or nut allergies.<br />

From choosing to chopping to creating, the art of cooking is<br />

truly a wonderful playground! Colour, taste, texture and aroma<br />

become tools for budding young culinary artists who will explore<br />

everything from safety and nutrition to planning, preparation and<br />

presentation of some all-time favourite foods. You will work on a<br />

variety of projects so expect to see some very interesting results!<br />

Personalized aprons will match your own cookbook that will grow<br />

throughout the week. You’ll be introduced to a number of nifty<br />

kitchen tools – including your own hands! There will be a $30<br />

material fee payable to the instructor .


Knitting Sweaters That Fit<br />

COURSE CODE <strong>ARTS</strong>1544 SECTION 41<br />

INSTRUCTOR Glenna Harris<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginner knitters.<br />

Sweater-knitting experience is not necessary. Instruction is<br />

suited to knitters with basic knitting skills and previous experience<br />

working from a pattern. Participants should be able to<br />

work knit, purl, increases, and decreases.<br />

A comfortable hand-knitted sweater that fits is one of the most<br />

satisfying projects a knitter can make . Instruction will enable you<br />

to undertake the task of knitting your first sweater, or perhaps<br />

your first sweater that fits well . Working through a sweater pattern<br />

of your choice, learn what steps make the difference to getting<br />

the best sweater for you and the pattern style: finding gauge,<br />

taking measurements and applying them to a pattern schematic,<br />

making your own dress form . A series of advanced knitting<br />

techniques including working cables, increases and decreases,<br />

stranded colour-work, and how to read and interpret patterns will<br />

also be addressed. Your sweater will be partially finished during<br />

the course but completed at home .<br />

Musical Instrument Construction<br />

– Intermediate/Advanced<br />

COURSE CODE <strong>ARTS</strong>1487 SECTION 41<br />

INSTRUCTOR Philip Davis<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. Prior<br />

completion of a minimum of one instrument to a good standard<br />

is required.<br />

Instruction will stimulate the hands and imagination beyond<br />

your established competency in instrument fabrication . Begin<br />

by setting a logical goal and proceed to make or acquire working<br />

drawings . Group seminars will replace demonstrations of basic<br />

making and these will progress you to advanced theory and<br />

practice of design, as well as the ability to make diverse instruments<br />

. Violin and guitar materials are available for purchase form<br />

the instructor at a cost of approximately $120 per instrument .<br />

Returning students continuing projects will be accommodated<br />

at their current level of project development . There will be a $20<br />

material fee payable to the instructor .<br />

Oil Painting – Plein Air Intermediate/Advanced<br />

COURSE CODE <strong>ARTS</strong>597 SECTION 41<br />

INSTRUCTOR John Anderson<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. Oil<br />

Painting – Introduction to Plein Air is recommended. Alternatively,<br />

contact with the instructor will be arranged by the<br />

school.<br />

This course will provide an opportunity to improve your oil<br />

painting skills as you undertake the particular challenges of<br />

painting outdoors . Instruction will help you identify the elements<br />

of successful oil painting on-location. You will learn the elements<br />

of success and the sequence of techniques necessary to<br />

complete a finished oil sketch, given the time constraints imposed<br />

by outdoor painting . Effective value and colour mixing from a<br />

limited palette will also be addressed . There will be a $10 material<br />

fee payable to the instructor .<br />

Painting – Black & White<br />

COURSE CODE <strong>ARTS</strong>842 SECTION 41<br />

INSTRUCTOR Andrea Mossop<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

The all-white or all-black painting using all colours is the painter’s<br />

challenge . This course invites both the realist and the abstractionist<br />

. First in white, you will learn to create luminosity in high<br />

key tints through the technical mastery of infrequently used white<br />

paints . Then in black, you will learn the secrets of mixing and<br />

layering rich veils of dark . ‘Crafting’ surface to express concept,<br />

you will study the symbolism and psychology of both black and<br />

white, inspired in black by Whistler’s “nocturne” paintings and<br />

the Baroque masters, and in white by modern Canadian painters<br />

including Ronald Bloore and Borduas . Finally, you will work black<br />

and white together. You are invited to work in oil (no solvent) or<br />

acrylic . Instruction is suitable for beginner to advanced levels of<br />

skill .<br />

Painting & Form Invention – Advanced<br />

COURSE CODE <strong>ARTS</strong>1178 SECTION 42<br />

INSTRUCTOR Joanna Nash<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. Competence<br />

in observational drawing as well as advanced level<br />

painting skills is required.<br />

This course emphasizes your individual work process and its<br />

connection to your personal motivation and painterly results .<br />

Individual research will explore your capacity to invent personal<br />

interpretations of the subject(s) of your choice, concrete or<br />

conceptual. You can work in any painting materials with which<br />

you are comfortable, and receive appropriate technical support<br />

when needed . This course proceeds with an emphasis on<br />

conceptual as opposed to technical investigations, and focuses<br />

on the relationship between form and content, process and<br />

product . Instruction begins with an obligatory group critique of<br />

2 to 5 existing works per participant . This helps your instructor<br />

intuit the strengths and weakness of your works, and accelerates<br />

the teaching and learning process . Ongoing critiques will enhance<br />

your visual language skills, technical know-how and general<br />

capacity to discuss painting . Instruction will address individual<br />

needs and themes applicable to the whole group . Teaching is<br />

supported by DVD’s as well as visual examples in slides and<br />

books. You are required to bring 2 to 5 pieces of your work. There<br />

will be an option for one day of life sketching .<br />

JULY 2012<br />

53


54<br />

Pastels – Intermediate<br />

COURSE CODE <strong>ARTS</strong>1759 SECTION 41<br />

INSTRUCTOR Margret Ferraro<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

With colour wheel and pastels at hand, you will spend mornings<br />

gaining an understanding of the principles behind colour theory<br />

and studying their application in pastel work from all over the<br />

world . This instruction will include instructor demonstrations . In<br />

the afternoons, you will work independently, with guidance and<br />

constructive critique from the instructor . One course project will<br />

be to paint the same subject matter many times, using different<br />

colour theory criteria and comparing them to determine your<br />

personal direction with colour . Additional projects will also be<br />

undertaken . Group discussions regarding colour choices, and<br />

laptop presentations of pastel artwork will enhance study .<br />

Pottery – Image Transfer & Surface Techniques<br />

COURSE CODE <strong>ARTS</strong>1580 SECTION 41<br />

INSTRUCTOR April Gates<br />

DATES July 23 – 28, 2012 (6 days)<br />

FEE $359 .26 (includes $18 .52 initial material fee)<br />

Please note: This is not a technical or instructional throwing<br />

class.<br />

Clay makes an ideal canvas! This highly flexible and receptive<br />

medium will be fully explored through a comprehensive survey<br />

of image transfer and surface techniques . Discover the delight<br />

of creating and applying your mark using customized printing<br />

blocks, stencils, stamps, relief printing, screen-printing, monoprinting<br />

and decal transfers . From painterly to photographic,<br />

you will discover a full range of attainable effects offered through<br />

transfer techniques . Through hands on work and demonstrations,<br />

learn to apply and layer patterns, images, text, colour and texture<br />

to natural and treated clay surfaces . Techniques will be applied<br />

to 2 and 3 dimensional projects that are primarily hand-built .<br />

The potter’s wheel will be available for use for some assignments .<br />

Students with limited or no throwing experience are not expected<br />

to use the wheel to complete assignments . This course is suitable<br />

for beginners, or intermediates working in clay that are interested<br />

in expanding their decorative vocabulary, or for 2 dimensional<br />

artists interested in expanding their canvas potential . There will<br />

be a $50 material fee payable to the instructor .<br />

Quilting – Serendipity Strips & Curves<br />

COURSE CODE <strong>ARTS</strong>1657 SECTION 41<br />

INSTRUCTOR Elaine Quehl<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Liberate yourself from the shackles of precision piecing and fly<br />

by the seat of your pants while producing original quilt designs<br />

using free-form strips and curves. You will be introduced to a<br />

different method of free-hand cutting and piecing each morning<br />

and shown a variety of options for using that method . The rest of<br />

the day will be available to cut, sew and work on your construction<br />

. Work from the previous day will be addressed for feedback<br />

and discussion on composition and design . There will be minimal<br />

measuring and little use of rulers!<br />

Sketchbook Sketching<br />

COURSE CODE <strong>ARTS</strong>1725 SECTION 41<br />

INSTRUCTOR Ruth Read<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

For many artists sketchbooks are fundamental to their practice;<br />

ideas, images, writing, gathering, cutting, sticking, and research<br />

all take place in them . Instruction will enable you to use many<br />

ways of recording the world around you with a wide variety of<br />

media . The sketchbook can function as a reference, a record,<br />

and/or a work of art in itself . There will be a $10 material fee<br />

payable to the instructor .<br />

Teen Archery & Fencing**<br />

COURSE CODE <strong>ARTS</strong>1743 SECTION 41<br />

INSTRUCTOR Brad Sherwood<br />

DATES July 23 – 27, 2012<br />

FEE $213 .86<br />

Please note: This course is suitable for teens 13 to 18 years of<br />

age.<br />

Fencing and archery are two distinct arts that develop mental<br />

focus, physical coordination, patience, discipline and technical<br />

skill . Instruction will introduce you to both activities in a safe and<br />

enjoyable way . In the morning you’ll learn the basics of fencing;<br />

footwork, blade work, techniques and rules . In the afternoon,<br />

archery will involve proper shooting technique, bow knowledge<br />

and care . Through demonstrations, coaching, games and friendly<br />

competition, you’ll have the opportunity to develop appreciation<br />

for and ability in these disciplines . There will be a $25 material<br />

fee for equipment rental payable to the instructor .


Creating something out of ‘nothing’ is<br />

my passion and I constantly view my<br />

surroundings in nature as a painting<br />

about to happen.<br />

– Cassandra Wyszkowski<br />

Travel Writing & Photography<br />

COURSE CODE <strong>ARTS</strong>1687 SECTION 41<br />

INSTRUCTOR Kate Pocock and Rob Stimpson<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Please note: A good knowledge of your camera and its manual<br />

is required. Beginner writers are welcome.<br />

Words and images combine to create effective travel stories,<br />

blogs, press releases, scrapbooks, photo portfolios, slideshows<br />

and more . Instruction will lead you through the process of<br />

crafting a story illustrated with photos; so vital in this digital age .<br />

Your efforts will culminate in a finished illustrated article, ready<br />

to present to an editor, art director, work colleagues, family or<br />

friends . Investigate different kinds of travel writing – essays,<br />

personal stories, service pieces, ‘round-up’ articles, and more .<br />

Through presentations, discussion, readings and hands-on<br />

exercises, learn how to recognize a saleable story idea, the subtle<br />

differences between newspaper, magazine and online publishing,<br />

interview tips, the do’s and don’ts of travel writing, and how<br />

photography can enhance your stories (and possible income) .<br />

Using simple techniques discover how to take effective portraits<br />

of people, images of places, and highlight individual details that<br />

will make a travel story come alive . It’s these images that will<br />

initially compel the viewer to read the story . This course is suited<br />

to anyone with a love of travel who would like to inspire others<br />

with their words and images: writers, bloggers, communications<br />

people working in the travel industry, travel agents, teachers, or<br />

anyone who wants to learn more about publishing stories and<br />

photos . There will be a $15 material fee payable to the instructor .<br />

Watercolour & Sumi-e – East Meets West<br />

COURSE CODE <strong>ARTS</strong>724 SECTION 41<br />

INSTRUCTOR Cassandra Wyszkowski<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Please note: Japanese Brush Painting levels I and II are<br />

required to participate in this course. Japanese Brush Painting<br />

III would be an asset but not absolutely necessary.<br />

‘East meets West’ – an exciting course that is designed to expand<br />

your creative horizons and introduce you to numerous fascinating<br />

and creative watercolour methods that will harmonize with the art<br />

of Japanese Brush Painting . Instruction will include composition,<br />

design, western watercolour and further oriental brush techniques,<br />

interesting subjects blending traditional with non-traditional,<br />

textures, colour mixing, colour values to achieve depth,<br />

background washes, and spontaneous wet-in-wet explorations .<br />

Individual attention will encourage personal expression, finding<br />

your own ‘voice’ and creativity .<br />

Watercolour Painting II – Landscapes<br />

COURSE CODE <strong>ARTS</strong>254 SECTION 41<br />

INSTRUCTOR Gary Chapman<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. A knowledge<br />

of basic watercolour procedures is required.<br />

This course is suitable if you have knowledge and skill in the<br />

basic procedures of watercolours and wish to advance beyond<br />

the beginner level . Be prepared to have your concept of watercolour<br />

landscape painting dramatically expanded. You will explore<br />

the wet-in-wet technique, the transparency of the medium and<br />

traditional and intuitive approaches to composition and painting .<br />

There will be opportunity to experiment with a variety of painting<br />

tools, painting styles and techniques. You will have an opportunity<br />

to improve your mastery of colour gradations, negative painting<br />

and colour use . Specific topics of study include wet-in-wet procedures,<br />

colour schemes and pigment characteristics . Individual<br />

needs and problems will be addressed and, to this end, you will<br />

be encouraged to contribute to the direction of the course by the<br />

types of demonstrations you request .<br />

Wire Jewellery<br />

COURSE CODE <strong>ARTS</strong>676 SECTION 41<br />

INSTRUCTOR Judy Feskun<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Please note: This course requires extensive use of hand tools<br />

(wire cutters, pliers) and a healthy level of manual dexterity.<br />

Start with the basics and learn to create and design your own<br />

jewellery using wire . Go from traditional wire wrapping techniques<br />

to original, free-form methods, or something in between .<br />

Emphasis will be based on creating pieces that reflect your<br />

individuality and personal tastes . No soldering is required and<br />

you will have the opportunity to incorporate beads, stones, and<br />

found objects to make your own unique designs . Basic hand tools<br />

and the use of some interesting tricks will enable you to continue<br />

upon completion of the course . Personal style and creativity will<br />

be encouraged in a relaxed atmosphere . There will be an $85<br />

material fee payable to the instructor .<br />

Wire Sculpture – The Human Form<br />

COURSE CODE <strong>ARTS</strong>270 SECTION 41<br />

INSTRUCTOR Charles O’Neil<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Please note: This course requires extensive use of hand tools<br />

(wire cutters, pliers) and a healthy level of manual dexterity.<br />

Wire sculpture is an expressive and versatile art form . This course<br />

will lead you through the steps necessary to create a 3-dimensional<br />

sculpture of the human figure . Starting on the first day with<br />

simple drawings from a life model, you will learn to design your<br />

work, build an armature for strength, establish proportion, and<br />

then develop the work into a successful sculpture . Past drawing<br />

experience is not necessary . There will be a $45 material fee<br />

payable to the instructor .<br />

JULY 2012<br />

55


56<br />

Youth Stained Glass**<br />

COURSE CODE <strong>ARTS</strong>680 SECTION 41<br />

INSTRUCTOR Lia Howe<br />

DATES July 23 – 27, 2012<br />

FEE $191 .76<br />

Please note: This course is suitable for youth from 11 to 13<br />

years of age.<br />

Stained Glass is an exciting medium that uses a balance of light<br />

and colour . Dramatic results can be achieved regardless of artistic<br />

capability or experience. You will learn the basics of traditional<br />

copper foil technique stained glass, cutting glass, grinding,<br />

foiling and soldering . Many different patterns and projects will be<br />

available to choose from . In this fun and up-beat environment,<br />

you’ll be encouraged to design and create your own one-of-a-kind<br />

piece such as coasters. You’ll also be offered an opportunity to<br />

create mosaic (no solder) projects . There will be a $50 material<br />

fee payable to the instructor . Additional glass will be available for<br />

sale by the instructor for additional projects .<br />

Youth/Teen Build Your Own Skateboard Deck**<br />

COURSE CODE <strong>ARTS</strong>451 SECTION 41<br />

INSTRUCTOR Bryce Petersen<br />

DATES July 23 – 27, 2012<br />

FEE $271 .51 (includes skateboard deck kit)<br />

Please note: This course is suitable for youth and teens from<br />

11 to 18 years of age.<br />

Have you ever wanted to build your own skateboard deck from<br />

scratch? This course will teach you how to do just that using innovative<br />

techniques created by the Roarockit Skateboard Company<br />

in Maui, Hawaii. You too can build a deck as well as the pros do!<br />

You can choose to make a regular deck or a long board. Learn<br />

how to laminate 7 layers of Canadian hard maple veneer into a<br />

street cruiser by using a one-sided foam mould and atmospheric<br />

pressure to press the veneers into a modern street deck shape .<br />

Your deck will then become one-of-a-kind as you design your<br />

own graphics and learn to apply them using stencils and paint .<br />

In addition to having a custom deck, you’ll learn about wood<br />

veneers used for the manufacture of skateboards, simple mould<br />

making techniques, atmospheric pressure, basic use of hand<br />

woodworking tools like rasps and sandpaper, designing graphics,<br />

template making, and deck finishing . As a bonus, you’ll design<br />

and create your own mini skate park . Prizes go to the best deck<br />

and mini park! No previous woodworking experience is required .<br />

Your registration fee includes the materials for building a skateboard<br />

deck kit. Wheels and trucks are not included in this kit.


HUntsViLLe<br />

Acrylics & Mixed Media – Introductory<br />

JULY 23 to 27 in HUntsViLLe<br />

COURSE CODE <strong>ARTS</strong>1175 SECTION 48<br />

INSTRUCTOR Annette Blady Van Mil<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Learn methods and techniques using acrylics paints and acrylic<br />

products that will start you on an exciting journey of discovery .<br />

You will be encouraged to work in a variety of formats, using traditional<br />

painting materials and fluid acrylics, as well as heavy body<br />

paints with collage . While technique will remain an important<br />

aspect, emphasis will be placed on experimentation, building a<br />

personal style and colour sense, choosing subject matter, and<br />

open in-class discussions about the work produced .<br />

This course will run simultaneously with Acrylics & Mixed<br />

Media – Intermediate. Please clearly indicate which level you<br />

are registering for.<br />

Acrylics & Mixed Media – Intermediate<br />

COURSE CODE <strong>ARTS</strong>712 SECTION 48<br />

INSTRUCTOR Annette Blady Van Mil<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners and is<br />

designed for those who have some previous experience with<br />

acrylic painting.<br />

In this course you will be encouraged to work in larger formats,<br />

using traditional painting materials and fluid acrylics, as well as<br />

heavy body paints with collage . While technique will remain an<br />

important aspect, emphasis will be placed on experimentation,<br />

building a personal style and colour sense, choosing subject<br />

matter, and open in-class discussions about the work produced .<br />

This course will run simultaneously with Acrylics & Mixed<br />

Media – Introductory. Please clearly indicate which level you<br />

are registering for.<br />

Life Drawing and Painting<br />

COURSE CODE <strong>ARTS</strong>125 SECTION 48<br />

INSTRUCTOR Steve Rose<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Learn how to have your figurative work flow from your hand . This<br />

extensive course, working with the life model, will address your<br />

personal artistic development . Instruction in drawing the figure,<br />

drawing techniques and applying colour theory will be a strong<br />

foundation for continuing artistic practice in drawing and painting .<br />

You will explore new materials, strive for mastery of media with<br />

which you are familiar, and originate a life drawing project that<br />

addresses your own personal technical or conceptual problems .<br />

Drawings and paintings by a variety of artists will be available for<br />

viewing and reference . Upon completion you will have the ability<br />

to use life drawing as the basis for a process of ongoing investigation<br />

that will continue to build skill, perception and ease, as well<br />

as provide a foundation for expression in drawing and painting .<br />

Sculpting, Modelling & Mould Making Techniques<br />

COURSE CODE <strong>ARTS</strong>1622 SECTION 48<br />

INSTRUCTOR Brenda Wainman Goulet<br />

DATES July 23 – 27, 2012<br />

FEE $309 .00 (includes $9 .26 material fee)<br />

Instruction will provide a comprehensive introduction to sculpting<br />

and modelling techniques. You will create sculptures in clay and<br />

learn some simple mould making techniques that will enable you<br />

to reproduce duplicates of your originals . The duplicates will then<br />

be finished with various faux-bronze and stone-like techniques<br />

suitable for indoor or outdoor placement . Please note that clay<br />

pieces will not be fired in this course . There will be an $80<br />

material fee payable to the instructor .<br />

Sketchbook Journal<br />

COURSE CODE <strong>ARTS</strong>1156 SECTION 48<br />

INSTRUCTOR Ramune Luminaire<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Journaling is a great start to making any kind of art . This is<br />

not about ‘sketching’ as in copying what you see, but about<br />

responding and recording. You don’t have to know how to draw<br />

to take part . Learn to use a sketchbook to take notes, as well as<br />

record events, impressions, emotions and develop ideas. You’ll<br />

be using pencil, charcoal, crayon, ball point pen, mixed media,<br />

photography, collage and found materials to explore techniques<br />

for making connections and growing ideas from one page to the<br />

next . Discover how to develop material into ideas for projects<br />

and at least one will be taken to completion . Enjoy outings in the<br />

village, the Sculpture Forest, and the campus itself . All levels of<br />

artistic skill are welcome . There will be a $20 material fee payable<br />

to the instructor .<br />

Watercolour Basics & Beyond<br />

COURSE CODE <strong>ARTS</strong>1184 SECTION 48<br />

INSTRUCTOR Marta Scythes<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Discover the beauty of the wonderful medium of watercolour .<br />

In an easy, relaxed class atmosphere, the basics of watercolour<br />

painting will be instructed and reviewed . With each lesson, new<br />

watercolour techniques, colour theory, composition and design<br />

elements will be introduced and incorporated into the step-bystep<br />

instructional demonstrations .<br />

Watercolour with Wool – Felted Landscapes<br />

COURSE CODE <strong>ARTS</strong>1710 SECTION 48<br />

INSTRUCTOR Pamela Carnochan<br />

DATES July 23 – 27, 2012<br />

FEE $299 .74<br />

Please note: This course requires no previous knowledge of wool,<br />

painting or drawing.<br />

Learn to process a raw fleece into a usable form, washing,<br />

carding, picking and dyeing the wool . Utilizing wet and needle<br />

felting techniques, this fleece will then be used to make a<br />

substantial piece of felt, from which you will then create a<br />

watercolour with wool landscape . The surrounding landscape will<br />

inspire you to see painting in a whole new way. You are invited to<br />

be playful and creative while not being concerned with perfection .<br />

There will be an $80 material fee payable to the instructor . Fee<br />

may vary depending on your project .<br />

JULY 2012<br />

57


58<br />

satUrDaY, JULY 28, 2012<br />

Acrylic Non Objective Abstract Workshop**<br />

COURSE CODE <strong>ARTS</strong>1678 SECTION 41<br />

INSTRUCTOR Marianne Broome<br />

DATES July 28, 2012<br />

FEE $97 .24<br />

Suitable for all skill levels, this is an exciting opportunity for<br />

exploration and creativity . Composition and design provide<br />

the foundation for a successful abstract painting . To this end,<br />

different design possibilities and ways to kick-start your painting<br />

will be discussed, along with the selection of a suitable colour<br />

palette . Many abstract painting techniques will be demonstrated,<br />

including ways to incorporate and enhance texture and using<br />

various tools for layering, glazing and scraping away paint . Reference<br />

pictures will be provided but please also bring your own .<br />

There will be a $5 material fee payable to the instructor .<br />

Embroidery for Crazy Quilting Workshop**<br />

COURSE CODE <strong>ARTS</strong>1593 SECTION 41<br />

INSTRUCTOR Chari-Lynn Reithmeier<br />

DATES July 28, 2012<br />

FEE $97 .24<br />

Learn many of the traditional crazy quilt embroidery stitches<br />

including the Feather, Herringbone, Button hole, Cretan, Lazy<br />

Daisy and French Knot . Using silk ribbon you will also create the<br />

Spider Web Rose . Beginning with an easy and effective method of<br />

hand piecing a crazy quilt block you will continue to embellish with<br />

embroidery stitches, learning how to incorporate lace, embroider<br />

with beads and apply charms and buttons. You will complete your<br />

block by combining stitches to create new patterns . There will be<br />

a $30 material fee payable to the instructor .<br />

Faux Food Workshop**<br />

COURSE CODE <strong>ARTS</strong>1698 SECTION 41<br />

INSTRUCTOR Frances Key<br />

DATES July 28, 2012<br />

FEE $97 .24<br />

Learn a variety of sculpture techniques and experience the magic<br />

and humour of creating faux food . Appetizers, sushi, petit fours,<br />

pastries and other delicious delights become the centre pieces<br />

that dress up your table . Sculpt and build these small extraordinary<br />

pieces of art using a variety of foams, gel mediums, acrylic<br />

paint, latex and more. Your next culinary gathering will have a<br />

particularly artful twist! There will be a $20 material fee payable to<br />

the instructor .<br />

Glass Flamework Workshop**<br />

COURSE CODE <strong>ARTS</strong>699 SECTION 41<br />

INSTRUCTOR Brad Sherwood<br />

DATES July 28, 2012<br />

FEE $97 .24<br />

Flameworking is a method for shaping through the use of a torch .<br />

You can heat glass to a molten state and then sculpt, blow and<br />

manipulate it, creating highly detailed and colourful glass objects .<br />

You will learn the basics of operating a flameworking torch safely<br />

and see demonstrations in the tools and techniques of beadmaking<br />

and small glass sculpture . Additionally you’ll have the<br />

opportunity for hands-on practice, creating a number of small<br />

flameworked objects . Using a torch is a relatively inexpensive<br />

way for you to work with molten glass and is commonly set up in<br />

home studios . This workshop is intended to provide an introductory<br />

experience for this exciting medium . No previous glass experience<br />

is necessary . There will be a material fee of approximately<br />

$30, depending upon projects chosen, payable to the instructor .<br />

Gourd Drum Making Workshop**<br />

COURSE CODE <strong>ARTS</strong>1130 SECTION 41<br />

INSTRUCTOR John Proctor<br />

DATES July 28, 2012<br />

FEE $97 .24<br />

Hard Shelled Gourds have been used for<br />

instrument building for over 3,000 years .<br />

Virtually every instrument played today has<br />

a gourd ancestor . A member of the squash<br />

family, these particular gourds, when dry, are as<br />

tough as wood and lend themselves perfectly for<br />

constructing all kinds of percussion instruments. You<br />

will make your own rope tuned drum out of a hard shelled gourd<br />

in this one day workshop . After cutting, cleaning and finishing<br />

the gourd drum body, we will attach a goat skin head with rings<br />

and rope . A demonstration for final tuning will be provided .<br />

Other gourd percussion instruments will be available for discussion<br />

and playing . There will be a $65 material fee payable to the<br />

instructor .<br />

Painted Floor Cloths Workshop**<br />

COURSE CODE <strong>ARTS</strong>405 SECTION 42<br />

INSTRUCTOR Amanda Brittin<br />

DATES July 28, 2012<br />

FEE $97 .24<br />

A floor cloth can be funky and whimsical or created to match<br />

interior décor. You will have complete freedom to design in your<br />

own personal style with lots of help from the instructor . Basic<br />

painting techniques such as colour-washing and stencilling will<br />

be taught in addition to more detailed hand-painting tips . This<br />

workshop is intended as a fun and stress-free day that results in a<br />

wonderful piece of art for underfoot . There will be a $35 material<br />

fee payable to the instructor .<br />

Painting – Flower Power Workshop**<br />

COURSE CODE <strong>ARTS</strong>1290 SECTION 41<br />

INSTRUCTOR Andrea Mossop<br />

DATES July 28, 2012<br />

FEE $97 .24<br />

The mysterious, elusive Georgia O’Keeffe moved from New York<br />

to a solitary artistic life in the desert of New Mexico . Captivated<br />

by the sacred landscape, she responded with large, intimate<br />

images of flowers and the landscape, powerful metaphors of life .<br />

In this workshop you will create one large painting of a single<br />

bloom, adopting the methods and techniques of her painting<br />

process . Looking at how she lived her own myth, the ‘participation<br />

mystique’ with nature, learn how to see as an artist and apply<br />

intuitive design . Instruction is suited to all skill levels and you are<br />

welcome to work in the media of your choice (no solvents) .<br />

Step Dance Workshop**<br />

COURSE CODE <strong>ARTS</strong>1722 SECTION 41<br />

INSTRUCTOR Cindy Thompson Butineau<br />

DATES July 28, 2012<br />

FEE $97 .24<br />

The hardest thing about learning to step dance is just making the<br />

decision to walk in and take the first step! Experience the joy of<br />

step dancing with instruction suited to students with no previous<br />

experience . Learn the basic shuffle and how to use it in 4/4 and<br />

6/8 timing . Heels and toes, hops and stamps, and other footwork<br />

will be explored . Patterned steps will be taught and a few short<br />

routines memorized. You’ll be accommodated at your pace and<br />

have lots of fun! Please note that this style of dance requires a<br />

certain degree of endurance . There will be a $10 material fee<br />

payable to the instructor .


Textiles – Special FX Workshop**<br />

COURSE CODE <strong>ARTS</strong>1723 SECTION 41<br />

INSTRUCTOR Pamela Woodward<br />

DATES July 28, 2012<br />

FEE $97 .24<br />

Take textile surfaces beyond two dimensions . Explore a variety of<br />

techniques to bring 3D depth to your textile projects . A preprepared<br />

fabric kit will provide you with the materials to explore<br />

how colour, value, and relative size may be arranged to create the<br />

illusion of depth and/or layered elements . Another pre-prepared<br />

piece of fabric will take you into fabric manipulation . Bringing<br />

3D to the fabric adds even greater depth, resulting in more play<br />

of light and shadow . Project placement and directional lighting<br />

will be an important part of all the exercises . There will be a $20<br />

material fee payable to the instructor .<br />

Ukulele Workshop**<br />

COURSE CODE <strong>ARTS</strong>1704 SECTION 41<br />

INSTRUCTOR Eve Goldberg<br />

DATES July 28, 2012<br />

FEE $97 .24<br />

Discover some of the many musical possibilities offered by this<br />

beguiling instrument . Explore chords and strumming as well<br />

as melody playing and put it all together in simple but effective<br />

group arrangements . Along the way you’ll learn a scale or two,<br />

improve singing and listening skills, and demystify some of the<br />

notes on the page . There will be a $5 material fee payable to the<br />

instructor .<br />

Upholstery Workshop**<br />

COURSE CODE <strong>ARTS</strong>1186 SECTION 41<br />

INSTRUCTOR Evelyn Bouma and Krystyna Czerska<br />

DATES July 28, 2012<br />

FEE $97 .24<br />

Reduce, Re-use and Recycle, the three Rs, are the three pillars<br />

of recycling philosophy . Upholster a footstool and discover how<br />

to re-design family heirlooms to blend with the décor of your<br />

home . Basic upholstery techniques will be applied to a footstool<br />

kit which will be supplied . Learn how to make a simple gimp<br />

trimming with narrow strips of upholstery fabric, a handmade<br />

replacement for what usually is a purchased gimp or trim. You<br />

are also invited to bring a small piece of furniture you would like<br />

to re-upholster, such as a dining chair or stool and, time permitting,<br />

get expert advice on how to restore upholstered furniture to<br />

its former glory . There will be a $45 material fee payable to the<br />

instructor .<br />

JULY 30 to aUgUst 3, 2012<br />

Acrylics – Non Objective I<br />

COURSE CODE <strong>ARTS</strong>1267 SECTION 42<br />

INSTRUCTOR Lila Lewis Irving<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginner painters.<br />

Abstraction experience is not required . In this introductory<br />

course, you will learn the basic principles of non objective<br />

painting . No images allowed – non objective painting has a<br />

complete lack of subject matter . Boldness, individualism and<br />

experimentation will be encouraged, emphasizing shapes, values<br />

and colour .<br />

Animals in Art<br />

COURSE CODE <strong>ARTS</strong>996 SECTION 41<br />

INSTRUCTOR Jay Dampf<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Our artistic history began with the portrayal of animals on cave<br />

walls and the importance of our connection to the natural world<br />

is just as relevant today . Whether you are working at a beginner<br />

or more advanced level of skill you will explore that history in the<br />

mediums and the styles of your choice . This hands-on course is<br />

an excellent opportunity for those who need of individual attention<br />

and easy going, step-by-step instruction in the physical, practical<br />

production of animal art . In addition to individual attention, you<br />

will learn a great deal from the demonstrations given to others in<br />

their styles and mediums . Skills learned can be applied to much<br />

more than the depiction of nature and animals . The instructor<br />

recommends that potential students contact him prior to the<br />

course. Your experience will be enhanced in specifics regarding<br />

mediums, supplies and personal projects can be discussed .<br />

Art Clay – Silver/Gold<br />

COURSE CODE <strong>ARTS</strong>703 SECTION 41<br />

INSTRUCTOR Sophia Tink<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Bring your jewellery designs to life using Art Clay Silver/Gold,<br />

a medium that moulds like clay and fires to 99 .9% pure Silver<br />

or 24K Gold. You can manipulate the medium into virtually any<br />

shape you desire . Instruction will address various techniques<br />

such as: Filigree (syringe type), burnout methods, appliqué,<br />

hollow forming, carving, attaching findings, layered leaf technique,<br />

setting synthetic stones, firing, and polishing . With these<br />

techniques you will design four projects of your choice . Some<br />

possibilities are rings, pendants, earrings, pins, or a non-wearable<br />

art piece . Techniques such as Keum Bu, and methods utilizing<br />

resins and Vitrea 160 paint for enamelling will also be addressed .<br />

There will be a $225 material fee payable to the instructor . If<br />

you are interested in working with Art Clay 22 karat yellow gold,<br />

please contact the instructor for assistance .<br />

JULY 2012<br />

59


60<br />

Bird Carving – Intermediate/Advanced<br />

COURSE CODE <strong>ARTS</strong>290 SECTION 41<br />

INSTRUCTOR Bruce Lepper<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Project Title: Miniature Female Cardinal<br />

Please note: This course is not suitable for beginners.<br />

Emphasis will be on the various stages of bird carving including<br />

shaping, feather groups, imitating feather detail, applying acrylic<br />

paints and exploring basic painting techniques . Instruction will<br />

also be provided on anatomy, feather diversity, eye placement,<br />

preparing to paint, mounting the bird and on the safe use of tools .<br />

There will be a $30 material fee payable to the instructor .<br />

Blues Vocals & Song Writing<br />

COURSE CODE <strong>ARTS</strong>1749 SECTION 41<br />

INSTRUCTOR Suzie Vinnick<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Please note: The ability to read music is not required for this<br />

course.<br />

From basic stretches and vocal warm-ups, progress to the<br />

composition and performance of your own blues song . Study<br />

the structures of and vocally interpret a collection of traditional<br />

and contemporary blues and gospel songs . Basic blues vocal<br />

improvisation utilizing the blues scale will be practiced in a<br />

supportive and encouraging environment . An exploration of the<br />

history of some of the classic blues singers and the stories behind<br />

their songs will also be included . There will be a $10 material fee<br />

payable to the instructor .<br />

Braided Mats<br />

COURSE CODE <strong>ARTS</strong>365 SECTION 41<br />

INSTRUCTOR Wendy E . Bateman<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

This course is a recycler’s dream! No previous experience is<br />

necessary and individual skill levels will be accommodated. You<br />

will learn the preparation of wool coats, garments, and yardage<br />

for transformation into useable yarns . Techniques learned will<br />

produce thick, finished floor mats or sets of chair pads without<br />

sewing together rounds as in traditional braided rugs . This is<br />

a hand-manipulated method done on simple braiding looms .<br />

Colour and design exercises will produce balanced creative products<br />

. As a returning student you are welcome to advance your<br />

ideas and goals . Looms will be available for use and/or purchase .<br />

Instructor contact information will be available on the material<br />

list or upon registration, to enable you to make arrangements<br />

according to your preference . To assist you to start your braiding<br />

quickly, a supply of previously cut wool strips can be purchased<br />

in class .<br />

Bronze Casting – Introductory<br />

COURSE CODE <strong>ARTS</strong>1714 SECTION 41<br />

INSTRUCTOR Stewart Smith<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Discover the ancient art of metal casting in sand, a technique still<br />

current in many foundries throughout the world . Learn the feel of<br />

this interesting casting medium, how to make moulds, and how<br />

to get molten metal into the cavity. You will also play with polymer<br />

clay to create basic foundry patterns that will be cast in bronze .<br />

There are endless challenges in sand casting and this course will<br />

allow you to experiment on a small scale with the possibilities of<br />

the medium . The basics of metal finishing will be covered as well,<br />

enabling you to be in possession of a collection of beautiful and<br />

permanent artefacts . There will be $80 material fee payable to<br />

the instructor .<br />

Cultural Symbols & Creative Patterning<br />

COURSE CODE <strong>ARTS</strong>1667 SECTION 41<br />

INSTRUCTOR Suzi Dwor<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

This course will benefit painters, collage artists, quilt makers,<br />

fibre artists, and printmakers with or without prior experience .<br />

Explore the symbols, patterns, art, architecture and music from<br />

a variety of cultures around the world . India, Nepal, Israel,<br />

Australia, Tibet, Mexico, Japan, Africa, Ireland and more will be<br />

included in inspirational and creatively adventurous investigations<br />

. From a study of the meaning and use of the five universal<br />

symbols – circle, square, triangle, spiral, and cross – you will<br />

begin to create your personal palette of images . Explore and<br />

experiment with a wide range of materials: watercolours, acrylics,<br />

pencil, charcoal, acrylic mediums, rice papers and gold leaf<br />

papers to create a series of art explorations . Automatic drawing,<br />

painting techniques, resist painting, collage, and plaster relief<br />

work on a variety of papers will be used to support the desired<br />

effect for surfaces. You will also create a personal mandala on<br />

a large stretched canvas using your new repertoire of symbols,<br />

patterns and colours . A mandala is a symbol, usually circular and<br />

sometimes square, that can release creative blocks and lead to<br />

personal insights and artistic discoveries . Art technique demonstrations<br />

and presentations with visuals will be rich and plentiful .<br />

There will be a $30 material fee payable to the instructor .<br />

Glass Slumping & Fusing<br />

COURSE CODE <strong>ARTS</strong>614 SECTION 41<br />

INSTRUCTOR Heather Wood<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Explore and experiment with the exciting possibilities of kiln-fired<br />

glass . Learn how to fuse glass into flat objects and then, using<br />

moulds, learn how to shape the glass into 3 dimensional<br />

forms . Fusing principals will be discussed, as well as<br />

technical information such as compatibility, annealing<br />

and firing procedures . Sandblasting and cold working of<br />

projects will complete the week . Instruction is suitable for<br />

both beginner and experienced students . There will be a<br />

$95 material fee payable to the instructor .


