HALIBURTON SCHOOL OF THE ARTS - Fleming College
HALIBURTON SCHOOL OF THE ARTS - Fleming College
HALIBURTON SCHOOL OF THE ARTS - Fleming College
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tinuing Education and<br />
porate Training Office<br />
McRae Campus<br />
555 Bonaccord Street<br />
P. O. Box 4350<br />
Peterborough, ON<br />
K9J 7B1<br />
.888.269.6929<br />
ww.flemingcollege.ca<br />
GH LINDSAY COBOURG<br />
. This brochure is printed on FSC certified (Forest Stewardship Council) paper that is manufactured acid and<br />
ified printer. Using FSC certified paper saves not only trees, but water, energy, air emissions and solid waste.<br />
<strong>HALIBURTON</strong> <strong>SCHOOL</strong> <strong>OF</strong> <strong>THE</strong> <strong>ARTS</strong><br />
2012<br />
Course<br />
Calendar
• Art Courses<br />
• Art Certificates<br />
• Visual and Creative Arts Diploma<br />
Visual and Creative Arts Diploma (VCAD)<br />
<strong>Fleming</strong> <strong>College</strong> offers unique and flexible options for<br />
earning a diploma in the visual arts.<br />
We offer Certificates in:<br />
• Artist Blacksmith<br />
• Ceramics<br />
• Drawing & Painting<br />
• Digital Image Design<br />
• Fibre Arts<br />
• Glassblowing<br />
• Jewellery<br />
• Photo Arts<br />
• Sculpture<br />
See page 96 for more information<br />
or visit our website.<br />
hsta.ca
Welcome!<br />
Haliburton School of The Arts<br />
<strong>College</strong> Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2<br />
Courses and Programs<br />
Course Listings by Date . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4<br />
Expressive Arts – Ontario <strong>College</strong> Graduate Certificate . . . . . . . . . . . .9<br />
Expressive Arts Courses . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10<br />
Spring 2012 Program . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12<br />
Concentrated Study, Drawing and Painting . . . . . . . . . . . . . . .15<br />
HSTA at OCAD University . . . . . . . . . . . . . . . . . . . . . . . . . . . .16<br />
Summer 2012 Program . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20<br />
Fall 2012 Program . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76<br />
HSTA at McMichael Canadian Art Collection . . . . . . . . . . . . . .76<br />
Visual and Creative Arts Diploma (VCAD) . . . . . . . . . . . . . . . . . . . . .96<br />
Instructor Biographies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81<br />
General Information<br />
Bursaries and Scholarships . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .97<br />
Registration Form and Information . . . . . . . . . . . . . . . . . . . . . . . . . .98<br />
Refund Policy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .99<br />
FAQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .100<br />
Activities Schedule . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101<br />
Haliburton Sculpture Forest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101<br />
Art Talks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .102<br />
Entertainment – On Stage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .103<br />
1
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Sudbury<br />
4.5 hrs<br />
Huntsville<br />
Toronto<br />
2.5 hrs<br />
Get Creative this Year!<br />
Haliburton<br />
Peterborough<br />
1.5 hrs<br />
Dates<br />
The majority of courses are held in the summer months, with<br />
additional offerings in the fall and spring . The courses listed in<br />
this calendar are arranged seasonally from Spring to Fall 2012 .<br />
times<br />
Week-long courses: 9:00 am to 4:30 pm, Monday to Friday<br />
unless otherwise indicated . (Some courses are 6 days .)<br />
Saturday workshops: 9:00 am to 5:00 pm<br />
• Over 100 Full-time and Continuing Education programs<br />
in Business, Hospitality, Skilled Trades and Technology,<br />
Environmental and Natural Resource Sciences, Visual<br />
Arts, Education, Health and Wellness, and Law, Justice<br />
and Community Services .<br />
• Full-time students: over 6,000<br />
Part-time students: 10,000<br />
Alumni: 60,000<br />
• Campus Locations<br />
– Peterborough<br />
– Lindsay<br />
– Cobourg<br />
– Haliburton<br />
flemingcollege.ca<br />
toll-free 1-866-FLEMING<br />
(1-866-353-6464)<br />
Ottawa<br />
3.5 hrs<br />
Kingston<br />
3 hrs<br />
2012 promises to be an exciting year with a great blend of<br />
perennial favourites and exciting new offerings . In addition to<br />
an extensive and varied program in Haliburton, we're returning<br />
to Huntsville and will again offer courses at OCAD University in<br />
Toronto and the McMichael Canadian Art Collection in Kleinburg .<br />
Grass Lake Rd<br />
(Highland Wood Dr)<br />
Industrial Park Rd<br />
<strong>College</strong> Dr<br />
<strong>College</strong><br />
Cabins<br />
100 0 100 200 300 400 500 metres<br />
1<br />
21<br />
Haliburton Highlands<br />
Secondary School<br />
J D Hodgson<br />
Elementary School<br />
Locations<br />
Haliburton<br />
HSTA<br />
Highland St<br />
Sculpture<br />
Forest Trail<br />
Head<br />
Lake<br />
Rail's End<br />
Gallery<br />
118<br />
Norman A.<br />
Sisco Centre<br />
(Old Campus)<br />
York St<br />
SSFC<br />
Employment<br />
Resource<br />
Centre<br />
In order to accommodate changing registration levels and specific<br />
needs, precise room locations are determined the Thursday prior<br />
to the start of the course and are subject to change .<br />
Spring: Courses will be held at <strong>Fleming</strong>’s Haliburton Campus in<br />
the village of Haliburton . Additional offerings are available at the<br />
Ontario <strong>College</strong> of Art & Design University in Toronto in June .<br />
Summer: The majority of courses are held in the village of<br />
Haliburton, just 2½ hours north of Toronto and 3½ hours west<br />
of Ottawa at <strong>Fleming</strong>’s Haliburton Campus and the Haliburton<br />
Highlands Secondary School . Some classes are held at other<br />
venues within the village . A map featuring locations is available<br />
online and specific locations/room number of each course will<br />
be posted at the entrances of the <strong>Fleming</strong> Campus and the<br />
Haliburton Highlands Secondary . Outdoor signage and staff<br />
members will also help direct you .<br />
Courses will also be offered at the Waterloo Summit Centre for the<br />
Environment located in Huntsville, Ontario (see below) .<br />
Fall: Courses will be held at <strong>Fleming</strong>’s Haliburton Campus in the<br />
village of Haliburton and the McMichael Canadian Art Collection<br />
in Kleinburg .<br />
The Waterloo Summit Centre for the Environment located in<br />
Huntsville, Ontario, is part of the University of Waterloo. Nestled<br />
in Muskoka on the Canadian Shield, the Centre is a year-round<br />
research, teaching and community centre. The University is<br />
establishing itself as a high-profile research centre for ecology,<br />
climate change, tourism, land-use planning and local economic<br />
development. The Centre is centrally located, two hours north of<br />
Toronto and minutes from Algonquin and Arrowhead Provincial<br />
Parks. The Waterloo Summit Centre for the Environment is<br />
within walking distance of the shops and restaurants in beautiful<br />
downtown Huntsville.<br />
Maple St<br />
118
Dear Art Enthusiast,<br />
Welcome to the 2012 Haliburton School of The Arts summer calendar!<br />
We have a summer planned for you that is full of unique, creative<br />
courses delivered by some of the finest artists that Canada has to offer . If<br />
possible, this year could be our most exciting ever!<br />
Hot off the presses and between these pages you will find over 350<br />
courses to choose from . Whether you are enrolling in your first course<br />
with us or your 15th, we have courses that are well suited to your ability<br />
and talent . Nestled in the Haliburton Highlands, our school provides an<br />
environment that inspires and nurtures your creativity . Since 1967, Haliburton School of The Arts has<br />
been providing art courses in all mediums and at all levels . Our small class sizes provide students<br />
with a personalized, hands-on learning experience and all our courses are delivered by practicing,<br />
professional artists .<br />
Did you know that you are not only receiving an amazing experience when you create with us, but you<br />
are also earning a college credit when you successfully complete a week-long course? This means<br />
that not only will you leave Haliburton School of The Arts with a new or enhanced creative skill but<br />
you will also leave with a college credit . This credit can be applied toward our Visual and Creative Arts<br />
generalist option diploma . Full details are located on our website, www .hsta .ca or by calling us directly<br />
at 1-866-353-6464 ext . 3 .<br />
Haliburton School of The Arts is a wonderful place to learn, grow and create . I look forward to seeing<br />
you in the studios this summer!<br />
Yours in art,<br />
Sandra Dupret, Principal<br />
Haliburton School of The Arts<br />
<strong>Fleming</strong> <strong>College</strong><br />
Open House<br />
Saturday, April 14, 2012 • 9 am – 2 pm<br />
Experience what we have to offer!<br />
• Talk to <strong>Fleming</strong> faculty, staff, and students, and tour our<br />
fabulous campus .<br />
• See the studios, Great Hall, and classrooms.<br />
• Get information about accommodation options, and visit<br />
the village of Haliburton .<br />
• You may want to stroll through the Haliburton Sculpture<br />
Forest that surrounds the campus . See page 101 .<br />
There will be another Open House in the fall . Call us for the date if you are interested in visiting .<br />
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4<br />
coUrse Listings<br />
hsta.ca 1.866.353.6464<br />
Expressive Arts<br />
by date<br />
EXPRESSIVE <strong>ARTS</strong><br />
ONTARIO COLLEGE GRADUATE CERTIFICATE PROGRAM<br />
April 23 to June 15, 2012 (page 9 – 11)<br />
Introduction to Expressive Arts Therapies . . .Fay Wilkinson<br />
Storytelling & Sandtray Therapy within the Expressive Arts<br />
. . . . . . . . . . . . . . . . Fay Wilkinson and Verity Barrett<br />
Exploration of Therapeutic Relationships . . . .Ed Hagedorn<br />
Expressive Arts – SoundWork & BodyPlay . . . . . . . . . . . . . .<br />
. . . . . . . . . . . . . . . . . . .Gary Diggins and Dorit Osher<br />
Expressive Arts – Wording Liminal Space . . .Gili Haimovich<br />
Planning Expressive Arts Experiences . . . . .Fay Wilkinson<br />
Expressive Arts Modalities . . . . . . . . . . . . . . . . . . . . . TBA<br />
Professional Issues with the Expressive Arts . . . . . . . . TBA<br />
courses at ocaD University in toronto<br />
June 4 to 8 (page 16)<br />
Collage & Mixed Media II . . . . . . . . . . . . . . . . . . . . . .Kal Honey<br />
Figurative Abstraction in Acrylic . . . . . . . . . . . . . . . .Brian Smith<br />
Fundamental Drawing . . . . . . . . . . . . . . . . . . . . . . . .Denis Cliff<br />
Illustrative Drawing & Painting . . . . . . . . . . . . . . .Marta Scythes<br />
Painting Light . . . . . . . . . . . . . . . . . . . . . . . . . . .Andrea Mossop<br />
June 11 to 15 (page 17)<br />
Acrylics – Fast & Forgiving . . . . . . . . . . . . . . . . . . . . .Denis Cliff<br />
Open Studio – Painting . . . . . . . . . . . . . . . . . . . . . . .Steve Rose<br />
Painting & Form Invention – Advanced . . . . . . . . . .Joanna Nash<br />
Portrait Painting . . . . . . . . . . . . . . . . . . . . . . . . . . . .Brian Smith<br />
spring 2012<br />
april 30 to may 4 (page 12)<br />
Blacksmithing – Open Studio . . . . . . . . . . . . . . . Rene Petitjean<br />
Collage & Acrylic Explorations . . . . . . . . . . . . . . . .Rose Pearson<br />
Landscape Painting – Working the Land . . . . . . . . . .Rod Prouse<br />
Painted Furniture & Accessories . . . . . . . . . . . . . . .Margot Miller<br />
Pottery – Teapot Design Techniques . . . . . .Jessica Steinhäusser<br />
may 7 to 11 (page 13)<br />
Acrylics – Non Objective I and Acrylics - Non Objective II<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lila Lewis Irving<br />
Machine Quilting . . . . . . . . . . . . . . . . . . . . .Maggie Vanderweit<br />
Mixing Media . . . . . . . . . . . . . . . . . . . . . . . .Ramune Luminaire<br />
Stained Glass, Stained Glass – Intermediate . . .Linda McGillivray<br />
Wire Sculpture – Large Scale . . . . . . . . . . . . . . . .Charles O'Neil<br />
may 12 to 20 (page 14)<br />
OHS Spinning Certificate Program – Level II<br />
… Elizabeth Abbott, Wendy E . Bateman, Harriet Boon,<br />
Louise Jackson, Karen Richens<br />
may 14 to 18 (page 14)<br />
Artistic Narrative Through Clay . . . . . . . . . . . . . . . . . April Gates<br />
may 21 to 25 (page 14)<br />
Artistic Narrative Through Assemblage . . . . . . . . . . . .Kal Honey<br />
may 14 to June 8 (page 15)<br />
Drawing & Painting – Advanced Individual Studies<br />
Concept, Process and Execution – Adv . Individual Studies<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Steve Rose<br />
Painting – Adv . Individual Studies . . . . . . . . . . . . .John Leonard<br />
Visual Arts – Adv . Individual Studies . . . . . . . . . .John Leonard<br />
Advanced Studies in and Across Disciplines . . . .V . Jane Gordon<br />
June 9 (pages 18 – 19)<br />
Art Clay Silver: Introductory Workshop . . . . . . . . . . .Sophia Tink<br />
Digital Cameras Made Easy . . . . . . . . . . . . . . Jenny Kirkpatrick<br />
Encaustic Painting Workshop . . . . . . . . . . . . . . . . .Susan Fisher<br />
Expressive Arts Through the Lens of Addiction Workshop<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sharon Benson<br />
Painted Floor Cloths Workshop . . . . . . . . . . . . . .Amanda Brittin<br />
Rustic Chair Workshop . . . . . . . . . . . . . . . . . .Maggie Longworth<br />
Wire Sculpture Workshop . . . . . . . . . . . . . . . . . . .Charles O'Neil<br />
June 18 to 22 (page 19)<br />
Expressive Arts – Practical Community Experiences<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fay Wilkinson<br />
Bursaries and Scholarships are available. See page 97.
sUmmer 2012<br />
June 25 to 29 (pages 20 – 21)<br />
Bird Carving – Beginner/Intermediate . . . . . . . . . . .John Leeder<br />
Glassblowing and Glassblowing II . . . . . . . . . . . . . . Robert Held<br />
Pastel Landscapes . . . . . . . . . . . . . . . . . . . . . .Margaret Ferraro<br />
Plein Air Painting . . . . . . . . . . . . . . . . . . . . . . . . . . .John Pryce<br />
Pottery – Altered Forms . . . . . . . . . . . . . . . . . . . . . . .Lisa Barry<br />
Watercolour Techniques – Basic . . . . . . . . . . . . . .Shelley Beach<br />
July 2 to 6 (pages 21 – 27)<br />
Acrylics – Intermediate/Advanced . . . . . . . . . .Marianne Broome<br />
Business for Artists . . . . . . . . . . . . . . . . . . . . . . . . . .Jim Blake<br />
Collage & Acrylic Explorations . . . . . . . . . . . . . . . . . . . .Jill Segal<br />
Contemporary Landscape Painting . . . . . . . . . . . .John Leonard<br />
Creativity in Writing . . . . . . . . . . . . . . . . . . . . . . . . . .Jane Bow<br />
Doll Making – Artistic Expression . . . . . . . . . . . . . .Kate Church<br />
Drawing with Ink & Colour . . . . . . . . . . . . . . . . . .Charles O'Neil<br />
Dyeing to Design . . . . . . . . . . . . . . . . . . . . . . . . . .Kim McBrien<br />
Felting on a Large Scale . . . . . . . . . . . . . . . . . . . . . .Sandi Luck<br />
Glassblowing and Glassblowing – Style & Form . . . . .Andy Kuntz<br />
Guitar – Folk, Country & Blues . . . . . . . . . . . . . . . Eve Goldberg<br />
Jewellery – Stone Setting: Beginner/Intermediate/Advanced<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Susan Watson Ellis<br />
Kids' Adventures in Animation . . . . . . . . . . . . . . . .Midori Nagai<br />
Kids' Under the Sea . . . . . . . . . . . . . . . . . . . Rebecca Reynolds<br />
Landscape Images in Fabric . . . . . . . . . . . . . . . . . . .Jane Selbie<br />
Lettering & Paper Arts . . . . . . . . . . . . .Judith Jaimet Bainbridge<br />
Life Drawing – Basics & Beyond . . . . . . . . . . . . . . . .Brian Smith<br />
Mosaics . . . . . . . . . . . . . . . . . . . . . . . . . .Annette Blady Van Mil<br />
Photography – Travel & Landscape . . . . . . . . . . . .Rob Stimpson<br />
Pottery – Beginners . . . . . . . . . . . . . . . . . . . . .Barbara Joy Peel<br />
Printmaking Without a Press . . . . . . . . . . . . . . . Victoria Cowan<br />
Remember, Reflect & Proceed with Purpose<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nora Zylstra Savage<br />
Sandal Making . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jon Gray<br />
Scottish Country Dancing – Intermediate and Advanced<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mike Turner<br />
Stain Painting – The Saturated Canvas . . . . . . . . . . . .Denis Cliff<br />
Stone Carving . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fred Hummel<br />
Totem Pole Carving and Totem Mask . . . . . . . . . . . . .Wayne Hill<br />
Watercolour Painting – Advanced . . . . . . . . . . . . . .Art Cunanan<br />
Watercolour Painting – Introduction . . . . . . . . . .Gary Chapman<br />
Youth Marionettes . . . . . . . . . . . . . . . . . . . . . . . . Judith Mason<br />
Youth/Teen Take the Stage . . . . . . . . . . . . . . .Leanne Schachow<br />
July 7 (pages 28 – 29)<br />
Earring Workshop . . . . . . . . . . . . . . . . . . . . . Susan Watson Ellis<br />
Glassblowing – Introductory Workshop . . . . . . . . . . . Terry Craig<br />
Knit a Cowl or Scarf Workshop . . . . . . . . . . . . . . .Glenna Harris<br />
Leather Braiding Workshop . . . . . . . . . . . . . . . . . . . . .Jon Gray<br />
Mosaic Window Workshop . . . . . . . . . . . . . . . . .Amanda Brittin<br />
Photoshop Workshop . . . . . . . . . . . . . . . . . .Michael Bainbridge<br />
Sheddings Workshop – The Stored Becomes Storied<br />
. . . . . . . . . . . . . . . . . . . . .Kate Church and Fay Wilkinson<br />
Sing! Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . Eve Goldberg<br />
Soap Making & Herbal Bath Workshop . . . . . . .Linda Lee Purvis<br />
Watercolour Florals Workshop . . . . . . . . . . . .Marianne Broome<br />
Wire Sculpture Workshop . . . . . . . . . . . . . . . . . . .Charles O'Neil<br />
July 9 to 13 (pages 30 – 37)<br />
Abstraction to Non Objective Painting . . . . . . . . . . . .Steve Rose<br />
Acrylics – Fast & Forgiving . . . . . . . . . . . . . . . . . . . . .Denis Cliff<br />
Acrylics & Mixed Media – Introductory . . .Annette Blady Van Mil<br />
Bird Carving . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jan Fitch<br />
Colour – Beyond Theory . . . . . . . . . . . . . . . . . . . . . . .Al Van Mil<br />
Creating Written Life Stories . . . . . . . . . . . . Nora Zylstra Savage<br />
Creative Choral Music . . . . . . . . . . . . . . . . . . . . . .Kiera Galway<br />
Creative Choral Music II . . . . . . . . . . . . . . . . . . . . . .Andy Rush<br />
Doll Making II – Artistic Expression . . . . . . . . . . . . .Kate Church<br />
Encaustic Painting . . . . . . . . . . . . . . . . . . . . . . . . .Susan Fisher<br />
Fabrics – Colours, Patterns & Painterly Effects . . . .Margot Miller<br />
Figure Sculpture . . . . . . . . . . . . . . . . . . . . . . . . . . Paul Portelli<br />
Glassblowing and Glassblowing II . . . . . . . . . . . . . . . Terry Craig<br />
Japanese Brush Painting I . . . . . . . . . . .Cassandra Wyszkowski<br />
Jewellery Casting . . . . . . . . . . . . . . . . . . . . . . . . . Michael Letki<br />
Kids' Get Creative . . . . . . . . . . . . . . . . . . . . . . . . Toni Calderone<br />
Kids' Zoom into Space . . . . . . . . . . . . Michele Karch Ackerman<br />
Knitting for Hands & Feet . . . . . . . . . . . . . . . . . . .Glenna Harris<br />
Life Drawing II . . . . . . . . . . . . . . . . . . . . . . . . . . .John Leonard<br />
Oil Painting – Introduction to Plein air . . . . . . . . .John Anderson<br />
Painting – Design & Composition . . . . . . . . . . Matthew Mancini<br />
Paper Sculpture & Collage . . . . . . . . . . . . . . . . . . . . .Suzi Dwor<br />
Photography – Creative Images . . . . . . . . . . . . . .Rob Stimpson<br />
Portrait Sketching & Development . . . . . . . . . . . . . .Brian Smith<br />
Pottery II . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Barbara Joy Peel<br />
Printmaking – Collagraph . . . . . . . . . . . . . . . . . . Victoria Cowan<br />
Stone Carving – Advanced . . . . . . . . . . . . . . . . . .Fred Hummel<br />
Stringed Instrument Immersion for Beginners<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bethany Houghton<br />
Textile Collage – Mixed Media . . . . . . . . . . . .Maggie Vanderweit<br />
Watercolour Drawing & Painting<br />
. . . . . . . . . . . . . . . . . .Maurice Snelgrove and Ross Monk<br />
Watercolour Painting – Big Sky Landscapes . . . . . . .Grant Fuller<br />
Weaving Basic Level I, Weaving Basic Level II . . .Ralph Johnston<br />
Wire Sculpture . . . . . . . . . . . . . . . . . . . . . . . . . . .Charles O'Neil<br />
Youth/Teen Metal Jewellery Arts . . . . . . . . . . Susan Watson Ellis<br />
Youth/Teen Movie Making & Animation<br />
. . . . . . . . . . . . . . . . . . . . .Tammy Rea and Martha Larsen<br />
July 14 (page 38)<br />
Alternative Mark Making Workshop . . . . . . . Rebecca Reynolds<br />
Digital Cameras Made Easy . . . . . . . . . . . . . . Jenny Kirkpatrick<br />
Drawing the Figure for Beginners Workshop . . . . . . .Steve Rose<br />
Expressive Painting Workshop . . . . . . . . . . . . . . . . . .Sue Miller<br />
Fascinator Workshop . . . . . . . . . . . . . . . . . . . . . .Karyn Gingras<br />
Felted Scarf Workshop . . . . . . . . . . . . . . . . . .Susan MacDonald<br />
Harp for Beginners Workshop . . . . . . . . . . . . .Maureen McKay<br />
Needlework Workshop . . . . . . . . . . . . . . . . . . . Jacqui Clarkson<br />
Rustic Chair Workshop . . . . . . . . . . . . . . . . . .Maggie Longworth<br />
Watercolour Greetings Workshop . . . . . . . . . . . . Marg McIntyre<br />
Zentangle ® Workshop . . . . . . . . . . . . . . . .Chari-Lynn Reithmeier<br />
Courses for Kids, Youth and Teens<br />
All course names for our younger artists start with either<br />
'Kids,' 'Youth' or 'Teen,' depending on the age requirement.<br />
See page 100 for more information.<br />
5
6<br />
July 16 to 20 (pages 40 – 46)<br />
Acrylic Collage & Yoga . . . . . . . . . . . . . . . . . . . . . . . . .Jill Segal<br />
Christmas – 5 Days of Christmas . . . . . . . . . . . . . .Darby Bayly,<br />
. . . . . . .Valerie Cowle, Sandi Luck, Erin Lynch, Don Taylor<br />
Creative Writing . . . . . . . . . . . . . . . . . . . . . . .Catherine Graham<br />
Fabric Collage Art Quilts . . . . . . . . . . . . . . . . . Marion Spanjerdt<br />
Fabric Printing – Photos, Screens & More . . . . . . . . Gunnel Hag<br />
Fundamental Drawing . . . . . . . . . . . . . . . . . . . . . . . .Denis Cliff<br />
Handbuilding Clay Sculpture . . . . . . . . . . . . . . . . . Paul Portelli<br />
Harp: Beginner/Intermediate . . . . . . . . . . . . . .Maureen McKay<br />
Illumination – Mediaeval & Modern . . .Judith Jaimet Bainbridge<br />
Improvisation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kerry Griffin<br />
Introduction to Expressive Arts Therapies . . . . . . .Fay Wilkinson<br />
Japanese Brush Painting II . . . . . . . . . . .Cassandra Wyszkowski<br />
Jewellery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael Letki<br />
Kids' Cartoons, Characters & Chaos . . . . . . . . .Laurie Rockman<br />
Kids' Fabulous Fractured Fables . . . . . . . . . . . . . .Ted Staunton<br />
Kiln Cast Glass . . . . . . . . . . . . . . . . . . . . . . . . . . . .Sheila Mahut<br />
Landscape Creative Approaches . . . . . . . . . .Ramune Luminaire<br />
Mac Laptop – iCreate . . . . . . . . . . . . . . . . . . . . . . . .Tammy Rea<br />
Machine Knitting – Tips, Tricks & Techniques . . .Monika Stramglia<br />
Millinery – The Art of Hat Making . . . . . . . . . . . . .Karyn Gingras<br />
Musical Improvisation . . . . . . . . . . . . . . . . . . . . . . . .Larry Glatt<br />
Musical Instrument Construction . . . . . . . . . . . . . . .Philip Davis<br />
Non Objective Painting . . . . . . . . . . . . . . . . . . . . . . .Steve Rose<br />
Photoshop . . . . . . . . . . . . . . . . . . . . . . . . . .Michael Bainbridge<br />
Portfolio & Presentation . . . . . . . . . . . . . . . . . . . . .Kim McBrien<br />
Portrait Painting . . . . . . . . . . . . . . . . . . . . . . . . . . . .Brian Smith<br />
Pottery Throwing Camp – Intermediate/Advanced<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rene Petitjean<br />
Printmaking – Experimental . . . . . . . . . . . . . . Linda Kristen Blix<br />
Rustic Twig Open Studio . . . . . . . . . . . . . . . .Maggie Longworth<br />
Spinning . . . . . . . . . . . . . . . . . . . . . . . . . . .Wendy E . Bateman<br />
Stitched Imagery with Mixed Media . . . . . . . . . . . .Sylvia Naylor<br />
Water in Watercolour . . . . . . . . . . . . . . . . . . . . . . . .Grant Fuller<br />
Watercolour Techniques – Basic . . . . . . . . . . . . . .Marta Scythes<br />
Wire Sculpture – Large Scale . . . . . . . . . . . . . . . .Charles O'Neil<br />
Youth Archery & Fencing . . . . . . . . . . . . . . . . . .Brad Sherwood<br />
Youth/Teen Mixed Media Sculpture . . . . . . . . . .Amanda Brittin<br />
July 16 to 20 in Huntsville (page 47)<br />
Creative Writing . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jane Bow<br />
Knit a Cottage Blanket . . . . . . . . . . . . . . . . . . . . . Holly Groome<br />
Painting – Shades of Pale . . . . . . . . . . . . . . . . . .Andrea Mossop<br />
Photography – In Camera . . . . . . . . . . . . . . . . . . .Rob Stimpson<br />
Quilting – Radiating Strip Pieces . . . . . . . . . . . . . . .John Willard<br />
register early!<br />
Waiting until the last minute limits your choice of courses<br />
and may cause you unnecessary disappointment .<br />
See registration details on page 99 .<br />
July 21 (pages 48 – 49)<br />
Art & Soul Workshop . . . . . . . . . . . . . . . . . . . .Linda Lee Purvis<br />
Beaded Appliqué Workshop . . . . . . . . . . . . . . . .Pam Woodward<br />
Beaded Jewellery Workshop . . . . . . . . . . . . . . . .Amanda Brittin<br />
Bookbinding Workshop . . . . . . . . . . . . . . . . . . . . . . .Don Taylor<br />
Classical Guitar Workshop . . . . . . . . . . . . . . . . . . . . .Larry Glatt<br />
Fabric Printing – Irresistible Resists Workshop . . . . Gunnel Hag<br />
Point & Shoot Photography Made Easy . . . . . . Jenny Kirkpatrick<br />
Rock Balancing Workshop . . . . . . . . . . . . . . . . . . . Peter Riedel<br />
Wire Sculpture Workshop . . . . . . . . . . . . . . . . . . .Charles O'Neil<br />
July 23 to 27 (pages 49 – 56)<br />
Abstracted Interpretations of the Masters . . . . . . . . . .Denis Cliff<br />
Abstracting the Landscape in Acrylics . . . . . .Marianne Broome<br />
Book Arts Sampler . . . . . . . . . . . . . . . . . . . . . . . . . . .Don Taylor<br />
Chainsaw Sculpture . . . . . . . . . . . . . . . . . . . . Robbin Wenzoski<br />
Clown – Discovery of Your Persona . . . . . . . . . . .Helen Donnelly<br />
Creative Writing – Ignite Your Potential . . . . Nora Zylstra Savage<br />
Dolls, Masks & Puppets within the Expressive Arts<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Fay Wilkinson<br />
Drawing & Painting Media Sampler . . . . . . . . . . Marg McIntyre<br />
Fiddle – Intermediate . . . . . . . . . . . . Cindy Thompson Butineau<br />
Figurative Abstraction in Acrylic . . . . . . . . . . . . . . . .Brian Smith<br />
Finger-Style Guitar Playing . . . . . . . . . . . . . . . . . . . . .Rick Fines<br />
Impressionism – Theory & Technique . . . . . . . . . .John Leonard<br />
Indigo & Shibori . . . . . . . . . . . . . . . . . . . . . . . . .Pam Woodward<br />
Iron & Glass Collaborations . . .Rene Petitjean and Andrew Kuntz<br />
Jewellery – Chasing & Repoussé<br />
– Introductory/Intermediate/Advanced . . . . . .Todd Jeffrey Ellis<br />
Kids’ Creatures . . . . . . . . . . . . . . . . . . . . . . . Shannon Partridge<br />
Kids’ in the Kitchen . . . . . . . . . . . . . . . . . .Jennifer Mykolyshyn<br />
Knitting Sweaters That Fit . . . . . . . . . . . . . . . . . . .Glenna Harris<br />
Musical Instrument Construction – Intermediate/Advanced<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Philip Davis<br />
Oil Painting – Plein Air Intermediate/Advanced . .John Anderson<br />
Painting – Black & White . . . . . . . . . . . . . . . . . .Andrea Mossop<br />
Painting & Form Invention – Advanced . . . . . . . . . .Joanna Nash<br />
Pastels – Intermediate . . . . . . . . . . . . . . . . . . .Margaret Ferraro<br />
Pottery – Image Transfer & Surface Techniques . . . . April Gates<br />
Quilting – Serendipity Strips & Curves . . . . . . . . . . .Elaine Quehl<br />
Sketchbook Sketching . . . . . . . . . . . . . . . . . . . . . . . Ruth Read<br />
Teen Archery & Fencing . . . . . . . . . . . . . . . . . . .Brad Sherwood<br />
Travel Writing & Photography . . . .Kate Pocock and Rob Stimpson<br />
Watercolour & Sumi-e-East Meets West . . .Cassandra Wyszkowski<br />
Watercolour Painting II – Landscapes . . . . . . . . .Gary Chapman<br />
Wire Jewellery . . . . . . . . . . . . . . . . . . . . . . . . . . . .Judy Feskun<br />
Wire Sculpture – The Human Form . . . . . . . . . . .Charles O'Neil<br />
Youth Stained Glass . . . . . . . . . . . . . . . . . . . . . . . . . . .Lia Howe<br />
Youth/Teen Build Your Own Skateboard Deck . . .Bryce Petersen<br />
July 23 to 27 in Huntsville (page 57)<br />
Acrylics & Mixed Media – Introductory and Intermediate<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . .Annette Blady Van Mil<br />
Life Drawing & Painting . . . . . . . . . . . . . . . . . . . . . .Steve Rose<br />
Sculpting, Modelling & Mould Making Techniques<br />
. . . . . . . . . . . . . . . . . . . . . . . . . .Brenda Wainman Goulet<br />
Sketchbook Journal . . . . . . . . . . . . . . . . . . .Ramune Luminaire<br />
Watercolour Basics & Beyond . . . . . . . . . . . . . . .Marta Scythes<br />
Watercolour with Wool – Felted Landscapes . . . Pam Carnochan
July 28 (pages 58 – 59)<br />
Acrylic Non Objective Abstract Workshop . . . .Marianne Broome<br />
Embroidery for Crazy Quilting Workshop . .Chari-Lynn Reithmeier<br />
Faux Food Workshop . . . . . . . . . . . . . . . . . . . . . . .Frances Key<br />
Glass Flamework Workshop . . . . . . . . . . . . . . . .Brad Sherwood<br />
Gourd Drum Making Workshop . . . . . . . . . . . . . . .John Proctor<br />
Painted Floor Cloths Workshop . . . . . . . . . . . . . .Amanda Brittin<br />
Painting – Flower Power Workshop . . . . . . . . . . .Andrea Mossop<br />
Step Dance Workshop . . . . . . . . . . . Cindy Thompson Butineau<br />
Textiles – Special FX Workshop . . . . . . . . . . . . . .Pam Woodward<br />
Ukulele Workshop . . . . . . . . . . . . . . . . . . . . . . . . Eve Goldberg<br />
Upholstery Workshop . . . . .Evelyn Bouma and Krystyna Czerska<br />
July 30 to august 3 (pages 59 – 65)<br />
Acrylics – Non Objective I . . . . . . . . . . . . . . . . . . Lila Lewis Iring<br />
Animals in Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jay Dampf<br />
Art Clay – Sliver/Gold . . . . . . . . . . . . . . . . . . . . . . . .Sophia Tink<br />
Bird Carving – Intermediate/Advanced . . . . . . . . .Bruce Lepper<br />
Blues Vocals & Song Writing . . . . . . . . . . . . . . . . . Suzie Vinnick<br />
Braided Mats . . . . . . . . . . . . . . . . . . . . . . . .Wendy E . Bateman<br />
Bronze Casting – Introductory . . . . . . . . . . . . . . .Stewart Smith<br />
Cultural Symbols & Creative Patterning . . . . . . . . . . . .Suzi Dwor<br />
Glass Slumping & Fusing . . . . . . . . . . . . . . . . . . .Heather Wood<br />
Inquiry for Artists . . . . . . . . . . . . . . . . . . . . . . . .V . Jane Gordon<br />
Kids' Metal Jewellery Arts . . . . . . . . . . . . . . . Susan Watson Ellis<br />
Kids’ Outdoor Art Adventures . . . . . . . . . . . . . . . .Paul Marshall<br />
Landscape of the Model . . . . . . . . . . . . . . . . . . . . .Joanna Nash<br />
Machine Knitting – Technique to Attire . . . . . Monika Stramaglia<br />
Oil Painting . . . . . . . . . . . . . . . . . . . . . . . . . . . .Andrea Mossop<br />
Open Studio – Painting . . . . . . . . . . . . . . . . . . . . . . .Steve Rose<br />
Paddle Making . . . . . . . . . . . . . . . . . . . . . . . . . . . . Russ Parker<br />
Painting Basics . . . . . . . . . . . . . . . . . . . . . . Shannon Partridge<br />
Painting Playfully . . . . . . . . . . . . . . . . Michele Karch Ackerman<br />
Pen & Ink and Colour . . . . . . . . . . . . . . . . . . . . . .Marta Scythes<br />
Photography – In Camera . . . . . . . . . . . . . . . . . .Elisabeth Feryn<br />
Pottery – Dinnerware . . . . . . . . . . . . . . . . . . . . . . . Bill Reddick<br />
Printmaking – Screen Monoprinting Plus . . . . Linda Kristen Blix<br />
Printmaking – Watercolour Monotype . . . . . . .Stephanie Rayner<br />
Processing Techniques for EXA Practitioners . . . . .Ed Hagedorn<br />
Silversmithing – Introductory/Intermediate/Advanced<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Todd Jeffrey Ellis<br />
Stringed Instrument Immersion – Intermediate<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bethany Houghton<br />
Surface Design for Quilters & Fibre Artists . . . . . . .Elaine Quehl<br />
Teen Stained Glass . . . . . . . . . . . . . . . . . . . . . . . . . . . .Lia Howe<br />
Water Media Explorations . . . . . . . . . . . . . . . . . Nancy Newman<br />
Watercolour Abstraction . . . . . . . . . . . . . . . . . . . . . . .Denis Cliff<br />
Wire Sculpture – Home & Garden Décor . . . . . . . .Charles O'Neil<br />
Writing Children's Books . . . . . . . . . . . . . . . . . . . .Ted Staunton<br />
Youth/Teen Fabulous Faux Food . . . . . . . . . . . . . . .Frances Key<br />
July 30 to august 3 in Huntsville (page 66)<br />
Creative Writing – Giving Life to Your Story . . .Nora Zylstra Savage<br />
Painted Furniture & Accessories . . . . . . . . . . . . . . .Margot Miller<br />
Photography – Breaking the Rules . . . . . . . . . Jenny Kirkpatrick<br />
Trees . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ramune Luminaire<br />
Watercolour on Canvas . . . . . . . . . . . . . . . . . . . . . .Margot Snow<br />
august 6 to 10 (pages 67 – 73)<br />
Acrylics – Non Objective II . . . . . . . . . . . . . . . . .Lila Lewis Irving<br />
Artistic Explorations – Painting & Drawing . . . . . . . . . Jay Dampf<br />
Basketry by Nature . . . . . . . . . . . . . . . . . . . . . . . .Sheila Ziman<br />
Blacksmithing . . . . . . . . . . . . . . . . . . . . . . . . . . Rene Petitjean<br />
Creative Integration – Arts Across the Curriculum . .Judith Mason<br />
Embellished Textile Surface & Form . . . . . . . . . . . .Judith Dingle<br />
Encaustic Painting II . . . . . . . . . . . . . . . . . . . . . . .Susan Fisher<br />
Expressionism – Power, Passion & Paint . . . . . . . . . .Steve Rose<br />
Expressive Arts – Demystifying Art Materials . . . . .Fay Wilkinson<br />
Felt Lace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Diane Gonthier<br />
Glass Flamework and Glass Flamework II . . . . . .Brad Sherwood<br />
Jewellery – Chain Making: Beginner/Intermediate/Advanced<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Susan Watson Ellis<br />
Kids’ Craftabulous! . . . . . . . . . . . . . . . . . . . . . . . . . . .Erin Lynch<br />
Kids' Musical Jam . . . . . . . . . . . . . . . . . . . . . . . . . .Charlie Kert<br />
Kilt Making – Introductory . . . . . . . . . . . . . . Robert MacDonald<br />
Oil Painting & Collage . . . . . . . . . . . . . . . . . . . . . . . . . .Phil Irish<br />
Painting from the Model – Advanced . . . . . . . . . .John Leonard<br />
Plein Air Acrylics – Introductory . . . . . . . . . . . . .John Anderson<br />
Portraiture: Experimental Approaches . . . . . . . . . . .Kim Lee Kho<br />
Printmaking – Impasto Waterbase . . . . . . . . .Stephanie Rayner<br />
Quilts with Colour – Real Colour . . . . . . . . . . . . . . .John Willard<br />
Raku Advanced I . . . . . . . . . . . . . . . . . . . . . . . . Michael Sheba<br />
Rug Hooking – Traditional East Coast Primitive . . Donna Sproule<br />
Soapstone Carving . . . . . . . . . . . . . . . . . . . . . . . .John Sabourin<br />
Totem Pole Carving and Totem Mask . . . . . . . . . . . . .Wayne Hill<br />
Watercolour Painting – Experimental . . . . . . . . . . . . .Kal Honey<br />
Watercolour Painting – Intermediate . . . . . . . . . . .Marta Scythes<br />
Wire Jewellery II . . . . . . . . . . . . . . . . . . . . . .Dianne Karg Baron<br />
Wire Sculpture – Large Scale . . . . . . . . . . . . . . . .Charles O'Neil<br />
Youth Art – The Works! . . . . . . . . . . . . . . . . . . . . Marg McIntyre<br />
Youth/Teen Printmaking & Screenprinting . . . . . . . Elisha Barlow<br />
august 13 to 17 (pages 73 – 75)<br />
Acrylics & Mixed Media – Intermediate . . .Annette Blady Van Mil<br />
Encaustic Mixed Media & Collage . . . . . . . . . . . . . .Susan Fisher<br />
Figure in the Landscape . . . . . . . . . . . . . . . . . Matthew Mancini<br />
Glass Flamework and Glass Flamework II . . . . . .Brad Sherwood<br />
Iron Sculpture . . . . . . . . . . . . . . . . . . . . . . . . . . Rene Petitjean<br />
Kids' Handbuilding Pottery . . . . . . . . . . . . . . . . . . . . .Lisa Barry<br />
Kids' 'Oh Canada' . . . . . . . . . . . . . . . . Michele Karch Ackerman<br />
Kilt Making II . . . . . . . . . . . . . . . . . . . . . . . . Robert MacDonald<br />
Non Objective Painting II . . . . . . . . . . . . . . . . . . . . .Steve Rose<br />
Paint – Brush Up . . . . . . . . . . . . . . . . . . . . . . . . . . . .Al Van Mil<br />
Pottery – Understanding Glazes . . . . . . . . . . . . . Michael Sheba<br />
Purses, Handbags & Artful Totes . . . . . . . . . . . . . .Judith Dingle<br />
Watercolour Landscape Painting . . . . . . . . . . . . .Shelley Beach<br />
august 18 to 26 (page 75)<br />
OHS Spinning Certificate Program – Level V . . . . . .Beth Abbott,<br />
. . . . . . . . . .Wendy E . Bateman, Harriet Boon, Mara Lusis<br />
august 20 to 24 (page 75)<br />
Youth/Teen Pottery . . . . . . . . . . . . . . . . . . . . . . . . . . .Lisa Barry<br />
7
8<br />
FaLL 2012<br />
mcmichael canadian art collection (page 76)<br />
August 27 to 31<br />
Theory & Technique of the Group of Seven . . John Leonard<br />
September 3 to 7, 2012<br />
Acrylic Painting Techniques . . . . . . . . . . Marianne Broome<br />
September 10 to 14<br />
Contemporary Landscape Painting . . . . . . . . John Leonard<br />
September 17 to 21<br />
Contemporary Landscape Painting – Advanced II<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Leonard<br />
september 22 (page 77)<br />
Acrylic Stain Painting Workshop . . . . . . . . . . . . . .Shelley Beach<br />
Cake Decorating – Fondant Workshop . . . . . . . . .Jennifer Mayrl<br />
Mixed Media Collage Texture Workshop . . . . . . . . . .Valerie Kent<br />
Precious Metal Clay Enamelling Workshop . . .Shannon Kennedy<br />
Stained Glass Stepping Stones Workshop . .Wendy Laduarantaye<br />
Wire Sculpture Workshop . . . . . . . . . . . . . . . . . . .Charles O'Neil<br />
october 22 to 26 (page 78)<br />
Landscape Painting – Working the Land . . . . . . . . . .Rod Prouse<br />
Mixed Media Collage & Texture . . . . . . . . . . . . . . . . .Valerie Kent<br />
Stained Glass Lamp . . . . . . . . . . . . . . . . . . . . .Linda McGillivray<br />
Theatre: Setting the Scene . . . . . . . . . . . . . . . . . . .Frances Key<br />
Totem Pole Carving and Totem Mask . . . . . . . . . . . . .Wayne Hill<br />
Watercolour Painting – Advanced . . . . . . . . . . . . . .Art Cunanan<br />
november 3 (page 79)<br />
Artful Lettering Workshop . . . . . . . . . . .Judith Jaimet Bainbridge<br />
Chain Bracelet Workshop . . . . . . . . . . . . . . . Susan Watson Ellis<br />
Guitar Basics Workshop . . . . . . . . . . . . . . . . . . . . Eve Goldberg<br />
Knitting Boot Camp Workshop . . . . . . . . . . . . . . . .Kim McBrien<br />
Stained Glass Workshop . . . . . . . . . . . . . . . . . .Linda McGillivray<br />
november 10 (page 80)<br />
Art Clay Silver: Introductory Workshop . . . . . . . . . . .Sophia Tink<br />
Beaded Jewellery Workshop . . . . . . . . . . . . . . . .Amanda Brittin<br />
Christmas Ornaments – Folded Metal Workshop<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Todd Jeffery Ellis<br />
Felted Slippers . . . . . . . . . . . . . . . . . . . . . . . . . .Heidi Hudspith<br />
Finger Style Guitar Workshop . . . . . . . . . . . . . . . . . . .Rick Fines<br />
Sketching Workshop . . . . . . . . . . . . . . . . . . . . . .Marta Scythes<br />
open HoUse<br />
Saturday April 14, 2012<br />
See page 3 for more information.<br />
createit@hsta.ca<br />
Phone: 1.866.353.6464 or 705.457.1680<br />
Fax: 705 .457 .2255<br />
Mail: Box 839, Haliburton Ontario K0M 1S0<br />
Visual and Creative Arts Diploma (VCAD)<br />
Investigate our unique and flexible options for earning a diploma<br />
in the visual arts . Choose the learning path that’s right for you!<br />
See page 96 for more information or visit our website at<br />
www .hsta .ca .<br />
VCAD Credits: Within this calendar,<br />
foundation courses are indicated by a single asterisk (*),<br />
non-credit courses are indicated by a double asterisk (**),<br />
elective courses have no asterisk.<br />
art certificates<br />
The following certificates run from September to December:<br />
• Artist Blacksmith<br />
• Ceramics<br />
• Drawing & Painting<br />
• Fibre Arts<br />
• Photo Arts<br />
The following certificates run from January to April:<br />
• Digital Image Design<br />
• Glassblowing<br />
• Jewellery Arts<br />
• Sculpture<br />
For more information, call 1-866-353-6464<br />
(local 705-457-1680) or visit www .hsta .ca
Expressive Arts<br />
Expressive Arts Ontario <strong>College</strong> Graduate Certificate Program<br />
The Expressive Arts Certificate is an 8-credit Ontario <strong>College</strong><br />
Graduate Certificate program consisting of 4 mandatory courses<br />
and 4 elective courses . <strong>Fleming</strong>’s certificate can be achieved on<br />
a part-time basis (note Program Changes) or a full-time basis<br />
by attending the 8-week intensive format program in the spring .<br />
Individual course registrations will be considered in the 8-week<br />
program on March 26, 2012, dependent upon the complete<br />
program registration level and space availability .<br />
Program Highlights<br />
Through four mandatory and four elective courses, you will<br />
explore your own creativity and learn how to design and deliver<br />
expressive arts programming to people in a variety of circumstances<br />
. In addition, you will examine the theoretical and<br />
practical approaches to expressive arts as therapy, and learn how<br />
to protect yourself from burnout . Please see the course list below .<br />
<strong>Fleming</strong>’s post-graduate certificate in Expressive Arts is a helpful<br />
addition to the counselling, teaching, or ministry you currently<br />
offer others . As a teacher, artist, nurse, social worker, minister, or<br />
someone in a “caring” profession, you will benefit from knowing<br />
how to facilitate the development and transformation of the<br />
people in your care, through expressive arts .<br />
Why Choose <strong>Fleming</strong>?<br />
The Expressive Arts Certificate cannot be found elsewhere, in<br />
particular with the choice of studying full or part-time . We offer<br />
the certificate with this flexibility so professionals working with<br />
adults and children can fit this training into their busy schedules .<br />
Backed by the reputation of <strong>Fleming</strong> <strong>College</strong>’s Haliburton School<br />
of The Arts, and many enthusiastic instructors with experience<br />
in counselling therapies and/or the arts, you will benefit professionally<br />
and personally from your time spent in pursuit of this<br />
certificate . Fay Wilkinson is the on-site co-ordinator for the eightweek<br />
program .<br />
Minimum Admission Requirements: Human Service or Arts<br />
diploma/degree . Students that do not meet the formal academic<br />
requirements may be considered by alternate mature student<br />
admissions procedure .<br />
Fees and Additional Costs: Tuition and fees are *$1,595 .00 for<br />
the intensive 8-week program . (*Tuition and fees are subject<br />
to changes .) There is also a $120 material fee payable to the<br />
academic co-ordinator . Part-time students pay individual course<br />
registration fees of $299 .74 per course plus $15 material fee per<br />
course .<br />
How to Register<br />
Full-time students go to www .ontariocolleges .ca<br />
OCAS Code: EXA<br />
<strong>College</strong> Code: SSFL<br />
Campus Code: 4<br />
Part-time students pay individual course registration fees .<br />
Individual course registrations will be considered in the<br />
8-week program on March 26, 2012, dependent upon the<br />
complete program registration level and space availability .<br />
Mandatory Courses<br />
• Exploration of Therapeutic Relationships<br />
• Introduction to Expressive Arts<br />
• Planning Expressive Arts Experiences<br />
• Professional Issues with the Expressive Arts<br />
Elective Courses<br />
• Expressive Arts Modalities<br />
• Expressive Arts – SoundWork & BodyPlay<br />
• Expressive Arts – Wording Liminal Space<br />
• Storytelling & Sandtray Therapy within the Expressive Arts<br />
These offerings are also part of the 2012 summer part-time<br />
program:<br />
• Expressive Arts – Practical Community Experiences<br />
• Introduction to Expressive Arts Therapies<br />
• Dolls, Masks & Puppets within the Expressive Arts<br />
• Processing Techniques for Expressive Arts Practitioners<br />
• Expressive Arts – Demystifying Art Materials<br />
The following electives were offered in the past and can be<br />
applied to the Expressive Arts Certificate if you declared<br />
your intent to pursue the certificate on a part-time basis and<br />
completed the course(s) prior to 2005 . Note program changes<br />
indicated on this page .<br />
• Art Therapy – Expressing Childhood<br />
• Creative Explorations and Expression<br />
• Creative Spirit and the Symbolic Abstract<br />
• Exploring Expressive Arts Modalities<br />
• Expressive Arts – Play Therapy<br />
• Expressive Self-Portraiture<br />
• Freeing the Creative Spirit<br />
• Movement and Voice as Expressive Arts<br />
• Storytelling – Developing a Personal Mythology<br />
• Storytelling – The Art of Family Lore<br />
Program Changes: As a result of a program review, we are in the<br />
process of making some changes to the elective courses within<br />
the certificate . As of 2005, electives offered in the Expressive<br />
Arts Certificate are not eligible as credits toward the Visual and<br />
Creative Arts Diploma . Any of the courses listed above that were<br />
successfully completed prior to 2005 will be grandfathered as<br />
previously communicated and accepted as credits toward the<br />
Visual and Creative Arts Diploma .<br />
Accommodation: Limited shared accommodation is available in<br />
the school’s housekeeping cottages on a first-come, first-served<br />
basis . Cost: $113 (HST included) per week . Additional accommodation<br />
information is available from the school upon request .<br />
Dates: April 23 – June 15, 2012<br />
spring 2012<br />
9
10<br />
Introduction to Expressive Arts Therapies M<br />
COURSE CODE <strong>ARTS</strong>112 SECTION 41<br />
INSTRUCTOR Fay Wilkinson<br />
DATES April 23 – 27, 2012<br />
FEE $299 .74<br />
“Sitting quietly, doing nothing, spring comes and the grass<br />
grows by itself.” (Zenrin) . When we provide the right conditions<br />
for ourselves, we open the door to growth . Tapping into our<br />
creativity provides a natural source of imagery and energy to use<br />
for healing and personal expression . This course will introduce<br />
you to the theory and practice of the expressive arts . If you are<br />
working in the human service field, you will learn about the<br />
applicability of visual arts, music, writing, movement and theatre<br />
to your work settings . There will be a $15 material fee payable to<br />
the instructor<br />
Storytelling and Sandtray Therapy<br />
within the Expressive Arts E<br />
COURSE CODE <strong>ARTS</strong>1028 SECTION 41<br />
INSTRUCTOR Fay Wilkinson and Verity Barrett<br />
DATES April 30 – May 4, 2012<br />
FEE $299 .74<br />
Successful completion of Introduction to Expressive Arts Therapies<br />
is recommended prior to taking this course.<br />
This course is an introduction to the practice and theory of<br />
sandtray-worldplay therapy and the application of storytelling<br />
within the expressive arts . These modalities give voice to the<br />
internal and external worlds of both children and adults . They are<br />
tools with which to explore for example issues of loss, abuse, and<br />
self-esteem that can provide new perspectives on life experiences<br />
. This will be of interest to professionals working with children<br />
and adults in educational, health, recreation or therapeutic<br />
settings . There will be a $15 material fee payable to the instructor .<br />
eXpressiVe arts coUrses<br />
Please note: To register for these courses you must meet the admission requirements for the EXA Graduate Certificate Program.<br />
Details available on page 9.<br />
As a teacher, artist, nurse, social worker,<br />
minister, or someone in a “caring” profession,<br />
you will benefit from knowing how to facilitate<br />
the development and transformation of the<br />
people in your care, through expressive arts.<br />
Exploration of Therapeutic Relationships M<br />
COURSE CODE <strong>ARTS</strong>91 SECTION 41<br />
INSTRUCTOR Edward Hagedorn<br />
DATES May 7 – 11, 2012<br />
FEE $299 .74<br />
Please note: Successful completion of Introduction to Expressive<br />
Arts Therapies is recommended prior to taking this course.<br />
In this course you will explore various types of therapeutic<br />
relationships, as well as several important aspects of therapeutic<br />
relations in general . It will include experiential, demonstrated, and<br />
didactic learning methods . There will be ample opportunity for<br />
practice, discussion and feedback using role playing of the client,<br />
the expressive therapist, and the witness/observer . Some of these<br />
opportunities will occur in pairs, some in small groups, others in<br />
the full group . There will be an attempt to use the ‘here and now’<br />
experiences of the class/group member to highlight the important<br />
factors of therapeutic relationships . There will be a $15 material<br />
fee payable to the instructor .<br />
Expressive Arts – SoundWork & BodyPlay E<br />
COURSE CODE <strong>ARTS</strong>774 SECTION 41<br />
INSTRUCTOR Gary Diggins and Dorit Osher<br />
DATES May 14 – 18, 2012<br />
FEE $299 .74<br />
SoundWork: Designing and Facilitating Sonic Rituals . Whether<br />
we are creating a ceremony of celebration or a ritual to grieve a<br />
loss, SoundWork enables participants to drop out of the topside<br />
world of words in order to engage the images, feelings, and<br />
themes of the inner life . Sonic rituals can be jubilant or heartfelt,<br />
but are always in-depth . BodyPlay: Integrative Movement with<br />
drawing and journalling . We will use breath and structured<br />
improvisational dance to explore the different facets of our inner<br />
worlds of images, emotions, sensations and impulses . As we<br />
move between modalities suitable applications and populations<br />
will be discussed . There will be a $15 material fee payable to the<br />
instructor .<br />
The M or E symbol beside the course name indicates whether the course is Mandatory or Elective toward the Expressive Arts Certificate.<br />
These courses do not count towards <strong>Fleming</strong>’s Visual and Creative Arts Diploma.
Expressive Arts – Wording Liminal Space E<br />
COURSE CODE <strong>ARTS</strong>1606 SECTION 41<br />
INSTRUCTOR Gili Haimovich<br />
DATES May 21 – 25, 2012<br />
FEE $299 .74<br />
This experiential course provides an opportunity to explore<br />
writing-focused expressive arts . Instruction will involve an<br />
interdisciplinary approach that includes additional art modalities<br />
such as voice and music, movement and dance, visual arts and<br />
drama as they generate and support the writing process . Discover<br />
how the creative writing process teaches you to articulate inner<br />
sensations, emotions, and thoughts . Exploring a variety of art<br />
modalities in the realm of creative writing gives a fresh perspective<br />
on recurring themes and issues in our lives, and deepens<br />
our understanding of the metaphors and images that surround<br />
us . Writing-focused expressive arts are effective with a range of<br />
populations, from high functioning adults and children, to clients<br />
who are not native English speakers, to populations with different<br />
challenges, including those who are not highly verbal . A background<br />
in writing is not required . There will be a $15 material fee<br />
payable to the instructor .<br />
Planning Expressive Arts Experiences M<br />
COURSE CODE <strong>ARTS</strong>171 SECTION 41<br />
INSTRUCTOR Fay Wilkinson<br />
DATES May 28 – June 1, 2012<br />
FEE $299 .74<br />
Please note: Successful completion of Introduction to Expressive<br />
Arts Therapies is recommended prior to taking this course.<br />
Successful completion of Introduction to Expressive Arts Therapies<br />
is recommended prior to taking this course . This course will<br />
teach you to plan and lead expressive arts experiences for others .<br />
Instruction will address a broad spectrum of expressive arts experiences<br />
as well as present the theoretical tools for assessing what<br />
type of experiences might be appropriate for various individuals<br />
and populations. You will learn how music, movement, visual, and<br />
narrative arts can promote self-awareness and personal growth<br />
with various populations ranging from drug treatment facilities to<br />
nursing homes, daycares to prisons . There will be opportunities<br />
to experience leadership in the non-judgmental atmosphere of<br />
the student group . There will be a $15 material fee payable to the<br />
instructor .<br />
<strong>Fleming</strong> <strong>College</strong> & ISIS<br />
<strong>Fleming</strong> <strong>College</strong> is pleased to announce an affiliation with the International School for Interdisciplinary Studies, ISIS-Canada,<br />
in Toronto, Ontario (www .isis-canada .org) . ISIS-Canada is a certificate-granting training institute in intermodal expressive arts<br />
therapy . Students who graduate from ISIS-Canada can apply their credits towards an MA degree in Expressive Arts Therapy at<br />
the European Graduate School in Switzerland (www .egsuniversity .ch) .<br />
Graduates of <strong>Fleming</strong>’s Expressive Arts Certificate program will be granted the following should they choose to continue studies<br />
at ISIS:<br />
• credit for 100 studio hours in the ISIS program<br />
• the distinction of “Arts Specialization” on their ISIS certificate<br />
Working Together<br />
Expressive Arts Modalities E<br />
COURSE CODE <strong>ARTS</strong>436 SECTION 41<br />
INSTRUCTOR TBA<br />
DATES June 4 to 8, 2012<br />
FEE $299 .74<br />
This course provides an opportunity to interact with graduates<br />
of <strong>Fleming</strong>’s Expressive Arts Ontario <strong>College</strong> Graduate Certificate<br />
Program and to explore some of the ways they have incorporated<br />
their training into work with others . Labyrinths and mandalas<br />
are ancient and powerful tools to used centre, strengthen, and<br />
help us move out into the world They have also been used for<br />
contemplation, ritual, initiation, celebration and personal spiritual<br />
growth Centring exercises with breath, movement, colour, sound<br />
and words will lead you into the creation of a personal mandala,<br />
combining the ritual mandala of the East and the self-exploratory/<br />
expressive mandala of the West . The creation of both a personal<br />
and community labyrinth will provide further opportunities for self<br />
exploration and expressive arts experiences . There will be a $15<br />
material fee payable to the instructor .<br />
Professional Issues with the Expressive Arts M<br />
COURSE CODE <strong>ARTS</strong>183 SECTION 41<br />
INSTRUCTOR TBA<br />
DATES June 11 to 15, 2012<br />
FEE $299 .74<br />
Please note: Successful completion of Introduction to Expressive<br />
Arts Therapies and Exploration of Therapeutic Relationships<br />
is recommended prior to taking this course.<br />
It is important to recognize the parameters of utilizing expressive<br />
arts within the bounds of one’s training experience . How does one<br />
handle situations that are beyond the scope of our professional<br />
practice? What are the needs of cultural and racial minorities<br />
which can be appropriately integrated into the expressive arts?<br />
How do we handle burnout creatively? This course will cover<br />
ethical and professional issues which may arise as a result of<br />
using the expressive the expressive arts . There will be a $15<br />
material fee payable to the instructor .<br />
spring 2012<br />
11
12<br />
spring 2012<br />
apriL 30 to maY 4, 2012<br />
Blacksmithing – Open Studio<br />
COURSE CODE <strong>ARTS</strong>1726 SECTION 41<br />
INSTRUCTOR Rene Petitjean<br />
DATES April 30 – May 4, 2012<br />
FEE $392 .33 (includes $92 .59 material fee)<br />
Please note: This course is not suitable for beginners.<br />
This course is an excellent opportunity to challenge, explore, and<br />
expand upon your blacksmithing skills . The learning environment<br />
is an independent open studio format that is suitable for<br />
any subject matter and style of approach . Expand your visual<br />
language, technical skills, and artistic vocabulary in a safe and<br />
highly creative environment . Instruction will encourage creative<br />
design, content, and contemporary and traditional execution of<br />
your ideas . In addition there will be ongoing personal and group<br />
critiques as well as daily informal lectures on advanced techniques<br />
and processes .<br />
Collage & Acrylic Explorations<br />
COURSE CODE <strong>ARTS</strong>1004 SECTION 41<br />
INSTRUCTOR Rose Pearson<br />
DATES April 30 – May 4, 2012<br />
FEE $299 .74<br />
Please note: Not suitable for beginners, painting experience is<br />
required to participate.<br />
In this exciting process-oriented course you will learn to combine<br />
collage materials and acrylic paint as a means of personal visual<br />
expression and distinct visual vocabulary . With a creative spirit,<br />
you will be encouraged to explore and experiment with new<br />
concepts and ideas, using magazines, old paintings, oriental<br />
and stained papers, found objects, photographs, fabric, fibres,<br />
acrylic paint and anything else that you would like to adhere to<br />
your support surface . Composition and design principles will be<br />
addressed. You will benefit from individual attention and group<br />
dialogue . Personal creative expression and uniqueness will be<br />
encouraged . There will be a $30 material fee payable to the<br />
instructor .<br />
Landscape Painting – Working the Land<br />
COURSE CODE <strong>ARTS</strong>1540 SECTION 41<br />
INSTRUCTOR Rod Prouse<br />
DATES April 30 – May 4, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
This course is designed to assist you to move beyond the literal<br />
and develop a personal voice in painting the land . Explore ways<br />
to interpret landscape, distill the painting possibilities in a scene,<br />
and apply relevant principles of design and technique to the<br />
work . Analyze observed landscape and reconstruct it in paint with<br />
a mind to developing a unique style in this discipline . Using an<br />
analytical as well as a direct painterly response, one can refresh<br />
and personalize the landscape painting experience . Please note<br />
that this is not necessarily a plein air course or an exercise in<br />
studio abstraction, rather a selection of painting strategies with a<br />
goal to helping you develop . With this in mind, to be productive<br />
and versatile, work will be done in acrylics . There will be a $10<br />
material fee payable to the instructor .<br />
Painted Furniture & Accessories<br />
COURSE CODE <strong>ARTS</strong>1538 SECTION 41<br />
INSTRUCTOR Margot Miller<br />
DATES April 30 – May 4, 2012<br />
FEE $299 .74<br />
Cottage style, city slick or shabby chic . . . restyle, rework, recycle<br />
and upcycle your furniture or accessories with texture, pattern<br />
and colour to match your cottage, verandah, cabin or home . If<br />
there is an old favourite piece of furniture tucked away in your<br />
boathouse or garage that doesn’t fit the style of your rooms . . .<br />
transform it into a work of art . Design for your life style and<br />
budget! Experiment with faux finishes, stencils, hand painting,<br />
leaf prints, resists and finishing techniques on old tables, chairs,<br />
cabinets, lamps, chests, and more . Create vintage, refined<br />
romantic, cottage or retro-revival style. You will learn the tips<br />
and tricks of glazing for the sun soaked yellows of Provence and<br />
Tuscany, the tea stained battered look of vintage charm, the cool<br />
white wash of shabby chic or the layered depth of deep lacquers .<br />
Add buttons and bows for the MacKenzie-Childs look, birch bark<br />
and grape vine for a primitive Muskoka cottage style or a mosaic<br />
for a new table top . Instruction will accommodate all levels of skill .<br />
Furniture and accessories do not have to be stripped or under<br />
painted . There will be a $15 material fee payable to the instructor .<br />
Pottery – Teapot Design Techniques<br />
COURSE CODE <strong>ARTS</strong>1715 SECTION 41<br />
INSTRUCTOR Jessica Steinhäuser<br />
DATES April 30 – May 5, 2012 (6 days)<br />
FEE $359 .26 (includes $18 .52 initial material fee)<br />
Please note: This course is not suitable for beginners.<br />
Instruction and creative explorations will advance your skills in the<br />
construction of refined and complex clay forms – specifically the<br />
teapot . Process preferences will be developed in conjunction with<br />
design considerations . The relationship<br />
of function and aesthetic will<br />
be stressed whether your project is<br />
traditional, contemporary, sombre<br />
or whimsical . Creative emphasis<br />
will be placed on the individual<br />
elements of the teapot – spout,<br />
lid and handle, in this processoriented<br />
course . Additional clay<br />
will be available for purchase from<br />
the school at a cost of $20 per bag<br />
which includes glazing and firing .<br />
This is a 6 day course . Additional<br />
clay will be available for purchase<br />
from the school at a cost of $20 per<br />
bag, which includes glazing and<br />
firing .
maY 7 to 11, 2012<br />
Acrylics – Non Objective I<br />
COURSE CODE <strong>ARTS</strong>1267 SECTION 41<br />
INSTRUCTOR Lila Lewis Irving<br />
DATES May 7 – 11, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginner painters.<br />
Abstraction experience is not required.<br />
In this introductory course, you will learn the basic principles<br />
of non objective painting . No images allowed – non objective<br />
painting has a complete lack of subject matter . Boldness, individualism<br />
and experimentation will be encouraged, emphasizing<br />
shapes, values and colour .<br />
This course runs simultaneously with Acrylics – Non Objective<br />
II. Please clearly indicate which level you’re registering for.<br />
Acrylics – Non Objective II<br />
COURSE CODE <strong>ARTS</strong>1268 SECTION 41<br />
INSTRUCTOR Lila Lewis Irving<br />
DATES May 7 – 11, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. Experience<br />
in painting and design is required.<br />
Learn the principles of non-objective art and further develop your<br />
painting skills . Boldness and experimentation will be encouraged<br />
as you explore the infinite possibilities of arranging shapes and<br />
colours .<br />
This course runs simultaneously with Acrylics – Non Objective<br />
I. Please clearly indicate which level you’re registering for.<br />
Machine Quilting<br />
COURSE CODE <strong>ARTS</strong>1263 SECTION 41<br />
INSTRUCTOR Maggie Vanderweit<br />
DATES May 7 – 11, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. You must<br />
be comfortable with your sewing machine and have intermediate<br />
quilting skills and experience.<br />
Investigating machine quilting and finishing techniques for quilts,<br />
learn to use your sewing machine in a variety of ways to quilt,<br />
bind and embellish in original, personal patterns . Exercises will<br />
create a comfort level with a variety of threads . Bring tops you<br />
want help to complete or begin a new body of work . Explore an<br />
organic approach to intense art quilting lines and play with hoops,<br />
solubles and fusibles to create fabulous expressive pieces .<br />
Mixing Media<br />
COURSE CODE <strong>ARTS</strong>1262 SECTION 41<br />
INSTRUCTOR Ramune Luminaire<br />
DATES May 7 – 11, 2012<br />
FEE $299 .74<br />
Take time to experiment and explore . Expand your creative horizons<br />
by finding new ways to work with charcoal, graphite, pastel,<br />
paint, ink, simple printmaking techniques and collage . Instruction<br />
and experimentation will help you choose and use the best materials<br />
to suit your ideas, rather than feeling bound by one particular<br />
medium . It will also provide you with new ways of producing an<br />
image, and strategies for moving an idea along . This course is<br />
perfect for beginners who want to experiment and explore in a<br />
structured environment, as well as for more experienced artists<br />
looking for ways to re-invigorate their art practice . There will be a<br />
$20 material fee payable to the instructor .<br />
Stained Glass<br />
COURSE CODE <strong>ARTS</strong>211 SECTION 41<br />
INSTRUCTOR Linda McGillivray<br />
DATES May 7 – 11, 2012<br />
FEE $299 .74<br />
Stained glass is an exciting medium that uses a balance of light<br />
source and colour . Dramatic results can be achieved regardless<br />
of artistic capability or experience . In this course, basic history,<br />
design and techniques will be addressed, with an emphasis on<br />
skills and technique . Learn the copper foil method by making<br />
a sun catcher . The instructor will demonstrate the lead came<br />
method. You can expect to complete a third project of your<br />
choice: a small lamp, jewellery box, panel, clock, or other . If you<br />
have some previous experience, you will be encouraged to challenge<br />
yourself with a more complex project . There will be a $45<br />
material fee payable to the instructor . This fee will cover materials<br />
for the first two projects as well as the use of equipment, patterns<br />
and other related equipment . Additional tools, glass and supplies<br />
will be available at discounted prices .<br />
This course runs simultaneously with Stained Glass – Intermediate.<br />
Please clearly indicate which level you are registering for.<br />
Stained Glass – Intermediate<br />
COURSE CODE <strong>ARTS</strong>213 SECTION 41<br />
INSTRUCTOR Linda McGillivray<br />
DATES May 7 – 11, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Stained glass is an exciting medium that uses a balance of light<br />
source and colour . Dramatic results can be achieved regardless<br />
of artistic capability or experience . Look forward to challenging<br />
yourself in your use of glass, design and techniques . Take this<br />
opportunity to explore original design, three-dimensional projects,<br />
incorporate bevels into your project, and learn to repair a piece of<br />
broken stained glass . Students are welcome to use the instructor’s<br />
tools for a fee of $25 . Additional tools, glass and supplies will<br />
be available at discounted prices .<br />
This course runs simultaneously with Stained Glass. Please<br />
clearly indicate which level you are registering for.<br />
Wire Sculpture – Large Scale<br />
COURSE CODE <strong>ARTS</strong>415 SECTION 41<br />
INSTRUCTOR Charles O’Neil<br />
DATES May 7 – 11, 2012<br />
FEE $299 .74<br />
Project Title: Garden Heron<br />
Please note: This course requires extensive use of hand tools<br />
(wire cutters, pliers).<br />
Wire Sculpture is an exciting, project-specific expressive art form<br />
that can be enjoyed in your home, office or garden . This projectspecific<br />
course is suitable if you are interested in creating works<br />
on a larger scale . In preparation for this undertaking, you will be<br />
led step-by-step through a couple of smaller projects to establish<br />
a comfort level with the material in use . Then, you will design and<br />
create a large scale project, suitable for display in a garden or<br />
outdoor setting . There will be a $75 material fee payable to the<br />
instructor .<br />
spring 2012<br />
13
14<br />
maY 12 to 20, 2012<br />
OHS Spinning Certificate Program – Level II<br />
COURSE CODE <strong>ARTS</strong>338 SECTION 41<br />
INSTRUCTORS Elizabeth Abbott, Wendy E . Bateman,<br />
Harriet Boon, Louise Jackson, Karen Richens<br />
DATES May 12 – 20, 2012<br />
FEE $302 .88<br />
The Ontario Spinners’ Certificate Program is a<br />
six-level program developed by the Education<br />
Committee of the Ontario Handweavers and<br />
Spinners. This spring, the Haliburton School of<br />
The Arts will be offering Level II. It is our desire to continue this<br />
program for the next four levels if registration levels warrant it.<br />
Level II: In addition to class time, this course will require<br />
assignments to be completed and mailed to instructors over the<br />
following seven months for OHS certification . Course of Study:<br />
Sheep breed classification, wool grading, spinning wheels,<br />
wheel paper presentations, semi-worsted and worsted spinning,<br />
combing and preparation, colour study with thirty-step blending,<br />
mordanting and nature dyes . Class schedule will be posted when<br />
available . In addition to a $40 marking fee, there will be a material<br />
fee of approximately $50 payable to the treasurer of the class<br />
on the first day .<br />
My favourite place to be<br />
since 1973!<br />
– Wendy E. Bateman<br />
maY 14 to 19, 2012<br />
Artistic Narrative Through Clay<br />
COURSE CODE <strong>ARTS</strong>1732 SECTION 41<br />
INSTRUCTOR April Gates<br />
DATES May 14 – 19, 2012 (6 days)<br />
FEE $359 .26 (includes $18 .52 initial material fee)<br />
The intention of this course is to provide an opportunity to explore<br />
creativity and express ideas through the manipulation of clay .<br />
Basic skills and concepts will be introduced but playfulness,<br />
experimentation and narrative will be stressed as opposed to skills<br />
and specific techniques . The clay will be utilized as an artist’s<br />
tool rather than a means of developing a particular element of<br />
craftsmanship . Contemporary relevance, parallel references and<br />
personal interests will be researched, discussed and presented as<br />
you investigate your place within the context of current practice .<br />
Initial projects will be bisque and glaze fired . Subsequent pieces<br />
will not be fired during the course . Additional clay will be available<br />
for purchase at the school .<br />
maY 21 to 25, 2012<br />
Artistic Narrative Through Assemblage<br />
COURSE CODE <strong>ARTS</strong>1425 SECTION 41<br />
INSTRUCTOR Kal Honey<br />
DATES May 21 – 25, 2012<br />
FEE $299 .74<br />
The intention of this course is to provide an opportunity to<br />
explore creativity and express ideas through the use of a variety<br />
of found and low-tech materials . Basic skills and concepts will<br />
be introduced but playfulness, experimentation and narrative will<br />
be stressed as opposed to skills and specific techniques . The<br />
materials will be utilized as an artist’s tool rather than a means of<br />
developing a particular element of craftsmanship . Contemporary<br />
relevance, parallel references and personal interests will be<br />
researched, discussed and presented as you investigate your<br />
place within the context of current practice . There will be a $20<br />
material fee payable to the instructor .
