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IRISH ARTS Rediscovering Seamus Murphy Thomas Phillips ...

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Harmony<br />

30 Paintings<br />

Chaos Oil on canvas 70 x 70cm<br />

TIBOR CERVENAK<br />

26th April - 5th May 2007<br />

gallery<br />

?\ fY% ^\ W 467 Antrim Road, Belfast<br />

\21 I 1 V# * Tel 028 9077 8777 (048 from<br />

ROI)<br />

Open Mon - Sat 9.00am - 5.00pm, Thurs to 8.00pm WWW.emergallery.COm<br />

Crawf<br />

llery<br />

^?s.<br />

Crawford Art Gallery I Emmet Place I Cork<br />

BALCERZAK<br />

www.wilhelrtibalcerzak.com<br />

T: +353 (0)21 4907855 I E: crawfordgallery@eircom.net<br />

www.crawfordartgallery.com<br />

Painted by Francis Bindon around 1735, this portrait is a sympathetic portrayal of the writer<br />

Jonathan Swift, author of Gulliver's Travels, A Modest Proposal and The Drapier's Letters. The<br />

portrait shows Swift at a time when several of his close friends, including John Gay and John<br />

Arbuthnot, had died, while the great love of his life, Esther Johnson, or "Stella", had died ten<br />

years before, leaving Swift increasingly disillusioned and facing a lonely old age. The artist, a<br />

friend of Swift, conveys much of the sadness of these years in this down-to-earth portrait.<br />

Born in Co. Clare, Bindon travelled extensively in Italy, and afterwards studied with Godfrey<br />

Kneller in London. A landowner and member of the Royal Dublin Society, he was<br />

independently wealthy and therefore not obliged to produce glamourous images of his sitters.<br />

Swift, who had moved to Ireland from his native England, had come to identify with his<br />

adopted land, and led several public campaigns against measures he thought would damage<br />

Ireland's economy. He noted, with characteristic acerbity, in his diary for June 1735 "I have<br />

been fool enough to sit for my portrait at full-length by Mr. Bindon.' However, this half-length<br />

canvas, showing the satirist without the wig so common in eighteenth century portraits, was<br />

painted probably in the same year and is a sensitive portrayal of the writer. Apart from<br />

churchmen such as Dr. Delany and Archbishop Cobbe, Bindon is thought to have painted the<br />

blind harper Turlough O'Carolan, in a portrait now in the National Gallery of Ireland. He also<br />

studied architecture with Sir Edward Lovett Pearce, and went on to design country houses,<br />

including Bessborough, Woodstock and Castle Morres, in Co. Kilkenny. This portrait was kept<br />

by Jonathan Swift in the Deanery of St. Patricks and was bequeathed to his housekeeper Mrs.<br />

Ridgeway, in whose family it was preserved for many years. It was acquired by the Crawford<br />

Art Gallery in January 2007, to mark the accession to the status of National Cultural Institution,<br />

with funds provided by the Department of Arts, Sport and Tourism.<br />

12<br />

I<br />

<strong>IRISH</strong> <strong>ARTS</strong> REVIEW SPRING 2007<br />

FRANCIS BINDON c.1690-1765<br />

Portrait of Jonathan Swift (1667-1745)

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