When V. Jane Gordon looks at your work<br />

she not only sees its totality but also its<br />

core. It can be scary but it is a gift others<br />

envy. She helps find your path and then<br />

becomes your compass. Praise be!<br />

~ Gary Gray, Faculty OCAD University<br />

Inquiry for Artists<br />

COURSE CODE <strong>ARTS</strong>1747 SECTION 41<br />

INSTRUCTOR V . Jane Gordon<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Inquiry exercises will be used to collect material outside the<br />

studio for a part of each day . This collection of material through<br />

inquiry is a way of recording the sensory experiences of the<br />

body through an intense engagement with a specific place . This<br />

is followed by a daily coaching process in the studio . Students<br />

use the collected Inquiry exercise material to explore combining<br />

elements of scientific inquiry with the skills typically used in their<br />

artistic practice . Through this studio experience, student’s raw<br />

collected Inquiry information becomes liberated content that will<br />

be combined and recombined into new directions for work . This<br />

course is suitable for all artists working at any level and in any<br />

discipline .<br />

Kids’ Metal Jewellery Arts**<br />

COURSE CODE <strong>ARTS</strong>397<br />

INSTRUCTOR Susan Watson Ellis<br />

DATES July 30 – August 3, 2012<br />

FEE $97 .80<br />

SECTION 41: 9:00 – 12 Noon 5 – 7 years old<br />

SECTION 42: 1:00 – 4:30 pm 8 – 10 years old<br />

Unique jewellery creations made by YOU! Learn to form and<br />

decorate copper, aluminum, nickel silver and bronze . Then add<br />

a little fun and a few personal touches with beads and marbles .<br />

You’ll make custom tags for your pets, pendants for yourself, I.D.<br />

bracelets and key rings . Decorate your projects using handstamping<br />

and hammering techniques and also learn to shape<br />

wire into chains, rings and pins . There will be a $30 material fee<br />

payable to the instructor .<br />

Kids’ Outdoor Art Adventures**<br />

COURSE CODE <strong>ARTS</strong>1758<br />

INSTRUCTOR Paul Marshall<br />

DATES July 30 – August 3, 2012<br />

FEE $97 .80<br />

SECTION 41: 1:00 – 4:30 pm, 5 – 7 years old<br />

SECTION 42: 9:00 – 12 Noon, pm 8 – 10 years old<br />

Use art as an exploration tool! Every day you will spend time<br />

outside, actively taking inspiration from your natural surroundings<br />

to produce fabulous artwork using a variety of materials and<br />

tools . Make a book that will become your nature journal, paint<br />

with watercolours, and create mixed media collage and sculpture .<br />

Observation, appreciation and exploration will be the focus during<br />

time spent outside and time producing art work . There will be a<br />

$25 material fee payable to the instructor .<br />

Landscape of the Model<br />

COURSE CODE <strong>ARTS</strong>550 SECTION 41<br />

INSTRUCTOR Joanna Nash<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. It is<br />

an intermediate/advanced level art class for which previous<br />

drawing and painting experience is required.<br />

This course was influenced by the American artist/teacher Jim<br />

Dine, and offers a unique, in-depth exploration of one model and<br />

one work surface . The discipline of examining one subject over a<br />

sustained period, enhances an understanding of the exterior and<br />

prods the imagination to reveal interior possibilities . In response<br />

to the observations, you are guided in the methods of mixing<br />

media – combining and juxtaposing in sequence: dry, water<br />

based, acrylic and/or oil materials . Each day you will work to build<br />

up your graphic and/or paint surface, then work at reduction<br />

and simplification . Weather permitting 1st day we’ll be working<br />

outdoors with a model . Emphasis is placed upon work process<br />

and the evaluation of the image . Special attention is directed<br />

toward finding and losing definition, developing sensitivity to<br />

marks, varying edges, building up surface, challenging your<br />

visual memory, and developing a personal touch . At the end of<br />

each day the image can be toned down by scraping or applying a<br />

semi-transparent wash, muting the day’s accumulated detail . The<br />

course is accompanied by slide presentations with commentaries<br />

as well as individual and group constructive critical discussions .<br />

To help the instructor intuit individual technical needs and help<br />

you advance your personal work process, examples of successful<br />

and unsuccessful works (unframed, photo or slides) should be<br />

brought to the first class .<br />

Machine Knitting – Technique to Attire<br />

COURSE CODE <strong>ARTS</strong>1675 SECTION 41<br />

INSTRUCTOR Monika Stramaglia<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Explore the critical information of the swatch and learn to create<br />

a pattern for a garment . Machines with ‘knit radar’ or ‘contouring<br />

device’, as well as external contouring devices, make this process<br />

easy. You will be encouraged to plan and knit a cardigan. Instruction<br />

is suitable for beginner and intermediate knitters, and all<br />

types of knitting machines, including the LK100, LK150, Brother<br />

KX350. You are required to bring your own knitting machine,<br />

in good working order . Please contact the school for assistance<br />

if you do not own a machine . If needed, rentals are available<br />

for a fee of $30 . There will be a $30 material fee payable to the<br />

instructor<br />

Oil Painting<br />

COURSE CODE <strong>ARTS</strong>285 SECTION 41<br />

INSTRUCTOR Andrea Mossop<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

This studio course in safe, non-toxic and environment-considerate<br />

practise in oils, is designed to engage you in the fundamental<br />

aspects of painting . Specific issues that form the language<br />

of painting will be explored . These will include spatial structure,<br />

mark-making, colour, shape, form, scale, texture, and surface<br />

relationships . Learning traditional and contemporary handling<br />

of oil paint, and with individual instruction, you will develop<br />

confidence in your own painting ability . This course is suitable<br />

to all skill levels from beginner to advanced. You are invited to<br />

work with oil paint in an environment that encourages individual<br />

freedom and expression .<br />

aUgUst 2012<br />

61


62<br />

Open Studio – Painting<br />

COURSE CODE <strong>ARTS</strong>1258 SECTION 42<br />

INSTRUCTOR Steve Rose<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

This course is an excellent opportunity to challenge, explore, and<br />

expand upon your personal art practice . The learning environment<br />

is an independent open studio format that is suitable for<br />

any subject matter and style of approach . Expand your visual<br />

language, painting skills, and artistic literacy in a safe and highly<br />

creative environment . Instruction will encourage creative imagery,<br />

content, and contemporary execution of your ideas . In addition<br />

there will be ongoing personal and group critiques as well as<br />

daily informal lectures on artists, art movements, and related art<br />

history .<br />

Paddle Making<br />

COURSE CODE <strong>ARTS</strong>1745 SECTION 41<br />

INSTRUCTOR Russ Parker<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

A handcrafted paddle is a work of art . Discover age-old techniques<br />

as you choose and create two canoe paddles, West Greenland<br />

style Inuit kayak paddles, contemporary bent shaft kayak<br />

paddles, or any combination of the three types. Your paddles<br />

will be unique and personal as you will choose your paddle style<br />

and length . From laying out the centre lines, to planning and<br />

carving the blades, grips and shafts, through to final sanding and<br />

finishing, you will create paddles that precisely suit your needs<br />

and paddling style . In order to prepare the blanks you will be<br />

required to select the style and size of your paddle blanks by<br />

June 15, 2012 . A third paddle blank can be ordered for those<br />

participants who wish to continue with their newly learned paddle<br />

making expertise . Registrations may still be received after June<br />

15 if there is space in the course and time to create the blanks .<br />

Please contact the school to inquire if this is the case . There<br />

will be a $35 to $120 per paddle material fee payable to the<br />

instructor . Details available on the material list .<br />

Painting Basics<br />

COURSE CODE <strong>ARTS</strong>1746 SECTION 41<br />

INSTRUCTOR Shannon Partridge<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

This course provides an introduction to acrylic painting . The<br />

projects will help you develop drawing and painting skills, as well<br />

as learn an overview of acrylic painting techniques while encouraging<br />

personal visual exploration and expression . Working from<br />

a variety of sources, focusing on a selection of painting concerns<br />

and perspectives, you will acquire a foundation for future artistic<br />

painting endeavours . There will be a $20 material fee payable to<br />

the instructor .<br />

Painting Playfully<br />

COURSE CODE <strong>ARTS</strong>1673 SECTION 41<br />

INSTRUCTOR Michele Karch Ackerman<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

In this inspirational course designed for both the beginner and<br />

advanced student, you will be guided on a creative journey to free<br />

painting and drawing inhibitions . Innovative exercises will result in<br />

the development of tangible, dynamic and visually exciting works<br />

of art . Whether you feel restricted by years of technique classes<br />

or have very little experience with art you will learn to intuitively<br />

explore colour and technique through a series of experiential<br />

exercises inspired by noted artists throughout art history. Your<br />

unique vision will be encouraged as you explore the world of<br />

colour, collage and paintings . Tiny ‘jewel’ watercolour collages,<br />

‘ab/ex’ altered books and a series of explorative painted shadow<br />

boxes will engage your creativity . There will be a $30 material fee<br />

payable to the instructor .


Pen & Ink and Colour<br />

COURSE CODE <strong>ARTS</strong>165 SECTION 41<br />

INSTRUCTOR Marta Scythes<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

The intricate art of pen and ink will be explored through a series<br />

of fun exercises designed to improve observational skills, composition,<br />

value range and colour application . Several ink techniques<br />

will be demonstrated, including painted washes . The colour<br />

element will be introduced mid-course which will involve the use<br />

of watercolour combined with the black and white composition .<br />

Personal choice of subject matter will be encouraged . Composition<br />

and colour theory will be addressed throughout the course .<br />

There will be a $1 .00 material fee payable to the instructor .<br />

Photography – In Camera<br />

COURSE CODE <strong>ARTS</strong>1690 SECTION 41<br />

INSTRUCTOR Elisabeth Feryn<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Good photographs are made, not just taken . Learn how to create<br />

an image, not just take a picture . The modern digital camera has<br />

many tools to help with the creative process . Understanding and<br />

using these tools will help you produce more visually dynamic<br />

photographs . Learn to make consistently better images through<br />

hands-on interactive work with your camera controls in the classroom,<br />

daily practical field trips, and in-depth reviews and critique<br />

sessions . Instruction will address digital photography techniques<br />

specifically . Post production possibilities may be discussed but<br />

will not be undertaken or applied in this course. You are required<br />

to bring digital SLR camera with manual functions .<br />

Pottery – Dinnerware<br />

COURSE CODE <strong>ARTS</strong>1396 SECTION 41<br />

INSTRUCTOR Bill Reddick<br />

DATES July 30 – August 4, 2012 (6 days)<br />

FEE $359 .26 (includes $18 .52 material fee)<br />

Please note: This course is not suitable for beginners. Throwing<br />

skills are required.<br />

This course will investigate the process of making dinnerware,<br />

from design concept to completion . The challenge of working<br />

on a commissioned basis to fulfill client expectations will also be<br />

addressed . Harmonizing design elements and function as well<br />

as colour, decoration, texture and durability will be explored . The<br />

emphasis will be on process and acquiring new skills, especially<br />

as they relate to the making of bowls and plates . Glazing the ware<br />

will not be a priority . Visual presentations of dinnerware development<br />

and creative process will be referenced . Additional clay will<br />

be available for purchase from the school at a cost of $20 per<br />

bag, which includes glazing and firing .<br />

Printmaking – Screen Monoprinting Plus<br />

COURSE CODE <strong>ARTS</strong>599 SECTION 41<br />

INSTRUCTOR Linda Kristin Blix<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Screen monoprinting is an innovative and unique printmaking<br />

technique that satisfies both painters and printmakers . Brilliant<br />

fabric dye is painted onto a silk screen in a spontaneous and<br />

fluid manner . Once dry, a squeegee is used to pull clear medium<br />

over the screen . The colours and unique surface textures are<br />

spectacular and cannot be achieved through painting directly<br />

on paper . This extremely versatile, fun and non-toxic technique<br />

forces you to paint in a fresh and free manner . Those who have<br />

stayed away from printmaking due to the technical aspect will<br />

be amazed at the multi-coloured and painterly prints created<br />

with such simplicity . This technique will be a good starting point<br />

for those beginning their artistic journey, yet challenging to<br />

seasoned artists . Upon mastering the basic techniques you will<br />

then be challenged to expand the possibilities by using paper<br />

stencils, layering, and combining the monoprints with lino cuts<br />

and stamps of your creation . Experimentation is encouraged and<br />

you’re welcome to bring fabric or papers to collage, and other<br />

mark making mediums to combine with this versatile technique .<br />

There will be a $70 material fee payable to the instructor .<br />

Printmaking – Watercolour Monotype<br />

COURSE CODE <strong>ARTS</strong>182 SECTION 41<br />

INSTRUCTOR Stephanie Rayner<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Non-toxic watercolour monoprinting is a dynamic art form<br />

combining the unlimited palette and radiant flow of watercolours<br />

with an unusual diversity of beautiful and compelling techniques<br />

unique to this process. You will learn proper use of an etching<br />

press, the preparation of your printmaking plates, the paper, the<br />

correct numbering, signing and care of your prints, plus at least<br />

six entirely different approaches to the medium with emphasis on<br />

the manipulation of watercolour washes on the plate’s impermeable<br />

surface that allows for a floating of colour in a way no other<br />

medium can. You will also be taught how to do watercolour<br />

monotypes at home without a press . This art form works with<br />

you . . .not having to print within a given time frees you to progress<br />

and play at your own pace with options for re-working, experimenting<br />

and even deleting without losing the entire work . This<br />

exciting process loosens artistic tightness, inspires confidence<br />

and expands creativity. You need not have previous experience<br />

in either watercolours or printmaking to achieve beautiful results .<br />

There will be a $47 material fee payable to the instructor .<br />

Processing Techniques<br />

for Expressive Arts Practitioners E<br />

COURSE CODE <strong>ARTS</strong>1584 SECTION 41<br />

INSTRUCTOR Edward Hagedorn<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Please note: To register for this course you must meet the<br />

admission requirements for the EXA Graduate Certificate.<br />

Details available on page 9.<br />

This course is an elective credit toward <strong>Fleming</strong> <strong>College</strong>'s<br />

Expressive Arts Certificate. It is not an elective credit toward<br />

<strong>Fleming</strong> <strong>College</strong>'s Visual and Creative Arts Diploma.<br />

This course is not suitable for beginners. Instruction is appropriate<br />

for experienced facilitators and practitioners of expressive<br />

arts. <strong>Fleming</strong> <strong>College</strong>’s Expressive Arts Ontario Graduate<br />

Certificate would be beneficial.<br />

This course will clarify the critical distinction between Expressive<br />

Arts practitioners and therapists . Learn and practice alternative<br />

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ways of processing a client’s expressive work . In a supportive<br />

atmosphere with other practitioners, you will playfully engage<br />

in the shared experience of exploring the challenging task of<br />

processing expressive artwork/arts experiences by shifting the<br />

focus from personal work to processing the work of others .<br />

Instruction and group experience will identify appropriate boundaries,<br />

develop proficiency in non-analytic, non-interpretational<br />

verbal questioning, and non-verbal processing techniques in<br />

order to amplify or deepen the expressive experience . Please be<br />

prepared to offer your personal expressive artwork as a focus<br />

for group discussion in order to facilitate the development of the<br />

targeted questioning techniques . There will be a $20 material fee<br />

payable to the instructor .<br />

Silversmithing – Introductory<br />

COURSE CODE <strong>ARTS</strong>1244 SECTION 41<br />

INSTRUCTOR Todd Jeffrey Ellis<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Learn basic forming techniques through traditional silversmithing<br />

methods of sinking and raising . Instruction will enable you<br />

to raise a 6” silver disk into a shallow bowl form. You will be<br />

required to bring your own silver; source information is available<br />

upon registration . It is recommended that you work in silver (this<br />

course requires a 6” x 6” x .75 mm thick piece of sheet sterling) .<br />

If preferred, copper could be substituted to decrease expense .<br />

There will be a $50 material fee payable to the instructor .<br />

Please note: This course will run simultaneously with Jewellery<br />

– Intermediate and Jewellery – Advanced. Please clearly<br />

indicate which level you are registering for.<br />

Silversmithing – Intermediate<br />

COURSE CODE <strong>ARTS</strong>1245 SECTION 41<br />

INSTRUCTOR Todd Jeffrey Ellis<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Continue to develop your skills by adding decorative elements<br />

to your vessels . Existing skills will be enhanced by instruction in<br />

crimp raising . The use of patterns to determine the final shape of<br />

the raised form will also be explored. You will be required to bring<br />

your own silver and/or copper . There will be a $50 material fee<br />

payable to the instructor .<br />

This course will run simultaneously with Jewellery – Introductory<br />

and Jewellery – Advanced. Please clearly indicate which<br />

level you are registering for.<br />

Silversmithing – Advanced<br />

COURSE CODE <strong>ARTS</strong>1246 SECTION 41<br />

INSTRUCTOR Todd Jeffrey Ellis<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

As an advanced student you are invited to bring a project you<br />

are working on, or through raising and fabrication, make more<br />

complex forms . Explore hand formed handles, spouts and other<br />

decorative elements of your own design . A working knowledge of<br />

soldering, sawing and filing is necessary as you will work independently,<br />

with guidance from the Instructor. You will be required to<br />

bring your own silver and/or copper . There will be a $50 material<br />

fee payable to the instructor .<br />

This course will run simultaneously with Jewellery – Introductory<br />

and Jewellery – Intermediate. Please clearly indicate which<br />

level you are registering for.<br />

Stringed Instrument Immersion – Intermediate<br />

COURSE CODE <strong>ARTS</strong>1032 SECTION 41<br />

INSTRUCTOR Bethany Houghton<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. Average<br />

playing level should be grades 2, 3, or 4 Conservatory or book<br />

2-3 Suzuki.<br />

This course is suitable if you have some experience on the violin/<br />

viola/cello and would like to advance your skills to the next<br />

level . Instruction includes music theory, history, lesson notes on<br />

performing, and lots and lots of playing! Your skill level and pace<br />

will be considered and accommodated . Fiddlers are more than<br />

welcome! Please bring your instrument if you have one . If not,<br />

they will be available to rent . Violin: $30, Viola: $35, Cello: $50 .<br />

There will also be a material fee of $10 payable to the instructor .<br />

Surface Design for Quilters & Fibre Artists<br />

COURSE CODE <strong>ARTS</strong>1658 SECTION 41<br />

INSTRUCTOR Elaine Quehl<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Discover and use many exciting surface design treatments to<br />

make original pieces of fibre art or to add depth, dimension and<br />

detail to your textile work and art quilts. You will be introduced<br />

to the properties and uses of Prismacolor Artist Pencils, Caran<br />

d’Ache Neocolour II Water Soluble Wax Pastels, Shiva Paintstiks,<br />

Tsukineko Inks, and Foils . Instruction will include demonstrations<br />

and a variety of samples will be available for reference . There will<br />

be ample time to experiment and create a small work . There will<br />

be a $25 material fee payable to the instructor .


Teen Stained Glass**<br />

COURSE CODE <strong>ARTS</strong>681 SECTION 41<br />

INSTRUCTOR Lia Howe<br />

DATES July 30 – August 3, 2012<br />

FEE $213 .86<br />

Please note: This course is suitable for teens 13 to 18 years of<br />

age.<br />

Stained glass is a diverse medium that uses the balance of light<br />

and colour to create dramatic results. You will learn the basics<br />

of traditional copper foil techniques, cutting glass, grinding,<br />

foiling and soldering . Individual creativity will be encouraged and<br />

an emphasis placed on creating one-of-a-kind, more complex<br />

projects . An introduction to 3-D hanging designs will also be<br />

taught . No experience necessary . There will be a $50 material fee<br />

payable to the instructor . Additional glass will be available for sale<br />

by the instructor for additional projects .<br />

Water Media Explorations<br />

COURSE CODE <strong>ARTS</strong>1656 SECTION 41<br />

INSTRUCTOR Nancy Newman<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Going beyond the traditional watercolour experience, explore<br />

creative ways of using and applying water media, including<br />

gouache, fluid acrylics and inks . To add excitement and drama to<br />

the painting process, experiment with materials such as rubber<br />

cement, pastels, watercolour pencils and crayons on a variety of<br />

substrates such as TerraSkin, Aquaboard and Yupo. Experiment<br />

with textural effects to achieve contrasts of texture, colour, line<br />

and shape . In a supportive and encouraging learning environment,<br />

create a series of small paintings that will be the inspiration<br />

and reference for future paintings . There will be a $20 material<br />

fee payable to the instructor .<br />

Watercolour – Abstraction<br />

COURSE CODE <strong>ARTS</strong>245 SECTION 41<br />

INSTRUCTOR Denis Cliff<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Discover a unique approach to image making . This course will<br />

challenge and encourage you to experiment with innovative ideas<br />

and techniques in watercolour painting . Traditional techniques<br />

will be coupled with creative image-making processes to produce<br />

new images and new techniques (some specifically developed<br />

by the instructor) . Involve yourself in a fuller appreciation of the<br />

potential of the watercolour medium . If you are a beginner you<br />

will receive a fresh and exciting introduction to the world of watercolour<br />

. If you’ve tried different watercolour courses in the past,<br />

you will thoroughly enjoy new experiences . Emphasis will be given<br />

to personal creativity and individual attention is guaranteed .<br />

Wire Sculpture – Home & Garden Décor<br />

COURSE CODE <strong>ARTS</strong>1671 SECTION 41<br />

INSTRUCTOR Charles O’Neil<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Please note: This course requires the use of simple hand tools<br />

(wire cutters, pliers).<br />

Learn the use of simple hand tools to manipulate various gauges<br />

and types of wire into decorative or functional shapes . Instruction<br />

will begin with the creation of basic geometrical shapes that will<br />

be further developed to create a sculpture of your own vision .<br />

Whether you decide to create a hanging patio lantern, outdoor<br />

seasonal décor, or a basket, you will be guided to the successful<br />

completion of a sculpture of your own design and scale . Finished<br />

works can be used as accent pieces for the home, garden or<br />

office . There will be a $40 material fee payable to the instructor .<br />

Writing Children’s Books<br />

COURSE CODE <strong>ARTS</strong>1388 SECTION 41<br />

INSTRUCTOR Ted Staunton<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Explore the magic of writing for the young, from toddlers to teens .<br />

Whether you’re a dabbler or dedicated writer, immerse yourself in<br />

writing, workshop sessions and consultations . There will also be<br />

opportunity for a one-on-one ‘Blue Pencil’ session with a work in<br />

progress . Practical publishing tips will be interspersed throughout<br />

instruction . Find your voice, find your stories, hone your skills,<br />

and enjoy .<br />

Youth/Teen Fabulous Faux Food**<br />

COURSE CODE <strong>ARTS</strong>1705 SECTION 41<br />

INSTRUCTOR Frances Key<br />

DATES July 30 – August 3, 2012<br />

FEE $ $213 .86<br />

Please note: This course is suitable for youth and teens from<br />

11 to 18 years of age.<br />

Fool your friends with fake food! Burgers, fries, sushi, meat,<br />

delectable desserts and other delights are created from a variety<br />

of foams, gel mediums, acrylic paints, latex and more . Sculpt,<br />

paint, and create as you learn the art of making faux food for the<br />

theatre or your home . Celebrate the last class by inviting friends<br />

and family to sample the real food hidden amongst the imposters .<br />

There will be a $20 material fee payable to the instructor .<br />

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66<br />

HUntsViLLe<br />

JULY 30 to aUgUst 3 in HUntsViLLe<br />

Nora allows students to find their<br />

own voice; she brought out the best<br />

in everyone.<br />

Creative Writing – Giving Life to Your Story<br />

COURSE CODE <strong>ARTS</strong>1661 SECTION 48<br />

INSTRUCTOR Nora Zylstra Savage<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

The easiest place to start writing is from what you know best –<br />

and that’s you . This hands-on, high energy, fun course integrates<br />

effective writing techniques and styles with your own personal<br />

experiences and stories . Through a myriad of writing prompts and<br />

stimuli, including music, words, phrases and visualizations you’ll<br />

have an endless supply of writing topics and jumping off points to<br />

expand your writing horizons . Enjoy the opportunity to write, share<br />

and receive oral feedback in a sensitive and positive environment .<br />

For those that want to continue writing their own stories, you’ll<br />

be provided with information on where to start as well as how to<br />

organize and retrieve your memories . Explore and further develop<br />

creative writing skills and techniques using your own personal<br />

stories as source material . Be bold – give life, depth and interest<br />

to all your stories and put it in writing!<br />

Painted Furniture & Accessories<br />

COURSE CODE <strong>ARTS</strong>1538 SECTION 48<br />

INSTRUCTOR Margot Miller<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Cottage style, city slick or shabby chic . . . restyle, rework, recycle<br />

and upcycle your furniture or accessories with texture, pattern<br />

and colour to match your cottage, verandah, cabin or home . If<br />

there is an old favourite piece of furniture tucked away in your<br />

boathouse or garage that doesn’t fit the style of your rooms . . .<br />

transform it into a work of art . Design for your life style and<br />

budget! Experiment with faux finishes, stencils, hand painting,<br />

leaf prints, resists and finishing techniques on old tables, chairs,<br />

cabinets, lamps, chests, and more . Create vintage, refined<br />

romantic, cottage or retro-revival style. You will learn the tips<br />

and tricks of glazing for the sun soaked yellows of Provence and<br />

Tuscany, the tea stained battered look of vintage charm, the cool<br />

white wash of shabby chic or the layered depth of deep lacquers .<br />

Add buttons and bows for the MacKenzie-Childs look, birch bark<br />

and grape vine for a primitive Muskoka cottage style or a mosaic<br />

for a new table top . Instruction will accommodate all levels of skill .<br />

Furniture and accessories do not have to be stripped or under<br />

painted . There will be a $15 material fee payable to the instructor .<br />

Photography – Breaking the Rules<br />

COURSE CODE <strong>ARTS</strong>1748 SECTION 48<br />

INSTRUCTOR Jenny Kirkpatrick<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Please note: Instruction is best suited for intermediate to<br />

advanced photographers.<br />

Create more dramatic images by looking beyond the basics and<br />

shooting photographs that evoke emotion and express a unique<br />

vision . Instruction and the inspirational surroundings will inspire<br />

and encourage you to free your creative spirit and harness your<br />

passion for photography . Discover how this can be accomplished<br />

by breaking some of the rules . Experiment with various techniques<br />

including movement, multiple images and montages .<br />

High dynamic range imaging will also be explored . Design and<br />

composition and their use in developing more expressive images<br />

will be discussed . Free yourself from any preconceived ideas<br />

about how a photograph should look . Instruction consists of an<br />

intensive shooting schedule, with ample one on one guidance in<br />

the field; seminars and presentations, plus individual and group<br />

evaluation of participants’ images .<br />

Trees<br />

COURSE CODE <strong>ARTS</strong>1157 SECTION 48<br />

INSTRUCTOR Ramune Luminaire<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

For some, trees represent the bridge between earth and sky .<br />

Others are intrigued by their sculptural qualities, the mythology<br />

that surrounds them and their ecological importance . Create<br />

trees with personality, history and vitality . Working in mixed media<br />

and using photography, basic drawing, painting and simple<br />

printmaking techniques, you will be working outside as well as in<br />

the studio to create a whole forest of amazing trees . All levels of<br />

artistic skill are welcome . There will be a $20 material fee payable<br />

to the instructor .<br />

Watercolour on Canvas<br />

COURSE CODE <strong>ARTS</strong>1734 SECTION 48<br />

INSTRUCTOR Margot Snow<br />

DATES July 30 – August 3, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for absolute beginners.<br />

A basic knowledge of watercolour painting is required.<br />

Explore techniques that are best suited for this surface and<br />

discover mediums that will enhance your work . Investigate<br />

drawing, composition, colour and watercolour techniques such<br />

as negative space and glazing . Instruction will guide you from<br />

surface preparation to sealing and varnishing your finished work .<br />

If you are a tight painter, this technique will loosen you up as<br />

you work in a positive and encouraging environment . Beyond<br />

the creative possibilities, this technique removes the need for<br />

heavy frames, matting and glass . There will be a $20 material fee<br />

payable to the instructor .


aUgUst 6 to 10, 2012<br />

Acrylics – Non Objective II<br />

COURSE CODE <strong>ARTS</strong>1268 SECTION 42<br />

INSTRUCTOR Lila Lewis Irving<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Experience in painting and design is required.<br />

Learn the principles of non-objective art and further develop your<br />

painting skills . Boldness and experimentation will be encouraged<br />

as you explore the infinite possibilities of arranging shapes and<br />

colours .<br />

Artistic Exploration – Painting and Drawing<br />

COURSE CODE <strong>ARTS</strong>21 SECTION 41<br />

INSTRUCTOR Jay Dampf<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

For all artists there is a process for enhancing individual style<br />

and technique . In this course you will learn the skills needed to<br />

improve your personal ability and imagination, whether you are<br />

a new artist wishing to explore different mediums or experienced<br />

and wishing to master your techniques . On an individual basis,<br />

you will be taken, step-by-step, through the drawing and painting<br />

process, with emphasis on clear, enjoyable methods . This course<br />

offers you the unique opportunity for instruction on projects and<br />

mediums of your own choosing. You will also benefit from demonstrations<br />

given to other students . Assistance will be provided by<br />

the school if you wish to contact the instructor regarding ideas<br />

and mediums .<br />

Basketry by Nature<br />

COURSE CODE <strong>ARTS</strong>1672 SECTION 41<br />

INSTRUCTOR Sheila Ziman<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Please note: Previous basketry experience is an asset but is not<br />

essential.<br />

The natural environment provides a bounty of interesting material<br />

for basketry . Learn to identify, gather, store and prepare a variety<br />

of basketry materials found in nature . Some materials will be<br />

supplied, but others such as cattails and willow branches, will<br />

be gathered during the course . Be prepared to follow the natural<br />

path to basketry! A ribbed basket will be constructed using<br />

previously gathered grapevine, rush and bindweed . Cattails and<br />

a variety of rushes, sedges and grasses that you will gather locally<br />

will be used to make a small round twined basket . A trip to cut<br />

branches of willow, dogwood or alder will yield enough material to<br />

construct a lovely tray. Your final project will be the creation of a<br />

coiled basket of either Siberian Iris leaves or pine needles . There<br />

will be a $30 material fee payable to the instructor .<br />

Blacksmithing<br />

COURSE CODE <strong>ARTS</strong>38 SECTION 41<br />

INSTRUCTOR Rene Petitjean<br />

DATES August 6 – 10, 2012<br />

FEE $392 .33 (includes $92 .59 material fee)<br />

Please note: This course involves the use of hot forges and<br />

metal. You must be prepared to work independently with a<br />

high level of concentration, physical exertion and mechanical<br />

aptitude.<br />

Learn the basics of blacksmithing in a hands-on studio situation.<br />

You will have an opportunity to learn the skills required to<br />

produce appealing and functional objects using traditional blacksmithing<br />

techniques . Instruction will provide an understanding<br />

of simple forging principles such as drawing out, punching,<br />

scrolling and more . Finishing techniques will also be stressed .<br />

Ample opportunity will be provided to practice what you’ve seen<br />

demonstrated . Please bring a project concept with you .<br />

Creative Integration – Arts Across the Curriculum<br />

COURSE CODE <strong>ARTS</strong>1736 SECTION 41<br />

INSTRUCTOR Judith Mason<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Please note: Previous artistic experience is not required.<br />