CONCENTRATED STUDY<br />
Drawing & painting – Advanced Individual Studies<br />
We are pleased to offer this opportunity for personal and professional<br />
growth as you immerse yourself in a deeper investigation<br />
of drawing and painting . With an emphasis on conceptual as<br />
opposed to technical investigations, learning will consist of<br />
facilitated discoveries resulting from interactions between all<br />
artists – students and instructors alike . Experience dialogue<br />
on a professional to professional level with your instructor and<br />
understand that differences of opinion are not only accepted but<br />
viewed as learning tools . These shared interests and exchanges<br />
will contribute significantly to your development as an artist .<br />
To maintain academic rigour and provide an effective learning<br />
environment, admission is subject to assessment of suitability .<br />
Please submit the following information by April 11, 2012:<br />
• Colour images of work (min 6)<br />
• Artist statement and biography<br />
• C.V. including complete exhibition record<br />
• Details of relevant visual arts training and/or experience and<br />
related aesthetic experience if applicable<br />
• Your personal and professional goals as well as your reasons<br />
for wanting to attend<br />
Concept, Process & Execution<br />
– Advanced Individual Studies<br />
COURSE CODE <strong>ARTS</strong>1688 SECTION 41<br />
INSTRUCTOR Steve Rose<br />
DATES May 14 – 18, 2012<br />
FEE $299 .74<br />
Within this course you will be provided an opportunity to utilize<br />
the potential of personal intention in regard to your individual<br />
artistic practice . This will result in an investigation of complete<br />
concept, methodology and overall successful execution of your<br />
work . Emphasis will be placed an individual expression and the<br />
importance of the creative process over product . In addition to<br />
ongoing personal and group critiques there will be daily informal<br />
lectures on artists, art movements and related art history .<br />
Painting – Advanced Individual Studies<br />
COURSE CODE <strong>ARTS</strong>914 SECTION 41<br />
INSTRUCTOR John Leonard<br />
DATES May 21 – 25, 2012<br />
FEE $299 .74<br />
With an emphasis on conceptual as opposed to technical investigations,<br />
this course will provide an opportunity to expand your<br />
visual language, painting skills, and visual arts literacy . Instruction<br />
will encourage you to confront your own creative processes<br />
such as imagery, content, ideas, and manner of execution as you<br />
explore the painting medium of your choice . Individual attention<br />
and group dialogue will address your body of work, personal<br />
questions and challenges .<br />
Previous students of these courses are approved for participation<br />
and will not be required to engage in the detailed application and<br />
approval process again .<br />
Digital files will not be accepted .<br />
Mail to: <strong>Fleming</strong> <strong>College</strong>, Box 839, Haliburton, ON K0M 1S0<br />
Attention: Shelley Schell<br />
You may register for any or all of the four courses.<br />
Register for the courses you are interested in as soon as possible .<br />
Registrations are accepted prior to determination of acceptance .<br />
Full refunds will be issued if an application is deemed unsuitable .<br />
Admission is subject to assessment as detailed . In all courses,<br />
individual attention and group dialogue will address your body of<br />
work, personal questions and challenges .<br />
Feasibility of this program will be determined two weeks in<br />
advance of each course start .<br />
Please note: These courses are not suitable for beginners.<br />
Participation requires the completion of a post-secondary arts program or the equivalent experience.<br />
Admission is subject to assessment as detailed above.<br />
Visual Arts – Advanced Individual Studies<br />
COURSE CODE <strong>ARTS</strong>915 SECTION 41<br />
INSTRUCTOR John Leonard<br />
DATES May 28 – June 1, 2012<br />
FEE $299 .74<br />
With an emphasis on conceptual as opposed to technical investigations,<br />
this course will provide an opportunity to expand your<br />
visual language, painting skills, and visual arts literacy . Instruction<br />
will encourage you to confront your own creative processes<br />
such as imagery, content, ideas, and manner of execution as you<br />
explore the media of your choice . Individual attention and group<br />
dialogue will address your body of work, personal questions and<br />
challenges .<br />
Advanced Studies In and Across Disciplines<br />
COURSE CODE <strong>ARTS</strong>1212 SECTION 41<br />
INSTRUCTOR V . Jane Gordon<br />
DATES June 4 – 8, 2012<br />
FEE $299 .74<br />
With an emphasis on ideas rather than techniques, this course<br />
will provide an opportunity to realize the freedom of working<br />
without the spectre of biased judgement. You will be encouraged<br />
to confront your own creative processes through studies in<br />
traditional two dimensional media as well as digital photography,<br />
three dimensional work and installation contexts, including work<br />
that combines two or more of these disciplines .<br />
spring 2012<br />
15
16<br />
Haliburton School of The Arts at OCAD University!<br />
The Haliburton School of The Arts is pleased to be affiliated<br />
with the Ontario <strong>College</strong> of Art and Design University . Enjoy this<br />
urban perspective and experience from an exciting downtown<br />
location, around the corner from the Art Gallery of Ontario, and<br />
within walking distance of numerous galleries, museums, and<br />
theatres .<br />
These nine courses will be held at the Ontario <strong>College</strong> of Art<br />
and Design (OCAD) University in Toronto, Ontario.<br />
JUne 4 to 8 at ocaD UniVersitY<br />
Collage & Mixed Media II<br />
COURSE CODE <strong>ARTS</strong>1713 SECTION 41<br />
INSTRUCTOR Kal Honey<br />
DATES June 4 – 8, 2012<br />
FEE $299 .74<br />
Note: This course assumes a familiarity with values, colour<br />
systems and composition as well as some experience with<br />
collage. As such, it is not suitable for beginners.<br />
From the bold immediacy of appropriated media imagery to<br />
the nuanced subtlety of texture, colour and form – collage has<br />
the potential to say anything you want it to say . With inspiring<br />
and thought-provoking examples from 20th-century masters<br />
as well as current practitioners as starting points, this course<br />
will delve deeper into artistic ideas and issues via the medium<br />
of collage . Through challenging, open-ended exercises, you<br />
will be provided ample opportunity to develop your own directions<br />
in a collegial, supportive environment where it is safe<br />
to take the risks necessary for growth . Group and individual<br />
discussions will help clarify your artistic thinking, provide<br />
insight, and assist you to place your work in the context of<br />
contemporary practice . There will be a $20 material fee<br />
payable to the instructor .<br />
Figurative Abstraction in Acrylic<br />
COURSE CODE <strong>ARTS</strong>1168 SECTION 41<br />
INSTRUCTOR Brian Smith<br />
DATES June 4 – 8, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
With intermediate-to-advanced level instruction, this course<br />
will develop your ability to abstract from the human form . See<br />
shapes in the figure more clearly, develop more satisfying<br />
compositions that include the draped and undraped body,<br />
and develop a looser, freer approach to painting the figure .<br />
Fundamental Drawing<br />
COURSE CODE <strong>ARTS</strong>98 SECTION 41<br />
INSTRUCTOR Denis Cliff<br />
DATES June 4 – 8, 2012<br />
FEE $299 .74<br />
This course will make it easy for the uninitiated to fearlessly<br />
approach the process of drawing in a refreshing and creative<br />
environment. You will learn to work with an assortment of<br />
media in a variety of techniques . Exploration of light and<br />
shade, contour and gesture drawing will increase perception<br />
of form and space, line and tone as well as provide a basic<br />
understanding of expression . Subject matter will include indoor<br />
and outdoor material as well as a life model . Approaches to<br />
subject matter will be kept as simple as possible until you<br />
feel ready for more involvement . Creativity will be emphasized<br />
and special technique development will foster expression and<br />
creativity . Working with pencil, conte, crayon, ink, washes,<br />
charcoal and glue, among other media, you will enjoy individual,<br />
personalized instruction . The instructor will provide a<br />
relaxed, non-threatening environment conducive to overcoming<br />
frustrations and fears about the process of drawing . A life<br />
model will be utilized for a portion of this course .<br />
Illustrative Drawing & Painting<br />
COURSE CODE <strong>ARTS</strong>1259 SECTION 41<br />
INSTRUCTOR Marta Scythes<br />
DATES June 4 – 8, 2012<br />
FEE $299 .74<br />
This course will cover a range of illustration styles and<br />
techniques, using historical references for inspiration . A<br />
variety of surfaces and mediums will be used as you learn<br />
the steps involved in proceeding from idea to finished piece .<br />
Elements and principles of design will be explored through a<br />
logical progression to enable you to make informed choices of<br />
materials, technique and design . A variety of subjects will be<br />
studied such as botany, fashion, jewellery, architecture and the<br />
human figure .<br />
Painting Light<br />
COURSE CODE <strong>ARTS</strong>1278 SECTION 41<br />
INSTRUCTOR Andrea Mossop<br />
DATES June 4 – 8, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Turner’s dashing, daring sea, sky and weather scenes of 1840<br />
seem fresh and modern even to contemporary eyes . Learn to<br />
paint this magical quality of light, capturing the world as luminous<br />
movement in colour and gesture . In your choice of the<br />
naturalistically real or abstract image, you will employ J .M .W .<br />
Turner’s practice of layering . Build the texture of the painting<br />
through techniques of texturing, scraping, floating, scumbling,<br />
glazing, and wiping to balance translucent and opaque colour<br />
for effects of glow, opalescence and luminosity . Turner’s<br />
sketching methods will be employed to create large work in oil<br />
or acrylic . Explore contemporary applications for a personal<br />
and creative interpretation from Turner’s influence on Monet,<br />
the Impressionists and the Abstract Expressionists . Instruction<br />
is suited to acrylic and/or oil paints (no solvents) .
JUne 11 to 15 at ocaD UniVersitY<br />
Acrylics – Fast and Forgiving<br />
COURSE CODE <strong>ARTS</strong>3 SECTION 41<br />
INSTRUCTOR Denis Cliff<br />
DATES June 11 – 15, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for complete beginners.<br />
Discover the fascinating power of acrylic paint and its amazing<br />
potential . Imagine being able to cover your mistakes within<br />
minutes because of its fast drying properties . Enjoy the many<br />
processes that acrylics are suitable for and learn about the<br />
fabulous properties of this medium in a non-threatening<br />
environment, conducive to personal creative thinking. You will<br />
experience the medium in its full-strength, manufactured state as<br />
well as employ it as a stain with water added and then applied to<br />
unprimed canvas where it behaves like a watercolour with intense<br />
colour . Paint will also be used in flat, layered applications and<br />
in thick and textured processes that greatly enrich the surface .<br />
The instructor will bring some unique, personally developed<br />
experiences to the course and both traditional and abstract<br />
images can enhance your visual vocabulary and contribute to the<br />
enjoyment of the medium. You will benefit from close, personal<br />
attention and advice, in addition to learning from group critiques .<br />
Open Studio – Painting<br />
COURSE CODE <strong>ARTS</strong>1258 SECTION 41<br />
INSTRUCTOR Steve Rose<br />
DATES June 11 – 15, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
This course is an excellent opportunity to challenge, explore, and<br />
expand upon your personal art practice . The learning environment<br />
is an independent open studio format that is suitable for<br />
any subject matter and style of approach . Expand your visual<br />
language, painting skills, and artistic literacy in a safe and highly<br />
creative environment . Instruction will encourage creative imagery,<br />
content, and contemporary execution of your ideas . In addition<br />
there will be ongoing personal and group critiques as well as<br />
daily informal lectures on artists, art movements, and related art<br />
history .<br />
Painting & Form Invention – Advanced<br />
COURSE CODE <strong>ARTS</strong>1178 SECTION 41<br />
INSTRUCTOR Joanna Nash<br />
DATES June 11 – 15, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Competence in observational drawing as well as advanced level<br />
painting skills are required.<br />
This course emphasizes your individual work process and its<br />
connection to your personal motivation and painterly results .<br />
Individual research will explore your capacity to invent personal<br />
interpretations of the subject(s) of your choice, concrete or<br />
conceptual. You can work in any painting materials with which<br />
you are comfortable, and receive appropriate technical support<br />
when needed . This course proceeds with an emphasis on<br />
conceptual as opposed to technical investigations, and focuses<br />
on the relationship between form and content, process and<br />
product . Instruction begins with an obligatory group critique of<br />
2 to 5 existing works per participant . This helps your instructor<br />
intuit the strengths and weakness of your works, and accelerates<br />
the teaching and learning process . Ongoing critiques will<br />
enhance your visual language skills, technical know-how and<br />
general capacity to discuss painting . Instruction will address<br />
individual needs and themes applicable to the whole group .<br />
Teaching is supported by DVD’s as well as visual examples in<br />
slides and books. You are required to bring 2 to 5 pieces of your<br />
work . One day of optional life sketching .<br />
Portrait Painting<br />
COURSE CODE <strong>ARTS</strong>579 SECTION 41<br />
INSTRUCTOR Brian Smith<br />
DATES June 11 – 15, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. Painting<br />
experience is required to participate.<br />
This exciting portraiture painting course will develop your<br />
ability to capture the likeness of any model in any opaque paint<br />
medium . Since this is a non-media specific course, you may work<br />
in any opaque paint medium (gouache, acrylic, water-soluble<br />
oils, traditional oils without solvents) that you are comfortable<br />
with . Starting with an understanding of composition, value studies<br />
and monochromatic paintings, you will advance to expressive<br />
paintings of the model in a full palette . Works by a<br />
variety of artists will be discussed throughout the<br />
course .<br />
spring 2012<br />
17
18<br />
satUrDaY, JUne 9, 2012<br />
Art Clay Silver: Introductory Workshop**<br />
COURSE CODE <strong>ARTS</strong>758 SECTION 41<br />
INSTRUCTOR Sophia Tink<br />
DATES June 9, 2012<br />
FEE $97 .24<br />
Art Clay Silver is a metal clay medium that can be manipulated<br />
into virtually any shape that the artist desires . In this workshop<br />
you will have an opportunity to learn some basic techniques<br />
utilizing Art Clay Silver and create your very own one-of-a kind,<br />
99 .9% Pure Silver pendant or earrings . When fired, the organic<br />
binding agent burn away, leaving 99.9% Pure Silver. You will<br />
explore techniques such as: rolling clay, burnout methods<br />
using organic materials, appliqué, attaching findings, firing,<br />
and polishing . There will be a $68 material fee payable to the<br />
instructor .<br />
In recent travels, I have found myself<br />
getting down and up-close with nature<br />
and using my macro-photos to inspire<br />
new simplified graphic designs in my art.<br />
– Amanda Brittin<br />
Digital Cameras Made Easy**<br />
COURSE CODE <strong>ARTS</strong>700 SECTION 41<br />
INSTRUCTOR Jenny Kirkpatrick<br />
DATES June 9, 2012<br />
FEE $97 .24<br />
In this workshop you will learn how to operate your digital camera<br />
more effectively . Starting with a guided tour of buttons, dials<br />
and menus, you will look at the various control mechanisms on<br />
the camera and learn how each affects the overall operation of<br />
the camera. You will learn how to change image format, image<br />
resolution, exposure settings, white balance and ISO . By the end<br />
of the class, you’ll understand the importance of these and how<br />
they can affect the overall appearance of your images. You will<br />
also learn how to make a photo internet-ready so you can send<br />
images to your friends and colleagues more efficiently .<br />
Encaustic Painting Workshop**<br />
COURSE CODE <strong>ARTS</strong>1281 SECTION 41<br />
INSTRUCTOR Susan Fisher<br />
DATES June 9, 2012<br />
FEE $97 .24<br />
This introduction to encaustic painting techniques is suitable<br />
if you wish to have a preview before committing to a full length<br />
course or you are simply curious about the technique and merely<br />
want to ‘play’ for a day. You will be able to explore painting techniques<br />
after a demonstration of basic preparation procedures . All<br />
encaustic supplies, equipment and boards will be supplied. You<br />
can expect to complete 3 small works by the end of the workshop<br />
. There will be a $30 material fee payable to the instructor .<br />
Expressive Arts Through the Lens of Addiction<br />
Workshop**<br />
COURSE CODE <strong>ARTS</strong>1737 SECTION 41<br />
INSTRUCTOR Sharon Benson<br />
DATES June 9, 2012<br />
FEE $97 .24<br />
This experiential workshop is designed for those in the human<br />
services field or individuals seeking additional ways to deal with<br />
addictive behaviours . Learn how the expressive arts can assist<br />
recovering addicts reconnect with their emotions, their authentic<br />
selves, reaffirm life purpose and meaning, and elevate self<br />
esteem . Clients are often more responsive to this less verbal,<br />
non-threatening approach . Through art making, written word,<br />
movement and sound, you will explore ways to self-regulate,<br />
interrupt the addictive cycle, and reprogram destructive<br />
emotional patterns . There will be a $10 material fee payable to<br />
the instructor .<br />
Painted Floor Cloths Workshop**<br />
COURSE CODE <strong>ARTS</strong>405 SECTION 41<br />
INSTRUCTOR Amanda Brittin<br />
DATES June 9, 2012<br />
FEE $97 .24<br />
A floor cloth can be funky and whimsical or created to match<br />
interior decor. You will have complete freedom to design in your<br />
own personal style with lots of help from the instructor . Basic<br />
painting techniques such as colour-washing and stencilling will<br />
be taught in addition to more detailed hand-painting tips . This<br />
workshop is intended as a fun and stress-free day that results in a<br />
wonderful piece of art for underfoot . There will be a $35 material<br />
fee payable to the instructor .
Rustic Chair Workshop**<br />
COURSE CODE <strong>ARTS</strong>546 SECTION 41<br />
INSTRUCTOR Maggie Longworth<br />
DATES June 9, 2012<br />
FEE $97 .24<br />
Imagine a great chair in just one day! With step-by-step instruction<br />
and a kit, you will build either an Adirondack style chair<br />
measuring 40"h x 23"w x 23"d or a Tub style chair with a<br />
bentwood back measuring 36"h x 23"w x 23"d . These are both<br />
good basic chair designs, requiring no previous experience. You’ll<br />
easily be able to create additional unique and charming rustic<br />
chairs on your own using a variety of woods . Tag Alder will be<br />
utilized and supplied for this project . There will be an $85 material<br />
fee payable to the instructor .<br />
Wire Sculpture Workshop**<br />
COURSE CODE <strong>ARTS</strong>416 SECTION 41<br />
INSTRUCTOR Charles O’Neil<br />
DATES June 9, 2012<br />
FEE $97 .24<br />
Project Title: 3 ft . Heron<br />
Please note: This course requires the use of simple hand tools<br />
(wire cutters, pliers).<br />
Wire sculpture is an exciting and expressive art form . In this<br />
workshop you will receive step-by-step instruction to successfully<br />
create your project . With a variety of wires (steel, copper, galvanized)<br />
this creation is designed for indoor or garden use, and will<br />
be a great addition to any setting . There will be a $40 material fee<br />
payable to the instructor .<br />
VCAD Credits: Within this calendar,<br />
foundation courses are indicated by a single asterisk (*),<br />
non-credit courses are indicated by a double asterisk (**),<br />
elective courses have no asterisk.<br />
See page 96 for more information.<br />
JUne 18 to 22, 2012<br />
Expressive Arts – Practical Community ExperiencesE COURSE CODE <strong>ARTS</strong>1728 SECTION 41<br />
INSTRUCTOR Fay Wilkinson<br />
DATES June 18 – 22, 2012<br />
FEE $299 .74<br />
Please note: To register for this course you must meet the<br />
admission requirements for the EXA Graduate Certificate.<br />
Details available on page 9.<br />
This course is an elective credit toward <strong>Fleming</strong> <strong>College</strong>’s Expressive<br />
Arts Certificate. It is not an elective credit toward <strong>Fleming</strong><br />
<strong>College</strong>’s Visual and Creative Arts Diploma.<br />
This course provides supervised practical experience for expressive<br />
arts facilitators. You will spend half of each day discussing,<br />
designing and debriefing your program and half of each day delivering<br />
your program in various community locations in Haliburton<br />
County, including two long-term care homes . This is an exciting<br />
and unique opportunity for facilitators to build confidence in<br />
the delivery of expressive arts experiences, with guidance from<br />
the instructor and input from other students . Wherever possible<br />
students with be matched with their area of interest . Students will<br />
be responsible for their transport to community locations . There<br />
will be a $25 material fee payable to the instructor .<br />
This is all wonderfully new to me.<br />
I will come back again to continue<br />
my artistic play.<br />
– Cathy Cassel<br />
spring 2012<br />
19
20<br />
sUmmer 2012<br />
JUne 25 to 29, 2012<br />
Bird Carving – Beginner/Intermediate<br />
COURSE CODE <strong>ARTS</strong>1614 SECTION 41<br />
INSTRUCTOR John Leeder<br />
DATES June 25 – 29, 2012<br />
FEE $299 .74<br />
Project Title: Life-size Cedar Waxwing<br />
Learn and develop bird carving, texturing and painting techniques<br />
. While much of the carving will be done with power<br />
carving tools, instruction will be available if you prefer to work<br />
with a knife for general shaping . Feather detailing will be<br />
accomplished with power and wood burning tools . Instruction<br />
in applying acrylic paints will enable you to render the plumage<br />
and unique markings of the project bird . Instruction is suited for<br />
beginners and will provide interesting opportunities for intermediate<br />
and advanced carvers as well . There will be a $30 material<br />
fee payable to the instructor .<br />
Glassblowing<br />
COURSE CODE <strong>ARTS</strong>101 SECTION 41<br />
INSTRUCTOR Robert Held<br />
DATES June 25 – 29, 2012<br />
FEE $486 .78 (includes $187 .04 material fee)<br />
As a beginning student, you will discover the art of glassblowing<br />
using traditional techniques that date back 2000 years! These<br />
methods are still used today by the world’s leading vessel makers<br />
and glass sculptors . Glass is first melted in a furnace at 2100<br />
degrees Fahrenheit, at which time you learn how to gather the<br />
molten material on the end of a steel blowpipe to form it into<br />
vases, bowls, paperweights, goblets and sculpture. You will also<br />
have an opportunity to participate in discussions on equipment,<br />
safety, history and current trends in glass . With a maximum of<br />
12 students in the studio, you will have ample opportunity for<br />
hands-on learning . There will be a $10 material fee payable to the<br />
instructor .<br />
This course will run simultaneously with Glassblowing II.<br />
Please clearly indicate which level you are registering for.<br />
Glassblowing II<br />
COURSE CODE <strong>ARTS</strong>103 SECTION 41<br />
INSTRUCTOR Robert Held<br />
DATES June 25 – 29, 2012<br />
FEE $486 .78 (includes $187 .04 material fee)<br />
Please note: This course is not suitable for beginners. This<br />
course will focus on advanced hot forming and decorating<br />
techniques.<br />
Learn techniques for vessel making, including vases, bowls,<br />
goblets and stemware, as well as solid sculpture and hot bit work .<br />
There will be demonstrations on advanced colouring techniques<br />
and studio production methods . With an emphasis on design,<br />
you will set up your own personal project goals. You will have an<br />
opportunity to participate in discussions about modern studio<br />
design and equipment construction, as well as glass as a contemporary<br />
art form . With a maximum of 12 students in the studio,<br />
you will have ample opportunity for hands-on learning . There will<br />
be a $10 material fee payable to the instructor .<br />
This course will run simultaneously with Glassblowing. Please<br />
clearly indicate which level you are registering for.<br />
Pastel Landscapes<br />
COURSE CODE <strong>ARTS</strong>1182 SECTION 41<br />
INSTRUCTOR Margaret Ferraro<br />
DATES June 25 – 29, 2012<br />
FEE $299 .74<br />
With an overview of materials and the creation of a sample book<br />
of pastel techniques, you will discover how versatile and forgiving<br />
the medium of pastel really is . Colour theory, plein air, studio<br />
work, and composition as it specifically applies to landscape,<br />
will be studied and applied . Many examples will be shown<br />
and discussed in order to reinforce methods and techniques .<br />
Instruction will provide a strong foundation in pastel application,<br />
and enable you to work independently on site, or in the studio .<br />
Through exposure to many pastel works, you will also gain an<br />
understanding of how to analyze techniques used .<br />
Plein Air Painting<br />
COURSE CODE <strong>ARTS</strong>349 SECTION 41<br />
INSTRUCTOR John Pryce<br />
DATES June 25 – 29, 2012<br />
FEE $299 .74<br />
Please note: Given the degree of independent work, this course<br />
is not suitable for absolute beginners.<br />
This outdoor painting course will introduce you to the process of<br />
direct painting in nature . Individual expression will be encouraged,<br />
as you become familiar with the specific requirements of<br />
plein air painting . While painting basics will be discussed, instruction<br />
will deal more with interpreting what you see and feel in<br />
being a part of the environment . Painting on-location hones your<br />
powers of observation and helps to create a very personal style of<br />
interpreting nature . Classes will consist of a short group discussion<br />
each morning, followed by a day of painting, with individual<br />
attention from the instructor. You are welcome to work in acrylic<br />
or oil medium . Please be prepared to work outdoors .<br />
VCAD Credits: Within this calendar,<br />
foundation courses are indicated by a single asterisk (*),<br />
non-credit courses are indicated by a double asterisk (**),<br />
elective courses have no asterisk.
Pottery – Altered Forms<br />
COURSE CODE <strong>ARTS</strong>1727 SECTION 41<br />
INSTRUCTOR Lisa Barry<br />
DATES June 25 – 30, 2012 (6 days)<br />
FEE $359 .26 (includes $18 .52 initial material fee)<br />
Please note: This course is not suitable for beginners. Wheel<br />
throwing experience is required.<br />
Discover techniques that will enable you to use the pottery wheel<br />
as a tool for making a wide variety of hand built forms . Learn how<br />
to make oval, square and altered forms on and off of the wheel .<br />
Explore stacking forms, cutting thrown pieces and creating a<br />
variety of shapes and objects . Demonstrations will include objects<br />
such as: butter dishes, teapots, cups, bowls and vase forms .<br />
There will be an emphasis on playing with the material as well as<br />
some collaborative work and critical discussions . Additional clay<br />
will be available for purchase from the school at a cost of $20 per<br />
bag, which includes glazing and firing . There will be a $5 material<br />
fee payable to the instructor .<br />
Watercolour Techniques – Basic<br />
COURSE CODE <strong>ARTS</strong>255 SECTION 41<br />
INSTRUCTOR Shelley Beach<br />
DATES June 25 – 29, 2012<br />
FEE $299 .74<br />
Discover the beauty of the wonderful medium of watercolour . In<br />
an easy, relaxed class atmosphere, learn about different types of<br />
paper, brushes and paints through discussion and demonstration .<br />
These are the foundation upon which you will base your further<br />
knowledge and skills. You will also benefit from some basic<br />
drawing and composition instruction . Colour mixing, watercolour<br />
washes and several painting techniques will also be covered .<br />
Daily demonstrations and continuous feedback will complement<br />
the course .<br />
JULY 2 to 6, 2012<br />
Acrylics – Intermediate/Advanced<br />
COURSE CODE <strong>ARTS</strong>1270 SECTION 41<br />
INSTRUCTOR Marianne Broome<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
This exciting course will provide inspiration through different<br />
approaches to acrylic painting while you develop your own<br />
personal style . It is a highly instructive course with lots of fun built<br />
in . Techniques for loose representational landscapes and glowing<br />
realistic florals will be part of daily demonstrations . Instruction will<br />
also touch on the abstraction of representational subject matter .<br />
Many tips will be given on how to get the most out of the versatile<br />
acrylic paints, with and without the addition of different mediums,<br />
and using different tools . Topics covered will include different<br />
colour palettes, selecting and cropping reference material,<br />
composition and perspective, soft blending and expressive brushwork,<br />
the importance of values and harmony, adding texture,<br />
painting alla prima, impasto techniques, glazing and much more .<br />
In a friendly, relaxed atmosphere with lots of one-on-one attention<br />
you will incorporate these skills into your own paintings using the<br />
reference pictures provided or your own photos . There will be a<br />
$20 material fee payable to the instructor .<br />
Business for Artists*<br />
COURSE CODE BUSN99 SECTION 41<br />
INSTRUCTOR Jim Blake<br />
DATES July 2 – 7, 2012 (6 days)<br />
9:00am to 5:00pm daily<br />
FEE $283 .95<br />
Through discussion, examples and practical application, this<br />
course addresses the many aspects of business practices that<br />
apply to visual artists and artisans . Sound business practices<br />
ensure that more time and resources exist for artistic production .<br />
Knowing how to research and work with legal rights and responsibilities,<br />
financial structures, copyright, contractual obligations,<br />
ethics and negotiation skills, enables the student to engage in<br />
their chosen practice with improved management of time and<br />
money which are critical to survival and success . Through a<br />
combination of theory and practice, this course also examines the<br />
ways in which artists can assess the market, promote their work,<br />
and price it appropriately according to specific venues . Students<br />
will explore the processes required for responding to a call for<br />
submissions, commissions, and writing grant proposals .<br />
Collage & Acrylic Explorations<br />
COURSE CODE <strong>ARTS</strong>1004 SECTION 42<br />
INSTRUCTOR Jill Segal<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
Please note: Not suitable for beginners, painting experience is<br />
required to participate.<br />
In this exciting process-oriented course you will learn to combine<br />
collage materials and acrylic paint as a means of personal visual<br />
expression and distinct visual vocabulary . With a creative spirit,<br />
you will be encouraged to explore and experiment with new<br />
concepts and ideas, using magazines, old paintings, oriental<br />
and stained papers, found objects, photographs, fabric, fibres,<br />
acrylic paint and anything else that you would like to adhere to<br />
your support surface . Composition and design principles will be<br />
addressed. You will benefit from individual attention and group<br />
dialogue . Personal creative expression and uniqueness will be<br />
encouraged . There will be a $30 material fee payable to the<br />
instructor .<br />
JULY 2012<br />
21
22<br />
Contemporary Landscape Painting<br />
COURSE CODE <strong>ARTS</strong>686 SECTION 41<br />
INSTRUCTOR John Leonard<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
This course will cover both the theory and the techniques of<br />
modern landscape painting, as you work in the medium of your<br />
choice. You will examine contemporary developments in art<br />
to enable you to use your creativity and self-expression in the<br />
development of a personal approach and the advancement of<br />
the conceptual level of your work . This course is primarily for<br />
those with some previous painting experience who would like to<br />
advance their skills and knowledge of contemporary landscape<br />
painting .<br />
Creativity in Writing<br />
COURSE CODE <strong>ARTS</strong>1508 SECTION 41<br />
INSTRUCTOR Jane Bow<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
The powerful force of story beckons to all of us . Bring your<br />
characters to life in the story that is yours to tell . Working with a<br />
seasoned writer who uses a variety of techniques to access the<br />
creative source, you will free yourself to connect with the energies<br />
that fuel your stories, banishing self-censorship . Learning to<br />
develop characters, plots, points of view, and shaping your story<br />
in a constructive, supportive atmosphere is fun! Enjoy the experience,<br />
and go home with a project well on its way . Beginning and<br />
experienced writers of fiction, creative non- fiction, memoir and<br />
poetry can benefit over and over from this course . There will be a<br />
$5 material fee payable to the instructor .<br />
Doll Making – Artistic Expression<br />
COURSE CODE <strong>ARTS</strong>1276 SECTION 41<br />
INSTRUCTOR Kate Church<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
Doll making is an engaging and exciting art form . Instruction<br />
will consist of a basic step-by-step method of construction and<br />
design with an emphasis on skills and technique. You will learn to<br />
use polymer clay to create heads, hands and feet, be introduced<br />
to pattern making for designing and sewing cloth bodies and<br />
costumes, and learn a basic method of building a wire armature<br />
to bring support, movement and expression to your dolls . Two<br />
projects will be completed . The first project is a learning/practice<br />
piece to introduce and explore basic methods and use of materials<br />
. The final project will be designing your own doll, employing<br />
your new skills and techniques, while learning to enrich and<br />
direct your curiosity, style and inventiveness. You will be required<br />
to bring a sewing machine that is in good working order . Exciting<br />
results can be achieved regardless of experience . There will be a<br />
$50 material fee payable to the instructor .<br />
Drawing with Ink & Colour<br />
COURSE CODE <strong>ARTS</strong>1031 SECTION 41<br />
INSTRUCTOR Charles O’Neil<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
The art of pen and ink will be explored through a series of<br />
exercises designed to improve observational skills, composition,<br />
value range, and technique . The element of colour will be introduced<br />
with water-based paints and washes such as watercolour,<br />
gouache, and more . These techniques will add variety and<br />
interest to completed works . Design, composition and colour<br />
theory will be addressed throughout the course .<br />
Dyeing to Design<br />
COURSE CODE <strong>ARTS</strong>1707 SECTION 41<br />
INSTRUCTOR Kim McBrien<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
Please note: Basic knitting skills (cast on, knit, purl, bind off)<br />
are required to participate. Dyeing experience is not required –<br />
all levels welcome.<br />
Make knitting projects truly unique by learning to design your<br />
own colourwork and knit it with your own custom dyed yarn .<br />
Learn how to dye a full colour wheel and how to use those colours<br />
in your own colourwork design . Investigate a variety of knitted<br />
colourwork techniques and how best to use them . Techniques will<br />
be applied to the design, dyeing and beginning stages of knitting<br />
a small colourwork project . There will be a $65 material fee<br />
payable to the instructor .<br />
Felting on a Large Scale<br />
COURSE CODE <strong>ARTS</strong>1706 SECTION 41<br />
INSTRUCTOR Sandi Luck<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Experience with wet felting is recommended.<br />
Learn to create fine lightweight drapeable fabric and work with<br />
wool fibres mixed with exotics such as silk and alpaca . Create a<br />
series of two-dimensional samples incorporating different fibres<br />
and materials . Design and create yardage or finished projects of<br />
your choice such as vest, cape or shawl . There will be a basic<br />
$20 material fee, plus an additional fee of approximately $20 per<br />
project depending on materials used . These fees are payable to<br />
the instructor .<br />
Superb learning facility surrounded by<br />
nature. I thoroughly enjoyed my first<br />
experience here.<br />
– Debbie Brittain
Glassblowing<br />
COURSE CODE <strong>ARTS</strong>101 SECTION 42<br />
INSTRUCTOR Andrew Kuntz<br />
DATES July 2 – 6, 2012<br />
FEE $486 .78 (includes $187 .04 material fee)<br />
As a beginning student, you will discover the art of glassblowing<br />
using traditional techniques that date back 2000 years! These<br />
methods are still used today by the world’s leading vessel makers<br />
and glass sculptors . Glass is first melted in a furnace at 2100<br />
degrees Fahrenheit, at which time you learn how to gather the<br />
molten material on the end of a steel blowpipe to form it into<br />
vases, bowls, paperweights, goblets and sculpture. You will also<br />
have an opportunity to participate in discussions on equipment,<br />
safety, history and current trends in glass . With a maximum of<br />
12 students in the studio, you will have ample opportunity for<br />
hands-on learning . There will be a $10 material fee payable to the<br />
instructor .<br />
This course will run simultaneously with Glassblowing Style &<br />
Form. Please clearly indicate which level you are registering for.<br />
Glassblowing – Style & Form<br />
COURSE CODE <strong>ARTS</strong>657 SECTION 41<br />
INSTRUCTOR Andrew Kuntz<br />
DATES July 2 – 6, 2012<br />
FEE $486 .78 (includes $187 .04 material fee)<br />
Please note: This course is not suitable for beginners.<br />
As an experienced glassblower you will be challenged with the<br />
exploration of advanced techniques such as bit working, stems<br />
and feet, handles, spouts, cane work, and goblet making, using<br />
more advanced colour applications . Cold working techniques<br />
will also be covered . Instruction and practice will be augmented<br />
with a visual presentation, printed material, studio safety, and<br />
regular discussions of work in progress . With a maximum of<br />
12 students in the studio, you will have ample opportunity for<br />
hands-on learning . There will be a $10 material fee payable to the<br />
instructor .<br />
This course will run simultaneously with Glassblowing. Please<br />
clearly indicate which level you are registering for.<br />
Guitar – Folk, Country & Blues<br />
COURSE CODE <strong>ARTS</strong>1241 SECTION 41<br />
INSTRUCTOR Eve Goldberg<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginner guitar<br />
players. The ability to play basic chords is required.<br />
This class for advanced-beginner and intermediate guitar players<br />
will improve skills in folk, country, and blues styles . An overview<br />
of North American roots music and some of the musicians who<br />
have influenced it will also be included . Starting with a few simple<br />
songs, you will learn a variety of accompaniment techniques,<br />
including country strumming, bass runs, alternating thumb,<br />
basic finger picking, and how to pick out melodies . Learn basic<br />
theory for folk guitar, how to transpose songs from one key to<br />
another, and how to figure out chords for songs you’d like to sing .<br />
A course book with the words and chords to the songs covered<br />
in the classes will be available for future reference . Instruction<br />
will enable you to play guitar in several different keys and styles<br />
and you will gain a repertoire of songs to enjoy and share with<br />
friends and family . There will be a $25 material fee payable to the<br />
instructor .<br />
Please note: These three skill levels will run simultaneously.<br />
Please clearly indicate which level you are<br />
registering for.<br />
Jewellery – Stone Setting: Beginner<br />
COURSE CODE <strong>ARTS</strong>1492 SECTION 41<br />
INSTRUCTOR Susan Watson Ellis<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
Instruction will enable you to fabricate bezels for round,<br />
oval, or free form cabochons from sterling silver. You will<br />
design a simple ring, pendant, or pin forms on which to<br />
attach your bezels in order to set your stones in finished<br />
jewellery pieces of your own design . The material fee will<br />
vary with individual projects .<br />
Jewellery – Stone Setting: Intermediate<br />
COURSE CODE <strong>ARTS</strong>1493 SECTION 41<br />
INSTRUCTOR Susan Watson Ellis<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Instruction will enable you to fabricate bezels for round,<br />
oval, or free form faceted stones from sterling silver. You<br />
will learn to cut a bearing for the stone into the bezel using<br />
stone setting burrs and the flex shaft machine. You will also<br />
design a jewellery form to mount your bezel on . Once the<br />
form is completed you will set your stone using an electric<br />
hammer . Polishing will complete your unique jewellery<br />
creation . The material fee will vary with individual projects .<br />
Jewellery – Stone Setting: Advanced<br />
COURSE CODE <strong>ARTS</strong>1494 SECTION 41<br />
INSTRUCTOR Susan Watson Ellis<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Instruction will enable you to form complex settings for<br />
your cabochon and faceted stones such as basket, prong,<br />
crown, and tapered as well as multiple stone designs. You<br />
will be encouraged to use critical thinking to problem solve<br />
in these advanced setting designs . The material fee will vary<br />
with individual projects .<br />
JULY 2012<br />
23
24<br />
Kids’ Adventures in Animation**<br />
COURSE CODE <strong>ARTS</strong>1724<br />
INSTRUCTOR Midori Nagai<br />
DATES July 2 – 6, 2012<br />
FEE $97 .80<br />
SECTION 41: 1:00 – 4:30pm, 5 – 7 years old<br />
SECTION 42: 9:00 – 12 Noon, 8 – 10 years old<br />
Explore the amazing world of animation . By creating a simple<br />
movie with objects you will begin to understand the concepts<br />
of animation . Then using clay, you will create a character and a<br />
simple story . Stop-motion animation will also be created . Easy,<br />
step-by-step instruction will be provided and creativity encouraged.<br />
You will work individually and in small groups. When the<br />
course is finished, your clay character and a DVD with the movies<br />
will go home with you . Some of the best animation in the world<br />
will be shown during the week and the course will finish up with<br />
a short film festival of your work . There will be a $20 material fee<br />
payable to the instructor .<br />
Kids’ Under the Sea**<br />
COURSE CODE <strong>ARTS</strong>1424<br />
INSTRUCTOR Rebecca Reynolds<br />
DATES July 2 – July 6, 2012<br />
FEE $97 .80<br />
SECTION 41: 9:00 – 12 Noon, 5 – 7 years old<br />
SECTION 42: 1:00 – 4:30pm, 8 – 10 years old<br />
Plunge into an underwater art adventure! In this week of watery<br />
wonderful fun, you’ll be creating colourful creatures of the deep,<br />
like huge tropical fish and dangly jellyfish to hang from the ceiling!<br />
Hop onboard a yellow submarine to explore the mysteries found<br />
beneath the waves . Then you’ll end the week by diving into a<br />
party on the bottom of the sea! There will be a $20 material fee<br />
payable to the instructor .<br />
Landscape Images in Fabric<br />
COURSE CODE <strong>ARTS</strong>409 SECTION 41<br />
INSTRUCTOR Jane Selbie<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
This course will encourage you to discover your own unique<br />
style of fabric layering and teach you to observe and interpret<br />
the subtleties in nature . The technique follows basic painting<br />
principles by retranslating printed and solid coloured fabric to<br />
create Canadian landscapes. You will start with the beginning<br />
steps of the fabric layering technique and progress through to<br />
detailed works as you explore the nuances of each scene . The<br />
work is fine so good sharp, pointed scissors are a must . Everyone<br />
is a beginner! If you have dabbled in painting, quilting, or want<br />
to learn to translate the beauty and detail of nature through the<br />
medium of fabric, you will find that even your beginning pieces<br />
will be successful . There will be a $20 material fee payable to the<br />
instructor .<br />
Lettering & Paper Arts<br />
COURSE CODE <strong>ARTS</strong>1709 SECTION 41<br />
INSTRUCTOR Judith Jaimet Bainbridge<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
Lettering and paper arts have remarkable application potential,<br />
both decorative and functional . Design and make four styles of<br />
books/cards and an origami box, write haiku poems and letter<br />
them in an italic hand, and carve eraser stamps to create a<br />
unique expression on your visually and verbally creative projects .<br />
There will be a $30 material fee payable to the instructor .<br />
Life Drawing – Basics & Beyond<br />
COURSE CODE <strong>ARTS</strong>1502 SECTION 41<br />
INSTRUCTOR Brian Smith<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
Drawing the human figure has always been the cornerstone of<br />
artistic training – but it also creates fear in the inexperienced<br />
artist . This beginner-to-intermediate course begins with simple<br />
“stick-figure” style gesture drawings, progressing to well observed<br />
contour line drawings, and culminates in renderings of the figure<br />
made full and round by the observation of light and shadow .<br />
Mosaics<br />
COURSE CODE <strong>ARTS</strong>136 SECTION 41<br />
INSTRUCTOR Annette Blady Van Mil<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
By definition, a mosaic is a surface decoration made by inlaying<br />
small pieces of coloured glass, stone or tile to produce a pattern<br />
or image . In this course you will discover the unusual, creative,<br />
innovative and fun world of mosaics . Gain an appreciation of<br />
the history and techniques of mosaics and, by blending traditional<br />
and modern techniques, you will create some amazing<br />
works of art! Basic techniques will be taught through hands-on<br />
demonstrations . Turn your broken tiles, chipped china, cracked<br />
pots, smashed glass, old buttons and mirrors into masterpieces .<br />
By learning the mosaic technique, you will make the ordinary<br />
extraordinary! All skill levels will benefit from this course . There<br />
will be a $20 material fee payable to the instructor .<br />
Photography – Travel & Landscape<br />
COURSE CODE <strong>ARTS</strong>701 SECTION 41<br />
INSTRUCTOR Rob Stimpson<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. To<br />
participate in this course, knowledge of where the camera<br />
controls are located (i.e. menu, white balance, f-stops, ISO,<br />
etc) and how the camera works (i.e. f-stops and shutter speeds)<br />
is essential. Instruction can benefit traditional and point and<br />
shoot cameras but is best suited to DSLR cameras.<br />
Our travels and journeys take us to places we never may visit<br />
again . On these trips we all want to document where we have<br />
been and, for the most part, capture a sense of place . The<br />
camera becomes our voice through our visual interpretation of the<br />
landscape . In this course you will learn how to create an effective<br />
photo essay that becomes your own personal interpretation of the<br />
places you visit. Good photographs are made, not just taken. You<br />
will learn how to create an image, not just take a picture . Through<br />
the use of simple techniques, discover how to take an effective<br />
portrait of people in the outdoors, how to enhance your landscape<br />
images, add emotion to your pictures and how to get the most out<br />
of the tools you have. You will spend time wandering through the<br />
village and surrounding areas looking for places of interest where<br />
you create your visual interpretation of the landscape . Through<br />
assignments, critiques of your work and slideshows, you will learn<br />
what it takes to be a more effective photographer . This course will<br />
help you to move out of your comfort zone as well as introduce<br />
you to new challenges with travel and landscape photography .<br />
Assignments are designed based on you knowing the fundamentals<br />
. Both digital and film cameras are welcome in this course .<br />
There will be a $5 material fee payable to the instructor .
Pottery – Beginners<br />
COURSE CODE <strong>ARTS</strong>175 SECTION 41<br />
INSTRUCTOR Barbara Joy Peel<br />
DATES July 2 – 7, 2012 (6 days)<br />
FEE $359 .26 (includes $18 .52 initial material fee)<br />
Instruction in this course will be delivered at the beginner level of<br />
wheel throwing . There will be demonstrations on cylinders, bowls,<br />
plates, glaze techniques and the firing process . The development<br />
of your own personal style and the encouragement of artistic<br />
license will prevail . One bisque and one glaze fire will be accomplished<br />
during the course . Should you be inspired and enthusiastic<br />
upon completion of this course, you would be capable of<br />
taking Pottery II . Note: This course is 6 days . Additional clay will<br />
be available for purchase from the school at a cost of $20 per<br />
bag, which includes glazing and firing . A beginner’s tool kit may<br />
be purchased from the school at a cost of approximately $15 .<br />
Please inform the school if you require one .<br />
Printmaking Without a Press<br />
COURSE CODE <strong>ARTS</strong>1251 SECTION 41<br />
INSTRUCTOR Victoria Cowan<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
Daily life is very demanding, you don’t have much space at home<br />
or perhaps you feel you haven’t developed drawing skills . Still,<br />
you want to find a way to make beautiful images, simply, at home<br />
– images that could grace a hand-made card, as well as bring<br />
you personal pleasure . Printmaking without a press is economical<br />
and easy . Learn skills that can be developed on your own, with<br />
inexpensive and non toxic materials . There will be a $20 material<br />
fee payable to the instructor .<br />
On the Saturday following the courses, students are invited<br />
to participate in a demonstration at the Haliburton Highland<br />
Games, and in an afternoon Scottish Country Dance.<br />
These courses will run simultaneously. Please clearly indicate<br />
which level you are registering for.<br />
Scottish Country Dancing – Intermediate<br />
COURSE CODE <strong>ARTS</strong>193 SECTION 41<br />
INSTRUCTOR Michael Turner<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
An important part of this course is improving the 5 basic steps<br />
while also mastering new ones . Equally important are the<br />
opportunities to ‘polish’ many common formations (such as<br />
reels, poussettes, allemandes, promenades and corner figures),<br />
to phrase these formations more accurately, cover within the<br />
set more effectively, and enhance the smooth flow from one<br />
formation to the next . Some less common formations will also<br />
be introduced and practiced, such as Rondel, and Bourrel . A<br />
general sense of fun is encouraged, and sociability is enhanced<br />
through dancing with others of different skill levels for part of<br />
each day . As increased musical knowledge usually promotes<br />
better and more enjoyable dancing, one class period each day<br />
is devoted to exploring the music of Scottish Country Dancing .<br />
This musical focus includes fitting the steps to the music, and<br />
fitting the formations to the phrases . Glimpses into the history<br />
of the music, the dance, and the Royal Scottish Country Dance<br />
Society are included throughout . Care is given to warm-ups and<br />
cool-downs each day to preserve good health for all .<br />
Remember, Reflect & Proceed with Purpose<br />
COURSE CODE <strong>ARTS</strong>1660 SECTION 41<br />
INSTRUCTOR Nora Zylstra Savage<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
Create a mini life review utilizing your present values and beliefs<br />
as a basis for discovery . No matter what life stage or milestone<br />
you are at, or have just passed, this writing process helps you to<br />
explore your past experiences, your current life and to choose<br />
what’s next . Life reviews, or life reflections, may include your<br />
ideals, values, insights, family traditions, passions, life lessons,<br />
special moments, and future hopes and dreams . Through writing<br />
exercises, prompts, and reflection, you will write short vignettes<br />
or stories about significant events, turning-points or decisions in<br />
your life. You will also write about important people and how they<br />
have influenced you . It’s a time for reflection, writing, sharing and<br />
receiving oral feedback in a sensitive and positive environment .<br />
A time to understand your past, acknowledge the present and<br />
create new possibilities for your future .<br />
Sandal Making<br />
COURSE CODE <strong>ARTS</strong>1694 SECTION 41<br />
INSTRUCTOR Jon Gray<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
Learn the techniques of leather craft and sandal design as you<br />
create a pair of leather sandals made to fit your foot . Additionally<br />
you will explore different techniques to cut and shape leather .<br />
There will be a $100 material fee payable to the instructor .<br />
Scottish Country Dancing – Advanced<br />
COURSE CODE <strong>ARTS</strong>192 SECTION 41<br />
INSTRUCTOR Michael Turner<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
The dance technique offered in this class includes modifying<br />
basic steps for unusual movements, dancing smoothly from one<br />
type of step to another, and expanding the repertoire of travelling<br />
and setting steps to include Highland, ancient and modern<br />
variants . New formations will be introduced as well as unusual<br />
variations of more common ones . At this level, you should<br />
already be able to dance virtually all traditional dances after only<br />
a quick briefing . New challenges will be offered through recently<br />
composed dances arising within this tradition, keeping it fresh<br />
and alive. Some attention will be given to dance notation. You are<br />
especially encouraged to develop your visual imagination of the<br />
dance patterns and to increase your sensitivity to the beauty and<br />
intricate designs of this flowing artform . Teamwork is essential,<br />
and you will be challenged to initiate and respond to movement<br />
through subtle cues, to master the art of recovery from mistakes,<br />
to realize the important link between relaxation and competence,<br />
to learn more and more to enhance the joy of confident<br />
participation, not just for yourself, but for others as well . The<br />
musical focus at this level includes learning to understand and<br />
recognize the different types of dance tunes, including proper<br />
reels, hornpipes, Scotch Measures, polkas, single, double and<br />
triple jigs, marches, strathspeys, waltzes, slow airs, and songs .<br />
Deeper historical insights into both the music and dance serve to<br />
heighten enjoyment and interest . Advanced dancers will already<br />
know the benefit of warming up and cooling down, and will<br />
participate in these exercises on a regular basis .<br />
JULY 2012<br />
25
26<br />
Stain Painting – The Saturated Canvas<br />
COURSE CODE <strong>ARTS</strong>292 SECTION 41<br />
INSTRUCTOR Denis Cliff<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
The staining process is an acrylic equivalent to watercolour and<br />
can lead to some stunning visual effects using intense brilliant<br />
colour, subdued subtle colour or a mixture of both . A recent<br />
addition to the techniques available to artists, stain is created<br />
by adding water and/or medium to acrylic paints and applying<br />
it to an unprimed canvas . This course will deal with a variety<br />
of methods of application including wet-on-wet, wet-on-dry,<br />
graduated overlays, flat applications, mixture combinations and<br />
stains in conjunction with undiluted acrylic . These applications<br />
can be made with either representational or non-representational<br />
images . The process has wonderful properties of blending<br />
and spreading that produce very exciting results . No previous<br />
experience in painting is necessary to benefit from this amazing<br />
technical and aesthetic resource . If you have previous experience,<br />
you will have an opportunity to deal with this new technique<br />
at your own personal skill level . Exploration of the process will<br />
be encouraged in a non-threatening environment where you will<br />
receive personal assistance and critiques as well as being able to<br />
join in group discussions and critiques .<br />
Stone Carving<br />
COURSE CODE <strong>ARTS</strong>328 SECTION 41<br />
INSTRUCTOR Fred Hummel<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
Please note: You must be able to carry stone weighing up to 30<br />
lbs.<br />
This course will provide instruction in traditional sculptural<br />
methods, such as the use of point, toothed and flat chisels,<br />
specialized rasps for final shaping, and a variety of techniques<br />
for proper use with various types of stone . If you are working at<br />
a beginner skill level you will receive instruction in traditional<br />
hand-tool methods . Ample assistance will be available in developing<br />
subject matter . Practical applications will be the primary<br />
emphasis, supported by some theory. You can expect to complete<br />
a small sculpture during the course . If desired, you will also<br />
receive a brief introduction to stone sculpture using power tools .<br />
Minimal amounts of time will be available if you would like to use<br />
the power tools as availability of electricity and compressed air<br />
will impose some limitation on the number of students who can<br />
work in this area simultaneously . If you are working at a beyondbeginner<br />
level of skill, you will be challenged with more advanced<br />
work . If you wish to subscribe to this area, it is recommended<br />
that you have some power tools or be prepared to buy them<br />
as only limited loan/demonstration tools are available for use .<br />
The instructor will have a small assortment of tools (including<br />
sandbags) on hand that may be purchased at reasonable prices .<br />
The instructor will also have his own master set of professional<br />
tools, including power tools, and these will be demonstrated in<br />
hands-on sessions as part of the instruction . Whether beginner<br />
or experienced, you can expect to work in a non-competitive,<br />
light-hearted atmosphere . A selection of stone will be available for<br />
purchase on site . Questions may be directed to Fred Hummel at<br />
fwhummel@sympatico .ca .<br />
These courses run simultaneously. Please clearly indicate<br />
which course you’re registering for.<br />
Totem Mask<br />
COURSE CODE <strong>ARTS</strong>1256 SECTION 41<br />
INSTRUCTOR Wayne Hill<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
In this course you will be instructed on how to design and<br />
carve a West Coast totem moon mask . Working handson<br />
and side-by-side with other carvers you will learn the<br />
traditional processes needed to produce the best results .<br />
A short lesson on history and traditions will provide an<br />
understanding of totemism and the social implications of<br />
this medium . There will be a $25 material fee payable to the<br />
instructor .<br />
Totem Pole Carving<br />
COURSE CODE <strong>ARTS</strong>354 SECTION 41<br />
INSTRUCTOR Wayne Hill<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
In this course you will be instructed on how to design and<br />
carve your own four foot totem pole . Working hands-on<br />
and side-by-side with other carvers you will learn the<br />
traditional processes needed to produce the best results . A<br />
short lesson on history and traditions will give you a better<br />
understanding of totemism and the social implications of<br />
this medium . There will be a $50 material fee payable to the<br />
instructor .<br />
A fantastic school and an<br />
amazing opportunity to learn,<br />
create and become inspired!<br />
– Ian Miller
Watercolour Painting – Advanced<br />
COURSE CODE <strong>ARTS</strong>248 SECTION 41<br />
INSTRUCTOR Art Cunanan<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. It is<br />
imperative that participants have had at least three previous<br />
watercolour courses prior to participating.<br />
At an advanced level of interaction, you will explore traditional<br />
and experimental techniques in watercolour painting . Instruction<br />
will be provided on composition and design and the course is<br />
geared to sharpen skills and enhance personal interpretation .<br />
Learn how to make a contour painting, how to layer washes until<br />
they get the right value and how to use local and colour values to<br />
make strong statements . Sessions on compositions will include<br />
directing the eye with edges, placing darks and other colours,<br />
and advice on handling patterns and loosening painting style .<br />
Learn by demonstration and critique and benefit from individual<br />
attention. You will have an opportunity to enjoy some on-location<br />
painting, weather permitting .<br />
Watercolour Painting – Introduction<br />
COURSE CODE <strong>ARTS</strong>252 SECTION 41<br />
INSTRUCTOR Gary Chapman<br />
DATES July 2 – 6, 2012<br />
FEE $299 .74<br />
This course will stimulate you, inspire you onward and open the<br />
door to the fun and magic of watercolour painting . From day one,<br />
you will be creating images of misty landscapes, distant hills and<br />
clearing skies . A painting a day is not beyond expectations and all<br />
of this will take place in a relaxed, non-intimidating atmosphere .<br />
All the basic steps of watercolour wet-in-wet painting will be<br />
explained and demonstrated . As well, you will be encouraged to<br />
free up your creative spirit in order to take these newly acquired<br />
skills into paintings that evoke feelings or emotions . This course<br />
invites newcomers to the watercolour medium . In addition,<br />
painters equipped with the basics will be shown gateways into<br />
the next stage of their creative journey . Instruction will take place<br />
strictly in a studio environment .<br />
Youth Marionettes**<br />
COURSE CODE <strong>ARTS</strong>1739 SECTION 41<br />
INSTRUCTOR Judith Mason<br />
DATES July 2 – 6, 2012<br />
FEE $191 .76<br />
Please note: This course is suitable for youth from 11 to 13<br />
years of age.<br />
Explore ideas, follow your imagination, design, and create your<br />
own marionette – human, animal, a mix of both, or something<br />
absolutely different . The sky’s the limit! Add lots of objects or<br />
materials that allow your puppet’s personality to form . Using<br />
old clothing, newspapers, nylons, wool, paint, and wood, you’ll<br />
construct heads, facial features, and bodies and then assemble<br />
all the various parts and pieces . Bring your marionette to life by<br />
attaching the mechanisms and strings to manipulate its movement<br />
. Hey, why not build a puppet theatre at the same time,<br />
design some sets and create a performance? There will also be<br />
opportunities to watch some short clips of professional puppeteers<br />
staging amazing performances . There will be a $5 material<br />
fee payable to the instructor .<br />
Youth/Teen Take the Stage**<br />
COURSE CODE <strong>ARTS</strong>1205 SECTION 41<br />
INSTRUCTOR Leanne Schachow<br />
DATES July 2 – 6, 2012<br />
FEE $213 .86<br />
Please note: This course is suitable for youth and teens from<br />
11 to 18 years of age.<br />
Let your dramatic imagination run wild! This introductory acting<br />
course is designed to enhance your communication skills, build<br />
personal confidence when speaking in front of a group, and<br />
encourage your creative ideas to be revealed in a supportive<br />
environment . Learn effective vocal and movement techniques for<br />
the stage through character-building, storytelling, and laugh-outloud<br />
improvisational activities . The role of the actor, director, stage<br />
manager, and creative designer will be discussed and you will<br />
have the opportunity to play out these roles . Working together,<br />
we will perform a one-act play for an audience at the end of the<br />
week, showing off our love for the stage . Ultimately, let’s take<br />
the stage and have some fun! There will be a $15 material fee<br />
payable to the instructor .<br />
JULY 2012<br />
27
28<br />
satUrDaY, JULY 7, 2012<br />
Earring Workshop**<br />
COURSE CODE <strong>ARTS</strong>396 SECTION 41<br />
INSTRUCTOR Susan Watson Ellis<br />
DATES July 7, 2012<br />
FEE $97 .24<br />
From the dawn of time, ears have been a focal point for decoration,<br />
ranging from a simple stud to complex chandelier styles of<br />
earrings . This workshop will provide a brief history of design and<br />
enough practical skill to create your own works of art . Traditional<br />
earring styles and attachments such as studs, hoops, shepherd’s<br />
hooks, and lever backs will be explored . Create your own unique<br />
designs using your imagination and new found skills . There will<br />
be a $50 material fee payable to the instructor .<br />
Glassblowing – Introductory Workshop**<br />
COURSE CODE <strong>ARTS</strong>466 SECTION 41<br />
INSTRUCTOR Terry Craig<br />
DATES July 7, 2012<br />
FEE $186 .54 (includes an $80 material fee)<br />
In this workshop, you will be introduced to the exciting world of<br />
hot glasswork to create fascinating paperweights using traditional<br />
tools and techniques dating back 2000 years! These methods<br />
are still used today by the world’s leading vessel makers and<br />
glass sculptors . Glass is first melted in a furnace to 2100 degrees<br />
Fahrenheit upon which time you will then learn how to gather<br />
the molten material on the end of a steel blowpipe to form it<br />
into a one-of-a-kind paperweight . Safe practices will be continually<br />
emphasized throughout the workshop . This is an excellent<br />
introduction to the intrigue of hot glasswork . There will be a $5<br />
material fee payable to the instructor .<br />
Knit a Cowl or Scarf Workshop**<br />
COURSE CODE <strong>ARTS</strong>1679 SECTION 41<br />
INSTRUCTOR Glenna Harris<br />
DATES July 7, 2012<br />
FEE $97 .24<br />
Please note: This workshop isn’t suitable for absolute beginners.<br />
Some previous knitting experience is required.<br />
Whether you want to revive your love of knitting with a simple<br />
project, or you’re a just-beyond-beginner looking for a refresher,<br />
this workshop will be helpful and motivating. You’ll<br />
begin with a simple project of your choice: either<br />
a scarf worked flat, or a cowl worked in the round .<br />
Instruction will cover how to read a pattern, knit,<br />
purl, basic cables, and how to select yarn for various<br />
projects .<br />
Leather Braiding Workshop**<br />
COURSE CODE <strong>ARTS</strong>1703 SECTION 41<br />
INSTRUCTOR Jon Gray<br />
DATES July 7, 2012<br />
FEE $97 .24<br />
Learn the basics of leather work through creating an appliqué<br />
braided leather bracelet or dog collar . This introduction to the<br />
techniques of cutting, punching, braiding and finishing leather<br />
can also be used to create beautiful and functional objects<br />
such as belts and guitar straps . There will be a $40 material fee<br />
payable to the instructor .<br />
Mosaic Window Workshop**<br />
COURSE CODE <strong>ARTS</strong>1515 SECTION 41<br />
INSTRUCTOR Amanda Brittin<br />
DATES July 7, 2012<br />
FEE $97 .24<br />
Work with a rainbow of colour; nipping vibrant stained glass into<br />
mosaic tessarae and creating window art suitable for garden<br />
or home . Bring a small window (in a frame, approx 12x24” or<br />
similar) or other clear glass project and learn how to design and<br />
make either an abstract or image-based piece . Adhesives and<br />
grouts will be discussed and you will take home grout materials<br />
to use once the project has cured . Please note that this project<br />
requires good hand strength and uses adhesives that may be<br />
unsuitable for those with allergic sensitivity to silicone . This<br />
workshop will take place outside under a tent . There will be a $10<br />
material fee payable to the instructor .
