Get Shorty (Tales of a Six-Shooter) - Mel Bay's Harmonica Sessions
Get Shorty (Tales of a Six-Shooter) - Mel Bay's Harmonica Sessions
Get Shorty (Tales of a Six-Shooter) - Mel Bay's Harmonica Sessions
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<strong>Get</strong> <strong>Shorty</strong> (<strong>Tales</strong> <strong>of</strong> a <strong>Six</strong>-<strong>Shooter</strong>)<br />
<strong>Harmonica</strong> Workbench with Kinya Pollard<br />
<strong>Mel</strong> Bay’s <strong>Harmonica</strong><strong>Sessions</strong>® eZine<br />
February 2010<br />
No, this is not going to be a story about Chili Palmer or Billy the Kid, but about the joys <strong>of</strong><br />
playing a six-hole Richter tuned harmonica.<br />
Problem<br />
Regardless <strong>of</strong> the “right” amplifier and bullet microphone, for many harmonica players with<br />
small hands (like me) it is uncomfortable to create and maintain the essential H 2 M (handsharmonica-mic)<br />
seal. H 2 M is an immutable law <strong>of</strong> sonic physics, which enables the<br />
harmonica player to create a tone chamber that will produce the elusive big, fat, and nasty<br />
tones from their harmonica.<br />
Added technical note… Due to the side air vents machined into the cover plates, Hohner<br />
Marine Band and Suzuki Manji harmonica players have to work double duty to create a H 2 M<br />
seal. In addition to covering up the unused holes (i.e. 7 through 10), effort is also required to<br />
plug the four cover plate vents with their hands.<br />
Solution<br />
Select shorter harmonicas that will fit entirely and comfortably into your tone chamber. “But<br />
wait a minute,” you say, “Aren’t most diatonic harmonics four inches (4” / 10cm) in length”?<br />
“Yes” would be my first response, followed by another question, “How <strong>of</strong>ten does your<br />
second position playing venture past the sixth hole?” If your response is rarely-to-only when<br />
I play “Whammer Jammer,” then you are a good candidate to build and play the two and<br />
three quarter inch (2.75” / 7cm) <strong>Six</strong> <strong>Shooter</strong>.<br />
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For those <strong>of</strong> you pondering the answer to my last question, look at the reed layout <strong>of</strong> a<br />
typical Richter tuned diatonic harmonica. Notice how in holes 1 through 6, the higher pitched<br />
reeds are installed on the bottom draw (inhale) reed plate. Now glance over to holes 7<br />
through 10 and you will find that the higher pitched reeds shifted over to the top blow reed<br />
plate.<br />
This is why your playing pattern is completely different on the first six holes <strong>of</strong> your ten-hole<br />
diatonic harmonica. It is as if you are playing two completely different harmonicas!<br />
The first commercially available six hole Richter tuned harmonica that I am aware <strong>of</strong> comes<br />
from Seydel www.seydelusa.com. Unfortunately, the “Big <strong>Six</strong>” harmonica is only available in<br />
the Key <strong>of</strong> C.<br />
2
Project<br />
I could not miss the opportunity to retr<strong>of</strong>it my Marine Band Deluxe (MB DLX) harmonicas to<br />
<strong>Six</strong>-<strong>Shooter</strong>s.<br />
For this project, we will need the following BOM (Bill <strong>of</strong> Materials):<br />
• One Hohner Marine Band Deluxe (#2005) harmonica<br />
• One set <strong>of</strong> Seydel Big <strong>Six</strong> cover plates with bolts<br />
• One Corian comb machined to fit Hohner reed plates and Big <strong>Six</strong> cover plates.<br />
Available from Randy Sandoval <strong>of</strong> Genesis <strong>Harmonica</strong>s www.genesisharmonicas.net<br />
3
Remove cover plates from the Big <strong>Six</strong> harmonica.<br />
Remove cover plates from the MB harmonica<br />
4
Mark the cut line, slightly to the right <strong>of</strong> slot #8.<br />
Clamp the MB into a s<strong>of</strong>t jaw vise.<br />
5
Using a fine tooth (24t) hacksaw blade, cut and carefully remove the unwanted section.<br />
6
Clean the burrs and round <strong>of</strong>f the edges <strong>of</strong> the reed plates with a modeler’s sander.<br />
Don’t miss the opportunity to build your inventory <strong>of</strong> donor reeds for future replacements.<br />
Remove and store both blow and draw reeds 7 & 8. Refer to past issues <strong>of</strong> Monster<br />
<strong>Harmonica</strong> Workbench for lessons in reed removal and replacements.<br />
7
Using the Blow (top) reed plate as a template, align on to Corian comb (large slots to your<br />
left). Mark pilot holes with ink marker.<br />
Secure the Corian comb over a scrap piece <strong>of</strong> wood. With a 5/64” bit, drill through the<br />
Corian comb for the two reed plate bolts.<br />
8
Install reed plates onto comb and temporarily secure with reed plate bolts.<br />
Align cover plate onto harmonica and mark holes.<br />
9
Clamp harmonica into s<strong>of</strong>t jaw vise and drill 1/8” holes through reed plate and Corian comb<br />
for cover plate bolts.<br />
Disassemble reed plates from comb, debur holes, and clean all debris left over from the<br />
drilling process, then perform reed plate modifications, reed pr<strong>of</strong>iling, and tuning. Refer to<br />
past issues <strong>of</strong> Monster <strong>Harmonica</strong> Workbench for lessons in reed slot sizing (embossing),<br />
reed pr<strong>of</strong>iling (gapping) and tuning.<br />
10
Install cover plates, secure bolts and admire your work ;o)<br />
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Notice how the length <strong>of</strong> your <strong>Six</strong> <strong>Shooter</strong> fits perfectly in front <strong>of</strong> the Bullet Mic. This will<br />
enable you to execute a perfect H 2 M seal by completely closing <strong>of</strong>f any leakage. Cool harp<br />
mics and gear from Greg Heumann <strong>of</strong> Blows Me Away Productions www.blowsmeaway.com<br />
Now armed with your <strong>Six</strong>-<strong>Shooter</strong>s, get back onto that bandstand and blow them away!<br />
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Celebrity Hands<br />
Yes, (or not ;o) you are correct, these hands belong to internationally acclaimed Carlos Del<br />
Junco. www.carlsodeljunco.com<br />
“Play the notes people want to hear” © 2008<br />
Kinya Pollard<br />
The Harpsmith<br />
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