Enjoy this approach to teaching curriculum content using<br />

creativity, imagination and vision . While this course is designed<br />

specifically for primary and intermediate school teachers who<br />

want to experience integrating curriculum content with artistic<br />

imagination, the process will be approached by pursuing a series<br />

of individual projects that build confidence and experience in<br />

your own creative process . Creative integration is an approach<br />

that invites teachers to use the arts to provide the structure for<br />

delivering curriculum content . Discover how to create a children’s<br />

classroom rich in imagination, creativity and exploration . Instruction<br />

and exercises will demonstrate how to integrate creative<br />

learning opportunities for students while meeting the requirements<br />

for student assessment and content delivery . Using a<br />

selection of curriculum expectations from different subject areas<br />

and grade levels, you will self-assess your own projects in terms<br />

of success at integrating at least three diverse subject areas .<br />

This course will emphasize visual art as the primary learning<br />

strategy, rather than an as an add-on activity at the end of a<br />

unit . Drama, movement and voice will also be investigated . The<br />

purpose of creative integration is to make learning fun, to open<br />

the hearts as well as the minds of the children you teach, and<br />

to create a learning environment rich in empathy, nurturing and<br />

personal growth . As a participant, you will have the opportunity<br />

to experience this, first and foremost, for yourself . This course is<br />

appropriate for those who feel that creativity comes easily as well<br />

as for those who are uncertain about their artistic abilities . There<br />

will be a $20 material fee payable to the instructor .<br />

Plan to attend the Art Auction on August 9!<br />

See page 97 for more information.<br />

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Embellished Textile Surface & Form<br />

COURSE CODE <strong>ARTS</strong>1253 SECTION 41<br />

INSTRUCTOR Judith Dingle<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Please note: Intermediate sewing skills are required to participate<br />

in this course.<br />

Explore the fascinating potential of the embellished and altered<br />

textile surface and form applied to the creation of jewellery<br />

(bracelets, earrings, necklaces, beads) and fashion accessories .<br />

Experiment with a large variety of techniques, applications and<br />

materials enabling you to create unique textile surfaces with<br />

rich and exotic textures, gorgeous colour and 3D, manipulated<br />

forms . Quick explorations with samples lead to the production of<br />

embellished surfaces enhanced with gilding, painting, stiffening,<br />

beading, padding, stuffing, wiring, collaging, folding, gathering,<br />

wrapping, fraying, patchwork, laminating and stitching . Apply<br />

lustrous gold leaf to colourful painted backgrounds, wrap exotic<br />

tassels and cords, embroider inspirational rich textures with a<br />

variety of special threads, floss and fibre, incorporate collected<br />

beads and transformed ‘found’ objects, and learn how to create<br />

beautiful beads and cords . Discussions will include contemporary<br />

trends in ‘Soft’ jewellery including the enormous impact of<br />

tribal body adornment, the intriguing integration of re-purposed,<br />

up-scaled, recycled textiles and translating your design inspirations<br />

into a special, unique artwork of your own choice. You are<br />

required to bring a reliable sewing machine in good working<br />

order . There will be a $35 material fee payable to the instructor .<br />

I’ve taught encaustic in Haliburton<br />

for over 10 years but I continue to be<br />

inspired by the creative energy and<br />

creations of my students.<br />

– Susan Fisher<br />

Encaustic Painting II<br />

COURSE CODE <strong>ARTS</strong>283 SECTION 41<br />

INSTRUCTOR Susan Fisher<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginner encaustic<br />

painters.<br />

Utilizing your encaustic painting skills and experience, you will<br />

learn more about monoprinting, photo transfer, layering and<br />

dipping, pouring, sculptural applications and multi-media. You<br />

will be encouraged to develop several projects using a combination<br />

of encaustic techniques . There will be a $100 material fee<br />

payable to the instructor .<br />

Expressionism – Power, Passion & Paint<br />

COURSE CODE <strong>ARTS</strong>1689 SECTION 41<br />

INSTRUCTOR Steve Rose<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Expressionism is a very unique approach and experience in<br />

artistic movements . It is an artistic force that is intense and highly<br />

personal . Essentially expressionism offers an opportunity to<br />

paint with subject matter but the overall feeling is one where the<br />

emotion is more important than the accurate depiction of objects .<br />

Content will range from portraits, to landscape, human and<br />

animal forms, to still life – all super charged with profound energy<br />

and impact . Instruction is ideal if you crave a freer attitude in your<br />

work and/or want to step outside your own creative comfort zone<br />

into a different realm .<br />

Expressive Arts – Demystifying Art Materials E<br />

COURSE CODE <strong>ARTS</strong>1222 SECTION 41<br />

INSTRUCTOR Fay Wilkinson<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Please note: To register for this course you must meet the<br />

admission requirements for the EXA Graduate Certificate.<br />

Details available on page 9.<br />

This course is an elective credit toward <strong>Fleming</strong> <strong>College</strong>'s<br />

Expressive Arts Certificate. It is not an elective credit toward<br />

<strong>Fleming</strong> <strong>College</strong>'s Visual and Creative Arts Diploma.<br />

Combine polishing your art making knowledge and skills with<br />

effective application of that knowledge to the populations you<br />

work with . Instruction will demystify the myriad of new art<br />

supplies on the market as you experiment with their properties,<br />

applications and suitability . Unusual art making processes such<br />

as papermaking, beeswax dipping and simple fabric/fibre art as<br />

well as the use of photographs will be explored in the context of<br />

incorporating them into your expressive arts work . Sharing your<br />

experiences in the field will be strongly encouraged . There will be<br />

a $25 material fee payable to the instructor<br />

Felt Lace<br />

COURSE CODE <strong>ARTS</strong>1741 SECTION 41<br />

INSTRUCTOR Diane Gonthier<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. Intermediate<br />

to advanced level spinning skill are required. Some basic<br />

felting experience is also recommended.<br />

Felt lace is a more or less open fabric, made exclusively of yarn,<br />

held together by careful wet felting . It offers a wide range of lace<br />

possibilities especially when the design starts from the spinning<br />

stage . Learn the measurable spinning parameters and techniques<br />

that optimise yarn attachment for a successful felt lace, including<br />

various yarn compositions and structures . Explore different yarn<br />

densities to create different lace types . Several samples will be<br />

spun and felted; along with creating some personal felt lace projects<br />

. The experience will benefit from the whole group’s results .<br />

From curtains, collars, and placemats to lamp shades; dare to<br />

challenge your spinning expertise and creative mind! There will<br />

be a $25 material fee payable to the instructor .


Glass Flamework<br />

COURSE CODE <strong>ARTS</strong>698 SECTION 41<br />

INSTRUCTOR Brad Sherwood<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Flameworking is a method of shaping glass through the use of<br />

a torch . Glass is heated to a molten state and you then sculpt,<br />

blow and manipulate it, creating highly detailed and colourful<br />

glass objects . This course will provide you with a fundamental<br />

understanding of glass through the processes of flameworking .<br />

Beginning with the safe and comfortable operation of equipment,<br />

you will quickly progress to methods of shaping and constructing<br />

using a variety of tools and techniques . Working with a range of<br />

glasses you will gain a solid foundation in flameworking practice<br />

that will allow for progression beyond the basics . Through<br />

lectures, demonstrations and hands-on practice, instruction will<br />

cover introductory methods of shaping and manipulating molten<br />

glass to advanced constructions, including blowing glass and the<br />

use of moulds. You are encouraged to bring an open mind and<br />

ideas that you would like to develop in glass . No previous glass<br />

experience is necessary . There will be a material fee of approximately<br />

$100, depending upon projects chosen, payable to the<br />

instructor .<br />

This course will run simultaneously with Glass Flamework II.<br />

Please clearly indicate which level you are registering for.<br />

Glass Flamework II<br />

COURSE CODE <strong>ARTS</strong>1501 SECTION 41<br />

INSTRUCTOR Brad Sherwood<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Building on basic methods and techniques you will learn<br />

advanced methods of flameworking design, construction and<br />

colour application . Develop skills to create advanced blown forms<br />

and multi component constructions . This course will consist of<br />

a review of studio safety and torch operation, demonstrations,<br />

lectures and hands-on practice. You are encouraged to bring<br />

ideas of projects you would like to achieve . There will be a material<br />

fee of approximately $100, depending upon projects chosen,<br />

payable to the instructor .<br />

This course will run simultaneously with Glass Flamework.<br />

Please clearly indicate which level you are registering for.<br />

Jewellery – Chain Making: Beginner<br />

COURSE CODE <strong>ARTS</strong>46 SECTION 41<br />

INSTRUCTOR Susan Watson Ellis<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Chains – they can be delicate or heavy, traditional or modern,<br />

symmetrical or abstract . Wonderful chains can be made with<br />

just a little experience! You will learn how to form wire and<br />

fabricate links which will be connected to form traditional and<br />

modern chain styles . Once you have mastered the basics, you’ll<br />

be encouraged to experiment with proportions, materials and<br />

linkages to create your own unique designs . This is a great course<br />

if you’re a beginner wanting to learn basic jewellery-making skills .<br />

There will be a single torch available for soldering of connecting<br />

catches . The material fee will vary with individual projects .<br />

This course will run simultaneously with the Intermediate and<br />

Advanced levels. Please clearly indicate which level you are<br />

registering for.<br />

Jewellery – Chain Making: Intermediate<br />

COURSE CODE <strong>ARTS</strong>1495 SECTION 41<br />

INSTRUCTOR Susan Watson Ellis<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Expand your chain making skills to include chain designs that<br />

require soldering, such as single link designs. You will also<br />

learn to manipulate soldered links to alter their shape from<br />

round to oval or curved as well as how to flatten and forge them<br />

using hammers and steel blocks . The material fee will vary with<br />

individual projects .<br />

This course will run simultaneously with the Beginner and<br />

Advanced levels. Please clearly indicate which level you are<br />

registering for.<br />

Jewellery – Chain Making: Advanced<br />

COURSE CODE <strong>ARTS</strong>1659 SECTION 41<br />

INSTRUCTOR Susan Watson Ellis<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Further your chain making skills by exploring the techniques of<br />

fine chain fabrication . Link manipulation for this size of chain will<br />

be shown as well as element formation and proportional considerations<br />

for your design . The material fee will vary with individual<br />

projects .<br />

This course will run simultaneously with the Beginner and<br />

Intermediate levels. Please clearly indicate which level you are<br />

registering for.<br />

aUgUst 2012<br />

69


70<br />

Kids’ Craftabulous!**<br />

COURSE CODE <strong>ARTS</strong>1744<br />

INSTRUCTOR Erin Lynch<br />

DATES August 6 – 10, 2012<br />

FEE $97 .80<br />

SECTION 41: 1:00 – 4:30pm 5 – 7 years old<br />

SECTION 42: 9:00 – 12 Noon 8 – 10 years old<br />

Create one-of-a-kind pieces with an assortment of multimedia<br />

materials and techniques that include: image transfer,<br />

felt, polymer clay, porcelain, wire and macramé. You’ll make<br />

pendants, brooches, mobiles, magnets, necklaces and buttons,<br />

plus an assortment of other interesting creations to put in your<br />

treasure box . There will be a $25 material fee payable to the<br />

instructor .<br />

Kids’ Musical Jam**<br />

COURSE CODE <strong>ARTS</strong>1411<br />

INSTRUCTOR Charlie Kert<br />

DATES August 6 – 10, 2012<br />

FEE $97 .80<br />

SECTION 41: 9:00 – 12 Noon, 5 – 7 years old<br />

SECTION 42: 1:00 – 4:30pm, 8 – 10 years old<br />

Write, play and record original songs and perform in an interactive<br />

musical! This course involves costumes, props, singing,<br />

dancing, drumming, acting, song writing and recording and will<br />

culminate with a performance for parents and friends . For your<br />

listening pleasure, MP3s of the original songs will be posted<br />

online one week after the course is completed. You're encouraged<br />

to bring an instrument if you have one . Percussion instruments<br />

such as boomwhackers, tambourines, maracas, bells,<br />

rhythm sticks, shakers and triangles will be provided . Have great<br />

fun while you learn simple rhythm and movement, beat keeping,<br />

simple rhythmic patterns, response vocals, and creative self<br />

expression . Visit LittleFingersMusic .com for videos, curriculum<br />

connections and a synopsis of the plot . The emphasis will be on<br />

having FUN!<br />

Kilt Making – Introductory<br />

COURSE CODE <strong>ARTS</strong>1565 SECTION 41<br />

INSTRUCTOR Robert MacDonald<br />

DATES August 6 – 11, 2012 (6 days)<br />

FEE $340 .74<br />

Kilts are becoming more and more popular in Canada, not only<br />

as a ‘Cultural Marker’ but as really sharp-looking attire for daily<br />

wear . Kiltmaking, however, is regarded even by experienced<br />

professional tailors as the most difficult and complex skill in their<br />

trade and alterations or repairs are regarded as even more challenging<br />

. As you’re guided every step of the art of kiltmaking you<br />

will complete a 4-or 5-yard ‘casual’ kilt during the course . Those<br />

who are left-handed are particularly encouraged to apply, as<br />

none of the ‘DIY’ kiltmaking books currently available will address<br />

their needs . Each kilt requires 4 or 5 yards of ‘single-width’ (27”)<br />

or 2 to 3 yards of ‘double-width’ (54”) 16oz wool tartan cloth .<br />

Inferior-quality cloth will not serve, as it doesn’t handle the same<br />

as the proper material . There will be a $30 material fee payable<br />

to the instructor . Additionally, you will be required to bring kilt<br />

fabric . Please be aware that even at ‘trade’ (wholesale) prices you<br />

can expect to pay approximately $200 for the material required .<br />

Please contact the instructor for assistance with purchasing<br />

fabric . info@westcoastkilts .com<br />

Oil Painting & Collage<br />

COURSE CODE <strong>ARTS</strong>1711 SECTION 41<br />

INSTRUCTOR Phil Irish<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Experiment with processes that combine the sensuality of oils<br />

with the versatility of collage . Collage opens new avenues for<br />

formal exploration, narrative possibility, and surprising new<br />

creative processes . Each project draws upon different art<br />

historical figures, enabling you to deepen and inspire your<br />

creativity by learning techniques and concepts from cubism, pop<br />

art, and contemporary work. You are encouraged to develop your<br />

own ideas and passions, sharing discoveries with others in the<br />

class . There will be a $20 material fee payable to the instructor .<br />

Painting From the Model – Advanced<br />

COURSE CODE <strong>ARTS</strong>158 SECTION 41<br />

INSTRUCTOR John Leonard<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

This course is intended to advance previous training or experience<br />

in working from the model. You will have an opportunity<br />

to review working theory in colour and design . A variety of<br />

approaches to painting the figure including classical realism,<br />

impressionism, expressionism and contemporary processes<br />

including abstraction are explored . An emphasis is placed on<br />

individual creativity and self-expression .<br />

Plein Air Acrylics – Introductory<br />

COURSE CODE <strong>ARTS</strong>1484 SECTION 41<br />

INSTRUCTOR John Anderson<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Painting in the great outdoors is quite a different experience than<br />

painting in a studio or classroom . Learn to compose, mix, and<br />

apply acrylic colour efficiently, while working outdoors, to capture<br />

the essence of the landscape ‘en plein air’ . There will be a $10<br />

material fee payable to the instructor .


Portraiture: Experimental Approaches<br />

COURSE CODE <strong>ARTS</strong>1328 SECTION 41<br />

INSTRUCTOR Kim Lee Kho<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Instruction is suited to intermediate and advanced artists<br />

interested in investigating 20th century and contemporary artistic<br />

approaches and applying them to portraiture in a variety of<br />

media . In the 20th century, portraiture (along with art in general)<br />

underwent a revolution, becoming a vehicle for all manner of<br />

artistic issues and concerns . By incorporating deeply personal,<br />

expressive approaches, unusual materials, inventive processes,<br />

as well as conceptual and formal constructs, artists challenged<br />

and investigated the nature and potentials of portraiture, vastly<br />

widening its scope . Working in a variety of media, explore handson<br />

some of the same ideas that leading 20th century artists<br />

grappled with, in order to expand possibilities in creating portraits<br />

that go beyond likeness, using the genre as a means of achieving<br />

personal expression and artistic depth . There will be a $35 material<br />

fee payable to the instructor .<br />

Printmaking – Impasto Waterbase<br />

COURSE CODE <strong>ARTS</strong>181 SECTION 41<br />

INSTRUCTOR Stephanie Rayner<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

This course offers a completely different approach to the compelling<br />

beauty of watercolour monoprints . ‘Impasto’ means to layer,<br />

and it is this thick application of pigments and the manipulation<br />

of the different colours in layers, that gives these prints the rich<br />

textured look of oils along with a wide range of unique options<br />

for the realization of an image unlike any other medium. You<br />

will learn how to use the etching press, the impasto process for<br />

plate and paper preparation, the correct way to sign and number<br />

your prints, how to do these prints at home without a press<br />

and approximately six different exciting approaches to impasto<br />

monoprinting . As with Watercolour Monotype, you need not have<br />

previous experience with printmaking or watercolour to achieve<br />

beautiful results . If you have previously taken Printmaking-Watercolour<br />

Monotype, please bring your plates from that class . There<br />

will be a $47 material fee payable to the instructor .<br />

Quilts with Colour – Real Colour<br />

COURSE CODE <strong>ARTS</strong>1708 SECTION 41<br />

INSTRUCTOR John Willard<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Overcome your fear of colour, banish beige, embrace brightness,<br />

and shop for fabric in a whole new way . Learn how to use colour<br />

in a controlled way to hold the viewer’s attention; to create a<br />

mood or symbolize an idea – bright for happy or dark for serious .<br />

Become comfortable choosing colours “out of the box” – to be<br />

brave and daring and wildly experimental .<br />

Raku – Advanced I<br />

COURSE CODE <strong>ARTS</strong>350 SECTION 41<br />

INSTRUCTOR Michael Sheba<br />

DATES August 6 – 11, 2012 (6 days)<br />

FEE $377 .78 (includes $37 .04 material fee)<br />

Please note: Previous Raku experience is mandatory to participate<br />

in this course.<br />

This six-day advanced-level professional development course is a<br />

challenging exploration of the technical aspects of various Raku<br />

effects . Topics will be systematically studied and results evaluated<br />

one by one so that successful outcomes can be obtained at will .<br />

There will be a thorough study of firing and post-firing reduction<br />

techniques, effective methods of controlling size and placement<br />

of Crackle patterns, production of Lustre effects and efficient<br />

ceramic kiln design . The most emphasis however, will be devoted<br />

to obtaining successful results with those spectacular but elusive<br />

Patinas, Copper Mattes and Halos . A Raku kiln will be designed<br />

and built for daily firings . Please bring 12 bisqued pieces using<br />

Raku pottery clay to fire . A maximum class size of 12 ensures<br />

individual attention .<br />

Rug Hooking – Traditional East Coast Primitive<br />

COURSE CODE <strong>ARTS</strong>1128 SECTION 41<br />

INSTRUCTOR Donna Sproule<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Rug hooking has evolved from a utilitarian chore to a valued<br />

aesthetic . This course will provide an introduction to the rudiments<br />

of rug hooking in an open and accepting environment .<br />

Discussions will address the creative curve of the medium along<br />

with the underpinning of the environmental pluses . Learn the<br />

basic techniques and types of materials used to create East<br />

Coast Primitive-style hooked rugs . Simple yet evocative hooking<br />

techniques typical of primitive rugs will provide the foundation of<br />

knowledge to which you are welcome to apply your own creativity,<br />

design and colour preferences. You will, with help, design your<br />

own first piece and learn the skill to create rugs for the floor or<br />

wall . There will be a $75 material fee payable to the instructor .<br />

Soapstone Carving<br />

COURSE CODE <strong>ARTS</strong>206 SECTION 41<br />

INSTRUCTOR John Sabourin<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

This course will provide a general introduction to carving soapstone.<br />

You will develop a working knowledge of the material, the<br />

tools, the safe handling issues and the methods used to complete<br />

a carving . Beginning with a study of the properties of the stone,<br />

you will produce a simple piece and progress to making a sculpture<br />

of your choice . The development of your own personal style<br />

will be encouraged . The material cost for this course will depend<br />

on the size of the project or projects chosen and will be collected<br />

during the week . Soapstone will be available from the instructor at<br />

$1 .50 per pound for 5lb, 10lb, 15lb pieces .<br />

aUgUst 2012<br />

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72<br />

Totem Mask<br />

COURSE CODE <strong>ARTS</strong>1256 SECTION 42<br />

INSTRUCTOR Wayne Hill<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

In this course you will be instructed on how to design and carve a<br />

West Coast totem moon mask . Working hands-on and side-byside<br />

with other carvers you will learn the traditional processes<br />

needed to produce the best results . A short lesson on history<br />

and traditions will provide an understanding of totemism and the<br />

social implications of this medium . There will be a $25 material<br />

fee payable to the instructor .<br />

This course runs simultaneously with Totem Pole Carving.<br />

Please clearly indicate which course you’re registering for.<br />

Totem Pole Carving<br />

COURSE CODE <strong>ARTS</strong>354 SECTION 42<br />

INSTRUCTOR Wayne Hill<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

In this course you will be instructed on how to design and carve<br />

your own four foot totem pole . Working hands-on and side-byside<br />

with other carvers you will learn the traditional processes<br />

needed to produce the best results . A short lesson on history and<br />

traditions will give you a better understanding of totemism and the<br />

social implications of this medium . There will be a $50 material<br />

fee payable to the instructor .<br />

This course runs simultaneously with Totem Mask. Please<br />

clearly indicate which course you’re registering for.<br />

Watercolour Painting – Experimental<br />

COURSE CODE <strong>ARTS</strong>250 SECTION 41<br />

INSTRUCTOR Kal Honey<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Challenge your preconceptions about what constitutes a<br />

watercolour painting and how it might be created . Through both<br />

set and self-directed exercises, you will be encouraged to be as<br />

adventurous as possible in your media combinations, methods<br />

and subject matter . Group discussion and personal attention will<br />

enable you to better understand and develop your artistic vision .<br />

If you’re already excited with your current direction, develop it –<br />

push it further . If you’re stuck, become unblocked in a creative,<br />

non-threatening environment . If you’re just beginning, explore the<br />

vast array of options and start to find your path and your voice .<br />

This course is both safe haven and launching point: personal<br />

expression and direction are paramount, and at every turn you<br />

will be encouraged to hear and trust your own inner compass<br />

in boldly exploring new directions . All levels and abilities are<br />

welcome – you need only an open mind and an adventurous<br />

spirit . There will be a $20 material fee payable to the instructor .<br />

Watercolour Painting – Intermediate<br />

COURSE CODE <strong>ARTS</strong>793 SECTION 41<br />

INSTRUCTOR Marta Scythes<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

This course is an excellent opportunity to further develop your<br />

watercolour painting skills . Various techniques will be explored<br />

on both wet and dry papers . Attention will be given to accurate<br />

perspective, the use of effective contrast and pleasing<br />

composition, and colour theory will be reviewed and applied on<br />

an ongoing basis . Physical paint and paper properties will be<br />

discussed enabling you to make informed choices as you study a<br />

variety of subjects, including landscape . Instruction will include<br />

daily demonstrations yet you will be encouraged to work in your<br />

own style .<br />

Wire Jewellery II<br />

COURSE CODE <strong>ARTS</strong>1153 SECTION 41<br />

INSTRUCTOR Dianne Karg Baron<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. This<br />

course requires extensive use of hand tools (wire cutters, pliers)<br />

and a healthy level of manual dexterity.<br />

Build on the basic skills of wire jewellery to create and design<br />

your own unique pieces . Instruction will enable you to apply<br />

historical and traditional wire wrapping techniques to create a<br />

variety of rings, bangles, pendants and chains . Emphasis will<br />

be placed on exploring stone setting, including prong setting<br />

and netting using solder-less wirework. You will also create<br />

chain using nalbinding (Viking knitting).You are encouraged to<br />

incorporate your own cabochons, faceted stones, beads or found<br />

objects to create personalized original designs . Basic hand tools<br />

and accessories will enable you to continue upon completion of<br />

the course . Copper wire provided . There will be a $125 material<br />

fee payable to the instructor .<br />

Wire Sculpture – Large Scale<br />

COURSE CODE <strong>ARTS</strong>415 SECTION 43<br />

INSTRUCTOR Charles O’Neil<br />

DATES August 6 – 10, 2012<br />

FEE $299 .74<br />

Project Title: Deer .<br />

Please note: This course requires extensive use of hand tools<br />

(wire cutters, pliers).<br />

Wire Sculpture is an exciting, project-specific expressive art form<br />

that can be enjoyed in your home, office or garden . This projectspecific<br />

course is suitable if you are interested in creating works<br />

on a larger scale . In preparation for this undertaking, you will be<br />

led step-by-step through a couple of smaller projects to establish<br />

a comfort level with the material in use . Then, you will design and<br />

create a large scale project, suitable for display in a garden or<br />

outdoor setting . There will be a $75 material fee payable to the<br />

instructor .


Youth Art – The Works!**<br />

COURSE CODE <strong>ARTS</strong>1089 SECTION 41<br />

INSTRUCTOR Margaret McIntyre<br />

DATES August 6 – 10, 2012<br />

FEE $191 .76<br />

Please note: This course is suitable for youth 11 to 13 years of age.<br />

This course has it all! It’s a great opportunity to work with a variety<br />

of materials as you explore an assortment of subjects and media .<br />

Immerse yourself in an inspired experience of creating cartoons,<br />

animal portraits, abstracts, landscapes and sea creatures .<br />

You’ll be using mediums such as pencil, pastels, acrylics and<br />

watercolours . Instruction will be in an easy to follow step-by-step<br />

format and you’ll also have lots of opportunities to create your<br />

own masterpieces . There will be a $40 material fee payable to the<br />

instructor .<br />

Youth/Teen Printmaking & Screenprinting**<br />

COURSE CODE <strong>ARTS</strong>1683 SECTION 41<br />

INSTRUCTOR Elisha Barlow<br />

DATES August 6 – 10, 2012<br />

FEE $213 .86<br />

Please note: This course is suitable for youth and teens from 11<br />

to 18 years of age.<br />

Plunge into the world of print! Learn and experiment with printing<br />

on paper and textiles . A variety of printing techniques (hand-cut<br />

stencils, emulsion silkscreening, and lino cuts) will be explored .<br />

You will also make your own felt to print onto and leave with a<br />

read-to-hang printed canvas art piece . Explore both the decorative<br />

and conceptual art paths within the world of printmaking .<br />

There will be a $30 material fee payable to the instructor .<br />

aUgUst 13 to 17, 2012<br />

Acrylics & Mixed Media – Intermediate<br />

COURSE CODE <strong>ARTS</strong>712 SECTION 41<br />

INSTRUCTOR Annette Blady Van Mil<br />

DATES August 13 – 17, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners and is<br />

designed for those who have some previous experience with<br />

acrylic painting.<br />

In this course you will be encouraged to work in larger formats,<br />

using traditional painting materials and fluid acrylics, as well as<br />

heavy body paints with collage . While technique will remain an<br />

important aspect, emphasis will be placed on experimentation,<br />

building a personal style and colour sense, choosing subject<br />

matter, and open in-class discussions about the work produced .<br />

Encaustic Mixed Media & Collage<br />

COURSE CODE <strong>ARTS</strong>1488 SECTION 41<br />

INSTRUCTOR Susan Fisher<br />

DATES August 13 – 17, 2012<br />

FEE $299 .74<br />

Encaustic, an ancient beeswax-based technique, is currently<br />

embraced by contemporary mixed media artists . Learn how to<br />

integrate encaustic techniques into your mixed media work from<br />

textile to found sculpture, from ceramic to paper, or beyond .<br />

There will be a $100 material fee payable to the instructor .<br />

Figure in the Landscape<br />

COURSE CODE <strong>ARTS</strong>1696 SECTION 41<br />

INSTRUCTOR Matthew Mancini<br />

DATES August 13 – 17, 2012<br />

FEE $299 .74<br />

Explore the inherent qualities of both the figure and the landscape,<br />

and the narrative developed between them when incorporated<br />

into a work of art . Consistent with traditional studio practice,<br />

and with respect to the genre’s usage throughout history, you will<br />

delve into time-honoured drawing and oil painting techniques in<br />

studying the figure and the landscape each in their own right,<br />

and composing them into a single work of art that tells a story .<br />

Glass Flamework<br />

COURSE CODE <strong>ARTS</strong>698 SECTION 42<br />

INSTRUCTOR Brad Sherwood<br />

DATES August 13 – 17, 2012<br />

FEE $299 .74<br />

Flameworking is a method of shaping glass through the use of<br />

a torch . Glass is heated to a molten state and you then sculpt,<br />

blow and manipulate it, creating highly detailed and colourful<br />

glass objects . This course will provide you with a fundamental<br />

understanding of glass through the processes of flameworking .<br />

Beginning with the safe and comfortable operation of equipment,<br />

you will quickly progress to methods of shaping and constructing<br />

using a variety of tools and techniques . Working with a range of<br />

glasses you will gain a solid foundation in flameworking practice<br />

that will allow for progression beyond the basics . Through<br />

lectures, demonstrations and hands-on practice, instruction will<br />

cover introductory methods of shaping and manipulating molten<br />

glass to advanced constructions, including blowing glass and the<br />

use of moulds. You are encouraged to bring an open mind and<br />

ideas that you would like to develop in glass . No previous glass<br />

experience is necessary . There will be a material fee of approximately<br />

$100, depending upon projects chosen, payable to the<br />

instructor .<br />

This course will run simultaneously with Glass Flamework II.<br />

Please clearly indicate which level you are registering for.<br />

Glass Flamework II<br />

COURSE CODE <strong>ARTS</strong>1501 SECTION 42<br />

INSTRUCTOR Brad Sherwood<br />

DATES August 13 – 17, 2012<br />

FEE $$299 .74<br />

Please note: This course is not suitable for beginners.<br />

Building on basic methods and techniques you will learn<br />

advanced methods of flameworking design, construction and<br />

colour application . Develop skills to create advanced blown forms<br />

and multi component constructions . This course will consist of<br />

a review of studio safety and torch operation, demonstrations,<br />

lectures and hands-on practice. You are encouraged to bring<br />

ideas of projects you would like to achieve . There will be a material<br />

fee of approximately $100, depending upon projects chosen,<br />

payable to the instructor .<br />

This course will run simultaneously with Glass Flamework.<br />

Please clearly indicate which level you are registering for.<br />

aUgUst 2012<br />

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74<br />

Iron Sculpture<br />

COURSE CODE <strong>ARTS</strong>113 SECTION 41<br />

INSTRUCTOR Rene Petitjean<br />

DATES August 13 – 17, 2012<br />

FEE $392 .33 (includes $92 .59 material fee)<br />

Please note: This course involves the use of hot forges and<br />

metal. You must be prepared to work independently with a<br />

high level of concentration, physical exertion and mechanical<br />

aptitude.<br />

This course will introduce you to the unique world of iron sculpture<br />

by blending traditional and modern techniques to create<br />

amazing and unusual sculptural pieces . Skills learned will aid in<br />

the production of both indoor and outdoor sculpture as well as<br />

yard art . Learn basic forging, welding, and cutting techniques .<br />

Traditional finishes, colour and patination will also be addressed .<br />

Please bring a project plan . If you are returning to this course,<br />

you will be encouraged to work on projects at an appropriate skill<br />

level . There will be an emphasis on coal and propane forge work .<br />

Kids’ Handbuilding Pottery**<br />

COURSE CODE <strong>ARTS</strong>798<br />

INSTRUCTOR Lisa Barry<br />

DATES August 13 – August 17, 2012<br />

FEE $109 .65 (includes $11 .85 material fee)<br />

SECTION 41: 9:00 – 12 Noon, 5 – 7 years old .<br />

SECTION 42: 1:00 – 4:30 pm, 8 – 10 years old .<br />

Fabulous pottery can be created without the use of a pottery<br />

wheel . Push, roll and pinch your clay in lots of creative ways as<br />

you explore traditional handbuilding techniques such as coiling,<br />

making pinch pots and working slabs . There will be a different<br />

project every day, making this class exciting and challenging .<br />

You’ll be encouraged to be imaginative as you’ll be making everything<br />

from teacups to spaceships! There will be a $5 material fee<br />

payable to the instructor .<br />

Kids’ ‘Oh Canada’**<br />

COURSE CODE <strong>ARTS</strong>1523<br />

INSTRUCTOR Michele Karch Ackerman<br />

DATES August 13 – 17, 2012<br />

FEE $97 .80<br />

SECTION 41: 1:00 – 4:30pm, 5 – 7 years old .<br />

SECTION 42: 9:00 – 12 Noon, 8 – 10 years old .<br />

‘Oh Canada, our home and native land’ . Meet the Group of Seven<br />

and Emily Carr in this delightful week that celebrates the Joy of<br />

Canadian Art! Pack up your art supplies for a back packing trek<br />

(Tom Thomson style) and paint your own quilt of miniature landscapes<br />

. Create an Emily Carr totem portrait out of our very own<br />

body! Immerse yourself in the dreamy paintings of Lauren Harris<br />

and then create one . ‘Oh Canada’ promises a week of fun and<br />

imagination Group of Seven style! There will be a $20 material fee<br />

payable to the instructor .<br />

Kilt Making II<br />

COURSE CODE <strong>ARTS</strong>1566 SECTION 41<br />

INSTRUCTOR Robert MacDonald<br />

DATES August 13 – 18, 2012 (6 days)<br />

FEE $340 .74<br />

Please note: This course is not suitable for beginners.<br />

Instruction in this course continues directly from Kilt Making<br />

<strong>ARTS</strong>1565.<br />

Instruction will enable you to<br />

successfully perform all aspects of<br />

the kilt maker’s craft as you learn<br />

to make an 8-yard kilt . Learn to<br />

make minor and major alterations<br />

for both ‘length’ and ‘girth’; how to<br />

correctly make minor and major<br />

repairs to worn or damaged kilts<br />

and how to make a formal dress shoulder-plaid. You will also have<br />

the opportunity to gain more practice in both ‘laying-out’ and<br />

‘pleating’ a kilt using a wide variety of different tartans . An ideal<br />

course if you have an old kilt that no longer fits you or otherwise<br />

needs repair . Those who wish to make a shoulder plaid should<br />

bring 3 yards of single-width cloth in their preferred tartan . Please<br />

contact the instructor for assistance with purchasing fabric .<br />

info@westcoastkilts .com . There will be a $30 material fee payable<br />

to the instructor . Additionally, you will be required to bring kilt<br />

fabric . Please be aware that even at ‘trade’ (wholesale) prices you<br />

can expect to pay up to $400 for the material required .<br />

Non Objective Painting II<br />

COURSE CODE <strong>ARTS</strong>1166 SECTION 41<br />

INSTRUCTOR Steve Rose<br />

DATES August 13 – 17, 2012<br />

FEE $299 .74<br />

Please note this course is not suitable for beginners. Nonobjective<br />

Painting (<strong>ARTS</strong>500) or permission from the instructor<br />

is required to participate.<br />

Continue to utilize your knowledge and skills within the exciting<br />

technique of non-objective painting as you focus on a body of<br />

work in a supportive, open studio environment . This opportunity<br />

will allow you to go deeper along your own creative path, opening<br />

new doors that will enable you to paint in a more free and expressive<br />

manner . In addition there will be ongoing personal and group<br />

critiques as well as daily informal lectures on artists, art movements,<br />

and related art history .