Photoshop Workshop**<br />
COURSE CODE <strong>ARTS</strong>1753 SECTION 41<br />
INSTRUCTOR Michael Bainbridge<br />
DATES July 7, 2012<br />
FEE $97 .24<br />
Please note: Basic Windows skills are essential and required.<br />
Restore, enhance or completely alter existing images . Work with<br />
layers, add special effects, filters and selected actions to manipulate<br />
your photos . Instruction is also suitable for users of the<br />
Elements version of Photoshop . Photos will not be taken during<br />
the workshop – please bring your own digital images .<br />
Sheddings Workshop – The Stored Becomes Storied**<br />
COURSE CODE <strong>ARTS</strong>1680 SECTION 41<br />
INSTRUCTOR Kate Church and Fay Wilkinson<br />
DATES July 7, 2012<br />
FEE $97 .24<br />
Are you challenged by sorting and letting go of creative clutter<br />
and perceived treasures you have collected over the years?<br />
Perhaps your need for an uncluttered space is battling with your<br />
emotional attachments to ‘things’ . Did you know that in addition<br />
to snakes, many creatures shed as a means to grow, maintain<br />
health, and reduce stress? Taking a leaf out of the book of the<br />
natural world, this playful and unusual workshop will have you<br />
bring a shoebox of ‘stuff’ that has been gathering dust . Using<br />
the contents of your box, you will learn how to design a simple,<br />
artful way to sort, discard, cherish, and transform . With guidance<br />
your created art piece, using elements from your box, will be a<br />
remembrance of your first shed . Rather than dreading or avoiding<br />
this process of letting go, you may experience relief and liberation<br />
. This may mark the beginning of your shedding journey – the<br />
stored becomes storied . There will be a $15 material fee payable<br />
to the instructor .<br />
Your instructors have been going through this ‘shedding’<br />
process in a collaborative way for several months. Blog address<br />
sheddings.wordpress.com .<br />
Sing! Workshop**<br />
COURSE CODE <strong>ARTS</strong>1200 SECTION 41<br />
INSTRUCTOR Eve Goldberg<br />
DATES July 7, 2012<br />
FEE $97 .24<br />
No matter what you’ve been told before, you can learn to sing! If<br />
you think you can’t carry a tune in a bucket, or if you would just<br />
like to become a little more confident in your singing, you’ll enjoy<br />
this workshop . Through vocal exercises, rounds, games, and<br />
simple folk songs, explore your voice in a supportive, fun environment.<br />
You’ll come away from the day with a few new songs, some<br />
tips and tricks for improving your sense of pitch and rhythm, and<br />
a renewed confidence your own voice . No experience necessary .<br />
There will be a $5 material fee payable to the instructor .<br />
register early!<br />
Waiting until the last minute limits your choice of courses<br />
and may cause you unnecessary disappointment .<br />
See registration details on page 99 .<br />
Love the course! It was organized fun and<br />
I love the feeling you get at the end of<br />
the week! A sense of accomplishment.<br />
– Camina Harrison-Cheryl<br />
Soap Making & Herbal Bath Workshop**<br />
COURSE CODE <strong>ARTS</strong>902 SECTION 41<br />
INSTRUCTOR Linda Lee Purvis<br />
DATES July 7, 2012<br />
FEE $97 .24<br />
This workshop will equip you with the skills to create your own<br />
natural body care products from a wide variety of easily obtained<br />
ingredients . With an introduction to pure essential oils, herbs,<br />
spices, and healthful properties of grains, oils, and other pantry<br />
goods, plus numerous handouts and reference materials, you<br />
will gain an extensive understanding of how to create your own<br />
recipes and healthful products . Learn how to make cold process<br />
soap from scratch, melt and pour soaps, create bath bombs, bath<br />
salts, milks, oils, massage oils, herbal bath bags, body powders,<br />
decorative and presentation ideas, and more . Enjoy this fun-filled,<br />
fragrant day . Please note that the cold process soap component<br />
will be done in demonstration format, however, a cured sample<br />
of the soap, and a kit to reproduce the recipe will be provided .<br />
All other projects are hands-on . There will be a $60 material fee<br />
payable to the instructor .<br />
Watercolour Florals Workshop**<br />
COURSE CODE <strong>ARTS</strong>595 SECTION 41<br />
INSTRUCTOR Marianne Broome<br />
DATES July 7, 2012<br />
FEE $97 .24<br />
Demonstrations and step by step instruction will encourage you<br />
to explore many techniques to achieve a bright, realistic floral<br />
painting . Instruction will cover glazing, gentle washes backgrounds,<br />
values, depth, harmony and much more in a relaxed<br />
atmosphere, with personal attention and encouragement . Reference<br />
materials will be available or you are welcome to paint from<br />
your own . All skill levels can be accommodated .<br />
Wire Sculpture Workshop**<br />
COURSE CODE <strong>ARTS</strong>416 SECTION 42<br />
INSTRUCTOR Charles O’Neil<br />
DATES July 7, 2012<br />
FEE $97 .24<br />
Project Title: Tree Forms on Stone<br />
Please note: This course requires the use of simple hand tools<br />
(wire cutters, pliers).<br />
Wire sculpture is an exciting and expressive art form . In this<br />
workshop you will receive step-by-step instruction to successfully<br />
create your project . With a variety of wires (steel, copper, galvanized)<br />
this creation is designed for indoor or garden use, and will<br />
be a great addition to any setting . There will be a $25 material fee<br />
payable to the instructor .<br />
JULY 2012<br />
29
30<br />
JULY 9 to 13, 2012<br />
Abstraction to Non-Objective Painting<br />
COURSE CODE <strong>ARTS</strong>1079 SECTION 41<br />
INSTRUCTOR Steve Rose<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
This course is designed to take you into the realm of non-objective<br />
painting, whether you are an experienced or novice painter .<br />
Starting with a number of warm up exercises and projects,<br />
subject matter will gradually be reduced until you are painting<br />
with no subject at all. You will be encouraged to work on your own<br />
projects or the instructor can assign topics and/or approaches for<br />
you and your work . Non-objective painting can be challenging<br />
but the skills learned and the added freedom of expression would<br />
benefit any art practice .<br />
Acrylics – Fast and Forgiving<br />
COURSE CODE <strong>ARTS</strong>3 SECTION 42<br />
INSTRUCTOR Denis Cliff<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for complete beginners.<br />
Discover the fascinating power of acrylic paint and its amazing<br />
potential . Imagine being able to cover your mistakes within<br />
minutes because of its fast drying properties . Enjoy the many<br />
processes that acrylics are suitable for and learn about the<br />
fabulous properties of this medium in a non-threatening environment,<br />
conducive to personal creative thinking. You will experience<br />
the medium in its full-strength, manufactured state as well<br />
as employ it as a stain with water added and then applied to<br />
unprimed canvas where it behaves like a watercolour with intense<br />
colour . Paint will also be used in flat, layered applications and in<br />
thick and textured processes that greatly enrich the surface . The<br />
instructor will bring some unique, personally developed experiences<br />
to the course and both traditional and abstract images can<br />
enhance your visual vocabulary and contribute to the enjoyment<br />
of the medium. You will benefit from close, personal attention and<br />
advice, in addition to learning from group critiques .<br />
Acrylics & Mixed Media – Introductory<br />
COURSE CODE <strong>ARTS</strong>1175 SECTION 41<br />
INSTRUCTOR Annette Blady Van Mil<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Learn methods and techniques using acrylics paints and acrylic<br />
products that will start you on an exciting journey of discovery .<br />
You will be encouraged to work in a variety of formats, using<br />
traditional painting materials and fluid acrylics, as well as heavy<br />
body paints with collage . While technique will remain an important<br />
aspect, emphasis will be placed on experimentation, building<br />
a personal style and colour sense, choosing subject matter, and<br />
open in-class discussions about the work produced .<br />
A great chance to be immersed in<br />
something new in a highly creative<br />
environment.<br />
– Stew Wallace<br />
Bird Carving<br />
COURSE CODE <strong>ARTS</strong>873 SECTION 41<br />
INSTRUCTOR Jan Fitch<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Project Title: Half or Life-size Eastern Screech Owl – Red Phase<br />
(Please inform instructor of your size choice)<br />
Individual instruction on anatomy, carving and painting techniques<br />
will be provided, accommodating beginning to advanced<br />
level carvers . The first two days will be spent painting a resin<br />
study bird created from the instructor’s original carving . In<br />
gaining an understanding of the bird’s structure prior to carving,<br />
you will learn feathering, blending and edging techniques to<br />
achieve the soft look of the bird . The remaining three days will<br />
be spent shaping the basswood cutout, creating feather groups<br />
and applying various forms of texturing . Instruction on mounting<br />
the bird into habitat will also be given . There will be a $50 to $60<br />
material fee payable to the instructor depending on your project<br />
size .<br />
Colour – Beyond Theory<br />
COURSE CODE <strong>ARTS</strong>1295 SECTION 41<br />
INSTRUCTOR Al Van Mil<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
How do you simplify colour and make it work for you? This course<br />
teaches you to use colour effectively in all mediums . If you love<br />
colour, but the colour wheel has always turned you off, or if you<br />
want to know more about how to work with colour, but the theory<br />
overwhelms you, then this course is for you . Learning the easy<br />
fundamentals of the colour field will give you the freedom to<br />
express yourself without hesitation. You will gain new confidence<br />
in creating powerful and dynamic colour combinations with a<br />
simpler understanding of all those tints, tones and shades . In this<br />
interactive course, a series of lectures, demos, and projects will<br />
take you to new levels of colour artistry . Individual attention will<br />
enable you to apply and develop these new skills .<br />
Creating Written Life Stories<br />
COURSE CODE <strong>ARTS</strong>57 SECTION 41<br />
INSTRUCTOR Nora Zylstra Savage<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
This hands-on course will provide you with the opportunity to<br />
continue writing your life stories and enhance your own writing<br />
style . New multimedia exercises and writing techniques will be<br />
presented and practiced. You will write, share and receive oral<br />
feedback in a sensitive and positive environment . This is a great<br />
chance to explore and further develop creative writing skills and<br />
techniques using your own personal stories as source material .<br />
Why wait until it is too late? Put it in writing!<br />
Please note: For those wanting to start writing their memoirs or<br />
life stories this course will accommodate those participants as<br />
well.
Creative Choral Music<br />
COURSE CODE <strong>ARTS</strong>58 SECTION 41<br />
INSTRUCTOR Kiera Galway<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Enjoy this opportunity to experience the pure joy of the collective<br />
voice in song! If you are a singer with little or no choral experience<br />
or you have not sung beyond the limits of your shower, this is the<br />
course for you. You will explore choral music genres including<br />
folk music from around the world, First Nations songs, African<br />
and Asian chant, vocal jazz, and spirituals . Sessions will include a<br />
holistic blend of improvisation, intonation, warm up, reading, and<br />
ear training exercises . The goal of this course is to free creativity<br />
and vocal flexibility, while getting acquainted with a variety of<br />
legitimate choral techniques. You will go home with a wealth of<br />
new repertoire and a renewed sense of creativity and energy .<br />
There will be a $25 material fee payable to the instructor .<br />
Creative Choral Music II<br />
INSTRUCTOR Andy Rush<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Please note the division of vocal sections and ensure you are<br />
registering appropriately. This course will run simultaneously<br />
with Creative Choral Music and the students of both courses<br />
will enjoy singing time together every day with both conductors.<br />
For the experienced choral musician, this course will focus on<br />
singing in harmony, modifying and perfecting arrangements,<br />
creating an ensemble, and community performance . In addition<br />
to learning a limited varied repertoire and developing it<br />
to performance standard, instruction and discussion will also<br />
address improvising, creating harmonies, moving, sharing stories<br />
from our own varied choirs, creating musical accompaniment,<br />
sharing music, listening to choral music examples, and modifying<br />
arrangements to suit the ensemble’s skills . Learn to take care of<br />
your voice by learning more about vocal hygiene and warming<br />
up. You will have the opportunity to perform at various venues<br />
around the school . There will be a $25 material fee payable to the<br />
instructor .<br />
Creative Choral Music II -Alto<br />
COURSE CODE <strong>ARTS</strong>1305 SECTION 41<br />
Creative Choral Music II – Bass<br />
COURSE CODE <strong>ARTS</strong>1307 SECTION 41<br />
Creative Choral Music II – Soprano<br />
COURSE CODE <strong>ARTS</strong>1304 SECTION 41<br />
Creative Choral Music II – Tenor<br />
COURSE CODE <strong>ARTS</strong>1306 SECTION 41<br />
Doll Making II – Artistic Expression<br />
COURSE CODE <strong>ARTS</strong>1485 SECTION 41<br />
INSTRUCTOR Kate Church<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
This course is designed to further develop skills and practice in<br />
the art of doll making . Learn to solve construction problems, gain<br />
experience and ability with materials, and enrich your personal<br />
process . Instruction will include daily demonstrations and<br />
practice sessions . There will be a $50 material fee payable to the<br />
instructor .<br />
Encaustic Painting<br />
COURSE CODE <strong>ARTS</strong>89 SECTION 41<br />
INSTRUCTOR Susan Fisher<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginning painters.<br />
You should have a basic knowledge of colour theory and some<br />
previous painting skills. Encaustic experience is not required.<br />
The art of encaustic painting was practiced by Ancient Greeks,<br />
Romans and Egyptians as many as 2500 years ago and is still<br />
practised today . The term encaustic denotes the use of wax as<br />
an artistic medium . The combination of pigment, beeswax and<br />
varnishes creates beautifully luminous paintings . Once a lost art,<br />
it is gaining more and more popularity and recognition . Many<br />
contemporary artists are exploring the versatility of the medium<br />
and applying the techniques to a wide variety of artistic genres:<br />
landscape, abstraction, collage and printmaking to name a few .<br />
As a newcomer to the medium you will learn basic techniques<br />
and formulae as well as how to prepare your own supports . The<br />
course includes a brief history of encaustic and frequent class<br />
discussions . Skills and techniques acquired in this course will<br />
enable you to apply encaustic techniques to your own personal<br />
painting style . Safety procedures will be emphasized at all times .<br />
There will be a $100 material fee payable to the instructor .<br />
JULY 2012<br />
31
32<br />
Fabrics – Colour, Patterns & Painterly Effects<br />
COURSE CODE <strong>ARTS</strong>1730 SECTION 41<br />
INSTRUCTOR Margot Miller<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Create fabulous fabric while exploring colour, pattern and texture .<br />
Learn the techniques of hand painting, fluid wash, leaf/botanical<br />
prints, discharge, marking and stamping, all ideal surface embellishment<br />
for shawls, scarves, sarongs, decorative accent pieces,<br />
or works on canvas . Learn to experiment with the versatility of<br />
these wonderful water based, environmentally friendly dyes .<br />
They’re ideal for using full strength, allowing strong brilliant colour<br />
for printing or diluted, for soft and subtle shades and hues – all<br />
well suited for fashion, interiors or fine art . There will be a strong<br />
emphasis on experimenting with colour mixing, pattern, textures<br />
and overlays, will provide an opportunity to combine many<br />
learned techniques with a new range of expressive skills . Let<br />
loose with colour and pattern to encourage self-expression and<br />
artistic freedom . There will be a $15 material fee payable to the<br />
instructor .<br />
Figure Sculpture<br />
COURSE CODE <strong>ARTS</strong>282 SECTION 41<br />
INSTRUCTOR Paul Portelli<br />
DATES July 9 – 13, 2012<br />
FEE $310 .85 (includes $11 .11 initial material fee)<br />
This course will introduce you to a dynamic approach of<br />
constructing figurative sculpture . With a model present you will<br />
explore traditional techniques that will aid you in a quick and<br />
thorough understanding of anatomy, volume, mass proportion<br />
and dynamic movement of the human body . Instruction will<br />
emphasize the development of skills and tactile awareness in<br />
conjunction with your own intuitive and expressive abilities to<br />
communicate through the language of form . Skills learned will<br />
enable you to produce many pieces of work during the course .<br />
This course is suited to individuals who would like to strengthen<br />
their powers of perception . If you are a doctor, dentist, architect,<br />
engineer, painter, potter, animator or you would simply like to see<br />
more with every look, you will benefit from this course .<br />
Please note: Completed works may be retained and processed<br />
to a permanent state through firing or casting processes. These<br />
processes will not be offered during this course. Additional clay<br />
will be available for purchase from the school at a cost of $12<br />
per bag, unfired.<br />
The best. HSTA does it best – great<br />
staff, excellent faculty, superior<br />
facility.<br />
– Callie Archer<br />
Glassblowing<br />
COURSE CODE <strong>ARTS</strong>101 SECTION 43<br />
INSTRUCTOR Terry Craig<br />
DATES July 9 – 13, 2012<br />
FEE $486 .78 (includes $187 .04 material fee)<br />
As a beginning student, you will discover the art of glassblowing<br />
using traditional techniques that date back 2000 years! These<br />
methods are still used today by the world’s leading vessel makers<br />
and glass sculptors . Glass is first melted in a furnace at 2100<br />
degrees Fahrenheit, at which time you learn how to gather the<br />
molten material on the end of a steel blowpipe to form it into<br />
vases, bowls, paperweights, goblets and sculpture. You will also<br />
have an opportunity to participate in discussions on equipment,<br />
safety, history and current trends in glass . With a maximum of<br />
12 students in the studio, you will have ample opportunity for<br />
hands-on learning . There will be a $10 material fee payable to the<br />
instructor .<br />
This course will run simultaneously with Glassblowing II.<br />
Please clearly indicate which level you are registering for.<br />
Glassblowing II<br />
COURSE CODE <strong>ARTS</strong>103 SECTION 42<br />
INSTRUCTOR Terry Craig<br />
DATES July 9 – 13, 2012<br />
FEE $486 .78 (includes $187 .04 material fee)<br />
Please note: This course is not suitable for beginners. This<br />
course will focus on advanced hot forming and decorating<br />
techniques.<br />
Learn techniques for vessel making, including vases, bowls,<br />
goblets and stemware, as well as solid sculpture and hot bit work .<br />
There will be demonstrations on advanced colouring techniques<br />
and studio production methods . With an emphasis on design,<br />
you will set up your own personal project goals. You will have an<br />
opportunity to participate in discussions about modern studio<br />
design and equipment construction, as well as glass as a contemporary<br />
art form . With a maximum of 12 students in the studio,<br />
you will have ample opportunity for hands-on learning . There will<br />
be a $10 material fee payable to the instructor .<br />
This course will run simultaneously with Glassblowing. Please<br />
clearly indicate which level you are registering for.
Japanese Brush Painting I<br />
COURSE CODE <strong>ARTS</strong>114 SECTION 41<br />
INSTRUCTOR Cassandra Wyszkowski<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
This unique course, which is suitable for the beginner or the<br />
‘seasoned’ painter, is designed to introduce you to the discipline<br />
of Japanese painting (known as Sumi-e), which is a water-based<br />
medium . Emphasis will be on various brush techniques, light and<br />
shade to achieve depth, brush control that develops spontaneous<br />
expression and effective simplicity in composition skills. You will<br />
paint a variety of subjects and will receive your own copy of each<br />
lesson, ten in all . This is a very intensive course providing a firm<br />
foundation for any future painting medium or artistic pursuit .<br />
Discover and learn the four paragons – the Bamboo, the Japanese<br />
Orchid, the Chrysanthemum and the Plum Tree . Oriental<br />
philosophy as related to painting will add an interesting flavour to<br />
this exciting course . Many other subjects for painting are pursued<br />
to keep creativity flowing . Japanese poetry ‘Haiku’ which is the<br />
‘kissing cousin’ of Sumi-e, along with beautiful, flowing music, will<br />
underpin the learning process by adding a delightful, peaceful<br />
atmosphere . This course is also suitable for potters and fabric<br />
painters who wish to beautify their work with expressive brush<br />
strokes . There will be a material fee of approximately $35 payable<br />
to the instructor .<br />
Jewellery Casting<br />
COURSE CODE <strong>ARTS</strong>119 SECTION 41<br />
INSTRUCTOR Michael Letki<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Using the ancient lost wax casting process to make jewellery<br />
opens the door to a fascinating world where an almost unlimited<br />
variety of three-dimensional forms and textures can be created .<br />
The tiniest details, textures and forms will be faithfully reproduced<br />
. Learn how virtually anyone with a shoebox of tools can<br />
do this at home! You will work on several pieces with emphasis<br />
placed on appropriate design for the methods, quality of<br />
workmanship and finishing techniques. You are welcome in this<br />
course whether you are working at a beginner or intermediate<br />
level of skill . There will be a $25 material fee payable to the<br />
instructor .<br />
Kids’ Get Creative**<br />
COURSE CODE <strong>ARTS</strong>1311<br />
INSTRUCTOR Toni Caldarone<br />
DATES July 9 – 13, 2012<br />
FEE $97 .80<br />
SECTION 41: 1:00 – 4:30pm, 5 – 7 years old<br />
SECTION 42: 9:00 – 12 Noon, 8 – 10 years old<br />
Summer’s here and so is fun! Learn, create and join your classmates<br />
in experimenting in lots of 1, 2, and 3D works of art . From<br />
Picasso and Matisse to Van Gogh, you’ll learn about some of our<br />
old masters through beautiful art books and then experiment<br />
using some of their techniques . From basic drawing techniques<br />
where you’ll make one-dimensional flat drawings look three<br />
dimensional, to innovative experiments using acrylic and watercolour<br />
paints, pastels and more to make your unique 2-D and 3-D<br />
art creations . There’ll be lots for you to learn, lots for you to create<br />
and most of all, lots of fun for you and your friends! There will be<br />
a $20 material fee payable to the instructor .<br />
Kids’ Zoom into Space**<br />
COURSE CODE <strong>ARTS</strong>1609<br />
INSTRUCTOR Michele Karch Ackerman<br />
DATES July 9 – 13, 2012<br />
FEE $97 .80<br />
SECTION 41: 9:00 – 12 Noon, 5 – 7 years old<br />
SECTION 42: 1:00 – 4:30pm, 8 – 10 years old<br />
Pack your interplanetary passports and get ready to blast off into<br />
space! Come join us for a week of imagination and fun as we<br />
zoom off to the tiny planet of Robot World . Create your very own<br />
wacky spaceship, stuffed planet and then flex those drawing<br />
muscles as you make a pop-up robot comic book . Make robot<br />
friends and laugh yourself silly in this zany week of spacey robot<br />
fun! There will be a $20 material fee payable to the instructor .<br />
JULY 2012<br />
33
34<br />
Knitting for Hands & Feet<br />
COURSE CODE <strong>ARTS</strong>1670 SECTION 41<br />
INSTRUCTOR Glenna Harris<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. Some<br />
knitting experience as well as experience reading and interpreting<br />
knitting patterns is required.<br />
Mittens, gloves, and socks – small projects like these are always<br />
practical to wear, but also exciting to make . Discover how to<br />
create these accessories, including skills like working ribbing,<br />
basic cables, working in the round on small circumferences,<br />
turning a heel on a sock, and sewing up toes and mitten tops .<br />
You will complete at least one mitten and one sock over the<br />
course of the week, and learn how to complete full pairs while at<br />
home if they are not completed during the course .<br />
Life Drawing II<br />
COURSE CODE <strong>ARTS</strong>126 SECTION 41<br />
INSTRUCTOR John Leonard<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
This comprehensive course is intended to extend previous<br />
training or experience in drawing from the model . Take this<br />
opportunity to fill the gaps in your previous learning experiences<br />
. Instruction in gesture, contour and shading techniques<br />
is included as well as methods of dealing with foreshortening,<br />
perspective in the figure, anatomy, portraiture, use of media and<br />
other issues to arise in the process. You will be encouraged to<br />
develop individual creativity and self-expression as you explore<br />
the exhibition, meaning, content, context, intention, format,<br />
complexity, design and composition of life drawings .<br />
Oil Painting – Introduction to Plein Air<br />
COURSE CODE <strong>ARTS</strong>596 SECTION 41<br />
INSTRUCTOR John Anderson<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
This course is designed to engage you in the fundamental<br />
aspects of painting with oils . Exploring the idea of landscape<br />
painting as an artistic and creative endeavour will be stressed .<br />
The language of paint will be developed through mark making,<br />
colour, form, texture and composition . Through the understanding<br />
of these issues and with individual instruction, you will<br />
develop confidence in your own painting ability . This course is<br />
suitable whether you have limited painting and drawing experience<br />
or if you are a more experienced painter planning to expand<br />
your capabilities and further develop your skills. You are invited to<br />
work with oil paint in an environment that encourages individual<br />
freedom and expression . Weather permitting, the majority of<br />
class time will be held outdoors . There will be a $10 material fee<br />
payable to the instructor .<br />
Painting – Design & Composition<br />
COURSE CODE <strong>ARTS</strong>1695 SECTION 41<br />
INSTRUCTOR Matthew Mancini<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Explore the principles of design and composition, and their<br />
application towards the creation of meaningful works of art .<br />
Based on traditional drawing and oil painting techniques, you will<br />
learn how light and dark, color, line, organizations of elements,<br />
geometry and perspective have the ability to create unity and<br />
control the viewer’s response to, and interaction with art . Though<br />
intuition of the artist plays a large role in the creation of a work<br />
of art, a thorough understanding of the elements of design and<br />
composition will serve to provide clarity and coherence while<br />
creating a sense of variety in your work. You will begin with simple<br />
exercises that investigate these principles and progress to a more<br />
formal arrangement for a single project involving the landscape,<br />
the figure, or still life objects . Gain invaluable insight into the<br />
steps necessary to create and articulate your ideas through to the<br />
completion of harmonious works of art .
Paper Sculpture & Collage<br />
COURSE CODE <strong>ARTS</strong>1147 SECTION 41<br />
INSTRUCTOR Suzi Dwor<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Work with a variety of papers, including rice, mulberry, washi,<br />
and watercolour papers in a non-traditional way to create two-and<br />
three-dimensional works of art . Explore colour, texture, patterning,<br />
design and the physical properties of paper and its relationship<br />
to other media such as paint, wax resist, and a variety of drawing<br />
materials. You will tear, weave, wrap, layer, stamp, paint, make<br />
marks, and continue to experiment with your supplies . Experiment<br />
with collage, assemblage, fibre techniques on paper, and<br />
learn 30 ways to manipulate paper . Projects include a book cover,<br />
paper garment (as wall art), abstract collages, and self-directed<br />
explorations . This is a very exciting and rich experimental mixed<br />
media class for beginners and experienced artists . There will be a<br />
$40 material fee payable to the instructor .<br />
Photography – Creative Images<br />
COURSE CODE <strong>ARTS</strong>918 SECTION 41<br />
INSTRUCTOR Rob Stimpson<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Please note: Instruction can benefit traditional and point and<br />
shoot cameras but is best suited to DSLR cameras.<br />
Good photographs are made, not just taken . They are created .<br />
Learn how to create an image, not just take a picture . We all have<br />
pre-conceived ideas about how something should look, and that<br />
is what we photograph . If you want to be creative you must cast<br />
aside these pre-conceptions and look at things differently . Visual<br />
mediums rely on many factors to make the image created effective<br />
. In this course you will examine what those factors are how to<br />
make them work for your imagery . Demonstrations and lectures<br />
involving other mediums will also help you formulate new ideas in<br />
creating images with your camera . This course can accommodate<br />
both film and digital photography . There will be a $5 material fee<br />
payable to the instructor .<br />
Portrait Sketching and Development<br />
COURSE CODE <strong>ARTS</strong>326 SECTION 41<br />
INSTRUCTOR Brian Smith<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
This exciting and in-depth portraiture course will develop your<br />
ability to capture the likeness of any model . Starting from a simple<br />
anatomical understanding of the elements of the face through<br />
to proportion and expression, you will be challenged to look for<br />
and isolate the unique features that identify each of us . As well<br />
as posing for each other, you will complete a self-portrait and also<br />
work with a professional model . Works by a variety of artists will<br />
be discussed throughout the course . Each student will be asked<br />
to participate by sitting for a few short portrait poses during the<br />
week .<br />
VCAD Credits: Within this calendar,<br />
foundation courses are indicated by a single asterisk (*),<br />
non-credit courses are indicated by a double asterisk (**),<br />
elective courses have no asterisk.<br />
Pottery II<br />
COURSE CODE <strong>ARTS</strong>179 SECTION 41<br />
INSTRUCTOR Barbara Joy Peel<br />
DATES July 9 – 14, 2012 (6 days)<br />
FEE $359 .26 (includes $18 .52 initial material fee)<br />
Please note: This course is not suitable for beginners. Pottery<br />
– Beginners or equivalent wheel work experience is required<br />
to participate. Instruction in this course is delivered at an<br />
intermediate level of skill.<br />
Instruction in this course is delivered at an intermediate level of<br />
skill . Through the use of demonstrations, critiques and much<br />
time spent on the wheel, you will develop a better understanding<br />
of the form and function of clay . There will be demonstrations of<br />
throwing techniques including cylinders, bowls, plates, lidded<br />
pieces and vases. You will also experience glaze mixing, loading<br />
and firing kilns . There will be one bisque fire and one glaze fire<br />
accomplished during the course . Additional clay will be available<br />
for purchase from the school at a cost of $20 per bag, which<br />
includes glazing and firing .<br />
Printmaking – Collagraph<br />
COURSE CODE <strong>ARTS</strong>422 SECTION 41<br />
INSTRUCTOR Victoria Cowan<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Collagraph prints are known for their richness and great range of<br />
colour, texture and line . Because the plate is built up by gluing<br />
materials to a support, no previous drawing skill is required, just a<br />
sense of play and lots of interesting scraps . The course will begin<br />
with a brief overview of printmaking, as well as an examination of<br />
actual prints and examples from books . After making the plates,<br />
you will print your images and explore how adding elements with<br />
Japanese paper and/or hand colouring, and layering images all<br />
contribute to unique and exciting work. You will be able to work<br />
at your own pace and scale, to experiment with a large variety of<br />
textures and colour, and make work to suit your specific needs,<br />
all in a supportive environment geared to enjoyment . There will<br />
be a $20 material fee payable to the instructor .<br />
JULY 2012<br />
35
36<br />
Stone Carving – Advanced<br />
COURSE CODE <strong>ARTS</strong>325 SECTION 41<br />
INSTRUCTOR Fred Hummel<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. You must<br />
be able to carry stone weighing up to 30 lbs.<br />
This course will explore and address specific issues and challenges<br />
related to advanced stone carving . Discussions and<br />
hands-on course content will include such carving techniques as<br />
drapery, hair textures, and facial features . Investigate light and<br />
shadow using various textural techniques to address contour,<br />
depth and tone through shading . A selection of stone will be<br />
available for purchase on site . The use of the Polar Grinder, as<br />
a sculpting tool, will be available . Questions may be directed to<br />
Fred Hummel at fwhummel@sympatico .ca .<br />
Stringed Instrument Immersion for Beginners<br />
COURSE CODE <strong>ARTS</strong>923 SECTION 41<br />
INSTRUCTOR Bethany Houghton<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
This course provides the unique opportunity, whether you have<br />
little or no previous musical experience, to learn to play a violin,<br />
viola or cello. You’ll be immersed in an effective study of the<br />
violin family as a whole . Learn how to play your instrument as<br />
well as its maintenance requirements . Instruction will include<br />
study of theory, history, listening techniques, fiddling and classical<br />
performance etiquette . The very basics of the Suzuki method and<br />
music reading skills will be included . Please bring your instrument<br />
if you have one . If not, they will be available to rent . Violin:<br />
$30, Viola: $35, Cello: $50 . There will also be a material fee of<br />
$10 payable to the instructor .<br />
These courses run simultaneously. Please clearly indicate<br />
which level you are registering for.<br />
Weaving – Basic Level I<br />
COURSE CODE <strong>ARTS</strong>261 SECTION 41<br />
INSTRUCTOR Ralph Johnston<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
This course introduces you to the 4 harness floor loom, developing<br />
basic set-up and weaving skills . Instruction is suitable for<br />
beginner weavers, or novice weavers who want to focus on good<br />
basic weaving skills. You will be guided step-by-step through<br />
warping, setting up a loom, and weaving, with the opportunity<br />
to play with colour and design along the way . Instruction will<br />
address individual skill levels, and give suggestions for fine<br />
tuning technique and efficiency as your skills develop . The goal<br />
is to set up and weave two projects during the week – a set of<br />
hot mats/potholders, and your choice of either a) placemats or<br />
runner, or b) a scarf . Materials will be provided by the instructor<br />
for purchase, although you may bring 4/8 cotton, mop cotton,<br />
2/8 cotton, or scarf yarn of your own if you wish . A half day<br />
loom maintenance and tuning-up session is included to help<br />
you understand how looms work, and how to have them work<br />
well for you. You may bring your own 4 harness floor loom, or<br />
use one of the school’s . Please indicate upon registration if you<br />
require a loom . There will be a $35 material fee payable to the<br />
instructor . Material fees for the second project will depend on<br />
materials used .<br />
Textile Collage – Mixed Media<br />
COURSE CODE <strong>ARTS</strong>1545 SECTION 41<br />
INSTRUCTOR Maggie Vanderweit<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Please note: Basic sewing skills are recommended.<br />
Explore ways to prepare a completely original “distressed canvas”<br />
as a ground, then create, stencil, stamp, glue and layer with all<br />
kinds of paints, ink, paper, medium and gesso onto the canvas .<br />
Spend a day creating beautiful stamps with a variety of simple<br />
materials to use in the collages and other future work. You will be<br />
able to complete 5 to 10 unique and creative wall hangings . Try to<br />
think of stories you wish to tell with your art. You are required to<br />
bring a sewing machine in good working order .<br />
Watercolour – Drawing & Painting<br />
COURSE CODE <strong>ARTS</strong>949 SECTION 41<br />
INSTRUCTOR Maurice Snelgrove and Ross Monk<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Please note: Basic drawing and watercolour skills are highly<br />
recommended.<br />
This unique course will place great emphasis on individual attention<br />
to help you experience the joy and spontaneity of watercolour<br />
painting . This is a studio/plein air painting course, designed to<br />
loosen up your approach to landscape painting . Learn how to<br />
interpret what you see and how to use light, colour and contrast<br />
to make your paintings come alive . Drawing will be stressed as an<br />
important aspect of painting . Flexibility and variety of approaches<br />
to subject matter, media and techniques will be encouraged .<br />
Instruction will include daily demonstrations .<br />
Weaving – Basic Level II<br />
COURSE CODE <strong>ARTS</strong>751 SECTION 41<br />
INSTRUCTOR Ralph Johnston<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Weaving – Basic or the ability to set up a loom and weave<br />
with a minimum of direction is required.<br />
This course introduces basic 4 harness weaves such as twills,<br />
herringbones, and texture weaves – the base almost all weaving<br />
is built on . Weave a patchwork sampler (to become a runner<br />
or made into throw cushions) that uses varied threadings and<br />
treadlings to create remarkably different weaves, and that<br />
will become a valuable reference for future weaving . From<br />
this you’ll design a second project of your choice using one<br />
or more weaves for a small project (e .g . scarf, runner) to be<br />
completed during the course, or weave a detailed sample for a<br />
larger project to complete on your own (jacket fabric, blanket,<br />
upholstery, or other .) Being hands-on, with instruction geared<br />
to individual abilities and interests, this course is a great way to<br />
expand your treadling dexterity and familiarity with weaves . A<br />
half day loom maintenance and tuning-up session is included<br />
to help you understand how looms work and how to have them<br />
work well for you . Materials to weave the sampler will be available<br />
for purchase from the instructor but if you have cottons,<br />
wools, or other yarns that you would like to use for your second<br />
project please bring them. You may bring your own 4 harness<br />
floor loom, or use one of the school’s . Please indicate upon<br />
registration if you require a loom . There will be a $50 material<br />
fee payable to the instructor . Material fees for the second<br />
project will depend on the material used .
Watercolour Painting – Big Sky Landscape<br />
COURSE CODE <strong>ARTS</strong>1665 SECTION 41<br />
INSTRUCTOR Grant Fuller<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. Instruction<br />
is suitable for intermediate painters with a basic knowledge<br />
of materials and watercolour washes.<br />
Learn to paint realistic landscapes featuring dramatic skies . One<br />
painting will be completed each day and will include one or more<br />
of these subjects: distant buildings, ponds and reflections, fields,<br />
trees and hillsides . Photo reference will be provided and offer<br />
additional landscape features such as winter and mountains .<br />
Step by step demonstration will guide you through all the stages<br />
of creating a finished work . Instruction will address learning to<br />
design the picture, draw the subject, work on wet paper, and mix<br />
colours to create depth and lighting . Everyone will work at their<br />
own comfort level as less experienced painters can follow the<br />
demonstration very closely while veteran artists will explore the<br />
design possibilities to their liking .<br />
Wire Sculpture<br />
COURSE CODE <strong>ARTS</strong>269 SECTION 41<br />
INSTRUCTOR Charles O’Neil<br />
DATES July 9 – 13, 2012<br />
FEE $299 .74<br />
Please note: This course requires extensive use of hand tools<br />
(wire cutters, pliers).<br />
Wire sculpture is an exciting, expressive art form that can be<br />
functional, decorative or both! This course will introduce you<br />
to the aesthetics, materials, tools and techniques used in the<br />
creation of wire sculptures. You will then be encouraged to design<br />
and create an original wire sculpture, in a scale of your choosing .<br />
There will be a $45 material fee payable to the instructor .<br />
Youth/Teen Metal Jewellery Arts**<br />
COURSE CODE <strong>ARTS</strong>1291 SECTION 41<br />
INSTRUCTOR Susan Watson Ellis<br />
DATES July 9 – 13, 2012<br />
FEE $213 .86<br />
Please note: This course is suitable for youth and teens 11 to<br />
18 years of age.<br />
You will be surprised at how easy it is to create things as intricate<br />
looking as the king’s or twist chain . Learn these techniques and<br />
other skills to create current jewellery styles . Cut, saw, form and<br />
decorate various metals into unique creations after mastering<br />
the basics . As skills increase, you will start to develop your own<br />
designs for bracelets, cuffs, pendants, earrings, rings, key rings<br />
or chains . Decorate and personalize with beads, marbles, and<br />
tumbled stones . There will be a $45 material fee payable to the<br />
instructor .<br />
Youth/Teen Movie Making & Animation**<br />
COURSE CODE <strong>ARTS</strong>1114 SECTION 41<br />
INSTRUCTOR Tammy Rea and Martha Larsen<br />
DATES July 9 – 13, 2012<br />
FEE $213 .86<br />
Please note: This course is suitable for youth and teens from<br />
11 to 18 years of age.<br />
Learn how to tell and show a good video story . From writing a<br />
script, creating a storyboard and shotlist, using a video camera<br />
and digitally editing your movie, you’ll produce a DVD – and have<br />
your movie screened at the Friday afternoon Film Festival – all<br />
in just 5 days . The final product will be a DVD collection of the<br />
movies . Previous experience is not required . All equipment will be<br />
provided . Many videos from past courses have been finalists at<br />
the Toronto International Children’s Film Festival . There will be a<br />
$20 material fee payable to the instructor .<br />
No profanity or violence will be allowed. The instructors reserve<br />
the right to not screen a video at Friday’s Festival if these<br />
boundaries are not maintained.<br />
JULY 2012<br />
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38<br />
satUrDaY, JULY 14, 2012<br />
Alternative Mark Making Workshop**<br />
COURSE CODE <strong>ARTS</strong>1701 SECTION 41<br />
INSTRUCTOR Rebecca Reynolds<br />
DATES July 14, 2012<br />
FEE $97 .24<br />
In this fun and playful workshop, you are encouraged to explore<br />
different ways of mark making to breathe new life into your art<br />
practice . Learn about and study the work of various contemporary<br />
artists who have pushed the boundaries of drawing, such as<br />
Cy Twombley, Arturo Herrera and Vik Muniz . Their art will then<br />
inspire your own creative journey as you try unexpected drawing<br />
techniques, use unconventional drawing materials, and challenge<br />
yourself in how you think about drawing in general . Add<br />
new tricks to your artist toolbox while creating in a supportive<br />
learning environment . There will be a $5 material fee payable to<br />
the instructor .<br />
Digital Cameras Made Easy**<br />
COURSE CODE <strong>ARTS</strong>700 SECTION 42<br />
INSTRUCTOR Jenny Kirkpatrick<br />
DATES July 14, 2012<br />
FEE $97 .24<br />
In this workshop you will learn how to operate your digital camera<br />
more effectively . Starting with a guided tour of buttons, dials<br />
and menus, you will look at the various control mechanisms on<br />
the camera and learn how each affects the overall operation of<br />
the camera. You will learn how to change image format, image<br />
resolution, exposure settings, white balance and ISO . By the end<br />
of the class, you’ll understand the importance of these and how<br />
they can affect the overall appearance of your images. You will<br />
also learn how to make a photo internet-ready so you can send<br />
images to your friends and colleagues more efficiently .<br />
Drawing the Figure for Beginners Workshop**<br />
COURSE CODE <strong>ARTS</strong>899 SECTION 41<br />
INSTRUCTOR Steve Rose<br />
DATES July 14, 2012<br />
FEE $97 .24<br />
Working from the human figure is fun, challenging, and very<br />
rewarding. You do not have to be a natural at drawing. Skills can<br />
be taught, encouraged and built upon . Utilizing both nude and<br />
costumed models, you will learn about gesture, contour, design,<br />
proportion and composition . Experiment with a variety of media<br />
and techniques that will energize your creative self . This class is<br />
an asset for anyone interested in sculpture or portraiture .<br />
Expressive Painting Workshop**<br />
COURSE CODE <strong>ARTS</strong>1738 SECTION 41<br />
INSTRUCTOR Sue Miller<br />
DATES July 14, 2012<br />
FEE $97 .24<br />
Suited to all artistic levels from beginner to advanced, this workshop<br />
will appeal to artists interested in non-traditional art, but the<br />
principals learned can also apply to representational work . Using<br />
music and other exercises to clear the objective mind, you will be<br />
exposed to a new way of approaching painting and experience<br />
the liberating feeling of breaking out of the traditional realm and<br />
combating fears . Instruction is process oriented to guide you<br />
away from being attached to outcome, break through creative<br />
barriers, and move toward developing your own unique, intuitive<br />
style of self-expression on canvas or other surfaces . Working in<br />
oils or acrylics, explore colour mixing and various techniques<br />
such as loose washes, thick palette knife application and mark<br />
making with other tools. Your efforts will produce a piece of<br />
work that demonstrates the process of pushing your creative<br />
boundaries!<br />
Fascinator Workshop**<br />
COURSE CODE <strong>ARTS</strong>1681 SECTION 41<br />
INSTRUCTOR Karyn Gingras<br />
DATES July 14, 2012<br />
FEE $97 .24<br />
With the recent Royal Wedding, there has been a lot of media<br />
coverage of the fascinator, also referred to as “whimsy” or<br />
cocktail hat . It’s one of the most exciting trends in millinery . The<br />
beauty of the fascinator is that there are no rules . Anything goes<br />
and anyone can build their own . Design and assemble several<br />
types of fascinators, including building a base, and embellish<br />
with a variety of materials . Basically anything you envision on a<br />
headpiece, can work . In addition to creating a piece from the very<br />
beginning, it is also suggested that some reworked vintage hats<br />
have elements that can be used to create something new and<br />
magical! Please feel free to contact the instructor prior to the class<br />
with any special requests or questions . karyn@lilliputhats .com .<br />
There will be an approximate material fee of $20 to $40 per<br />
piece, depending upon materials chosen .<br />
Felted Scarf Workshop**<br />
COURSE CODE <strong>ARTS</strong>1742 SECTION 41<br />
INSTRUCTOR Susan MacDonald<br />
DATES July 14, 2012<br />
FEE $97 .24<br />
Create a unique one-of-a-kind, show stopping work of art with<br />
a little fibre, a little silk, some soap and water, and a few simple<br />
processes . Learn about an ancient craft that’s fashionably at<br />
home in this modern world. Your project can be adapted to make<br />
a scarf, neck warmer, tube/ring scarf, table runner, bed end or<br />
virtually whatever you can image . Plan soak, poke, and prod your<br />
way to a unique felted creation . There will be a $25 material fee<br />
payable to the instructor .
Harp for Beginners Workshop**<br />
COURSE CODE <strong>ARTS</strong>1699 SECTION 41<br />
INSTRUCTOR Maureen McKay<br />
DATES July 14, 2012<br />
FEE $97 .24<br />
This is an excellent opportunity to be introduced to this beautiful<br />
instrument and to basic playing techniques as you learn a Celtic<br />
tune or two . No previous musical experience is necessary . Harps<br />
are available for rental at $20 for the day, and there is a $10<br />
material fee payable to the instructor .<br />
Needlework Workshop**<br />
COURSE CODE <strong>ARTS</strong>1676 SECTION 41<br />
INSTRUCTOR Jacqui Clarkson<br />
DATES July 14, 2012<br />
FEE $97 .24<br />
Experience a variety of techniques as you stitch a raised scallop<br />
shell that rests in a circle of stitches, all of this is surrounded by<br />
a Bargello wreath . Develop your own colour scheme which will<br />
enhance the graduated colour and textures . Finishing techniques<br />
will also be included . There will be a $25 material fee payable to<br />
the instructor .<br />
Rustic Chair Workshop**<br />
COURSE CODE <strong>ARTS</strong>546 SECTION 42<br />
INSTRUCTOR Maggie Longworth<br />
DATES July 14, 2012<br />
FEE $97 .24<br />
Imagine a great chair in just one day! With step-by-step instruction<br />
and a kit, you will build either an Adirondack style chair<br />
measuring 40"h x 23"w x 23"d or a Tub style chair with a<br />
bentwood back measuring 36"h x 23"w x 23"d . These are both<br />
good basic chair designs, requiring no previous experience. You’ll<br />
easily be able to create additional unique and charming rustic<br />
chairs on your own using a variety of woods . Tag Alder will be<br />
utilized and supplied for this project . There will be an $85 material<br />
fee payable to the instructor .<br />
Watercolour Greetings Workshop**<br />
COURSE CODE <strong>ARTS</strong>690 SECTION 41<br />
INSTRUCTOR Margaret McIntyre<br />
DATES July 14, 2012<br />
FEE $97 .24<br />
Through the popular step-by-step instruction style, learn simple,<br />
elegant watercolour techniques and designs that are ideal to<br />
use for greeting cards, bookmarks, and more . Watercolour<br />
landscapes, sea creatures and floral designs will be created .<br />
You will leave feeling relaxed and accomplished, with a greater<br />
appreciation for the watercolour medium . No drawing skills or<br />
previous watercolour experience is required . There will be a $20<br />
material fee payable to the instructor . This fee covers all materials<br />
required .<br />
Zentangle ® Workshop**<br />
COURSE CODE <strong>ARTS</strong>1592 SECTION 41<br />
INSTRUCTOR Chari-Lynn Reithmeier<br />
DATES July 14, 2012<br />
FEE $97 .24<br />
Zentangle ® is an easy to learn and relaxing method of creating<br />
beautiful images from repetitive pattern. You will be introduced<br />
to the history and language of the art form and learn step-by-step<br />
how to construct many ‘Tangles’ (Tangles are patterns) . Instruction<br />
will develop the ability to use Zentangle in your daily life, as<br />
a meditative art form, jump start your creativity, enhance your<br />
journal, incorporate into your other art projects, or simply for fun!<br />
There will be a $25 material fee payable to the instructor .<br />
JULY 2012<br />
39
40<br />
JULY 16 to 20, 2012<br />
Acrylic Collage & Yoga<br />
COURSE CODE <strong>ARTS</strong>1500 SECTION 41<br />
INSTRUCTOR Jill Segal<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
This exciting process oriented course, invites you to an exploration<br />
of acrylic painting and collage, combined with the experience<br />
of gentle yoga and meditation. You will be introduced to Gentle<br />
Kripalu Yoga, which facilitates connection to your body, relaxation,<br />
self awareness and self-compassion . It calms the mind and<br />
allows you to connect with your authentic ‘Creative Self’ . From<br />
this ‘centred place’, you will have the opportunity to explore your<br />
creativity and experience the joy of self expression in a fun filled,<br />
non-judgmental environment. You will be encouraged to experiment<br />
with new concepts and ideas, combining fluid acrylic paint,<br />
watercolour crayons and acrylic mediums with magazine pictures,<br />
oriental and stained papers, found natural objects, photographs<br />
and anything else that you would like to adhere to your support<br />
surface. You will benefit from individual attention and group<br />
dialogue . Personal expression and uniqueness will be encouraged<br />
. There will be a $20 material fee payable to the instructor .<br />
Christmas – The 5 Days of Christmas<br />
COURSE CODE <strong>ARTS</strong>1740 SECTION 41<br />
INSTRUCTORS See below<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Stockings, cards and gift tags, ornaments and a place to keep<br />
particularly treasured pieces . . . Each day will present a different<br />
project, instructed by a different instructor . The variety of projects<br />
provides an opportunity to sample a number of techniques and<br />
work with a range of materials . There is no experience required in<br />
any of the techniques .<br />
There will be a $94 material fee payable to the various instructors<br />
throughout the week . See the student material list for more<br />
details .<br />
Felted Stocking with Sandi Luck – Learn the process of wet<br />
felting a 3 dimensional object as you create a Christmas stocking<br />
from wool fibre . Add yarns, ribbons and fabric during the felting<br />
process to create a unique decoration that can be stuffed with<br />
goodies from Santa or hung from the mantel .<br />
Holiday Cards & Gift Tags with Darby Bayly – Create unique,<br />
personal holiday cards and tags utilizing techniques such as<br />
relief carved block printing (you’ll have the opportunity to carve<br />
2 unique stamps to take home), paper collage, simple hand<br />
stitching, stamping, and envelope folding .<br />
Wire, Beaded & Image Transfer Ornaments with Erin Lynch<br />
– Begin with making unique ornaments for your tree or home<br />
using hand tools and wire . Finished pieces can be embellished<br />
and personalized with beads and ribbons . Continued instruction<br />
will be devoted to making image transfer decorations . Learn the<br />
technique through demonstration, and then create your own<br />
decorations on wood and polymer clay .<br />
Stained Glass Ornaments with Valerie Cowle – Explore stained<br />
glass techniques while creating at least three stained glass<br />
Christmas ornaments using the copper foil method . From pattern<br />
and glass selection, through cutting, grinding, fitting, foiling and<br />
soldering, all aspects of basic processes are covered .<br />
Display Storage Box with Don Taylor – Create a glass fronted box<br />
for display and safe storage of treasured mementos . Assemblage<br />
and collage techniques will be discussed with the intention of<br />
being completed at home following the course .<br />
Creative Writing<br />
COURSE CODE <strong>ARTS</strong>61 SECTION 41<br />
INSTRUCTOR Catherine Graham<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
This course will help you gain access to and develop your inner<br />
voice . Learn how to tap into your own creativity and strengthen<br />
your writing skills in a supportive workshop environment . Topics<br />
include: good beginning, character, dialogue, plot, description<br />
and point of view . Step by step, you will experience the various<br />
components of the writing process; generating ideas/subject<br />
matter, first draft, the writing workshop, the art of revision and the<br />
final draft . This course can be taken repeatedly by new writers of<br />
fiction, creative non-fiction, and memoir, as well as experienced<br />
writers who want to refresh and expand their skills .<br />
Fabric Collage Art Quilts<br />
COURSE CODE <strong>ARTS</strong>1666 SECTION 41<br />
INSTRUCTOR Marion Spanjerdt<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Please note: Experience with free-motion machine stitching<br />
and quilting will be an asset. If a beginner, please develop your<br />
basic skills before you come to the course.<br />
Indulge your love of fabrics, colour, pattern and texture through<br />
an intense but engaging process . Enjoy the freedom of cutting,<br />
layering and stitching a wide range of fabrics into mixed media<br />
art quilts, experimenting with a variety of collage techniques .<br />
Visual ideas, samples and design sources are discussed and<br />
made available at the beginning of each project, and different<br />
approaches to composition are demonstrated . Layering and<br />
arranging cut shapes, fragmented pattern, prints and sheers,<br />
including cutwork with painting, distressing, gilding, stamping<br />
and stenciling, combined with hand- and free-motion machine<br />
embroidery, will allow you to create rich and varied textiles . See<br />
how small separately stitched collages can evolve into a cohesive<br />
quilt by assembling the related components, which are then<br />
further embellished and unified . This may include lace-like<br />
fragments using water soluble stabilizer . Miscellaneous materials<br />
and techniques are incorporated to enrich the surface or create<br />
bold textural contrast to give your quilts textural appeal . Discover,<br />
with colour being our most expressive tool, how vibrant colour<br />
can be employed to add emphasis, excitement and surprise, or<br />
used with restraint to create subtle moods with delicate tones and<br />
shades. You are required to bring a reliable sewing machine in<br />
good working order . There will be a $20 material fee payable to<br />
the instructor .
Fabric Printing – Photos, Screens & More<br />
COURSE CODE <strong>ARTS</strong>1692 SECTION 41<br />
INSTRUCTOR Gunnel Hag<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Discover how to transfer photos onto fabric and print fabrics with<br />
fine, detailed imagery . Learn how to mix and match your own<br />
colour palette using environmentally friendly Colour Vie fabric<br />
pigments. You’ll create artwork for screen printing, making your<br />
own experimental and emulsion screens, and also experiment<br />
with visual textures on fabric . Three different techniques for<br />
transferring photos directly onto cloth will be explored . There will<br />
be a $65 material fee payable to the instructor .<br />
Fundamental Drawing<br />
COURSE CODE <strong>ARTS</strong>98 SECTION 42<br />
INSTRUCTOR Denis Cliff<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
This course will make it easy for the uninitiated to fearlessly<br />
approach the process of drawing in a refreshing and creative<br />
environment. You will learn to work with an assortment of media<br />
in a variety of techniques . Exploration of light and shade, contour<br />
and gesture drawing will increase perception of form and space,<br />
line and tone as well as provide a basic understanding of expression<br />
. Subject matter will include indoor and outdoor material as<br />
well as a life model . Approaches to subject matter will be kept<br />
as simple as possible until you feel ready for more involvement .<br />
Creativity will be emphasized and special technique development<br />
will foster expression and creativity . Working with pencil, conté,<br />
crayon, ink, washes, charcoal and glue, among other media, you<br />
will enjoy individual, personalized instruction . The Instructor will<br />
provide a relaxed, non-threatening environment conducive to<br />
overcoming frustrations and fears about the process of drawing . A<br />
life model will be utilized for a portion of this course .<br />
Handbuilding Clay Sculpture<br />
COURSE CODE <strong>ARTS</strong>108 SECTION 41<br />
INSTRUCTOR Paul Portelli<br />
DATES July 16 – 20, 2012<br />
FEE $310 .85 (includes $11 .11 initial material fee)<br />
This course will introduce you to imaginative and unusual<br />
alternatives to sculpting and handbuilding clay . Emphasis will be<br />
put on sculpting both decorative and functional pieces as well<br />
as figurative work. You will have the opportunity to sculpt directly<br />
from the model . Anatomy and composition will also be examined .<br />
Learn techniques and tricks used to create illusions in clay .<br />
Personal creativity will be emphasized, as you are encouraged to<br />
work with many new techniques in a high-energy good-humoured<br />
atmosphere . Additional clay will be available for purchase from<br />
the school at a cost of $12 per bag, unfired . Please Note: Pieces<br />
will not be fired during this course .<br />
Harp: Beginner/Intermediate<br />
COURSE CODE <strong>ARTS</strong>1674 SECTION 41<br />
INSTRUCTOR Maureen McKay<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
In this harp immersion course you will learn or review the<br />
fundamentals of harp technique, and apply these to playing<br />
several Celtic tunes in a relaxed and inspiring environment . At the<br />
first class, students will be placed into beginner and intermediate<br />
groups so that each person receives instruction at their level of<br />
skill development . In addition to individual and group instruction,<br />
the course will foster an appreciation for the rich history<br />
of harp playing, and will provide practical tips on maintenance<br />
of the harp . Instruction will include opportunities to experience<br />
ensemble playing, an introduction to arranging music for the<br />
harp, the fun of improvisation and composition at the harp, and<br />
guidance with accompanying other instruments . If you own a<br />
harp you are encouraged to bring it . Harps will be properly and<br />
securely stored . There will be some harps available for rent at<br />
$40 for the week, and there will be a $10 material fee payable to<br />
the instructor .<br />
Illumination – Mediaeval & Modern<br />
COURSE CODE <strong>ARTS</strong>1526 SECTION 41<br />
INSTRUCTOR Judith Jaimet Bainbridge<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Learn to design and paint 5 styles of mediaeval and modern<br />
decorated capitals, using archival materials . This art form is<br />
ideally suited to cards, framed gifts, artwork, manuscript books<br />
and more . There will be a $35 material fee payable to the<br />
instructor .<br />
Improvisation<br />
COURSE CODE <strong>ARTS</strong>322 SECTION 41<br />
INSTRUCTOR Kerry Griffin<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
To improvise: to act spontaneously, to think on one’s feet, to<br />
exercise creative thinking and action. An ability of great value<br />
whether employed on the stage, at home, in the classroom or in<br />
the boardroom . This course will introduce you to the fundamental<br />
principles of performing improvisation . Utilizing games and<br />
theatre exercises, you will be introduced to the basic rules that<br />
improvisers follow when performing without a script . Learn how<br />
to play with others and become more confident and outgoing . No<br />
improv or theatre experience is necessary to enjoy this course,<br />
but you will be required to perform with, and for, your classmates .<br />
More than just fun, improvisation introduces participants to the<br />
concepts of focus, spontaneity, teamwork, listening, building on<br />
ideas, risk taking and creativity . It is an inspiring and active way to<br />
get in touch with personal creativity, enhance personal communication<br />
skills and be creative within a group .<br />
Introduction to Expressive Arts Therapies M<br />
COURSE CODE <strong>ARTS</strong>112 SECTION 42<br />
INSTRUCTOR Fay Wilkinson<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Please note: To register for this course you must meet the<br />
admission requirements for the EXA Graduate Certificate.<br />
Details available on page 9.<br />
This course is a mandatory credit toward <strong>Fleming</strong> <strong>College</strong>’s<br />
Expressive Arts Certificate. It is not a mandatory credit toward<br />
<strong>Fleming</strong> <strong>College</strong>’s Visual and Creative Arts Diploma.<br />
“Sitting quietly, doing nothing, spring comes and the grass<br />
grows by itself.” (Zenrin) . When we provide the right conditions<br />
for ourselves, we open the door to growth . Tapping into our<br />
creativity provides a natural source of imagery and energy to use<br />
for healing and personal expression . This course will introduce<br />
you to the theory and practice of the expressive arts . If you are<br />
working in the human service field, you will learn about the<br />
applicability of visual arts, music, writing, movement and theatre<br />
to your work settings . There will be a $15 material fee payable to<br />
the instructor .<br />
JULY 2012<br />
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42<br />
Japanese Brush Painting II<br />
COURSE CODE <strong>ARTS</strong>115 SECTION 41<br />
INSTRUCTOR Cassandra Wyszkowski<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. Japanese<br />
Brush Painting I or training in Japanese Brush Painting,<br />
particularly the four paragons (the Bamboo, the Plum, the<br />
Orchid and the Chrysanthemum) is required.<br />
Instructional emphasis will be on more advanced brush techniques,<br />
continuing concentration on gradation of tones, the<br />
manipulation of contrasting values, further use of the black<br />
and white disciplined brush strokes and an introduction to the<br />
use of colour and simplified colour theory . This course will help<br />
to reinforce Level I, with group demonstrations and individual<br />
instruction . Colourful florals, such as the big bold blue iris,<br />
landscape elements, such as birch trees and rocks, fruit, such as<br />
grapes with big expressive leaves and vines, are just some of the<br />
subjects covered . Excitement will build as delightful dragonflies<br />
and butterflies lead you on to explore further the poetic painting<br />
of Sumi-e with ten new lessons as well as a review of Level I<br />
where necessary . Flowing, gentle music will enhance the learning<br />
process that emphasizes spontaneous yet controlled painting of<br />
Sumi-e with watercolour .<br />
Jewellery<br />
COURSE CODE <strong>ARTS</strong>117 SECTION 41<br />
INSTRUCTOR Michael Letki<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Fabulous jewellery can be made using simple techniques . As a<br />
beginner, you will be introduced to these methods and be encouraged<br />
to use them creatively to make brooches, earrings, pendants<br />
and rings in sterling silver and other materials . If you are working<br />
at a more experienced level, you will have an opportunity to<br />
explore new ideas – particularly on surface treatments, practice<br />
your skills and work on your own projects with the guidance of the<br />
instructor . The work of current jewellery artists will be shown and<br />
an information session dealing with supplies, sources and pricing<br />
will be held. You are welcome to bring your own materials and<br />
tools but supplies will also be available from the instructor . There<br />
will be a $25 material fee payable to the instructor .<br />
Kids’ Cartoons, Characters & Chaos**<br />
COURSE CODE <strong>ARTS</strong>692<br />
INSTRUCTOR Laurie Rockman<br />
DATES July 16 – 20, 2012<br />
FEE $97 .80<br />
SECTION 41: 9:00 – 12 Noon, 5 – 7 years old<br />
SECTION 42: 1:00 – 4:30pm, 8 – 10 years old<br />
Imagine! and create your own cartoon characters and creatures .<br />
Learn how to draw funny faces, bodies, animals, aliens, backgrounds<br />
and props, and have your characters do funny actions!<br />
You’ll also learn to draw caricatures of your favourite people<br />
and create humorous scenes with captions. You’ll use a variety<br />
of artist’s materials and tools to work on and complete a new<br />
project each day . There will be a $20 material fee payable to the<br />
instructor .<br />
The creative mind<br />
is never bored!<br />
– Laurie Rockman<br />
Kids’ Fabulous Fractured Fables**<br />
COURSE CODE <strong>ARTS</strong>1525<br />
INSTRUCTOR Ted Staunton<br />
DATES July 16 – 20, 2012<br />
FEE $97 .80<br />
SECTION 41: 1:00 – 4:30pm, 5 – 7 years old .<br />
SECTION 42: 9:00 – 12 Noon, 8 – 10 years old<br />
Have a wonderfully wacky week as you concoct a “fractured” fairy<br />
tale, script it, draw pictures, add music and record it to CD, with<br />
copies for everyone . Words, music, pictures, performing: imagine<br />
it all! There will be a $12 material fee payable to the instructor .<br />
Kiln Cast Glass<br />
COURSE CODE <strong>ARTS</strong>1757 SECTION 41<br />
INSTRUCTOR Sheila Mahut<br />
DATES July 16 – 20, 2012<br />
FEE $504 .62 (includes $204 .88 material fee)<br />
This course is an introduction to the fascinating process of<br />
forming glass in a kiln . Learn to make a high temperature plaster<br />
mould, into which hot glass will flow and slowly cool . These<br />
colourful glass sculptures will be finished by sandblasting or<br />
grinding and polishing . Experience the transformation!<br />
Landscape – Creative Approaches<br />
COURSE CODE <strong>ARTS</strong>1627 SECTION 41<br />
INSTRUCTOR Ramune Luminaire<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Experience this innovative approach to the classic subject of<br />
landscape . Instruction will emphasize various and creative ways<br />
of collecting and recording information, as well as developing<br />
and expanding ideas . Using innovative techniques for gathering<br />
and recording material outside, combined with time to explore<br />
and experiment in the studio, plus a hint of inner landscape, you<br />
will be guided toward a very personal response to the landscape .<br />
Days will combine time spent outside on location with time in the<br />
studio. You are welcome to work in any medium: watercolour,<br />
acrylic, pastel and/or mixed media . Bring your own materials and<br />
you will be encouraged to experiment and explore with materials<br />
provided by the instructor . This course is suitable for experienced,<br />
inexperienced and would-be artists alike . There will be a $10<br />
material fee payable to the instructor .<br />
Mac Laptop – iCreate<br />
COURSE CODE <strong>ARTS</strong>1050 SECTION 41<br />
INSTRUCTOR Tammy Rea<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Please note: You must provide your own Mac laptop computer<br />
of this course.<br />
As a Mac laptop owner you have iPhoto, iTunes, iMovie, iDVD,<br />
iWeb and Garageband . Discover what you can do with these<br />
programs and what they can do together . Explore the many<br />
functions and options of your operating system . Learn to organize<br />
your files and manage your email and contacts . Import, store<br />
and enhance your photos with iPhoto . In addition, create slides<br />
shows, calendars and photo albums, which you can then have<br />
professionally printed . Edit video clips, add titles, transitions,<br />
effects, and audio using iMovie . Compose original scores and<br />
voice over with Garageband . Put everything together in iMovie,<br />
and then output the final video onto a personally designed DVD .<br />
Be as unique and artistic as you like with your productions!
Machine Knitting – Tips, Tricks & Techniques<br />
COURSE CODE <strong>ARTS</strong>1600 SECTION 41<br />
INSTRUCTOR Monika Stramaglia<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Spend some time ‘playing’ with your machine, taking advantage<br />
of what the machine does best, to produce interesting and<br />
creative fabric for garments, scarves, shawls, and more . Any<br />
single bed machine from the LK100, LK150, , Brother KX350,<br />
Bond, to all of the metal bed machines are welcome in this<br />
course, suitable for beginner and intermediate knitters, as well<br />
as anyone who wants to explore their machines’ many capabilities<br />
. Instruction will address short-row techniques, entrelac,<br />
weaving, lace, as well as basic techniques for casting on and off,<br />
hems, edges, and button bands. You are encouraged to practice<br />
many techniques and explore their uses in your projects. You<br />
will be required to bring your own knitting machine, in good<br />
working order . Please contact the school for assistance if you do<br />
not own a machine . There will be a $50 material fee payable to<br />
the instructor . Additionally, yarns will be available for purchase,<br />
ranging from $10 to $100 depending upon materials and projects<br />
chosen .<br />
Millinery – The Art of Hat Making<br />
COURSE CODE <strong>ARTS</strong>516 SECTION 41<br />
INSTRUCTOR Karyn Gingras<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Please note: Basic cutting and sewing skills are required to<br />
participate in this course.<br />
This course is an introduction to the basic millinery technique of<br />
hand blocking. You will enjoy the rare opportunity to make use<br />
of vintage wooden hat blocks, or moulds . These vintage wood<br />
moulds provide a fascinating visual history of different hat styles<br />
of the 20th century . Learn hand blocking techniques for both<br />
felt and straw materials, as well as assembly and embellishment<br />
practices to create a unique, one-of-a-kind hat . Retro or contemporary,<br />
classic, or funky, it’s up to you . Please bring a reliable<br />
sewing machine that is in good working order . There will be a<br />
material fee of $45 to $70 per hat payable to the instructor .<br />
Musical Improvisation<br />
COURSE CODE <strong>ARTS</strong>1693 SECTION 41<br />
INSTRUCTOR Larry Glatt<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Please note: Some skill on an instrument and the ability to read<br />
music will be helpful but is not necessary.<br />
Instruments, voices and percussion will blend in this exploration<br />
of individual musical personalities . We carry within ourselves a<br />
feeling for special sounds that resonate with us . Sometimes there<br />
is a moment of recognition when we hear music and there is an<br />
immediate connection on a deep level . A sound heard in childhood<br />
can have the power to transport the listener through time .<br />
Enjoy individual and group listening and improvisation experiences<br />
designed to help you understand and connect with your<br />
musical source . Gain a better understanding of your own musical<br />
personality and some insight into where you should go next with<br />
your music .<br />
Musical Instrument Construction<br />
COURSE CODE <strong>ARTS</strong>141 SECTION 41<br />
INSTRUCTOR Philip Davis<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
This course will introduce the principles, materials and methods<br />
of stringed instrument construction . Through hands-on work, as<br />
well as lectures and demonstrations, you will progress through<br />
the first steps of construction of your own guitar or violin . Formal<br />
lectures will focus on acoustics, glues and gluing, grading and<br />
selection of materials, tools, tool maintenance, bending, forms<br />
and moulds . Time is limited but progress can be made in<br />
mastering the skills to advance rough cut wood toward a good,<br />
working violin or guitar . By the end of the first course you can<br />
expect to have the instrument sides bent and assembled on<br />
moulds as well as the backs and tops shaped to smooth outer<br />
archings . The course welcomes and challenges beginners to<br />
woodworking and enthusiastic musicians as well as experienced<br />
craftspeople . There will be a $20 material fee payable to the<br />
instructor . Violin and guitar materials are available for purchase<br />
from the instructor at a cost of approximately $120 per instrument<br />
. Returning students continuing projects will be accommodated<br />
at their current level of project development .<br />
JULY 2012<br />
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44<br />
Non-Objective Painting<br />
COURSE CODE <strong>ARTS</strong>500 SECTION 41<br />
INSTRUCTOR Steve Rose<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginner painters.<br />
Learn the difference between abstract and non-objective painting .<br />
You will utilize your knowledge of depth, shape, form and contrast<br />
in the exciting technique of non-objective painting . Instruction<br />
will assist you to paint in a free, expressive way and open up new<br />
creative paths . Techniques from this class will translate into a<br />
freer and looser expression of your style in all of your work .<br />
Photoshop<br />
COURSE CODE <strong>ARTS</strong>1752 SECTION 41<br />
INSTRUCTOR Michael Bainbridge<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Please note: Basic Windows skills are essential and required.<br />
Ansel Adams said, “The negative is comparable to the composer’s<br />
score and the print to its performance .” The ability to digitally<br />
manipulate images provides vast opportunities that range from<br />
simple correction of imperfections to highly artistic applications<br />
and results . Restore, enhance or completely alter existing image .<br />
Learn the basics of choosing appropriate file types and options for<br />
web or print, and complete digital manipulation techniques using<br />
advanced tools, selective application of effects and filters, masks,<br />
and layers . Taking photographs is not part of the instruction –<br />
please bring your own digital images .<br />
Portfolio and Presentation*<br />
COURSE CODE <strong>ARTS</strong>967 SECTION 41<br />
INSTRUCTOR Kim McBrien<br />
DATES July 16 – 19, 2012 (4 days)<br />
9:00am to 4:00pm daily<br />
FEE $132 .51<br />
Students will develop the processes and support material for<br />
use in presenting and promoting their work to interested clients,<br />
prospective galleries, juries and other audiences . Applying the<br />
skills developed in the Visual Documentation course, they will<br />
create image portfolios, as well as write curriculum vitae, artist’s<br />
statements and related documents with professional style and<br />
content . Visual impact in presentation materials will be considered<br />
through experimentation with colour systems, typography,<br />
layout, and image sequencing . Students will use word processing<br />
and image adjustment software to develop both print and digital<br />
versions of their portfolios and presentations .<br />
Portrait Painting<br />
COURSE CODE <strong>ARTS</strong>579 SECTION 42<br />
INSTRUCTOR Brian Smith<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. Painting<br />
experience is required to participate.<br />
This exciting portraiture painting course will develop your ability to<br />
capture the likeness of any model in any opaque paint medium .<br />
Since this is a non- media specific course, you may work in<br />
any opaque paint medium (gouache, acrylic, water-soluble oils,<br />
traditional oils without solvents) that you are comfortable with .<br />
Starting with an understanding of composition, value studies and<br />
monochromatic paintings, you will advance to expressive paintings<br />
of the model in a full palette . Works by a variety of artists will<br />
be discussed throughout the course .<br />
Pottery Throwing Camp – Intermediate/Advanced<br />
COURSE CODE <strong>ARTS</strong>735 SECTION 41<br />
INSTRUCTOR Rene Petitjean<br />
DATES July 16 – 20, 2012<br />
FEE $314 .55 (includes $14 .81 initial material fee)<br />
Please note: This course is not suitable for beginners.<br />
Have you ever wished you could spend several days just focusing<br />
on increasing your throwing skills? Do you feel that you have<br />
hit the wall in terms of being able to throw . . .more efficiently,<br />
bigger pieces, more consistently, looser pots, tighter pots? This<br />
course will encourage and challenge you to learn new throwing<br />
techniques, increase your throwing skills, and practice, practice,<br />
practice . Throwing is a physical skill . It requires proper technique,<br />
good tools, and proper care of your body . Through a series of<br />
demonstrations, specific exercises, class discussions, inspirational<br />
videos, and lots of wheel time, you will have the opportunity<br />
to increase your throwing skill as well as develop a personal practice<br />
of pot-making . A pug-mill will be available to make reclaiming<br />
clay as easy as possible . It is not the intent of this course to cover<br />
glazing and firing . One bisque firing may be done to ease the<br />
transport of ‘trophy pots’ . A limber sense of humour and a willingness<br />
to cut pots in half will make the week much more enjoyable .<br />
Additional clay is available for purchase from the school at a cost<br />
of $16 per bag .
Printmaking – Experimental<br />
COURSE CODE <strong>ARTS</strong>1619 SECTION 41<br />
INSTRUCTOR Linda Kristin Blix<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Discover printmaking techniques that focus on creating excitement<br />
and fun . Screen monoprinting, a unique and popular<br />
process that satisfies those who love to boldly paint and offers<br />
the surprise element of printmaking, will be the cornerstone<br />
of instruction . Many other easy, yet spectacular printmaking<br />
techniques will also be explored . These will include relief printing<br />
using butter-soft material, four colour prints on Styrofoam,<br />
creating textures using gadgets, monotypes without a press,<br />
and collagraphs using simple found materials . The course will<br />
conclude with the opportunity to combine techniques or use<br />
your favourite for your own creative expression . All materials will<br />
be provided, but you may bring materials you wish to collage or<br />
incorporate as you discover the joy of printmaking! There will be<br />
an $80 material fee payable to the instructor .<br />
Rustic Twig Open Studio<br />
COURSE CODE <strong>ARTS</strong>1717 SECTION 41<br />
INSTRUCTOR Maggie Longworth<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Learn new or develop existing skills in this project-based, open<br />
studio format opportunity . Come with a project in mind or be<br />
inspired by many reference images and complete a project or<br />
projects as time and skills allow . Previous experience is helpful<br />
but not vital . Explore the endless possibilities of rustic twig work .<br />
There will be a material fee of approximately $35 payable to the<br />
instructor .<br />
Spinning<br />
COURSE CODE <strong>ARTS</strong>334 SECTION 41<br />
INSTRUCTOR Wendy E . Bateman<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Whether you are pursuing a new interest or hoping to upgrade<br />
existing spinning skills, you will benefit from this course . Instruction<br />
will take into consideration individual skill levels . The basics<br />
of spinning, including fibre preparation, spinning equipment<br />
and maintenance, various spinning methods, colour and fibre<br />
blending will be covered . Instruction includes understanding yarn<br />
construction and controlling colour effects . There will be a $40<br />
material fee payable to the instructor .<br />
Stitched Imagery with Mixed Media<br />
COURSE CODE <strong>ARTS</strong>1257 SECTION 41<br />
INSTRUCTOR Sylvia Naylor<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
This course is intended to help you expand your creativity as you<br />
learn to develop and embellish your art work with a combination<br />
of free-motion machine embroidery and mixed media . In a<br />
relaxed atmosphere you will have the opportunity to experiment<br />
with colouring media such as transfer dyes, fabric paints and<br />
crayons . This will include stamping, resists and monoprints .<br />
You will be encouraged to develop ideas in collage with painted<br />
papers, and appliqué with a variety of fabrics to include solubles,<br />
fusibles, and organzas . Demonstrations, instructions and individual<br />
critiques will increase awareness of colour, texture, pattern<br />
and shape . Inspiration for the projects and/or samples will come<br />
from the urban and natural landscape . Work can be developed<br />
either in a realistic way or in a more abstract approach. You may<br />
develop your skills through exercises and/or work on a project<br />
of your choice . Samples and digital images will help you to see<br />
how imagery can be developed . Emphasis is on developing your<br />
personal skills at your own pace. You will be required to bring a<br />
reliable sewing machine in good working order . Please also bring<br />
an instructional manual if the machine is not totally familiar to<br />
you . Each year some changes are made to exercises in order to<br />
challenge returning students .<br />
JULY 2012<br />
45
46<br />
How do you find staff who always<br />
seem happy?<br />
– Katherine Elliott<br />
Water in Watercolour<br />
COURSE CODE <strong>ARTS</strong>997 SECTION 41<br />
INSTRUCTOR Grant Fuller<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. A familiarity<br />
with basic materials is sufficient to participate.<br />
This course will investigate the subject matter of water in the<br />
landscape . Techniques will apply to lakes, rivers, waterfalls,<br />
crashing waves and reflections . Reference material will be<br />
provided but you are welcome to bring your own as well .<br />
Watercolour Techniques – Basic<br />
COURSE CODE <strong>ARTS</strong>255 SECTION 42<br />
INSTRUCTOR Marta Scythes<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Discover the beauty of the wonderful medium of watercolour . In<br />
an easy, relaxed class atmosphere, learn about different types of<br />
paper, brushes and paints through discussion and demonstration .<br />
These are the foundation upon which you will base your further<br />
knowledge and skills. You will also benefit from some basic<br />
drawing and composition instruction . Colour mixing, watercolour<br />
washes and several painting techniques will also be covered .<br />
Daily demonstrations and continuous feedback will complement<br />
the course .<br />
Wire Sculpture – Large Scale<br />
COURSE CODE <strong>ARTS</strong>415 SECTION 42<br />
INSTRUCTOR Charles O’Neil<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Project Title: Garden Heron<br />
Please note: This course requires extensive use of hand tools<br />
(wire cutters, pliers).<br />
Wire Sculpture is an exciting, project-specific expressive art form<br />
that can be enjoyed in your home, office or garden . This projectspecific<br />
course is suitable if you are interested in creating works<br />
on a larger scale . In preparation for this undertaking, you will be<br />
led step-by-step through a couple of smaller projects to establish<br />
a comfort level with the material in use . Then, you will design and<br />
create a large scale project, suitable for display in a garden or<br />
outdoor setting . There will be a $75 material fee payable to the<br />
instructor .<br />
Youth Archery & Fencing**<br />
COURSE CODE <strong>ARTS</strong>1522 SECTION 41<br />
INSTRUCTOR Brad Sherwood<br />
DATES July 16 – 20, 2012<br />
FEE $191 .76<br />
Please note: This course is suitable for youth from 11 to 13<br />
years of age.<br />
Fencing and archery are two distinct arts that develop mental<br />
focus, physical coordination, patience, discipline and technical<br />
skill . This course will introduce you to both activities in a safe and<br />
enjoyable way . In the morning you will learn basics of fencing<br />
– footwork, techniques and rules . In the afternoon, archery will<br />
involve proper shooting technique, bow knowledge and care .<br />
Through demonstrations, coaching, games and friendly competition,<br />
you will have the opportunity to develop an appreciation and<br />
ability in these disciplines . There will be a $25 material fee for<br />
equipment rental payable to the instructor .<br />
Youth/Teen Mixed Media Sculpture**<br />
COURSE CODE <strong>ARTS</strong>1682 SECTION 41<br />
INSTRUCTOR Amanda Brittin<br />
DATES July 16 – 20, 2012<br />
FEE $213 .86<br />
Please note: This course is suitable for youth and teens from<br />
11 to 18 years of age.<br />
Explore a variety of sculptural materials and techniques . Working<br />
with everything from colourful mosaic glass to plaster and<br />
foamboard, from concrete and wood to wire, learn to develop<br />
your design concepts into three-dimensional pieces . Practical<br />
issues such as the stability of forms and bringing 2-D sketches to<br />
life will be covered and your personal creativity encouraged . Bring<br />
your sketchbook with some rudimentary sculpture ideas to use as<br />
a beginning point and enjoy a great week of sculptural art . There<br />
will be a $35 material fee payable to the instructor .
HUntsViLLe<br />
JULY 16 to 20 in HUntsViLLe<br />
Creative Writing<br />
COURSE CODE <strong>ARTS</strong>61 SECTION 48<br />
INSTRUCTOR Jane Bow<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
This course will help you gain access to and develop your inner<br />
voice . Learn how to tap into your own creativity and strengthen<br />
your writing skills in a supportive workshop environment . Topics<br />
include: good beginning, character, dialogue, plot, description<br />
and point of view . Step by step, you will experience the various<br />
components of the writing process; generating ideas/subject<br />
matter, first draft, the writing workshop, the art of revision and the<br />
final draft . This course can be taken repeatedly by new writers of<br />
fiction, creative non-fiction, and memoir, as well as experienced<br />
writers who want to refresh and expand their skills .<br />
Knit a Cottage Blanket<br />
COURSE CODE <strong>ARTS</strong>1733 SECTION 48<br />
INSTRUCTOR Holly Groome<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Learn knitting basics while creating and completing a cozy<br />
cottage blanket/throw . Instruction will enable you to cast on, knit,<br />
purl and cast off . Colour and design will be discussed, as well as<br />
how to use techniques learned to other simple knitted projects .<br />
There will be a $50 material fee payable to the instructor .<br />
Painting – Shades of Pale<br />
COURSE CODE <strong>ARTS</strong>1161 SECTION 48<br />
INSTRUCTOR Andrea Mossop<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
With emphasis on simplified shapes, this course is excellent<br />
for both painters and craft image designers (quilt, rug hooking,<br />
stained glass) . Whether a beginner or experienced student, you<br />
will learn about light and how to mix and use a range of pale<br />
colours and soft chromatic greys to create luminosity in your<br />
painting . Through these quiet tints, gain greater expressive power<br />
with tonal subtlety . Also discover a simple process of extracting<br />
the essence of form from realist subjects for this sophisticated<br />
colour palette. You may work in either acrylics or oil paint but<br />
please no solvents .<br />
Photography – In Camera<br />
COURSE CODE <strong>ARTS</strong>1690 SECTION 48<br />
INSTRUCTOR Rob Stimpson<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Good photographs are made, not just taken . Learn how to create<br />
an image, not just take a picture . The modern digital camera has<br />
many tools to help with the creative process . Understanding and<br />
using these tools will help you produce more visually dynamic<br />
photographs . Learn to make consistently better images through<br />
hands-on interactive work with your camera controls in the classroom,<br />
daily practical field trips, and in-depth reviews and critique<br />
sessions . Instruction will address digital photography techniques<br />
specifically . Post production possibilities may be discussed but<br />
will not be undertaken or applied in this course. You are required<br />
to bring digital SLR camera with manual functions . This course<br />
will not have access to a computer lab. You will be required to<br />
save and sort your images, whether on your laptop in class or<br />
by performing this task elsewhere in the evening and bringing<br />
images back to class for critique .<br />
Quilting – Radiating Strip Pieces<br />
COURSE CODE <strong>ARTS</strong>186 SECTION 48<br />
INSTRUCTOR John Willard<br />
DATES July 16 – 20, 2012<br />
FEE $299 .74<br />
Please note: Sewing skills are essential to participate in this<br />
course.<br />
This course is based on an innovative method of combining<br />
long wedge-shaped strips, which are then manipulated to<br />
produce dramatic and startling patterns from a central point .<br />
Spectacular effects are achieved by juxtaposing 4 or 5 dramatically<br />
diverse fabrics . Although strong, bright colours achieve the<br />
most powerful effects, a softer palette works equally well . The<br />
results are spectacular bedcovers, wall hangings or tablecloths .<br />
You will be required to bring your own reliable sewing machine<br />
in good working order . Students who have taken this course previously<br />
will be accommodated at an appropriate level of skill and<br />
challenge .<br />
JULY 2012<br />
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48<br />
satUrDaY, JULY 21, 2012<br />
Art & Soul Workshop**<br />
COURSE CODE <strong>ARTS</strong>1549 SECTION 41<br />
INSTRUCTOR Linda Lee Purvis<br />
DATES July 21, 2012<br />
FEE $97 .24<br />
Discover more about yourself, your path, and your personality<br />
through this innovative approach to self-discovery . By stimulating<br />
creative energies that lie within, begin to define your unrealized<br />
potentials in various aspects of your life through a variety of<br />
artistic activities, thus optimizing the ability to act upon, and fulfill<br />
unclaimed goals . A certified self-actualization coach will guide<br />
you through playful, process-based exercises, utilizing various<br />
artistic media, to coax insightful clues from within . These will<br />
inform how best to channel one’s efforts in order to actualize<br />
one’s life by design . Instruction is suited to all levels of artistic<br />
ability . There will be a $30 material fee payable to the instructor .<br />
Beaded Appliqué Workshop**<br />
COURSE CODE <strong>ARTS</strong>1309 SECTION 41<br />
INSTRUCTOR Pamela Woodward<br />
DATES July 21, 2012<br />
FEE $97 .24<br />
Succumb to the allure of beading on fabric . As a surface decoration,<br />
beading can add colour, texture, light, and a fabulous 3rd<br />
dimension to your textile projects. You will learn basic beading<br />
stitches that can be used in formal or organic approaches to your<br />
work . Many ideas and techniques will be shared . Imagine, all of<br />
your supplies will fit in a shoebox! There will be a $25 material fee<br />
payable to the instructor .<br />
Beaded Jewellery Workshop**<br />
COURSE CODE <strong>ARTS</strong>728 SECTION 41<br />
INSTRUCTOR Amanda Brittin<br />
DATES July 21, 2012<br />
FEE $97 .24<br />
Please note: This workshop is suitable for students from 12 years<br />
to adult.<br />
Choosing from a large variety of materials – colourful glass, wood,<br />
and semi-precious stones, wire, and metal plate – you will find it<br />
fun, easy and inexpensive to create beautiful jewellery . Instruction<br />
suits both beginner and advanced skill levels as you will design<br />
and create individual pieces with the instructor’s guidance .<br />
These may include smaller items such as earrings and rings, to<br />
more intricate work – such as wire-wrapped stone pendants and<br />
hammered wire and copper or brass elements . It will be possible<br />
to create several pieces of jewellery in this one-day workshop;<br />
everything from bracelets to rings, pendants and necklaces to<br />
earrings . The material fee will vary with individual projects .<br />
Bookbinding Workshop**<br />
COURSE CODE <strong>ARTS</strong>1517 SECTION 41<br />
INSTRUCTOR Don Taylor<br />
DATES July 21, 2012<br />
FEE $97 .24<br />
The Moleskin travel journal, made famous by some of history’s<br />
great explorers and now much imitated, set the bar for high<br />
functioning portable notebooks . Learn how to bind your own<br />
in this workshop . All the secrets and features of the Moleskin<br />
notebook will be revealed: rounded corners, elastic strap and best<br />
of all, the famous gusseted pocket for collecting business cards,<br />
botanical samples or other critical bits. You’ll wonder how you<br />
ever managed without it . There will be a $20 material fee payable<br />
to the instructor .<br />
Classical Guitar Workshop**<br />
COURSE CODE <strong>ARTS</strong>1702 SECTION 41<br />
INSTRUCTOR Larry Glatt<br />
DATES July 21, 2012<br />
FEE $97 .24<br />
Learn the basics of classical guitar technique: sitting position, left<br />
and right hand position, and the rudiments of good tone production<br />
. Instruction is not suited for advanced classical players but it<br />
is intended for those with some guitar skill. You will be required<br />
to bring a functional nylon string guitar . Music reading is an asset<br />
but not required .<br />
Fabric Printing – Irresistible Resists Workshop**<br />
COURSE CODE <strong>ARTS</strong>1700 SECTION 41<br />
INSTRUCTOR Gunnel Hag<br />
DATES July 21, 2012<br />
FEE $97 .24<br />
Discover many different paths to the same goal: gorgeous cloth .<br />
Experiment with a variety of tools and ingredients to create an<br />
exciting range of patterns and texture on fabric . Not only will you<br />
learn novel techniques for tied, stamped and pole wrap resists,<br />
you will also use soy wax and flour to create gorgeous fabrics with<br />
exquisite colour and complexity . Truly irresistible! There will be a<br />
$25 material fee payable to the instructor .<br />
Point & Shoot Photography Made Easy**<br />
COURSE CODE <strong>ARTS</strong>1556 SECTION 41<br />
INSTRUCTOR Jenny Kirkpatrick<br />
DATES July 21, 2012<br />
FEE $97 .24<br />
Point and shoot cameras tend to be underestimated but are<br />
capable of taking great shots! Instruction will provide a brief overview<br />
of what your point and shoot camera can do (“Wow – I didn’t<br />
know my camera could do that”) and once you have explored the<br />
buttons, menus and switches you will be given mini assignments<br />
to practice your new found technical skill . Techniques that are<br />
sometimes associated with the more complex DSLRs can be used<br />
with these great little cameras – learn how much technology is<br />
packed your camera and how to produce well executed images .<br />
There will be an opportunity to view and critique a selection of<br />
some of images taken during the workshop . Please note there will<br />
be no digital manipulation involved .
Rock Balancing Workshop**<br />
COURSE CODE <strong>ARTS</strong>1572 SECTION 41<br />
INSTRUCTOR Peter Riedel<br />
DATES July 21, 2012<br />
FEE $97 .24<br />
Rock balancing is becoming established as a category of creative<br />
activity, like music, painting or sculpture . Motives vary from an<br />
activity as meditation, art, recreation, exercise, occupation or as<br />
creative play or exhibitionism . Through demonstration, visual aids<br />
and practical hands-on techniques you will learn to manually<br />
and visually recognize possibilities of balance . Discover that it<br />
requires sensitivity, poise, physical coordination and concentration<br />
with a steady hand and patience . Rock balancing is an act<br />
of recognizing the smallest features on the surface of a stone: its<br />
shapes, angles, degrees of smoothness or roughness, flats and<br />
indentations . It is a visual and tactile labour, the marrying of stone<br />
surfaces into connection with each other in order to pursue new<br />
structures and shapes . Gain insight into how to match, marry and<br />
balance rocks of varying sizes to create sculptures of magic and<br />
mystery . Balance is a hidden quality, both in nature and in life . It<br />
is a quality often found only through reflection and exploration .<br />
Creating ephemeral configurations of stone as they defy gravity is<br />
a totally engaging act .<br />
Wire Sculpture Workshop**<br />
COURSE CODE <strong>ARTS</strong>416 SECTION 43<br />
INSTRUCTOR Charles O’Neil<br />
DATES July 21, 2012<br />
FEE $97 .24<br />
Project Title: Song Bird Plant Spike<br />
Please note: This course requires the use of simple hand tools<br />
(wire cutters, pliers).<br />
Wire sculpture is an exciting and expressive art form . In this<br />
workshop you will receive step-by-step instruction to successfully<br />
create your project . With a variety of wires (steel, copper, galvanized)<br />
this creation is designed for indoor or garden use, and will<br />
be a great addition to any setting . There will be a $25 material fee<br />
payable to the instructor .<br />
JULY 23 to 27, 2012<br />
Abstracted Interpretations of the Masters<br />
COURSE CODE <strong>ARTS</strong>1581 SECTION 41<br />
INSTRUCTOR Denis Cliff<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Discover how to use the works of master artists as a starting<br />
point for the development of exciting new works that interpret the<br />
original ideas of famous painters and bring them into a territory<br />
of your own . Begin by choosing your own sources for these<br />
paintings and bring those reproduction favourites to the course .<br />
These choices could be made from any period of art history<br />
that is of particular interest to you . From these choices, you will<br />
make paintings by abstracting elements to reconfigure them into<br />
completely or partially new kinds of work . This will be achieved<br />
by various methods such as reconstructing the overall design, the<br />
rhythm and movement, the choices of colour, the type of shapes,<br />
the uses of line, the amount and character of texture, and other<br />
such manipulations of the ingredients of the original work. You<br />
will be working from your own choices and the variety of interpretations<br />
from this will be inspiring to all participants . Individual<br />
instruction and assistance will play a large role in the success<br />
of your efforts and group discussions and critiques will help you<br />
develop new directions for your work .<br />
Abstracting the Landscape in Acrylics<br />
COURSE CODE <strong>ARTS</strong>1668 SECTION 41<br />
INSTRUCTOR Marianne Broome<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Learn to simplify and extract the essential information from a<br />
reference photo or actual scene to create an abstracted version<br />
on canvas . While working with the elements of design and choice<br />
of colour palette, the emphasis will be on composition and value<br />
relationships . Texture and collage items will be incorporated<br />
where relevant to provide an interesting foundation and different<br />
techniques will be explored for layering, glazing and enhancing<br />
these elements . Reference images will be available and please<br />
also bring your own . Instruction is suited to beginners or experienced<br />
painters . There will be a $20 material fee payable to the<br />
instructor .<br />
JULY 2012<br />
49
50<br />
Book Arts Sampler<br />
COURSE CODE <strong>ARTS</strong>618 SECTION 41<br />
INSTRUCTOR Don Taylor<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
This course is an opportunity to work in a wide variety of<br />
bookbinding styles – from lightly structured Japanese bindings<br />
in some of the most beautiful papers in the world, to a Medieval<br />
binding in wooden boards and leather . In between you’ll try your<br />
hand at paste papers, a travel diary with flexible cover, and a<br />
perfect little jewellery box . Learn skills that will enhance a wide<br />
range of your creative endeavours . There will be a material fee of<br />
$30 payable to the instructor .<br />
Chainsaw Sculpture<br />
COURSE CODE <strong>ARTS</strong>1081 SECTION 41<br />
INSTRUCTOR Robbin Wenzoski<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Learn how to create carvings/sculptures with a specialized carving<br />
chainsaw . Safety aspects of this skill as well as the maintenance<br />
of a safe, properly working carving chainsaw will be emphasized .<br />
You will be encouraged to complete at least one carving during<br />
the course . Instruction will provide the knowledge and skills<br />
needed to create chainsaw carvings whether you are a hobbyist<br />
or considering this as a career . Techniques are also suitable for<br />
hand carvers as they dramatically speed the process of getting<br />
to the fine sculpture stage . The carving chainsaws now available<br />
are very safe and lightweight, increasing the manageability of this<br />
technique . If you have your own carving chainsaw it can be used<br />
when deemed safe and appropriate by the instructor . Various<br />
models of carving saws will be available for rent at a cost of $150<br />
per week, or if you are bringing your own saw a $25 fee for gas/oil<br />
and other parts, payable to the instructor . There will be a material<br />
fee of $40 payable to the Instructor . This fee will cover the 2 logs<br />
required for 2 projects .<br />
Clown – The Discovery of Your Persona<br />
COURSE CODE <strong>ARTS</strong>1044 SECTION 41<br />
INSTRUCTOR Helen Donnelly<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for those solely seeking<br />
a focus on birthday/corporate clowning.<br />
Tune into your impulses through this exciting physical theatre<br />
tradition! This is a gentle guide to revealing the clown within .<br />
Learn the basics of clown and physical theatre by focusing on<br />
impulses and being present in the world of play . Honesty, real<br />
connection and discovery of the ridiculous will be celebrated .<br />
What is unique about you, and how that translates into the world<br />
of clown is a personal journey that requires integrity and the<br />
ability to take delight in the process . Noses and hats provided will<br />
be worn during the course and costuming will be explored . There<br />
will be a $10 material fee payable to the instructor .<br />
A week at the HSTA is<br />
re-energizing and inspiring. There<br />
is always something new to try.<br />
– Dianne Borg<br />
Creative Writing – Ignite Your Potential<br />
COURSE CODE <strong>ARTS</strong>706 SECTION 41<br />
INSTRUCTOR Nora Zylstra Savage<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Get inspired – Get REALLY inspired. Whether you’re a novice or<br />
professional, fiction or non-fiction writer, these writing exercises<br />
and styles will inspire . This hands-on high energy course provides<br />
an encouraging, safe space for discovering different writing styles<br />
and techniques which could include: dialogue, story components,<br />
personal narratives, poetry, essays, perspectives and journal<br />
entries. You will have fun responding to numerous multimedia<br />
writing prompters and stimuli . Experiment with writing tools such<br />
as clustering, mind mapping, rapid writing and short-shorts . Let<br />
these triggers be a starting point for expanding your writing horizons<br />
and creativity . There will be time to share and get positive<br />
feedback on your work . Prepare to have fun!<br />
Dolls, Masks & Puppets within the Expressive Arts E<br />
COURSE CODE <strong>ARTS</strong>1586 SECTION 41<br />
INSTRUCTOR Fay Wilkinson<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Please note: To register for this course you must meet the<br />
admission requirements for the EXA Graduate Certificate.<br />
Details available on page 9.<br />
This course is an elective credit toward <strong>Fleming</strong> <strong>College</strong>’s<br />
Expressive Arts Certificate. It is not an elective credit toward<br />
<strong>Fleming</strong> <strong>College</strong>’s Visual and Creative Arts Diploma.<br />
At minimum, successful completion of Introduction to Expressive<br />
Arts Therapies is recommended.<br />
Enjoy a perfect combination of technique and application . Explore<br />
a variety of construction techniques including: simple doll shapes<br />
with and without an armature; full and half masks including<br />
‘body’ masks; hand, rod and shadow puppets; plus simple marionettes.<br />
You will then design an expressive arts experience for<br />
the population you work with, or want to work with, that integrates<br />
one of these forms with another modality, for example movement,<br />
spoken word, or visual art . There will be a $25 material fee<br />
payable to the instructor<br />
Drawing & Painting Media Sampler<br />
COURSE CODE <strong>ARTS</strong>1507 SECTION 41<br />
INSTRUCTOR Margaret McIntyre<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
This is a great drawing and painting sampler course suited to all<br />
abilities . In an easy, relaxed classroom atmosphere you will create<br />
artworks using a variety of mediums such as pencil, watercolour,<br />
acrylics and soft pastels . Each day, using the step-by-step instruction<br />
style, a new medium, technique, colour theory, composition<br />
or design element will be introduced . The basic elements and<br />
principles of art will be incorporated into the lessons . In addition<br />
to creating artworks using the step-by-step method, you will be<br />
given an opportunity each day to create your own artwork using<br />
the newly introduced technique and design element in the ‘artist<br />
choice’ time slot . All your materials are included in your Instructor<br />
fee . There is nothing extra required to purchase . There will be a<br />
$50 material fee payable to the instructor .
egister early!<br />
Waiting until the last minute limits your choice of courses<br />
and may cause you unnecessary disappointment .<br />
See registration details on page 99 .<br />
Fiddle – Intermediate<br />
COURSE CODE <strong>ARTS</strong>1505 SECTION 41<br />
INSTRUCTOR Cindy Thompson Butineau<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. Students<br />
must have the ability to read simple notation. Approximately 2<br />
yrs note reading is recommended.<br />
This course is designed to provide advanced-beginner and intermediate<br />
fiddle/violin players the opportunity to further develop<br />
and improve skills . Starting with a few simple tunes you will<br />
quickly be immersed into a wide range of exciting Canadian fiddle<br />
repertoire including waltzes, jigs, reels, two-steps and strathspeys .<br />
Each piece of music will be discussed, detailing bowing strategies,<br />
recognizing rhythm patterns, implementing ornamentation<br />
and possible variations . Note reading and playing by ear will both<br />
be emphasized with your comfort level being recognized . This<br />
course will address how to play more ‘musically’ by exploring<br />
phrasing, shaping, dynamics, and accenting . Instruction will also<br />
include technique strategies to improve tone, bow control, speed,<br />
sound, and more precise intonation . Different fiddle styles, such<br />
as Irish and Cape Breton, and the stylistic nuances that make<br />
them sound so unique, will also be explored . Adding introductions<br />
and endings to tunes, playing in different keys, practicing<br />
scales, listening techniques, practice methods and basic back-up<br />
fiddle will also be studied . Please bring your own instrument .<br />
There will be a $20 material fee payable to the instructor .<br />
Figurative Abstraction in Acrylic<br />
COURSE CODE <strong>ARTS</strong>1168 SECTION 42<br />
INSTRUCTOR Brian Smith<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
With intermediate-to-advanced level instruction, this course will<br />
develop your ability to abstract from the human form . See shapes<br />
in the figure more clearly, develop more satisfying compositions<br />
that include the draped and undraped body, and develop a<br />
looser, freer approach to painting the figure .<br />
Finger – Style Guitar Playing<br />
COURSE CODE <strong>ARTS</strong>303 SECTION 41<br />
INSTRUCTOR Rick Fines<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. Basic<br />
knowledge of chords and some simple right hand patterns is<br />
required.<br />
Using examples from blues and folk traditions, you will study<br />
some of the techniques used to enhance and put more expression<br />
into your guitar playing . Learn exercises to strengthen your<br />
right hand and learn more about moving bass patterns, chord<br />
inversions and accompaniment. You will do a lot of playing in<br />
class and spend some time listening to great guitar players from<br />
various traditional styles . The ability to read music is not necessary<br />
as standard notation will not be used .<br />
Impressionism – Theory and Technique<br />
COURSE CODE <strong>ARTS</strong>111 SECTION 41<br />
INSTRUCTOR John Leonard<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
This course will cover both the theory and techniques of Impressionism<br />
. Examine the developments in Art History that led to<br />
Impressionism and the style of painting related to it. You will be<br />
encouraged to develop a personal and effective approach to this<br />
beautiful style of painting. You may work in oils or acrylics. While<br />
beginners are welcome, this course is especially suited to those<br />
with some painting experience and/or art background .<br />
Indigo & Shibori<br />
COURSE CODE <strong>ARTS</strong>1302 SECTION 41<br />
INSTRUCTOR Pamela Woodward<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
For centuries indigo has been used around the world to produce<br />
wonderful blue fabrics . Freshly dyed or worn and faded, it<br />
displays a distinct personality among dyes . This course will<br />
enable you to produce fabrics dyed a variety of shades of blue,<br />
with multiple patterns achieved through Japanese resist techniques<br />
of clamping, stitching, and binding, known as shibori . The<br />
history and culture of indigo will also be explored . There will be a<br />
$45 material fee payable to the instructor .<br />
JULY 2012<br />
51
52<br />
Iron & Glass Collaborations**<br />
COURSE CODE <strong>ARTS</strong>1756 SECTION 41<br />
INSTRUCTOR Andrew Kuntz and Rene Petitjean<br />
DATES July 23 – 28, 2012 (6 days)<br />
FEE $699 .52<br />
This course is a unique opportunity to unite hot glass and forged<br />
iron . The combination of these processes provides remarkable<br />
creative and imaginative possibilities, both decorative and functional<br />
. Spend 3 days in each studio creating the components that<br />
will become your final piece . To determine project feasibility, it is<br />
imperative that you present a sketch prior to the course . Details<br />
are provided on the student material list . Previous experience in<br />
one or both studio areas is helpful but not required .<br />
These courses will run simultaneously. Please clearly<br />
indicate which level you are registering for.<br />
Jewellery – Chasing & Repoussé: Introductory<br />
COURSE CODE <strong>ARTS</strong>1662 SECTION 41<br />
INSTRUCTOR Todd Jeffrey Ellis<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Learn basic chasing and repoussé techniques through<br />
the traditional methods of pitch bowl and punches. You<br />
will also learn basic chasing tool making to enhance your<br />
jewellery . Please note that you are required to bring your<br />
own silver – 4” x 4”x .80mm . Copper can be substituted<br />
to decrease expense . There will be an $85 material fee<br />
payable to the instructor .<br />
Jewellery – Chasing & Repoussé: Intermediate<br />
COURSE CODE <strong>ARTS</strong>1663 SECTION 41<br />
INSTRUCTOR Todd Jeffrey Ellis<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Continue to develop your skill though the use of traditional<br />
and contemporary elements to your own designs . Existing<br />
skills will be enhanced by instruction in fine tool making<br />
and exploration of design possibilities . There will be an<br />
$85 material fee payable to the instructor .<br />
Jewellery – Chasing & Repoussé: Advanced<br />
COURSE CODE <strong>ARTS</strong>1664 SECTION 41<br />
INSTRUCTOR Todd Jeffrey Ellis<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
As an advanced student you are invited to bring a current<br />
or planned project and with support and guidance, further<br />
develop skills . A variety of techniques can be explored<br />
including application on hollow forms . There will be an<br />
$85 material fee payable to the instructor .<br />
Kids’ Creatures**<br />
COURSE CODE <strong>ARTS</strong>1751<br />
INSTRUCTOR Shannon Partridge<br />
DATES July 23 – 27, 2012<br />
FEE $97 .80<br />
SECTION 41: 1:00 – 4:30pm 5 – 7 years old<br />
SECTION 42: 9:00 – 12 Noon 8 – 10 years old<br />
Animals are the theme as you explore different art mediums and<br />
techniques while working in two and three dimensions . Working<br />
from tangible and imaginative sources you’ll learn more about<br />
animals, while getting creative and developing confidence in your<br />
ability to make art . Start with drawing fundamentals, expand to<br />
projects using multimedia, and conclude with sculpture! There<br />
will be a $20 material fee payable to the instructor .<br />
Kids’ in the Kitchen**<br />
COURSE CODE <strong>ARTS</strong>560<br />
INSTRUCTOR Jennifer Mykolyshyn<br />
DATES July 23 – 27, 2012<br />
FEE $97 .80<br />
SECTION 41: 9:00 – 12 Noon, 5 – 7 years old<br />
SECTION 42: 1:00 – 4:30pm, 8 – 10 years old<br />
Please note: This course is not suitable for children with food<br />
or nut allergies.<br />
From choosing to chopping to creating, the art of cooking is<br />
truly a wonderful playground! Colour, taste, texture and aroma<br />
become tools for budding young culinary artists who will explore<br />
everything from safety and nutrition to planning, preparation and<br />
presentation of some all-time favourite foods. You will work on a<br />
variety of projects so expect to see some very interesting results!<br />
Personalized aprons will match your own cookbook that will grow<br />
throughout the week. You’ll be introduced to a number of nifty<br />
kitchen tools – including your own hands! There will be a $30<br />
material fee payable to the instructor .
Knitting Sweaters That Fit<br />
COURSE CODE <strong>ARTS</strong>1544 SECTION 41<br />
INSTRUCTOR Glenna Harris<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginner knitters.<br />
Sweater-knitting experience is not necessary. Instruction is<br />
suited to knitters with basic knitting skills and previous experience<br />
working from a pattern. Participants should be able to<br />
work knit, purl, increases, and decreases.<br />
A comfortable hand-knitted sweater that fits is one of the most<br />
satisfying projects a knitter can make . Instruction will enable you<br />
to undertake the task of knitting your first sweater, or perhaps<br />
your first sweater that fits well . Working through a sweater pattern<br />
of your choice, learn what steps make the difference to getting<br />
the best sweater for you and the pattern style: finding gauge,<br />
taking measurements and applying them to a pattern schematic,<br />
making your own dress form . A series of advanced knitting<br />
techniques including working cables, increases and decreases,<br />
stranded colour-work, and how to read and interpret patterns will<br />
also be addressed. Your sweater will be partially finished during<br />
the course but completed at home .<br />
Musical Instrument Construction<br />
– Intermediate/Advanced<br />
COURSE CODE <strong>ARTS</strong>1487 SECTION 41<br />
INSTRUCTOR Philip Davis<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. Prior<br />
completion of a minimum of one instrument to a good standard<br />
is required.<br />
Instruction will stimulate the hands and imagination beyond<br />
your established competency in instrument fabrication . Begin<br />
by setting a logical goal and proceed to make or acquire working<br />
drawings . Group seminars will replace demonstrations of basic<br />
making and these will progress you to advanced theory and<br />
practice of design, as well as the ability to make diverse instruments<br />
. Violin and guitar materials are available for purchase form<br />
the instructor at a cost of approximately $120 per instrument .<br />
Returning students continuing projects will be accommodated<br />
at their current level of project development . There will be a $20<br />
material fee payable to the instructor .<br />
Oil Painting – Plein Air Intermediate/Advanced<br />
COURSE CODE <strong>ARTS</strong>597 SECTION 41<br />
INSTRUCTOR John Anderson<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. Oil<br />
Painting – Introduction to Plein Air is recommended. Alternatively,<br />
contact with the instructor will be arranged by the<br />
school.<br />
This course will provide an opportunity to improve your oil<br />
painting skills as you undertake the particular challenges of<br />
painting outdoors . Instruction will help you identify the elements<br />
of successful oil painting on-location. You will learn the elements<br />
of success and the sequence of techniques necessary to<br />
complete a finished oil sketch, given the time constraints imposed<br />
by outdoor painting . Effective value and colour mixing from a<br />
limited palette will also be addressed . There will be a $10 material<br />
fee payable to the instructor .<br />
Painting – Black & White<br />
COURSE CODE <strong>ARTS</strong>842 SECTION 41<br />
INSTRUCTOR Andrea Mossop<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
The all-white or all-black painting using all colours is the painter’s<br />
challenge . This course invites both the realist and the abstractionist<br />
. First in white, you will learn to create luminosity in high<br />
key tints through the technical mastery of infrequently used white<br />
paints . Then in black, you will learn the secrets of mixing and<br />
layering rich veils of dark . ‘Crafting’ surface to express concept,<br />
you will study the symbolism and psychology of both black and<br />
white, inspired in black by Whistler’s “nocturne” paintings and<br />
the Baroque masters, and in white by modern Canadian painters<br />
including Ronald Bloore and Borduas . Finally, you will work black<br />
and white together. You are invited to work in oil (no solvent) or<br />
acrylic . Instruction is suitable for beginner to advanced levels of<br />
skill .<br />
Painting & Form Invention – Advanced<br />
COURSE CODE <strong>ARTS</strong>1178 SECTION 42<br />
INSTRUCTOR Joanna Nash<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. Competence<br />
in observational drawing as well as advanced level<br />
painting skills is required.<br />
This course emphasizes your individual work process and its<br />
connection to your personal motivation and painterly results .<br />
Individual research will explore your capacity to invent personal<br />
interpretations of the subject(s) of your choice, concrete or<br />
conceptual. You can work in any painting materials with which<br />
you are comfortable, and receive appropriate technical support<br />
when needed . This course proceeds with an emphasis on<br />
conceptual as opposed to technical investigations, and focuses<br />
on the relationship between form and content, process and<br />
product . Instruction begins with an obligatory group critique of<br />
2 to 5 existing works per participant . This helps your instructor<br />
intuit the strengths and weakness of your works, and accelerates<br />
the teaching and learning process . Ongoing critiques will enhance<br />
your visual language skills, technical know-how and general<br />
capacity to discuss painting . Instruction will address individual<br />
needs and themes applicable to the whole group . Teaching is<br />
supported by DVD’s as well as visual examples in slides and<br />
books. You are required to bring 2 to 5 pieces of your work. There<br />
will be an option for one day of life sketching .<br />
JULY 2012<br />
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Pastels – Intermediate<br />
COURSE CODE <strong>ARTS</strong>1759 SECTION 41<br />
INSTRUCTOR Margret Ferraro<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
With colour wheel and pastels at hand, you will spend mornings<br />
gaining an understanding of the principles behind colour theory<br />
and studying their application in pastel work from all over the<br />
world . This instruction will include instructor demonstrations . In<br />
the afternoons, you will work independently, with guidance and<br />
constructive critique from the instructor . One course project will<br />
be to paint the same subject matter many times, using different<br />
colour theory criteria and comparing them to determine your<br />
personal direction with colour . Additional projects will also be<br />
undertaken . Group discussions regarding colour choices, and<br />
laptop presentations of pastel artwork will enhance study .<br />
Pottery – Image Transfer & Surface Techniques<br />
COURSE CODE <strong>ARTS</strong>1580 SECTION 41<br />
INSTRUCTOR April Gates<br />
DATES July 23 – 28, 2012 (6 days)<br />
FEE $359 .26 (includes $18 .52 initial material fee)<br />
Please note: This is not a technical or instructional throwing<br />
class.<br />
Clay makes an ideal canvas! This highly flexible and receptive<br />
medium will be fully explored through a comprehensive survey<br />
of image transfer and surface techniques . Discover the delight<br />
of creating and applying your mark using customized printing<br />
blocks, stencils, stamps, relief printing, screen-printing, monoprinting<br />
and decal transfers . From painterly to photographic,<br />
you will discover a full range of attainable effects offered through<br />
transfer techniques . Through hands on work and demonstrations,<br />
learn to apply and layer patterns, images, text, colour and texture<br />
to natural and treated clay surfaces . Techniques will be applied<br />
to 2 and 3 dimensional projects that are primarily hand-built .<br />
The potter’s wheel will be available for use for some assignments .<br />
Students with limited or no throwing experience are not expected<br />
to use the wheel to complete assignments . This course is suitable<br />
for beginners, or intermediates working in clay that are interested<br />
in expanding their decorative vocabulary, or for 2 dimensional<br />
artists interested in expanding their canvas potential . There will<br />
be a $50 material fee payable to the instructor .<br />
Quilting – Serendipity Strips & Curves<br />
COURSE CODE <strong>ARTS</strong>1657 SECTION 41<br />
INSTRUCTOR Elaine Quehl<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Liberate yourself from the shackles of precision piecing and fly<br />
by the seat of your pants while producing original quilt designs<br />
using free-form strips and curves. You will be introduced to a<br />
different method of free-hand cutting and piecing each morning<br />
and shown a variety of options for using that method . The rest of<br />
the day will be available to cut, sew and work on your construction<br />
. Work from the previous day will be addressed for feedback<br />
and discussion on composition and design . There will be minimal<br />
measuring and little use of rulers!<br />
Sketchbook Sketching<br />
COURSE CODE <strong>ARTS</strong>1725 SECTION 41<br />
INSTRUCTOR Ruth Read<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
For many artists sketchbooks are fundamental to their practice;<br />
ideas, images, writing, gathering, cutting, sticking, and research<br />
all take place in them . Instruction will enable you to use many<br />
ways of recording the world around you with a wide variety of<br />
media . The sketchbook can function as a reference, a record,<br />
and/or a work of art in itself . There will be a $10 material fee<br />
payable to the instructor .<br />
Teen Archery & Fencing**<br />
COURSE CODE <strong>ARTS</strong>1743 SECTION 41<br />
INSTRUCTOR Brad Sherwood<br />
DATES July 23 – 27, 2012<br />
FEE $213 .86<br />
Please note: This course is suitable for teens 13 to 18 years of<br />
age.<br />
Fencing and archery are two distinct arts that develop mental<br />
focus, physical coordination, patience, discipline and technical<br />
skill . Instruction will introduce you to both activities in a safe and<br />
enjoyable way . In the morning you’ll learn the basics of fencing;<br />
footwork, blade work, techniques and rules . In the afternoon,<br />
archery will involve proper shooting technique, bow knowledge<br />
and care . Through demonstrations, coaching, games and friendly<br />
competition, you’ll have the opportunity to develop appreciation<br />
for and ability in these disciplines . There will be a $25 material<br />
fee for equipment rental payable to the instructor .
Creating something out of ‘nothing’ is<br />
my passion and I constantly view my<br />
surroundings in nature as a painting<br />
about to happen.<br />
– Cassandra Wyszkowski<br />
Travel Writing & Photography<br />
COURSE CODE <strong>ARTS</strong>1687 SECTION 41<br />
INSTRUCTOR Kate Pocock and Rob Stimpson<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Please note: A good knowledge of your camera and its manual<br />
is required. Beginner writers are welcome.<br />
Words and images combine to create effective travel stories,<br />
blogs, press releases, scrapbooks, photo portfolios, slideshows<br />
and more . Instruction will lead you through the process of<br />
crafting a story illustrated with photos; so vital in this digital age .<br />
Your efforts will culminate in a finished illustrated article, ready<br />
to present to an editor, art director, work colleagues, family or<br />
friends . Investigate different kinds of travel writing – essays,<br />
personal stories, service pieces, ‘round-up’ articles, and more .<br />
Through presentations, discussion, readings and hands-on<br />
exercises, learn how to recognize a saleable story idea, the subtle<br />
differences between newspaper, magazine and online publishing,<br />
interview tips, the do’s and don’ts of travel writing, and how<br />
photography can enhance your stories (and possible income) .<br />
Using simple techniques discover how to take effective portraits<br />
of people, images of places, and highlight individual details that<br />
will make a travel story come alive . It’s these images that will<br />
initially compel the viewer to read the story . This course is suited<br />
to anyone with a love of travel who would like to inspire others<br />
with their words and images: writers, bloggers, communications<br />
people working in the travel industry, travel agents, teachers, or<br />
anyone who wants to learn more about publishing stories and<br />
photos . There will be a $15 material fee payable to the instructor .<br />
Watercolour & Sumi-e – East Meets West<br />
COURSE CODE <strong>ARTS</strong>724 SECTION 41<br />
INSTRUCTOR Cassandra Wyszkowski<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Please note: Japanese Brush Painting levels I and II are<br />
required to participate in this course. Japanese Brush Painting<br />
III would be an asset but not absolutely necessary.<br />
‘East meets West’ – an exciting course that is designed to expand<br />
your creative horizons and introduce you to numerous fascinating<br />
and creative watercolour methods that will harmonize with the art<br />
of Japanese Brush Painting . Instruction will include composition,<br />
design, western watercolour and further oriental brush techniques,<br />
interesting subjects blending traditional with non-traditional,<br />
textures, colour mixing, colour values to achieve depth,<br />
background washes, and spontaneous wet-in-wet explorations .<br />
Individual attention will encourage personal expression, finding<br />
your own ‘voice’ and creativity .<br />
Watercolour Painting II – Landscapes<br />
COURSE CODE <strong>ARTS</strong>254 SECTION 41<br />
INSTRUCTOR Gary Chapman<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. A knowledge<br />
of basic watercolour procedures is required.<br />
This course is suitable if you have knowledge and skill in the<br />
basic procedures of watercolours and wish to advance beyond<br />
the beginner level . Be prepared to have your concept of watercolour<br />
landscape painting dramatically expanded. You will explore<br />
the wet-in-wet technique, the transparency of the medium and<br />
traditional and intuitive approaches to composition and painting .<br />
There will be opportunity to experiment with a variety of painting<br />
tools, painting styles and techniques. You will have an opportunity<br />
to improve your mastery of colour gradations, negative painting<br />
and colour use . Specific topics of study include wet-in-wet procedures,<br />
colour schemes and pigment characteristics . Individual<br />
needs and problems will be addressed and, to this end, you will<br />
be encouraged to contribute to the direction of the course by the<br />
types of demonstrations you request .<br />
Wire Jewellery<br />
COURSE CODE <strong>ARTS</strong>676 SECTION 41<br />
INSTRUCTOR Judy Feskun<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Please note: This course requires extensive use of hand tools<br />
(wire cutters, pliers) and a healthy level of manual dexterity.<br />
Start with the basics and learn to create and design your own<br />
jewellery using wire . Go from traditional wire wrapping techniques<br />
to original, free-form methods, or something in between .<br />
Emphasis will be based on creating pieces that reflect your<br />
individuality and personal tastes . No soldering is required and<br />
you will have the opportunity to incorporate beads, stones, and<br />
found objects to make your own unique designs . Basic hand tools<br />
and the use of some interesting tricks will enable you to continue<br />
upon completion of the course . Personal style and creativity will<br />
be encouraged in a relaxed atmosphere . There will be an $85<br />
material fee payable to the instructor .<br />
Wire Sculpture – The Human Form<br />
COURSE CODE <strong>ARTS</strong>270 SECTION 41<br />
INSTRUCTOR Charles O’Neil<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Please note: This course requires extensive use of hand tools<br />
(wire cutters, pliers) and a healthy level of manual dexterity.<br />
Wire sculpture is an expressive and versatile art form . This course<br />
will lead you through the steps necessary to create a 3-dimensional<br />
sculpture of the human figure . Starting on the first day with<br />
simple drawings from a life model, you will learn to design your<br />
work, build an armature for strength, establish proportion, and<br />
then develop the work into a successful sculpture . Past drawing<br />
experience is not necessary . There will be a $45 material fee<br />
payable to the instructor .<br />
JULY 2012<br />
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Youth Stained Glass**<br />
COURSE CODE <strong>ARTS</strong>680 SECTION 41<br />
INSTRUCTOR Lia Howe<br />
DATES July 23 – 27, 2012<br />
FEE $191 .76<br />
Please note: This course is suitable for youth from 11 to 13<br />
years of age.<br />
Stained Glass is an exciting medium that uses a balance of light<br />
and colour . Dramatic results can be achieved regardless of artistic<br />
capability or experience. You will learn the basics of traditional<br />
copper foil technique stained glass, cutting glass, grinding,<br />
foiling and soldering . Many different patterns and projects will be<br />
available to choose from . In this fun and up-beat environment,<br />
you’ll be encouraged to design and create your own one-of-a-kind<br />
piece such as coasters. You’ll also be offered an opportunity to<br />
create mosaic (no solder) projects . There will be a $50 material<br />
fee payable to the instructor . Additional glass will be available for<br />
sale by the instructor for additional projects .<br />
Youth/Teen Build Your Own Skateboard Deck**<br />
COURSE CODE <strong>ARTS</strong>451 SECTION 41<br />
INSTRUCTOR Bryce Petersen<br />
DATES July 23 – 27, 2012<br />
FEE $271 .51 (includes skateboard deck kit)<br />
Please note: This course is suitable for youth and teens from<br />
11 to 18 years of age.<br />
Have you ever wanted to build your own skateboard deck from<br />
scratch? This course will teach you how to do just that using innovative<br />
techniques created by the Roarockit Skateboard Company<br />
in Maui, Hawaii. You too can build a deck as well as the pros do!<br />
You can choose to make a regular deck or a long board. Learn<br />
how to laminate 7 layers of Canadian hard maple veneer into a<br />
street cruiser by using a one-sided foam mould and atmospheric<br />
pressure to press the veneers into a modern street deck shape .<br />
Your deck will then become one-of-a-kind as you design your<br />
own graphics and learn to apply them using stencils and paint .<br />
In addition to having a custom deck, you’ll learn about wood<br />
veneers used for the manufacture of skateboards, simple mould<br />
making techniques, atmospheric pressure, basic use of hand<br />
woodworking tools like rasps and sandpaper, designing graphics,<br />
template making, and deck finishing . As a bonus, you’ll design<br />
and create your own mini skate park . Prizes go to the best deck<br />
and mini park! No previous woodworking experience is required .<br />
Your registration fee includes the materials for building a skateboard<br />
deck kit. Wheels and trucks are not included in this kit.