Painting – Brush Up<br />

COURSE CODE <strong>ARTS</strong>1697 SECTION 41<br />

INSTRUCTOR Al Van Mil<br />

DATES August 13 – 17, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Instruction will provide a basic review for painters with some<br />

experience in acrylics or oils . Bring in works you are having<br />

trouble with or start new works in new ways . Rise above your<br />

plateau through class critiques and individual attention . Rediscover<br />

useful insights by revisiting often over looked aspects of the<br />

basics like brush work, paint manipulation, colour, composition<br />

and design . Development of your personal style will be encouraged<br />

. Brushing up on the basics can uncover new possibilities for<br />

a confident freedom of expression .<br />

Pottery – Understanding Glazes<br />

COURSE CODE <strong>ARTS</strong>347 SECTION 41<br />

INSTRUCTOR Michael Sheba<br />

DATES August 13 – 18, 2012 (6 days)<br />

FEE $359 .26 (includes $18 .52 material fee)<br />

The complicated subject of glaze technology will be made simple<br />

by learning easy-to-understand, basic principles . The choice<br />

and role of raw materials and their characteristics will be studied<br />

using line blends and other experimental methods to create<br />

various effects including texture and colour responses. You will<br />

be introduced to computer glaze calculation software as a tool to<br />

determine percentage and unity formulas so that glazes can be<br />

analyzed, compared, altered, new glazes formulated and glaze<br />

faults identified and corrected . Although you will work in Cone Six<br />

Oxidation, the universal principles learned will apply to all glazes<br />

and temperatures . Actual glazes will be tested and time permitting,<br />

projects of individual interest will be initiated . A maximum<br />

class size of 12 ensures individual attention .<br />

Purses, Handbags & Artful Totes<br />

COURSE CODE <strong>ARTS</strong>1498 SECTION 41<br />

INSTRUCTOR Judith Dingle<br />

DATES August 13 – 17, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. Intermediate<br />

sewing skills are required.<br />

Create your ultimate fantasy and fashion accessory by learning<br />

how to design, construct and embellish beautiful bags, purses,<br />

cases and totes . The history, cultural significance and specific<br />

uses of bags is vast and fascinating . Choose the design of your<br />

bag from a wide range of options – designer handbags and<br />

purses, delicate evening bags, padded glasses cases with decorative<br />

cords, handy cases for cell phones, cards, tiny pouches for<br />

jewellery or precious objects, ethnic satchels, and well-designed<br />

totes and carry-alls . From large to small, funky/humorous to a<br />

serious high-fashion statement and precious to everyday use,<br />

the choice is yours . Samples, demonstrations and experiments,<br />

techniques, applications and materials will enable you to select,<br />

design, pattern draft and construct all the elements of your bag or<br />

purse . Manipulated textural surfaces, decorative embellishments,<br />

beading, tassels, and specific elements of design regarding<br />

finishing details, fastenings, straps, handles, cords, drawstrings,<br />

pockets and zippers will be discussed and evaluated in relation<br />

to your work. You will also explore the integration of re-purposed,<br />

recycled fabric and clothing and the use of ethnic hand-made<br />

textiles. You are required to bring a sewing machine in good<br />

working order . There will be a $35 material fee payable to the<br />

instructor .<br />

Watercolour Landscape Painting<br />

COURSE CODE <strong>ARTS</strong>1324 SECTION 41<br />

INSTRUCTOR Shelley Beach<br />

DATES August 13 – 17, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Paint the landscapes of Haliburton in transparent watercolour .<br />

A particular emphasis will be on light and capturing its effects .<br />

Demonstrations of technique will provide a clear understanding of<br />

how to describe the landscape and will be balanced with opportunities<br />

to experiment . An intuitive approach to your personal<br />

interpretation is always encouraged . There will be solid instruction<br />

in preparatory drawing, watercolour technique, colour mixing,<br />

theory and composition . Please come prepared to paint outdoors<br />

periodically, when weather permits . Confidence and creativity<br />

will grow in this atmosphere of individual attention and positive<br />

encouragement .<br />

aUgUst 18 to 26, 2012<br />

OHS Spinning Certificate Program – Level V<br />

COURSE CODE <strong>ARTS</strong>146 SECTION 41<br />

INSTRUCTORS Beth Abbott, Wendy E . Bateman, Harriet Boon,<br />

Mara Lusis<br />

DATES August 18 – 26, 2012<br />

FEE $309 .19<br />

The Ontario Spinners’ Certificate Program is a<br />

six-level program developed by the Education<br />

Committee of the Ontario Handweavers and<br />

Spinners. This summer, the Haliburton School<br />

of The Arts will be offering Level V. It is our desire to continue<br />

this program to the next level if registration levels warrant it.<br />

Level V: This course will be held in one-day sessions over nine<br />

days and will require assignments to be completed and mailed<br />

to instructors over the following six months for OHS certification .<br />

Course of Study: Flax, synthetic dyes for cellulose fibres (theory<br />

only), cotton, synthetic fibres and man-made fibres and their<br />

blends and fibre identification . In addition to a $40 marking fee,<br />

there will be a material fee of approximately $80 payable to the<br />

treasurer of the class on the first day .<br />

aUgUst 20 to 24, 2012<br />

Youth/Teen Pottery**<br />

COURSE CODE <strong>ARTS</strong>1613 SECTION 41<br />

INSTRUCTOR Lisa Barry<br />

DATES August 20 – 24, 2012<br />

FEE $235 .52 (includes clay)<br />

Please note: This course is suitable for youth and teens 11 to<br />

18 years of age.<br />

Learn to throw on a potter’s wheel and have fun with exciting<br />

handbuilding techniques . Use these techniques to create mugs,<br />

bowls and a wide variety of objects . There will be demonstrations<br />

with the wheel, attaching spouts and handles and a full exploration<br />

of decorative techniques . Exercise your imagination and<br />

practice your new skills to create meaningful objects and master<br />

the potter’s wheel . There will be a $10 material fee payable to the<br />

instructor .<br />

aUgUst 2012<br />

75


76<br />

FaLL 2012<br />

McMichael Canadian Art Collection<br />

The Haliburton School of The Arts is pleased to be<br />

affiliated with the renowned McMichael Canadian Art<br />

Collection in Kleinburg, Ontario .<br />

The McMichael Canadian Art Collection is unique in<br />

its devotion to collecting and exhibiting Canadian art .<br />

Renowned for its collection of paintings by Canada’s<br />

most famous artists, the Group of Seven, the gallery’s<br />

permanent collection also includes works by other<br />

well-known Canadians, including the Group’s contemporaries, First Nations, and Inuit<br />

artists .<br />

Located in Kleinburg, Ontario, the gallery nestles amid 100 acres of serene woodlands<br />

overlooking the Humber River Valley . Reminiscent of the landscapes that inspired many of<br />

Canada’s artists, this setting combines with the art within the gallery to make the McMichael<br />

the perfect venue for an introduction to or to learn more about Canada, its peoples, their<br />

cultures, and their history .<br />

These four courses will be held at the McMichael Canadian Art Collection in Kleinburg, Ontario.<br />

Theory & Technique of the Group of Seven<br />

COURSE CODE <strong>ARTS</strong>1076 SECTION 41<br />

INSTRUCTOR John Leonard<br />

DATES August 27 – 31, 2012<br />

FEE $299 .74<br />

The Group of Seven is a primary element in Canada’s art history<br />

and the works continue to resonate today . Combining theory with<br />

on-site painting, this course examines the use of painting systems<br />

as practiced by members of the Group of Seven . Of particular<br />

note will be examining changes introduced after 1913, resulting<br />

from A.Y. Jackson’s exposure to developments in France. You are<br />

welcome to work in the medium of your choice .<br />

Acrylic Painting Techniques<br />

COURSE CODE <strong>ARTS</strong>1669 SECTION 41<br />

INSTRUCTOR Marianne Broome<br />

DATES September 3 – 7, 2012<br />

(includes the holiday Monday)<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Learn a host of different skills in this multi-faceted course that will<br />

take your acrylic paintings to the next level . Through discussion<br />

and daily demonstration, different techniques will be explored<br />

for loose realistic landscapes, glowing close-up florals, and an<br />

abstracted landscape . Topics will include choosing and editing<br />

reference material, options for suitable colour palettes, composition<br />

and values, visual perspective, paint handling and application,<br />

drying time, smooth blending and expressive brushwork .<br />

There will be a $20 material fee payable to the instructor .<br />

Contemporary Landscape Painting<br />

COURSE CODE <strong>ARTS</strong>686 SECTION 42<br />

INSTRUCTOR John Leonard<br />

DATES September 10 – 14, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

This course will cover both the theory and the techniques of<br />

modern landscape painting, as you work in the medium of<br />

your choice. You will examine contemporary developments in<br />

art to enable you to use your creativity and self-expression in<br />

the development of a personal approach and the advancement<br />

of the conceptual level of your work . This course is primarily<br />

for those with some previous painting experience who would<br />

like to advance their skills and knowledge of contemporary<br />

landscape painting .<br />

Contemporary Landscape Painting – Advanced II<br />

COURSE CODE <strong>ARTS</strong>1533 SECTION 41<br />

INSTRUCTOR John Leonard<br />

DATES September 17 – 21, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Prerequisites: Participants are required to have first taken<br />

one of the following: Contemporary Landscape Painting<br />

<strong>ARTS</strong>686 or Painting – Advanced Individual Studies<br />

ART914 or Visual Arts – Advanced Individual Studies<br />

<strong>ARTS</strong>915.<br />

Build on your technical and conceptual awareness, focusing<br />

on contemporary potentials . There will be an emphasis on<br />

personal expression and creativity .<br />

Registration for Fall courses will be accepted as of August 7, 2012.<br />

Fees quoted in the Fall 2012 session apply to the 2011/12 academic year and are subject to Ministry of Training, <strong>College</strong>s and Universities increases.


satUrDaY, septemBer 22, 2012<br />

Acrylic Stain Painting Workshop**<br />

COURSE CODE <strong>ARTS</strong>1721 SECTION 41<br />

INSTRUCTOR Shelley Beach<br />

DATES September 22, 2012<br />

FEE $97 .24<br />

Luminous staining and glazing techniques will be demonstrated<br />

using watercolour paper, raw canvas and wood panel . Experiment<br />

with a variety of techniques including wet-into-wet, as well as<br />

glazing and staining wet onto dry panel . Instruction will emphasize<br />

contrasting transparency with opacity . Textured surfaces can<br />

then be built up from the underpainting . Enjoy the freedom of<br />

experimenting with paint without fear!<br />

Cake Decorating – Fondant Workshop**<br />

COURSE CODE <strong>ARTS</strong>1755 SECTION 41<br />

INSTRUCTOR Jennifer Mayrl<br />

DATES September 22, 2012<br />

FEE $97 .24<br />

Learn the basics of butter cream flat coating before you move<br />

on to covering mock and real cakes in the super smooth<br />

rolled fondant icing . In addition to decorating a traditional<br />

2-tier wedding cake you’ll also learn to make beautiful<br />

cupcakes . Cupcakes are all the rage when it comes to birthday<br />

parties, showers and even weddings . Traditional butter cream<br />

icing and rolled fondant will be used to create mini works of art .<br />

There will be a $150 material fee payable to the instructor . This<br />

fee covers all supplies and equipment required .<br />

VCAD Credits: Within this calendar,<br />

foundation courses are indicated by a single asterisk (*),<br />

non-credit courses are indicated by a double asterisk (**),<br />

elective courses have no asterisk.<br />

The following courses and workshops are offered in Haliburton.<br />

Mixed Media Collage Texture Workshop**<br />

COURSE CODE <strong>ARTS</strong>895 SECTION 41<br />

INSTRUCTOR Valerie Kent<br />

DATES September 22, 2012<br />

FEE $97 .24<br />

This workshop is an opportunity to use familiar materials in new<br />

ways . In addition to using specialty papers such as filament,<br />

mulberry, mango and rice you will create two specialty papers to<br />

use with your collages: Crystalline Paper and Brayer Paper . After<br />

scaffolding your supports with texture you will have a starting<br />

point and your paintings will have three-dimensionality . A wide<br />

variety of materials, including the papers, egg shells, cheesecloth,<br />

dried rose and other flower petals, gesso, sand, tiny glass beads,<br />

acrylic mediums and gels, as well as other materials of choice<br />

may be used . Watercolour and acrylic paint will be applied,<br />

addressing elements and principles of art, including composition,<br />

values, texture, and colour mixing . The subject theme for projects<br />

is movement: representational, symbolic or abstract . A congenial<br />

atmosphere and an immersion in the process is encouraged and<br />

valued . This workshop is suitable for all skill levels . There will be a<br />

$25 material fee payable to the instructor .<br />

Precious Metal Clay Enamelling Workshop**<br />

COURSE CODE <strong>ARTS</strong>1754 SECTION 41<br />

INSTRUCTOR Shannon Kennedy<br />

DATES September 22, 2012<br />

FEE $97 .24<br />

Learn the basics of making enamelled jewellery on Precious Metal<br />

Clay . When fired, Precious Metal Clay becomes 99 .9% silver and<br />

presents vast creative possibilities . Create a pair of earrings and<br />

a pendant and then apply the enamelling techniques to these<br />

pieces . There will be a $74 material fee payable to the instructor .<br />

Stained Glass Stepping Stones Workshop**<br />

COURSE CODE <strong>ARTS</strong>393 SECTION 41<br />

INSTRUCTOR Wendy Ladurantaye<br />

DATES September 22, 2012<br />

FEE $97 .24<br />

Please note: This workshop will take a dinner break from 4:00<br />

pm to 5:30pm and finish at 7:00pm.<br />

Enhance your garden, lawn or walkway with a beautiful stained<br />

glass accent or create an unusual memory marker. You will learn<br />

to design appropriately for stepping stones, cut glass, and then<br />

using a quick, simple applied method, you will complete 1 to 4<br />

stones, depending on the design . No previous glass experience<br />

is necessary . There will be a $25 material fee per stone project<br />

payable to the instructor .<br />

Wire Sculpture Workshop**<br />

COURSE CODE <strong>ARTS</strong>416 SECTION 44<br />

INSTRUCTOR Charles O’Neil<br />

DATES September 22, 2012<br />

FEE $97 .24<br />

Project Title: 3 ft . Heron<br />

Please note: This course requires the use of simple hand tools<br />

(wire cutters, pliers).<br />

Wire sculpture is an exciting and expressive art form . In this<br />

workshop you will receive step-by-step instruction to successfully<br />

create your project . With a variety of wires (steel, copper, galvanized)<br />

this creation is designed for indoor or garden use, and will<br />

be a great addition to any setting . There will be a $40 material fee<br />

payable to the instructor .<br />

FaLL 2012<br />

77


78<br />

octoBer 22 to 26, 2012<br />

Landscape Painting – Working the Land<br />

COURSE CODE <strong>ARTS</strong>1540 SECTION 42<br />

INSTRUCTOR Rod Prouse<br />

DATES October 22 – 26, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

This course is designed to assist you to move beyond the literal<br />

and develop a personal voice in painting the land . Explore ways<br />

to interpret landscape, distill the painting possibilities in a scene,<br />

and apply relevant principles of design and technique to the<br />

work . Analyze observed landscape and reconstruct it in paint with<br />

a mind to developing a unique style in this discipline . Using an<br />

analytical as well as a direct painterly response, one can refresh<br />

and personalize the landscape painting experience . Please note<br />

that this is not necessarily a plein air course or an exercise in<br />

studio abstraction, rather a selection of painting strategies with a<br />

goal to helping you develop . With this in mind, to be productive<br />

and versatile, work will be done in acrylics . There will be a $10<br />

material fee payable to the instructor .<br />

Mixed Media Collage & Texture<br />

COURSE CODE <strong>ARTS</strong>1731 SECTION 41<br />

INSTRUCTOR Valerie Kent<br />

DATES October 22 – 26, 2012<br />

FEE $299 .74<br />

This course introduces a myriad of exciting mixed media adventures<br />

. The instructional and project theme is “Ever Widening<br />

Circles”, focusing on you and your relationship to the universe .<br />

This theme structures the direction of the workshop . Make Brayer<br />

and Crystalline papers, and scaffold by building texture with<br />

gels and textural materials . Use tissues and specialty papers,<br />

sculptural elements, stencils, borders, soft and oil pastels,<br />

transfers and stamping, both before and after painting in various<br />

media . Tell stories in art, combine vintage with new world, work<br />

on layering and include encaustic and found art . Revisit tried and<br />

true techniques, learn new ones, and surrender to exploration<br />

and creativity . There will be an $85 material fee payable to the<br />

instructor .<br />

Stained Glass Lamp<br />

COURSE CODE <strong>ARTS</strong>1712 SECTION 41<br />

INSTRUCTOR Linda McGillivray<br />

DATES October 22 – 26, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners.<br />

Lamp making techniques will be introduced in the construction<br />

of a candle holder. You will then learn how to make a table or<br />

swag lamp consisting of multiple panels . Both projects will involve<br />

the constructing and use of a jig . Reference material will provide<br />

number of designs to choose from . Once you have learned the<br />

correct method to construct a lamp the creative possibilities are<br />

endless . There will be a $45 material fee payable to the instructor .<br />

This fee will cover materials for the first project as well as the use<br />

of equipment, patterns and other related equipment . Additional<br />

tools, glass and supplies will be available at discounted prices .<br />

Theatre: Setting the Scene<br />

COURSE CODE <strong>ARTS</strong>1691 SECTION 41<br />

INSTRUCTOR Frances Key<br />

DATES October 22 – 26, 2012<br />

FEE $299 .74<br />

Refresh or develop skills in the art of prop making and scenic<br />

painting for the theatre . Individual projects will include techniques<br />

used to paint a scrim, a translucency and a scenic drop . Experiment<br />

with a variety of tools to accomplish faux wood graining,<br />

marbling, splattering, ragging, sponging, stencilling, foliage, and<br />

blends . Conclude by creating a prop that consists of a platter of<br />

faux food . The food is created from foam, gel medium, acrylic<br />

paint, latex and more; the staples of setting the scene . There will<br />

be a $30 material fee payable to the instructor .<br />

Totem Mask<br />

COURSE CODE <strong>ARTS</strong>1256 SECTION 43<br />

INSTRUCTOR Wayne Hill<br />

DATES October 22 – 26, 2012<br />

FEE $299 .74<br />

In this course you will be instructed on how to design and carve a<br />

West Coast totem moon mask . Working hands-on and side-byside<br />

with other carvers you will learn the traditional processes<br />

needed to produce the best results . A short lesson on history<br />

and traditions will provide an understanding of totemism and the<br />

social implications of this medium . There will be a $25 material<br />

fee payable to the instructor .<br />

This course runs simultaneously with Totem Pole Carving.<br />

Please clearly indicate which course you’re registering for.<br />

Totem Pole Carving<br />

COURSE CODE <strong>ARTS</strong>354 SECTION 43<br />

INSTRUCTOR Wayne Hill<br />

DATES October 22 – 26, 2012<br />

FEE $299 .74<br />

In this course you will be instructed on how to design and carve<br />

your own four foot totem pole . Working hands-on and side-byside<br />

with other carvers you will learn the traditional processes<br />

needed to produce the best results . A short lesson on history and<br />

traditions will give you a better understanding of totemism and the<br />

social implications of this medium . There will be a $50 material<br />

fee payable to the instructor .<br />

This course runs simultaneously with Totem Mask. Please<br />

clearly indicate which course you’re registering for.<br />

Watercolour Painting – Advanced<br />

COURSE CODE <strong>ARTS</strong>248 SECTION 42<br />

INSTRUCTOR Art Cunanan<br />

DATES October 22 – 26, 2012<br />

FEE $299 .74<br />

Please note: This course is not suitable for beginners. It is<br />

imperative that participants have had at least three previous<br />

watercolour courses prior to participating.<br />

At an advanced level of interaction, you will explore traditional<br />

and experimental techniques in watercolour painting . Instruction<br />

will be provided on composition and design and the course is<br />

geared to sharpen skills and enhance personal interpretation .<br />

Learn how to make a contour painting, how to layer washes until<br />

they get the right value and how to use local and colour values to<br />

make strong statements . Sessions on compositions will include<br />

directing the eye with edges, placing darks and other colours,<br />

and advice on handling patterns and loosening painting style .<br />

Learn by demonstration and critique and benefit from individual<br />

attention. You will have an opportunity to enjoy some on-location<br />

painting, weather permitting .


satUrDaY, noVemBer 3, 2012<br />

Artful Lettering Workshop**<br />

COURSE CODE <strong>ARTS</strong>1720 SECTION 41<br />

INSTRUCTOR Judith Jaimet Bainbridge<br />

DATES November 3, 2012<br />

FEE $97 .24<br />

Lettering can have a very artful presence in a wide range of<br />

applications . Enjoy a serious study of the structures of written<br />

letters, leading to play with free-form styles . Make a ‘cola’ pen<br />

for lettering on cards, signs, in artwork, hand-made books, or<br />

any other projects you would want to incorporate lettering in .<br />

You will also design and create a painting using acrylic washes<br />

and lettering . There will be a $20 material fee payable to the<br />

instructor .<br />

Chain Bracelet Workshop**<br />

COURSE CODE <strong>ARTS</strong>1677 SECTION 41<br />

INSTRUCTOR Susan Watson Ellis<br />

DATES November 3, 2012<br />

FEE $97 .24<br />

Learn to form, saw and connect silver links to construct a multiple<br />

link bracelet such as the ‘King’s Chain’, ‘Parallel Chain’, or<br />

‘Chain Mail’ . Sterling silver will be available for purchase from the<br />

instructor or you may bring 10 to 12 feet of 1mm ½ hard sterling<br />

silver wire . There will be a material fee of approximately $50<br />

payable to the instructor, if purchasing silver .<br />

Guitar Basics Workshop**<br />

COURSE CODE <strong>ARTS</strong>1201 SECTION 41<br />

INSTRUCTOR Eve Goldberg<br />

DATES November 3, 2012<br />

FEE $97 .24<br />

In just one day, you will gain the basic skills you need for a<br />

lifetime of music making on the guitar . After being introduced to<br />

the guitar and its parts, you will learn your first chords, try them<br />

out on several songs, and explore several different accompaniment<br />

styles . Learn how to stay relaxed and comfortable as you<br />

play, and explore some practice techniques that you can take<br />

away with you . By the end of the workshop, you’ll be able to<br />

accompany hundreds of folk, pop, country, blues and rock songs .<br />

No previous experience is necessary but you will be required to<br />

provide your own guitar . There will be a $5 material fee payable to<br />

the instructor .<br />

register early!<br />

Waiting until the last minute limits your choice of courses<br />

and may cause you unnecessary disappointment .<br />

See registration details on page 99 .<br />

Knitting Boot Camp Workshop**<br />

COURSE CODE <strong>ARTS</strong>1719 SECTION 41<br />

INSTRUCTOR Kim McBrien<br />

DATES November 3, 2012<br />

FEE $97 .24<br />

Please note: This course is not suitable for beginners. The<br />

ability to cast on and bind off, knit and purl is required.<br />

Advanced students welcome.<br />

Discover how to create sweaters, socks and hats that fit; fix that<br />

cable that you mis-crossed 10 rows down; overcome your fear<br />

of colour work; and conquer charts and lace-knitting . Bring your<br />

most challenging knitting issues whip your knitting into shape!<br />

Instruction will address different kinds of cast ons and bind offs<br />

and when to use them; how to cable with and without a needle;<br />

how and why you need to knit a swatch for every pattern; a variety<br />

of increases and decreases to make your lace knitting more<br />

symmetrical, and many more tips and tricks to make you a better<br />

knitter . There will be a $15 material fee payable to the instructor .<br />

Stained Glass Workshop**<br />

COURSE CODE <strong>ARTS</strong>578 SECTION 41<br />

INSTRUCTOR Linda McGillivray<br />

DATES November 3, 2012<br />

FEE $97 .24<br />

Instruction in this workshop will concentrate primarily on the<br />

copper foil method of stained glass construction . Glass cutting<br />

and construction methods will be applied to the creation of<br />

suncatchers . The lead came method of construction will also be<br />

addressed . No previous experience is necessary to enjoy this<br />

workshop . Students with some stained glass experience will be<br />

encouraged to complete a 3D project . 3D project choices include<br />

candle holder, jewel box, 3D star or suncatcher . There will be a<br />

$25 material fee payable to the instructor .<br />

An excellent introduction to guitar. The teacher<br />

was incredibly supportive and consistently<br />

encrouraging. The whole atmosphere was open<br />

and easy so that all barriers or fears of making<br />

mistakes were eliminated. I left the course feeling<br />

fulfilled, energized and ready to keep on going.<br />

~Hilary Sadler<br />

FaLL 2012<br />

79


80<br />

satUrDaY, noVemBer 10, 2012<br />

Art Clay Silver: Introductory Workshop**<br />

COURSE CODE <strong>ARTS</strong>758 SECTION 42<br />

INSTRUCTOR Sophia Tink<br />

DATES November 10, 2012<br />

FEE $97 .24<br />

Art Clay Silver is a metal clay medium that can be manipulated<br />

into virtually any shape that the artist desires . In this workshop<br />

you will have an opportunity to learn some basic techniques<br />

utilizing Art Clay Silver and create your very own one-of-a kind,<br />

99 .9% Pure Silver pendant or earrings . When fired, the organic<br />

binding agent burn away, leaving 99.9% Pure Silver. You will<br />

explore techniques such as: rolling clay, burnout methods<br />

using organic materials, appliqué, attaching findings, firing,<br />

and polishing . There will be a $68 material fee payable to the<br />

instructor .<br />

Beaded Jewellery Workshop**<br />

COURSE CODE <strong>ARTS</strong>728 SECTION 42<br />

INSTRUCTOR Amanda Brittin<br />

DATES November 10, 2012<br />

FEE $97 .24<br />

Please note: This workshop is suitable for students from 12<br />

years to adult.<br />

Choosing from a large variety of materials – colourful glass, wood,<br />

and semi-precious stones, wire, and metal plate – you will find it<br />

fun, easy and inexpensive to create beautiful jewellery . Instruction<br />

suits both beginner and advanced skill levels as you will design<br />

and create individual pieces with the instructor’s guidance .<br />

These may include smaller items ‘such as earrings and rings’, to<br />

more intricate work – such as wire-wrapped stone pendants and<br />

hammered wire and copper or brass elements . It will be possible<br />

to create several pieces of jewellery in this one-day workshop;<br />

everything from bracelets to rings, pendants and necklaces to<br />

earrings . The material fee will vary with individual projects .<br />

Christmas Ornaments – Folded Metal Workshop**<br />

COURSE CODE <strong>ARTS</strong>888 SECTION 41<br />

INSTRUCTOR Todd Jeffrey Ellis<br />

DATES November 10, 2012<br />

FEE $97 .24<br />

Start your season by making an assortment of unique metal<br />

Christmas ornaments for your tree . Through simple metal forming<br />

techniques you will fold, bend and twist wire rod and sheet metal<br />

into colourful tree decorations suitable for indoors and outdoors .<br />

Your creations will become treasured family keepsakes! There will<br />

be a $45 material fee payable to the instructor .<br />

Felted Slippers Workshop**<br />

COURSE CODE <strong>ARTS</strong>1571 SECTION 41<br />

INSTRUCTOR Heidi Hudspith<br />

DATES November 10, 2012<br />

FEE $97 .24<br />

Please note: This workshop is not suitable for beginners.<br />

This workshop takes felting into 3rd dimension . Learn wet felting<br />

techniques, using a resist, to create a custom pair of slippers .<br />

Please note that making a pair of slippers is an advanced felting<br />

project that will require a fair amount of physical activity to<br />

complete successfully . There will be a $25 material fee payable to<br />

the instructor .<br />

Finger-Style Guitar Workshop**<br />

COURSE CODE <strong>ARTS</strong>483 SECTION 41<br />

INSTRUCTOR Rick Fines<br />

DATES November 10, 2012<br />

FEE $97 .24<br />

Please note: A general knowledge of chords is required.<br />

This workshop is an opportunity to enhance and increase expression<br />

in your guitar playing . Instruction will concentrate on righthand<br />

guitar skills. You will learn some essential finger picking<br />

patterns to add colour to your guitar playing . The ability to read<br />

music is not necessary as standard notation will not be used .<br />

Sketching Workshop**<br />

COURSE CODE <strong>ARTS</strong>461 SECTION 41<br />

INSTRUCTOR Marta Scythes<br />

DATES November 10, 2012<br />

FEE $97 .24<br />

Through a series of fun and informative exercises learn to sketch<br />

what you see, not what you think you see, through observations<br />

and analysis of line, shape and value . A variety of media will<br />

be explored and applied to a range of subject matter . Attention<br />

will be given to basic perspective and simple composition and<br />

lighting . There may be some outside sketching, depending upon<br />

weather and the preference of the group .<br />

Registration for Fall courses<br />

will be accepted as of August 7, 2012.


Your<br />

instrUctors<br />

Beth Abbott has studied a wide variety of Fibre Arts for at least 30<br />

years, taking dozens of courses and workshops, and developing<br />

her own work . She is a graduate of the Fibre Arts Certificate<br />

program from St . Lawrence <strong>College</strong>, Kingston . Beth also earned a<br />

Master Spinner Certificate from Georgian <strong>College</strong>, Owen Sound,<br />

in 1990 and has delivered workshops in Canada and the US .<br />

She has won many awards for her work and is the author of<br />

Icelandic Fleece – A Fibre for All Reasons (2001) . Beth taught<br />

high school and adults for 33 years, retiring to a second career in<br />

teaching and writing about fibre arts in 1998 . She brings a long<br />

love of fibre arts, fabrics and fibres to her courses .<br />

John Anderson is a veteran studio and on-location painter . His<br />

excitement about the language and the process of painting<br />

is infectious . When he is not managing Curry’s Art Store in<br />

Barrie he is painting or teaching . John’s first major influence<br />

was the work of Andrew Wyeth; later it was the Group of Seven<br />

and Tom Thomson . His interest in the work of North American<br />

impressionists such as Aldro Hibbard was followed by interest<br />

in contemporary plein air painters like Matt Smith, David Curtis,<br />

Trevor Chamberlain, Kevin MacPherson and Richard Schmid .<br />

John’s work is a blend of many of these painters’, along with his<br />

own interpretation of light and colour . His work is powerful and<br />

filled with the mood of the moment . Light is fleeting – its impact<br />

leaves a profound impression – learning to see that and capture<br />

it in paint is John’s passion . John is represented by Ethyl Curry<br />

Gallery in Haliburton, Mad & Noisy Gallery, Creemore, Ontario,<br />

Blue Mountain Foundation for the Arts Gallery in Collingwood<br />

and Riverside Gallery, London, UK . www .johndavidanderson .ca<br />

Judith Jaimet Bainbridge is a multi-media artist, retired from<br />

Heraldic Art and Calligraphy commissions for the Federal<br />

Government and the Governor General . These commissions<br />

include painting, calligraphy and gilding for the Merchant Navy<br />

Book of Remembrance, and for the Grant of Arms and flag for<br />

Nunavut . She specializes in mediaeval scripts on calfskin, gilding<br />

and traditional decoration in gouache . She now enjoys modern<br />

lettering on three-dimensional objects such as art books, sculpture,<br />

mobiles and furniture . Judith is a founding member of the<br />

Calligraphy Society of Ottawa, and has been teaching calligraphy,<br />

gilding, and related arts across Canada since 1981 .<br />

Michael Bainbridge worked for ten years as a Cameraman and<br />

Director of Photography in film and TV before switching full-time<br />

to still photography . Since then, his work has been sold privately,<br />

exhibited publicly, and featured internationally . He now specializes<br />

in art and specimen photography for museums and private<br />

collectors . Michael is a frequent guest speaker at major conferences<br />

in his field, teaches photography and digital manipulation<br />

regularly, and does Photoshop work and pre-press processing for<br />

other photographers . www .theoccurrence .ca<br />

Elisha Barlow holds a Visual Arts Honours Degree from the<br />

University of Western Ontario and is a graduate of the Fibre<br />

Arts certificate program at <strong>Fleming</strong> <strong>College</strong>’s Haliburton School<br />

of The Arts . Her primary focus is in the areas of drawing,<br />

silk-screen printing and felting . Much of her work addresses<br />

landscapes and animal imagery with a quirky, rustic twist . Even<br />

within the “fringe” area of fibre arts, Elisha’s unique process<br />

of silk-screening involving painterly techniques and pigment<br />

manipulations enters into an area even more obscure and gives<br />

her work a raw, antique feel .<br />

Verity Barrett has a Master’s Degree in Social Work and has over<br />

20 years working with children, youth and their families as a<br />

parent therapist, CAS worker and a child therapist in a children’s<br />

mental health clinic . Verity, who specializes in trauma, has used<br />

sandtray-worldplay extensively for the past 14 years in her work<br />

with children, youth, and their families .<br />

Lisa Barry is a graduate of Sheridan <strong>College</strong>’s Ceramics Program<br />

and has also achieved a BFA from the Alberta <strong>College</strong> of Art<br />

and Design . Her current work focuses on the use of white<br />

bodied stoneware with bright colourful slip decoration . Lisa has<br />

a broad range of experience with various pottery techniques<br />

as well as kiln firing processes . An emerging artist of note, she<br />

has exhibited nationally and continues to develop herself as an<br />

artist through workshops and learning opportunities . Lisa brings<br />

a passion and energy to her teaching that ensures a lively and<br />

creative atmosphere for her students!<br />

Wendy E. Bateman teaches weaving, spinning, braiding, creativity,<br />

textile science, colour and design for textiles . Wendy is a<br />

graduate “with distinction” from the O .H .S . Spinning Certificate<br />

program, a Master Spinner, a graduate of <strong>Fleming</strong> <strong>College</strong>’s<br />

Visual and Creative Arts Diploma Program and has been the<br />

owner of Fibres WEB studio for over 35 years . She has received<br />

numerous design, originality and judges’ choice awards for her<br />

work . She travels teaching her craft and sharing her environmental<br />

ideas . Wendy is a recipient of the Enviro Hero for the Arts<br />

Award .<br />

Rails End Gallery and Arts Centre presents<br />

Push Pull<br />

Haliburton School of The Arts Faculty Show and Sale<br />

June 30 - July 29, 2012<br />

Meet & Mingle Receptions for HSTA students & faculty Tuesdays 4:30 - 6<br />

Gallery admission by donation, suggested $2<br />

Tues 10-6:30 Wed - Sat 10 - 5 Sun 12 -4<br />

Plan to attend Haliburton Art & Craft Festival July 27, 28, 29<br />

presented annually by Rails End Gallery and Arts Centre<br />

preview the artists and learn more on our website.<br />

23 York St, Haliburton Village 705-457-2330<br />

www. railsendgallery.com<br />

81<br />

instrUctors


82<br />

Darby Bayly’s extensive art background has given her a solid<br />

understanding of design and craft, particularly in the areas of<br />

textiles, printmaking and ceramics . Her artistic education has<br />

taken her to Vancouver, Bavaria and Haliburton . She loves to<br />

experiment with new ideas and mediums and dabbles in various<br />

art forms but always returns to illustrating in one way or another .<br />

She strives to create beautiful, functional objects to make our<br />

lives a little brighter .<br />

Shelley Beach is an Honour Graduate of Ontario <strong>College</strong> of Art<br />

& Design and a silver level signature member of the Toronto<br />

Watercolour Society . Her paintings hang in numerous corporate<br />

and private collections, including Veridian Corporation<br />

and the previous Lieutenant Governor of Ontario, Hilary M .<br />

Weston . Represented by the Ethel Curry Gallery, Haliburton,<br />

Shelley’s work is mainly water-based but ranges from traditional<br />

watercolour to experimental mixed media and monotype .<br />

www .theshelleybeach .com<br />

Sharon Benson completed the Expressive Arts Certificate Program<br />

at <strong>Fleming</strong> <strong>College</strong>, continued her studies at the International<br />