HUntsViLLe<br />
Acrylics & Mixed Media – Introductory<br />
JULY 23 to 27 in HUntsViLLe<br />
COURSE CODE <strong>ARTS</strong>1175 SECTION 48<br />
INSTRUCTOR Annette Blady Van Mil<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Learn methods and techniques using acrylics paints and acrylic<br />
products that will start you on an exciting journey of discovery .<br />
You will be encouraged to work in a variety of formats, using traditional<br />
painting materials and fluid acrylics, as well as heavy body<br />
paints with collage . While technique will remain an important<br />
aspect, emphasis will be placed on experimentation, building a<br />
personal style and colour sense, choosing subject matter, and<br />
open in-class discussions about the work produced .<br />
This course will run simultaneously with Acrylics & Mixed<br />
Media – Intermediate. Please clearly indicate which level you<br />
are registering for.<br />
Acrylics & Mixed Media – Intermediate<br />
COURSE CODE <strong>ARTS</strong>712 SECTION 48<br />
INSTRUCTOR Annette Blady Van Mil<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners and is<br />
designed for those who have some previous experience with<br />
acrylic painting.<br />
In this course you will be encouraged to work in larger formats,<br />
using traditional painting materials and fluid acrylics, as well as<br />
heavy body paints with collage . While technique will remain an<br />
important aspect, emphasis will be placed on experimentation,<br />
building a personal style and colour sense, choosing subject<br />
matter, and open in-class discussions about the work produced .<br />
This course will run simultaneously with Acrylics & Mixed<br />
Media – Introductory. Please clearly indicate which level you<br />
are registering for.<br />
Life Drawing and Painting<br />
COURSE CODE <strong>ARTS</strong>125 SECTION 48<br />
INSTRUCTOR Steve Rose<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Learn how to have your figurative work flow from your hand . This<br />
extensive course, working with the life model, will address your<br />
personal artistic development . Instruction in drawing the figure,<br />
drawing techniques and applying colour theory will be a strong<br />
foundation for continuing artistic practice in drawing and painting .<br />
You will explore new materials, strive for mastery of media with<br />
which you are familiar, and originate a life drawing project that<br />
addresses your own personal technical or conceptual problems .<br />
Drawings and paintings by a variety of artists will be available for<br />
viewing and reference . Upon completion you will have the ability<br />
to use life drawing as the basis for a process of ongoing investigation<br />
that will continue to build skill, perception and ease, as well<br />
as provide a foundation for expression in drawing and painting .<br />
Sculpting, Modelling & Mould Making Techniques<br />
COURSE CODE <strong>ARTS</strong>1622 SECTION 48<br />
INSTRUCTOR Brenda Wainman Goulet<br />
DATES July 23 – 27, 2012<br />
FEE $309 .00 (includes $9 .26 material fee)<br />
Instruction will provide a comprehensive introduction to sculpting<br />
and modelling techniques. You will create sculptures in clay and<br />
learn some simple mould making techniques that will enable you<br />
to reproduce duplicates of your originals . The duplicates will then<br />
be finished with various faux-bronze and stone-like techniques<br />
suitable for indoor or outdoor placement . Please note that clay<br />
pieces will not be fired in this course . There will be an $80<br />
material fee payable to the instructor .<br />
Sketchbook Journal<br />
COURSE CODE <strong>ARTS</strong>1156 SECTION 48<br />
INSTRUCTOR Ramune Luminaire<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Journaling is a great start to making any kind of art . This is<br />
not about ‘sketching’ as in copying what you see, but about<br />
responding and recording. You don’t have to know how to draw<br />
to take part . Learn to use a sketchbook to take notes, as well as<br />
record events, impressions, emotions and develop ideas. You’ll<br />
be using pencil, charcoal, crayon, ball point pen, mixed media,<br />
photography, collage and found materials to explore techniques<br />
for making connections and growing ideas from one page to the<br />
next . Discover how to develop material into ideas for projects<br />
and at least one will be taken to completion . Enjoy outings in the<br />
village, the Sculpture Forest, and the campus itself . All levels of<br />
artistic skill are welcome . There will be a $20 material fee payable<br />
to the instructor .<br />
Watercolour Basics & Beyond<br />
COURSE CODE <strong>ARTS</strong>1184 SECTION 48<br />
INSTRUCTOR Marta Scythes<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Discover the beauty of the wonderful medium of watercolour .<br />
In an easy, relaxed class atmosphere, the basics of watercolour<br />
painting will be instructed and reviewed . With each lesson, new<br />
watercolour techniques, colour theory, composition and design<br />
elements will be introduced and incorporated into the step-bystep<br />
instructional demonstrations .<br />
Watercolour with Wool – Felted Landscapes<br />
COURSE CODE <strong>ARTS</strong>1710 SECTION 48<br />
INSTRUCTOR Pamela Carnochan<br />
DATES July 23 – 27, 2012<br />
FEE $299 .74<br />
Please note: This course requires no previous knowledge of wool,<br />
painting or drawing.<br />
Learn to process a raw fleece into a usable form, washing,<br />
carding, picking and dyeing the wool . Utilizing wet and needle<br />
felting techniques, this fleece will then be used to make a<br />
substantial piece of felt, from which you will then create a<br />
watercolour with wool landscape . The surrounding landscape will<br />
inspire you to see painting in a whole new way. You are invited to<br />
be playful and creative while not being concerned with perfection .<br />
There will be an $80 material fee payable to the instructor . Fee<br />
may vary depending on your project .<br />
JULY 2012<br />
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satUrDaY, JULY 28, 2012<br />
Acrylic Non Objective Abstract Workshop**<br />
COURSE CODE <strong>ARTS</strong>1678 SECTION 41<br />
INSTRUCTOR Marianne Broome<br />
DATES July 28, 2012<br />
FEE $97 .24<br />
Suitable for all skill levels, this is an exciting opportunity for<br />
exploration and creativity . Composition and design provide<br />
the foundation for a successful abstract painting . To this end,<br />
different design possibilities and ways to kick-start your painting<br />
will be discussed, along with the selection of a suitable colour<br />
palette . Many abstract painting techniques will be demonstrated,<br />
including ways to incorporate and enhance texture and using<br />
various tools for layering, glazing and scraping away paint . Reference<br />
pictures will be provided but please also bring your own .<br />
There will be a $5 material fee payable to the instructor .<br />
Embroidery for Crazy Quilting Workshop**<br />
COURSE CODE <strong>ARTS</strong>1593 SECTION 41<br />
INSTRUCTOR Chari-Lynn Reithmeier<br />
DATES July 28, 2012<br />
FEE $97 .24<br />
Learn many of the traditional crazy quilt embroidery stitches<br />
including the Feather, Herringbone, Button hole, Cretan, Lazy<br />
Daisy and French Knot . Using silk ribbon you will also create the<br />
Spider Web Rose . Beginning with an easy and effective method of<br />
hand piecing a crazy quilt block you will continue to embellish with<br />
embroidery stitches, learning how to incorporate lace, embroider<br />
with beads and apply charms and buttons. You will complete your<br />
block by combining stitches to create new patterns . There will be<br />
a $30 material fee payable to the instructor .<br />
Faux Food Workshop**<br />
COURSE CODE <strong>ARTS</strong>1698 SECTION 41<br />
INSTRUCTOR Frances Key<br />
DATES July 28, 2012<br />
FEE $97 .24<br />
Learn a variety of sculpture techniques and experience the magic<br />
and humour of creating faux food . Appetizers, sushi, petit fours,<br />
pastries and other delicious delights become the centre pieces<br />
that dress up your table . Sculpt and build these small extraordinary<br />
pieces of art using a variety of foams, gel mediums, acrylic<br />
paint, latex and more. Your next culinary gathering will have a<br />
particularly artful twist! There will be a $20 material fee payable to<br />
the instructor .<br />
Glass Flamework Workshop**<br />
COURSE CODE <strong>ARTS</strong>699 SECTION 41<br />
INSTRUCTOR Brad Sherwood<br />
DATES July 28, 2012<br />
FEE $97 .24<br />
Flameworking is a method for shaping through the use of a torch .<br />
You can heat glass to a molten state and then sculpt, blow and<br />
manipulate it, creating highly detailed and colourful glass objects .<br />
You will learn the basics of operating a flameworking torch safely<br />
and see demonstrations in the tools and techniques of beadmaking<br />
and small glass sculpture . Additionally you’ll have the<br />
opportunity for hands-on practice, creating a number of small<br />
flameworked objects . Using a torch is a relatively inexpensive<br />
way for you to work with molten glass and is commonly set up in<br />
home studios . This workshop is intended to provide an introductory<br />
experience for this exciting medium . No previous glass experience<br />
is necessary . There will be a material fee of approximately<br />
$30, depending upon projects chosen, payable to the instructor .<br />
Gourd Drum Making Workshop**<br />
COURSE CODE <strong>ARTS</strong>1130 SECTION 41<br />
INSTRUCTOR John Proctor<br />
DATES July 28, 2012<br />
FEE $97 .24<br />
Hard Shelled Gourds have been used for<br />
instrument building for over 3,000 years .<br />
Virtually every instrument played today has<br />
a gourd ancestor . A member of the squash<br />
family, these particular gourds, when dry, are as<br />
tough as wood and lend themselves perfectly for<br />
constructing all kinds of percussion instruments. You<br />
will make your own rope tuned drum out of a hard shelled gourd<br />
in this one day workshop . After cutting, cleaning and finishing<br />
the gourd drum body, we will attach a goat skin head with rings<br />
and rope . A demonstration for final tuning will be provided .<br />
Other gourd percussion instruments will be available for discussion<br />
and playing . There will be a $65 material fee payable to the<br />
instructor .<br />
Painted Floor Cloths Workshop**<br />
COURSE CODE <strong>ARTS</strong>405 SECTION 42<br />
INSTRUCTOR Amanda Brittin<br />
DATES July 28, 2012<br />
FEE $97 .24<br />
A floor cloth can be funky and whimsical or created to match<br />
interior décor. You will have complete freedom to design in your<br />
own personal style with lots of help from the instructor . Basic<br />
painting techniques such as colour-washing and stencilling will<br />
be taught in addition to more detailed hand-painting tips . This<br />
workshop is intended as a fun and stress-free day that results in a<br />
wonderful piece of art for underfoot . There will be a $35 material<br />
fee payable to the instructor .<br />
Painting – Flower Power Workshop**<br />
COURSE CODE <strong>ARTS</strong>1290 SECTION 41<br />
INSTRUCTOR Andrea Mossop<br />
DATES July 28, 2012<br />
FEE $97 .24<br />
The mysterious, elusive Georgia O’Keeffe moved from New York<br />
to a solitary artistic life in the desert of New Mexico . Captivated<br />
by the sacred landscape, she responded with large, intimate<br />
images of flowers and the landscape, powerful metaphors of life .<br />
In this workshop you will create one large painting of a single<br />
bloom, adopting the methods and techniques of her painting<br />
process . Looking at how she lived her own myth, the ‘participation<br />
mystique’ with nature, learn how to see as an artist and apply<br />
intuitive design . Instruction is suited to all skill levels and you are<br />
welcome to work in the media of your choice (no solvents) .<br />
Step Dance Workshop**<br />
COURSE CODE <strong>ARTS</strong>1722 SECTION 41<br />
INSTRUCTOR Cindy Thompson Butineau<br />
DATES July 28, 2012<br />
FEE $97 .24<br />
The hardest thing about learning to step dance is just making the<br />
decision to walk in and take the first step! Experience the joy of<br />
step dancing with instruction suited to students with no previous<br />
experience . Learn the basic shuffle and how to use it in 4/4 and<br />
6/8 timing . Heels and toes, hops and stamps, and other footwork<br />
will be explored . Patterned steps will be taught and a few short<br />
routines memorized. You’ll be accommodated at your pace and<br />
have lots of fun! Please note that this style of dance requires a<br />
certain degree of endurance . There will be a $10 material fee<br />
payable to the instructor .
Textiles – Special FX Workshop**<br />
COURSE CODE <strong>ARTS</strong>1723 SECTION 41<br />
INSTRUCTOR Pamela Woodward<br />
DATES July 28, 2012<br />
FEE $97 .24<br />
Take textile surfaces beyond two dimensions . Explore a variety of<br />
techniques to bring 3D depth to your textile projects . A preprepared<br />
fabric kit will provide you with the materials to explore<br />
how colour, value, and relative size may be arranged to create the<br />
illusion of depth and/or layered elements . Another pre-prepared<br />
piece of fabric will take you into fabric manipulation . Bringing<br />
3D to the fabric adds even greater depth, resulting in more play<br />
of light and shadow . Project placement and directional lighting<br />
will be an important part of all the exercises . There will be a $20<br />
material fee payable to the instructor .<br />
Ukulele Workshop**<br />
COURSE CODE <strong>ARTS</strong>1704 SECTION 41<br />
INSTRUCTOR Eve Goldberg<br />
DATES July 28, 2012<br />
FEE $97 .24<br />
Discover some of the many musical possibilities offered by this<br />
beguiling instrument . Explore chords and strumming as well<br />
as melody playing and put it all together in simple but effective<br />
group arrangements . Along the way you’ll learn a scale or two,<br />
improve singing and listening skills, and demystify some of the<br />
notes on the page . There will be a $5 material fee payable to the<br />
instructor .<br />
Upholstery Workshop**<br />
COURSE CODE <strong>ARTS</strong>1186 SECTION 41<br />
INSTRUCTOR Evelyn Bouma and Krystyna Czerska<br />
DATES July 28, 2012<br />
FEE $97 .24<br />
Reduce, Re-use and Recycle, the three Rs, are the three pillars<br />
of recycling philosophy . Upholster a footstool and discover how<br />
to re-design family heirlooms to blend with the décor of your<br />
home . Basic upholstery techniques will be applied to a footstool<br />
kit which will be supplied . Learn how to make a simple gimp<br />
trimming with narrow strips of upholstery fabric, a handmade<br />
replacement for what usually is a purchased gimp or trim. You<br />
are also invited to bring a small piece of furniture you would like<br />
to re-upholster, such as a dining chair or stool and, time permitting,<br />
get expert advice on how to restore upholstered furniture to<br />
its former glory . There will be a $45 material fee payable to the<br />
instructor .<br />
JULY 30 to aUgUst 3, 2012<br />
Acrylics – Non Objective I<br />
COURSE CODE <strong>ARTS</strong>1267 SECTION 42<br />
INSTRUCTOR Lila Lewis Irving<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginner painters.<br />
Abstraction experience is not required . In this introductory<br />
course, you will learn the basic principles of non objective<br />
painting . No images allowed – non objective painting has a<br />
complete lack of subject matter . Boldness, individualism and<br />
experimentation will be encouraged, emphasizing shapes, values<br />
and colour .<br />
Animals in Art<br />
COURSE CODE <strong>ARTS</strong>996 SECTION 41<br />
INSTRUCTOR Jay Dampf<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Our artistic history began with the portrayal of animals on cave<br />
walls and the importance of our connection to the natural world<br />
is just as relevant today . Whether you are working at a beginner<br />
or more advanced level of skill you will explore that history in the<br />
mediums and the styles of your choice . This hands-on course is<br />
an excellent opportunity for those who need of individual attention<br />
and easy going, step-by-step instruction in the physical, practical<br />
production of animal art . In addition to individual attention, you<br />
will learn a great deal from the demonstrations given to others in<br />
their styles and mediums . Skills learned can be applied to much<br />
more than the depiction of nature and animals . The instructor<br />
recommends that potential students contact him prior to the<br />
course. Your experience will be enhanced in specifics regarding<br />
mediums, supplies and personal projects can be discussed .<br />
Art Clay – Silver/Gold<br />
COURSE CODE <strong>ARTS</strong>703 SECTION 41<br />
INSTRUCTOR Sophia Tink<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Bring your jewellery designs to life using Art Clay Silver/Gold,<br />
a medium that moulds like clay and fires to 99 .9% pure Silver<br />
or 24K Gold. You can manipulate the medium into virtually any<br />
shape you desire . Instruction will address various techniques<br />
such as: Filigree (syringe type), burnout methods, appliqué,<br />
hollow forming, carving, attaching findings, layered leaf technique,<br />
setting synthetic stones, firing, and polishing . With these<br />
techniques you will design four projects of your choice . Some<br />
possibilities are rings, pendants, earrings, pins, or a non-wearable<br />
art piece . Techniques such as Keum Bu, and methods utilizing<br />
resins and Vitrea 160 paint for enamelling will also be addressed .<br />
There will be a $225 material fee payable to the instructor . If<br />
you are interested in working with Art Clay 22 karat yellow gold,<br />
please contact the instructor for assistance .<br />
JULY 2012<br />
59
60<br />
Bird Carving – Intermediate/Advanced<br />
COURSE CODE <strong>ARTS</strong>290 SECTION 41<br />
INSTRUCTOR Bruce Lepper<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Project Title: Miniature Female Cardinal<br />
Please note: This course is not suitable for beginners.<br />
Emphasis will be on the various stages of bird carving including<br />
shaping, feather groups, imitating feather detail, applying acrylic<br />
paints and exploring basic painting techniques . Instruction will<br />
also be provided on anatomy, feather diversity, eye placement,<br />
preparing to paint, mounting the bird and on the safe use of tools .<br />
There will be a $30 material fee payable to the instructor .<br />
Blues Vocals & Song Writing<br />
COURSE CODE <strong>ARTS</strong>1749 SECTION 41<br />
INSTRUCTOR Suzie Vinnick<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Please note: The ability to read music is not required for this<br />
course.<br />
From basic stretches and vocal warm-ups, progress to the<br />
composition and performance of your own blues song . Study<br />
the structures of and vocally interpret a collection of traditional<br />
and contemporary blues and gospel songs . Basic blues vocal<br />
improvisation utilizing the blues scale will be practiced in a<br />
supportive and encouraging environment . An exploration of the<br />
history of some of the classic blues singers and the stories behind<br />
their songs will also be included . There will be a $10 material fee<br />
payable to the instructor .<br />
Braided Mats<br />
COURSE CODE <strong>ARTS</strong>365 SECTION 41<br />
INSTRUCTOR Wendy E . Bateman<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
This course is a recycler’s dream! No previous experience is<br />
necessary and individual skill levels will be accommodated. You<br />
will learn the preparation of wool coats, garments, and yardage<br />
for transformation into useable yarns . Techniques learned will<br />
produce thick, finished floor mats or sets of chair pads without<br />
sewing together rounds as in traditional braided rugs . This is<br />
a hand-manipulated method done on simple braiding looms .<br />
Colour and design exercises will produce balanced creative products<br />
. As a returning student you are welcome to advance your<br />
ideas and goals . Looms will be available for use and/or purchase .<br />
Instructor contact information will be available on the material<br />
list or upon registration, to enable you to make arrangements<br />
according to your preference . To assist you to start your braiding<br />
quickly, a supply of previously cut wool strips can be purchased<br />
in class .<br />
Bronze Casting – Introductory<br />
COURSE CODE <strong>ARTS</strong>1714 SECTION 41<br />
INSTRUCTOR Stewart Smith<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Discover the ancient art of metal casting in sand, a technique still<br />
current in many foundries throughout the world . Learn the feel of<br />
this interesting casting medium, how to make moulds, and how<br />
to get molten metal into the cavity. You will also play with polymer<br />
clay to create basic foundry patterns that will be cast in bronze .<br />
There are endless challenges in sand casting and this course will<br />
allow you to experiment on a small scale with the possibilities of<br />
the medium . The basics of metal finishing will be covered as well,<br />
enabling you to be in possession of a collection of beautiful and<br />
permanent artefacts . There will be $80 material fee payable to<br />
the instructor .<br />
Cultural Symbols & Creative Patterning<br />
COURSE CODE <strong>ARTS</strong>1667 SECTION 41<br />
INSTRUCTOR Suzi Dwor<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
This course will benefit painters, collage artists, quilt makers,<br />
fibre artists, and printmakers with or without prior experience .<br />
Explore the symbols, patterns, art, architecture and music from<br />
a variety of cultures around the world . India, Nepal, Israel,<br />
Australia, Tibet, Mexico, Japan, Africa, Ireland and more will be<br />
included in inspirational and creatively adventurous investigations<br />
. From a study of the meaning and use of the five universal<br />
symbols – circle, square, triangle, spiral, and cross – you will<br />
begin to create your personal palette of images . Explore and<br />
experiment with a wide range of materials: watercolours, acrylics,<br />
pencil, charcoal, acrylic mediums, rice papers and gold leaf<br />
papers to create a series of art explorations . Automatic drawing,<br />
painting techniques, resist painting, collage, and plaster relief<br />
work on a variety of papers will be used to support the desired<br />
effect for surfaces. You will also create a personal mandala on<br />
a large stretched canvas using your new repertoire of symbols,<br />
patterns and colours . A mandala is a symbol, usually circular and<br />
sometimes square, that can release creative blocks and lead to<br />
personal insights and artistic discoveries . Art technique demonstrations<br />
and presentations with visuals will be rich and plentiful .<br />
There will be a $30 material fee payable to the instructor .<br />
Glass Slumping & Fusing<br />
COURSE CODE <strong>ARTS</strong>614 SECTION 41<br />
INSTRUCTOR Heather Wood<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Explore and experiment with the exciting possibilities of kiln-fired<br />
glass . Learn how to fuse glass into flat objects and then, using<br />
moulds, learn how to shape the glass into 3 dimensional<br />
forms . Fusing principals will be discussed, as well as<br />
technical information such as compatibility, annealing<br />
and firing procedures . Sandblasting and cold working of<br />
projects will complete the week . Instruction is suitable for<br />
both beginner and experienced students . There will be a<br />
$95 material fee payable to the instructor .
When V. Jane Gordon looks at your work<br />
she not only sees its totality but also its<br />
core. It can be scary but it is a gift others<br />
envy. She helps find your path and then<br />
becomes your compass. Praise be!<br />
~ Gary Gray, Faculty OCAD University<br />
Inquiry for Artists<br />
COURSE CODE <strong>ARTS</strong>1747 SECTION 41<br />
INSTRUCTOR V . Jane Gordon<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Inquiry exercises will be used to collect material outside the<br />
studio for a part of each day . This collection of material through<br />
inquiry is a way of recording the sensory experiences of the<br />
body through an intense engagement with a specific place . This<br />
is followed by a daily coaching process in the studio . Students<br />
use the collected Inquiry exercise material to explore combining<br />
elements of scientific inquiry with the skills typically used in their<br />
artistic practice . Through this studio experience, student’s raw<br />
collected Inquiry information becomes liberated content that will<br />
be combined and recombined into new directions for work . This<br />
course is suitable for all artists working at any level and in any<br />
discipline .<br />
Kids’ Metal Jewellery Arts**<br />
COURSE CODE <strong>ARTS</strong>397<br />
INSTRUCTOR Susan Watson Ellis<br />
DATES July 30 – August 3, 2012<br />
FEE $97 .80<br />
SECTION 41: 9:00 – 12 Noon 5 – 7 years old<br />
SECTION 42: 1:00 – 4:30 pm 8 – 10 years old<br />
Unique jewellery creations made by YOU! Learn to form and<br />
decorate copper, aluminum, nickel silver and bronze . Then add<br />
a little fun and a few personal touches with beads and marbles .<br />
You’ll make custom tags for your pets, pendants for yourself, I.D.<br />
bracelets and key rings . Decorate your projects using handstamping<br />
and hammering techniques and also learn to shape<br />
wire into chains, rings and pins . There will be a $30 material fee<br />
payable to the instructor .<br />
Kids’ Outdoor Art Adventures**<br />
COURSE CODE <strong>ARTS</strong>1758<br />
INSTRUCTOR Paul Marshall<br />
DATES July 30 – August 3, 2012<br />
FEE $97 .80<br />
SECTION 41: 1:00 – 4:30 pm, 5 – 7 years old<br />
SECTION 42: 9:00 – 12 Noon, pm 8 – 10 years old<br />
Use art as an exploration tool! Every day you will spend time<br />
outside, actively taking inspiration from your natural surroundings<br />
to produce fabulous artwork using a variety of materials and<br />
tools . Make a book that will become your nature journal, paint<br />
with watercolours, and create mixed media collage and sculpture .<br />
Observation, appreciation and exploration will be the focus during<br />
time spent outside and time producing art work . There will be a<br />
$25 material fee payable to the instructor .<br />
Landscape of the Model<br />
COURSE CODE <strong>ARTS</strong>550 SECTION 41<br />
INSTRUCTOR Joanna Nash<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. It is<br />
an intermediate/advanced level art class for which previous<br />
drawing and painting experience is required.<br />
This course was influenced by the American artist/teacher Jim<br />
Dine, and offers a unique, in-depth exploration of one model and<br />
one work surface . The discipline of examining one subject over a<br />
sustained period, enhances an understanding of the exterior and<br />
prods the imagination to reveal interior possibilities . In response<br />
to the observations, you are guided in the methods of mixing<br />
media – combining and juxtaposing in sequence: dry, water<br />
based, acrylic and/or oil materials . Each day you will work to build<br />
up your graphic and/or paint surface, then work at reduction<br />
and simplification . Weather permitting 1st day we’ll be working<br />
outdoors with a model . Emphasis is placed upon work process<br />
and the evaluation of the image . Special attention is directed<br />
toward finding and losing definition, developing sensitivity to<br />
marks, varying edges, building up surface, challenging your<br />
visual memory, and developing a personal touch . At the end of<br />
each day the image can be toned down by scraping or applying a<br />
semi-transparent wash, muting the day’s accumulated detail . The<br />
course is accompanied by slide presentations with commentaries<br />
as well as individual and group constructive critical discussions .<br />
To help the instructor intuit individual technical needs and help<br />
you advance your personal work process, examples of successful<br />
and unsuccessful works (unframed, photo or slides) should be<br />
brought to the first class .<br />
Machine Knitting – Technique to Attire<br />
COURSE CODE <strong>ARTS</strong>1675 SECTION 41<br />
INSTRUCTOR Monika Stramaglia<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Explore the critical information of the swatch and learn to create<br />
a pattern for a garment . Machines with ‘knit radar’ or ‘contouring<br />
device’, as well as external contouring devices, make this process<br />
easy. You will be encouraged to plan and knit a cardigan. Instruction<br />
is suitable for beginner and intermediate knitters, and all<br />
types of knitting machines, including the LK100, LK150, Brother<br />
KX350. You are required to bring your own knitting machine,<br />
in good working order . Please contact the school for assistance<br />
if you do not own a machine . If needed, rentals are available<br />
for a fee of $30 . There will be a $30 material fee payable to the<br />
instructor<br />
Oil Painting<br />
COURSE CODE <strong>ARTS</strong>285 SECTION 41<br />
INSTRUCTOR Andrea Mossop<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
This studio course in safe, non-toxic and environment-considerate<br />
practise in oils, is designed to engage you in the fundamental<br />
aspects of painting . Specific issues that form the language<br />
of painting will be explored . These will include spatial structure,<br />
mark-making, colour, shape, form, scale, texture, and surface<br />
relationships . Learning traditional and contemporary handling<br />
of oil paint, and with individual instruction, you will develop<br />
confidence in your own painting ability . This course is suitable<br />
to all skill levels from beginner to advanced. You are invited to<br />
work with oil paint in an environment that encourages individual<br />
freedom and expression .<br />
aUgUst 2012<br />
61
62<br />
Open Studio – Painting<br />
COURSE CODE <strong>ARTS</strong>1258 SECTION 42<br />
INSTRUCTOR Steve Rose<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
This course is an excellent opportunity to challenge, explore, and<br />
expand upon your personal art practice . The learning environment<br />
is an independent open studio format that is suitable for<br />
any subject matter and style of approach . Expand your visual<br />
language, painting skills, and artistic literacy in a safe and highly<br />
creative environment . Instruction will encourage creative imagery,<br />
content, and contemporary execution of your ideas . In addition<br />
there will be ongoing personal and group critiques as well as<br />
daily informal lectures on artists, art movements, and related art<br />
history .<br />
Paddle Making<br />
COURSE CODE <strong>ARTS</strong>1745 SECTION 41<br />
INSTRUCTOR Russ Parker<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
A handcrafted paddle is a work of art . Discover age-old techniques<br />
as you choose and create two canoe paddles, West Greenland<br />
style Inuit kayak paddles, contemporary bent shaft kayak<br />
paddles, or any combination of the three types. Your paddles<br />
will be unique and personal as you will choose your paddle style<br />
and length . From laying out the centre lines, to planning and<br />
carving the blades, grips and shafts, through to final sanding and<br />
finishing, you will create paddles that precisely suit your needs<br />
and paddling style . In order to prepare the blanks you will be<br />
required to select the style and size of your paddle blanks by<br />
June 15, 2012 . A third paddle blank can be ordered for those<br />
participants who wish to continue with their newly learned paddle<br />
making expertise . Registrations may still be received after June<br />
15 if there is space in the course and time to create the blanks .<br />
Please contact the school to inquire if this is the case . There<br />
will be a $35 to $120 per paddle material fee payable to the<br />
instructor . Details available on the material list .<br />
Painting Basics<br />
COURSE CODE <strong>ARTS</strong>1746 SECTION 41<br />
INSTRUCTOR Shannon Partridge<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
This course provides an introduction to acrylic painting . The<br />
projects will help you develop drawing and painting skills, as well<br />
as learn an overview of acrylic painting techniques while encouraging<br />
personal visual exploration and expression . Working from<br />
a variety of sources, focusing on a selection of painting concerns<br />
and perspectives, you will acquire a foundation for future artistic<br />
painting endeavours . There will be a $20 material fee payable to<br />
the instructor .<br />
Painting Playfully<br />
COURSE CODE <strong>ARTS</strong>1673 SECTION 41<br />
INSTRUCTOR Michele Karch Ackerman<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
In this inspirational course designed for both the beginner and<br />
advanced student, you will be guided on a creative journey to free<br />
painting and drawing inhibitions . Innovative exercises will result in<br />
the development of tangible, dynamic and visually exciting works<br />
of art . Whether you feel restricted by years of technique classes<br />
or have very little experience with art you will learn to intuitively<br />
explore colour and technique through a series of experiential<br />
exercises inspired by noted artists throughout art history. Your<br />
unique vision will be encouraged as you explore the world of<br />
colour, collage and paintings . Tiny ‘jewel’ watercolour collages,<br />
‘ab/ex’ altered books and a series of explorative painted shadow<br />
boxes will engage your creativity . There will be a $30 material fee<br />
payable to the instructor .
Pen & Ink and Colour<br />
COURSE CODE <strong>ARTS</strong>165 SECTION 41<br />
INSTRUCTOR Marta Scythes<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
The intricate art of pen and ink will be explored through a series<br />
of fun exercises designed to improve observational skills, composition,<br />
value range and colour application . Several ink techniques<br />
will be demonstrated, including painted washes . The colour<br />
element will be introduced mid-course which will involve the use<br />
of watercolour combined with the black and white composition .<br />
Personal choice of subject matter will be encouraged . Composition<br />
and colour theory will be addressed throughout the course .<br />
There will be a $1 .00 material fee payable to the instructor .<br />
Photography – In Camera<br />
COURSE CODE <strong>ARTS</strong>1690 SECTION 41<br />
INSTRUCTOR Elisabeth Feryn<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Good photographs are made, not just taken . Learn how to create<br />
an image, not just take a picture . The modern digital camera has<br />
many tools to help with the creative process . Understanding and<br />
using these tools will help you produce more visually dynamic<br />
photographs . Learn to make consistently better images through<br />
hands-on interactive work with your camera controls in the classroom,<br />
daily practical field trips, and in-depth reviews and critique<br />
sessions . Instruction will address digital photography techniques<br />
specifically . Post production possibilities may be discussed but<br />
will not be undertaken or applied in this course. You are required<br />
to bring digital SLR camera with manual functions .<br />
Pottery – Dinnerware<br />
COURSE CODE <strong>ARTS</strong>1396 SECTION 41<br />
INSTRUCTOR Bill Reddick<br />
DATES July 30 – August 4, 2012 (6 days)<br />
FEE $359 .26 (includes $18 .52 material fee)<br />
Please note: This course is not suitable for beginners. Throwing<br />
skills are required.<br />
This course will investigate the process of making dinnerware,<br />
from design concept to completion . The challenge of working<br />
on a commissioned basis to fulfill client expectations will also be<br />
addressed . Harmonizing design elements and function as well<br />
as colour, decoration, texture and durability will be explored . The<br />
emphasis will be on process and acquiring new skills, especially<br />
as they relate to the making of bowls and plates . Glazing the ware<br />
will not be a priority . Visual presentations of dinnerware development<br />
and creative process will be referenced . Additional clay will<br />
be available for purchase from the school at a cost of $20 per<br />
bag, which includes glazing and firing .<br />
Printmaking – Screen Monoprinting Plus<br />
COURSE CODE <strong>ARTS</strong>599 SECTION 41<br />
INSTRUCTOR Linda Kristin Blix<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Screen monoprinting is an innovative and unique printmaking<br />
technique that satisfies both painters and printmakers . Brilliant<br />
fabric dye is painted onto a silk screen in a spontaneous and<br />
fluid manner . Once dry, a squeegee is used to pull clear medium<br />
over the screen . The colours and unique surface textures are<br />
spectacular and cannot be achieved through painting directly<br />
on paper . This extremely versatile, fun and non-toxic technique<br />
forces you to paint in a fresh and free manner . Those who have<br />
stayed away from printmaking due to the technical aspect will<br />
be amazed at the multi-coloured and painterly prints created<br />
with such simplicity . This technique will be a good starting point<br />
for those beginning their artistic journey, yet challenging to<br />
seasoned artists . Upon mastering the basic techniques you will<br />
then be challenged to expand the possibilities by using paper<br />
stencils, layering, and combining the monoprints with lino cuts<br />
and stamps of your creation . Experimentation is encouraged and<br />
you’re welcome to bring fabric or papers to collage, and other<br />
mark making mediums to combine with this versatile technique .<br />
There will be a $70 material fee payable to the instructor .<br />
Printmaking – Watercolour Monotype<br />
COURSE CODE <strong>ARTS</strong>182 SECTION 41<br />
INSTRUCTOR Stephanie Rayner<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Non-toxic watercolour monoprinting is a dynamic art form<br />
combining the unlimited palette and radiant flow of watercolours<br />
with an unusual diversity of beautiful and compelling techniques<br />
unique to this process. You will learn proper use of an etching<br />
press, the preparation of your printmaking plates, the paper, the<br />
correct numbering, signing and care of your prints, plus at least<br />
six entirely different approaches to the medium with emphasis on<br />
the manipulation of watercolour washes on the plate’s impermeable<br />
surface that allows for a floating of colour in a way no other<br />
medium can. You will also be taught how to do watercolour<br />
monotypes at home without a press . This art form works with<br />
you . . .not having to print within a given time frees you to progress<br />
and play at your own pace with options for re-working, experimenting<br />
and even deleting without losing the entire work . This<br />
exciting process loosens artistic tightness, inspires confidence<br />
and expands creativity. You need not have previous experience<br />
in either watercolours or printmaking to achieve beautiful results .<br />
There will be a $47 material fee payable to the instructor .<br />
Processing Techniques<br />
for Expressive Arts Practitioners E<br />
COURSE CODE <strong>ARTS</strong>1584 SECTION 41<br />
INSTRUCTOR Edward Hagedorn<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Please note: To register for this course you must meet the<br />
admission requirements for the EXA Graduate Certificate.<br />
Details available on page 9.<br />
This course is an elective credit toward <strong>Fleming</strong> <strong>College</strong>'s<br />
Expressive Arts Certificate. It is not an elective credit toward<br />
<strong>Fleming</strong> <strong>College</strong>'s Visual and Creative Arts Diploma.<br />
This course is not suitable for beginners. Instruction is appropriate<br />
for experienced facilitators and practitioners of expressive<br />
arts. <strong>Fleming</strong> <strong>College</strong>’s Expressive Arts Ontario Graduate<br />
Certificate would be beneficial.<br />
This course will clarify the critical distinction between Expressive<br />
Arts practitioners and therapists . Learn and practice alternative<br />
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ways of processing a client’s expressive work . In a supportive<br />
atmosphere with other practitioners, you will playfully engage<br />
in the shared experience of exploring the challenging task of<br />
processing expressive artwork/arts experiences by shifting the<br />
focus from personal work to processing the work of others .<br />
Instruction and group experience will identify appropriate boundaries,<br />
develop proficiency in non-analytic, non-interpretational<br />
verbal questioning, and non-verbal processing techniques in<br />
order to amplify or deepen the expressive experience . Please be<br />
prepared to offer your personal expressive artwork as a focus<br />
for group discussion in order to facilitate the development of the<br />
targeted questioning techniques . There will be a $20 material fee<br />
payable to the instructor .<br />
Silversmithing – Introductory<br />
COURSE CODE <strong>ARTS</strong>1244 SECTION 41<br />
INSTRUCTOR Todd Jeffrey Ellis<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Learn basic forming techniques through traditional silversmithing<br />
methods of sinking and raising . Instruction will enable you<br />
to raise a 6” silver disk into a shallow bowl form. You will be<br />
required to bring your own silver; source information is available<br />
upon registration . It is recommended that you work in silver (this<br />
course requires a 6” x 6” x .75 mm thick piece of sheet sterling) .<br />
If preferred, copper could be substituted to decrease expense .<br />
There will be a $50 material fee payable to the instructor .<br />
Please note: This course will run simultaneously with Jewellery<br />
– Intermediate and Jewellery – Advanced. Please clearly<br />
indicate which level you are registering for.<br />
Silversmithing – Intermediate<br />
COURSE CODE <strong>ARTS</strong>1245 SECTION 41<br />
INSTRUCTOR Todd Jeffrey Ellis<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Continue to develop your skills by adding decorative elements<br />
to your vessels . Existing skills will be enhanced by instruction in<br />
crimp raising . The use of patterns to determine the final shape of<br />
the raised form will also be explored. You will be required to bring<br />
your own silver and/or copper . There will be a $50 material fee<br />
payable to the instructor .<br />
This course will run simultaneously with Jewellery – Introductory<br />
and Jewellery – Advanced. Please clearly indicate which<br />
level you are registering for.<br />
Silversmithing – Advanced<br />
COURSE CODE <strong>ARTS</strong>1246 SECTION 41<br />
INSTRUCTOR Todd Jeffrey Ellis<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
As an advanced student you are invited to bring a project you<br />
are working on, or through raising and fabrication, make more<br />
complex forms . Explore hand formed handles, spouts and other<br />
decorative elements of your own design . A working knowledge of<br />
soldering, sawing and filing is necessary as you will work independently,<br />
with guidance from the Instructor. You will be required to<br />
bring your own silver and/or copper . There will be a $50 material<br />
fee payable to the instructor .<br />
This course will run simultaneously with Jewellery – Introductory<br />
and Jewellery – Intermediate. Please clearly indicate which<br />
level you are registering for.<br />
Stringed Instrument Immersion – Intermediate<br />
COURSE CODE <strong>ARTS</strong>1032 SECTION 41<br />
INSTRUCTOR Bethany Houghton<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. Average<br />
playing level should be grades 2, 3, or 4 Conservatory or book<br />
2-3 Suzuki.<br />
This course is suitable if you have some experience on the violin/<br />
viola/cello and would like to advance your skills to the next<br />
level . Instruction includes music theory, history, lesson notes on<br />
performing, and lots and lots of playing! Your skill level and pace<br />
will be considered and accommodated . Fiddlers are more than<br />
welcome! Please bring your instrument if you have one . If not,<br />
they will be available to rent . Violin: $30, Viola: $35, Cello: $50 .<br />
There will also be a material fee of $10 payable to the instructor .<br />
Surface Design for Quilters & Fibre Artists<br />
COURSE CODE <strong>ARTS</strong>1658 SECTION 41<br />
INSTRUCTOR Elaine Quehl<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Discover and use many exciting surface design treatments to<br />
make original pieces of fibre art or to add depth, dimension and<br />
detail to your textile work and art quilts. You will be introduced<br />
to the properties and uses of Prismacolor Artist Pencils, Caran<br />
d’Ache Neocolour II Water Soluble Wax Pastels, Shiva Paintstiks,<br />
Tsukineko Inks, and Foils . Instruction will include demonstrations<br />
and a variety of samples will be available for reference . There will<br />
be ample time to experiment and create a small work . There will<br />
be a $25 material fee payable to the instructor .
Teen Stained Glass**<br />
COURSE CODE <strong>ARTS</strong>681 SECTION 41<br />
INSTRUCTOR Lia Howe<br />
DATES July 30 – August 3, 2012<br />
FEE $213 .86<br />
Please note: This course is suitable for teens 13 to 18 years of<br />
age.<br />
Stained glass is a diverse medium that uses the balance of light<br />
and colour to create dramatic results. You will learn the basics<br />
of traditional copper foil techniques, cutting glass, grinding,<br />
foiling and soldering . Individual creativity will be encouraged and<br />
an emphasis placed on creating one-of-a-kind, more complex<br />
projects . An introduction to 3-D hanging designs will also be<br />
taught . No experience necessary . There will be a $50 material fee<br />
payable to the instructor . Additional glass will be available for sale<br />
by the instructor for additional projects .<br />
Water Media Explorations<br />
COURSE CODE <strong>ARTS</strong>1656 SECTION 41<br />
INSTRUCTOR Nancy Newman<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Going beyond the traditional watercolour experience, explore<br />
creative ways of using and applying water media, including<br />
gouache, fluid acrylics and inks . To add excitement and drama to<br />
the painting process, experiment with materials such as rubber<br />
cement, pastels, watercolour pencils and crayons on a variety of<br />
substrates such as TerraSkin, Aquaboard and Yupo. Experiment<br />
with textural effects to achieve contrasts of texture, colour, line<br />
and shape . In a supportive and encouraging learning environment,<br />
create a series of small paintings that will be the inspiration<br />
and reference for future paintings . There will be a $20 material<br />
fee payable to the instructor .<br />
Watercolour – Abstraction<br />
COURSE CODE <strong>ARTS</strong>245 SECTION 41<br />
INSTRUCTOR Denis Cliff<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Discover a unique approach to image making . This course will<br />
challenge and encourage you to experiment with innovative ideas<br />
and techniques in watercolour painting . Traditional techniques<br />
will be coupled with creative image-making processes to produce<br />
new images and new techniques (some specifically developed<br />
by the instructor) . Involve yourself in a fuller appreciation of the<br />
potential of the watercolour medium . If you are a beginner you<br />
will receive a fresh and exciting introduction to the world of watercolour<br />
. If you’ve tried different watercolour courses in the past,<br />
you will thoroughly enjoy new experiences . Emphasis will be given<br />
to personal creativity and individual attention is guaranteed .<br />
Wire Sculpture – Home & Garden Décor<br />
COURSE CODE <strong>ARTS</strong>1671 SECTION 41<br />
INSTRUCTOR Charles O’Neil<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Please note: This course requires the use of simple hand tools<br />
(wire cutters, pliers).<br />
Learn the use of simple hand tools to manipulate various gauges<br />
and types of wire into decorative or functional shapes . Instruction<br />
will begin with the creation of basic geometrical shapes that will<br />
be further developed to create a sculpture of your own vision .<br />
Whether you decide to create a hanging patio lantern, outdoor<br />
seasonal décor, or a basket, you will be guided to the successful<br />
completion of a sculpture of your own design and scale . Finished<br />
works can be used as accent pieces for the home, garden or<br />
office . There will be a $40 material fee payable to the instructor .<br />
Writing Children’s Books<br />
COURSE CODE <strong>ARTS</strong>1388 SECTION 41<br />
INSTRUCTOR Ted Staunton<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Explore the magic of writing for the young, from toddlers to teens .<br />
Whether you’re a dabbler or dedicated writer, immerse yourself in<br />
writing, workshop sessions and consultations . There will also be<br />
opportunity for a one-on-one ‘Blue Pencil’ session with a work in<br />
progress . Practical publishing tips will be interspersed throughout<br />
instruction . Find your voice, find your stories, hone your skills,<br />
and enjoy .<br />
Youth/Teen Fabulous Faux Food**<br />
COURSE CODE <strong>ARTS</strong>1705 SECTION 41<br />
INSTRUCTOR Frances Key<br />
DATES July 30 – August 3, 2012<br />
FEE $ $213 .86<br />
Please note: This course is suitable for youth and teens from<br />
11 to 18 years of age.<br />
Fool your friends with fake food! Burgers, fries, sushi, meat,<br />
delectable desserts and other delights are created from a variety<br />
of foams, gel mediums, acrylic paints, latex and more . Sculpt,<br />
paint, and create as you learn the art of making faux food for the<br />
theatre or your home . Celebrate the last class by inviting friends<br />
and family to sample the real food hidden amongst the imposters .<br />
There will be a $20 material fee payable to the instructor .<br />
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HUntsViLLe<br />
JULY 30 to aUgUst 3 in HUntsViLLe<br />
Nora allows students to find their<br />
own voice; she brought out the best<br />
in everyone.<br />
Creative Writing – Giving Life to Your Story<br />
COURSE CODE <strong>ARTS</strong>1661 SECTION 48<br />
INSTRUCTOR Nora Zylstra Savage<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
The easiest place to start writing is from what you know best –<br />
and that’s you . This hands-on, high energy, fun course integrates<br />
effective writing techniques and styles with your own personal<br />
experiences and stories . Through a myriad of writing prompts and<br />
stimuli, including music, words, phrases and visualizations you’ll<br />
have an endless supply of writing topics and jumping off points to<br />
expand your writing horizons . Enjoy the opportunity to write, share<br />
and receive oral feedback in a sensitive and positive environment .<br />
For those that want to continue writing their own stories, you’ll<br />
be provided with information on where to start as well as how to<br />
organize and retrieve your memories . Explore and further develop<br />
creative writing skills and techniques using your own personal<br />
stories as source material . Be bold – give life, depth and interest<br />
to all your stories and put it in writing!<br />
Painted Furniture & Accessories<br />
COURSE CODE <strong>ARTS</strong>1538 SECTION 48<br />
INSTRUCTOR Margot Miller<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Cottage style, city slick or shabby chic . . . restyle, rework, recycle<br />
and upcycle your furniture or accessories with texture, pattern<br />
and colour to match your cottage, verandah, cabin or home . If<br />
there is an old favourite piece of furniture tucked away in your<br />
boathouse or garage that doesn’t fit the style of your rooms . . .<br />
transform it into a work of art . Design for your life style and<br />
budget! Experiment with faux finishes, stencils, hand painting,<br />
leaf prints, resists and finishing techniques on old tables, chairs,<br />
cabinets, lamps, chests, and more . Create vintage, refined<br />
romantic, cottage or retro-revival style. You will learn the tips<br />
and tricks of glazing for the sun soaked yellows of Provence and<br />
Tuscany, the tea stained battered look of vintage charm, the cool<br />
white wash of shabby chic or the layered depth of deep lacquers .<br />
Add buttons and bows for the MacKenzie-Childs look, birch bark<br />
and grape vine for a primitive Muskoka cottage style or a mosaic<br />
for a new table top . Instruction will accommodate all levels of skill .<br />
Furniture and accessories do not have to be stripped or under<br />
painted . There will be a $15 material fee payable to the instructor .<br />
Photography – Breaking the Rules<br />
COURSE CODE <strong>ARTS</strong>1748 SECTION 48<br />
INSTRUCTOR Jenny Kirkpatrick<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Please note: Instruction is best suited for intermediate to<br />
advanced photographers.<br />
Create more dramatic images by looking beyond the basics and<br />
shooting photographs that evoke emotion and express a unique<br />
vision . Instruction and the inspirational surroundings will inspire<br />
and encourage you to free your creative spirit and harness your<br />
passion for photography . Discover how this can be accomplished<br />
by breaking some of the rules . Experiment with various techniques<br />
including movement, multiple images and montages .<br />
High dynamic range imaging will also be explored . Design and<br />
composition and their use in developing more expressive images<br />
will be discussed . Free yourself from any preconceived ideas<br />
about how a photograph should look . Instruction consists of an<br />
intensive shooting schedule, with ample one on one guidance in<br />
the field; seminars and presentations, plus individual and group<br />
evaluation of participants’ images .<br />
Trees<br />
COURSE CODE <strong>ARTS</strong>1157 SECTION 48<br />
INSTRUCTOR Ramune Luminaire<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
For some, trees represent the bridge between earth and sky .<br />
Others are intrigued by their sculptural qualities, the mythology<br />
that surrounds them and their ecological importance . Create<br />
trees with personality, history and vitality . Working in mixed media<br />
and using photography, basic drawing, painting and simple<br />
printmaking techniques, you will be working outside as well as in<br />
the studio to create a whole forest of amazing trees . All levels of<br />
artistic skill are welcome . There will be a $20 material fee payable<br />
to the instructor .<br />
Watercolour on Canvas<br />
COURSE CODE <strong>ARTS</strong>1734 SECTION 48<br />
INSTRUCTOR Margot Snow<br />
DATES July 30 – August 3, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for absolute beginners.<br />
A basic knowledge of watercolour painting is required.<br />
Explore techniques that are best suited for this surface and<br />
discover mediums that will enhance your work . Investigate<br />
drawing, composition, colour and watercolour techniques such<br />
as negative space and glazing . Instruction will guide you from<br />
surface preparation to sealing and varnishing your finished work .<br />
If you are a tight painter, this technique will loosen you up as<br />
you work in a positive and encouraging environment . Beyond<br />
the creative possibilities, this technique removes the need for<br />
heavy frames, matting and glass . There will be a $20 material fee<br />
payable to the instructor .
aUgUst 6 to 10, 2012<br />
Acrylics – Non Objective II<br />
COURSE CODE <strong>ARTS</strong>1268 SECTION 42<br />
INSTRUCTOR Lila Lewis Irving<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Experience in painting and design is required.<br />
Learn the principles of non-objective art and further develop your<br />
painting skills . Boldness and experimentation will be encouraged<br />
as you explore the infinite possibilities of arranging shapes and<br />
colours .<br />
Artistic Exploration – Painting and Drawing<br />
COURSE CODE <strong>ARTS</strong>21 SECTION 41<br />
INSTRUCTOR Jay Dampf<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
For all artists there is a process for enhancing individual style<br />
and technique . In this course you will learn the skills needed to<br />
improve your personal ability and imagination, whether you are<br />
a new artist wishing to explore different mediums or experienced<br />
and wishing to master your techniques . On an individual basis,<br />
you will be taken, step-by-step, through the drawing and painting<br />
process, with emphasis on clear, enjoyable methods . This course<br />
offers you the unique opportunity for instruction on projects and<br />
mediums of your own choosing. You will also benefit from demonstrations<br />
given to other students . Assistance will be provided by<br />
the school if you wish to contact the instructor regarding ideas<br />
and mediums .<br />
Basketry by Nature<br />
COURSE CODE <strong>ARTS</strong>1672 SECTION 41<br />
INSTRUCTOR Sheila Ziman<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Please note: Previous basketry experience is an asset but is not<br />
essential.<br />
The natural environment provides a bounty of interesting material<br />
for basketry . Learn to identify, gather, store and prepare a variety<br />
of basketry materials found in nature . Some materials will be<br />
supplied, but others such as cattails and willow branches, will<br />
be gathered during the course . Be prepared to follow the natural<br />
path to basketry! A ribbed basket will be constructed using<br />
previously gathered grapevine, rush and bindweed . Cattails and<br />
a variety of rushes, sedges and grasses that you will gather locally<br />
will be used to make a small round twined basket . A trip to cut<br />
branches of willow, dogwood or alder will yield enough material to<br />
construct a lovely tray. Your final project will be the creation of a<br />
coiled basket of either Siberian Iris leaves or pine needles . There<br />
will be a $30 material fee payable to the instructor .<br />
Blacksmithing<br />
COURSE CODE <strong>ARTS</strong>38 SECTION 41<br />
INSTRUCTOR Rene Petitjean<br />
DATES August 6 – 10, 2012<br />
FEE $392 .33 (includes $92 .59 material fee)<br />
Please note: This course involves the use of hot forges and<br />
metal. You must be prepared to work independently with a<br />
high level of concentration, physical exertion and mechanical<br />
aptitude.<br />
Learn the basics of blacksmithing in a hands-on studio situation.<br />
You will have an opportunity to learn the skills required to<br />
produce appealing and functional objects using traditional blacksmithing<br />
techniques . Instruction will provide an understanding<br />
of simple forging principles such as drawing out, punching,<br />
scrolling and more . Finishing techniques will also be stressed .<br />
Ample opportunity will be provided to practice what you’ve seen<br />
demonstrated . Please bring a project concept with you .<br />
Creative Integration – Arts Across the Curriculum<br />
COURSE CODE <strong>ARTS</strong>1736 SECTION 41<br />
INSTRUCTOR Judith Mason<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Please note: Previous artistic experience is not required.<br />
Enjoy this approach to teaching curriculum content using<br />
creativity, imagination and vision . While this course is designed<br />
specifically for primary and intermediate school teachers who<br />
want to experience integrating curriculum content with artistic<br />
imagination, the process will be approached by pursuing a series<br />
of individual projects that build confidence and experience in<br />
your own creative process . Creative integration is an approach<br />
that invites teachers to use the arts to provide the structure for<br />
delivering curriculum content . Discover how to create a children’s<br />
classroom rich in imagination, creativity and exploration . Instruction<br />
and exercises will demonstrate how to integrate creative<br />
learning opportunities for students while meeting the requirements<br />
for student assessment and content delivery . Using a<br />
selection of curriculum expectations from different subject areas<br />
and grade levels, you will self-assess your own projects in terms<br />
of success at integrating at least three diverse subject areas .<br />
This course will emphasize visual art as the primary learning<br />
strategy, rather than an as an add-on activity at the end of a<br />
unit . Drama, movement and voice will also be investigated . The<br />
purpose of creative integration is to make learning fun, to open<br />
the hearts as well as the minds of the children you teach, and<br />
to create a learning environment rich in empathy, nurturing and<br />
personal growth . As a participant, you will have the opportunity<br />
to experience this, first and foremost, for yourself . This course is<br />
appropriate for those who feel that creativity comes easily as well<br />
as for those who are uncertain about their artistic abilities . There<br />
will be a $20 material fee payable to the instructor .<br />
Plan to attend the Art Auction on August 9!<br />
See page 97 for more information.<br />
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Embellished Textile Surface & Form<br />
COURSE CODE <strong>ARTS</strong>1253 SECTION 41<br />
INSTRUCTOR Judith Dingle<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Please note: Intermediate sewing skills are required to participate<br />
in this course.<br />
Explore the fascinating potential of the embellished and altered<br />
textile surface and form applied to the creation of jewellery<br />
(bracelets, earrings, necklaces, beads) and fashion accessories .<br />
Experiment with a large variety of techniques, applications and<br />
materials enabling you to create unique textile surfaces with<br />
rich and exotic textures, gorgeous colour and 3D, manipulated<br />
forms . Quick explorations with samples lead to the production of<br />
embellished surfaces enhanced with gilding, painting, stiffening,<br />
beading, padding, stuffing, wiring, collaging, folding, gathering,<br />
wrapping, fraying, patchwork, laminating and stitching . Apply<br />
lustrous gold leaf to colourful painted backgrounds, wrap exotic<br />
tassels and cords, embroider inspirational rich textures with a<br />
variety of special threads, floss and fibre, incorporate collected<br />
beads and transformed ‘found’ objects, and learn how to create<br />
beautiful beads and cords . Discussions will include contemporary<br />
trends in ‘Soft’ jewellery including the enormous impact of<br />
tribal body adornment, the intriguing integration of re-purposed,<br />
up-scaled, recycled textiles and translating your design inspirations<br />
into a special, unique artwork of your own choice. You are<br />
required to bring a reliable sewing machine in good working<br />
order . There will be a $35 material fee payable to the instructor .<br />
I’ve taught encaustic in Haliburton<br />
for over 10 years but I continue to be<br />
inspired by the creative energy and<br />
creations of my students.<br />
– Susan Fisher<br />
Encaustic Painting II<br />
COURSE CODE <strong>ARTS</strong>283 SECTION 41<br />
INSTRUCTOR Susan Fisher<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginner encaustic<br />
painters.<br />
Utilizing your encaustic painting skills and experience, you will<br />
learn more about monoprinting, photo transfer, layering and<br />
dipping, pouring, sculptural applications and multi-media. You<br />
will be encouraged to develop several projects using a combination<br />
of encaustic techniques . There will be a $100 material fee<br />
payable to the instructor .<br />
Expressionism – Power, Passion & Paint<br />
COURSE CODE <strong>ARTS</strong>1689 SECTION 41<br />
INSTRUCTOR Steve Rose<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Expressionism is a very unique approach and experience in<br />
artistic movements . It is an artistic force that is intense and highly<br />
personal . Essentially expressionism offers an opportunity to<br />
paint with subject matter but the overall feeling is one where the<br />
emotion is more important than the accurate depiction of objects .<br />
Content will range from portraits, to landscape, human and<br />
animal forms, to still life – all super charged with profound energy<br />
and impact . Instruction is ideal if you crave a freer attitude in your<br />
work and/or want to step outside your own creative comfort zone<br />
into a different realm .<br />
Expressive Arts – Demystifying Art Materials E<br />
COURSE CODE <strong>ARTS</strong>1222 SECTION 41<br />
INSTRUCTOR Fay Wilkinson<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Please note: To register for this course you must meet the<br />
admission requirements for the EXA Graduate Certificate.<br />
Details available on page 9.<br />
This course is an elective credit toward <strong>Fleming</strong> <strong>College</strong>'s<br />
Expressive Arts Certificate. It is not an elective credit toward<br />
<strong>Fleming</strong> <strong>College</strong>'s Visual and Creative Arts Diploma.<br />
Combine polishing your art making knowledge and skills with<br />
effective application of that knowledge to the populations you<br />
work with . Instruction will demystify the myriad of new art<br />
supplies on the market as you experiment with their properties,<br />
applications and suitability . Unusual art making processes such<br />
as papermaking, beeswax dipping and simple fabric/fibre art as<br />
well as the use of photographs will be explored in the context of<br />
incorporating them into your expressive arts work . Sharing your<br />
experiences in the field will be strongly encouraged . There will be<br />
a $25 material fee payable to the instructor<br />
Felt Lace<br />
COURSE CODE <strong>ARTS</strong>1741 SECTION 41<br />
INSTRUCTOR Diane Gonthier<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. Intermediate<br />
to advanced level spinning skill are required. Some basic<br />
felting experience is also recommended.<br />
Felt lace is a more or less open fabric, made exclusively of yarn,<br />
held together by careful wet felting . It offers a wide range of lace<br />
possibilities especially when the design starts from the spinning<br />
stage . Learn the measurable spinning parameters and techniques<br />
that optimise yarn attachment for a successful felt lace, including<br />
various yarn compositions and structures . Explore different yarn<br />
densities to create different lace types . Several samples will be<br />
spun and felted; along with creating some personal felt lace projects<br />
. The experience will benefit from the whole group’s results .<br />
From curtains, collars, and placemats to lamp shades; dare to<br />
challenge your spinning expertise and creative mind! There will<br />
be a $25 material fee payable to the instructor .
Glass Flamework<br />
COURSE CODE <strong>ARTS</strong>698 SECTION 41<br />
INSTRUCTOR Brad Sherwood<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Flameworking is a method of shaping glass through the use of<br />
a torch . Glass is heated to a molten state and you then sculpt,<br />
blow and manipulate it, creating highly detailed and colourful<br />
glass objects . This course will provide you with a fundamental<br />
understanding of glass through the processes of flameworking .<br />
Beginning with the safe and comfortable operation of equipment,<br />
you will quickly progress to methods of shaping and constructing<br />
using a variety of tools and techniques . Working with a range of<br />
glasses you will gain a solid foundation in flameworking practice<br />
that will allow for progression beyond the basics . Through<br />
lectures, demonstrations and hands-on practice, instruction will<br />
cover introductory methods of shaping and manipulating molten<br />
glass to advanced constructions, including blowing glass and the<br />
use of moulds. You are encouraged to bring an open mind and<br />
ideas that you would like to develop in glass . No previous glass<br />
experience is necessary . There will be a material fee of approximately<br />
$100, depending upon projects chosen, payable to the<br />
instructor .<br />
This course will run simultaneously with Glass Flamework II.<br />
Please clearly indicate which level you are registering for.<br />
Glass Flamework II<br />
COURSE CODE <strong>ARTS</strong>1501 SECTION 41<br />
INSTRUCTOR Brad Sherwood<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Building on basic methods and techniques you will learn<br />
advanced methods of flameworking design, construction and<br />
colour application . Develop skills to create advanced blown forms<br />
and multi component constructions . This course will consist of<br />
a review of studio safety and torch operation, demonstrations,<br />
lectures and hands-on practice. You are encouraged to bring<br />
ideas of projects you would like to achieve . There will be a material<br />
fee of approximately $100, depending upon projects chosen,<br />
payable to the instructor .<br />
This course will run simultaneously with Glass Flamework.<br />
Please clearly indicate which level you are registering for.<br />
Jewellery – Chain Making: Beginner<br />
COURSE CODE <strong>ARTS</strong>46 SECTION 41<br />
INSTRUCTOR Susan Watson Ellis<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Chains – they can be delicate or heavy, traditional or modern,<br />
symmetrical or abstract . Wonderful chains can be made with<br />
just a little experience! You will learn how to form wire and<br />
fabricate links which will be connected to form traditional and<br />
modern chain styles . Once you have mastered the basics, you’ll<br />
be encouraged to experiment with proportions, materials and<br />
linkages to create your own unique designs . This is a great course<br />
if you’re a beginner wanting to learn basic jewellery-making skills .<br />
There will be a single torch available for soldering of connecting<br />
catches . The material fee will vary with individual projects .<br />
This course will run simultaneously with the Intermediate and<br />
Advanced levels. Please clearly indicate which level you are<br />
registering for.<br />
Jewellery – Chain Making: Intermediate<br />
COURSE CODE <strong>ARTS</strong>1495 SECTION 41<br />
INSTRUCTOR Susan Watson Ellis<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Expand your chain making skills to include chain designs that<br />
require soldering, such as single link designs. You will also<br />
learn to manipulate soldered links to alter their shape from<br />
round to oval or curved as well as how to flatten and forge them<br />
using hammers and steel blocks . The material fee will vary with<br />
individual projects .<br />
This course will run simultaneously with the Beginner and<br />
Advanced levels. Please clearly indicate which level you are<br />
registering for.<br />
Jewellery – Chain Making: Advanced<br />
COURSE CODE <strong>ARTS</strong>1659 SECTION 41<br />
INSTRUCTOR Susan Watson Ellis<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Further your chain making skills by exploring the techniques of<br />
fine chain fabrication . Link manipulation for this size of chain will<br />
be shown as well as element formation and proportional considerations<br />
for your design . The material fee will vary with individual<br />
projects .<br />
This course will run simultaneously with the Beginner and<br />
Intermediate levels. Please clearly indicate which level you are<br />
registering for.<br />
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Kids’ Craftabulous!**<br />
COURSE CODE <strong>ARTS</strong>1744<br />
INSTRUCTOR Erin Lynch<br />
DATES August 6 – 10, 2012<br />
FEE $97 .80<br />
SECTION 41: 1:00 – 4:30pm 5 – 7 years old<br />
SECTION 42: 9:00 – 12 Noon 8 – 10 years old<br />
Create one-of-a-kind pieces with an assortment of multimedia<br />
materials and techniques that include: image transfer,<br />
felt, polymer clay, porcelain, wire and macramé. You’ll make<br />
pendants, brooches, mobiles, magnets, necklaces and buttons,<br />
plus an assortment of other interesting creations to put in your<br />
treasure box . There will be a $25 material fee payable to the<br />
instructor .<br />
Kids’ Musical Jam**<br />
COURSE CODE <strong>ARTS</strong>1411<br />
INSTRUCTOR Charlie Kert<br />
DATES August 6 – 10, 2012<br />
FEE $97 .80<br />
SECTION 41: 9:00 – 12 Noon, 5 – 7 years old<br />
SECTION 42: 1:00 – 4:30pm, 8 – 10 years old<br />
Write, play and record original songs and perform in an interactive<br />
musical! This course involves costumes, props, singing,<br />
dancing, drumming, acting, song writing and recording and will<br />
culminate with a performance for parents and friends . For your<br />
listening pleasure, MP3s of the original songs will be posted<br />
online one week after the course is completed. You're encouraged<br />
to bring an instrument if you have one . Percussion instruments<br />
such as boomwhackers, tambourines, maracas, bells,<br />
rhythm sticks, shakers and triangles will be provided . Have great<br />
fun while you learn simple rhythm and movement, beat keeping,<br />
simple rhythmic patterns, response vocals, and creative self<br />
expression . Visit LittleFingersMusic .com for videos, curriculum<br />
connections and a synopsis of the plot . The emphasis will be on<br />
having FUN!<br />
Kilt Making – Introductory<br />
COURSE CODE <strong>ARTS</strong>1565 SECTION 41<br />
INSTRUCTOR Robert MacDonald<br />
DATES August 6 – 11, 2012 (6 days)<br />
FEE $340 .74<br />
Kilts are becoming more and more popular in Canada, not only<br />
as a ‘Cultural Marker’ but as really sharp-looking attire for daily<br />
wear . Kiltmaking, however, is regarded even by experienced<br />
professional tailors as the most difficult and complex skill in their<br />
trade and alterations or repairs are regarded as even more challenging<br />
. As you’re guided every step of the art of kiltmaking you<br />
will complete a 4-or 5-yard ‘casual’ kilt during the course . Those<br />
who are left-handed are particularly encouraged to apply, as<br />
none of the ‘DIY’ kiltmaking books currently available will address<br />
their needs . Each kilt requires 4 or 5 yards of ‘single-width’ (27”)<br />
or 2 to 3 yards of ‘double-width’ (54”) 16oz wool tartan cloth .<br />
Inferior-quality cloth will not serve, as it doesn’t handle the same<br />
as the proper material . There will be a $30 material fee payable<br />
to the instructor . Additionally, you will be required to bring kilt<br />
fabric . Please be aware that even at ‘trade’ (wholesale) prices you<br />
can expect to pay approximately $200 for the material required .<br />
Please contact the instructor for assistance with purchasing<br />
fabric . info@westcoastkilts .com<br />
Oil Painting & Collage<br />
COURSE CODE <strong>ARTS</strong>1711 SECTION 41<br />
INSTRUCTOR Phil Irish<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Experiment with processes that combine the sensuality of oils<br />
with the versatility of collage . Collage opens new avenues for<br />
formal exploration, narrative possibility, and surprising new<br />
creative processes . Each project draws upon different art<br />
historical figures, enabling you to deepen and inspire your<br />
creativity by learning techniques and concepts from cubism, pop<br />
art, and contemporary work. You are encouraged to develop your<br />
own ideas and passions, sharing discoveries with others in the<br />
class . There will be a $20 material fee payable to the instructor .<br />
Painting From the Model – Advanced<br />
COURSE CODE <strong>ARTS</strong>158 SECTION 41<br />
INSTRUCTOR John Leonard<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
This course is intended to advance previous training or experience<br />
in working from the model. You will have an opportunity<br />
to review working theory in colour and design . A variety of<br />
approaches to painting the figure including classical realism,<br />
impressionism, expressionism and contemporary processes<br />
including abstraction are explored . An emphasis is placed on<br />
individual creativity and self-expression .<br />
Plein Air Acrylics – Introductory<br />
COURSE CODE <strong>ARTS</strong>1484 SECTION 41<br />
INSTRUCTOR John Anderson<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Painting in the great outdoors is quite a different experience than<br />
painting in a studio or classroom . Learn to compose, mix, and<br />
apply acrylic colour efficiently, while working outdoors, to capture<br />
the essence of the landscape ‘en plein air’ . There will be a $10<br />
material fee payable to the instructor .