School for Interdisciplinary Studies (ISIS) Toronto and then<br />

completed her Masters Degree in Expressive Arts Therapy at<br />

the European Graduate School in Switzerland . For the past 10<br />

years, she has utilized the expressive arts to support those in<br />

recovery from the human experience – including addiction and<br />

a variety of related psychological “dis-eases” – by employing the<br />

arts as an informant for its maker . Professional highlights include<br />

the honour of working with the youth at Pine River Institute,<br />

Horning’s Mills, ON and the women of Seaside Women’s<br />

Wellness Centre in Powell River, BC as well as the challenge and<br />

joy of private practice . www .insight-out .ca<br />

Annette Blady Van Mil is a graduate of OCAD . For many years, she<br />

has worked as an architectural and interior designer on many<br />

projects all over North America, but painting has always been<br />

her first love . Annette has spent several years developing her<br />

unique approach to painting using mixed media, found objects<br />

and stained glass . It is this diverse and open-minded approach<br />

to media and materials that inspires her mosaics and artwork .<br />

The popularity of the style she has developed has allowed her to<br />

pursue art on a full-time basis . www .annetteblady .com<br />

Jim Blake works as a facilitator, consultant, project manager<br />

and educator . He was one of the founders of the Arts<br />

Council~Haliburton Highlands and served as its coordinator<br />

from 2002 -2008 . Jim is as a consultant for the Haliburton<br />

County Development Corporation, the curator of the Haliburton<br />

Sculpture Forest (since 2001) and a part-time faculty member at<br />

the Haliburton School of The Arts where he teaches courses on<br />

marketing and business for artists . In 2008-2009 he coordinated<br />

a major initiative to help artists throughout Eastern Ontario reach<br />

a larger market for their work . Jim is a professional storyteller<br />

who, over the past twenty five years, has performed at festivals<br />

and venues across Canada . He studied visual art at the<br />

University of Guelph, York University and the New School of Art<br />

and exhibited his work as a visual artist from 1976 to 1984 .<br />

Linda Kristin Blix studied printmaking at the University of<br />

Manitoba’s School of Fine Art, Toronto School of Art and Open<br />

Studio Printmakers Centre . A passion for figure drawing and<br />

painting was acknowledged with her honours diploma from<br />

the Ontario <strong>College</strong> of Art and Design, Painting and Drawing<br />

Department . Her strong conviction that art is essential for a<br />

balanced and fulfilling life has inspired her teaching of adults<br />

and children in numerous art institutions, galleries and schools<br />

throughout Ontario . She also taught screen printing at Open<br />

Studio for five years . Linda’s work combines multiple creative<br />

techniques in unique ways and has been widely exhibited .<br />

www .lindakblix .com<br />

Harriet Boon is a spinner, dyer, sheep farmer, weaver and retailer .<br />

She earned her Master Spinner certification in 1976 and has<br />

been instructing in Spinning Certificate programs ever since .<br />

Since the 1970s, she has been involved with FIBRES – from<br />

source to finished article – in co-operation with numerous organizations<br />

in Ontario and the US . She is continuing self-education in<br />

the fibre-dye field in Canada and abroad .<br />

Evelyn Bouma is considered an icon in the world of upholstery<br />

and innovative interior design . She attained her Furniture<br />

Refinishing & Upholstery Degree from the Rotterdam University<br />

in Holland and has studied fashion in France, England and North<br />

America . As an instructor with the Toronto Board of Education<br />

for over 4 decades, Evelyn taught upholstery techniques,<br />

sewing at all levels, and developed her own unique signature<br />

class in lampshade-making . She is a regular contributor to the<br />

Creative Festival and has been a guest on radio and television .<br />

www .evelynbouma .com<br />

Jane Bow’s latest novel, The Oak Island Affair was an American<br />

Indie Book Award finalist . Her first novel, Dead And Living was<br />

shortlisted for an Arthur Ellis Award and selected for a university<br />

course reading list . Her plays and short stories have appeared<br />

in literary journals in Canada and India and she has also written<br />

for Chatelaine, the CBC and various daily newspapers . Jane’s<br />

instruction and style are influenced by many years of practice<br />

in meditation, self-awareness and creative energy techniques .<br />

Jane’s new interactive play Bottoms Up! is scheduled for<br />

production this year . She has taught creative writing and<br />

creativity courses at the Haliburton School of The Arts, Trent<br />

University and other venues . www .janebow .com<br />

Amanda Brittin loves to introduce an artistic element into the<br />

objects that are part of daily life . Whether it is a floor cloth underfoot,<br />

a piece of jewellery being worn, or a glass mosaic bowl on<br />

the dinner table, she brings a sense of humour and whimsy to<br />

her colourful pieces of functional art . She is currently focused on<br />

breaking nature down into graphic and abstracted elements in<br />

her designs . www .artistmarketplace .ca<br />

Marianne Broome, a full time artist and popular instructor, is known<br />

for her realistic paintings of flowers, impressionistic landscapes<br />

and her abstracted work . These have been exhibited in many<br />

juried exhibitions in which she has received numerous awards .<br />

Marianne shares a wealth of information with her students and<br />

offers individual assistance and encouragement at demonstrations<br />

and discussion while leaving the door open for individual<br />

creativity . www .naturesedgestudio .ca<br />

Toni Caldarone re-entered the creative world by starting up her own<br />

company, Stones By Toni, where she designs unique artwork on<br />

hand-collected beach stones . Her mixed media, recycled and<br />

print art are in private collections locally and abroad . Her mission<br />

statement: To encourage creativity through positive energy .<br />

www .stonesbytoni .com<br />

Pam Carnochan is a fibre artist that has married her love of watercolour<br />

painting with her love of wool . She uses the wool from<br />

her sheep to create works of landscape art . She has taught in<br />

Algonquin Park at the Art Centre for several seasons, encouraging<br />

participants to explore the natural world in another way<br />

using the intuitive to the guide the process . Pam has instructed<br />

in the elementary and secondary school systems, the McMichael<br />

Art Gallery, and provided workshops to many groups within the<br />

Muskoka Region .<br />

Gary Chapman is living his dream . Toronto-born, he has always<br />

been fascinated with our natural environment . Now living and<br />

painting in the Highlands of Haliburton, he is able to experience<br />

nature on a daily basis . It is this love of the outdoors that<br />

he brings to his painting . Always inspired by the changing<br />

seasons, Gary paints on-location and in his lakeside studio . He<br />

is always willing to share his personal insight with his students<br />

in a relaxed teaching style . Gary has been instructing for over<br />

20 years at various schools and workshops throughout Ontario .<br />

www .garychapman .ca


Kate Church holds a BFA from Rhode Island School of Design, with<br />

a Major in Textile Design . She continues a practice of drawing,<br />

printmaking, ceramics and sculpture in addition to her primary<br />

work, which she has named Sculptural Puppetry . Using figurative<br />

expression to portray her imagery, the pieces she builds<br />

somehow defy conventional interpretation . They are not dolls,<br />

nor are they formal sculptures . They are embroideries of life .<br />

www .katechurch .com<br />

Jacqui Clarkson is a threads and fibre artist and teacher working<br />

with guilds and needlework shops in the US and Canada . She<br />

has actively taught over 20 years at cross-stitch festivals, trade<br />

shows, needlework shops, the Embroiderers Guild of America,<br />

and the American Needlepoint Guild at its national seminars .<br />

Jacqui has authored correspondence courses, cyber-workshops,<br />

and numerous articles for needlework magazines and has<br />

participated in writing for books dealing with different aspects<br />

of needlework . Commissions have included ornaments for the<br />

Christmas Tree in the White House, needlework pieces in support<br />

of World Aids Day, and private commissions . Jacqui teaches<br />

various skills levels and encourages her students to explore<br />

techniques, exchange ideas and always loves to share her love<br />

of stitchery .<br />

Denis Cliff, RCA, B .Ed, and post graduate studies at the New<br />

School of Arts . In over 40 years of professional work, Denis has<br />

exhibited paintings, drawings, sculpture and installation work in<br />

28 one-man exhibitions and over 70 group shows in Canada and<br />

the US. He has taught at York, Toronto, Ryerson, and Emily Carr<br />

Universities, OCAD, the New School of Art, Arts Sake Inc . and<br />

the Toronto School of Art, which he also helped to direct . Denis<br />

recently had a retrospective exhibition of 31 years of his work<br />

and is currently working on a new form of dimensional landscape<br />

painting that is interactive .<br />

Victoria Cowan is a prize-winning graduate of OCAD and Concordia<br />

University . Her combination of experience in fine art, adult<br />

education and text editing all prepare her to offer in-depth,<br />

articulate instruction in painting and printmaking . Active both as<br />

a jurist and instructor, Victoria continues to show regularly and<br />

has won awards in painting and printmaking . Her work is found<br />

in collections in Canada and abroad, and has been chosen for<br />

covers of publications in Europe and North America . Victoria<br />

has been teaching at the Haliburton School of The Arts since<br />

2001, and also gives courses and workshops for a wide variety of<br />

organizations and art groups . www .victoriacowan .ca<br />

Valerie Cowle is an experienced glass artist with an extensive<br />

knowledge of glass . In addition to residential projects, she has<br />

created numerous church windows and taught hundreds of<br />

students in the art of stained glass . An inspired designer, she<br />

effectively translates customers’ wishes into works of art . Recent<br />

projects include a set of fifteen windows for Northminster United<br />

Church in Peterborough as well as a restoration of 120 year old<br />

leaded window in the Peterborough Regional Health Centre .<br />

Terry Craig is a former Harbourfront glass studio resident and a<br />

Sheridan <strong>College</strong> graduate . He has worked with hot glass for<br />

almost 20 years and in that time has worked for and in many of<br />

North America’s finest glass studios including Pilchuck in Seattle,<br />

WA . and The Studio at the Corning Glass Museum in Corning<br />

NY. Terry was the studio technician at the Mississauga Living<br />

Arts Centre for four years until he relocated to the Haliburton<br />

area where he now runs his own glass studio and gallery, Artech<br />

Studios and (k)nave gallery . Terry also designs glass studio<br />

equipment, lectures and writes about studio safety and ergonomics<br />

. He has been an instructor and teaching assistant at the<br />

Haliburton School of The Arts since 1995 . http://artechstudios .ca<br />

Art Cunanan, an elected member of the Canadian Society of<br />

Painters in Watercolour and founding member of the Philippine<br />

Artists Group, Art Cunanan revels in the varied landscape of<br />

Ontario . Best known for his effective and sophisticated use of<br />

light, his watercolours sparkle with freshness and spontaneity .<br />

Born in the Philippines and educated at the University of Santo<br />

Tomas in Manila, Art’s pursuit of his passion began as a commer-<br />

cial artist for a leading newspaper and several advertising companies<br />

in Manila . In 1984, he was introduced to the Canadian<br />

scene by Zoltan Szabo, a well-known artist and instructor . Since<br />

his Canadian introduction, his work has been accepted into<br />

juried exhibitions, private and corporate collections in Canada,<br />

the US, Europe, Asia, Australia and the Philippines . He is<br />

represented by galleries in major cities in Canada and has held<br />

successful exhibitions for several years . Some of his work was<br />

also reproduced by Carlton Cards, Bradley Museum and Royal<br />

Insurance for their brochure . In 1989, Art decided to devote his<br />

attention to painting full-time and started teaching at workshops<br />

for various art groups and art schools . A popular art instructor, he<br />

has been holding workshops across North America and Europe<br />

for many years . www .artcunanan .com<br />

Krystyna Czerska, armed with her engineering degree from the<br />

Warsaw Technical University, immigrated to Canada and became<br />

immersed in the world of creativity . As a demonstrator at the<br />

Creative Sewing and Needlework Festival she met Evelyn Bouma<br />

and an imaginative partnership was born . Krystyna is founder<br />

and owner of Nostalgia, a company that specialized in custom<br />

made Victorian style lampshades .<br />

Jay Dampf’s classes attract both the curious beginner and the<br />

more experienced artist because he has an ability to create an<br />

atmosphere of infectious enthusiasm and relaxed, constructive<br />

learning . At present, he teaches 13 classes weekly in a variety<br />

of media, techniques and personal pursuits, as well as weekend<br />

seminars in drawing, painting and drawing for woodcarvers . His<br />

reputation has recently earned him invitations to judge woodcarving<br />

shows, as well as the Award of Teaching Excellence from<br />

the Toronto Board of Education . Jay’s art has won many awards<br />

in Canada and the US, and virtually all of his works are hanging<br />

on walls across North America . His artistic interests are as varied<br />

as his education and experience, which include the prestigious,<br />

specialized art program at Central Technical School, and George<br />

Brown <strong>College</strong>’s Fine & Commercial arts program, followed<br />

by several years in the advertising and design industry . Jay’s<br />

interests in wildlife, art and archaeology have sparked extensive<br />

travels through Africa, South America and Europe . These sources<br />

of inspiration are reflected in his continuing artistic growth .<br />

Philip Davis has been fascinated by musical instruments for a long<br />

time . Early attempts at building an instrument of any kind were<br />

note-worthily bad . Probably because of this, he took it rather<br />

formally and studied in Toronto, then London, England, and later<br />

Frankfurt, Germany to ‘get it right’ . Philip now sees instrument<br />

making as more of a personal exploration but can cover a wide<br />

range of techniques and strategies for finding the right personal<br />

musical goal . As a maker, he is represented by instruments and<br />

bows across Canada, the US, England, and Germany . He has<br />

maintained a professional practice of building and restoring since<br />

1985 and has taught musical instrument construction since<br />

1980 at OCAD and later at the Haliburton School of The Arts .<br />

Gary Diggins began his musical career as an opening act for artists<br />

such as Alice Cooper . Today, he is more dedicated to transformation<br />

through the expressive arts and travels throughout Africa,<br />

Europe, and North America bringing social change through<br />

a process called soundwork as soulwork . He developed this<br />

experiential approach to deep listening and intentional sounding<br />

through many years in private practice in Toronto as a counsellor<br />

and soundwork practitioner . Gary continues to perform in various<br />

improvisation ensembles, serves kids at risk through Mindfulness<br />

Without Borders, and offers leadership programs through<br />

Inspired Future . www .garydiggins .com<br />

Judith Dingle is a full-time textile artist . Since 1978 her work has<br />

been exhibited in solo and group shows in Canada, the US,<br />

Europe, New Zealand, Japan, and Taiwan . She is well known<br />

for her architecturally scaled quilted wall hangings and textile<br />

constructions commissioned for residential and corporate<br />

interiors . Corporate clients include Seiko, Xerox, Rolex, Bristol<br />

Place Hotel, C-I-L, Extendicare and, a 15’ x 8’ silk donor quilt for<br />

the Yee Hong Wellness Foundation. Her work is also located in<br />

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many public collections such as the Textile Museum of Canada<br />

in Toronto, the Claridge Bronfman Collection in Montreal and the<br />

National Museum of Civilization in Ottawa, as well as in private<br />

homes throughout the world . She has won acclaim and awards<br />

for her work, including Canada Council and Ontario Arts Council<br />

awards and her flat and constructed quilts have been widely<br />

published in magazines and books such as The Art Quilt by<br />

Robert Shaw . Judith is a respected teacher and lecturer who has<br />

taught extensively for over 25 years and is known for providing a<br />

supportive atmosphere for development and exploration .<br />

Helen Donnelly holds an Honours BA Specialist Degree in Drama<br />

from the University of Toronto and has directed, taught and<br />

performed in clown in Canada and the US for over 15 years .<br />

She is a professional circus, theatrical and therapeutic clown .<br />

Credits include theatre shows, Cirque du Soleil, Circus Orange<br />

and Zero Gravity Circus . Her work as a professional therapeutic<br />

clown has benefitted children at Sick Kids and Holland Bloorview<br />

Kids Rehabilitation Hospital, as well as elders through Dr . Clown<br />

Toronto . She has been trained extensively in the Pochinko<br />

technique and also studied Lecoq methods and those of David<br />

Shiner and Roch Jutras when she worked with Cirque du Soleil .<br />

She currently trains under Francine Cote in Montreal . Helen has<br />

been interviewed in clown on CBC radio Here and Now, CTV’s<br />

Canada AM and CityTV’s Breakfast Television . She is a founding<br />

member of the Canadian Association of Therapeutic Clowns and<br />

training coordinator at Holland Bloorview . She is known for her<br />

bizarre clown personas and her dynamic yet empathetic teaching<br />

methods . www .HelenDonnelly .com<br />

Suzi Dwor has a Master’s in Art Ed . and has studied in the US,<br />

Paris, and Mexico . An accomplished artist and teacher, she<br />

taught Fibre Design at Buffalo State University and is currently<br />

working in a program called “Learning Through the Arts” in the<br />

Niagara public schools . Her students describe her as extremely<br />

creative, intuitive, knowledgeable, and energetic . Suzi makes<br />

paper of incredible colour and quality that is used for collage and<br />

three-dimensional works of art . She trained in paper-making and<br />

fibre design at Kent State, Ohio; Cleveland Institute of Art, and<br />

Buffalo State University . Her achievements are many and include<br />

juried exhibits and workshops at the Albright Knox Gallery,<br />

Buffalo; Canada Koffler Gallery, Toronto; Rodman Hall, St .<br />

Catharines, Jordan Art Gallery, Ont .; 100 American Craftsmen,<br />

NY; as well as across the US and southern Ontario.<br />

Todd Jeffrey Ellis received an arts diploma from Niagara <strong>College</strong> in<br />

1970 . He has since worked extensively in various areas of the<br />

arts: teaching, directing and set, prop, and furniture designing .<br />

His love of metalwork took hold when he discovered chasing,<br />

repoussé, and the moving of metal in 1995 . Since that time he<br />

has studied at OCAD, George Brown <strong>College</strong>, the Haliburton<br />

School of The Arts and through extensive studies with such<br />

renowned masters as Lois Etherington Betteridge, Brian Clarke,<br />

Charles Lewton Brain, and Don Stuart . In 2000 Jeffery was<br />

awarded ‘Best Holloware Award’ in the Metal Arts Guild’s ‘Under<br />

Glass’ exhibition . In 2003 he participated in a group exhibition at<br />

Metalurge in Toronto, which showcased his expertise in the decorative<br />

form. He has taught at Niagara <strong>College</strong>, York University,<br />

Toronto Teacher’s <strong>College</strong>, and the Haliburton School of The Arts,<br />

and served on the executive of the Metal Arts Guild of Canada<br />

for seven years . In 2008 he was published in 500 Metal Vessels .<br />

In 2010 he had an exhibition with Susan Watson Ellis at the<br />

Ontario Craft Council Gallery and Jeffery and Susan created the<br />

window display for the Guild Show during the 2010 Film Festival .<br />

www .silversmith .ca<br />

Margaret Ferraro divides her time between her two disciplines –<br />

teaching and painting . For over 10 years she has built a reputation<br />

in the Ottawa Valley area, as a teacher of figure drawing and<br />

pastel workshops . Believing that a strong foundation in drawing<br />

unlocks the keys to self expression, Margaret urges artists of all<br />

ages to build this skill . She teaches many pastel courses at her<br />

country home/studio, in an intimate non-judgmental setting .<br />

Other teaching venues include schools, various art organizations,<br />

Algonquin <strong>College</strong>, and <strong>Fleming</strong> <strong>College</strong> . Margaret has exhibited<br />

widely throughout Canada and the US, and has participated in<br />

the Pastel Society of America Show, National Arts Club, NYC, and<br />

at Pastel Artists of Canada juried exhibitions in various locations<br />

throughout Canada . Margaret is a designated master pastellist,<br />

with Pastel Artists Canada . www .ferraro-art .com<br />

Elisabeth Feryn is a freelance photographer specializing in<br />

documentary, portrait and publicity photography . She has<br />

worked with clients as diverse as Loreena McKennitt, Timothy<br />

Findley, the Stratford Festival Theatre, the Shaw Festival and<br />

the Contemporary Art Forum Kitchener and Area (CAFKA) .<br />

Her professional career also encompasses teaching digital<br />

photography, from beginners with their new cameras, to<br />

advanced techniques and digital workflow . She is a faculty<br />

member at Conestoga <strong>College</strong> where she teaches Portraiture<br />

in the Photography Certificate Program . In between teaching<br />

and commercial assignments Elisabeth pursues her own artistic<br />

practice . www .eferyn .com<br />

Judy Feskun is a passionate Canadian jewellery artist . She is the<br />

primary wire instructor at Robert Hall Originals and her additional<br />

teaching experience includes the Ancaster Gem, Mineral, Bead<br />

& Jewellery Show and the Southampton Art School . Judy’s work<br />

is available in shops and galleries across southern Ontario .<br />

Rick Fines is one of Canada’s leading blues, roots music and slide<br />

guitarists and a veteran of the folk and blues circuits in North<br />

America . His work with Jackson Delta brought two Juno nominations<br />

and he has three Mapleblues awards and six albums on<br />

his own . When teaching, his relaxed style and sense of humour<br />

blend seamlessly with his brilliance as a musician and songwriter<br />

. www .rickfines .com<br />

Susan Fisher graduated from Concordia University with an Honours<br />

BFA and a post graduate diploma in Art Education . She then<br />

continued her education at Trent University where she achieved<br />

a Master’s Degree specializing in First Nations Art History . From<br />

an early passion for printmaking and especially photography,<br />

she embraced the specialized techniques of encaustic painting,<br />

an ancient medium rediscovered and currently popular with a<br />

growing number of artists . She has had numerous solo shows<br />

in the Peterborough area including a major solo show at the<br />

Art Gallery of Peterborough . Her work has been juried into a<br />

prestigious show in Sagamihara, Japan and has also been shown<br />

in Denver, Co . She is represented by the Soho Myriad Gallery,<br />

Atlanta; the Ethel Curry Gallery, Haliburton; the Elaine Fleck<br />

Gallery, Toronto . www .fisherencaustic .com<br />

Jan Fitch has participated as an exhibitor and judge in shows and<br />

competitions throughout Canada, the US and Great Britain,<br />

where her work has achieved much acclaim . Among her awards<br />

are many Best of Shows, including the Canadian National<br />

Exhibition in Toronto and the Ward World Championship in<br />

Maryland . Jan conducts seminars and carving classes in her<br />

studio and also teaches privately . Her love of birds is expressed<br />

in her detailed woodcarvings and recently in her cast paper<br />

sculpture – capturing the behaviour of ducks and birds as seen<br />

in nature . Jan works and displays her art at her Kingston studio<br />

where visitors are welcome to view finished work as well as watch<br />

her create . www .janfitch .com<br />

Grant Fuller attended four years of college at the Vancouver<br />

School of Art, and then travelled to Toronto to begin a career in<br />

commercial art . As an Art Director and later as an Advertising<br />

Manager for Sears Fashion, he worked with the top photographers<br />

and artists in New York, Montreal and Chicago. In 1984 he<br />

took up painting full time and began to teach watercolour . He has<br />

two books published by North Light Books, Watercolor A to Z,<br />

and Start Sketching and Drawing Now, as well as two-hour-long<br />

art instruction DVDs . Grant's paintings have won several jurors<br />

awards and have been featured in magazines and newspapers<br />

at local and national levels . He teaches workshops from England<br />

and Scotland to Hawaii and many Canadian locations from<br />

Newfoundland to Vancouver Island . www .grantfuller .ca


Kiera Galway, conductor, musicologist and educator, draws from<br />

a colourful and diverse range of experiences in a synergetic<br />

approach to choral music making . Currently pursuing a PhD<br />

in Music Education at the University of Toronto, her primary<br />

research focus is music’s role in the construction of subjectivities<br />

and power relations in group singing spaces . In addition to her<br />

work in choral music, Kiera is active in the Toronto community as<br />

a private instructor and clinician .<br />

April Gates is a full time ceramic artist and educator . After colourful<br />

and long meanderings in travel, work and education, April finally<br />

answered the call to study ceramics . A lifelong background<br />

in image making married a concern for function and ritual ~<br />

and Blackbird Pottery was born . April’s graphic and illustrative<br />

work has been nationally exhibited, collected and published .<br />

Her current obsession is to marvel the endless potential of the<br />

ceramic surface . As a facilitator, April is passionate about helping<br />

others to find their voice through artistic explorations .<br />

Karyn Gingras, when signing up for a night school class in tap<br />

dancing, was told that the course was full . But, they added,<br />

the millinery course had lots of space . The rest, as they say, is<br />

history . Karyn is the owner/designer of Lilliput Hats, a 22-year-old<br />

traditional millinery . As all the Lilliput hats are crafted on site in<br />

the studio/atelier, the store has become a curious landmark in<br />

the city, where visitors can glimpse old-world techniques while<br />

their hat is made before their eyes . Lilliput hats are carried across<br />

the country at Holt Renfrew and other fine boutiques in Canada<br />

and the US . The hats are in the collections of Whoopi Goldberg,<br />

Celine Dion, and the Governor General of Canada Adrienne<br />

Clarkson . Karyn’s many theatre, television, and film credits<br />

include Mama Mia, Music Man, and The Evelyn Dick Story .<br />

She is the recipient of several awards, including the 1999 City<br />

of Toronto Accessories Designer of the Year, the One-of-a-Kind<br />

Show Best Traditional Craft, and the One-of-a-Kind Show Hall of<br />

Fame . She has taught at the International Academy of Design<br />

and Ryerson University of Design . www .lilliputhats .com<br />

Larry Glatt has a Doctorate in Music from Florida State University<br />

and is a teacher/musician who has been playing guitar and<br />

performing for over thirty years . More recently Larry has been<br />

composing, playing jazz guitar and performing as a conductor .<br />

He has written a musical, choral music, songs and has released<br />

three CDs .<br />

Eve Goldberg is a compelling songwriter and interpreter whose<br />

music spans folk, blues, country, swing, bluegrass, and more .<br />

Known for her watercolour voice and solid guitar style, she is a<br />

favourite at festivals and concert series across North America,<br />

and she has released three albums to widespread acclaim . Eve<br />

is a much sought-after music teacher and leads workshops<br />

on guitar, ukulele, singing, and song writing, with an emphasis<br />

on making music for the joy of it . She believes that everyone<br />

can make music and in her teaching she strives to create a<br />

fun, supportive environment for students to learn and grow .<br />

www .evegoldberg .com<br />

Diane Gonthier’s formal textile studies started in England in 1984,<br />

followed by specialised workshops in the US . In 2006, she<br />

acquired “with distinction” the OHS Fibre Art Certificate in Hand<br />

Spinning and is now working on the Master Spinner recognition<br />

. Her vivid creative mind is particularly known to widen in<br />

scale and structure, the contemporary felt medium . Her work is<br />

exhibited in Quebec, Canada and Europe and is supported by<br />

her regional and provincial Art Councils . Teaching regularly from<br />

her studio, in summer art schools and abroad, her initiatives are<br />

also contagious through the program Artist at School .<br />

V. Jane Gordon, MA, pursued a studio major in painting and<br />

drawing in the Fine Arts department at Concordia . Active in the<br />

arts community, she has worked as a freelance curator creating<br />

numerous exhibition projects for galleries . She is represented in<br />

private and public collections and is the recipient of numerous<br />

grants and awards . Working in gallery-based installations using<br />

painting and drawing as well as outdoor installations/interventions<br />

using landscape elements and ephemeral landscape interventions,<br />

she has a practice which extends from gallery-based work<br />

into body movements and digital documentation . Gordon is a<br />

year-round teacher/mentor who also directs national and international<br />

multi-disciplinary workshops using her “inquiry method” .<br />

Catherine Graham is the author of four acclaimed poetry collections:<br />

The Watch (Abbey Press) and the poetry trilogy Pupa,<br />

The Red Element and Winterkill (Insomniac Press) . She holds<br />

a Master’s degree in creative writing from Lancaster University<br />

(England) and teaches creative writing at the University of<br />

Toronto School of Continuing Studies where she was nominated<br />

for an Excellence in Teaching Award . Her work has appeared in<br />

journals and anthologies in North America, the United Kingdom,<br />

and Ireland . Her next collection will be published fall, 2013 with<br />

Wolsak & Wynn . www .catherinegraham .com<br />

Jon Gray is a professional shoemaker . He began his career in 1994<br />

at an orthopaedic shoemaker’s workshop . This provided the<br />

opportunity to work with craftsmen from Eastern Europe, Central<br />

America, and the Middle East . In 2001 Jon moved to Nova Scotia<br />

to work in a theatrical shoe shop, producing footwear for plays,<br />

operas and films across North America . 2010 marked the beginning<br />

of Jon Gray Bespoke, Jon’s own shop where he produces<br />

finely crafted handmade shoes for men and women using<br />

traditional techniques in classic and contemporary fashions .<br />

www .jongraybespoke .com<br />

Kerry Griffin has been performing and teaching improv for over 15<br />

years . He is an alumnus of Toronto’s famed Second City, having<br />

written and performed in two award winning shows there as well<br />

as directing their critically acclaimed revue ‘Dreams Really Do<br />

Come True . . .and Other Lies’ in 2011 . He is a multiple Canadian<br />

Comedy Award winner as both an individual and with troupes<br />

Slap Happy and Monkey Toast and has performed and taught<br />

across Canada as well as in the US and Europe . He is currently a<br />

faculty member at the Second City Training Centre and performs<br />

frequently in the Toronto area .<br />

Holly Groome BSc ., B .Ed, a native Muskokan and high school<br />

classroom teacher for the past 12 years, eagerly shares her<br />

own life experiences with her students . Her natural curiosity<br />

and desire to learn are inspirational and her enthusiasm is<br />

contagious, leading to the most positive of experiences for her<br />

students . She has taught students from age 4 to 95 all across<br />

Canada and internationally, in a variety of subjects . As an artist<br />

and outdoor enthusiast, Holly’s interests include playing music,<br />

knitting, yoga, magic and photography .<br />

Gunnel Hag studied textile design in Sweden and England . Her<br />

studio, Trees Textile Designers and Printers, produces fabrics for<br />

film and theatre productions . She taught in the Textile Studio at<br />

Sheridan <strong>College</strong> for 12 years, and has been a visiting lecturer at<br />

the National Institute of Design in Ahmadabad, India . Her fabrics<br />

have been represented at International Design exhibitions and<br />

she has received many grants and awards for her work . Gunnel<br />

has published two books: Creating Texture and Creating Texture:<br />

Soft Texture . www .colourvie .com<br />

Edward Hagedorn, MA, DTATI, OATR, worked as a visual artist and<br />

teacher before training at the Toronto Art Therapy Institute and<br />

completing his Master’s Degree in Expressive Therapy at Lesley<br />

University in Cambridge, Massachusetts . Ed is a Registered Art<br />

Therapist with the Ontario Art Therapy Association . For the past<br />

18 years Ed has been supplying expressive arts therapeutic<br />

services through his private practice Artreach . Additionally,<br />

he maintains on-going clinical involvement with the Treatment<br />

Foster Care of Cobourg, private child treatment programs, and<br />

various Children’s Aid Societies . Since 2004 Ed has been training<br />

in Dyadic-Developmental Psychotherapy (attachment therapy)<br />

and has endeavoured to merge this new treatment approach with<br />

expressive arts therapy . Although time is limited, Ed continues to<br />

produce visual art in his home studio .<br />

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Gili Haimovich is an Expressive Arts Therapist, educator and writer<br />

with a background in visual arts and over a decade of experience<br />

. She is a graduate of the arts school Camera Obscura and<br />

the Program for Intermodal Expressive Arts Therapy, ISIS Israel .<br />

As an internationally published writer, translator and editor, Gili<br />

specializes in writing-focused expressive arts . She works with<br />

groups and individuals in private practice and agencies such<br />

as: Sheena's Place – Centre for Eating Disorders, ISIS Canada<br />

– Integrated Arts Therapy Training, CAMH – Centre for Mental<br />

Health and Addiction, Baycrest – Centre for Seniors, and Geneva<br />

Centre for people with autism . Gili produces and participates in<br />

intermodal poetry performances in addition to publishing her<br />

poetry . www .poetryon .com<br />

Glenna Harris, having learned to knit as a child, became a true<br />

‘knitter’ while studying for her PhD . It was a great form of<br />

stress relief and distraction . She finished the PhD and kept on<br />

knitting anyway . She has since become a knitting teacher and<br />

designer, producing knitting patterns for self-publication and<br />

for independent yarn dyers for over four years . She has a yarn<br />

stash with a life of its own, is never without a project no matter<br />

where she is and in fact, once cut a steek while riding a bus .<br />

She believes in challenging yourself and knitting without fear .<br />

Her patterns have been featured in Canadian Living Magazine,<br />

Knitty, Magknits, Twist Collective, Knitcircus and online through<br />

Ravelry and Patternfish . She has designed for Tanis Fiber<br />

Arts, Indigodragonfly Yarns, The Sweet Sheep, and others.<br />

http://crazyknittinglady .wordpress .com<br />

Robert Held aspired to be an artist from an early age . After winning<br />

the “Ebell Award” for promising students he studied painting at<br />

Whittier <strong>College</strong> . He then made the Dean’s List at San Fernando<br />

State <strong>College</strong>, where he studied ceramics and received a<br />

Bachelor of Education in Fine Arts . While pursuing a Master’s<br />

Degree in Fine Arts at the University of Southern California<br />

Robert was awarded the graduate assistantship . At this time he<br />

won the Glen Lukins award for new work in ceramics . Upon<br />

graduating, Robert was offered the position of Head of Ceramics<br />

at the new Sheridan <strong>College</strong> – School of Design in Ontario,<br />

Canada . In 1968, after a visit to the Penland School of Crafts<br />

he discovered his new love – glass blowing . Inspired in a new<br />

direction, he returned to Sheridan and launched Canada’s first<br />

college-level hot glass program in 1969 . This program allowed<br />

many North American artists to become skilled in the medium<br />

and established Robert Held as the pioneer of art glass in<br />

Canada . www .robertheld .com<br />

Wayne Hill, a lifelong woodcarver and musician, has carved over<br />

350 totem poles and masks . He has been the recipient of many<br />

carving awards, along with Jimi McKee, including First Prize<br />

– 1998 Isle Morada Art Show, Florida and Second Prize – The<br />

Best in North America, 1999 Key West Old Island Days, and<br />

Lifetime Achievement Award, 1996 from Andy Mitchell, MP,<br />

Gravenhurst . He has recently completed a collection of totem<br />

poles and a massive arch for the “Bass Pro Shop” in the Vaughn<br />

Mills Mall, and a totem pole for the city of Orillia featured in<br />

the Orillia Opera House . His newly published book, Carve Your<br />

Own Totem Pole, has just been released . He has also served<br />

on the board of directors for the Muskoka Arts Guild M .A .C .<br />

www .totempolecarving .webs .com<br />

Kal Honey an award-winning graduate of OCAD, trained as a<br />

graphic designer . After 20 years in design, he now primarily<br />

teaches and practices fine art . Kal’s work in mixed media<br />

explores the alchemical magic that can be created by combining<br />

rough-and-ready materials like corrugated cardboard, staples,<br />

plywood and found objects with a highly refined aesthetic .<br />

As an instructor, he likes to create an environment that is at<br />

once supportive and adventurous: for it is only from a place<br />

of safety that you can feel free to take the necessary risks to<br />

extend your limits . In addition to <strong>Fleming</strong> <strong>College</strong>, Kal teaches<br />

at Koffler Centre of the Arts, Neilson Park Creative Centre<br />

and Station Gallery in Whitby . He also teaches workshops for<br />

various community art groups around the Greater Toronto Area .<br />

www .flickr .com/photos/kalhoney/sets<br />

Bethany Houghton is a music teacher with over 15 years experience<br />

. She has completed an apprenticeship in Luthierie with<br />

fellow Haliburton School of The Arts instructor, Philip Davis, and<br />

plays five stringed instruments (cello, violin, viola, mandolin and<br />

banjo) . Her forte is the cello, since she has been playing it since<br />

the age of four . She studied with Zdeneck Konicek of the Prague<br />

String Quartet and played with the Mississauga Symphony<br />

Orchestra . Bethany has released a CD with “Cass Marie and<br />

the Blackfeather Band”, and also plays other tracks on locally<br />

produced CD’s . www .stringstudioworkshop .ca<br />

Lia Howe has been a full-time glass artist for over 20 years and<br />

currently works from her studio, Lia’s Glass Dreams . Traditional<br />

stained glass, fused or kiln-formed glass, torch work and glassblowing<br />

are all techniques that she uses in her work . Lia is also a<br />

member of the Haliburton County Studio Tour .<br />

Heidi Hudspith achieved her BFA from McMaster University . She<br />

became enthralled with fibre arts while later studying at the<br />

Alberta <strong>College</strong> of Art and achieving <strong>Fleming</strong> <strong>College</strong>’s Fibre Arts<br />