Portraiture: Experimental Approaches<br />
COURSE CODE <strong>ARTS</strong>1328 SECTION 41<br />
INSTRUCTOR Kim Lee Kho<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Instruction is suited to intermediate and advanced artists<br />
interested in investigating 20th century and contemporary artistic<br />
approaches and applying them to portraiture in a variety of<br />
media . In the 20th century, portraiture (along with art in general)<br />
underwent a revolution, becoming a vehicle for all manner of<br />
artistic issues and concerns . By incorporating deeply personal,<br />
expressive approaches, unusual materials, inventive processes,<br />
as well as conceptual and formal constructs, artists challenged<br />
and investigated the nature and potentials of portraiture, vastly<br />
widening its scope . Working in a variety of media, explore handson<br />
some of the same ideas that leading 20th century artists<br />
grappled with, in order to expand possibilities in creating portraits<br />
that go beyond likeness, using the genre as a means of achieving<br />
personal expression and artistic depth . There will be a $35 material<br />
fee payable to the instructor .<br />
Printmaking – Impasto Waterbase<br />
COURSE CODE <strong>ARTS</strong>181 SECTION 41<br />
INSTRUCTOR Stephanie Rayner<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
This course offers a completely different approach to the compelling<br />
beauty of watercolour monoprints . ‘Impasto’ means to layer,<br />
and it is this thick application of pigments and the manipulation<br />
of the different colours in layers, that gives these prints the rich<br />
textured look of oils along with a wide range of unique options<br />
for the realization of an image unlike any other medium. You<br />
will learn how to use the etching press, the impasto process for<br />
plate and paper preparation, the correct way to sign and number<br />
your prints, how to do these prints at home without a press<br />
and approximately six different exciting approaches to impasto<br />
monoprinting . As with Watercolour Monotype, you need not have<br />
previous experience with printmaking or watercolour to achieve<br />
beautiful results . If you have previously taken Printmaking-Watercolour<br />
Monotype, please bring your plates from that class . There<br />
will be a $47 material fee payable to the instructor .<br />
Quilts with Colour – Real Colour<br />
COURSE CODE <strong>ARTS</strong>1708 SECTION 41<br />
INSTRUCTOR John Willard<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Overcome your fear of colour, banish beige, embrace brightness,<br />
and shop for fabric in a whole new way . Learn how to use colour<br />
in a controlled way to hold the viewer’s attention; to create a<br />
mood or symbolize an idea – bright for happy or dark for serious .<br />
Become comfortable choosing colours “out of the box” – to be<br />
brave and daring and wildly experimental .<br />
Raku – Advanced I<br />
COURSE CODE <strong>ARTS</strong>350 SECTION 41<br />
INSTRUCTOR Michael Sheba<br />
DATES August 6 – 11, 2012 (6 days)<br />
FEE $377 .78 (includes $37 .04 material fee)<br />
Please note: Previous Raku experience is mandatory to participate<br />
in this course.<br />
This six-day advanced-level professional development course is a<br />
challenging exploration of the technical aspects of various Raku<br />
effects . Topics will be systematically studied and results evaluated<br />
one by one so that successful outcomes can be obtained at will .<br />
There will be a thorough study of firing and post-firing reduction<br />
techniques, effective methods of controlling size and placement<br />
of Crackle patterns, production of Lustre effects and efficient<br />
ceramic kiln design . The most emphasis however, will be devoted<br />
to obtaining successful results with those spectacular but elusive<br />
Patinas, Copper Mattes and Halos . A Raku kiln will be designed<br />
and built for daily firings . Please bring 12 bisqued pieces using<br />
Raku pottery clay to fire . A maximum class size of 12 ensures<br />
individual attention .<br />
Rug Hooking – Traditional East Coast Primitive<br />
COURSE CODE <strong>ARTS</strong>1128 SECTION 41<br />
INSTRUCTOR Donna Sproule<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Rug hooking has evolved from a utilitarian chore to a valued<br />
aesthetic . This course will provide an introduction to the rudiments<br />
of rug hooking in an open and accepting environment .<br />
Discussions will address the creative curve of the medium along<br />
with the underpinning of the environmental pluses . Learn the<br />
basic techniques and types of materials used to create East<br />
Coast Primitive-style hooked rugs . Simple yet evocative hooking<br />
techniques typical of primitive rugs will provide the foundation of<br />
knowledge to which you are welcome to apply your own creativity,<br />
design and colour preferences. You will, with help, design your<br />
own first piece and learn the skill to create rugs for the floor or<br />
wall . There will be a $75 material fee payable to the instructor .<br />
Soapstone Carving<br />
COURSE CODE <strong>ARTS</strong>206 SECTION 41<br />
INSTRUCTOR John Sabourin<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
This course will provide a general introduction to carving soapstone.<br />
You will develop a working knowledge of the material, the<br />
tools, the safe handling issues and the methods used to complete<br />
a carving . Beginning with a study of the properties of the stone,<br />
you will produce a simple piece and progress to making a sculpture<br />
of your choice . The development of your own personal style<br />
will be encouraged . The material cost for this course will depend<br />
on the size of the project or projects chosen and will be collected<br />
during the week . Soapstone will be available from the instructor at<br />
$1 .50 per pound for 5lb, 10lb, 15lb pieces .<br />
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Totem Mask<br />
COURSE CODE <strong>ARTS</strong>1256 SECTION 42<br />
INSTRUCTOR Wayne Hill<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
In this course you will be instructed on how to design and carve a<br />
West Coast totem moon mask . Working hands-on and side-byside<br />
with other carvers you will learn the traditional processes<br />
needed to produce the best results . A short lesson on history<br />
and traditions will provide an understanding of totemism and the<br />
social implications of this medium . There will be a $25 material<br />
fee payable to the instructor .<br />
This course runs simultaneously with Totem Pole Carving.<br />
Please clearly indicate which course you’re registering for.<br />
Totem Pole Carving<br />
COURSE CODE <strong>ARTS</strong>354 SECTION 42<br />
INSTRUCTOR Wayne Hill<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
In this course you will be instructed on how to design and carve<br />
your own four foot totem pole . Working hands-on and side-byside<br />
with other carvers you will learn the traditional processes<br />
needed to produce the best results . A short lesson on history and<br />
traditions will give you a better understanding of totemism and the<br />
social implications of this medium . There will be a $50 material<br />
fee payable to the instructor .<br />
This course runs simultaneously with Totem Mask. Please<br />
clearly indicate which course you’re registering for.<br />
Watercolour Painting – Experimental<br />
COURSE CODE <strong>ARTS</strong>250 SECTION 41<br />
INSTRUCTOR Kal Honey<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Challenge your preconceptions about what constitutes a<br />
watercolour painting and how it might be created . Through both<br />
set and self-directed exercises, you will be encouraged to be as<br />
adventurous as possible in your media combinations, methods<br />
and subject matter . Group discussion and personal attention will<br />
enable you to better understand and develop your artistic vision .<br />
If you’re already excited with your current direction, develop it –<br />
push it further . If you’re stuck, become unblocked in a creative,<br />
non-threatening environment . If you’re just beginning, explore the<br />
vast array of options and start to find your path and your voice .<br />
This course is both safe haven and launching point: personal<br />
expression and direction are paramount, and at every turn you<br />
will be encouraged to hear and trust your own inner compass<br />
in boldly exploring new directions . All levels and abilities are<br />
welcome – you need only an open mind and an adventurous<br />
spirit . There will be a $20 material fee payable to the instructor .<br />
Watercolour Painting – Intermediate<br />
COURSE CODE <strong>ARTS</strong>793 SECTION 41<br />
INSTRUCTOR Marta Scythes<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
This course is an excellent opportunity to further develop your<br />
watercolour painting skills . Various techniques will be explored<br />
on both wet and dry papers . Attention will be given to accurate<br />
perspective, the use of effective contrast and pleasing<br />
composition, and colour theory will be reviewed and applied on<br />
an ongoing basis . Physical paint and paper properties will be<br />
discussed enabling you to make informed choices as you study a<br />
variety of subjects, including landscape . Instruction will include<br />
daily demonstrations yet you will be encouraged to work in your<br />
own style .<br />
Wire Jewellery II<br />
COURSE CODE <strong>ARTS</strong>1153 SECTION 41<br />
INSTRUCTOR Dianne Karg Baron<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. This<br />
course requires extensive use of hand tools (wire cutters, pliers)<br />
and a healthy level of manual dexterity.<br />
Build on the basic skills of wire jewellery to create and design<br />
your own unique pieces . Instruction will enable you to apply<br />
historical and traditional wire wrapping techniques to create a<br />
variety of rings, bangles, pendants and chains . Emphasis will<br />
be placed on exploring stone setting, including prong setting<br />
and netting using solder-less wirework. You will also create<br />
chain using nalbinding (Viking knitting).You are encouraged to<br />
incorporate your own cabochons, faceted stones, beads or found<br />
objects to create personalized original designs . Basic hand tools<br />
and accessories will enable you to continue upon completion of<br />
the course . Copper wire provided . There will be a $125 material<br />
fee payable to the instructor .<br />
Wire Sculpture – Large Scale<br />
COURSE CODE <strong>ARTS</strong>415 SECTION 43<br />
INSTRUCTOR Charles O’Neil<br />
DATES August 6 – 10, 2012<br />
FEE $299 .74<br />
Project Title: Deer .<br />
Please note: This course requires extensive use of hand tools<br />
(wire cutters, pliers).<br />
Wire Sculpture is an exciting, project-specific expressive art form<br />
that can be enjoyed in your home, office or garden . This projectspecific<br />
course is suitable if you are interested in creating works<br />
on a larger scale . In preparation for this undertaking, you will be<br />
led step-by-step through a couple of smaller projects to establish<br />
a comfort level with the material in use . Then, you will design and<br />
create a large scale project, suitable for display in a garden or<br />
outdoor setting . There will be a $75 material fee payable to the<br />
instructor .
Youth Art – The Works!**<br />
COURSE CODE <strong>ARTS</strong>1089 SECTION 41<br />
INSTRUCTOR Margaret McIntyre<br />
DATES August 6 – 10, 2012<br />
FEE $191 .76<br />
Please note: This course is suitable for youth 11 to 13 years of age.<br />
This course has it all! It’s a great opportunity to work with a variety<br />
of materials as you explore an assortment of subjects and media .<br />
Immerse yourself in an inspired experience of creating cartoons,<br />
animal portraits, abstracts, landscapes and sea creatures .<br />
You’ll be using mediums such as pencil, pastels, acrylics and<br />
watercolours . Instruction will be in an easy to follow step-by-step<br />
format and you’ll also have lots of opportunities to create your<br />
own masterpieces . There will be a $40 material fee payable to the<br />
instructor .<br />
Youth/Teen Printmaking & Screenprinting**<br />
COURSE CODE <strong>ARTS</strong>1683 SECTION 41<br />
INSTRUCTOR Elisha Barlow<br />
DATES August 6 – 10, 2012<br />
FEE $213 .86<br />
Please note: This course is suitable for youth and teens from 11<br />
to 18 years of age.<br />
Plunge into the world of print! Learn and experiment with printing<br />
on paper and textiles . A variety of printing techniques (hand-cut<br />
stencils, emulsion silkscreening, and lino cuts) will be explored .<br />
You will also make your own felt to print onto and leave with a<br />
read-to-hang printed canvas art piece . Explore both the decorative<br />
and conceptual art paths within the world of printmaking .<br />
There will be a $30 material fee payable to the instructor .<br />
aUgUst 13 to 17, 2012<br />
Acrylics & Mixed Media – Intermediate<br />
COURSE CODE <strong>ARTS</strong>712 SECTION 41<br />
INSTRUCTOR Annette Blady Van Mil<br />
DATES August 13 – 17, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners and is<br />
designed for those who have some previous experience with<br />
acrylic painting.<br />
In this course you will be encouraged to work in larger formats,<br />
using traditional painting materials and fluid acrylics, as well as<br />
heavy body paints with collage . While technique will remain an<br />
important aspect, emphasis will be placed on experimentation,<br />
building a personal style and colour sense, choosing subject<br />
matter, and open in-class discussions about the work produced .<br />
Encaustic Mixed Media & Collage<br />
COURSE CODE <strong>ARTS</strong>1488 SECTION 41<br />
INSTRUCTOR Susan Fisher<br />
DATES August 13 – 17, 2012<br />
FEE $299 .74<br />
Encaustic, an ancient beeswax-based technique, is currently<br />
embraced by contemporary mixed media artists . Learn how to<br />
integrate encaustic techniques into your mixed media work from<br />
textile to found sculpture, from ceramic to paper, or beyond .<br />
There will be a $100 material fee payable to the instructor .<br />
Figure in the Landscape<br />
COURSE CODE <strong>ARTS</strong>1696 SECTION 41<br />
INSTRUCTOR Matthew Mancini<br />
DATES August 13 – 17, 2012<br />
FEE $299 .74<br />
Explore the inherent qualities of both the figure and the landscape,<br />
and the narrative developed between them when incorporated<br />
into a work of art . Consistent with traditional studio practice,<br />
and with respect to the genre’s usage throughout history, you will<br />
delve into time-honoured drawing and oil painting techniques in<br />
studying the figure and the landscape each in their own right,<br />
and composing them into a single work of art that tells a story .<br />
Glass Flamework<br />
COURSE CODE <strong>ARTS</strong>698 SECTION 42<br />
INSTRUCTOR Brad Sherwood<br />
DATES August 13 – 17, 2012<br />
FEE $299 .74<br />
Flameworking is a method of shaping glass through the use of<br />
a torch . Glass is heated to a molten state and you then sculpt,<br />
blow and manipulate it, creating highly detailed and colourful<br />
glass objects . This course will provide you with a fundamental<br />
understanding of glass through the processes of flameworking .<br />
Beginning with the safe and comfortable operation of equipment,<br />
you will quickly progress to methods of shaping and constructing<br />
using a variety of tools and techniques . Working with a range of<br />
glasses you will gain a solid foundation in flameworking practice<br />
that will allow for progression beyond the basics . Through<br />
lectures, demonstrations and hands-on practice, instruction will<br />
cover introductory methods of shaping and manipulating molten<br />
glass to advanced constructions, including blowing glass and the<br />
use of moulds. You are encouraged to bring an open mind and<br />
ideas that you would like to develop in glass . No previous glass<br />
experience is necessary . There will be a material fee of approximately<br />
$100, depending upon projects chosen, payable to the<br />
instructor .<br />
This course will run simultaneously with Glass Flamework II.<br />
Please clearly indicate which level you are registering for.<br />
Glass Flamework II<br />
COURSE CODE <strong>ARTS</strong>1501 SECTION 42<br />
INSTRUCTOR Brad Sherwood<br />
DATES August 13 – 17, 2012<br />
FEE $$299 .74<br />
Please note: This course is not suitable for beginners.<br />
Building on basic methods and techniques you will learn<br />
advanced methods of flameworking design, construction and<br />
colour application . Develop skills to create advanced blown forms<br />
and multi component constructions . This course will consist of<br />
a review of studio safety and torch operation, demonstrations,<br />
lectures and hands-on practice. You are encouraged to bring<br />
ideas of projects you would like to achieve . There will be a material<br />
fee of approximately $100, depending upon projects chosen,<br />
payable to the instructor .<br />
This course will run simultaneously with Glass Flamework.<br />
Please clearly indicate which level you are registering for.<br />
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Iron Sculpture<br />
COURSE CODE <strong>ARTS</strong>113 SECTION 41<br />
INSTRUCTOR Rene Petitjean<br />
DATES August 13 – 17, 2012<br />
FEE $392 .33 (includes $92 .59 material fee)<br />
Please note: This course involves the use of hot forges and<br />
metal. You must be prepared to work independently with a<br />
high level of concentration, physical exertion and mechanical<br />
aptitude.<br />
This course will introduce you to the unique world of iron sculpture<br />
by blending traditional and modern techniques to create<br />
amazing and unusual sculptural pieces . Skills learned will aid in<br />
the production of both indoor and outdoor sculpture as well as<br />
yard art . Learn basic forging, welding, and cutting techniques .<br />
Traditional finishes, colour and patination will also be addressed .<br />
Please bring a project plan . If you are returning to this course,<br />
you will be encouraged to work on projects at an appropriate skill<br />
level . There will be an emphasis on coal and propane forge work .<br />
Kids’ Handbuilding Pottery**<br />
COURSE CODE <strong>ARTS</strong>798<br />
INSTRUCTOR Lisa Barry<br />
DATES August 13 – August 17, 2012<br />
FEE $109 .65 (includes $11 .85 material fee)<br />
SECTION 41: 9:00 – 12 Noon, 5 – 7 years old .<br />
SECTION 42: 1:00 – 4:30 pm, 8 – 10 years old .<br />
Fabulous pottery can be created without the use of a pottery<br />
wheel . Push, roll and pinch your clay in lots of creative ways as<br />
you explore traditional handbuilding techniques such as coiling,<br />
making pinch pots and working slabs . There will be a different<br />
project every day, making this class exciting and challenging .<br />
You’ll be encouraged to be imaginative as you’ll be making everything<br />
from teacups to spaceships! There will be a $5 material fee<br />
payable to the instructor .<br />
Kids’ ‘Oh Canada’**<br />
COURSE CODE <strong>ARTS</strong>1523<br />
INSTRUCTOR Michele Karch Ackerman<br />
DATES August 13 – 17, 2012<br />
FEE $97 .80<br />
SECTION 41: 1:00 – 4:30pm, 5 – 7 years old .<br />
SECTION 42: 9:00 – 12 Noon, 8 – 10 years old .<br />
‘Oh Canada, our home and native land’ . Meet the Group of Seven<br />
and Emily Carr in this delightful week that celebrates the Joy of<br />
Canadian Art! Pack up your art supplies for a back packing trek<br />
(Tom Thomson style) and paint your own quilt of miniature landscapes<br />
. Create an Emily Carr totem portrait out of our very own<br />
body! Immerse yourself in the dreamy paintings of Lauren Harris<br />
and then create one . ‘Oh Canada’ promises a week of fun and<br />
imagination Group of Seven style! There will be a $20 material fee<br />
payable to the instructor .<br />
Kilt Making II<br />
COURSE CODE <strong>ARTS</strong>1566 SECTION 41<br />
INSTRUCTOR Robert MacDonald<br />
DATES August 13 – 18, 2012 (6 days)<br />
FEE $340 .74<br />
Please note: This course is not suitable for beginners.<br />
Instruction in this course continues directly from Kilt Making<br />
<strong>ARTS</strong>1565.<br />
Instruction will enable you to<br />
successfully perform all aspects of<br />
the kilt maker’s craft as you learn<br />
to make an 8-yard kilt . Learn to<br />
make minor and major alterations<br />
for both ‘length’ and ‘girth’; how to<br />
correctly make minor and major<br />
repairs to worn or damaged kilts<br />
and how to make a formal dress shoulder-plaid. You will also have<br />
the opportunity to gain more practice in both ‘laying-out’ and<br />
‘pleating’ a kilt using a wide variety of different tartans . An ideal<br />
course if you have an old kilt that no longer fits you or otherwise<br />
needs repair . Those who wish to make a shoulder plaid should<br />
bring 3 yards of single-width cloth in their preferred tartan . Please<br />
contact the instructor for assistance with purchasing fabric .<br />
info@westcoastkilts .com . There will be a $30 material fee payable<br />
to the instructor . Additionally, you will be required to bring kilt<br />
fabric . Please be aware that even at ‘trade’ (wholesale) prices you<br />
can expect to pay up to $400 for the material required .<br />
Non Objective Painting II<br />
COURSE CODE <strong>ARTS</strong>1166 SECTION 41<br />
INSTRUCTOR Steve Rose<br />
DATES August 13 – 17, 2012<br />
FEE $299 .74<br />
Please note this course is not suitable for beginners. Nonobjective<br />
Painting (<strong>ARTS</strong>500) or permission from the instructor<br />
is required to participate.<br />
Continue to utilize your knowledge and skills within the exciting<br />
technique of non-objective painting as you focus on a body of<br />
work in a supportive, open studio environment . This opportunity<br />
will allow you to go deeper along your own creative path, opening<br />
new doors that will enable you to paint in a more free and expressive<br />
manner . In addition there will be ongoing personal and group<br />
critiques as well as daily informal lectures on artists, art movements,<br />
and related art history .
Painting – Brush Up<br />
COURSE CODE <strong>ARTS</strong>1697 SECTION 41<br />
INSTRUCTOR Al Van Mil<br />
DATES August 13 – 17, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Instruction will provide a basic review for painters with some<br />
experience in acrylics or oils . Bring in works you are having<br />
trouble with or start new works in new ways . Rise above your<br />
plateau through class critiques and individual attention . Rediscover<br />
useful insights by revisiting often over looked aspects of the<br />
basics like brush work, paint manipulation, colour, composition<br />
and design . Development of your personal style will be encouraged<br />
. Brushing up on the basics can uncover new possibilities for<br />
a confident freedom of expression .<br />
Pottery – Understanding Glazes<br />
COURSE CODE <strong>ARTS</strong>347 SECTION 41<br />
INSTRUCTOR Michael Sheba<br />
DATES August 13 – 18, 2012 (6 days)<br />
FEE $359 .26 (includes $18 .52 material fee)<br />
The complicated subject of glaze technology will be made simple<br />
by learning easy-to-understand, basic principles . The choice<br />
and role of raw materials and their characteristics will be studied<br />
using line blends and other experimental methods to create<br />
various effects including texture and colour responses. You will<br />
be introduced to computer glaze calculation software as a tool to<br />
determine percentage and unity formulas so that glazes can be<br />
analyzed, compared, altered, new glazes formulated and glaze<br />
faults identified and corrected . Although you will work in Cone Six<br />
Oxidation, the universal principles learned will apply to all glazes<br />
and temperatures . Actual glazes will be tested and time permitting,<br />
projects of individual interest will be initiated . A maximum<br />
class size of 12 ensures individual attention .<br />
Purses, Handbags & Artful Totes<br />
COURSE CODE <strong>ARTS</strong>1498 SECTION 41<br />
INSTRUCTOR Judith Dingle<br />
DATES August 13 – 17, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. Intermediate<br />
sewing skills are required.<br />
Create your ultimate fantasy and fashion accessory by learning<br />
how to design, construct and embellish beautiful bags, purses,<br />
cases and totes . The history, cultural significance and specific<br />
uses of bags is vast and fascinating . Choose the design of your<br />
bag from a wide range of options – designer handbags and<br />
purses, delicate evening bags, padded glasses cases with decorative<br />
cords, handy cases for cell phones, cards, tiny pouches for<br />
jewellery or precious objects, ethnic satchels, and well-designed<br />
totes and carry-alls . From large to small, funky/humorous to a<br />
serious high-fashion statement and precious to everyday use,<br />
the choice is yours . Samples, demonstrations and experiments,<br />
techniques, applications and materials will enable you to select,<br />
design, pattern draft and construct all the elements of your bag or<br />
purse . Manipulated textural surfaces, decorative embellishments,<br />
beading, tassels, and specific elements of design regarding<br />
finishing details, fastenings, straps, handles, cords, drawstrings,<br />
pockets and zippers will be discussed and evaluated in relation<br />
to your work. You will also explore the integration of re-purposed,<br />
recycled fabric and clothing and the use of ethnic hand-made<br />
textiles. You are required to bring a sewing machine in good<br />
working order . There will be a $35 material fee payable to the<br />
instructor .<br />
Watercolour Landscape Painting<br />
COURSE CODE <strong>ARTS</strong>1324 SECTION 41<br />
INSTRUCTOR Shelley Beach<br />
DATES August 13 – 17, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Paint the landscapes of Haliburton in transparent watercolour .<br />
A particular emphasis will be on light and capturing its effects .<br />
Demonstrations of technique will provide a clear understanding of<br />
how to describe the landscape and will be balanced with opportunities<br />
to experiment . An intuitive approach to your personal<br />
interpretation is always encouraged . There will be solid instruction<br />
in preparatory drawing, watercolour technique, colour mixing,<br />
theory and composition . Please come prepared to paint outdoors<br />
periodically, when weather permits . Confidence and creativity<br />
will grow in this atmosphere of individual attention and positive<br />
encouragement .<br />
aUgUst 18 to 26, 2012<br />
OHS Spinning Certificate Program – Level V<br />
COURSE CODE <strong>ARTS</strong>146 SECTION 41<br />
INSTRUCTORS Beth Abbott, Wendy E . Bateman, Harriet Boon,<br />
Mara Lusis<br />
DATES August 18 – 26, 2012<br />
FEE $309 .19<br />
The Ontario Spinners’ Certificate Program is a<br />
six-level program developed by the Education<br />
Committee of the Ontario Handweavers and<br />
Spinners. This summer, the Haliburton School<br />
of The Arts will be offering Level V. It is our desire to continue<br />
this program to the next level if registration levels warrant it.<br />
Level V: This course will be held in one-day sessions over nine<br />
days and will require assignments to be completed and mailed<br />
to instructors over the following six months for OHS certification .<br />
Course of Study: Flax, synthetic dyes for cellulose fibres (theory<br />
only), cotton, synthetic fibres and man-made fibres and their<br />
blends and fibre identification . In addition to a $40 marking fee,<br />
there will be a material fee of approximately $80 payable to the<br />
treasurer of the class on the first day .<br />
aUgUst 20 to 24, 2012<br />
Youth/Teen Pottery**<br />
COURSE CODE <strong>ARTS</strong>1613 SECTION 41<br />
INSTRUCTOR Lisa Barry<br />
DATES August 20 – 24, 2012<br />
FEE $235 .52 (includes clay)<br />
Please note: This course is suitable for youth and teens 11 to<br />
18 years of age.<br />
Learn to throw on a potter’s wheel and have fun with exciting<br />
handbuilding techniques . Use these techniques to create mugs,<br />
bowls and a wide variety of objects . There will be demonstrations<br />
with the wheel, attaching spouts and handles and a full exploration<br />
of decorative techniques . Exercise your imagination and<br />
practice your new skills to create meaningful objects and master<br />
the potter’s wheel . There will be a $10 material fee payable to the<br />
instructor .<br />
aUgUst 2012<br />
75
76<br />
FaLL 2012<br />
McMichael Canadian Art Collection<br />
The Haliburton School of The Arts is pleased to be<br />
affiliated with the renowned McMichael Canadian Art<br />
Collection in Kleinburg, Ontario .<br />
The McMichael Canadian Art Collection is unique in<br />
its devotion to collecting and exhibiting Canadian art .<br />
Renowned for its collection of paintings by Canada’s<br />
most famous artists, the Group of Seven, the gallery’s<br />
permanent collection also includes works by other<br />
well-known Canadians, including the Group’s contemporaries, First Nations, and Inuit<br />
artists .<br />
Located in Kleinburg, Ontario, the gallery nestles amid 100 acres of serene woodlands<br />
overlooking the Humber River Valley . Reminiscent of the landscapes that inspired many of<br />
Canada’s artists, this setting combines with the art within the gallery to make the McMichael<br />
the perfect venue for an introduction to or to learn more about Canada, its peoples, their<br />
cultures, and their history .<br />
These four courses will be held at the McMichael Canadian Art Collection in Kleinburg, Ontario.<br />
Theory & Technique of the Group of Seven<br />
COURSE CODE <strong>ARTS</strong>1076 SECTION 41<br />
INSTRUCTOR John Leonard<br />
DATES August 27 – 31, 2012<br />
FEE $299 .74<br />
The Group of Seven is a primary element in Canada’s art history<br />
and the works continue to resonate today . Combining theory with<br />
on-site painting, this course examines the use of painting systems<br />
as practiced by members of the Group of Seven . Of particular<br />
note will be examining changes introduced after 1913, resulting<br />
from A.Y. Jackson’s exposure to developments in France. You are<br />
welcome to work in the medium of your choice .<br />
Acrylic Painting Techniques<br />
COURSE CODE <strong>ARTS</strong>1669 SECTION 41<br />
INSTRUCTOR Marianne Broome<br />
DATES September 3 – 7, 2012<br />
(includes the holiday Monday)<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Learn a host of different skills in this multi-faceted course that will<br />
take your acrylic paintings to the next level . Through discussion<br />
and daily demonstration, different techniques will be explored<br />
for loose realistic landscapes, glowing close-up florals, and an<br />
abstracted landscape . Topics will include choosing and editing<br />
reference material, options for suitable colour palettes, composition<br />
and values, visual perspective, paint handling and application,<br />
drying time, smooth blending and expressive brushwork .<br />
There will be a $20 material fee payable to the instructor .<br />
Contemporary Landscape Painting<br />
COURSE CODE <strong>ARTS</strong>686 SECTION 42<br />
INSTRUCTOR John Leonard<br />
DATES September 10 – 14, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
This course will cover both the theory and the techniques of<br />
modern landscape painting, as you work in the medium of<br />
your choice. You will examine contemporary developments in<br />
art to enable you to use your creativity and self-expression in<br />
the development of a personal approach and the advancement<br />
of the conceptual level of your work . This course is primarily<br />
for those with some previous painting experience who would<br />
like to advance their skills and knowledge of contemporary<br />
landscape painting .<br />
Contemporary Landscape Painting – Advanced II<br />
COURSE CODE <strong>ARTS</strong>1533 SECTION 41<br />
INSTRUCTOR John Leonard<br />
DATES September 17 – 21, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Prerequisites: Participants are required to have first taken<br />
one of the following: Contemporary Landscape Painting<br />
<strong>ARTS</strong>686 or Painting – Advanced Individual Studies<br />
ART914 or Visual Arts – Advanced Individual Studies<br />
<strong>ARTS</strong>915.<br />
Build on your technical and conceptual awareness, focusing<br />
on contemporary potentials . There will be an emphasis on<br />
personal expression and creativity .<br />
Registration for Fall courses will be accepted as of August 7, 2012.<br />
Fees quoted in the Fall 2012 session apply to the 2011/12 academic year and are subject to Ministry of Training, <strong>College</strong>s and Universities increases.
satUrDaY, septemBer 22, 2012<br />
Acrylic Stain Painting Workshop**<br />
COURSE CODE <strong>ARTS</strong>1721 SECTION 41<br />
INSTRUCTOR Shelley Beach<br />
DATES September 22, 2012<br />
FEE $97 .24<br />
Luminous staining and glazing techniques will be demonstrated<br />
using watercolour paper, raw canvas and wood panel . Experiment<br />
with a variety of techniques including wet-into-wet, as well as<br />
glazing and staining wet onto dry panel . Instruction will emphasize<br />
contrasting transparency with opacity . Textured surfaces can<br />
then be built up from the underpainting . Enjoy the freedom of<br />
experimenting with paint without fear!<br />
Cake Decorating – Fondant Workshop**<br />
COURSE CODE <strong>ARTS</strong>1755 SECTION 41<br />
INSTRUCTOR Jennifer Mayrl<br />
DATES September 22, 2012<br />
FEE $97 .24<br />
Learn the basics of butter cream flat coating before you move<br />
on to covering mock and real cakes in the super smooth<br />
rolled fondant icing . In addition to decorating a traditional<br />
2-tier wedding cake you’ll also learn to make beautiful<br />
cupcakes . Cupcakes are all the rage when it comes to birthday<br />
parties, showers and even weddings . Traditional butter cream<br />
icing and rolled fondant will be used to create mini works of art .<br />
There will be a $150 material fee payable to the instructor . This<br />
fee covers all supplies and equipment required .<br />
VCAD Credits: Within this calendar,<br />
foundation courses are indicated by a single asterisk (*),<br />
non-credit courses are indicated by a double asterisk (**),<br />
elective courses have no asterisk.<br />
The following courses and workshops are offered in Haliburton.<br />
Mixed Media Collage Texture Workshop**<br />
COURSE CODE <strong>ARTS</strong>895 SECTION 41<br />
INSTRUCTOR Valerie Kent<br />
DATES September 22, 2012<br />
FEE $97 .24<br />
This workshop is an opportunity to use familiar materials in new<br />
ways . In addition to using specialty papers such as filament,<br />
mulberry, mango and rice you will create two specialty papers to<br />
use with your collages: Crystalline Paper and Brayer Paper . After<br />
scaffolding your supports with texture you will have a starting<br />
point and your paintings will have three-dimensionality . A wide<br />
variety of materials, including the papers, egg shells, cheesecloth,<br />
dried rose and other flower petals, gesso, sand, tiny glass beads,<br />
acrylic mediums and gels, as well as other materials of choice<br />
may be used . Watercolour and acrylic paint will be applied,<br />
addressing elements and principles of art, including composition,<br />
values, texture, and colour mixing . The subject theme for projects<br />
is movement: representational, symbolic or abstract . A congenial<br />
atmosphere and an immersion in the process is encouraged and<br />
valued . This workshop is suitable for all skill levels . There will be a<br />
$25 material fee payable to the instructor .<br />
Precious Metal Clay Enamelling Workshop**<br />
COURSE CODE <strong>ARTS</strong>1754 SECTION 41<br />
INSTRUCTOR Shannon Kennedy<br />
DATES September 22, 2012<br />
FEE $97 .24<br />
Learn the basics of making enamelled jewellery on Precious Metal<br />
Clay . When fired, Precious Metal Clay becomes 99 .9% silver and<br />
presents vast creative possibilities . Create a pair of earrings and<br />
a pendant and then apply the enamelling techniques to these<br />
pieces . There will be a $74 material fee payable to the instructor .<br />
Stained Glass Stepping Stones Workshop**<br />
COURSE CODE <strong>ARTS</strong>393 SECTION 41<br />
INSTRUCTOR Wendy Ladurantaye<br />
DATES September 22, 2012<br />
FEE $97 .24<br />
Please note: This workshop will take a dinner break from 4:00<br />
pm to 5:30pm and finish at 7:00pm.<br />
Enhance your garden, lawn or walkway with a beautiful stained<br />
glass accent or create an unusual memory marker. You will learn<br />
to design appropriately for stepping stones, cut glass, and then<br />
using a quick, simple applied method, you will complete 1 to 4<br />
stones, depending on the design . No previous glass experience<br />
is necessary . There will be a $25 material fee per stone project<br />
payable to the instructor .<br />
Wire Sculpture Workshop**<br />
COURSE CODE <strong>ARTS</strong>416 SECTION 44<br />
INSTRUCTOR Charles O’Neil<br />
DATES September 22, 2012<br />
FEE $97 .24<br />
Project Title: 3 ft . Heron<br />
Please note: This course requires the use of simple hand tools<br />
(wire cutters, pliers).<br />
Wire sculpture is an exciting and expressive art form . In this<br />
workshop you will receive step-by-step instruction to successfully<br />
create your project . With a variety of wires (steel, copper, galvanized)<br />
this creation is designed for indoor or garden use, and will<br />
be a great addition to any setting . There will be a $40 material fee<br />
payable to the instructor .<br />
FaLL 2012<br />
77
78<br />
octoBer 22 to 26, 2012<br />
Landscape Painting – Working the Land<br />
COURSE CODE <strong>ARTS</strong>1540 SECTION 42<br />
INSTRUCTOR Rod Prouse<br />
DATES October 22 – 26, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
This course is designed to assist you to move beyond the literal<br />
and develop a personal voice in painting the land . Explore ways<br />
to interpret landscape, distill the painting possibilities in a scene,<br />
and apply relevant principles of design and technique to the<br />
work . Analyze observed landscape and reconstruct it in paint with<br />
a mind to developing a unique style in this discipline . Using an<br />
analytical as well as a direct painterly response, one can refresh<br />
and personalize the landscape painting experience . Please note<br />
that this is not necessarily a plein air course or an exercise in<br />
studio abstraction, rather a selection of painting strategies with a<br />
goal to helping you develop . With this in mind, to be productive<br />
and versatile, work will be done in acrylics . There will be a $10<br />
material fee payable to the instructor .<br />
Mixed Media Collage & Texture<br />
COURSE CODE <strong>ARTS</strong>1731 SECTION 41<br />
INSTRUCTOR Valerie Kent<br />
DATES October 22 – 26, 2012<br />
FEE $299 .74<br />
This course introduces a myriad of exciting mixed media adventures<br />
. The instructional and project theme is “Ever Widening<br />
Circles”, focusing on you and your relationship to the universe .<br />
This theme structures the direction of the workshop . Make Brayer<br />
and Crystalline papers, and scaffold by building texture with<br />
gels and textural materials . Use tissues and specialty papers,<br />
sculptural elements, stencils, borders, soft and oil pastels,<br />
transfers and stamping, both before and after painting in various<br />
media . Tell stories in art, combine vintage with new world, work<br />
on layering and include encaustic and found art . Revisit tried and<br />
true techniques, learn new ones, and surrender to exploration<br />
and creativity . There will be an $85 material fee payable to the<br />
instructor .<br />
Stained Glass Lamp<br />
COURSE CODE <strong>ARTS</strong>1712 SECTION 41<br />
INSTRUCTOR Linda McGillivray<br />
DATES October 22 – 26, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners.<br />
Lamp making techniques will be introduced in the construction<br />
of a candle holder. You will then learn how to make a table or<br />
swag lamp consisting of multiple panels . Both projects will involve<br />
the constructing and use of a jig . Reference material will provide<br />
number of designs to choose from . Once you have learned the<br />
correct method to construct a lamp the creative possibilities are<br />
endless . There will be a $45 material fee payable to the instructor .<br />
This fee will cover materials for the first project as well as the use<br />
of equipment, patterns and other related equipment . Additional<br />
tools, glass and supplies will be available at discounted prices .<br />
Theatre: Setting the Scene<br />
COURSE CODE <strong>ARTS</strong>1691 SECTION 41<br />
INSTRUCTOR Frances Key<br />
DATES October 22 – 26, 2012<br />
FEE $299 .74<br />
Refresh or develop skills in the art of prop making and scenic<br />
painting for the theatre . Individual projects will include techniques<br />
used to paint a scrim, a translucency and a scenic drop . Experiment<br />
with a variety of tools to accomplish faux wood graining,<br />
marbling, splattering, ragging, sponging, stencilling, foliage, and<br />
blends . Conclude by creating a prop that consists of a platter of<br />
faux food . The food is created from foam, gel medium, acrylic<br />
paint, latex and more; the staples of setting the scene . There will<br />
be a $30 material fee payable to the instructor .<br />
Totem Mask<br />
COURSE CODE <strong>ARTS</strong>1256 SECTION 43<br />
INSTRUCTOR Wayne Hill<br />
DATES October 22 – 26, 2012<br />
FEE $299 .74<br />
In this course you will be instructed on how to design and carve a<br />
West Coast totem moon mask . Working hands-on and side-byside<br />
with other carvers you will learn the traditional processes<br />
needed to produce the best results . A short lesson on history<br />
and traditions will provide an understanding of totemism and the<br />
social implications of this medium . There will be a $25 material<br />
fee payable to the instructor .<br />
This course runs simultaneously with Totem Pole Carving.<br />
Please clearly indicate which course you’re registering for.<br />
Totem Pole Carving<br />
COURSE CODE <strong>ARTS</strong>354 SECTION 43<br />
INSTRUCTOR Wayne Hill<br />
DATES October 22 – 26, 2012<br />
FEE $299 .74<br />
In this course you will be instructed on how to design and carve<br />
your own four foot totem pole . Working hands-on and side-byside<br />
with other carvers you will learn the traditional processes<br />
needed to produce the best results . A short lesson on history and<br />
traditions will give you a better understanding of totemism and the<br />
social implications of this medium . There will be a $50 material<br />
fee payable to the instructor .<br />
This course runs simultaneously with Totem Mask. Please<br />
clearly indicate which course you’re registering for.<br />
Watercolour Painting – Advanced<br />
COURSE CODE <strong>ARTS</strong>248 SECTION 42<br />
INSTRUCTOR Art Cunanan<br />
DATES October 22 – 26, 2012<br />
FEE $299 .74<br />
Please note: This course is not suitable for beginners. It is<br />
imperative that participants have had at least three previous<br />
watercolour courses prior to participating.<br />
At an advanced level of interaction, you will explore traditional<br />
and experimental techniques in watercolour painting . Instruction<br />
will be provided on composition and design and the course is<br />
geared to sharpen skills and enhance personal interpretation .<br />
Learn how to make a contour painting, how to layer washes until<br />
they get the right value and how to use local and colour values to<br />
make strong statements . Sessions on compositions will include<br />
directing the eye with edges, placing darks and other colours,<br />
and advice on handling patterns and loosening painting style .<br />
Learn by demonstration and critique and benefit from individual<br />
attention. You will have an opportunity to enjoy some on-location<br />
painting, weather permitting .
satUrDaY, noVemBer 3, 2012<br />
Artful Lettering Workshop**<br />
COURSE CODE <strong>ARTS</strong>1720 SECTION 41<br />
INSTRUCTOR Judith Jaimet Bainbridge<br />
DATES November 3, 2012<br />
FEE $97 .24<br />
Lettering can have a very artful presence in a wide range of<br />
applications . Enjoy a serious study of the structures of written<br />
letters, leading to play with free-form styles . Make a ‘cola’ pen<br />
for lettering on cards, signs, in artwork, hand-made books, or<br />
any other projects you would want to incorporate lettering in .<br />
You will also design and create a painting using acrylic washes<br />
and lettering . There will be a $20 material fee payable to the<br />
instructor .<br />
Chain Bracelet Workshop**<br />
COURSE CODE <strong>ARTS</strong>1677 SECTION 41<br />
INSTRUCTOR Susan Watson Ellis<br />
DATES November 3, 2012<br />
FEE $97 .24<br />
Learn to form, saw and connect silver links to construct a multiple<br />
link bracelet such as the ‘King’s Chain’, ‘Parallel Chain’, or<br />
‘Chain Mail’ . Sterling silver will be available for purchase from the<br />
instructor or you may bring 10 to 12 feet of 1mm ½ hard sterling<br />
silver wire . There will be a material fee of approximately $50<br />
payable to the instructor, if purchasing silver .<br />
Guitar Basics Workshop**<br />
COURSE CODE <strong>ARTS</strong>1201 SECTION 41<br />
INSTRUCTOR Eve Goldberg<br />
DATES November 3, 2012<br />
FEE $97 .24<br />
In just one day, you will gain the basic skills you need for a<br />
lifetime of music making on the guitar . After being introduced to<br />
the guitar and its parts, you will learn your first chords, try them<br />
out on several songs, and explore several different accompaniment<br />
styles . Learn how to stay relaxed and comfortable as you<br />
play, and explore some practice techniques that you can take<br />
away with you . By the end of the workshop, you’ll be able to<br />
accompany hundreds of folk, pop, country, blues and rock songs .<br />
No previous experience is necessary but you will be required to<br />
provide your own guitar . There will be a $5 material fee payable to<br />
the instructor .<br />
register early!<br />
Waiting until the last minute limits your choice of courses<br />
and may cause you unnecessary disappointment .<br />
See registration details on page 99 .<br />
Knitting Boot Camp Workshop**<br />
COURSE CODE <strong>ARTS</strong>1719 SECTION 41<br />
INSTRUCTOR Kim McBrien<br />
DATES November 3, 2012<br />
FEE $97 .24<br />
Please note: This course is not suitable for beginners. The<br />
ability to cast on and bind off, knit and purl is required.<br />
Advanced students welcome.<br />
Discover how to create sweaters, socks and hats that fit; fix that<br />
cable that you mis-crossed 10 rows down; overcome your fear<br />
of colour work; and conquer charts and lace-knitting . Bring your<br />
most challenging knitting issues whip your knitting into shape!<br />
Instruction will address different kinds of cast ons and bind offs<br />
and when to use them; how to cable with and without a needle;<br />
how and why you need to knit a swatch for every pattern; a variety<br />
of increases and decreases to make your lace knitting more<br />
symmetrical, and many more tips and tricks to make you a better<br />
knitter . There will be a $15 material fee payable to the instructor .<br />
Stained Glass Workshop**<br />
COURSE CODE <strong>ARTS</strong>578 SECTION 41<br />
INSTRUCTOR Linda McGillivray<br />
DATES November 3, 2012<br />
FEE $97 .24<br />
Instruction in this workshop will concentrate primarily on the<br />
copper foil method of stained glass construction . Glass cutting<br />
and construction methods will be applied to the creation of<br />
suncatchers . The lead came method of construction will also be<br />
addressed . No previous experience is necessary to enjoy this<br />
workshop . Students with some stained glass experience will be<br />
encouraged to complete a 3D project . 3D project choices include<br />
candle holder, jewel box, 3D star or suncatcher . There will be a<br />
$25 material fee payable to the instructor .<br />
An excellent introduction to guitar. The teacher<br />
was incredibly supportive and consistently<br />
encrouraging. The whole atmosphere was open<br />
and easy so that all barriers or fears of making<br />
mistakes were eliminated. I left the course feeling<br />
fulfilled, energized and ready to keep on going.<br />
~Hilary Sadler<br />
FaLL 2012<br />
79
80<br />
satUrDaY, noVemBer 10, 2012<br />
Art Clay Silver: Introductory Workshop**<br />
COURSE CODE <strong>ARTS</strong>758 SECTION 42<br />
INSTRUCTOR Sophia Tink<br />
DATES November 10, 2012<br />
FEE $97 .24<br />
Art Clay Silver is a metal clay medium that can be manipulated<br />
into virtually any shape that the artist desires . In this workshop<br />
you will have an opportunity to learn some basic techniques<br />
utilizing Art Clay Silver and create your very own one-of-a kind,<br />
99 .9% Pure Silver pendant or earrings . When fired, the organic<br />
binding agent burn away, leaving 99.9% Pure Silver. You will<br />
explore techniques such as: rolling clay, burnout methods<br />
using organic materials, appliqué, attaching findings, firing,<br />
and polishing . There will be a $68 material fee payable to the<br />
instructor .<br />
Beaded Jewellery Workshop**<br />
COURSE CODE <strong>ARTS</strong>728 SECTION 42<br />
INSTRUCTOR Amanda Brittin<br />
DATES November 10, 2012<br />
FEE $97 .24<br />
Please note: This workshop is suitable for students from 12<br />
years to adult.<br />
Choosing from a large variety of materials – colourful glass, wood,<br />
and semi-precious stones, wire, and metal plate – you will find it<br />
fun, easy and inexpensive to create beautiful jewellery . Instruction<br />
suits both beginner and advanced skill levels as you will design<br />
and create individual pieces with the instructor’s guidance .<br />
These may include smaller items ‘such as earrings and rings’, to<br />
more intricate work – such as wire-wrapped stone pendants and<br />
hammered wire and copper or brass elements . It will be possible<br />
to create several pieces of jewellery in this one-day workshop;<br />
everything from bracelets to rings, pendants and necklaces to<br />
earrings . The material fee will vary with individual projects .<br />
Christmas Ornaments – Folded Metal Workshop**<br />
COURSE CODE <strong>ARTS</strong>888 SECTION 41<br />
INSTRUCTOR Todd Jeffrey Ellis<br />
DATES November 10, 2012<br />
FEE $97 .24<br />
Start your season by making an assortment of unique metal<br />
Christmas ornaments for your tree . Through simple metal forming<br />
techniques you will fold, bend and twist wire rod and sheet metal<br />
into colourful tree decorations suitable for indoors and outdoors .<br />
Your creations will become treasured family keepsakes! There will<br />
be a $45 material fee payable to the instructor .<br />
Felted Slippers Workshop**<br />
COURSE CODE <strong>ARTS</strong>1571 SECTION 41<br />
INSTRUCTOR Heidi Hudspith<br />
DATES November 10, 2012<br />
FEE $97 .24<br />
Please note: This workshop is not suitable for beginners.<br />
This workshop takes felting into 3rd dimension . Learn wet felting<br />
techniques, using a resist, to create a custom pair of slippers .<br />
Please note that making a pair of slippers is an advanced felting<br />
project that will require a fair amount of physical activity to<br />
complete successfully . There will be a $25 material fee payable to<br />
the instructor .<br />
Finger-Style Guitar Workshop**<br />
COURSE CODE <strong>ARTS</strong>483 SECTION 41<br />
INSTRUCTOR Rick Fines<br />
DATES November 10, 2012<br />
FEE $97 .24<br />
Please note: A general knowledge of chords is required.<br />
This workshop is an opportunity to enhance and increase expression<br />
in your guitar playing . Instruction will concentrate on righthand<br />
guitar skills. You will learn some essential finger picking<br />
patterns to add colour to your guitar playing . The ability to read<br />
music is not necessary as standard notation will not be used .<br />
Sketching Workshop**<br />
COURSE CODE <strong>ARTS</strong>461 SECTION 41<br />
INSTRUCTOR Marta Scythes<br />
DATES November 10, 2012<br />
FEE $97 .24<br />
Through a series of fun and informative exercises learn to sketch<br />
what you see, not what you think you see, through observations<br />
and analysis of line, shape and value . A variety of media will<br />
be explored and applied to a range of subject matter . Attention<br />
will be given to basic perspective and simple composition and<br />
lighting . There may be some outside sketching, depending upon<br />
weather and the preference of the group .<br />
Registration for Fall courses<br />
will be accepted as of August 7, 2012.
Your<br />
instrUctors<br />
Beth Abbott has studied a wide variety of Fibre Arts for at least 30<br />
years, taking dozens of courses and workshops, and developing<br />
her own work . She is a graduate of the Fibre Arts Certificate<br />
program from St . Lawrence <strong>College</strong>, Kingston . Beth also earned a<br />
Master Spinner Certificate from Georgian <strong>College</strong>, Owen Sound,<br />
in 1990 and has delivered workshops in Canada and the US .<br />
She has won many awards for her work and is the author of<br />
Icelandic Fleece – A Fibre for All Reasons (2001) . Beth taught<br />
high school and adults for 33 years, retiring to a second career in<br />
teaching and writing about fibre arts in 1998 . She brings a long<br />
love of fibre arts, fabrics and fibres to her courses .<br />
John Anderson is a veteran studio and on-location painter . His<br />
excitement about the language and the process of painting<br />
is infectious . When he is not managing Curry’s Art Store in<br />
Barrie he is painting or teaching . John’s first major influence<br />
was the work of Andrew Wyeth; later it was the Group of Seven<br />
and Tom Thomson . His interest in the work of North American<br />
impressionists such as Aldro Hibbard was followed by interest<br />
in contemporary plein air painters like Matt Smith, David Curtis,<br />
Trevor Chamberlain, Kevin MacPherson and Richard Schmid .<br />
John’s work is a blend of many of these painters’, along with his<br />
own interpretation of light and colour . His work is powerful and<br />
filled with the mood of the moment . Light is fleeting – its impact<br />
leaves a profound impression – learning to see that and capture<br />
it in paint is John’s passion . John is represented by Ethyl Curry<br />
Gallery in Haliburton, Mad & Noisy Gallery, Creemore, Ontario,<br />
Blue Mountain Foundation for the Arts Gallery in Collingwood<br />
and Riverside Gallery, London, UK . www .johndavidanderson .ca<br />
Judith Jaimet Bainbridge is a multi-media artist, retired from<br />
Heraldic Art and Calligraphy commissions for the Federal<br />
Government and the Governor General . These commissions<br />
include painting, calligraphy and gilding for the Merchant Navy<br />
Book of Remembrance, and for the Grant of Arms and flag for<br />
Nunavut . She specializes in mediaeval scripts on calfskin, gilding<br />
and traditional decoration in gouache . She now enjoys modern<br />
lettering on three-dimensional objects such as art books, sculpture,<br />
mobiles and furniture . Judith is a founding member of the<br />
Calligraphy Society of Ottawa, and has been teaching calligraphy,<br />
gilding, and related arts across Canada since 1981 .<br />
Michael Bainbridge worked for ten years as a Cameraman and<br />
Director of Photography in film and TV before switching full-time<br />
to still photography . Since then, his work has been sold privately,<br />
exhibited publicly, and featured internationally . He now specializes<br />
in art and specimen photography for museums and private<br />
collectors . Michael is a frequent guest speaker at major conferences<br />
in his field, teaches photography and digital manipulation<br />
regularly, and does Photoshop work and pre-press processing for<br />
other photographers . www .theoccurrence .ca<br />
Elisha Barlow holds a Visual Arts Honours Degree from the<br />
University of Western Ontario and is a graduate of the Fibre<br />
Arts certificate program at <strong>Fleming</strong> <strong>College</strong>’s Haliburton School<br />
of The Arts . Her primary focus is in the areas of drawing,<br />
silk-screen printing and felting . Much of her work addresses<br />
landscapes and animal imagery with a quirky, rustic twist . Even<br />
within the “fringe” area of fibre arts, Elisha’s unique process<br />
of silk-screening involving painterly techniques and pigment<br />
manipulations enters into an area even more obscure and gives<br />
her work a raw, antique feel .<br />
Verity Barrett has a Master’s Degree in Social Work and has over<br />
20 years working with children, youth and their families as a<br />
parent therapist, CAS worker and a child therapist in a children’s<br />
mental health clinic . Verity, who specializes in trauma, has used<br />
sandtray-worldplay extensively for the past 14 years in her work<br />
with children, youth, and their families .<br />
Lisa Barry is a graduate of Sheridan <strong>College</strong>’s Ceramics Program<br />
and has also achieved a BFA from the Alberta <strong>College</strong> of Art<br />
and Design . Her current work focuses on the use of white<br />
bodied stoneware with bright colourful slip decoration . Lisa has<br />
a broad range of experience with various pottery techniques<br />
as well as kiln firing processes . An emerging artist of note, she<br />
has exhibited nationally and continues to develop herself as an<br />
artist through workshops and learning opportunities . Lisa brings<br />
a passion and energy to her teaching that ensures a lively and<br />
creative atmosphere for her students!<br />
Wendy E. Bateman teaches weaving, spinning, braiding, creativity,<br />
textile science, colour and design for textiles . Wendy is a<br />
graduate “with distinction” from the O .H .S . Spinning Certificate<br />
program, a Master Spinner, a graduate of <strong>Fleming</strong> <strong>College</strong>’s<br />
Visual and Creative Arts Diploma Program and has been the<br />
owner of Fibres WEB studio for over 35 years . She has received<br />
numerous design, originality and judges’ choice awards for her<br />
work . She travels teaching her craft and sharing her environmental<br />
ideas . Wendy is a recipient of the Enviro Hero for the Arts<br />
Award .<br />
Rails End Gallery and Arts Centre presents<br />
Push Pull<br />
Haliburton School of The Arts Faculty Show and Sale<br />
June 30 - July 29, 2012<br />
Meet & Mingle Receptions for HSTA students & faculty Tuesdays 4:30 - 6<br />
Gallery admission by donation, suggested $2<br />
Tues 10-6:30 Wed - Sat 10 - 5 Sun 12 -4<br />
Plan to attend Haliburton Art & Craft Festival July 27, 28, 29<br />
presented annually by Rails End Gallery and Arts Centre<br />
preview the artists and learn more on our website.<br />
23 York St, Haliburton Village 705-457-2330<br />
www. railsendgallery.com<br />
81<br />
instrUctors
82<br />
Darby Bayly’s extensive art background has given her a solid<br />
understanding of design and craft, particularly in the areas of<br />
textiles, printmaking and ceramics . Her artistic education has<br />
taken her to Vancouver, Bavaria and Haliburton . She loves to<br />
experiment with new ideas and mediums and dabbles in various<br />
art forms but always returns to illustrating in one way or another .<br />
She strives to create beautiful, functional objects to make our<br />
lives a little brighter .<br />
Shelley Beach is an Honour Graduate of Ontario <strong>College</strong> of Art<br />
& Design and a silver level signature member of the Toronto<br />
Watercolour Society . Her paintings hang in numerous corporate<br />
and private collections, including Veridian Corporation<br />
and the previous Lieutenant Governor of Ontario, Hilary M .<br />
Weston . Represented by the Ethel Curry Gallery, Haliburton,<br />
Shelley’s work is mainly water-based but ranges from traditional<br />
watercolour to experimental mixed media and monotype .<br />
www .theshelleybeach .com<br />
Sharon Benson completed the Expressive Arts Certificate Program<br />
at <strong>Fleming</strong> <strong>College</strong>, continued her studies at the International<br />
School for Interdisciplinary Studies (ISIS) Toronto and then<br />
completed her Masters Degree in Expressive Arts Therapy at<br />
the European Graduate School in Switzerland . For the past 10<br />
years, she has utilized the expressive arts to support those in<br />
recovery from the human experience – including addiction and<br />
a variety of related psychological “dis-eases” – by employing the<br />
arts as an informant for its maker . Professional highlights include<br />
the honour of working with the youth at Pine River Institute,<br />
Horning’s Mills, ON and the women of Seaside Women’s<br />
Wellness Centre in Powell River, BC as well as the challenge and<br />
joy of private practice . www .insight-out .ca<br />
Annette Blady Van Mil is a graduate of OCAD . For many years, she<br />
has worked as an architectural and interior designer on many<br />
projects all over North America, but painting has always been<br />
her first love . Annette has spent several years developing her<br />
unique approach to painting using mixed media, found objects<br />
and stained glass . It is this diverse and open-minded approach<br />
to media and materials that inspires her mosaics and artwork .<br />
The popularity of the style she has developed has allowed her to<br />
pursue art on a full-time basis . www .annetteblady .com<br />
Jim Blake works as a facilitator, consultant, project manager<br />
and educator . He was one of the founders of the Arts<br />
Council~Haliburton Highlands and served as its coordinator<br />
from 2002 -2008 . Jim is as a consultant for the Haliburton<br />
County Development Corporation, the curator of the Haliburton<br />
Sculpture Forest (since 2001) and a part-time faculty member at<br />
the Haliburton School of The Arts where he teaches courses on<br />
marketing and business for artists . In 2008-2009 he coordinated<br />
a major initiative to help artists throughout Eastern Ontario reach<br />
a larger market for their work . Jim is a professional storyteller<br />
who, over the past twenty five years, has performed at festivals<br />
and venues across Canada . He studied visual art at the<br />
University of Guelph, York University and the New School of Art<br />
and exhibited his work as a visual artist from 1976 to 1984 .<br />
Linda Kristin Blix studied printmaking at the University of<br />
Manitoba’s School of Fine Art, Toronto School of Art and Open<br />
Studio Printmakers Centre . A passion for figure drawing and<br />
painting was acknowledged with her honours diploma from<br />
the Ontario <strong>College</strong> of Art and Design, Painting and Drawing<br />
Department . Her strong conviction that art is essential for a<br />
balanced and fulfilling life has inspired her teaching of adults<br />
and children in numerous art institutions, galleries and schools<br />
throughout Ontario . She also taught screen printing at Open<br />
Studio for five years . Linda’s work combines multiple creative<br />
techniques in unique ways and has been widely exhibited .<br />
www .lindakblix .com<br />
Harriet Boon is a spinner, dyer, sheep farmer, weaver and retailer .<br />
She earned her Master Spinner certification in 1976 and has<br />
been instructing in Spinning Certificate programs ever since .<br />
Since the 1970s, she has been involved with FIBRES – from<br />
source to finished article – in co-operation with numerous organizations<br />
in Ontario and the US . She is continuing self-education in<br />
the fibre-dye field in Canada and abroad .<br />
Evelyn Bouma is considered an icon in the world of upholstery<br />
and innovative interior design . She attained her Furniture<br />
Refinishing & Upholstery Degree from the Rotterdam University<br />
in Holland and has studied fashion in France, England and North<br />
America . As an instructor with the Toronto Board of Education<br />
for over 4 decades, Evelyn taught upholstery techniques,<br />
sewing at all levels, and developed her own unique signature<br />
class in lampshade-making . She is a regular contributor to the<br />
Creative Festival and has been a guest on radio and television .<br />
www .evelynbouma .com<br />
Jane Bow’s latest novel, The Oak Island Affair was an American<br />
Indie Book Award finalist . Her first novel, Dead And Living was<br />
shortlisted for an Arthur Ellis Award and selected for a university<br />
course reading list . Her plays and short stories have appeared<br />
in literary journals in Canada and India and she has also written<br />
for Chatelaine, the CBC and various daily newspapers . Jane’s<br />
instruction and style are influenced by many years of practice<br />
in meditation, self-awareness and creative energy techniques .<br />
Jane’s new interactive play Bottoms Up! is scheduled for<br />
production this year . She has taught creative writing and<br />
creativity courses at the Haliburton School of The Arts, Trent<br />
University and other venues . www .janebow .com<br />
Amanda Brittin loves to introduce an artistic element into the<br />
objects that are part of daily life . Whether it is a floor cloth underfoot,<br />
a piece of jewellery being worn, or a glass mosaic bowl on<br />
the dinner table, she brings a sense of humour and whimsy to<br />
her colourful pieces of functional art . She is currently focused on<br />
breaking nature down into graphic and abstracted elements in<br />
her designs . www .artistmarketplace .ca<br />
Marianne Broome, a full time artist and popular instructor, is known<br />
for her realistic paintings of flowers, impressionistic landscapes<br />
and her abstracted work . These have been exhibited in many<br />
juried exhibitions in which she has received numerous awards .<br />
Marianne shares a wealth of information with her students and<br />
offers individual assistance and encouragement at demonstrations<br />
and discussion while leaving the door open for individual<br />
creativity . www .naturesedgestudio .ca<br />
Toni Caldarone re-entered the creative world by starting up her own<br />
company, Stones By Toni, where she designs unique artwork on<br />
hand-collected beach stones . Her mixed media, recycled and<br />
print art are in private collections locally and abroad . Her mission<br />
statement: To encourage creativity through positive energy .<br />
www .stonesbytoni .com<br />
Pam Carnochan is a fibre artist that has married her love of watercolour<br />
painting with her love of wool . She uses the wool from<br />
her sheep to create works of landscape art . She has taught in<br />
Algonquin Park at the Art Centre for several seasons, encouraging<br />
participants to explore the natural world in another way<br />
using the intuitive to the guide the process . Pam has instructed<br />
in the elementary and secondary school systems, the McMichael<br />
Art Gallery, and provided workshops to many groups within the<br />
Muskoka Region .<br />
Gary Chapman is living his dream . Toronto-born, he has always<br />
been fascinated with our natural environment . Now living and<br />
painting in the Highlands of Haliburton, he is able to experience<br />
nature on a daily basis . It is this love of the outdoors that<br />
he brings to his painting . Always inspired by the changing<br />
seasons, Gary paints on-location and in his lakeside studio . He<br />
is always willing to share his personal insight with his students<br />
in a relaxed teaching style . Gary has been instructing for over<br />
20 years at various schools and workshops throughout Ontario .<br />
www .garychapman .ca
Kate Church holds a BFA from Rhode Island School of Design, with<br />
a Major in Textile Design . She continues a practice of drawing,<br />
printmaking, ceramics and sculpture in addition to her primary<br />
work, which she has named Sculptural Puppetry . Using figurative<br />
expression to portray her imagery, the pieces she builds<br />
somehow defy conventional interpretation . They are not dolls,<br />
nor are they formal sculptures . They are embroideries of life .<br />
www .katechurch .com<br />
Jacqui Clarkson is a threads and fibre artist and teacher working<br />
with guilds and needlework shops in the US and Canada . She<br />
has actively taught over 20 years at cross-stitch festivals, trade<br />
shows, needlework shops, the Embroiderers Guild of America,<br />
and the American Needlepoint Guild at its national seminars .<br />
Jacqui has authored correspondence courses, cyber-workshops,<br />
and numerous articles for needlework magazines and has<br />
participated in writing for books dealing with different aspects<br />
of needlework . Commissions have included ornaments for the<br />
Christmas Tree in the White House, needlework pieces in support<br />
of World Aids Day, and private commissions . Jacqui teaches<br />
various skills levels and encourages her students to explore<br />
techniques, exchange ideas and always loves to share her love<br />
of stitchery .<br />
Denis Cliff, RCA, B .Ed, and post graduate studies at the New<br />
School of Arts . In over 40 years of professional work, Denis has<br />
exhibited paintings, drawings, sculpture and installation work in<br />
28 one-man exhibitions and over 70 group shows in Canada and<br />
the US. He has taught at York, Toronto, Ryerson, and Emily Carr<br />
Universities, OCAD, the New School of Art, Arts Sake Inc . and<br />
the Toronto School of Art, which he also helped to direct . Denis<br />
recently had a retrospective exhibition of 31 years of his work<br />
and is currently working on a new form of dimensional landscape<br />
painting that is interactive .<br />
Victoria Cowan is a prize-winning graduate of OCAD and Concordia<br />
University . Her combination of experience in fine art, adult<br />
education and text editing all prepare her to offer in-depth,<br />
articulate instruction in painting and printmaking . Active both as<br />
a jurist and instructor, Victoria continues to show regularly and<br />
has won awards in painting and printmaking . Her work is found<br />
in collections in Canada and abroad, and has been chosen for<br />
covers of publications in Europe and North America . Victoria<br />
has been teaching at the Haliburton School of The Arts since<br />
2001, and also gives courses and workshops for a wide variety of<br />
organizations and art groups . www .victoriacowan .ca<br />
Valerie Cowle is an experienced glass artist with an extensive<br />
knowledge of glass . In addition to residential projects, she has<br />
created numerous church windows and taught hundreds of<br />
students in the art of stained glass . An inspired designer, she<br />
effectively translates customers’ wishes into works of art . Recent<br />
projects include a set of fifteen windows for Northminster United<br />
Church in Peterborough as well as a restoration of 120 year old<br />
leaded window in the Peterborough Regional Health Centre .<br />
Terry Craig is a former Harbourfront glass studio resident and a<br />
Sheridan <strong>College</strong> graduate . He has worked with hot glass for<br />
almost 20 years and in that time has worked for and in many of<br />
North America’s finest glass studios including Pilchuck in Seattle,<br />
WA . and The Studio at the Corning Glass Museum in Corning<br />
NY. Terry was the studio technician at the Mississauga Living<br />
Arts Centre for four years until he relocated to the Haliburton<br />
area where he now runs his own glass studio and gallery, Artech<br />
Studios and (k)nave gallery . Terry also designs glass studio<br />
equipment, lectures and writes about studio safety and ergonomics<br />
. He has been an instructor and teaching assistant at the<br />
Haliburton School of The Arts since 1995 . http://artechstudios .ca<br />
Art Cunanan, an elected member of the Canadian Society of<br />
Painters in Watercolour and founding member of the Philippine<br />
Artists Group, Art Cunanan revels in the varied landscape of<br />
Ontario . Best known for his effective and sophisticated use of<br />
light, his watercolours sparkle with freshness and spontaneity .<br />
Born in the Philippines and educated at the University of Santo<br />
Tomas in Manila, Art’s pursuit of his passion began as a commer-<br />
cial artist for a leading newspaper and several advertising companies<br />
in Manila . In 1984, he was introduced to the Canadian<br />
scene by Zoltan Szabo, a well-known artist and instructor . Since<br />
his Canadian introduction, his work has been accepted into<br />
juried exhibitions, private and corporate collections in Canada,<br />
the US, Europe, Asia, Australia and the Philippines . He is<br />
represented by galleries in major cities in Canada and has held<br />
successful exhibitions for several years . Some of his work was<br />
also reproduced by Carlton Cards, Bradley Museum and Royal<br />
Insurance for their brochure . In 1989, Art decided to devote his<br />
attention to painting full-time and started teaching at workshops<br />
for various art groups and art schools . A popular art instructor, he<br />
has been holding workshops across North America and Europe<br />
for many years . www .artcunanan .com<br />
Krystyna Czerska, armed with her engineering degree from the<br />
Warsaw Technical University, immigrated to Canada and became<br />
immersed in the world of creativity . As a demonstrator at the<br />
Creative Sewing and Needlework Festival she met Evelyn Bouma<br />
and an imaginative partnership was born . Krystyna is founder<br />
and owner of Nostalgia, a company that specialized in custom<br />
made Victorian style lampshades .<br />
Jay Dampf’s classes attract both the curious beginner and the<br />
more experienced artist because he has an ability to create an<br />
atmosphere of infectious enthusiasm and relaxed, constructive<br />
learning . At present, he teaches 13 classes weekly in a variety<br />
of media, techniques and personal pursuits, as well as weekend<br />
seminars in drawing, painting and drawing for woodcarvers . His<br />
reputation has recently earned him invitations to judge woodcarving<br />
shows, as well as the Award of Teaching Excellence from<br />
the Toronto Board of Education . Jay’s art has won many awards<br />
in Canada and the US, and virtually all of his works are hanging<br />
on walls across North America . His artistic interests are as varied<br />
as his education and experience, which include the prestigious,<br />
specialized art program at Central Technical School, and George<br />
Brown <strong>College</strong>’s Fine & Commercial arts program, followed<br />
by several years in the advertising and design industry . Jay’s<br />
interests in wildlife, art and archaeology have sparked extensive<br />
travels through Africa, South America and Europe . These sources<br />
of inspiration are reflected in his continuing artistic growth .<br />
Philip Davis has been fascinated by musical instruments for a long<br />
time . Early attempts at building an instrument of any kind were<br />
note-worthily bad . Probably because of this, he took it rather<br />
formally and studied in Toronto, then London, England, and later<br />
Frankfurt, Germany to ‘get it right’ . Philip now sees instrument<br />
making as more of a personal exploration but can cover a wide<br />
range of techniques and strategies for finding the right personal<br />
musical goal . As a maker, he is represented by instruments and<br />
bows across Canada, the US, England, and Germany . He has<br />
maintained a professional practice of building and restoring since<br />
1985 and has taught musical instrument construction since<br />
1980 at OCAD and later at the Haliburton School of The Arts .<br />
Gary Diggins began his musical career as an opening act for artists<br />
such as Alice Cooper . Today, he is more dedicated to transformation<br />
through the expressive arts and travels throughout Africa,<br />
Europe, and North America bringing social change through<br />
a process called soundwork as soulwork . He developed this<br />
experiential approach to deep listening and intentional sounding<br />
through many years in private practice in Toronto as a counsellor<br />
and soundwork practitioner . Gary continues to perform in various<br />
improvisation ensembles, serves kids at risk through Mindfulness<br />
Without Borders, and offers leadership programs through<br />
Inspired Future . www .garydiggins .com<br />
Judith Dingle is a full-time textile artist . Since 1978 her work has<br />
been exhibited in solo and group shows in Canada, the US,<br />
Europe, New Zealand, Japan, and Taiwan . She is well known<br />
for her architecturally scaled quilted wall hangings and textile<br />
constructions commissioned for residential and corporate<br />
interiors . Corporate clients include Seiko, Xerox, Rolex, Bristol<br />
Place Hotel, C-I-L, Extendicare and, a 15’ x 8’ silk donor quilt for<br />
the Yee Hong Wellness Foundation. Her work is also located in<br />
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many public collections such as the Textile Museum of Canada<br />
in Toronto, the Claridge Bronfman Collection in Montreal and the<br />
National Museum of Civilization in Ottawa, as well as in private<br />
homes throughout the world . She has won acclaim and awards<br />
for her work, including Canada Council and Ontario Arts Council<br />
awards and her flat and constructed quilts have been widely<br />
published in magazines and books such as The Art Quilt by<br />
Robert Shaw . Judith is a respected teacher and lecturer who has<br />
taught extensively for over 25 years and is known for providing a<br />
supportive atmosphere for development and exploration .<br />
Helen Donnelly holds an Honours BA Specialist Degree in Drama<br />
from the University of Toronto and has directed, taught and<br />
performed in clown in Canada and the US for over 15 years .<br />
She is a professional circus, theatrical and therapeutic clown .<br />
Credits include theatre shows, Cirque du Soleil, Circus Orange<br />
and Zero Gravity Circus . Her work as a professional therapeutic<br />
clown has benefitted children at Sick Kids and Holland Bloorview<br />
Kids Rehabilitation Hospital, as well as elders through Dr . Clown<br />
Toronto . She has been trained extensively in the Pochinko<br />
technique and also studied Lecoq methods and those of David<br />
Shiner and Roch Jutras when she worked with Cirque du Soleil .<br />
She currently trains under Francine Cote in Montreal . Helen has<br />
been interviewed in clown on CBC radio Here and Now, CTV’s<br />
Canada AM and CityTV’s Breakfast Television . She is a founding<br />
member of the Canadian Association of Therapeutic Clowns and<br />
training coordinator at Holland Bloorview . She is known for her<br />
bizarre clown personas and her dynamic yet empathetic teaching<br />
methods . www .HelenDonnelly .com<br />
Suzi Dwor has a Master’s in Art Ed . and has studied in the US,<br />
Paris, and Mexico . An accomplished artist and teacher, she<br />
taught Fibre Design at Buffalo State University and is currently<br />
working in a program called “Learning Through the Arts” in the<br />
Niagara public schools . Her students describe her as extremely<br />
creative, intuitive, knowledgeable, and energetic . Suzi makes<br />
paper of incredible colour and quality that is used for collage and<br />
three-dimensional works of art . She trained in paper-making and<br />
fibre design at Kent State, Ohio; Cleveland Institute of Art, and<br />
Buffalo State University . Her achievements are many and include<br />
juried exhibits and workshops at the Albright Knox Gallery,<br />
Buffalo; Canada Koffler Gallery, Toronto; Rodman Hall, St .<br />
Catharines, Jordan Art Gallery, Ont .; 100 American Craftsmen,<br />
NY; as well as across the US and southern Ontario.<br />
Todd Jeffrey Ellis received an arts diploma from Niagara <strong>College</strong> in<br />
1970 . He has since worked extensively in various areas of the<br />
arts: teaching, directing and set, prop, and furniture designing .<br />
His love of metalwork took hold when he discovered chasing,<br />
repoussé, and the moving of metal in 1995 . Since that time he<br />
has studied at OCAD, George Brown <strong>College</strong>, the Haliburton<br />
School of The Arts and through extensive studies with such<br />
renowned masters as Lois Etherington Betteridge, Brian Clarke,<br />
Charles Lewton Brain, and Don Stuart . In 2000 Jeffery was<br />
awarded ‘Best Holloware Award’ in the Metal Arts Guild’s ‘Under<br />
Glass’ exhibition . In 2003 he participated in a group exhibition at<br />
Metalurge in Toronto, which showcased his expertise in the decorative<br />
form. He has taught at Niagara <strong>College</strong>, York University,<br />
Toronto Teacher’s <strong>College</strong>, and the Haliburton School of The Arts,<br />
and served on the executive of the Metal Arts Guild of Canada<br />
for seven years . In 2008 he was published in 500 Metal Vessels .<br />
In 2010 he had an exhibition with Susan Watson Ellis at the<br />
Ontario Craft Council Gallery and Jeffery and Susan created the<br />
window display for the Guild Show during the 2010 Film Festival .<br />
www .silversmith .ca<br />
Margaret Ferraro divides her time between her two disciplines –<br />
teaching and painting . For over 10 years she has built a reputation<br />
in the Ottawa Valley area, as a teacher of figure drawing and<br />
pastel workshops . Believing that a strong foundation in drawing<br />
unlocks the keys to self expression, Margaret urges artists of all<br />
ages to build this skill . She teaches many pastel courses at her<br />
country home/studio, in an intimate non-judgmental setting .<br />
Other teaching venues include schools, various art organizations,<br />
Algonquin <strong>College</strong>, and <strong>Fleming</strong> <strong>College</strong> . Margaret has exhibited<br />
widely throughout Canada and the US, and has participated in<br />
the Pastel Society of America Show, National Arts Club, NYC, and<br />
at Pastel Artists of Canada juried exhibitions in various locations<br />
throughout Canada . Margaret is a designated master pastellist,<br />
with Pastel Artists Canada . www .ferraro-art .com<br />
Elisabeth Feryn is a freelance photographer specializing in<br />
documentary, portrait and publicity photography . She has<br />
worked with clients as diverse as Loreena McKennitt, Timothy<br />
Findley, the Stratford Festival Theatre, the Shaw Festival and<br />
the Contemporary Art Forum Kitchener and Area (CAFKA) .<br />
Her professional career also encompasses teaching digital<br />
photography, from beginners with their new cameras, to<br />
advanced techniques and digital workflow . She is a faculty<br />
member at Conestoga <strong>College</strong> where she teaches Portraiture<br />
in the Photography Certificate Program . In between teaching<br />
and commercial assignments Elisabeth pursues her own artistic<br />
practice . www .eferyn .com<br />
Judy Feskun is a passionate Canadian jewellery artist . She is the<br />
primary wire instructor at Robert Hall Originals and her additional<br />
teaching experience includes the Ancaster Gem, Mineral, Bead<br />
& Jewellery Show and the Southampton Art School . Judy’s work<br />
is available in shops and galleries across southern Ontario .<br />
Rick Fines is one of Canada’s leading blues, roots music and slide<br />
guitarists and a veteran of the folk and blues circuits in North<br />
America . His work with Jackson Delta brought two Juno nominations<br />
and he has three Mapleblues awards and six albums on<br />
his own . When teaching, his relaxed style and sense of humour<br />
blend seamlessly with his brilliance as a musician and songwriter<br />
. www .rickfines .com<br />
Susan Fisher graduated from Concordia University with an Honours<br />
BFA and a post graduate diploma in Art Education . She then<br />
continued her education at Trent University where she achieved<br />
a Master’s Degree specializing in First Nations Art History . From<br />
an early passion for printmaking and especially photography,<br />
she embraced the specialized techniques of encaustic painting,<br />
an ancient medium rediscovered and currently popular with a<br />
growing number of artists . She has had numerous solo shows<br />
in the Peterborough area including a major solo show at the<br />
Art Gallery of Peterborough . Her work has been juried into a<br />
prestigious show in Sagamihara, Japan and has also been shown<br />
in Denver, Co . She is represented by the Soho Myriad Gallery,<br />
Atlanta; the Ethel Curry Gallery, Haliburton; the Elaine Fleck<br />
Gallery, Toronto . www .fisherencaustic .com<br />
Jan Fitch has participated as an exhibitor and judge in shows and<br />
competitions throughout Canada, the US and Great Britain,<br />
where her work has achieved much acclaim . Among her awards<br />
are many Best of Shows, including the Canadian National<br />
Exhibition in Toronto and the Ward World Championship in<br />
Maryland . Jan conducts seminars and carving classes in her<br />
studio and also teaches privately . Her love of birds is expressed<br />
in her detailed woodcarvings and recently in her cast paper<br />
sculpture – capturing the behaviour of ducks and birds as seen<br />
in nature . Jan works and displays her art at her Kingston studio<br />
where visitors are welcome to view finished work as well as watch<br />
her create . www .janfitch .com<br />
Grant Fuller attended four years of college at the Vancouver<br />
School of Art, and then travelled to Toronto to begin a career in<br />
commercial art . As an Art Director and later as an Advertising<br />
Manager for Sears Fashion, he worked with the top photographers<br />
and artists in New York, Montreal and Chicago. In 1984 he<br />
took up painting full time and began to teach watercolour . He has<br />
two books published by North Light Books, Watercolor A to Z,<br />
and Start Sketching and Drawing Now, as well as two-hour-long<br />
art instruction DVDs . Grant's paintings have won several jurors<br />
awards and have been featured in magazines and newspapers<br />
at local and national levels . He teaches workshops from England<br />
and Scotland to Hawaii and many Canadian locations from<br />
Newfoundland to Vancouver Island . www .grantfuller .ca
Kiera Galway, conductor, musicologist and educator, draws from<br />
a colourful and diverse range of experiences in a synergetic<br />
approach to choral music making . Currently pursuing a PhD<br />
in Music Education at the University of Toronto, her primary<br />
research focus is music’s role in the construction of subjectivities<br />
and power relations in group singing spaces . In addition to her<br />
work in choral music, Kiera is active in the Toronto community as<br />
a private instructor and clinician .<br />
April Gates is a full time ceramic artist and educator . After colourful<br />
and long meanderings in travel, work and education, April finally<br />
answered the call to study ceramics . A lifelong background<br />
in image making married a concern for function and ritual ~<br />
and Blackbird Pottery was born . April’s graphic and illustrative<br />
work has been nationally exhibited, collected and published .<br />
Her current obsession is to marvel the endless potential of the<br />
ceramic surface . As a facilitator, April is passionate about helping<br />
others to find their voice through artistic explorations .<br />
Karyn Gingras, when signing up for a night school class in tap<br />
dancing, was told that the course was full . But, they added,<br />
the millinery course had lots of space . The rest, as they say, is<br />
history . Karyn is the owner/designer of Lilliput Hats, a 22-year-old<br />
traditional millinery . As all the Lilliput hats are crafted on site in<br />
the studio/atelier, the store has become a curious landmark in<br />
the city, where visitors can glimpse old-world techniques while<br />
their hat is made before their eyes . Lilliput hats are carried across<br />
the country at Holt Renfrew and other fine boutiques in Canada<br />
and the US . The hats are in the collections of Whoopi Goldberg,<br />
Celine Dion, and the Governor General of Canada Adrienne<br />
Clarkson . Karyn’s many theatre, television, and film credits<br />
include Mama Mia, Music Man, and The Evelyn Dick Story .<br />
She is the recipient of several awards, including the 1999 City<br />
of Toronto Accessories Designer of the Year, the One-of-a-Kind<br />
Show Best Traditional Craft, and the One-of-a-Kind Show Hall of<br />
Fame . She has taught at the International Academy of Design<br />
and Ryerson University of Design . www .lilliputhats .com<br />
Larry Glatt has a Doctorate in Music from Florida State University<br />
and is a teacher/musician who has been playing guitar and<br />
performing for over thirty years . More recently Larry has been<br />
composing, playing jazz guitar and performing as a conductor .<br />
He has written a musical, choral music, songs and has released<br />
three CDs .<br />
Eve Goldberg is a compelling songwriter and interpreter whose<br />
music spans folk, blues, country, swing, bluegrass, and more .<br />
Known for her watercolour voice and solid guitar style, she is a<br />
favourite at festivals and concert series across North America,<br />
and she has released three albums to widespread acclaim . Eve<br />
is a much sought-after music teacher and leads workshops<br />
on guitar, ukulele, singing, and song writing, with an emphasis<br />
on making music for the joy of it . She believes that everyone<br />
can make music and in her teaching she strives to create a<br />
fun, supportive environment for students to learn and grow .<br />
www .evegoldberg .com<br />
Diane Gonthier’s formal textile studies started in England in 1984,<br />
followed by specialised workshops in the US . In 2006, she<br />
acquired “with distinction” the OHS Fibre Art Certificate in Hand<br />
Spinning and is now working on the Master Spinner recognition<br />
. Her vivid creative mind is particularly known to widen in<br />
scale and structure, the contemporary felt medium . Her work is<br />
exhibited in Quebec, Canada and Europe and is supported by<br />
her regional and provincial Art Councils . Teaching regularly from<br />
her studio, in summer art schools and abroad, her initiatives are<br />
also contagious through the program Artist at School .<br />
V. Jane Gordon, MA, pursued a studio major in painting and<br />
drawing in the Fine Arts department at Concordia . Active in the<br />
arts community, she has worked as a freelance curator creating<br />
numerous exhibition projects for galleries . She is represented in<br />
private and public collections and is the recipient of numerous<br />
grants and awards . Working in gallery-based installations using<br />
painting and drawing as well as outdoor installations/interventions<br />
using landscape elements and ephemeral landscape interventions,<br />
she has a practice which extends from gallery-based work<br />
into body movements and digital documentation . Gordon is a<br />
year-round teacher/mentor who also directs national and international<br />
multi-disciplinary workshops using her “inquiry method” .<br />
Catherine Graham is the author of four acclaimed poetry collections:<br />
The Watch (Abbey Press) and the poetry trilogy Pupa,<br />
The Red Element and Winterkill (Insomniac Press) . She holds<br />
a Master’s degree in creative writing from Lancaster University<br />
(England) and teaches creative writing at the University of<br />
Toronto School of Continuing Studies where she was nominated<br />
for an Excellence in Teaching Award . Her work has appeared in<br />
journals and anthologies in North America, the United Kingdom,<br />
and Ireland . Her next collection will be published fall, 2013 with<br />
Wolsak & Wynn . www .catherinegraham .com<br />
Jon Gray is a professional shoemaker . He began his career in 1994<br />
at an orthopaedic shoemaker’s workshop . This provided the<br />
opportunity to work with craftsmen from Eastern Europe, Central<br />
America, and the Middle East . In 2001 Jon moved to Nova Scotia<br />
to work in a theatrical shoe shop, producing footwear for plays,<br />
operas and films across North America . 2010 marked the beginning<br />
of Jon Gray Bespoke, Jon’s own shop where he produces<br />
finely crafted handmade shoes for men and women using<br />
traditional techniques in classic and contemporary fashions .<br />
www .jongraybespoke .com<br />
Kerry Griffin has been performing and teaching improv for over 15<br />
years . He is an alumnus of Toronto’s famed Second City, having<br />
written and performed in two award winning shows there as well<br />
as directing their critically acclaimed revue ‘Dreams Really Do<br />
Come True . . .and Other Lies’ in 2011 . He is a multiple Canadian<br />
Comedy Award winner as both an individual and with troupes<br />
Slap Happy and Monkey Toast and has performed and taught<br />
across Canada as well as in the US and Europe . He is currently a<br />
faculty member at the Second City Training Centre and performs<br />
frequently in the Toronto area .<br />
Holly Groome BSc ., B .Ed, a native Muskokan and high school<br />
classroom teacher for the past 12 years, eagerly shares her<br />
own life experiences with her students . Her natural curiosity<br />
and desire to learn are inspirational and her enthusiasm is<br />
contagious, leading to the most positive of experiences for her<br />
students . She has taught students from age 4 to 95 all across<br />
Canada and internationally, in a variety of subjects . As an artist<br />
and outdoor enthusiast, Holly’s interests include playing music,<br />
knitting, yoga, magic and photography .<br />
Gunnel Hag studied textile design in Sweden and England . Her<br />
studio, Trees Textile Designers and Printers, produces fabrics for<br />
film and theatre productions . She taught in the Textile Studio at<br />
Sheridan <strong>College</strong> for 12 years, and has been a visiting lecturer at<br />
the National Institute of Design in Ahmadabad, India . Her fabrics<br />
have been represented at International Design exhibitions and<br />
she has received many grants and awards for her work . Gunnel<br />
has published two books: Creating Texture and Creating Texture:<br />
Soft Texture . www .colourvie .com<br />
Edward Hagedorn, MA, DTATI, OATR, worked as a visual artist and<br />
teacher before training at the Toronto Art Therapy Institute and<br />
completing his Master’s Degree in Expressive Therapy at Lesley<br />
University in Cambridge, Massachusetts . Ed is a Registered Art<br />
Therapist with the Ontario Art Therapy Association . For the past<br />
18 years Ed has been supplying expressive arts therapeutic<br />
services through his private practice Artreach . Additionally,<br />
he maintains on-going clinical involvement with the Treatment<br />
Foster Care of Cobourg, private child treatment programs, and<br />
various Children’s Aid Societies . Since 2004 Ed has been training<br />
in Dyadic-Developmental Psychotherapy (attachment therapy)<br />
and has endeavoured to merge this new treatment approach with<br />
expressive arts therapy . Although time is limited, Ed continues to<br />
produce visual art in his home studio .<br />
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Gili Haimovich is an Expressive Arts Therapist, educator and writer<br />
with a background in visual arts and over a decade of experience<br />
. She is a graduate of the arts school Camera Obscura and<br />
the Program for Intermodal Expressive Arts Therapy, ISIS Israel .<br />
As an internationally published writer, translator and editor, Gili<br />
specializes in writing-focused expressive arts . She works with<br />
groups and individuals in private practice and agencies such<br />
as: Sheena's Place – Centre for Eating Disorders, ISIS Canada<br />
– Integrated Arts Therapy Training, CAMH – Centre for Mental<br />
Health and Addiction, Baycrest – Centre for Seniors, and Geneva<br />
Centre for people with autism . Gili produces and participates in<br />
intermodal poetry performances in addition to publishing her<br />
poetry . www .poetryon .com<br />
Glenna Harris, having learned to knit as a child, became a true<br />
‘knitter’ while studying for her PhD . It was a great form of<br />
stress relief and distraction . She finished the PhD and kept on<br />
knitting anyway . She has since become a knitting teacher and<br />
designer, producing knitting patterns for self-publication and<br />
for independent yarn dyers for over four years . She has a yarn<br />
stash with a life of its own, is never without a project no matter<br />
where she is and in fact, once cut a steek while riding a bus .<br />
She believes in challenging yourself and knitting without fear .<br />
Her patterns have been featured in Canadian Living Magazine,<br />
Knitty, Magknits, Twist Collective, Knitcircus and online through<br />
Ravelry and Patternfish . She has designed for Tanis Fiber<br />
Arts, Indigodragonfly Yarns, The Sweet Sheep, and others.<br />
http://crazyknittinglady .wordpress .com<br />
Robert Held aspired to be an artist from an early age . After winning<br />
the “Ebell Award” for promising students he studied painting at<br />
Whittier <strong>College</strong> . He then made the Dean’s List at San Fernando<br />
State <strong>College</strong>, where he studied ceramics and received a<br />
Bachelor of Education in Fine Arts . While pursuing a Master’s<br />
Degree in Fine Arts at the University of Southern California<br />
Robert was awarded the graduate assistantship . At this time he<br />
won the Glen Lukins award for new work in ceramics . Upon<br />
graduating, Robert was offered the position of Head of Ceramics<br />
at the new Sheridan <strong>College</strong> – School of Design in Ontario,<br />
Canada . In 1968, after a visit to the Penland School of Crafts<br />
he discovered his new love – glass blowing . Inspired in a new<br />
direction, he returned to Sheridan and launched Canada’s first<br />
college-level hot glass program in 1969 . This program allowed<br />
many North American artists to become skilled in the medium<br />
and established Robert Held as the pioneer of art glass in<br />
Canada . www .robertheld .com<br />
Wayne Hill, a lifelong woodcarver and musician, has carved over<br />
350 totem poles and masks . He has been the recipient of many<br />
carving awards, along with Jimi McKee, including First Prize<br />
– 1998 Isle Morada Art Show, Florida and Second Prize – The<br />
Best in North America, 1999 Key West Old Island Days, and<br />
Lifetime Achievement Award, 1996 from Andy Mitchell, MP,<br />
Gravenhurst . He has recently completed a collection of totem<br />
poles and a massive arch for the “Bass Pro Shop” in the Vaughn<br />
Mills Mall, and a totem pole for the city of Orillia featured in<br />
the Orillia Opera House . His newly published book, Carve Your<br />
Own Totem Pole, has just been released . He has also served<br />
on the board of directors for the Muskoka Arts Guild M .A .C .<br />
www .totempolecarving .webs .com<br />
Kal Honey an award-winning graduate of OCAD, trained as a<br />
graphic designer . After 20 years in design, he now primarily<br />
teaches and practices fine art . Kal’s work in mixed media<br />
explores the alchemical magic that can be created by combining<br />
rough-and-ready materials like corrugated cardboard, staples,<br />
plywood and found objects with a highly refined aesthetic .<br />
As an instructor, he likes to create an environment that is at<br />
once supportive and adventurous: for it is only from a place<br />
of safety that you can feel free to take the necessary risks to<br />
extend your limits . In addition to <strong>Fleming</strong> <strong>College</strong>, Kal teaches<br />
at Koffler Centre of the Arts, Neilson Park Creative Centre<br />
and Station Gallery in Whitby . He also teaches workshops for<br />
various community art groups around the Greater Toronto Area .<br />
www .flickr .com/photos/kalhoney/sets<br />
Bethany Houghton is a music teacher with over 15 years experience<br />
. She has completed an apprenticeship in Luthierie with<br />
fellow Haliburton School of The Arts instructor, Philip Davis, and<br />
plays five stringed instruments (cello, violin, viola, mandolin and<br />
banjo) . Her forte is the cello, since she has been playing it since<br />
the age of four . She studied with Zdeneck Konicek of the Prague<br />
String Quartet and played with the Mississauga Symphony<br />
Orchestra . Bethany has released a CD with “Cass Marie and<br />
the Blackfeather Band”, and also plays other tracks on locally<br />
produced CD’s . www .stringstudioworkshop .ca<br />
Lia Howe has been a full-time glass artist for over 20 years and<br />
currently works from her studio, Lia’s Glass Dreams . Traditional<br />
stained glass, fused or kiln-formed glass, torch work and glassblowing<br />
are all techniques that she uses in her work . Lia is also a<br />
member of the Haliburton County Studio Tour .<br />
Heidi Hudspith achieved her BFA from McMaster University . She<br />
became enthralled with fibre arts while later studying at the<br />
Alberta <strong>College</strong> of Art and achieving <strong>Fleming</strong> <strong>College</strong>’s Fibre Arts<br />
Certificate . The tactile and sculptural nature of felt has been a<br />
constant source of inspiration ever since . More recently, Heidi<br />
completed a three year apprenticeship as a chocolatier with<br />
Joanne Mogridge of Cocoa West Chocolates . She continues to<br />
enjoy working in both the fibre and culinary arts .<br />
Fred Hummel works in various painting and printmaking media,<br />
but for more than twenty years made stone sculpture his form<br />
of expression . As an educator he administered an arts centre,<br />
working with children and adults of all ages . He has successfully<br />
participated in shows as well as national and international<br />
symposia . His experience as an athlete and as an international<br />
coach is reflected in his emphasis of expressive and fluid movement<br />
in his work . His work is in corporate and private collections<br />
throughout the world . www .fredhummel .com<br />
Phil Irish holds a MFA from York University, and a BA in Fine Art<br />
and English Literature from the University of Guelph . He has<br />
exhibited extensively across Canada and the U S, including the<br />
National Gallery of Canada, the Kitchener-Waterloo Art Gallery<br />
and the Lonsdale Gallery in Toronto . Phil developed new projects<br />
at residencies in Newfoundland, Quebec, the City of Kitchener,<br />
and with Oakville galleries . He has been teaching painting since<br />
1999 . www .philirish .com<br />
Louise Jackson, a spinner and dyer for 25 years, earned her Master<br />
Spinner/Dyer Certificate from Georgian <strong>College</strong> in Owen Sound<br />
in 1996 . She had a sheep farm for 23 years and taught fleece<br />
preparation and spinning basics to Grades 4 to 7 elementary<br />
school students . She also demonstrated at fall fairs and historical<br />
society events and offered presentations to knitting guilds . Louise<br />
has also been the Dyeing Technician in the Haliburton OHS<br />
Spinning Certificate programs .<br />
Ralph Johnston has been weaving since his teens, and has his<br />
Honours Associateship in Textile Design from the Scottish <strong>College</strong><br />
of Textiles . He teaches a wide variety of weaving at his studio,<br />
with occasional workshops elsewhere . His current weaving<br />
interests are ceintures fléchées (traditional voyageur sashes) and<br />
loom maintenance .<br />
Michele Karch Ackerman, a graduate of OCAD, has taught at<br />
various institutions including the Royal Ontario Museum, Inner<br />
City Angels, Loyalist <strong>College</strong> and Trent University, where her<br />
teaching is widely recognized for its innovative and motivational<br />
style . She is a nationally known contemporary artist recognized<br />
for her provocative and touching installations . With influences<br />
drawn from history, literature and experience, her works have<br />
inspired viewers with their challenging subject matter and<br />
aesthetics . Her newest exhibition Foundling is on a five-gallery
Ontario tour including such galleries as the Canadian Clay and<br />
Glass Museum, Grimsby Public Arts Gallery and the Art Gallery<br />
of Peterborough among others . In 2012, the Tom Thomson<br />
Memorial Gallery will feature a Retrospective of Michele’s work<br />
entitled The Domestic Arts of Love in conjunction with their 50th<br />
anniversary .<br />
Dianne Karg Baron has been obsessed with creating wire jewellery<br />
for over 15 years . Her work has been exhibited nationally and<br />
internationally, and has been extensively published, including a<br />
presence in 500 Earnings by Lark Books . Her infectious<br />
passion for wire working has made her a sought-after instructor,<br />
teaching workshops in Canada, the US and Europe . She is a<br />
member of the Metal Arts Guild of Canada (past president)<br />
and the Society of North American Goldsmiths . Dianne studied<br />
jewellery techniques at George Brown <strong>College</strong> and graduated<br />
from Ryerson University with a Bachelor of Applied Arts (Interior<br />
Design) . www .diannekargbaron .com<br />
Shannon Kennedy graduated in 1998 from the Ontario <strong>College</strong><br />
of Art and Design and furthered her jewellery making skills by<br />
attending George Brown’s Jewellery Arts Program . She is a<br />
Certified PMC Instructor, trained by one of the all time greats, Tim<br />
McCreight . Shannon enjoys teaching from her studio as well as<br />
at Mohawk <strong>College</strong>, Ottawa School of Arts and the Ontario Crafts<br />
Council . Recognized for her unique artwork, she was finalist of<br />
the International Saul Bell Award 2010 (Gold/Platinum category)<br />
and has been selected as a finalist again in 2012, awarded an<br />
Honourable Mention for Jewellery in 2009 at the Toronto Outdoor<br />
Art Exhibition and she won Best in Show in a national competition<br />
for Quotation, at Zilberschmuck Gallery, in 2006 . She has<br />
had successful exhibitions in galleries such as Zilberschmuck,<br />
Harbinger Gallery, Rotunda Gallery, Ottawa School of Art Gallery<br />
and Harbourfront Centre . www .cynosure-jewelry .com<br />
Valerie Kent, B .Ed, BFA, MFA, OCT, is an experienced artist and<br />
instructor . She studied at Ecole des Beaux Arts, Concordia<br />
University, University of Iowa, St . Francis Xavier University,<br />
York University, University of Toronto, and Ontario Institute of<br />
Education . Valerie paints in watercolours, acrylics, oils and mixed<br />
media . She presents workshops widely to art societies, colleges<br />
and leads art river cruises in France and land trips to Italy . She is<br />
represented by Gallery Artplus in Belleville, ON and is a member<br />
of IAOCA International Association of Contemporary Artists<br />
(Japan) . She writes art articles and enjoys doing art demonstrations<br />
on television . www .valeriekent .com<br />
Charlie Kert is a children’s rock composer, musician, and arts<br />
educator . He has written and released three albums of children’s<br />
music: ROCK garden (2008), Playhouse Earth (2004),<br />
and Little Fingers Music (2001), as well as a Progressive Folk<br />
Rock EP Breathe (1997) . Supported by the Toronto and Ontario<br />
Arts Councils, he has performed all over Ontario since 2001 .<br />
www .littlefingersmusic .com<br />
Frances Key has studied scenic painting, prop making, mask<br />
making and the creation of faux food for the theatre at the Cobalt<br />
Studio in White Lake, N.Y and at Stratford Ontario. She shares<br />
her skills teaching set design and scenic painting in professional<br />
theatre, community theatre and in the Toronto District School<br />
Board . With 27 years of art education experience, Frances has<br />
had the opportunity to work with students from kindergarten to<br />
adults, in a variety of subject matters .<br />
Kim Lee Kho is an award-winning visual artist working in numerous<br />
media, including: painting, drawing, photo-based mixed media<br />
and sculpture . In 2011 Kim participated in the Emerging Artists<br />
Mentor Project at the Burlington Art Centre, culminating in a<br />
group exhibition in February/March 2012 . At the same time<br />
she will be presenting two solo exhibitions in the Vancouver BC<br />
area . An articulate and sensitive instructor, Kim likes to create<br />
a classroom environment that supports artistic adventure and<br />
exploration beyond a student's customary range, while encouraging<br />
individual creative development . She teaches classes and<br />
workshops in the Toronto area including Neilson Park Creative<br />
Centre . www .flickr .com/photos/kimleekho/sets<br />
Jenny Kirkpatrick is a professional photographer and has been<br />
offering seminars and workshops on creative photography since<br />
2000 . Upon obtaining a solid grasp of the photographic tools<br />
and rules, she discovered the joy of breaking them, and has<br />
continued on this path ever since . Her work reflects that creative<br />
freedom, ranging from dramatic realism to total abstraction .<br />
Jenny’s images have been showcased in numerous publications<br />
including Photo Life and Canadian Geographic, and her images<br />
hang internationally . She teaches with commitment and enthusiasm,<br />
encouraging others to broaden their artistic boundaries .<br />
Her love of, and concern for the environment, both globally and<br />
locally, is apparent in her work . www .jennykirkpatrickphoto .com<br />
Andrew Kuntz is a renowned Canadian glass artist whose work<br />
has been widely praised for its classical grace, contemporary<br />
simplicity, and vibrancy of colour . In addition to winning a<br />
number of significant awards, his pieces have been extensively<br />
exhibited around the globe, including at: the Canadian Embassy<br />
in Washington, D .C .; Pilkington, Sheffield, and Oxford Museums<br />
in England; the Galerie Art et Creation in Lyon, France; Tai<br />
Pei Fine Art Museum; the Hong Kong Museum of Art; and<br />
the Museum of Contemporary Craft in New York. Andrew’s<br />
privately owned work is represented in numerous domestic and<br />
international collections, including gifts to the Premier of China<br />
and Prime Minister of Ireland from the Canadian government,<br />
installed work at the Palace of Prince Faisal bin al Saud in<br />
Riyadh, Saudi Arabia, and the US Ambassador to Canada .<br />
Andrew trained in blown and sculptural glass at Sheridan <strong>College</strong><br />
School of Design from 1977 to 1980 . Since that time, he has<br />
been a resident artist at Harbourfront Glass Studio in Toronto,<br />
he has taught at Alberta <strong>College</strong> of Art and Sheridan <strong>College</strong>,<br />
and he has participated in numerous workshops and exhibitions<br />
throughout the world . He is the founding member of the Glen<br />
Williams Glass Cooperative in Glen Williams .<br />
Wendy Ladurantaye is a general fine arts graduate of Sheridan<br />
<strong>College</strong> and has been working in glass since 1981 . Having<br />
studied under fine craftsmen Jim Schnick and Clark Guettel,<br />
she has been equally inspired by mentor Mary Intven Wallace as<br />
well as by her many successful students . Through the years of<br />
teaching, Wendy has developed strong problem-solving and positive,<br />
supportive teaching skills . While her commissioned glass<br />
can be found in cottages and homes locally, throughout Ontario,<br />
in the US, Australia, England and Germany, her favourites have<br />
been church windows installed in West Guilford and in St .<br />
Margaret’s Church in Wilberforce, Ont . Wendy has received two<br />
writing awards, has been published in Liaisons and Liaisons II,<br />
and enjoys teaching journalling and memory keeping .<br />
Martha Larsen has taught technology at the elementary school level<br />
for 12 years . She has enjoyed instructing many Movie Maker<br />
projects to 7 to 13 year olds . Her style is to teach the basics and<br />
encourage her students to provide the imagination and inspiration<br />
. This methodology has resulted in her receiving an Award<br />
for Outstanding Staff Leadership and Student Motivation . Martha<br />
also produces movies personally and for community projects .<br />
Julia Lee has been knitting since she was a child and spinning<br />
for close to 20 years . She is a graduate of the 1994-2000 OHS<br />
Spinning Certificate course offered at the Haliburton School of<br />
The Arts . She has also co-coordinated and has been a course<br />
assistant for the 2002-2008 OHS Spinning Certificate Program<br />
here . To develop her wearable textiles, Julia interprets a visual<br />
image, or sometimes a sentiment, to create a garment that will<br />
bring pleasure to the wearer and the viewer . Colour, texture, and<br />
functionality are primary motivations when creating the yarns<br />
and fabric . Julia likes her pieces to be noticed, while still being<br />
practical and durable . When not spinning and knitting, Julia is a<br />
science writer and editor .<br />
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John Leeder received an Honours Degree in Wildlife Biology from<br />
the University of Guelph . He worked as a Bird of Prey Trainer<br />
and a provincial Wildlife Biologist for several years . In 1996, John<br />
turned his 16 year hobby of bird carving into a full-time career<br />
and to date he has won over 20 Best of Show titles . In 2006, he<br />
qualified for the Master’s class by placing 2nd Best in the World<br />
Miniature Division at the Ward World Championships . A two-time<br />
Canadian National Champion (2003, 2006), John gladly accepts<br />
assignments to judge at major shows throughout North America .<br />
His sculptures were juried into the Leigh Yawkey Woodson Art<br />
Museum in Wisconsin, as part of the 1999 and 2003 Birds in<br />
Art Exhibit . In addition to exhibitions, his wildlife sculptures are<br />
displayed in several art galleries in Canada and the US, and<br />
each year at the Easton Waterfowl Festival . With over 25 years of<br />
experience, he is able to share this knowledge as an instructor<br />
at the Haliburton School of The Arts, college art programs and<br />
various private studios .<br />
John Leonard is a Toronto-based painter . He is a graduate of<br />
<strong>Fleming</strong> <strong>College</strong>, OCAD and a member of the Royal Canadian<br />
Academy . John has taught at many of Ontario’s universities<br />
and art schools including OCAD, University of Toronto, York<br />
University and others . He has been in more than 350 exhibitions,<br />
most recently at public galleries throughout Canada as well as<br />
internationally in Spain, France, Portugal, Holland, Brazil and the<br />
U .S . His work is held in over 40 public galleries and corporate<br />
collections including the National Gallery, the Ontario Arts<br />
Council, the Ministry of Culture and Recreation, the Art Gallery<br />
of Algoma, the Art Gallery of Sarnia, the Art Gallery of Lindsay,<br />
the Station Gallery (Whitby), CBS Records – New York and the<br />
Canada Development Corp .<br />
Bruce Lepper came to carving wildfowl in 1986, after a career as<br />
an advertising art director and graphic designer . Since he began<br />
competing in 1987, he has won numerous ribbons including<br />
many Best of Shows in Canada and in the U .S . In 2003 he<br />
placed second in World Decorative Miniature Wildfowl, and<br />
Best in Masters Decorative Life-size Wildfowl at the Ward World<br />
Championship in Ocean City, Md . In April 2010 he won the John<br />
Scheeler Memorial Award which is the highest award in wild fowl<br />
carving, referred to as Best in World . He is a respected judge<br />
and teacher of bird carving in Canada and the U .S . Bruce was a<br />
member of the former Millbrook Gallery, and his work is in many<br />
collections in Canada and the U .S . He shows his work annually<br />
at the prestigious Waterfowl Festival in Easton, Maryland, US .<br />
Michael Letki has been making jewellery for over 40 years . After<br />
graduating from art school England, he came to Canada where<br />
he and partner Paula Letki operated the jewellery studio Letki<br />
Designs for over 20 years . Michael has taught at Sheridan and<br />
Mohawk <strong>College</strong>s and was involved in the training of many<br />
apprentices through his own studio, many of whom went on<br />
to be successful artists/jewellers . He has been teaching at the<br />
Haliburton School of The Arts for 25 summers . Michael has<br />
received several awards for his work, notably from the Ontario<br />
Arts Council and the International Gold Corporation . He has<br />
also held the position of studio advisor for Sheridan <strong>College</strong> and<br />
Harbourfront Craft Studios . Currently, he is pursuing his own arts<br />
interests in image making and jewellery making .<br />
Lila Lewis Irving has an MFA in Theatrical Design from the<br />
University of Iowa and an MFA in Fine Art from the University of<br />
Wisconsin . She has exhibited widely in both public and private<br />
galleries . Lila is an elected member of the OSA and the CSPWC .<br />
Teaching throughout Ontario and Quebec has become an important<br />
part of her work . www .lilalewisirving .com<br />
Maggie Longworth has been the owner/operator of Wicker Works<br />
for over 30 years . Her company specializes in the restoration<br />
and sale of antique wicker as well as the production of twig<br />
furniture . Maggie has been working with willow for over 20 years<br />
and her designs won first-prize awards at the Guild of Fine Arts<br />
summer sale for three consecutive years . She travels extensively<br />
throughout Ontario, teaching a variety of twig furniture courses<br />
and workshops . Maggie is also proficient in all types of basketry<br />
and chair seating . www .wickerworks .on .ca<br />
Sandi Luck’s formal education includes a Diploma of Fine Arts,<br />
BA (Psychology), Textile Surface Design, Interior Design and<br />
Sustainable Building Design certificates . She worked for many<br />
years in architectural and graphic design and, more recently, is a<br />
founding member of The Art Hive Maple Lake Artisans Collective .<br />
Sandi is currently working with textile collages and wearables<br />
that incorporate multiple layers of vibrant colour and hand<br />
embellishment, while also exploring the wonderful world of felt .<br />
www .sandiluck .com<br />
Ramune Luminaire trained in sculpture and ceramics and now<br />
focuses on drawing, writing and sculpture as her primary media .<br />
She has shown her work in public galleries and museums in<br />
Ontario, Quebec, England and Norway . Before becoming a fine<br />
artist Ramune worked in publishing as a writer, editor and art<br />
director of photography, as well as a television scriptwriter and<br />
producer . She facilitates courses and workshops on creative<br />
process and all aspects of drawing, and works with groups and<br />
individuals . www .ramuneluminaire .com<br />
Mara Lusis, a fibre artist with a passion for working in many<br />
mediums with many types of fibre, has been spinning for over 20<br />
years and knitting and crocheting for many more . More recently,<br />
she has developed an interest in weaving, needle felting and<br />
dyeing, especially using nature’s dyes . Mara holds a Fibre Arts<br />
Certificate from St . Lawrence <strong>College</strong> and has earned a Spinning<br />
Certificate from the Ontario Handweavers and Spinners Spinning<br />
Certificate Program . She is the Central Region representative<br />
for the Ontario Handweavers and Spinners and a member of<br />
The Fibre Artists Collective , Great Pine Ridge Spinners and<br />
Weavers, Northumberland Hooks and Needles Guild, the Latvian<br />
Handicrafts Association, Northumberland Arts Council, Ontario<br />
Crafts Council . Mara has won a number of awards for her fibre<br />
work . www .fibreartistscollective .com<br />
Erin Lynch studied journalism at Ryerson Polytechnic University in<br />
Toronto and went on to pursue a passion for jewellery through<br />
courses at George Brown <strong>College</strong> and the Haliburton School of<br />
The Arts . An experienced facilitator, Erin has taught jewellery and<br />
fine craft classes to adults and children in community galleries,<br />
schools, colleges and studios throughout Ontario . Found objects<br />
and natural material remain a constant source of inspiration<br />
for her work . Erin divides her time as a freelance writer and a<br />
jewellery artisan for her resident studio Bella’s Bazaar at The Art<br />
Hive . She is also a founding member of The Art Hive, Haliburton<br />
County’s artist-run gallery and store . www .thearthive .com<br />
Robert MacDonald, SBStJ CD FSA Scot, first expressed his desire<br />
to work with fabric when at age 4 he clamoured to his Granny to<br />
learn to sew, and he has continued sewing by hand ever since .<br />
By age 14 he was seeking an apprenticeship as a kilt maker<br />
and he achieved that aim two years later when he enlisted in<br />
the Seaforth Highlanders . He rose to the position of Regimental<br />
Master Kiltmaker to two of Canada’s 16 Kilted Regiments . After<br />
26 years of service, Robert retired from the Army as a Captain<br />
but he continues to work for the Highland Regiments as he<br />
trains a new generation of kilt makers and tailors . He is now<br />
not only one of the Commonwealth’s most highly-regarded kilt<br />
makers and authorities on Highland Dress, he has also won<br />
great acclaim for his abilities as an instructor . Robert has been<br />
appointed Senior Curator of the Seaforth Highlanders of Canada<br />
Museum and Archives . www .westcoastkilts .com
Susan MacDonald has achieved international recognition as a multi<br />
discipline artist . Her unique creations are now available in some<br />
of Toronto’s most exclusive fashion houses and she is a featured<br />
artist at the Ontario Crafts Council’s Guild Shop in Yorkville<br />
www .suemacdesigns .com<br />
Sheila Mahut’s career and accomplishments span over 25 years,<br />
during which time she has exhibited internationally, taught at<br />
Sheridan <strong>College</strong>’s glass department and successfully developed<br />
many series of blown and sculptural glass . Sheila has taught<br />
numerous courses in both kiln-formed and blown glass in the<br />
Haliburton School of The Arts Glassblowing Certificate and<br />
summer school as well as the Corning Studio at the Corning<br />
Museum of Glass . She has won awards and tuition scholarships<br />
from universities and colleges as well as professional grants and<br />
Awards of Merit in exhibitions . Sheila’s work is in a number of<br />
private and public collections in Canada and abroad and images<br />
of her work have been published in magazines, catalogues and<br />
books .<br />
Matthew Mancini attended the Ontario <strong>College</strong> of Art and Design<br />
from 2001 to 2003 but left to pursue a more classical realist<br />
approach that led him to delve into a six year study of the<br />
techniques used in the 19th Century ateliers of Paris, France . In<br />
addition to perfecting them in his own work, Matthew regularly<br />
teaches the principles and methods of classical realism in<br />
drawing and oil painting . www .matthewmanciniart .com<br />
Paul Marshall has an honours Bachelor of Fine Arts with a painting<br />
focus from York University and specialized in Outdoor and<br />
Experiential Education while earning his Bachelor of Education .<br />
In his previous role as an interpreter with Ontario Parks, he<br />
has introduced people of all ages to the natural environment in<br />
interesting and engaging ways . The inspiration for this summer’s<br />
Kids’ Outdoor Art Adventures for kids course came from his 2011<br />
residency at Pukaskwa National Park where he made a new<br />
artist’s book every day and filled it while hiking in the park . When<br />
not teaching Paul continues to paint and show his work .<br />
Judith Mason, a practicing artist, teacher and art educator, holds<br />
an BA in Cultural Studies, a BA in Education and is currently<br />
completing an MA in Art Theory . Additionally she has studied<br />
textiles, ceramics, drawing and printmaking, sculpture, photography,<br />
and has been involved in curatorial practice . In conjunction<br />
with her academic work she has spent many years teaching<br />
art to adults and children .<br />
Jennifer Mayrl has been working in the field of cake decorating for<br />
almost 15 years . In 2004 she and a business partner opened<br />
Cakes by Design in Barrie, Ontario and it has become a local<br />
sensation . They have even garnered international attention<br />
through features in the Toronto Star and other mainstream<br />
media . Jennifer enjoys sharing her love of cake artistry through<br />
the cakes themselves as well as through instructing others .<br />
Kim McBrien is owner of Indigodragonfly and produces hand<br />
dyed yarn and spinning fibre known for deep, multifaceted<br />
colours and humourous names . She loves yarn, fibre and<br />
colour and teaching others how to bend all of these to their<br />
will using a number of techniques borrowed from knitting,<br />
weaving, basketry, embroidery, surface design and quilting .<br />
www .indigodragonfly .wordpress .com www .indigodragonfly .ca<br />
Linda McGillivray moved from downtown Toronto 27 years ago and<br />
decided to take a stained glass course at Sir Sandford <strong>Fleming</strong><br />
<strong>College</strong> . Twenty years ago she opened Crazy Horse Stained<br />
Glass . With her relaxed approach and great colour sense,<br />
combined with her husband’s design and construction support,<br />
they now have commissions all over the world . Linda also<br />
teaches courses at her studio just south of Kinmount and has<br />
participated in the Victoria County Studio Tour since 1990 .<br />
Marg McIntyre’s paintings are exhibited all over the world and are<br />
based upon her experiences in the Caribbean and her life in<br />
Ontario . She is certified by the Ontario <strong>College</strong> of Teachers and<br />
is affectionately known as ‘Mrs . Mac’ by thousands of children<br />
and fellow teachers that she has taught to draw and paint in the<br />
schools of Hastings and Prince Edward District School Board .<br />
Her popular, simple step-by-step instruction style is easy to follow<br />
and has enabled her students to produce beautiful pieces of<br />
artwork in a short period of time . Marg works in all media but her<br />
passion is watercolour and pencil . Gordon MacKenzie, Marilyn<br />
Coulter and the late Jack Reid have been very influential in the<br />
development of her personal style . www .margmcintyre .com<br />
Maureen McKay studied concert harp with Judy Loman and was<br />
harpist with the North York Symphony. She is a faculty member<br />
at the Royal Conservatory of Music, where she has taught harp<br />
full-time since 1980 . Since 1993 she has been a harp examiner<br />
for the RCM and was senior contributor for the 2009 (current)<br />
Syllabus, which establishes grade level requirements for harp<br />
students throughout Canada . Maureen developed the Celtic harp<br />
program at the Gaelic <strong>College</strong> in Cape Breton where she taught<br />
for many years . She applies her M .Sc . (Human Physiology, U . of<br />
T .) to bring the added dimension of ergonomic awareness to harp<br />
playing, incorporating injury prevention with skill development .<br />
Maureen enjoys working with students of all ages and levels of<br />
harp playing . www .clarsach .ca<br />
Margot Miller is an Honours Graduate of OCAD (<strong>College</strong> Medal<br />
Winner) and the Ecotourism Management Program, <strong>Fleming</strong><br />
<strong>College</strong> . She is a recipient of a Design Canada Award and<br />
has exhibited at numerous galleries and shows, including<br />
the Art Gallery of Ontario, the National Film Board of Canada<br />
and the Ontario Crafts Council . As a lecturer and instructor in<br />
the arts and the business of art, she has taught at Sheridan<br />
<strong>College</strong> of Crafts and Design, St . Lawrence <strong>College</strong>, Queen’s<br />
University and <strong>Fleming</strong> <strong>College</strong> . For more than 20 years she<br />
has offered workshops from her own studio and shop, as well<br />
as designing and printing clothing, yardage, floor cloths and<br />
furniture . Her work has sold in shows and stores in Canada<br />
and the US . She has travelled extensively in the Far East,<br />
documenting traditional textiles techniques and has worked<br />
as a designer for a British and Canadian company in India .<br />
www .margotmiller-summerhouse .com<br />
Sue Miller’s work has evolved from representational landscapes to<br />
more expressive scenes capturing the essence of the Canadian<br />
landscape . Her inspiration comes mainly from the Atlantic coast<br />
lines and expansive landscapes around the Georgian Triangle,<br />
but are not held to specific places or scenes . They are her<br />
intuitive response to a collective imprint of water/landscape, often<br />
with metaphoric themes . Sue’s objective is to create connection<br />
between artist, subject and audience . www .sueamiller .com<br />
Ross Monk paintings portray the essence of Canada . An earlier<br />
career in advertising and further studies with many internationally<br />
known landscape artists have enabled him to perfect his<br />
artistic skills . His oil and watercolour paintings express his love<br />
of nature in a style that has been described as impressionistic<br />
realism . Ross’ work can be found in private and corporate collections<br />
in Canada and abroad . He has paintings in the Permanent<br />
Collection of Her Majesty The Queen and in the private collection<br />
of HRH The Prince of Wales . Ross is an elected member and<br />
past director of The Canadian Society of Painters in Watercolour<br />
and a signature member of the Toronto Watercolour Society . He<br />
is represented by two galleries in Toronto . www .rossmonk .com<br />
Andrea Mossop, a graduate of Fine Art from The University of<br />
Western Ontario and advanced studio work in drawing and<br />
painting from the Ontario <strong>College</strong> of Art in 1974, is noted for<br />
her creativity and knowledge in teaching and lecturing . With<br />
particular expertise in painting and applied colour theory, life<br />
drawing, and art history, Andrea teaches for the Haliburton<br />
School of The Arts, St . Lawrence <strong>College</strong> Brockville, the Ottawa<br />
School of Art and privately throughout Eastern Ontario and<br />
Toronto . www .andreamossop .com<br />
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Jennifer Mykolyshyn is an award-winning graduate of the<br />
Haliburton School of The Arts, with a focus on drawing and<br />
painting . As well as her visual art studies at Emily Carr University<br />
in Vancouver and environmental technological studies at <strong>Fleming</strong><br />
<strong>College</strong> in Lindsay, her education also extends through her years<br />
of travel and diverse work experience . Jennifer has six years<br />
experience cooking in various restaurants as well as remote<br />
camps in Northern Ontario, Alberta and British Columbia in<br />
conditions where creativity and food go hand in hand . She has<br />
worked with children as an assistant teacher for summer art<br />
courses in Haliburton and as a volunteer for Big Brothers and Big<br />
Sisters of Lindsay . She continues to explore ways of expressing<br />
herself creatively and enjoys sharing and playing with others .<br />
Midori Nagai has been in the film industry for the past 20 years<br />
in the costume department . She has worked on films such as<br />
“Harold and Kumar Go to White Castle”, has distressed and<br />
broken down costumes for George Romero’s “Land of the Dead”<br />
and has worked with period pieces such as “The Crossing”,<br />
about George Washington . For the past five years she has discovered<br />
a new found love for the creation of video and has produced<br />
various projects such as short documentaries, promotional videos<br />
and animation . An honours graduate from the Ontario <strong>College</strong> of<br />
Art, she also continues to explore fibre arts .<br />
Joanna Nash is a career painter, with an MA in Art Education<br />
(The Praxis of Teaching Drawing, McGill University, Mtl .<br />
1996) . She teaches in the Faculty of Engineering at McGill<br />
and is a regular instructor at the Haliburton School of The<br />
Arts . In 2008 she contributed a chapter in Ironic to Iconic:<br />
Tanya Mars performance artist . She gives drawing workshops<br />
in Toronto and at Harvard Medical School (The Sensitized<br />
Eye: where art, medicine and anatomy interact) . Presently,<br />
Joanna paints and teaches small groups in her studio .<br />
www .mcgill .ca/architecture/faculty/nash<br />
Sylvia Naylor was educated in England where she later became<br />
a teacher specializing in textile crafts . She then studied City &<br />
Guilds of London Embroidery and Textiles . She was awarded<br />
a silver medal for the highest marks in the country in her year .<br />
Sylvia has taught workshops in Canada, the US and England .<br />
She has won numerous awards and has been featured in several<br />
publications . Recently she had articles in Quilting Arts [USA]<br />
and her work was featured in Inspiration published by Bernina,<br />
Switzerland . Her work has been shown in several publications to<br />
be published in the US in the last few years . Sylvia has exhibited<br />
her artwork extensively in galleries in England, Canada and the<br />
US and her work is in private collections in many countries .<br />
www .sylvianaylor .com<br />
Nancy Newman is an experienced artist and teacher who supports<br />
students with individual feedback and encouragement . An<br />
award-winning watercolourist, she has led a variety of workshops<br />
and courses for artists, educators and art societies and<br />
has participated in many juried, group and solo shows . She<br />
teaches art classes for the Town of Aurora, as well as Additional<br />
Qualification Courses for Nipissing University . In addition to being<br />
a member of COAA, ECOAA, (associate) CSPWC, and GBACA,<br />