Certificate . The tactile and sculptural nature of felt has been a<br />

constant source of inspiration ever since . More recently, Heidi<br />

completed a three year apprenticeship as a chocolatier with<br />

Joanne Mogridge of Cocoa West Chocolates . She continues to<br />

enjoy working in both the fibre and culinary arts .<br />

Fred Hummel works in various painting and printmaking media,<br />

but for more than twenty years made stone sculpture his form<br />

of expression . As an educator he administered an arts centre,<br />

working with children and adults of all ages . He has successfully<br />

participated in shows as well as national and international<br />

symposia . His experience as an athlete and as an international<br />

coach is reflected in his emphasis of expressive and fluid movement<br />

in his work . His work is in corporate and private collections<br />

throughout the world . www .fredhummel .com<br />

Phil Irish holds a MFA from York University, and a BA in Fine Art<br />

and English Literature from the University of Guelph . He has<br />

exhibited extensively across Canada and the U S, including the<br />

National Gallery of Canada, the Kitchener-Waterloo Art Gallery<br />

and the Lonsdale Gallery in Toronto . Phil developed new projects<br />

at residencies in Newfoundland, Quebec, the City of Kitchener,<br />

and with Oakville galleries . He has been teaching painting since<br />

1999 . www .philirish .com<br />

Louise Jackson, a spinner and dyer for 25 years, earned her Master<br />

Spinner/Dyer Certificate from Georgian <strong>College</strong> in Owen Sound<br />

in 1996 . She had a sheep farm for 23 years and taught fleece<br />

preparation and spinning basics to Grades 4 to 7 elementary<br />

school students . She also demonstrated at fall fairs and historical<br />

society events and offered presentations to knitting guilds . Louise<br />

has also been the Dyeing Technician in the Haliburton OHS<br />

Spinning Certificate programs .<br />

Ralph Johnston has been weaving since his teens, and has his<br />

Honours Associateship in Textile Design from the Scottish <strong>College</strong><br />

of Textiles . He teaches a wide variety of weaving at his studio,<br />

with occasional workshops elsewhere . His current weaving<br />

interests are ceintures fléchées (traditional voyageur sashes) and<br />

loom maintenance .<br />

Michele Karch Ackerman, a graduate of OCAD, has taught at<br />

various institutions including the Royal Ontario Museum, Inner<br />

City Angels, Loyalist <strong>College</strong> and Trent University, where her<br />

teaching is widely recognized for its innovative and motivational<br />

style . She is a nationally known contemporary artist recognized<br />

for her provocative and touching installations . With influences<br />

drawn from history, literature and experience, her works have<br />

inspired viewers with their challenging subject matter and<br />

aesthetics . Her newest exhibition Foundling is on a five-gallery


Ontario tour including such galleries as the Canadian Clay and<br />

Glass Museum, Grimsby Public Arts Gallery and the Art Gallery<br />

of Peterborough among others . In 2012, the Tom Thomson<br />

Memorial Gallery will feature a Retrospective of Michele’s work<br />

entitled The Domestic Arts of Love in conjunction with their 50th<br />

anniversary .<br />

Dianne Karg Baron has been obsessed with creating wire jewellery<br />

for over 15 years . Her work has been exhibited nationally and<br />

internationally, and has been extensively published, including a<br />

presence in 500 Earnings by Lark Books . Her infectious<br />

passion for wire working has made her a sought-after instructor,<br />

teaching workshops in Canada, the US and Europe . She is a<br />

member of the Metal Arts Guild of Canada (past president)<br />

and the Society of North American Goldsmiths . Dianne studied<br />

jewellery techniques at George Brown <strong>College</strong> and graduated<br />

from Ryerson University with a Bachelor of Applied Arts (Interior<br />

Design) . www .diannekargbaron .com<br />

Shannon Kennedy graduated in 1998 from the Ontario <strong>College</strong><br />

of Art and Design and furthered her jewellery making skills by<br />

attending George Brown’s Jewellery Arts Program . She is a<br />

Certified PMC Instructor, trained by one of the all time greats, Tim<br />

McCreight . Shannon enjoys teaching from her studio as well as<br />

at Mohawk <strong>College</strong>, Ottawa School of Arts and the Ontario Crafts<br />

Council . Recognized for her unique artwork, she was finalist of<br />

the International Saul Bell Award 2010 (Gold/Platinum category)<br />

and has been selected as a finalist again in 2012, awarded an<br />

Honourable Mention for Jewellery in 2009 at the Toronto Outdoor<br />

Art Exhibition and she won Best in Show in a national competition<br />

for Quotation, at Zilberschmuck Gallery, in 2006 . She has<br />

had successful exhibitions in galleries such as Zilberschmuck,<br />

Harbinger Gallery, Rotunda Gallery, Ottawa School of Art Gallery<br />

and Harbourfront Centre . www .cynosure-jewelry .com<br />

Valerie Kent, B .Ed, BFA, MFA, OCT, is an experienced artist and<br />

instructor . She studied at Ecole des Beaux Arts, Concordia<br />

University, University of Iowa, St . Francis Xavier University,<br />

York University, University of Toronto, and Ontario Institute of<br />

Education . Valerie paints in watercolours, acrylics, oils and mixed<br />

media . She presents workshops widely to art societies, colleges<br />

and leads art river cruises in France and land trips to Italy . She is<br />

represented by Gallery Artplus in Belleville, ON and is a member<br />

of IAOCA International Association of Contemporary Artists<br />

(Japan) . She writes art articles and enjoys doing art demonstrations<br />

on television . www .valeriekent .com<br />

Charlie Kert is a children’s rock composer, musician, and arts<br />

educator . He has written and released three albums of children’s<br />

music: ROCK garden (2008), Playhouse Earth (2004),<br />

and Little Fingers Music (2001), as well as a Progressive Folk<br />

Rock EP Breathe (1997) . Supported by the Toronto and Ontario<br />

Arts Councils, he has performed all over Ontario since 2001 .<br />

www .littlefingersmusic .com<br />

Frances Key has studied scenic painting, prop making, mask<br />

making and the creation of faux food for the theatre at the Cobalt<br />

Studio in White Lake, N.Y and at Stratford Ontario. She shares<br />

her skills teaching set design and scenic painting in professional<br />

theatre, community theatre and in the Toronto District School<br />

Board . With 27 years of art education experience, Frances has<br />

had the opportunity to work with students from kindergarten to<br />

adults, in a variety of subject matters .<br />

Kim Lee Kho is an award-winning visual artist working in numerous<br />

media, including: painting, drawing, photo-based mixed media<br />

and sculpture . In 2011 Kim participated in the Emerging Artists<br />

Mentor Project at the Burlington Art Centre, culminating in a<br />

group exhibition in February/March 2012 . At the same time<br />

she will be presenting two solo exhibitions in the Vancouver BC<br />

area . An articulate and sensitive instructor, Kim likes to create<br />

a classroom environment that supports artistic adventure and<br />

exploration beyond a student's customary range, while encouraging<br />

individual creative development . She teaches classes and<br />

workshops in the Toronto area including Neilson Park Creative<br />

Centre . www .flickr .com/photos/kimleekho/sets<br />

Jenny Kirkpatrick is a professional photographer and has been<br />

offering seminars and workshops on creative photography since<br />

2000 . Upon obtaining a solid grasp of the photographic tools<br />

and rules, she discovered the joy of breaking them, and has<br />

continued on this path ever since . Her work reflects that creative<br />

freedom, ranging from dramatic realism to total abstraction .<br />

Jenny’s images have been showcased in numerous publications<br />

including Photo Life and Canadian Geographic, and her images<br />

hang internationally . She teaches with commitment and enthusiasm,<br />

encouraging others to broaden their artistic boundaries .<br />

Her love of, and concern for the environment, both globally and<br />

locally, is apparent in her work . www .jennykirkpatrickphoto .com<br />

Andrew Kuntz is a renowned Canadian glass artist whose work<br />

has been widely praised for its classical grace, contemporary<br />

simplicity, and vibrancy of colour . In addition to winning a<br />

number of significant awards, his pieces have been extensively<br />

exhibited around the globe, including at: the Canadian Embassy<br />

in Washington, D .C .; Pilkington, Sheffield, and Oxford Museums<br />

in England; the Galerie Art et Creation in Lyon, France; Tai<br />

Pei Fine Art Museum; the Hong Kong Museum of Art; and<br />

the Museum of Contemporary Craft in New York. Andrew’s<br />

privately owned work is represented in numerous domestic and<br />

international collections, including gifts to the Premier of China<br />

and Prime Minister of Ireland from the Canadian government,<br />

installed work at the Palace of Prince Faisal bin al Saud in<br />

Riyadh, Saudi Arabia, and the US Ambassador to Canada .<br />

Andrew trained in blown and sculptural glass at Sheridan <strong>College</strong><br />

School of Design from 1977 to 1980 . Since that time, he has<br />

been a resident artist at Harbourfront Glass Studio in Toronto,<br />

he has taught at Alberta <strong>College</strong> of Art and Sheridan <strong>College</strong>,<br />

and he has participated in numerous workshops and exhibitions<br />

throughout the world . He is the founding member of the Glen<br />

Williams Glass Cooperative in Glen Williams .<br />

Wendy Ladurantaye is a general fine arts graduate of Sheridan<br />

<strong>College</strong> and has been working in glass since 1981 . Having<br />

studied under fine craftsmen Jim Schnick and Clark Guettel,<br />

she has been equally inspired by mentor Mary Intven Wallace as<br />

well as by her many successful students . Through the years of<br />

teaching, Wendy has developed strong problem-solving and positive,<br />

supportive teaching skills . While her commissioned glass<br />

can be found in cottages and homes locally, throughout Ontario,<br />

in the US, Australia, England and Germany, her favourites have<br />

been church windows installed in West Guilford and in St .<br />

Margaret’s Church in Wilberforce, Ont . Wendy has received two<br />

writing awards, has been published in Liaisons and Liaisons II,<br />

and enjoys teaching journalling and memory keeping .<br />

Martha Larsen has taught technology at the elementary school level<br />

for 12 years . She has enjoyed instructing many Movie Maker<br />

projects to 7 to 13 year olds . Her style is to teach the basics and<br />

encourage her students to provide the imagination and inspiration<br />

. This methodology has resulted in her receiving an Award<br />

for Outstanding Staff Leadership and Student Motivation . Martha<br />

also produces movies personally and for community projects .<br />

Julia Lee has been knitting since she was a child and spinning<br />

for close to 20 years . She is a graduate of the 1994-2000 OHS<br />

Spinning Certificate course offered at the Haliburton School of<br />

The Arts . She has also co-coordinated and has been a course<br />

assistant for the 2002-2008 OHS Spinning Certificate Program<br />

here . To develop her wearable textiles, Julia interprets a visual<br />

image, or sometimes a sentiment, to create a garment that will<br />

bring pleasure to the wearer and the viewer . Colour, texture, and<br />

functionality are primary motivations when creating the yarns<br />

and fabric . Julia likes her pieces to be noticed, while still being<br />

practical and durable . When not spinning and knitting, Julia is a<br />

science writer and editor .<br />

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John Leeder received an Honours Degree in Wildlife Biology from<br />

the University of Guelph . He worked as a Bird of Prey Trainer<br />

and a provincial Wildlife Biologist for several years . In 1996, John<br />

turned his 16 year hobby of bird carving into a full-time career<br />

and to date he has won over 20 Best of Show titles . In 2006, he<br />

qualified for the Master’s class by placing 2nd Best in the World<br />

Miniature Division at the Ward World Championships . A two-time<br />

Canadian National Champion (2003, 2006), John gladly accepts<br />

assignments to judge at major shows throughout North America .<br />

His sculptures were juried into the Leigh Yawkey Woodson Art<br />

Museum in Wisconsin, as part of the 1999 and 2003 Birds in<br />

Art Exhibit . In addition to exhibitions, his wildlife sculptures are<br />

displayed in several art galleries in Canada and the US, and<br />

each year at the Easton Waterfowl Festival . With over 25 years of<br />

experience, he is able to share this knowledge as an instructor<br />

at the Haliburton School of The Arts, college art programs and<br />

various private studios .<br />

John Leonard is a Toronto-based painter . He is a graduate of<br />

<strong>Fleming</strong> <strong>College</strong>, OCAD and a member of the Royal Canadian<br />

Academy . John has taught at many of Ontario’s universities<br />

and art schools including OCAD, University of Toronto, York<br />

University and others . He has been in more than 350 exhibitions,<br />

most recently at public galleries throughout Canada as well as<br />

internationally in Spain, France, Portugal, Holland, Brazil and the<br />

U .S . His work is held in over 40 public galleries and corporate<br />

collections including the National Gallery, the Ontario Arts<br />

Council, the Ministry of Culture and Recreation, the Art Gallery<br />

of Algoma, the Art Gallery of Sarnia, the Art Gallery of Lindsay,<br />

the Station Gallery (Whitby), CBS Records – New York and the<br />

Canada Development Corp .<br />

Bruce Lepper came to carving wildfowl in 1986, after a career as<br />

an advertising art director and graphic designer . Since he began<br />

competing in 1987, he has won numerous ribbons including<br />

many Best of Shows in Canada and in the U .S . In 2003 he<br />

placed second in World Decorative Miniature Wildfowl, and<br />

Best in Masters Decorative Life-size Wildfowl at the Ward World<br />

Championship in Ocean City, Md . In April 2010 he won the John<br />

Scheeler Memorial Award which is the highest award in wild fowl<br />

carving, referred to as Best in World . He is a respected judge<br />

and teacher of bird carving in Canada and the U .S . Bruce was a<br />

member of the former Millbrook Gallery, and his work is in many<br />

collections in Canada and the U .S . He shows his work annually<br />

at the prestigious Waterfowl Festival in Easton, Maryland, US .<br />

Michael Letki has been making jewellery for over 40 years . After<br />

graduating from art school England, he came to Canada where<br />

he and partner Paula Letki operated the jewellery studio Letki<br />

Designs for over 20 years . Michael has taught at Sheridan and<br />

Mohawk <strong>College</strong>s and was involved in the training of many<br />

apprentices through his own studio, many of whom went on<br />

to be successful artists/jewellers . He has been teaching at the<br />

Haliburton School of The Arts for 25 summers . Michael has<br />

received several awards for his work, notably from the Ontario<br />

Arts Council and the International Gold Corporation . He has<br />

also held the position of studio advisor for Sheridan <strong>College</strong> and<br />

Harbourfront Craft Studios . Currently, he is pursuing his own arts<br />

interests in image making and jewellery making .<br />

Lila Lewis Irving has an MFA in Theatrical Design from the<br />

University of Iowa and an MFA in Fine Art from the University of<br />

Wisconsin . She has exhibited widely in both public and private<br />

galleries . Lila is an elected member of the OSA and the CSPWC .<br />

Teaching throughout Ontario and Quebec has become an important<br />

part of her work . www .lilalewisirving .com<br />

Maggie Longworth has been the owner/operator of Wicker Works<br />

for over 30 years . Her company specializes in the restoration<br />

and sale of antique wicker as well as the production of twig<br />

furniture . Maggie has been working with willow for over 20 years<br />

and her designs won first-prize awards at the Guild of Fine Arts<br />

summer sale for three consecutive years . She travels extensively<br />

throughout Ontario, teaching a variety of twig furniture courses<br />

and workshops . Maggie is also proficient in all types of basketry<br />

and chair seating . www .wickerworks .on .ca<br />

Sandi Luck’s formal education includes a Diploma of Fine Arts,<br />

BA (Psychology), Textile Surface Design, Interior Design and<br />

Sustainable Building Design certificates . She worked for many<br />

years in architectural and graphic design and, more recently, is a<br />

founding member of The Art Hive Maple Lake Artisans Collective .<br />

Sandi is currently working with textile collages and wearables<br />

that incorporate multiple layers of vibrant colour and hand<br />

embellishment, while also exploring the wonderful world of felt .<br />

www .sandiluck .com<br />

Ramune Luminaire trained in sculpture and ceramics and now<br />

focuses on drawing, writing and sculpture as her primary media .<br />

She has shown her work in public galleries and museums in<br />

Ontario, Quebec, England and Norway . Before becoming a fine<br />

artist Ramune worked in publishing as a writer, editor and art<br />

director of photography, as well as a television scriptwriter and<br />

producer . She facilitates courses and workshops on creative<br />

process and all aspects of drawing, and works with groups and<br />

individuals . www .ramuneluminaire .com<br />

Mara Lusis, a fibre artist with a passion for working in many<br />

mediums with many types of fibre, has been spinning for over 20<br />

years and knitting and crocheting for many more . More recently,<br />

she has developed an interest in weaving, needle felting and<br />

dyeing, especially using nature’s dyes . Mara holds a Fibre Arts<br />

Certificate from St . Lawrence <strong>College</strong> and has earned a Spinning<br />

Certificate from the Ontario Handweavers and Spinners Spinning<br />

Certificate Program . She is the Central Region representative<br />

for the Ontario Handweavers and Spinners and a member of<br />

The Fibre Artists Collective , Great Pine Ridge Spinners and<br />

Weavers, Northumberland Hooks and Needles Guild, the Latvian<br />

Handicrafts Association, Northumberland Arts Council, Ontario<br />

Crafts Council . Mara has won a number of awards for her fibre<br />

work . www .fibreartistscollective .com<br />

Erin Lynch studied journalism at Ryerson Polytechnic University in<br />

Toronto and went on to pursue a passion for jewellery through<br />

courses at George Brown <strong>College</strong> and the Haliburton School of<br />

The Arts . An experienced facilitator, Erin has taught jewellery and<br />

fine craft classes to adults and children in community galleries,<br />

schools, colleges and studios throughout Ontario . Found objects<br />

and natural material remain a constant source of inspiration<br />

for her work . Erin divides her time as a freelance writer and a<br />

jewellery artisan for her resident studio Bella’s Bazaar at The Art<br />

Hive . She is also a founding member of The Art Hive, Haliburton<br />

County’s artist-run gallery and store . www .thearthive .com<br />

Robert MacDonald, SBStJ CD FSA Scot, first expressed his desire<br />

to work with fabric when at age 4 he clamoured to his Granny to<br />

learn to sew, and he has continued sewing by hand ever since .<br />

By age 14 he was seeking an apprenticeship as a kilt maker<br />

and he achieved that aim two years later when he enlisted in<br />

the Seaforth Highlanders . He rose to the position of Regimental<br />

Master Kiltmaker to two of Canada’s 16 Kilted Regiments . After<br />

26 years of service, Robert retired from the Army as a Captain<br />

but he continues to work for the Highland Regiments as he<br />

trains a new generation of kilt makers and tailors . He is now<br />

not only one of the Commonwealth’s most highly-regarded kilt<br />

makers and authorities on Highland Dress, he has also won<br />

great acclaim for his abilities as an instructor . Robert has been<br />

appointed Senior Curator of the Seaforth Highlanders of Canada<br />

Museum and Archives . www .westcoastkilts .com


Susan MacDonald has achieved international recognition as a multi<br />

discipline artist . Her unique creations are now available in some<br />

of Toronto’s most exclusive fashion houses and she is a featured<br />

artist at the Ontario Crafts Council’s Guild Shop in Yorkville<br />

www .suemacdesigns .com<br />

Sheila Mahut’s career and accomplishments span over 25 years,<br />

during which time she has exhibited internationally, taught at<br />

Sheridan <strong>College</strong>’s glass department and successfully developed<br />

many series of blown and sculptural glass . Sheila has taught<br />

numerous courses in both kiln-formed and blown glass in the<br />

Haliburton School of The Arts Glassblowing Certificate and<br />

summer school as well as the Corning Studio at the Corning<br />

Museum of Glass . She has won awards and tuition scholarships<br />

from universities and colleges as well as professional grants and<br />

Awards of Merit in exhibitions . Sheila’s work is in a number of<br />

private and public collections in Canada and abroad and images<br />

of her work have been published in magazines, catalogues and<br />

books .<br />

Matthew Mancini attended the Ontario <strong>College</strong> of Art and Design<br />

from 2001 to 2003 but left to pursue a more classical realist<br />

approach that led him to delve into a six year study of the<br />

techniques used in the 19th Century ateliers of Paris, France . In<br />

addition to perfecting them in his own work, Matthew regularly<br />

teaches the principles and methods of classical realism in<br />

drawing and oil painting . www .matthewmanciniart .com<br />

Paul Marshall has an honours Bachelor of Fine Arts with a painting<br />

focus from York University and specialized in Outdoor and<br />

Experiential Education while earning his Bachelor of Education .<br />

In his previous role as an interpreter with Ontario Parks, he<br />

has introduced people of all ages to the natural environment in<br />

interesting and engaging ways . The inspiration for this summer’s<br />

Kids’ Outdoor Art Adventures for kids course came from his 2011<br />

residency at Pukaskwa National Park where he made a new<br />

artist’s book every day and filled it while hiking in the park . When<br />

not teaching Paul continues to paint and show his work .<br />

Judith Mason, a practicing artist, teacher and art educator, holds<br />

an BA in Cultural Studies, a BA in Education and is currently<br />

completing an MA in Art Theory . Additionally she has studied<br />

textiles, ceramics, drawing and printmaking, sculpture, photography,<br />

and has been involved in curatorial practice . In conjunction<br />

with her academic work she has spent many years teaching<br />

art to adults and children .<br />

Jennifer Mayrl has been working in the field of cake decorating for<br />

almost 15 years . In 2004 she and a business partner opened<br />

Cakes by Design in Barrie, Ontario and it has become a local<br />

sensation . They have even garnered international attention<br />

through features in the Toronto Star and other mainstream<br />

media . Jennifer enjoys sharing her love of cake artistry through<br />

the cakes themselves as well as through instructing others .<br />

Kim McBrien is owner of Indigodragonfly and produces hand<br />

dyed yarn and spinning fibre known for deep, multifaceted<br />

colours and humourous names . She loves yarn, fibre and<br />

colour and teaching others how to bend all of these to their<br />

will using a number of techniques borrowed from knitting,<br />

weaving, basketry, embroidery, surface design and quilting .<br />

www .indigodragonfly .wordpress .com www .indigodragonfly .ca<br />

Linda McGillivray moved from downtown Toronto 27 years ago and<br />

decided to take a stained glass course at Sir Sandford <strong>Fleming</strong><br />

<strong>College</strong> . Twenty years ago she opened Crazy Horse Stained<br />

Glass . With her relaxed approach and great colour sense,<br />

combined with her husband’s design and construction support,<br />

they now have commissions all over the world . Linda also<br />

teaches courses at her studio just south of Kinmount and has<br />

participated in the Victoria County Studio Tour since 1990 .<br />

Marg McIntyre’s paintings are exhibited all over the world and are<br />

based upon her experiences in the Caribbean and her life in<br />

Ontario . She is certified by the Ontario <strong>College</strong> of Teachers and<br />

is affectionately known as ‘Mrs . Mac’ by thousands of children<br />

and fellow teachers that she has taught to draw and paint in the<br />

schools of Hastings and Prince Edward District School Board .<br />

Her popular, simple step-by-step instruction style is easy to follow<br />

and has enabled her students to produce beautiful pieces of<br />

artwork in a short period of time . Marg works in all media but her<br />

passion is watercolour and pencil . Gordon MacKenzie, Marilyn<br />

Coulter and the late Jack Reid have been very influential in the<br />

development of her personal style . www .margmcintyre .com<br />

Maureen McKay studied concert harp with Judy Loman and was<br />

harpist with the North York Symphony. She is a faculty member<br />

at the Royal Conservatory of Music, where she has taught harp<br />

full-time since 1980 . Since 1993 she has been a harp examiner<br />

for the RCM and was senior contributor for the 2009 (current)<br />

Syllabus, which establishes grade level requirements for harp<br />

students throughout Canada . Maureen developed the Celtic harp<br />

program at the Gaelic <strong>College</strong> in Cape Breton where she taught<br />

for many years . She applies her M .Sc . (Human Physiology, U . of<br />

T .) to bring the added dimension of ergonomic awareness to harp<br />

playing, incorporating injury prevention with skill development .<br />

Maureen enjoys working with students of all ages and levels of<br />

harp playing . www .clarsach .ca<br />

Margot Miller is an Honours Graduate of OCAD (<strong>College</strong> Medal<br />

Winner) and the Ecotourism Management Program, <strong>Fleming</strong><br />

<strong>College</strong> . She is a recipient of a Design Canada Award and<br />

has exhibited at numerous galleries and shows, including<br />

the Art Gallery of Ontario, the National Film Board of Canada<br />

and the Ontario Crafts Council . As a lecturer and instructor in<br />

the arts and the business of art, she has taught at Sheridan<br />

<strong>College</strong> of Crafts and Design, St . Lawrence <strong>College</strong>, Queen’s<br />

University and <strong>Fleming</strong> <strong>College</strong> . For more than 20 years she<br />

has offered workshops from her own studio and shop, as well<br />

as designing and printing clothing, yardage, floor cloths and<br />

furniture . Her work has sold in shows and stores in Canada<br />

and the US . She has travelled extensively in the Far East,<br />

documenting traditional textiles techniques and has worked<br />

as a designer for a British and Canadian company in India .<br />

www .margotmiller-summerhouse .com<br />

Sue Miller’s work has evolved from representational landscapes to<br />

more expressive scenes capturing the essence of the Canadian<br />

landscape . Her inspiration comes mainly from the Atlantic coast<br />

lines and expansive landscapes around the Georgian Triangle,<br />

but are not held to specific places or scenes . They are her<br />

intuitive response to a collective imprint of water/landscape, often<br />

with metaphoric themes . Sue’s objective is to create connection<br />

between artist, subject and audience . www .sueamiller .com<br />

Ross Monk paintings portray the essence of Canada . An earlier<br />

career in advertising and further studies with many internationally<br />

known landscape artists have enabled him to perfect his<br />

artistic skills . His oil and watercolour paintings express his love<br />

of nature in a style that has been described as impressionistic<br />

realism . Ross’ work can be found in private and corporate collections<br />

in Canada and abroad . He has paintings in the Permanent<br />

Collection of Her Majesty The Queen and in the private collection<br />

of HRH The Prince of Wales . Ross is an elected member and<br />

past director of The Canadian Society of Painters in Watercolour<br />

and a signature member of the Toronto Watercolour Society . He<br />

is represented by two galleries in Toronto . www .rossmonk .com<br />

Andrea Mossop, a graduate of Fine Art from The University of<br />

Western Ontario and advanced studio work in drawing and<br />

painting from the Ontario <strong>College</strong> of Art in 1974, is noted for<br />

her creativity and knowledge in teaching and lecturing . With<br />

particular expertise in painting and applied colour theory, life<br />

drawing, and art history, Andrea teaches for the Haliburton<br />

School of The Arts, St . Lawrence <strong>College</strong> Brockville, the Ottawa<br />

School of Art and privately throughout Eastern Ontario and<br />

Toronto . www .andreamossop .com<br />

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Jennifer Mykolyshyn is an award-winning graduate of the<br />

Haliburton School of The Arts, with a focus on drawing and<br />

painting . As well as her visual art studies at Emily Carr University<br />

in Vancouver and environmental technological studies at <strong>Fleming</strong><br />

<strong>College</strong> in Lindsay, her education also extends through her years<br />

of travel and diverse work experience . Jennifer has six years<br />

experience cooking in various restaurants as well as remote<br />

camps in Northern Ontario, Alberta and British Columbia in<br />

conditions where creativity and food go hand in hand . She has<br />

worked with children as an assistant teacher for summer art<br />

courses in Haliburton and as a volunteer for Big Brothers and Big<br />

Sisters of Lindsay . She continues to explore ways of expressing<br />

herself creatively and enjoys sharing and playing with others .<br />

Midori Nagai has been in the film industry for the past 20 years<br />

in the costume department . She has worked on films such as<br />

“Harold and Kumar Go to White Castle”, has distressed and<br />

broken down costumes for George Romero’s “Land of the Dead”<br />

and has worked with period pieces such as “The Crossing”,<br />

about George Washington . For the past five years she has discovered<br />

a new found love for the creation of video and has produced<br />

various projects such as short documentaries, promotional videos<br />

and animation . An honours graduate from the Ontario <strong>College</strong> of<br />

Art, she also continues to explore fibre arts .<br />

Joanna Nash is a career painter, with an MA in Art Education<br />

(The Praxis of Teaching Drawing, McGill University, Mtl .<br />

1996) . She teaches in the Faculty of Engineering at McGill<br />

and is a regular instructor at the Haliburton School of The<br />

Arts . In 2008 she contributed a chapter in Ironic to Iconic:<br />

Tanya Mars performance artist . She gives drawing workshops<br />

in Toronto and at Harvard Medical School (The Sensitized<br />

Eye: where art, medicine and anatomy interact) . Presently,<br />

Joanna paints and teaches small groups in her studio .<br />

www .mcgill .ca/architecture/faculty/nash<br />

Sylvia Naylor was educated in England where she later became<br />

a teacher specializing in textile crafts . She then studied City &<br />

Guilds of London Embroidery and Textiles . She was awarded<br />

a silver medal for the highest marks in the country in her year .<br />

Sylvia has taught workshops in Canada, the US and England .<br />

She has won numerous awards and has been featured in several<br />

publications . Recently she had articles in Quilting Arts [USA]<br />

and her work was featured in Inspiration published by Bernina,<br />

Switzerland . Her work has been shown in several publications to<br />

be published in the US in the last few years . Sylvia has exhibited<br />

her artwork extensively in galleries in England, Canada and the<br />

US and her work is in private collections in many countries .<br />

www .sylvianaylor .com<br />

Nancy Newman is an experienced artist and teacher who supports<br />

students with individual feedback and encouragement . An<br />

award-winning watercolourist, she has led a variety of workshops<br />

and courses for artists, educators and art societies and<br />

has participated in many juried, group and solo shows . She<br />

teaches art classes for the Town of Aurora, as well as Additional<br />

Qualification Courses for Nipissing University . In addition to being<br />

a member of COAA, ECOAA, (associate) CSPWC, and GBACA,<br />

Nancy is the President of the Toronto Watercolour Society<br />

and the Chairperson for the Society of York Region Artists.<br />

www .nancynewmanart .com<br />

Charles O’Neil (2008 Artist of Distinction-Haliburton Highlands<br />

Arts Council) is a full-time artist with a wide range of interests<br />

and a long affiliation with the Haliburton School of The Arts .<br />

With a background in drawing and painting, in the late 1990’s<br />

he became interested in sculpting . Working primarily in metal<br />

wire, his work is now featured in galleries across the country as<br />

well as internationally . Charles has earned a certificate in Artist<br />

Blacksmithing and a Diploma in Visual and Creative Arts from<br />

<strong>Fleming</strong> <strong>College</strong>’s Haliburton School of The Arts . As a faculty<br />

member since 1997, he teaches several adult courses in wire<br />

sculpture, drawing, and painting . Charles’ work can be found<br />

in both private and corporate collections and includes work<br />

recently purchased by the federal government of Canada as gifts<br />

for international leaders . Public works can be viewed at Pearson<br />

International Airport’s Terminal #3, The Design Firm of Southfield<br />

Michigan, the Stuart Wietzman Collection of New, York and the<br />

Haliburton Sculpture Forest . www .charlesoneil .com<br />

Dorit Osher is a dancer, educator and psychotherapist . She had a<br />

career as a professional contemporary dancer with Free Flight<br />

(S .A), Batsheva (Israel), Ballet Rambert (U .K) and then worked<br />

as a dancer and created works in Europe and Canada . She has<br />

a Master’s in Theory and Criticism, with a focus on trauma and<br />

the body, and also has her Master’s of Clinical Social Work . She<br />

is currently completing her registration as a dance/movement<br />

therapist . Dorit continues to study and integrate dance/movement,<br />

mindfulness, Jungian and somatic oriented psychology in<br />

her work as a psychotherapist where she specializes in addictions<br />

and eating disorders . www .doritosher .com<br />

Russ Parker has had a lifelong interest in woodworking that spans<br />

a variety of disciplines . In addition to teaching paddle making,<br />

he has made 2 kayaks, a rowing shell, carved Pacific Northwest<br />

Coast totem poles and masks, made traditional archery equipment<br />

including longbows, recurve bows, arrows and quivers, and<br />

built a house full of oak furniture in the mission style . Russ is also<br />

an amateur luthier and has made more than twenty guitars .<br />

Shannon Partridge graduated OCAD and completed her MFA at the<br />

University of Waterloo . During her graduate studies she participated<br />

in an internship with painter Michael Borremans in Gent,<br />

Belgium and travelled Europe researching various zoo exhibits for<br />

her thesis . Her paintings have been exhibited in numerous solo<br />

and group shows throughout Canada, including: W .K .P . Kennedy<br />

Gallery, North Bay; Skew Gallery, Calgary; Petro Gallery, Toronto;<br />

and Art Mur Gallery, Montreal . In the past two years she has<br />

attended artists’ residencies at the Vermont Studio Center and<br />

Ox-Bow in the US . www .shannonpartridge .com<br />

Rose Pearson earned her Bachelor of Fine Arts degree from York<br />

University, majoring in painting and drawing . She went on to<br />

receive her Education Degree and has over 15 years of experience<br />

teaching art in both the public school system in Alberta<br />

and Ontario and privately from her studio in Haliburton County .<br />

In addition to creating bodies of work for public gallery exhibitions,<br />

she is a member of the Haliburton County Studio Tour<br />

and is represented by the Ethel Curry Gallery in Haliburton .<br />

www .rosepearson .com<br />

Barbara Joy Peel has a busy pottery studio/gallery and has<br />

taught for the Haliburton Highlands Guild of Fine Arts and<br />

Sir Sandford <strong>Fleming</strong> <strong>College</strong> for many years . She has won<br />

numerous awards for her work, including the Ontario Crafts<br />

Council Design Award at the Haliburton Highlands Guild of Fine<br />

Arts Summer Exhibition, many awards through the Guild of Fine<br />

Arts, and at the Sydney Easter Festival, Australia . Barb’s skill<br />

and dedication have introduced and challenged many students,<br />

children and adults alike, in a variety of pottery techniques .<br />

www .barbarajoypeel .com<br />

Bryce Petersen began his art education in Haliburton, achieving<br />

certificates in Glassblowing and Artist Blacksmithing . He then<br />

pursued his Bachelor of Fine Arts in Studio Art and Art History at<br />

Concordia University and now holds his Bachelor of Education as<br />

a secondary visual arts/history teacher . Being an interdisciplinary<br />

artist, Bryce has enjoyed teaching the arts in various capacities .<br />

Rene Petitjean is a blacksmith, iron sculptor and potter . He has<br />

supplied his works to galleries and stores for over 30 years as<br />

well as doing many corporate commissions . Currently he works<br />

with architects, landscape architects and interior designers,<br />

producing forged architectural elements for clients in Canada<br />

and the US . www .renepetitjean .com


Kate Pocock is an award-winning travel writer and photographer<br />

with 18 years experience of writing travel stories . She is the<br />

author of Fodor’s Around Toronto with Kids, wrote 14 chapters<br />

in National Geographic’s Family Adventure Vacations, and has<br />

written for publications such as MoneySense, Reader’s Digest,<br />

The Globe & Mail, and AOL Canada . As a magazine editor, she’s<br />

helped to launch six national magazines, including Chatelaine<br />

Travels! and Travel & More for Air Miles . She has won many<br />

awards for her writing and photography including a National<br />

Magazine Award and a 2011 photo award from the Society of<br />

American Travel Writers (SATW) . www .familytravelink .com<br />

Paul Portelli, a professional sculptor, manipulates the natural<br />

beauty and versatility of terra cotta clay with colour and glazes<br />

to create his popular Greenman, whimsical animals, Venetian<br />

Carnival Figures, a full range of functional pieces and figurative<br />

work . Many of Paul's works have been exhibited in public and<br />

private galleries and are held in private collections in Canada,<br />

the US, Europe, and Africa (Ghana: President John Agyekum<br />

Kufuor and King Safrotwe Kakradae IV) . He is the author of<br />

articles in many Canadian publications, such as Crafts Plus,<br />

Style and Men's Wear Canada, and has also made regular guest<br />

appearances on television shows Cityline, Craftscape and Savoir<br />

Faire . After graduating in Fashion Arts from Seneca <strong>College</strong> he<br />

continued his studies in visual arts at the Ontario <strong>College</strong> of Art<br />

and Sir Sandford <strong>Fleming</strong> <strong>College</strong> (Haliburton School of Fine<br />

Arts) . Paul has been an instructor in visual arts and business<br />

departments at Sir Sandford <strong>Fleming</strong> <strong>College</strong>, Durham <strong>College</strong>,<br />

Seneca <strong>College</strong> and Ryerson University . www .paulportelli .com<br />

John Proctor teaches workshops on a variety of drums including<br />

Djembe, Taiko, Ashiko and Frame drums, as well as percussion<br />

instruments crafted from Hard Shelled Gourds . Making<br />

musical instruments from recycled materials is a current passion .<br />

He also facilitates drumming and soundscapes for those who<br />

respond to the call and the dance of the drum beat . John is a<br />

certified Roots of Rhythm teacher and he provides an innovative<br />

cross-curricular program that offers training to both teachers and<br />

students in fundamental rhythms, both ancient and modern .<br />

www .earthtonesstudio .ca<br />

Rod Prouse, a graduate of OCAD, exhibits mainly in painting<br />

and printmaking and recently photo-based and video art . His<br />

professional career has given him 30 solo exhibitions and as<br />

many group exhibitions across Canada, the US, England, and<br />

Germany . Solo exhibitions have included such institutions as<br />

the McMichael Canadian Art Collection and the MacLaren Art<br />

Centre . Over the years he has received numerous teaching<br />

and project grants, as well as awards of recognition for photography<br />

and design . Rod has sat as a juror for exhibitions and for<br />

Ontario Arts Council grants, and has been an artist-in-residence<br />

at Open Studio, Georgian <strong>College</strong> and Claude Watson School<br />

of the Arts . For more than 30 years Rod has been active in<br />

many school boards, creating and teaching art projects in<br />

video, performance, sculpture, murals, outdoor art education,<br />

painting and printmaking . He has instructed at Central Technical<br />

<strong>College</strong>, Pickering <strong>College</strong>, Centennial <strong>College</strong>, <strong>Fleming</strong> <strong>College</strong>,<br />

the Haliburton School of The Arts, and has presented workshops<br />

for school boards, professional organizations and arts<br />

groups . www .rodprouse .com<br />

John Pryce has studied art and worked in the art field in Montreal,<br />

Chicago and Toronto . During a successful career as an architectural<br />

illustrator, his work was used in projects around the world .<br />

His seemingly loose yet eloquent technique is the result of years<br />

of experience in the disciplines of drawing, colour and composition<br />

. “The purest and most rewarding form of painting, in my<br />

opinion, is “en plein air” as it challenges all of the skills and<br />

discipline of the artist.” www .prycestudios .com<br />

Linda Lee Purvis is a multi-media artist, writer, teacher, and<br />

self-actualization coach . She has designed work for television,<br />

magazines, and art galleries (including the Art Gallery of Ontario),<br />

and has work in private collections around the globe . Her<br />

passions are deeply rooted in the natural world, and she infuses<br />

elements of nature in much of her work – which in addition to<br />

art, extends to the use of herbs and essential oils . She creates<br />

unique methods of bringing the power of nature to those that<br />

experience ‘nature-deficit’ living, and facilitates programs to<br />

assist individuals in defining and aligning their personal goals<br />

with authenticity, through art .<br />

Elaine Quehl is an award-winning artist who specializes in colourful<br />

and intricately stitched art quilts . Her nature-themed works are<br />

recognizable for their depth and contrast, exuberant colour and<br />

abundant texture . Elaine’s quilts have been juried into numerous<br />

national and international exhibits and have been widely<br />

published . In great demand as a teacher, she is recognized for<br />

her expertise in free-motion machine quilting, fabric dyeing, and<br />

many innovative techniques for creating original quilts . Also a<br />

skilled dyer, Elaine has been selling her hand-dyed fabrics across<br />

North America for many years . She is a Professional Member of<br />

Studio Art Quilt Associates . www .equarelle .ca<br />

Stephanie Rayner is an artist, printmaker, international lecturer,<br />

art educator and captivating storyteller . Her art works, shown<br />

widely and collected by major art museums, deal with themes<br />

and issues relating to spirituality and science . In May of 2009<br />

Stephanie was in China at the invitation of the Luxun Academy<br />

of Fine Arts, China’s foremost art school, to teach the professors<br />

and select post doctoral students watercolour printmaking<br />

and a special course on universal meaning in the arts . She was<br />

also invited to give lectures on her art work in several universities<br />

throughout mainland China . In November 2009 the Maine<br />

<strong>College</strong> of Art (Portland, Maine) did a special month long gallery<br />

show ‘First Impressions’ of Stephanie and her students’ watercolour<br />

monoprint works . www .stephanierayner .com<br />

Tammy Rea has spent the last 20 years in the computer world –<br />

and then the last 10 of those working with digital video . She runs<br />

the Haliburton 48 Create Video competition for ages 7 to 70 .<br />

Tammy has taught video creation at all school levels and also<br />

produces corporate and creative videos .<br />

Ruth Read received her BFA (sculpture major) from Queen’s<br />

University . She has since exhibited in both group and solo<br />

shows at The Station Gallery, Whitby; the Robert McLaughlin<br />

Gallery, Oshawa; the Visual Arts Centre, Clarington; The Latcham<br />

Gallery, Stouffeville; MacLaren Art Centre, Barrie; as well as other<br />

galleries in Ontario and Newfoundland . She has continued to<br />

study drawing and painting extensively and shares her expertise<br />

with students in a variety of venues . http://ruthread .com<br />

Bill Reddick created Canada’s Official State Dinnerware . The<br />

“Maple Leaf Service” was enjoyed by President Obama on his<br />

state visit to Canada in 2009 and later by the Emperor and<br />

Empress of Japan . Bill’s ‘Plate with National Imagery, featuring<br />

Canada Geese in flight, represented Canada at the 2009<br />

Cheongju International Craft Biennale in South Korea and in<br />

Vancouver at the ‘Cultural Olympiad’ during the 2010 Winter<br />

Olympics . Place settings at the Canadian Embassy in Tokyo<br />

depict another of his elegant and original designs . Bill has been<br />

a full time professional potter for 30 years . He currently evolves<br />

work in hi-fired porcelain, but has prior experience as a production<br />

potter working with stoneware, throwing 12,000 lbs of clay<br />

annually for 15 years . www .billreddick .com<br />

Chari-Lynn Reithmeier received her honours diploma from Georgian<br />

<strong>College</strong> School of Design and Visual Arts and began her artistic<br />

career as a painter exhibiting her work in local galleries . She has<br />

lectured and taught about the history and techniques of crazy<br />

quilting throughout southern Ontario . As part of her daily art<br />

routine Chari-Lynn finds relaxation and inspiration in Zentangle ®<br />

and is a certified Zentangle® teacher, CZT . www .charilynn .com<br />

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Rebecca Reynolds achieved her BFA from Concordia University<br />

and her teaching degree from Nipissing University in addition<br />

to earning her Expressive Arts certificate at <strong>Fleming</strong> <strong>College</strong> .<br />

Rebecca’s paintings, drawings and installation works currently<br />

focus on colour, texture and layering, and are inspired by the<br />

spontaneity and playfulness of children’s gestures . Her creative,<br />

engaging and dynamic teaching style has been honed through<br />

more than 15 years of experience instructing children of all ages<br />

in such settings as camps, theatres, museums, libraries, cruise<br />

ships and classrooms . Rebecca also led the Glenhyrst Art Gallery<br />

children’s programming for two very rewarding summers as<br />

Camp Director .<br />

Karen Richens has been a fibre and textile enthusiast for over<br />

twenty years, having spent a year of travel searching out textiles<br />

and their making in Indonesia, India, Nepal and Africa . She has<br />

been a passionate spinner and has raised Shetland sheep for 14<br />

years and enjoys the self-sufficiency of growing her own fibre and<br />

food . Karen is a graduate of the OHS, Spinning Certificate course<br />

and a spinning member of the ‘Toronto Spiders’, international<br />

winners of the ‘International Back to Back Wool Challenge’ . She<br />

has taught a variety of textile-related workshops, especially those<br />

pertaining to wool spinning, felting and Shetlands .<br />

Peter Riedel is an artist and professional photographer . His rock<br />

balancing work is at once impermanent and permanent, in<br />

that it alters the organization of the natural landscape and is<br />

captured by his photography . His transient sculptures contradict<br />

the permanence of traditional art; yet his photographs strive to<br />

record what shall eventually vanish . Peter’s rock balancing work<br />

has been featured by a number of newspapers including The<br />

National Post, The Globe and Mail, The Toronto Star, Toronto<br />

Sun and Stonexus Magazine . He has also been featured on CBC,<br />

CTV, CP24, Breakfast TV and W Network’s ‘Divine Design’, and<br />

most recently, Bravo Network’s Arts & Minds . Peter also demonstrated<br />

his rock balancing art at Roy Thompson Hall in Toronto<br />

in September 2007 in support of the Toronto International Film<br />

Festival gala premiere of the Canadian film, “The Journals of<br />

Knud Rasmussen” . www .rockbalancing .ca<br />

Laurie Rockman has always been expressive with dance and art .<br />

This led her to attend the Fine Arts program at York University<br />

where she studied both art forms . After graduating with honours,<br />

she continued her work and studies in New York City. Laurie<br />

started her own greeting card company called “Mug Shots”<br />

where she uses her unique and whimsical characters to express<br />

her sense of humour . Her gently irreverent cards are sold in<br />

over a hundred eclectic gift stores in Canada . She participates<br />

in art shows including the By Hand-Artisan Show and the One<br />

of a Kind Show in Toronto . Interest in her work has led to many<br />

commissions from corporate cards to advertisements, logos<br />

and promotional items . As a freelance teacher she has taught<br />

many age groups, from beginning students to advanced artists .<br />

www .mugshotscards .com<br />

Steve Rose is a graduate of OCAD with a major in Drawing and<br />

Painting . He has exhibited his work extensively and has a<br />

diverse background as an artist/educator . Steve has taught<br />

fine arts at the Neilson Park Creative Centre, the Kofler Centre,<br />

the Haliburton School of The Arts, and OCAD . His work is<br />

collected in private and corporate international collections .<br />

www .steverose .ca<br />

Andy Rush teaches band, choral music and guitar at Ernestown<br />

Secondary School and is an adjunct instructor at the Faculty<br />

of Education, Queen’s University . He is also the founder and<br />

artistic director of the 110 voice Open Voices Community Choir in<br />

Kingston, Ontario . Before pursuing formal music and education<br />

study at Queen’s, Andy was an artisan goldsmith . Andy has a<br />

gift for finding uplifting and fun songs and arranging them for his<br />

workshops . www .open-voices .org<br />

John Sabourin studied Fine Art at the Victoria <strong>College</strong> of Art,<br />

Victoria, British Columbia . After numerous group exhibitions in<br />

places such as Sydney, Australia (2002), Arizona (1998), and<br />

New Mexico (1995), John was honoured to represent the N .W .T .<br />

in Burning Cold, a juried art exhibition of ten Canadian artists, at<br />

the Yukon Arts Centre, which travelled to venues around Canada.<br />

John is represented by Birchwood Gallery in Yellowknife, NWT;<br />

Bearclaw Gallery in Edmonton, Alberta, The Guild shop in<br />

Toronto, Ontario Canadian Guild of Crafts, Montreal, Quebec, and<br />

Arctic Artistry in New York, New York.<br />

Leanne Schachow is a graduate from York University with a<br />

Bachelor of Fine Arts (Theatre / Visual Arts) and a Bachelor of<br />

Education . She has been teaching dramatic and visual arts in the<br />

secondary program for over 10 years and is an annual presenter<br />

at school board conferences and community events promoting<br />

the importance of a dramatic experience through education .<br />

Working at several theatre companies over the last nine years as<br />

a director, stage manager, and costume designer, she has participated<br />

in over 50 theatrical events . Leanne is currently working as<br />

a director for several musical performances as well as performing<br />

regularly with her improvisation comedy troupe .<br />

Marta Scythes is a medical illustrator, fine artist and educator .<br />

Her work has been published by Harrowsmith Magazine,<br />

University of Toronto Medical Society and Harper Collins (New<br />

York). McClelland and Stewart featured her illustrations in their<br />

best-selling UP NORTH nature series as well as in The Canadian<br />

Encyclopedia . Marta holds a Master’s of Science in Biomedical<br />

Communications from the University of Toronto and has created<br />

scientific animations for the Hospital for Sick Children and<br />

Queen’s University . She currently teaches at <strong>Fleming</strong> and St .<br />

Lawrence <strong>College</strong>s, Queen’s University and The PEI School of<br />

Art . www .bmc .med .utoronto .ca/~marta<br />

Jill Segal is an award-winning professional artist, enthusiastic,<br />

popular art teacher and certified Kripalu Yoga teacher. She<br />

conducts demonstrations, classes and workshops for numerous<br />

art associations and educational institutions in Canada as well<br />

as internationally . Jill has co-facilitated many workshops on<br />

spirituality and creativity and enjoys taking groups of artists on<br />

inspiring travel/painting trips to Peru and other countries . Jill is<br />

represented by galleries around Ontario and in the Caribbean<br />

and participates regularly in juried shows . She is an elected<br />

member of the Society of Canadian Artists and a signature<br />

member of the Toronto Watercolour Association . Her acrylic and<br />

mixed media paintings are loose and expressive, characterized<br />

by bold vibrant colours, energetic calligraphy and a strong sense<br />

of design . www .jillsegal .com<br />

Jane Selbie has explored the richness of fabric in many forms,<br />

coming to the most satisfying fruition with her original technique<br />

of fabric layering . Strong observational skills and an inquisitive<br />

sense of design and colour allow her to translate scenes in varied<br />

and beautiful ways . Jane’s works are award winning, featured<br />

in local galleries and collected by individuals and corporations<br />

globally . Over the past decade, following this expression, she<br />

has been invited to participate in nine solo shows, two twoperson<br />

shows and numerous group shows throughout Ontario .<br />

www .jselbie .com<br />

Michael Sheba has a B .Sc . in Chemistry from McMaster University<br />

and studied ceramics in Holland . Originally working in stoneware<br />

and porcelain, he has for over 25 years been recognized for his<br />

innovative contemporary approach to Raku as well as development<br />

of clay bodies and glazes . His work has been exhibited<br />

in Canada, the US and Europe . He was a board member and<br />

committee chair for the OCC, and vice-president and exhibitions<br />

chair for Fusion . Winner of various awards and honours,<br />

he has been an instructor at Metchosin, the New Brunswick<br />

Craft School, Canadore <strong>College</strong>, St . Lawrence <strong>College</strong>, University<br />

of Toronto Faculty of Education, throughout Ontario as well as<br />

the US, Mexico and Turkey . He was also artist-in-residence<br />

at Millsaps <strong>College</strong>, Mississippi and Vitra Studio, Istanbul . His


work is found in the Indusmin, Saks Fifth Avenue and Charles<br />

Bronfman corporate collections, Burlington Art Centre, and the<br />

Canadian Clay and Glass Gallery . Michael’s work is published<br />

in Raku: A Practical Approach, Hand-Formed Ceramics, The<br />

Ceramic Design Book, Ceramics: Mastering the Craft, Making<br />

Marks . Mastering Raku, and 500 Raku .<br />

Brad Sherwood began working with glass as a student at OCAD .<br />

Upon graduating in 1994 with a diploma in sculpture, he<br />

received an artist residency in the Glass Studio at Harbourfront<br />

Centre . He continues to develop his unique tools and methods<br />

for glass forming . Brad worked for several years as a scientific/<br />

industrial glassblower and has incorporated that knowledge into<br />

his art . He teaches Flameworking, Introduction to Hot Glass<br />

and Three Dimensional Design at Sheridan <strong>College</strong> . Also, Brad<br />

continues his love for fencing and archery while coaching for the<br />

City of Guelph, and The Ontario Centre for Classical Sport .<br />

Brian Smith was accepted into the Ontario <strong>College</strong> of Art with<br />

advanced standing and full scholarship . After graduating in<br />

1969, he worked as a graphic designer, including founding<br />

his own brand development company, LOGOSBRANDS, in<br />

1979 . Over the next 27 years, he and his company won over<br />

90 national and international design awards . Throughout this<br />

time, Brian has also been a practicing fine artist, specializing in<br />

classical drawing and painting from the figure . His works range<br />

through a variety of media and styles, and are represented in<br />

collections across Canada and the US . He has exhibited in<br />

numerous gallery exhibitions, juried and invitational shows, and<br />

recently won the top prize at the Etobicoke Annual Juried Show<br />

and the Colour and Form Society Annual Juried Exhibition .<br />

In 2006, the Drawing Society of Canada elected Brian as an<br />

Honorary Drawing Master acknowledging his lifelong dedication<br />

to drawing as a primary art form . Brian has taught life drawing<br />

and portraiture for over twenty years and has instructed at the<br />

Ontario <strong>College</strong> of Art and Design, the Koffler Centre for the Arts,<br />

Nielson Park Creative Centre, Visual Arts Mississauga, Haliburton<br />

School of The Arts and StudioQ . www .drawn2life .com<br />

Stewart Smith studied physics and music before settling down in<br />

1974 to a career that began as a woodcarver . By 1980 he had<br />

won Best Sculpture Award at the Toronto Outdoor Art Show, and<br />

had taught at JSANO in Kirkland Lake and at Lambton <strong>College</strong> .<br />

Since 1980, Stewart has supplied custom sculptural services<br />

to bronze plaque makers and art foundries across Canada and<br />

the US . He has created a number of bronze works for the City of<br />

New York, and, in 2005, a life sized portrait of the show-jumping<br />

horse Big Ben and his rider, Ian Millar . www .stewartpatterns .com<br />

Maurice Snelgrove’s love of the outdoors and his concern for the<br />

environment are manifested in his watercolour landscapes .<br />

He worked for 15 years as an Artist/Designer/Art Director prior<br />

to starting a teaching career in 1970 . Maurice is an elected<br />

member and director of the Canadian Society of Painters in<br />

Watercolour . An extensive exhibition record includes group<br />

as well as solo shows . Maurice’s commissioned portraits and<br />

watercolours hang in public and private collections throughout<br />

Canada, France, Scotland, Mexico, Italy, Australia and the US .<br />

www .mauricesnelgrove .com<br />

Margot Snow is a Canadian artist with works exhibited in both<br />

private and corporate collections across North America, Australia<br />

and parts of Europe . Educated at the Montreal Museum of Fine<br />

Arts and the University of Guelph in Fine Arts, she has concentrated<br />

on watercolour painting since 1979 and has been teaching<br />

it since 1988 . She brings life to common objects with her intense<br />

use of colour . Margot is a member of the Group of Ten, a group<br />

of talented Muskoka Artists . Her work is featured in the 2011<br />

Muskoka Arts and Crafts Guide . www .margotsnow .com<br />

Marion Spanjerdt received her art training at the Royal <strong>College</strong><br />

of Art and Design in s’Hertogenbosch, the Netherlands, prior<br />

to coming to Canada . A textile artist known for her colourful<br />

textile collages, she has travelled extensively conducting<br />

workshops across Canada, the US, Australia and New Zealand .<br />

Her work has been exhibited internationally as well as in local<br />

group shows . In addition to privately commissioned textiles,<br />

she has produced large works for public buildings in North<br />

America and the Netherlands, and is the recipient of various<br />

rewards and grants from The Ontario Crafts Council and<br />

The Canada Council of The Arts . Marion has taught summer<br />

courses at the Haliburton School of the Arts since 1981, and<br />

was also an instructor for the Fibre Arts Certificate Program .<br />

She is a member of Connections Fibre Artists, a group of<br />

artists working in a variety of textile media and who exhibit<br />

together three times a year . www .connectionsfibreartists .com<br />

www .connectionsfibreartists .blogspot .com<br />

Donna Sproule has been hooked on East Coast style primitive rug<br />

hooking since 1999 when the craft’s free style and economy<br />

of re-using orphaned wool cloth spoke to a need to escape<br />

the convention and cost of mainstream art forms . She now<br />

helps others find joy in this relaxing and rhythmic pastime . Her<br />

work hangs at the Riverguild Gallery in Perth, Ontario and has<br />

travelled across Canada in private collections, museums, and<br />

competitions .<br />

Ted Staunton has been entertaining readers of all ages with funny,<br />

perceptive stories of childhood, teen, and family life since<br />

his 1983 debut with Puddleman, one of Canada’s favourite<br />

picture books . His many books include the Morgan series,<br />

Simon’s Surprise, and Hope Springs a Leak, (short listed for<br />

both the Silver Birch and Hackmatack awards) . Acting Up, a<br />

comic novel about teens, will be published this spring . Trained<br />

as a teacher, Ted presents and performs across Canada . He<br />

teaches Writing for Children at George Brown <strong>College</strong>, and<br />

frequently visits schools to work with kids on stories and writing .<br />

www .tedstauntonbooks .com<br />

Jessica Steinhäuser, whether creating intricate tile motifs for<br />

European masonry ovens, making functional pottery, or shaping<br />

architectural and figurative images onto a canvas, has undertaken<br />

a wide range of projects in her 27 year career as an artist .<br />

She has attended both the State School for Art and Design in<br />

Nuremburg, Germany, and the State School for Ceramics in<br />

Landshut, Germany, receiving her graduate Journeyman Potter<br />

designation . Jessica came to Canada in 1988 and established<br />

her studio and store, Stonehouse Pottery, where she continues<br />

to work as a potter . Jessica is a master on the wheel and her<br />

involvement in the arts community and measured eye for design<br />

has earned her nominations for the YMCA-YWCA Women<br />

of Distinction award in Arts and Culture for 2007 and 2008 .<br />

http://stonehousepottery .com<br />

Rob Stimpson is an internationally published, award-winning<br />

photographer best known for capturing the wilds of the Canadian<br />

outdoors . His first success came from selling images to Canada’s<br />

prestigious National Film Board of Canada (NFB) and from<br />

there his passion for travel, art and photography has taken him<br />

to many places . His 25-year career has taken him to the Arctic<br />

and Antarctic, sub-Saharan Africa, Europe, and Central America,<br />

where he has focused on rare sights of the natural world and<br />

photojournalistic elements of indigenous people . He is co-author<br />

of An Artist’s and Photographer’s Guide to Wild Ontario (Boston<br />

Mills Press .) and his work has also graced Canadian Geographic,<br />

Explore, Chatelaine, Cathay Pacific and Japan Air in-flight<br />

magazines, Globe & Mail and Toronto Star . His latest book<br />

– Antarctica -The Last Wilderness will be available in 2012 .<br />

Corporate clients include Swift Canoe, Ontario Tourism and<br />

Ontario Parks . www .robstimpson .com<br />

Monika Stramaglia has been machine knitting for over 30 years .<br />

Ten years ago, when she began hand-knitting, she started to<br />

combine hand and machine knitting, as well as crocheting .<br />

Machine knitting allows her to knit trendy garments and<br />

accessories in a very timely manner . Monika is captivated by<br />

machine knitting, and thoroughly enjoys sharing her passion<br />

through classes at the Creative Festival in Toronto, Knitter’s<br />

Jamboree, through private lessons, and through her own<br />

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pattern designs, available on Ravelry .com . Currently she is<br />

also teaching knitting and crocheting to adults and children<br />

for the Town of Richmond Hill, and local yarn stores . Monika<br />

is especially proud at having been recently acknowledged in A<br />

Needle Pulling Thread as a “creative teacher extraordinaire” .<br />

http://monikastramaglia .blogspot .com www .ravelry .com<br />

Don Taylor has been a bookbinder and book artist since<br />

1980 . He has an MA from the University of Windsor and<br />

studied bookbinding both at Sheridan <strong>College</strong> and privately<br />

with Beatrice Stock and Betsy Palmer Eldridge . Don’s fine<br />

bindings are in numerous public and private collections in<br />

Canada, the US, Japan and the UK . He has been teaching<br />

for the Canadian Bookbinders and Book Artists’ Guild since<br />

1984 and at the Haliburton School of The Arts since 1988 .<br />

www .dontaylorbookbinder .com<br />

Cindy Thompson Butineau is one of Canada’s premiere combination<br />

fiddle player/stepdancers . She has been a guest fiddler on<br />

national television and radio, worked with Symphony Orchestras,<br />

released three independent albums and has performed across<br />

North America achieving her lifelong goal of preserving traditional<br />

Canadian fiddle music . She is a dedicated fiddle teacher with<br />

over 25 years teaching experience and possesses a knowledgeable<br />

history of fiddle music that stems back to her roots .<br />

Cindy’s teaching is full of spontaneity, enthusiasm, fun and<br />

musical excellence . She believes that the art of playing music is<br />

achievable for anyone and respects the skill level and individual<br />

needs of each student, finding the best approach to achieve their<br />

personal goals . www .cindythompson .ca<br />

Sophia Tink’s individualistic, imaginative, and identifiable art pieces<br />

are hand sketched, sculpted, finely detailed and finished to the<br />

highest metalsmithing standards . Since 1982 she has been<br />

a professional artist and instructor of one-of-a-kind offerings .<br />

She is formally trained with the Sogetsu Ikebana School in the<br />

Japanese Art of Floral Design and a graduate from the Jewellery<br />

Arts program at Haliburton School of The Arts, <strong>Fleming</strong> <strong>College</strong> .<br />

Sophia has been recognized for her art work throughout the<br />

world, including the 2011 North American Design Competition,<br />

2011 Silver Accessories Magazine Japan, 2010 Art Clay World<br />

USA Artist of the Month, 2009 Art Clay Silver TV Documentaries,<br />

2008 North American Design Competition, 2008 Silver<br />

Accessories Magazine Japan, and 2007 MCWC Exhibition USA .<br />

Her work can be found internationally . www .sophiaart .com<br />

Mike Turner has been Scottish country dancing for over 25 years .<br />

He has been teaching and leading The Haliburton Highlands<br />

Scottish Country Dancers for the past 21 years . Mike has<br />

performed in many venues around the province including in<br />

Orillia, Toronto, Markham and Gravenhurst, as well as for many<br />

local functions . Some of the many dances he has devised have<br />

been published by The Gaelic <strong>College</strong> in a book he co-wrote with<br />

Duncan Keppie .<br />

Al Van Mil studied fine art at the University of Guelph and OCAD .<br />

Graduating in 1972, he was heavily involved in the Canadian art<br />

scene during the seventies . In 1980, he founded a commercial<br />

art company, which grew to be named one of the top three architectural<br />

model companies in the world by New York magazine in<br />

1986 . Selling his subsequent architectural companies in 1989,<br />

he again began to pursue painting full-time . His colourful eclectic<br />

style continues to evolve as he explores the many possibilities of<br />

painting and drawing . Landscape, still life, figurative and abstract<br />

elements combine traditional and contemporary imagery . He has<br />

exhibited in the National Gallery and The Art Gallery of Ontario,<br />

as well as in many privately owned galleries . He has also painted<br />

on stage with members of the Canadian Opera Company and the<br />

National Ballet of Canada among others . A variety of agents and<br />

prestigious galleries represent Al’s work in Ontario, Quebec, New<br />

York, and in London, England. www.alvanmil.com<br />

Maggie Vanderweit has been sewing since childhood and quilting<br />

for over 30 years . She operates her textile art business from her<br />

studio in Fergus . Her work is in private collections around the<br />

world, in public buildings in Ontario, and has been exhibited<br />

in galleries and museums across Canada . It includes original<br />

wall-hangings created with her own painted fabrics, silk fusion,<br />

felt, hand embroidery, beading and densely machine quilted<br />

surfaces . Maggie presents lectures and classes for guilds,<br />

schools, art colleges, shops, the CQA, including One of a Kind<br />

and national needlework shows . She sells her original textile art<br />

at major exhibitions and from her studio . Maggie is a member of<br />

Connections . www .stonethreads .ca<br />

Suzie Vinnick is the owner of a gorgeous, powerful voice and<br />

performs with a sweet mixture of engaging candidness and<br />

unparalleled musicianship . Suzie won the 2011 Canadian Folk<br />

Music Award for Contemporary Singer of the Year and Female<br />

Vocalist and Songwriter at the 2011 Canadian Maple Blues<br />

Awards . She is a two-time Juno nominee and has previously<br />

won 6 Canadian Maple Blues Awards . Suzie has also twice won<br />

1st place in the Blues Category of the International Songwriting<br />

Competition .<br />

Brenda Wainman Goulet is a graduate of the Ontario <strong>College</strong> of<br />

Art and Design and has been sculpting for over 25 years . Her<br />

early years were spent in Algonquin Provincial Park and much<br />

of her sculpture reflects those roots . She has been acclaimed<br />

for her bronze on stone landscapes as well as whimsical figures .<br />

Recently she has received international attention for her life<br />

size statue of Dr . Norman Bethune and twice life size bust of<br />

nurse Rene Caisse (Essiac founder) . Public art commissions<br />

include the first life-size statue of the famous Canadian painter,<br />

Tom Thomson (Huntsville), a bust of Tom Thomson (Owen<br />

Sound), a statue of Ontario’s first Lieutenant Governor’s wife,<br />

Elizabeth Gwillim Simcoe (Bradford), and Aurora (Bracebridge) .<br />

www .brendawainmangoulet .ca<br />

Susan Watson Ellis followed graduation from the University of<br />

Toronto with an apprenticeship to a German Goldsmith . In 1981<br />

she opened Paradigm Designs, creating handcrafted jewellery<br />

which sold across Canada . Her work won recognition in 2000 as<br />

part of the Ontario Craft Council’s “Looking Forward Exhibition”<br />

representing contemporary Canadian craft, and curated by the<br />

Victoria and Albert Museum in London England . She was also<br />

chosen to be part of their “Craft in the Making II” exhibition<br />

in 2003, and their juried exhibition “Craft ‘07” . Her work is<br />

part of the permanent contemporary Canadian silver collection<br />

at the Macdonald Stewart Art Centre in Guelph, Ontario .<br />

Susan sells her work from her studio the One of a Kind Shows<br />

in Toronto and Chicago, and at the Ontario Craft Council’s<br />

Guild Shoppe in Toronto . Susan has taught jewellery courses<br />

and workshops since 1992 at the Haliburton School of The<br />

Arts, St . Lawrence <strong>College</strong>, Academy of Artisans, OCAD, and<br />

through the Ontario Arts Council’s Artist in Education program .<br />

www .paradigmdesignswe .com<br />

Robbin Wenzoski, a full time sculptor, has attended sculpting<br />

competitions and events in Germany, England, Australia, Canada<br />

and the US . In addition to the Haliburton School of The Arts, his<br />

passion to teach is applied privately and at the Annual Canadian<br />

Carv-a-Palooza which includes 30+ carvers/sculptors from<br />

around the globe . Robbin pushes the limits of carving thin and<br />

is fully aware of the cutting edge technology involved with this<br />

artistic expertise . www .robbinsamazingart .com


Fay Wilkinson is a Registered Expressive Arts Consultant/Educator<br />

with IEATA and a member of the Society of Arts in Healthcare .<br />

She is a graduate of and now instructs in the Expressive Arts<br />

Program at <strong>Fleming</strong> <strong>College</strong> . Fay has studied with master mask<br />

and puppet makers, renowned storytellers and voices coaches<br />

as well as at Sheridan School of Craft and Design, majoring in<br />

textiles . She investigates and works with the power of art making<br />

for self-discovery and healing . Awarded the Fellowship of Applied<br />

Education from <strong>Fleming</strong>, her current work focuses on raising<br />

awareness of mental health and seniors through the creative<br />

process . www .thecreativecocoon .com<br />

John Willard is a basically self-taught quilt maker . He came to quilt<br />

making via set and costume design, photography, display and<br />

collecting, and created his first quilt in 1975 after amassing a<br />

sizeable collection of antique ones . Although his first quilts were<br />

very traditional he soon branched out into his own designs, which<br />

have evolved into bravura works of intense colour and complex<br />

patterns . He is especially noted for his daring combinations<br />

of varying and disparate fabric prints . John’s quilts have been<br />

exhibited internationally in Britain, Denmark, Japan, France,<br />

Taiwan and the West Indies as well as Canada and the US . His<br />

works are in numerous private, corporate and public collections .<br />

John teaches the art of quilt making, specializing in contemporary<br />

design for those who wish to break away from the traditional .<br />

He and his works have been featured in many books such as A<br />

Fine Line: Studio Crafts in Ontario; Design Through Discovery:<br />

An Introduction to Art and Design and magazines including<br />

City and Country Home Magazine, Select Homes Magazine,<br />

Quilters’ Newsletter Magazine, American Quilter, Embroidery<br />

Magazine, Ontario Craft and West of the City Magazine . As a<br />

photographer he published a very successful book on Victorian<br />

houses, The Gaiety of Gables in l974 .<br />

Heather Wood has been active in the arts since 1979 . She<br />

possesses diplomas in Design Arts from both Georgian and<br />

Sheridan <strong>College</strong>s, and an Honours BA from the University<br />

of Waterloo . Since graduating, she has taught part time for<br />

numerous continuing educations departments, the Burlington Art<br />

Centre and the Canadian Clay and Glass Gallery . She has exhibited<br />

her work across Canada and in the US, Germany and Spain<br />

and is included in both private and public collections . Heather<br />

uses a kiln to fire and shape glass that is both painted with glass<br />

enamels and sandblasted . www .thebridgestudio .ca<br />

Pam Woodward has worked in theatre, film, and television<br />

costuming for over 40 years . She has specialized in textile<br />

design techniques including fabric dyeing, painting, surface<br />

embellishments, and fabric manipulation . As a costume dyer<br />

and decorator, Pam has worked for CBC, The National Ballet<br />

of Canada (Sleeping Beauty, The Nutcracker Suite, Romeo<br />

and Juliet, The Taming of the Shrew, Firebird ), The Canadian<br />

Opera Company (Madame Butterfly, Norma, The Golden<br />

Ass, Idomineo), Livent (Phantom of the Opera), and Mirvish<br />

Productions (Miss Saigon, Crazy for You, Mama Mia, The Lion<br />

King), as well as a number of feature films and made-for-TV<br />

movies .<br />

Cassandra Wyszkowski attended the New School of Art in Toronto<br />

and went on to receive complete training in the medium of<br />

Japanese Brush Painting (sumi-é) under Ruth Yamada. In 1972,<br />

she earned her Japanese seal on the basis of a test painting<br />

submitted to a panel of sumi-é judges in Japan . Cassandra<br />

received further training in Western watercolour and Chinese<br />

painting and has developed a unique style based on these<br />

oriental traditions . She is a member of the Sumi-é Artists of<br />

Canada . Cassandra has been teaching and painting professionally<br />

for over 30 years and has exhibited in numerous galleries in<br />

Solo and group exhibitions throughout the country . Cassandra<br />

has also delivered workshops to painters’ and potters’ guilds<br />

throughout Ontario . Her paintings are held in private and corporate<br />

collections in North America and abroad . Cassandra has<br />

her studio/home gallery in Lindsay and has been teaching at the<br />

Haliburton School of The Arts every summer since 1976 .<br />

Sheila Ziman draws inspiration from the Haliburton landscape .<br />

She gathers rushes, bark and vines from the forests and waters<br />

near her home to craft her baskets and shares her extensive<br />

knowledge of these natural materials with her students . Sheila<br />

is noted for creating unique quillwork designs on birch bark and<br />

experimenting in new forms of basket making . Her baskets are<br />

exhibited in galleries throughout Ontario and she is a frequent<br />

demonstrator at special events . Sheila has great enthusiasm for<br />

basket making .<br />

Nora Zylstra Savage promotes individual self-worth and community<br />

appreciation of personal life stories through her business,<br />

Storylines . She accomplishes this through memoir and creative<br />

writing courses which she has been teaching since 1993 . She<br />

has created and facilitates memoir and music intergenerational<br />

programs (Bridging the Gap) for high school and middle school<br />

students . Bridging the Gap went international and is now being<br />

delivered in Holland . As a personal historian, Nora records<br />

other people’s life stories and brings enthusiasm, humour and<br />

sensitivity to all her programs . www .story-lines .ca<br />

Lois Etherington Betteridge, recipient of the Bronfman Award<br />

for Excellence in Crafts (1978), the Order of Canada (1997),<br />

and former faculty member of the Haliburton School of The<br />

Arts, worked diligently in the Knife Making course in 2011.<br />

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Visual and creative arts Diploma (VcaD)<br />