Nancy is the President of the Toronto Watercolour Society<br />
and the Chairperson for the Society of York Region Artists.<br />
www .nancynewmanart .com<br />
Charles O’Neil (2008 Artist of Distinction-Haliburton Highlands<br />
Arts Council) is a full-time artist with a wide range of interests<br />
and a long affiliation with the Haliburton School of The Arts .<br />
With a background in drawing and painting, in the late 1990’s<br />
he became interested in sculpting . Working primarily in metal<br />
wire, his work is now featured in galleries across the country as<br />
well as internationally . Charles has earned a certificate in Artist<br />
Blacksmithing and a Diploma in Visual and Creative Arts from<br />
<strong>Fleming</strong> <strong>College</strong>’s Haliburton School of The Arts . As a faculty<br />
member since 1997, he teaches several adult courses in wire<br />
sculpture, drawing, and painting . Charles’ work can be found<br />
in both private and corporate collections and includes work<br />
recently purchased by the federal government of Canada as gifts<br />
for international leaders . Public works can be viewed at Pearson<br />
International Airport’s Terminal #3, The Design Firm of Southfield<br />
Michigan, the Stuart Wietzman Collection of New, York and the<br />
Haliburton Sculpture Forest . www .charlesoneil .com<br />
Dorit Osher is a dancer, educator and psychotherapist . She had a<br />
career as a professional contemporary dancer with Free Flight<br />
(S .A), Batsheva (Israel), Ballet Rambert (U .K) and then worked<br />
as a dancer and created works in Europe and Canada . She has<br />
a Master’s in Theory and Criticism, with a focus on trauma and<br />
the body, and also has her Master’s of Clinical Social Work . She<br />
is currently completing her registration as a dance/movement<br />
therapist . Dorit continues to study and integrate dance/movement,<br />
mindfulness, Jungian and somatic oriented psychology in<br />
her work as a psychotherapist where she specializes in addictions<br />
and eating disorders . www .doritosher .com<br />
Russ Parker has had a lifelong interest in woodworking that spans<br />
a variety of disciplines . In addition to teaching paddle making,<br />
he has made 2 kayaks, a rowing shell, carved Pacific Northwest<br />
Coast totem poles and masks, made traditional archery equipment<br />
including longbows, recurve bows, arrows and quivers, and<br />
built a house full of oak furniture in the mission style . Russ is also<br />
an amateur luthier and has made more than twenty guitars .<br />
Shannon Partridge graduated OCAD and completed her MFA at the<br />
University of Waterloo . During her graduate studies she participated<br />
in an internship with painter Michael Borremans in Gent,<br />
Belgium and travelled Europe researching various zoo exhibits for<br />
her thesis . Her paintings have been exhibited in numerous solo<br />
and group shows throughout Canada, including: W .K .P . Kennedy<br />
Gallery, North Bay; Skew Gallery, Calgary; Petro Gallery, Toronto;<br />
and Art Mur Gallery, Montreal . In the past two years she has<br />
attended artists’ residencies at the Vermont Studio Center and<br />
Ox-Bow in the US . www .shannonpartridge .com<br />
Rose Pearson earned her Bachelor of Fine Arts degree from York<br />
University, majoring in painting and drawing . She went on to<br />
receive her Education Degree and has over 15 years of experience<br />
teaching art in both the public school system in Alberta<br />
and Ontario and privately from her studio in Haliburton County .<br />
In addition to creating bodies of work for public gallery exhibitions,<br />
she is a member of the Haliburton County Studio Tour<br />
and is represented by the Ethel Curry Gallery in Haliburton .<br />
www .rosepearson .com<br />
Barbara Joy Peel has a busy pottery studio/gallery and has<br />
taught for the Haliburton Highlands Guild of Fine Arts and<br />
Sir Sandford <strong>Fleming</strong> <strong>College</strong> for many years . She has won<br />
numerous awards for her work, including the Ontario Crafts<br />
Council Design Award at the Haliburton Highlands Guild of Fine<br />
Arts Summer Exhibition, many awards through the Guild of Fine<br />
Arts, and at the Sydney Easter Festival, Australia . Barb’s skill<br />
and dedication have introduced and challenged many students,<br />
children and adults alike, in a variety of pottery techniques .<br />
www .barbarajoypeel .com<br />
Bryce Petersen began his art education in Haliburton, achieving<br />
certificates in Glassblowing and Artist Blacksmithing . He then<br />
pursued his Bachelor of Fine Arts in Studio Art and Art History at<br />
Concordia University and now holds his Bachelor of Education as<br />
a secondary visual arts/history teacher . Being an interdisciplinary<br />
artist, Bryce has enjoyed teaching the arts in various capacities .<br />
Rene Petitjean is a blacksmith, iron sculptor and potter . He has<br />
supplied his works to galleries and stores for over 30 years as<br />
well as doing many corporate commissions . Currently he works<br />
with architects, landscape architects and interior designers,<br />
producing forged architectural elements for clients in Canada<br />
and the US . www .renepetitjean .com
Kate Pocock is an award-winning travel writer and photographer<br />
with 18 years experience of writing travel stories . She is the<br />
author of Fodor’s Around Toronto with Kids, wrote 14 chapters<br />
in National Geographic’s Family Adventure Vacations, and has<br />
written for publications such as MoneySense, Reader’s Digest,<br />
The Globe & Mail, and AOL Canada . As a magazine editor, she’s<br />
helped to launch six national magazines, including Chatelaine<br />
Travels! and Travel & More for Air Miles . She has won many<br />
awards for her writing and photography including a National<br />
Magazine Award and a 2011 photo award from the Society of<br />
American Travel Writers (SATW) . www .familytravelink .com<br />
Paul Portelli, a professional sculptor, manipulates the natural<br />
beauty and versatility of terra cotta clay with colour and glazes<br />
to create his popular Greenman, whimsical animals, Venetian<br />
Carnival Figures, a full range of functional pieces and figurative<br />
work . Many of Paul's works have been exhibited in public and<br />
private galleries and are held in private collections in Canada,<br />
the US, Europe, and Africa (Ghana: President John Agyekum<br />
Kufuor and King Safrotwe Kakradae IV) . He is the author of<br />
articles in many Canadian publications, such as Crafts Plus,<br />
Style and Men's Wear Canada, and has also made regular guest<br />
appearances on television shows Cityline, Craftscape and Savoir<br />
Faire . After graduating in Fashion Arts from Seneca <strong>College</strong> he<br />
continued his studies in visual arts at the Ontario <strong>College</strong> of Art<br />
and Sir Sandford <strong>Fleming</strong> <strong>College</strong> (Haliburton School of Fine<br />
Arts) . Paul has been an instructor in visual arts and business<br />
departments at Sir Sandford <strong>Fleming</strong> <strong>College</strong>, Durham <strong>College</strong>,<br />
Seneca <strong>College</strong> and Ryerson University . www .paulportelli .com<br />
John Proctor teaches workshops on a variety of drums including<br />
Djembe, Taiko, Ashiko and Frame drums, as well as percussion<br />
instruments crafted from Hard Shelled Gourds . Making<br />
musical instruments from recycled materials is a current passion .<br />
He also facilitates drumming and soundscapes for those who<br />
respond to the call and the dance of the drum beat . John is a<br />
certified Roots of Rhythm teacher and he provides an innovative<br />
cross-curricular program that offers training to both teachers and<br />
students in fundamental rhythms, both ancient and modern .<br />
www .earthtonesstudio .ca<br />
Rod Prouse, a graduate of OCAD, exhibits mainly in painting<br />
and printmaking and recently photo-based and video art . His<br />
professional career has given him 30 solo exhibitions and as<br />
many group exhibitions across Canada, the US, England, and<br />
Germany . Solo exhibitions have included such institutions as<br />
the McMichael Canadian Art Collection and the MacLaren Art<br />
Centre . Over the years he has received numerous teaching<br />
and project grants, as well as awards of recognition for photography<br />
and design . Rod has sat as a juror for exhibitions and for<br />
Ontario Arts Council grants, and has been an artist-in-residence<br />
at Open Studio, Georgian <strong>College</strong> and Claude Watson School<br />
of the Arts . For more than 30 years Rod has been active in<br />
many school boards, creating and teaching art projects in<br />
video, performance, sculpture, murals, outdoor art education,<br />
painting and printmaking . He has instructed at Central Technical<br />
<strong>College</strong>, Pickering <strong>College</strong>, Centennial <strong>College</strong>, <strong>Fleming</strong> <strong>College</strong>,<br />
the Haliburton School of The Arts, and has presented workshops<br />
for school boards, professional organizations and arts<br />
groups . www .rodprouse .com<br />
John Pryce has studied art and worked in the art field in Montreal,<br />
Chicago and Toronto . During a successful career as an architectural<br />
illustrator, his work was used in projects around the world .<br />
His seemingly loose yet eloquent technique is the result of years<br />
of experience in the disciplines of drawing, colour and composition<br />
. “The purest and most rewarding form of painting, in my<br />
opinion, is “en plein air” as it challenges all of the skills and<br />
discipline of the artist.” www .prycestudios .com<br />
Linda Lee Purvis is a multi-media artist, writer, teacher, and<br />
self-actualization coach . She has designed work for television,<br />
magazines, and art galleries (including the Art Gallery of Ontario),<br />
and has work in private collections around the globe . Her<br />
passions are deeply rooted in the natural world, and she infuses<br />
elements of nature in much of her work – which in addition to<br />
art, extends to the use of herbs and essential oils . She creates<br />
unique methods of bringing the power of nature to those that<br />
experience ‘nature-deficit’ living, and facilitates programs to<br />
assist individuals in defining and aligning their personal goals<br />
with authenticity, through art .<br />
Elaine Quehl is an award-winning artist who specializes in colourful<br />
and intricately stitched art quilts . Her nature-themed works are<br />
recognizable for their depth and contrast, exuberant colour and<br />
abundant texture . Elaine’s quilts have been juried into numerous<br />
national and international exhibits and have been widely<br />
published . In great demand as a teacher, she is recognized for<br />
her expertise in free-motion machine quilting, fabric dyeing, and<br />
many innovative techniques for creating original quilts . Also a<br />
skilled dyer, Elaine has been selling her hand-dyed fabrics across<br />
North America for many years . She is a Professional Member of<br />
Studio Art Quilt Associates . www .equarelle .ca<br />
Stephanie Rayner is an artist, printmaker, international lecturer,<br />
art educator and captivating storyteller . Her art works, shown<br />
widely and collected by major art museums, deal with themes<br />
and issues relating to spirituality and science . In May of 2009<br />
Stephanie was in China at the invitation of the Luxun Academy<br />
of Fine Arts, China’s foremost art school, to teach the professors<br />
and select post doctoral students watercolour printmaking<br />
and a special course on universal meaning in the arts . She was<br />
also invited to give lectures on her art work in several universities<br />
throughout mainland China . In November 2009 the Maine<br />
<strong>College</strong> of Art (Portland, Maine) did a special month long gallery<br />
show ‘First Impressions’ of Stephanie and her students’ watercolour<br />
monoprint works . www .stephanierayner .com<br />
Tammy Rea has spent the last 20 years in the computer world –<br />
and then the last 10 of those working with digital video . She runs<br />
the Haliburton 48 Create Video competition for ages 7 to 70 .<br />
Tammy has taught video creation at all school levels and also<br />
produces corporate and creative videos .<br />
Ruth Read received her BFA (sculpture major) from Queen’s<br />
University . She has since exhibited in both group and solo<br />
shows at The Station Gallery, Whitby; the Robert McLaughlin<br />
Gallery, Oshawa; the Visual Arts Centre, Clarington; The Latcham<br />
Gallery, Stouffeville; MacLaren Art Centre, Barrie; as well as other<br />
galleries in Ontario and Newfoundland . She has continued to<br />
study drawing and painting extensively and shares her expertise<br />
with students in a variety of venues . http://ruthread .com<br />
Bill Reddick created Canada’s Official State Dinnerware . The<br />
“Maple Leaf Service” was enjoyed by President Obama on his<br />
state visit to Canada in 2009 and later by the Emperor and<br />
Empress of Japan . Bill’s ‘Plate with National Imagery, featuring<br />
Canada Geese in flight, represented Canada at the 2009<br />
Cheongju International Craft Biennale in South Korea and in<br />
Vancouver at the ‘Cultural Olympiad’ during the 2010 Winter<br />
Olympics . Place settings at the Canadian Embassy in Tokyo<br />
depict another of his elegant and original designs . Bill has been<br />
a full time professional potter for 30 years . He currently evolves<br />
work in hi-fired porcelain, but has prior experience as a production<br />
potter working with stoneware, throwing 12,000 lbs of clay<br />
annually for 15 years . www .billreddick .com<br />
Chari-Lynn Reithmeier received her honours diploma from Georgian<br />
<strong>College</strong> School of Design and Visual Arts and began her artistic<br />
career as a painter exhibiting her work in local galleries . She has<br />
lectured and taught about the history and techniques of crazy<br />
quilting throughout southern Ontario . As part of her daily art<br />
routine Chari-Lynn finds relaxation and inspiration in Zentangle ®<br />
and is a certified Zentangle® teacher, CZT . www .charilynn .com<br />
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Rebecca Reynolds achieved her BFA from Concordia University<br />
and her teaching degree from Nipissing University in addition<br />
to earning her Expressive Arts certificate at <strong>Fleming</strong> <strong>College</strong> .<br />
Rebecca’s paintings, drawings and installation works currently<br />
focus on colour, texture and layering, and are inspired by the<br />
spontaneity and playfulness of children’s gestures . Her creative,<br />
engaging and dynamic teaching style has been honed through<br />
more than 15 years of experience instructing children of all ages<br />
in such settings as camps, theatres, museums, libraries, cruise<br />
ships and classrooms . Rebecca also led the Glenhyrst Art Gallery<br />
children’s programming for two very rewarding summers as<br />
Camp Director .<br />
Karen Richens has been a fibre and textile enthusiast for over<br />
twenty years, having spent a year of travel searching out textiles<br />
and their making in Indonesia, India, Nepal and Africa . She has<br />
been a passionate spinner and has raised Shetland sheep for 14<br />
years and enjoys the self-sufficiency of growing her own fibre and<br />
food . Karen is a graduate of the OHS, Spinning Certificate course<br />
and a spinning member of the ‘Toronto Spiders’, international<br />
winners of the ‘International Back to Back Wool Challenge’ . She<br />
has taught a variety of textile-related workshops, especially those<br />
pertaining to wool spinning, felting and Shetlands .<br />
Peter Riedel is an artist and professional photographer . His rock<br />
balancing work is at once impermanent and permanent, in<br />
that it alters the organization of the natural landscape and is<br />
captured by his photography . His transient sculptures contradict<br />
the permanence of traditional art; yet his photographs strive to<br />
record what shall eventually vanish . Peter’s rock balancing work<br />
has been featured by a number of newspapers including The<br />
National Post, The Globe and Mail, The Toronto Star, Toronto<br />
Sun and Stonexus Magazine . He has also been featured on CBC,<br />
CTV, CP24, Breakfast TV and W Network’s ‘Divine Design’, and<br />
most recently, Bravo Network’s Arts & Minds . Peter also demonstrated<br />
his rock balancing art at Roy Thompson Hall in Toronto<br />
in September 2007 in support of the Toronto International Film<br />
Festival gala premiere of the Canadian film, “The Journals of<br />
Knud Rasmussen” . www .rockbalancing .ca<br />
Laurie Rockman has always been expressive with dance and art .<br />
This led her to attend the Fine Arts program at York University<br />
where she studied both art forms . After graduating with honours,<br />
she continued her work and studies in New York City. Laurie<br />
started her own greeting card company called “Mug Shots”<br />
where she uses her unique and whimsical characters to express<br />
her sense of humour . Her gently irreverent cards are sold in<br />
over a hundred eclectic gift stores in Canada . She participates<br />
in art shows including the By Hand-Artisan Show and the One<br />
of a Kind Show in Toronto . Interest in her work has led to many<br />
commissions from corporate cards to advertisements, logos<br />
and promotional items . As a freelance teacher she has taught<br />
many age groups, from beginning students to advanced artists .<br />
www .mugshotscards .com<br />
Steve Rose is a graduate of OCAD with a major in Drawing and<br />
Painting . He has exhibited his work extensively and has a<br />
diverse background as an artist/educator . Steve has taught<br />
fine arts at the Neilson Park Creative Centre, the Kofler Centre,<br />
the Haliburton School of The Arts, and OCAD . His work is<br />
collected in private and corporate international collections .<br />
www .steverose .ca<br />
Andy Rush teaches band, choral music and guitar at Ernestown<br />
Secondary School and is an adjunct instructor at the Faculty<br />
of Education, Queen’s University . He is also the founder and<br />
artistic director of the 110 voice Open Voices Community Choir in<br />
Kingston, Ontario . Before pursuing formal music and education<br />
study at Queen’s, Andy was an artisan goldsmith . Andy has a<br />
gift for finding uplifting and fun songs and arranging them for his<br />
workshops . www .open-voices .org<br />
John Sabourin studied Fine Art at the Victoria <strong>College</strong> of Art,<br />
Victoria, British Columbia . After numerous group exhibitions in<br />
places such as Sydney, Australia (2002), Arizona (1998), and<br />
New Mexico (1995), John was honoured to represent the N .W .T .<br />
in Burning Cold, a juried art exhibition of ten Canadian artists, at<br />
the Yukon Arts Centre, which travelled to venues around Canada.<br />
John is represented by Birchwood Gallery in Yellowknife, NWT;<br />
Bearclaw Gallery in Edmonton, Alberta, The Guild shop in<br />
Toronto, Ontario Canadian Guild of Crafts, Montreal, Quebec, and<br />
Arctic Artistry in New York, New York.<br />
Leanne Schachow is a graduate from York University with a<br />
Bachelor of Fine Arts (Theatre / Visual Arts) and a Bachelor of<br />
Education . She has been teaching dramatic and visual arts in the<br />
secondary program for over 10 years and is an annual presenter<br />
at school board conferences and community events promoting<br />
the importance of a dramatic experience through education .<br />
Working at several theatre companies over the last nine years as<br />
a director, stage manager, and costume designer, she has participated<br />
in over 50 theatrical events . Leanne is currently working as<br />
a director for several musical performances as well as performing<br />
regularly with her improvisation comedy troupe .<br />
Marta Scythes is a medical illustrator, fine artist and educator .<br />
Her work has been published by Harrowsmith Magazine,<br />
University of Toronto Medical Society and Harper Collins (New<br />
York). McClelland and Stewart featured her illustrations in their<br />
best-selling UP NORTH nature series as well as in The Canadian<br />
Encyclopedia . Marta holds a Master’s of Science in Biomedical<br />
Communications from the University of Toronto and has created<br />
scientific animations for the Hospital for Sick Children and<br />
Queen’s University . She currently teaches at <strong>Fleming</strong> and St .<br />
Lawrence <strong>College</strong>s, Queen’s University and The PEI School of<br />
Art . www .bmc .med .utoronto .ca/~marta<br />
Jill Segal is an award-winning professional artist, enthusiastic,<br />
popular art teacher and certified Kripalu Yoga teacher. She<br />
conducts demonstrations, classes and workshops for numerous<br />
art associations and educational institutions in Canada as well<br />
as internationally . Jill has co-facilitated many workshops on<br />
spirituality and creativity and enjoys taking groups of artists on<br />
inspiring travel/painting trips to Peru and other countries . Jill is<br />
represented by galleries around Ontario and in the Caribbean<br />
and participates regularly in juried shows . She is an elected<br />
member of the Society of Canadian Artists and a signature<br />
member of the Toronto Watercolour Association . Her acrylic and<br />
mixed media paintings are loose and expressive, characterized<br />
by bold vibrant colours, energetic calligraphy and a strong sense<br />
of design . www .jillsegal .com<br />
Jane Selbie has explored the richness of fabric in many forms,<br />
coming to the most satisfying fruition with her original technique<br />
of fabric layering . Strong observational skills and an inquisitive<br />
sense of design and colour allow her to translate scenes in varied<br />
and beautiful ways . Jane’s works are award winning, featured<br />
in local galleries and collected by individuals and corporations<br />
globally . Over the past decade, following this expression, she<br />
has been invited to participate in nine solo shows, two twoperson<br />
shows and numerous group shows throughout Ontario .<br />
www .jselbie .com<br />
Michael Sheba has a B .Sc . in Chemistry from McMaster University<br />
and studied ceramics in Holland . Originally working in stoneware<br />
and porcelain, he has for over 25 years been recognized for his<br />
innovative contemporary approach to Raku as well as development<br />
of clay bodies and glazes . His work has been exhibited<br />
in Canada, the US and Europe . He was a board member and<br />
committee chair for the OCC, and vice-president and exhibitions<br />
chair for Fusion . Winner of various awards and honours,<br />
he has been an instructor at Metchosin, the New Brunswick<br />
Craft School, Canadore <strong>College</strong>, St . Lawrence <strong>College</strong>, University<br />
of Toronto Faculty of Education, throughout Ontario as well as<br />
the US, Mexico and Turkey . He was also artist-in-residence<br />
at Millsaps <strong>College</strong>, Mississippi and Vitra Studio, Istanbul . His
work is found in the Indusmin, Saks Fifth Avenue and Charles<br />
Bronfman corporate collections, Burlington Art Centre, and the<br />
Canadian Clay and Glass Gallery . Michael’s work is published<br />
in Raku: A Practical Approach, Hand-Formed Ceramics, The<br />
Ceramic Design Book, Ceramics: Mastering the Craft, Making<br />
Marks . Mastering Raku, and 500 Raku .<br />
Brad Sherwood began working with glass as a student at OCAD .<br />
Upon graduating in 1994 with a diploma in sculpture, he<br />
received an artist residency in the Glass Studio at Harbourfront<br />
Centre . He continues to develop his unique tools and methods<br />
for glass forming . Brad worked for several years as a scientific/<br />
industrial glassblower and has incorporated that knowledge into<br />
his art . He teaches Flameworking, Introduction to Hot Glass<br />
and Three Dimensional Design at Sheridan <strong>College</strong> . Also, Brad<br />
continues his love for fencing and archery while coaching for the<br />
City of Guelph, and The Ontario Centre for Classical Sport .<br />
Brian Smith was accepted into the Ontario <strong>College</strong> of Art with<br />
advanced standing and full scholarship . After graduating in<br />
1969, he worked as a graphic designer, including founding<br />
his own brand development company, LOGOSBRANDS, in<br />
1979 . Over the next 27 years, he and his company won over<br />
90 national and international design awards . Throughout this<br />
time, Brian has also been a practicing fine artist, specializing in<br />
classical drawing and painting from the figure . His works range<br />
through a variety of media and styles, and are represented in<br />
collections across Canada and the US . He has exhibited in<br />
numerous gallery exhibitions, juried and invitational shows, and<br />
recently won the top prize at the Etobicoke Annual Juried Show<br />
and the Colour and Form Society Annual Juried Exhibition .<br />
In 2006, the Drawing Society of Canada elected Brian as an<br />
Honorary Drawing Master acknowledging his lifelong dedication<br />
to drawing as a primary art form . Brian has taught life drawing<br />
and portraiture for over twenty years and has instructed at the<br />
Ontario <strong>College</strong> of Art and Design, the Koffler Centre for the Arts,<br />
Nielson Park Creative Centre, Visual Arts Mississauga, Haliburton<br />
School of The Arts and StudioQ . www .drawn2life .com<br />
Stewart Smith studied physics and music before settling down in<br />
1974 to a career that began as a woodcarver . By 1980 he had<br />
won Best Sculpture Award at the Toronto Outdoor Art Show, and<br />
had taught at JSANO in Kirkland Lake and at Lambton <strong>College</strong> .<br />
Since 1980, Stewart has supplied custom sculptural services<br />
to bronze plaque makers and art foundries across Canada and<br />
the US . He has created a number of bronze works for the City of<br />
New York, and, in 2005, a life sized portrait of the show-jumping<br />
horse Big Ben and his rider, Ian Millar . www .stewartpatterns .com<br />
Maurice Snelgrove’s love of the outdoors and his concern for the<br />
environment are manifested in his watercolour landscapes .<br />
He worked for 15 years as an Artist/Designer/Art Director prior<br />
to starting a teaching career in 1970 . Maurice is an elected<br />
member and director of the Canadian Society of Painters in<br />
Watercolour . An extensive exhibition record includes group<br />
as well as solo shows . Maurice’s commissioned portraits and<br />
watercolours hang in public and private collections throughout<br />
Canada, France, Scotland, Mexico, Italy, Australia and the US .<br />
www .mauricesnelgrove .com<br />
Margot Snow is a Canadian artist with works exhibited in both<br />
private and corporate collections across North America, Australia<br />
and parts of Europe . Educated at the Montreal Museum of Fine<br />
Arts and the University of Guelph in Fine Arts, she has concentrated<br />
on watercolour painting since 1979 and has been teaching<br />
it since 1988 . She brings life to common objects with her intense<br />
use of colour . Margot is a member of the Group of Ten, a group<br />
of talented Muskoka Artists . Her work is featured in the 2011<br />
Muskoka Arts and Crafts Guide . www .margotsnow .com<br />
Marion Spanjerdt received her art training at the Royal <strong>College</strong><br />
of Art and Design in s’Hertogenbosch, the Netherlands, prior<br />
to coming to Canada . A textile artist known for her colourful<br />
textile collages, she has travelled extensively conducting<br />
workshops across Canada, the US, Australia and New Zealand .<br />
Her work has been exhibited internationally as well as in local<br />
group shows . In addition to privately commissioned textiles,<br />
she has produced large works for public buildings in North<br />
America and the Netherlands, and is the recipient of various<br />
rewards and grants from The Ontario Crafts Council and<br />
The Canada Council of The Arts . Marion has taught summer<br />
courses at the Haliburton School of the Arts since 1981, and<br />
was also an instructor for the Fibre Arts Certificate Program .<br />
She is a member of Connections Fibre Artists, a group of<br />
artists working in a variety of textile media and who exhibit<br />
together three times a year . www .connectionsfibreartists .com<br />
www .connectionsfibreartists .blogspot .com<br />
Donna Sproule has been hooked on East Coast style primitive rug<br />
hooking since 1999 when the craft’s free style and economy<br />
of re-using orphaned wool cloth spoke to a need to escape<br />
the convention and cost of mainstream art forms . She now<br />
helps others find joy in this relaxing and rhythmic pastime . Her<br />
work hangs at the Riverguild Gallery in Perth, Ontario and has<br />
travelled across Canada in private collections, museums, and<br />
competitions .<br />
Ted Staunton has been entertaining readers of all ages with funny,<br />
perceptive stories of childhood, teen, and family life since<br />
his 1983 debut with Puddleman, one of Canada’s favourite<br />
picture books . His many books include the Morgan series,<br />
Simon’s Surprise, and Hope Springs a Leak, (short listed for<br />
both the Silver Birch and Hackmatack awards) . Acting Up, a<br />
comic novel about teens, will be published this spring . Trained<br />
as a teacher, Ted presents and performs across Canada . He<br />
teaches Writing for Children at George Brown <strong>College</strong>, and<br />
frequently visits schools to work with kids on stories and writing .<br />
www .tedstauntonbooks .com<br />
Jessica Steinhäuser, whether creating intricate tile motifs for<br />
European masonry ovens, making functional pottery, or shaping<br />
architectural and figurative images onto a canvas, has undertaken<br />
a wide range of projects in her 27 year career as an artist .<br />
She has attended both the State School for Art and Design in<br />
Nuremburg, Germany, and the State School for Ceramics in<br />
Landshut, Germany, receiving her graduate Journeyman Potter<br />
designation . Jessica came to Canada in 1988 and established<br />
her studio and store, Stonehouse Pottery, where she continues<br />
to work as a potter . Jessica is a master on the wheel and her<br />
involvement in the arts community and measured eye for design<br />
has earned her nominations for the YMCA-YWCA Women<br />
of Distinction award in Arts and Culture for 2007 and 2008 .<br />
http://stonehousepottery .com<br />
Rob Stimpson is an internationally published, award-winning<br />
photographer best known for capturing the wilds of the Canadian<br />
outdoors . His first success came from selling images to Canada’s<br />
prestigious National Film Board of Canada (NFB) and from<br />
there his passion for travel, art and photography has taken him<br />
to many places . His 25-year career has taken him to the Arctic<br />
and Antarctic, sub-Saharan Africa, Europe, and Central America,<br />
where he has focused on rare sights of the natural world and<br />
photojournalistic elements of indigenous people . He is co-author<br />
of An Artist’s and Photographer’s Guide to Wild Ontario (Boston<br />
Mills Press .) and his work has also graced Canadian Geographic,<br />
Explore, Chatelaine, Cathay Pacific and Japan Air in-flight<br />
magazines, Globe & Mail and Toronto Star . His latest book<br />
– Antarctica -The Last Wilderness will be available in 2012 .<br />
Corporate clients include Swift Canoe, Ontario Tourism and<br />
Ontario Parks . www .robstimpson .com<br />
Monika Stramaglia has been machine knitting for over 30 years .<br />
Ten years ago, when she began hand-knitting, she started to<br />
combine hand and machine knitting, as well as crocheting .<br />
Machine knitting allows her to knit trendy garments and<br />
accessories in a very timely manner . Monika is captivated by<br />
machine knitting, and thoroughly enjoys sharing her passion<br />
through classes at the Creative Festival in Toronto, Knitter’s<br />
Jamboree, through private lessons, and through her own<br />
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pattern designs, available on Ravelry .com . Currently she is<br />
also teaching knitting and crocheting to adults and children<br />
for the Town of Richmond Hill, and local yarn stores . Monika<br />
is especially proud at having been recently acknowledged in A<br />
Needle Pulling Thread as a “creative teacher extraordinaire” .<br />
http://monikastramaglia .blogspot .com www .ravelry .com<br />
Don Taylor has been a bookbinder and book artist since<br />
1980 . He has an MA from the University of Windsor and<br />
studied bookbinding both at Sheridan <strong>College</strong> and privately<br />
with Beatrice Stock and Betsy Palmer Eldridge . Don’s fine<br />
bindings are in numerous public and private collections in<br />
Canada, the US, Japan and the UK . He has been teaching<br />
for the Canadian Bookbinders and Book Artists’ Guild since<br />
1984 and at the Haliburton School of The Arts since 1988 .<br />
www .dontaylorbookbinder .com<br />
Cindy Thompson Butineau is one of Canada’s premiere combination<br />
fiddle player/stepdancers . She has been a guest fiddler on<br />
national television and radio, worked with Symphony Orchestras,<br />
released three independent albums and has performed across<br />
North America achieving her lifelong goal of preserving traditional<br />
Canadian fiddle music . She is a dedicated fiddle teacher with<br />
over 25 years teaching experience and possesses a knowledgeable<br />
history of fiddle music that stems back to her roots .<br />
Cindy’s teaching is full of spontaneity, enthusiasm, fun and<br />
musical excellence . She believes that the art of playing music is<br />
achievable for anyone and respects the skill level and individual<br />
needs of each student, finding the best approach to achieve their<br />
personal goals . www .cindythompson .ca<br />
Sophia Tink’s individualistic, imaginative, and identifiable art pieces<br />
are hand sketched, sculpted, finely detailed and finished to the<br />
highest metalsmithing standards . Since 1982 she has been<br />
a professional artist and instructor of one-of-a-kind offerings .<br />
She is formally trained with the Sogetsu Ikebana School in the<br />
Japanese Art of Floral Design and a graduate from the Jewellery<br />
Arts program at Haliburton School of The Arts, <strong>Fleming</strong> <strong>College</strong> .<br />
Sophia has been recognized for her art work throughout the<br />
world, including the 2011 North American Design Competition,<br />
2011 Silver Accessories Magazine Japan, 2010 Art Clay World<br />
USA Artist of the Month, 2009 Art Clay Silver TV Documentaries,<br />
2008 North American Design Competition, 2008 Silver<br />
Accessories Magazine Japan, and 2007 MCWC Exhibition USA .<br />
Her work can be found internationally . www .sophiaart .com<br />
Mike Turner has been Scottish country dancing for over 25 years .<br />
He has been teaching and leading The Haliburton Highlands<br />
Scottish Country Dancers for the past 21 years . Mike has<br />
performed in many venues around the province including in<br />
Orillia, Toronto, Markham and Gravenhurst, as well as for many<br />
local functions . Some of the many dances he has devised have<br />
been published by The Gaelic <strong>College</strong> in a book he co-wrote with<br />
Duncan Keppie .<br />
Al Van Mil studied fine art at the University of Guelph and OCAD .<br />
Graduating in 1972, he was heavily involved in the Canadian art<br />
scene during the seventies . In 1980, he founded a commercial<br />
art company, which grew to be named one of the top three architectural<br />
model companies in the world by New York magazine in<br />
1986 . Selling his subsequent architectural companies in 1989,<br />
he again began to pursue painting full-time . His colourful eclectic<br />
style continues to evolve as he explores the many possibilities of<br />
painting and drawing . Landscape, still life, figurative and abstract<br />
elements combine traditional and contemporary imagery . He has<br />
exhibited in the National Gallery and The Art Gallery of Ontario,<br />
as well as in many privately owned galleries . He has also painted<br />
on stage with members of the Canadian Opera Company and the<br />
National Ballet of Canada among others . A variety of agents and<br />
prestigious galleries represent Al’s work in Ontario, Quebec, New<br />
York, and in London, England. www.alvanmil.com<br />
Maggie Vanderweit has been sewing since childhood and quilting<br />
for over 30 years . She operates her textile art business from her<br />
studio in Fergus . Her work is in private collections around the<br />
world, in public buildings in Ontario, and has been exhibited<br />
in galleries and museums across Canada . It includes original<br />
wall-hangings created with her own painted fabrics, silk fusion,<br />
felt, hand embroidery, beading and densely machine quilted<br />
surfaces . Maggie presents lectures and classes for guilds,<br />
schools, art colleges, shops, the CQA, including One of a Kind<br />
and national needlework shows . She sells her original textile art<br />
at major exhibitions and from her studio . Maggie is a member of<br />
Connections . www .stonethreads .ca<br />
Suzie Vinnick is the owner of a gorgeous, powerful voice and<br />
performs with a sweet mixture of engaging candidness and<br />
unparalleled musicianship . Suzie won the 2011 Canadian Folk<br />
Music Award for Contemporary Singer of the Year and Female<br />
Vocalist and Songwriter at the 2011 Canadian Maple Blues<br />
Awards . She is a two-time Juno nominee and has previously<br />
won 6 Canadian Maple Blues Awards . Suzie has also twice won<br />
1st place in the Blues Category of the International Songwriting<br />
Competition .<br />
Brenda Wainman Goulet is a graduate of the Ontario <strong>College</strong> of<br />
Art and Design and has been sculpting for over 25 years . Her<br />
early years were spent in Algonquin Provincial Park and much<br />
of her sculpture reflects those roots . She has been acclaimed<br />
for her bronze on stone landscapes as well as whimsical figures .<br />
Recently she has received international attention for her life<br />
size statue of Dr . Norman Bethune and twice life size bust of<br />
nurse Rene Caisse (Essiac founder) . Public art commissions<br />
include the first life-size statue of the famous Canadian painter,<br />
Tom Thomson (Huntsville), a bust of Tom Thomson (Owen<br />
Sound), a statue of Ontario’s first Lieutenant Governor’s wife,<br />
Elizabeth Gwillim Simcoe (Bradford), and Aurora (Bracebridge) .<br />
www .brendawainmangoulet .ca<br />
Susan Watson Ellis followed graduation from the University of<br />
Toronto with an apprenticeship to a German Goldsmith . In 1981<br />
she opened Paradigm Designs, creating handcrafted jewellery<br />
which sold across Canada . Her work won recognition in 2000 as<br />
part of the Ontario Craft Council’s “Looking Forward Exhibition”<br />
representing contemporary Canadian craft, and curated by the<br />
Victoria and Albert Museum in London England . She was also<br />
chosen to be part of their “Craft in the Making II” exhibition<br />
in 2003, and their juried exhibition “Craft ‘07” . Her work is<br />
part of the permanent contemporary Canadian silver collection<br />
at the Macdonald Stewart Art Centre in Guelph, Ontario .<br />
Susan sells her work from her studio the One of a Kind Shows<br />
in Toronto and Chicago, and at the Ontario Craft Council’s<br />
Guild Shoppe in Toronto . Susan has taught jewellery courses<br />
and workshops since 1992 at the Haliburton School of The<br />
Arts, St . Lawrence <strong>College</strong>, Academy of Artisans, OCAD, and<br />
through the Ontario Arts Council’s Artist in Education program .<br />
www .paradigmdesignswe .com<br />
Robbin Wenzoski, a full time sculptor, has attended sculpting<br />
competitions and events in Germany, England, Australia, Canada<br />
and the US . In addition to the Haliburton School of The Arts, his<br />
passion to teach is applied privately and at the Annual Canadian<br />
Carv-a-Palooza which includes 30+ carvers/sculptors from<br />
around the globe . Robbin pushes the limits of carving thin and<br />
is fully aware of the cutting edge technology involved with this<br />
artistic expertise . www .robbinsamazingart .com
Fay Wilkinson is a Registered Expressive Arts Consultant/Educator<br />
with IEATA and a member of the Society of Arts in Healthcare .<br />
She is a graduate of and now instructs in the Expressive Arts<br />
Program at <strong>Fleming</strong> <strong>College</strong> . Fay has studied with master mask<br />
and puppet makers, renowned storytellers and voices coaches<br />
as well as at Sheridan School of Craft and Design, majoring in<br />
textiles . She investigates and works with the power of art making<br />
for self-discovery and healing . Awarded the Fellowship of Applied<br />
Education from <strong>Fleming</strong>, her current work focuses on raising<br />
awareness of mental health and seniors through the creative<br />
process . www .thecreativecocoon .com<br />
John Willard is a basically self-taught quilt maker . He came to quilt<br />
making via set and costume design, photography, display and<br />
collecting, and created his first quilt in 1975 after amassing a<br />
sizeable collection of antique ones . Although his first quilts were<br />
very traditional he soon branched out into his own designs, which<br />
have evolved into bravura works of intense colour and complex<br />
patterns . He is especially noted for his daring combinations<br />
of varying and disparate fabric prints . John’s quilts have been<br />
exhibited internationally in Britain, Denmark, Japan, France,<br />
Taiwan and the West Indies as well as Canada and the US . His<br />
works are in numerous private, corporate and public collections .<br />
John teaches the art of quilt making, specializing in contemporary<br />
design for those who wish to break away from the traditional .<br />
He and his works have been featured in many books such as A<br />
Fine Line: Studio Crafts in Ontario; Design Through Discovery:<br />
An Introduction to Art and Design and magazines including<br />
City and Country Home Magazine, Select Homes Magazine,<br />
Quilters’ Newsletter Magazine, American Quilter, Embroidery<br />
Magazine, Ontario Craft and West of the City Magazine . As a<br />
photographer he published a very successful book on Victorian<br />
houses, The Gaiety of Gables in l974 .<br />
Heather Wood has been active in the arts since 1979 . She<br />
possesses diplomas in Design Arts from both Georgian and<br />
Sheridan <strong>College</strong>s, and an Honours BA from the University<br />
of Waterloo . Since graduating, she has taught part time for<br />
numerous continuing educations departments, the Burlington Art<br />
Centre and the Canadian Clay and Glass Gallery . She has exhibited<br />
her work across Canada and in the US, Germany and Spain<br />
and is included in both private and public collections . Heather<br />
uses a kiln to fire and shape glass that is both painted with glass<br />
enamels and sandblasted . www .thebridgestudio .ca<br />
Pam Woodward has worked in theatre, film, and television<br />
costuming for over 40 years . She has specialized in textile<br />
design techniques including fabric dyeing, painting, surface<br />
embellishments, and fabric manipulation . As a costume dyer<br />
and decorator, Pam has worked for CBC, The National Ballet<br />
of Canada (Sleeping Beauty, The Nutcracker Suite, Romeo<br />
and Juliet, The Taming of the Shrew, Firebird ), The Canadian<br />
Opera Company (Madame Butterfly, Norma, The Golden<br />
Ass, Idomineo), Livent (Phantom of the Opera), and Mirvish<br />
Productions (Miss Saigon, Crazy for You, Mama Mia, The Lion<br />
King), as well as a number of feature films and made-for-TV<br />
movies .<br />
Cassandra Wyszkowski attended the New School of Art in Toronto<br />
and went on to receive complete training in the medium of<br />
Japanese Brush Painting (sumi-é) under Ruth Yamada. In 1972,<br />
she earned her Japanese seal on the basis of a test painting<br />
submitted to a panel of sumi-é judges in Japan . Cassandra<br />
received further training in Western watercolour and Chinese<br />
painting and has developed a unique style based on these<br />
oriental traditions . She is a member of the Sumi-é Artists of<br />
Canada . Cassandra has been teaching and painting professionally<br />
for over 30 years and has exhibited in numerous galleries in<br />
Solo and group exhibitions throughout the country . Cassandra<br />
has also delivered workshops to painters’ and potters’ guilds<br />
throughout Ontario . Her paintings are held in private and corporate<br />
collections in North America and abroad . Cassandra has<br />
her studio/home gallery in Lindsay and has been teaching at the<br />
Haliburton School of The Arts every summer since 1976 .<br />
Sheila Ziman draws inspiration from the Haliburton landscape .<br />
She gathers rushes, bark and vines from the forests and waters<br />
near her home to craft her baskets and shares her extensive<br />
knowledge of these natural materials with her students . Sheila<br />
is noted for creating unique quillwork designs on birch bark and<br />
experimenting in new forms of basket making . Her baskets are<br />
exhibited in galleries throughout Ontario and she is a frequent<br />
demonstrator at special events . Sheila has great enthusiasm for<br />
basket making .<br />
Nora Zylstra Savage promotes individual self-worth and community<br />
appreciation of personal life stories through her business,<br />
Storylines . She accomplishes this through memoir and creative<br />
writing courses which she has been teaching since 1993 . She<br />
has created and facilitates memoir and music intergenerational<br />
programs (Bridging the Gap) for high school and middle school<br />
students . Bridging the Gap went international and is now being<br />
delivered in Holland . As a personal historian, Nora records<br />
other people’s life stories and brings enthusiasm, humour and<br />
sensitivity to all her programs . www .story-lines .ca<br />
Lois Etherington Betteridge, recipient of the Bronfman Award<br />
for Excellence in Crafts (1978), the Order of Canada (1997),<br />
and former faculty member of the Haliburton School of The<br />
Arts, worked diligently in the Knife Making course in 2011.<br />
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Visual and creative arts Diploma (VcaD)<br />
The Visual and Creative Arts Diploma (VCAD) offers you unique and flexible options for earning a<br />
diploma in the visual arts . Choose the learning path that is right for you . It’s your diploma, your way .<br />
VCAD = foundation courses + elective courses<br />
These courses are required to develop the<br />
foundational skills for Visual and Creative<br />
Arts Diploma candidates:<br />
– 3D Design<br />
– Art History – The Recent Century<br />
– Contemporary Art Investigations<br />
– Design I<br />
– Drawing Disciplines<br />
– Media Explorations I<br />
– Visual Documentation<br />
– Business for Artists<br />
– Concept Development<br />
– Design II<br />
– Media Explorations II<br />
– Portfolio and Presentation<br />
– 2 General Education Electives<br />
Within this calendar,<br />
foundation courses are indicated by a single asterisk (*),<br />
non-credit courses are indicated by a double asterisk (**),<br />
elective courses have no asterisk.<br />
The elective courses build upon the foundation courses and<br />
focus on studio-based learning and techniques. You can<br />
acquire these elective courses through one of two learning<br />
pathways: the Specialist Option or the Generalist Option .<br />
Specialist Option<br />
Take one of our 15-week Art Certificate programs:<br />
– Artist Blacksmith<br />
– Ceramics<br />
– Digital Image Design<br />
– Drawing & Painting (Visual Arts Fundamentals)<br />
– Glassblowing<br />
– Jewellery Essentials<br />
– Photo Arts<br />
– Sculpture<br />
– Fibre Arts<br />
Generalist Option<br />
Or, you can obtain your elective courses by taking a<br />
Generalist Option . Choose 12 courses plus a two-week<br />
capstone course . Study at your own pace, including spring,<br />
summer and fall courses. You can fast-track this program<br />
and complete your diploma in one calendar year .<br />
Pathways to Further Education<br />
Articulation agreements with the following institutions provide<br />
excellent additional learning opportunities for <strong>Fleming</strong> grads:<br />
– Athabasca University<br />
– Emily Carr University of Art + Design<br />
– Nipissing University<br />
– Ontario <strong>College</strong> of Art & Design University<br />
– University of New Brunswick<br />
– University of Ontario Institute of Technology<br />
– Wayne State University<br />
Visit<br />
flemingcollege.ca/programs/<br />
visual-and-creative-arts-diploma<br />
for full details .
Haliburton School of The Arts Art Auction Bursaries<br />
– $450 and $800<br />
The <strong>Fleming</strong> <strong>College</strong> Foundation is offering bursaries of $450<br />
for one-week courses and $800 for Arts Certificate Programs .<br />
These bursaries exist through funds raised at the Annual HSTA<br />
Art Auction and are available to students taking any credit course<br />
within this brochure .<br />
The selection process used to determine bursary recipients<br />
will be based on two criteria: financial need that would restrict<br />
attending the Haliburton School of The Arts and the long-term<br />
goal for use of the skills/knowledge acquired while taking a<br />
course .<br />
Submission deadlines: Completed applications are due at the<br />
Haliburton campus on February 3, April 13, June 15, August 15,<br />
and September 28 of 2012 .<br />
We gratefully acknowledge numerous donors as well as the<br />
faculty, staff and friends of the Haliburton School of The Arts for<br />
their generosity in providing the works of art and organizational<br />
time for the Art Auction.<br />
Donald Crump Endowed Bursary<br />
Awarded to a student in financial need enrolled in the Arts Bird<br />
Carving Program at the Haliburton School of The Arts . (Variable<br />
amount .)<br />
Submission deadline: June 15, 2012<br />
Bursaries & scholarships<br />
Anyone interested in applying for a bursary should<br />
request further information from the<br />
Haliburton School of The Arts office at<br />
1-866-353-6464 ext. 3 or 705-457-1680<br />
or email info@flemingc.on.ca<br />
Details are also available at flemingcollege.ca/<br />
financial-aid/scholarships-and-bursaries.<br />
Select Haliburton Campus. Application process and bursary<br />
criteria may change in the future and all changes will be<br />
posted on the college website as they become available.<br />
Digital Image Design Scholarship<br />
Awarded to a student(s) registered or entering the Digital Image<br />
Design program at the Haliburton School of The Arts . (Variable<br />
amount .)<br />
Submission deadline: December 14, 2012<br />
Kathleen Finlay Memorial Bursary<br />
Awarded to a full-time student in the Visual and Creative<br />
Arts Diploma program . Demonstration of financial need and<br />
preference given to a student in Drawing & Painting . (Variable<br />
amount .)<br />
Submission deadline: September 28, 2012<br />
Carole and Don Finn Endowed Bursary<br />
Awarded to a full-time student in financial need in the Arts<br />
Certificate/Diploma Program at the Haliburton Campus . (Variable<br />
amount .)<br />
Submission deadline: September 28, 2012<br />
Haliburton School of The Arts<br />
Outstanding Emerging Artist Entrance Scholarship<br />
One bursary awarded to a student graduating from Haliburton<br />
Highlands Secondary School, one bursary awarded to a graduate<br />
from PCVS in Peterborough and one awarded to a graduate<br />
from H .B . Beal Secondary School in London . Students must<br />
be enrolled in the Visual and Creative Arts Diploma program at<br />
<strong>Fleming</strong> <strong>College</strong>’s Haliburton Campus . (2 x $1,000 to a student<br />
from PCVS and H .B Secondary School, 1 x $3,000 to a student<br />
from Haliburton Highlands Secondary School .)<br />
Submission deadline: June 1, 2012<br />
Wayne Peter Rickerby Memorial Student Bursary<br />
Student taking an art course with a focus on watercolour .<br />
Demonstration of financial need . (3 x $322 available .)<br />
Submission deadline: June 15, 2012<br />
Stanley F. Dance Scholarship<br />
Awarded to a student registered in a course that focuses on<br />
writing or music . (1 x $150 available .)<br />
Submission deadline: June 15, 2012<br />
HSTA Faculty Art Auction<br />
A fabulous annual event with a long history!<br />
There will be many unique works of art, all created and generously donated by Artists who are<br />
members of the faculty at the Haliburton School of The Arts .<br />
A number of Silent Auction items will also be available for your bidding pleasure .<br />
All proceeds from the Art Auction are directed to bursaries and scholarships for students<br />
attending arts programs at the Haliburton Campus .<br />
Thursday, August 9, 2012<br />
<strong>Fleming</strong> <strong>College</strong> Great Hall<br />
Preview at 5:00pm • Auction at 7:00pm<br />
Admission is free and open to the public .<br />
The Haliburton School of The Arts and the Friends of Sir Sandford <strong>Fleming</strong> <strong>College</strong> gratefully acknowledge<br />
the on-going support of the faculty, staff and friends who donate so generously to this event.<br />
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choose the registration method that works best for you.<br />
IN PERSON<br />
Come to our office at<br />
297 <strong>College</strong> Drive,<br />
minutes from downtown<br />
Haliburton .<br />
Course Registration Form Please print<br />
PHONE<br />
Register by phone using Visa or<br />
MasterCard only .<br />
1-866-353-6464 ext . 3<br />
local 705-457-1680<br />
Registration hours: Monday to Friday, 8:30 am to 4:30 pm .<br />
Have you taken a course at Haliburton School of The Arts before? yes o no o<br />
Student I .D . #: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />
Last Name: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . First Name: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />
Address: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />
City: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Postal Code: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />
Phone: Home: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Phone: Work: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />
Phone: Summer: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E-mail: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />
Date of Birth: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />
Previous Address (if you’ve moved since taking your last course): . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />
City: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Postal Code: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />
PAYMENT MUST ACCOMPANY REGISTRATION. Please call for pricing.<br />
ONLINE<br />
Submit your application from<br />
our web site anytime . Simply<br />
click through the easy-to-follow<br />
instructions!<br />
www.hsta.ca<br />
(Please note: This option is<br />
unavailable for a small number of<br />
offerings.)<br />
MAIL<br />
Mail in the registration form<br />
together with full payment –<br />
cheque or money order only .<br />
Haliburton School of The Arts<br />
Box 839 Haliburton ON<br />
K0M 1S0<br />
o Cheque / Money Order only if mailing in registration . Please make cheques payable to ‘<strong>Fleming</strong> <strong>College</strong>’<br />
Material fees are payable to the instructor on the first day of the class . This will be indicated upon registration . All fees are payable in<br />
Canadian Funds .<br />
Use a separate sheet if registering for more than three courses .<br />
1 . Course Code & Instructor: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />
Course Name & Date: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Section . . . . . . . . Page # . . . . . . .<br />
2 . Course Code & Instructor: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />
Course Name & Date: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Section . . . . . . . . Page # . . . . . . .<br />
3 . Course Code & Instructor: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />
Course Name & Date: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Section . . . . . . . . Page # . . . . . . .<br />
<strong>Fleming</strong> <strong>College</strong> is committed to sustainable environmental practices . In an effort to conserve paper, your material list, map and detailed<br />
welcome letter will be accessible on-line (by May 1) . Simply visit www .hsta .ca and search for your course name; there will be a link on<br />
that page . Important details to check: Course name, Course code and section number, Instructor and Date . If you prefer this information<br />
mailed, please indicate in the box below:<br />
o I prefer to have my material list, map and welcome letter mailed to me .<br />
o I require the college accommodation listing .<br />
o Weaving Students – I require a loom<br />
We can be reached by phone: toll-free 1-866-353-6464 ext. 3, local 705-457-1680<br />
or e-mail: createit@hsta.ca<br />
Mail to: Box 839 Haliburton ON K0M 1S0<br />
The personal information on this form is collected for registration purposes only, under the authority of the Ministry of <strong>College</strong>s and Universities Act, R.S.O. 1980, C272.
Administrative Fee – Course cancellations are subject to a $25<br />
administrative fee . See below for full refund policy .<br />
Cancellation of Courses – Please see details as outlined in the<br />
Refund Policy section below .<br />
Fees – Tuition fees for most part-time credit courses are $5 .64<br />
per hour . The part-time service fee is $0 .67 per course hour to a<br />
maximum of $42 per course . Service fee details below .<br />
Freedom of Information – Information given will only be used for<br />
administration purposes such as registration, student records,<br />
class lists and mailing lists .<br />
Harmonized Sales Tax (HST) – Where applicable, HST is<br />
included in the course fee listed .<br />
International Fees – Registrants who are not Canadian Citizens or<br />
Landed Immigrants will be required to pay course fees based on<br />
an international rate . The international rate for a part-time course<br />
is $16 .30/hour plus a $0 .67 per course hour (up to a maximum<br />
of $42) service fee . A week-long credit course will cost $806 .08 .<br />
Material costs are extra and subject to tax .<br />
Part-Time Service Fee – A part-time service fee of $0 .67 per<br />
course hour (up to a maximum of $42) applies to all adult weeklong<br />
courses and adult weekend workshops . The fee is included<br />
in the advertised fee and will cover services offered to students at<br />
the Haliburton School of The Arts .<br />
Receipt – Your receipt will be mailed to you.<br />
Skill Levels – Courses are designed for the beginner to the<br />
advanced student, unless otherwise indicated . Limited class size<br />
allows for individual instruction at each level, providing maximum<br />
benefit to all students . Please be sure to check the experience<br />
recommendations indicated before you register for a course .<br />
Weaving Looms – You should bring your own loom if possible.<br />
However, there will be a limited number of looms available from<br />
the school . The looms will be available on first come, first served<br />
basis .<br />
register early!<br />
Waiting until the last minute limits your choice of courses<br />
and may cause you unnecessary disappointment .<br />
If We Cancel: When the college finds it necessary to cancel<br />
a course, a full refund of fees will be granted . Decisions on<br />
course cancellations are made two weeks prior to course start<br />
in order to provide fair notice to students and instructors .<br />
Notifications are made by telephone – be sure to give us<br />
an alternate number to call if possible . Should you wish<br />
to transfer to another course, every effort will be made to<br />
accommodate you, providing there is space. You will be<br />
contacted only in the event of cancellation . We cannot be<br />
responsible for travel or accommodation expenses .<br />
Courses are non-transferable.<br />
Transcripts are issued for credit courses, making it imperative<br />
that the student registered is the student that attends.<br />
important information<br />
reFUnD poLicY<br />
Should you require further information,<br />
please call our office for assistance:<br />
705-457-1680 Toll-free 1-866-353-6464 ext. 3<br />
createit@hsta.ca<br />
www.hsta.ca<br />
Material Lists<br />
A list of materials needed for your course is accessible on-line<br />
(usually by May 1) . Simply visit www .hsta .ca and search for<br />
your course name . There will be a link on that page .<br />
Important details to check:<br />
– Course name<br />
– Course code and section number<br />
– Instructor<br />
– Date<br />
These checks will ensure you are accessing the correct<br />
material list for your course .<br />
This list will also indicate any material fees that will be payable<br />
to the instructor .<br />
Your material list can be mailed to you upon request.<br />
Accommodation<br />
The Haliburton School of The Arts maintains an accommodation<br />
list . Options range from private to commercial, from room and<br />
board to hotels; the distance to the school is indicated with each .<br />
Students interested in obtaining the list should contact the school<br />
office at 1-866-353-6464 ext . 3 or drop us a note with your<br />
registration . This information is mailed only upon registration,<br />
upon request . Our accommodation list is also available online at<br />
www .hsta .ca .<br />
The County of Haliburton Visitor Information Centre has information<br />
available about bed and breakfast establishments, motels,<br />
housekeeping cottages and resorts ranging from rustic to luxury .<br />
Information can be mailed to you, or names and phone numbers<br />
given at your request . Call during business hours: Monday<br />
to Saturday until June; 7 days per week in July and August:<br />
1-800-461-7677 or 705-286-1777 .<br />
If You Cancel: All notifications of cancellation must be<br />
received in writing .<br />
If you cancel any time up to 14 days prior to course start, you<br />
will receive a full refund less a $25 administrative fee . If you<br />
cancel later than 14 days prior to course start, there is no<br />
refund of fees . This policy applies in all circumstances due<br />
to our commitment to students and instructors two weeks<br />
prior to course start . Should you be able to attend a different<br />
course within the fiscal year, we would be happy to attempt to<br />
accommodate you .<br />
Our fax number is 705-457-2255 and is available 24 hours/<br />
day 7 days/week . Notification is also welcomed electronically<br />
at contact@HaliburtonSchoolofTheArts .ca<br />
No refunds, partial or whole, will be granted if we receive insufficient written notification.<br />
It may take 2 to 4 weeks for refunds to be processed.<br />
99
100<br />
What are the admission requirements?<br />
Students must be 19 years of age or older or a secondary school<br />
graduate to register for credit courses . Saturday workshops, kids’,<br />
youth and teen courses are not subject to this requirement .<br />
Where do people stay when they take a course?<br />
See page 99 for accommodation options .<br />
What are the ages for courses?<br />
Please adhere to the following ages:<br />
Kids (two groups): 5 to 7 years, 8 to 10 years<br />
Youth: 11 to 13 years<br />
Teen: 13 to 18 years<br />
The school maintains the right to request proof of age and, if<br />
necessary, will remove a child from a course . No refund will be<br />
granted in these instances .<br />
Can I get art supplies there?<br />
Art supplies will be available for purchase on site Mondays and<br />
Wednesdays from July 2 to August 8, 2012 . There are also some<br />
art supplies available at local retail outlets .<br />
Can we get something to eat at the school?<br />
The high school cafeteria will be open from 8:00am to 3:00pm,<br />
Monday to Friday .<br />
There is a small servery located at our Haliburton campus .<br />
Coffee, muffins, juices, soups, salads, and daily lunch specials<br />
are available . The hours are: Monday to Friday, 8:30 am to<br />
2:30 pm .<br />
There are also vending machines with drinks and snacks, as well<br />
as a microwave and fridge available for your use . Picnic tables<br />
will be situated around the property . There are a number of<br />
restaurant options in the village .<br />
Please note that there will not be food service for Saturday<br />
workshops .<br />
Are there local childcare options?<br />
There are local licensed facilities . In the Minden area: Ontario<br />
Early Years Children’s Learning Centre 705-286-4074. In the<br />
Haliburton area: Wee Care 705-457-3677 . Call the centres for<br />
information about other programs and services available .<br />
How can I find out more about the local area?<br />
Information about the Haliburton Highlands is available at<br />
www .haliburtoncounty .ca and www .haliburtonholidays .ca<br />
Can I bring my pet?<br />
We’re sorry but pets are not permitted in any of the school<br />
locations .<br />
How do I know if the skill level is right for me?<br />
We do our best to indicate the skill level that instruction will be<br />
offered at . If there is no indication, assume that it’s suitable for<br />
beginners . Please give careful consideration to the appropriateness<br />
of your course as it relates to your skill level as this will<br />
ensure a positive learning experience for all involved . We would<br />
be happy to assist you with any questions .<br />
Is smoking allowed?<br />
Smoking is not permitted in any of the school locations .<br />
FaQ 2012<br />
Can you help me with special needs?<br />
<strong>Fleming</strong> <strong>College</strong> strives to accommodate individuals with special<br />
needs . Equal access is important to us . Students requiring special<br />
support while at the school should inform us upon registration .<br />
Self-identification is your responsibility . Please contact the school<br />
in a timely manner to enable us to make necessary arrangements.<br />
call 705-457-1680 or TTY 705-749-5521.<br />
What if I need medical or dental attention while at the school?<br />
We would be happy to assist you; simply ask any staff member .<br />
Is there a discounted fee for seniors?<br />
We don’t offer a senior rate for any of our courses, workshops or<br />
supplies .<br />
Check our website at www.hsta.ca<br />
for the latest information.<br />
Calendar Accuracy<br />
The material in this calendar has been prepared in advance<br />
of the academic session to which it pertains . The information<br />
presented herein was the most current and accurate information<br />
at the time of printing . <strong>Fleming</strong> <strong>College</strong> reserves the right to make<br />
changes without further notice . For the most current information,<br />
please visit www .hsta .ca
n Reception at the Rails’ End Gallery<br />
& Art Centre<br />
Tuesdays (July 3 to 24) • 4:30 to 6:00 pm<br />
Faculty Show and Sale of new work depicting the theme, Push<br />
Pull . Relax and enjoy the company of fellow students and<br />
instructors as you unwind at the end of the day!<br />
n Art Talk<br />
Wednesdays • 4:45 to 6:00 pm<br />
The Haliburton School of The Arts sponsors a weekly free<br />
presentation open to all students, staff and public . Join us in the<br />
Great Hall . See page 102 for specific presentations .<br />
n Walk-About & Instructor Feature<br />
Thursdays • 4:00 to 5:45 pm<br />
Students, family, friends and community members are welcome<br />
to visit classrooms to see work in progress and talk with the<br />
instructors . Instructor work will also be available to view on<br />
monitors in common areas .<br />
n Reception and Entertainment<br />
BEYOND thE StuDiO<br />
Relax, explore and enjoy summer school!<br />
Thursdays • 5:30 to 6:30 pm<br />
Each Thursday night a reception will be held in the Great Hall<br />
providing students and staff with an opportunity for relaxation<br />
and entertainment . Light refreshments will be available . The Art<br />
Auction will replace entertainment on August 9 . See page 103 for<br />
specific entertainers .<br />
Rails End Gallery<br />
23 York St., Haliburton<br />
705-457-2330<br />
www .railsendgallery .com<br />
Art Auction<br />
Thursday, August 9 .<br />
See page 97 for more information .<br />
Massage<br />
Massage appointments will be<br />
available on-site in the summer .<br />
A schedule will be posted during<br />
summer school .<br />
101
102<br />
Wednesday, July 4<br />
Creativity & Aging – The Time of Your Life<br />
with Victoria Cowan<br />
There is a parallel between life stages and creative stages . We<br />
progress from childhood through youth, adulthood and maturity<br />
every time we start a new piece of work . This discussion will look<br />
at the twists and turns of the evolution of the artist’s body of work,<br />
as well as examples from a broad range of artists, with a focus on<br />
the creative experience in mid-life .<br />
Wednesday, July 11<br />
The Domestic Arts of Love<br />
with Michele Karch Ackerman<br />
Michele Karch-Ackerman makes clothing for lost souls . For<br />
eighteen years she has stitched conceptual wardrobes to<br />
manifest healing . From stitching christening gowns for pioneer<br />
babies who died before they could be baptized, making “Travel<br />
Kits for Lost Souls” for those who died in the Swiss Air Crash,<br />
and nightgowns for soldiers who perished in the First World<br />
War, to creating a mythical boarding school for the Dionne<br />
Quintuplets and most recently a series of ‘foundling’ garments<br />
for the unwed mothers who were forced to give up their babies<br />
in the early to mid-twentieth century, Michele has employed ‘The<br />
Domestic Acts of Love .’ This fall the Tom Thomson Gallery will<br />
be featuring a retrospective of her work in conjunction with their<br />
50th anniversary . Join Michele as she takes you on a visual tour<br />
of the eight major solo shows that encompass this remarkable<br />
exhibition .<br />
Wednesday, July 18<br />
Uncharted Territory<br />
with Brian Smith<br />
Every artist is influenced by every other artist they meet, or<br />
certainly by the work of every artist they meet . Sometimes<br />
it is simply an attitude that will leave a mark; or a word of<br />
encouragement that will be remembered; maybe a specific lesson<br />
focussed on process or concept that will grab hold of one’s mind<br />
and become the DNA of some new art yet to be produced . This<br />
presentation was lovingly developed by Brian to pay homage to<br />
nine people who have made a mark on his journey to be an artist .<br />
Join him as he introduces you to Marjorie Smith, William Gregory,<br />
Hugh MacKenzie, John Leonard, Joanna Nash and others who<br />
are always part of his interior dialogue when he is drawing and<br />
painting .<br />
Art<br />
Talks<br />
Indulge your creative curiosity.<br />
Enjoy a visual presentation, some dialogue,<br />
and the chance to ask questions.<br />
Wednesday, July 25<br />
Art Talks are held in the Great Hall<br />
of the <strong>Fleming</strong> Campus.<br />
Friends and family are also welcome.<br />
Wednesdays, July 4 to August 8<br />
4:45 to 6:00pm<br />
Candlesticks – Silver spoons – Coffee pots:<br />
The Craft of Silversmithing<br />
with Todd Jeffrey Ellis<br />
The artistry of the silversmith walks a delicate balance between<br />
form and function as few other crafts must do . This timehonoured<br />
process has been handed down from master to student<br />
with little change throughout the centuries . In the hand of the<br />
silversmith the hammer blows on silver are placed with the skill<br />
and finesse involved in bowing a violin . Discover the rich history<br />
of silversmithing, its contemporary context and the journey in<br />
between .<br />
Wednesday, August 1<br />
The Artist and the Super Natural Reality<br />
with Andrea Mossop<br />
As artists, we make visible the invisible world . This talk, rich in<br />
artists’ stories and images, portrays how we reach behind the<br />
scenes to give form to that feeling of “something more” than<br />
just our physical reality, to the bigness, awe and certainty in the<br />
hidden order and harmony of our everyday experiences .<br />
Wednesday, August 8<br />
Text in Art<br />
with Kal Honey<br />
If a picture is worth a thousand words, why then do more and<br />
more pictures seem to include words? From the early days of<br />
collage through Pop Art into contemporary practice, the written<br />
word’s place in visual art just keeps expanding and diversifying .<br />
This presentation delivers a (very) brief look at the history of the<br />
written word, then launches into an engaging survey of art and<br />
artists incorporating text, from 1900 to the present . A must-see<br />
for anyone intrigued by the interplay of art and text .
PLEASE WELCOME<br />
TO <strong>THE</strong> STAGE...<br />
thursday, July 5<br />
eve goldberg<br />
Eve’s watercolour voice and solid<br />
guitar style have become favourites<br />
at festivals, folk clubs, and concert<br />
series across Canada and the US .<br />
Her performances are intimate<br />
and relaxed, moving effortlessly<br />
from folk classics to original gems,<br />
all wrapped up in her clear, pure<br />
voice and dynamic guitar playing .<br />
Imagine a kitchen party where<br />
Mother Maybelle Carter, Ella Fitzgerald, Mississippi John Hurt,<br />
Bessie Smith, Bob Dylan, The Beatles, and Patsy Cline show<br />
up, and you begin to get a sense this performance . Never one to<br />
restrict herself to one genre of music, Eve performs a trademark<br />
mixture of folk, blues, country, bluegrass, old time, and jazz .<br />
www .evegoldberg .com<br />
thursday, July 12<br />
andy rush and the choral singers<br />
Behold the power of the collective<br />
voice! A group of individuals,<br />
most meeting for the first time<br />
just four days prior to become<br />
part of this choral group, will raise<br />
their voices together in song . The<br />
result will be extraordinary . Andy<br />
Rush’s passion for performance<br />
and music motivates his charges<br />
and energizes entire rooms .<br />
You’ll witness and hear, but most<br />
of all you’ll feel the remarkable<br />
phenomenon of the collective voice .<br />
thursday, July 19<br />
the improv show!<br />
with Kerry griffin et al<br />
Some of Canada’s best<br />
improvisers will use your<br />
suggestions and ideas to create<br />
instant and unforgettable comedy!<br />
In the style of Who’s Line is it<br />
Anyway?, the cast, featuring<br />
Canadian Comedy Award winners<br />
and Second City alumni, will<br />
have you rolling in the aisles with<br />
on-the-spot laughs . And… you<br />
never know when you might even become part of the show!<br />
Join us in the Great Hall from 5:30 to 6:30 pm.<br />
Our entertainment is suitable for adults and children alike.<br />
thursday, July 26<br />
rick Fines<br />
Rick Fines has been playing<br />
music professionally for 29<br />
years now and is a veteran of<br />
the folk and blues circuits in<br />
North America . His song Riley<br />
Wants His Life Back won first<br />
place in the blues category of<br />
the International Songwriting Competition, with B .B . King as<br />
one of the judges! He won Maple Blues Awards for Acoustic<br />
Act of the Year (twice) and Songwriter of the Year. His work with<br />
Jackson Delta brought nominations from both the Juno and<br />
the Handy Awards . Rick has toured around the world sharing<br />
his understanding of blues, finger-style and bottleneck guitar .<br />
His 11th recording, Solar Powered, was recorded just south of<br />
Haliburton using solar power exclusively . www .rickfines .com<br />
thursday, august 2<br />
suzie Vinnick<br />
Suzie Vinnick is the owner of a<br />
gorgeous, powerful voice and<br />
performs with a sweet mixture<br />
of engaging candidness and<br />
unparalleled musicianship . She<br />
won the 2011 Canadian Folk<br />
Music Award for Contemporary Singer of the Year, is a two-time<br />
Juno nominee and is nominated for four 2011 Canadian Maple<br />
Blues Awards (she has previously won six Canadian Maple Blues<br />
Awards) . Suzie has also twice won 1st place in the Blues Category<br />
of the International Songwriting Competition . She has toured with<br />
Stuart McLean’s The Vinyl Café, the John McDermott band, with<br />
Rick Fines and the Marigolds and has performed for Canadian<br />
Peacekeepers in Bosnia and the Persian Gulf . Suzie was also the<br />
voice of Tim Horton’s for five years . www .suzievinnick .com<br />
thursday, august 9<br />
annual art auction See page 97 for more information.<br />
thursday, august 16 (4:15 to 5:15 pm)<br />
cindy thompson-Butineau<br />
Cindy’s electrifying performances<br />
have earned her a reputation<br />
as one of Canada’s premiere<br />
combination fiddle player/<br />
stepdancers . A former national<br />
Canadian stepdance champion<br />
and winner of numerous fiddle<br />
awards, she performs in her own<br />
inimitable style, full of spontaneity,<br />
fun and musical excellence . There<br />
is something for everyone in her fiddling as she draws from<br />
Scottish, Irish, Cajun, French Canadian, Bluegrass and Old Time<br />
fiddle styles . Her two CDs, Through the Gates and I Can Feel it in<br />
the Air, are still receiving great reviews and Cindy is still enjoying<br />
a career that has taken her to stages across North America for<br />
over 30 years .<br />
103
104<br />
Push Pull<br />
Haliburton School of The Arts Faculty Show and Sale<br />
June 30 - July 29, 2012<br />
Meet & Mingle Receptions for HSTA students & faculty Tuesdays 4:30 - 6<br />
Gallery admission by donation, suggested $2<br />
Tues 10-6:30 Wed - Sat 10 - 5 Sun 12 -4<br />
Plan to attend Haliburton Art & Craft Festival July 27, 28, 29<br />
presented annually by Rails End Gallery and Arts Centre<br />
preview the artists and learn more on our website.<br />
23 York St, Haliburton Village 705-457-2330<br />
www. railsendgallery.com<br />
Rails End Gallery & Arts Centre presents<br />
Haliburton<br />
47th Annual Haliburton<br />
Art & Craft Festival<br />
July 27, 22-24 28, 29<br />
Head Lake Park, Haliburton Village<br />
Meet the makers in Head Lake Park this summer!<br />
Fri 12-6 Sat 10-6 Sun 10-4 admission $2<br />
for a complete list of vendors visit www.railsendgallery.com<br />
Rails End Gallery & Arts Centre | www.railsendgallery.com<br />
457-2330 | info@railsendgallery.com | 23 York St, Haliburton Village<br />
Colours in the Storm<br />
Within Reach<br />
Arsenic & Old Lace<br />
Sweetheart<br />
The Mary Pickford Story<br />
Steel Magnolias<br />
Richard Margison & Friends<br />
Opera Excerpt Concerts<br />
La Tragédie de Carmen<br />
The Magic Flute<br />
For Tickets or More Information<br />
705.457.9933<br />
www.highlandssummerfestival.on.ca
Learn to Build Healthy Buildings<br />
<strong>Fleming</strong> <strong>College</strong> launched Canada’s first Sustainable<br />
Building and Design Certificate program in 2005 and soon<br />
after developed a unique program focussed on sustainable<br />
renovations to meet the student demand for additional skills<br />
in this growing industry. Students can choose one or both<br />
certificate programs:<br />
• SuSTainable building deSign and ConSTruCTion<br />
(april – august)<br />
An intensive, 20-week hands-on experience that puts<br />
you at the centre of the construction of a full-sized and<br />
cutting-edge sustainable building.<br />
• SuStainable RenovationS<br />
(September – december)<br />
A compressed 16-week program, where you will work on<br />
a real world renovation project involving a wide variety of<br />
sustainable systems and materials – to understand the<br />
complexity and challenges of green renovation.<br />
For more inFormaTion, ConTaCT:<br />
Ted brandon 1.866.353.6464 ext 6709<br />
(Haliburton Campus)<br />
tbrandon@flemingc.on.ca<br />
Why Choose <strong>Fleming</strong>?<br />
• Accredited Ontario <strong>College</strong><br />
Certificate<br />
• Ontario Student Assistance Program<br />
(OSAP) eligible<br />
• Second Career Eligible<br />
• Scholarships and bursaries<br />
available<br />
• EllisDon internship opportunity NEW!<br />
flemingcollege.ca
705-457-1680<br />
Toll Free 1-866-FLEMING (1-866-353-6464)<br />
createit@hsta.ca<br />
297 <strong>College</strong> Drive<br />
Box 839, Haliburton, Ontario<br />
K0M 1S0<br />
www.hsta.ca<br />
Find us on Facebook:<br />
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OUR COMMITMENT TO <strong>THE</strong> ENVIRONMENT<br />
<strong>Fleming</strong> <strong>College</strong> is committed to responsible environmental practices. This calendar is printed on FSC ® certified (Forest<br />
Stewardship Council ® ) paper that is manufactured acid and elemental chlorine free. Printing services are supplied by an<br />
FSC certified printer. Using FSC certified paper saves not only trees, but water, energy, air emissions and solid waste.<br />
C<br />
PETERBOR<br />
OUR COMMITMENT TO <strong>THE</strong> ENVIRONMENT<br />
<strong>Fleming</strong> <strong>College</strong> is committed to responsible environmental p<br />
elemental chlorine free. Printing services are supplied by an F