The Visual and Creative Arts Diploma (VCAD) offers you unique and flexible options for earning a<br />

diploma in the visual arts . Choose the learning path that is right for you . It’s your diploma, your way .<br />

VCAD = foundation courses + elective courses<br />

These courses are required to develop the<br />

foundational skills for Visual and Creative<br />

Arts Diploma candidates:<br />

– 3D Design<br />

– Art History – The Recent Century<br />

– Contemporary Art Investigations<br />

– Design I<br />

– Drawing Disciplines<br />

– Media Explorations I<br />

– Visual Documentation<br />

– Business for Artists<br />

– Concept Development<br />

– Design II<br />

– Media Explorations II<br />

– Portfolio and Presentation<br />

– 2 General Education Electives<br />

Within this calendar,<br />

foundation courses are indicated by a single asterisk (*),<br />

non-credit courses are indicated by a double asterisk (**),<br />

elective courses have no asterisk.<br />

The elective courses build upon the foundation courses and<br />

focus on studio-based learning and techniques. You can<br />

acquire these elective courses through one of two learning<br />

pathways: the Specialist Option or the Generalist Option .<br />

Specialist Option<br />

Take one of our 15-week Art Certificate programs:<br />

– Artist Blacksmith<br />

– Ceramics<br />

– Digital Image Design<br />

– Drawing & Painting (Visual Arts Fundamentals)<br />

– Glassblowing<br />

– Jewellery Essentials<br />

– Photo Arts<br />

– Sculpture<br />

– Fibre Arts<br />

Generalist Option<br />

Or, you can obtain your elective courses by taking a<br />

Generalist Option . Choose 12 courses plus a two-week<br />

capstone course . Study at your own pace, including spring,<br />

summer and fall courses. You can fast-track this program<br />

and complete your diploma in one calendar year .<br />

Pathways to Further Education<br />

Articulation agreements with the following institutions provide<br />

excellent additional learning opportunities for <strong>Fleming</strong> grads:<br />

– Athabasca University<br />

– Emily Carr University of Art + Design<br />

– Nipissing University<br />

– Ontario <strong>College</strong> of Art & Design University<br />

– University of New Brunswick<br />

– University of Ontario Institute of Technology<br />

– Wayne State University<br />

Visit<br />

flemingcollege.ca/programs/<br />

visual-and-creative-arts-diploma<br />

for full details .


Haliburton School of The Arts Art Auction Bursaries<br />

– $450 and $800<br />

The <strong>Fleming</strong> <strong>College</strong> Foundation is offering bursaries of $450<br />

for one-week courses and $800 for Arts Certificate Programs .<br />

These bursaries exist through funds raised at the Annual HSTA<br />

Art Auction and are available to students taking any credit course<br />

within this brochure .<br />

The selection process used to determine bursary recipients<br />

will be based on two criteria: financial need that would restrict<br />

attending the Haliburton School of The Arts and the long-term<br />

goal for use of the skills/knowledge acquired while taking a<br />

course .<br />

Submission deadlines: Completed applications are due at the<br />

Haliburton campus on February 3, April 13, June 15, August 15,<br />

and September 28 of 2012 .<br />

We gratefully acknowledge numerous donors as well as the<br />

faculty, staff and friends of the Haliburton School of The Arts for<br />

their generosity in providing the works of art and organizational<br />

time for the Art Auction.<br />

Donald Crump Endowed Bursary<br />

Awarded to a student in financial need enrolled in the Arts Bird<br />

Carving Program at the Haliburton School of The Arts . (Variable<br />

amount .)<br />

Submission deadline: June 15, 2012<br />

Bursaries & scholarships<br />

Anyone interested in applying for a bursary should<br />

request further information from the<br />

Haliburton School of The Arts office at<br />

1-866-353-6464 ext. 3 or 705-457-1680<br />

or email info@flemingc.on.ca<br />

Details are also available at flemingcollege.ca/<br />

financial-aid/scholarships-and-bursaries.<br />

Select Haliburton Campus. Application process and bursary<br />

criteria may change in the future and all changes will be<br />

posted on the college website as they become available.<br />

Digital Image Design Scholarship<br />

Awarded to a student(s) registered or entering the Digital Image<br />

Design program at the Haliburton School of The Arts . (Variable<br />

amount .)<br />

Submission deadline: December 14, 2012<br />

Kathleen Finlay Memorial Bursary<br />

Awarded to a full-time student in the Visual and Creative<br />

Arts Diploma program . Demonstration of financial need and<br />

preference given to a student in Drawing & Painting . (Variable<br />

amount .)<br />

Submission deadline: September 28, 2012<br />

Carole and Don Finn Endowed Bursary<br />

Awarded to a full-time student in financial need in the Arts<br />

Certificate/Diploma Program at the Haliburton Campus . (Variable<br />

amount .)<br />

Submission deadline: September 28, 2012<br />

Haliburton School of The Arts<br />

Outstanding Emerging Artist Entrance Scholarship<br />

One bursary awarded to a student graduating from Haliburton<br />

Highlands Secondary School, one bursary awarded to a graduate<br />

from PCVS in Peterborough and one awarded to a graduate<br />

from H .B . Beal Secondary School in London . Students must<br />

be enrolled in the Visual and Creative Arts Diploma program at<br />

<strong>Fleming</strong> <strong>College</strong>’s Haliburton Campus . (2 x $1,000 to a student<br />

from PCVS and H .B Secondary School, 1 x $3,000 to a student<br />

from Haliburton Highlands Secondary School .)<br />

Submission deadline: June 1, 2012<br />

Wayne Peter Rickerby Memorial Student Bursary<br />

Student taking an art course with a focus on watercolour .<br />

Demonstration of financial need . (3 x $322 available .)<br />

Submission deadline: June 15, 2012<br />

Stanley F. Dance Scholarship<br />

Awarded to a student registered in a course that focuses on<br />

writing or music . (1 x $150 available .)<br />

Submission deadline: June 15, 2012<br />

HSTA Faculty Art Auction<br />

A fabulous annual event with a long history!<br />

There will be many unique works of art, all created and generously donated by Artists who are<br />

members of the faculty at the Haliburton School of The Arts .<br />

A number of Silent Auction items will also be available for your bidding pleasure .<br />

All proceeds from the Art Auction are directed to bursaries and scholarships for students<br />

attending arts programs at the Haliburton Campus .<br />

Thursday, August 9, 2012<br />

<strong>Fleming</strong> <strong>College</strong> Great Hall<br />

Preview at 5:00pm • Auction at 7:00pm<br />

Admission is free and open to the public .<br />

The Haliburton School of The Arts and the Friends of Sir Sandford <strong>Fleming</strong> <strong>College</strong> gratefully acknowledge<br />

the on-going support of the faculty, staff and friends who donate so generously to this event.<br />

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98<br />

choose the registration method that works best for you.<br />

IN PERSON<br />

Come to our office at<br />

297 <strong>College</strong> Drive,<br />

minutes from downtown<br />

Haliburton .<br />

Course Registration Form Please print<br />

PHONE<br />

Register by phone using Visa or<br />

MasterCard only .<br />

1-866-353-6464 ext . 3<br />

local 705-457-1680<br />

Registration hours: Monday to Friday, 8:30 am to 4:30 pm .<br />

Have you taken a course at Haliburton School of The Arts before? yes o no o<br />

Student I .D . #: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />

Last Name: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . First Name: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />

Address: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />

City: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Postal Code: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />

Phone: Home: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Phone: Work: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />

Phone: Summer: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E-mail: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />

Date of Birth: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />

Previous Address (if you’ve moved since taking your last course): . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />

City: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Postal Code: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />

PAYMENT MUST ACCOMPANY REGISTRATION. Please call for pricing.<br />

ONLINE<br />

Submit your application from<br />

our web site anytime . Simply<br />

click through the easy-to-follow<br />

instructions!<br />

www.hsta.ca<br />

(Please note: This option is<br />

unavailable for a small number of<br />

offerings.)<br />

MAIL<br />

Mail in the registration form<br />

together with full payment –<br />

cheque or money order only .<br />

Haliburton School of The Arts<br />

Box 839 Haliburton ON<br />

K0M 1S0<br />

o Cheque / Money Order only if mailing in registration . Please make cheques payable to ‘<strong>Fleming</strong> <strong>College</strong>’<br />

Material fees are payable to the instructor on the first day of the class . This will be indicated upon registration . All fees are payable in<br />

Canadian Funds .<br />

Use a separate sheet if registering for more than three courses .<br />

1 . Course Code & Instructor: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />

Course Name & Date: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Section . . . . . . . . Page # . . . . . . .<br />

2 . Course Code & Instructor: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />

Course Name & Date: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Section . . . . . . . . Page # . . . . . . .<br />

3 . Course Code & Instructor: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />

Course Name & Date: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Section . . . . . . . . Page # . . . . . . .<br />

<strong>Fleming</strong> <strong>College</strong> is committed to sustainable environmental practices . In an effort to conserve paper, your material list, map and detailed<br />

welcome letter will be accessible on-line (by May 1) . Simply visit www .hsta .ca and search for your course name; there will be a link on<br />

that page . Important details to check: Course name, Course code and section number, Instructor and Date . If you prefer this information<br />

mailed, please indicate in the box below:<br />

o I prefer to have my material list, map and welcome letter mailed to me .<br />

o I require the college accommodation listing .<br />

o Weaving Students – I require a loom<br />

We can be reached by phone: toll-free 1-866-353-6464 ext. 3, local 705-457-1680<br />

or e-mail: createit@hsta.ca<br />

Mail to: Box 839 Haliburton ON K0M 1S0<br />

The personal information on this form is collected for registration purposes only, under the authority of the Ministry of <strong>College</strong>s and Universities Act, R.S.O. 1980, C272.


Administrative Fee – Course cancellations are subject to a $25<br />

administrative fee . See below for full refund policy .<br />

Cancellation of Courses – Please see details as outlined in the<br />

Refund Policy section below .<br />

Fees – Tuition fees for most part-time credit courses are $5 .64<br />

per hour . The part-time service fee is $0 .67 per course hour to a<br />

maximum of $42 per course . Service fee details below .<br />

Freedom of Information – Information given will only be used for<br />

administration purposes such as registration, student records,<br />

class lists and mailing lists .<br />

Harmonized Sales Tax (HST) – Where applicable, HST is<br />

included in the course fee listed .<br />

International Fees – Registrants who are not Canadian Citizens or<br />

Landed Immigrants will be required to pay course fees based on<br />

an international rate . The international rate for a part-time course<br />

is $16 .30/hour plus a $0 .67 per course hour (up to a maximum<br />

of $42) service fee . A week-long credit course will cost $806 .08 .<br />

Material costs are extra and subject to tax .<br />

Part-Time Service Fee – A part-time service fee of $0 .67 per<br />

course hour (up to a maximum of $42) applies to all adult weeklong<br />

courses and adult weekend workshops . The fee is included<br />

in the advertised fee and will cover services offered to students at<br />

the Haliburton School of The Arts .<br />

Receipt – Your receipt will be mailed to you.<br />

Skill Levels – Courses are designed for the beginner to the<br />

advanced student, unless otherwise indicated . Limited class size<br />

allows for individual instruction at each level, providing maximum<br />

benefit to all students . Please be sure to check the experience<br />

recommendations indicated before you register for a course .<br />

Weaving Looms – You should bring your own loom if possible.<br />

However, there will be a limited number of looms available from<br />

the school . The looms will be available on first come, first served<br />

basis .<br />

register early!<br />

Waiting until the last minute limits your choice of courses<br />

and may cause you unnecessary disappointment .<br />

If We Cancel: When the college finds it necessary to cancel<br />

a course, a full refund of fees will be granted . Decisions on<br />

course cancellations are made two weeks prior to course start<br />

in order to provide fair notice to students and instructors .<br />

Notifications are made by telephone – be sure to give us<br />

an alternate number to call if possible . Should you wish<br />

to transfer to another course, every effort will be made to<br />

accommodate you, providing there is space. You will be<br />

contacted only in the event of cancellation . We cannot be<br />

responsible for travel or accommodation expenses .<br />

Courses are non-transferable.<br />

Transcripts are issued for credit courses, making it imperative<br />

that the student registered is the student that attends.<br />

important information<br />

reFUnD poLicY<br />

Should you require further information,<br />

please call our office for assistance:<br />

705-457-1680 Toll-free 1-866-353-6464 ext. 3<br />

createit@hsta.ca<br />

www.hsta.ca<br />

Material Lists<br />

A list of materials needed for your course is accessible on-line<br />

(usually by May 1) . Simply visit www .hsta .ca and search for<br />

your course name . There will be a link on that page .<br />

Important details to check:<br />

– Course name<br />

– Course code and section number<br />

– Instructor<br />

– Date<br />

These checks will ensure you are accessing the correct<br />

material list for your course .<br />

This list will also indicate any material fees that will be payable<br />

to the instructor .<br />

Your material list can be mailed to you upon request.<br />

Accommodation<br />

The Haliburton School of The Arts maintains an accommodation<br />

list . Options range from private to commercial, from room and<br />

board to hotels; the distance to the school is indicated with each .<br />

Students interested in obtaining the list should contact the school<br />

office at 1-866-353-6464 ext . 3 or drop us a note with your<br />

registration . This information is mailed only upon registration,<br />

upon request . Our accommodation list is also available online at<br />

www .hsta .ca .<br />

The County of Haliburton Visitor Information Centre has information<br />

available about bed and breakfast establishments, motels,<br />

housekeeping cottages and resorts ranging from rustic to luxury .<br />

Information can be mailed to you, or names and phone numbers<br />

given at your request . Call during business hours: Monday<br />

to Saturday until June; 7 days per week in July and August:<br />

1-800-461-7677 or 705-286-1777 .<br />

If You Cancel: All notifications of cancellation must be<br />

received in writing .<br />

If you cancel any time up to 14 days prior to course start, you<br />

will receive a full refund less a $25 administrative fee . If you<br />

cancel later than 14 days prior to course start, there is no<br />

refund of fees . This policy applies in all circumstances due<br />

to our commitment to students and instructors two weeks<br />

prior to course start . Should you be able to attend a different<br />

course within the fiscal year, we would be happy to attempt to<br />

accommodate you .<br />

Our fax number is 705-457-2255 and is available 24 hours/<br />

day 7 days/week . Notification is also welcomed electronically<br />

at contact@HaliburtonSchoolofTheArts .ca<br />

No refunds, partial or whole, will be granted if we receive insufficient written notification.<br />

It may take 2 to 4 weeks for refunds to be processed.<br />

99


100<br />

What are the admission requirements?<br />

Students must be 19 years of age or older or a secondary school<br />

graduate to register for credit courses . Saturday workshops, kids’,<br />

youth and teen courses are not subject to this requirement .<br />

Where do people stay when they take a course?<br />

See page 99 for accommodation options .<br />

What are the ages for courses?<br />

Please adhere to the following ages:<br />

Kids (two groups): 5 to 7 years, 8 to 10 years<br />

Youth: 11 to 13 years<br />

Teen: 13 to 18 years<br />

The school maintains the right to request proof of age and, if<br />

necessary, will remove a child from a course . No refund will be<br />

granted in these instances .<br />

Can I get art supplies there?<br />

Art supplies will be available for purchase on site Mondays and<br />

Wednesdays from July 2 to August 8, 2012 . There are also some<br />

art supplies available at local retail outlets .<br />

Can we get something to eat at the school?<br />

The high school cafeteria will be open from 8:00am to 3:00pm,<br />

Monday to Friday .<br />

There is a small servery located at our Haliburton campus .<br />

Coffee, muffins, juices, soups, salads, and daily lunch specials<br />

are available . The hours are: Monday to Friday, 8:30 am to<br />

2:30 pm .<br />

There are also vending machines with drinks and snacks, as well<br />

as a microwave and fridge available for your use . Picnic tables<br />

will be situated around the property . There are a number of<br />

restaurant options in the village .<br />

Please note that there will not be food service for Saturday<br />

workshops .<br />

Are there local childcare options?<br />

There are local licensed facilities . In the Minden area: Ontario<br />

Early Years Children’s Learning Centre 705-286-4074. In the<br />

Haliburton area: Wee Care 705-457-3677 . Call the centres for<br />

information about other programs and services available .<br />

How can I find out more about the local area?<br />

Information about the Haliburton Highlands is available at<br />

www .haliburtoncounty .ca and www .haliburtonholidays .ca<br />

Can I bring my pet?<br />

We’re sorry but pets are not permitted in any of the school<br />

locations .<br />

How do I know if the skill level is right for me?<br />

We do our best to indicate the skill level that instruction will be<br />

offered at . If there is no indication, assume that it’s suitable for<br />

beginners . Please give careful consideration to the appropriateness<br />

of your course as it relates to your skill level as this will<br />

ensure a positive learning experience for all involved . We would<br />

be happy to assist you with any questions .<br />

Is smoking allowed?<br />

Smoking is not permitted in any of the school locations .<br />

FaQ 2012<br />

Can you help me with special needs?<br />

<strong>Fleming</strong> <strong>College</strong> strives to accommodate individuals with special<br />

needs . Equal access is important to us . Students requiring special<br />

support while at the school should inform us upon registration .<br />

Self-identification is your responsibility . Please contact the school<br />

in a timely manner to enable us to make necessary arrangements.<br />

call 705-457-1680 or TTY 705-749-5521.<br />

What if I need medical or dental attention while at the school?<br />

We would be happy to assist you; simply ask any staff member .<br />

Is there a discounted fee for seniors?<br />

We don’t offer a senior rate for any of our courses, workshops or<br />

supplies .<br />

Check our website at www.hsta.ca<br />

for the latest information.<br />

Calendar Accuracy<br />

The material in this calendar has been prepared in advance<br />

of the academic session to which it pertains . The information<br />

presented herein was the most current and accurate information<br />

at the time of printing . <strong>Fleming</strong> <strong>College</strong> reserves the right to make<br />

changes without further notice . For the most current information,<br />

please visit www .hsta .ca


n Reception at the Rails’ End Gallery<br />

& Art Centre<br />

Tuesdays (July 3 to 24) • 4:30 to 6:00 pm<br />

Faculty Show and Sale of new work depicting the theme, Push<br />

Pull . Relax and enjoy the company of fellow students and<br />

instructors as you unwind at the end of the day!<br />

n Art Talk<br />

Wednesdays • 4:45 to 6:00 pm<br />

The Haliburton School of The Arts sponsors a weekly free<br />

presentation open to all students, staff and public . Join us in the<br />

Great Hall . See page 102 for specific presentations .<br />

n Walk-About & Instructor Feature<br />

Thursdays • 4:00 to 5:45 pm<br />

Students, family, friends and community members are welcome<br />

to visit classrooms to see work in progress and talk with the<br />

instructors . Instructor work will also be available to view on<br />

monitors in common areas .<br />

n Reception and Entertainment<br />

BEYOND thE StuDiO<br />

Relax, explore and enjoy summer school!<br />

Thursdays • 5:30 to 6:30 pm<br />

Each Thursday night a reception will be held in the Great Hall<br />

providing students and staff with an opportunity for relaxation<br />

and entertainment . Light refreshments will be available . The Art<br />

Auction will replace entertainment on August 9 . See page 103 for<br />

specific entertainers .<br />

Rails End Gallery<br />

23 York St., Haliburton<br />

705-457-2330<br />

www .railsendgallery .com<br />

Art Auction<br />

Thursday, August 9 .<br />

See page 97 for more information .<br />

Massage<br />

Massage appointments will be<br />

available on-site in the summer .<br />

A schedule will be posted during<br />

summer school .<br />

101


102<br />

Wednesday, July 4<br />

Creativity & Aging – The Time of Your Life<br />

with Victoria Cowan<br />

There is a parallel between life stages and creative stages . We<br />

progress from childhood through youth, adulthood and maturity<br />

every time we start a new piece of work . This discussion will look<br />

at the twists and turns of the evolution of the artist’s body of work,<br />

as well as examples from a broad range of artists, with a focus on<br />

the creative experience in mid-life .<br />

Wednesday, July 11<br />

The Domestic Arts of Love<br />

with Michele Karch Ackerman<br />

Michele Karch-Ackerman makes clothing for lost souls . For<br />

eighteen years she has stitched conceptual wardrobes to<br />

manifest healing . From stitching christening gowns for pioneer<br />

babies who died before they could be baptized, making “Travel<br />

Kits for Lost Souls” for those who died in the Swiss Air Crash,<br />

and nightgowns for soldiers who perished in the First World<br />

War, to creating a mythical boarding school for the Dionne<br />

Quintuplets and most recently a series of ‘foundling’ garments<br />

for the unwed mothers who were forced to give up their babies<br />

in the early to mid-twentieth century, Michele has employed ‘The<br />

Domestic Acts of Love .’ This fall the Tom Thomson Gallery will<br />

be featuring a retrospective of her work in conjunction with their<br />

50th anniversary . Join Michele as she takes you on a visual tour<br />

of the eight major solo shows that encompass this remarkable<br />

exhibition .<br />

Wednesday, July 18<br />

Uncharted Territory<br />

with Brian Smith<br />

Every artist is influenced by every other artist they meet, or<br />

certainly by the work of every artist they meet . Sometimes<br />

it is simply an attitude that will leave a mark; or a word of<br />

encouragement that will be remembered; maybe a specific lesson<br />

focussed on process or concept that will grab hold of one’s mind<br />

and become the DNA of some new art yet to be produced . This<br />

presentation was lovingly developed by Brian to pay homage to<br />

nine people who have made a mark on his journey to be an artist .<br />

Join him as he introduces you to Marjorie Smith, William Gregory,<br />

Hugh MacKenzie, John Leonard, Joanna Nash and others who<br />

are always part of his interior dialogue when he is drawing and<br />

painting .<br />

Art<br />

Talks<br />

Indulge your creative curiosity.<br />

Enjoy a visual presentation, some dialogue,<br />

and the chance to ask questions.<br />

Wednesday, July 25<br />

Art Talks are held in the Great Hall<br />

of the <strong>Fleming</strong> Campus.<br />

Friends and family are also welcome.<br />

Wednesdays, July 4 to August 8<br />

4:45 to 6:00pm<br />

Candlesticks – Silver spoons – Coffee pots:<br />

The Craft of Silversmithing<br />

with Todd Jeffrey Ellis<br />

The artistry of the silversmith walks a delicate balance between<br />

form and function as few other crafts must do . This timehonoured<br />

process has been handed down from master to student<br />

with little change throughout the centuries . In the hand of the<br />

silversmith the hammer blows on silver are placed with the skill<br />

and finesse involved in bowing a violin . Discover the rich history<br />

of silversmithing, its contemporary context and the journey in<br />

between .<br />

Wednesday, August 1<br />

The Artist and the Super Natural Reality<br />

with Andrea Mossop<br />

As artists, we make visible the invisible world . This talk, rich in<br />

artists’ stories and images, portrays how we reach behind the<br />

scenes to give form to that feeling of “something more” than<br />

just our physical reality, to the bigness, awe and certainty in the<br />

hidden order and harmony of our everyday experiences .<br />

Wednesday, August 8<br />

Text in Art<br />

with Kal Honey<br />

If a picture is worth a thousand words, why then do more and<br />

more pictures seem to include words? From the early days of<br />

collage through Pop Art into contemporary practice, the written<br />

word’s place in visual art just keeps expanding and diversifying .<br />

This presentation delivers a (very) brief look at the history of the<br />

written word, then launches into an engaging survey of art and<br />

artists incorporating text, from 1900 to the present . A must-see<br />

for anyone intrigued by the interplay of art and text .


PLEASE WELCOME<br />

TO <strong>THE</strong> STAGE...<br />

thursday, July 5<br />

eve goldberg<br />

Eve’s watercolour voice and solid<br />

guitar style have become favourites<br />

at festivals, folk clubs, and concert<br />

series across Canada and the US .<br />

Her performances are intimate<br />

and relaxed, moving effortlessly<br />

from folk classics to original gems,<br />

all wrapped up in her clear, pure<br />

voice and dynamic guitar playing .<br />

Imagine a kitchen party where<br />

Mother Maybelle Carter, Ella Fitzgerald, Mississippi John Hurt,<br />

Bessie Smith, Bob Dylan, The Beatles, and Patsy Cline show<br />

up, and you begin to get a sense this performance . Never one to<br />

restrict herself to one genre of music, Eve performs a trademark<br />

mixture of folk, blues, country, bluegrass, old time, and jazz .<br />

www .evegoldberg .com<br />

thursday, July 12<br />

andy rush and the choral singers<br />

Behold the power of the collective<br />

voice! A group of individuals,<br />

most meeting for the first time<br />

just four days prior to become<br />

part of this choral group, will raise<br />

their voices together in song . The<br />

result will be extraordinary . Andy<br />

Rush’s passion for performance<br />

and music motivates his charges<br />

and energizes entire rooms .<br />

You’ll witness and hear, but most<br />

of all you’ll feel the remarkable<br />

phenomenon of the collective voice .<br />

thursday, July 19<br />

the improv show!<br />

with Kerry griffin et al<br />

Some of Canada’s best<br />

improvisers will use your<br />

suggestions and ideas to create<br />

instant and unforgettable comedy!<br />

In the style of Who’s Line is it<br />

Anyway?, the cast, featuring<br />

Canadian Comedy Award winners<br />

and Second City alumni, will<br />

have you rolling in the aisles with<br />

on-the-spot laughs . And… you<br />

never know when you might even become part of the show!<br />

Join us in the Great Hall from 5:30 to 6:30 pm.<br />

Our entertainment is suitable for adults and children alike.<br />

thursday, July 26<br />

rick Fines<br />

Rick Fines has been playing<br />

music professionally for 29<br />

years now and is a veteran of<br />

the folk and blues circuits in<br />

North America . His song Riley<br />

Wants His Life Back won first<br />

place in the blues category of<br />

the International Songwriting Competition, with B .B . King as<br />

one of the judges! He won Maple Blues Awards for Acoustic<br />

Act of the Year (twice) and Songwriter of the Year. His work with<br />

Jackson Delta brought nominations from both the Juno and<br />

the Handy Awards . Rick has toured around the world sharing<br />

his understanding of blues, finger-style and bottleneck guitar .<br />

His 11th recording, Solar Powered, was recorded just south of<br />

Haliburton using solar power exclusively . www .rickfines .com<br />

thursday, august 2<br />

suzie Vinnick<br />

Suzie Vinnick is the owner of a<br />

gorgeous, powerful voice and<br />

performs with a sweet mixture<br />

of engaging candidness and<br />

unparalleled musicianship . She<br />

won the 2011 Canadian Folk<br />

Music Award for Contemporary Singer of the Year, is a two-time<br />

Juno nominee and is nominated for four 2011 Canadian Maple<br />

Blues Awards (she has previously won six Canadian Maple Blues<br />

Awards) . Suzie has also twice won 1st place in the Blues Category<br />

of the International Songwriting Competition . She has toured with<br />

Stuart McLean’s The Vinyl Café, the John McDermott band, with<br />

Rick Fines and the Marigolds and has performed for Canadian<br />

Peacekeepers in Bosnia and the Persian Gulf . Suzie was also the<br />

voice of Tim Horton’s for five years . www .suzievinnick .com<br />

thursday, august 9<br />

annual art auction See page 97 for more information.<br />

thursday, august 16 (4:15 to 5:15 pm)<br />

cindy thompson-Butineau<br />

Cindy’s electrifying performances<br />

have earned her a reputation<br />

as one of Canada’s premiere<br />

combination fiddle player/<br />

stepdancers . A former national<br />

Canadian stepdance champion<br />

and winner of numerous fiddle<br />

awards, she performs in her own<br />

inimitable style, full of spontaneity,<br />

fun and musical excellence . There<br />

is something for everyone in her fiddling as she draws from<br />

Scottish, Irish, Cajun, French Canadian, Bluegrass and Old Time<br />

fiddle styles . Her two CDs, Through the Gates and I Can Feel it in<br />

the Air, are still receiving great reviews and Cindy is still enjoying<br />

a career that has taken her to stages across North America for<br />

over 30 years .<br />

103


104<br />

Push Pull<br />

Haliburton School of The Arts Faculty Show and Sale<br />

June 30 - July 29, 2012<br />

Meet & Mingle Receptions for HSTA students & faculty Tuesdays 4:30 - 6<br />

Gallery admission by donation, suggested $2<br />

Tues 10-6:30 Wed - Sat 10 - 5 Sun 12 -4<br />

Plan to attend Haliburton Art & Craft Festival July 27, 28, 29<br />

presented annually by Rails End Gallery and Arts Centre<br />

preview the artists and learn more on our website.<br />

23 York St, Haliburton Village 705-457-2330<br />

www. railsendgallery.com<br />

Rails End Gallery & Arts Centre presents<br />

Haliburton<br />

47th Annual Haliburton<br />

Art & Craft Festival<br />

July 27, 22-24 28, 29<br />

Head Lake Park, Haliburton Village<br />

Meet the makers in Head Lake Park this summer!<br />

Fri 12-6 Sat 10-6 Sun 10-4 admission $2<br />

for a complete list of vendors visit www.railsendgallery.com<br />

Rails End Gallery & Arts Centre | www.railsendgallery.com<br />

457-2330 | info@railsendgallery.com | 23 York St, Haliburton Village<br />

Colours in the Storm<br />

Within Reach<br />

Arsenic & Old Lace<br />

Sweetheart<br />

The Mary Pickford Story<br />

Steel Magnolias<br />

Richard Margison & Friends<br />

Opera Excerpt Concerts<br />

La Tragédie de Carmen<br />

The Magic Flute<br />

For Tickets or More Information<br />

705.457.9933<br />

www.highlandssummerfestival.on.ca


Learn to Build Healthy Buildings<br />

<strong>Fleming</strong> <strong>College</strong> launched Canada’s first Sustainable<br />

Building and Design Certificate program in 2005 and soon<br />

after developed a unique program focussed on sustainable<br />

renovations to meet the student demand for additional skills<br />

in this growing industry. Students can choose one or both<br />

certificate programs:<br />

• SuSTainable building deSign and ConSTruCTion<br />

(april – august)<br />

An intensive, 20-week hands-on experience that puts<br />

you at the centre of the construction of a full-sized and<br />

cutting-edge sustainable building.<br />

• SuStainable RenovationS<br />

(September – december)<br />

A compressed 16-week program, where you will work on<br />

a real world renovation project involving a wide variety of<br />

sustainable systems and materials – to understand the<br />

complexity and challenges of green renovation.<br />

For more inFormaTion, ConTaCT:<br />

Ted brandon 1.866.353.6464 ext 6709<br />

(Haliburton Campus)<br />

tbrandon@flemingc.on.ca<br />

Why Choose <strong>Fleming</strong>?<br />

• Accredited Ontario <strong>College</strong><br />

Certificate<br />

• Ontario Student Assistance Program<br />

(OSAP) eligible<br />

• Second Career Eligible<br />

• Scholarships and bursaries<br />

available<br />

• EllisDon internship opportunity NEW!<br />

flemingcollege.ca


705-457-1680<br />

Toll Free 1-866-FLEMING (1-866-353-6464)<br />

createit@hsta.ca<br />

297 <strong>College</strong> Drive<br />

Box 839, Haliburton, Ontario<br />

K0M 1S0<br />

www.hsta.ca<br />

Find us on Facebook:<br />

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flemingcollege.haliburton<br />

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OUR COMMITMENT TO <strong>THE</strong> ENVIRONMENT<br />

<strong>Fleming</strong> <strong>College</strong> is committed to responsible environmental practices. This calendar is printed on FSC ® certified (Forest<br />

Stewardship Council ® ) paper that is manufactured acid and elemental chlorine free. Printing services are supplied by an<br />

FSC certified printer. Using FSC certified paper saves not only trees, but water, energy, air emissions and solid waste.<br />

C<br />

PETERBOR<br />

OUR COMMITMENT TO <strong>THE</strong> ENVIRONMENT<br />

<strong>Fleming</strong> <strong>College</strong> is committed to responsible environmental p<br />

elemental chlorine free. Printing services are supplied by an F

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